{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Vivace\u0026page=4\u0026view=list","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Vivace\u0026page=3\u0026view=list","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Vivace\u0026page=5\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Vivace\u0026page=5\u0026view=list"},"meta":{"pages":{"current_page":4,"next_page":5,"prev_page":3,"total_pages":5,"limit_value":10,"offset_value":30,"total_count":44,"first_page?":false,"last_page?":false}},"data":[{"id":"viumu_mackay-smith_c179","type":"Item","attributes":{"title":"SONATES EN TRIO. Pour Deux Violons, Et la Basse Continue. Composées PAR Mr. LE CLAIR L'AINE. Prix en blanc 9tt. OEUVRE IV. SE VEND A PARIS, Chez L'auteur, rüe St. Benoist proche la porte d l'Abaïe St. germain Le Sr. Boivin, Marchand, rü St honoré à la Régle D'or. Le Sr. Le clerc, Machand, rüe du Roule à la Croix D'or. Avec Privilége du Roy.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c179#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e63250\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e63258\"\u003eAllegro ma non\u003cabbr\u003etropo\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e63269\"\u003eLargo3\u003c/li\u003e\n\u003cli id=\"mvtd1e63277\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e63297\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e63305\"\u003eAllegro ma non\u003cabbr\u003etropo\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e63316\"\u003eLargo12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e63324\"\u003eAllegro assai2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e63344\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e63352\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e63360\"\u003eAria Allegro ma poco6/4\u003c/li\u003e\n\u003cli id=\"mvtd1e63368\"\u003eSarabanda Largo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e63376\"\u003eAllegro2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e63396\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e63404\"\u003eAllegro ma non\u003cabbr\u003etropo\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e63415\"\u003eAria Andante ma non\u003cabbr\u003etropo\u003c/abbr\u003e3\u003c/li\u003e\n\u003cli id=\"mvtd1e63426\"\u003ePresto2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e63447\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e63455\"\u003eAllegro ma non\u003cabbr\u003etropo\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e63466\"\u003eAria\u003cabbr\u003eGratioso\u003c/abbr\u003e3\u003c/li\u003e\n\u003cli id=\"mvtd1e63477\"\u003eGiga Allegro ma non\u003cabbr\u003etropo\u003c/abbr\u003e6/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e63500\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e63508\"\u003eAllegro ma non\u003cabbr\u003etropo\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e63519\"\u003eGavotta\u003cabbr\u003egratioso\u003c/abbr\u003eun poco AndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e63531\"\u003eVivace3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c179#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c179","ref_ssm":["viumu_mackay-smith_c179"],"id":"viumu_mackay-smith_c179","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","SONATES EN TRIO. Pour Deux Violons, Et la Basse Continue. Composées PAR Mr. LE CLAIR L'AINE. Prix en blanc 9tt. OEUVRE IV. SE VEND A PARIS, Chez L'auteur, rüe St. Benoist proche la porte d l'Abaïe St. germain Le Sr. Boivin, Marchand, rü St honoré à la Régle D'or. Le Sr. Le clerc, Machand, rüe du Roule à la Croix D'or. Avec Privilége du Roy.","Three parts, quarto, 257x188 (267x194): Violino Primo: Title, [1]. Music, pp. 2-4. Blank, [5]. Music, pp. 6-22. Blank, [23]. Music, pp. 24-28. Violino Secondo: Title, [1]. Music, pp. 2-4. Blank, [5]. Music, pp. 6-24. Blank, [25]. Music, pp. 26-30. Two blanks, [31-32]. Organo è Violoncelo: Title, [1]. Music, pp. 2-4. Blank, [5]. Music, pp. 6-22. Blank, [23]. Music, pp. 24-27. Blank, [28]. Lower right of each title-page signed: \"Dupré de St Maur\".","Croix d'Or","Règle d'Or","Croix d'Or","Règle d'Or","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Le Clerc, Jean-Pantaléon, d. 1759","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Le Clerc, Jean-Pantaléon, d. 1759","Paris (France)","Aria","Gavotte","Jig","Sarabande","A","B♭","F","D","G","12/8","2/4","3","3/2","3/4","3/8","6/4","C","Adagio","Allegro","Allegro assai","Allegro ma non troppo","Andante","Aria allegro ma poco","Aria andante ma non troppo","Aria grazioso","Gavotta grazioso un poco andante","Giga allegro ma non troppo","Largo","Presto","Sarabanda largo","Vivace","Lesure/Catalogue , p. 379.","Contents SONATA I d Adagio C Allegro ma non tropo C Largo 3 Allegro 3/8 SONATA II B♭ Adagio C Allegro ma non tropo C Largo 12/8 Allegro assai 2/4 SONATA III d Adagio 3/4 Allegro C Aria Allegro ma poco 6/4 Sarabanda Largo 3/2 Allegro 2/4 SONATA IV F Largo C Allegro ma non tropo C Aria Andante ma non tropo 3 Presto 2/4 SONATA V g Andante 3/4 Allegro ma non tropo C Aria Gratioso 3 Giga Allegro ma non tropo 6/4 SONATA VI A Adagio C Allegro ma non tropo C Gavotta gratioso un poco Andante C Vivace 3/4","M312.4.L42 1700z"],"title_filing_ssi":"SONATES EN TRIO. Pour Deux Violons, Et la Basse Continue. Composées PAR Mr. LE CLAIR L'AINE. Prix en blanc 9tt. OEUVRE IV. SE VEND A PARIS, Chez L'auteur, rüe St. Benoist proche la porte d l'Abaïe St. germain Le Sr. Boivin, Marchand, rü St honoré à la Régle D'or. Le Sr. Le clerc, Machand, rüe du Roule à la Croix D'or. Avec Privilége du Roy.","title_ssm":["SONATES EN TRIO. Pour Deux Violons, Et la Basse Continue. Composées PAR Mr. LE CLAIR L'AINE. Prix en blanc 9tt. OEUVRE IV. SE VEND A PARIS, Chez L'auteur, rüe St. Benoist proche la porte d l'Abaïe St. germain Le Sr. Boivin, Marchand, rü St honoré à la Régle D'or. Le Sr. Le clerc, Machand, rüe du Roule à la Croix D'or. Avec Privilége du Roy."],"title_tesim":["SONATES EN TRIO. Pour Deux Violons, Et la Basse Continue. Composées PAR Mr. LE CLAIR L'AINE. Prix en blanc 9tt. OEUVRE IV. SE VEND A PARIS, Chez L'auteur, rüe St. Benoist proche la porte d l'Abaïe St. germain Le Sr. Boivin, Marchand, rü St honoré à la Régle D'or. Le Sr. Le clerc, Machand, rüe du Roule à la Croix D'or. Avec Privilége du Roy."],"unitdate_other_ssim":["ca. 1730"],"normalized_date_ssm":["1730"],"normalized_title_ssm":["SONATES EN TRIO. Pour Deux Violons, Et la Basse Continue. Composées PAR Mr. LE CLAIR L'AINE. Prix en blanc 9tt. OEUVRE IV. SE VEND A PARIS, Chez L'auteur, rüe St. Benoist proche la porte d l'Abaïe St. germain Le Sr. Boivin, Marchand, rü St honoré à la Régle D'or. Le Sr. Le clerc, Machand, rüe du Roule à la Croix D'or. Avec Privilége du Roy."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, quarto, 257x188 (267x194): Violino Primo: Title, [1]. Music, pp. 2-4. Blank, [5]. Music, pp. 6-22. Blank, [23]. Music, pp. 24-28. Violino Secondo: Title, [1]. Music, pp. 2-4. Blank, [5]. Music, pp. 6-24. Blank, [25]. Music, pp. 26-30. Two blanks, [31-32]. Organo è Violoncelo: Title, [1]. Music, pp. 2-4. Blank, [5]. Music, pp. 6-22. Blank, [23]. Music, pp. 24-27. Blank, [28]. Lower right of each title-page signed: \"Dupré de St Maur\"."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":645,"date_range_isim":[1730],"names_ssim":["Croix d'Or","Règle d'Or","Croix d'Or","Règle d'Or","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Le Clerc, Jean-Pantaléon, d. 1759","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Le Clerc, Jean-Pantaléon, d. 1759"],"corpname_ssim":["Croix d'Or","Règle d'Or"],"persname_ssim":["Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Le Clerc, Jean-Pantaléon, d. 1759"],"geogname_ssim":["Paris (France)"],"geogname_ssm":["Paris (France)"],"places_ssim":["Paris (France)"],"access_subjects_ssim":["Aria","Gavotte","Jig","Sarabande","A","B♭","F","D","G","12/8","2/4","3","3/2","3/4","3/8","6/4","C","Adagio","Allegro","Allegro assai","Allegro ma non troppo","Andante","Aria allegro ma poco","Aria andante ma non troppo","Aria grazioso","Gavotta grazioso un poco andante","Giga allegro ma non troppo","Largo","Presto","Sarabanda largo","Vivace"],"access_subjects_ssm":["Aria","Gavotte","Jig","Sarabande","A","B♭","F","D","G","12/8","2/4","3","3/2","3/4","3/8","6/4","C","Adagio","Allegro","Allegro assai","Allegro ma non troppo","Andante","Aria allegro ma poco","Aria andante ma non troppo","Aria grazioso","Gavotta grazioso un poco andante","Giga allegro ma non troppo","Largo","Presto","Sarabanda largo","Vivace"],"bibliography_html_tesm":["\u003cp\u003e\n                  \u003cref target=\"Lesure-Catalogue\"\u003eLesure/Catalogue\u003c/ref\u003e, p. 379.\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Lesure/Catalogue , p. 379."],"scopecontent_tesim":["Contents SONATA I d Adagio C Allegro ma non tropo C Largo 3 Allegro 3/8 SONATA II B♭ Adagio C Allegro ma non tropo C Largo 12/8 Allegro assai 2/4 SONATA III d Adagio 3/4 Allegro C Aria Allegro ma poco 6/4 Sarabanda Largo 3/2 Allegro 2/4 SONATA IV F Largo C Allegro ma non tropo C Aria Andante ma non tropo 3 Presto 2/4 SONATA V g Andante 3/4 Allegro ma non tropo C Aria Gratioso 3 Giga Allegro ma non tropo 6/4 SONATA VI A Adagio C Allegro ma non tropo C Gavotta gratioso un poco Andante C Vivace 3/4"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.L42 1700z\u003c/physloc\u003e"],"physloc_tesim":["M312.4.L42 1700z"],"_nest_path_":"/components#178","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ed\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e63250\"\u003e\n                           \u003cgenreform 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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c179"}},{"id":"viumu_mackay-smith_c66","type":"Item","attributes":{"title":"SUONATE a Tre Due Violini e Violone Col Basso per l'Organo Da ANTONIO CARELIO MESSENESE Opera Prima a Amsterdam Chez ESTIENNE ROGER Marchand libraire.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c66#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e24075\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e24083\"\u003espiritoso3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e24091\"\u003eAndante3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e24099\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata II\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e24119\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e24127\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e24135\"\u003eSpiritoso3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e24143\"\u003eAllegro12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata III\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e24163\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e24171\"\u003ePrestoC\u003c/li\u003e\n\u003cli id=\"mvtd1e24179\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e24187\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata IV\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e24207\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e24215\"\u003ePresto6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e24223\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e24231\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata V\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e24252\"\u003eAdagio e staccato3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e24260\"\u003ePresto12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e24268\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e24276\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata VI\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e24296\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e24304\"\u003eAllegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e24312\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e24320\"\u003ePresto2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata VII\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e24340\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e24348\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e24356\"\u003eLargo e staccato3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e24364\"\u003espiritoso3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata VIII\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e24384\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e24392\"\u003eAllegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e24400\"\u003eAdagio assai3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e24408\"\u003ePrestoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata IX\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e24428\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e24436\"\u003e\n\u003cabbr\u003espritoso\u003c/abbr\u003ee PrestoC\u003c/li\u003e\n\u003cli id=\"mvtd1e24444\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e24452\"\u003ePrestoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata X\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e24472\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e24480\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e24488\"\u003eAndante3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e24496\"\u003eSpiritoso3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata XI\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e24517\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e24525\"\u003ePrestoC\u003c/li\u003e\n\u003cli id=\"mvtd1e24533\"\u003eLargo e staccatoC\u003c/li\u003e\n\u003cli id=\"mvtd1e24541\"\u003ePresto2\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSonata XII\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e24561\"\u003eLargo e staccato3/[4]\u003c/li\u003e\n\u003cli id=\"mvtd1e24569\"\u003espiritoso3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e24577\"\u003ePrestoC\u003c/li\u003e\n\u003cli id=\"mvtd1e24585\"\u003eAndante e staccatoC\u003c/li\u003e\n\u003cli id=\"mvtd1e24593\"\u003ePresto e spiritosoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c66#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c66","ref_ssm":["viumu_mackay-smith_c66"],"id":"viumu_mackay-smith_c66","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","SUONATE a Tre Due Violini e Violone Col Basso per l'Organo Da ANTONIO CARELIO MESSENESE Opera Prima a Amsterdam Chez ESTIENNE ROGER Marchand libraire.","Four parts, folio, 235x174 (301x182): Violino Primo: Title, verso blank. Music, pp. 1-21. Blank, [22]. Violino Secondo: Title, verso blank. Music, pp. 1-18. Violone o Arciliuto: Title, verso blank. Music, pp. 1-17. Blank, [18]. Organo: Title, verso blank. Music, pp. 1-18. \"1710\" added in MS between \"Opera Prima\" and \"a Amsterdam\" and again between \"a Amsterdam\" and \"Chez Estienne Roger\" on title-page of Violino Primo. \"1710\" added in MS after \"Opera Prima\" on title-page of Violone o Arcileuto and of Organo. Title-page of Violino Secondo signed: \"Antonio Carello\"; all other title-pages signed: \"Carello\".","Carelio, Antonio","Roger, Estienne, 1665-1722","Carelio, Antonio","Roger, Estienne, 1665-1722","Amsterdam (Netherlands)","A","B♭","C","D","F","G","E","12/8","2","3/2","3/4","3/8","6/8","Adagio","Adagio assai","Adagio e staccato","Allegro","Andante","Andante e staccato","Grave","Largo","Largo e staccato","Presto","Presto e spiritoso","Spiritoso","Vivace","Spiritoso e presto","Lesure/Bibliographie , p. 42","Announced in Vairasse .","Contents Sonata I D Grave C spiritoso 3/4 Andante 3/2 Allegro 3/8 Sonata II G Vivace C Andante C Spiritoso 3/8 Allegro 12/8 Sonata III C Grave C Presto C Adagio 3/4 Allegro C Sonata IV F Grave C Presto 6/8 Adagio C Allegro 3/8 Sonata V B♭ Adagio e staccato 3/4 Presto 12/8 Andante C Allegro C Sonata VI a Grave C Allegro 3/8 Andante C Presto 2 Sonata VII g Grave C Allegro 3/4 Largo e staccato 3/4 spiritoso 3/8 Sonata VIII d Grave C Allegro 3/8 Adagio assai 3/2 Presto C Sonata IX c Grave C spritoso e Presto C Largo C Presto C Sonata X F Adagio C Allegro C Andante 3/2 Spiritoso 3/4 Sonata XI A Adagio 3/4 Presto C Largo e staccato C Presto 2 Sonata XII e Largo e staccato 3/[4] spiritoso 3/8 Presto C Andante e staccato C Presto e spiritoso C","M312.4.C35 1710"],"title_filing_ssi":"SUONATE a Tre Due Violini e Violone Col Basso per l'Organo Da ANTONIO CARELIO MESSENESE Opera Prima a Amsterdam Chez ESTIENNE ROGER Marchand libraire.","title_ssm":["SUONATE a Tre Due Violini e Violone Col Basso per l'Organo Da ANTONIO CARELIO MESSENESE Opera Prima a Amsterdam Chez ESTIENNE ROGER Marchand libraire."],"title_tesim":["SUONATE a Tre Due Violini e Violone Col Basso per l'Organo Da ANTONIO CARELIO MESSENESE Opera Prima a Amsterdam Chez ESTIENNE ROGER Marchand libraire."],"unitdate_other_ssim":["1702"],"normalized_date_ssm":["1702"],"normalized_title_ssm":["SUONATE a Tre Due Violini e Violone Col Basso per l'Organo Da ANTONIO CARELIO MESSENESE Opera Prima a Amsterdam Chez ESTIENNE ROGER Marchand libraire."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Four parts, folio, 235x174 (301x182): Violino Primo: Title, verso blank. Music, pp. 1-21. Blank, [22]. Violino Secondo: Title, verso blank. Music, pp. 1-18. Violone o Arciliuto: Title, verso blank. Music, pp. 1-17. Blank, [18]. Organo: Title, verso blank. Music, pp. 1-18. \"1710\" added in MS between \"Opera Prima\" and \"a Amsterdam\" and again between \"a Amsterdam\" and \"Chez Estienne Roger\" on title-page of Violino Primo. \"1710\" added in MS after \"Opera Prima\" on title-page of Violone o Arcileuto and of Organo. Title-page of Violino Secondo signed: \"Antonio Carello\"; all other title-pages signed: \"Carello\"."],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":260,"date_range_isim":[1702],"names_ssim":["Carelio, Antonio","Roger, Estienne, 1665-1722","Carelio, Antonio","Roger, Estienne, 1665-1722"],"persname_ssim":["Carelio, Antonio","Roger, Estienne, 1665-1722"],"geogname_ssim":["Amsterdam (Netherlands)"],"geogname_ssm":["Amsterdam (Netherlands)"],"places_ssim":["Amsterdam (Netherlands)"],"access_subjects_ssim":["A","B♭","C","D","F","G","E","12/8","2","3/2","3/4","3/8","6/8","Adagio","Adagio assai","Adagio e staccato","Allegro","Andante","Andante e staccato","Grave","Largo","Largo e staccato","Presto","Presto e spiritoso","Spiritoso","Vivace","Spiritoso e presto"],"access_subjects_ssm":["A","B♭","C","D","F","G","E","12/8","2","3/2","3/4","3/8","6/8","Adagio","Adagio assai","Adagio e staccato","Allegro","Andante","Andante 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Presto C Sonata IX c Grave C spritoso e Presto C Largo C Presto C Sonata X F Adagio C Allegro C Andante 3/2 Spiritoso 3/4 Sonata XI A Adagio 3/4 Presto C Largo e staccato C Presto 2 Sonata XII e Largo e staccato 3/[4] spiritoso 3/8 Presto C Andante e staccato C Presto e spiritoso C"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.C35 1710\u003c/physloc\u003e"],"physloc_tesim":["M312.4.C35 1710"],"_nest_path_":"/components#65","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSonata I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e24075\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGrave\u003c/genreform\u003e\n          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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel"],"persname_ssim":["Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c66"}},{"id":"viumu_mackay-smith_c81","type":"Item","attributes":{"title":"The Score of the Twelve Concertos Compos'd by ARCANGELO CORELLI. For two Violins \u0026 a Violoncello, with two Violins more, a Tenor \u0026 Thorough Bass for Ripieno Parts, which may be doubled at pleasure. DEDICATED to Ralph Jenison of Walworth Hall in the Bishoprick of Durham Esqr. VOL. IId. The Whole Carefully Corrected by several most Eminent Masters, and revis'd by Dr. Pepusch. Engrav'd with the utmost exactness by Tho: Cross. LONDON Printed for and Sold by Benjamin Cooke at ye Golden Harp, in New Street Covent Garden. Where also may be had in Score the Four Setts of Sonatas, by the Same Author. Vol. 1st.