{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Women+--+History\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Bnames%5D%5B%5D=Horton%2C+Inge+S.","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Women+--+History\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Bnames%5D%5B%5D=Horton%2C+Inge+S.\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"viblbv_repositories_2_resources_1798","type":"collection","attributes":{"title":"Inge Horton Architectural Collection, 1964/1999","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1798#creator","type":"document_value","attributes":{"value":"Horton, Inge S.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1798#abstract_or_scope","type":"document_value","attributes":{"value":"Inge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1798#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1798","ead_ssi":"viblbv_repositories_2_resources_1798","_root_":"viblbv_repositories_2_resources_1798","_nest_parent_":"viblbv_repositories_2_resources_1798","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1798.xml","title_filing_ssi":"Horton, Inge, Architectural Collection","title_ssm":["Inge Horton Architectural Collection"],"title_tesim":["Inge Horton Architectural Collection"],"unitdate_ssm":["1964-1999"],"unitdate_inclusive_ssm":["1964-1999"],"normalized_date_ssm":["1964/1999"],"normalized_title_ssm":["Inge Horton Architectural Collection, 1964/1999"],"text":["Inge Horton Architectural Collection, 1964/1999","Ms.1990.065","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","The collection is open for research.","The collection is arranged by material type.","Born in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.","She has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).","Her publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).","The guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. Additional files were processed in March 2016.","The Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Inge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. 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Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.\u003c/p\u003e","\u003cp\u003eShe has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).\u003c/p\u003e","\u003cp\u003eHer publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.","She has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).","Her publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010)."],"odd_html_tesm":["\u003cp\u003eThe guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Inge Horton Architectural Collection, 1964-1999, Ms1990-065, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Inge Horton Architectural Collection, 1964-1999, Ms1990-065, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. Additional files were processed in March 2016.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. Additional files were processed in March 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_efeedd0489853594ec017840c3f0497f\" label=\"Abstract\"\u003eInge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area.\u003c/abstract\u003e\n    "],"abstract_tesim":["Inge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Horton, Inge S."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Horton, Inge S."],"language_ssim":["The materials in the collection are in English and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":320,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:45:59.287Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1798","ead_ssi":"viblbv_repositories_2_resources_1798","_root_":"viblbv_repositories_2_resources_1798","_nest_parent_":"viblbv_repositories_2_resources_1798","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1798.xml","title_filing_ssi":"Horton, Inge, Architectural Collection","title_ssm":["Inge Horton Architectural Collection"],"title_tesim":["Inge Horton Architectural Collection"],"unitdate_ssm":["1964-1999"],"unitdate_inclusive_ssm":["1964-1999"],"normalized_date_ssm":["1964/1999"],"normalized_title_ssm":["Inge Horton Architectural Collection, 1964/1999"],"text":["Inge Horton Architectural Collection, 1964/1999","Ms.1990.065","History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History","The collection is open for research.","The collection is arranged by material type.","Born in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.","She has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).","Her publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).","The guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. Additional files were processed in March 2016.","The Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Inge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area.","Special Collections and University Archives, Virginia Tech","Horton, Inge S.","The materials in the collection are in English and German."],"collection_title_tesim":["Inge Horton Architectural Collection, 1964/1999"],"collection_ssim":["Inge Horton Architectural Collection, 1964/1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.065"],"unitid_tesim":["Ms.1990.065"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Horton, Inge S."],"creator_ssim":["Horton, Inge S."],"creator_persname_ssim":["Horton, Inge S."],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Horton, Inge S.","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Inge Horton Architectural Collection was donated to Special Collections in 1990."],"access_subjects_ssim":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History"],"access_subjects_ssm":["History of Women in Architecture","International Archive of Women in Architecture (IAWA)","Women architects -- California","Women -- History"],"has_online_content_ssim":["false"],"extent_ssm":["9.3 Cubic Feet 8 boxes"],"extent_tesim":["9.3 Cubic Feet 8 boxes"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by material type.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eBorn in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.\u003c/p\u003e","\u003cp\u003eShe has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).\u003c/p\u003e","\u003cp\u003eHer publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Born in Germany, Inge S. Horton was educated in architecture and city planning. She graduated with a Diplom-Ingenieur from the Technological University of Berlin, Germany, 1965, and with a Master of City and Regional Planning from University of California, Berkeley, 1979. She has work experience in private, institutional and municipal planning departments. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998.","She has held leadership positions in both the Organization of Women Architects and Design Professionals (OWA) and the International Archive of Women in Architecture (IAWA).","Her publications include several articles and two books in collaboration with Monica Hennig-Schefold on \"Early Modern Architecture in Berlin\" (1967) and \"Structure and Decoration: Art Nouveau Architecture in Paris and Brussels\" (1971). Horton also published a book on \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010)."],"odd_html_tesm":["\u003cp\u003eThe guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Inge Horton Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Inge Horton Architectural Collection, 1964-1999, Ms1990-065, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Inge Horton Architectural Collection, 1964-1999, Ms1990-065, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Inge Horton Architectural Collection commenced and was completed in September 2010. 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Additional files were processed in March 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010).\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Inge Horton Architectural Collection consists of architectural studies written by Horton while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects (UIFA); a Historic Structure Report for Julia Morgan building; copies of her books; a curriculum vitae; and files on early women architects in the San Francisco Bay Area for her book \"Early Women Architects of the San Francisco Bay Area: The Lives and Work of Fifty Professionals, 1890-1951\" (2010)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_efeedd0489853594ec017840c3f0497f\" label=\"Abstract\"\u003eInge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area.\u003c/abstract\u003e\n    "],"abstract_tesim":["Inge Horton was born in Germany. She was a planner with the Planning Department of the City and County of San Francisco, California, from 1983 to 1998; member of the Board of Advisors for the International Archive of Women in Architecture. Her papers consist of architectural studies written while in Germany; presentations made at various women's architectural organization meetings, including the International Union of Women Architects; a curriculum vitae; and research files on early women architects in the San Francisco Bay Area."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Horton, Inge S."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Horton, Inge S."],"language_ssim":["The materials in the collection are in English and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":320,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:45:59.287Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1798"}},{"id":"viblbv_repositories_2_resources_2177","type":"collection","attributes":{"title":"Milka Bliznakov Prize Records, 1999/2019","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2177#creator","type":"document_value","attributes":{"value":"Merrett, Andrea J.