{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=cartoons+%28humorous+images%29\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=cartoons+%28humorous+images%29\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=2","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=cartoons+%28humorous+images%29\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=2"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":11,"first_page?":true,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_1846","type":"collection","attributes":{"title":"Ange Denis M'Quin \"Series of Heads\" Album, 1812/1819","creator":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1846#creator","type":"document_value","attributes":{"value":"Davis Brass Rare Books, Inc.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1846#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains a small quarto (9 1/8 X 7 1/2 inches) of over a hundred caricatures created by Ange Denis M'Quin (Ange-Denis Macquin) (1756-1823). A pen and ink manuscript title page that reads \"A Series of Heads by A.D.M.\" with a roundel of sixteen heads is dated at the lower right-hand corner, \"June 1819.\" An index follows with four handwritten pages and then a sub-title page, \"A congeries of heads, May 1819,\" with a quote from Macbeth and an illustration of heads drawn together as a sphere.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1846#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1846","ead_ssi":"viu_repositories_3_resources_1846","_root_":"viu_repositories_3_resources_1846","_nest_parent_":"viu_repositories_3_resources_1846","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1846.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/240173","title_filing_ssi":"M'Quin, Ange Denis \"Series of Heads\" Album","title_ssm":["Ange Denis M'Quin \"Series of Heads\" Album"],"title_tesim":["Ange Denis M'Quin \"Series of Heads\" Album"],"unitdate_ssm":["1812-1819"],"unitdate_inclusive_ssm":["1812-1819"],"normalized_date_ssm":["1812/1819"],"normalized_title_ssm":["Ange Denis M'Quin \"Series of Heads\" Album, 1812/1819"],"text":["Ange Denis M'Quin \"Series of Heads\" Album, 1812/1819","MSS 16934","Archival Resource Key","/repositories/3/resources/1846","Caricatures and cartoons","Emotions","Human behavior","cartoons (humorous images)","Good. 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In 1793 an introduction to Edmund Lodge led to his appointment as heraldic draughtsman to the College of Arms, and on 22 May 1794 he was elected honorary fellow of the London Society of Antiquaries (Gough, List, 1798). He designed Nelson's funeral car and a new throne for the House of Lords.","Devoting his leisure to literature and art, M'Quin wrote on heraldry and other subjects in the 'Encyclopædia Londinensis,' besides literary and antiquarian articles for the 'Sporting Magazine.' He likewise edited Bellinger's 'Dictionary of French and English Idioms,' and published a humorous Latin poem, 'Tabella Cibaria,' a history of three hundred animals (London, 1812), and a 'Description of West's picture of Christ rejected by the Jews' (1814).","After the fall of Napoleon, M'Quin revisited France, and recovered part of his property, but shortly returned to London. He was latterly engaged on a work entitled 'Etymological Gleanings,' some portions of which appeared in Jordan's 'Literary Gazette,'","He died in Bermondsey Street, Southwark, 17 July 1823, and was buried in the catholic church at Horselydown. (Gent. Mag. 1823, ii. 1801 W. Jerdan's Autobiography, iii. 103, London, 1852; Quérard's France Littéraire, Paris, 1833; Carro'e Histoire de Meaux, 1865).","Reference List:","A Series of Heads, by MACQUIN, Rev. Ange Denis; M'QUIN, Rev. Ange Denis. (n.d.). Biblio. Retrieved January 15, 2026, from https://www.biblio.com/book/series-heads-macquin-rev-ange-denis/d/1438144183","This collection contains a small quarto (9 1/8 X 7 1/2 inches) of over a hundred caricatures created by Ange Denis M'Quin (Ange-Denis Macquin) (1756-1823). A pen and ink manuscript title page that reads \"A Series of Heads by A.D.M.\" with a roundel of sixteen heads is dated at the lower right-hand corner, \"June 1819.\" An index follows with four handwritten pages and then a sub-title page, \"A congeries of heads, May 1819,\" with a quote from Macbeth and an illustration of heads drawn together as a sphere.","The remainder of the text block includes one hundred interleaved original caricatures that depict often distorted and twisted facial expressions of human characteristics, feelings, and actions, including curiosity, despondency, grief, disappointment, laughter, hope, arrogance, and many others. Below each depiction is a word or phrase that explans what the illustration is meant to portray. Some people may find The majority of the illustrations to be unsightly. Many are are also dated at the foot of the page, some with addtional notes written in pen or pencil.","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Davis Brass Rare Books, Inc.","M'Quin , A. D.  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He designed Nelson's funeral car and a new throne for the House of Lords.","Devoting his leisure to literature and art, M'Quin wrote on heraldry and other subjects in the 'Encyclopædia Londinensis,' besides literary and antiquarian articles for the 'Sporting Magazine.' He likewise edited Bellinger's 'Dictionary of French and English Idioms,' and published a humorous Latin poem, 'Tabella Cibaria,' a history of three hundred animals (London, 1812), and a 'Description of West's picture of Christ rejected by the Jews' (1814).","After the fall of Napoleon, M'Quin revisited France, and recovered part of his property, but shortly returned to London. He was latterly engaged on a work entitled 'Etymological Gleanings,' some portions of which appeared in Jordan's 'Literary Gazette,'","He died in Bermondsey Street, Southwark, 17 July 1823, and was buried in the catholic church at Horselydown. (Gent. Mag. 1823, ii. 1801 W. Jerdan's Autobiography, iii. 103, London, 1852; Quérard's France Littéraire, Paris, 1833; Carro'e Histoire de Meaux, 1865).","Reference List:","A Series of Heads, by MACQUIN, Rev. Ange Denis; M'QUIN, Rev. Ange Denis. (n.d.). Biblio. Retrieved January 15, 2026, from https://www.biblio.com/book/series-heads-macquin-rev-ange-denis/d/1438144183"],"prefercite_html_tesm":["\u003cp\u003eMSS 16934, Series of Heads by A.D.M., Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16934, Series of Heads by A.D.M., Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a small quarto (9 1/8 X 7 1/2 inches) of over a hundred caricatures created by Ange Denis M'Quin (Ange-Denis Macquin) (1756-1823). A pen and ink manuscript title page that reads \"A Series of Heads by A.D.M.\" with a roundel of sixteen heads is dated at the lower right-hand corner, \"June 1819.\" An index follows with four handwritten pages and then a sub-title page, \"A congeries of heads, May 1819,\" with a quote from Macbeth and an illustration of heads drawn together as a sphere.\u003c/p\u003e","\u003cp\u003eThe remainder of the text block includes one hundred interleaved original caricatures that depict often distorted and twisted facial expressions of human characteristics, feelings, and actions, including curiosity, despondency, grief, disappointment, laughter, hope, arrogance, and many others. Below each depiction is a word or phrase that explans what the illustration is meant to portray. Some people may find The majority of the illustrations to be unsightly. Many are are also dated at the foot of the page, some with addtional notes written in pen or pencil.\u003c/p\u003e  ","\u003cp\u003eThis material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents","CONTENT WARNING"],"scopecontent_tesim":["This collection contains a small quarto (9 1/8 X 7 1/2 inches) of over a hundred caricatures created by Ange Denis M'Quin (Ange-Denis Macquin) (1756-1823). A pen and ink manuscript title page that reads \"A Series of Heads by A.D.M.\" with a roundel of sixteen heads is dated at the lower right-hand corner, \"June 1819.\" An index follows with four handwritten pages and then a sub-title page, \"A congeries of heads, May 1819,\" with a quote from Macbeth and an illustration of heads drawn together as a sphere.","The remainder of the text block includes one hundred interleaved original caricatures that depict often distorted and twisted facial expressions of human characteristics, feelings, and actions, including curiosity, despondency, grief, disappointment, laughter, hope, arrogance, and many others. Below each depiction is a word or phrase that explans what the illustration is meant to portray. Some people may find The majority of the illustrations to be unsightly. Many are are also dated at the foot of the page, some with addtional notes written in pen or pencil.","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"userestrict_html_tesm":["\u003cp\u003eThe Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Davis Brass Rare Books, Inc."],"names_coll_ssim":["Davis Brass Rare Books, Inc."],"persname_ssim":["M'Quin , A. D.  (Ange Denis), 1756-1823"],"names_ssim":["Albert and Shirley Small Special Collections Library","Davis Brass Rare Books, Inc.","M'Quin , A. D.  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The front cover is bowed.","This collection ism open for research.","The Abbe Ange Denis M'Quin (Ange-Denis Macquin) was born in 1756 in Meaux, in the Seine and Marne department, in France. Educated at Collège de Meaux, he became a classical scholar and was later appointed as Professor of Rhetoric and Belles-Lettres, as well as holding the rank of an Ecclesiastical Benefice in the neighborhood.","In 1783 M'Quin anonymously published a pamphlet entitled 'Je ne sais quoi, par je ne sais qui, se vend je ne sais où,' and, in 1789, published verses on memory. At the commencement of the French Revolution he edited or contributed to a royalist paper, which openly welcomed the Prussian invaders. M'Quin left Meaux in time to escape the massacre of 4 Sept. 1792 and embarked for England from St. Valery.","M'Quin settled in Hastings where he began learning English and supported himself by sketching local scenery. In 1793 an introduction to Edmund Lodge led to his appointment as heraldic draughtsman to the College of Arms, and on 22 May 1794 he was elected honorary fellow of the London Society of Antiquaries (Gough, List, 1798). He designed Nelson's funeral car and a new throne for the House of Lords.","Devoting his leisure to literature and art, M'Quin wrote on heraldry and other subjects in the 'Encyclopædia Londinensis,' besides literary and antiquarian articles for the 'Sporting Magazine.' He likewise edited Bellinger's 'Dictionary of French and English Idioms,' and published a humorous Latin poem, 'Tabella Cibaria,' a history of three hundred animals (London, 1812), and a 'Description of West's picture of Christ rejected by the Jews' (1814).","After the fall of Napoleon, M'Quin revisited France, and recovered part of his property, but shortly returned to London. He was latterly engaged on a work entitled 'Etymological Gleanings,' some portions of which appeared in Jordan's 'Literary Gazette,'","He died in Bermondsey Street, Southwark, 17 July 1823, and was buried in the catholic church at Horselydown. (Gent. Mag. 1823, ii. 1801 W. Jerdan's Autobiography, iii. 103, London, 1852; Quérard's France Littéraire, Paris, 1833; Carro'e Histoire de Meaux, 1865).","Reference List:","A Series of Heads, by MACQUIN, Rev. Ange Denis; M'QUIN, Rev. Ange Denis. (n.d.). Biblio. Retrieved January 15, 2026, from https://www.biblio.com/book/series-heads-macquin-rev-ange-denis/d/1438144183","This collection contains a small quarto (9 1/8 X 7 1/2 inches) of over a hundred caricatures created by Ange Denis M'Quin (Ange-Denis Macquin) (1756-1823). A pen and ink manuscript title page that reads \"A Series of Heads by A.D.M.\" with a roundel of sixteen heads is dated at the lower right-hand corner, \"June 1819.\" An index follows with four handwritten pages and then a sub-title page, \"A congeries of heads, May 1819,\" with a quote from Macbeth and an illustration of heads drawn together as a sphere.","The remainder of the text block includes one hundred interleaved original caricatures that depict often distorted and twisted facial expressions of human characteristics, feelings, and actions, including curiosity, despondency, grief, disappointment, laughter, hope, arrogance, and many others. Below each depiction is a word or phrase that explans what the illustration is meant to portray. Some people may find The majority of the illustrations to be unsightly. Many are are also dated at the foot of the page, some with addtional notes written in pen or pencil.","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Davis Brass Rare Books, Inc.","M'Quin , A. D.  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Acquired by Brenda Gunn."],"access_subjects_ssim":["Caricatures and cartoons","Emotions","Human behavior","cartoons (humorous images)"],"access_subjects_ssm":["Caricatures and cartoons","Emotions","Human behavior","cartoons (humorous images)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good. The front cover is bowed."],"extent_ssm":[".03 Cubic Feet 1 volume (in 1 letter folder)"],"extent_tesim":[".03 Cubic Feet 1 volume (in 1 letter folder)"],"genreform_ssim":["cartoons (humorous images)"],"date_range_isim":[1812,1813,1814,1815,1816,1817,1818,1819],"accessrestrict_html_tesm":["\u003cp\u003eThis collection ism open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection ism open for research."],"bioghist_html_tesm":["\u003cp\u003eThe Abbe Ange Denis M'Quin (Ange-Denis Macquin) was born in 1756 in Meaux, in the Seine and Marne department, in France. Educated at Collège de Meaux, he became a classical scholar and was later appointed as Professor of Rhetoric and Belles-Lettres, as well as holding the rank of an Ecclesiastical Benefice in the neighborhood.  \u003c/p\u003e","\u003cp\u003eIn 1783 M'Quin anonymously published a pamphlet entitled 'Je ne sais quoi, par je ne sais qui, se vend je ne sais où,' and, in 1789, published verses on memory. At the commencement of the French Revolution he edited or contributed to a royalist paper, which openly welcomed the Prussian invaders. M'Quin left Meaux in time to escape the massacre of 4 Sept. 1792 and embarked for England from St. Valery.  \u003c/p\u003e","\u003cp\u003eM'Quin settled in Hastings where he began learning English and supported himself by sketching local scenery. In 1793 an introduction to Edmund Lodge led to his appointment as heraldic draughtsman to the College of Arms, and on 22 May 1794 he was elected honorary fellow of the London Society of Antiquaries (Gough, List, 1798). He designed Nelson's funeral car and a new throne for the House of Lords.  \u003c/p\u003e","\u003cp\u003eDevoting his leisure to literature and art, M'Quin wrote on heraldry and other subjects in the 'Encyclopædia Londinensis,' besides literary and antiquarian articles for the 'Sporting Magazine.' He likewise edited Bellinger's 'Dictionary of French and English Idioms,' and published a humorous Latin poem, 'Tabella Cibaria,' a history of three hundred animals (London, 1812), and a 'Description of West's picture of Christ rejected by the Jews' (1814).  \u003c/p\u003e","\u003cp\u003eAfter the fall of Napoleon, M'Quin revisited France, and recovered part of his property, but shortly returned to London. He was latterly engaged on a work entitled 'Etymological Gleanings,' some portions of which appeared in Jordan's 'Literary Gazette,'  \u003c/p\u003e","\u003cp\u003eHe died in Bermondsey Street, Southwark, 17 July 1823, and was buried in the catholic church at Horselydown. (Gent. Mag. 1823, ii. 1801 W. Jerdan's Autobiography, iii. 103, London, 1852; Quérard's France Littéraire, Paris, 1833; Carro'e Histoire de Meaux, 1865). \u003c/p\u003e","\u003cp\u003eReference List:\u003c/p\u003e","\u003cp\u003eA Series of Heads, by MACQUIN, Rev. Ange Denis; M'QUIN, Rev. Ange Denis. (n.d.). Biblio. Retrieved January 15, 2026, from https://www.biblio.com/book/series-heads-macquin-rev-ange-denis/d/1438144183 \n \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Abbe Ange Denis M'Quin (Ange-Denis Macquin) was born in 1756 in Meaux, in the Seine and Marne department, in France. Educated at Collège de Meaux, he became a classical scholar and was later appointed as Professor of Rhetoric and Belles-Lettres, as well as holding the rank of an Ecclesiastical Benefice in the neighborhood.","In 1783 M'Quin anonymously published a pamphlet entitled 'Je ne sais quoi, par je ne sais qui, se vend je ne sais où,' and, in 1789, published verses on memory. At the commencement of the French Revolution he edited or contributed to a royalist paper, which openly welcomed the Prussian invaders. M'Quin left Meaux in time to escape the massacre of 4 Sept. 1792 and embarked for England from St. Valery.","M'Quin settled in Hastings where he began learning English and supported himself by sketching local scenery. In 1793 an introduction to Edmund Lodge led to his appointment as heraldic draughtsman to the College of Arms, and on 22 May 1794 he was elected honorary fellow of the London Society of Antiquaries (Gough, List, 1798). He designed Nelson's funeral car and a new throne for the House of Lords.","Devoting his leisure to literature and art, M'Quin wrote on heraldry and other subjects in the 'Encyclopædia Londinensis,' besides literary and antiquarian articles for the 'Sporting Magazine.' He likewise edited Bellinger's 'Dictionary of French and English Idioms,' and published a humorous Latin poem, 'Tabella Cibaria,' a history of three hundred animals (London, 1812), and a 'Description of West's picture of Christ rejected by the Jews' (1814).","After the fall of Napoleon, M'Quin revisited France, and recovered part of his property, but shortly returned to London. He was latterly engaged on a work entitled 'Etymological Gleanings,' some portions of which appeared in Jordan's 'Literary Gazette,'","He died in Bermondsey Street, Southwark, 17 July 1823, and was buried in the catholic church at Horselydown. (Gent. Mag. 1823, ii. 1801 W. Jerdan's Autobiography, iii. 103, London, 1852; Quérard's France Littéraire, Paris, 1833; Carro'e Histoire de Meaux, 1865).","Reference List:","A Series of Heads, by MACQUIN, Rev. Ange Denis; M'QUIN, Rev. Ange Denis. (n.d.). Biblio. Retrieved January 15, 2026, from https://www.biblio.com/book/series-heads-macquin-rev-ange-denis/d/1438144183"],"prefercite_html_tesm":["\u003cp\u003eMSS 16934, Series of Heads by A.D.M., Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16934, Series of Heads by A.D.M., Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a small quarto (9 1/8 X 7 1/2 inches) of over a hundred caricatures created by Ange Denis M'Quin (Ange-Denis Macquin) (1756-1823). A pen and ink manuscript title page that reads \"A Series of Heads by A.D.M.\" with a roundel of sixteen heads is dated at the lower right-hand corner, \"June 1819.\" An index follows with four handwritten pages and then a sub-title page, \"A congeries of heads, May 1819,\" with a quote from Macbeth and an illustration of heads drawn together as a sphere.\u003c/p\u003e","\u003cp\u003eThe remainder of the text block includes one hundred interleaved original caricatures that depict often distorted and twisted facial expressions of human characteristics, feelings, and actions, including curiosity, despondency, grief, disappointment, laughter, hope, arrogance, and many others. Below each depiction is a word or phrase that explans what the illustration is meant to portray. Some people may find The majority of the illustrations to be unsightly. Many are are also dated at the foot of the page, some with addtional notes written in pen or pencil.\u003c/p\u003e  ","\u003cp\u003eThis material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents","CONTENT WARNING"],"scopecontent_tesim":["This collection contains a small quarto (9 1/8 X 7 1/2 inches) of over a hundred caricatures created by Ange Denis M'Quin (Ange-Denis Macquin) (1756-1823). A pen and ink manuscript title page that reads \"A Series of Heads by A.D.M.\" with a roundel of sixteen heads is dated at the lower right-hand corner, \"June 1819.\" An index follows with four handwritten pages and then a sub-title page, \"A congeries of heads, May 1819,\" with a quote from Macbeth and an illustration of heads drawn together as a sphere.","The remainder of the text block includes one hundred interleaved original caricatures that depict often distorted and twisted facial expressions of human characteristics, feelings, and actions, including curiosity, despondency, grief, disappointment, laughter, hope, arrogance, and many others. Below each depiction is a word or phrase that explans what the illustration is meant to portray. Some people may find The majority of the illustrations to be unsightly. Many are are also dated at the foot of the page, some with addtional notes written in pen or pencil.","This material may contain offensive or harmful language or imagery. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials."],"userestrict_html_tesm":["\u003cp\u003eThe Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Davis Brass Rare Books, Inc."],"names_coll_ssim":["Davis Brass Rare Books, Inc."],"persname_ssim":["M'Quin , A. D.  (Ange Denis), 1756-1823"],"names_ssim":["Albert and Shirley Small Special Collections Library","Davis Brass Rare Books, Inc.","M'Quin , A. D.  (Ange Denis), 1756-1823"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:41:02.842Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1846"}},{"id":"viu_repositories_3_resources_1454","type":"collection","attributes":{"title":"Child scroll of cartoons, 1940/1950","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1454#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains a scroll of cartoon characters drawn by an unknown child, likely from sometime in the 1940s to the 1950s. The manila paper scroll is 3.25 inches in width and approximately 70 feet long. The outward-facing side of the scroll has about 250 individual illustrations depicting mid-century characters like Elmer Fudd, Dick Tracey, Archie, Popeye, and Donald Duck, as well as other characters from comic books, Sunday strips, television, and movies. The reverse is blank. The majority of the drawings are completed in graphite and colored pencils\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1454#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1454","ead_ssi":"viu_repositories_3_resources_1454","_root_":"viu_repositories_3_resources_1454","_nest_parent_":"viu_repositories_3_resources_1454","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1454.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/151279","title_filing_ssi":"Child scroll of cartoons","title_ssm":["Child scroll of cartoons"],"title_tesim":["Child scroll of cartoons"],"unitdate_ssm":["undated, c. 1940-1950"],"unitdate_inclusive_ssm":["undated, c. 1940-1950"],"normalized_date_ssm":["1940/1950"],"normalized_title_ssm":["Child scroll of cartoons, 1940/1950"],"text":["Child scroll of cartoons, 1940/1950","MSS 16740","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1454","Children","cartoons (humorous images)","Good","This collection is open for research. This item is very long and requires reference staff oversight to handle.","This collection contains a scroll of cartoon characters drawn by an unknown child, likely from sometime in the 1940s to the 1950s. The manila paper scroll is 3.25 inches in width and approximately 70 feet long. The outward-facing side of the scroll has about 250 individual illustrations depicting mid-century characters like Elmer Fudd, Dick Tracey, Archie, Popeye, and Donald Duck, as well as other characters from comic books, Sunday strips, television, and movies. The reverse is blank. The majority of the drawings are completed in graphite and colored pencils","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Child scroll of cartoons, 1940/1950"],"collection_ssim":["Child scroll of cartoons, 1940/1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16740","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1454"],"unitid_tesim":["MSS 16740","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1454"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was purchased from Type Punch Matrix by the Small Special Collections Library, University of Virginia on January 24, 2023."],"access_subjects_ssim":["Children","cartoons (humorous images)"],"access_subjects_ssm":["Children","cartoons (humorous images)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":["0.12 Cubic Feet One flip-top print box"],"extent_tesim":["0.12 Cubic Feet One flip-top print box"],"genreform_ssim":["cartoons (humorous images)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. This item is very long and requires reference staff oversight to handle.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. This item is very long and requires reference staff oversight to handle."],"prefercite_html_tesm":["\u003cp\u003eMSS 16740, Child's scroll of cartoons, Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16740, Child's scroll of cartoons, Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a scroll of cartoon characters drawn by an unknown child, likely from sometime in the 1940s to the 1950s. The manila paper scroll is 3.25 inches in width and approximately 70 feet long. The outward-facing side of the scroll has about 250 individual illustrations depicting mid-century characters like Elmer Fudd, Dick Tracey, Archie, Popeye, and Donald Duck, as well as other characters from comic books, Sunday strips, television, and movies. The reverse is blank. The majority of the drawings are completed in graphite and colored pencils\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains a scroll of cartoon characters drawn by an unknown child, likely from sometime in the 1940s to the 1950s. The manila paper scroll is 3.25 inches in width and approximately 70 feet long. The outward-facing side of the scroll has about 250 individual illustrations depicting mid-century characters like Elmer Fudd, Dick Tracey, Archie, Popeye, and Donald Duck, as well as other characters from comic books, Sunday strips, television, and movies. The reverse is blank. The majority of the drawings are completed in graphite and colored pencils"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:40:42.029Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1454","ead_ssi":"viu_repositories_3_resources_1454","_root_":"viu_repositories_3_resources_1454","_nest_parent_":"viu_repositories_3_resources_1454","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1454.