{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Daisy+Bacon+Papers\u0026page=3\u0026view=compact","prev":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Daisy+Bacon+Papers\u0026page=2\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Daisy+Bacon+Papers\u0026page=4\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Daisy+Bacon+Papers\u0026page=12\u0026view=compact"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":12,"limit_value":10,"offset_value":20,"total_count":118,"first_page?":false,"last_page?":false}},"data":[{"id":"vihart_repositories_4_resources_636_c01_c05","type":"File","attributes":{"title":"Daisy Bacon dream journal","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_636_c01_c05","ref_ssm":["vihart_repositories_4_resources_636_c01_c05"],"id":"vihart_repositories_4_resources_636_c01_c05","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636_c01","parent_ssi":"vihart_repositories_4_resources_636_c01","parent_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c01"],"parent_ids_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c01"],"parent_unittitles_ssm":["Daisy Bacon Papers","Diaries and Journals"],"parent_unittitles_tesim":["Daisy Bacon Papers","Diaries and Journals"],"text":["Daisy Bacon Papers","Diaries and Journals","Daisy Bacon dream journal","box 1","folder 5"],"title_filing_ssi":"Daisy Bacon dream journal","title_ssm":["Daisy Bacon dream journal"],"title_tesim":["Daisy Bacon dream journal"],"unitdate_inclusive_ssm":["1942-1943, 1947"],"normalized_date_ssm":["1942/1947"],"normalized_title_ssm":["Daisy Bacon dream journal"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Daisy Bacon Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":8,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"parent_access_terms_tesm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1942,1943,1944,1945,1946,1947],"containers_ssim":["box 1","folder 5"],"_nest_path_":"/components#0/components#4","timestamp":"2026-04-30T22:58:37.387Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"text":["SC 0304","/repositories/4/resources/636","Daisy Bacon Papers","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"normalized_title_ssm":["Daisy Bacon Papers"],"collection_title_tesim":["Daisy Bacon Papers"],"collection_ssim":["Daisy Bacon Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine . Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e\n","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e\n","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e\n","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e\n","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e"],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection."],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:58:37.387Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c01_c05"}},{"id":"vihart_repositories_4_resources_636_c01_c06","type":"File","attributes":{"title":"Daisy Bacon dream journal","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c01_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_636_c01_c06","ref_ssm":["vihart_repositories_4_resources_636_c01_c06"],"id":"vihart_repositories_4_resources_636_c01_c06","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636_c01","parent_ssi":"vihart_repositories_4_resources_636_c01","parent_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c01"],"parent_ids_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c01"],"parent_unittitles_ssm":["Daisy Bacon Papers","Diaries and Journals"],"parent_unittitles_tesim":["Daisy Bacon Papers","Diaries and Journals"],"text":["Daisy Bacon Papers","Diaries and Journals","Daisy Bacon dream journal","box 2","folder 1"],"title_filing_ssi":"Daisy Bacon dream journal","title_ssm":["Daisy Bacon dream journal"],"title_tesim":["Daisy Bacon dream journal"],"unitdate_other_ssim":["before 1949"],"normalized_date_ssm":["1949"],"normalized_title_ssm":["Daisy Bacon dream journal"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Daisy Bacon Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":9,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"parent_access_terms_tesm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1949],"containers_ssim":["box 2","folder 1"],"_nest_path_":"/components#0/components#5","timestamp":"2026-04-30T22:58:37.387Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"text":["SC 0304","/repositories/4/resources/636","Daisy Bacon Papers","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"normalized_title_ssm":["Daisy Bacon Papers"],"collection_title_tesim":["Daisy Bacon Papers"],"collection_ssim":["Daisy Bacon Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine . Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e\n","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e\n","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e\n","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e\n","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e"],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection."],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:58:37.387Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c01_c06"}},{"id":"vihart_repositories_4_resources_636_c01_c07","type":"File","attributes":{"title":"Daisy Bacon dream journal","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c01_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_636_c01_c07","ref_ssm":["vihart_repositories_4_resources_636_c01_c07"],"id":"vihart_repositories_4_resources_636_c01_c07","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636_c01","parent_ssi":"vihart_repositories_4_resources_636_c01","parent_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c01"],"parent_ids_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c01"],"parent_unittitles_ssm":["Daisy