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2177#abstract_or_scope","type":"document_value","attributes":{"value":"The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2177#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2177","ead_ssi":"viblbv_repositories_2_resources_2177","_root_":"viblbv_repositories_2_resources_2177","_nest_parent_":"viblbv_repositories_2_resources_2177","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2177.xml","title_filing_ssi":"Milka Bliznakov Prize Records","title_ssm":["Milka Bliznakov Prize Records"],"title_tesim":["Milka Bliznakov Prize Records"],"unitdate_ssm":["1999-2019"],"unitdate_inclusive_ssm":["1999-2019"],"normalized_date_ssm":["1999/2019"],"normalized_title_ssm":["Milka Bliznakov Prize Records, 1999/2019"],"text":["Milka Bliznakov Prize Records, 1999/2019","Ms.2001.045","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize","Collection is open to research.","The collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research.","Milka Bliznakov Award and Research Prize Winners","2001, Claire Bonney, The Work and Life of Adrienne Gorska.","2002, Elizabeth Birmingham,  Searching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies.","2003, Barbara Nadel,Security Design: Achieving Transparency in Civic Architecture and Ozlem Erkarslan, Turkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.","2004, Dorrita Hannah, un-housing performance: The Heart of PQ and Janet Stoyel, Sonicloth.","2005, Carmen Alonso Espegel, Heroines of the Space,  Isabel Bauer, Architekturstudentinnen der Weimarer Republik, and Bobbye Tigerman, 'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office.","2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.","2006, Milka Bliznakov Prize, Commendation, Against All Odds: MIT's Pioneering Women of Landscape Architecture by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.","2007, No prize awarded.","2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, Odilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America  and Despina Stratigakos, A Woman's Berlin","2008, Milka Bliznakov Prize, Commendation, Lori Brown, feminist practices [exhibition].","2009, Patrick Lee Lucan, Sarah Hunter Kelly: Designing the House of Good Taste.","2010, Inge Schaefer Horton, Early Women Architects of the San Francisco Bay Area\n.","2011, Lindsay Nencheck, Organizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis.","2012, Andrea J. Merrett, Feminism in American Architecture: Organizing: 1972-1975 .","2013, Robert Holton, Natalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide.","2014, Meredith Sattler, Early Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS).","2015, Claire Bonney Brüllman, The Work and Life of Adrienne Gorska and Sarah Rafson, CARY (Chicks in Architecture Refuse to Yield).","2016, Ines Moisset, Women Architects on the Web and Tanja Poppelreuter, Refugee and émigré female architects before 1940.","2017, Rixt Hoekstra, Regarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992) and Kirat Kaur Pandher (Student Prize), Indian Architects: A Proposal for Directed Expansion.","2018, Alex Bala, Hanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy.","2019, Eva Alvarez and Carlos Gomez, Pluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA.","2020, Canceled due to pandemic.","2021, Canceled due to pandemic.","2022, Daniela Núñez Ruiz, Decolonizing the Archive: Mapping the IAWA's Global South Female Architects.","2023, Lori Brown, FAIA, and Karen Burns, Organizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide.","2024, Fabio Marino, Liane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California.","2025, Caitlin Charlet, Drawing the Unseen: Architectural Narratives of Women Who Shaped Space.","The guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017.","Additional information about the Milka Bliznakov Prize is available through links on the IAWA home page.","The IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the IAWA Guide to the Collections.","The collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.","View Brüllman's updated presentation on Gorska here. Presented at the joint IAWA-UIFA Congress held in Blacksburg, Va., July 2015.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P.","The materials in the collection are in English."],"collection_title_tesim":["Milka Bliznakov Prize Records, 1999/2019"],"collection_ssim":["Milka Bliznakov Prize Records, 1999/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.045"],"unitid_tesim":["Ms.2001.045"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay"],"creator_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay"],"creator_persname_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"creators_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Milka Bliznakov Prize Records were donated to the International Archive of Women in Architecture at the Special Collections. Accruals are ongoing."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 1 box"],"extent_tesim":["0.5 Cubic Feet 1 box"],"date_range_isim":[1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research."],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"boldunderline\"\u003eMilka Bliznakov Award and Research Prize Winners\u003c/emph\u003e\u003c/p\u003e\n\n","\u003cp\u003e\u003cemph render=\"bold\"\u003e2001\u003c/emph\u003e, Claire Bonney, \u003ctitle render=\"doublequote\"\u003eThe Work and Life of Adrienne Gorska\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2002, Elizabeth Birmingham,  \u003ctitle render=\"doublequote\"\u003eSearching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2003, Barbara Nadel,\u003ctitle render=\"doublequote\"\u003eSecurity Design: Achieving Transparency in Civic Architecture\u003c/title\u003e and Ozlem Erkarslan, \u003ctitle render=\"doublequote\"\u003eTurkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.\u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003e2004, Dorrita Hannah, \u003ctitle render=\"doublequote\"\u003e\u003cemph render=\"italic\"\u003eun-housing performance\u003c/emph\u003e: The Heart of PQ\u003c/title\u003e and Janet Stoyel, \u003ctitle render=\"doublequote\"\u003eSonicloth\u003c/title\u003e. \u003c/p\u003e\n","\u003cp\u003e2005, Carmen Alonso Espegel, \u003ctitle render=\"doublequote\"\u003eHeroines of the Space\u003c/title\u003e,  Isabel Bauer, \u003ctitle render=\"doublequote\"\u003eArchitekturstudentinnen der Weimarer Republik\u003c/title\u003e, and Bobbye Tigerman, \u003ctitle render=\"doublequote\"\u003e'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.\u003c/p\u003e\n","\u003cp\u003e2006, Milka Bliznakov Prize, Commendation, \u003ctitle render=\"doublequote\"\u003eAgainst All Odds: MIT's Pioneering Women of Landscape Architecture\u003c/title\u003e by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.\u003c/p\u003e\n","\u003cp\u003e2007, No prize awarded.\u003c/p\u003e\n","\u003cp\u003e2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, \u003ctitle render=\"doublequote\"\u003eOdilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America \u003c/title\u003e and Despina Stratigakos, \u003ctitle render=\"doublequote\"\u003eA Woman's Berlin \u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003e2008, Milka Bliznakov Prize, Commendation, Lori Brown, \u003ctitle render=\"italic\"\u003efeminist practices\u003c/title\u003e [exhibition].\u003c/p\u003e\n","\u003cp\u003e2009, Patrick Lee Lucan, \u003ctitle render=\"doublequote\"\u003eSarah Hunter Kelly: Designing the House of Good Taste\u003c/title\u003e.\u003c/p\u003e  \n","\u003cp\u003e2010, Inge Schaefer Horton, \u003ctitle render=\"doublequote\"\u003eEarly Women Architects of the San Francisco Bay Area\n\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2011, Lindsay Nencheck, \u003ctitle render=\"doublequote\"\u003eOrganizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2012, Andrea J. Merrett, \u003ctitle render=\"doublequote\"\u003eFeminism in American Architecture: Organizing: 1972-1975 \u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2013, Robert Holton, \u003ctitle render=\"doublequote\"\u003eNatalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2014, Meredith Sattler, \u003ctitle render=\"doublequote\"\u003eEarly Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS)\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2015, Claire Bonney Brüllman, \u003ctitle render=\"doublequote\"\u003eThe Work and Life of Adrienne Gorska\u003c/title\u003e and Sarah Rafson, \u003ctitle render=\"doublequote\"\u003eCARY (Chicks in Architecture Refuse to Yield)\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2016, Ines Moisset, \u003ctitle render=\"doublequote\"\u003eWomen Architects on the Web\u003c/title\u003e and Tanja Poppelreuter, \u003ctitle render=\"doublequote\"\u003eRefugee and émigré female architects before 1940\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2017, Rixt Hoekstra, \u003ctitle render=\"doublequote\"\u003eRegarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992)\u003c/title\u003e and Kirat Kaur Pandher (Student Prize), \u003ctitle render=\"doublequote\"\u003eIndian Architects: A Proposal for Directed Expansion\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2018, Alex Bala, \u003ctitle render=\"doublequote\"\u003eHanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2019, Eva Alvarez and Carlos Gomez, \u003ctitle render=\"doublequote\"\u003ePluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2020, Canceled due to pandemic.\u003c/p\u003e\n","\u003cp\u003e2021, Canceled due to pandemic.\u003c/p\u003e\n","\u003cp\u003e2022, Daniela Núñez Ruiz, \u003ctitle render=\"doublequote\"\u003eDecolonizing the Archive: Mapping the IAWA's Global South Female Architects\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2023, Lori Brown, FAIA, and Karen Burns, \u003ctitle render=\"doublequote\"\u003eOrganizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2024, Fabio Marino, \u003ctitle render=\"doublequote\"\u003eLiane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2025, Caitlin Charlet, \u003ctitle render=\"doublequote\"\u003eDrawing the Unseen: Architectural Narratives of Women Who Shaped Space\u003c/title\u003e.