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/151279","title_filing_ssi":"Child scroll of cartoons","title_ssm":["Child scroll of cartoons"],"title_tesim":["Child scroll of cartoons"],"unitdate_ssm":["undated, c. 1940-1950"],"unitdate_inclusive_ssm":["undated, c. 1940-1950"],"normalized_date_ssm":["1940/1950"],"normalized_title_ssm":["Child scroll of cartoons, 1940/1950"],"text":["Child scroll of cartoons, 1940/1950","MSS 16740","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1454","Children","cartoons (humorous images)","Good","This collection is open for research. This item is very long and requires reference staff oversight to handle.","This collection contains a scroll of cartoon characters drawn by an unknown child, likely from sometime in the 1940s to the 1950s. The manila paper scroll is 3.25 inches in width and approximately 70 feet long. The outward-facing side of the scroll has about 250 individual illustrations depicting mid-century characters like Elmer Fudd, Dick Tracey, Archie, Popeye, and Donald Duck, as well as other characters from comic books, Sunday strips, television, and movies. The reverse is blank. The majority of the drawings are completed in graphite and colored pencils","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Child scroll of cartoons, 1940/1950"],"collection_ssim":["Child scroll of cartoons, 1940/1950"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16740","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1454"],"unitid_tesim":["MSS 16740","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1454"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was purchased from Type Punch Matrix by the Small Special Collections Library, University of Virginia on January 24, 2023."],"access_subjects_ssim":["Children","cartoons (humorous images)"],"access_subjects_ssm":["Children","cartoons (humorous images)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":["0.12 Cubic Feet One flip-top print box"],"extent_tesim":["0.12 Cubic Feet One flip-top print box"],"genreform_ssim":["cartoons (humorous images)"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. This item is very long and requires reference staff oversight to handle.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. This item is very long and requires reference staff oversight to handle."],"prefercite_html_tesm":["\u003cp\u003eMSS 16740, Child's scroll of cartoons, Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16740, Child's scroll of cartoons, Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a scroll of cartoon characters drawn by an unknown child, likely from sometime in the 1940s to the 1950s. The manila paper scroll is 3.25 inches in width and approximately 70 feet long. The outward-facing side of the scroll has about 250 individual illustrations depicting mid-century characters like Elmer Fudd, Dick Tracey, Archie, Popeye, and Donald Duck, as well as other characters from comic books, Sunday strips, television, and movies. The reverse is blank. The majority of the drawings are completed in graphite and colored pencils\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains a scroll of cartoon characters drawn by an unknown child, likely from sometime in the 1940s to the 1950s. The manila paper scroll is 3.25 inches in width and approximately 70 feet long. The outward-facing side of the scroll has about 250 individual illustrations depicting mid-century characters like Elmer Fudd, Dick Tracey, Archie, Popeye, and Donald Duck, as well as other characters from comic books, Sunday strips, television, and movies. The reverse is blank. The majority of the drawings are completed in graphite and colored pencils"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:40:42.029Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1454"}},{"id":"viu_repositories_3_resources_1392","type":"collection","attributes":{"title":"Edgar Wentworth cartoons and correspondence, 1886/1912","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1392#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eEdgar Wentwork archive of primary material documenting the career of a little-known American cartoon illustrator from 1886 to 1912. There are original cartoons and related correspondence containing approximately 295 pen and ink drawings and sketches, 125 illustrations,170 loose drawings, including his personal album, \"Original Pen \u0026amp; Pencil Sketches, A Book of the Etiquette of the Day, by Ed. Wentworth, 1886.\" \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1392#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1392","ead_ssi":"viu_repositories_3_resources_1392","_root_":"viu_repositories_3_resources_1392","_nest_parent_":"viu_repositories_3_resources_1392","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1392.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/138853","title_filing_ssi":"Wentworth, Edgar, cartoons and correspondence","title_ssm":["Edgar Wentworth cartoons and correspondence"],"title_tesim":["Edgar Wentworth cartoons and correspondence"],"unitdate_ssm":["1886-1912"],"unitdate_inclusive_ssm":["1886-1912"],"normalized_date_ssm":["1886/1912"],"normalized_title_ssm":["Edgar Wentworth cartoons and correspondence, 1886/1912"],"text":["Edgar Wentworth cartoons and correspondence, 1886/1912","MSS 16703","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1392","cartoons (humorous images)","The collection is open for research use.","Edgar \"Ed\" Wentworth, a resident of South Berwick, Maine, was a comic and political illustrator from 1886 to 1912. His cartoons were published in The Yellow Kid and  Judge magazines.Twenty three of his cartoons are racist, where he exaggerates the faces and language of marginalized groups of people.","His drawings also include rural farmers, portraits, criminals, animals, food, prohibition of alcohol and the temperance movement, and politicians, including presidents of the United States.","While little is known about Ed Wentworth, letters in the collection suggest that he may have had some formal art training from the \"Correspondence School of Illustrating in New York\" and \"The School of Art Criticism.\" Empty envelopes dated monthly suggest that he might have been a regular contributor to The Herald and The Boston Globe","Content warning: Twenty three of his cartoons portray racial and ethnic stereotypes, exaggerating the faces and language of marginalized groups of people including African American, Indigenous, Irish, and Jewish people.These materials are preserved for their historical significance even though they are offensive.•\tThis material contains references or imagery involving racism. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Edgar Wentwork archive of primary material documenting the career of a little-known American cartoon illustrator from 1886 to 1912. There are original cartoons and related correspondence containing approximately 295 pen and ink drawings and sketches, 125 illustrations,170 loose drawings, including his personal album, \"Original Pen \u0026 Pencil Sketches, A Book of the Etiquette of the Day, by Ed. Wentworth, 1886.\"","General warning: Twenty three of his cartoons portray racial and ethnic stereotypes, exaggerating the faces and language of marginalized groups of people including African American, Indigenous, Irish, and Jewish people.These materials are preserved for their historical significance even though they are offensive. Some cartoons are clearly offensive with Black face, lynching, and false representations of people. Others are satirical and the line is hard to draw between offensive versus making fun of racial injustice. Some illustrations stimulate important discussions.","His drawings also include rural farmers, portraits, criminals, animals, food, prohibition of alcohol and the temperance movement, and politicians, including presidents of the United States.","The correspondence includes seven letters from publishers about acceptance, rejection, and/or payment for Wentworth's cartoons.  There is one letter from Howard, Ainslee \u0026 Co., publisher's of The Yellow Kid and six letters from Arkell Publishing Co., publisher of Judge. Twenty two envelopes without contents dated the same time each month suggest subscriptions with the Boston newspapers, The Herald and The Boston Globe. 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Some cartoons are clearly offensive with Black face, lynching, and false representations of people. Others are satirical and the line is hard to draw between offensive versus making fun of racial injustice. Some illustrations stimulate important discussions.","His drawings also include rural farmers, portraits, criminals, animals, food, prohibition of alcohol and the temperance movement, and politicians, including presidents of the United States.","The correspondence includes seven letters from publishers about acceptance, rejection, and/or payment for Wentworth's cartoons.  There is one letter from Howard, Ainslee \u0026 Co., publisher's of The Yellow Kid and six letters from Arkell Publishing Co., publisher of Judge. Twenty two envelopes without contents dated the same time each month suggest subscriptions with the Boston newspapers, The Herald and The Boston Globe. 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Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_7_resources_57_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_57_c01","ref_ssm":["viu_repositories_7_resources_57_c01"],"id":"viu_repositories_7_resources_57_c01","ead_ssi":"viu_repositories_7_resources_57","_root_":"viu_repositories_7_resources_57","_nest_parent_":"viu_repositories_7_resources_57","parent_ssi":"viu_repositories_7_resources_57","parent_ssim":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"parent_ids_ssim":["viu_repositories_7_resources_57"],"title_filing_ssi":"English and French Medical Caricatures","title_ssm":["English and French Medical Caricatures"],"title_tesim":["English and French Medical Caricatures"],"normalized_title_ssm":["English and French Medical Caricatures, 1760/1835"],"text":["English and French Medical Caricatures, 1760/1835","University of Virginia Medical Illustrations collection, 1760/1969, bulk 0","box 7, MS-67","item 9, 21-49","Humphrey, Hannah, 1750-1818","Gillray, James, 1756-1815","Cruikshank, George, 1792-1878","Pigal, Edme-Jean, 1794-1872","Grandville, J. J., 1803-1847","Caricatures and cartoons","World politics -- Caricatures and cartoons","Cartoonists","Publisher/Printer","political cartoons","cartoons (humorous images)","Engraving (printing process)","Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links"],"parent_unittitles_ssm":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"parent_unittitles_tesim":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"normalized_date_ssm":["1760/1835"],"unitdate_inclusive_ssm":["circa 1760-1835"],"level_ssm":["Series"],"level_ssim":["Series"],"component_level_isim":[1],"sort_isi":1,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"containers_ssim":["box 7, MS-67","item 9, 21-49"],"creator_ssim":["Gillray, James, 1756-1815","Cruikshank, George, 1792-1878","Pigal, Edme-Jean, 1794-1872","Grandville, J. J., 1803-1847"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\": \"\\u201cVery Ill!\\u201d: The Many Faces of Medical Caricature in Nineteenth-Century England \u0026 France Online Exhibit\", \"href\": \"https://wayback.archive-it.org/18731/20250701185054/https://exhibits.hsl.virginia.edu/caricatures/\"}"],"child_component_count_isi":2,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["Some materials may be subject to copyright restrictions."],"persname_ssim":["Humphrey, Hannah, 1750-1818","Gillray, James, 1756-1815","Cruikshank, George, 1792-1878","Pigal, Edme-Jean, 1794-1872","Grandville, J. J., 1803-1847"],"names_ssim":["Humphrey, Hannah, 1750-1818","Gillray, James, 1756-1815","Cruikshank, George, 1792-1878","Pigal, Edme-Jean, 1794-1872","Grandville, J. J., 1803-1847"],"access_subjects_ssim":["Caricatures and cartoons","World politics -- Caricatures and cartoons","Cartoonists","Publisher/Printer","political cartoons","cartoons (humorous images)","Engraving (printing process)"],"access_subjects_ssm":["Caricatures and cartoons","World politics -- Caricatures and cartoons","Cartoonists","Publisher/Printer","political cartoons","cartoons (humorous images)","Engraving (printing process)"],"date_range_isim":[1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835],"otherfindaid_html_tesm":["\u003cp\u003eAll of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e","\u003cp\u003eThe web archived exhibit can be found via the Internet Archive's Wayback Machine here: \u003cextref\u003ehttps://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html\u003c/extref\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["All of these illustrations were digitized and curated in an online exhibit written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","The web archived exhibit can be found via the Internet Archive's Wayback Machine here: https://web.archive.org/web/20251212135051/https://exhibits.hsl.virginia.edu/caricatures/index.html"],"scopecontent_html_tesm":["\u003cp\u003eCaricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.\u003c/p\u003e","\u003cp\u003eWhile some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.