{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Video+recordings\u0026f%5Bdate_range%5D%5B%5D=2010","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Video+recordings\u0026f%5Bdate_range%5D%5B%5D=2010\u0026page=2","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Video+recordings\u0026f%5Bdate_range%5D%5B%5D=2010\u0026page=2"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":11,"first_page?":true,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_416","type":"collection","attributes":{"title":"Arena Stage records","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#creator","type":"document_value","attributes":{"value":"Arena Stage (Organization : Washington, D.C.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#abstract_or_scope","type":"document_value","attributes":{"value":"The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416"}},{"id":"vifgm_repositories_2_resources_520","type":"collection","attributes":{"title":"C-SPAN records","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_520#creator","type":"document_value","attributes":{"value":"C-SPAN Corporation","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_520#abstract_or_scope","type":"document_value","attributes":{"value":"The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_520#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_520","ead_ssi":"vifgm_repositories_2_resources_520","_root_":"vifgm_repositories_2_resources_520","_nest_parent_":"vifgm_repositories_2_resources_520","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_520.xml","title_ssm":["C-SPAN records"],"title_tesim":["C-SPAN records"],"unitdate_ssm":["1978-2012","1809-2012"],"unitdate_bulk_ssim":["1978-2012"],"unitdate_inclusive_ssm":["1809-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0270","/repositories/2/resources/520"],"text":["C0270","/repositories/2/resources/520","C-SPAN records","United States -- Politics and government","Washington (D.C.)","Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings","There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","There are no other access restrictions.","Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the  , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed ","Series Series 1: Press Clippings, 1978-2012 (Boxes 1-51) Series 2: Routers, 1984-1996 (Boxes 51-60) Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61) Series 4: Press Releases, 1985-2002 (Boxes 61-75) Series 5: Green Room Faxes, 1994 (Boxes 75-91) Series 6: Viewer Mail, 1994-2004 (Boxes 91-145) Series 7: Education and Marketing, 1989-2009 (Boxes 145-229) Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402) Series 9: Photographs, 1978-2008 (Boxes 403-444) Series 10: Audiovisual, 1980s-2012 (Boxes 445-452) Series 11: Memorabilia, 1980s-2012 (Boxes 453-456) Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)","","","C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\""," With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms."," C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.","The Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material.","Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.","George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the  Booknotes  television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  . Purdue University houses the C-SPAN Video Library. More information is available on the  .","The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series."," Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news."," Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour."," Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included."," Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\""," Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb."," Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials."," Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming."," Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents."," Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time."," Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others."," Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more."," Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","Includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","This series includes multiple press clip routers from a variety of sources and newspapers for both Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus 1994-1995 tour.","This series includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","This series includes Press Releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","This series includes faxes from C-SPAN viewers that were sent to the C-SPAN Green Room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","This series includes viewer mail responding to multiple events and topics related to C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and Brian Lamb directly. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and court documents.","This series includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","This series includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, Floppy Disks, Cassette Tapes, CDs, and DVDs, among others.","This series includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","This series includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, framed pictures, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information.","The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","Map Case 19.1-19.3, 31.1","George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859","English"],"unitid_tesim":["C0270","/repositories/2/resources/520"],"normalized_title_ssm":["C-SPAN records"],"collection_title_tesim":["C-SPAN records"],"collection_ssim":["C-SPAN records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Politics and government","Washington (D.C.)"],"geogname_ssim":["United States -- Politics and government","Washington (D.C.)"],"creator_ssm":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_ssim":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne"],"creator_corpname_ssim":["C-SPAN Corporation"],"creators_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","C-SPAN Corporation"],"places_ssim":["United States -- Politics and government","Washington (D.C.)"],"access_terms_ssm":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information."],"acqinfo_ssim":["Donated by the C-SPAN Corporation in 2011."],"access_subjects_ssim":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"access_subjects_ssm":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["200.0 linear feet 471 boxes"],"extent_tesim":["200.0 linear feet 471 boxes"],"genreform_ssim":["Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e\n","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eKelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the \u003cextptr show=\"new\" title=\"C-SPAN Portal\" href=\"https://cspancollections.gmu.edu/s/Home/page/Home\"\u003e\u003c/extptr\u003e, a broader site which groups material from a variety of other C-SPAN projects, and can be accessed \u003cextptr show=\"new\" title=\"here.\" href=\"https://cspancollections.gmu.edu/s/CSPANRecords/page/c-span-records\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the  , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed "],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Press Clippings, 1978-2012 (Boxes 1-51)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Routers, 1984-1996 (Boxes 51-60)\u003c/item\u003e\n      \u003citem\u003eSeries 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Press Releases, 1985-2002 (Boxes 61-75)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Green Room Faxes, 1994 (Boxes 75-91)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Viewer Mail, 1994-2004 (Boxes 91-145)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Education and Marketing, 1989-2009 (Boxes 145-229)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Photographs, 1978-2008 (Boxes 403-444)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Audiovisual, 1980s-2012 (Boxes 445-452)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Memorabilia, 1980s-2012 (Boxes 453-456)\u003c/item\u003e\n      \u003citem\u003eSeries 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series Series 1: Press Clippings, 1978-2012 (Boxes 1-51) Series 2: Routers, 1984-1996 (Boxes 51-60) Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61) Series 4: Press Releases, 1985-2002 (Boxes 61-75) Series 5: Green Room Faxes, 1994 (Boxes 75-91) Series 6: Viewer Mail, 1994-2004 (Boxes 91-145) Series 7: Education and Marketing, 1989-2009 (Boxes 145-229) Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402) Series 9: Photographs, 1978-2008 (Boxes 403-444) Series 10: Audiovisual, 1980s-2012 (Boxes 445-452) Series 11: Memorabilia, 1980s-2012 (Boxes 453-456) Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.c-span.org/\" title=\"C-SPAN.org\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr href=\"https://www.cla.purdue.edu/communication/about/lamb.html%20\" title=\"Purdue.edu\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["",""],"bioghist_html_tesm":["\u003cp\u003eC-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"\u003c/p\u003e\n","\u003cp\u003e With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.\u003c/p\u003e\n","\u003cp\u003e C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\""," With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms."," C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eC-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eJordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.\u003c/p\u003e","\u003cp\u003eThrough financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.\u003c/p\u003e","\u003cp\u003eAmanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.\u003c/p\u003e","\u003cp\u003eProcessing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \u003citalic\u003eBooknotes\u003c/italic\u003e television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the \u003cextptr href=\"https://cspancollections.gmu.edu/s/Booknotes/page/Booknotes\" title=\"Booknotes collection website\" show=\"new\"\u003e\u003c/extptr\u003e. Purdue University houses the C-SPAN Video Library. More information is available on the \u003cextptr href=\"https://www.prf.org/researchpark/companies/c-companies/C-SPAN%20Archives.html\" title=\"Purdue website\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the  Booknotes  television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  . Purdue University houses the C-SPAN Video Library. More information is available on the  ."],"scopecontent_html_tesm":["\u003cp\u003eThe C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.\u003c/p\u003e\n","\u003cp\u003e Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e\n","\u003cp\u003e Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.\u003c/p\u003e\n","\u003cp\u003e Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e\n","\u003cp\u003e Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e\n","\u003cp\u003e Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.\u003c/p\u003e\n","\u003cp\u003e Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.\u003c/p\u003e\n","\u003cp\u003e Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e\n","\u003cp\u003e Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.\u003c/p\u003e\n","\u003cp\u003e Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e\n","\u003cp\u003e Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.\u003c/p\u003e\n","\u003cp\u003e Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e\n","\u003cp\u003e Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e","\u003cp\u003eIncludes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e","\u003cp\u003eThis series includes multiple press clip routers from a variety of sources and newspapers for both Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus 1994-1995 tour.\u003c/p\u003e","\u003cp\u003eThis series includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e","\u003cp\u003eThis series includes Press Releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e","\u003cp\u003eThis series includes faxes from C-SPAN viewers that were sent to the C-SPAN Green Room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e","\u003cp\u003eThis series includes viewer mail responding to multiple events and topics related to C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and Brian Lamb directly. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e","\u003cp\u003eEducation and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e","\u003cp\u003eExecutive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and court documents.\u003c/p\u003e","\u003cp\u003eThis series includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e","\u003cp\u003eThis series includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, Floppy Disks, Cassette Tapes, CDs, and DVDs, among others.\u003c/p\u003e","\u003cp\u003eThis series includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e","\u003cp\u003eThis series includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, framed pictures, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series."," Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news."," Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour."," Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included."," Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\""," Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb."," Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials."," Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming."," Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents."," Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time."," Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others."," Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more."," Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","Includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","This series includes multiple press clip routers from a variety of sources and newspapers for both Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus 1994-1995 tour.","This series includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","This series includes Press Releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","This series includes faxes from C-SPAN viewers that were sent to the C-SPAN Green Room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","This series includes viewer mail responding to multiple events and topics related to C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and Brian Lamb directly. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and court documents.","This series includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","This series includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, Floppy Disks, Cassette Tapes, CDs, and DVDs, among others.","This series includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","This series includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, framed pictures, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.\u003c/abstract\u003e"],"abstract_tesim":["The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6e98eea71e7aaf27fbc13ed54ff06f7a\"\u003eMap Case 19.1-19.3, 31.1\u003c/physloc\u003e"],"physloc_tesim":["Map Case 19.1-19.3, 31.1"],"names_coll_ssim":["United States. Congress","United States. Congress. House","United States. Congress. Senate","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:17:21.217Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_520","ead_ssi":"vifgm_repositories_2_resources_520","_root_":"vifgm_repositories_2_resources_520","_nest_parent_":"vifgm_repositories_2_resources_520","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_520.xml","title_ssm":["C-SPAN records"],"title_tesim":["C-SPAN records"],"unitdate_ssm":["1978-2012","1809-2012"],"unitdate_bulk_ssim":["1978-2012"],"unitdate_inclusive_ssm":["1809-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0270","/repositories/2/resources/520"],"text":["C0270","/repositories/2/resources/520","C-SPAN records","United States -- Politics and government","Washington (D.C.)","Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings","There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","There are no other access restrictions.","Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the  , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed ","Series Series 1: Press Clippings, 1978-2012 (Boxes 1-51) Series 2: Routers, 1984-1996 (Boxes 51-60) Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61) Series 4: Press Releases, 1985-2002 (Boxes 61-75) Series 5: Green Room Faxes, 1994 (Boxes 75-91) Series 6: Viewer Mail, 1994-2004 (Boxes 91-145) Series 7: Education and Marketing, 1989-2009 (Boxes 145-229) Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402) Series 9: Photographs, 1978-2008 (Boxes 403-444) Series 10: Audiovisual, 1980s-2012 (Boxes 445-452) Series 11: Memorabilia, 1980s-2012 (Boxes 453-456) Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)","","","C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\""," With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms."," C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.","The Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material.","Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.","George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the  Booknotes  television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  . Purdue University houses the C-SPAN Video Library. More information is available on the  .","The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series."," Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news."," Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour."," Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included."," Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\""," Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb."," Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials."," Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming."," Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents."," Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time."," Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others."," Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more."," Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","Includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","This series includes multiple press clip routers from a variety of sources and newspapers for both Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus 1994-1995 tour.","This series includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","This series includes Press Releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","This series includes faxes from C-SPAN viewers that were sent to the C-SPAN Green Room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","This series includes viewer mail responding to multiple events and topics related to C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and Brian Lamb directly. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and court documents.","This series includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","This series includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, Floppy Disks, Cassette Tapes, CDs, and DVDs, among others.","This series includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","This series includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, framed pictures, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information.","The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.","Map Case 19.1-19.3, 31.1","George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859","English"],"unitid_tesim":["C0270","/repositories/2/resources/520"],"normalized_title_ssm":["C-SPAN records"],"collection_title_tesim":["C-SPAN records"],"collection_ssim":["C-SPAN records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Politics and government","Washington (D.C.)"],"geogname_ssim":["United States -- Politics and government","Washington (D.C.)"],"creator_ssm":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_ssim":["C-SPAN Corporation","Lamb, Brian, 1941-","Long, Lea Anne"],"creator_persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne"],"creator_corpname_ssim":["C-SPAN Corporation"],"creators_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","C-SPAN Corporation"],"places_ssim":["United States -- Politics and government","Washington (D.C.)"],"access_terms_ssm":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information."],"acqinfo_ssim":["Donated by the C-SPAN Corporation in 2011."],"access_subjects_ssim":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"access_subjects_ssm":["Advertisements","Broadcast journalism","Broadcasting","C-SPAN (Television network)","Cable television","Direct broadcast satellite television","Education, Elementary","Educators","Journalism -- United States","Lincoln-Douglas Debates, Ill., 1858","Political campaigns -- United States","Politics","Presidents -- Election","Presidents -- United States","Press","Public affairs television programs","Television","Television and children","Television programs -- United States","Television viewers","Television viewers -- United States","Television -- United States","Slides (Photography)","Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["200.0 linear feet 471 boxes"],"extent_tesim":["200.0 linear feet 471 boxes"],"genreform_ssim":["Correspondence","Memorabilia","Negatives","Newspapers","Photographs","Sound recordings","Video recordings"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e\n","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions on educational and/or personal use for Series 1-4 and 7-12. Reproductions of items in Series 5: Green Room Faxes and Series 6: Viewer Mail may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eKelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the \u003cextptr show=\"new\" title=\"C-SPAN Portal\" href=\"https://cspancollections.gmu.edu/s/Home/page/Home\"\u003e\u003c/extptr\u003e, a broader site which groups material from a variety of other C-SPAN projects, and can be accessed \u003cextptr show=\"new\" title=\"here.\" href=\"https://cspancollections.gmu.edu/s/CSPANRecords/page/c-span-records\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Kelsey Kim was hired as the C-SPAN Project Archivist in October 2018, with the charge to digitize a portion of the C-SPAN records and build a website using Omeka S to showcase the digitized material. Kim began with a collection assessment of each series' research value and potential complexities. She presented a full digitization plan to C-SPAN executives in early 2019 and undertook the digitization of three main series: photographs, viewer mail, and press releases. Guidelines and documentation were then created for gathering the needed metadata, preparing the materials for imaging, performing the digitization, and post-processing the material. The digitization of the material was completed in late 2020. In 2021, Kim completed processing the digital files and uploaded them Omeka S platform in 2021. She then constructed a website for the C-SPAN Records which had been digitized and added contextual information about the project and the organization. This site was completed in 2022.  This website became part of the  , a broader site which groups material from a variety of other C-SPAN projects, and can be accessed "],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Press Clippings, 1978-2012 (Boxes 1-51)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Routers, 1984-1996 (Boxes 51-60)\u003c/item\u003e\n      \u003citem\u003eSeries 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Press Releases, 1985-2002 (Boxes 61-75)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Green Room Faxes, 1994 (Boxes 75-91)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Viewer Mail, 1994-2004 (Boxes 91-145)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Education and Marketing, 1989-2009 (Boxes 145-229)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Photographs, 1978-2008 (Boxes 403-444)\u003c/item\u003e\n      \u003citem\u003eSeries 10: Audiovisual, 1980s-2012 (Boxes 445-452)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Memorabilia, 1980s-2012 (Boxes 453-456)\u003c/item\u003e\n      \u003citem\u003eSeries 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series Series 1: Press Clippings, 1978-2012 (Boxes 1-51) Series 2: Routers, 1984-1996 (Boxes 51-60) Series 3: C-SPAN Bus Clippings, 1993-1994 (Boxes 60-61) Series 4: Press Releases, 1985-2002 (Boxes 61-75) Series 5: Green Room Faxes, 1994 (Boxes 75-91) Series 6: Viewer Mail, 1994-2004 (Boxes 91-145) Series 7: Education and Marketing, 1989-2009 (Boxes 145-229) Series 8: Executive Files and Correspondence, 1976-2009 (Boxes 229-402) Series 9: Photographs, 1978-2008 (Boxes 403-444) Series 10: Audiovisual, 1980s-2012 (Boxes 445-452) Series 11: Memorabilia, 1980s-2012 (Boxes 453-456) Series 12: Miscellaneous, 1809-2012 (Boxes 457-470, Map Cases 5.2 - 5.5)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.c-span.org/\" title=\"C-SPAN.org\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextptr href=\"https://www.cla.purdue.edu/communication/about/lamb.html%20\" title=\"Purdue.edu\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["",""],"bioghist_html_tesm":["\u003cp\u003eC-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\"\u003c/p\u003e\n","\u003cp\u003e With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms.\u003c/p\u003e\n","\u003cp\u003e C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["C-SPAN (Cable-Satellite Public Affairs Network), created by the American Cable Television Industry, was founded in 1979 by Brian Lamb with the aim of televising sessions of the U.S. Congress, and offering broader access and coverage of public affairs events. C-SPAN's exact mission statements are as follows: \"To provide C-SPAN's audience access to the live gavel-to-gavel proceedings of the U.S. House of Representatives and the U.S. Senate, and to other forums where public policy is discussed, debated and decided-all without editing, commentary or analysis and with a balanced presentation of points of view; To provide elected and appointed officials and others who would influence public policy a direct conduit to the audience without filtering or otherwise distorting their points of view; To provide the audience, through the call-in program, direct access to elected officials, other decision makers and journalists on a frequent and open basis; To employ production values that accurately convey the business of government rather than distract from it; and To conduct all other aspects of its operations consistent with these principles.\""," With an original concentration on congressional sessions, C-SPAN quickly expanded into a 24-hour network by 1982, and added call-in programs and other, non-congressional public affairs/events to its schedule. In 1986, the network expanded even more, developing the C-SPAN2 channel, which covered gavel-to-gavel Senate debates. By 2001, C-SPAN3 had launched in order to maintain full coverage of congressional sessions, as well as other original C-SPAN programming such as American History TV, The Communicators, Newsmakers, and Washington Journal. In addition to covering the U.S. Congress, C-SPAN has also covered the Executive branch of the U.S. government, including daily briefings from the White House, as well as events such as the Democratic and Republican National Conventions, and Presidential debates. One of C-SPAN's most successful endeavors was the creation of the C-SPAN Bus in 1993, which serves as a mobile production studio and learning center that visits hundreds of communities per year. The Bus, which is still being utilized, aims to engage with students, teachers, viewers, and elected officials and teach them about C-SPAN's operations. The Bus has enabled many successful educational endeavors for the network, including the Alexis de Tocqueville tour, which began in May 1997. The same year, C-SPAN expanded further with the addition of C-SPAN Radio, available in the Washington DC Metro area and nationally on satellite radio. Despite repeated efforts to do so over the past two decades, C-SPAN does not cover the U.S. Supreme Court in live TV or radio broadcast formats. C-SPAN and its sister channels enjoy strong ratings. Around the late 1980s through the early 1990s, die-hard C-SPAN watchers became known as \"C-SPAN Junkies\" for their dedicated viewing of and interaction with the C-SPAN network. C-SPAN maintains a consistent and large viewer base. In 2017 alone, over 70 million viewers from a wide range of backgrounds and political persuasions have accessed C-SPAN across their various platforms."," C-SPAN's founder, Brian Lamb, was an integral part of the development of the network. Lamb was a White House telecommunications policy staffer and Washington bureau chief for Cablevision magazine prior to creating C-SPAN, and brought valuable experience and insight to the job. Lamb is renowned for his many interviews and interviewing style, which was evident from the early days of the C-SPAN daily call in. Lamb's interviewing style was highlighted on his show \"Booknotes\" (1989-2004) where he interviewed 801 authors of mostly non-fiction books, making the show the longest-running author interview program in broadcast history. The success of \"Booknotes\" led to the creation of \"Book TV\" in 1998, a 48-hour weekend programming block dedicated to covering nonfiction books. After thirty-three years of service to the network, Lamb retired as CEO of C-SPAN in 2012, but remains its executive chairman. Lamb was succeeded by Susan Swain and Rob Kennedy as co-CEOs. Lamb's longtime secretary Lea Anne Long also contributed to C-SPAN's functions, planning events and his complicated and numerous travel itineraries. Lamb currently hosts the show \"Q and A\" on C-SPAN, which \"highlights today's most compelling thinkers in politics, media, education, and science,\" and has been running since 2004. Lamb's strong and singular legacy on C-SPAN continues to this day. Lamb was awarded the National Humanities Medal in 2002 and the Presidential Medal of Freedom in 2007 for his extensive work in broadcasting over the years."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play obsolete audiovisual formats present in this collection. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eC-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["C-SPAN records, C0270, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eJordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.\u003c/p\u003e","\u003cp\u003eThrough financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.\u003c/p\u003e","\u003cp\u003eAmanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.\u003c/p\u003e","\u003cp\u003eProcessing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Jordan Patty, Former Manuscripts and Archives Librarian at George Mason University's Special Collections Research Center, began working at the C-SPAN offices in November 2013 to begin processing the C-SPAN records. Mr. Patty established processing and storage space, and moved boxes and files to accommodate metal shelving and tables for the work to be done. The early part of 2014 was spent shifting, reboxing, and clearing space for the shelves that were installed specifically for the project. The shelving installation was completed in early April 2014, which allowed for the first shipment of boxes from C-SPAN's offsite storage facility. Based on this first shipment of offsite boxes, a project strategy was developed. Mr. Patty completed processing of the Press Clippings series in December 2014 and the Press Releases in February 2015, when he began working onsite at C-SPAN two days each week. He finished processing the Viewer Mail and Education and Marketing series in 2015, and he continued with the Executive Files in Correspondence series in 2016.","Through financial support from C-SPAN, former C-SPAN employee Maura Pierce was hired by the University Libraries as Processing Assistant for the collection. Ms. Pierce began working on the project in January 2014, assisting with initial reorganization in preparation for shelving installation and processing of the press clippings and photograph collection. Based on Ms. Pierce's analysis, the total number of boxes from the photograph collection that were transferred to Mason was approximately half of the original estimate. She completed processing photograph albums pertaining to the Booknotes program in May 2015. Ms. Pierce also completed an inventory for additional photograph albums.","Amanda Menjivar was hired as the C-SPAN Project Archivist in March 2017. She re-assessed the already processed part of the collection (over 110 linear feet), processed the outstanding part (over 90 linear feet), and brought the two pieces into one whole collection. Ms. Brent spent the initial time in the process gaining intellectual control over the collection, including re-inventorying, and inventorying materials that had already been arranged. She then began inventorying the unarranged materials, such as the majority of the Executive Files and Correspondence collection. Based on this work, she organized the collection into twelve series.","Processing done by Jordan Patty and Maura Pierce completed in 2016; processing completed by Amanda Menjivar in 2017. EAD markup completed by Amanda Menjivar in 2017. Finding aid updated by Amanda Menjivar in November 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eGeorge Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the \u003citalic\u003eBooknotes\u003c/italic\u003e television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the \u003cextptr href=\"https://cspancollections.gmu.edu/s/Booknotes/page/Booknotes\" title=\"Booknotes collection website\" show=\"new\"\u003e\u003c/extptr\u003e. Purdue University houses the C-SPAN Video Library. More information is available on the \u003cextptr href=\"https://www.prf.org/researchpark/companies/c-companies/C-SPAN%20Archives.html\" title=\"Purdue website\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["George Mason University also houses the Booknotes collection, which contains 801 nonfiction books used on the  Booknotes  television series, hosted by Brian Lamb. Scanned images of Brian Lamb's own \"book notes\" are available online. More information is available on the  . Purdue University houses the C-SPAN Video Library. More information is available on the  ."],"scopecontent_html_tesm":["\u003cp\u003eThe C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series.\u003c/p\u003e\n","\u003cp\u003e Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e\n","\u003cp\u003e Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour.\u003c/p\u003e\n","\u003cp\u003e Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e\n","\u003cp\u003e Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e\n","\u003cp\u003e Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb.\u003c/p\u003e\n","\u003cp\u003e Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials.\u003c/p\u003e\n","\u003cp\u003e Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e\n","\u003cp\u003e Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents.\u003c/p\u003e\n","\u003cp\u003e Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e\n","\u003cp\u003e Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others.\u003c/p\u003e\n","\u003cp\u003e Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e\n","\u003cp\u003e Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e","\u003cp\u003eIncludes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.\u003c/p\u003e","\u003cp\u003eThis series includes multiple press clip routers from a variety of sources and newspapers for both Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus 1994-1995 tour.\u003c/p\u003e","\u003cp\u003eThis series includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.\u003c/p\u003e","\u003cp\u003eThis series includes Press Releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"\u003c/p\u003e","\u003cp\u003eThis series includes faxes from C-SPAN viewers that were sent to the C-SPAN Green Room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e","\u003cp\u003eThis series includes viewer mail responding to multiple events and topics related to C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and Brian Lamb directly. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.\u003c/p\u003e","\u003cp\u003eEducation and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.\u003c/p\u003e","\u003cp\u003eExecutive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and court documents.\u003c/p\u003e","\u003cp\u003eThis series includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.\u003c/p\u003e","\u003cp\u003eThis series includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, Floppy Disks, Cassette Tapes, CDs, and DVDs, among others.\u003c/p\u003e","\u003cp\u003eThis series includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.\u003c/p\u003e","\u003cp\u003eThis series includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, framed pictures, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The C-SPAN records largely consist of correspondence, viewer mail, photographs, photographic negatives, slides, newspapers, audiovisual materials, posters, pamphlets, memorabilia, and books created between the years 1978-2012. The collection contains 12 series."," Series 1: Press Clippings (1978-2012) includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news."," Series 2: Routers (1984-1996) includes multiple press clips from a variety of sources and newspapers that were routed to Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus, 1994-1995 tour."," Series 3: C-SPAN Bus Clippings (1993-1994) includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included."," Series 4: Press Releases (1985-2002) includes press releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\""," Series 5: Green Room Faxes (1994) includes faxes from C-SPAN viewers that were sent to the C-SPAN studio green room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb."," Series 6: Viewer Mail (1994-2004) includes viewer mail responding to multiple events and topics shown on C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and responses directed to Brian Lamb. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials."," Series 7: Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming."," Series 8: Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and Time Warner Cable v. The City of New York court documents."," Series 9: Photographs (1978-2008) includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time."," Series 10: Audiovisual (1980s-2012) includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, floppy disks, cassette tapes, CDs, and DVDs, among others."," Series 11: Memorabilia (1980s-2012) includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more."," Series 12: Miscellaneous (1809-2012) includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb.","Includes press clippings related to C-SPAN and Brian Lamb from a wide variety of sources, including the Washington Post, New York Times, Newsweek, USA Today, Los Angeles Times, and multiple local-level newspapers. Topics range from international politics to the public perception of C-SPAN, as well as events such as C-SPAN's 25th Anniversary, programming, and political news.","This series includes multiple press clip routers from a variety of sources and newspapers for both Lamb and C-SPAN staff, covering topics such as presidential campaigns, the Lincoln-Douglas Debates, and the C-SPAN Bus 1994-1995 tour.","This series includes multiple press clip routers on the C-SPAN Bus from a variety of sources and newspapers for both Lamb and C-SPAN staff. The Bus's itinerary is also included.","This series includes Press Releases by and about C-SPAN's activities and endeavors, which include conferences, coverage of events, new television stations broadcasting C-SPAN, speeches, and promotions. Topics also include programming, such as \"Booknotes\" and \"Road to the White House.\"","This series includes faxes from C-SPAN viewers that were sent to the C-SPAN Green Room. These range from positive and negative responses to coverage and programming, as well as questions directed at Brian Lamb. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","This series includes viewer mail responding to multiple events and topics related to C-SPAN. Includes responses to C-SPAN programming, coverage, current events, politics, and Brian Lamb directly. Formats range widely, from handwritten to typed letters and greeting cards, to notecards and postcards, and other printed materials. Reproductions (photographs, scans, etc.) of items in this series may not be made by individual researchers. Limited reproductions can be made by SCRC staff for offsite use by researchers, but will only be made available with personally identifiable information redacted.","Education and Marketing (1989-2009) includes materials related to C-SPAN's various education and marketing campaigns. Topics include Viewer of the Week, American Writers, Campaign 2000 Educator's Conference, Alexis de Tocqueville, Lincoln-Douglas Series, and the C-SPAN School Bus. Other notable materials include original mixed-media portraits of famous authors and program transcripts of C-SPAN programming.","Executive Files and Correspondence (1976-2009) includes the majority of Lamb's personal correspondence with a number of individuals and organizations. Also includes documents related to C-SPAN's operating budget, Board Meetings and Executive Committee Meetings memoranda, press clippings, \"Booknotes\" materials and manuscripts, tour speeches, C-SPAN 2000, 20th Anniversary planning materials, and court documents.","This series includes photographs, photographic negatives, and slides of a variety of C-SPAN's functions, including coverage of the Democratic and Republican National Conventions and other public events, individuals who worked for and with C-SPAN, and Brian Lamb's activities and events he attended during that time.","This series includes a wide variey of analog audiovisual formats and content, ranging from interviews with C-SPAN's board members, press clips, and public events, to graphic design mock ups and digital photographs. Formats include VHS tapes, U-matic tapes, Floppy Disks, Cassette Tapes, CDs, and DVDs, among others.","This series includes memorabilia gathered from multiple C-SPAN functions and programs, such as the Tocqueville Tour, the Lincoln-Douglas Debates reenactment, the C-SPAN Bus, coverage of Presidential elections, in a variety of formats such as pens, pencils, pins, stickers, keychains, and many more.","This series includes miscellaneous items such as award plaques gifted to C-SPAN and Brian Lamb from a number of organizations, newspapers, C-SPAN advertisements, loose scrapbook pages, framed pictures, exhibit panels of varying sizes, C-SPAN political cartoons, and an antique newspaper from 1809 given to Brian Lamb."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use this collection in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) (https://rightsstatements.org/page/InC/1.0/?language=en). The rights-holders are Cable-Satellite Public Affairs Network and potentially others - please contact SCRC for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States.\u003c/abstract\u003e"],"abstract_tesim":["The C-SPAN records consist of materials created and collected by the C-SPAN Corporation and its founder Brian Lamb from the years 1809, 1978-2012. The materials created by C-SPAN originate from 1978-2012, with one antique newspaper from 1809 gifted to Lamb. The records document C-SPAN's functions as a broadcasting network, as well as its continuing engagement in the political and public affairs sphere of the United States."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6e98eea71e7aaf27fbc13ed54ff06f7a\"\u003eMap Case 19.1-19.3, 31.1\u003c/physloc\u003e"],"physloc_tesim":["Map Case 19.1-19.3, 31.1"],"names_coll_ssim":["United States. Congress","United States. Congress. House","United States. Congress. Senate","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate","Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","C-SPAN Corporation","United States. Congress","United States. Congress. House","United States. Congress. Senate"],"persname_ssim":["Lamb, Brian, 1941-","Long, Lea Anne","Tocqueville, Alexis de, 1805-1859"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:17:21.217Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_520"}},{"id":"viw_repositories_2_resources_1130","type":"collection","attributes":{"title":"Department of English records","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1130#creator","type":"document_value","attributes":{"value":"Deptartment of English","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1130#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection includes administrative records, publications, and other material from the Department of English at the College of William and Mary.