\u003c/p\u003e\n  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Milka Bliznakov Award and Research Prize Winners","2001, Claire Bonney, The Work and Life of Adrienne Gorska.","2002, Elizabeth Birmingham,  Searching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies.","2003, Barbara Nadel,Security Design: Achieving Transparency in Civic Architecture and Ozlem Erkarslan, Turkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.","2004, Dorrita Hannah, un-housing performance: The Heart of PQ and Janet Stoyel, Sonicloth.","2005, Carmen Alonso Espegel, Heroines of the Space,  Isabel Bauer, Architekturstudentinnen der Weimarer Republik, and Bobbye Tigerman, 'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office.","2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.","2006, Milka Bliznakov Prize, Commendation, Against All Odds: MIT's Pioneering Women of Landscape Architecture by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.","2007, No prize awarded.","2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, Odilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America  and Despina Stratigakos, A Woman's Berlin","2008, Milka Bliznakov Prize, Commendation, Lori Brown, feminist practices [exhibition].","2009, Patrick Lee Lucan, Sarah Hunter Kelly: Designing the House of Good Taste.","2010, Inge Schaefer Horton, Early Women Architects of the San Francisco Bay Area\n.","2011, Lindsay Nencheck, Organizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis.","2012, Andrea J. Merrett, Feminism in American Architecture: Organizing: 1972-1975 .","2013, Robert Holton, Natalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide.","2014, Meredith Sattler, Early Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS).","2015, Claire Bonney Brüllman, The Work and Life of Adrienne Gorska and Sarah Rafson, CARY (Chicks in Architecture Refuse to Yield).","2016, Ines Moisset, Women Architects on the Web and Tanja Poppelreuter, Refugee and émigré female architects before 1940.","2017, Rixt Hoekstra, Regarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992) and Kirat Kaur Pandher (Student Prize), Indian Architects: A Proposal for Directed Expansion.","2018, Alex Bala, Hanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy.","2019, Eva Alvarez and Carlos Gomez, Pluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA.","2020, Canceled due to pandemic.","2021, Canceled due to pandemic.","2022, Daniela Núñez Ruiz, Decolonizing the Archive: Mapping the IAWA's Global South Female Architects.","2023, Lori Brown, FAIA, and Karen Burns, Organizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide.","2024, Fabio Marino, Liane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California.","2025, Caitlin Charlet, Drawing the Unseen: Architectural Narratives of Women Who Shaped Space."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Milka Bliznakov Prize Records, Ms2001-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Milka Bliznakov Prize Records, Ms2001-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eAdditional information about the Milka Bliznakov Prize is available through links on the \u003cextref href=\"http://spec.lib.vt.edu/IAWA/\" title=\"IAWA home page\"\u003eIAWA home page.\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eThe IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the \u003cextref href=\"http://spec.lib.vt.edu/IAWA/guide.html\" title=\"IAWA Guide to the Collections\"\u003eIAWA Guide to the Collections.\u003c/extref\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["Additional information about the Milka Bliznakov Prize is available through links on the IAWA home page.","The IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the IAWA Guide to the Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.\u003c/p\u003e  ","\u003cp\u003eView Brüllman's updated presentation on Gorska \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/BliznakovPrize_2015_Bonney_GorskaUpdate.pdf\" show=\"new\"\u003ehere\u003c/extref\u003e. Presented at the joint IAWA-UIFA Congress held in Blacksburg, Va., July 2015.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.","View Brüllman's updated presentation on Gorska here. Presented at the joint IAWA-UIFA Congress held in Blacksburg, Va., July 2015."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1c78d5d02374a8ab95301adae2ea4b72\" label=\"Abstract\"\u003eThe Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"persname_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:42.574Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2177","ead_ssi":"viblbv_repositories_2_resources_2177","_root_":"viblbv_repositories_2_resources_2177","_nest_parent_":"viblbv_repositories_2_resources_2177","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2177.xml","title_filing_ssi":"Milka Bliznakov Prize Records","title_ssm":["Milka Bliznakov Prize Records"],"title_tesim":["Milka Bliznakov Prize Records"],"unitdate_ssm":["1999-2019"],"unitdate_inclusive_ssm":["1999-2019"],"normalized_date_ssm":["1999/2019"],"normalized_title_ssm":["Milka Bliznakov Prize Records, 1999/2019"],"text":["Milka Bliznakov Prize Records, 1999/2019","Ms.2001.045","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize","Collection is open to research.","The collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research.","Milka Bliznakov Award and Research Prize Winners","2001, Claire Bonney, The Work and Life of Adrienne Gorska.","2002, Elizabeth Birmingham,  Searching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies.","2003, Barbara Nadel,Security Design: Achieving Transparency in Civic Architecture and Ozlem Erkarslan, Turkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.","2004, Dorrita Hannah, un-housing performance: The Heart of PQ and Janet Stoyel, Sonicloth.","2005, Carmen Alonso Espegel, Heroines of the Space,  Isabel Bauer, Architekturstudentinnen der Weimarer Republik, and Bobbye Tigerman, 'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office.","2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.","2006, Milka Bliznakov Prize, Commendation, Against All Odds: MIT's Pioneering Women of Landscape Architecture by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.","2007, No prize awarded.","2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, Odilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America  and Despina Stratigakos, A Woman's Berlin","2008, Milka Bliznakov Prize, Commendation, Lori Brown, feminist practices [exhibition].","2009, Patrick Lee Lucan, Sarah Hunter Kelly: Designing the House of Good Taste.","2010, Inge Schaefer Horton, Early Women Architects of the San Francisco Bay Area\n.","2011, Lindsay Nencheck, Organizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis.","2012, Andrea J. Merrett, Feminism in American Architecture: Organizing: 1972-1975 .","2013, Robert Holton, Natalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide.","2014, Meredith Sattler, Early Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS).","2015, Claire Bonney Brüllman, The Work and Life of Adrienne Gorska and Sarah Rafson, CARY (Chicks in Architecture Refuse to Yield).","2016, Ines Moisset, Women Architects on the Web and Tanja Poppelreuter, Refugee and émigré female architects before 1940.","2017, Rixt Hoekstra, Regarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992) and Kirat Kaur Pandher (Student Prize), Indian Architects: A Proposal for Directed Expansion.","2018, Alex Bala, Hanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy.","2019, Eva Alvarez and Carlos Gomez, Pluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA.","2020, Canceled due to pandemic.","2021, Canceled due to pandemic.","2022, Daniela Núñez Ruiz, Decolonizing the Archive: Mapping the IAWA's Global South Female Architects.","2023, Lori Brown, FAIA, and Karen Burns, Organizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide.","2024, Fabio Marino, Liane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California.","2025, Caitlin Charlet, Drawing the Unseen: Architectural Narratives of Women Who Shaped Space.","The guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017.","Additional information about the Milka Bliznakov Prize is available through links on the IAWA home page.","The IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the IAWA Guide to the Collections.","The collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.","View Brüllman's updated presentation on Gorska here. Presented at the joint IAWA-UIFA Congress held in Blacksburg, Va., July 2015.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P.","The materials in the collection are in English."],"collection_title_tesim":["Milka Bliznakov Prize Records, 1999/2019"],"collection_ssim":["Milka Bliznakov Prize Records, 1999/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2001.045"],"unitid_tesim":["Ms.2001.045"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay"],"creator_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay"],"creator_persname_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"creators_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Milka Bliznakov Prize Records were donated to the International Archive of Women in Architecture at the Special Collections. Accruals are ongoing."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women -- History","Virginia Polytechnic Institute and State University -- College of Architecture and Urban Studies -- Milka Bliznakov Prize"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet 1 box"],"extent_tesim":["0.5 Cubic Feet 1 box"],"date_range_isim":[1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically by year of submission. Information is divided into award announcements, which advertise the award and announce winners at various stages, proposal submissions, and original works of research."],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"boldunderline\"\u003eMilka Bliznakov Award and Research Prize Winners\u003c/emph\u003e\u003c/p\u003e\n\n","\u003cp\u003e\u003cemph render=\"bold\"\u003e2001\u003c/emph\u003e, Claire Bonney, \u003ctitle render=\"doublequote\"\u003eThe Work and Life of Adrienne Gorska\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2002, Elizabeth Birmingham,  \u003ctitle render=\"doublequote\"\u003eSearching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2003, Barbara Nadel,\u003ctitle render=\"doublequote\"\u003eSecurity Design: Achieving Transparency in Civic Architecture\u003c/title\u003e and Ozlem Erkarslan, \u003ctitle render=\"doublequote\"\u003eTurkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.