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c81#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e28496\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e28504\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28512\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003e[3/4]\u003c/li\u003e\n\u003cli id=\"mvtd1e28523\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e28531\"\u003e\n\u003cabbr\u003eAlle.\u003c/abbr\u003eC|\u003c/li\u003e\n\u003cli id=\"mvtd1e28542\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto II\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e28562\"\u003eVivaceC3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28573\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e28581\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e28589\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto III\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e28609\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e28617\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28625\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e28633\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e28641\"\u003eAllegroC12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto IIII\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e28661\"\u003e\n\u003cabbr\u003eAdo.\u003c/abbr\u003eC-AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e28677\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e28685\"\u003eVivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28693\"\u003eAllegroC2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28701\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto V\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e28722\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e28730\"\u003eAdagio3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e28738\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e28746\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28754\"\u003eAllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto VI\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e28774\"\u003e\n\u003cabbr\u003eAdo.\u003c/abbr\u003eC3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28787\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e28795\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e28803\"\u003eVivace3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e28811\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003eC|2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto VII\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e28836\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e28844\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28854\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e28862\"\u003eAndante LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e28870\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e28879\"\u003eVivace3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto VIII\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e28899\"\u003eVivaceC3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28910\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e28918\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e28926\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e28934\"\u003eVivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28943\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e28951\"\u003ePastorale ad LibitumLargoC12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto IX\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e28971\"\u003ePreludio LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e28979\"\u003eAllemanda AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e28987\"\u003eCorrente Vivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e28995\"\u003eGavotta\u003cabbr\u003eAllego.\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e29006\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e29015\"\u003eMinuetto VivaceC3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto X\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e29038\"\u003ePreludio Andante LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e29046\"\u003eAllemanda\u003cabbr\u003eAlleo.\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e29057\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e29065\"\u003eCorrente VivaceC3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e29076\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e29085\"\u003eMinuetto Vivace3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto XI\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e29106\"\u003ePreludio Andante LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e29114\"\u003eAllemanda AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e29122\"\u003e\n\u003cabbr\u003eAdo.\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e29132\"\u003eAndante LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e29140\"\u003eSarabanda Largo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e29149\"\u003eGiga VivaceC6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eConcerto XII\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e29172\"\u003ePreludio\u003cabbr\u003eAdo.\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e29183\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e29191\"\u003e\n\u003cabbr\u003eAdo.\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e29201\"\u003eSarabanda Vivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e29209\"\u003eGiga\u003cabbr\u003eAllo.\u003c/abbr\u003eC6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c81#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c81","ref_ssm":["viumu_mackay-smith_c81"],"id":"viumu_mackay-smith_c81","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","The Score of the Twelve Concertos Compos'd by ARCANGELO CORELLI. For two Violins \u0026 a Violoncello, with two Violins more, a Tenor \u0026 Thorough Bass for Ripieno Parts, which may be doubled at pleasure. DEDICATED to Ralph Jenison of Walworth Hall in the Bishoprick of Durham Esqr. VOL. IId. The Whole Carefully Corrected by several most Eminent Masters, and revis'd by Dr. Pepusch. Engrav'd with the utmost exactness by Tho: Cross. LONDON Printed for and Sold by Benjamin Cooke at ye Golden Harp, in New Street Covent Garden. Where also may be had in Score the Four Setts of Sonatas, by the Same Author. Vol. 1st.","Score, folio, 297x195 (340x215): Blank, verso engraved portrait of the composer: \"S. Cole Sc. ARCANGELVS CORELLIUS.\". Title, verso blank. Letter of dedication from Cooke, verso blank, [i-ii]. Blank, [iii]. Music, pp. 1-139. At bottom of last page of music: \"the whole work ingrav'd by Tho: Cross.\". Bound with no. 86.","Golden Harp","Golden Harp","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","London (England)","Allemande","Corrente","Gavotte","Jig","Minuet","Prelude","Sarabande","B♭","C","D","F","G","12/8","2/4","3/4","3/8","6/8","C","C|","Adagio","Allegretto","Allegro","Allemanda allegro","Allemanda allegretto","Andante largo","Corrente vivace","Gavotta allegro","Giga allegro","Giga vivace","Grave","Largo","Minuetto vivace","Pastorale ad libitum largo","Preludio adagio","Preludio andante largo","Preludio largo","Sarabanda largo","Sarabanda vivace","Vivace","See Smith-Humphries , no. 405.","Announced in Daily Post , June 24-25, 1728.","Contents Concerto I D Largo C Largo 3/4 Allo. [ 3/4 ] Largo C Alle. C| Allegro C| Concerto II F Vivace C 3/4 Allegro C Grave C Allegro C| Concerto III c Largo C Allegro 3/4 Grave C Vivace C Allegro C 12/8 Concerto IIII D Ado. C - Allegro C Adagio C Vivace 3/4 Allegro C 2/4 Allegro C Concerto V B♭ Adagio C Adagio 3/8 Allegro C| Largo 3/4 Allegro C| Concerto VI F Ado. C 3/4 Allegro C Largo C Vivace 3/8 Allo. C| 2/4 Concerto VII D Vivace C Allo. 3/4 Allegro C Andante Largo C Allegro C Vivace 3/8 Concerto VIII g Vivace C 3/4 Grave C Allegro C Adagio C Vivace 3/4 Allegro C| Pastorale ad Libitum Largo C 12/8 Concerto IX F Preludio Largo C Allemanda Allegro C Corrente Vivace 3/4 Gavotta Allego. C Adagio 3/4 Minuetto Vivace C 3/8 Concerto X C Preludio Andante Largo C Allemanda Alleo. C Adagio 3/4 Corrente Vivace C 3/4 Allegro C Minuetto Vivace 3/8 Concerto XI B♭ Preludio Andante Largo C Allemanda Allegro C Ado. 3/4 Andante Largo C Sarabanda Largo 3/4 Giga Vivace C 6/8 Concerto XII F Preludio Ado. C Allegro C Ado. C Sarabanda Vivace 3/4 Giga Allo. C 6/8","M312.4.C77P3 1732"],"title_filing_ssi":"The Score of the Twelve Concertos Compos'd by ARCANGELO CORELLI. For two Violins \u0026 a Violoncello, with two Violins more, a Tenor \u0026 Thorough Bass for Ripieno Parts, which may be doubled at pleasure. DEDICATED to Ralph Jenison of Walworth Hall in the Bishoprick of Durham Esqr. VOL. IId. The Whole Carefully Corrected by several most Eminent Masters, and revis'd by Dr. Pepusch. Engrav'd with the utmost exactness by Tho: Cross. LONDON Printed for and Sold by Benjamin Cooke at ye Golden Harp, in New Street Covent Garden. Where also may be had in Score the Four Setts of Sonatas, by the Same Author. Vol. 1st.","title_ssm":["The Score of the Twelve Concertos Compos'd by ARCANGELO CORELLI. For two Violins \u0026 a Violoncello, with two Violins more, a Tenor \u0026 Thorough Bass for Ripieno Parts, which may be doubled at pleasure. DEDICATED to Ralph Jenison of Walworth Hall in the Bishoprick of Durham Esqr. VOL. IId. The Whole Carefully Corrected by several most Eminent Masters, and revis'd by Dr. Pepusch. Engrav'd with the utmost exactness by Tho: Cross. LONDON Printed for and Sold by Benjamin Cooke at ye Golden Harp, in New Street Covent Garden. Where also may be had in Score the Four Setts of Sonatas, by the Same Author. Vol. 1st."],"title_tesim":["The Score of the Twelve Concertos Compos'd by ARCANGELO CORELLI. For two Violins \u0026 a Violoncello, with two Violins more, a Tenor \u0026 Thorough Bass for Ripieno Parts, which may be doubled at pleasure. DEDICATED to Ralph Jenison of Walworth Hall in the Bishoprick of Durham Esqr. VOL. IId. The Whole Carefully Corrected by several most Eminent Masters, and revis'd by Dr. Pepusch. Engrav'd with the utmost exactness by Tho: Cross. LONDON Printed for and Sold by Benjamin Cooke at ye Golden Harp, in New Street Covent Garden. Where also may be had in Score the Four Setts of Sonatas, by the Same Author. Vol. 1st."],"unitdate_other_ssim":["1728"],"normalized_date_ssm":["1728"],"normalized_title_ssm":["The Score of the Twelve Concertos Compos'd by ARCANGELO CORELLI. For two Violins \u0026 a Violoncello, with two Violins more, a Tenor \u0026 Thorough Bass for Ripieno Parts, which may be doubled at pleasure. DEDICATED to Ralph Jenison of Walworth Hall in the Bishoprick of Durham Esqr. VOL. IId. The Whole Carefully Corrected by several most Eminent Masters, and revis'd by Dr. Pepusch. Engrav'd with the utmost exactness by Tho: Cross. LONDON Printed for and Sold by Benjamin Cooke at ye Golden Harp, in New Street Covent Garden. Where also may be had in Score the Four Setts of Sonatas, by the Same Author. Vol. 1st."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Score, folio, 297x195 (340x215): Blank, verso engraved portrait of the composer: \"S. Cole Sc. ARCANGELVS CORELLIUS.\". Title, verso blank. Letter of dedication from Cooke, verso blank, [i-ii]. Blank, [iii]. Music, pp. 1-139. At bottom of last page of music: \"the whole work ingrav'd by Tho: Cross.\". Bound with no. 86."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":309,"date_range_isim":[1728],"names_ssim":["Golden Harp","Golden Harp","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735"],"corpname_ssim":["Golden Harp"],"persname_ssim":["Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cooke, Benjamin"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Allemande","Corrente","Gavotte","Jig","Minuet","Prelude","Sarabande","B♭","C","D","F","G","12/8","2/4","3/4","3/8","6/8","C","C|","Adagio","Allegretto","Allegro","Allemanda allegro","Allemanda allegretto","Andante largo","Corrente vivace","Gavotta allegro","Giga allegro","Giga vivace","Grave","Largo","Minuetto vivace","Pastorale ad libitum largo","Preludio adagio","Preludio andante largo","Preludio largo","Sarabanda largo","Sarabanda vivace","Vivace"],"access_subjects_ssm":["Allemande","Corrente","Gavotte","Jig","Minuet","Prelude","Sarabande","B♭","C","D","F","G","12/8","2/4","3/4","3/8","6/8","C","C|","Adagio","Allegretto","Allegro","Allemanda allegro","Allemanda allegretto","Andante largo","Corrente vivace","Gavotta allegro","Giga allegro","Giga vivace","Grave","Largo","Minuetto vivace","Pastorale ad libitum largo","Preludio adagio","Preludio andante largo","Preludio largo","Sarabanda largo","Sarabanda vivace","Vivace"],"bibliography_html_tesm":["\u003cp\u003eSee\u003cref target=\"Smith-Humphries\"\u003eSmith-Humphries\u003c/ref\u003e, no. 405.\u003c/p\u003e","\u003cp\u003eAnnounced in\u003cbibref\u003e\n                     \u003ctitle\u003eDaily Post\u003c/title\u003e\n                  \u003c/bibref\u003e, June 24-25, 1728.\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["See Smith-Humphries , no. 405.","Announced in Daily Post , June 24-25, 1728."],"scopecontent_tesim":["Contents Concerto I D Largo C Largo 3/4 Allo. [ 3/4 ] Largo C Alle. C| Allegro C| Concerto II F Vivace C 3/4 Allegro C Grave C Allegro C| Concerto III c Largo C Allegro 3/4 Grave C Vivace C Allegro C 12/8 Concerto IIII D Ado. C - Allegro C Adagio C Vivace 3/4 Allegro C 2/4 Allegro C Concerto V B♭ Adagio C Adagio 3/8 Allegro C| Largo 3/4 Allegro C| Concerto VI F Ado. C 3/4 Allegro C Largo C Vivace 3/8 Allo. C| 2/4 Concerto VII D Vivace C Allo. 3/4 Allegro C Andante Largo C Allegro C Vivace 3/8 Concerto VIII g Vivace C 3/4 Grave C Allegro C Adagio C Vivace 3/4 Allegro C| Pastorale ad Libitum Largo C 12/8 Concerto IX F Preludio Largo C Allemanda Allegro C Corrente Vivace 3/4 Gavotta Allego. C Adagio 3/4 Minuetto Vivace C 3/8 Concerto X C Preludio Andante Largo C Allemanda Alleo. C Adagio 3/4 Corrente Vivace C 3/4 Allegro C Minuetto Vivace 3/8 Concerto XI B♭ Preludio Andante Largo C Allemanda Allegro C Ado. 3/4 Andante Largo C Sarabanda Largo 3/4 Giga Vivace C 6/8 Concerto XII F Preludio Ado. C Allegro C Ado. C Sarabanda Vivace 3/4 Giga Allo. C 6/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.C77P3 1732\u003c/physloc\u003e"],"physloc_tesim":["M312.4.C77P3 1732"],"_nest_path_":"/components#80","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eConcerto I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e28496\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e28504\"\u003e\n                           \u003cgenreform 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        \u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n               \u003c/list\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Alexander Mackay-Smith Collection"],"title_tesim":["Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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               \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c81"}},{"id":"viumu_mackay-smith_c209","type":"Item","attributes":{"title":"Trois TRIOS Pour trois Flûtes, Dédiés à Monsieur P. de Laureneel, COMPOSÉS PAR PORTA. Opera 11. Prix 9f. Propriété de l'Editeur. Déposé à la Bible. Imp1e. A PARIS, Chez Nadermann, Editeur de Musique et Facteur de Harpes, Rue de Richelieu, Passage de l'ancien Café de Foi, à la Clef d'Or. (1553.)","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c209#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO I\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e73011\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e73019\"\u003eAndante3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e73027\"\u003e\n\u003cabbr\u003eScherso\u003c/abbr\u003eAllegretto2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e73038\"\u003eTema[2/4]\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO 2\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e73059\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e73067\"\u003eAndante sans lenteur6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e73075\"\u003eRondo Allegretto2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTRIO 3\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e73095\"\u003eCon spiritoC\u003c/li\u003e\n\u003cli id=\"mvtd1e73103\"\u003eAndante EspressivoC|\u003c/li\u003e\n\u003cli id=\"mvtd1e73111\"\u003eVariazioni3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c209#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c209","ref_ssm":["viumu_mackay-smith_c209"],"id":"viumu_mackay-smith_c209","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","Trois TRIOS Pour trois Flûtes, Dédiés à Monsieur P. de Laureneel, COMPOSÉS PAR PORTA. Opera 11. Prix 9f. Propriété de l'Editeur. Déposé à la Bible. Imp1e. A PARIS, Chez Nadermann, Editeur de Musique et Facteur de Harpes, Rue de Richelieu, Passage de l'ancien Café de Foi, à la Clef d'Or. (1553.)","Three parts, quarto, 248x168 (263x195): FLAUTO PRIMO: Title, verso blank. Blank, [1]. Music, pp. 2-19. Blank, [20]. FLAUTO SECONDO: Title, [1]. Music, pp. 2-17. Blank, [18]. FLAUTO TERZO: Title, [1]. Music, pp. 2-15. Blank, [16]. Bound with nos. 101, 189, 211, and 216.","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Paris (France)","Rondo","Variations","D","G","2/4","3/4","6/8","C","C|","Allegro","Andante","Andante espressivo","Andante sans lenteur","Con spirito","Rondo allegretto","Scherzo allegretto","Tema","Variazioni","Vivace","Publisher's no. Devriès-Lesure , v. 1, p. 124","Contents TRIO I G Allegro C Andante 3/4 Scherso Allegretto 2/4 Tema [ 2/4 ] TRIO 2 G Vivace C Andante sans lenteur 6/8 Rondo Allegretto 2/4 TRIO 3 D Con spirito C Andante Espressivo C| Variazioni 3/4","M461.V56 1790"],"title_filing_ssi":"Trois TRIOS Pour trois Flûtes, Dédiés à Monsieur P. de Laureneel, COMPOSÉS PAR PORTA. Opera 11. Prix 9f. Propriété de l'Editeur. Déposé à la Bible. Imp1e. A PARIS, Chez Nadermann, Editeur de Musique et Facteur de Harpes, Rue de Richelieu, Passage de l'ancien Café de Foi, à la Clef d'Or. (1553.)","title_ssm":["Trois TRIOS Pour trois Flûtes, Dédiés à Monsieur P. de Laureneel, COMPOSÉS PAR PORTA. Opera 11. Prix 9f. Propriété de l'Editeur. Déposé à la Bible. Imp1e. A PARIS, Chez Nadermann, Editeur de Musique et Facteur de Harpes, Rue de Richelieu, Passage de l'ancien Café de Foi, à la Clef d'Or. (1553.)"],"title_tesim":["Trois TRIOS Pour trois Flûtes, Dédiés à Monsieur P. de Laureneel, COMPOSÉS PAR PORTA. Opera 11. Prix 9f. Propriété de l'Editeur. Déposé à la Bible. Imp1e. A PARIS, Chez Nadermann, Editeur de Musique et Facteur de Harpes, Rue de Richelieu, Passage de l'ancien Café de Foi, à la Clef d'Or. (1553.)"],"unitdate_other_ssim":["ca. 1812"],"normalized_date_ssm":["1812"],"normalized_title_ssm":["Trois TRIOS Pour trois Flûtes, Dédiés à Monsieur P. de Laureneel, COMPOSÉS PAR PORTA. Opera 11. Prix 9f. Propriété de l'Editeur. Déposé à la Bible. Imp1e. A PARIS, Chez Nadermann, Editeur de Musique et Facteur de Harpes, Rue de Richelieu, Passage de l'ancien Café de Foi, à la Clef d'Or. (1553.)"