\u003c/p\u003e","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e","\u003cp\u003eEnglish Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026amp; Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e","\u003cp\u003eFrench Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026amp; Links\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Caricature by definition is a representation in which the subject's distinctive features or peculiarities are deliberately exaggerated to produce a comic or grotesque effect. Nineteenth-century medicine provided caricaturists with a wealth of material. Artists humorously exaggerated medical conditions and physical characteristics. Bulbous noses, protruding stomachs, and hunched backs were some of the more common features drawn to extraordinary proportions. Bizarre treatments, massive doses of pills, and excessive bloodletting, prescribed by trained physicians and quack doctors alike, were all lampooned. Suffering and discomfort from disease and the patient's reaction to medical treatment were also fodder for the satirist's pen.","While some caricatures were straightforward in their message, others contained yet another layer of meaning. Medical conditions could symbolize failed interpersonal relationships, national political affairs, and everything in between. Ailments caused by the follies of fashion, such as ill-fitting footwear or constricting corsets, inspired many drawings. Artists also directly linked illness to excesses in nineteenth-century social life, particularly over-consumption of food and alcohol.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","English Caricature:\nPrecariousness of Life\nHeroic Medicine\nPray Remember the Poor Debtors\nQuacks \u0026 Nostrums\nDoomed Relationships\nFashionable Follies\nNineteenth-Century Excess\nEnglish Artists\nFootnotes, Bibliography, \u0026 Links","French Caricature:\nScenes of the Day\nMedicine in France\nMedical Caricatures or Political Commentary?\nHunchbacks: Mocked or Mocker?\nPublic Health: The Need Is Pressing\nWet Nursing: Paying Consumers\nFrench Artists\nFootnotes, Bibliography, \u0026 Links"],"_nest_path_":"/components#0","timestamp":"2026-07-23T21:42:16.895Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_57","ead_ssi":"viu_repositories_7_resources_57","_root_":"viu_repositories_7_resources_57","_nest_parent_":"viu_repositories_7_resources_57","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_57.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/56","title_ssm":["University of Virginia Medical Illustrations collection"],"title_tesim":["University of Virginia Medical Illustrations collection"],"unitdate_ssm":["1760-1969","undated"],"unitdate_inclusive_ssm":["1760-1969"],"unitdate_bulk_ssim":["undated"],"normalized_date_ssm":["1760/1969, bulk 0"],"normalized_title_ssm":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"text":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0","MS.67","Archival Resource Key","/repositories/7/resources/57","Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)","7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes","Collection is open to research.","The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.","The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825.","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book Travaux pratiques d'anatomie. Cahier d'ostéologie, by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection.","The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.","Some materials may be subject to copyright restrictions.","Claude Moore Health Sciences Library","Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847","English, French, Latin"],"collection_title_tesim":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"collection_ssim":["University of Virginia Medical Illustrations collection, 1760/1969, bulk 0"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"unitid_tesim":["MS.67","Archival Resource Key","/repositories/7/resources/57"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916"],"creator_persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847"],"creator_corpname_ssim":["Claude Moore Health Sciences Library"],"creators_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. J., 1803-1847","Claude Moore Health Sciences Library"],"access_terms_ssm":["Some materials may be subject to copyright restrictions."],"acqinfo_ssim":["The bulk of the illustrations in the collection were donated by Dr. Claude Coleman to the Plastic and Maxillofacial Surgery Department at the University of Virginia. The collection was transferred to the Claude Moore Health Sciences Library in approximately 2009."],"access_subjects_ssim":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"access_subjects_ssm":["Illustrators","Medical libraries","cartoons (humorous images)","drawings (visual works)"],"has_online_content_ssim":["true"],"digital_objects_ssm":["{\"label\": \"\\u201cVery Ill!\\u201d: The Many Faces of Medical Caricature in Nineteenth-Century England \u0026 France Online Exhibit\", \"href\": \"https://wayback.archive-it.org/18731/20250701185054/https://exhibits.hsl.virginia.edu/caricatures/\"}"],"physdesc_tesim":["7.5 linear feet: 4 boxes with dimensions 16 in x 20 in x 3.5 in 2 document boxes"],"extent_ssm":["7 boxes (7 containers)"],"extent_tesim":["7 boxes (7 containers)"],"physfacet_tesim":["77.0 linear inches"],"genreform_ssim":["cartoons (humorous images)","drawings (visual works)"],"date_range_isim":[0,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The illustrations are arranged by the name of their illustrator, and by chronology, then grouped by the subject of the drawing. The exceptions to this arrangement are items where the artist or subject is unknown or if there is no series for individual artists."],"bioghist_html_tesm":["\u003cp\u003eThe University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825. \u003c/p\u003e","\u003cp\u003eThe creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.\u003c/p\u003e","\u003cp\u003eIn addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book \u003ci\u003eTravaux pratiques d'anatomie. Cahier d'ostéologie,\u003c/i\u003e by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.\u003c/p\u003e","\u003cp\u003eAnother set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).\u003c/p\u003e","\u003cp\u003eIn 2026, the English and French caricatures were added to the collection. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["The University of Virginia has taught the study of human anatomy as part of the medical curriculum since its first session in 1825.","The creator of several of the drawings in the collection, Harvey E. Jordan (1878-1963), was on the faculty of the School of Medicine at the University of Virginia between 1907 and 1949 and had a strong interest in anatomy throughout his career. Jordan served as a Professor of Histology and Embryology, Director of Anatomical Laboratories, and, from 1938 to 1949, as the Dean of the Department of Medicine (in 1950 the title changed to \"Dean of the School of Medicine\"). During his tenure as Dean, Jordan started a Division of Medical Illustration at the Univeristy. Among the many professional societies to which he belonged was the American Association of Anatomists, and throughout his career he wrote many papers on the subject of microscopic anatomy.","In addition to Harvey E. Jordan, the collection also contains work by illustrators including P. Le Paumier, Helen Lorraine, and Ted Bloodhart. P. Le Paumier (dates unknown) was a French illustrator whose work was published in the book Travaux pratiques d'anatomie. Cahier d'ostéologie, by French anatomist André Latarjet (1877-1947). Helen Lorraine (1892-1980) was a medical illustrator who graduated from Johns Hopkins School of Art as Applied to Medicine (1916) and studied under Max Brodel and J. Shelton Horsley. Lorraine's illustrations were produced for Dr. Charles Bruce Morton (1908-1966), a University of Virginia School of Medicine graduate (B.S. 1920, M.D. 1922) and professor of Surgery and Gynecology at UVA from 1927 to 1954. Little is known about the other illustrators. Some works in the collection are not identified.","Another set of prints included in this collection are the Elizabeth Mandell historical prints collection, which consists of prints, illustrations, and pages from an unidentified text. Items include 3 anatomical plates; 3 surgical plates; and a print of a physician and patient from the Illustrated Times, London Dec. 8, 1880. Also included: an image of a doctor and patients from an \"extra supplement to the Illustrated London News, May 19, 187?\"; and illustrations from the International Medical and Sanitary Exposition. The 4 loose pages contain an entry on Anatomy and are taken from the same text as the anatomical and surgical plates (possibly an encyclopedia).","In 2026, the English and French caricatures were added to the collection."],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e  "],"prefercite_tesim":["University of Virginia Anatomical Illustrations Collection, #MS-67, Historical Collections \u0026 Services, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper."],"userestrict_html_tesm":["\u003cp\u003eSome materials may be subject to copyright restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Some materials may be subject to copyright restrictions."],"corpname_ssim":["Claude Moore Health Sciences Library"],"persname_ssim":["Bernie, Frederick, fl. 1792","Bowles, Henry Carington , 1763 - 1830","Carver, Samuel, 1756-1841","Crowquill, Alfred, 1804-1872","Cruikshank, George, 1792-1878","Dalí, Salvador , 1904-1989","Dighton, Robert, 1752-1814","Dunkarton, Robert, 1744-1815","Faber the Younger, John, 1684-1756","Gans, Sigismund, 1829-1831","Genty, Louis François, 1784-1852","Gillray, James, 1756-1815","Grant, Charles Jameson, 1832-1852 (active)","Heath, William, 1795-1840","Hogarth, William, 1697-1764","Hogg, Alexander, c. 1752–1809","Humphrey, Hannah, 1750-1818","Langlumé, Pierre, 1790–1874","Noël, Alphonse Léon, 1807-1884","Pigal, Edme-Jean, 1794-1872","Royce, Edward, 1738–1789","Wales, James Albert, 1852-1886","Wallis, Henry , 1830 - 1916","Grandville, J. 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Abbit that tells the comic story of a mother louse and her children traveling across the bodies of American soldiers in the First World War. The manuscript measures 6 X 5 inches and contains thirty-one pages in its original blue wrappers. The spine is punched with grommets and bound with red ribbon. The dedication page is typed in red ink, and the volume contains fifteen pen-and-ink drawings initialed \"J. R. A.,\" interleaved with facing; the verse is typed in red and black. The cover, handwritten in black and red ink, reads \"Leaves from the War Diary of a Cootie Transcribed by John R. Abbit.\" The dedication reads, \"To the many soldiers on whom I have lived and with whom I have fought. Parisita Pediculus Vestmenti.\" The narration is from the point of view of the louse, and there are fifteen entries in the diary. Each entry contains a dated typed diary entry detailing the life and experiences of the lice family and a pen and ink illustration based on the report. The narrative unfolds during September 1918. We follow the lice family as they move to the front lines. \"Thank goodness we have at last reached the Front- A Cooties Rest Cure!\" A favored place due to the lack of cleanliness where \"Every day in the Trenches improves the flavor of this man.\" It continues as the cooties encounter the soldier's interventions, from a \"Finger and Thumb\" attack to hot water and soap at the hospitals to fleeing wounded soldiers. It humorously communicates valuable information about disease prevention. 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Abbit that tells the comic story of a mother louse and her children traveling across the bodies of American soldiers in the First World War. The manuscript measures 6 X 5 inches and contains thirty-one pages in its original blue wrappers. The spine is punched with grommets and bound with red ribbon. The dedication page is typed in red ink, and the volume contains fifteen pen-and-ink drawings initialed \"J. R. A.,\" interleaved with facing; the verse is typed in red and black. The cover, handwritten in black and red ink, reads \"Leaves from the War Diary of a Cootie Transcribed by John R. Abbit.\" The dedication reads, \"To the many soldiers on whom I have lived and with whom I have fought. Parisita Pediculus Vestmenti.\" The narration is from the point of view of the louse, and there are fifteen entries in the diary. Each entry contains a dated typed diary entry detailing the life and experiences of the lice family and a pen and ink illustration based on the report. The narrative unfolds during September 1918. We follow the lice family as they move to the front lines. \"Thank goodness we have at last reached the Front- A Cooties Rest Cure!\" A favored place due to the lack of cleanliness where \"Every day in the Trenches improves the flavor of this man.\" It continues as the cooties encounter the soldier's interventions, from a \"Finger and Thumb\" attack to hot water and soap at the hospitals to fleeing wounded soldiers. It humorously communicates valuable information about disease prevention. There is little information about the author-illustrator.","This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Abbit, John R.","John R. Abbit","English"],"collection_title_tesim":["Leaves from the War Diary of a Cootie, 1918"],"collection_ssim":["Leaves from the War Diary of a Cootie, 1918"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16863","Archival Resource Key","/repositories/3/resources/1702"],"unitid_tesim":["MSS 16863","Archival Resource Key","/repositories/3/resources/1702"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Abbit, John R."],"creator_ssim":["Abbit, John R."],"creator_persname_ssim":["Abbit, John R.","John R. 