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1130#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_1130","ead_ssi":"viw_repositories_2_resources_1130","_root_":"viw_repositories_2_resources_1130","_nest_parent_":"viw_repositories_2_resources_1130","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1130.xml","title_filing_ssi":"Department of English records","title_ssm":["Department of English records"],"title_tesim":["Department of English records"],"unitdate_ssm":["1922-2013"],"unitdate_inclusive_ssm":["1922-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 205","/repositories/2/resources/1130"],"text":["UA 205","/repositories/2/resources/1130","Department of English records","College of William and Mary--History--20th century","Screenwriting","Audiocassettes","Fliers (printed matter)","Video recordings","Newsletters","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is not yet fully arranged and described. Researchers may wish to consult with a staff member for further information in advance of using the collection.","This collection was previously part of the University Archives Publications Collection. The curriculum material was previously part of the University Archives Subject File Collection.","Box and folder list compiled by Vicky O'Brien, SCRC Staff, in April 2009. Acc. 2013.005 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in January 2013. Acc. 2013.205 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2013.","Offices of the Presidents, Office of the Provost, Dean of Arts \u0026 Sciences, and related units."," Artifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05).","This collection includes administrative records, publications, and other material from the Department of English at the College of William and Mary.","This series consist of publications and course material related to the Department of English at the College of William and Mary.","Brochure describing the Lemon Project circa 2009-2010","Invitation to reception to celebrate the renovation of Tucker Hall, November 13, 2013.","This series contains subject files and audiovisual material related to the Writing Resources Center at the College of William and Mary. Included in the records are subject files related to establishing the Freshman Seminar course at the College o fWilliam and Mary, videocassette tapes of student film projects, planning material related to the International Mercury Expo that took place on campus in April 2010, and oral history interview conducted by Sharon Zuber, Director of the Writing Resources Center, with filmmakers Albert Maysels, D.A. Pennebaker, and Charlotte Zwerin.","Contains correspondence, reports, course syllabi, and other material relating to the start of the masters program in the English department at the College of William and Mary. 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Included in the records are subject files related to establishing the Freshman Seminar course at the College o fWilliam and Mary, videocassette tapes of student film projects, planning material related to the International Mercury Expo that took place on campus in April 2010, and oral history interview conducted by Sharon Zuber, Director of the Writing Resources Center, with filmmakers Albert Maysels, D.A. Pennebaker, and Charlotte Zwerin.","Contains correspondence, reports, course syllabi, and other material relating to the start of the masters program in the English department at the College of William and Mary. 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Acc. 2013.205 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2013.","Offices of the Presidents, Office of the Provost, Dean of Arts \u0026 Sciences, and related units."," Artifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05).","This collection includes administrative records, publications, and other material from the Department of English at the College of William and Mary.","This series consist of publications and course material related to the Department of English at the College of William and Mary.","Brochure describing the Lemon Project circa 2009-2010","Invitation to reception to celebrate the renovation of Tucker Hall, November 13, 2013.","This series contains subject files and audiovisual material related to the Writing Resources Center at the College of William and Mary. Included in the records are subject files related to establishing the Freshman Seminar course at the College o fWilliam and Mary, videocassette tapes of student film projects, planning material related to the International Mercury Expo that took place on campus in April 2010, and oral history interview conducted by Sharon Zuber, Director of the Writing Resources Center, with filmmakers Albert Maysels, D.A. Pennebaker, and Charlotte Zwerin.","Contains correspondence, reports, course syllabi, and other material relating to the start of the masters program in the English department at the College of William and Mary. 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Includes annual reports, a history of the department, curriculum changes, and correspondence from the Dean of Arts and Sciences.","This series contains minutes from department meetings from 1972-1989; undergraduate curriculum review correspondence from 1969-1986; undergraduate policy committee correspondence from 1993; and correspondence realted to the William and Mary Assessment Program from 1994."],"separatedmaterial_html_tesm":["\u003cp\u003eArtifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Artifacts received with the Writing Resources Center Records (Acc. 2013.005) and transferred upon accessioning to the University Archives Artifact Collection (UA 13) include: \"Tectonic Tex\" T-shirt (UA 2013.005.01), 4jit/Forgit Films, LLC Baseball Cap (UA 2013.005.02), Quicksilver Scentific \"Got Mercury?\" T-shirt (UA 2013.005.03), International Mercury Expo T-shirt (UA 2013.005.04), 40th Anniversary Earth Day SEAC Button Pin (UA 2013.005.05)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. 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Libraries. 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DCRA works to build business and community support for the project and coordinates the efforts of individuals and groups to speak in a unified, consistent, and persistent way to express that support."],"prefercite_html_tesm":["\u003cp\u003eDulles Corridor Rail Association records, C0204, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Dulles Corridor Rail Association records, C0204, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThis collection is unprocessed.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection is unprocessed."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds many other collections on transportation and the Northern Virginia region.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds many other collections on transportation and the Northern Virginia region."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of correspondence, reports, meeting minutes, and audiovisual materials that document the effort to secure funding and support for an addition to the Washington Metropolitan Transit Authority (WMATA) rail system to service Tyson's Corner, Dulles International Airport and Loudon County in Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of correspondence, reports, meeting minutes, and audiovisual materials that document the effort to secure funding and support for an addition to the Washington Metropolitan Transit Authority (WMATA) rail system to service Tyson's Corner, Dulles International Airport and Loudon County in Virginia."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_946ca48e7c5dc8698129461dea97af56\"\u003eThe collection consists of correspondence, reports, meeting minutes, and audiovisual materials that document the effort to secure funding and support for an addition to the Washington Metropolitan Transit Authority (WMATA) rail system to service Tyson's Corner, Dulles International Airport and Loudon County in Virginia.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of correspondence, reports, meeting minutes, and audiovisual materials that document the effort to secure funding and support for an addition to the Washington Metropolitan Transit Authority (WMATA) rail system to service Tyson's Corner, Dulles International Airport and Loudon County in Virginia."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c72e3d3936e58d2826f34f98c6fc237b\"\u003eR45, C2, S3\u003c/physloc\u003e"],"physloc_tesim":["R45, C2, S3"],"names_coll_ssim":["Washington Metropolitan Area Transit Authority","Dulles International Airport","Nicoson, Patricia"],"names_ssim":["George Mason University. 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Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8729#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8729","ead_ssi":"viw_repositories_2_resources_8729","_root_":"viw_repositories_2_resources_8729","_nest_parent_":"viw_repositories_2_resources_8729","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8729.xml","title_filing_ssi":"Close, Glenn, Papers","title_ssm":["Glenn Close Papers"],"title_tesim":["Glenn Close Papers"],"unitdate_ssm":["1966-2013","1980-1995"],"unitdate_bulk_ssim":["1980-1995"],"unitdate_inclusive_ssm":["1966-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 93 C62 and Additions","/repositories/2/resources/8729"],"text":["Mss. 93 C62 and Additions","/repositories/2/resources/8729","Glenn Close Papers","Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Portions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance.","Glenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Audio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance.","Processed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013.","Papers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.","This series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.","Subjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.","Subjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.","Subjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.","Subjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.","Subjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.","Subjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.","Subjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.","Subjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.","Subjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.","Subjects include Close's role in the film Maxie.","Subjects include Close's starring role in the film Jagged Edge.","Subjects include Close's roles in Maxie, Jagged Edge, and Benefactors.","Subjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.","Including some on Fatal Attraction, in which Close co-starred with Michael Doughlas.","Subjects include Close's role in Fatal Attraction opposite Michael Douglas.","Subjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.","Subjects include Close's role in Stones for Ibarra and the 1988 Oscars.","Subjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.","Subjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.","Subjects include Dangerous Liaisons and the Oscars.","Subjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.","Subjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.","Subjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.","Subjects include Immediate Family.","Subjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.","Subjects include Close's receipt of the 1990 Hasting Pudding Award.","Subjects include Hamlet with Mel Gibson.","Subjects include Hamlet and Sarah: Plain and Tall.","Subjects include Academy Awards and Brooklyn Laundry.","Subjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.","Subjects include Soul Survivors and Meeting Venus.","Press releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.","Press releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.","Subjects include Death and the Maiden and Meeting Venus.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Subjects include the Tony Awards.","Subjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.","Subjects include Skylark and Lincoln Documentary.","Subjects include Skylark and Sunset Boulevard.","Subjects include Barnum and Len Cariou.","Subjects include Close's role as Jenny Fields in The World According to Garp.","Subjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.","Scope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.","Subjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.","Subjects include The Natural and The Real Thing.","Subjects include The Big Chill and The Natural.","Subjects include Maxie and Childhood.","Subjects include Maxie and Jagged Edge.","Subjects include Benefactors and Books on Tape.","Subjects include Fatal Attraction and Stones for Ibarra.","Subjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.","Subjects include Jagged Edge and Dangerous Liaisons.","Subjects include abortion rights march and Dangerous Liaisons.","Subjects include Immediate Family and Dangerous Liaisons.","Subjects include Hamlet and the Academy Awards.","Subjects include Stones for Ibarra.","Subjects include Hook, the Academy Awards, and Garp.","Subjects include Len Cariou, Oscars and Maxie.","Enclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.","Skylark reviews sent from Close to co-star Christopher Walken.","TV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.","Pamphlets, including some from the Emmy and Academy Awards.","Close's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.","Academy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.","Publicity, especially for the Academy Awards, for Dangerous Liaisons.","Souvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.","Photograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.","English translations of foreign newspaper articles.","Scope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Magazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.","Magazine articles on Glenn Close. Subjects include Fatal Attraction.","Magazine articles on Glenn Close. Subjects include Dangerous Liaisons.","Subjects include her home in Montana.","Subjects include a royal polo match.","Profiles of Glenn Close.","Subjects include Harvard's Harsty Pudding Awards.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Death and the Maiden.","Subjects include the 1992 Tony Awards. 3 items.","Glenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.","Two broken videotapes.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.","This series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.","Material, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.","Script of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.","Two photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.","Scope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.","Scope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.","This accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.","Contains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.","Personal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.","Personal Correspondence including letters from William \u0026 Mary President Thomas A. Graves and Mrs. Graves.","Personal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.","Includes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Includes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.","Includes letters from Joanne Woodward and Jane Smiley.","Includes a 1992 letter from Elaine May.","Letters to Glenn Close from Roy Brocksmith, American actor, director and playwright.","Letters to Annie Stark, daughter of Glenn Close and John Stark.","Items related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.","Cast and Crew lists, shooting schedule.","Materials related to poetry readings at premiere of the movie Il Postino.","2 cast photos, publicity materials.","Cast and crew lists, shooting schedules.","Partial script, publicity materials.","Newspapers","Japanese publicity","Teacher guide","Press Kits","Letters from 3rd grade class.","Letters from 3rd grade class.","Letters from 4th and 6th grade classes.","Dallas Morning News TV Magazine","Total TV magazine.","New York Times Television Guide.","Telegivion Guide.","One white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.","Broadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.","Cards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.","Los Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026 Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.","Letters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.","Background research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.","Scope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"","This series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.","Periodicals (newspapers, magazines) that cover Glenn Close's career.","A two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement.","All audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.","Artifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67).","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Glenn, Close, 1947-","English"],"unitid_tesim":["Mss. 93 C62 and Additions","/repositories/2/resources/8729"],"normalized_title_ssm":["Glenn Close Papers"],"collection_title_tesim":["Glenn Close Papers"],"collection_ssim":["Glenn Close Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Glenn, Close, 1947-"],"creator_ssim":["Glenn, Close, 1947-"],"creator_persname_ssim":["Glenn, Close, 1947-"],"creators_ssim":["Glenn, Close, 1947-"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1993.35 gift of approximately 200 items from Glenn Close on 4/30/1993; Acc. 1994.33 gift of approximately200 items from Glenn Close on 4/21/1994; Acc. 1993.67 gift of 1 item from Will Molineux on 11/15/1993; Acc. 1994.41 gift of 16 items from Nancy Marshall, Dean of Libraries on 5/26/1994; Acc. 1994.42 gift of 1 item from Spencer Timm on 5/27/1994; Acc. 1995.12 gift of 5 items from Nancy H. Marshall on 3/20/1995; and Acc. 1997.68 transfer of 2 items from University Archives on 12/11/1997. Acc. 2007.112 gift  of Maxine Spalding (through courtesy of Jenny Bledsoe). Acc. 2009.526 a compilation of material given by others. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"access_subjects_ssm":["Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["15.00 Linear Feet"],"extent_tesim":["15.00 Linear Feet"],"genreform_ssim":["Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e","\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:","Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003ePortions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Portions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance."],"bioghist_html_tesm":["\u003cp\u003eGlenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Close_Glenn\" title=\"Close Glenn\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Glenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"phystech_html_tesm":["\u003cp\u003eAudio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["Audio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance."],"prefercite_html_tesm":["\u003cp\u003eGlenn Close Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e","\u003cp\u003eGlenn Close Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Glenn Close Papers, Special Collections Research Center, Swem Library, College of William and Mary.","Glenn Close Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.\u003c/p\u003e","\u003cp\u003eThis series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.\u003c/p\u003e","\u003cp\u003eSubjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The World According to Garp with Glenn Close as Jenny Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The World According to Garp with Glenn Close as Jenny Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.\u003c/p\u003e","\u003cp\u003eSubjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.\u003c/p\u003e","\u003cp\u003eSubjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.\u003c/p\u003e","\u003cp\u003eSubjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in the film Maxie.\u003c/p\u003e","\u003cp\u003eSubjects include Close's starring role in the film Jagged Edge.\u003c/p\u003e","\u003cp\u003eSubjects include Close's roles in Maxie, Jagged Edge, and Benefactors.\u003c/p\u003e","\u003cp\u003eSubjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.\u003c/p\u003e","\u003cp\u003eIncluding some on Fatal Attraction, in which Close co-starred with Michael Doughlas.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in Fatal Attraction opposite Michael Douglas.\u003c/p\u003e","\u003cp\u003eSubjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in Stones for Ibarra and the 1988 Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Dangerous Liaisons and the Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.\u003c/p\u003e","\u003cp\u003eSubjects include Close's receipt of the 1990 Hasting Pudding Award.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet with Mel Gibson.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet and Sarah: Plain and Tall.\u003c/p\u003e","\u003cp\u003eSubjects include Academy Awards and Brooklyn Laundry.\u003c/p\u003e","\u003cp\u003eSubjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.\u003c/p\u003e","\u003cp\u003eSubjects include Soul Survivors and Meeting Venus.\u003c/p\u003e","\u003cp\u003ePress releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.\u003c/p\u003e","\u003cp\u003ePress releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Death and the Maiden and Meeting Venus.\u003c/p\u003e","\u003cp\u003eMostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.\u003c/p\u003e","\u003cp\u003eMostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.\u003c/p\u003e","\u003cp\u003eSubjects include the Tony Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.\u003c/p\u003e","\u003cp\u003eSubjects include Skylark and Lincoln Documentary.\u003c/p\u003e","\u003cp\u003eSubjects include Skylark and Sunset Boulevard.\u003c/p\u003e","\u003cp\u003eSubjects include Barnum and Len Cariou.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Jenny Fields in The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.\u003c/p\u003e","\u003cp\u003eScope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The Natural and The Real Thing.\u003c/p\u003e","\u003cp\u003eSubjects include The Big Chill and The Natural.\u003c/p\u003e","\u003cp\u003eSubjects include Maxie and Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Maxie and Jagged Edge.\u003c/p\u003e","\u003cp\u003eSubjects include Benefactors and Books on Tape.\u003c/p\u003e","\u003cp\u003eSubjects include Fatal Attraction and Stones for Ibarra.\u003c/p\u003e","\u003cp\u003eSubjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Jagged Edge and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include abortion rights march and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet and the Academy Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Stones for Ibarra.\u003c/p\u003e","\u003cp\u003eSubjects include Hook, the Academy Awards, and Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou, Oscars and Maxie.\u003c/p\u003e","\u003cp\u003eEnclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.\u003c/p\u003e","\u003cp\u003eSkylark reviews sent from Close to co-star Christopher Walken.\u003c/p\u003e","\u003cp\u003eTV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.\u003c/p\u003e","\u003cp\u003ePamphlets, including some from the Emmy and Academy Awards.\u003c/p\u003e","\u003cp\u003eClose's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.\u003c/p\u003e","\u003cp\u003eAcademy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.\u003c/p\u003e","\u003cp\u003ePublicity, especially for the Academy Awards, for Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSouvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.\u003c/p\u003e","\u003cp\u003ePhotograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.\u003c/p\u003e","\u003cp\u003eEnglish translations of foreign newspaper articles.\u003c/p\u003e","\u003cp\u003eScope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eLigacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eLigacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include Fatal Attraction.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include her home in Montana.\u003c/p\u003e","\u003cp\u003eSubjects include a royal polo match.\u003c/p\u003e","\u003cp\u003eProfiles of Glenn Close.\u003c/p\u003e","\u003cp\u003eSubjects include Harvard's Harsty Pudding Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Death and the Maiden.\u003c/p\u003e","\u003cp\u003eSubjects include the 1992 Tony Awards. 3 items.\u003c/p\u003e","\u003cp\u003eGlenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.\u003c/p\u003e","\u003cp\u003eTwo broken videotapes.\u003c/p\u003e","\u003cp\u003eScope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThis series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.\u003c/p\u003e","\u003cp\u003eMaterial, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.\u003c/p\u003e","\u003cp\u003eScript of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.\u003c/p\u003e","\u003cp\u003eTwo photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.\u003c/p\u003e","\u003cp\u003eScope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.\u003c/p\u003e","\u003cp\u003eScope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.\u003c/p\u003e","\u003cp\u003eThis accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.\u003c/p\u003e","\u003cp\u003eContains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.\u003c/p\u003e","\u003cp\u003ePersonal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.\u003c/p\u003e","\u003cp\u003ePersonal Correspondence including letters from William \u0026amp; Mary President Thomas A. Graves and Mrs. Graves.\u003c/p\u003e","\u003cp\u003ePersonal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.\u003c/p\u003e","\u003cp\u003eIncludes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003eIncludes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.\u003c/p\u003e","\u003cp\u003eIncludes letters from Joanne Woodward and Jane Smiley.\u003c/p\u003e","\u003cp\u003eIncludes a 1992 letter from Elaine May.\u003c/p\u003e","\u003cp\u003eLetters to Glenn Close from Roy Brocksmith, American actor, director and playwright.\u003c/p\u003e","\u003cp\u003eLetters to Annie Stark, daughter of Glenn Close and John Stark.\u003c/p\u003e","\u003cp\u003eItems related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.\u003c/p\u003e","\u003cp\u003eCast and Crew lists, shooting schedule.\u003c/p\u003e","\u003cp\u003eMaterials related to poetry readings at premiere of the movie Il Postino.\u003c/p\u003e","\u003cp\u003e2 cast photos, publicity materials.\u003c/p\u003e","\u003cp\u003eCast and crew lists, shooting schedules.\u003c/p\u003e","\u003cp\u003ePartial script, publicity materials.\u003c/p\u003e","\u003cp\u003eNewspapers\u003c/p\u003e","\u003cp\u003eJapanese publicity\u003c/p\u003e","\u003cp\u003eTeacher guide\u003c/p\u003e","\u003cp\u003ePress Kits\u003c/p\u003e","\u003cp\u003eLetters from 3rd grade class.\u003c/p\u003e","\u003cp\u003eLetters from 3rd grade class.\u003c/p\u003e","\u003cp\u003eLetters from 4th and 6th grade classes.\u003c/p\u003e","\u003cp\u003eDallas Morning News TV Magazine\u003c/p\u003e","\u003cp\u003eTotal TV magazine.\u003c/p\u003e","\u003cp\u003eNew York Times Television Guide.\u003c/p\u003e","\u003cp\u003eTelegivion Guide.\u003c/p\u003e","\u003cp\u003eOne white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.\u003c/p\u003e","\u003cp\u003eBroadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.\u003c/p\u003e","\u003cp\u003eCards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.\u003c/p\u003e","\u003cp\u003eLos Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026amp; Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.\u003c/p\u003e","\u003cp\u003eLetters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.\u003c/p\u003e","\u003cp\u003eBackground research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.\u003c/p\u003e","\u003cp\u003eScope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"\u003c/p\u003e","\u003cp\u003eThis series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.\u003c/p\u003e","\u003cp\u003ePeriodicals (newspapers, magazines) that cover Glenn Close's career.\u003c/p\u003e","\u003cp\u003eA two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.","This series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.","Subjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.","Subjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.","Subjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.","Subjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.","Subjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.","Subjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.","Subjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.","Subjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.","Subjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.","Subjects include Close's role in the film Maxie.","Subjects include Close's starring role in the film Jagged Edge.","Subjects include Close's roles in Maxie, Jagged Edge, and Benefactors.","Subjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.","Including some on Fatal Attraction, in which Close co-starred with Michael Doughlas.","Subjects include Close's role in Fatal Attraction opposite Michael Douglas.","Subjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.","Subjects include Close's role in Stones for Ibarra and the 1988 Oscars.","Subjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.","Subjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.","Subjects include Dangerous Liaisons and the Oscars.","Subjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.","Subjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.","Subjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.","Subjects include Immediate Family.","Subjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.","Subjects include Close's receipt of the 1990 Hasting Pudding Award.","Subjects include Hamlet with Mel Gibson.","Subjects include Hamlet and Sarah: Plain and Tall.","Subjects include Academy Awards and Brooklyn Laundry.","Subjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.","Subjects include Soul Survivors and Meeting Venus.","Press releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.","Press releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.","Subjects include Death and the Maiden and Meeting Venus.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Subjects include the Tony Awards.","Subjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.","Subjects include Skylark and Lincoln Documentary.","Subjects include Skylark and Sunset Boulevard.","Subjects include Barnum and Len Cariou.","Subjects include Close's role as Jenny Fields in The World According to Garp.","Subjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.","Scope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.","Subjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.","Subjects include The Natural and The Real Thing.","Subjects include The Big Chill and The Natural.","Subjects include Maxie and Childhood.","Subjects include Maxie and Jagged Edge.","Subjects include Benefactors and Books on Tape.","Subjects include Fatal Attraction and Stones for Ibarra.","Subjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.","Subjects include Jagged Edge and Dangerous Liaisons.","Subjects include abortion rights march and Dangerous Liaisons.","Subjects include Immediate Family and Dangerous Liaisons.","Subjects include Hamlet and the Academy Awards.","Subjects include Stones for Ibarra.","Subjects include Hook, the Academy Awards, and Garp.","Subjects include Len Cariou, Oscars and Maxie.","Enclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.","Skylark reviews sent from Close to co-star Christopher Walken.","TV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.","Pamphlets, including some from the Emmy and Academy Awards.","Close's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.","Academy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.","Publicity, especially for the Academy Awards, for Dangerous Liaisons.","Souvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.","Photograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.","English translations of foreign newspaper articles.","Scope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Magazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.","Magazine articles on Glenn Close. Subjects include Fatal Attraction.","Magazine articles on Glenn Close. Subjects include Dangerous Liaisons.","Subjects include her home in Montana.","Subjects include a royal polo match.","Profiles of Glenn Close.","Subjects include Harvard's Harsty Pudding Awards.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Death and the Maiden.","Subjects include the 1992 Tony Awards. 3 items.","Glenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.","Two broken videotapes.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.","This series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.","Material, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.","Script of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.","Two photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.","Scope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.","Scope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.","This accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.","Contains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.","Personal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.","Personal Correspondence including letters from William \u0026 Mary President Thomas A. Graves and Mrs. Graves.","Personal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.","Includes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Includes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.","Includes letters from Joanne Woodward and Jane Smiley.","Includes a 1992 letter from Elaine May.","Letters to Glenn Close from Roy Brocksmith, American actor, director and playwright.","Letters to Annie Stark, daughter of Glenn Close and John Stark.","Items related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.","Cast and Crew lists, shooting schedule.","Materials related to poetry readings at premiere of the movie Il Postino.","2 cast photos, publicity materials.","Cast and crew lists, shooting schedules.","Partial script, publicity materials.","Newspapers","Japanese publicity","Teacher guide","Press Kits","Letters from 3rd grade class.","Letters from 3rd grade class.","Letters from 4th and 6th grade classes.","Dallas Morning News TV Magazine","Total TV magazine.","New York Times Television Guide.","Telegivion Guide.","One white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.","Broadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.","Cards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.","Los Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026 Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.","Letters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.","Background research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.","Scope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"","This series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.","Periodicals (newspapers, magazines) that cover Glenn Close's career.","A two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement."],"separatedmaterial_html_tesm":["\u003cp\u003eAll audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.\u003c/p\u003e\n","\u003cp\u003eArtifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["All audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.","Artifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e","\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:","Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Glenn, Close, 1947-"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Glenn, Close, 1947-"],"language_ssim":["English"],"total_component_count_is":395,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:22:50.280Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8729","ead_ssi":"viw_repositories_2_resources_8729","_root_":"viw_repositories_2_resources_8729","_nest_parent_":"viw_repositories_2_resources_8729","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8729.xml","title_filing_ssi":"Close, Glenn, Papers","title_ssm":["Glenn Close Papers"],"title_tesim":["Glenn Close Papers"],"unitdate_ssm":["1966-2013","1980-1995"],"unitdate_bulk_ssim":["1980-1995"],"unitdate_inclusive_ssm":["1966-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 93 C62 and Additions","/repositories/2/resources/8729"],"text":["Mss. 93 C62 and Additions","/repositories/2/resources/8729","Glenn Close Papers","Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Portions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance.","Glenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Audio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance.","Processed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013.","Papers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.","This series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.","Subjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.","Subjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.","Subjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.","Subjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.","Subjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.","Subjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.","Subjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.","Subjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.","Subjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.","Subjects include Close's role in the film Maxie.","Subjects include Close's starring role in the film Jagged Edge.","Subjects include Close's roles in Maxie, Jagged Edge, and Benefactors.","Subjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.","Including some on Fatal Attraction, in which Close co-starred with Michael Doughlas.","Subjects include Close's role in Fatal Attraction opposite Michael Douglas.","Subjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.","Subjects include Close's role in Stones for Ibarra and the 1988 Oscars.","Subjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.","Subjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.","Subjects include Dangerous Liaisons and the Oscars.","Subjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.","Subjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.","Subjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.","Subjects include Immediate Family.","Subjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.","Subjects include Close's receipt of the 1990 Hasting Pudding Award.","Subjects include Hamlet with Mel Gibson.","Subjects include Hamlet and Sarah: Plain and Tall.","Subjects include Academy Awards and Brooklyn Laundry.","Subjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.","Subjects include Soul Survivors and Meeting Venus.","Press releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.","Press releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.","Subjects include Death and the Maiden and Meeting Venus.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Subjects include the Tony Awards.","Subjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.","Subjects include Skylark and Lincoln Documentary.","Subjects include Skylark and Sunset Boulevard.","Subjects include Barnum and Len Cariou.","Subjects include Close's role as Jenny Fields in The World According to Garp.","Subjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.","Scope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.","Subjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.","Subjects include The Natural and The Real Thing.","Subjects include The Big Chill and The Natural.","Subjects include Maxie and Childhood.","Subjects include Maxie and Jagged Edge.","Subjects include Benefactors and Books on Tape.","Subjects include Fatal Attraction and Stones for Ibarra.","Subjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.","Subjects include Jagged Edge and Dangerous Liaisons.","Subjects include abortion rights march and Dangerous Liaisons.","Subjects include Immediate Family and Dangerous Liaisons.","Subjects include Hamlet and the Academy Awards.","Subjects include Stones for Ibarra.","Subjects include Hook, the Academy Awards, and Garp.","Subjects include Len Cariou, Oscars and Maxie.","Enclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.","Skylark reviews sent from Close to co-star Christopher Walken.","TV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.","Pamphlets, including some from the Emmy and Academy Awards.","Close's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.","Academy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.","Publicity, especially for the Academy Awards, for Dangerous Liaisons.","Souvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.","Photograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.","English translations of foreign newspaper articles.","Scope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Magazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.","Magazine articles on Glenn Close. Subjects include Fatal Attraction.","Magazine articles on Glenn Close. Subjects include Dangerous Liaisons.","Subjects include her home in Montana.","Subjects include a royal polo match.","Profiles of Glenn Close.","Subjects include Harvard's Harsty Pudding Awards.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Death and the Maiden.","Subjects include the 1992 Tony Awards. 3 items.","Glenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.","Two broken videotapes.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.","This series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.","Material, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.","Script of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.","Two photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.","Scope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.","Scope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.","This accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.","Contains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.","Personal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.","Personal Correspondence including letters from William \u0026 Mary President Thomas A. Graves and Mrs. Graves.","Personal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.","Includes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Includes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.","Includes letters from Joanne Woodward and Jane Smiley.","Includes a 1992 letter from Elaine May.","Letters to Glenn Close from Roy Brocksmith, American actor, director and playwright.","Letters to Annie Stark, daughter of Glenn Close and John Stark.","Items related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.","Cast and Crew lists, shooting schedule.","Materials related to poetry readings at premiere of the movie Il Postino.","2 cast photos, publicity materials.","Cast and crew lists, shooting schedules.","Partial script, publicity materials.","Newspapers","Japanese publicity","Teacher guide","Press Kits","Letters from 3rd grade class.","Letters from 3rd grade class.","Letters from 4th and 6th grade classes.","Dallas Morning News TV Magazine","Total TV magazine.","New York Times Television Guide.","Telegivion Guide.","One white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.","Broadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.","Cards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.","Los Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026 Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.","Letters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.","Background research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.","Scope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"","This series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.","Periodicals (newspapers, magazines) that cover Glenn Close's career.","A two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement.","All audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.","Artifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67).","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Glenn, Close, 1947-","English"],"unitid_tesim":["Mss. 93 C62 and Additions","/repositories/2/resources/8729"],"normalized_title_ssm":["Glenn Close Papers"],"collection_title_tesim":["Glenn Close Papers"],"collection_ssim":["Glenn Close Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Glenn, Close, 1947-"],"creator_ssim":["Glenn, Close, 1947-"],"creator_persname_ssim":["Glenn, Close, 1947-"],"creators_ssim":["Glenn, Close, 1947-"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1993.35 gift of approximately 200 items from Glenn Close on 4/30/1993; Acc. 1994.33 gift of approximately200 items from Glenn Close on 4/21/1994; Acc. 1993.67 gift of 1 item from Will Molineux on 11/15/1993; Acc. 1994.41 gift of 16 items from Nancy Marshall, Dean of Libraries on 5/26/1994; Acc. 1994.42 gift of 1 item from Spencer Timm on 5/27/1994; Acc. 1995.12 gift of 5 items from Nancy H. Marshall on 3/20/1995; and Acc. 1997.68 transfer of 2 items from University Archives on 12/11/1997. Acc. 2007.112 gift  of Maxine Spalding (through courtesy of Jenny Bledsoe). Acc. 2009.526 a compilation of material given by others. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"access_subjects_ssm":["Interviews","Actresses--United States","Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["15.00 Linear Feet"],"extent_tesim":["15.00 Linear Feet"],"genreform_ssim":["Class materials","Correspondence","Invitations","Letters (correspondence)","Programs","Video recordings"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e","\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:","Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003ePortions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Portions of this collection have not yet been fully arranged and described. Researchers may wish to contact a staff member in advance."],"bioghist_html_tesm":["\u003cp\u003eGlenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Close_Glenn\" title=\"Close Glenn\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Glenn Close (born 1947) is a six-time Academy Award-nominated American film and stage actress. Close is an Emmy Award- winning TV movie actress, a three-time Tony Award-winning stage actress and has been nominated for seven Emmys and seven Golden Globes. Ms. Close attended the College of William and Mary, where she was involved in campus theatrical productions and graduated a member of Phi Beta Kappa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"phystech_html_tesm":["\u003cp\u003eAudio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["Audio and moving image formats may require reformatting before they can be accessed.  Please consult an SCRC staff member for assistance."],"prefercite_html_tesm":["\u003cp\u003eGlenn Close Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e","\u003cp\u003eGlenn Close Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Glenn Close Papers, Special Collections Research Center, Swem Library, College of William and Mary.","Glenn Close Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Daisy Hougan in 1994. Mss. 93 C62 was reboxed, but kept in the same order, using the original box and folder numbers, (and sometimes combining two b\noxes) by Anne Johnson, Special Collections Staff, in November 2009. Mss. Acc. 2010.601 was accessioned by Benjamin Bromley, Public Services Archives Specialist, in October 2010. \nAcc. 2013.195 was accessioned and minimally described by Steven Bookman, University Archives Specialist. \nAcc. 2010.601 was arranged and described by Cecile Glendening, Special Collections Staff, July through September 2013."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.\u003c/p\u003e","\u003cp\u003eThis series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.\u003c/p\u003e","\u003cp\u003eSubjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The World According to Garp with Glenn Close as Jenny Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The World According to Garp with Glenn Close as Jenny Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.\u003c/p\u003e","\u003cp\u003eSubjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.\u003c/p\u003e","\u003cp\u003eSubjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.\u003c/p\u003e","\u003cp\u003eSubjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in the film Maxie.\u003c/p\u003e","\u003cp\u003eSubjects include Close's starring role in the film Jagged Edge.\u003c/p\u003e","\u003cp\u003eSubjects include Close's roles in Maxie, Jagged Edge, and Benefactors.\u003c/p\u003e","\u003cp\u003eSubjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.\u003c/p\u003e","\u003cp\u003eIncluding some on Fatal Attraction, in which Close co-starred with Michael Doughlas.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in Fatal Attraction opposite Michael Douglas.\u003c/p\u003e","\u003cp\u003eSubjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role in Stones for Ibarra and the 1988 Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Dangerous Liaisons and the Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.\u003c/p\u003e","\u003cp\u003eSubjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.\u003c/p\u003e","\u003cp\u003eSubjects include Close's receipt of the 1990 Hasting Pudding Award.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet with Mel Gibson.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet and Sarah: Plain and Tall.\u003c/p\u003e","\u003cp\u003eSubjects include Academy Awards and Brooklyn Laundry.\u003c/p\u003e","\u003cp\u003eSubjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.\u003c/p\u003e","\u003cp\u003eSubjects include Soul Survivors and Meeting Venus.\u003c/p\u003e","\u003cp\u003ePress releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.\u003c/p\u003e","\u003cp\u003ePress releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Death and the Maiden and Meeting Venus.\u003c/p\u003e","\u003cp\u003eMostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.\u003c/p\u003e","\u003cp\u003eMostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.\u003c/p\u003e","\u003cp\u003eSubjects include the Tony Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.\u003c/p\u003e","\u003cp\u003eSubjects include Skylark and Lincoln Documentary.\u003c/p\u003e","\u003cp\u003eSubjects include Skylark and Sunset Boulevard.\u003c/p\u003e","\u003cp\u003eSubjects include Barnum and Len Cariou.\u003c/p\u003e","\u003cp\u003eSubjects include Close's role as Jenny Fields in The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.\u003c/p\u003e","\u003cp\u003eScope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.\u003c/p\u003e","\u003cp\u003eSubjects include The Natural and The Real Thing.\u003c/p\u003e","\u003cp\u003eSubjects include The Big Chill and The Natural.\u003c/p\u003e","\u003cp\u003eSubjects include Maxie and Childhood.\u003c/p\u003e","\u003cp\u003eSubjects include Maxie and Jagged Edge.\u003c/p\u003e","\u003cp\u003eSubjects include Benefactors and Books on Tape.\u003c/p\u003e","\u003cp\u003eSubjects include Fatal Attraction and Stones for Ibarra.\u003c/p\u003e","\u003cp\u003eSubjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Jagged Edge and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include abortion rights march and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Immediate Family and Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include Hamlet and the Academy Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Stones for Ibarra.\u003c/p\u003e","\u003cp\u003eSubjects include Hook, the Academy Awards, and Garp.\u003c/p\u003e","\u003cp\u003eSubjects include Len Cariou, Oscars and Maxie.\u003c/p\u003e","\u003cp\u003eEnclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.\u003c/p\u003e","\u003cp\u003eSkylark reviews sent from Close to co-star Christopher Walken.\u003c/p\u003e","\u003cp\u003eTV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.\u003c/p\u003e","\u003cp\u003ePamphlets, including some from the Emmy and Academy Awards.\u003c/p\u003e","\u003cp\u003eClose's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.\u003c/p\u003e","\u003cp\u003eAcademy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.\u003c/p\u003e","\u003cp\u003ePublicity, especially for the Academy Awards, for Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSouvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.\u003c/p\u003e","\u003cp\u003ePhotograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.\u003c/p\u003e","\u003cp\u003eEnglish translations of foreign newspaper articles.\u003c/p\u003e","\u003cp\u003eScope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eLigacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eLigacoes Perigosas articles about Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include Fatal Attraction.\u003c/p\u003e","\u003cp\u003eMagazine articles on Glenn Close. Subjects include Dangerous Liaisons.\u003c/p\u003e","\u003cp\u003eSubjects include her home in Montana.\u003c/p\u003e","\u003cp\u003eSubjects include a royal polo match.\u003c/p\u003e","\u003cp\u003eProfiles of Glenn Close.\u003c/p\u003e","\u003cp\u003eSubjects include Harvard's Harsty Pudding Awards.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Meeting Venus.\u003c/p\u003e","\u003cp\u003eSubjects include Death and the Maiden.\u003c/p\u003e","\u003cp\u003eSubjects include the 1992 Tony Awards. 3 items.\u003c/p\u003e","\u003cp\u003eGlenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.\u003c/p\u003e","\u003cp\u003eTwo broken videotapes.\u003c/p\u003e","\u003cp\u003eScope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThis series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.\u003c/p\u003e","\u003cp\u003eMaterial, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.\u003c/p\u003e","\u003cp\u003eScript of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.\u003c/p\u003e","\u003cp\u003eTwo photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.\u003c/p\u003e","\u003cp\u003eScope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.\u003c/p\u003e","\u003cp\u003eScope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.\u003c/p\u003e","\u003cp\u003eThis accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.\u003c/p\u003e","\u003cp\u003eContains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.\u003c/p\u003e","\u003cp\u003ePersonal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.\u003c/p\u003e","\u003cp\u003ePersonal Correspondence including letters from William \u0026amp; Mary President Thomas A. Graves and Mrs. Graves.\u003c/p\u003e","\u003cp\u003ePersonal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.\u003c/p\u003e","\u003cp\u003eIncludes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003ePersonal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.\u003c/p\u003e","\u003cp\u003eIncludes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.\u003c/p\u003e","\u003cp\u003eIncludes letters from Joanne Woodward and Jane Smiley.\u003c/p\u003e","\u003cp\u003eIncludes a 1992 letter from Elaine May.\u003c/p\u003e","\u003cp\u003eLetters to Glenn Close from Roy Brocksmith, American actor, director and playwright.\u003c/p\u003e","\u003cp\u003eLetters to Annie Stark, daughter of Glenn Close and John Stark.\u003c/p\u003e","\u003cp\u003eItems related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.\u003c/p\u003e","\u003cp\u003eCast and Crew lists, shooting schedule.\u003c/p\u003e","\u003cp\u003eMaterials related to poetry readings at premiere of the movie Il Postino.\u003c/p\u003e","\u003cp\u003e2 cast photos, publicity materials.\u003c/p\u003e","\u003cp\u003eCast and crew lists, shooting schedules.\u003c/p\u003e","\u003cp\u003ePartial script, publicity materials.\u003c/p\u003e","\u003cp\u003eNewspapers\u003c/p\u003e","\u003cp\u003eJapanese publicity\u003c/p\u003e","\u003cp\u003eTeacher guide\u003c/p\u003e","\u003cp\u003ePress Kits\u003c/p\u003e","\u003cp\u003eLetters from 3rd grade class.\u003c/p\u003e","\u003cp\u003eLetters from 3rd grade class.\u003c/p\u003e","\u003cp\u003eLetters from 4th and 6th grade classes.\u003c/p\u003e","\u003cp\u003eDallas Morning News TV Magazine\u003c/p\u003e","\u003cp\u003eTotal TV magazine.\u003c/p\u003e","\u003cp\u003eNew York Times Television Guide.\u003c/p\u003e","\u003cp\u003eTelegivion Guide.\u003c/p\u003e","\u003cp\u003eOne white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.\u003c/p\u003e","\u003cp\u003eBroadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.\u003c/p\u003e","\u003cp\u003eCards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.\u003c/p\u003e","\u003cp\u003eLos Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026amp; Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.\u003c/p\u003e","\u003cp\u003eLetters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.\u003c/p\u003e","\u003cp\u003eBackground research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.\u003c/p\u003e","\u003cp\u003eScope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"\u003c/p\u003e","\u003cp\u003eThis series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.\u003c/p\u003e","\u003cp\u003ePeriodicals (newspapers, magazines) that cover Glenn Close's career.\u003c/p\u003e","\u003cp\u003eA two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Glenn Close, documenting her career as an actress on Broadway, television, and in film.  Included are recorded interviews, correspondence, clippings, invitations, programs, playbills, photographs, videos, scripts, as well as materials related to her high school and college years.","This series holds the original group of material donated to Swem Library by Glenn Close numbered Mss. 93 C62. Films and other projects covered include: include Barnum, The Natural, The Big Chill, Maxie, The World According to Garp, Jagged Edge, Fatal Attraction, Reversal of Fortune, Hamlet, Sarah: Plain and Tall, Meeting Venus, Dangerous Liasons, Air Force One, Death and the Maiden, the 1992 Tony Awards, Sarah: Plain and Tall, and Skylark. Included are press clippings from newspapers and magazines, videotapes, scripts, and some correspondence.","Subjects include Len Cariou in Sweeny Todd, Glenn Close's role in Barnum, and her Tony nomination for Barnum. Includes an article from the Flat Hat.","Subjects include Lou Caiou's reading on radio of The Tin Drum, the Stratford Production of HMS Pinafore, and the opening of the Stratford Festival's 29th season.","Subjects include Len Cariou's performance as Petruchio in the Stratford Festival; Cabot Wade's production of Artie King; John Irving and The World According to Garp.","Subjects include Close's performances in Barnum, The Singular Life of Albert Nobbs, and The World According to Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include The World According to Garp with Glenn Close as Jenny Garp.","Subjects include Close's role as Jenny Garp in The World According to Garp and her casting in The Big Chill. Also included are letters from PMK, Close's publicity company.","Subjects include Something About Amelia, a made-for-tv movie on incest with Close as the mother; the Obie Awards; and The Big Chill. Also included are letters from PMK, her publicity company, dating from March 25, 1983.","Subjects include Close in Something About Amelia; Close's role in The Natural; and Close in the title role of Maxie.","Subjects include Close's dress for the Oscars; Close's performance in the title role of Joan of Arc at the Stake; and Close's participation in Childhood.","Subjects include Close in th title role of Joan of Arc at the Stake and her starring role in the play Childhood.","Subjects include Claus von Bulow; Jagged Edge, in which she starred as Teddy Barnes; and Maxi, in which Close played the title role.","Subjects include Close's role in the film Maxie.","Subjects include Close's starring role in the film Jagged Edge.","Subjects include Close's roles in Maxie, Jagged Edge, and Benefactors.","Subjects include Benefactor, and Close's casting opposite Michael Douglas in Fatal Attraction.","Including some on Fatal Attraction, in which Close co-starred with Michael Doughlas.","Subjects include Close's role in Fatal Attraction opposite Michael Douglas.","Subjects include Fatal Attraction and Stones for Ibarra a Hallmark Hall of Fame drama.","Subjects include Close's role in Stones for Ibarra and the 1988 Oscars.","Subjects include 1988 Oscars and Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons.","Subjects include Close's role as the Marquise Isabelle de Mertueuil in Dangerous Liaisons and the 1989 Oscars.","Subjects include Dangerous Liaisons and the Oscars.","Subjects include Dangerous Liaisons; Pro-choice rally; and the Oscars.","Subjects include Pro-choice rally in Washington, D.C.; Close's Beene Dress that she wore to the Academy Awards; Close's Commencement speech at William and Mary; and her role as Sunny Von Bulow.","Subjects include Close's role as Sunny von Vulow in Reversal of Fortune and her role in Immediate Family.","Subjects include Immediate Family.","Subjects include Immediate Family; New York Women in Film Luncheon; and Reversal of Fortune.","Subjects include Close's receipt of the 1990 Hasting Pudding Award.","Subjects include Hamlet with Mel Gibson.","Subjects include Hamlet and Sarah: Plain and Tall.","Subjects include Academy Awards and Brooklyn Laundry.","Subjects include Brooklyn Laundry; WIF Crystal Awards; and Hook.","Subjects include Soul Survivors and Meeting Venus.","Press releases from the San Sebastian Film Festival. Film in festival was Meeting Venus.","Press releases from the San Sebastian Film Festival and newspaper articles. Subjects include Meeting Venus.","Subjects include Death and the Maiden and Meeting Venus.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Mostly on Close's performance in Death and the Maiden with Gene Hackman and Richard Drefuss.","Subjects include the Tony Awards.","Subjects include Sondheim: Celebration at Carnegie Hall; Sarah: Plain and Tall; and Death and the Maiden.","Subjects include Skylark and Lincoln Documentary.","Subjects include Skylark and Sunset Boulevard.","Subjects include Barnum and Len Cariou.","Subjects include Close's role as Jenny Fields in The World According to Garp.","Subjects include Jagged Edge, Sarah: Plain and Tall, and Hamlet.","Scope and Contents Reviews of The World According to Garp and Dangerous Liaisons. Also, a transcript from an appearance on the \"Larry King Show\" and a script \"Faces of Change\" program on July 14, 1992.","Subjects include Len Cariou in Sweeny Todd and Glenn Close in The World According to Garp.","Subjects include The Natural and The Real Thing.","Subjects include The Big Chill and The Natural.","Subjects include Maxie and Childhood.","Subjects include Maxie and Jagged Edge.","Subjects include Benefactors and Books on Tape.","Subjects include Fatal Attraction and Stones for Ibarra.","Subjects include Stones for Ibarra, the Oscars, and Dangerous Liaisons.","Subjects include Jagged Edge and Dangerous Liaisons.","Subjects include abortion rights march and Dangerous Liaisons.","Subjects include Immediate Family and Dangerous Liaisons.","Subjects include Hamlet and the Academy Awards.","Subjects include Stones for Ibarra.","Subjects include Hook, the Academy Awards, and Garp.","Subjects include Len Cariou, Oscars and Maxie.","Enclosed: Skylark reviews and articles from PMK, Close's Public Relations Company.","Skylark reviews sent from Close to co-star Christopher Walken.","TV book covers from the Tony Awards sent to Close by PMK, her Public Relations Company.","Pamphlets, including some from the Emmy and Academy Awards.","Close's script (three ring binder) as Hostess of Saturday Night Live, December 12, 1992.","Academy Award publicity ads and other publicity for The World According to Garp, The Big Chill, Stones for Ibarra, Immediate Family, Jagged Edge, Broken Hearts, Broken Homes, Sarah: Plain and Tall, and Reversal of Fortune.","Publicity, especially for the Academy Awards, for Dangerous Liaisons.","Souvenirs from Jeremy Irons' Danny, The Champion of the World, You''re the top! benefit with Len Cariou, The Kennedy Center Honors of April, 1987, and the 42nd Golden Globe Awards; also, letters from PMK.","Photograph from Broken Hearts, Broken Homes; souvenirs from William and Mary's Tercentenary Concert Series, the Dartmouth Film Society's Tribute to Glenn Close, NY Women in film and The World According to Garp's benefit premier. Also, a play bill from the 46th Annual Antoinette Perry Awards and an article about Close.","English translations of foreign newspaper articles.","Scope and Contents Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Ligacoes Perigosas articles about Dangerous Liaisons.","Magazine articles on Glenn Close. Subjects include The World According to Garp and The Natural.","Magazine articles on Glenn Close. Subjects include Fatal Attraction.","Magazine articles on Glenn Close. Subjects include Dangerous Liaisons.","Subjects include her home in Montana.","Subjects include a royal polo match.","Profiles of Glenn Close.","Subjects include Harvard's Harsty Pudding Awards.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Meeting Venus.","Subjects include Death and the Maiden.","Subjects include the 1992 Tony Awards. 3 items.","Glenn Close to Gillian T. Cell, Provost of William and Mary, regarding College's dance program and reply of  October 21, 1994. Originals in Provost's papers.","Two broken videotapes.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist with a group before entering the College of William and Mary.","This series contains publicity material about The Paper and Sunset Boulevard as well as miscellaneous publicity on Glenn Close.","Material, chiefly 1993, relating to Glenn Close's starring role in Sunset Boulevard, including a mug, program, and publicity for the Los Angeles performance. The mug is also listed in the Artifact Collection.","Script of The House of Spirits autographed by Glenn Close and other members of the cast and writers including:  Isabel Allende, Bille August, Antonio Banderas, Miriam Colon, Fran Fullenwider, Vincent Gallo, Jeremy Irons, Armin Mueller-Stahl, Teri Polo, Vanessa Redgrave, Winona Ryder, and Meryl Streep.","Two photographs of Glenn Close and William and Mary President Timothy J. Sullivan at a performance of Sunset Boulevard, New York City, December 11,1994.  Three photographs of Glenn Close as Norma Desmond, Alice Ripley as Betty Schaefer, and Alan Campbell as Joe Gillis.","Scope and Contents Two records (33-1/3 rpm) of original cast recording of \"The Real Thing\" by Tom Sheppard, directed by Mike Nichols, starring Jeremy Irons and Glenn Close. Includes note, 31 May 1985, from Glenn Close to Howard Scammon.","Scope and Contents Program of Broadway play, \"Sunset Boulevard\" starring Glenn Close.","This accession contains programs as well as newspaper articles and magazines with articles mostly about  Glenn Close.","Contains papers, 1965-2002, of Glenn Close including: notebooks from classes she took at the College of William and Mary; correspondence with friends, professional acquaintances, and fans; publicity materials relating to various film projects; newspaper and magazine clippings related to her movies and plays; and audiovisual materials.","Personal and professional correspondence received by Glenn Close. Includes telegrams, congratulatory notes, letters and cards from friends, actors, directors, and writers, also letters and cards from family members.","Personal Correspondence including letters from William \u0026 Mary President Thomas A. Graves and Mrs. Graves.","Personal Correspondence including letter from Gloria Steinham on Ms. letterhead, letter from Swoosie Kurtz, telegram from Tom Cruise and Mimi Rogers.","Includes letters from Hume Cronyn, Kirk Douglas, John Lithgow, and Walter Farley.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Personal correspondence including letters and cards from Whoopi Goldberg, Hume Cronyn (with photos), Barbara Walters, Jeremy Irons, Wendy Wasserstein, Gene Shalit, Lawrence Kasdan, William Hurt, Thomas A. Graves.","Includes letters from Kitty Carlisle Hart, Lawrence Kasdan, Tracey Ullman, and Better MIdler.","Includes letters from Joanne Woodward and Jane Smiley.","Includes a 1992 letter from Elaine May.","Letters to Glenn Close from Roy Brocksmith, American actor, director and playwright.","Letters to Annie Stark, daughter of Glenn Close and John Stark.","Items related to film, television and theater projects of Glenn Close. Includes press clippings, publicity materials, production materials and programs.","Cast and Crew lists, shooting schedule.","Materials related to poetry readings at premiere of the movie Il Postino.","2 cast photos, publicity materials.","Cast and crew lists, shooting schedules.","Partial script, publicity materials.","Newspapers","Japanese publicity","Teacher guide","Press Kits","Letters from 3rd grade class.","Letters from 3rd grade class.","Letters from 4th and 6th grade classes.","Dallas Morning News TV Magazine","Total TV magazine.","New York Times Television Guide.","Telegivion Guide.","One white binder with information on all the nominees and winners of the Academy Award from 1927 through 1986. The binder includes tabs for each category receiving an Oscar.","Broadway theater program, associated envelope containing sketches of cast members and other materials, possible gift to cast.","Cards and notes from cast members and other actors including Shirley MacLaine, Kim Basinger, Hume Cronyn, Jessica Tandy, and Mike Nichols.","Los Angeles performance of Brooklyn Laundry, program and congratulatory notes and cards, including from Woody Harrelson, James L. Brooks, Marsha Mason, Marlo Thomas, Bruce Willis \u0026 Demi Moore, Jeffrey Katzenberg. Also includes dialect notes and directions to theater.","Letters from family, friends, fans and professional acquaintances. Fax from father W.T. Close, letters from George Roy Hill, Irving Lazar, Jane Smiley, Gregory Hines. Notepad with list of tickets left for friends and colleagues. Names include Robert F. Kennedy, Jr., Alan Alda, Geoffrey Beene, Jimmy Smits, Laura Dern, Woody Harrelson, and Judy Collins.","Background research, story treatments, scripts and financial information for proposed movie based on the 1976 Zaire Ebola epidemic.","Scope and Contents Page 16, poem titled \"Williamsburg\" is dedicated to \"G.C.\"","This series contains clippings from the Richmond Times Dispatch, July 22, 2007, about Glenn Close's role in the television series Damages; clipping from Parade Magazine, July 14, 2013, about Glenn Close's costumes being auctioned off for charity; and the August 6-12, 2007 issue of TV Guide featuring Glenn Close on the cover regarding her new television series Damages.","Periodicals (newspapers, magazines) that cover Glenn Close's career.","A two page letter from Glenn Close to Katherine Rowe. In the letter, Close expresses how humbled she feels to receive an Honorary Fellowship from William and Mary, and accepts the request to give a speech during Commencement."],"separatedmaterial_html_tesm":["\u003cp\u003eAll audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.\u003c/p\u003e\n","\u003cp\u003eArtifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["All audiovisual materials, including videocassettes, CDs, and phonograph records haven been moved to the Manuscripts Audiovisual Collection, Mss 1.04.","Artifacts were transferred to the Manuscripts Artifact Collection (Mss. 1.03) including the Pacific Northwestern Hospital Parody ID Card (Mss 2010.601.67)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e","\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:","Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Glenn, Close, 1947-"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Glenn, Close, 1947-"],"language_ssim":["English"],"total_component_count_is":395,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:22:50.280Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8729"}},{"id":"vifgm_repositories_2_resources_367","type":"collection","attributes":{"title":"James M. Buchanan papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_367#creator","type":"document_value","attributes":{"value":"Buchanan, Ann Bakke","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_367#abstract_or_scope","type":"document_value","attributes":{"value":"The James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_367#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_367","ead_ssi":"vifgm_repositories_2_resources_367","_root_":"vifgm_repositories_2_resources_367","_nest_parent_":"vifgm_repositories_2_resources_367","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_367.xml","aspace_url_ssi":"C0246","title_ssm":["James M. Buchanan papers"],"title_tesim":["James M. Buchanan papers"],"unitdate_ssm":["circa 1800s, 1930-2014"],"unitdate_inclusive_ssm":["circa 1800s, 1930-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0246","/repositories/2/resources/367"],"text":["C0246","/repositories/2/resources/367","James M. Buchanan papers","Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings","\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies.","The collection is arranged in nine series.","Series Series 1: Biographical materials Series 2: Correspondence Series 3: Writings Series 4: Academia Series 5: Professional service Series 6: Betty Tillman papers Series 7: Jo Ann Burgess papers Series 8: Writings by others Series 9: Audiovisual and born-digital materials","James McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. ","From 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published  Public Principles of Public Debt . In 1962, Buchanan and co-author Gordon Tullock published  The Calculus of Consent . ","Buchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including  Cost and Choice  (1969),  Academia in Anarchy  with Nicos Devletoglou (1970),  The Limits of Liberty  (1975), and  The Power to Tax  with Geoffrey Brennan (1980). ","In 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published  The Reason of Rules  (1985),  Better than Plowing  (1992), and  Politics by Principle, Not Interest  with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. ","Buchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. ","Born on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  ","Jo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing  The Collected Works of James Buchanan  and  The Selected Works of Gordon Tullock  for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.","Ann Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005.","This collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.","Initial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.","Materials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.","Rebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. ","The prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. ","Processors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.","Thayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing.","The James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.","Series 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.","Series 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.","Series 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.","Series 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.","Series 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. ","Series 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.","Series 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock  on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. ","Series 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. ","Series 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.","The biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.","This subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.","This subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.","Removed from Buchanan House display.","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display.","Contains CD","This subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.","Removed from Buchanan House display.","Appears to be notes from a student other than Buchanan","Removed from Buchanan House display","Removed from Buchanan House display.","Removed from Buchanan House display","This subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.","The correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. ","Note that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.","Alphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.","Flagged item restricted for personally identifiable information.","Folder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.","Folder restricted due to FERPA.","Contains media: photographs","Restriction: FERPA and PII restriction.","Bulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.","contains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'","Potential preservation concerns (fading)","Folder restricted until 2033 due to recommendation letter","Flagged item restricted until 2027 due to recommendation.","Folder restricted for letters of recommendation","Folder restricted for letters of recommednation and FERPA.","Flagged items restricted for letters of recommendation and FERPA.","Flagged item restricted for personally identifiable information.","Restricted for bank account information","Flagged item restricted for personally identifiable information.","Flagged item restricted for FERPA","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for personnel information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA","Contains photocopies of two 1941 letters from Buchanan to a professor","Flagged item restricted for letter of recommendation; restricted until 2032","Folder restricted for FERPA","Flagged item restricted for letter of recommendation until 2028.","includes correspondence from Warren Samuels and John McKinney","Flagged item restricted for letter of recommendation","Flagged items restricted until 2024 for letters of recommendation","Flagged item restricted until 2027 for letter of recommendation","Flagged item restricted until 2036 for letter of recommendation","Folder restricted until 2044 for letter of recommendation","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for bank account information","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted until 2037 for letters of recommendation.","Oversize item","contains photographs","Oversize item","Folder restricted for FERPA.","Flagged items restricted for personally identifiable information.","Contains photographs","Flagged items restricted for FERPA","Contains photograph and CD","Flagged items restricted for FERPA. Contains photographs.","Contains photograph.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2025 for letters of recommendation.","Flagged item restricted until 2034 for letter of recommendation.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2027 for letter of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged item restricted utnil 2028 for letter of recommendation.","Contains photographs","Flagged item restricted until 2038 for personally identifiable information.","Flagged item restricted until 2038 for personally identifiable information.","Flagged items restricted until 2023 and 2026 for letter of recommendation.","Flagged item restricted until 2052 for letter of recommendation.","Folder restricted until 2044 for letter of reference.","Folder restricted until 2046 for letter of reference.","Folder restricted for FERPA.","Folder restricted until 2024-2025 for letters of reference.","Folder restricted until 2024-2028 for letters of reference.","Folder restricted until 2026-2036 for letters of reference.","Folder restricted until 2028-2030 for letters of reference.","Folder restricted until 2030-2032 for letters of reference.","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.","Folder restricted until 2034-2036 for letters of reference.","Folder restricted until 2035-2038 for letters of reference.","Folder restricted until 2037-2039 for letters of reference.","Folder restricted until 2038 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted for FERPA","Contains photograph","Oversize \"Buchanan Expedition\" map of the United States with highlighted road trips","Removed from binder","Folder restricted for FERPA.","Folder restricted for FERPA.","Folder restricted until 2037 for letter of recommendation.","Contains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged item restricted for personally identifiable information.","Flagged items restricted for FERPA.","Chronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.","Includes Ronald Reagan form letter","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","The writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.","Jo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably  Politics by Principle, Not Interest ,  The Return to Increasing Returns , and  Post-Socialist Political Economy  in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to  The Collected Works of James M. Buchanan  are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.","Flagged items restricted for FERPA.","Note: work also titled \"Work supply under Increasing Returns\"","various titles","Flagged items restricted for FERPA.","This series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.","This subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.","Many of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","This subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Includes correspondence discussed in lecture notes","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","This subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to  Papers on Non-Market Decision Making , a journal founded by the Center that later became  Public Choice . The subseries is arranged chronologically.","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","This subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.","Betty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. ","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Donor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.","Flagged items restricted for personally identifiable information","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.","This subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. ","Tillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.","Contains book reviews of  Cost and Choice  and  Academia in Anarchy.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Originally part of Buchanan House display","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Contains zip disk and 3.5' floppy disk.","Flagged items restricted for FERPA.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","This subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Betty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. ","Tillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.","This subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","includes floppy disc","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Contains photograph","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","This subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","There are no restrictions on access, but reproductions of material in this folder are restricted","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information and FERPA.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","This subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Jo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably  The Collected Works of James M. Buchanan , published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.","There are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.","This subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.","Flagged items restricted due to FERPA","This subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.","Folder restricted due to personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for financial and personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder contains a CD of Betty Tillman photographs","Flagged items restricted for personally identifiable information.","Contains CD","Flagged items restricted for personally identifiable information.","Folder restricted due to FERPA.","The family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.","Flagged items restricted for personally identifiable information.","Folder includes handwritten draft of \"Panglosian Politics\"","Flagged items restricted for FERPA.","Folder includes a 3.5\" floppy disk.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted due to FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","This subseries contains materials created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock . It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to  The Collected Works of James M. Buchanan , materials related to  The Selected Works of Gordon Tullock  are noted separately. The subseries is arranged alphabetically.","This subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","This series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.","Back cover has penciled notes of James Buchanan's on joint supply","contains annotations by Buchanan","Includes the Foundations for Normative Individulism by James Buchanan.","Original discarded due to mold damage.","Scope Note: heavily annotated by Buchanan","This series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.","Some materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed.","Issue of  The Wall Street Journal , December 21, 1992 removed and housed in Box 543.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy.","\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1","George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society","Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H.","The bulk of the materials are in English. Additional languages in the collection include German, Italian, French, Spanish, Norwegian, Dutch, Turkish, Japanese, Korean, and Chinese."],"unitid_tesim":["C0246","/repositories/2/resources/367"],"normalized_title_ssm":["James M. Buchanan papers"],"collection_title_tesim":["James M. Buchanan papers"],"collection_ssim":["James M. Buchanan papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creator_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creator_persname_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creators_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Acquired by George Mason University Special Collections Research Center in September 2016. Additional materials acquired in April 2021."],"access_subjects_ssim":["Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings"],"access_subjects_ssm":["Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["270 Linear Feet 546 boxes, one map case"],"extent_tesim":["270 Linear Feet 546 boxes, one map case"],"genreform_ssim":["Correspondence","Manuscripts","Typescripts","Video recordings"],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003e\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n\u003c/p\u003e","\u003cp\u003eMost of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.\u003c/p\u003e","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e","\u003cp\u003eAll If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in nine series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Biographical materials\u003c/item\u003e\n      \u003citem\u003eSeries 2: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 3: Writings\u003c/item\u003e\n      \u003citem\u003eSeries 4: Academia\u003c/item\u003e\n      \u003citem\u003eSeries 5: Professional service\u003c/item\u003e\n      \u003citem\u003eSeries 6: Betty Tillman papers\u003c/item\u003e\n      \u003citem\u003eSeries 7: Jo Ann Burgess papers\u003c/item\u003e\n      \u003citem\u003eSeries 8: Writings by others\u003c/item\u003e\n      \u003citem\u003eSeries 9: Audiovisual and born-digital materials\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in nine series.","Series Series 1: Biographical materials Series 2: Correspondence Series 3: Writings Series 4: Academia Series 5: Professional service Series 6: Betty Tillman papers Series 7: Jo Ann Burgess papers Series 8: Writings by others Series 9: Audiovisual and born-digital materials"],"bioghist_html_tesm":["\u003cp\u003eJames McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. \u003c/p\u003e\n","\u003cp\u003eFrom 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published \u003ctitle\u003ePublic Principles of Public Debt\u003c/title\u003e. In 1962, Buchanan and co-author Gordon Tullock published \u003ctitle\u003eThe Calculus of Consent\u003c/title\u003e. \u003c/p\u003e\n","\u003cp\u003eBuchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including \u003ctitle\u003eCost and Choice\u003c/title\u003e (1969), \u003ctitle\u003eAcademia in Anarchy\u003c/title\u003e with Nicos Devletoglou (1970), \u003ctitle\u003eThe Limits of Liberty\u003c/title\u003e (1975), and \u003ctitle\u003eThe Power to Tax\u003c/title\u003e with Geoffrey Brennan (1980). \u003c/p\u003e\n","\u003cp\u003eIn 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published \u003ctitle\u003eThe Reason of Rules\u003c/title\u003e (1985), \u003ctitle\u003eBetter than Plowing\u003c/title\u003e (1992), and \u003ctitle\u003ePolitics by Principle, Not Interest\u003c/title\u003e with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. \u003c/p\u003e\n","\u003cp\u003eBuchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. \u003c/p\u003e\n","\u003cp\u003eBorn on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  \u003c/p\u003e\n","\u003cp\u003eJo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing \u003ctitle\u003eThe Collected Works of James Buchanan\u003c/title\u003e and \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.\u003c/p\u003e","\u003cp\u003eAnn Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information","Biographical / Historical"],"bioghist_tesim":["James McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. ","From 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published  Public Principles of Public Debt . In 1962, Buchanan and co-author Gordon Tullock published  The Calculus of Consent . ","Buchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including  Cost and Choice  (1969),  Academia in Anarchy  with Nicos Devletoglou (1970),  The Limits of Liberty  (1975), and  The Power to Tax  with Geoffrey Brennan (1980). ","In 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published  The Reason of Rules  (1985),  Better than Plowing  (1992), and  Politics by Principle, Not Interest  with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. ","Buchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. ","Born on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  ","Jo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing  The Collected Works of James Buchanan  and  The Selected Works of Gordon Tullock  for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.","Ann Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005."],"prefercite_html_tesm":["\u003cp\u003eJames M. Buchanan papers, C0246, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e","\u003cp\u003eFile\u003c/p\u003e","\u003cp\u003eFile\u003c/p\u003e"],"prefercite_tesim":["James M. Buchanan papers, C0246, Special Collections Research Center, George Mason University Libraries.","File","File"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.