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, quarto, 248x168 (263x195): FLAUTO PRIMO: Title, verso blank. Blank, [1]. Music, pp. 2-19. Blank, [20]. FLAUTO SECONDO: Title, [1]. Music, pp. 2-17. Blank, [18]. FLAUTO TERZO: Title, [1]. Music, pp. 2-15. Blank, [16]. 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Mackay-Smith Collection"],"title_tesim":["Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. 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(Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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         \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c209"}},{"id":"viumu_mackay-smith_c13","type":"Item","attributes":{"title":"TWELVE Concerto's in Seven Parts for Four Violins, one Alto Viola, a Violoncello, \u0026 a Thorough Bass, done from two Books of Lessons for the Harpsicord. Composed by Sigr. Domenico Scarlatti with additional Slow Movements from Manuscript Solo Pieces, by the same Author. Dedicated to Mrs. Bowes BY Charles Avison Organist in Newcastle upon Tyne. LONDON. Engraved by R. Denson, and Printed for the Author, by Joseph Barber in Newcastle, and Sold by the Musick Shops in Town. Price 1L.11s.6d. MDCCXLIV.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c13#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO I\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e6611\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e6619\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e6627\"\u003eAmoroso3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6635\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO II\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e6655\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6663\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e6671\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e6679\"\u003eVivace3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO 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id=\"mvtd1e6812\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO VI\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e6832\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e6840\"\u003eCon FuriaC\u003c/li\u003e\n\u003cli id=\"mvtd1e6848\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6856\"\u003eVivacemente3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO VII\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e6876\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e6884\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6892\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6900\"\u003eAllegro affettuoso3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO VIII\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e6920\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e6928\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6936\"\u003eAmoroso3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6944\"\u003eVivace3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO IX\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e6964\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e6972\"\u003eCon Spirito2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6980\"\u003eSiciliana6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e6988\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO X\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e7008\"\u003e\n\u003cabbr\u003eGrato:\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e7018\"\u003e\n\u003cabbr\u003eAllo.\u003c/abbr\u003e3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e7028\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e7036\"\u003eGiga Allegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO XI\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e7057\"\u003eCon AffettoC\u003c/li\u003e\n\u003cli id=\"mvtd1e7065\"\u003eAllegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e7073\"\u003e\n\u003cabbr\u003eAndte.\u003c/abbr\u003emoderato2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e7084\"\u003eVivacemente3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO XII\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e7104\"\u003eGrave\u003cabbr\u003eTemporegiato\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e7115\"\u003e\n\u003cabbr\u003eAllo:\u003c/abbr\u003espiritosoC\u003c/li\u003e\n\u003cli id=\"mvtd1e7126\"\u003eLentemente2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e7134\"\u003e\n\u003cabbr\u003eTemporegiato\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e7144\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c13","ref_ssm":["viumu_mackay-smith_c13"],"id":"viumu_mackay-smith_c13","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","TWELVE Concerto's in Seven Parts for Four Violins, one Alto Viola, a Violoncello, \u0026 a Thorough Bass, done from two Books of Lessons for the Harpsicord. Composed by Sigr. Domenico Scarlatti with additional Slow Movements from Manuscript Solo Pieces, by the same Author. Dedicated to Mrs. Bowes BY Charles Avison Organist in Newcastle upon Tyne. LONDON. Engraved by R. Denson, and Printed for the Author, by Joseph Barber in Newcastle, and Sold by the Musick Shops in Town. Price 1L.11s.6d. MDCCXLIV.","Seven parts, quarto, 248x176 (257x184): Violino Primo Concertino: Title, verso blank. Letter of dedication, verso blank, [i-ii]. \"THE SUBSCRIBERS NAMES.\", pp. [iii-iv]. Blank, [1]. Music, pp. 2-34. Violino Secondo Concertino: Title, verso blank. Blank, [1]. Music, pp. 2-25. Blank, [26]. Violoncello: Title, verso blank. Blank, [1]. Music, pp. 2-7. Unnumbered blank. Music, pp. 7 [bis]-26. Violino Primo Ripieno: Title, verso blank. Music, pp. 1-25. Blank, [26]. Violino Secondo Ripieno: Title, verso blank. Blank, [1]. Music, pp. 2-23. Blank, [24]. Alto Viola: Same as Violino Secondo Ripieno. Basso Ripieno: Title, verso blank. Blank, [1]. Music, pp. 2-21. Blank, [22].","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","London (England)","Jig","Siciliana","A","C","D","G","E","2/4","3/4","3/8","6/8","C|","Adagio","Allegro","Allegro spiritoso","Allegro affettuoso","Amoroso","Andante","Andante moderato","Con affetto","Con furia","Con spirito","Giga allegro","Grazioso","Grave tempo regiato","Largo","Largo andante","Lentemente","Siciliana","Tempo regiato","Vivace","Vivacemente","Title-page","Avison's arrangement of assorted movements from Domenico Scarlatti's keyboard works, together with slow movements from several works in MS, some of which are now apparently lost. See: Richard Newton , \" The English Cult of Domenico Scarlatti ,\" Music \u0026 Letters , 20 ( 1939 ) , pp. 142-143. and Jack Lee Cassingham , \" The Twelve Scarlatti-Avison Concertos of 1744 ,\" Ph.D. diss., University of Missouri at Kansas City , 1968 .","Contents CONCERTO I A Adagio C Allegro C Amoroso 3/4 Allegro 3/8 CONCERTO II G Largo 3/4 Allegro C| Andante C Vivace 3/8 CONCERTO III d Largo Andante 3/4 Allegro Spiritoso C Vivace 3/8 Allegro C CONCERTO IV a Andante C Allegro C| Largo 3/4 Vivace 3/8 CONCERTO V d Largo C Allegro C Andante moderato C Allegro 3/8 CONCERTO VI D Largo C Con Furia C Adagio 3/4 Vivacemente 3/8 CONCERTO VII g Adagio C Allegro 2/4 Adagio 3/4 Allegro affettuoso 3/8 CONCERTO VIII e Adagio C Allegro 2/4 Amoroso 3/4 Vivace 3/8 CONCERTO IX C Largo C Con Spirito 2/4 Siciliana 6/8 Allegro 3/8 CONCERTO X D Grato: C Allo. 3/8 Adagio C Giga Allegro 6/8 CONCERTO XI G Con Affetto C Allegro 3/8 Andte. moderato 2/4 Vivacemente 3/8 CONCERTO XII D Grave Temporegiato C Allo: spiritoso C Lentemente 2/4 Temporegiato C Allegro 3/8","M1040.S37 1744"],"title_filing_ssi":"TWELVE Concerto's in Seven Parts for Four Violins, one Alto Viola, a Violoncello, \u0026 a Thorough Bass, done from two Books of Lessons for the Harpsicord. Composed by Sigr. Domenico Scarlatti with additional Slow Movements from Manuscript Solo Pieces, by the same Author. Dedicated to Mrs. Bowes BY Charles Avison Organist in Newcastle upon Tyne. LONDON. Engraved by R. Denson, and Printed for the Author, by Joseph Barber in Newcastle, and Sold by the Musick Shops in Town. Price 1L.11s.6d. MDCCXLIV.","title_ssm":["TWELVE Concerto's in Seven Parts for Four Violins, one Alto Viola, a Violoncello, \u0026 a Thorough Bass, done from two Books of Lessons for the Harpsicord. Composed by Sigr. Domenico Scarlatti with additional Slow Movements from Manuscript Solo Pieces, by the same Author. Dedicated to Mrs. Bowes BY Charles Avison Organist in Newcastle upon Tyne. LONDON. Engraved by R. Denson, and Printed for the Author, by Joseph Barber in Newcastle, and Sold by the Musick Shops in Town. Price 1L.11s.6d. MDCCXLIV."],"title_tesim":["TWELVE Concerto's in Seven Parts for Four Violins, one Alto Viola, a Violoncello, \u0026 a Thorough Bass, done from two Books of Lessons for the Harpsicord. Composed by Sigr. Domenico Scarlatti with additional Slow Movements from Manuscript Solo Pieces, by the same Author. Dedicated to Mrs. Bowes BY Charles Avison Organist in Newcastle upon Tyne. LONDON. Engraved by R. Denson, and Printed for the Author, by Joseph Barber in Newcastle, and Sold by the Musick Shops in Town. Price 1L.11s.6d. MDCCXLIV."],"unitdate_other_ssim":["1744"],"normalized_date_ssm":["1744"],"normalized_title_ssm":["TWELVE Concerto's in Seven Parts for Four Violins, one Alto Viola, a Violoncello, \u0026 a Thorough Bass, done from two Books of Lessons for the Harpsicord. Composed by Sigr. Domenico Scarlatti with additional Slow Movements from Manuscript Solo Pieces, by the same Author. Dedicated to Mrs. Bowes BY Charles Avison Organist in Newcastle upon Tyne. LONDON. Engraved by R. Denson, and Printed for the Author, by Joseph Barber in Newcastle, and Sold by the Musick Shops in Town. Price 1L.11s.6d. MDCCXLIV."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Seven parts, quarto, 248x176 (257x184): Violino Primo Concertino: Title, verso blank. Letter of dedication, verso blank, [i-ii]. \"THE SUBSCRIBERS NAMES.\", pp. [iii-iv]. Blank, [1]. Music, pp. 2-34. Violino Secondo Concertino: Title, verso blank. Blank, [1]. Music, pp. 2-25. Blank, [26]. Violoncello: Title, verso blank. Blank, [1]. Music, pp. 2-7. Unnumbered blank. Music, pp. 7 [bis]-26. Violino Primo Ripieno: Title, verso blank. Music, pp. 1-25. Blank, [26]. Violino Secondo Ripieno: Title, verso blank. Blank, [1]. Music, pp. 2-23. Blank, [24]. Alto Viola: Same as Violino Secondo Ripieno. Basso Ripieno: Title, verso blank. Blank, [1]. Music, pp. 2-21. Blank, [22]."],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":56,"date_range_isim":[1744],"names_ssim":["Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham"],"persname_ssim":["Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Jig","Siciliana","A","C","D","G","E","2/4","3/4","3/8","6/8","C|","Adagio","Allegro","Allegro spiritoso","Allegro affettuoso","Amoroso","Andante","Andante moderato","Con affetto","Con furia","Con spirito","Giga allegro","Grazioso","Grave tempo regiato","Largo","Largo andante","Lentemente","Siciliana","Tempo regiato","Vivace","Vivacemente"],"access_subjects_ssm":["Jig","Siciliana","A","C","D","G","E","2/4","3/4","3/8","6/8","C|","Adagio","Allegro","Allegro spiritoso","Allegro affettuoso","Amoroso","Andante","Andante moderato","Con affetto","Con furia","Con spirito","Giga allegro","Grazioso","Grave tempo regiato","Largo","Largo andante","Lentemente","Siciliana","Tempo regiato","Vivace","Vivacemente"],"bibliography_html_tesm":["\u003cp\u003eTitle-page\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Title-page"],"note_html_tesm":["\u003cp\u003eAvison's arrangement of assorted movements from Domenico Scarlatti's keyboard works, together with slow movements from several works in MS, some of which are now apparently lost. See:\u003cbibref\u003e\n                     \u003cpersname\u003eRichard Newton\u003c/persname\u003e, \"\u003ctitle\u003eThe English Cult of Domenico Scarlatti\u003c/title\u003e,\"\u003ctitle\u003eMusic \u0026amp; Letters\u003c/title\u003e,\u003cimprint\u003e20 (\u003cdate\u003e1939\u003c/date\u003e)\u003c/imprint\u003e, pp. 142-143.\u003c/bibref\u003eand\u003cbibref\u003e\n                     \u003cpersname\u003eJack Lee Cassingham\u003c/persname\u003e, \"\u003ctitle\u003eThe Twelve Scarlatti-Avison Concertos of 1744\u003c/title\u003e,\"\u003cimprint\u003ePh.D. diss.,\u003cpublisher\u003eUniversity of Missouri at Kansas City\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                     \u003c/imprint\u003e.\u003c/bibref\u003e\n               \u003c/p\u003e"],"note_tesim":["Avison's arrangement of assorted movements from Domenico Scarlatti's keyboard works, together with slow movements from several works in MS, some of which are now apparently lost. See: Richard Newton , \" The English Cult of Domenico Scarlatti ,\" Music \u0026 Letters , 20 ( 1939 ) , pp. 142-143. and Jack Lee Cassingham , \" The Twelve Scarlatti-Avison Concertos of 1744 ,\" Ph.D. diss., University of Missouri at Kansas City , 1968 ."],"scopecontent_tesim":["Contents CONCERTO I A Adagio C Allegro C Amoroso 3/4 Allegro 3/8 CONCERTO II G Largo 3/4 Allegro C| Andante C Vivace 3/8 CONCERTO III d Largo Andante 3/4 Allegro Spiritoso C Vivace 3/8 Allegro C CONCERTO IV a Andante C Allegro C| Largo 3/4 Vivace 3/8 CONCERTO V d Largo C Allegro C Andante moderato C Allegro 3/8 CONCERTO VI D Largo C Con Furia C Adagio 3/4 Vivacemente 3/8 CONCERTO VII g Adagio C Allegro 2/4 Adagio 3/4 Allegro affettuoso 3/8 CONCERTO VIII e Adagio C Allegro 2/4 Amoroso 3/4 Vivace 3/8 CONCERTO IX C Largo C Con Spirito 2/4 Siciliana 6/8 Allegro 3/8 CONCERTO X D Grato: C Allo. 3/8 Adagio C Giga Allegro 6/8 CONCERTO XI G Con Affetto C Allegro 3/8 Andte. moderato 2/4 Vivacemente 3/8 CONCERTO XII D Grave Temporegiato C Allo: spiritoso C Lentemente 2/4 Temporegiato C Allegro 3/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM1040.S37 1744\u003c/physloc\u003e"],"physloc_tesim":["M1040.S37 1744"],"_nest_path_":"/components#12","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eA\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e6611\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6619\"\u003e\n                     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  \u003citem id=\"mvtd1e6679\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO III\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ed\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e6699\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo Andante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6707\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro Spiritoso\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6715\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6723\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO IV\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ea\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e6743\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6751\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC|\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6759\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6767\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eVivace\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO V\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003ed\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e6788\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6796\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6804\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAndante moderato\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6812\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO VI\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e6832\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6840\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eCon Furia\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6848\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6856\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eVivacemente\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO VII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eg\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e6876\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6884\"\u003e\n                           \u003cgenreform 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Spirito\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6980\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eSiciliana\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e6988\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO X\u003c/title\u003e\n                     \u003cgenreform 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\u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e7028\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAdagio\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e7036\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGiga Allegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e6/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO XI\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e7057\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eCon Affetto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e7065\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e7073\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e\n                              \u003cemph\u003e\n                                 \u003cabbr expan=\"Andante\"\u003eAndte.