\u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003e2004, Dorrita Hannah, \u003ctitle render=\"doublequote\"\u003e\u003cemph render=\"italic\"\u003eun-housing performance\u003c/emph\u003e: The Heart of PQ\u003c/title\u003e and Janet Stoyel, \u003ctitle render=\"doublequote\"\u003eSonicloth\u003c/title\u003e. \u003c/p\u003e\n","\u003cp\u003e2005, Carmen Alonso Espegel, \u003ctitle render=\"doublequote\"\u003eHeroines of the Space\u003c/title\u003e,  Isabel Bauer, \u003ctitle render=\"doublequote\"\u003eArchitekturstudentinnen der Weimarer Republik\u003c/title\u003e, and Bobbye Tigerman, \u003ctitle render=\"doublequote\"\u003e'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.\u003c/p\u003e\n","\u003cp\u003e2006, Milka Bliznakov Prize, Commendation, \u003ctitle render=\"doublequote\"\u003eAgainst All Odds: MIT's Pioneering Women of Landscape Architecture\u003c/title\u003e by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.\u003c/p\u003e\n","\u003cp\u003e2007, No prize awarded.\u003c/p\u003e\n","\u003cp\u003e2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, \u003ctitle render=\"doublequote\"\u003eOdilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America \u003c/title\u003e and Despina Stratigakos, \u003ctitle render=\"doublequote\"\u003eA Woman's Berlin \u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003e2008, Milka Bliznakov Prize, Commendation, Lori Brown, \u003ctitle render=\"italic\"\u003efeminist practices\u003c/title\u003e [exhibition].\u003c/p\u003e\n","\u003cp\u003e2009, Patrick Lee Lucan, \u003ctitle render=\"doublequote\"\u003eSarah Hunter Kelly: Designing the House of Good Taste\u003c/title\u003e.\u003c/p\u003e  \n","\u003cp\u003e2010, Inge Schaefer Horton, \u003ctitle render=\"doublequote\"\u003eEarly Women Architects of the San Francisco Bay Area\n\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2011, Lindsay Nencheck, \u003ctitle render=\"doublequote\"\u003eOrganizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2012, Andrea J. Merrett, \u003ctitle render=\"doublequote\"\u003eFeminism in American Architecture: Organizing: 1972-1975 \u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2013, Robert Holton, \u003ctitle render=\"doublequote\"\u003eNatalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2014, Meredith Sattler, \u003ctitle render=\"doublequote\"\u003eEarly Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS)\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2015, Claire Bonney Brüllman, \u003ctitle render=\"doublequote\"\u003eThe Work and Life of Adrienne Gorska\u003c/title\u003e and Sarah Rafson, \u003ctitle render=\"doublequote\"\u003eCARY (Chicks in Architecture Refuse to Yield)\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2016, Ines Moisset, \u003ctitle render=\"doublequote\"\u003eWomen Architects on the Web\u003c/title\u003e and Tanja Poppelreuter, \u003ctitle render=\"doublequote\"\u003eRefugee and émigré female architects before 1940\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2017, Rixt Hoekstra, \u003ctitle render=\"doublequote\"\u003eRegarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992)\u003c/title\u003e and Kirat Kaur Pandher (Student Prize), \u003ctitle render=\"doublequote\"\u003eIndian Architects: A Proposal for Directed Expansion\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2018, Alex Bala, \u003ctitle render=\"doublequote\"\u003eHanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2019, Eva Alvarez and Carlos Gomez, \u003ctitle render=\"doublequote\"\u003ePluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2020, Canceled due to pandemic.\u003c/p\u003e\n","\u003cp\u003e2021, Canceled due to pandemic.\u003c/p\u003e\n","\u003cp\u003e2022, Daniela Núñez Ruiz, \u003ctitle render=\"doublequote\"\u003eDecolonizing the Archive: Mapping the IAWA's Global South Female Architects\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2023, Lori Brown, FAIA, and Karen Burns, \u003ctitle render=\"doublequote\"\u003eOrganizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2024, Fabio Marino, \u003ctitle render=\"doublequote\"\u003eLiane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e2025, Caitlin Charlet, \u003ctitle render=\"doublequote\"\u003eDrawing the Unseen: Architectural Narratives of Women Who Shaped Space\u003c/title\u003e.\u003c/p\u003e\n  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Milka Bliznakov Award and Research Prize Winners","2001, Claire Bonney, The Work and Life of Adrienne Gorska.","2002, Elizabeth Birmingham,  Searching for Marion Mahony: Gender, Erasure, and the Discourse of Architectural Studies.","2003, Barbara Nadel,Security Design: Achieving Transparency in Civic Architecture and Ozlem Erkarslan, Turkish Women Architects in the Late Ottoman and Early Republican Era 1908-1960.","2004, Dorrita Hannah, un-housing performance: The Heart of PQ and Janet Stoyel, Sonicloth.","2005, Carmen Alonso Espegel, Heroines of the Space,  Isabel Bauer, Architekturstudentinnen der Weimarer Republik, and Bobbye Tigerman, 'I Am Not a Decorator' Florence Knoll, the Knoll Planning Unit, and the Making of the Modern Office.","2005, Milka Bliznakov Honorarium, Joseph Chuo Wang.","2006, Milka Bliznakov Prize, Commendation, Against All Odds: MIT's Pioneering Women of Landscape Architecture by Eran Ben-Joseph, Holly D. Ben-Joseph and Anne C. Dodge.","2007, No prize awarded.","2008, Martha Alonso, Sonia Bevilacqua, and Graciela Brandariz, Odilia Suárez: The Exemplary Trajectory of an Architect and Urbanist in Latin America  and Despina Stratigakos, A Woman's Berlin","2008, Milka Bliznakov Prize, Commendation, Lori Brown, feminist practices [exhibition].","2009, Patrick Lee Lucan, Sarah Hunter Kelly: Designing the House of Good Taste.","2010, Inge Schaefer Horton, Early Women Architects of the San Francisco Bay Area\n.","2011, Lindsay Nencheck, Organizing Voices: Examining the 1974 Women in Architecture Symposium at Washington University in St. Louis.","2012, Andrea J. Merrett, Feminism in American Architecture: Organizing: 1972-1975 .","2013, Robert Holton, Natalie de Blois - Her role and contribution to the design of three pivotal SOM projects completed in New York City between 1950-1960: the Lever House, the Pepsi-Cola building and the Union Carbide.","2014, Meredith Sattler, Early Technological Innovation in the Systems Approach to Environmental Design: Situating Beverly Willis and Associates' CARLA platform [Computerized Approach to Residential Land Analysis] within the developmental trajectory of Geographic Information Systems (GIS).","2015, Claire Bonney Brüllman, The Work and Life of Adrienne Gorska and Sarah Rafson, CARY (Chicks in Architecture Refuse to Yield).","2016, Ines Moisset, Women Architects on the Web and Tanja Poppelreuter, Refugee and émigré female architects before 1940.","2017, Rixt Hoekstra, Regarding De Stijl through a Gender Perspective: The Work and Life of Han Schröder (1918 -1992) and Kirat Kaur Pandher (Student Prize), Indian Architects: A Proposal for Directed Expansion.","2018, Alex Bala, Hanna Adamczewska-Wejchert, a lead designer of the industrial city of Tychy.","2019, Eva Alvarez and Carlos Gomez, Pluralism and Diversity in the Profession - Women Architects Speaking Spanish at the IAWA.","2020, Canceled due to pandemic.","2021, Canceled due to pandemic.","2022, Daniela Núñez Ruiz, Decolonizing the Archive: Mapping the IAWA's Global South Female Architects.","2023, Lori Brown, FAIA, and Karen Burns, Organizing Women Architects and Global Solidarity, 1963-1988: The International Union of Women Architects and the Cold War Divide.","2024, Fabio Marino, Liane Zimbler's Architectural Journey: Questioning the Interior Decorator Cliché from Vienna to California.","2025, Caitlin Charlet, Drawing the Unseen: Architectural Narratives of Women Who Shaped Space."],"odd_html_tesm":["\u003cp\u003eThe guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Milka Bliznakov Prize Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Milka Bliznakov Prize Records, Ms2001-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Milka Bliznakov Prize Records, Ms2001-045, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Milka Bliznakov Prize Records took place in 2001. The records were reprocessed and described to include additions in August 2005, September 2006, January 2012, March 2013, and 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eAdditional information about the Milka Bliznakov Prize is available through links on the \u003cextref href=\"http://spec.lib.vt.edu/IAWA/\" title=\"IAWA home page\"\u003eIAWA home page.\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eThe IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the \u003cextref href=\"http://spec.lib.vt.edu/IAWA/guide.html\" title=\"IAWA Guide to the Collections\"\u003eIAWA Guide to the Collections.\u003c/extref\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["Additional information about the Milka Bliznakov Prize is available through links on the IAWA home page.","The IAWA Records, Ms1985-021, and the papers of Milka Bliznakov, Ms1991-025, are both housed with the IAWA and are on the IAWA Guide to the Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.\u003c/p\u003e  ","\u003cp\u003eView Brüllman's updated presentation on Gorska \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/BliznakovPrize_2015_Bonney_GorskaUpdate.pdf\" show=\"new\"\u003ehere\u003c/extref\u003e. Presented at the joint IAWA-UIFA Congress held in Blacksburg, Va., July 2015.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection consists of yearly information and announcements about the Milka Bliznakov Prize and research proposal submissions. This prize is awarded annually and more records are expected at a later date.","View Brüllman's updated presentation on Gorska here. Presented at the joint IAWA-UIFA Congress held in Blacksburg, Va., July 2015."