\u003c/p\u003e","\u003cp\u003eInitial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.\u003c/p\u003e","\u003cp\u003eMaterials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eRebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. \u003c/p\u003e","\u003cp\u003eThe prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. \u003c/p\u003e","\u003cp\u003eProcessors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.\u003c/p\u003e","\u003cp\u003eThayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.","Initial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.","Materials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.","Rebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. ","The prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. ","Processors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.","Thayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing."],"scopecontent_html_tesm":["\u003cp\u003eThe James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing \u003citalic\u003eThe Collected Works of James M. Buchanan\u003c/italic\u003e and \u003citalic\u003eThe Selected Works of Gordon Tullock\u003c/italic\u003e on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. \u003c/p\u003e\n","\u003cp\u003eSeries 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. \u003c/p\u003e\n","\u003cp\u003eSeries 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.\u003c/p\u003e","\u003cp\u003eThe biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.\u003c/p\u003e","\u003cp\u003eThis subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eContains CD\u003c/p\u003e","\u003cp\u003eThis subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eAppears to be notes from a student other than Buchanan\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eThis subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.\u003c/p\u003e","\u003cp\u003eThe correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. \u003c/p\u003e\n","\u003cp\u003eNote that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.\u003c/p\u003e","\u003cp\u003eAlphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eContains media: photographs\u003c/p\u003e","\u003cp\u003eRestriction: FERPA and PII restriction.\u003c/p\u003e","\u003cp\u003eBulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.\u003c/p\u003e","\u003cp\u003econtains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'\u003c/p\u003e","\u003cp\u003ePotential preservation concerns (fading)\u003c/p\u003e","\u003cp\u003eFolder restricted until 2033 due to recommendation letter\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2027 due to recommendation.\u003c/p\u003e","\u003cp\u003eFolder restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFolder restricted for letters of recommednation and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eRestricted for bank account information\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personnel information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photocopies of two 1941 letters from Buchanan to a professor\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation; restricted until 2032\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation until 2028.\u003c/p\u003e","\u003cp\u003eincludes correspondence from Warren Samuels and John McKinney\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024 for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2027 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2036 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFolder restricted until 2044 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024-2026 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for bank account information\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024-2026 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2037 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eOversize item\u003c/p\u003e","\u003cp\u003econtains photographs\u003c/p\u003e","\u003cp\u003eOversize item\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains photographs\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photograph and CD\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA. Contains photographs.\u003c/p\u003e","\u003cp\u003eContains photograph.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2025 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2034 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2027 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted utnil 2028 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eContains photographs\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2038 for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2038 for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2023 and 2026 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2052 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2044 for letter of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2046 for letter of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2024-2025 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2024-2028 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2026-2036 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2028-2030 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2032 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2033 for letters of reference\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2033 for letters of reference\u003c/p\u003e","\u003cp\u003eFolder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2034-2036 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2035-2038 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2037-2039 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2038 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2039-2041 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2039-2041 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photograph\u003c/p\u003e","\u003cp\u003eOversize \"Buchanan Expedition\" map of the United States with highlighted road trips\u003c/p\u003e","\u003cp\u003eRemoved from binder\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2037 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eContains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eChronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.\u003c/p\u003e","\u003cp\u003eIncludes Ronald Reagan form letter\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eThe writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.\u003c/p\u003e\n","\u003cp\u003eJo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably \u003ctitle\u003ePolitics by Principle, Not Interest\u003c/title\u003e, \u003ctitle\u003eThe Return to Increasing Returns\u003c/title\u003e, and \u003ctitle\u003ePost-Socialist Political Economy\u003c/title\u003e in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eNote: work also titled \"Work supply under Increasing Returns\"\u003c/p\u003e","\u003cp\u003evarious titles\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.\u003c/p\u003e","\u003cp\u003eThis subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eMany of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eThis subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eIncludes correspondence discussed in lecture notes\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eThis subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to \u003ctitle\u003ePapers on Non-Market Decision Making\u003c/title\u003e, a journal founded by the Center that later became \u003ctitle\u003ePublic Choice\u003c/title\u003e. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eThis subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eBetty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. \u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eDonor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. \u003c/p\u003e\n","\u003cp\u003eTillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.\u003c/p\u003e","\u003cp\u003eContains book reviews of \u003ctitle\u003eCost and Choice\u003c/title\u003e and \u003ctitle\u003eAcademia in Anarchy.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains zip disk and 3.5' floppy disk.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eThis subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eBetty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. \u003c/p\u003e\n","\u003cp\u003eTillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.\u003c/p\u003e","\u003cp\u003eThis subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eincludes floppy disc\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eContains photograph\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access, but reproductions of material in this folder are restricted\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eJo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e, published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.\u003c/p\u003e\n","\u003cp\u003eThere are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.\u003c/p\u003e","\u003cp\u003eThis subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eThis subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFolder restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder contains a CD of Betty Tillman photographs\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains CD\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eThe family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder includes handwritten draft of \"Panglosian Politics\"\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder includes a 3.5\" floppy disk.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials created as part of Burgess' work editing \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e and \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e. It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e, materials related to \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e are noted separately. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eThis series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.\u003c/p\u003e","\u003cp\u003eBack cover has penciled notes of James Buchanan's on joint supply\u003c/p\u003e","\u003cp\u003econtains annotations by Buchanan\u003c/p\u003e","\u003cp\u003eIncludes the Foundations for Normative Individulism by James Buchanan.\u003c/p\u003e","\u003cp\u003eOriginal discarded due to mold damage.\u003c/p\u003e","\u003cp\u003eScope Note: heavily annotated by Buchanan\u003c/p\u003e","\u003cp\u003eThis series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.\u003c/p\u003e\n","\u003cp\u003eSome materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content"],"scopecontent_tesim":["The James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.","Series 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.","Series 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.","Series 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.","Series 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.","Series 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. ","Series 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.","Series 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock  on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. ","Series 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. ","Series 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.","The biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.","This subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.","This subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.","Removed from Buchanan House display.","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display.","Contains CD","This subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.","Removed from Buchanan House display.","Appears to be notes from a student other than Buchanan","Removed from Buchanan House display","Removed from Buchanan House display.","Removed from Buchanan House display","This subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.","The correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. ","Note that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.","Alphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.","Flagged item restricted for personally identifiable information.","Folder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.","Folder restricted due to FERPA.","Contains media: photographs","Restriction: FERPA and PII restriction.","Bulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.","contains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'","Potential preservation concerns (fading)","Folder restricted until 2033 due to recommendation letter","Flagged item restricted until 2027 due to recommendation.","Folder restricted for letters of recommendation","Folder restricted for letters of recommednation and FERPA.","Flagged items restricted for letters of recommendation and FERPA.","Flagged item restricted for personally identifiable information.","Restricted for bank account information","Flagged item restricted for personally identifiable information.","Flagged item restricted for FERPA","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for personnel information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA","Contains photocopies of two 1941 letters from Buchanan to a professor","Flagged item restricted for letter of recommendation; restricted until 2032","Folder restricted for FERPA","Flagged item restricted for letter of recommendation until 2028.","includes correspondence from Warren Samuels and John McKinney","Flagged item restricted for letter of recommendation","Flagged items restricted until 2024 for letters of recommendation","Flagged item restricted until 2027 for letter of recommendation","Flagged item restricted until 2036 for letter of recommendation","Folder restricted until 2044 for letter of recommendation","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for bank account information","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted until 2037 for letters of recommendation.","Oversize item","contains photographs","Oversize item","Folder restricted for FERPA.","Flagged items restricted for personally identifiable information.","Contains photographs","Flagged items restricted for FERPA","Contains photograph and CD","Flagged items restricted for FERPA. Contains photographs.","Contains photograph.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2025 for letters of recommendation.","Flagged item restricted until 2034 for letter of recommendation.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2027 for letter of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged item restricted utnil 2028 for letter of recommendation.","Contains photographs","Flagged item restricted until 2038 for personally identifiable information.","Flagged item restricted until 2038 for personally identifiable information.","Flagged items restricted until 2023 and 2026 for letter of recommendation.","Flagged item restricted until 2052 for letter of recommendation.","Folder restricted until 2044 for letter of reference.","Folder restricted until 2046 for letter of reference.","Folder restricted for FERPA.","Folder restricted until 2024-2025 for letters of reference.","Folder restricted until 2024-2028 for letters of reference.","Folder restricted until 2026-2036 for letters of reference.","Folder restricted until 2028-2030 for letters of reference.","Folder restricted until 2030-2032 for letters of reference.","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.","Folder restricted until 2034-2036 for letters of reference.","Folder restricted until 2035-2038 for letters of reference.","Folder restricted until 2037-2039 for letters of reference.","Folder restricted until 2038 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted for FERPA","Contains photograph","Oversize \"Buchanan Expedition\" map of the United States with highlighted road trips","Removed from binder","Folder restricted for FERPA.","Folder restricted for FERPA.","Folder restricted until 2037 for letter of recommendation.","Contains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged item restricted for personally identifiable information.","Flagged items restricted for FERPA.","Chronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.","Includes Ronald Reagan form letter","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","The writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.","Jo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably  Politics by Principle, Not Interest ,  The Return to Increasing Returns , and  Post-Socialist Political Economy  in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to  The Collected Works of James M. Buchanan  are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.","Flagged items restricted for FERPA.","Note: work also titled \"Work supply under Increasing Returns\"","various titles","Flagged items restricted for FERPA.","This series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.","This subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.","Many of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","This subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Includes correspondence discussed in lecture notes","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","This subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to  Papers on Non-Market Decision Making , a journal founded by the Center that later became  Public Choice . The subseries is arranged chronologically.","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","This subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.","Betty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. ","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Donor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.","Flagged items restricted for personally identifiable information","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.","This subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. ","Tillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.","Contains book reviews of  Cost and Choice  and  Academia in Anarchy.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Originally part of Buchanan House display","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Contains zip disk and 3.5' floppy disk.","Flagged items restricted for FERPA.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","This subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Betty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. ","Tillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.","This subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","includes floppy disc","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Contains photograph","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","This subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","There are no restrictions on access, but reproductions of material in this folder are restricted","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information and FERPA.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","This subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Jo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably  The Collected Works of James M. Buchanan , published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.","There are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.","This subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.","Flagged items restricted due to FERPA","This subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.","Folder restricted due to personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for financial and personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder contains a CD of Betty Tillman photographs","Flagged items restricted for personally identifiable information.","Contains CD","Flagged items restricted for personally identifiable information.","Folder restricted due to FERPA.","The family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.","Flagged items restricted for personally identifiable information.","Folder includes handwritten draft of \"Panglosian Politics\"","Flagged items restricted for FERPA.","Folder includes a 3.5\" floppy disk.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted due to FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","This subseries contains materials created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock . It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to  The Collected Works of James M. Buchanan , materials related to  The Selected Works of Gordon Tullock  are noted separately. The subseries is arranged alphabetically.","This subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","This series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.","Back cover has penciled notes of James Buchanan's on joint supply","contains annotations by Buchanan","Includes the Foundations for Normative Individulism by James Buchanan.","Original discarded due to mold damage.","Scope Note: heavily annotated by Buchanan","This series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.","Some materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed."],"separatedmaterial_html_tesm":["\u003cp\u003eIssue of \u003ctitle\u003eThe Wall Street Journal\u003c/title\u003e, December 21, 1992 removed and housed in Box 543.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Issue of  The Wall Street Journal , December 21, 1992 removed and housed in Box 543."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0bc2473150c319436276a1da8ef369a9\" label=\"Abstract\"\u003eThe James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy.\u003c/abstract\u003e"],"abstract_tesim":["The James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b0c53c39bdb12bf69a095c3db88292a9\"\u003e\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1\u003c/physloc\u003e"],"physloc_tesim":["\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1"],"names_coll_ssim":["George Mason University. Center for Study of Public Choice","Public Choice Society"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society","Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society"],"persname_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"language_ssim":["The bulk of the materials are in English. Additional languages in the collection include German, Italian, French, Spanish, Norwegian, Dutch, Turkish, Japanese, Korean, and Chinese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8943,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:18:42.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_367","ead_ssi":"vifgm_repositories_2_resources_367","_root_":"vifgm_repositories_2_resources_367","_nest_parent_":"vifgm_repositories_2_resources_367","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_367.xml","aspace_url_ssi":"C0246","title_ssm":["James M. Buchanan papers"],"title_tesim":["James M. Buchanan papers"],"unitdate_ssm":["circa 1800s, 1930-2014"],"unitdate_inclusive_ssm":["circa 1800s, 1930-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0246","/repositories/2/resources/367"],"text":["C0246","/repositories/2/resources/367","James M. Buchanan papers","Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings","\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies.","The collection is arranged in nine series.","Series Series 1: Biographical materials Series 2: Correspondence Series 3: Writings Series 4: Academia Series 5: Professional service Series 6: Betty Tillman papers Series 7: Jo Ann Burgess papers Series 8: Writings by others Series 9: Audiovisual and born-digital materials","James McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. ","From 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published  Public Principles of Public Debt . In 1962, Buchanan and co-author Gordon Tullock published  The Calculus of Consent . ","Buchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including  Cost and Choice  (1969),  Academia in Anarchy  with Nicos Devletoglou (1970),  The Limits of Liberty  (1975), and  The Power to Tax  with Geoffrey Brennan (1980). ","In 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published  The Reason of Rules  (1985),  Better than Plowing  (1992), and  Politics by Principle, Not Interest  with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. ","Buchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. ","Born on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  ","Jo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing  The Collected Works of James Buchanan  and  The Selected Works of Gordon Tullock  for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.","Ann Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005.","This collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.","Initial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.","Materials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.","Rebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. ","The prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. ","Processors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.","Thayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing.","The James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.","Series 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.","Series 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.","Series 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.","Series 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.","Series 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. ","Series 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.","Series 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock  on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. ","Series 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. ","Series 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.","The biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.","This subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.","This subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.","Removed from Buchanan House display.","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display.","Contains CD","This subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.","Removed from Buchanan House display.","Appears to be notes from a student other than Buchanan","Removed from Buchanan House display","Removed from Buchanan House display.","Removed from Buchanan House display","This subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.","The correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. ","Note that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.","Alphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.","Flagged item restricted for personally identifiable information.","Folder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.","Folder restricted due to FERPA.","Contains media: photographs","Restriction: FERPA and PII restriction.","Bulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.","contains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'","Potential preservation concerns (fading)","Folder restricted until 2033 due to recommendation letter","Flagged item restricted until 2027 due to recommendation.","Folder restricted for letters of recommendation","Folder restricted for letters of recommednation and FERPA.","Flagged items restricted for letters of recommendation and FERPA.","Flagged item restricted for personally identifiable information.","Restricted for bank account information","Flagged item restricted for personally identifiable information.","Flagged item restricted for FERPA","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for personnel information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA","Contains photocopies of two 1941 letters from Buchanan to a professor","Flagged item restricted for letter of recommendation; restricted until 2032","Folder restricted for FERPA","Flagged item restricted for letter of recommendation until 2028.","includes correspondence from Warren Samuels and John McKinney","Flagged item restricted for letter of recommendation","Flagged items restricted until 2024 for letters of recommendation","Flagged item restricted until 2027 for letter of recommendation","Flagged item restricted until 2036 for letter of recommendation","Folder restricted until 2044 for letter of recommendation","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for bank account information","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted until 2037 for letters of recommendation.","Oversize item","contains photographs","Oversize item","Folder restricted for FERPA.","Flagged items restricted for personally identifiable information.","Contains photographs","Flagged items restricted for FERPA","Contains photograph and CD","Flagged items restricted for FERPA. Contains photographs.","Contains photograph.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2025 for letters of recommendation.","Flagged item restricted until 2034 for letter of recommendation.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2027 for letter of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged item restricted utnil 2028 for letter of recommendation.","Contains photographs","Flagged item restricted until 2038 for personally identifiable information.","Flagged item restricted until 2038 for personally identifiable information.","Flagged items restricted until 2023 and 2026 for letter of recommendation.","Flagged item restricted until 2052 for letter of recommendation.","Folder restricted until 2044 for letter of reference.","Folder restricted until 2046 for letter of reference.","Folder restricted for FERPA.","Folder restricted until 2024-2025 for letters of reference.","Folder restricted until 2024-2028 for letters of reference.","Folder restricted until 2026-2036 for letters of reference.","Folder restricted until 2028-2030 for letters of reference.","Folder restricted until 2030-2032 for letters of reference.","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.","Folder restricted until 2034-2036 for letters of reference.","Folder restricted until 2035-2038 for letters of reference.","Folder restricted until 2037-2039 for letters of reference.","Folder restricted until 2038 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted for FERPA","Contains photograph","Oversize \"Buchanan Expedition\" map of the United States with highlighted road trips","Removed from binder","Folder restricted for FERPA.","Folder restricted for FERPA.","Folder restricted until 2037 for letter of recommendation.","Contains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged item restricted for personally identifiable information.","Flagged items restricted for FERPA.","Chronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.","Includes Ronald Reagan form letter","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","The writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.","Jo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably  Politics by Principle, Not Interest ,  The Return to Increasing Returns , and  Post-Socialist Political Economy  in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to  The Collected Works of James M. Buchanan  are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.","Flagged items restricted for FERPA.","Note: work also titled \"Work supply under Increasing Returns\"","various titles","Flagged items restricted for FERPA.","This series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.","This subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.","Many of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","This subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Includes correspondence discussed in lecture notes","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","This subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to  Papers on Non-Market Decision Making , a journal founded by the Center that later became  Public Choice . The subseries is arranged chronologically.","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","This subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.","Betty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. ","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Donor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.","Flagged items restricted for personally identifiable information","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.","This subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. ","Tillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.","Contains book reviews of  Cost and Choice  and  Academia in Anarchy.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Originally part of Buchanan House display","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Contains zip disk and 3.5' floppy disk.","Flagged items restricted for FERPA.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","This subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Betty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. ","Tillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.","This subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","includes floppy disc","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Contains photograph","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","This subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","There are no restrictions on access, but reproductions of material in this folder are restricted","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information and FERPA.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","This subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Jo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably  The Collected Works of James M. Buchanan , published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.","There are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.","This subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.","Flagged items restricted due to FERPA","This subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.","Folder restricted due to personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for financial and personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder contains a CD of Betty Tillman photographs","Flagged items restricted for personally identifiable information.","Contains CD","Flagged items restricted for personally identifiable information.","Folder restricted due to FERPA.","The family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.","Flagged items restricted for personally identifiable information.","Folder includes handwritten draft of \"Panglosian Politics\"","Flagged items restricted for FERPA.","Folder includes a 3.5\" floppy disk.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted due to FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","This subseries contains materials created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock . It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to  The Collected Works of James M. Buchanan , materials related to  The Selected Works of Gordon Tullock  are noted separately. The subseries is arranged alphabetically.","This subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","This series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.","Back cover has penciled notes of James Buchanan's on joint supply","contains annotations by Buchanan","Includes the Foundations for Normative Individulism by James Buchanan.","Original discarded due to mold damage.","Scope Note: heavily annotated by Buchanan","This series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.","Some materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed.","Issue of  The Wall Street Journal , December 21, 1992 removed and housed in Box 543.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy.","\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1","George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society","Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H.","The bulk of the materials are in English. Additional languages in the collection include German, Italian, French, Spanish, Norwegian, Dutch, Turkish, Japanese, Korean, and Chinese."],"unitid_tesim":["C0246","/repositories/2/resources/367"],"normalized_title_ssm":["James M. Buchanan papers"],"collection_title_tesim":["James M. Buchanan papers"],"collection_ssim":["James M. Buchanan papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creator_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creator_persname_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"creators_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Acquired by George Mason University Special Collections Research Center in September 2016. Additional materials acquired in April 2021."],"access_subjects_ssim":["Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings"],"access_subjects_ssm":["Economics","Economists -- United States","Nobel Prize winners","Social choice","Correspondence","Manuscripts","Typescripts","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["270 Linear Feet 546 boxes, one map case"],"extent_tesim":["270 Linear Feet 546 boxes, one map case"],"genreform_ssim":["Correspondence","Manuscripts","Typescripts","Video recordings"],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003e\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n\u003c/p\u003e","\u003cp\u003eMost of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.\u003c/p\u003e","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e","\u003cp\u003eAll If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["\nCertain materials in the collection are restricted due to FERPA requirements and personally identifiable information. Letters of recommendation are restricted for 40 years from creation. Please see inventory for details.\n","Most of the materials in Series 9 were digitized. Please reach out to SCRC to access these materials.","There are no other access restrictions.","All If your request requires more research support, we recommend hiring someone to assist you on-site. Remote digitization requests will be evaluated based on the material content and our ability to provide copies."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in nine series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Biographical materials\u003c/item\u003e\n      \u003citem\u003eSeries 2: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 3: Writings\u003c/item\u003e\n      \u003citem\u003eSeries 4: Academia\u003c/item\u003e\n      \u003citem\u003eSeries 5: Professional service\u003c/item\u003e\n      \u003citem\u003eSeries 6: Betty Tillman papers\u003c/item\u003e\n      \u003citem\u003eSeries 7: Jo Ann Burgess papers\u003c/item\u003e\n      \u003citem\u003eSeries 8: Writings by others\u003c/item\u003e\n      \u003citem\u003eSeries 9: Audiovisual and born-digital materials\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in nine series.","Series Series 1: Biographical materials Series 2: Correspondence Series 3: Writings Series 4: Academia Series 5: Professional service Series 6: Betty Tillman papers Series 7: Jo Ann Burgess papers Series 8: Writings by others Series 9: Audiovisual and born-digital materials"],"bioghist_html_tesm":["\u003cp\u003eJames McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. \u003c/p\u003e\n","\u003cp\u003eFrom 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published \u003ctitle\u003ePublic Principles of Public Debt\u003c/title\u003e. In 1962, Buchanan and co-author Gordon Tullock published \u003ctitle\u003eThe Calculus of Consent\u003c/title\u003e. \u003c/p\u003e\n","\u003cp\u003eBuchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including \u003ctitle\u003eCost and Choice\u003c/title\u003e (1969), \u003ctitle\u003eAcademia in Anarchy\u003c/title\u003e with Nicos Devletoglou (1970), \u003ctitle\u003eThe Limits of Liberty\u003c/title\u003e (1975), and \u003ctitle\u003eThe Power to Tax\u003c/title\u003e with Geoffrey Brennan (1980). \u003c/p\u003e\n","\u003cp\u003eIn 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published \u003ctitle\u003eThe Reason of Rules\u003c/title\u003e (1985), \u003ctitle\u003eBetter than Plowing\u003c/title\u003e (1992), and \u003ctitle\u003ePolitics by Principle, Not Interest\u003c/title\u003e with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. \u003c/p\u003e\n","\u003cp\u003eBuchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. \u003c/p\u003e\n","\u003cp\u003eBorn on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  \u003c/p\u003e\n","\u003cp\u003eJo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing \u003ctitle\u003eThe Collected Works of James Buchanan\u003c/title\u003e and \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.\u003c/p\u003e","\u003cp\u003eAnn Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information","Biographical / Historical"],"bioghist_tesim":["James McGill Buchanan, Jr. was born on October 3, 1919 in Gum, Tennessee to Lila Scott (1889-1953) and James McGill Buchanan, Sr. (1888-1979). He had two younger sisters, Lila Scott Buchanan Graue (1922-2020) and Elizabeth Bradley. His paternal grandfather, John P. Buchanan (1847-1930), was a one-term governor of Tennessee from 1891 to 1893. James M. Buchanan attended Buchanan High School. He triple-majored in English, mathematics, and economics at Middle Tennessee State University from 1936 to 1940. He received a Master's of the Arts in economics from the University of Tennessee, Knoxville in 1941. Buchanan then attended the Naval War College and served on the operations staff of Admiral Chester W. Nimitz from 1941 to 1945. In that role, he was stationed in Pearl Harbor, Hawaii, and Guam. He met his wife, Ann Bakke (August 21, 1909-November 14, 2005) in 1943. She was born in Jamestown, North Dakota. She served with the Army Air Transport Command at Hickham Field, Oahu. In 1945 the couple married in San Francisco, California. ","From 1946 to 1948 Buchanan attended the University of Chicago, where he graduated with a Ph.D. in economics. After graduation, he taught at the University of Tennessee, Knoxville as an associate professor from 1948 to 1951, and then as a full professor at Florida State University, Tallahassee from 1951 to 1956. In 1955 he was awarded a Fulbright fellowship to study in Italy for a year. In 1956 he was hired at the University of Virginia as the chair of the economics department. It was there that he co-founded the Thomas Jefferson Center for Studies in Political Economy in 1958. That same year, he published  Public Principles of Public Debt . In 1962, Buchanan and co-author Gordon Tullock published  The Calculus of Consent . ","Buchanan worked at the University of California, Los Angeles (UCLA) for one academic year (1968-1969) as a professor of economics. In 1969 he was hired at Virginia Polytechnic Institute (VPI, now known as Virginia Tech), as a University Distinguished Professor. He became general director of the Center for Study of Public Choice, the successor institution to the Thomas Jefferson Center for Political Economy. Buchanan continued to publish books during his time at VPI, including  Cost and Choice  (1969),  Academia in Anarchy  with Nicos Devletoglou (1970),  The Limits of Liberty  (1975), and  The Power to Tax  with Geoffrey Brennan (1980). ","In 1983, Buchanan and the Center for the Study of Public Choice moved from VPI to George Mason University in Fairfax, Virginia. After the move, he split his time between Fairfax and his farm in Blacksburg, Virginia. In 1986, Buchanan was awarded the Nobel Memorial Prize in economics. While at Mason, he published  The Reason of Rules  (1985),  Better than Plowing  (1992), and  Politics by Principle, Not Interest  with Roger Congleton (1998). He formally retired from Mason in September 1999 but continued to work both at Mason and Virginia Tech until his death on January 9, 2013. ","Buchanan was known for his contribution to the field of public choice, which uses economic principles to analyze the rules and actions of government and public sector. It was this theory which led to his Nobel award. ","Born on March 19, 1927, Betty Jane Hall Tillman (also known as Betty Ross from 1977 to 1984) received an associate's degree from The Jefferson School of Commerce at Charlottesville, Virginia in 1945. She worked for Buchanan at the University of Virginia from August 14, 1961 to August 1969, at VPI from September 1, 1969 to June 1983, and at George Mason University from July 1, 1983 until her retirement in April 2007. Tillman had multiple responsibilities including handling Buchanan's correspondence, scheduling his events, coordinating Liberty Fund conferences, organizing activities at the Center for Study of Public Choice, and assisting graduate students and faculty associated with the Center. At the time of her retirement her position was administrative director of the Center for Study of Public Choice. She had three children. Tillman died on October 2, 2013.  ","Jo Ann Burgess was born on June 27, 1948. She began work at the Center for the Study of Public Choice at George Mason University in 1989. Previously, Burgess lived around the world working for the State Department and the U.S military. She had four children with her husband, Roger. Burgess had many varied responsibilities at the Center including organizing Buchanan's archival papers, and administrative duties for the Public Choice Society. She edited Buchanan's published work in the 1990s and 2000s, including editing  The Collected Works of James Buchanan  and  The Selected Works of Gordon Tullock  for the Liberty Fund. After Tillman's retirement, Burgess took on additional responsibilities related to handling Buchanan's correspondence and scheduling, and additional administrative duties at the Center. Burgess retired in the summer of 2014. She died on March 19, 2020.","Ann Gladys Bakke was born on August 21, 1909 in Jamestown, North Dakota to a Norwegian-born father, Andrew (1879-?), and a second-generation Norwegian immigrant, Hilda Kjorness (1882/3-1973). She had four siblings: Orval (also written Orville, 1908-1987), Clara Jensvold (1910-1998), Arthur (1915-1989), and Erling (1924-1945). Bakke worked as a stenographer in Jamestown until at least 1932. She was living in Fargo, N.D. in 1935 and Washington, D.C. in 1940. During World War II, Bakke served with the Army Air Transport Command at Hickham Field, Oahu. During this time, she met James Buchanan and the two were married in 1945 in San Francisco, California. She supported Buchanan financially during his graduate study at the University of Chicago. She died at their home in Blacksburg, Va., on November 14, 2005."],"prefercite_html_tesm":["\u003cp\u003eJames M. Buchanan papers, C0246, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e","\u003cp\u003eFile\u003c/p\u003e","\u003cp\u003eFile\u003c/p\u003e"],"prefercite_tesim":["James M. Buchanan papers, C0246, Special Collections Research Center, George Mason University Libraries.","File","File"],"processinfo_html_tesm":["\u003cp\u003eThis collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.\u003c/p\u003e","\u003cp\u003eInitial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.\u003c/p\u003e","\u003cp\u003eMaterials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eRebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. \u003c/p\u003e","\u003cp\u003eThe prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. \u003c/p\u003e","\u003cp\u003eProcessors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.\u003c/p\u003e","\u003cp\u003eThayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was processed by Rebecca Thayer as part of a National Endowment for the Humanities (NEH) grant project from March 2021 to March 2023.","Initial processing of the collection was begun after James M. Buchanan's death in 2013, while the papers were at Buchanan House (also known as Roberts House), where the offices of Buchanan, Betty Tillman, Jo Ann Burgess, and the Center for Study of Public Choice were then located. Processing at this time was done by Greta Suiter, then-Processing Coordinator at the Special Collections Research Center (SCRC), and Solomon Stein, then-economics PhD student at Mason. Stein and Suiter established an initial arrangement scheme and began foldering and sorting materials accordingly. Elizabeth Beckman, then-Processing Coordinator, continued arrangement and refoldering work alongside Stein at Buchanan House from 2014 to 2016. 145 linear feet of materials were ultimately arranged during this time. The following series were created: Correspondence, Academic (Subseries: Courses taken and Courses taught), Conferences (Subseries: Conferences attended and Conferences held), Writings, Articles Read, and Administrative.","Materials were boxed up and brought to Fenwick in Spring 2017. Beckman completed EAD markup of a preliminary finding aid with the processed materials in June 2017. Processing was paused in 2017 to apply for a NEH grant to hire a dedicated processing archivist. The grant was approved to start in 2020 but was delayed for several months due to the COVID-19 pandemic.","Rebecca Thayer was hired in March 2021 to process the collection. She surveyed the arranged part of the collection (145 linear feet) and the unprocessed part (147 linear feet) to create a processing plan. This plan included adjustments to the original arrangement scheme based on material in the unprocessed section of the papers. A large number of the eventual Jo Ann Burgess papers series materials were in the unprocessed section of the collection, although the unprocessed section did contain materials from all series. ","The prior arrangement scheme did not preserve Tillman and Burgess' files as discrete series, so it is likely that some materials created by Tillman or Burgess were dispersed into the various other series. Some materials in the correspondence series especially which were obviously correspondence involving only Tillman, Burgess, or Ann Bakke Buchanan, were removed to their respective series and subseries. However, Thayer did not attempt a systematic review of materials in other series such as Professional Services and Academia in order to separate out Tillman and Burgess-created files from Buchanan-created files. This has resulted in some significant overlap between those series and the Betty Tillman papers and Jo Ann Burgess papers series. This does reflect the significant overlap in work responsibilities of Tillman, Burgess, Buchanan, and the Center as seen in the materials. ","Processors prior to the NEH grant appear to have filed out materials that were originally grouped in large miscellaneous folders. Buchanan, Tillman, and Burgess do not seem to have created many files with only one or two emails or letters, preferring larger bulk folders. However, in the collection there are now many individual folders with correspondents that seem to have been created from larger files. No additional filing out of material was done under the NEH grant.","Thayer arranged the unprocessed materials and reprocessed the previously arranged materials, combining the two. Mason Graduate Research Assistant Rachel Barton and undergraduate assistants Colin McDonald and Vilma Chicas Garcia assisted with arrangement, reboxing, and inventory creation. Amanda Menjivar, Manuscripts and Archives Librarian, assisted with finding aid data entry and publishing."],"scopecontent_html_tesm":["\u003cp\u003eThe James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing \u003citalic\u003eThe Collected Works of James M. Buchanan\u003c/italic\u003e and \u003citalic\u003eThe Selected Works of Gordon Tullock\u003c/italic\u003e on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. \u003c/p\u003e\n","\u003cp\u003eSeries 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. \u003c/p\u003e\n","\u003cp\u003eSeries 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.\u003c/p\u003e","\u003cp\u003eThe biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.\u003c/p\u003e","\u003cp\u003eThis subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eContains CD\u003c/p\u003e","\u003cp\u003eThis subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eAppears to be notes from a student other than Buchanan\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display.\u003c/p\u003e","\u003cp\u003eRemoved from Buchanan House display\u003c/p\u003e","\u003cp\u003eThis subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.\u003c/p\u003e","\u003cp\u003eThe correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. \u003c/p\u003e\n","\u003cp\u003eNote that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.\u003c/p\u003e","\u003cp\u003eAlphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eContains media: photographs\u003c/p\u003e","\u003cp\u003eRestriction: FERPA and PII restriction.\u003c/p\u003e","\u003cp\u003eBulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.\u003c/p\u003e","\u003cp\u003econtains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'\u003c/p\u003e","\u003cp\u003ePotential preservation concerns (fading)\u003c/p\u003e","\u003cp\u003eFolder restricted until 2033 due to recommendation letter\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2027 due to recommendation.\u003c/p\u003e","\u003cp\u003eFolder restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFolder restricted for letters of recommednation and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eRestricted for bank account information\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personnel information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photocopies of two 1941 letters from Buchanan to a professor\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation; restricted until 2032\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation until 2028.\u003c/p\u003e","\u003cp\u003eincludes correspondence from Warren Samuels and John McKinney\u003c/p\u003e","\u003cp\u003eFlagged item restricted for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024 for letters of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2027 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2036 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFolder restricted until 2044 for letter of recommendation\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024-2026 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for bank account information\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2024-2026 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2037 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eOversize item\u003c/p\u003e","\u003cp\u003econtains photographs\u003c/p\u003e","\u003cp\u003eOversize item\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains photographs\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photograph and CD\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA. Contains photographs.\u003c/p\u003e","\u003cp\u003eContains photograph.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2025 for letters of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2034 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2027 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted utnil 2028 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eContains photographs\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2038 for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2038 for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted until 2023 and 2026 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFlagged item restricted until 2052 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2044 for letter of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2046 for letter of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2024-2025 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2024-2028 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2026-2036 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2028-2030 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2032 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2033 for letters of reference\u003c/p\u003e","\u003cp\u003eFolder restricted until 2030-2033 for letters of reference\u003c/p\u003e","\u003cp\u003eFolder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2034-2036 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2035-2038 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2037-2039 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2038 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2039-2041 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2039-2041 for letters of reference.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA\u003c/p\u003e","\u003cp\u003eContains photograph\u003c/p\u003e","\u003cp\u003eOversize \"Buchanan Expedition\" map of the United States with highlighted road trips\u003c/p\u003e","\u003cp\u003eRemoved from binder\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted until 2037 for letter of recommendation.\u003c/p\u003e","\u003cp\u003eContains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged item restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eChronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.\u003c/p\u003e","\u003cp\u003eIncludes Ronald Reagan form letter\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eThe writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.\u003c/p\u003e\n","\u003cp\u003eJo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably \u003ctitle\u003ePolitics by Principle, Not Interest\u003c/title\u003e, \u003ctitle\u003eThe Return to Increasing Returns\u003c/title\u003e, and \u003ctitle\u003ePost-Socialist Political Economy\u003c/title\u003e in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eNote: work also titled \"Work supply under Increasing Returns\"\u003c/p\u003e","\u003cp\u003evarious titles\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.\u003c/p\u003e","\u003cp\u003eThis subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eMany of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eThis subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eIncludes correspondence discussed in lecture notes\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eThis subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to \u003ctitle\u003ePapers on Non-Market Decision Making\u003c/title\u003e, a journal founded by the Center that later became \u003ctitle\u003ePublic Choice\u003c/title\u003e. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eItem originally part of Buchanan House Display\u003c/p\u003e","\u003cp\u003eThis subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eBetty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. \u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eDonor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. \u003c/p\u003e\n","\u003cp\u003eTillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.\u003c/p\u003e","\u003cp\u003eContains book reviews of \u003ctitle\u003eCost and Choice\u003c/title\u003e and \u003ctitle\u003eAcademia in Anarchy.\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains zip disk and 3.5' floppy disk.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eOriginally part of Buchanan House display\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eThis subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eBetty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. \u003c/p\u003e\n","\u003cp\u003eTillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.\u003c/p\u003e","\u003cp\u003eThis subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eincludes floppy disc\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eContains photograph\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access, but reproductions of material in this folder are restricted\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information and FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eThis subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to personally identifiable information\u003c/p\u003e","\u003cp\u003eJo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e, published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.\u003c/p\u003e\n","\u003cp\u003eThere are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.\u003c/p\u003e","\u003cp\u003eThis subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA\u003c/p\u003e","\u003cp\u003eThis subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eFolder restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial and personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder contains a CD of Betty Tillman photographs\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eContains CD\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eThe family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFolder includes handwritten draft of \"Panglosian Politics\"\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder includes a 3.5\" floppy disk.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eFolder restricted due to FERPA.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials created as part of Burgess' work editing \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e and \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e. It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to \u003ctitle\u003eThe Collected Works of James M. Buchanan\u003c/title\u003e, materials related to \u003ctitle\u003eThe Selected Works of Gordon Tullock\u003c/title\u003e are noted separately. The subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for personally identifiable information.\u003c/p\u003e","\u003cp\u003eFlagged items restricted for financial information.\u003c/p\u003e","\u003cp\u003eThis series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.\u003c/p\u003e","\u003cp\u003eBack cover has penciled notes of James Buchanan's on joint supply\u003c/p\u003e","\u003cp\u003econtains annotations by Buchanan\u003c/p\u003e","\u003cp\u003eIncludes the Foundations for Normative Individulism by James Buchanan.\u003c/p\u003e","\u003cp\u003eOriginal discarded due to mold damage.\u003c/p\u003e","\u003cp\u003eScope Note: heavily annotated by Buchanan\u003c/p\u003e","\u003cp\u003eThis series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.\u003c/p\u003e\n","\u003cp\u003eSome materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content"],"scopecontent_tesim":["The James M. Buchanan papers largely consist of correspondence, writings, and administrative files created between the years 1930-2014. The collection contains 9 series.","Series 1: Biographical materials (circa 1800s, 1944-2012) contains information about James M. Buchanan's life and career. It is further divided into four subseries. Subseries 1.1: Ann Bakke Buchanan papers contains materials created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some addressed to both James and Ann as a couple. Subseries 1.2: Awards contains newspapers clippings, congratulatory letters, photographs, and memorabilia relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics. Subseries 1.3: Education contains study notes, essays, syllabi, and research notes from Buchanan's education, mostly from his PhD study at the University of Chicago. Subseries 1.4: Clippings contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended.","Series 2: Correspondence (1951-2014) contains letters, emails, memoranda, cards, and other forms of written communication, mostly dealing with Buchanan's professional career. Subseries 2.1: Alphabetical correspondence contains the bulk of the correspondence, filed alphabetically by correspondent, subject, or name of an organization. Subseries 2.2: Chronological correspondence is a small amount of unrelated correspondence that was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess.","Series 3: Writings (1946-2012) contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers.","Series 4: Academia (1946-2013) contains correspondence, reports, planning documents, and grant files relating to Buchanan's work at various universities, primarily University of Virginia, Virginia Polytechnic Institute (now Virginia Tech), and George Mason University. Subseries 4.1: Administration contains reports, memoranda, correspondence, photographs, calendars, and planning documents relating to department and university business. Subseries 4.2: Teaching contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Subseries 4.3: Grants contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Subseries 4.4: Thomas Jefferson Center for Studies in Political Economy contains annual reports, photographs, and correspondence from the University of Virginia's Thomas Jefferson Center, which was active from 1958 to 1968. Subseries 4.5: Center for Study of Public Choice contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating to the Center, an academic unit at Virginia Polytechnic Institute from 1968 to 1983 and at George Mason University from 1983 onwards.","Series 5: Professional Service (1958-2013) This series contains materials relating to Buchanan's professional activities outside of his university responsibilities. Subseries 5.1: Conferences and events contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. Subseries 5.2: Consulting and organizations contains annual reports and correspondence relating to Buchanan's work with various organizations outside of his work as a university professor. ","Series 6: Betty Tillman papers (1968-2008) contains files created by Betty Tillman, administrative assistant to Buchanan and administrative director of the Center for Study of Public Choice. Subseries 6.1: Correspondence contains letters, emails, memoranda, and cards sent and received by Tillman. Subseries 6.2: Office administration contains planning documents, organizational files, and other materials relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Subseries 6.3: Conferences, events and travel contains correspondence, calendars, schedules, and travel documents relating to events attended by Buchanan, coordinated by Tillman. It also contains materials created by Tillman as the conference coordinator for the Liberty Fund and Center conferences and events.","Series 7: Jo Ann Burgess papers (1972-2014) contains files created by Jo Ann Burgess, administrative assistant and editor to Buchanan and secretary for the Public Choice Society. Subseries 7.1: Correspondence contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan and the Center for Study of Public Choice. Subseries 7.2: Office administration contains correspondence, calendars, notes, program files, and edited drafts created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. Subseries 7.3: Liberty Fund editorial work contains planning documents, correspondence, and drafts created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock  on behalf of the Liberty Fund. Subseries 7.4: Public Choice Society contains correspondence, conference planning documents, and administrative files created as part of Burgess' work as the secretary of the Public Choice Society, a professional organization. ","Series 8: Writings by others (1930-2014) contains articles, book drafts, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some writings are about Buchanan and his ideas. ","Series 9: Audiovisual and born-digital materials (circa 1970s-2013) contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others and Center for Study of Public Choice events.","The biographical series contains information about James M. Buchanan's personal life, education, awards, and clippings of articles about him and his career. There are also materials kept by his wife, Ann Bakke Buchanan. The series is divided into four subseries: Ann Bakke Buchanan papers, Education, Awards, and Clippings. Additional materials not in subseries include personal photographs and Buchanan family history.","This subseries contains papers created by Ann Bakke Buchanan, James M. Buchanan's wife. Materials include correspondence, recipe cards, notebooks, calendars, and photographs. Some of the correspondence is in Norwegian, and some is addressed to both James and Ann as a couple. Recipe cards were removed from seven recipe card boxes and reboxed. Photographs of the original housing are available by request. Recipes are a mix of clippings and handwritten recipes from Ann Buchanan and her friends and relatives. Some recipes and notebooks are written in shorthand.","This subseries contains materials relating to awards Buchanan received during his career. The majority of the materials relate to the Nobel Memorial Prize in Economics, but there are also materials about the National Humanities Medal and other awards. Types of material include newspaper clippings, congratulatory letters, photographs, and memorabilia.","Removed from Buchanan House display.","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display","Removed from Buchanan House display.","Contains CD","This subseries contains materials related to Buchanan's education, mostly from his PhD study at the University of Chicago. Some materials appear to be compiled by a person other than Buchanan, since they predate his study at the University of Chicago. Types of materials include study notes, essays, syllabi, and research notes. This subseries includes notes from classes taught by Frank H. Knight and Milton Friedman.","Removed from Buchanan House display.","Appears to be notes from a student other than Buchanan","Removed from Buchanan House display","Removed from Buchanan House display.","Removed from Buchanan House display","This subseries contains newspaper and magazine clippings about Buchanan, including articles about his work, interviews, and reports on events he attended. Note that the clippings related to the Nobel Memorial Prize in Economics are located in the Awards subseries. Clippings of articles written by Buchanan are located in the Writings series. Many clippings are in languages other than English.","The correspondence series contains letters, emails, memoranda, cards, and other forms of written communication sent to and received by Buchanan. The series is divided into two subseries: alphabetical correspondence and chronological correspondence. The bulk of the correspondence was filed alphabetically by correspondent or type of correspondence. A small amount of unrelated correspondence was grouped together in date ranges, likely by either Buchanan himself, or his assistants Betty Tillman and Jo Ann Burgess. The bulk of the correspondence in both subseries deals with Buchanan's professional career from his time at the University of Virginia until his retirement, including discussion of publications, manuscripts, events, and academic business. The bulk of the correspondence starts in 1950. There are very few letters prior to 1950. There is a photocopy of a letter from 1941 in Box 56 Folder 1 J. ","Note that some correspondence is located in their original filing location in other series Additional correspondence concerning Buchanan's writings is located in Series 3: Writings, foldered with its related work. Some correspondence relating to the Center for Study of Public Choice, grant applications, and academic departmental administration is located in Series 4: Academia. Some correspondence relating to events, conferences, and travel accommodations is located in Series 5: Professional Service, Subseries 1: Conferences and events. Buchanan's email was handled by Betty Tillman and Jo Ann Burgess, and much of his email is located in Series 6: Betty Tillman papers, Subseries 3: Office administration, and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. Check the relevant series and subseries notes for additional information.","Alphabetical correspondence is correspondence filed alphabetically by subject, by the surname of the correspondent, or by the name of the organization. Filing was likely done by Betty Tillman. Some correspondence is grouped under a single letter, for example, a folder titled \"A\" contains multiple correspondents and organizations that start with the letter A. Some are grouped in a range of letters, for example, a folder title \"E-F\" contains correspondents starting with either E or F. It is unclear why some were filed out into individual folders and others were left in large files under a single letter or letter range. Note that there are some issues with the original filing, for example the surname \"da Empoli\" is sometimes filed under D and sometimes under E. Sometimes letters discussing a person are filed under that person's surname, and sometimes under the surname of the person requesting the information. Additionally, previous processors filed out some correspondence into individual folders. No additional re-filing was done under the NEH grant.","Flagged item restricted for personally identifiable information.","Folder created by Buchanan in April 2007. Contains personal and professional correspondence from 1966-1999.","Folder restricted due to FERPA.","Contains media: photographs","Restriction: FERPA and PII restriction.","Bulk of the folder is correspondents \"D.\" Includes some letters from J. Clayburn LaForce.","contains note: \"Removed from 'The Power of Freedom: Uniting Human Rights and Development' by processing archivist 2021-09-09'","Potential preservation concerns (fading)","Folder restricted until 2033 due to recommendation letter","Flagged item restricted until 2027 due to recommendation.","Folder restricted for letters of recommendation","Folder restricted for letters of recommednation and FERPA.","Flagged items restricted for letters of recommendation and FERPA.","Flagged item restricted for personally identifiable information.","Restricted for bank account information","Flagged item restricted for personally identifiable information.","Flagged item restricted for FERPA","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for personnel information.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA.","Flagged items restricted for letters of recommendation","Flagged items restricted for letters of recommendation","Flagged item restricted for FERPA","Contains photocopies of two 1941 letters from Buchanan to a professor","Flagged item restricted for letter of recommendation; restricted until 2032","Folder restricted for FERPA","Flagged item restricted for letter of recommendation until 2028.","includes correspondence from Warren Samuels and John McKinney","Flagged item restricted for letter of recommendation","Flagged items restricted until 2024 for letters of recommendation","Flagged item restricted until 2027 for letter of recommendation","Flagged item restricted until 2036 for letter of recommendation","Folder restricted until 2044 for letter of recommendation","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for bank account information","Flagged items restricted until 2024-2026 for letters of recommendation.","Flagged items restricted until 2037 for letters of recommendation.","Oversize item","contains photographs","Oversize item","Folder restricted for FERPA.","Flagged items restricted for personally identifiable information.","Contains photographs","Flagged items restricted for FERPA","Contains photograph and CD","Flagged items restricted for FERPA. Contains photographs.","Contains photograph.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2025 for letters of recommendation.","Flagged item restricted until 2034 for letter of recommendation.","Flagged item restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged items restricted until 2027 for letter of recommendation.","Flagged items restricted for personally identifiable information.","Flagged item restricted for personally identifiable information.","Flagged item restricted utnil 2028 for letter of recommendation.","Contains photographs","Flagged item restricted until 2038 for personally identifiable information.","Flagged item restricted until 2038 for personally identifiable information.","Flagged items restricted until 2023 and 2026 for letter of recommendation.","Flagged item restricted until 2052 for letter of recommendation.","Folder restricted until 2044 for letter of reference.","Folder restricted until 2046 for letter of reference.","Folder restricted for FERPA.","Folder restricted until 2024-2025 for letters of reference.","Folder restricted until 2024-2028 for letters of reference.","Folder restricted until 2026-2036 for letters of reference.","Folder restricted until 2028-2030 for letters of reference.","Folder restricted until 2030-2032 for letters of reference.","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2030-2033 for letters of reference","Folder restricted until 2034 for letters of reference.Flagged items restricted due to FERPA.","Folder restricted until 2034-2036 for letters of reference.","Folder restricted until 2035-2038 for letters of reference.","Folder restricted until 2037-2039 for letters of reference.","Folder restricted until 2038 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted until 2039-2041 for letters of reference.","Folder restricted for FERPA","Contains photograph","Oversize \"Buchanan Expedition\" map of the United States with highlighted road trips","Removed from binder","Folder restricted for FERPA.","Folder restricted for FERPA.","Folder restricted until 2037 for letter of recommendation.","Contains correspondence with Ross Mackenzie of The Richmond News Leader, E.J. Mishan, Roland McKean, James C. Miller III, and others","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged item restricted for personally identifiable information.","Flagged items restricted for FERPA.","Chronological correspondence is unrelated correspondence from a certain date range that was filed together in a single folder. It is unclear why this correspondence was not filed out alphabetically. Chronological correspondence from 1987 onwards seems to have been kept by Jo Ann Burgess and never officially filed into designated folders. These folders include correspondence from Buchanan on topics across his work, with a focus on publications and events and travel. There are also assorted office administration materials handled by Burgess in these folders. Topics of the chronological correspondence and the correspondents seem to be similar to that of the alphabetical correspondence.","Includes Ronald Reagan form letter","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","The writings series contains drafts, typescripts, photocopies, notes, and reprints of Buchanan's books, articles, speaking lectures, and unpublished material. There are also research files relating to some of his writing projects, and some correspondence with publishers, coauthors, and reviewers. The series is filed alphabetically by title of the work. Note that some of Buchanan's works went by multiple titles in the draft stage, and may not be filed together as a result. Some papers presented by Buchanan at conferences or given as lectures are located in Series 5: Professional services Subseries 1: Conferences and events.","Jo Ann Burgess acted as an editor for much of Buchanan's writings from the 1990s and 2000s. There are edited copies and drafts of some of Buchanan's writings, notably  Politics by Principle, Not Interest ,  The Return to Increasing Returns , and  Post-Socialist Political Economy  in Series 7: Jo Ann Burgess papers, Subseries 2: Office administration. The bulk of the materials relating to  The Collected Works of James M. Buchanan  are located in Series 7: Jo Ann Burgess papers, Subseries 3: Liberty Fund editorial work, as Burgess kept the files for that project.","Flagged items restricted for FERPA.","Note: work also titled \"Work supply under Increasing Returns\"","various titles","Flagged items restricted for FERPA.","This series contains materials relating to Buchanan's work at various universities, notably University of Virginia, Virginia Polytechnic Institute (VPI or Virginia Tech), and George Mason University. The series is divided into five subseries: Administration, Teaching, Grants, Thomas Jefferson Center for Studies in Political Economy, and Center for Study of Public Choice.","This subseries contains reports, memoranda, correspondence, CVs, photographs, calendars, and planning documents relating to Buchanan's work at various universities, primarily Virginia Polytechnic Institute (also known as Virginia Tech or VPI) and George Mason University. Topics include economics department functioning and planning, Buchanan's academic output, schedules, and university events and policies. The subseries is arranged chronologically.","Many of the administrative aspects of Buchanan's work were handled by Betty Tillman and Jo Ann Burgess. Series 6: Betty Tillman papers, Subseries 2: Office administration and Series 7: Jo Ann Burgess papers, Subseries 2: Office administration contain much related material.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","This subseries contains lecture notes, drafts, syllabi, exams, and readings relating to classes taught by Buchanan over the course of his career. Buchanan would often present his own draft works to students for comment, so some of his draft writings are in this subseries. The subseries is arranged chronologically. Materials created by or relating to specific students are restricted due to the Family Educational Rights and Privacy Act (FERPA).","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Includes correspondence discussed in lecture notes","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA and personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for FERPA","This subseries contains correspondence and applications for grant projects undertaken by Buchanan and collaborators. Specific granting agencies include the National Science Foundation, the Ford Foundation, and others. Grants were primarily written for funding research projects in economics, specifically in public choice. Grants that were undertaken to fund operations of the Center for Study of Public Choice are found in Subseries 5: Center for Study of Public Choice. Some correspondence with granting agencies is located in Series 2: Correspondence. The subseries is arranged chronologically.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This subseries contains annual reports, photographs, and correspondence relating to the University of Virginia's Thomas Jefferson Center for Studies in Political Economy. Buchanan was a co-founder of the Center. The Center was active from 1958 to 1968. There is also information relating to  Papers on Non-Market Decision Making , a journal founded by the Center that later became  Public Choice . The subseries is arranged chronologically.","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","Item originally part of Buchanan House Display","This subseries contains annual reports, conference information, grants, planning documents, board meeting minutes, and correspondence relating the Center for Study of Public Choice, an academic unit founded at Virginia Polytechnic Institute in 1968. The Center was moved to George Mason University in July 1983 and continues operations there as of 2023. The subseries contains correspondence and planning documents from multiple directors of the Center, including Robert Tollison, David Levy, Mark Crain, and others. There are also materials relating to the Public Choice Society prior to Jo Ann Burgess' time as the Public Choice Society administrator, approximately 2003. The subseries is arranged chronologically.","Betty Tillman was the administrative director of the Center in the 1990s and 2000s, and many Center materials can be found in in Series 6: Betty Tillman papers, especially in Subseries 1: Correspondence and Subseries 2: Office administration. Center tasks were also sometimes a part of the duties of Jo Ann Burgess, and some Center material can be found in Series 7: Jo Ann Burgess papers, especially Subseries 1: Correspondence and Subseries 2: Office administration. ","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Donor is anonymous by request. Publication of the donor information in conjunction with the Center for Study of Public Choice is not permitted.","Flagged items restricted for personally identifiable information","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information and FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","This series contains materials relating to Buchanan's professional activities outside of his university and Center for Study of Public Choice responsibilities. The series is divided into two subseries: Conferences and events, and Consulting and organizations. The series is arranged chronologically.","This subseries contains correspondence, schedules, planning documents, papers and lecture notes, and travel documents from conferences, speaking engagements, and other events attended by Buchanan during his career. This subseries also contains materials related to conferences organized by Buchanan or Betty Tillman, often in partnership with the Liberty Fund. Note that the subseries is arranged chronologically by date of the materials that exist in the folder, not by date of the conference or event. Event planning could stretch to a year or two before the event took place, especially for events occurring in the first half of the calendar year. ","Tillman was responsible for scheduling and organizing much of Buchanan's travel, especially after he received the Nobel Prize in 1986. Similar files kept by Tillman on Buchanan's travel and event attendance are located in Series 6: Betty Tillman papers, Subseries 3: Conferences, events and travel.","Contains book reviews of  Cost and Choice  and  Academia in Anarchy.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Originally part of Buchanan House display","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Originally part of Buchanan House display.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Contains zip disk and 3.5' floppy disk.","Flagged items restricted for FERPA.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","Originally part of Buchanan House display","Flagged items restricted for personally identifiable information.","This subseries contains committee meeting notes, annual reports, and correspondence relating to Buchanan's work with various outside organizations. Buchanan served on boards for some organizations, including the Mont Pelerin Society. Those records are mostly found here, although some conference organizing material for the Mont Pelerin Society and Liberty Fund is located in Subseries 1: Conferences and events. The subseries is arranged chronologically.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Betty Tillman was an administrative assistant for James M. Buchanan and the Center for Study of Public Choice from 1962 to 2007. Her work included typing Buchanan's correspondence, scheduling his travel and conference events, and liaising with publishers and outside parties on Buchanan's behalf. As a member of the Center and eventual administrative director, she made arrangements for the visiting scholars program, managed personnel, kept financial records, and coordinated events and conferences, among many other duties. As her work was integral to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers as well. In the course of processing, some of her papers were able to be identified as a discrete series. ","Tillman's papers are divided into three subseries: Correspondence; Office administration; and Conferences, events and travel.","This subseries contains letters, emails, memoranda, and cards sent and received by Betty Tillman. Work correspondence includes topics such as event organization, visiting scholars program, and other Center for Study of Public Choice business. There is also personal correspondence belonging to Tillman in the subseries. There are also notes from Buchanan to Tillman, mostly about administrative matters. Note that Tillman printed out most of email she received, and in many cases did not file it out by correspondent or subject. Correspondence is filed alphabetically by subject, by the surname of the correspondent, by the name of the organization, or by the type of correspondence.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","includes floppy disc","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted for FERPA","Flagged items restricted for FERPA","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Contains photograph","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","This subseries contains planning documents, scheduling documents, meeting minutes, and notes relating to Tillman's handling of Buchanan's and Center for the Study of Public Choice office functions. Note that there is correspondence belonging to Buchanan that was handled by Tillman and not filed out. Similarly, pending and working files contain correspondence, schedules, notices, invoices, and other documents that Tillman did not file out into their own completed folders. The subseries is arranged alphabetically.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","There are no restrictions on access, but reproductions of material in this folder are restricted","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information and FERPA","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information.","Flagged items restricted due to personally identifiable information and FERPA.","Flagged items restricted due to personally identifiable information","Flagged items restricted due to FERPA","Flagged items restricted due to personally identifiable information","This subseries contains files on events attended by Buchanan. Tillman was responsible for Buchanan's schedule, especially after Buchanan received the Nobel Prize in 1986 when she became his official agent. Types of material include correspondence, calendars, schedules, and travel documents. Similar files that may have been kept by Buchanan are located in Series 5: Professional Service, Subseries 1: Conferences and events.","Flagged items restricted for personally identifiable information","Flagged items restricted for personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Flagged items restricted due to personally identifiable information","Jo Ann Burgess was an administrative assistant at the Center for Study of Public Choice from 1989 to 2014. She was responsible for the library at the Center and for the management of Buchanan's papers. Additionally, she was the secretary for the Public Choice Society and edited much of Buchanan's published works in the 1990s and 2000s, notably  The Collected Works of James M. Buchanan , published by the Liberty Fund. As her work was closely tied to Buchanan's and the Center, her papers are somewhat integrated with Buchanan's and the Center papers. In the course of processing, some of her papers were able to be identified as a discrete series.","There are four subseries: Correspondence; Office administration; Liberty Fund editorial work; and Public Choice Society.","This subseries contains emails, letters, cards, notes, and memoranda, both personal and relating to Burgess' work with Buchanan at the Center for Study of Public Choice. The subseries is arranged alphabetically.","Flagged items restricted due to FERPA","This subseries contains materials created as part of Burgess' duties working for the Center for Study of Public Choice and as an assistant to Buchanan. It includes edited copies of Buchanan's writings; emails; correspondence written on behalf of Buchanan; calendars; Buchanan's class materials; notes; visiting scholars program files, and working files. Working files are groupings of papers that Burgess never filed out into separate folders. They are combinations of emails, schedules, memoranda, writings drafts, invoices, and other administrative papers. The subseries is arranged alphabetically.","Folder restricted due to personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for financial and personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","Folder contains a CD of Betty Tillman photographs","Flagged items restricted for personally identifiable information.","Contains CD","Flagged items restricted for personally identifiable information.","Folder restricted due to FERPA.","The family name is Ma and personal name is Jun. It was originally misfiled by Burgess with the family name as Jun and the personal name as Ma.","Flagged items restricted for personally identifiable information.","Folder includes handwritten draft of \"Panglosian Politics\"","Flagged items restricted for FERPA.","Folder includes a 3.5\" floppy disk.","Flagged items restricted for FERPA.","Flagged items restricted for FERPA.","Flagged items restricted due to FERPA.","Flagged items restricted for personally identifiable information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for FERPA.","Folder restricted due to FERPA.","Folder restricted due to FERPA.","This subseries contains materials created as part of Burgess' work editing  The Collected Works of James M. Buchanan  and  The Selected Works of Gordon Tullock . It includes editorial committee notes and memoranda; lists of contents; correspondence; edited typescripts; permissions requests; planning documents; drafts; and working files. The subseries is arranged alphabetically. The large majority of the materials are related to  The Collected Works of James M. Buchanan , materials related to  The Selected Works of Gordon Tullock  are noted separately. The subseries is arranged alphabetically.","This subseries contains materials relating to the Public Choice Society, a professional organization for scholars from any academic discipline interested in public choice. Burgess was the secretary for the Public Choice Society from 1989 from 2014. Materials include correspondence, conference planning documents, and administrative files created as part of Burgess' work with the Society. The subseries is arranged chronologically.