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The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["This collection was purchased from Honey \u0026 Wax by the Small Special Collections Library, University of Virginia on November 18, 2024."],"access_subjects_ssim":["World War, 1914-1918 -- Trench warfare","World War, 1914-1918 -- Health aspects","cartoons (humorous images)"],"access_subjects_ssm":["World War, 1914-1918 -- Trench warfare","World War, 1914-1918 -- Health aspects","cartoons (humorous images)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":[".03 Cubic Feet 1 letter folder"],"extent_tesim":[".03 Cubic Feet 1 letter folder"],"genreform_ssim":["cartoons (humorous images)"],"date_range_isim":[1918],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is minimally processed and open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is minimally processed and open for research."],"prefercite_html_tesm":["\u003cp\u003eMSS 16863, Leaves from the War Diary of a Cootie, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16863, Leaves from the War Diary of a Cootie, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an illustrated manuscript by \u003cpersname\u003eJohn R. Abbit\u003c/persname\u003e that tells the comic story of a mother louse and her children traveling across the bodies of American soldiers in the First World War. The manuscript measures 6 X 5 inches and contains thirty-one pages in its original blue wrappers. The spine is punched with grommets and bound with red ribbon. The dedication page is typed in red ink, and the volume contains fifteen pen-and-ink drawings initialed \"J. R. A.,\" interleaved with facing; the verse is typed in red and black. The cover, handwritten in black and red ink, reads \"Leaves from the War Diary of a Cootie Transcribed by John R. Abbit.\" The dedication reads, \"To the many soldiers on whom I have lived and with whom I have fought. Parisita Pediculus Vestmenti.\" The narration is from the point of view of the louse, and there are fifteen entries in the diary. Each entry contains a dated typed diary entry detailing the life and experiences of the lice family and a pen and ink illustration based on the report. The narrative unfolds during September 1918. We follow the lice family as they move to the front lines. \"Thank goodness we have at last reached the Front- A Cooties Rest Cure!\" A favored place due to the lack of cleanliness where \"Every day in the Trenches improves the flavor of this man.\" It continues as the cooties encounter the soldier's interventions, from a \"Finger and Thumb\" attack to hot water and soap at the hospitals to fleeing wounded soldiers. It humorously communicates valuable information about disease prevention. There is little information about the author-illustrator.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an illustrated manuscript by John R. Abbit that tells the comic story of a mother louse and her children traveling across the bodies of American soldiers in the First World War. The manuscript measures 6 X 5 inches and contains thirty-one pages in its original blue wrappers. The spine is punched with grommets and bound with red ribbon. The dedication page is typed in red ink, and the volume contains fifteen pen-and-ink drawings initialed \"J. R. A.,\" interleaved with facing; the verse is typed in red and black. The cover, handwritten in black and red ink, reads \"Leaves from the War Diary of a Cootie Transcribed by John R. Abbit.\" The dedication reads, \"To the many soldiers on whom I have lived and with whom I have fought. Parisita Pediculus Vestmenti.\" The narration is from the point of view of the louse, and there are fifteen entries in the diary. Each entry contains a dated typed diary entry detailing the life and experiences of the lice family and a pen and ink illustration based on the report. The narrative unfolds during September 1918. We follow the lice family as they move to the front lines. \"Thank goodness we have at last reached the Front- A Cooties Rest Cure!\" A favored place due to the lack of cleanliness where \"Every day in the Trenches improves the flavor of this man.\" It continues as the cooties encounter the soldier's interventions, from a \"Finger and Thumb\" attack to hot water and soap at the hospitals to fleeing wounded soldiers. It humorously communicates valuable information about disease prevention. There is little information about the author-illustrator."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Abbit, John R.","John R. Abbit"],"names_ssim":["Albert and Shirley Small Special Collections Library","Abbit, John R.","John R. 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Midway through, Conrad branches out from these copies into creating his original subject matter, including army airplanes, sheriffs, pistols, cowboy hats, and a series of one-panel strips titled \"Stuff that's funny.\" The artist, a Pittsburgh native who settled in Honolulu, would later become a successful lounge pianist and musician of some note in the 'Exotica' genre, releasing one well-received album (\"Exotic Paradise\").\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1482_c03_c29#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1482_c03_c29","ref_ssm":["viu_repositories_3_resources_1482_c03_c29"],"id":"viu_repositories_3_resources_1482_c03_c29","ead_ssi":"viu_repositories_3_resources_1482","_root_":"viu_repositories_3_resources_1482","_nest_parent_":"viu_repositories_3_resources_1482_c03","parent_ssi":"viu_repositories_3_resources_1482_c03","parent_ssim":["The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., 1700/2014","Series 3. 1900-1980"],"parent_ids_ssim":["viu_repositories_3_resources_1482","viu_repositories_3_resources_1482_c03"],"title_filing_ssi":"Paul Kenton Conrad's childhood cartooning album (Addition 28) 2023-0197","title_ssm":["Paul Kenton Conrad's childhood cartooning album (Addition 28) 2023-0197"],"title_tesim":["Paul Kenton Conrad's childhood cartooning album (Addition 28) 2023-0197"],"normalized_title_ssm":["Paul Kenton Conrad's childhood cartooning album (Addition 28) 2023-0197, 1941/1944"],"text":["Paul Kenton Conrad's childhood cartooning album (Addition 28) 2023-0197, 1941/1944","The University of Virginia Collection on the History of Childhood, Parenting, and Family Building., 1700/2014","Series 3. 1900-1980","Flat_Box 4","Children's art","cartoons (humorous images)","This addition to MSS 16758, The University of Virginia Collection on the History of Childhood, Parenting, and Family Building, contains Paul Kenton Conrad's childhood cartooning album and scrapbook. 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Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collections contains some in-copyright material. Visit our Permissions and Publishing page (https://library.virginia.edu/special-collections/services/publising). For more information about use of Special Collections materials. The library can contain copyright material on request, but users are responsible for making their own determination about lawful use of collection materials."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books"],"persname_ssim":["King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"names_ssim":["Albert and Shirley Small Special Collections Library","Musinsky Rare Books","Plymouth (England)","HMNB Portsmouth (England)","Bluemango Books and Manuscripts","Sophie Schneideman Rare Books","Whitmore Rare Books","Salvation Army","Ellipsis Rare Books","Tomberg Rare Books","King, James","Weeks, Richard Cumming","Dugdale, Florence Eleanor Paget, 1887-1965"],"language_ssim":["English\n      German\n      French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":1,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:40:42.029Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1482_c03_c29"}},{"id":"viu_repositories_3_resources_1077","type":"collection","attributes":{"title":"Szauer S. Ferencz World War I cartoon collection, 1914/1918","creator":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1077#creator","type":"document_value","attributes":{"value":"Földvári Books","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1077#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains a private collection of approximately one hundred cartoons and caricatures of World War I propaganda that were cut out of magazines and pasted in a blank book. Most of the cartoons are written in German, but some are in Hungarian. Many are printed in color, but there are privately printed carbon copies too. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1077#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1077","ead_ssi":"viu_repositories_3_resources_1077","_root_":"viu_repositories_3_resources_1077","_nest_parent_":"viu_repositories_3_resources_1077","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1077.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/124841","title_filing_ssi":"Ferencz, Szauer S. WW1 cartoon collection","title_ssm":["Szauer S. Ferencz World War I cartoon collection"],"title_tesim":["Szauer S. Ferencz World War I cartoon collection"],"unitdate_ssm":["c. 1914-1918"],"unitdate_inclusive_ssm":["c. 1914-1918"],"normalized_date_ssm":["1914/1918"],"normalized_title_ssm":["Szauer S. Ferencz World War I cartoon collection, 1914/1918"],"text":["Szauer S. Ferencz World War I cartoon collection, 1914/1918","MSS 16553","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1077","World War, 1914-1918","political cartoons","cartoons (humorous images)","Good","This collection is minimally processed and open for research.","The term \"caricature\", is derived from the Old Italian word \"caricare\" which means \"to exaggerate\" and \"to attack vehemently\". Thus the normal task of a caricaturist is to attack and to ridicule society and government, usually in an exaggerated or distorted way.","The popularity of caricatures and cartoons surged during World War I, in magazines, posters and postcards. At the beginning of World War I political cartoons became propaganda to show support for the country, to make fun of the enemies of their country, as well as to criticize their society.","In Germany the eight cartoon magazines had a total circulation of 986,000 copies, just a little less than the Berliner llustrirte Zeitung (1,000,000) and can thus rightly be considered a mass medium. The contemporary German publicist Maximilian Harden (1861-1927) claimed that \"no other sort of publication can have such an effect on public opinion as the illustrated satirical magazine\".","The most influential magazine in Germany was the Simplicissimus, which especially attacked the Junkers, the Catholic Church and the military.The editor-in-chief of Simplicissimus, Ludwig Thoma proposed that the paper should cease publication, because, while Germany was fighting for its existence, all satirical opposition to the government should stop. But Thomas Theodor Heine (1867-1948) refused and said that satirists now had a new task: to behave as good patriots and to support Germany's war policy at home and abroad. His point of view was accepted, and the other cartoon magazines took the same decision. On 8 August 1914 Paul Warncke (1866-1933), the editor-in-chief of the Kladderadatsch, explained to readers that his magazine would renounce all political satire and would instead fight against the disturbers of peace: and he put his trust in the victory of the German arms.[10]","The cut out cartoons were from periodicals such as Előre,and possibly Simplicissimus, Die Jugend, and the Narrenschift. Előre (Forward) was a Hungarian-language socialist magazine published in the United States by activists of the Hungarian Socialist Federation of the Socialist Party of America. Launched in September 1905, Előre was published for 16 years before going bankrupt in October 1921.","Cartoonists included are Rudolf Kristen (1889-1946), and H. Zahl. Many of the cartoons do not show the signature and it is hard to detemine the creator.","Sources\nDemm, Eberhard. Caricatures. 1914-1918 Online. International Encyclopedia of the First World War. 19 December 2016. \nhttps://encyclopedia.1914-1918-online.net/article/caricatures","Houston-Waesch, Monica. Cartoons. 100 Years, 100 Legacies.World War I Centenary.\nhttps://graphics.wsj.com/100-legacies-from-world-war-1/cartoons","\"Előre\" Wikipedia. Accessed 10/3/23\nhttps://en.wikipedia.org/wiki/El%C5%91re","This collection contains a private collection of approximately one hundred cartoons and caricatures of World War I propaganda that were cut out of magazines and pasted in a blank book. Most of the cartoons are written in German, but some are in Hungarian.  Many are printed in color, but there are privately printed carbon copies too.","Included in the front few pages is a folded poster titled \"Humorist. Darstellung der Wappen unserer Feinde 1914\" [Humorist. Depiction of the coats of arms of our enemies, 1914] and shows a humorous interpretation of Allied nations coats-of-arm or heraldic shields. These cartoons are mounted on album card leaves.  Sixty-two pages with Szauer's collection stamp on title page.","Cartoons are possibly from publications such as Előre, Die Jugend, Simplicissimus, and The Narrenschiff. The cartoonists or caricaturs include Rudolf Kristen (1889-1946), and H. Zahl among others.","The subjects include World War I, Kaiser Wilhelm, John Bull, Woodrow Wilson, Nicholas Nikolaevich (head of the Russian army), and Nicholas I of Montegnegro.","Albert and Shirley Small Special Collections Library","Földvári Books","Ferencz, Szauer S.","German\n      Hungarian"],"collection_title_tesim":["Szauer S. Ferencz World War I cartoon collection, 1914/1918"],"collection_ssim":["Szauer S. Ferencz World War I cartoon collection, 1914/1918"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16553","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1077"],"unitid_tesim":["MSS 16553","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1077"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Földvári Books","Ferencz, Szauer S."],"creator_ssim":["Földvári Books","Ferencz, Szauer S."],"creator_persname_ssim":["Ferencz, Szauer S."