Bacon Papers","Diaries and Journals"],"parent_unittitles_tesim":["Daisy Bacon Papers","Diaries and Journals"],"text":["Daisy Bacon Papers","Diaries and Journals","Daisy Bacon dream journal","box 2","folder 2"],"title_filing_ssi":"Daisy Bacon dream journal","title_ssm":["Daisy Bacon dream journal"],"title_tesim":["Daisy Bacon dream journal"],"unitdate_inclusive_ssm":["1958-1959"],"normalized_date_ssm":["1958/1959"],"normalized_title_ssm":["Daisy Bacon dream journal"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Daisy Bacon Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":10,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"parent_access_terms_tesm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1958,1959],"containers_ssim":["box 2","folder 2"],"_nest_path_":"/components#0/components#6","timestamp":"2026-04-30T22:58:37.387Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"text":["SC 0304","/repositories/4/resources/636","Daisy Bacon Papers","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"normalized_title_ssm":["Daisy Bacon Papers"],"collection_title_tesim":["Daisy Bacon Papers"],"collection_ssim":["Daisy Bacon Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine . Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e\n","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e\n","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e\n","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e\n","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e"],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection."],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:58:37.387Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c01_c07"}},{"id":"vihart_repositories_4_resources_636_c01_c08","type":"File","attributes":{"title":"Daisy Bacon dream journal","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c01_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_636_c01_c08","ref_ssm":["vihart_repositories_4_resources_636_c01_c08"],"id":"vihart_repositories_4_resources_636_c01_c08","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636_c01","parent_ssi":"vihart_repositories_4_resources_636_c01","parent_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c01"],"parent_ids_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c01"],"parent_unittitles_ssm":["Daisy Bacon Papers","Diaries and Journals"],"parent_unittitles_tesim":["Daisy Bacon Papers","Diaries and Journals"],"text":["Daisy Bacon Papers","Diaries and Journals","Daisy Bacon dream journal","box 2","folder 3"],"title_filing_ssi":"Daisy Bacon dream journal","title_ssm":["Daisy Bacon dream journal"],"title_tesim":["Daisy Bacon dream journal"],"unitdate_inclusive_ssm":["undated"],"normalized_title_ssm":["Daisy Bacon dream journal"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Daisy Bacon Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":11,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"parent_access_terms_tesm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"containers_ssim":["box 2","folder 3"],"_nest_path_":"/components#0/components#7","timestamp":"2026-04-30T22:58:37.387Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"text":["SC 0304","/repositories/4/resources/636","Daisy Bacon Papers","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"normalized_title_ssm":["Daisy Bacon Papers"],"collection_title_tesim":["Daisy Bacon Papers"],"collection_ssim":["Daisy Bacon Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine . Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e\n","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e\n","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e\n","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e\n","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e"],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection."],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:58:37.387Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c01_c08"}},{"id":"vihart_repositories_4_resources_636_c04_c13","type":"File","attributes":{"title":"Daisy Bacon miscellaneous notes","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c04_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_636_c04_c13","ref_ssm":["vihart_repositories_4_resources_636_c04_c13"],"id":"vihart_repositories_4_resources_636_c04_c13","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636_c04","parent_ssi":"vihart_repositories_4_resources_636_c04","parent_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c04"],"parent_ids_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c04"],"parent_unittitles_ssm":["Daisy Bacon Papers","Personal Papers and Correspondence"],"parent_unittitles_tesim":["Daisy Bacon Papers","Personal Papers and Correspondence"],"text":["Daisy Bacon Papers","Personal Papers and Correspondence","Daisy Bacon miscellaneous notes","box 7","folder 7"],"title_filing_ssi":"Daisy Bacon miscellaneous notes","title_ssm":["Daisy Bacon miscellaneous notes"],"title_tesim":["Daisy Bacon miscellaneous notes"],"unitdate_inclusive_ssm":["undated"],"normalized_title_ssm":["Daisy Bacon miscellaneous notes"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Daisy Bacon Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":80,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"parent_access_terms_tesm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"containers_ssim":["box 7","folder 7"],"_nest_path_":"/components#3/components#12","timestamp":"2026-04-30T22:58:37.387Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"text":["SC 0304","/repositories/4/resources/636","Daisy Bacon Papers","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"normalized_title_ssm":["Daisy Bacon Papers"],"collection_title_tesim":["Daisy Bacon Papers"],"collection_ssim":["Daisy Bacon Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine . Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e\n","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e\n","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e\n","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e\n","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e"],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection."],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:58:37.387Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c04_c13"}},{"id":"vihart_repositories_4_resources_636_c01_c09","type":"File","attributes":{"title":"Daisy Bacon notebooks","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c01_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_636_c01_c09","ref_ssm":["vihart_repositories_4_resources_636_c01_c09"],"id":"vihart_repositories_4_resources_636_c01_c09","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636_c01","parent_ssi":"vihart_repositories_4_resources_636_c01","parent_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c01"],"parent_ids_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c01"],"parent_unittitles_ssm":["Daisy Bacon Papers","Diaries and Journals"],"parent_unittitles_tesim":["Daisy Bacon Papers","Diaries and Journals"],"text":["Daisy Bacon Papers","Diaries and Journals","Daisy Bacon notebooks","box 2","folder 4"],"title_filing_ssi":"Daisy Bacon notebooks","title_ssm":["Daisy Bacon notebooks"],"title_tesim":["Daisy Bacon notebooks"],"unitdate_other_ssim":["ca. 1936"],"normalized_date_ssm":["1936"],"normalized_title_ssm":["Daisy Bacon notebooks"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Daisy Bacon Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":12,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"parent_access_terms_tesm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1936],"containers_ssim":["box 2","folder 4"],"_nest_path_":"/components#0/components#8","timestamp":"2026-04-30T22:58:37.387Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"text":["SC 0304","/repositories/4/resources/636","Daisy Bacon Papers","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"normalized_title_ssm":["Daisy Bacon Papers"],"collection_title_tesim":["Daisy Bacon Papers"],"collection_ssim":["Daisy Bacon Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine . Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e\n","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e\n","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e\n","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e\n","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e"],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection."],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:58:37.387Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c01_c09"}},{"id":"vihart_repositories_4_resources_636_c04_c09","type":"File","attributes":{"title":"Daisy Bacon papers","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c04_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_636_c04_c09","ref_ssm":["vihart_repositories_4_resources_636_c04_c09"],"id":"vihart_repositories_4_resources_636_c04_c09","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636_c04","parent_ssi":"vihart_repositories_4_resources_636_c04","parent_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c04"],"parent_ids_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c04"],"parent_unittitles_ssm":["Daisy Bacon Papers","Personal Papers and Correspondence"],"parent_unittitles_tesim":["Daisy Bacon Papers","Personal Papers and Correspondence"],"text":["Daisy Bacon Papers","Personal Papers and Correspondence","Daisy Bacon papers","box 7","folder 3"],"title_filing_ssi":"Daisy Bacon papers","title_ssm":["Daisy Bacon papers"],"title_tesim":["Daisy Bacon papers"],"unitdate_inclusive_ssm":["1945, 1950, undated"],"normalized_date_ssm":["1945/1950"],"normalized_title_ssm":["Daisy Bacon papers"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Daisy Bacon Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":76,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"parent_access_terms_tesm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1945,1946,1947,1948,1949,1950],"containers_ssim":["box 7","folder 3"],"_nest_path_":"/components#3/components#8","timestamp":"2026-04-30T22:58:37.387Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"text":["SC 0304","/repositories/4/resources/636","Daisy Bacon Papers","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"normalized_title_ssm":["Daisy Bacon Papers"],"collection_title_tesim":["Daisy Bacon Papers"],"collection_ssim":["Daisy Bacon Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine . Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e\n","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e\n","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e\n","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e\n","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e"],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection."],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:58:37.387Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c04_c09"}},{"id":"vihart_repositories_4_resources_636","type":"collection","attributes":{"title":"Daisy Bacon Papers","creator":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636#creator","type":"document_value","attributes":{"value":"Bacon, Daisy, 1898-1986","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636#abstract_or_scope","type":"document_value","attributes":{"value":"The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cem\u003eLove Story Magazine\u003c/em\u003e. The papers of select immediate and extended family members are also included in this collection.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"text":["SC 0304","/repositories/4/resources/636","Daisy Bacon Papers","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"normalized_title_ssm":["Daisy Bacon Papers"],"collection_title_tesim":["Daisy Bacon Papers"],"collection_ssim":["Daisy Bacon Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine . Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e\n","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e\n","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e\n","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e\n","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e"],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection."],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:58:37.387Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"text":["SC 0304","/repositories/4/resources/636","Daisy Bacon Papers","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"normalized_title_ssm":["Daisy Bacon Papers"],"collection_title_tesim":["Daisy Bacon Papers"],"collection_ssim":["Daisy Bacon Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine . Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e\n","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e\n","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e\n","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e\n","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e"],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection."],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:58:37.387Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636"}},{"id":"vihart_repositories_4_resources_636_c04_c08","type":"File","attributes":{"title":"Daisy Bacon passport","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c04_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_636_c04_c08","ref_ssm":["vihart_repositories_4_resources_636_c04_c08"],"id":"vihart_repositories_4_resources_636_c04_c08","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636_c04","parent_ssi":"vihart_repositories_4_resources_636_c04","parent_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c04"],"parent_ids_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c04"],"parent_unittitles_ssm":["Daisy Bacon Papers","Personal Papers and Correspondence"],"parent_unittitles_tesim":["Daisy Bacon Papers","Personal Papers and Correspondence"],"text":["Daisy Bacon Papers","Personal Papers and Correspondence","Daisy Bacon passport","box 7","folder 2"],"title_filing_ssi":"Daisy Bacon passport","title_ssm":["Daisy Bacon passport"],"title_tesim":["Daisy Bacon passport"],"unitdate_other_ssim":["1929"],"normalized_date_ssm":["1929"],"normalized_title_ssm":["Daisy Bacon passport"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Daisy Bacon Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":75,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"parent_access_terms_tesm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1929],"containers_ssim":["box 7","folder 2"],"_nest_path_":"/components#3/components#7","timestamp":"2026-04-30T22:58:37.387Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"text":["SC 0304","/repositories/4/resources/636","Daisy Bacon Papers","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"normalized_title_ssm":["Daisy Bacon Papers"],"collection_title_tesim":["Daisy Bacon Papers"],"collection_ssim":["Daisy Bacon Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine . Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e\n","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e\n","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e\n","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e\n","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e"],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection."],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:58:37.387Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c04_c08"}},{"id":"vihart_repositories_4_resources_636_c05_c11","type":"File","attributes":{"title":"Daisy Bacon photographs by W. Eugene Smith","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c05_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_636_c05_c11","ref_ssm":["vihart_repositories_4_resources_636_c05_c11"],"id":"vihart_repositories_4_resources_636_c05_c11","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636_c05","parent_ssi":"vihart_repositories_4_resources_636_c05","parent_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c05"],"parent_ids_ssim":["vihart_repositories_4_resources_636","vihart_repositories_4_resources_636_c05"],"parent_unittitles_ssm":["Daisy Bacon Papers","Photographs and Negatives"],"parent_unittitles_tesim":["Daisy Bacon Papers","Photographs and Negatives"],"text":["Daisy Bacon Papers","Photographs and Negatives","Daisy Bacon photographs by W. Eugene Smith","box 8","folder 6"],"title_filing_ssi":"Daisy Bacon photographs by W. Eugene Smith","title_ssm":["Daisy Bacon photographs by