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1c78d5d02374a8ab95301adae2ea4b72\" label=\"Abstract\"\u003eThe Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Milka Bliznakov Prize, established in 1998, honors the founder of the International Archive of Women in Architecture. The prize is conferred in recognition of research that advances knowledge of women's contributions to architecture and related design fields, and was created to encourage the use and growth of the International Archive of Women in Architecture (IAWA). The collection consists of announcements about the award, proposal submissions for the prize, and original works of research."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)"],"names_coll_ssim":["Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"persname_ssim":["Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Architecture (1974-1978)","Virginia Polytechnic Institute and State University. College of Architecture and Urban Studies (1978-2022)","Merrett, Andrea J.","Erkarslam, Ozlem","Nadel, Barbara","Birmingham, Elizabeth J.","Bonney, Claire","Nencheck, Lindsay","Bliznakov, Milka T., 1927-2010","Horton, Inge S.","Lucas, Patrick Lee","Brown, Lori","Stoyel, Janet","Bauer, Isabel","Tigerman, Bobbye","Hannah, Dorrita","Alonso, Carmen Espegel","Alonso, Martha","Bevilacqua, Sonia","Brandariz, Graciela","Stratigakus, Despina","Ben-Joseph, Holly D.","Ben-Joseph, Eran","Wang, Joseph Chuo","Dodge, Anne C.","Sokolina, Anna P."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":56,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:46:42.574Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_2177"}},{"id":"viblbv_repositories_2_resources_1790","type":"collection","attributes":{"title":"Olive Chadeayne Architectural Collection, 1924/1956","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1790#creator","type":"document_value","attributes":{"value":"Chadeayne, Olive, 1904-2001","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1790#abstract_or_scope","type":"document_value","attributes":{"value":"The Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California. In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1790#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_1790","ead_ssi":"viblbv_repositories_2_resources_1790","_root_":"viblbv_repositories_2_resources_1790","_nest_parent_":"viblbv_repositories_2_resources_1790","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1790.xml","title_filing_ssi":"Chadeayne, Olive, Architectural Collection","title_ssm":["Olive Chadeayne Architectural Collection"],"title_tesim":["Olive Chadeayne Architectural Collection"],"unitdate_ssm":["1924-1956"],"unitdate_inclusive_ssm":["1924-1956"],"normalized_date_ssm":["1924/1956"],"normalized_title_ssm":["Olive Chadeayne Architectural Collection, 1924/1956"],"text":["Olive Chadeayne Architectural Collection, 1924/1956","Ms.1990.057","Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","Some of this collection has been digitized and is available online.","There are three series in The Olive Chadeayne Architectural Collection:","Series I: Personal \u0026 Professional Papers and Series","Series II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.","Series III: Arts \u0026 Artifacts are arranged chronologically according to project.","The following is a list of architectural projects carried out by Olive Chadeayne and Lilian Rice.  The Project Index is a way to organize the various formats of architectural records from the same collection. The index is arranged alphabetically by project/client name and contains information, when available, about the location, date, project type, lead architect and additional collaborators.","Project Index Key","Project/Client Name (location; date; project type; architect; collaborator(s)) [Format: DR=Drawings, \nFPP=Finished Project Photo(s), DP=Display Photo(s), AA=Arts \u0026 Artifacts, F=Files (project files)]","Project Index","Olive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.","Los Angeles based architecture firm, Pierpont \u0026 Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.","In 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed.","By 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026 Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset.","\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\"","From 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026 Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.","By 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026 Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY.","Throughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.","In her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.","Works Consulted","Chadeayne, O., Horton, I. S., O'Hara, E., International Archive of Women in Architecture, \u0026 American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects. S.l: s.n.","Horton, Inge Schaefer. (Eds.). (2010).  Early women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951.  Jefferson, N.C: McFarland \u0026 Co. Inc.","Lilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.","Recognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.","\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\"","In addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.","Lilian Rice died suddenly on Dec. 22, 1938 at the age of 49.","Sources:","Cox, Lilian. (2009, October).  Famous female architect finally gets a biography.  The Coast News.  Retrieved from http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography","Eddy, L. L. (1985). Lilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).  University  of San Diego, San Diego, CA.","The guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","A preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010.","See also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993","The Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.","The collection is divided into three series:","Series I: Personal \u0026 Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from Ladies Home Journal.","Series II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.","Series III: Art \u0026 Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California.","Series I: Personal \u0026 Professional Papers (1924 - 1925) consists of Chadeayne's student work. It includes watercolor designs, portrait phototgraphs and magazine clippings from Ladies Home Journal.","Series II: Project Records (1926-1956) includes work completed by both Olive Chadeayne and Lilian Rice.  The series contains architectural tracings, blue prints, drawings, project notes and photographs for approximately 100 projects.","Series III: Arts \u0026 Artifacts (1927-1937) contains one watercolor drawing of the Townley residence and one historical color map of Monterey, California.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice.","Special Collections and University Archives, Virginia Tech","Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S.","The materials in the collection are in English."],"collection_title_tesim":["Olive Chadeayne Architectural Collection, 1924/1956"],"collection_ssim":["Olive Chadeayne Architectural Collection, 1924/1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.057"],"unitid_tesim":["Ms.1990.057"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creator_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creator_persname_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S.","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Olive Chadeayne Architectural Collection was donated to Special Collections in multiple accruals between 1990 and 1994."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.8 Cubic Feet 2 boxes; 28 oversize folders"],"extent_tesim":["9.8 Cubic Feet 2 boxes; 28 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/176\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThere are three series in The Olive Chadeayne Architectural Collection:\u003c/p\u003e","\u003cp\u003eSeries I: Personal \u0026amp; Professional Papers and Series \u003c/p\u003e","\u003cp\u003eSeries II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.\u003c/p\u003e","\u003cp\u003eSeries III: Arts \u0026amp; Artifacts are arranged chronologically according to project.  \u003c/p\u003e  ","\u003cp\u003eThe following is a list of architectural projects carried out by Olive Chadeayne and Lilian Rice.  The Project Index is a way to organize the various formats of architectural records from the same collection. The index is arranged alphabetically by project/client name and contains information, when available, about the location, date, project type, lead architect and additional collaborators.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eProject Index Key\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eProject/Client Name (location; date; project type; architect; collaborator(s)) [Format: \u003cemph render=\"bold\"\u003eDR\u003c/emph\u003e=Drawings, \n\u003cemph render=\"bold\"\u003eFPP\u003c/emph\u003e=Finished Project Photo(s), \u003cemph render=\"bold\"\u003eDP\u003c/emph\u003e=Display Photo(s), \u003cemph render=\"bold\"\u003eAA\u003c/emph\u003e=Arts \u0026amp; Artifacts, \u003cemph render=\"bold\"\u003eF\u003c/emph\u003e=Files (project files)] \u003c/p\u003e","\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1990-057pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index\u003c/extref\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["There are three series in The Olive Chadeayne Architectural Collection:","Series I: Personal \u0026 Professional Papers and Series","Series II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.","Series III: Arts \u0026 Artifacts are arranged chronologically according to project.","The following is a list of architectural projects carried out by Olive Chadeayne and Lilian Rice.  