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Földvári Books"],"creators_ssim":["Ferencz, Szauer S.","Albert and Shirley Small Special Collections Library","Földvári Books"],"acqinfo_ssim":["This collection was purchased from Földvári Books by the Small Special Collections Library, University of Virginia on July 15, 2021."],"access_subjects_ssim":["World War, 1914-1918","political cartoons","cartoons (humorous images)"],"access_subjects_ssm":["World War, 1914-1918","political cartoons","cartoons (humorous images)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":[".03 Cubic Feet 1 letter sized folder"],"extent_tesim":[".03 Cubic Feet 1 letter sized folder"],"genreform_ssim":["political cartoons","cartoons (humorous images)"],"date_range_isim":[1914,1915,1916,1917,1918],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is minimally processed and open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is minimally processed and open for research."],"bioghist_html_tesm":["\u003cp\u003eThe term \"caricature\", is derived from the Old Italian word \"caricare\" which means \"to exaggerate\" and \"to attack vehemently\". Thus the normal task of a caricaturist is to attack and to ridicule society and government, usually in an exaggerated or distorted way. \u003c/p\u003e","\u003cp\u003eThe popularity of caricatures and cartoons surged during World War I, in magazines, posters and postcards. At the beginning of World War I political cartoons became propaganda to show support for the country, to make fun of the enemies of their country, as well as to criticize their society. \u003c/p\u003e","\u003cp\u003eIn Germany the eight cartoon magazines had a total circulation of 986,000 copies, just a little less than the Berliner llustrirte Zeitung (1,000,000) and can thus rightly be considered a mass medium. The contemporary German publicist Maximilian Harden (1861-1927) claimed that \"no other sort of publication can have such an effect on public opinion as the illustrated satirical magazine\".\u003c/p\u003e","\u003cp\u003eThe most influential magazine in Germany was the Simplicissimus, which especially attacked the Junkers, the Catholic Church and the military.The editor-in-chief of Simplicissimus, Ludwig Thoma proposed that the paper should cease publication, because, while Germany was fighting for its existence, all satirical opposition to the government should stop. But Thomas Theodor Heine (1867-1948) refused and said that satirists now had a new task: to behave as good patriots and to support Germany's war policy at home and abroad. His point of view was accepted, and the other cartoon magazines took the same decision. On 8 August 1914 Paul Warncke (1866-1933), the editor-in-chief of the Kladderadatsch, explained to readers that his magazine would renounce all political satire and would instead fight against the disturbers of peace: and he put his trust in the victory of the German arms.[10] \u003c/p\u003e","\u003cp\u003eThe cut out cartoons were from periodicals such as Előre,and possibly Simplicissimus, Die Jugend, and the Narrenschift. Előre (Forward) was a Hungarian-language socialist magazine published in the United States by activists of the Hungarian Socialist Federation of the Socialist Party of America. Launched in September 1905, Előre was published for 16 years before going bankrupt in October 1921. \u003c/p\u003e","\u003cp\u003eCartoonists included are Rudolf Kristen (1889-1946), and H. Zahl. Many of the cartoons do not show the signature and it is hard to detemine the creator.\u003c/p\u003e","\u003cp\u003eSources\nDemm, Eberhard. Caricatures. 1914-1918 Online. International Encyclopedia of the First World War. 19 December 2016. \nhttps://encyclopedia.1914-1918-online.net/article/caricatures\u003c/p\u003e","\u003cp\u003eHouston-Waesch, Monica. Cartoons. 100 Years, 100 Legacies.World War I Centenary.\nhttps://graphics.wsj.com/100-legacies-from-world-war-1/cartoons\u003c/p\u003e","\u003cp\u003e\"Előre\" Wikipedia. Accessed 10/3/23\nhttps://en.wikipedia.org/wiki/El%C5%91re\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The term \"caricature\", is derived from the Old Italian word \"caricare\" which means \"to exaggerate\" and \"to attack vehemently\". Thus the normal task of a caricaturist is to attack and to ridicule society and government, usually in an exaggerated or distorted way.","The popularity of caricatures and cartoons surged during World War I, in magazines, posters and postcards. At the beginning of World War I political cartoons became propaganda to show support for the country, to make fun of the enemies of their country, as well as to criticize their society.","In Germany the eight cartoon magazines had a total circulation of 986,000 copies, just a little less than the Berliner llustrirte Zeitung (1,000,000) and can thus rightly be considered a mass medium. The contemporary German publicist Maximilian Harden (1861-1927) claimed that \"no other sort of publication can have such an effect on public opinion as the illustrated satirical magazine\".","The most influential magazine in Germany was the Simplicissimus, which especially attacked the Junkers, the Catholic Church and the military.The editor-in-chief of Simplicissimus, Ludwig Thoma proposed that the paper should cease publication, because, while Germany was fighting for its existence, all satirical opposition to the government should stop. But Thomas Theodor Heine (1867-1948) refused and said that satirists now had a new task: to behave as good patriots and to support Germany's war policy at home and abroad. His point of view was accepted, and the other cartoon magazines took the same decision. On 8 August 1914 Paul Warncke (1866-1933), the editor-in-chief of the Kladderadatsch, explained to readers that his magazine would renounce all political satire and would instead fight against the disturbers of peace: and he put his trust in the victory of the German arms.[10]","The cut out cartoons were from periodicals such as Előre,and possibly Simplicissimus, Die Jugend, and the Narrenschift. Előre (Forward) was a Hungarian-language socialist magazine published in the United States by activists of the Hungarian Socialist Federation of the Socialist Party of America. Launched in September 1905, Előre was published for 16 years before going bankrupt in October 1921.","Cartoonists included are Rudolf Kristen (1889-1946), and H. Zahl. Many of the cartoons do not show the signature and it is hard to detemine the creator.","Sources\nDemm, Eberhard. Caricatures. 1914-1918 Online. International Encyclopedia of the First World War. 19 December 2016. \nhttps://encyclopedia.1914-1918-online.net/article/caricatures","Houston-Waesch, Monica. Cartoons. 100 Years, 100 Legacies.World War I Centenary.\nhttps://graphics.wsj.com/100-legacies-from-world-war-1/cartoons","\"Előre\" Wikipedia. Accessed 10/3/23\nhttps://en.wikipedia.org/wiki/El%C5%91re"],"prefercite_html_tesm":["\u003cp\u003eMSS 16553, Szauer S. Ferencz WW1 cartoon collection,  Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16553, Szauer S. Ferencz WW1 cartoon collection,  Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a private collection of approximately one hundred cartoons and caricatures of World War I propaganda that were cut out of magazines and pasted in a blank book. Most of the cartoons are written in German, but some are in Hungarian.  Many are printed in color, but there are privately printed carbon copies too. \u003c/p\u003e","\u003cp\u003eIncluded in the front few pages is a folded poster titled \"Humorist. Darstellung der Wappen unserer Feinde 1914\" [Humorist. Depiction of the coats of arms of our enemies, 1914] and shows a humorous interpretation of Allied nations coats-of-arm or heraldic shields. These cartoons are mounted on album card leaves.  Sixty-two pages with Szauer's collection stamp on title page.\u003c/p\u003e","\u003cp\u003eCartoons are possibly from publications such as Előre, Die Jugend, Simplicissimus, and The Narrenschiff. The cartoonists or caricaturs include Rudolf Kristen (1889-1946), and H. Zahl among others. \u003c/p\u003e","\u003cp\u003eThe subjects include World War I, Kaiser Wilhelm, John Bull, Woodrow Wilson, Nicholas Nikolaevich (head of the Russian army), and Nicholas I of Montegnegro. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains a private collection of approximately one hundred cartoons and caricatures of World War I propaganda that were cut out of magazines and pasted in a blank book. Most of the cartoons are written in German, but some are in Hungarian.  Many are printed in color, but there are privately printed carbon copies too.","Included in the front few pages is a folded poster titled \"Humorist. Darstellung der Wappen unserer Feinde 1914\" [Humorist. Depiction of the coats of arms of our enemies, 1914] and shows a humorous interpretation of Allied nations coats-of-arm or heraldic shields. These cartoons are mounted on album card leaves.  Sixty-two pages with Szauer's collection stamp on title page.","Cartoons are possibly from publications such as Előre, Die Jugend, Simplicissimus, and The Narrenschiff. The cartoonists or caricaturs include Rudolf Kristen (1889-1946), and H. Zahl among others.","The subjects include World War I, Kaiser Wilhelm, John Bull, Woodrow Wilson, Nicholas Nikolaevich (head of the Russian army), and Nicholas I of Montegnegro."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Földvári Books"],"names_coll_ssim":["Földvári Books"],"persname_ssim":["Ferencz, Szauer S."],"names_ssim":["Albert and Shirley Small Special Collections Library","Földvári Books","Ferencz, Szauer S."],"language_ssim":["German\n      Hungarian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:40:28.109Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1077","ead_ssi":"viu_repositories_3_resources_1077","_root_":"viu_repositories_3_resources_1077","_nest_parent_":"viu_repositories_3_resources_1077","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1077.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/124841","title_filing_ssi":"Ferencz, Szauer S. WW1 cartoon collection","title_ssm":["Szauer S. Ferencz World War I cartoon collection"],"title_tesim":["Szauer S. Ferencz World War I cartoon collection"],"unitdate_ssm":["c. 1914-1918"],"unitdate_inclusive_ssm":["c. 1914-1918"],"normalized_date_ssm":["1914/1918"],"normalized_title_ssm":["Szauer S. Ferencz World War I cartoon collection, 1914/1918"],"text":["Szauer S. Ferencz World War I cartoon collection, 1914/1918","MSS 16553","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1077","World War, 1914-1918","political cartoons","cartoons (humorous images)","Good","This collection is minimally processed and open for research.","The term \"caricature\", is derived from the Old Italian word \"caricare\" which means \"to exaggerate\" and \"to attack vehemently\". Thus the normal task of a caricaturist is to attack and to ridicule society and government, usually in an exaggerated or distorted way.","The popularity of caricatures and cartoons surged during World War I, in magazines, posters and postcards. At the beginning of World War I political cartoons became propaganda to show support for the country, to make fun of the enemies of their country, as well as to criticize their society.","In Germany the eight cartoon magazines had a total circulation of 986,000 copies, just a little less than the Berliner llustrirte Zeitung (1,000,000) and can thus rightly be considered a mass medium. The contemporary German publicist Maximilian Harden (1861-1927) claimed that \"no other sort of publication can have such an effect on public opinion as the illustrated satirical magazine\".","The most influential magazine in Germany was the Simplicissimus, which especially attacked the Junkers, the Catholic Church and the military.The editor-in-chief of Simplicissimus, Ludwig Thoma proposed that the paper should cease publication, because, while Germany was fighting for its existence, all satirical opposition to the government should stop. But Thomas Theodor Heine (1867-1948) refused and said that satirists now had a new task: to behave as good patriots and to support Germany's war policy at home and abroad. His point of view was accepted, and the other cartoon magazines took the same decision. On 8 August 1914 Paul Warncke (1866-1933), the editor-in-chief of the Kladderadatsch, explained to readers that his magazine would renounce all political satire and would instead fight against the disturbers of peace: and he put his trust in the victory of the German arms.[10]","The cut out cartoons were from periodicals such as Előre,and possibly Simplicissimus, Die Jugend, and the Narrenschift. Előre (Forward) was a Hungarian-language socialist magazine published in the United States by activists of the Hungarian Socialist Federation of the Socialist Party of America. Launched in September 1905, Előre was published for 16 years before going bankrupt in October 1921.","Cartoonists included are Rudolf Kristen (1889-1946), and H. Zahl. Many of the cartoons do not show the signature and it is hard to detemine the creator.","Sources\nDemm, Eberhard. Caricatures. 1914-1918 Online. International Encyclopedia of the First World War. 19 December 2016. \nhttps://encyclopedia.1914-1918-online.net/article/caricatures","Houston-Waesch, Monica. Cartoons. 