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","Flagged items restricted for personally identifiable information.","Flagged items restricted for financial information.","This series contains articles, books, and other writings by authors other than Buchanan. Some materials have notes and annotations. Some materials contain correspondence with the authors. Some writings are about Buchanan and his ideas. Some writings were filed by author, others were in folders containing writings from multiple different authors. No additional filing out of writings was done under the NEH grant. The series is arranged alphabetically by surname of author. Materials where Buchanan is a coauthor are found in Series 3: Writings.","Back cover has penciled notes of James Buchanan's on joint supply","contains annotations by Buchanan","Includes the Foundations for Normative Individulism by James Buchanan.","Original discarded due to mold damage.","Scope Note: heavily annotated by Buchanan","This series contains audiocassettes, videotapes, CDs, DVDs, floppy disks, and associated paper materials. Audiovisual material topics include recordings of the Nobel ceremony and press coverage; interviews and lectures by Buchanan and others; television appearances; programs of related interest to Buchanan; and Center for Study of Public Choice events. Born-digital material topics include Center photographs and drafts of writings. Materials are arranged by format, and then chronologically.","Some materials have been digitized. Please contact speccoll@gmu.edu to ensure that the specific materials you are interested in viewing are able to be accessed."],"separatedmaterial_html_tesm":["\u003cp\u003eIssue of \u003ctitle\u003eThe Wall Street Journal\u003c/title\u003e, December 21, 1992 removed and housed in Box 543.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Issue of  The Wall Street Journal , December 21, 1992 removed and housed in Box 543."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0bc2473150c319436276a1da8ef369a9\" label=\"Abstract\"\u003eThe James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy.\u003c/abstract\u003e"],"abstract_tesim":["The James M. Buchanan papers consist of materials created primarily by economist James M. Buchanan (1919-2013) from the years 1936-2014. There are also materials created by the Center for Study of Public Choice, an academic unit associated with Virginia Tech (1969-1983) and George Mason University (1983-). The papers document Buchanan's career and academic output, primarily in the field of public choice economics and political economy."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b0c53c39bdb12bf69a095c3db88292a9\"\u003e\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1\u003c/physloc\u003e"],"physloc_tesim":["\nR 101 - 102\n\nOS R 1, C 3, S 3-5\nMap Case 24.1"],"names_coll_ssim":["George Mason University. Center for Study of Public Choice","Public Choice Society"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society","Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Center for Study of Public Choice","Public Choice Society"],"persname_ssim":["Buchanan, Ann Bakke","Buchanan, James M.","Burgess, Jo Ann S.","Tillman, Betty H."],"language_ssim":["The bulk of the materials are in English. Additional languages in the collection include German, Italian, French, Spanish, Norwegian, Dutch, Turkish, Japanese, Korean, and Chinese."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8943,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:18:42.949Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_367"}},{"id":"viw_repositories_2_resources_9186","type":"collection","attributes":{"title":"Karla K. Bruno Papers, 2007-2010","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9186#creator","type":"document_value","attributes":{"value":"Nichol, Gene R., 1951-","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9186#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eMaterial collected and created by William \u0026amp; Mary alumna Karla K. Bruno, ranging from 2007-2010 and related to the organizations 'Save the Wren Cross,' 'ShouldNicholBeRenewed.org,' and 'The Society for the College.' Also included are: copies of material related to the Department of Philosophy (2007), an interview with Gene Nichol on PBS's \"What Matters\" (January 2008; VHS tape) and a Fox News piece \"Wren Cross\" with Brit Hume (circa 2006-2007, VHS tapes.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9186#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9186","ead_ssi":"viw_repositories_2_resources_9186","_root_":"viw_repositories_2_resources_9186","_nest_parent_":"viw_repositories_2_resources_9186","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9186.xml","title_filing_ssi":"Bruno, Karla K. Papers","title_ssm":["Karla K. Bruno Papers, 2007-2010"],"title_tesim":["Karla K. Bruno Papers, 2007-2010"],"unitdate_ssm":["2007-2010"],"unitdate_inclusive_ssm":["2007-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.128","/repositories/2/resources/9186"],"text":["UA 5.128","/repositories/2/resources/9186","Karla K. Bruno Papers, 2007-2010","College of William and Mary--History--21st century","Wren Building (Williamsburg, Va.)","Letters (correspondence)","Video recordings","Clippings (information artifacts)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Material collected and created by  William \u0026 Mary alumna Karla K. Bruno, ranging from 2007-2010 and related to the organizations 'Save the Wren Cross,' 'ShouldNicholBeRenewed.org,' and 'The Society for the College.'  Also included are:  copies of material related to the Department of Philosophy (2007), an interview with Gene Nichol on PBS's \"What Matters\" (January 2008; VHS tape) and a Fox News piece \"Wren Cross\" with Brit Hume (circa 2006-2007, VHS tapes.","Artifacts (bumper stickers, buttons, and feathers ) have been transferred to the University Archives Artifact Collection.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary","Dept. of Philosophy","Nichol, Gene R., 1951-","English."],"unitid_tesim":["UA 5.128","/repositories/2/resources/9186"],"normalized_title_ssm":["Karla K. Bruno Papers, 2007-2010"],"collection_title_tesim":["Karla K. Bruno Papers, 2007-2010"],"collection_ssim":["Karla K. Bruno Papers, 2007-2010"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Nichol, Gene R., 1951-"],"creator_ssim":["Nichol, Gene R., 1951-"],"creator_persname_ssim":["Nichol, Gene R., 1951-"],"creators_ssim":["Nichol, Gene R., 1951-"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift of Larla K. Bruno."],"access_subjects_ssim":["College of William and Mary--History--21st century","Wren Building (Williamsburg, Va.)","Letters (correspondence)","Video recordings","Clippings (information artifacts)"],"access_subjects_ssm":["College of William and Mary--History--21st century","Wren Building (Williamsburg, Va.)","Letters (correspondence)","Video recordings","Clippings (information artifacts)"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet"],"extent_tesim":["0.5 Linear Feet"],"physfacet_tesim":["0.1 ft. of files, 2 VHS cassettes, 898 MB of digital files"],"genreform_ssim":["Letters (correspondence)","Video recordings","Clippings (information artifacts)"],"date_range_isim":[2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eKarla K. Bruno Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Karla K. Bruno Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eMaterial collected and created by  William \u0026amp; Mary alumna Karla K. Bruno, ranging from 2007-2010 and related to the organizations 'Save the Wren Cross,' 'ShouldNicholBeRenewed.org,' and 'The Society for the College.'  Also included are:  copies of material related to the Department of Philosophy (2007), an interview with Gene Nichol on PBS's \"What Matters\" (January 2008; VHS tape) and a Fox News piece \"Wren Cross\" with Brit Hume (circa 2006-2007, VHS tapes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Material collected and created by  William \u0026 Mary alumna Karla K. Bruno, ranging from 2007-2010 and related to the organizations 'Save the Wren Cross,' 'ShouldNicholBeRenewed.org,' and 'The Society for the College.'  Also included are:  copies of material related to the Department of Philosophy (2007), an interview with Gene Nichol on PBS's \"What Matters\" (January 2008; VHS tape) and a Fox News piece \"Wren Cross\" with Brit Hume (circa 2006-2007, VHS tapes."],"separatedmaterial_html_tesm":["\u003cp\u003eArtifacts (bumper stickers, buttons, and feathers ) have been transferred to the University Archives Artifact Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Artifacts (bumper stickers, buttons, and feathers ) have been transferred to the University Archives Artifact Collection."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary","Dept. of Philosophy","Nichol, Gene R., 1951-"],"names_ssim":["Special Collections Research Center","College of William and Mary","Dept. of Philosophy","Nichol, Gene R., 1951-"],"corpname_ssim":["Special Collections Research Center","College of William and Mary","Dept. of Philosophy"],"persname_ssim":["Nichol, Gene R., 1951-"],"language_ssim":["English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:31:49.057Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9186","ead_ssi":"viw_repositories_2_resources_9186","_root_":"viw_repositories_2_resources_9186","_nest_parent_":"viw_repositories_2_resources_9186","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9186.xml","title_filing_ssi":"Bruno, Karla K. 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Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Material collected and created by  William \u0026 Mary alumna Karla K. Bruno, ranging from 2007-2010 and related to the organizations 'Save the Wren Cross,' 'ShouldNicholBeRenewed.org,' and 'The Society for the College.'  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Bruno Papers, 2007-2010"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Nichol, Gene R., 1951-"],"creator_ssim":["Nichol, Gene R., 1951-"],"creator_persname_ssim":["Nichol, Gene R., 1951-"],"creators_ssim":["Nichol, Gene R., 1951-"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gift of Larla K. 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Bruno Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eMaterial collected and created by  William \u0026amp; Mary alumna Karla K. Bruno, ranging from 2007-2010 and related to the organizations 'Save the Wren Cross,' 'ShouldNicholBeRenewed.org,' and 'The Society for the College.'  Also included are:  copies of material related to the Department of Philosophy (2007), an interview with Gene Nichol on PBS's \"What Matters\" (January 2008; VHS tape) and a Fox News piece \"Wren Cross\" with Brit Hume (circa 2006-2007, VHS tapes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Material collected and created by  William \u0026 Mary alumna Karla K. Bruno, ranging from 2007-2010 and related to the organizations 'Save the Wren Cross,' 'ShouldNicholBeRenewed.org,' and 'The Society for the College.'  Also included are:  copies of material related to the Department of Philosophy (2007), an interview with Gene Nichol on PBS's \"What Matters\" (January 2008; VHS tape) and a Fox News piece \"Wren Cross\" with Brit Hume (circa 2006-2007, VHS tapes."],"separatedmaterial_html_tesm":["\u003cp\u003eArtifacts (bumper stickers, buttons, and feathers ) have been transferred to the University Archives Artifact Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Artifacts (bumper stickers, buttons, and feathers ) have been transferred to the University Archives Artifact Collection."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary","Dept. of Philosophy","Nichol, Gene R., 1951-"],"names_ssim":["Special Collections Research Center","College of William and Mary","Dept. of Philosophy","Nichol, Gene R., 1951-"],"corpname_ssim":["Special Collections Research Center","College of William and Mary","Dept. of Philosophy"],"persname_ssim":["Nichol, Gene R., 1951-"],"language_ssim":["English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T12:31:49.057Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9186"}},{"id":"viw_repositories_2_resources_2315","type":"collection","attributes":{"title":"League of Women Voters of the Williamsburg Area records","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_2315#creator","type":"document_value","attributes":{"value":"League of Women Voters of the Williamsburg Area Records","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_2315#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eRecords of the League of Women Voters of the Williamsburg Area (LWVWA). Includes minutes, agendas, correspondence, publications, reports, photographs, memorandums, newsletters, president's files, video recordings and newspaper clippings. Topics covered include among others arms control, national security issues and domestic legislation, information relating to lobbying, etc.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_2315#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_2315","ead_ssi":"viw_repositories_2_resources_2315","_root_":"viw_repositories_2_resources_2315","_nest_parent_":"viw_repositories_2_resources_2315","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2315.xml","title_filing_ssi":"League of Women Voters of the Williamsburg Area records","title_ssm":["League of Women Voters of the Williamsburg Area records"],"title_tesim":["League of Women Voters of the Williamsburg Area records"],"unitdate_ssm":["1932-2021"],"unitdate_inclusive_ssm":["1932-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 76 L47","/repositories/2/resources/2315"],"text":["Mss. 76 L47","/repositories/2/resources/2315","League of Women Voters of the Williamsburg Area records","Memorandums","Voting","Women in politics--United States--History--20th century","Women--History--Virginia","Women--Suffrage--Virginia","Agendas (administrative records)","Correspondence","Minutes","Photographs","Publications","Reports","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Additions to the collection are ongoing. The finding aid will be updated to reflect accruals to the collection.","The League of Women Voters of the Williamsburg Area has also been known in the past as the League of Women Voters of Williamsburg, Va., and the League of Women Voters of Williamsburg-James City County. These names appear to have been used at times interchangeably.  at .","Videocassettes, audiocassettes, and floppy disks from this collection have been moved to the Manuscripts Audiovisual Collection.","Records of the League of Women Voters of the Williamsburg Area (LWVWA). Includes minutes, agendas, correspondence, publications, reports, photographs, memorandums, newsletters, president's files, video recordings and newspaper clippings. Topics covered include among others arms control, national security issues and domestic legislation, information relating to lobbying, etc.","Records of the Williamsburg-James City County, Va. chapter of the League of Women Voters. Includes minutes, agendas, correspondence, publications, reports, photographs, memorandums, and newspaper clippings. Addition to the Collection of materials relating to arms control, national security issues and domestic legislation, information relating to lobbying, and newsletters.","Bulletins, agendas and correspondence concerning the Equal Rights Amendment.","Letter and pamphlet on Presidential Debate at Phi Beta Kappa Memorial Hall in Williamsburg, Virginia in 1976.","Letters to and from Legislators and others regarding the Equal Rights Amendment. Some papers and notes on ERA.","Addition to records of the League of Women Voters of Williamsburg-James City County","48 items.","47 items.","25 items.","18 items","25 items.","30 items","23 items.","27 items.","18 items.","13 items.","12 items.","15 items.","7 items.","An inventory for this accession is available at http://vip.lib.virginia.edu:8080/cocoon/vivaead/published/wm/viw00118.xml.frame","League of Women Voters Records. No inventory for this accession.","Scope and Contents Acc. 2010.342 consists of miscellaneous newsletters, 1992-2002; Voter Service records, 2002-2005; President's files, 2002-2005; a studies binder on Restorative Justice, 2003-2005; and two VHS and one Betacam tapes: Fall candidates forums for Virginia Delegates (2), 2003; and LVWUS \"Shakedown Your Vote\", 2004.","This series contains bulletins of the League of Women Voters of Virginia from 1976-1986 and bulletins from the Williamsburg Area League of Women Voters from 1984-1997.","One VHS tape titled: 75 Years of a Great Idea, 2006 and 2008 League of Women Voters National Convention packets and photographs, publicity information, voter services for 2003, study on homeslessness in the Williamsburg area for 2004, 2000- 2008 facts for voters booklets, treasurer folders for 2003-2008, and Board of Directors resumes 2003- 2008.","Short book published by the League of Women Voters of the United States, includes information about political parties, national conventions, campaigning, and the general election process.","Four (4) English brochures and one (1) Spanish brochure for the League of Women Voters of the Williamsburg Area, discuss membership and benefits of political involvement with the organization","HBO Studio, HSP Productions","Total running time: 2 hours","Secretary's Notes for Womens League of Voters of the Williamsburg Area, includes media clippings, committee reports, offical correspondence, agendas, pamphlets, meeting minutes, member information, voting booklets.","This series contains an addition of newsletters, correspondence, memorandums, and event papers.","8 folders","4 folders","5 folders","This series contains membership trifolds, one dating to 2020, one undated; multiple issues of newsletters from 2016-2019 and 2021; five notebooks with photographs and newspaper clippings dating from 1991 to 2020 as well as documents of annual meeting workbooks and minutes from 2017-2021. Folders of board minutes from 2019-2021 are also included.","1 binder","9 folders and 1 binder","3 binders","7 floppy discs from the 2003-2004 President's files, two VHS tapes, audio cassette tapes, and one Betacam tape have been moved to the Mss. Audiovisual Collection. These items, while separated physically for storage, have been intellectually moved back into this collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","League of Women Voters of the Williamsburg Area Records","English"],"unitid_tesim":["Mss. 76 L47","/repositories/2/resources/2315"],"normalized_title_ssm":["League of Women Voters of the Williamsburg Area records"],"collection_title_tesim":["League of Women Voters of the Williamsburg Area records"],"collection_ssim":["League of Women Voters of the Williamsburg Area records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["League of Women Voters of the Williamsburg Area Records"],"creator_ssim":["League of Women Voters of the Williamsburg Area Records"],"creator_corpname_ssim":["League of Women Voters of the Williamsburg Area Records"],"creators_ssim":["League of Women Voters of the Williamsburg Area Records"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["76 L47 (1976.37)  Williamsburg Chapter of the League through Mrs David Kranbuehl. 1983.41      Gift of the local Chapter (through Peggy Kossler). 1994.63A    Gift of the League of Women Voters of Williamsburg through Mrs. Peggy Kossler. 2008.98        LWV via  Barbara Worthen. For information on additions made after 2008 please contact a staff member for details. 2016.084  Gift of the League of Women Voters via Barbara Worthen. 2016.101 Gift of the League of Women Voters via Barbara Worthen"],"access_subjects_ssim":["Memorandums","Voting","Women in politics--United States--History--20th century","Women--History--Virginia","Women--Suffrage--Virginia","Agendas (administrative records)","Correspondence","Minutes","Photographs","Publications","Reports","Video recordings"],"access_subjects_ssm":["Memorandums","Voting","Women in politics--United States--History--20th century","Women--History--Virginia","Women--Suffrage--Virginia","Agendas (administrative records)","Correspondence","Minutes","Photographs","Publications","Reports","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["11.25 Linear Feet"],"extent_tesim":["11.25 Linear Feet"],"genreform_ssim":["Agendas (administrative records)","Correspondence","Minutes","Photographs","Publications","Reports","Video recordings"],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eAdditions to the collection are ongoing. The finding aid will be updated to reflect accruals to the collection.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Additions to the collection are ongoing. The finding aid will be updated to reflect accruals to the collection."],"bioghist_html_tesm":["\u003cp\u003eThe League of Women Voters of the Williamsburg Area has also been known in the past as the League of Women Voters of Williamsburg, Va., and the League of Women Voters of Williamsburg-James City County. These names appear to have been used at times interchangeably.  at .\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The League of Women Voters of the Williamsburg Area has also been known in the past as the League of Women Voters of Williamsburg, Va., and the League of Women Voters of Williamsburg-James City County. These names appear to have been used at times interchangeably.  at ."],"prefercite_html_tesm":["\u003cp\u003eLeague of Women Voters of the Williamsburg Area records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["League of Women Voters of the Williamsburg Area records, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eVideocassettes, audiocassettes, and floppy disks from this collection have been moved to the Manuscripts Audiovisual Collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Videocassettes, audiocassettes, and floppy disks from this collection have been moved to the Manuscripts Audiovisual Collection."],"scopecontent_html_tesm":["\u003cp\u003eRecords of the League of Women Voters of the Williamsburg Area (LWVWA). 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No inventory for this accession.\u003c/p\u003e","\u003cp\u003eScope and Contents Acc. 2010.342 consists of miscellaneous newsletters, 1992-2002; Voter Service records, 2002-2005; President's files, 2002-2005; a studies binder on Restorative Justice, 2003-2005; and two VHS and one Betacam tapes: Fall candidates forums for Virginia Delegates (2), 2003; and LVWUS \"Shakedown Your Vote\", 2004.\u003c/p\u003e","\u003cp\u003eThis series contains bulletins of the League of Women Voters of Virginia from 1976-1986 and bulletins from the Williamsburg Area League of Women Voters from 1984-1997.\u003c/p\u003e","\u003cp\u003eOne VHS tape titled: 75 Years of a Great Idea, 2006 and 2008 League of Women Voters National Convention packets and photographs, publicity information, voter services for 2003, study on homeslessness in the Williamsburg area for 2004, 2000- 2008 facts for voters booklets, treasurer folders for 2003-2008, and Board of Directors resumes 2003- 2008.\u003c/p\u003e","\u003cp\u003eShort book published by the League of Women Voters of the United States, includes information about political parties, national conventions, campaigning, and the general election process.\u003c/p\u003e","\u003cp\u003eFour (4) English brochures and one (1) Spanish brochure for the League of Women Voters of the Williamsburg Area, discuss membership and benefits of political involvement with the organization\u003c/p\u003e","\u003cp\u003eHBO Studio, HSP Productions\u003c/p\u003e\n","\u003cp\u003eTotal running time: 2 hours\u003c/p\u003e","\u003cp\u003eSecretary's Notes for Womens League of Voters of the Williamsburg Area, includes media clippings, committee reports, offical correspondence, agendas, pamphlets, meeting minutes, member information, voting booklets.\u003c/p\u003e","\u003cp\u003eThis series contains an addition of newsletters, correspondence, memorandums, and event papers.\u003c/p\u003e","\u003cp\u003e8 folders\u003c/p\u003e","\u003cp\u003e4 folders\u003c/p\u003e","\u003cp\u003e5 folders\u003c/p\u003e","\u003cp\u003eThis series contains membership trifolds, one dating to 2020, one undated; multiple issues of newsletters from 2016-2019 and 2021; five notebooks with photographs and newspaper clippings dating from 1991 to 2020 as well as documents of annual meeting workbooks and minutes from 2017-2021. 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Includes minutes, agendas, correspondence, publications, reports, photographs, memorandums, newsletters, president's files, video recordings and newspaper clippings. Topics covered include among others arms control, national security issues and domestic legislation, information relating to lobbying, etc.","Records of the Williamsburg-James City County, Va. chapter of the League of Women Voters. Includes minutes, agendas, correspondence, publications, reports, photographs, memorandums, and newspaper clippings. Addition to the Collection of materials relating to arms control, national security issues and domestic legislation, information relating to lobbying, and newsletters.","Bulletins, agendas and correspondence concerning the Equal Rights Amendment.","Letter and pamphlet on Presidential Debate at Phi Beta Kappa Memorial Hall in Williamsburg, Virginia in 1976.","Letters to and from Legislators and others regarding the Equal Rights Amendment. Some papers and notes on ERA.","Addition to records of the League of Women Voters of Williamsburg-James City County","48 items.","47 items.","25 items.","18 items","25 items.","30 items","23 items.","27 items.","18 items.","13 items.","12 items.","15 items.","7 items.","An inventory for this accession is available at http://vip.lib.virginia.edu:8080/cocoon/vivaead/published/wm/viw00118.xml.frame","League of Women Voters Records. No inventory for this accession.","Scope and Contents Acc. 2010.342 consists of miscellaneous newsletters, 1992-2002; Voter Service records, 2002-2005; President's files, 2002-2005; a studies binder on Restorative Justice, 2003-2005; and two VHS and one Betacam tapes: Fall candidates forums for Virginia Delegates (2), 2003; and LVWUS \"Shakedown Your Vote\", 2004.","This series contains bulletins of the League of Women Voters of Virginia from 1976-1986 and bulletins from the Williamsburg Area League of Women Voters from 1984-1997.","One VHS tape titled: 75 Years of a Great Idea, 2006 and 2008 League of Women Voters National Convention packets and photographs, publicity information, voter services for 2003, study on homeslessness in the Williamsburg area for 2004, 2000- 2008 facts for voters booklets, treasurer folders for 2003-2008, and Board of Directors resumes 2003- 2008.","Short book published by the League of Women Voters of the United States, includes information about political parties, national conventions, campaigning, and the general election process.","Four (4) English brochures and one (1) Spanish brochure for the League of Women Voters of the Williamsburg Area, discuss membership and benefits of political involvement with the organization","HBO Studio, HSP Productions","Total running time: 2 hours","Secretary's Notes for Womens League of Voters of the Williamsburg Area, includes media clippings, committee reports, offical correspondence, agendas, pamphlets, meeting minutes, member information, voting booklets.","This series contains an addition of newsletters, correspondence, memorandums, and event papers.","8 folders","4 folders","5 folders","This series contains membership trifolds, one dating to 2020, one undated; multiple issues of newsletters from 2016-2019 and 2021; five notebooks with photographs and newspaper clippings dating from 1991 to 2020 as well as documents of annual meeting workbooks and minutes from 2017-2021. Folders of board minutes from 2019-2021 are also included.","1 binder","9 folders and 1 binder","3 binders"],"separatedmaterial_html_tesm":["\u003cp\u003e7 floppy discs from the 2003-2004 President's files, two VHS tapes, audio cassette tapes, and one Betacam tape have been moved to the Mss. Audiovisual Collection. These items, while separated physically for storage, have been intellectually moved back into this collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["7 floppy discs from the 2003-2004 President's files, two VHS tapes, audio cassette tapes, and one Betacam tape have been moved to the Mss. Audiovisual Collection. These items, while separated physically for storage, have been intellectually moved back into this collection."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","League of Women Voters of the Williamsburg Area Records"],"corpname_ssim":["Special Collections Research Center","League of Women Voters of the Williamsburg Area Records"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:10:44.245Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_2315","ead_ssi":"viw_repositories_2_resources_2315","_root_":"viw_repositories_2_resources_2315","_nest_parent_":"viw_repositories_2_resources_2315","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2315.xml","title_filing_ssi":"League of Women Voters of the Williamsburg Area records","title_ssm":["League of Women Voters of the Williamsburg Area records"],"title_tesim":["League of Women Voters of the Williamsburg Area records"],"unitdate_ssm":["1932-2021"],"unitdate_inclusive_ssm":["1932-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 76 L47","/repositories/2/resources/2315"],"text":["Mss. 76 L47","/repositories/2/resources/2315","League of Women Voters of the Williamsburg Area records","Memorandums","Voting","Women in politics--United States--History--20th century","Women--History--Virginia","Women--Suffrage--Virginia","Agendas (administrative records)","Correspondence","Minutes","Photographs","Publications","Reports","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Additions to the collection are ongoing. The finding aid will be updated to reflect accruals to the collection.","The League of Women Voters of the Williamsburg Area has also been known in the past as the League of Women Voters of Williamsburg, Va., and the League of Women Voters of Williamsburg-James City County. These names appear to have been used at times interchangeably.  at .","Videocassettes, audiocassettes, and floppy disks from this collection have been moved to the Manuscripts Audiovisual Collection.","Records of the League of Women Voters of the Williamsburg Area (LWVWA). Includes minutes, agendas, correspondence, publications, reports, photographs, memorandums, newsletters, president's files, video recordings and newspaper clippings. Topics covered include among others arms control, national security issues and domestic legislation, information relating to lobbying, etc.","Records of the Williamsburg-James City County, Va. chapter of the League of Women Voters. Includes minutes, agendas, correspondence, publications, reports, photographs, memorandums, and newspaper clippings. Addition to the Collection of materials relating to arms control, national security issues and domestic legislation, information relating to lobbying, and newsletters.","Bulletins, agendas and correspondence concerning the Equal Rights Amendment.","Letter and pamphlet on Presidential Debate at Phi Beta Kappa Memorial Hall in Williamsburg, Virginia in 1976.","Letters to and from Legislators and others regarding the Equal Rights Amendment. Some papers and notes on ERA.","Addition to records of the League of Women Voters of Williamsburg-James City County","48 items.","47 items.","25 items.","18 items","25 items.","30 items","23 items.","27 items.","18 items.","13 items.","12 items.","15 items.","7 items.","An inventory for this accession is available at http://vip.lib.virginia.edu:8080/cocoon/vivaead/published/wm/viw00118.xml.frame","League of Women Voters Records. No inventory for this accession.","Scope and Contents Acc. 2010.342 consists of miscellaneous newsletters, 1992-2002; Voter Service records, 2002-2005; President's files, 2002-2005; a studies binder on Restorative Justice, 2003-2005; and two VHS and one Betacam tapes: Fall candidates forums for Virginia Delegates (2), 2003; and LVWUS \"Shakedown Your Vote\", 2004.","This series contains bulletins of the League of Women Voters of Virginia from 1976-1986 and bulletins from the Williamsburg Area League of Women Voters from 1984-1997.","One VHS tape titled: 75 Years of a Great Idea, 2006 and 2008 League of Women Voters National Convention packets and photographs, publicity information, voter services for 2003, study on homeslessness in the Williamsburg area for 2004, 2000- 2008 facts for voters booklets, treasurer folders for 2003-2008, and Board of Directors resumes 2003- 2008.","Short book published by the League of Women Voters of the United States, includes information about political parties, national conventions, campaigning, and the general election process.","Four (4) English brochures and one (1) Spanish brochure for the League of Women Voters of the Williamsburg Area, discuss membership and benefits of political involvement with the organization","HBO Studio, HSP Productions","Total running time: 2 hours","Secretary's Notes for Womens League of Voters of the Williamsburg Area, includes media clippings, committee reports, offical correspondence, agendas, pamphlets, meeting minutes, member information, voting booklets.","This series contains an addition of newsletters, correspondence, memorandums, and event papers.","8 folders","4 folders","5 folders","This series contains membership trifolds, one dating to 2020, one undated; multiple issues of newsletters from 2016-2019 and 2021; five notebooks with photographs and newspaper clippings dating from 1991 to 2020 as well as documents of annual meeting workbooks and minutes from 2017-2021. Folders of board minutes from 2019-2021 are also included.","1 binder","9 folders and 1 binder","3 binders","7 floppy discs from the 2003-2004 President's files, two VHS tapes, audio cassette tapes, and one Betacam tape have been moved to the Mss. Audiovisual Collection. These items, while separated physically for storage, have been intellectually moved back into this collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","League of Women Voters of the Williamsburg Area Records","English"],"unitid_tesim":["Mss. 76 L47","/repositories/2/resources/2315"],"normalized_title_ssm":["League of Women Voters of the Williamsburg Area records"],"collection_title_tesim":["League of Women Voters of the Williamsburg Area records"],"collection_ssim":["League of Women Voters of the Williamsburg Area records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["League of Women Voters of the Williamsburg Area Records"],"creator_ssim":["League of Women Voters of the Williamsburg Area Records"],"creator_corpname_ssim":["League of Women Voters of the Williamsburg Area Records"],"creators_ssim":["League of Women Voters of the Williamsburg Area Records"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["76 L47 (1976.37)  Williamsburg Chapter of the League through Mrs David Kranbuehl. 1983.41      Gift of the local Chapter (through Peggy Kossler). 1994.63A    Gift of the League of Women Voters of Williamsburg through Mrs. Peggy Kossler. 2008.98        LWV via  Barbara Worthen. For information on additions made after 2008 please contact a staff member for details. 2016.084  Gift of the League of Women Voters via Barbara Worthen. 2016.101 Gift of the League of Women Voters via Barbara Worthen"],"access_subjects_ssim":["Memorandums","Voting","Women in politics--United States--History--20th century","Women--History--Virginia","Women--Suffrage--Virginia","Agendas (administrative records)","Correspondence","Minutes","Photographs","Publications","Reports","Video recordings"],"access_subjects_ssm":["Memorandums","Voting","Women in politics--United States--History--20th century","Women--History--Virginia","Women--Suffrage--Virginia","Agendas (administrative records)","Correspondence","Minutes","Photographs","Publications","Reports","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["11.25 Linear Feet"],"extent_tesim":["11.25 Linear Feet"],"genreform_ssim":["Agendas (administrative records)","Correspondence","Minutes","Photographs","Publications","Reports","Video recordings"],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eAdditions to the collection are ongoing. The finding aid will be updated to reflect accruals to the collection.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Additions to the collection are ongoing. The finding aid will be updated to reflect accruals to the collection."],"bioghist_html_tesm":["\u003cp\u003eThe League of Women Voters of the Williamsburg Area has also been known in the past as the League of Women Voters of Williamsburg, Va., and the League of Women Voters of Williamsburg-James City County. These names appear to have been used at times interchangeably.  at .\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The League of Women Voters of the Williamsburg Area has also been known in the past as the League of Women Voters of Williamsburg, Va., and the League of Women Voters of Williamsburg-James City County. These names appear to have been used at times interchangeably.  at ."],"prefercite_html_tesm":["\u003cp\u003eLeague of Women Voters of the Williamsburg Area records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["League of Women Voters of the Williamsburg Area records, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eVideocassettes, audiocassettes, and floppy disks from this collection have been moved to the Manuscripts Audiovisual Collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Videocassettes, audiocassettes, and floppy disks from this collection have been moved to the Manuscripts Audiovisual Collection."],"scopecontent_html_tesm":["\u003cp\u003eRecords of the League of Women Voters of the Williamsburg Area (LWVWA). Includes minutes, agendas, correspondence, publications, reports, photographs, memorandums, newsletters, president's files, video recordings and newspaper clippings. Topics covered include among others arms control, national security issues and domestic legislation, information relating to lobbying, etc.\u003c/p\u003e","\u003cp\u003eRecords of the Williamsburg-James City County, Va. chapter of the League of Women Voters. Includes minutes, agendas, correspondence, publications, reports, photographs, memorandums, and newspaper clippings. Addition to the Collection of materials relating to arms control, national security issues and domestic legislation, information relating to lobbying, and newsletters.\u003c/p\u003e","\u003cp\u003eBulletins, agendas and correspondence concerning the Equal Rights Amendment.\u003c/p\u003e","\u003cp\u003eLetter and pamphlet on Presidential Debate at Phi Beta Kappa Memorial Hall in Williamsburg, Virginia in 1976.\u003c/p\u003e","\u003cp\u003eLetters to and from Legislators and others regarding the Equal Rights Amendment. Some papers and notes on ERA.\u003c/p\u003e","\u003cp\u003eAddition to records of the League of Women Voters of Williamsburg-James City County\u003c/p\u003e","\u003cp\u003e48 items.\u003c/p\u003e","\u003cp\u003e47 items.\u003c/p\u003e","\u003cp\u003e25 items.\u003c/p\u003e","\u003cp\u003e18 items\u003c/p\u003e","\u003cp\u003e25 items.\u003c/p\u003e","\u003cp\u003e30 items\u003c/p\u003e","\u003cp\u003e23 items.\u003c/p\u003e","\u003cp\u003e27 items.\u003c/p\u003e","\u003cp\u003e18 items.\u003c/p\u003e","\u003cp\u003e13 items.\u003c/p\u003e","\u003cp\u003e12 items.\u003c/p\u003e","\u003cp\u003e15 items.\u003c/p\u003e","\u003cp\u003e7 items.\u003c/p\u003e","\u003cp\u003eAn inventory for this accession is available at http://vip.lib.virginia.edu:8080/cocoon/vivaead/published/wm/viw00118.xml.frame\u003c/p\u003e","\u003cp\u003eLeague of Women Voters Records. No inventory for this accession.\u003c/p\u003e","\u003cp\u003eScope and Contents Acc. 2010.342 consists of miscellaneous newsletters, 1992-2002; Voter Service records, 2002-2005; President's files, 2002-2005; a studies binder on Restorative Justice, 2003-2005; and two VHS and one Betacam tapes: Fall candidates forums for Virginia Delegates (2), 2003; and LVWUS \"Shakedown Your Vote\", 2004.\u003c/p\u003e","\u003cp\u003eThis series contains bulletins of the League of Women Voters of Virginia from 1976-1986 and bulletins from the Williamsburg Area League of Women Voters from 1984-1997.\u003c/p\u003e","\u003cp\u003eOne VHS tape titled: 75 Years of a Great Idea, 2006 and 2008 League of Women Voters National Convention packets and photographs, publicity information, voter services for 2003, study on homeslessness in the Williamsburg area for 2004, 2000- 2008 facts for voters booklets, treasurer folders for 2003-2008, and Board of Directors resumes 2003- 2008.\u003c/p\u003e","\u003cp\u003eShort book published by the League of Women Voters of the United States, includes information about political parties, national conventions, campaigning, and the general election process.\u003c/p\u003e","\u003cp\u003eFour (4) English brochures and one (1) Spanish brochure for the League of Women Voters of the Williamsburg Area, discuss membership and benefits of political involvement with the organization\u003c/p\u003e","\u003cp\u003eHBO Studio, HSP Productions\u003c/p\u003e\n","\u003cp\u003eTotal running time: 2 hours\u003c/p\u003e","\u003cp\u003eSecretary's Notes for Womens League of Voters of the Williamsburg Area, includes media clippings, committee reports, offical correspondence, agendas, pamphlets, meeting minutes, member information, voting booklets.\u003c/p\u003e","\u003cp\u003eThis series contains an addition of newsletters, correspondence, memorandums, and event papers.\u003c/p\u003e","\u003cp\u003e8 folders\u003c/p\u003e","\u003cp\u003e4 folders\u003c/p\u003e","\u003cp\u003e5 folders\u003c/p\u003e","\u003cp\u003eThis series contains membership trifolds, one dating to 2020, one undated; multiple issues of newsletters from 2016-2019 and 2021; five notebooks with photographs and newspaper clippings dating from 1991 to 2020 as well as documents of annual meeting workbooks and minutes from 2017-2021. Folders of board minutes from 2019-2021 are also included.