The Project Index is a way to organize the various formats of architectural records from the same collection. The index is arranged alphabetically by project/client name and contains information, when available, about the location, date, project type, lead architect and additional collaborators.","Project Index Key","Project/Client Name (location; date; project type; architect; collaborator(s)) [Format: DR=Drawings, \nFPP=Finished Project Photo(s), DP=Display Photo(s), AA=Arts \u0026 Artifacts, F=Files (project files)]","Project Index"],"bioghist_html_tesm":["\u003cp\u003eOlive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.\u003c/p\u003e","\u003cp\u003eLos Angeles based architecture firm, Pierpont \u0026amp; Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.\u003c/p\u003e","\u003cp\u003eIn 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed. \u003c/p\u003e","\u003cp\u003eBy 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026amp; Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset. \u003c/p\u003e","\u003cp\u003e\u003cblockquote\u003e\u003cp\u003e\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\" \u003c/p\u003e\u003c/blockquote\u003e\u003c/p\u003e","\u003cp\u003eFrom 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026amp; Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.  \u003c/p\u003e","\u003cp\u003eBy 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026amp; Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY. \u003c/p\u003e","\u003cp\u003eThroughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.  \u003c/p\u003e","\u003cp\u003eIn her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.  \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eWorks Consulted \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eChadeayne, O., Horton, I. S., O'Hara, E., \u003cemph render=\"italic\"\u003eInternational Archive of Women in Architecture, \u0026amp; American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\u003c/emph\u003e S.l: s.n.\u003c/p\u003e","\u003cp\u003eHorton, Inge Schaefer. (Eds.). (2010).  \u003cemph render=\"italic\"\u003eEarly women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951. \u003c/emph\u003e Jefferson, N.C: McFarland \u0026amp; Co. Inc.\u003c/p\u003e  ","\u003cp\u003eLilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.\u003c/p\u003e","\u003cp\u003eRecognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.\u003c/p\u003e","\u003cp\u003e\u003cblockquote\u003e\u003cp\u003e\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\" \u003c/p\u003e\u003c/blockquote\u003e\u003c/p\u003e","\u003cp\u003eIn addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.\u003c/p\u003e","\u003cp\u003eLilian Rice died suddenly on Dec. 22, 1938 at the age of 49.  \u003c/p\u003e","\u003cp\u003eSources:\u003c/p\u003e","\u003cp\u003eCox, Lilian. (2009, October).  Famous female architect finally gets a biography.  \u003cemph render=\"italic\"\u003eThe Coast News.\u003c/emph\u003e  Retrieved from \u003ca target=\"_blank\" href=\"http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography\"\u003ehttp://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eEddy, L. L. (1985). \u003cemph render=\"italic\"\u003eLilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).\u003c/emph\u003e  University  of San Diego, San Diego, CA.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note - Olive Chadeayne","Biographical Note - Lilian Rice"],"bioghist_tesim":["Olive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.","Los Angeles based architecture firm, Pierpont \u0026 Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.","In 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed.","By 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026 Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset.","\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\"","From 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026 Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.","By 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026 Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY.","Throughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.","In her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.","Works Consulted","Chadeayne, O., Horton, I. S., O'Hara, E., International Archive of Women in Architecture, \u0026 American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects. S.l: s.n.","Horton, Inge Schaefer. (Eds.). (2010).  Early women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951.  Jefferson, N.C: McFarland \u0026 Co. Inc.","Lilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.","Recognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.","\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\"","In addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.","Lilian Rice died suddenly on Dec. 22, 1938 at the age of 49.","Sources:","Cox, Lilian. (2009, October).  Famous female architect finally gets a biography.  The Coast News.  Retrieved from http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography","Eddy, L. L. (1985). Lilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).  University  of San Diego, San Diego, CA."],"odd_html_tesm":["\u003cp\u003eThe guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Olive Chadeayne Architectural Collection, Ms 1990-057, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Olive Chadeayne Architectural Collection, Ms 1990-057, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993"],"scopecontent_html_tesm":["\u003cp\u003eThe Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.  \u003c/p\u003e","\u003cp\u003eThe collection is divided into three series:\u003c/p\u003e","\u003cp\u003eSeries I: Personal \u0026amp; Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from \u003cemph render=\"italic\"\u003eLadies Home Journal.\u003c/emph\u003e   \u003c/p\u003e","\u003cp\u003eSeries II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.    \u003c/p\u003e","\u003cp\u003eSeries III: Art \u0026amp; Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California.  \u003c/p\u003e  ","\u003cp\u003eSeries I: Personal \u0026amp; Professional Papers (1924 - 1925) consists of Chadeayne's student work. It includes watercolor designs, portrait phototgraphs and magazine clippings from \u003cemph render=\"italic\"\u003eLadies Home Journal.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eSeries II: Project Records (1926-1956) includes work completed by both Olive Chadeayne and Lilian Rice.  The series contains architectural tracings, blue prints, drawings, project notes and photographs for approximately 100 projects.\u003c/p\u003e","\u003cp\u003eSeries III: Arts \u0026amp; Artifacts (1927-1937) contains one watercolor drawing of the Townley residence and one historical color map of Monterey, California.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.","The collection is divided into three series:","Series I: Personal \u0026 Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from Ladies Home Journal.","Series II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.","Series III: Art \u0026 Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California.","Series I: Personal \u0026 Professional Papers (1924 - 1925) consists of Chadeayne's student work. It includes watercolor designs, portrait phototgraphs and magazine clippings from Ladies Home Journal.","Series II: Project Records (1926-1956) includes work completed by both Olive Chadeayne and Lilian Rice.  The series contains architectural tracings, blue prints, drawings, project notes and photographs for approximately 100 projects.","Series III: Arts \u0026 Artifacts (1927-1937) contains one watercolor drawing of the Townley residence and one historical color map of Monterey, California."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4f0d7b8e766de5ccff7c339a98ee76a\" label=\"Abstract\"\u003eThe Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"names_coll_ssim":["Rice, Lilian, 1889-1938","Horton, Inge S."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":115,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:45:59.287Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1790","ead_ssi":"viblbv_repositories_2_resources_1790","_root_":"viblbv_repositories_2_resources_1790","_nest_parent_":"viblbv_repositories_2_resources_1790","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1790.xml","title_filing_ssi":"Chadeayne, Olive, Architectural Collection","title_ssm":["Olive Chadeayne Architectural Collection"],"title_tesim":["Olive Chadeayne Architectural Collection"],"unitdate_ssm":["1924-1956"],"unitdate_inclusive_ssm":["1924-1956"],"normalized_date_ssm":["1924/1956"],"normalized_title_ssm":["Olive Chadeayne Architectural Collection, 1924/1956"],"text":["Olive Chadeayne Architectural Collection, 1924/1956","Ms.1990.057","Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)","The collection is open for research.","Some of this collection has been digitized and is available online.","There are three series in The Olive Chadeayne Architectural Collection:","Series I: Personal \u0026 Professional Papers and Series","Series II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.","Series III: Arts \u0026 Artifacts are arranged chronologically according to project.","The following is a list of architectural projects carried out by Olive Chadeayne and Lilian Rice.  