100 Years, 100 Legacies.World War I Centenary.\nhttps://graphics.wsj.com/100-legacies-from-world-war-1/cartoons","\"Előre\" Wikipedia. Accessed 10/3/23\nhttps://en.wikipedia.org/wiki/El%C5%91re","This collection contains a private collection of approximately one hundred cartoons and caricatures of World War I propaganda that were cut out of magazines and pasted in a blank book. Most of the cartoons are written in German, but some are in Hungarian.  Many are printed in color, but there are privately printed carbon copies too.","Included in the front few pages is a folded poster titled \"Humorist. Darstellung der Wappen unserer Feinde 1914\" [Humorist. Depiction of the coats of arms of our enemies, 1914] and shows a humorous interpretation of Allied nations coats-of-arm or heraldic shields. These cartoons are mounted on album card leaves.  Sixty-two pages with Szauer's collection stamp on title page.","Cartoons are possibly from publications such as Előre, Die Jugend, Simplicissimus, and The Narrenschiff. The cartoonists or caricaturs include Rudolf Kristen (1889-1946), and H. Zahl among others.","The subjects include World War I, Kaiser Wilhelm, John Bull, Woodrow Wilson, Nicholas Nikolaevich (head of the Russian army), and Nicholas I of Montegnegro.","Albert and Shirley Small Special Collections Library","Földvári Books","Ferencz, Szauer S.","German\n      Hungarian"],"collection_title_tesim":["Szauer S. Ferencz World War I cartoon collection, 1914/1918"],"collection_ssim":["Szauer S. Ferencz World War I cartoon collection, 1914/1918"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16553","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1077"],"unitid_tesim":["MSS 16553","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1077"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Földvári Books","Ferencz, Szauer S."],"creator_ssim":["Földvári Books","Ferencz, Szauer S."],"creator_persname_ssim":["Ferencz, Szauer S."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library","Földvári Books"],"creators_ssim":["Ferencz, Szauer S.","Albert and Shirley Small Special Collections Library","Földvári Books"],"acqinfo_ssim":["This collection was purchased from Földvári Books by the Small Special Collections Library, University of Virginia on July 15, 2021."],"access_subjects_ssim":["World War, 1914-1918","political cartoons","cartoons (humorous images)"],"access_subjects_ssm":["World War, 1914-1918","political cartoons","cartoons (humorous images)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":[".03 Cubic Feet 1 letter sized folder"],"extent_tesim":[".03 Cubic Feet 1 letter sized folder"],"genreform_ssim":["political cartoons","cartoons (humorous images)"],"date_range_isim":[1914,1915,1916,1917,1918],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is minimally processed and open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is minimally processed and open for research."],"bioghist_html_tesm":["\u003cp\u003eThe term \"caricature\", is derived from the Old Italian word \"caricare\" which means \"to exaggerate\" and \"to attack vehemently\". 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The contemporary German publicist Maximilian Harden (1861-1927) claimed that \"no other sort of publication can have such an effect on public opinion as the illustrated satirical magazine\".\u003c/p\u003e","\u003cp\u003eThe most influential magazine in Germany was the Simplicissimus, which especially attacked the Junkers, the Catholic Church and the military.The editor-in-chief of Simplicissimus, Ludwig Thoma proposed that the paper should cease publication, because, while Germany was fighting for its existence, all satirical opposition to the government should stop. But Thomas Theodor Heine (1867-1948) refused and said that satirists now had a new task: to behave as good patriots and to support Germany's war policy at home and abroad. His point of view was accepted, and the other cartoon magazines took the same decision. On 8 August 1914 Paul Warncke (1866-1933), the editor-in-chief of the Kladderadatsch, explained to readers that his magazine would renounce all political satire and would instead fight against the disturbers of peace: and he put his trust in the victory of the German arms.[10] \u003c/p\u003e","\u003cp\u003eThe cut out cartoons were from periodicals such as Előre,and possibly Simplicissimus, Die Jugend, and the Narrenschift. Előre (Forward) was a Hungarian-language socialist magazine published in the United States by activists of the Hungarian Socialist Federation of the Socialist Party of America. Launched in September 1905, Előre was published for 16 years before going bankrupt in October 1921. \u003c/p\u003e","\u003cp\u003eCartoonists included are Rudolf Kristen (1889-1946), and H. Zahl. Many of the cartoons do not show the signature and it is hard to detemine the creator.\u003c/p\u003e","\u003cp\u003eSources\nDemm, Eberhard. Caricatures. 1914-1918 Online. International Encyclopedia of the First World War. 19 December 2016. \nhttps://encyclopedia.1914-1918-online.net/article/caricatures\u003c/p\u003e","\u003cp\u003eHouston-Waesch, Monica. Cartoons. 100 Years, 100 Legacies.World War I Centenary.\nhttps://graphics.wsj.com/100-legacies-from-world-war-1/cartoons\u003c/p\u003e","\u003cp\u003e\"Előre\" Wikipedia. Accessed 10/3/23\nhttps://en.wikipedia.org/wiki/El%C5%91re\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The term \"caricature\", is derived from the Old Italian word \"caricare\" which means \"to exaggerate\" and \"to attack vehemently\". Thus the normal task of a caricaturist is to attack and to ridicule society and government, usually in an exaggerated or distorted way.","The popularity of caricatures and cartoons surged during World War I, in magazines, posters and postcards. At the beginning of World War I political cartoons became propaganda to show support for the country, to make fun of the enemies of their country, as well as to criticize their society.","In Germany the eight cartoon magazines had a total circulation of 986,000 copies, just a little less than the Berliner llustrirte Zeitung (1,000,000) and can thus rightly be considered a mass medium. The contemporary German publicist Maximilian Harden (1861-1927) claimed that \"no other sort of publication can have such an effect on public opinion as the illustrated satirical magazine\".","The most influential magazine in Germany was the Simplicissimus, which especially attacked the Junkers, the Catholic Church and the military.The editor-in-chief of Simplicissimus, Ludwig Thoma proposed that the paper should cease publication, because, while Germany was fighting for its existence, all satirical opposition to the government should stop. But Thomas Theodor Heine (1867-1948) refused and said that satirists now had a new task: to behave as good patriots and to support Germany's war policy at home and abroad. His point of view was accepted, and the other cartoon magazines took the same decision. On 8 August 1914 Paul Warncke (1866-1933), the editor-in-chief of the Kladderadatsch, explained to readers that his magazine would renounce all political satire and would instead fight against the disturbers of peace: and he put his trust in the victory of the German arms.[10]","The cut out cartoons were from periodicals such as Előre,and possibly Simplicissimus, Die Jugend, and the Narrenschift. Előre (Forward) was a Hungarian-language socialist magazine published in the United States by activists of the Hungarian Socialist Federation of the Socialist Party of America. Launched in September 1905, Előre was published for 16 years before going bankrupt in October 1921.","Cartoonists included are Rudolf Kristen (1889-1946), and H. Zahl. Many of the cartoons do not show the signature and it is hard to detemine the creator.","Sources\nDemm, Eberhard. Caricatures. 1914-1918 Online. International Encyclopedia of the First World War. 19 December 2016. \nhttps://encyclopedia.1914-1918-online.net/article/caricatures","Houston-Waesch, Monica. Cartoons. 100 Years, 100 Legacies.World War I Centenary.\nhttps://graphics.wsj.com/100-legacies-from-world-war-1/cartoons","\"Előre\" Wikipedia. Accessed 10/3/23\nhttps://en.wikipedia.org/wiki/El%C5%91re"],"prefercite_html_tesm":["\u003cp\u003eMSS 16553, Szauer S. Ferencz WW1 cartoon collection,  Small Special Collections Library, University of Virginia.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16553, Szauer S. Ferencz WW1 cartoon collection,  Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a private collection of approximately one hundred cartoons and caricatures of World War I propaganda that were cut out of magazines and pasted in a blank book. Most of the cartoons are written in German, but some are in Hungarian.  Many are printed in color, but there are privately printed carbon copies too. \u003c/p\u003e","\u003cp\u003eIncluded in the front few pages is a folded poster titled \"Humorist. Darstellung der Wappen unserer Feinde 1914\" [Humorist. Depiction of the coats of arms of our enemies, 1914] and shows a humorous interpretation of Allied nations coats-of-arm or heraldic shields. These cartoons are mounted on album card leaves.  Sixty-two pages with Szauer's collection stamp on title page.\u003c/p\u003e","\u003cp\u003eCartoons are possibly from publications such as Előre, Die Jugend, Simplicissimus, and The Narrenschiff. The cartoonists or caricaturs include Rudolf Kristen (1889-1946), and H. Zahl among others. \u003c/p\u003e","\u003cp\u003eThe subjects include World War I, Kaiser Wilhelm, John Bull, Woodrow Wilson, Nicholas Nikolaevich (head of the Russian army), and Nicholas I of Montegnegro. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains a private collection of approximately one hundred cartoons and caricatures of World War I propaganda that were cut out of magazines and pasted in a blank book. Most of the cartoons are written in German, but some are in Hungarian.  Many are printed in color, but there are privately printed carbon copies too.","Included in the front few pages is a folded poster titled \"Humorist. Darstellung der Wappen unserer Feinde 1914\" [Humorist. Depiction of the coats of arms of our enemies, 1914] and shows a humorous interpretation of Allied nations coats-of-arm or heraldic shields. These cartoons are mounted on album card leaves.  Sixty-two pages with Szauer's collection stamp on title page.","Cartoons are possibly from publications such as Előre, Die Jugend, Simplicissimus, and The Narrenschiff. The cartoonists or caricaturs include Rudolf Kristen (1889-1946), and H. Zahl among others.","The subjects include World War I, Kaiser Wilhelm, John Bull, Woodrow Wilson, Nicholas Nikolaevich (head of the Russian army), and Nicholas I of Montegnegro."],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Földvári Books"],"names_coll_ssim":["Földvári Books"],"persname_ssim":["Ferencz, Szauer S."],"names_ssim":["Albert and Shirley Small Special Collections Library","Földvári Books","Ferencz, Szauer S."],"language_ssim":["German\n      Hungarian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:40:28.109Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1077"}},{"id":"viu_repositories_3_resources_1530","type":"collection","attributes":{"title":"The Devil's Steeplechase, 1830","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1530#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains an anonymous sketchbook containing a highly illustrated handwritten gothic story, additional watercolor paintings, and numerous pen and ink sketches. The primary story pertains to a horse race between the devil and death that takes place on March 12, 1830. It is likely a satire on the first English National Steeplechase, which was run in Bedfordshire on March 8, 1830, and was the precursor of the Grand National race at Aintree. Nine full-page watercolors are devoted to the primary gothic steeplechase story, each with a narrative on the facing page. The story is a morbid variant of the turtle and the hare fable, with the Devil taking an auspicious start but as the Devil relaxes, the Death recovers, catches up and wins, and celebrates his victory by throwing his head (which is a skull) in the air and catching it. In addition to the steeplechase illustrated story, there are three other watercolors of riding, two of these in a steeplechase or a foxhunt. There are also eleven other pages with pen and ink drawings, in varying states of finish, plus three pages heavy with text, and the endpapers are filled with sketches. The other illustration includes a page of silhouettes, which are on military or equestrian themes. Also in the manuscript is a four-page rendering of the Tragedy\" from the Ingoldsby Legends\" which recounts the story of Catherine of Cleves.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1530#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1530","ead_ssi":"viu_repositories_3_resources_1530","_root_":"viu_repositories_3_resources_1530","_nest_parent_":"viu_repositories_3_resources_1530","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1530.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189518","title_filing_ssi":"The Devil's Steeplechase","title_ssm":["The Devil's Steeplechase"],"title_tesim":["The Devil's Steeplechase"],"unitdate_ssm":["n.d, c.1830"],"unitdate_other_ssim":["n.d, c.1830"],"normalized_date_ssm":["1830"],"normalized_title_ssm":["The Devil's Steeplechase, 1830"],"text":["The Devil's Steeplechase, 1830","MSS 16787","Archival Resource Key","/repositories/3/resources/1530","Sketchbooks","Gothic fiction (Literary genre)","Horses","cartoons (humorous images)","The collection is open for research use.","This collection contains an anonymous sketchbook containing a highly illustrated handwritten gothic story, additional watercolor paintings, and numerous pen and ink sketches. The primary story pertains to a horse race between the devil and death that takes place on March 12, 1830.  