W. Eugene Smith"],"title_tesim":["Daisy Bacon photographs by W. Eugene Smith"],"unitdate_other_ssim":["1942 August"],"normalized_date_ssm":["1942"],"normalized_title_ssm":["Daisy Bacon photographs by W. Eugene Smith"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Daisy Bacon Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":114,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"parent_access_terms_tesm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1942],"containers_ssim":["box 8","folder 6"],"_nest_path_":"/components#4/components#10","timestamp":"2026-04-30T22:58:37.387Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_636","ead_ssi":"vihart_repositories_4_resources_636","_root_":"vihart_repositories_4_resources_636","_nest_parent_":"vihart_repositories_4_resources_636","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_636.xml","title_ssm":["Daisy Bacon Papers"],"title_tesim":["Daisy Bacon Papers"],"unitdate_ssm":["1857-before March 25, 1986"],"unitdate_inclusive_ssm":["1857-before March 25, 1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0304","/repositories/4/resources/636"],"text":["SC 0304","/repositories/4/resources/636","Daisy Bacon Papers","Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.","Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.","The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.","Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019.","Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.","Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.","Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.","Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.","Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection.","James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","English"],"unitid_tesim":["SC 0304","/repositories/4/resources/636"],"normalized_title_ssm":["Daisy Bacon Papers"],"collection_title_tesim":["Daisy Bacon Papers"],"collection_ssim":["Daisy Bacon Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creator_persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"creators_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"access_terms_ssm":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Bill and Nora Haagenson, Daisy's neighbors in Port Washington, New York, donated the collection in December 2019. The collection was in the physical custody of Laurie Powers, Daisy Bacon's biographer and Staunton, Virginia resident, while she was writing  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine . Powers delivered the collection to Special Collections after the Haagensons signed a deed of gift transferring ownership to JMU."],"access_subjects_ssim":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"access_subjects_ssm":["Women editors -- United States","Women authors","Women publishers -- United States","Romance fiction, American -- 20th century","Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"extent_tesim":["3.64 cubic feet 10 boxes","44.4 Megabytes 6 digital files"],"genreform_ssim":["Scrapbooks","Diaries","Photographs","Letters (correspondence)","Notes (documents)","Newspaper clippings","Printed Ephemera","Manuscripts (documents)","Financial Records","Receipts (financial records)","Telephone directories","Negatives (photographs)"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e\n","\u003cp\u003eOriginal audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact research services staff at library-special@jmu.edu before visiting the James Madison University Special Collections Library to use this collection.","Original audiovisual materials contained in this collection are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist."],"appraisal_html_tesm":["\u003cp\u003ePhotocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Note"],"appraisal_tesim":["Photocopies of documents acquired by Laurie Powers for the purpose of writing Bacon's biography, many of which were facsimiles of collection material held at other repositories, were not retained."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eDiaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eScrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers are grouped together which only slightly disrupts the chronological arrangement.\u003c/item\u003e\n      \u003citem\u003eManuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title.\u003c/item\u003e\n      \u003citem\u003ePersonal Papers and Correspondence, 1857-1975, is arranged chronologically.\u003c/item\u003e\n      \u003citem\u003ePhotographs and Negatives, 1883-before March 25, 1986, is arranged chronologically.\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series:","Diaries and Journals, 1899-1982, is arranged by creator (Daisy Bacon, Jessie Bacon Ford, etc.) and item type (diaries, dream journals, etc.) which generally also follows a chronological arrangement. Scrapbooks and Ephemera, 1903-1976, is arranged chronologically. The scrapbooks of  Love Story  covers are grouped together which only slightly disrupts the chronological arrangement. Manuscripts and Publishing, 1929-1975, is arranged alphabetically according to manuscript title/folder title. Personal Papers and Correspondence, 1857-1975, is arranged chronologically. Photographs and Negatives, 1883-before March 25, 1986, is arranged chronologically."],"bibliography_html_tesm":["\u003cbibref\u003eLaurie Powers, \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e, Jefferson, NC: McFarland \u0026amp; Company, Inc. Publishers, 2019.