The Project Index is a way to organize the various formats of architectural records from the same collection. The index is arranged alphabetically by project/client name and contains information, when available, about the location, date, project type, lead architect and additional collaborators.","Project Index Key","Project/Client Name (location; date; project type; architect; collaborator(s)) [Format: DR=Drawings, \nFPP=Finished Project Photo(s), DP=Display Photo(s), AA=Arts \u0026 Artifacts, F=Files (project files)]","Project Index","Olive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.","Los Angeles based architecture firm, Pierpont \u0026 Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.","In 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed.","By 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026 Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset.","\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\"","From 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026 Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.","By 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026 Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY.","Throughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.","In her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.","Works Consulted","Chadeayne, O., Horton, I. S., O'Hara, E., International Archive of Women in Architecture, \u0026 American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects. S.l: s.n.","Horton, Inge Schaefer. (Eds.). (2010).  Early women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951.  Jefferson, N.C: McFarland \u0026 Co. Inc.","Lilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.","Recognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.","\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\"","In addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.","Lilian Rice died suddenly on Dec. 22, 1938 at the age of 49.","Sources:","Cox, Lilian. (2009, October).  Famous female architect finally gets a biography.  The Coast News.  Retrieved from http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography","Eddy, L. L. (1985). Lilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).  University  of San Diego, San Diego, CA.","The guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","A preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010.","See also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993","The Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.","The collection is divided into three series:","Series I: Personal \u0026 Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from Ladies Home Journal.","Series II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.","Series III: Art \u0026 Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California.","Series I: Personal \u0026 Professional Papers (1924 - 1925) consists of Chadeayne's student work. It includes watercolor designs, portrait phototgraphs and magazine clippings from Ladies Home Journal.","Series II: Project Records (1926-1956) includes work completed by both Olive Chadeayne and Lilian Rice.  The series contains architectural tracings, blue prints, drawings, project notes and photographs for approximately 100 projects.","Series III: Arts \u0026 Artifacts (1927-1937) contains one watercolor drawing of the Townley residence and one historical color map of Monterey, California.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice.","Special Collections and University Archives, Virginia Tech","Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S.","The materials in the collection are in English."],"collection_title_tesim":["Olive Chadeayne Architectural Collection, 1924/1956"],"collection_ssim":["Olive Chadeayne Architectural Collection, 1924/1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1990.057"],"unitid_tesim":["Ms.1990.057"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creator_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creator_persname_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S.","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Olive Chadeayne Architectural Collection was donated to Special Collections in multiple accruals between 1990 and 1994."],"access_subjects_ssim":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Architectural drawing -- 20th century","International Archive of Women in Architecture (IAWA)","Women -- History","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.8 Cubic Feet 2 boxes; 28 oversize folders"],"extent_tesim":["9.8 Cubic Feet 2 boxes; 28 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/176\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThere are three series in The Olive Chadeayne Architectural Collection:\u003c/p\u003e","\u003cp\u003eSeries I: Personal \u0026amp; Professional Papers and Series \u003c/p\u003e","\u003cp\u003eSeries II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.\u003c/p\u003e","\u003cp\u003eSeries III: Arts \u0026amp; Artifacts are arranged chronologically according to project.  \u003c/p\u003e  ","\u003cp\u003eThe following is a list of architectural projects carried out by Olive Chadeayne and Lilian Rice.  The Project Index is a way to organize the various formats of architectural records from the same collection. The index is arranged alphabetically by project/client name and contains information, when available, about the location, date, project type, lead architect and additional collaborators.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eProject Index Key\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eProject/Client Name (location; date; project type; architect; collaborator(s)) [Format: \u003cemph render=\"bold\"\u003eDR\u003c/emph\u003e=Drawings, \n\u003cemph render=\"bold\"\u003eFPP\u003c/emph\u003e=Finished Project Photo(s), \u003cemph render=\"bold\"\u003eDP\u003c/emph\u003e=Display Photo(s), \u003cemph render=\"bold\"\u003eAA\u003c/emph\u003e=Arts \u0026amp; Artifacts, \u003cemph render=\"bold\"\u003eF\u003c/emph\u003e=Files (project files)] \u003c/p\u003e","\u003cp\u003e\u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms1990-057pi.xls\" show=\"new\" title=\"Project Index\"\u003eProject Index\u003c/extref\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["There are three series in The Olive Chadeayne Architectural Collection:","Series I: Personal \u0026 Professional Papers and Series","Series II: Project Records, is arranged alphabetically by client/project title.  Blue prints are stored separtely from tracing and dizao papers.  Blue line/diazo drawings are stored with tracings, separted by interleaving tissue.","Series III: Arts \u0026 Artifacts are arranged chronologically according to project.","The following is a list of architectural projects carried out by Olive Chadeayne and Lilian Rice.  The Project Index is a way to organize the various formats of architectural records from the same collection. The index is arranged alphabetically by project/client name and contains information, when available, about the location, date, project type, lead architect and additional collaborators.","Project Index Key","Project/Client Name (location; date; project type; architect; collaborator(s)) [Format: DR=Drawings, \nFPP=Finished Project Photo(s), DP=Display Photo(s), AA=Arts \u0026 Artifacts, F=Files (project files)]","Project Index"],"bioghist_html_tesm":["\u003cp\u003eOlive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.\u003c/p\u003e","\u003cp\u003eLos Angeles based architecture firm, Pierpont \u0026amp; Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.\u003c/p\u003e","\u003cp\u003eIn 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed. \u003c/p\u003e","\u003cp\u003eBy 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026amp; Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset. \u003c/p\u003e","\u003cp\u003e\u003cblockquote\u003e\u003cp\u003e\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\" \u003c/p\u003e\u003c/blockquote\u003e\u003c/p\u003e","\u003cp\u003eFrom 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026amp; Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.  \u003c/p\u003e","\u003cp\u003eBy 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026amp; Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY. \u003c/p\u003e","\u003cp\u003eThroughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.  \u003c/p\u003e","\u003cp\u003eIn her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.  \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eWorks Consulted \u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eChadeayne, O., Horton, I. S., O'Hara, E., \u003cemph render=\"italic\"\u003eInternational Archive of Women in Architecture, \u0026amp; American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\u003c/emph\u003e S.l: s.n.\u003c/p\u003e","\u003cp\u003eHorton, Inge Schaefer. (Eds.). (2010).  \u003cemph render=\"italic\"\u003eEarly women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951. \u003c/emph\u003e Jefferson, N.C: McFarland \u0026amp; Co. Inc.\u003c/p\u003e  ","\u003cp\u003eLilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.\u003c/p\u003e","\u003cp\u003eRecognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.\u003c/p\u003e","\u003cp\u003e\u003cblockquote\u003e\u003cp\u003e\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\" \u003c/p\u003e\u003c/blockquote\u003e\u003c/p\u003e","\u003cp\u003eIn addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.\u003c/p\u003e","\u003cp\u003eLilian Rice died suddenly on Dec. 22, 1938 at the age of 49.  \u003c/p\u003e","\u003cp\u003eSources:\u003c/p\u003e","\u003cp\u003eCox, Lilian. (2009, October).  Famous female architect finally gets a biography.  \u003cemph render=\"italic\"\u003eThe Coast News.\u003c/emph\u003e  Retrieved from \u003ca target=\"_blank\" href=\"http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography\"\u003ehttp://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eEddy, L. L. (1985). \u003cemph render=\"italic\"\u003eLilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).\u003c/emph\u003e  University  of San Diego, San Diego, CA.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note - Olive Chadeayne","Biographical Note - Lilian Rice"],"bioghist_tesim":["Olive Chadeayne was born on February 9, 1904 in Ossining, New York.  Educated in California, Chadeayne began studying architecture at the University of California (currently UCLA) in 1922 later completing her coursework at Berkeley when the UCLA architecture program was shut down.  Chadeayne graduated with a B.A. in Architecture from Berkeley on May 12, 1926 and went on to complete her graduate work there in 1927.","Los Angeles based architecture firm, Pierpont \u0026 Walter Davis hired Chadeayne shortly after graduation in 1927.  