It is likely a satire on the first English National Steeplechase, which was run in Bedfordshire on March 8, 1830, and was the precursor of the Grand National race at Aintree. Nine full-page watercolors are devoted to the primary gothic steeplechase story, each with a narrative on the facing page. The story is a morbid variant of the turtle and the hare fable, with the Devil taking an auspicious start but as the Devil relaxes, the Death recovers, catches up and wins, and celebrates his victory by throwing his head (which is a skull) in the air and catching it.  In addition to the steeplechase illustrated story, there are three other watercolors of riding, two of these in a steeplechase or a foxhunt. There are also eleven other pages with pen and ink drawings, in varying states of finish, plus three pages heavy with text, and the endpapers are filled with sketches. The other illustration includes a page of silhouettes, which are on military or equestrian themes. Also in the manuscript is a four-page rendering of the Tragedy\" from the Ingoldsby Legends\" which recounts the story of Catherine of Cleves.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["The Devil's Steeplechase, 1830"],"collection_ssim":["The Devil's Steeplechase, 1830"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16787","Archival Resource Key","/repositories/3/resources/1530"],"unitid_tesim":["MSS 16787","Archival Resource Key","/repositories/3/resources/1530"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was purchased from White Fox Rare Books and Antiques by the Small Special Collections Library at the University of Virginia Library on 1 May 2022."],"access_subjects_ssim":["Sketchbooks","Gothic fiction (Literary genre)","Horses","cartoons (humorous images)"],"access_subjects_ssm":["Sketchbooks","Gothic fiction (Literary genre)","Horses","cartoons (humorous images)"],"has_online_content_ssim":["false"],"extent_ssm":[".03 Cubic Feet one letter-sized folder"],"extent_tesim":[".03 Cubic Feet one letter-sized folder"],"genreform_ssim":["cartoons (humorous images)"],"date_range_isim":[1830],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003eMSS 16787, The Devil's Steeplechase, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16787, The Devil's Steeplechase, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an anonymous sketchbook containing a highly illustrated handwritten gothic story, additional watercolor paintings, and numerous pen and ink sketches. The primary story pertains to a horse race between the devil and death that takes place on March 12, 1830.  It is likely a satire on the first English National Steeplechase, which was run in Bedfordshire on March 8, 1830, and was the precursor of the Grand National race at Aintree. Nine full-page watercolors are devoted to the primary gothic steeplechase story, each with a narrative on the facing page. The story is a morbid variant of the turtle and the hare fable, with the Devil taking an auspicious start but as the Devil relaxes, the Death recovers, catches up and wins, and celebrates his victory by throwing his head (which is a skull) in the air and catching it.  In addition to the steeplechase illustrated story, there are three other watercolors of riding, two of these in a steeplechase or a foxhunt. There are also eleven other pages with pen and ink drawings, in varying states of finish, plus three pages heavy with text, and the endpapers are filled with sketches. The other illustration includes a page of silhouettes, which are on military or equestrian themes. Also in the manuscript is a four-page rendering of the Tragedy\" from the Ingoldsby Legends\" which recounts the story of Catherine of Cleves.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an anonymous sketchbook containing a highly illustrated handwritten gothic story, additional watercolor paintings, and numerous pen and ink sketches. The primary story pertains to a horse race between the devil and death that takes place on March 12, 1830.  It is likely a satire on the first English National Steeplechase, which was run in Bedfordshire on March 8, 1830, and was the precursor of the Grand National race at Aintree. Nine full-page watercolors are devoted to the primary gothic steeplechase story, each with a narrative on the facing page. The story is a morbid variant of the turtle and the hare fable, with the Devil taking an auspicious start but as the Devil relaxes, the Death recovers, catches up and wins, and celebrates his victory by throwing his head (which is a skull) in the air and catching it.  In addition to the steeplechase illustrated story, there are three other watercolors of riding, two of these in a steeplechase or a foxhunt. There are also eleven other pages with pen and ink drawings, in varying states of finish, plus three pages heavy with text, and the endpapers are filled with sketches. The other illustration includes a page of silhouettes, which are on military or equestrian themes. Also in the manuscript is a four-page rendering of the Tragedy\" from the Ingoldsby Legends\" which recounts the story of Catherine of Cleves."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:40:42.029Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1530","ead_ssi":"viu_repositories_3_resources_1530","_root_":"viu_repositories_3_resources_1530","_nest_parent_":"viu_repositories_3_resources_1530","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1530.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189518","title_filing_ssi":"The Devil's Steeplechase","title_ssm":["The Devil's Steeplechase"],"title_tesim":["The Devil's Steeplechase"],"unitdate_ssm":["n.d, c.1830"],"unitdate_other_ssim":["n.d, c.1830"],"normalized_date_ssm":["1830"],"normalized_title_ssm":["The Devil's Steeplechase, 1830"],"text":["The Devil's Steeplechase, 1830","MSS 16787","Archival Resource Key","/repositories/3/resources/1530","Sketchbooks","Gothic fiction (Literary genre)","Horses","cartoons (humorous images)","The collection is open for research use.","This collection contains an anonymous sketchbook containing a highly illustrated handwritten gothic story, additional watercolor paintings, and numerous pen and ink sketches. The primary story pertains to a horse race between the devil and death that takes place on March 12, 1830.  It is likely a satire on the first English National Steeplechase, which was run in Bedfordshire on March 8, 1830, and was the precursor of the Grand National race at Aintree. Nine full-page watercolors are devoted to the primary gothic steeplechase story, each with a narrative on the facing page. The story is a morbid variant of the turtle and the hare fable, with the Devil taking an auspicious start but as the Devil relaxes, the Death recovers, catches up and wins, and celebrates his victory by throwing his head (which is a skull) in the air and catching it.  In addition to the steeplechase illustrated story, there are three other watercolors of riding, two of these in a steeplechase or a foxhunt. There are also eleven other pages with pen and ink drawings, in varying states of finish, plus three pages heavy with text, and the endpapers are filled with sketches. The other illustration includes a page of silhouettes, which are on military or equestrian themes. Also in the manuscript is a four-page rendering of the Tragedy\" from the Ingoldsby Legends\" which recounts the story of Catherine of Cleves.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["The Devil's Steeplechase, 1830"],"collection_ssim":["The Devil's Steeplechase, 1830"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16787","Archival Resource Key","/repositories/3/resources/1530"],"unitid_tesim":["MSS 16787","Archival Resource Key","/repositories/3/resources/1530"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was purchased from White Fox Rare Books and Antiques by the Small Special Collections Library at the University of Virginia Library on 1 May 2022."],"access_subjects_ssim":["Sketchbooks","Gothic fiction (Literary genre)","Horses","cartoons (humorous images)"],"access_subjects_ssm":["Sketchbooks","Gothic fiction (Literary genre)","Horses","cartoons (humorous images)"],"has_online_content_ssim":["false"],"extent_ssm":[".03 Cubic Feet one letter-sized folder"],"extent_tesim":[".03 Cubic Feet one letter-sized folder"],"genreform_ssim":["cartoons (humorous images)"],"date_range_isim":[1830],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003eMSS 16787, The Devil's Steeplechase, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16787, The Devil's Steeplechase, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains an anonymous sketchbook containing a highly illustrated handwritten gothic story, additional watercolor paintings, and numerous pen and ink sketches. The primary story pertains to a horse race between the devil and death that takes place on March 12, 1830.  It is likely a satire on the first English National Steeplechase, which was run in Bedfordshire on March 8, 1830, and was the precursor of the Grand National race at Aintree. Nine full-page watercolors are devoted to the primary gothic steeplechase story, each with a narrative on the facing page. The story is a morbid variant of the turtle and the hare fable, with the Devil taking an auspicious start but as the Devil relaxes, the Death recovers, catches up and wins, and celebrates his victory by throwing his head (which is a skull) in the air and catching it.  In addition to the steeplechase illustrated story, there are three other watercolors of riding, two of these in a steeplechase or a foxhunt. There are also eleven other pages with pen and ink drawings, in varying states of finish, plus three pages heavy with text, and the endpapers are filled with sketches. The other illustration includes a page of silhouettes, which are on military or equestrian themes. Also in the manuscript is a four-page rendering of the Tragedy\" from the Ingoldsby Legends\" which recounts the story of Catherine of Cleves.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains an anonymous sketchbook containing a highly illustrated handwritten gothic story, additional watercolor paintings, and numerous pen and ink sketches. The primary story pertains to a horse race between the devil and death that takes place on March 12, 1830.  It is likely a satire on the first English National Steeplechase, which was run in Bedfordshire on March 8, 1830, and was the precursor of the Grand National race at Aintree. Nine full-page watercolors are devoted to the primary gothic steeplechase story, each with a narrative on the facing page. The story is a morbid variant of the turtle and the hare fable, with the Devil taking an auspicious start but as the Devil relaxes, the Death recovers, catches up and wins, and celebrates his victory by throwing his head (which is a skull) in the air and catching it.  In addition to the steeplechase illustrated story, there are three other watercolors of riding, two of these in a steeplechase or a foxhunt. There are also eleven other pages with pen and ink drawings, in varying states of finish, plus three pages heavy with text, and the endpapers are filled with sketches. The other illustration includes a page of silhouettes, which are on military or equestrian themes. Also in the manuscript is a four-page rendering of the Tragedy\" from the Ingoldsby Legends\" which recounts the story of Catherine of Cleves."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:40:42.029Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1530"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":11},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=cartoons+%28humorous+images%29\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=cartoons+%28humorous+images%29\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Ange Denis M'Quin \"Series of Heads\" Album, 1812/1819","value":"Ange Denis M'Quin \"Series of Heads\" Album, 1812/1819","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=cartoons+%28humorous+images%29\u0026f%5Bcollection%5D%5B%5D=Ange+Denis+M%27Quin+%22Series+of+Heads%22+Album%2C+1812%2F1819\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"attributes":{"label":"Child scroll of cartoons, 1940/1950","value":"Child scroll of cartoons, 1940/1950","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=cartoons+%28humorous+images%29\u0026f%5Bcollection%5D%5B%5D=Child+scroll+of+cartoons%2C+1940%2F1950\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"attributes":{"label":"Edgar Wentworth cartoons and correspondence, 1886/1912","value":"Edgar Wentworth cartoons and correspondence, 1886/1912","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=cartoons+%28humorous+images%29\u0026f%5Bcollection%5D%5B%5D=Edgar+Wentworth+cartoons+and+correspondence%2C+1886%2F1912\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"attributes":{"label":"John Leech watercolor sketches, 1840","value":"John Leech watercolor sketches, 1840","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=cartoons+%28humorous+images%29\u0026f%5Bcollection%5D%5B%5D=John+Leech+watercolor+sketches%2C+1840\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}},{"attributes":{"label":"L.B. 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