\u003c/abbr\u003emoderato\u003c/emph\u003e\n                           \u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e7084\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eVivacemente\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO XII\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eD\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e7104\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eGrave\u003cemph\u003e\n                                 \u003cabbr expan=\"Tempo regiato\"\u003eTemporegiato\u003c/abbr\u003e\n                              \u003c/emph\u003e\n                           \u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e7115\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003e\n                              \u003cemph\u003e\n                                 \u003cabbr expan=\"Allegro\"\u003eAllo:\u003c/abbr\u003e\n                              \u003c/emph\u003espiritoso\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e7126\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLentemente\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e2/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        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\u003c/list\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Alexander Mackay-Smith Collection"],"title_tesim":["Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. 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A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. 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[Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c13"}},{"id":"viumu_mackay-smith_c40","type":"Item","attributes":{"title":"TWELVE SONATAS FOR Two VIOLINS; With a BASS for the VIOLONCELLO or HARPSICORD. BY WILLIAM BOYCE, Composer to His Majesty. London, Printed for the Author. \u0026 Sold by I. Walsh Musick Printer and Instrument Maker to his Majesty in Catherine Street in the Strand. where may be had By the same Author SOLOMON a Serenata in Score MDCCXLVII","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c40#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003ea\u003cul\u003e\n\u003cli id=\"mvtd1e16941\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e16949\"\u003eFuga AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e16957\"\u003eAllegro ma non Troppo2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e16977\"\u003eAndante VivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e16985\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e16993\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e17001\"\u003eAllegro ma non Troppo6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e17021\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e17029\"\u003eFuga Allegro assaiC\u003c/li\u003e\n\u003cli id=\"mvtd1e17037\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e17045\"\u003eTempo di Minuetto3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e17065\"\u003e\n\u003cabbr\u003eGratioso\u003c/abbr\u003e3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e17075\"\u003eMarch GraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e17083\"\u003eTempo di GavottaC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e17104\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e17112\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e17120\"\u003eFuga Allegro assai3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e17140\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e17148\"\u003eVivaceC\u003c/li\u003e\n\u003cli id=\"mvtd1e17156\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e17164\"\u003eAffettuoso3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003ed\u003cul\u003e\n\u003cli id=\"mvtd1e17184\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e17192\"\u003eFuga Allegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e17200\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e17208\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VIII\u003c/span\u003eE♭\u003cul\u003e\n\u003cli id=\"mvtd1e17228\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e17236\"\u003eAllegro2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e17244\"\u003eSiciliana6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e17252\"\u003eTempo di Minuetto Allegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IX\u003c/span\u003eC\u003cul\u003e\n\u003cli id=\"mvtd1e17272\"\u003eAdagio ad Libitum3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e17280\"\u003eFuga AllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e17288\"\u003eCanone GraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e17296\"\u003e\n\u003cabbr\u003eSpirituoso\u003c/abbr\u003e2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA X\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e17316\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e17324\"\u003eAllegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e17332\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e17340\"\u003eTempo di Minuetto Allegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XI\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e17361\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e17369\"\u003eFuga AllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e17377\"\u003eAffettuoso3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e17385\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XII\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e17405\"\u003eModerato3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e17413\"\u003eTempo di GavottaC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c40#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c40","ref_ssm":["viumu_mackay-smith_c40"],"id":"viumu_mackay-smith_c40","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","TWELVE SONATAS FOR Two VIOLINS; With a BASS for the VIOLONCELLO or HARPSICORD. BY WILLIAM BOYCE, Composer to His Majesty. London, Printed for the Author. \u0026 Sold by I. Walsh Musick Printer and Instrument Maker to his Majesty in Catherine Street in the Strand. where may be had By the same Author SOLOMON a Serenata in Score MDCCXLVII","Three parts, folio, 250x173 (265x185): VIOLINO PRIMO: Title, verso blank. Blank, [1]. Music, pp. 2-34. VIOLINO SECONDO: Same as VIOLINO PRIMO. BASSO E VIOLONCELLO (2 copies): Title, verso blank. Blank, [1]. Music, pp. 2-30. Title-page of VIOLINO PRIMO signed in lower right: \"W.B. No. 0025\".","Boyce, William, 1711-1779","Walsh, John, 1665 or 6-1736","Boyce, William, 1711-1779","Walsh, John, 1665 or 6-1736","London (England)","Canon","Fugue","Gavotte","March","Minuet","Siciliana","A","B♭","C","D","E♭","F","G","E","2/4","3/2","3/4","3/8","6/8","C|","Adagio","Adagio ad libitum","Affettuoso","Allegro","Allegro ma non troppo","Andante","Andante vivace","Canone grave","Fuga allegro","Fuga allegro assai","Grazioso","Largo","March grave","Moderato","Siciliana","Spiritoso","Tempo di gavotta","Tempo di minuetto","Tempo di minuetto allegro","Vivace","Smith-Humphries , no. 249.","Contents SONATA I a Largo 3/4 Fuga Allegro C Allegro ma non Troppo 2/4 SONATA II F Andante Vivace C Adagio 3/2 Allegro C Allegro ma non Troppo 6/8 SONATA III A Largo 3/2 Fuga Allegro assai C Adagio C Tempo di Minuetto 3/8 SONATA IV g Gratioso 3/4 March Grave C Tempo di Gavotta C SONATA V D Allegro C Largo 3/2 Fuga Allegro assai 3/4 SONATA VI B♭ Adagio 3/2 Vivace C Adagio C Affettuoso 3/4 SONATA VII d Andante C Fuga Allegro 3/8 Adagio 3/2 Allegro 6/8 SONATA VIII E♭ Largo C Allegro 2/4 Siciliana 6/8 Tempo di Minuetto Allegro 3/8 SONATA IX C Adagio ad Libitum 3/4 Fuga Allegro C| Canone Grave C Spirituoso 2/4 SONATA X e Adagio C Allegro 3/4 Largo 3/2 Tempo di Minuetto Allegro 3/8 SONATA XI c Adagio 3/2 Fuga Allegro C| Affettuoso 3/4 Allegro 6/8 SONATA XII G Moderato 3/4 Tempo di Gavotta C","M312.4.B68 1747"],"title_filing_ssi":"TWELVE SONATAS FOR Two VIOLINS; With a BASS for the VIOLONCELLO or HARPSICORD. BY WILLIAM BOYCE, Composer to His Majesty. London, Printed for the Author. \u0026 Sold by I. Walsh Musick Printer and Instrument Maker to his Majesty in Catherine Street in the Strand. where may be had By the same Author SOLOMON a Serenata in Score MDCCXLVII","title_ssm":["TWELVE SONATAS FOR Two VIOLINS; With a BASS for the VIOLONCELLO or HARPSICORD. BY WILLIAM BOYCE, Composer to His Majesty. London, Printed for the Author. \u0026 Sold by I. Walsh Musick Printer and Instrument Maker to his Majesty in Catherine Street in the Strand. where may be had By the same Author SOLOMON a Serenata in Score MDCCXLVII"],"title_tesim":["TWELVE SONATAS FOR Two VIOLINS; With a BASS for the VIOLONCELLO or HARPSICORD. BY WILLIAM BOYCE, Composer to His Majesty. London, Printed for the Author. \u0026 Sold by I. Walsh Musick Printer and Instrument Maker to his Majesty in Catherine Street in the Strand. where may be had By the same Author SOLOMON a Serenata in Score MDCCXLVII"],"unitdate_other_ssim":["1747. Title-page"],"normalized_date_ssm":["1747"],"normalized_title_ssm":["TWELVE SONATAS FOR Two VIOLINS; With a BASS for the VIOLONCELLO or HARPSICORD. BY WILLIAM BOYCE, Composer to His Majesty. London, Printed for the Author. \u0026 Sold by I. Walsh Musick Printer and Instrument Maker to his Majesty in Catherine Street in the Strand. where may be had By the same Author SOLOMON a Serenata in Score MDCCXLVII"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, folio, 250x173 (265x185): VIOLINO PRIMO: Title, verso blank. Blank, [1]. Music, pp. 2-34. VIOLINO SECONDO: Same as VIOLINO PRIMO. BASSO E VIOLONCELLO (2 copies): Title, verso blank. Blank, [1]. Music, pp. 2-30. Title-page of VIOLINO PRIMO signed in lower right: \"W.B. No. 0025\"."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":172,"date_range_isim":[1747],"names_ssim":["Boyce, William, 1711-1779","Walsh, John, 1665 or 6-1736","Boyce, William, 1711-1779","Walsh, John, 1665 or 6-1736"],"persname_ssim":["Boyce, William, 1711-1779","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Canon","Fugue","Gavotte","March","Minuet","Siciliana","A","B♭","C","D","E♭","F","G","E","2/4","3/2","3/4","3/8","6/8","C|","Adagio","Adagio ad libitum","Affettuoso","Allegro","Allegro ma non troppo","Andante","Andante vivace","Canone grave","Fuga allegro","Fuga allegro assai","Grazioso","Largo","March grave","Moderato","Siciliana","Spiritoso","Tempo di gavotta","Tempo di minuetto","Tempo di minuetto allegro","Vivace"],"access_subjects_ssm":["Canon","Fugue","Gavotte","March","Minuet","Siciliana","A","B♭","C","D","E♭","F","G","E","2/4","3/2","3/4","3/8","6/8","C|","Adagio","Adagio ad libitum","Affettuoso","Allegro","Allegro ma non troppo","Andante","Andante vivace","Canone grave","Fuga allegro","Fuga allegro assai","Grazioso","Largo","March grave","Moderato","Siciliana","Spiritoso","Tempo di gavotta","Tempo di minuetto","Tempo di minuetto allegro","Vivace"],"bibliography_html_tesm":["\u003cp\u003e\n                  \u003cref target=\"Smith-Humphries\"\u003eSmith-Humphries\u003c/ref\u003e, no. 249.\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smith-Humphries , no. 249."],"scopecontent_tesim":["Contents SONATA I a Largo 3/4 Fuga Allegro C Allegro ma non Troppo 2/4 SONATA II F Andante Vivace C Adagio 3/2 Allegro C Allegro ma non Troppo 6/8 SONATA III A Largo 3/2 Fuga Allegro assai C Adagio C Tempo di Minuetto 3/8 SONATA IV g Gratioso 3/4 March Grave C Tempo di Gavotta C SONATA V D Allegro C Largo 3/2 Fuga Allegro assai 3/4 SONATA VI B♭ Adagio 3/2 Vivace C Adagio C Affettuoso 3/4 SONATA VII d Andante C Fuga Allegro 3/8 Adagio 3/2 Allegro 6/8 SONATA VIII E♭ Largo C Allegro 2/4 Siciliana 6/8 Tempo di Minuetto Allegro 3/8 SONATA IX C Adagio ad Libitum 3/4 Fuga Allegro C| Canone Grave C Spirituoso 2/4 SONATA X e Adagio C Allegro 3/4 Largo 3/2 Tempo di Minuetto Allegro 3/8 SONATA XI c Adagio 3/2 Fuga Allegro C| Affettuoso 3/4 Allegro 6/8 SONATA XII G Moderato 3/4 Tempo di Gavotta C"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.B68 1747\u003c/physloc\u003e"],"physloc_tesim":["M312.4.B68 1747"],"_nest_path_":"/components#39","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform 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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. 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Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. 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[Handel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Handel\"\u003e\n                           \u003cpersname\u003eBell, A. Craig\u003c/persname\u003e.\u003ctitle\u003eHandel: Chronological Thematic Catalogue\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eDarley\u003c/geogname\u003e:\u003cpublisher\u003eGrian-Aig Press\u003c/publisher\u003e, 1972\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Pleyel]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Pleyel\"\u003e\n                           \u003cpersname\u003eBenton, Rita\u003c/persname\u003e.\u003ctitle\u003eIgnace Pleyel: A Thematic Catalogue of His Compositions\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003ePendragon Press\u003c/publisher\u003e,\u003cdate\u003e1977\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. [Tartini]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"B-Tartini\"\u003e\n                           \u003cpersname\u003eBrainard, Paul\u003c/persname\u003e.\u003ctitle\u003eLe sonate per violino di Giuseppe Tartini: catalog tematico\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMilan\u003c/geogname\u003e:\u003cpublisher\u003eCarisch\u003c/publisher\u003e,\u003cdate\u003e1975\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eBUCEM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"BUCEM\"\u003e\n                           \u003ctitle\u003eThe British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles\u003c/title\u003e.\u003cimprint\u003e2 vols. Edited by Edith B. Schnapper.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eButterworths\u003c/publisher\u003e,\u003cdate\u003e1957\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eCPM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"CPM\"\u003e\n                           \u003ctitle\u003eThe Catalogue of Printed Music in the British Library to 1980\u003c/title\u003e.\u003cimprint\u003eEdited by Laureen Baillie.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eK. G. Saur\u003c/publisher\u003e,\u003cdate\u003e1981-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e.\u003ctitle\u003eÉdition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c40"}},{"id":"viumu_mackay-smith_c11","type":"Item","attributes":{"title":"VII SONATAS FOR TWO VIOLINS with a Thorough Bass FOR THE HARPSICORD or VIOLONCELLO COMPOS'D BY THOMAS AUGUSTINE ARNE. OPERA TERZA. London. Printed for I. Walsh in Catharine Street in the Strand. Of whom may be had for two Violins and a Bass. [list of works beginning with \"Twenty four Overtures from Mr. Handel's Operas in Four Parts for the use of small Concerts.\" and ending with: \"Bezozzis Sonatas, 3 Sets\"]","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c11#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e5883\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e5891\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e5899\"\u003eGrave3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e5907\"\u003eAllegro ma non troppoC\u003c/li\u003e\n\u003cli id=\"mvtd1e5915\"\u003eMinuet Andante Sostenuto3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e5935\"\u003eLargo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e5943\"\u003eCon Spirito2/4\u003c/li\u003e\n\u003cli id=\"mvtd1e5951\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e5959\"\u003eAllegro3/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA III\u003c/span\u003eE♭\u003cul\u003e\n\u003cli id=\"mvtd1e5979\"\u003eGrave3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e5987\"\u003eModerato Allegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e5995\"\u003eVivace6/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA IV\u003c/span\u003ef\u003cul\u003e\n\u003cli id=\"mvtd1e6015\"\u003eLargo3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e6023\"\u003eVivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6031\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e6039\"\u003ePrestoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA V\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e6060\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e6068\"\u003eAndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e6076\"\u003eLargo ed Amoroso3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e6084\"\u003eAllegro9/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VI\u003c/span\u003eb\u003cul\u003e\n\u003cli id=\"mvtd1e6104\"\u003eLargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e6112\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e6120\"\u003eLarghetto6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e6128\"\u003eAllegro9/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA VII\u003c/span\u003ee\u003cul\u003e\n\u003cli id=\"mvtd1e6148\"\u003eSiciliana Largo12/8-AndanteC\u003c/li\u003e\n\u003cli id=\"mvtd1e6162\"\u003eLargo ma non StaccatoC\u003c/li\u003e\n\u003cli id=\"mvtd1e6170\"\u003e\n\u003cabbr\u003eJigg\u003c/abbr\u003eAllegro ma non troppo12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e6181\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c11","ref_ssm":["viumu_mackay-smith_c11"],"id":"viumu_mackay-smith_c11","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","VII SONATAS FOR TWO VIOLINS with a Thorough Bass FOR THE HARPSICORD or VIOLONCELLO COMPOS'D BY THOMAS AUGUSTINE ARNE. OPERA TERZA. London. Printed for I. Walsh in Catharine Street in the Strand. Of whom may be had for two Violins and a Bass. [list of works beginning with \"Twenty four Overtures from Mr. Handel's Operas in Four Parts for the use of small Concerts.\" and ending with: \"Bezozzis Sonatas, 3 Sets\"]","Three parts, folio, 250x182 (269x188): VIOLINO PRIMO: Title, verso blank. Blank, [1]. Music, pp. 2-17. Blank, [18]. VIOLINO SECONDO: Title, verso blank. Music, pp. 1-15. Blank, [16]. BASSO: Same as VIOLINO SECONDO.","Arne, Thomas Augustine, 1710-1778","Walsh, John, 1665 or 6-1736","Arne, Thomas Augustine, 1710-1778","Walsh, John, 1665 or 6-1736","London (England)","Jig","Minuet","Siciliana","A","D","E♭","G","B","E","F","12/8","2/4","3/2","3/4","3/8","6/4","6/8","9/8","C","Allegro","Allegro ma non troppo","Andante","Con spirito","Grave","Jig allegro ma non troppo","Larghetto","Largo","Largo ed amoroso","Largo ma non staccato","Minuet andante sostenuto","Moderato allegro","Presto","Siciliana largo","Vivace","Smith-Humphries , no. 86. Announced in Public Advertiser , April 6, 1757.","Contents SONATA I A Largo 3/4 Allegro C Grave 3/2 Allegro ma non troppo C Minuet Andante Sostenuto 3/4 SONATA II G Largo 3/4 Con Spirito 2/4 Largo C Allegro 3/4 SONATA III E♭ Grave 3/2 Moderato Allegro 3/4 Vivace 6/4 SONATA IV f Largo 3/2 Vivace 3/4 Largo C Presto C SONATA V D Largo C Andante C Largo ed Amoroso 3/4 Allegro 9/8 SONATA VI b Largo C Allegro C Larghetto 6/8 Allegro 9/8 SONATA VII e Siciliana Largo 12/8 - Andante C Largo ma non Staccato C Jigg Allegro ma non troppo 12/8 Allegro 3/8","M312.4.A72 1750"],"title_filing_ssi":"VII SONATAS FOR TWO VIOLINS with a Thorough Bass FOR THE HARPSICORD or VIOLONCELLO COMPOS'D BY THOMAS AUGUSTINE ARNE. OPERA TERZA. London. Printed for I. Walsh in Catharine Street in the Strand. Of whom may be had for two Violins and a Bass. [list of works beginning with \"Twenty four Overtures from Mr. Handel's Operas in Four Parts for the use of small Concerts.