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Laurie Powers,  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine , Jefferson, NC: McFarland \u0026 Company, Inc. Publishers, 2019."],"bioghist_html_tesm":["\u003cp\u003eDaisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026amp; Smith's popular \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.\u003c/p\u003e\n","\u003cp\u003eDaisy began her career at Street \u0026amp; Smith in 1926 as the reader for the \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity, \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e's weekly circulation reportedly reached 600,000. In addition to \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e and other publications, Daisy edited \u003cemph render=\"italic\"\u003eReal Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eAinslee's Smart Love Stories\u003c/emph\u003e, \u003cemph\u003eThe Shadow\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePocket Love\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eDetective Story Magazine\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRomantic Range\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eDoc Savage\u003c/emph\u003e. The publication of \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e ceased with its February 1947 issue though Daisy continued to work at Street \u0026amp; Smith on other pulp titles. Daisy was fired from Street \u0026amp; Smith in April 1949 when the company ended its publication of all pulp fiction magazines except \u003cemph render=\"italic\"\u003eAstounding Stories\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eAfter leaving Street \u0026amp; Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e, an instruction manual on how to write romance stories. After regaining the copyright to \u003cemph render=\"italic\"\u003eLove Story Writer\u003c/emph\u003e in 1963, Bacon established Gemini Books and republished the book as a paperback under the title \u003cemph render=\"italic\"\u003eLove Story Editor\u003c/emph\u003e. Her manuscript for \"Love Story Diary,\" a Street \u0026amp; Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.\u003c/p\u003e\n","\u003cp\u003eEsther and Daisy's relationship was strained after they were let go from Street \u0026amp; Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.\u003c/p\u003e\n","\u003cp\u003eResearchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled \u003cemph render=\"italic\"\u003eQueen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine\u003c/emph\u003e (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Daisy Sarah Bacon (1898-1986) was a writer and editor of Street \u0026 Smith's popular  Love Story Magazine  from 1928 to 1947. She was born in Union City, Pennsylvania to Jessie Holbrook Bacon (1870-1936) and Elmer Bacon (1864-1900). After her father's death on January 1, 1900, Daisy's mother married George Ford (1858-1907). Their daughter Esther Joa Ford (d. 1989) was born in 1906. Esther was Daisy's lifelong friend, confidante, associate, and colleague. The two frequently referred to each other by their respective surnames – Bacon and Ford. In July 1943, Esther married Clarke Robinson, an opera singer, WWI officer, and writer. For a time, Daisy was involved romantically with Henry Wise Miller, a stockbroker who was married to writer Alice Duer Miller. During much of her adulthood, Daisy battled depression, alcoholism, and made at least two suicide attempts.","Daisy began her career at Street \u0026 Smith in 1926 as the reader for the  Love Story  advice column. Just a few months later, she started writing short stories for the magazine. Daisy became the magazine's editor in 1928 and worked closely with her half-sister and editorial assistant Esther. At the height of its popularity,  Love Story 's weekly circulation reportedly reached 600,000. In addition to  Love Story  and other publications, Daisy edited  Real Love ,  Ainslee's Smart Love Stories ,  The Shadow ,  Pocket Love ,  Detective Story Magazine ,  Romantic Range , and  Doc Savage . The publication of  Love Story  ceased with its February 1947 issue though Daisy continued to work at Street \u0026 Smith on other pulp titles. Daisy was fired from Street \u0026 Smith in April 1949 when the company ended its publication of all pulp fiction magazines except  Astounding Stories . ","After leaving Street \u0026 Smith, Daisy moved from Manhattan to Port Washington, New York where she continued to write. In 1954, she published  Love Story Writer , an instruction manual on how to write romance stories. After regaining the copyright to  Love Story Writer  in 1963, Bacon established Gemini Books and republished the book as a paperback under the title  Love Story Editor . Her manuscript for \"Love Story Diary,\" a Street \u0026 Smith tell-all was never published and is not extant. Bacon also kept diaries and dream journals, and their contents often alluded to her personal struggles and complicated relationships.","Esther and Daisy's relationship was strained after they were let go from Street \u0026 Smith, but Esther moved in with Daisy after her husband Clarke's death in 1962 and the two became close again. Both Daisy and Esther were cat lovers and were frequently photographed with their feline companions. Daisy Bacon died March 25, 1986 in Port Washington.","Researchers are highly encouraged to review Laurie Powers's biography of Daisy Bacon titled  Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine  (2019) as this biographical note is not intended to serve as a comprehensive account of Daisy Bacon's life and career."],"custodhist_html_tesm":["\u003cp\u003ePer Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Per Laurie Powers, either Daisy Bacon or Daisy's sister Esther gave the Haagensons Bacon's papers."