\u003c/p\u003e","\u003cp\u003e1 binder\u003c/p\u003e","\u003cp\u003e9 folders and 1 binder\u003c/p\u003e","\u003cp\u003e3 binders\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records of the League of Women Voters of the Williamsburg Area (LWVWA). Includes minutes, agendas, correspondence, publications, reports, photographs, memorandums, newsletters, president's files, video recordings and newspaper clippings. Topics covered include among others arms control, national security issues and domestic legislation, information relating to lobbying, etc.","Records of the Williamsburg-James City County, Va. chapter of the League of Women Voters. Includes minutes, agendas, correspondence, publications, reports, photographs, memorandums, and newspaper clippings. Addition to the Collection of materials relating to arms control, national security issues and domestic legislation, information relating to lobbying, and newsletters.","Bulletins, agendas and correspondence concerning the Equal Rights Amendment.","Letter and pamphlet on Presidential Debate at Phi Beta Kappa Memorial Hall in Williamsburg, Virginia in 1976.","Letters to and from Legislators and others regarding the Equal Rights Amendment. Some papers and notes on ERA.","Addition to records of the League of Women Voters of Williamsburg-James City County","48 items.","47 items.","25 items.","18 items","25 items.","30 items","23 items.","27 items.","18 items.","13 items.","12 items.","15 items.","7 items.","An inventory for this accession is available at http://vip.lib.virginia.edu:8080/cocoon/vivaead/published/wm/viw00118.xml.frame","League of Women Voters Records. No inventory for this accession.","Scope and Contents Acc. 2010.342 consists of miscellaneous newsletters, 1992-2002; Voter Service records, 2002-2005; President's files, 2002-2005; a studies binder on Restorative Justice, 2003-2005; and two VHS and one Betacam tapes: Fall candidates forums for Virginia Delegates (2), 2003; and LVWUS \"Shakedown Your Vote\", 2004.","This series contains bulletins of the League of Women Voters of Virginia from 1976-1986 and bulletins from the Williamsburg Area League of Women Voters from 1984-1997.","One VHS tape titled: 75 Years of a Great Idea, 2006 and 2008 League of Women Voters National Convention packets and photographs, publicity information, voter services for 2003, study on homeslessness in the Williamsburg area for 2004, 2000- 2008 facts for voters booklets, treasurer folders for 2003-2008, and Board of Directors resumes 2003- 2008.","Short book published by the League of Women Voters of the United States, includes information about political parties, national conventions, campaigning, and the general election process.","Four (4) English brochures and one (1) Spanish brochure for the League of Women Voters of the Williamsburg Area, discuss membership and benefits of political involvement with the organization","HBO Studio, HSP Productions","Total running time: 2 hours","Secretary's Notes for Womens League of Voters of the Williamsburg Area, includes media clippings, committee reports, offical correspondence, agendas, pamphlets, meeting minutes, member information, voting booklets.","This series contains an addition of newsletters, correspondence, memorandums, and event papers.","8 folders","4 folders","5 folders","This series contains membership trifolds, one dating to 2020, one undated; multiple issues of newsletters from 2016-2019 and 2021; five notebooks with photographs and newspaper clippings dating from 1991 to 2020 as well as documents of annual meeting workbooks and minutes from 2017-2021. Folders of board minutes from 2019-2021 are also included.","1 binder","9 folders and 1 binder","3 binders"],"separatedmaterial_html_tesm":["\u003cp\u003e7 floppy discs from the 2003-2004 President's files, two VHS tapes, audio cassette tapes, and one Betacam tape have been moved to the Mss. Audiovisual Collection. These items, while separated physically for storage, have been intellectually moved back into this collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["7 floppy discs from the 2003-2004 President's files, two VHS tapes, audio cassette tapes, and one Betacam tape have been moved to the Mss. Audiovisual Collection. These items, while separated physically for storage, have been intellectually moved back into this collection."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","League of Women Voters of the Williamsburg Area Records"],"corpname_ssim":["Special Collections Research Center","League of Women Voters of the Williamsburg Area Records"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:10:44.245Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_2315"}},{"id":"viw_repositories_2_resources_695","type":"collection","attributes":{"title":"Manuscripts Audiovisual Collection","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_695#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_695#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_695","ead_ssi":"viw_repositories_2_resources_695","_root_":"viw_repositories_2_resources_695","_nest_parent_":"viw_repositories_2_resources_695","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_695.xml","title_filing_ssi":"Audiovisual, Manuscripts Collection","title_ssm":["Manuscripts Audiovisual Collection"],"title_tesim":["Manuscripts Audiovisual Collection"],"unitdate_ssm":["1920-2013"],"unitdate_inclusive_ssm":["1920-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. 1.04","/repositories/2/resources/695"],"text":["01/Mss. 1.04","/repositories/2/resources/695","Manuscripts Audiovisual Collection","Audiocassettes","DVDs","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Additions are being made to this collection on an ongoing basis.","Many of the audiovisual recordings inventoried in this collection came to the Special Collections Research Center as part of a collection of personal papers or organizational records. Those relationships are documented when known.","The physical condition of some audiovisual formats may restrict access to the original recordings."," Special equipment is required to listen to or view audiovisual recordings.","The Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.","Contains videocassete tapes that were pulled from the Vincent DeVita Papers (Mss. 84 D49).","One VHS tape.","One VHS tape","One VHS tape","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","Two VHS tapes.","One VHS tape","One VHS tape","One VHS tape","Contains videocassette tapes that were pulled from the Richard J. Davis Papers (Mss. 86 D27).","One VHS tape","Contains videocassette tapes that were pulled from the Glenn Close Papers (Mss. 93 C62). See Mss. Acc. 2010.601 below for more videocassette tapes from the Glenn Close Papers.","One VHS tape","One VHS Tape","One VHS tape","One Betamax tape.","One VHS tape.","One VHS tape.","One VHS show.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape, performed at Deutsches Theater, Berlin.","One VHS tape.","One VHS tape.","One VHS tape.","Two VHS tapes.","One oversize VHS tape.  Stored at the end of Series 1.","Running time 13:34. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from the Henry Chapin Papers (Mss. 1993.005).","Three VHS tapes.","Contains videocassette tapes that were pulled from the Lee Family Papers (Mss. 1993.006-01).","One VHS tape.","1930. The Geddy Family of Williamsburg 1931. The Yorktown Sesquicentennial 1933. Miami No date. Arizona Desert School - Tuscon","Contains videocassette tapes that were pulled from the Rosa Marie and James A. Fuller Papers (Mss. 2001 F95).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2001.50 of the Louis E. Catron Papers. For more, see also Sub-Series 9.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.034 of the Woman's Club of Williamsburg Records.","Two U-matic tapes.","One VHS tape.","Running time 30 min. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.039 of the Louis E. Catron Papers. For more, see Sub-Series 7.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from the James A. Bill Papers (Mss. Acc. 2003.066).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","For more, see audio cassette tapes.","One VHS tape of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Jive.  C-SPAN.  One VHS tape.","Berlin, NYC.  One VHS tape.","One VHS tape of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Contains videocassette tapes that were pulled from the Art Song of Williamsburg Records (Mss. Acc. 2007.058).","One VHS tape.","One VHS tape.","One VHS tape.","Marketing video with cassette tape which was to be placed with video. One VHS tape.","Contains videocassette tapes that were pulled from the Williamsburg Regional Commission on Growth and Historic Triangle Growth Management Group Papers (Mss. 2008.077).","One VHS tape.","One VHS tape.","One VHS tape.","For more, see Sub-Series 17. There are also audio cassettes and computer discs from this collection.","One VHS tape.","Tape features a health program, a continual candidates forum, Williamsburg City Council meeting.  One VHS tape.","1 VHS tape, running time 18 min.","One VHS tape, running time 12 min.","One VHS Tape.","One VHS tape.","One VHS tape.","Virginia Senate District 3, VA Delegates District 96 \u0026 97, Candidates Forum, Stryker Building, Williamsburg. One VHS tape.","One VHS tape.","One VHS tape.","Produced by the Alliance for Better Campaigns, running time 9 minutes, 1 VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.114 of the Claudia Stevens Papers. For more, see Sub-Series 16.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Three VHS tapes.","One VHS tape.","Two VHS tapes.","One VHS tape.","One oversized VHS tape.  Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.139 of the Hamilton Family Papers.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.601 of the Claudia Stevens Papers. For more, see Sub-Series 14.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2010.342 of the League of Women Voters of the Williamsburg Area Records. For more, see Sub-Series 13. There are also audio cassettes and computer disks from this collection.","Two VHS tapes.","One Betacam tape with two WWE wrestlers.","This accession also includes an oversize video tape and a cassette tape.","Running time 63 minutes. One VHS tape.","Redford. One VHS tape.","The Kanew Company. Tape Dub. One VHS tape.","One VHS tape. 1 hr 37 min.","Length: 11:30. One VHS tape.","Starring Gloria Swanson, Lionel Barrymore, and Raoul Walsh.  One VHS tape.","One VHS tape.","Roughcut. Viewing cassette. One VHS tape.","One VHS tape.","Sesame Street. One VHS tape.","The Lifetime Channel. One VHS tape.","One VHS tape.","Dub. One VHS tape.","Greta Cammermeyer - Prime Time Live. One VHS tape.","Walt Disney Pictures. 60 sec. One VHS tape.","Rough Publicity Clip. TRT: 1:04. Glenn Close Clip. One VHS tape.","Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Los Angeles Coverage. One VHS tape.","One VHS tape.","Guests: Glenn Close, Vanessa Mae, Martin Sheen, Malik Yoba. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. One VHS tape.","One VHS tape.","TCA Highlights. One VHS tape.","TCA Highlights. One VHS tape.","Avid Cut. RT: 11:03. One VHS tape.","TRT - 45:00. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Includes Tribute Speeches by Jane Seymour and Glenn Close. One VHS tape.","Trailers. One VHS tape.","Columbia Pictures. Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Nightline. One VHS tape.","Columbia Pictures. Featurette. Length: 5:59. One VHS tape.","Hosted by Glenn Close. Starring Aaliyah, Shirley Caesar, Deana Carter, Hanson and Thomas Hampson. One VHS tape.","Winner Communications. 105:00. One VHS tape.","Sarajevo Package. One VHS tape.","Subject - Sarajevo. One VHS tape.","Columbia Tristar Home Video. 1. Access Hollywood. KNBC TV (NBC) Los Angeles. 3:32. 1 October 1998. 2. Entertainment Tonight. KCBS TV (CBS) Los Angeles. :27. 2 November 1998. 3. Good Morning America. ABC-TV Network. 6:58. 3 November 1998. One VHS tape.","Walt Disney Pictures. EPK Materials. 9:40. 1. Character Voices 2. Kala and Kerchak 3. Terk and Tantor One VHS tape.","One VHS tape.","Sizzle Piece v. 5. TRT: 3:00. One VHS tape.","Walt Disney Pictures. Select B-Roll. Revised V 2.1. TRT: 54:37. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. Select Soundbites Cut #3. TRT 36:42. One VHS tape.","Walt Disney Pictures. Rough Clips #2. TRT 23:10. One VHS tape.","ABC Entertainment. Press Tour Clip. Version 1. 20 min. TRT 21:54. One VHS tape.","One VHS tape.","ABC Hollywood. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","TRT : 59:30. One VHS tape.","B-Roll selects. One VHS tape.","Master Dub. One VHS tape.","Press Tour. One VHS tape.","One VHS tape.","B-Roll selects. One VHS tape.","B-Roll. Running Time 9:00. One VHS tape.","Rabbit Ears Productions. 30 mins. One VHS tape.","One VHS tape.","One VHS tape.","1. 213ST - Bravo Logo 2. #2 PSA - Reggie Rivers/Denver Arts PSA One VHS tape.","Scott Mauro Entertainment. 12:36. One VHS tape.","EP # 1083. For Talent. Stereo TRT 20:49. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long. A DVD version of the video is avaiable in Series 4.","Three Cassette Tapes.","Basil Rathbone.  Dupont Theatre.  Two Cassette Tapes.","One Cassette Tape.","Nine Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One cassette tape.","Nine Cassette Tapes. For more, see Sub-Series 6.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Chapel of the Wren Building, at the College of William and Mary. One Cassette Tape.","Accession number 1990-36. One cassette tape.","One Cassette Tape.","One Cassette Tape.","Recorded interviews on James City County history.","One cassette tape.","One cassette tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","Four Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. See Doris Wildenburger.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. No transcripts, cassette dated 12/8/87.","Three Cassette Tapes.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","For more, see Sub-Series 3.","One Cassette Tape.","Jeremiah Clarke - The Prince of Denmark's March; Trumpet Tune; Almand in D; Round O in a; Jigg in A. From Choice Lessons. One cassette tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","80 min. One Cassette Tape.","One Cassette Tape.","40 min. One Cassette Tape.","Svec was a neighbor of Aleksandr Solzhenitsyn, the Nobel Prize Winning Russian dissident writer. Interview by Frank Shatz. 10 min. One Cassette Tape.","Frank Shatz is the interviewer. Run time 20 min. One Cassette Tape.","Running time 20 minutes. One Cassette Tape.","Running times 20min and 30 min, respectively. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Interviewer is Frank Shatz. Running Time 25 min. One Cassette Tape.","Interviewer Frank Shatz. 15 minutes. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Six Cassette Tapes.","Jack \u0026 Catherine Morpurgo. Community Arts Programme, Caldwell Idaho. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. 5-6 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer. 15 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 20 min. One Cassette Tape.","Fifty-four audio cassette tapes of interviews by James A. Bill.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","New York. One Cassette Tape.","Austin, TX. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","One Cassette Tape.","Princeton. One Cassette Tape.","One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","New York. One Cassette Tape.","New York City. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Washington, D.C. One Cassette Tape.","Cambridge, MA. One Cassette Tape.","One audio cassette tape.","One audio cassette tape.","One audio cassette tape interview possibly covering the Iran-Contra affair.","Tapes are CLOSED.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Frank Shatz is the Interviewer. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Tapes are CLOSED.","Reves Center Global Forum, 40 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Read by Scott Martin. Two cassette tapes.","Tapes are CLOSED.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. 15 min. One cassette tape.","Frank Shatz is the interviewer.  20 min.  One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Recorded by Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Frank Shatz, Gene Nichol, Paul Verkuil, Tim Sullivan, and Dr. Kern Wildenthal. One cassette tape.","Tapes are CLOSED.","Telephone Interview by Frank Shatz. One cassette tape.","Interview by Frank Shatz. One cassette tape.","Interviews on cassette tapes.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape. For more, see B side of tape 52.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Two cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Two cassette tapes.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape. More of Laurence (Larry) Deutsch on the B Side.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Three cassette tapes.","Two cassette tapes.","Three cassette tapes.","One cassette tape.","One cassette tape.","By League of Women Voters. Williamsburg Public Library. One cassette tape.","Four cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Five cassette tapes with music for common year (?).","One cassette tape.","One cassette tape.","Three cassette tape.","GC-4089 and GC-4088. One cassette tape.","GC-4107 and GC-4085. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Tapes are CLOSED. Nine cassette tapes.","Interview at the Reves Center with Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 40 min. One cassette tape.","Interview by Frank Shatz. 25 min. One cassette tape.","Interview by Frank Shatz. 35 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Audio cassettes relating to the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","The radio broadcast for \"NPR Playhouse.\"  One cassette tape.","Tapes are CLOSED. Thirteen tapes.","Frank Shatz is the interviewer. 25 min. One cassette tape.","Frank Shatz is the interviewer. 35 min. One cassette tape.","One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer.  Running time 10 min.  One cassette tape.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 45 min. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Tapes are CLOSED.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 20 minutes long. One audiocassette tape.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 10 minutes long. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Fank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Audiocassette tapes of piano performances by Claudia Stevens.","One audiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126 Copland, Piano Fantasy Schumann, Sonata in F minor, Opus 14","Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (an National Public Radio affiliate).","Scope and Contents Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\" . Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\" ), Joel Chadabe, and Betsy Jolas.","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\" .","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","Tapes are closed.","Interview by Frank Shatz. The tape is approximately 30 minutes in length.","Interview by Frank Shatz of Colin Campbell, president of Colonial Williamsburg. Tape length is approximately 20 minutes in length.","Interview by Frank Shatz with Tim O'Brien, writer. Tape lenght is approximately 20 minutes in length.","One CD.","Three CDs of first, second, and final transcription of selected letters by Lonnie Dobbs.","One CD.","One CD.","One CD.","Piano, 1816, owned by William \u0026 Mary, 2003. Conservation by John Watson \u0026 Louis Dolive, Colonial Williamsburg. One CD.","Recordings of Claudia Stevens' piano concerts, including programs.","One CD.","One CD.","One CD.","Two CDs related to Jamestown Commemorative Postage Stamp.","One CD.","One CD.","Inaugural concert. With Lisa Edwards-Burrs, soprano, and Ruth Easterling Winters, pianist. One CD.","With Will Crutchfield, lecturer/pianist, and Steven Tharp, tenor. One CD.","With Michael Posey, tenor, and Ruth Easterling Winters, pianist. Two CDs.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. Five CDs.","With Pamela Armstrong, soprano, and Melanie Day, pianist. Four CDs.","Branch Fields, with Ruth Easterling Winters. One CD.","With Martha Slay, mezzo-soprano, and Charles Staples, pianist. One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  Two CDs.","With Stephen Tharp, tenor, and Will Crutchfield, pianist. One CD.","With Georgeann Paddock, soprano, Jonathan Hays, baritone, and Ruth Easterling Winters, pianist. Two CDs.","With Robynne Redmon, mezzo-soprano, and Charles Woodward, pianist. Four CDs.","With Lisa Edwards-Burrs, soprano, and Melanie Day, pianist. One CD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One CD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. One CD.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Four CDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two CDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three CDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. One CD.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Four CDs.","CD-roms of Bucktrout and Draughtsman map imaged by Colonial Williamsburg.","One CD.","One CD.","One CD.","One CD.","One CD.","One CD.","Five Seasons, as performed at Atlanta Memorial Arts Center, Atlanta, GA. First performed February 6, 1979, recorded February 27, 1979. By Merritt Ierley, Lavinia Phillips, Soprano, and Judith Shulz, Pianist. One CD.","Two unopened CDs.","One CD.","One CD.","One CD.","One CD.","One CD.","In PDF format. One CD.","April 2005, February 2005, Flag Day 2005, January 2005, May 2005. One CD.","Veterans' Day, 2007. One CD.","Veterans' Day, 2010. One CD.","Memorial Day, 2010. One CD.","One CD.","One CD.","Performed live (mostly) at the Celebration of William Cabbell's 300th Birthday, October 21-22, 2000 at the Williasmburg Lodge.","Recording of a campaign rally for state Senator Garland Gray. Speakers include Russell M. Carneal, Robert Hornsby, H. W. Stryker, Fred M. Flanary, Davis Y. Paschall, and Garland Gray.","One compact disc of digital transcripts of letters from Julia Cherney (Bateman) to Clara Walde (Lawrence) while serving as a missionary in China from 1909 to 1923. From the Clara Lawrence Papers, Mss. Acc. 2009.299, series 1, box 3.","Played on the organ of Bruton Parish Church by James Darling, organist.","Two copies of a DVD on John Marshall. Running time 29 min.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","One DVD of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD case.","One DVD.","Hightlights from Queen Elizabeth II and Prince Philip's visit to Jamestown and Williamsburg, commemorating the 400th anniversary of the Jamestown settlement. One DVD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One DVD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. Four DVDs.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Three DVDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two DVDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three DVDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. Five DVDs.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Seven DVDs.","One DVD.","Two DVDs.","One DVD.","Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Ida Green Arena Theater. Item 12. One DVD.","One DVD.","Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","Recorded at Berkeley Art Center. One DVD.","A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Baltimore Theater. One DVD.","Charlotte Kaufman, director. An Opera in Two Acts, being Mr. Doggett's farce of The Country Wake altered after the manner of The Beggar's Opera. By John Hippisley, 1729. Harvard Unitarian Church, Harvard, Mass. One DVD.","Charlotte Kaufman, Director. A Ballad Opera Farce. Remis Auditorium. One DVD.","Charlotte Kaufman, director and harpsichord. Staged by Craig Wich. Remis Auditorian. One DVD.","One DVD.","Two DVDs.","One DVD.","A film by Julia Melchoir and Sebastian Denhardt. One DVD.","At St. John's Kirk, Perth, Scotland. One DVD.","Contains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Contains three files relating to the Cabell Family homes and graveyards in Nelson, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Format is Word Perfect 5.1. One 3.5 inch floppy disk.","WHRA","Two 3.5 inch floppy disks.","One disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","FS- 95/96, 96/97, 97/98; Dues 97/98; Treasurer's Job; Envelope. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Four disks with office files.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Pictures, files. Four 3.5 inch floppy disks","President's files.","Brochure, handbook, letterhead, fax form, agenda, invoice, membership renewal form. One 3.5 inch floppy disk.","LWVWA 2000-2001 Education proposal, Education positions, LWVWA Education study proposal, working on a LWV study (P. Kent). One 3.5 inch floppy disk.","Newsletter and labels, invitations and flyers. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Board meetings, agenda, letter. One 3.5 inch floppy disk.","Policies, by-laws, positions, annual meeting handout, grant applications. One 3.5 inch floppy disk.","Scope and Contents Must be played with wooden \"Kacti\" needle. One record.","An example of material distributed during political campaigns. One 33 rpm disk.","By R. B. Tisdale. One 33 1/3 rpm disk.","Songs: Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Eyes.  One 33 1/3 rpm disk.","Dunmore - Bouree - Fireworks. One 33 1/3 rpm disk.","Country dance. Reserve copy. Two cuttings. One 33 1/3 rpm disk.","Dunmore Ballet, Scarlotti, Allemande, Gallop, Country Dance. \"Too fast!\" One disk.","Dunmore Ballet, Allemande, Gallop, Country Dance, Scarlotti. One disk.","Sowers \u0026 Reapers - plus (?) Diggers - Orch. Band I + II - Yankee Doodle Band III + IV - One disk.","One disk.","One 33 1/3 rpm disk.","One disk.","Side 1: Music from The Common Glory (Musical Synopsis) Side 2: Common Glory Concert Choir One 33 1/3 rpm disk.","Dunmore Ballet, Rainy Night. One 33 1/3 rpm disk.","Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Ones. One 33 1/3 rpm disk.","Recorded by Ray Charles Singers with orchestra. Three Ships, Pocahontas, The Old Church Tower, Jamestown. One disk.","One disk.","One 33 1/3 rpm disk.","One disk. Damaged.","Dave Remington Quartet. Lyrics by P. Quinto, S. Spilmon, M. Vallo. Music by Vincent Chiarelli. One 45 rpm disk.","One 78 rpm disk.","One disk.","One 33 1/3 rpm disk.","George Passage News.  Recorded in Richmond, Va.  Three 78 rpm disks.","Roanoke, Va.  One 33 1/3 rpm disk.","Richmond, Va.  Three 78 rpm disks.","Three 33 1/3 rpm disks.","Political Anns. Open \u0026 Closing included.  One 33 1/3 rpm disk.","José Iturbi, pianist.  One disk.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist before entering the College of William and Mary.","Two records. Includes note from Glenn Close to Howard Scammon, May 31, 1985.","Transferred from the music library.","Soundtrack to the musical by Stephen Sondheim and directed by Harold Prince. With Angela Lansbury and Len Cariou. Case is signed by the cast members. Two records.","Scope and Contents A \"back-alley opera\" narrated by David Wayne. With Carol Channing and Eddie Bracken. One record.","A musical by Cy Coleman and Michael Stewart. With Glenn Close and Jim Dale. In original case signed by cast members. One record.","Eleven songs performed by Dudley Moore (piano) and Cleo Laine (vocals). Case signed by Cleo and the producer. One record.","Soundtrack of the musical by Jerry Herman and Harvey Firestein. With George Hearn and Gene Barry. Record case signed by cast. One record.","Album by Perry Como. Case signed by the artist. One record.","The Common Glory orchestra and soloists from the Common Glory choir (including members of the William and Mary choir) in a concert performace of Act 1 of \"The Marriage of Figaro.\" Monday, August 20, 1956, in Blow Gymnasium at the College of William and Mary. Program and two 33 1/3 LP records.","Recording of the musical program presented by WVEC-TV on January 29, 1960, honoring the 350th anniversary of the city of Hampton, Virginia.","\"A report to all Armstrong men and women of our operating results.\" Stockholders address from Armstrong Cork Company. One 7 inch 45 rpm record and booklet.","Directed by Mr. C. W. Moore. Four tracks. One 33 1/3 rpm record","Narrated by Ralph Cooper. Recorded in Washington D.C., August 28, 1963. One 33 1/3 rpm record.","Performed by J. S. Darling on the Wren Chapel Organ at the College of William and Mary. Produced by Colonial Williamsburg Foundation.","State Capitol. One 1/4 inch audio reel.","Audio tape, along with a letter from Governor Godwin's office and a transcript of the tape.  The tape was broadcast by 50 stations on September 6, 1968.  One 1/4 inch reel.","Two 1/4 inch audio reels.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audio recording of the 1952 program \"At Home with Lindy,\" sponsored by the Colonial Dames of Lexington, VA. Probably belonging to Mary Meares Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Probably belonging to Mary M. Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Radford, VA. 5 min overall length. Two copies, 1/4 inch audio reels.","One 1/4 inch audio reel.","Reel #41, Machine #2. Program time 29:30. Tape speed 7 1/2. Recorded by Bill. One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audiotape of a lecture in which Dr. Koontz participated. One 1/4 inch audio tape. Folder includes typed information on lecture.","Box 1. Tape 14, letter number 61. Contents unknown. One 1/4 inch audio reel.","Box 2. Contents unknown. One 1/4 inch audio reel.","Box 3. Contents unknown. One 1/4 inch audio reel.","Box 4. Contents unknown. One 1/4 inch audio reel.","Box 5. Contents unknown. One 1/4 inch audio reel.","Box 6. Contents unknown. One 1/4 inch audio reel.","Box 7. Contents unknown. One 1/4 inch audio reel.","Box 8. Contents unknown. One 1/4 inch audio reel.","Box 9. Contents unknown. One 1/4 inch audio reel.","Box 10. Contents unknown. One 1/4 inch audio reel.","Collection is CLOSED.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","One sixty second radio spot. 7 1/2 ips - mono, one reel.","One sixty second radio spot.  7 1/2 ips - mono, one reel.","One sixty second radio spot. One reel.","One sixty second radio spot. 7 1/2 ips - mono master, one reel.","Reel-to-reel audiotapes of various piano performances by Claudia Stevens around the United States, including Carnegie Hall, Harvard University, National Public Radio, and the College of William and Mary.","The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven, Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premiers, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\" ). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Contains three reel-to-reel audiotapes of theater productions including \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman Tape I.\"","Scope and Contents One 7\" reel-to-reel audiotape of a production called \"Family Stones\" that was once owned by William and Mary Theatre Director Howard Scammon. The tape speed is 3 3/4.","One 2500 ft. reel-to-reel audiotape that is labeled \"Chapman Tape I.\" The audiotape was once owned by William and Mary Theatre Director Howard Scammon.","Scope and Contents One 2500 ft. reel-to-reel audiotape from a production entitled \"Chapman II\" that was once owned by William and Mary Theatre Director Howard Scammon. The audiotape was recorded at 7 1/2 inches per second. The approximate lenght of the tape is one hour.","One reel-to-reel audiotape labeled Mine workers monologues...European History.","Could have been filmed by CW or the VA Chamber of Commerce. No sound, black and white. One oversize video reel.","No sound, black and white. Raw footage. Lathen Zimmer, Virginia Bray, Zeke Friedman. One video reel.","Run time approximately 10 minutes. No sound, full color. Collage of scenes and dances. One video reel.","Run time 1 minute. One color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 60 seconds. Filmed by Colonial Williamsburg. One color video reel with sound.","One 16mm video reel.","Run time 30 seconds. One 16mm color video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Presented to Governor Mills E. Godwin, Jr. by the Virginia Association of Electric Cooperatives.  One oversize 16mm video reel with audio.","TV video reel, black and white with sound.  One 50 mm oversize video reel.","One 16mm video reel with audio.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","Running time 15 minutes.  One 1/2 inch audio and video reel.","No good - damaged. One oversize 1/2 inch audio and video reel.","Shipped to Lutheran TV Productions in St. Louis, Missouri. One oversize 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","From 2005.38 addition. One small reel to reel video tape in plastic case.","Audiovisual material from Acc. 2013.246 was pulled from the Bruton Parish Church (Williamsburg, Virginia) Records and was added to this collection on 10/11/2013."," Mss. Acc. 2014.003 were previously described under Acc. 2009.252 (\"Fairy Stones), Acc. 2009.253 (\"Chapman 1), and Acc. 2009.254 (\"Chapman II\") in the University Archives Audiovisual Collection."," Mss. Acc. 2003.66.044-.046 were previously part of the James Bill Papers and were added to this collection on 3/6/2014.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["01/Mss. 1.04","/repositories/2/resources/695"],"normalized_title_ssm":["Manuscripts Audiovisual Collection"],"collection_title_tesim":["Manuscripts Audiovisual Collection"],"collection_ssim":["Manuscripts Audiovisual Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Audiocassettes","DVDs","Video recordings"],"access_subjects_ssm":["Audiocassettes","DVDs","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["20.0 Linear Feet"],"extent_tesim":["20.0 Linear Feet"],"genreform_ssim":["Audiocassettes","DVDs","Video recordings"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eAdditions are being made to this collection on an ongoing basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Additions are being made to this collection on an ongoing basis."],"custodhist_html_tesm":["\u003cp\u003eMany of the audiovisual recordings inventoried in this collection came to the Special Collections Research Center as part of a collection of personal papers or organizational records. Those relationships are documented when known.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Many of the audiovisual recordings inventoried in this collection came to the Special Collections Research Center as part of a collection of personal papers or organizational records. Those relationships are documented when known."],"phystech_html_tesm":["\u003cp\u003eThe physical condition of some audiovisual formats may restrict access to the original recordings.\u003c/p\u003e","\u003cp\u003e Special equipment is required to listen to or view audiovisual recordings.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["The physical condition of some audiovisual formats may restrict access to the original recordings."," Special equipment is required to listen to or view audiovisual recordings."],"prefercite_html_tesm":["\u003cp\u003eManuscripts Audiovisual Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Manuscripts Audiovisual Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eThe Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.\u003c/p\u003e","\u003cp\u003eContains videocassete tapes that were pulled from the Vincent DeVita Papers (Mss. 84 D49).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Richard J. Davis Papers (Mss. 86 D27).\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Glenn Close Papers (Mss. 93 C62). See Mss. Acc. 2010.601 below for more videocassette tapes from the Glenn Close Papers.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS Tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne Betamax tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS show.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape, performed at Deutsches Theater, Berlin.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne oversize VHS tape.  Stored at the end of Series 1.\u003c/p\u003e","\u003cp\u003eRunning time 13:34. One oversize VHS tape. Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Henry Chapin Papers (Mss. 1993.005).\u003c/p\u003e","\u003cp\u003eThree VHS tapes.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Lee Family Papers (Mss. 1993.006-01).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003e1930. The Geddy Family of Williamsburg 1931. The Yorktown Sesquicentennial 1933. Miami No date. Arizona Desert School - Tuscon\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Rosa Marie and James A. Fuller Papers (Mss. 2001 F95).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2001.50 of the Louis E. Catron Papers. For more, see also Sub-Series 9.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2002.034 of the Woman's Club of Williamsburg Records.\u003c/p\u003e","\u003cp\u003eTwo U-matic tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eRunning time 30 min. One oversize VHS tape. Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2002.039 of the Louis E. Catron Papers. For more, see Sub-Series 7.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the James A. Bill Papers (Mss. Acc. 2003.066).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eFor more, see audio cassette tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).\u003c/p\u003e","\u003cp\u003eJive.  C-SPAN.  One VHS tape.\u003c/p\u003e","\u003cp\u003eBerlin, NYC.  One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Art Song of Williamsburg Records (Mss. Acc. 2007.058).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eMarketing video with cassette tape which was to be placed with video. One VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Williamsburg Regional Commission on Growth and Historic Triangle Growth Management Group Papers (Mss. 2008.077).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eFor more, see Sub-Series 17. There are also audio cassettes and computer discs from this collection.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTape features a health program, a continual candidates forum, Williamsburg City Council meeting.  One VHS tape.\u003c/p\u003e","\u003cp\u003e1 VHS tape, running time 18 min.\u003c/p\u003e","\u003cp\u003eOne VHS tape, running time 12 min.\u003c/p\u003e","\u003cp\u003eOne VHS Tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eVirginia Senate District 3, VA Delegates District 96 \u0026amp; 97, Candidates Forum, Stryker Building, Williamsburg. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eProduced by the Alliance for Better Campaigns, running time 9 minutes, 1 VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2009.114 of the Claudia Stevens Papers. For more, see Sub-Series 16.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eThree VHS tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne oversized VHS tape.  Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2009.139 of the Hamilton Family Papers.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2009.601 of the Claudia Stevens Papers. For more, see Sub-Series 14.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2010.342 of the League of Women Voters of the Williamsburg Area Records. For more, see Sub-Series 13. There are also audio cassettes and computer disks from this collection.\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne Betacam tape with two WWE wrestlers.\u003c/p\u003e","\u003cp\u003eThis accession also includes an oversize video tape and a cassette tape.\u003c/p\u003e","\u003cp\u003eRunning time 63 minutes. One VHS tape.\u003c/p\u003e","\u003cp\u003eRedford. One VHS tape.\u003c/p\u003e","\u003cp\u003eThe Kanew Company. Tape Dub. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape. 1 hr 37 min.\u003c/p\u003e","\u003cp\u003eLength: 11:30. One VHS tape.\u003c/p\u003e","\u003cp\u003eStarring Gloria Swanson, Lionel Barrymore, and Raoul Walsh.  One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eRoughcut. Viewing cassette. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eSesame Street. One VHS tape.\u003c/p\u003e","\u003cp\u003eThe Lifetime Channel. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eDub. One VHS tape.\u003c/p\u003e","\u003cp\u003eGreta Cammermeyer - Prime Time Live. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. 60 sec. One VHS tape.\u003c/p\u003e","\u003cp\u003eRough Publicity Clip. TRT: 1:04. Glenn Close Clip. One VHS tape.\u003c/p\u003e","\u003cp\u003eEntertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.\u003c/p\u003e","\u003cp\u003eLos Angeles Coverage. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eGuests: Glenn Close, Vanessa Mae, Martin Sheen, Malik Yoba. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Electronic Press Kit. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTCA Highlights. One VHS tape.\u003c/p\u003e","\u003cp\u003eTCA Highlights. One VHS tape.\u003c/p\u003e","\u003cp\u003eAvid Cut. RT: 11:03. One VHS tape.\u003c/p\u003e","\u003cp\u003eTRT - 45:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Length 1:54. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Length 1:54. One VHS tape.\u003c/p\u003e","\u003cp\u003eIncludes Tribute Speeches by Jane Seymour and Glenn Close. One VHS tape.\u003c/p\u003e","\u003cp\u003eTrailers. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.\u003c/p\u003e","\u003cp\u003eNightline. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Featurette. Length: 5:59. One VHS tape.\u003c/p\u003e","\u003cp\u003eHosted by Glenn Close. Starring Aaliyah, Shirley Caesar, Deana Carter, Hanson and Thomas Hampson. One VHS tape.\u003c/p\u003e","\u003cp\u003eWinner Communications. 105:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eSarajevo Package. One VHS tape.\u003c/p\u003e","\u003cp\u003eSubject - Sarajevo. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Tristar Home Video. 1. Access Hollywood. KNBC TV (NBC) Los Angeles. 3:32. 1 October 1998. 2. Entertainment Tonight. KCBS TV (CBS) Los Angeles. :27. 2 November 1998. 3. Good Morning America. ABC-TV Network. 6:58. 3 November 1998. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. EPK Materials. 9:40. 1. Character Voices 2. Kala and Kerchak 3. Terk and Tantor One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eSizzle Piece v. 5. TRT: 3:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Select B-Roll. Revised V 2.1. TRT: 54:37. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Electronic Press Kit. Select Soundbites Cut #3. TRT 36:42. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Rough Clips #2. TRT 23:10. One VHS tape.\u003c/p\u003e","\u003cp\u003eABC Entertainment. Press Tour Clip. Version 1. 20 min. TRT 21:54. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eABC Hollywood. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTRT : 59:30. One VHS tape.\u003c/p\u003e","\u003cp\u003eB-Roll selects. One VHS tape.\u003c/p\u003e","\u003cp\u003eMaster Dub. One VHS tape.\u003c/p\u003e","\u003cp\u003ePress Tour. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eB-Roll selects. One VHS tape.\u003c/p\u003e","\u003cp\u003eB-Roll. Running Time 9:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eRabbit Ears Productions. 30 mins. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003e1. 213ST - Bravo Logo 2. #2 PSA - Reggie Rivers/Denver Arts PSA One VHS tape.\u003c/p\u003e","\u003cp\u003eScott Mauro Entertainment. 12:36. One VHS tape.\u003c/p\u003e","\u003cp\u003eEP # 1083. For Talent. Stereo TRT 20:49. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eVideocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.\u003c/p\u003e","\u003cp\u003eVideo exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long. A DVD version of the video is avaiable in Series 4.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eBasil Rathbone.  Dupont Theatre.  Two Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eNine Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eNine Cassette Tapes. For more, see Sub-Series 6.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eChapel of the Wren Building, at the College of William and Mary. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eAccession number 1990-36. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eRecorded interviews on James City County history.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eFour Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape. See Doris Wildenburger.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape. No transcripts, cassette dated 12/8/87.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eFor more, see Sub-Series 3.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eJeremiah Clarke - The Prince of Denmark's March; Trumpet Tune; Almand in D; Round O in a; Jigg in A. From Choice Lessons. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003e80 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003e40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eSvec was a neighbor of Aleksandr Solzhenitsyn, the Nobel Prize Winning Russian dissident writer. Interview by Frank Shatz. 10 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Run time 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eRunning time 20 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eRunning times 20min and 30 min, respectively. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. Running Time 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer Frank Shatz. 15 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eSix Cassette Tapes.\u003c/p\u003e","\u003cp\u003eJack \u0026amp; Catherine Morpurgo. Community Arts Programme, Caldwell Idaho. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 5-6 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 15 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFifty-four audio cassette tapes of interviews by James A. Bill.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eNew York. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eAustin, TX. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eWashington, D.C. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eWashington, D.C. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eWilliamsburg, VA. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003ePrinceton. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eWilliamsburg, VA. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eNew York. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eNew York City. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eWashington, D.C. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eCambridge, MA. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape interview possibly covering the Iran-Contra affair.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eReves Center Global Forum, 40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eRead by Scott Martin. Two cassette tapes.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 15 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  20 min.  