\" and ending with: \"Bezozzis Sonatas, 3 Sets\"]","title_ssm":["VII SONATAS FOR TWO VIOLINS with a Thorough Bass FOR THE HARPSICORD or VIOLONCELLO COMPOS'D BY THOMAS AUGUSTINE ARNE. OPERA TERZA. London. Printed for I. Walsh in Catharine Street in the Strand. Of whom may be had for two Violins and a Bass. [list of works beginning with \"Twenty four Overtures from Mr. Handel's Operas in Four Parts for the use of small Concerts.\" and ending with: \"Bezozzis Sonatas, 3 Sets\"]"],"title_tesim":["VII SONATAS FOR TWO VIOLINS with a Thorough Bass FOR THE HARPSICORD or VIOLONCELLO COMPOS'D BY THOMAS AUGUSTINE ARNE. OPERA TERZA. London. Printed for I. Walsh in Catharine Street in the Strand. Of whom may be had for two Violins and a Bass. [list of works beginning with \"Twenty four Overtures from Mr. Handel's Operas in Four Parts for the use of small Concerts.\" and ending with: \"Bezozzis Sonatas, 3 Sets\"]"],"unitdate_other_ssim":["1757"],"normalized_date_ssm":["1757"],"normalized_title_ssm":["VII SONATAS FOR TWO VIOLINS with a Thorough Bass FOR THE HARPSICORD or VIOLONCELLO COMPOS'D BY THOMAS AUGUSTINE ARNE. OPERA TERZA. London. Printed for I. Walsh in Catharine Street in the Strand. Of whom may be had for two Violins and a Bass. [list of works beginning with \"Twenty four Overtures from Mr. Handel's Operas in Four Parts for the use of small Concerts.\" and ending with: \"Bezozzis Sonatas, 3 Sets\"]"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, folio, 250x182 (269x188): VIOLINO PRIMO: Title, verso blank. Blank, [1]. Music, pp. 2-17. Blank, [18]. VIOLINO SECONDO: Title, verso blank. Music, pp. 1-15. Blank, [16]. BASSO: Same as VIOLINO SECONDO."],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":48,"date_range_isim":[1757],"names_ssim":["Arne, Thomas Augustine, 1710-1778","Walsh, John, 1665 or 6-1736","Arne, Thomas Augustine, 1710-1778","Walsh, John, 1665 or 6-1736"],"persname_ssim":["Arne, Thomas Augustine, 1710-1778","Walsh, John, 1665 or 6-1736","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Jig","Minuet","Siciliana","A","D","E♭","G","B","E","F","12/8","2/4","3/2","3/4","3/8","6/4","6/8","9/8","C","Allegro","Allegro ma non troppo","Andante","Con spirito","Grave","Jig allegro ma non troppo","Larghetto","Largo","Largo ed amoroso","Largo ma non staccato","Minuet andante sostenuto","Moderato allegro","Presto","Siciliana largo","Vivace"],"access_subjects_ssm":["Jig","Minuet","Siciliana","A","D","E♭","G","B","E","F","12/8","2/4","3/2","3/4","3/8","6/4","6/8","9/8","C","Allegro","Allegro ma non troppo","Andante","Con spirito","Grave","Jig allegro ma non troppo","Larghetto","Largo","Largo ed amoroso","Largo ma non staccato","Minuet andante sostenuto","Moderato allegro","Presto","Siciliana largo","Vivace"],"bibliography_html_tesm":["\u003cp\u003e\u003c!--\u003cref linktype=\"simple\" target=\"Smith-Humphries\"\u003e--\u003eSmith-Humphries\u003c!--\u003c/ref\u003e--\u003e, no. 86. Announced in\u003cbibref\u003e\n                     \u003ctitle\u003ePublic Advertiser\u003c/title\u003e\n                  \u003c/bibref\u003e, April 6, 1757.\u003c/p\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["Smith-Humphries , no. 86. Announced in Public Advertiser , April 6, 1757."],"scopecontent_tesim":["Contents SONATA I A Largo 3/4 Allegro C Grave 3/2 Allegro ma non troppo C Minuet Andante Sostenuto 3/4 SONATA II G Largo 3/4 Con Spirito 2/4 Largo C Allegro 3/4 SONATA III E♭ Grave 3/2 Moderato Allegro 3/4 Vivace 6/4 SONATA IV f Largo 3/2 Vivace 3/4 Largo C Presto C SONATA V D Largo C Andante C Largo ed Amoroso 3/4 Allegro 9/8 SONATA VI b Largo C Allegro C Larghetto 6/8 Allegro 9/8 SONATA VII e Siciliana Largo 12/8 - Andante C Largo ma non Staccato C Jigg Allegro ma non troppo 12/8 Allegro 3/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.A72 1750\u003c/physloc\u003e"],"physloc_tesim":["M312.4.A72 1750"],"_nest_path_":"/components#10","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n            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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. 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Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c11"}},{"id":"viumu_mackay-smith_c158","type":"Item","attributes":{"title":"XII CONCERTOS In Seven Parts FOR FOUR VIOLINS a TENOR and VIOLONCELLO with a THOROUGH BASS for the HARPSICHORD Composed by John Humphries Opera Seconda. LONDON Printed for John Johnson at the Harp and Crown in Cheapside, of whom may be had [list of works beginning with: \"Humphries's 12 Concertos Opera 3d\" and ending with: \"Ricciotti's 6 Concertos\"]","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c158#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO I\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e56117\"\u003ePoco LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e56125\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e56133\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e56141\"\u003eAllegroC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO II\u003c/span\u003eG\u003cul\u003e\n\u003cli id=\"mvtd1e56161\"\u003eLargoC-Allegro3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e56175\"\u003eMinuetto3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO III\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e56195\"\u003eAdagioC|\u003c/li\u003e\n\u003cli id=\"mvtd1e56203\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e56211\"\u003eAdagio3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e56219\"\u003eGiga12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO IV\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e56239\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e56247\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e56255\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e56263\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO V\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e56284\"\u003eLargoC-Allegro[C]\u003c/li\u003e\n\u003cli id=\"mvtd1e56299\"\u003eMinuetto3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO VI\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e56319\"\u003eLargoC-AdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e56333\"\u003eVivace3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e56341\"\u003ePoco LargoC\u003c/li\u003e\n\u003cli id=\"mvtd1e56349\"\u003eAllegro[C]\u003c/li\u003e\n\u003cli id=\"mvtd1e56358\"\u003eLento12/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO VII\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e56378\"\u003eLargoC-Allegro6/4\u003c/li\u003e\n\u003cli id=\"mvtd1e56392\"\u003eGavottaC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO VIII\u003c/span\u003eA\u003cul\u003e\n\u003cli id=\"mvtd1e56412\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e56420\"\u003eSarabanda3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e56428\"\u003eLargo12/8\u003c/li\u003e\n\u003cli id=\"mvtd1e56436\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO IX\u003c/span\u003ec\u003cul\u003e\n\u003cli id=\"mvtd1e56456\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e56464\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e56472\"\u003eAdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e56480\"\u003eAllegroC|\u003c/li\u003e\n\u003cli id=\"mvtd1e56488\"\u003eAllegro3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO X\u003c/span\u003eB♭\u003cul\u003e\n\u003cli id=\"mvtd1e56508\"\u003eLargoC-Allegro3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e56522\"\u003eGavottaC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO XI\u003c/span\u003eg\u003cul\u003e\n\u003cli id=\"mvtd1e56543\"\u003eLargoC-AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e56557\"\u003eAllegro ma non prestoC\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCONCERTO XII\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e56577\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e56585\"\u003eAdagio\u003cabbr\u003estaccata\u003c/abbr\u003eC\u003c/li\u003e\n\u003cli id=\"mvtd1e56593\"\u003eVivace3/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c158#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c158","ref_ssm":["viumu_mackay-smith_c158"],"id":"viumu_mackay-smith_c158","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","XII CONCERTOS In Seven Parts FOR FOUR VIOLINS a TENOR and VIOLONCELLO with a THOROUGH BASS for the HARPSICHORD Composed by John Humphries Opera Seconda. LONDON Printed for John Johnson at the Harp and Crown in Cheapside, of whom may be had [list of works beginning with: \"Humphries's 12 Concertos Opera 3d\" and ending with: \"Ricciotti's 6 Concertos\"]","Seven parts, folio, 253x182 (268x190): Violino Primo del Concertino: Title, verso blank. Blank, [1]. Music, pp. 2-25. Blank, [26]. Violino Secondo del Concertino: Title, verso blank. Blank, [1]. Music, pp. 2-23. Blank, [24]. Violoncello del Concertino: Title, verso blank. Blank, [1]. Music, pp. 2-22. Figured. Violino Primo del Concerto Grosso: Title, verso blank. Blank, [1]. Music, pp. 2-19. Blank, [20]. Violino Secondo del Concerto Grosso: Title, verso blank. Blank, [1]. Music, pp. 2-18. At head of CONCERTO XII: \"Tromba\". Alto Viola: Title, verso blank. Blank, [1]. Music, pp. 2-15. Blank, [16]. Basso Organo: Title, verso blank. Blank, [1]. Music, pp. 2-20. The beginning of each work in each part signed: \"Humphries\".","Harp and Crown","Harp and Crown","Humphries, John, ca. 1707-ca. 1740","Johnson, John, fl. 1754-1770","Humphries, John, ca. 1707-ca. 1740","Johnson, John, fl. 1754-1770","London (England)","Gavotte","Jig","Minuet","Sarabande","A","B♭","D","F","G","C","12/8","3/4","3/8","6/4","C|","Adagio","Adagio staccato","Allegro","Allegro ma non presto","Gavotta","Giga","Largo","Lento","Minuetto","Poco largo","Sarabanda","Vivace","BUCEM","Contents CONCERTO I F Poco Largo C Allegro C Adagio C Allegro C CONCERTO II G Largo C - Allegro 3/4 Minuetto 3/8 CONCERTO III D Adagio C| Allegro C| Adagio 3/4 Giga 12/8 CONCERTO IV F Adagio C Allegro C Adagio C Allegro 3/8 CONCERTO V F Largo C - Allegro [ C ] Minuetto 3/8 CONCERTO VI D Largo C - Adagio C Vivace 3/4 Poco Largo C Allegro [ C ] Lento 12/8 CONCERTO VII D Largo C - Allegro 6/4 Gavotta C CONCERTO VIII A Allegro C Sarabanda 3/4 Largo 12/8 Allegro 3/8 CONCERTO IX c Adagio C Allegro C Adagio C Allegro C| Allegro 3/8 CONCERTO X B♭ Largo C - Allegro 3/8 Gavotta C CONCERTO XI g Largo C - Allegro C Allegro ma non presto C CONCERTO XII D Allegro C Adagio staccata C Vivace 3/8","M1040.H93 Op.2 1755"],"title_filing_ssi":"XII CONCERTOS In Seven Parts FOR FOUR VIOLINS a TENOR and VIOLONCELLO with a THOROUGH BASS for the HARPSICHORD Composed by John Humphries Opera Seconda. LONDON Printed for John Johnson at the Harp and Crown in Cheapside, of whom may be had [list of works beginning with: \"Humphries's 12 Concertos Opera 3d\" and ending with: \"Ricciotti's 6 Concertos\"]","title_ssm":["XII CONCERTOS In Seven Parts FOR FOUR VIOLINS a TENOR and VIOLONCELLO with a THOROUGH BASS for the HARPSICHORD Composed by John Humphries Opera Seconda. LONDON Printed for John Johnson at the Harp and Crown in Cheapside, of whom may be had [list of works beginning with: \"Humphries's 12 Concertos Opera 3d\" and ending with: \"Ricciotti's 6 Concertos\"]"],"title_tesim":["XII CONCERTOS In Seven Parts FOR FOUR VIOLINS a TENOR and VIOLONCELLO with a THOROUGH BASS for the HARPSICHORD Composed by John Humphries Opera Seconda. LONDON Printed for John Johnson at the Harp and Crown in Cheapside, of whom may be had [list of works beginning with: \"Humphries's 12 Concertos Opera 3d\" and ending with: \"Ricciotti's 6 Concertos\"]"],"unitdate_other_ssim":["ca. 1755"],"normalized_date_ssm":["1755"],"normalized_title_ssm":["XII CONCERTOS In Seven Parts FOR FOUR VIOLINS a TENOR and VIOLONCELLO with a THOROUGH BASS for the HARPSICHORD Composed by John Humphries Opera Seconda. LONDON Printed for John Johnson at the Harp and Crown in Cheapside, of whom may be had [list of works beginning with: \"Humphries's 12 Concertos Opera 3d\" and ending with: \"Ricciotti's 6 Concertos\"]"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Seven parts, folio, 253x182 (268x190): Violino Primo del Concertino: Title, verso blank. Blank, [1]. Music, pp. 2-25. Blank, [26]. Violino Secondo del Concertino: Title, verso blank. Blank, [1]. Music, pp. 2-23. Blank, [24]. Violoncello del Concertino: Title, verso blank. Blank, [1]. Music, pp. 2-22. Figured. Violino Primo del Concerto Grosso: Title, verso blank. Blank, [1]. Music, pp. 2-19. Blank, [20]. Violino Secondo del Concerto Grosso: Title, verso blank. Blank, [1]. Music, pp. 2-18. At head of CONCERTO XII: \"Tromba\". Alto Viola: Title, verso blank. Blank, [1]. Music, pp. 2-15. Blank, [16]. Basso Organo: Title, verso blank. Blank, [1]. Music, pp. 2-20. The beginning of each work in each part signed: \"Humphries\"."],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":561,"date_range_isim":[1755],"names_ssim":["Harp and Crown","Harp and Crown","Humphries, John, ca. 1707-ca. 1740","Johnson, John, fl. 1754-1770","Humphries, John, ca. 1707-ca. 1740","Johnson, John, fl. 1754-1770"],"corpname_ssim":["Harp and Crown"],"persname_ssim":["Humphries, John, ca. 1707-ca. 1740","Johnson, John, fl. 1754-1770","Johnson, John, fl. 1754-1770"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Gavotte","Jig","Minuet","Sarabande","A","B♭","D","F","G","C","12/8","3/4","3/8","6/4","C|","Adagio","Adagio staccato","Allegro","Allegro ma non presto","Gavotta","Giga","Largo","Lento","Minuetto","Poco largo","Sarabanda","Vivace"],"access_subjects_ssm":["Gavotte","Jig","Minuet","Sarabande","A","B♭","D","F","G","C","12/8","3/4","3/8","6/4","C|","Adagio","Adagio staccato","Allegro","Allegro ma non presto","Gavotta","Giga","Largo","Lento","Minuetto","Poco largo","Sarabanda","Vivace"],"bibliography_html_tesm":["\u003cbibref type=\"simple\" href=\"BUCEM\"\u003eBUCEM\u003c/bibref\u003e"],"bibliography_heading_ssm":["Date source(s)"],"bibliography_tesim":["BUCEM"],"scopecontent_tesim":["Contents CONCERTO I F Poco Largo C Allegro C Adagio C Allegro C CONCERTO II G Largo C - Allegro 3/4 Minuetto 3/8 CONCERTO III D Adagio C| Allegro C| Adagio 3/4 Giga 12/8 CONCERTO IV F Adagio C Allegro C Adagio C Allegro 3/8 CONCERTO V F Largo C - Allegro [ C ] Minuetto 3/8 CONCERTO VI D Largo C - Adagio C Vivace 3/4 Poco Largo C Allegro [ C ] Lento 12/8 CONCERTO VII D Largo C - Allegro 6/4 Gavotta C CONCERTO VIII A Allegro C Sarabanda 3/4 Largo 12/8 Allegro 3/8 CONCERTO IX c Adagio C Allegro C Adagio C Allegro C| Allegro 3/8 CONCERTO X B♭ Largo C - Allegro 3/8 Gavotta C CONCERTO XI g Largo C - Allegro C Allegro ma non presto C CONCERTO XII D Allegro C Adagio staccata C Vivace 3/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM1040.H93 Op.2 1755\u003c/physloc\u003e"],"physloc_tesim":["M1040.H93 Op.2 1755"],"_nest_path_":"/components#157","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eCONCERTO I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e56117\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003ePoco Largo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e\n        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\u003citem\u003e\n                     \u003ctitle\u003eCONCERTO II\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eG\u003c/genreform\u003e\n                     \u003clist type=\"simple\"\u003e\n                        \u003citem id=\"mvtd1e56161\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eLargo\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003eC\u003c/genreform\u003e-\u003cgenreform type=\"mvtLabel\"\u003eAllegro\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/4\u003c/genreform\u003e\n                        \u003c/item\u003e\n                        \u003citem id=\"mvtd1e56175\"\u003e\n                           \u003cgenreform type=\"mvtLabel\"\u003eMinuetto\u003c/genreform\u003e\n                           \u003cgenreform type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n 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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. 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Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c158"}},{"id":"viumu_mackay-smith_c83","type":"Item","attributes":{"title":"XII SOLOS FOR A VIOLIN WITH A THOROUGH BASS FOR THE HARPSICORD OR VIOLONCELLO COMPOS'D BY ARCANGELO CORELLI Opera Quinta. N.B. These Solos are Printed from a curious Edition Publish'd at Rome by the Author. London. Printed for and Sold by I. Walsh, in Catherine Street in Strand, of whom may be had all the Works of Corelli (viz) his Sonatas and Concertos in Parts and in Score.","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c83#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cdiv class=\"list-head\"\u003eContents\u003c/div\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA I\u003c/span\u003eD\u003cul\u003e\n\u003cli id=\"mvtd1e29686\"\u003eGraveC-Allegro6/8\u003c/li\u003e\n\u003cli id=\"mvtd1e29700\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e29708\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e29716\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e29724\"\u003eAllegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA II\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e29744\"\u003eGraveC\u003c/li\u003e\n\u003cli id=\"mvtd1e29752\"\u003eAllegroC\u003c/li\u003e\n\u003cli 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AllegroC|\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA X\u003c/span\u003eF\u003cul\u003e\n\u003cli id=\"mvtd1e30140\"\u003ePreludio AdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e30148\"\u003e\n\u003cabbr\u003eAllamanda\u003c/abbr\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e30159\"\u003eSarabanda Largo3/4\u003c/li\u003e\n\u003cli id=\"mvtd1e30167\"\u003eGavotta AllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e30175\"\u003eGiga Allegro6/8\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSONATA XI\u003c/span\u003eE\u003cul\u003e\n\u003cli id=\"mvtd1e30196\"\u003ePreludio AdagioC\u003c/li\u003e\n\u003cli id=\"mvtd1e30204\"\u003eAllegroC\u003c/li\u003e\n\u003cli id=\"mvtd1e30212\"\u003eAdagio3/2\u003c/li\u003e\n\u003cli id=\"mvtd1e30220\"\u003eVivace3/8\u003c/li\u003e\n\u003cli id=\"mvtd1e30228\"\u003eGavotta Allegro2/4\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFOLLIA XII\u003c/span\u003ed\u003cul\u003e\u003cli id=\"mvtd1e30248\"\u003eAdagio3/4\u003c/li\u003e\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c83#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c83","ref_ssm":["viumu_mackay-smith_c83"],"id":"viumu_mackay-smith_c83","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","XII SOLOS FOR A VIOLIN WITH A THOROUGH BASS FOR THE HARPSICORD OR VIOLONCELLO COMPOS'D BY ARCANGELO CORELLI Opera Quinta. N.B. These Solos are Printed from a curious Edition Publish'd at Rome by the Author. London. Printed for and Sold by I. Walsh, in Catherine Street in Strand, of whom may be had all the Works of Corelli (viz) his Sonatas and Concertos in Parts and in Score.","Score, quarto, 246x179 (256x190): Blank, verso engraved portrait of the composer: \"H. Howard Pinx. Vdr. Gucht Sculp. ARCANGELVS CORELLIUS.