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Daisy Bacon Papers, 1857-before March 25, 1986, SC 0304, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eLaurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). \u003c/p\u003e","\u003cp\u003ePlastic covers were removed from three scrapbooks containing \u003cemph render=\"italic\"\u003eLove Story\u003c/emph\u003e covers.\u003c/p\u003e","\u003cp\u003eNon-archival plastic sleeves were removed from personal papers and correspondence.\u003c/p\u003e","\u003cp\u003eThe groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.\u003c/p\u003e","\u003cp\u003eThe three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. \u003c/p\u003e","\u003cp\u003eThe photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in \u003cemph render=\"italic\"\u003eQueen of the Pulps\u003c/emph\u003e. Most of these photographs were interfiled with other groupings. \u003c/p\u003e","\u003cp\u003eA portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Laurie Powers, Daisy Bacon biographer, was actively referencing and using the materials in this collection prior to its transfer to Special Collections. Powers provided descriptions and date ranges for much of the material in this collection including diaries and journals. Powers also removed loose newspaper clippings, notes, and printed ephemera from diaries and arranged them according to date or subject in plastic sleeves. Said clippings and assorted ephemera have been foldered according to Powers' groupings. Any associated labels were retained and transferred to folders and sub-folders. Exceptions have been made for papers with more discrete research potential than newspaper clippings (e.g. correspondence, Daisy Bacon's cat's pedigree chart). ","Plastic covers were removed from three scrapbooks containing  Love Story  covers.","Non-archival plastic sleeves were removed from personal papers and correspondence.","The groupings of newspaper clippings are foldered and subfoldered according to their groupings when donated.","The three lacquer (acetate) phonodiscs containing the June 13, 1941 radio program \"The Writer and Your Life\" were reformatted in-house by Kirsten Mlodynia, Digital Projects Specialist. ","The photograph groupings as arranged by Laurie Powers were largely retained. Exceptions include photographs used for Powers' biography that were separated based solely on their inclusion in  Queen of the Pulps . Most of these photographs were interfiled with other groupings. ","A portion of the photo negatives are cellulose nitrate, in deteriorating condition, and/or do not have photograph copies. As such, they are likely candidates for future reformatting. The negatives were removed from their paper envelopes and housed in acid-free sleeves in those same groupings. The envelopes are retained as examples of marketing and advertisement for photo development companies."],"relatedmaterial_html_tesm":["\u003cp\u003eStreet \u0026amp; Smith Records, Special Collections Research Center, Syracuse University Libraries\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Street \u0026 Smith Records, Special Collections Research Center, Syracuse University Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, scrapbooks, printed ephemera, published and unpublished manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select family members are also represented in this collection and include Esther Joa Ford Robinson, Jessie Holbrook Bacon Ford, and Elmer Bacon."],"userestrict_html_tesm":["\u003cp\u003eCopyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright is retained by the creator(s) and their heirs for materials they have authored or otherwise produced that reside in this collection. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cb7f7f07da2c2707ee74d46d25a929d9\"\u003eThe Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of \u003cemph render=\"italic\"\u003eLove Story Magazine\u003c/emph\u003e. The papers of select immediate and extended family members are also included in this collection.\u003c/abstract\u003e"],"abstract_tesim":["The Daisy Bacon Papers, 1857-before March 25, 1986, comprise the personal and professional papers, diaries, manuscripts, and photographs of Daisy Bacon, longtime editor of  Love Story Magazine . The papers of select immediate and extended family members are also included in this collection."],"names_ssim":["James Madison University Libraries Special Collections","Belmont Stakes","Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"corpname_ssim":["James Madison University Libraries Special Collections","Belmont Stakes"],"names_coll_ssim":["Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-","Bacon, Daisy, 1898-1986"],"persname_ssim":["Bacon, Daisy, 1898-1986","Haagenson, William and Nora","Powers, Laurie (Laurel), 1957-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:58:37.387Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_636_c05_c11"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"James Madison University","value":"James Madison University","hits":118},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Daisy+Bacon+Papers\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bcollection%5D%5B%5D=Daisy+Bacon+Papers\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Daisy Bacon Papers","value":"Daisy Bacon 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