During the time Chadeayne spent at the firm she worked on a number of small residential projects improving her drafting abilities.  In 1935 Chadeayne met and became close associate to architect Lilian J. Rice (1888-1938).  For three years Chadeayne collaborated with Rice, designing two schools, small offices and other assorted buildings.  Their association was cut short when Lilian Rice passed away suddenly in 1938, Chadeayne went on to complete a number of Rice's unfinished work projects.","In 1940 Chadeayne began taking on private contract work for the first time and accepted a teaching position at Cornell University.  There, she taught house planning in the College of Home Economics.  By July 1942 however, Chadeayne returned to California taking work as a production illustrator for the Lockheed engineering department in war service.  While working for Lockheed Chadeayne also handled side projects for various firms in the Los Angeles area concentrating primarily on residential and educational facilities.  In 1945 Chadeayne left Lockheed.","By 1951 Chadeayne was hired at Daniel, Mann, Johnson \u0026 Mendenhall (DMJM).  Her job at the company required extensive travel to educational facilities in various stages of building development.  As a result of her travels, Chadeayne became a highly skilled specifications writer for DMJM.  Her ability to write technically became her greatest professional asset.","\"I tried to write specifications so that the ordinary workmen could understand them.  I found that the specifications were the standard by which the building was built and that some of the workmen couldn't understand…So I tried to write them in a way that anybody could…\"","From 1958 to 1965 Chadeayne worked at Los Angeles based firm, A.Q. Jones \u0026 Frederick Emmons.  She worked on a number of projects including a U.S. Air Force hospital, Naval housing and most significantly, the U.S. Consulate in Singapore.  By 1966 one of Chadeayne's most prominent architectural endeavors began when she was hired to write specifications at the Bank of America Headquarters in San Francisco, California.","By 1970 Chadeayne retired formally but continued working part time until 1973 as a consultant for renowned architecture firm, Skidmore Owings \u0026 Merrill (SOM).  There she wrote furnishing specifications for a bank project in Buffalo, NY.","Throughout her career and in retirement Chadeayne held membership with the AWA (Association of Women Architects) and the Los Angeles chapter of the AIA (American Institute of Architects).  Chadeayne took an active in role in AIA serving as chairwoman for the membership committee and later on the Codes Committee ensuring utilization of California building regulations statewide.","In her free time Chadeayne enjoyed cooking and gardening.  She spent significant time traveling with friends and family visiting such places as Australia, New Zealand, China and Japan.  She died on February 23, 2001 at the age of 97 in Tracy, California.","Works Consulted","Chadeayne, O., Horton, I. S., O'Hara, E., International Archive of Women in Architecture, \u0026 American Institute of Architects. (1993). Olive Chadeayne, architect: Transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects. S.l: s.n.","Horton, Inge Schaefer. (Eds.). (2010).  Early women architects of the San Francisco Bay Area : the lives and work of fifty professionals, 1890-1951.  Jefferson, N.C: McFarland \u0026 Co. Inc.","Lilian Rice (1889-1938) was born in National City, California in 1889.  She attended the University of California at Berkley for architecture and in 1910 became one of the first females to graduate from the program.  Rice's greatest professional achievement came from her work as resident architect in the design of the upscale southern California community, Rancho Santa Fe.","Recognized for her work with Spanish colonial architecture, Rice advocated utilizing natural and local materials to blend surrounding landscapes into her designs.  This practice was particularly evident in her work on the Rancho Santa Fe community.","\"Every environment here calls for simplicity and beauty: the gorgeous natural landscapes, the gently broken topography, the nearby mountains. No one with a sense of fitness, it seems to me, could violate these natural factors by creating anything that lacked simplicity in line and form and color.\"","In addition to her work on the Rancho Santa Fe community, Rice designed San Dieguito Union High School in Encitas, California later serving as an original trustee for the Rancho Santa Fe school district.","Lilian Rice died suddenly on Dec. 22, 1938 at the age of 49.","Sources:","Cox, Lilian. (2009, October).  Famous female architect finally gets a biography.  The Coast News.  Retrieved from http://thecoastnews.com/view/full_story/3901797/article-Famous-female-architect-finally-gets-a-biography","Eddy, L. L. (1985). Lilian Jeannette Rice: The lady as architect (A University of San Diego Thesis By Lucinda Eddy).  University  of San Diego, San Diego, CA."],"odd_html_tesm":["\u003cp\u003eThe guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Olive Chadeayne Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Olive Chadeayne Architectural Collection, Ms 1990-057, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Olive Chadeayne Architectural Collection, Ms 1990-057, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eA preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["A preliminary inventory of the Olive Chadeayne Architectural Collection was completed in 1990.  The collection was fully processed and described in September 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also: \"Olive Chadeayne, architect: transcript of an oral history interview with Inge Horton and Elizabeth O'Hara for the International Archive of Women in Architecture, Virginia Polytechnic Institute and State University and AIA San Francisco, a chapter of the American Institute of Architects.\"  cataloged in the Special Collections Reading Room SPEC LARGE NA2125.C3 C42 1993"],"scopecontent_html_tesm":["\u003cp\u003eThe Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.  \u003c/p\u003e","\u003cp\u003eThe collection is divided into three series:\u003c/p\u003e","\u003cp\u003eSeries I: Personal \u0026amp; Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from \u003cemph render=\"italic\"\u003eLadies Home Journal.\u003c/emph\u003e   \u003c/p\u003e","\u003cp\u003eSeries II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.    \u003c/p\u003e","\u003cp\u003eSeries III: Art \u0026amp; Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California.  \u003c/p\u003e  ","\u003cp\u003eSeries I: Personal \u0026amp; Professional Papers (1924 - 1925) consists of Chadeayne's student work. It includes watercolor designs, portrait phototgraphs and magazine clippings from \u003cemph render=\"italic\"\u003eLadies Home Journal.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eSeries II: Project Records (1926-1956) includes work completed by both Olive Chadeayne and Lilian Rice.  The series contains architectural tracings, blue prints, drawings, project notes and photographs for approximately 100 projects.\u003c/p\u003e","\u003cp\u003eSeries III: Arts \u0026amp; Artifacts (1927-1937) contains one watercolor drawing of the Townley residence and one historical color map of Monterey, California.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Olive Chadeayne Architectural Collection spans the years 1924 to 1956 with the majority of projects completed in greater southern California. Additionally, the designs of architect Lilian J. Rice are included. This collection contains both independent and collaborative design projects by Chadeayne and Rice. Materials in the collection include watercolor drawings, tracings, blue prints photographs, magazine clippings and display boards for approximately 125 projects.","The collection is divided into three series:","Series I: Personal \u0026 Professional Papers (1924) consists of Chadeayne's student work; watercolor designs; portrait photographs of Chadeayne as well as her co-worker, Greta Grossman; and magazine clippings from Ladies Home Journal.","Series II: Project Records (1926-1952) includes project notes, finished project photos, display photos and Chadeayne's drawings.","Series III: Art \u0026 Artifacts (1927-1937) contains, one watercolor drawing of the Townley residence and one historical color map of Monterey, California.","Series I: Personal \u0026 Professional Papers (1924 - 1925) consists of Chadeayne's student work. It includes watercolor designs, portrait phototgraphs and magazine clippings from Ladies Home Journal.","Series II: Project Records (1926-1956) includes work completed by both Olive Chadeayne and Lilian Rice.  The series contains architectural tracings, blue prints, drawings, project notes and photographs for approximately 100 projects.","Series III: Arts \u0026 Artifacts (1927-1937) contains one watercolor drawing of the Townley residence and one historical color map of Monterey, California."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4f0d7b8e766de5ccff7c339a98ee76a\" label=\"Abstract\"\u003eThe Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Olive Chadeayne Architectural Collection includes drawings for residences, schools, churches and businesses primarily located in southern California.  In addition to Olive Chadeayne's work, the collection also contains over twenty-five drawings by American architect Lillian Rice."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"names_coll_ssim":["Rice, Lilian, 1889-1938","Horton, Inge S."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Chadeayne, Olive, 1904-2001","Rice, Lilian, 1889-1938","Horton, Inge S."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":115,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:45:59.287Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_1790"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State 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