\" Title, verso blank. Music, pp. 1-37. Title, p. 38: \"The Second part Containing Preludes, Allemands, Corants, Jiggs, Sarabands, Gavots, \u0026 ye Follia. by Arcangelo Corelli Printed for J. Walsh\". Music, pp. 39-68.","Corelli, Arcangelo, 1653-1713","Walsh, John, 1665 or 6-1736","Corelli, Arcangelo, 1653-1713","Walsh, John, 1665 or 6-1736","London (England)","Allemande","Corrente","Gavotte","Jig","Prelude","Sarabande","A","C","D","E","F","G","12/8","2/4","3/2","3/4","3/8","6/8","C|","Adagio","Allemanda allegro","Allegro","Corrente allegro","Gavotta allegro","Giga allegro","Grave","Preludio adagio","Preludio largo","Preludio vivace","Sarabanda largo","Tempo di gavotta allegro","Vivace","Smith-Humphries , no. 431.","Announced in London Daily Post and General Advertiser , December 11, 1740.","Contents SONATA I D Grave C - Allegro 6/8 Allegro C Allegro C Adagio 3/2 Allegro 6/8 SONATA II F Grave C Allegro C Vivace 3/4 Adagio C Vivace 3/4 SONATA III C Adagio C Allegro C Adagio 3/4 Allegro C Allegro 12/8 SONATA IV F Adagio C Allegro C Vivace 3/4 Adagio C Allegro C| SONATA V g Adagio C Vivace 3/8 Adagio 3/4 Vivace 3/4 Giga Allegro 12/8 SONATA VI A Grave C Allegro C Allegro C Adagio 3/2 Allegro 6/8 SONATA VII d Preludio Vivace C Corrente Allegro 3/4 Sarabanda Largo 3/4 Giga Allegro 6/8 SONATA VIII e Preludio Largo 3/4 Allemanda Allegro C Sarabanda Largo 3/4 Giga Allegro C 12/8 SONATA IX A Preludio Largo C Giga Allegro 12/8 Adagio 3/2 Tempo di Gavotta Allegro C| SONATA X F Preludio Adagio C Allamanda Allegro C Sarabanda Largo 3/4 Gavotta Allegro C Giga Allegro 6/8 SONATA XI E Preludio Adagio C Allegro C Adagio 3/2 Vivace 3/8 Gavotta Allegro 2/4 FOLLIA XII d Adagio 3/4","M219.C8 1700z"],"title_filing_ssi":"XII SOLOS FOR A VIOLIN WITH A THOROUGH BASS FOR THE HARPSICORD OR VIOLONCELLO COMPOS'D BY ARCANGELO CORELLI Opera Quinta. N.B. These Solos are Printed from a curious Edition Publish'd at Rome by the Author. London. Printed for and Sold by I. Walsh, in Catherine Street in Strand, of whom may be had all the Works of Corelli (viz) his Sonatas and Concertos in Parts and in Score.","title_ssm":["XII SOLOS FOR A VIOLIN WITH A THOROUGH BASS FOR THE HARPSICORD OR VIOLONCELLO COMPOS'D BY ARCANGELO CORELLI Opera Quinta. N.B. These Solos are Printed from a curious Edition Publish'd at Rome by the Author. London. Printed for and Sold by I. Walsh, in Catherine Street in Strand, of whom may be had all the Works of Corelli (viz) his Sonatas and Concertos in Parts and in Score."],"title_tesim":["XII SOLOS FOR A VIOLIN WITH A THOROUGH BASS FOR THE HARPSICORD OR VIOLONCELLO COMPOS'D BY ARCANGELO CORELLI Opera Quinta. N.B. These Solos are Printed from a curious Edition Publish'd at Rome by the Author. London. Printed for and Sold by I. Walsh, in Catherine Street in Strand, of whom may be had all the Works of Corelli (viz) his Sonatas and Concertos in Parts and in Score."],"unitdate_other_ssim":["1740"],"normalized_date_ssm":["1740"],"normalized_title_ssm":["XII SOLOS FOR A VIOLIN WITH A THOROUGH BASS FOR THE HARPSICORD OR VIOLONCELLO COMPOS'D BY ARCANGELO CORELLI Opera Quinta. N.B. These Solos are Printed from a curious Edition Publish'd at Rome by the Author. London. Printed for and Sold by I. Walsh, in Catherine Street in Strand, of whom may be had all the Works of Corelli (viz) his Sonatas and Concertos in Parts and in Score."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Score, quarto, 246x179 (256x190): Blank, verso engraved portrait of the composer: \"H. Howard Pinx. Vdr. Gucht Sculp. ARCANGELVS CORELLIUS.\" Title, verso blank. Music, pp. 1-37. Title, p. 38: \"The Second part Containing Preludes, Allemands, Corants, Jiggs, Sarabands, Gavots, \u0026 ye Follia. by Arcangelo Corelli Printed for J. Walsh\". Music, pp. 39-68."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":318,"date_range_isim":[1740],"names_ssim":["Corelli, Arcangelo, 1653-1713","Walsh, John, 1665 or 6-1736","Corelli, Arcangelo, 1653-1713","Walsh, John, 1665 or 6-1736"],"persname_ssim":["Corelli, Arcangelo, 1653-1713","Walsh, John, 1665 or 6-1736","Walsh, John, 1665 or 6-1736"],"geogname_ssim":["London (England)"],"geogname_ssm":["London (England)"],"places_ssim":["London (England)"],"access_subjects_ssim":["Allemande","Corrente","Gavotte","Jig","Prelude","Sarabande","A","C","D","E","F","G","12/8","2/4","3/2","3/4","3/8","6/8","C|","Adagio","Allemanda allegro","Allegro","Corrente allegro","Gavotta allegro","Giga allegro","Grave","Preludio adagio","Preludio largo","Preludio vivace","Sarabanda largo","Tempo di gavotta 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General Advertiser , December 11, 1740."],"scopecontent_tesim":["Contents SONATA I D Grave C - Allegro 6/8 Allegro C Allegro C Adagio 3/2 Allegro 6/8 SONATA II F Grave C Allegro C Vivace 3/4 Adagio C Vivace 3/4 SONATA III C Adagio C Allegro C Adagio 3/4 Allegro C Allegro 12/8 SONATA IV F Adagio C Allegro C Vivace 3/4 Adagio C Allegro C| SONATA V g Adagio C Vivace 3/8 Adagio 3/4 Vivace 3/4 Giga Allegro 12/8 SONATA VI A Grave C Allegro C Allegro C Adagio 3/2 Allegro 6/8 SONATA VII d Preludio Vivace C Corrente Allegro 3/4 Sarabanda Largo 3/4 Giga Allegro 6/8 SONATA VIII e Preludio Largo 3/4 Allemanda Allegro C Sarabanda Largo 3/4 Giga Allegro C 12/8 SONATA IX A Preludio Largo C Giga Allegro 12/8 Adagio 3/2 Tempo di Gavotta Allegro C| SONATA X F Preludio Adagio C Allamanda Allegro C Sarabanda Largo 3/4 Gavotta Allegro C Giga Allegro 6/8 SONATA XI E Preludio Adagio C Allegro C Adagio 3/2 Vivace 3/8 Gavotta Allegro 2/4 FOLLIA XII d Adagio 3/4"],"physloc_html_tesm":["\u003cphysloc 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Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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               \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         \u003c/table\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c83"}},{"id":"viumu_mackay-smith_c35","type":"Item","attributes":{"title":"XII SONATAS For the Chamber For two Violins and a Bass doubled Dedicated To her Grace the Dutchess Dowager of MARLBOROUGH BY John Bononcini. 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Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viumu_mackay-smith_c35#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viumu_mackay-smith_c35","ref_ssm":["viumu_mackay-smith_c35"],"id":"viumu_mackay-smith_c35","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","parent_ssi":"viumu_mackay-smith","parent_ssim":["viumu_mackay-smith"],"parent_ids_ssim":["viumu_mackay-smith"],"parent_unittitles_ssm":["Alexander Mackay-Smith Collection"],"parent_unittitles_tesim":["Alexander Mackay-Smith Collection"],"text":["Alexander Mackay-Smith Collection","XII SONATAS For the Chamber For two Violins and a Bass doubled Dedicated To her Grace the Dutchess Dowager of MARLBOROUGH BY John Bononcini. Printed at London Anno 1732 Price One Guinea.","Three parts, folio, 213x177 (256x182): VIOLINO PRIMO: Title, royal privilege, in letterpress, dated \"5 November 1731\" and signed \"Harrington\". Letter of dedication, verso blank, [i-ii]. Music, pp. 1-23. Blank, [24]. VIOLINO SECONDO: Title, verso blank. Music, pp. 1-20. BASSO (2 copies): Title, verso blank. Music, pp. 1-19. Blank, [20].","Bononcini, Giovanni, 1670-1747","Bononcini, Giovanni, 1670-1747","London (England)","Minuet","A","B♭","C","D","E","F","G","B","12/8","2","2/4","3/4","3/8","6/8","C|","Adagio","Adagio e piano","Affettuoso","Allegro","Allegro assai","Andante","Andante moderato","Con spirito","Largo","Largo andante","Lento","Lento e dolce","Menuet allegro","Menuet andante","Menuet andante largo","Menuet moderato","Menuet presto","Menuet spiritoso","Menuet vivace","Menuet non presto","Moderato","Moderato e affettuoso","Non presto e staccato","Presto","Spiritoso","Tempo moderato","Tempo giusto","Vivace","Contents SONATA I F Adagio C Spiritoso C Moderato 3/4 Allegro assai C| SONATA II g Largo C Andante C Lento 3/4 Allegro 2 Menuet non Presto 3/8 SONATA III D Largo C Spiritoso C Lento 3/4 Vivace 2 Menuet non Presto 3/4 SONATA IV B♭ Andante Moderato C Presto 2 Affettuoso 3/4 Menuet Presto 3/4 SONATA V C Tempo Moderato C Allegro 12/8 Lento 3/4 Menuet Vivace 3/4 SONATA VI A Moderato e Affettuoso C Con Spirito 3/4 Adagio e Piano C Presto 2 SONATA VII c Adagio C Andante C Vivace 12/8 Lento 3/4 Menuet Moderato 3/8 SONATA VIII G Adagio C - Tempo giusto C Vivace 3/4 Adagio e Piano C Menuet Allegro 3/8 SONATA IX b Adagio 3/4 - Vivace C Largo 3/4 Allegro 12/8 Menuet Andante Largo 3/8 SONATA X E Largo Andante C Allegro 6/8 Lento e dolce 3/4 Menuet Spiritoso 3/4 SONATA XI d Tempo giusto C Spiritoso 3/4 Lento 3/4 Allegro 2/4 SONATA XII f Largo C - Non Presto, e Staccato C Spiritoso 3/4 Largo 3/4 Menuet Andante 3/8","M312.4.B64 1732"],"title_filing_ssi":"XII SONATAS For the Chamber For two Violins and a Bass doubled Dedicated To her Grace the Dutchess Dowager of MARLBOROUGH BY John Bononcini. Printed at London Anno 1732 Price One Guinea.","title_ssm":["XII SONATAS For the Chamber For two Violins and a Bass doubled Dedicated To her Grace the Dutchess Dowager of MARLBOROUGH BY John Bononcini. Printed at London Anno 1732 Price One Guinea."],"title_tesim":["XII SONATAS For the Chamber For two Violins and a Bass doubled Dedicated To her Grace the Dutchess Dowager of MARLBOROUGH BY John Bononcini. Printed at London Anno 1732 Price One Guinea."],"unitdate_other_ssim":["1732. Title-page"],"normalized_date_ssm":["1732"],"normalized_title_ssm":["XII SONATAS For the Chamber For two Violins and a Bass doubled Dedicated To her Grace the Dutchess Dowager of MARLBOROUGH BY John Bononcini. Printed at London Anno 1732 Price One Guinea."],"component_level_isim":[1],"repository_ssim":["University of Virginia, Music Library"],"collection_ssim":["Alexander Mackay-Smith Collection"],"physdesc_tesim":["Three parts, folio, 213x177 (256x182): VIOLINO PRIMO: Title, royal privilege, in letterpress, dated \"5 November 1731\" and signed \"Harrington\". Letter of dedication, verso blank, [i-ii]. Music, pp. 1-23. Blank, [24]. VIOLINO SECONDO: Title, verso blank. Music, pp. 1-20. BASSO (2 copies): Title, verso blank. Music, pp. 1-19. 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Presto 2 SONATA VII c Adagio C Andante C Vivace 12/8 Lento 3/4 Menuet Moderato 3/8 SONATA VIII G Adagio C - Tempo giusto C Vivace 3/4 Adagio e Piano C Menuet Allegro 3/8 SONATA IX b Adagio 3/4 - Vivace C Largo 3/4 Allegro 12/8 Menuet Andante Largo 3/8 SONATA X E Largo Andante C Allegro 6/8 Lento e dolce 3/4 Menuet Spiritoso 3/4 SONATA XI d Tempo giusto C Spiritoso 3/4 Lento 3/4 Allegro 2/4 SONATA XII f Largo C - Non Presto, e Staccato C Spiritoso 3/4 Largo 3/4 Menuet Andante 3/8"],"physloc_html_tesm":["\u003cphysloc label=\"Call Number\"\u003eM312.4.B64 1732\u003c/physloc\u003e"],"physloc_tesim":["M312.4.B64 1732"],"_nest_path_":"/components#34","timestamp":"2026-04-30T21:31:28.745Z","scopecontent_html_tesm":["\u003clist\u003e\n                  \u003chead\u003eContents\u003c/head\u003e\n                  \u003citem\u003e\n                     \u003ctitle\u003eSONATA I\u003c/title\u003e\n                     \u003cgenreform type=\"key\"\u003eF\u003c/genreform\u003e\n                    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type=\"meter\"\u003e3/8\u003c/genreform\u003e\n                        \u003c/item\u003e\n                     \u003c/list\u003e\n                  \u003c/item\u003e\n               \u003c/list\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viumu_mackay-smith","ead_ssi":"viumu_mackay-smith","_root_":"viumu_mackay-smith","_nest_parent_":"viumu_mackay-smith","ead_source_url_ssi":"data/uva-music/mackay-smith.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=uva-hs/mackay-smith.xml","title_ssm":["Alexander Mackay-Smith Collection"],"title_tesim":["Alexander Mackay-Smith Collection"],"unitdate_ssm":["1689-1827"],"unitdate_inclusive_ssm":["1689-1827"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["mackay-smith"],"text":["mackay-smith","Alexander Mackay-Smith Collection","Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 .","Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) .","The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.","University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792","The materials are in English and French"],"unitid_tesim":["mackay-smith"],"normalized_title_ssm":["Alexander Mackay-Smith Collection"],"collection_title_tesim":["Alexander Mackay-Smith Collection"],"collection_ssim":["Alexander Mackay-Smith Collection"],"repository_ssm":["University of Virginia, Music Library"],"repository_ssim":["University of Virginia, Music Library"],"creator_ssm":["Alexander Mackay-Smith"],"creator_ssim":["Alexander Mackay-Smith"],"has_online_content_ssim":["false"],"extent_ssm":["265 items"],"extent_tesim":["265 items"],"date_range_isim":[1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827],"bibliography_heading_ssm":["List of Works Cited in Abbreviated Form"],"bibliography_tesim":["Bauer, Carla Christine . Michael Blavets Flötenmusik . Freiburg : Hochschule-Verlag , 1981 . B. [Handel] Bell, A. Craig . Handel: Chronological Thematic Catalogue . Darley : Grian-Aig Press , 1972 . B. [Pleyel] Benton, Rita . Ignace Pleyel: A Thematic Catalogue of His Compositions . New York : Pendragon Press , 1977 . B. [Tartini] Brainard, Paul . Le sonate per violino di Giuseppe Tartini: catalog tematico . Milan : Carisch , 1975 . BUCEM The British Union-Catalogue of Early Music Before the Year 1801: A Record of the Holdings of over One Hundred Libraries Throughout the British Isles . 2 vols. Edited by Edith B. Schnapper. London : Butterworths , 1957 . CPM The Catalogue of Printed Music in the British Library to 1980 . Edited by Laureen Baillie. London : K. G. Saur , 1981- Devriès, Anik . Édition et commerce de la musique graveée a Paris dans la première moitié du XVIIIe siècle: les Boivin, les Leclerc . Geneva : Minkoff , 1976 . Devriès-Lesure Devriès, Anik , and François Lesure . Dictionnaire des éditeurs de musique français . Geneva : Minkoff , 1979- D. Dounias, Minos . Die Volinkonzerte Giuseppe Tartinis . Munich : Druck der Salesianischen Offizin , 1935 . Fred, Herbert William . \" The Instrumental Music of Johann Christoph Pepusch .\" Ph.D. dissertation, University of North Carolina at Chapel Hill , 1961 . G. Gérard, Yves . Thematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini . London : Oxford University Press , 1969 . Haas, Otto . Catalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq. London : Haas , [ 1944 ] . Hopkinson, Cecil . A Dictionary of Parisian Music Publishers, 1700-1950 . New York : Da Capo , 1979 (reprint of the London, 1954, ed.). Hob. Hoboken, Anthony van . Joseph Haydn: Thematisch-bibliographisches Werkverzeichnis . 3 vols. Mainz : B. Schott's Söhne , 1957-78 . Humphries-Smith Humphries, Charles , and William C. Smith . Music Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century . 2nd ed. New York : Barnes \u0026 Noble , 1970 . J. Jenkins, Newell , and Bathia Churgin . Thematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music . Cambridge, Mass. : Published for the American Musicological Society by Harvard University Press , 1976 . Johansson/French Johansson, Cari . French Music Publishers' Catalogues of the Second Half of the Eighteenth Century . 2 vols. Stockholm : Kungl . Musikaliska Akademiens bibliothek, 1955 . Johansson/Hummel Johansson, Cari . J. J. \u0026 B. Hummel Music-Publishing and Thematic Catalogues . 3 vols. Stockholm : Almquist \u0026 Wiksell , 1972 . Knape, Walter . Bibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel . Cuxhaven : W. Knape , 1972 . K. Köchel, Ludwig, Ritter von . Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts . 6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers. Wiesbaden : Breitkopf \u0026 Härtel , 1964 . Lesure/Bibliographie Lesure, François . Bibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743 . Paris : Société française de musicologie , 1969 . Lesure/Catalogue Lesure, François , ed. Catalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris . Paris : Bibliothèque Nationale , 1981 . Marx, Hans Joachim . Die Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné . Cologne : Arno Volk Verlag , 1980 . The New Grove Dictionary of Music and Musicians . Edited by Stanley Sadie. 20 vols. London : Macmillan , 1980 . The New Grove Dictionary of Music and Musicians, 2nd ed. . Edited by Stanley Sadie. 29 vols. London : Macmillan , 2001. . Priestman, Brian . \" Catalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet ,\" Revue belge de musicologie , 6 ( 1952 ) , pp. 219-274. RISM Répertoire international des sources musicales, series A/I. Einzeldrucke vor 1801 . Edited by Karl-Heinz Schlager. 10 vols. Kassel : Bärenreiter , 1971-1981 . RISM B/II Répertoire international des sources musicales, series B, volume 2. Recueils imprimées . Edited by François Lesure. Munich : G. Henle , 1964 . Smith Smith, William Charles . A Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720 . London : The Bibliographical Society , 1948 . Smith/Handel Smith, William Charles . Handel: A Descriptive Catalogue of the Early Editions . 2nd edition. New York : Barnes \u0026 Noble , 1970 . Smith-Humphries Smith, William Charles , and Charles Humphries . A Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766 . London : The Bibliographical Society , 1968 . Terry, Charles Sanford . John Christian Bach . 2nd edition. London : Oxford University Press , 1967 . Vairasse, Denis . Histoire des Sevarambes . Nouvelle édition. Amsterdam : Estienne Roger , 1716 . Vol. 2, pp. 291-348: \" Catalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger \". Wotquenne, Alfred . Catalogue thématique des œuvres de Chr. W. v. Gluck . Leipzig : Breitkopf \u0026 Härtel , 1904 . Z. [Purcell] Zimmerman, Franklin B. Henry Purcell, 1659-1695: An Analytical Catalogue of His Music . New York : St. Martin's Press , 1963 . Z. [Pugnani] Zschinsky-Troxler, Elisabeth . Gaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik . Berlin : Atlantis , 1939 ."],"bioghist_html_tesm":["\u003cbioghist\u003e\n            \u003chead\u003eIntroduction\u003c/head\u003e\n            \u003cblockquote\u003e\n               \u003cp\u003e\"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\"\u003cref id=\"r1\" target=\"n1\"\u003e1\u003c/ref\u003e\n               \u003c/p\u003e\n            \u003c/blockquote\u003e\n            \u003cp\u003eAlexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores.\u003c/p\u003e\n            \u003cp\u003eThe collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden.\u003c/p\u003e\n            \u003cp\u003eThe majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe:\u003cblockquote\u003e\n                  \u003cp\u003eI bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece.\u003cref id=\"r2\" target=\"n2\"\u003e2\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eOtto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library:\u003cblockquote\u003e\n                  \u003cp\u003eThe University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life...\u003cref id=\"r3\" target=\"n3\"\u003e3\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n               \u003cblockquote\u003e\n                  \u003cp\u003eIt is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded.\u003cref id=\"r4\" target=\"n4\"\u003e4\u003c/ref\u003e\n                  \u003c/p\u003e\n               \u003c/blockquote\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\"\u003cref id=\"r5\" target=\"n5\"\u003e5\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eIt was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\"\u003cref id=\"r6\" target=\"n6\"\u003e6\u003c/ref\u003eJefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eEditorial Method\u003c/head\u003e\n            \u003cp\u003eThe form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or\u003cref target=\"NewGrove2\"\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/ref\u003e. In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I.\u003c/p\u003e\n            \u003cp\u003eA brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the\u003cbibref\u003e\n                  \u003ctitle\u003eAnglo-American Cataloguing Rules\u003c/title\u003e\n                  \u003cimprint\u003e(\u003cgeogname\u003eChicago\u003c/geogname\u003e:\u003cpublisher\u003eAmerican Library Association\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e)\u003c/imprint\u003e\n               \u003c/bibref\u003e. A few minor exceptions have been adopted for the sake of both brevity and clarity.\u003c/p\u003e\n            \u003cp\u003eUnless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves.\u003cref id=\"r7\" target=\"n7\"\u003e7\u003c/ref\u003eThe terminology for the oblong formats is that suggested by D. W. Krummel.\u003cref id=\"r8\" target=\"n8\"\u003e8\u003c/ref\u003eTwo sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings.\u003cref id=\"r9\" target=\"n9\"\u003e9\u003c/ref\u003e\n            \u003c/p\u003e\n            \u003cp\u003eThe title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets.\u003c/p\u003e\n            \u003cp\u003eFor dates, the terminology used is that recommended by the\u003cbibref\u003e\n                  \u003ctitle\u003eInternational Association of Music Libraries' Guide for Dating Early Published Music\u003c/title\u003e\n               \u003c/bibref\u003e.\u003cref id=\"r10\" target=\"n10\"\u003e10\u003c/ref\u003eWhenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions.\u003c/p\u003e\n            \u003cp\u003eAll citation to the Répertoire international des sources musicales, unless otherwise noted, are to\u003cbibref\u003eSeries A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981)\u003c/bibref\u003e. If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number.\u003c/p\u003e\n            \u003cp\u003eThe dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.\u003c/p\u003e\n         \u003c/bioghist\u003e","\u003cbioghist\u003e\n            \u003chead\u003eNotes\u003c/head\u003e\n            \u003clist type=\"simple\"\u003e\n               \u003citem id=\"n1\"\u003e\n                  \u003cref target=\"r1\"\u003e1\u003c/ref\u003eAlexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia.\u003c/item\u003e\n               \u003citem id=\"n2\"\u003e\n                  \u003cref target=\"r2\"\u003e2\u003c/ref\u003eMackay-Smith to Jean Bonin, Music Librarian, 30 July 1974.\u003c/item\u003e\n               \u003citem id=\"n3\"\u003e\n                  \u003cref target=\"r3\"\u003e3\u003c/ref\u003eIbid.\u003c/item\u003e\n               \u003citem id=\"n4\"\u003e\n                  \u003cref target=\"r4\"\u003e4\u003c/ref\u003eMackay-Smith to Tuttle, 16 July 1948.\u003c/item\u003e\n               \u003citem id=\"n5\"\u003e\n                  \u003cref target=\"r5\"\u003e5\u003c/ref\u003eBoth the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104.\u003c/item\u003e\n               \u003citem id=\"n6\"\u003e\n                  \u003cref target=\"r6\"\u003e6\u003c/ref\u003eThomas Jefferson to Giovanni Fabbroni, 8 June 1778, in\u003cbibref\u003e\n                     \u003ctitle\u003eThe Papers of Thomas Jefferson\u003c/title\u003e,\u003cimprint\u003eedited by Julian Boyden, v. 2 (\u003cgeogname\u003ePrinceton\u003c/geogname\u003e:\u003cpublisher\u003ePrinceton University Press\u003c/publisher\u003e,\u003cdate\u003e1950\u003c/date\u003e)\u003c/imprint\u003e, p. 196\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n7\"\u003e\n                  \u003cref target=\"r7\"\u003e7\u003c/ref\u003eSee\u003cbibref\u003e\n                     \u003cpersname\u003eRonald B. McKerrow\u003c/persname\u003e,\u003ctitle\u003eAn Introduction to Bibliography\u003c/title\u003e(\u003cimprint\u003e\n                        \u003cgeogname\u003eOxford\u003c/geogname\u003e:\u003cpublisher\u003eClarendon Press\u003c/publisher\u003e,\u003cdate\u003e1927\u003c/date\u003e\n                     \u003c/imprint\u003e), pp. 164-174\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n8\"\u003e\n                  \u003cref target=\"r8\"\u003e8\u003c/ref\u003e\n                  \u003cbibref\u003e\n                     \u003cpersname\u003eD. W. Krummel\u003c/persname\u003e, \"\u003ctitle\u003eOblong Format in Early Music Books\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 26 (\u003cdate\u003e1971\u003c/date\u003e)\u003c/imprint\u003e, pp. 312-324\u003c/bibref\u003e.\u003c/item\u003e\n               \u003citem id=\"n9\"\u003e\n                  \u003cref target=\"r9\"\u003e9\u003c/ref\u003eAs Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos (\u003cbibref\u003e\"\u003ctitle\u003eBibliography of Music\u003c/title\u003e,\"\u003ctitle\u003eThe New Grove\u003c/title\u003e,\u003cimprint\u003ev. 2\u003c/imprint\u003e\n                  \u003c/bibref\u003e, p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" (\u003cbibref\u003e\"\u003ctitle\u003eMusical Functions and Bibliographical Forms\u003c/title\u003e,\"\u003ctitle\u003eThe Library\u003c/title\u003e,\u003cimprint\u003e5th series, 31 [\u003cdate\u003e1976\u003c/date\u003e]\u003c/imprint\u003e, p. 337\u003c/bibref\u003e).\u003c/item\u003e\n               \u003citem id=\"n10\"\u003e\n                  \u003cref target=\"r10\"\u003e10\u003c/ref\u003e\n                  \u003cbibref\u003eCompiled by\u003cpersname\u003eD. W. Krummel\u003c/persname\u003e\n                     \u003cimprint\u003e(\u003cgeogname\u003eHackensack, N.J.\u003c/geogname\u003e:\u003cpublisher\u003eJoseph Boonin\u003c/publisher\u003e,\u003cdate\u003e1974\u003c/date\u003e)\u003c/imprint\u003e\n                  \u003c/bibref\u003e.\u003c/item\u003e\n            \u003c/list\u003e\n         \u003c/bioghist\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Introduction \"The collection was not brought together by writing big checks to leading dealers. On the contrary it represents days and weeks spent in the bookstalls and shops of London, Paris and Berlin, thumbing over dust-laden stacks of music and piles of books. It represents many hours of study, many hundreds of letters. It was never the sort of collection gathered just for exhibition purposes, but a working library...\" 1 Alexander Mackay-Smith's \"working library\" today forms the nucleus of the University of Virginia's Music Library. The Mackay-Smith Collection, presented to the University in 1946, includes complete runs of what at that time constituted virtually all the major musicological journals, an impressive array of major reference works, bibliographies, printed library catalogues, monographs, and, above all, scores. The collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. An accomplished amateur violinist, Mackay-Smith acquired much of his chamber music for purely practical purposes. His chamber music partners included his brother, Carleton Sprague Smith, flutist and chief of the New York Public Library's Music Division from 1931 to 1943 and again from 1946 to 1959; Elizabeth Sprague Coolidge, pianist, composer, and patroness of music; and Constance Darden, violinist and violist, wife of the University of Virginia's President, Colgate Darden. The majority of the works represented in this catalogue were purchased in Paris and London between 1928 and 1934. After graduating from Harvard in 1924, Mackay-Smith spent several years in Europe: I bought my first early music from Harold Reeves in London in the summer of 1928 when I was able to acquire virtually all the 18th century editions, particularly of trio music, which he then had in stock, going back not only through his current but also through earlier catalogues, picking out numbers which remained unsold. It is almost a shame today to think of the prices at which such things were then available, one or two pounds apiece. 2 Otto Haas, in Berlin and then later in London, was another source for much of the music described here. Following World War II, Mackay-Smith deposited his entire music collection with the University of Virginia Library: The University seemed like a logical place to deposit [it], since my children are descended from Thomas Jefferson; since, as you well know, Jefferson played the violin almost every day of his life... 3 It is particularly fitting, I think, that the chamber music for violin which Thomas Jefferson so enjoyed playing should now be fully represented at the University which he founded. 4 The Mackay-Smith Collection in fact shows similarity to the music section of Jefferson's own catalogue of 1783. It is scarcely coincidental that the trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented. Jefferson had at one point taken the trouble to transcribe some 38 incipits of works by Campioni already in his library, with a note in the margin to a London dealer asking for any other works he had also composed, \"Solos, Duets, or Trios. Printed copies would be preferred...\" 5 It was in much the same systematic fashion that Alexander Mackay-Smith developed his own collection of instrumental chamber music, with special emphasis on the trio sonata. A lawyer by profession, Mackay-Smith might also confess, as had Jefferson, that \"music is the favorite passion of my soul.\" 6 Jefferson, however, had been forced to concede that \"fortune has cast my lot in a country where it is in a state of deplorable barbarism.\" That these circumstances no longer obtain is due in no small measure to the efforts of Alexander Mackay-Smith and other collectors like him.","Editorial Method The form of entry for each composer's name follows that in the Library of Congress authority file, where such an entry exists, or The New Grove Dictionary of Music and Musicians, 2nd ed. . In the case of composers whose works were first published during both the 18th and 19th centuries, only composers born before 1770 have been included. This is approximately the same criterion for inclusion in RISM Series A/I. A brief filing title is provided to facilitate browsing and ensure a logical and consistent sequence among entries. The form is essentially that established by the second edition of the Anglo-American Cataloguing Rules ( Chicago : American Library Association , 1979 ) . A few minor exceptions have been adopted for the sake of both brevity and clarity. Unless otherwise indicated, all individual parts within a set have identical title-pages. The format (folio, quarto, etc.) is based on the number of times the original sheets of paper have been folded to make individual leaves. 7 The terminology for the oblong formats is that suggested by D. W. Krummel. 8 Two sets of dimensions are given for all engraved title-pages: the first represents the imaginary rectangle that would enclose all elements of the engraved surface; the second measurement, in parentheses, represents the plate mark. The names of individual parts are transcribed exactly as they appear on the parts themselves, usually as running heads. The system used for describing pagination has been taken from Cecil Hopkinson's various bibliographies of Berlioz, Gluck, Puccini, etc., and is self-explanatory. No attemp has been made to collate gatherings. 9 The title of each work and its sequence of movements and keys are transcribed as they appear on the first part listed in the work's contents. Any exceptions to this, the primary source of information, are specifically noted in square brackets. For dates, the terminology used is that recommended by the International Association of Music Libraries' Guide for Dating Early Published Music . 10 Whenever possible, dates of issue are provided; for lack of sufficient evidence, however, most dates in this catalogue must be considered dates of editions. All citation to the Répertoire international des sources musicales, unless otherwise noted, are to Series A/I, Einzeldrucke vor 1801, edited by Karl-Heinz Schlager (Kassel: Bärenreiter, 1971-1981) . If the Mackay-Smith exemplar differs significantly from the entry appearing in RISM, discrepancies are noted in parentheses following the RISM number. The dates that appear at the end of many of the call numbers derive from the original cataloguing of the collection at the University of Virginia in the late 1940s. Although an integral part of the call number, they have no significance in and of themselves.","Notes 1 Alexender Mackay-Smith to Stephen Tuttle, Professor of Music, 16 July 1948, Mackay-Smith papers, Alderman Library, University of Virginia. 2 Mackay-Smith to Jean Bonin, Music Librarian, 30 July 1974. 3 Ibid. 4 Mackay-Smith to Tuttle, 16 July 1948. 5 Both the music section of the 1783 catalogue and the Campioni incipits (undated) are reproduced and transcribed in Carolyn Galbraith Nolan's \"Thomas Jefferson, Gentleman Musician\" (M.A. thesis, University of Virginia, 1967). Nolan's transcriptions of the catalogue also appears in Helen Cripe's Thomas Jefferson and Music (Charlottesville: University Press of Virginia, 1974), pp. 97-104. 6 Thomas Jefferson to Giovanni Fabbroni, 8 June 1778, in The Papers of Thomas Jefferson , edited by Julian Boyden, v. 2 ( Princeton : Princeton University Press , 1950 ) , p. 196 . 7 See Ronald B. McKerrow , An Introduction to Bibliography ( Oxford : Clarendon Press , 1927 ), pp. 164-174 . 8 D. W. Krummel , \" Oblong Format in Early Music Books ,\" The Library , 5th series, 26 ( 1971 ) , pp. 312-324 . 9 As Krummel has pointed out, the leaves of most engraved music after 1700 are gathered either singly or in twos ( \" Bibliography of Music ,\" The New Grove , v. 2 , p. 683) \"and the important changes in text usually took place on the plates, making the assembly largely irrelevant for textual work.\" ( \" Musical Functions and Bibliographical Forms ,\" The Library , 5th series, 31 [ 1976 ] , p. 337 ). 10 Compiled by D. W. Krummel ( Hackensack, N.J. : Joseph Boonin , 1974 ) ."],"abstract_html_tesm":["\u003cabstract\u003eThe Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.\u003c/abstract\u003e"],"abstract_tesim":["The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented."],"names_ssim":["University of Virginia. Small Special Collections Library","Harp and Hoboy","Longman \u0026 Co.","Welcker's Musick Shop","Harp and Hautboy","Harp and Crown","Simpsons Musick Shop","Viol and Flute","Janet et Cotelle","Golden Viol and Flute","Violin and Lute","Mr. Forsters Music Shop","Mme. Duhan et Cie.","Orpheus (Firm)","Golden Harp","Golden Viol","Règle d'Or","Croix d'Or","Longman and Broderip [London, England]","Simpson's Musick Shop","Golden Bass","Musique royale [Firm]","Grand magazine de musique","Handel's Head","Bass Viol \u0026 Flute","Longman, Lukey \u0026 Co.","Charles \u0026 Samuel Thompson","Thompson \u0026 Son","Conservatoire de Musique [France]","Straight \u0026 Skillern","Chales \u0026 Samuel Thompson","Comédie Françoise","Longman, Lukey \u0026 Broderip","John and Joseph Hare","Lyre and Owl","Monzani \u0026 Cimador","Corri, Dussek \u0026 Co.","J. Longman \u0026 Co. [London, England]","Breitkopf \u0026 Härtel","Ronald B. McKerrow","D. W. Krummel","Bauer, Carla Christine","Bell, A. Craig","Benton, Rita","Brainard, Paul","Devriès, Anik","François Lesure","Dounias, Minos","Fred, Herbert William","Gérard, Yves","Haas, Otto","Hopkinson, Cecil","Hoboken, Anthony van","Humphries, Charles","William C. Smith","Jenkins, Newell","Bathia Churgin","Johansson, Cari","Knape, Walter","Köchel, Ludwig, Ritter von","Lesure, François","Marx, Hans Joachim","Priestman, Brian","Smith, William Charles","Charles Humphries","Terry, Charles Sanford","Vairasse, Denis","Wotquenne, Alfred","Zimmerman, Franklin B.","Zschinsky-Troxler, Elisabeth","Abel, Karl Friedrich, 1723-1787","Napier, William, 1740?-1812","Bremner, Robert, d. 1789","Agus, Giuseppe","Welcker, John","Alberti, Pietro","Roger, Estienne, 1665-1722","Albertini, Giuseppe","Hummell, A.","Albicastro, Henricus","Albinoni, Tomaso, 1671-1750","Walsh, John, 1665 or 6-1736","Alcock, John, 1715-1806","Androux, Giovanni Giacomo","Welcker, Peter, d. 1775","Arne, Thomas Augustine, 1710-1778","Oliver y Astorga, Juan, 1733 or 4-1830","Avison, Charles, 1709-1770","Scarlatti, Domenico, 1685-1757","Denson, R.","Barber, Joseph","Richard Newton","Jack Lee Cassingham","Johnson, John, fl. 1754-1770","Phillips, John","Phillips, Sarah","Bach, Johann Christian, 1735-1782","Hummel, Johann Julius, 1728-1798","Barbandt, Charles","Barbella, Emanuele, 1718-1777","Barthélemon, F. H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. (Jean Baptiste), 1753-1823","Forster, William","Brioschi, Antonio, fl. 1730-1750","Bruni, Antonio Bartolomeo, 1757-1821","Sieber, Jean-George, 1738-1822","Campioni, Carlo Antonio, 1720-1788","Randall, William, d. 1776","Constantin Floros","Carbonelli, Giovanni Stefano, d. 1772","Carelio, Antonio","Cervetto, Giacobbe, 1682-1783","Churchill, William, fl. 1785-1795","Preston, J.","Preston, John","Smith","Ciampi, Vincenzo Legrenzio, 1719-1762","Dennis Libby","Cirri, Giovanni Battista, 1724-1808","Owain Edwards","Clementi, Muzio, 1752-1832","Corbett, William, 1675-1748","Pippard, L. (Luke)","Corelli, Arcangelo, 1653-1713","Cooke, Benjamin","Pepusch, John Christopher, 1667-1752","Cross, Thomas, ca. 1660-ca. 1735","Cramer, Wilhelm, 1746-1799","Bérault, Madame","Casteau","Sieber, Marie Julie Regnaud","Croes, Hendrik-Jacques de","Boivin, Mme. (Elisabeth-Catherine Ballard), d. 1776","Le Clerc, Jean-Pantaléon, d. 1759","Michelon, Mlle.","Devienne, François, 1759-1803","Ribiere","Dolphin","Godfroy, M.","Seaunier, M.","Dôthel, Niccolò, 1721-1810","Hallet, Benjamin","Oswald, James, 1710-1769","Frank Kidson","Duni, Egidio, 1708-1775","Dufour","Duport, Jean-Pierre, 1741-1818","La Chevardière, Louis Balthazard de, 1730-1812","Oger, Madame","Eichner, Ernst, 1740-1777","Ferrari, Carlo, 1714-1790","Vendôme, Marie-Charlotte","Ferrari, Domenico, 1722-1780","Virginia Downman Kock","Festing, Michael Christian, d. 1752","Smith, William, fl. 1720-1763","Filtz, Johann Anton, 1733-1760","Charpentier, P. L. (Pierre Laurent)","Fiorillo, Federigo, 1755-ca. 1823","Fisher, F. E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"corpname_ssim":["University of Virginia. 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H. (François-Hippolyte), 1741-1808","Bates, William, fl. 1750-1780","Cox, John","Beretti, Pietro","Besozzi, Antonio, 1714-1781","Besozzi, Paolo Girolamo, 1704-1778","Besozzi, Alessandro, 1702-1793","Canavasse, Mr.","Castagneri, Andrea","Guersan, Louis, ca. 1700-1770","Estien, Mlle.","Bianchi, Giovanni, b. ca. 1660","Bitti, Martino","Hare, John, d. 1725","Blake, Benjamin, 1751-1827","Boccherini, Luigi, 1743-1805","Imbault, Jean Jérôme","Leduc, Auguste (Antoine-Pierre-Auguste), 1779-1823","Naderman, Jean-Henri, 1735-1799","Bononcini, Giovanni, 1670-1747","Bonporti, Francesco Antonio, 1672-1749","Randall, Peter, fl. ca. 1706-1710","Borghi, Luigi, b. ca. 1745","Boyce, William, 1711-1779","Bréval, J. B. 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E.","Florio, Pietro Grassi, d. 1795","Whitaker, Maurice","Freake, John George","Galeotti, Salvatore, fl. 1760-1770","Lidarti, Christian Joseph, b. 1730","Galeotti, Stefano, ca. 1723-ca. 1790","Galeotti, Stefano, ca. 1723-ca.1790","Gallo, Alberto","Bayard, Marc, d. 1782","Castagnery, Mlle. (Marie-Anne), 1722-1782","Le Clerc, Mr.","Gallo, Domencio, 18th cent.","Pergolesi, Giovanni Battista, 1710-1736","Marvin E. Paymer","Charles L. Cudworth","Geminiani, Francesco, 1687-1762","Barsanti, Francesco, 1690-1772","Giardini, Felice, 1716-1796","Le Menu, Christophe, d. 1774","De Brotonne, Étienne, ca. 1707-1757","Vernadé, Claude, 1712-1786","Birchall, Robert, d. 1819","Saint Germain, comte de, d. 1784","Gluck, Christoph Willibald, Ritter von, 1714-1787","Simpson, J.","Graaf, Christiaan Ernst, 1723-1804","Graeff, Johann Georg","Lavenu, Lewis, d. 1818","Grenser, Johan Fredrik, d. 1795","Grezner, Johann Friedrich","Guerini, Francesco, fl. 1740-1770","Handel, George Frideric, 1685-1759","Bassani, Giovanni Battista, ca. 1650-1716","Pez, Joh. Chr. (Johann Christoph), 1664-1716","Purcell, Henry, 1659-1695","Torelli, Giuseppe, 1658-1709","Hasse, Johann Adolf, 1699-1783","Haydn, Joseph, 1732-1809","Kerpen, John","Haydn, Michael, 1737-1806","Hubert Unverricht","Hickes, George, 1642-1715","King","Hook, Mr. (James), 1746-1827","Humble, Maximilian","Humphries, John, ca. 1707-ca. 1740","William S. Newman","Jackson, Joseph, 18 th cent.","Jackson, Joseph, Mrs.","Jadin, Hyacinthe","Vératé, Mlle.","Carcani, sigr., 1703-1779","Jommelli, Nicolò, 1714-1774","Sammartini, Giovanni Battista, 1700 (ca.)-1775","Boivin, Mme. (Elisabeth-Catherine Ballard), d. s1776","Chinzer, Giuseppe, fl. 1745","Kammel, Antonín, b. 1730","Kelly, Thomas Alexander Erskine, Earl of, 1732-1781","Klöffler, Johann Friedrich, 1725-1790","Lampugnani, Giovanni Battista, 1706-ca. 1786","Simpson, John, fl. 1734-1749","Lanzetti, Salvatore, 1710-ca. 1780","Lapis, Santo, fl. 1725-1764","Mol, Pieter","Lates, James, ca. 1740-1777","Leclair, Jean-Marie, 1697-1764","Boivin, François, d. 1733","Le clerc, Le Sr.","Roussel, Louise Anne Renard","Leclair, Louise Catherine Roussel, b. 1700","Lidl, Andreas, ca. 1740-ca. 1788","Skillern, T. (Thomas), fl. 1777-1802","Lœillet, Jean Baptiste, b. 1688","Lolli, Antonio, ca. 1725-1802","Bailleux, Antoine, d. 1791","Brunet, Mr.","Castaud, Jean-Antoine, b. 1714","Lobry, Mme.","Magnian, G.","Maldere, Pierre van, 1729-1768","Marais, Marin, 1656-1728","Bonneuil, Hiérosme, fl. 1671-1701","Trouvain","Marjolin, L. A.","Martin, François, 1727-1757","Le Clerc, Charles-Nicolas, 1697-1774","Laymon, Mademoiselle, fl. 1743-1752","Mascitti, Michele, 1663 or 1664-1760","Menesini, Bartolomeo","Fougt, Henric, 1720-1782","Morigi, Angelo, 1725-1801","Mozart, Wolfgang Amadeus, 1756-1791","Nardini, Pietro, 1722-1793","Noferi, Giovan Battista, 18 th cent.","Nussen, Frederick","Paganelli, Giuseppe Antonio, 1710-ca. 1763","Le Clerc, Mr., le Cadet.","Le Clerc, Sr., Mr.","Hüe, L.","Pasquali, Nicolo, ca. 1718-1757","Paxton, Stephen, 1734-1787","Baker","Pellegrino, Ferdinando, ca. 1715-ca. 1766","Bertin, Mlle., fl. 1740-1763","Pesch, Carl August","Pichl, Wenzel, 1741-1805","Piombanti, Francesco","Thorowgood, Henry","Piozzi, Gabriele Mario, 1740-1809","Pleyel, Ignaz, 1757-1831","Lobry","Porta, Bernardo, 1758-1829","Nadermann, Barbe Rose Courtois, 1755-1839","Pugnani, Gaetano, 1731-1798","Frere","Ceron, Jean-Baptiste","Frères le Goux","Pujolas, J. H, d. 1806","Michot","Porthaux, Dominique","Raimondi, Ignazio, ca. 1735-1813","Ravenscroft, John, 17th cent.","Blavet, Michel, 1700-1768","Le Clerc, M.","Rousseau, Frédéric, 1755-1821","Rousseau Freres","d'Albaret, Comte","Sabatini, Giovanni Andrea, ca. 1740-ca. 1808","Sacchini, Antonio, 1730-1786","Fortier, B., fl. Ca. 1736-1740","Le Clerc, Le Sr.","Le Clerc, le cadet","Labassée, Mme.","Roberts, Henry, ca. 1710-ca. 1790","Schickhard, Johann Christian, ca. 1680-1762","Schwindl, Friedrich, 1737-1786","Hummel, Burchard, 1731-1797","Aprile, Giuseppe, 1732-1813","Vachon, Pierre, 1731-1803","Smith, Theodore, ca. 1740-ca. 1810","Solnitz, Anton Wilhelm, ca. 1708-1752 or 3","Spourni, Wenceslaus Joseph","Stamitz, Anton, b. 1750","Boyer, Charles-Georges","Le Menu, Made.","Stanley, John, 1712-1786","Tartini, Giuseppe, 1692-1770","Le Cène, Michel-Charles, 1683?-1743","Tessarini, Carlo, ca. 1690-ca.1766","Tibaldi, Giovanni Battista","Valentine, Robert, 1674-ca. 1735","Vanhal, Johann Baptist, 1739-1813","Weideman, Charles Frederick, d. 1782","Wendling, Johann Baptist, 1723-1797","Winter, Peter von, 1754-1825","Donald G. Henderson","Zannetti, Francesco, 1737-1788","Zappa, Francesco, fl. 1763-1788","Zuccari, Carlo, 1704-1792"],"language_ssim":["The materials are in English and French"],"total_component_count_is":984,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:31:28.745Z","bibliography_html_tesm":["\u003ctable\u003e\n            \u003ctgroup cols=\"2\"\u003e\n               \u003ctbody\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Bauer\"\u003e\n                           \u003cpersname\u003eBauer, Carla Christine\u003c/persname\u003e.\u003ctitle\u003eMichael Blavets Flötenmusik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eFreiburg\u003c/geogname\u003e:\u003cpublisher\u003eHochschule-Verlag\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eB. 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               \u003crow\u003e\n                     \u003centry\u003eDevriès-Lesure\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Devriès-Lesure\"\u003e\n                           \u003cpersname\u003eDevriès, Anik\u003c/persname\u003e, and\u003cpersname\u003eFrançois Lesure\u003c/persname\u003e.\u003ctitle\u003eDictionnaire des éditeurs de musique français\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eGeneva\u003c/geogname\u003e:\u003cpublisher\u003eMinkoff\u003c/publisher\u003e,\u003cdate\u003e1979-\u003c/date\u003e\n                           \u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eD.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"D\"\u003e\n                           \u003cpersname\u003eDounias, Minos\u003c/persname\u003e.\u003ctitle\u003eDie Volinkonzerte Giuseppe Tartinis\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eDruck der Salesianischen Offizin\u003c/publisher\u003e,\u003cdate\u003e1935\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Fred\"\u003e\n                           \u003cpersname\u003eFred, Herbert William\u003c/persname\u003e. \"\u003ctitle\u003eThe Instrumental Music of Johann Christoph Pepusch\u003c/title\u003e.\"\u003cimprint\u003ePh.D. dissertation,\u003cpublisher\u003eUniversity of North Carolina at Chapel Hill\u003c/publisher\u003e,\u003cdate\u003e1961\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eG.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"G\"\u003e\n                           \u003cpersname\u003eGérard, Yves\u003c/persname\u003e.\u003ctitle\u003eThematic, Bibliographical, and Critical Catalogue of the Works of Luigi Boccherini\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Haas\"\u003e\n                           \u003cpersname\u003eHaas, Otto\u003c/persname\u003e.\u003ctitle\u003eCatalogue No. 20: The Valuable Music Library formed by Alfred Moffat, Esq.\u003c/title\u003e\n                           \u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eHaas\u003c/publisher\u003e, [\u003cdate\u003e1944\u003c/date\u003e]\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hopkinson\"\u003e\n                           \u003cpersname\u003eHopkinson, Cecil\u003c/persname\u003e.\u003ctitle\u003eA Dictionary of Parisian Music Publishers, 1700-1950\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eDa Capo\u003c/publisher\u003e,\u003cdate\u003e1979\u003c/date\u003e(reprint of the London, 1954, ed.).\u003c/imprint\u003e\n                        \u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHob.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Hob\"\u003e\n                           \u003cpersname\u003eHoboken, Anthony van\u003c/persname\u003e.\u003ctitle\u003eJoseph Haydn: Thematisch-bibliographisches Werkverzeichnis\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eMainz\u003c/geogname\u003e:\u003cpublisher\u003eB. Schott's Söhne\u003c/publisher\u003e,\u003cdate\u003e1957-78\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eHumphries-Smith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Humphries-Smith\"\u003e\n                           \u003cpersname\u003eHumphries, Charles\u003c/persname\u003e, and\u003cpersname\u003eWilliam C. Smith\u003c/persname\u003e.\u003ctitle\u003eMusic Publishing in the British Isles, from the Beginning until the Middle Part of the Nineteenth Century\u003c/title\u003e.\u003cimprint\u003e2nd ed.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJ.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"J\"\u003e\n                           \u003cpersname\u003eJenkins, Newell\u003c/persname\u003e, and\u003cpersname\u003eBathia Churgin\u003c/persname\u003e.\u003ctitle\u003eThematic Catalogue of the Works of Giovanni Battista Sammartini: Orchestral and Vocal Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCambridge, Mass.\u003c/geogname\u003e: Published for the American Musicological Society by\u003cpublisher\u003eHarvard University Press\u003c/publisher\u003e,\u003cdate\u003e1976\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/French\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-French\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eFrench Music Publishers' Catalogues of the Second Half of the Eighteenth Century\u003c/title\u003e.\u003cimprint\u003e2 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eKungl\u003c/publisher\u003e. Musikaliska Akademiens bibliothek, 1955\u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eJohansson/Hummel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Johansson-Hummel\"\u003e\n                           \u003cpersname\u003eJohansson, Cari\u003c/persname\u003e.\u003ctitle\u003eJ. J. \u0026amp; B. Hummel Music-Publishing and Thematic Catalogues\u003c/title\u003e.\u003cimprint\u003e3 vols.\u003cgeogname\u003eStockholm\u003c/geogname\u003e:\u003cpublisher\u003eAlmquist \u0026amp; Wiksell\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Knape\"\u003e\n                           \u003cpersname\u003eKnape, Walter\u003c/persname\u003e.\u003ctitle\u003eBibliographisch-thematisches Verzeichnis der Kompositionen von Karl Friedrich Abel\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCuxhaven\u003c/geogname\u003e:\u003cpublisher\u003eW. Knape\u003c/publisher\u003e,\u003cdate\u003e1972\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eK.\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"K\"\u003e\n                           \u003cpersname\u003eKöchel, Ludwig, Ritter von\u003c/persname\u003e.\u003ctitle\u003eChronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts\u003c/title\u003e.\u003cimprint\u003e6th ed., edited by Franz Giegling, Alexander Weinmann, and Gerd Sievers.\u003cgeogname\u003eWiesbaden\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Bibliographie\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Bibliographie\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e.\u003ctitle\u003eBibliographie des éditions musicales publiées par Estienne Roger et Michel-Charles Le Cène, Amsterdam, 1696-1743\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eSociété française de musicologie\u003c/publisher\u003e,\u003cdate\u003e1969\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eLesure/Catalogue\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Lesure-Catalogue\"\u003e\n                           \u003cpersname\u003eLesure, François\u003c/persname\u003e, ed.\u003ctitle\u003eCatalogue de la musique imprimée avant 1800 conservée dans les bibliotheques publiques de Paris\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eParis\u003c/geogname\u003e:\u003cpublisher\u003eBibliothèque Nationale\u003c/publisher\u003e,\u003cdate\u003e1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Marx\"\u003e\n                           \u003cpersname\u003eMarx, Hans Joachim\u003c/persname\u003e.\u003ctitle\u003eDie Überlieferung der Werke Arcangelo Corellis: Catalogue rasionné\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eCologne\u003c/geogname\u003e:\u003cpublisher\u003eArno Volk Verlag\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Grove\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 20 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e1980\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"NewGrove2\"\u003e\n                           \u003ctitle\u003eThe New Grove Dictionary of Music and Musicians, 2nd ed.\u003c/title\u003e.\u003cimprint\u003eEdited by Stanley Sadie. 29 vols.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eMacmillan\u003c/publisher\u003e,\u003cdate\u003e2001.\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Priestman\"\u003e\n                           \u003cpersname\u003ePriestman, Brian\u003c/persname\u003e. \"\u003ctitle\u003eCatalogue thématique des oeuvres de Jean-Baptiste, John et Jacques Loeillet\u003c/title\u003e,\"\u003ctitle\u003eRevue belge de musicologie\u003c/title\u003e,\u003cimprint\u003e6 (\u003cdate\u003e1952\u003c/date\u003e)\u003c/imprint\u003e, pp. 219-274.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series A/I. Einzeldrucke vor 1801\u003c/title\u003e.\u003cimprint\u003eEdited by Karl-Heinz Schlager. 10 vols.\u003cgeogname\u003eKassel\u003c/geogname\u003e:\u003cpublisher\u003eBärenreiter\u003c/publisher\u003e,\u003cdate\u003e1971-1981\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eRISM B/II\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"RISM-B-II\"\u003e\n                           \u003ctitle\u003eRépertoire international des sources musicales, series B, volume 2. Recueils imprimées\u003c/title\u003e.\u003cimprint\u003eEdited by François Lesure.\u003cgeogname\u003eMunich\u003c/geogname\u003e:\u003cpublisher\u003eG. Henle\u003c/publisher\u003e,\u003cdate\u003e1964\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by John Walsh, During the Years 1695-1720\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1948\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith/Handel\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Handel\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e.\u003ctitle\u003eHandel: A Descriptive Catalogue of the Early Editions\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eBarnes \u0026amp; Noble\u003c/publisher\u003e,\u003cdate\u003e1970\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eSmith-Humphries\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Smith-Humphries\"\u003e\n                           \u003cpersname\u003eSmith, William Charles\u003c/persname\u003e, and\u003cpersname\u003eCharles Humphries\u003c/persname\u003e.\u003ctitle\u003eA Bibliography of the Musical Works Published by the Firm of John Walsh During the Years 1721-1766\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eThe Bibliographical Society\u003c/publisher\u003e,\u003cdate\u003e1968\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Terry\"\u003e\n                           \u003cpersname\u003eTerry, Charles Sanford\u003c/persname\u003e.\u003ctitle\u003eJohn Christian Bach\u003c/title\u003e.\u003cimprint\u003e2nd edition.\u003cgeogname\u003eLondon\u003c/geogname\u003e:\u003cpublisher\u003eOxford University Press\u003c/publisher\u003e,\u003cdate\u003e1967\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Vairasse\"\u003e\n                           \u003cpersname\u003eVairasse, Denis\u003c/persname\u003e.\u003ctitle\u003eHistoire des Sevarambes\u003c/title\u003e.\u003cimprint\u003eNouvelle édition.\u003cgeogname\u003eAmsterdam\u003c/geogname\u003e:\u003cpublisher\u003eEstienne Roger\u003c/publisher\u003e,\u003cdate\u003e1716\u003c/date\u003e\n                           \u003c/imprint\u003e. Vol. 2, pp. 291-348: \"\u003ctitle\u003eCatalogue d'un asortiment general de musique, qui se vend à Amsterdam par Estienne Roger\u003c/title\u003e\".\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003e\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Wotquenne\"\u003e\n                           \u003cpersname\u003eWotquenne, Alfred\u003c/persname\u003e.\u003ctitle\u003eCatalogue thématique des œuvres de Chr. W. v. Gluck\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eLeipzig\u003c/geogname\u003e:\u003cpublisher\u003eBreitkopf \u0026amp; Härtel\u003c/publisher\u003e,\u003cdate\u003e1904\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Purcell]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Purcell\"\u003e\n                           \u003cpersname\u003eZimmerman, Franklin B.\u003c/persname\u003e\n                           \u003ctitle\u003eHenry Purcell, 1659-1695: An Analytical Catalogue of His Music\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eNew York\u003c/geogname\u003e:\u003cpublisher\u003eSt. Martin's Press\u003c/publisher\u003e,\u003cdate\u003e1963\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n                  \u003crow\u003e\n                     \u003centry\u003eZ. [Pugnani]\u003c/entry\u003e\n                     \u003centry\u003e\n                        \u003cbibref id=\"Z-Pugnani\"\u003e\n                           \u003cpersname\u003eZschinsky-Troxler, Elisabeth\u003c/persname\u003e.\u003ctitle\u003eGaetano Pugnani, 1731-1798: ein Beitrag zur Stilerfassung italienischer Vorklassik\u003c/title\u003e.\u003cimprint\u003e\n                              \u003cgeogname\u003eBerlin\u003c/geogname\u003e:\u003cpublisher\u003eAtlantis\u003c/publisher\u003e,\u003cdate\u003e1939\u003c/date\u003e\n                           \u003c/imprint\u003e.\u003c/bibref\u003e\n                     \u003c/entry\u003e\n                  \u003c/row\u003e\n               \u003c/tbody\u003e\n            \u003c/tgroup\u003e\n         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