One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One cassette tape.\u003c/p\u003e","\u003cp\u003eRecorded by Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz, Gene Nichol, Paul Verkuil, Tim Sullivan, and Dr. Kern Wildenthal. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eTelephone Interview by Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviews on cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape. For more, see B side of tape 52.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTwo cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTwo cassette tapes.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape. More of Laurence (Larry) Deutsch on the B Side.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eThree cassette tapes.\u003c/p\u003e","\u003cp\u003eTwo cassette tapes.\u003c/p\u003e","\u003cp\u003eThree cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eBy League of Women Voters. Williamsburg Public Library. One cassette tape.\u003c/p\u003e","\u003cp\u003eFour cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eFive cassette tapes with music for common year (?).\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eThree cassette tape.\u003c/p\u003e","\u003cp\u003eGC-4089 and GC-4088. One cassette tape.\u003c/p\u003e","\u003cp\u003eGC-4107 and GC-4085. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED. Nine cassette tapes.\u003c/p\u003e","\u003cp\u003eInterview at the Reves Center with Frank Shatz. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 15 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 15 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 40 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 25 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 35 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eAudio cassettes relating to the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eThe radio broadcast for \"NPR Playhouse.\"  One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED. Thirteen tapes.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 35 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  Running time 10 min.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 40 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 45 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 40 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 20 minutes long. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 10 minutes long. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eAudiocassette tapes of piano performances by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOne audiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126 Copland, Piano Fantasy Schumann, Sonata in F minor, Opus 14\u003c/p\u003e","\u003cp\u003eAudiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (an National Public Radio affiliate).\u003c/p\u003e","\u003cp\u003eScope and Contents Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\" . Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\" ), Joel Chadabe, and Betsy Jolas.\u003c/p\u003e","\u003cp\u003eScope and Contents Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\" .\u003c/p\u003e","\u003cp\u003eScope and Contents Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.\u003c/p\u003e","\u003cp\u003eTapes are closed.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. The tape is approximately 30 minutes in length.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz of Colin Campbell, president of Colonial Williamsburg. Tape length is approximately 20 minutes in length.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz with Tim O'Brien, writer. Tape lenght is approximately 20 minutes in length.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eThree CDs of first, second, and final transcription of selected letters by Lonnie Dobbs.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003ePiano, 1816, owned by William \u0026amp; Mary, 2003. Conservation by John Watson \u0026amp; Louis Dolive, Colonial Williamsburg. One CD.\u003c/p\u003e","\u003cp\u003eRecordings of Claudia Stevens' piano concerts, including programs.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eTwo CDs related to Jamestown Commemorative Postage Stamp.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eInaugural concert. With Lisa Edwards-Burrs, soprano, and Ruth Easterling Winters, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Will Crutchfield, lecturer/pianist, and Steven Tharp, tenor. One CD.\u003c/p\u003e","\u003cp\u003eWith Michael Posey, tenor, and Ruth Easterling Winters, pianist. Two CDs.\u003c/p\u003e","\u003cp\u003eWith Barbara Quintiliani, soprano, and Charles Woodward, pianist. Five CDs.\u003c/p\u003e","\u003cp\u003eWith Pamela Armstrong, soprano, and Melanie Day, pianist. Four CDs.\u003c/p\u003e","\u003cp\u003eBranch Fields, with Ruth Easterling Winters. One CD.\u003c/p\u003e","\u003cp\u003eWith Martha Slay, mezzo-soprano, and Charles Staples, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Branch Fields, bass, and Ruth Easterling Winters, pianist.  One CD.\u003c/p\u003e","\u003cp\u003eWith Branch Fields, bass, and Ruth Easterling Winters, pianist.  Two CDs.\u003c/p\u003e","\u003cp\u003eWith Stephen Tharp, tenor, and Will Crutchfield, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Georgeann Paddock, soprano, Jonathan Hays, baritone, and Ruth Easterling Winters, pianist. Two CDs.\u003c/p\u003e","\u003cp\u003eWith Robynne Redmon, mezzo-soprano, and Charles Woodward, pianist. Four CDs.\u003c/p\u003e","\u003cp\u003eWith Lisa Edwards-Burrs, soprano, and Melanie Day, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Barbara Quintiliani, soprano, and Charles Woodward, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Tracey Welborn, Tenor, and Tamara Sanikidze, piano. One CD.\u003c/p\u003e","\u003cp\u003eWith Matthew Burns, bass-baritone, and Melanie Day, piano. Four CDs.\u003c/p\u003e","\u003cp\u003eWith Catarina Lundgren, soprano, Heikki Pellinen, piano. Two CDs.\u003c/p\u003e","\u003cp\u003eWith Andrew Garland, baritone, and Donna Loewy, pianist. Three CDs.\u003c/p\u003e","\u003cp\u003eWith Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. One CD.\u003c/p\u003e","\u003cp\u003eWith Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Four CDs.\u003c/p\u003e","\u003cp\u003eCD-roms of Bucktrout and Draughtsman map imaged by Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eFive Seasons, as performed at Atlanta Memorial Arts Center, Atlanta, GA. First performed February 6, 1979, recorded February 27, 1979. By Merritt Ierley, Lavinia Phillips, Soprano, and Judith Shulz, Pianist. One CD.\u003c/p\u003e","\u003cp\u003eTwo unopened CDs.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eIn PDF format. One CD.\u003c/p\u003e","\u003cp\u003eApril 2005, February 2005, Flag Day 2005, January 2005, May 2005. One CD.\u003c/p\u003e","\u003cp\u003eVeterans' Day, 2007. One CD.\u003c/p\u003e","\u003cp\u003eVeterans' Day, 2010. One CD.\u003c/p\u003e","\u003cp\u003eMemorial Day, 2010. One CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003ePerformed live (mostly) at the Celebration of William Cabbell's 300th Birthday, October 21-22, 2000 at the Williasmburg Lodge.\u003c/p\u003e","\u003cp\u003eRecording of a campaign rally for state Senator Garland Gray. Speakers include Russell M. Carneal, Robert Hornsby, H. W. Stryker, Fred M. Flanary, Davis Y. Paschall, and Garland Gray.\u003c/p\u003e","\u003cp\u003eOne compact disc of digital transcripts of letters from Julia Cherney (Bateman) to Clara Walde (Lawrence) while serving as a missionary in China from 1909 to 1923. From the Clara Lawrence Papers, Mss. Acc. 2009.299, series 1, box 3.\u003c/p\u003e","\u003cp\u003ePlayed on the organ of Bruton Parish Church by James Darling, organist.\u003c/p\u003e","\u003cp\u003eTwo copies of a DVD on John Marshall. Running time 29 min.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eOne DVD of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.\u003c/p\u003e","\u003cp\u003eOne DVD of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.\u003c/p\u003e","\u003cp\u003eOne DVD case.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eHightlights from Queen Elizabeth II and Prince Philip's visit to Jamestown and Williamsburg, commemorating the 400th anniversary of the Jamestown settlement. One DVD.\u003c/p\u003e","\u003cp\u003eWith Barbara Quintiliani, soprano, and Charles Woodward, pianist. One DVD.\u003c/p\u003e","\u003cp\u003eWith Tracey Welborn, Tenor, and Tamara Sanikidze, piano. Four DVDs.\u003c/p\u003e","\u003cp\u003eWith Matthew Burns, bass-baritone, and Melanie Day, piano. Three DVDs.\u003c/p\u003e","\u003cp\u003eWith Catarina Lundgren, soprano, Heikki Pellinen, piano. Two DVDs.\u003c/p\u003e","\u003cp\u003eWith Andrew Garland, baritone, and Donna Loewy, pianist. Three DVDs.\u003c/p\u003e","\u003cp\u003eWith Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. Five DVDs.\u003c/p\u003e","\u003cp\u003eWith Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Seven DVDs.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eTwo DVDs.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eMeredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.\u003c/p\u003e","\u003cp\u003eIda Green Arena Theater. Item 12. One DVD.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eHerbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.\u003c/p\u003e","\u003cp\u003eRecorded at Berkeley Art Center. One DVD.\u003c/p\u003e","\u003cp\u003eA solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.\u003c/p\u003e","\u003cp\u003eBaltimore Theater. One DVD.\u003c/p\u003e","\u003cp\u003eCharlotte Kaufman, director. An Opera in Two Acts, being Mr. Doggett's farce of The Country Wake altered after the manner of The Beggar's Opera. By John Hippisley, 1729. Harvard Unitarian Church, Harvard, Mass. One DVD.\u003c/p\u003e","\u003cp\u003eCharlotte Kaufman, Director. A Ballad Opera Farce. Remis Auditorium. One DVD.\u003c/p\u003e","\u003cp\u003eCharlotte Kaufman, director and harpsichord. Staged by Craig Wich. Remis Auditorian. One DVD.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eTwo DVDs.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eA film by Julia Melchoir and Sebastian Denhardt. One DVD.\u003c/p\u003e","\u003cp\u003eAt St. John's Kirk, Perth, Scotland. One DVD.\u003c/p\u003e","\u003cp\u003eContains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.\u003c/p\u003e","\u003cp\u003eContains three files relating to the Cabell Family homes and graveyards in Nelson, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.\u003c/p\u003e","\u003cp\u003eVideo exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eFormat is Word Perfect 5.1. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eWHRA\u003c/p\u003e","\u003cp\u003eTwo 3.5 inch floppy disks.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eFS- 95/96, 96/97, 97/98; Dues 97/98; Treasurer's Job; Envelope. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eFour disks with office files.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003ePictures, files. Four 3.5 inch floppy disks\u003c/p\u003e","\u003cp\u003ePresident's files.\u003c/p\u003e","\u003cp\u003eBrochure, handbook, letterhead, fax form, agenda, invoice, membership renewal form. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eLWVWA 2000-2001 Education proposal, Education positions, LWVWA Education study proposal, working on a LWV study (P. Kent). One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eNewsletter and labels, invitations and flyers. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eBoard meetings, agenda, letter. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003ePolicies, by-laws, positions, annual meeting handout, grant applications. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eScope and Contents Must be played with wooden \"Kacti\" needle. One record.\u003c/p\u003e","\u003cp\u003eAn example of material distributed during political campaigns. One 33 rpm disk.\u003c/p\u003e","\u003cp\u003eBy R. B. Tisdale. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eSongs: Ballet, Allemande, Country Dance, Reap \u0026amp; Sow, Diggers, Weary Eyes.  One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eDunmore - Bouree - Fireworks. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eCountry dance. Reserve copy. Two cuttings. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eDunmore Ballet, Scarlotti, Allemande, Gallop, Country Dance. \"Too fast!\" One disk.\u003c/p\u003e","\u003cp\u003eDunmore Ballet, Allemande, Gallop, Country Dance, Scarlotti. One disk.\u003c/p\u003e","\u003cp\u003eSowers \u0026amp; Reapers - plus (?) Diggers - Orch. Band I + II - Yankee Doodle Band III + IV - One disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eSide 1: Music from The Common Glory (Musical Synopsis) Side 2: Common Glory Concert Choir One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eDunmore Ballet, Rainy Night. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eBallet, Allemande, Country Dance, Reap \u0026amp; Sow, Diggers, Weary Ones. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eRecorded by Ray Charles Singers with orchestra. Three Ships, Pocahontas, The Old Church Tower, Jamestown. One disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eOne disk. Damaged.\u003c/p\u003e","\u003cp\u003eDave Remington Quartet. Lyrics by P. Quinto, S. Spilmon, M. Vallo. Music by Vincent Chiarelli. One 45 rpm disk.\u003c/p\u003e","\u003cp\u003eOne 78 rpm disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eGeorge Passage News.  Recorded in Richmond, Va.  Three 78 rpm disks.\u003c/p\u003e","\u003cp\u003eRoanoke, Va.  One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eRichmond, Va.  Three 78 rpm disks.\u003c/p\u003e","\u003cp\u003eThree 33 1/3 rpm disks.\u003c/p\u003e","\u003cp\u003ePolitical Anns. Open \u0026amp; Closing included.  One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eJosé Iturbi, pianist.  One disk.\u003c/p\u003e","\u003cp\u003eScope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist before entering the College of William and Mary.\u003c/p\u003e","\u003cp\u003eTwo records. Includes note from Glenn Close to Howard Scammon, May 31, 1985.\u003c/p\u003e","\u003cp\u003eTransferred from the music library.\u003c/p\u003e","\u003cp\u003eSoundtrack to the musical by Stephen Sondheim and directed by Harold Prince. With Angela Lansbury and Len Cariou. Case is signed by the cast members. Two records.\u003c/p\u003e","\u003cp\u003eScope and Contents A \"back-alley opera\" narrated by David Wayne. With Carol Channing and Eddie Bracken. One record.\u003c/p\u003e","\u003cp\u003eA musical by Cy Coleman and Michael Stewart. With Glenn Close and Jim Dale. In original case signed by cast members. One record.\u003c/p\u003e","\u003cp\u003eEleven songs performed by Dudley Moore (piano) and Cleo Laine (vocals). Case signed by Cleo and the producer. One record.\u003c/p\u003e","\u003cp\u003eSoundtrack of the musical by Jerry Herman and Harvey Firestein. With George Hearn and Gene Barry. Record case signed by cast. One record.\u003c/p\u003e","\u003cp\u003eAlbum by Perry Como. Case signed by the artist. One record.\u003c/p\u003e","\u003cp\u003eThe Common Glory orchestra and soloists from the Common Glory choir (including members of the William and Mary choir) in a concert performace of Act 1 of \"The Marriage of Figaro.\" Monday, August 20, 1956, in Blow Gymnasium at the College of William and Mary. Program and two 33 1/3 LP records.\u003c/p\u003e","\u003cp\u003eRecording of the musical program presented by WVEC-TV on January 29, 1960, honoring the 350th anniversary of the city of Hampton, Virginia.\u003c/p\u003e","\u003cp\u003e\"A report to all Armstrong men and women of our operating results.\" Stockholders address from Armstrong Cork Company. One 7 inch 45 rpm record and booklet.\u003c/p\u003e","\u003cp\u003eDirected by Mr. C. W. Moore. Four tracks. One 33 1/3 rpm record\u003c/p\u003e","\u003cp\u003eNarrated by Ralph Cooper. Recorded in Washington D.C., August 28, 1963. One 33 1/3 rpm record.\u003c/p\u003e","\u003cp\u003ePerformed by J. S. Darling on the Wren Chapel Organ at the College of William and Mary. Produced by Colonial Williamsburg Foundation.\u003c/p\u003e","\u003cp\u003eState Capitol. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eAudio tape, along with a letter from Governor Godwin's office and a transcript of the tape.  The tape was broadcast by 50 stations on September 6, 1968.  One 1/4 inch reel.\u003c/p\u003e","\u003cp\u003eTwo 1/4 inch audio reels.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eAudio recording of the 1952 program \"At Home with Lindy,\" sponsored by the Colonial Dames of Lexington, VA. Probably belonging to Mary Meares Galt. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eProbably belonging to Mary M. Galt. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eRadford, VA. 5 min overall length. Two copies, 1/4 inch audio reels.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eReel #41, Machine #2. Program time 29:30. Tape speed 7 1/2. Recorded by Bill. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eAudiotape of a lecture in which Dr. Koontz participated. One 1/4 inch audio tape. Folder includes typed information on lecture.\u003c/p\u003e","\u003cp\u003eBox 1. Tape 14, letter number 61. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 2. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 3. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 4. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 5. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 6. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 7. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 8. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 9. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 10. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eCollection is CLOSED.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eFives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot. 7 1/2 ips - mono, one reel.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot.  7 1/2 ips - mono, one reel.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot. One reel.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot. 7 1/2 ips - mono master, one reel.\u003c/p\u003e","\u003cp\u003eReel-to-reel audiotapes of various piano performances by Claudia Stevens around the United States, including Carnegie Hall, Harvard University, National Public Radio, and the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThe program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven, Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.\u003c/p\u003e","\u003cp\u003ePortions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.\u003c/p\u003e","\u003cp\u003eScope and Contents Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.\u003c/p\u003e","\u003cp\u003eProgram includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premiers, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.\u003c/p\u003e","\u003cp\u003eProgram includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.\u003c/p\u003e","\u003cp\u003eConducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.\u003c/p\u003e","\u003cp\u003eProgram includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.\u003c/p\u003e","\u003cp\u003eProgram includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.\u003c/p\u003e","\u003cp\u003eProgram includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\" ). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.\u003c/p\u003e","\u003cp\u003eContains three reel-to-reel audiotapes of theater productions including \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman Tape I.\"\u003c/p\u003e","\u003cp\u003eScope and Contents One 7\" reel-to-reel audiotape of a production called \"Family Stones\" that was once owned by William and Mary Theatre Director Howard Scammon. The tape speed is 3 3/4.\u003c/p\u003e","\u003cp\u003eOne 2500 ft. reel-to-reel audiotape that is labeled \"Chapman Tape I.\" The audiotape was once owned by William and Mary Theatre Director Howard Scammon.\u003c/p\u003e","\u003cp\u003eScope and Contents One 2500 ft. reel-to-reel audiotape from a production entitled \"Chapman II\" that was once owned by William and Mary Theatre Director Howard Scammon. The audiotape was recorded at 7 1/2 inches per second. The approximate lenght of the tape is one hour.\u003c/p\u003e","\u003cp\u003eOne reel-to-reel audiotape labeled Mine workers monologues...European History.\u003c/p\u003e","\u003cp\u003eCould have been filmed by CW or the VA Chamber of Commerce. No sound, black and white. One oversize video reel.\u003c/p\u003e","\u003cp\u003eNo sound, black and white. Raw footage. Lathen Zimmer, Virginia Bray, Zeke Friedman. One video reel.\u003c/p\u003e","\u003cp\u003eRun time approximately 10 minutes. No sound, full color. Collage of scenes and dances. One video reel.\u003c/p\u003e","\u003cp\u003eRun time 1 minute. One color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 28 seconds. One 16mm color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 28 seconds. One 16mm color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 28 seconds. One 16mm color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 60 seconds. Filmed by Colonial Williamsburg. One color video reel with sound.\u003c/p\u003e","\u003cp\u003eOne 16mm video reel.\u003c/p\u003e","\u003cp\u003eRun time 30 seconds. One 16mm color video reel.\u003c/p\u003e","\u003cp\u003ePromo film, run time 60 seconds. Retired March 1976. One 16mm video reel.\u003c/p\u003e","\u003cp\u003ePromo film, run time 60 seconds. Retired March 1976. One 16mm video reel.\u003c/p\u003e","\u003cp\u003ePresented to Governor Mills E. Godwin, Jr. by the Virginia Association of Electric Cooperatives.  One oversize 16mm video reel with audio.\u003c/p\u003e","\u003cp\u003eTV video reel, black and white with sound.  One 50 mm oversize video reel.\u003c/p\u003e","\u003cp\u003eOne 16mm video reel with audio.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eRunning time 15 minutes.  One 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eNo good - damaged. One oversize 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eShipped to Lutheran TV Productions in St. Louis, Missouri. One oversize 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eFrom 2005.38 addition. One small reel to reel video tape in plastic case.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.","Contains videocassete tapes that were pulled from the Vincent DeVita Papers (Mss. 84 D49).","One VHS tape.","One VHS tape","One VHS tape","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","Two VHS tapes.","One VHS tape","One VHS tape","One VHS tape","Contains videocassette tapes that were pulled from the Richard J. Davis Papers (Mss. 86 D27).","One VHS tape","Contains videocassette tapes that were pulled from the Glenn Close Papers (Mss. 93 C62). See Mss. Acc. 2010.601 below for more videocassette tapes from the Glenn Close Papers.","One VHS tape","One VHS Tape","One VHS tape","One Betamax tape.","One VHS tape.","One VHS tape.","One VHS show.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape, performed at Deutsches Theater, Berlin.","One VHS tape.","One VHS tape.","One VHS tape.","Two VHS tapes.","One oversize VHS tape.  Stored at the end of Series 1.","Running time 13:34. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from the Henry Chapin Papers (Mss. 1993.005).","Three VHS tapes.","Contains videocassette tapes that were pulled from the Lee Family Papers (Mss. 1993.006-01).","One VHS tape.","1930. The Geddy Family of Williamsburg 1931. The Yorktown Sesquicentennial 1933. Miami No date. Arizona Desert School - Tuscon","Contains videocassette tapes that were pulled from the Rosa Marie and James A. Fuller Papers (Mss. 2001 F95).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2001.50 of the Louis E. Catron Papers. For more, see also Sub-Series 9.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.034 of the Woman's Club of Williamsburg Records.","Two U-matic tapes.","One VHS tape.","Running time 30 min. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.039 of the Louis E. Catron Papers. For more, see Sub-Series 7.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from the James A. Bill Papers (Mss. Acc. 2003.066).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","For more, see audio cassette tapes.","One VHS tape of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Jive.  C-SPAN.  One VHS tape.","Berlin, NYC.  One VHS tape.","One VHS tape of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Contains videocassette tapes that were pulled from the Art Song of Williamsburg Records (Mss. Acc. 2007.058).","One VHS tape.","One VHS tape.","One VHS tape.","Marketing video with cassette tape which was to be placed with video. One VHS tape.","Contains videocassette tapes that were pulled from the Williamsburg Regional Commission on Growth and Historic Triangle Growth Management Group Papers (Mss. 2008.077).","One VHS tape.","One VHS tape.","One VHS tape.","For more, see Sub-Series 17. There are also audio cassettes and computer discs from this collection.","One VHS tape.","Tape features a health program, a continual candidates forum, Williamsburg City Council meeting.  One VHS tape.","1 VHS tape, running time 18 min.","One VHS tape, running time 12 min.","One VHS Tape.","One VHS tape.","One VHS tape.","Virginia Senate District 3, VA Delegates District 96 \u0026 97, Candidates Forum, Stryker Building, Williamsburg. One VHS tape.","One VHS tape.","One VHS tape.","Produced by the Alliance for Better Campaigns, running time 9 minutes, 1 VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.114 of the Claudia Stevens Papers. For more, see Sub-Series 16.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Three VHS tapes.","One VHS tape.","Two VHS tapes.","One VHS tape.","One oversized VHS tape.  Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.139 of the Hamilton Family Papers.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.601 of the Claudia Stevens Papers. For more, see Sub-Series 14.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2010.342 of the League of Women Voters of the Williamsburg Area Records. For more, see Sub-Series 13. There are also audio cassettes and computer disks from this collection.","Two VHS tapes.","One Betacam tape with two WWE wrestlers.","This accession also includes an oversize video tape and a cassette tape.","Running time 63 minutes. One VHS tape.","Redford. One VHS tape.","The Kanew Company. Tape Dub. One VHS tape.","One VHS tape. 1 hr 37 min.","Length: 11:30. One VHS tape.","Starring Gloria Swanson, Lionel Barrymore, and Raoul Walsh.  One VHS tape.","One VHS tape.","Roughcut. Viewing cassette. One VHS tape.","One VHS tape.","Sesame Street. One VHS tape.","The Lifetime Channel. One VHS tape.","One VHS tape.","Dub. One VHS tape.","Greta Cammermeyer - Prime Time Live. One VHS tape.","Walt Disney Pictures. 60 sec. One VHS tape.","Rough Publicity Clip. TRT: 1:04. Glenn Close Clip. One VHS tape.","Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Los Angeles Coverage. One VHS tape.","One VHS tape.","Guests: Glenn Close, Vanessa Mae, Martin Sheen, Malik Yoba. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. One VHS tape.","One VHS tape.","TCA Highlights. One VHS tape.","TCA Highlights. One VHS tape.","Avid Cut. RT: 11:03. One VHS tape.","TRT - 45:00. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Includes Tribute Speeches by Jane Seymour and Glenn Close. One VHS tape.","Trailers. One VHS tape.","Columbia Pictures. Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Nightline. One VHS tape.","Columbia Pictures. Featurette. Length: 5:59. One VHS tape.","Hosted by Glenn Close. Starring Aaliyah, Shirley Caesar, Deana Carter, Hanson and Thomas Hampson. One VHS tape.","Winner Communications. 105:00. One VHS tape.","Sarajevo Package. One VHS tape.","Subject - Sarajevo. One VHS tape.","Columbia Tristar Home Video. 1. Access Hollywood. KNBC TV (NBC) Los Angeles. 3:32. 1 October 1998. 2. Entertainment Tonight. KCBS TV (CBS) Los Angeles. :27. 2 November 1998. 3. Good Morning America. ABC-TV Network. 6:58. 3 November 1998. One VHS tape.","Walt Disney Pictures. EPK Materials. 9:40. 1. Character Voices 2. Kala and Kerchak 3. Terk and Tantor One VHS tape.","One VHS tape.","Sizzle Piece v. 5. TRT: 3:00. One VHS tape.","Walt Disney Pictures. Select B-Roll. Revised V 2.1. TRT: 54:37. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. Select Soundbites Cut #3. TRT 36:42. One VHS tape.","Walt Disney Pictures. Rough Clips #2. TRT 23:10. One VHS tape.","ABC Entertainment. Press Tour Clip. Version 1. 20 min. TRT 21:54. One VHS tape.","One VHS tape.","ABC Hollywood. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","TRT : 59:30. One VHS tape.","B-Roll selects. One VHS tape.","Master Dub. One VHS tape.","Press Tour. One VHS tape.","One VHS tape.","B-Roll selects. One VHS tape.","B-Roll. Running Time 9:00. One VHS tape.","Rabbit Ears Productions. 30 mins. One VHS tape.","One VHS tape.","One VHS tape.","1. 213ST - Bravo Logo 2. #2 PSA - Reggie Rivers/Denver Arts PSA One VHS tape.","Scott Mauro Entertainment. 12:36. One VHS tape.","EP # 1083. For Talent. Stereo TRT 20:49. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long. A DVD version of the video is avaiable in Series 4.","Three Cassette Tapes.","Basil Rathbone.  Dupont Theatre.  Two Cassette Tapes.","One Cassette Tape.","Nine Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One cassette tape.","Nine Cassette Tapes. For more, see Sub-Series 6.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Chapel of the Wren Building, at the College of William and Mary. One Cassette Tape.","Accession number 1990-36. One cassette tape.","One Cassette Tape.","One Cassette Tape.","Recorded interviews on James City County history.","One cassette tape.","One cassette tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","Four Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. See Doris Wildenburger.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. No transcripts, cassette dated 12/8/87.","Three Cassette Tapes.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","For more, see Sub-Series 3.","One Cassette Tape.","Jeremiah Clarke - The Prince of Denmark's March; Trumpet Tune; Almand in D; Round O in a; Jigg in A. From Choice Lessons. One cassette tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","80 min. One Cassette Tape.","One Cassette Tape.","40 min. One Cassette Tape.","Svec was a neighbor of Aleksandr Solzhenitsyn, the Nobel Prize Winning Russian dissident writer. Interview by Frank Shatz. 10 min. One Cassette Tape.","Frank Shatz is the interviewer. Run time 20 min. One Cassette Tape.","Running time 20 minutes. One Cassette Tape.","Running times 20min and 30 min, respectively. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Interviewer is Frank Shatz. Running Time 25 min. One Cassette Tape.","Interviewer Frank Shatz. 15 minutes. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Six Cassette Tapes.","Jack \u0026 Catherine Morpurgo. Community Arts Programme, Caldwell Idaho. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. 5-6 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer. 15 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 20 min. One Cassette Tape.","Fifty-four audio cassette tapes of interviews by James A. Bill.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","New York. One Cassette Tape.","Austin, TX. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","One Cassette Tape.","Princeton. One Cassette Tape.","One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","New York. One Cassette Tape.","New York City. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Washington, D.C. One Cassette Tape.","Cambridge, MA. One Cassette Tape.","One audio cassette tape.","One audio cassette tape.","One audio cassette tape interview possibly covering the Iran-Contra affair.","Tapes are CLOSED.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Frank Shatz is the Interviewer. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Tapes are CLOSED.","Reves Center Global Forum, 40 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Read by Scott Martin. Two cassette tapes.","Tapes are CLOSED.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. 15 min. One cassette tape.","Frank Shatz is the interviewer.  20 min.  One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Recorded by Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Frank Shatz, Gene Nichol, Paul Verkuil, Tim Sullivan, and Dr. Kern Wildenthal. One cassette tape.","Tapes are CLOSED.","Telephone Interview by Frank Shatz. One cassette tape.","Interview by Frank Shatz. One cassette tape.","Interviews on cassette tapes.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape. For more, see B side of tape 52.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Two cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Two cassette tapes.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape. More of Laurence (Larry) Deutsch on the B Side.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Three cassette tapes.","Two cassette tapes.","Three cassette tapes.","One cassette tape.","One cassette tape.","By League of Women Voters. Williamsburg Public Library. One cassette tape.","Four cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Five cassette tapes with music for common year (?).","One cassette tape.","One cassette tape.","Three cassette tape.","GC-4089 and GC-4088. One cassette tape.","GC-4107 and GC-4085. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Tapes are CLOSED. Nine cassette tapes.","Interview at the Reves Center with Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 40 min. One cassette tape.","Interview by Frank Shatz. 25 min. One cassette tape.","Interview by Frank Shatz. 35 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Audio cassettes relating to the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","The radio broadcast for \"NPR Playhouse.\"  One cassette tape.","Tapes are CLOSED. Thirteen tapes.","Frank Shatz is the interviewer. 25 min. One cassette tape.","Frank Shatz is the interviewer. 35 min. One cassette tape.","One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer.  Running time 10 min.  One cassette tape.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 45 min. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Tapes are CLOSED.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 20 minutes long. One audiocassette tape.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 10 minutes long. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Fank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Audiocassette tapes of piano performances by Claudia Stevens.","One audiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126 Copland, Piano Fantasy Schumann, Sonata in F minor, Opus 14","Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (an National Public Radio affiliate).","Scope and Contents Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\" . Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\" ), Joel Chadabe, and Betsy Jolas.","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\" .","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","Tapes are closed.","Interview by Frank Shatz. The tape is approximately 30 minutes in length.","Interview by Frank Shatz of Colin Campbell, president of Colonial Williamsburg. Tape length is approximately 20 minutes in length.","Interview by Frank Shatz with Tim O'Brien, writer. Tape lenght is approximately 20 minutes in length.","One CD.","Three CDs of first, second, and final transcription of selected letters by Lonnie Dobbs.","One CD.","One CD.","One CD.","Piano, 1816, owned by William \u0026 Mary, 2003. Conservation by John Watson \u0026 Louis Dolive, Colonial Williamsburg. One CD.","Recordings of Claudia Stevens' piano concerts, including programs.","One CD.","One CD.","One CD.","Two CDs related to Jamestown Commemorative Postage Stamp.","One CD.","One CD.","Inaugural concert. With Lisa Edwards-Burrs, soprano, and Ruth Easterling Winters, pianist. One CD.","With Will Crutchfield, lecturer/pianist, and Steven Tharp, tenor. One CD.","With Michael Posey, tenor, and Ruth Easterling Winters, pianist. Two CDs.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. Five CDs.","With Pamela Armstrong, soprano, and Melanie Day, pianist. Four CDs.","Branch Fields, with Ruth Easterling Winters. One CD.","With Martha Slay, mezzo-soprano, and Charles Staples, pianist. One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  Two CDs.","With Stephen Tharp, tenor, and Will Crutchfield, pianist. One CD.","With Georgeann Paddock, soprano, Jonathan Hays, baritone, and Ruth Easterling Winters, pianist. Two CDs.","With Robynne Redmon, mezzo-soprano, and Charles Woodward, pianist. Four CDs.","With Lisa Edwards-Burrs, soprano, and Melanie Day, pianist. One CD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One CD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. One CD.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Four CDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two CDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three CDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. One CD.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Four CDs.","CD-roms of Bucktrout and Draughtsman map imaged by Colonial Williamsburg.","One CD.","One CD.","One CD.","One CD.","One CD.","One CD.","Five Seasons, as performed at Atlanta Memorial Arts Center, Atlanta, GA. First performed February 6, 1979, recorded February 27, 1979. By Merritt Ierley, Lavinia Phillips, Soprano, and Judith Shulz, Pianist. One CD.","Two unopened CDs.","One CD.","One CD.","One CD.","One CD.","One CD.","In PDF format. One CD.","April 2005, February 2005, Flag Day 2005, January 2005, May 2005. One CD.","Veterans' Day, 2007. One CD.","Veterans' Day, 2010. One CD.","Memorial Day, 2010. One CD.","One CD.","One CD.","Performed live (mostly) at the Celebration of William Cabbell's 300th Birthday, October 21-22, 2000 at the Williasmburg Lodge.","Recording of a campaign rally for state Senator Garland Gray. Speakers include Russell M. Carneal, Robert Hornsby, H. W. Stryker, Fred M. Flanary, Davis Y. Paschall, and Garland Gray.","One compact disc of digital transcripts of letters from Julia Cherney (Bateman) to Clara Walde (Lawrence) while serving as a missionary in China from 1909 to 1923. From the Clara Lawrence Papers, Mss. Acc. 2009.299, series 1, box 3.","Played on the organ of Bruton Parish Church by James Darling, organist.","Two copies of a DVD on John Marshall. Running time 29 min.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","One DVD of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD case.","One DVD.","Hightlights from Queen Elizabeth II and Prince Philip's visit to Jamestown and Williamsburg, commemorating the 400th anniversary of the Jamestown settlement. One DVD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One DVD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. Four DVDs.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Three DVDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two DVDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three DVDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. Five DVDs.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Seven DVDs.","One DVD.","Two DVDs.","One DVD.","Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Ida Green Arena Theater. Item 12. One DVD.","One DVD.","Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","Recorded at Berkeley Art Center. One DVD.","A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Baltimore Theater. One DVD.","Charlotte Kaufman, director. An Opera in Two Acts, being Mr. Doggett's farce of The Country Wake altered after the manner of The Beggar's Opera. By John Hippisley, 1729. Harvard Unitarian Church, Harvard, Mass. One DVD.","Charlotte Kaufman, Director. A Ballad Opera Farce. Remis Auditorium. One DVD.","Charlotte Kaufman, director and harpsichord. Staged by Craig Wich. Remis Auditorian. One DVD.","One DVD.","Two DVDs.","One DVD.","A film by Julia Melchoir and Sebastian Denhardt. One DVD.","At St. John's Kirk, Perth, Scotland. One DVD.","Contains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Contains three files relating to the Cabell Family homes and graveyards in Nelson, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Format is Word Perfect 5.1. One 3.5 inch floppy disk.","WHRA","Two 3.5 inch floppy disks.","One disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","FS- 95/96, 96/97, 97/98; Dues 97/98; Treasurer's Job; Envelope. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Four disks with office files.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Pictures, files. Four 3.5 inch floppy disks","President's files.","Brochure, handbook, letterhead, fax form, agenda, invoice, membership renewal form. One 3.5 inch floppy disk.","LWVWA 2000-2001 Education proposal, Education positions, LWVWA Education study proposal, working on a LWV study (P. Kent). One 3.5 inch floppy disk.","Newsletter and labels, invitations and flyers. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Board meetings, agenda, letter. One 3.5 inch floppy disk.","Policies, by-laws, positions, annual meeting handout, grant applications. One 3.5 inch floppy disk.","Scope and Contents Must be played with wooden \"Kacti\" needle. One record.","An example of material distributed during political campaigns. One 33 rpm disk.","By R. B. Tisdale. One 33 1/3 rpm disk.","Songs: Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Eyes.  One 33 1/3 rpm disk.","Dunmore - Bouree - Fireworks. One 33 1/3 rpm disk.","Country dance. Reserve copy. Two cuttings. One 33 1/3 rpm disk.","Dunmore Ballet, Scarlotti, Allemande, Gallop, Country Dance. \"Too fast!\" One disk.","Dunmore Ballet, Allemande, Gallop, Country Dance, Scarlotti. One disk.","Sowers \u0026 Reapers - plus (?) Diggers - Orch. Band I + II - Yankee Doodle Band III + IV - One disk.","One disk.","One 33 1/3 rpm disk.","One disk.","Side 1: Music from The Common Glory (Musical Synopsis) Side 2: Common Glory Concert Choir One 33 1/3 rpm disk.","Dunmore Ballet, Rainy Night. One 33 1/3 rpm disk.","Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Ones. One 33 1/3 rpm disk.","Recorded by Ray Charles Singers with orchestra. Three Ships, Pocahontas, The Old Church Tower, Jamestown. One disk.","One disk.","One 33 1/3 rpm disk.","One disk. Damaged.","Dave Remington Quartet. Lyrics by P. Quinto, S. Spilmon, M. Vallo. Music by Vincent Chiarelli. One 45 rpm disk.","One 78 rpm disk.","One disk.","One 33 1/3 rpm disk.","George Passage News.  Recorded in Richmond, Va.  Three 78 rpm disks.","Roanoke, Va.  One 33 1/3 rpm disk.","Richmond, Va.  Three 78 rpm disks.","Three 33 1/3 rpm disks.","Political Anns. Open \u0026 Closing included.  One 33 1/3 rpm disk.","José Iturbi, pianist.  One disk.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist before entering the College of William and Mary.","Two records. Includes note from Glenn Close to Howard Scammon, May 31, 1985.","Transferred from the music library.","Soundtrack to the musical by Stephen Sondheim and directed by Harold Prince. With Angela Lansbury and Len Cariou. Case is signed by the cast members. Two records.","Scope and Contents A \"back-alley opera\" narrated by David Wayne. With Carol Channing and Eddie Bracken. One record.","A musical by Cy Coleman and Michael Stewart. With Glenn Close and Jim Dale. In original case signed by cast members. One record.","Eleven songs performed by Dudley Moore (piano) and Cleo Laine (vocals). Case signed by Cleo and the producer. One record.","Soundtrack of the musical by Jerry Herman and Harvey Firestein. With George Hearn and Gene Barry. Record case signed by cast. One record.","Album by Perry Como. Case signed by the artist. One record.","The Common Glory orchestra and soloists from the Common Glory choir (including members of the William and Mary choir) in a concert performace of Act 1 of \"The Marriage of Figaro.\" Monday, August 20, 1956, in Blow Gymnasium at the College of William and Mary. Program and two 33 1/3 LP records.","Recording of the musical program presented by WVEC-TV on January 29, 1960, honoring the 350th anniversary of the city of Hampton, Virginia.","\"A report to all Armstrong men and women of our operating results.\" Stockholders address from Armstrong Cork Company. One 7 inch 45 rpm record and booklet.","Directed by Mr. C. W. Moore. Four tracks. One 33 1/3 rpm record","Narrated by Ralph Cooper. Recorded in Washington D.C., August 28, 1963. One 33 1/3 rpm record.","Performed by J. S. Darling on the Wren Chapel Organ at the College of William and Mary. Produced by Colonial Williamsburg Foundation.","State Capitol. One 1/4 inch audio reel.","Audio tape, along with a letter from Governor Godwin's office and a transcript of the tape.  The tape was broadcast by 50 stations on September 6, 1968.  One 1/4 inch reel.","Two 1/4 inch audio reels.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audio recording of the 1952 program \"At Home with Lindy,\" sponsored by the Colonial Dames of Lexington, VA. Probably belonging to Mary Meares Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Probably belonging to Mary M. Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Radford, VA. 5 min overall length. Two copies, 1/4 inch audio reels.","One 1/4 inch audio reel.","Reel #41, Machine #2. Program time 29:30. Tape speed 7 1/2. Recorded by Bill. One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audiotape of a lecture in which Dr. Koontz participated. One 1/4 inch audio tape. Folder includes typed information on lecture.","Box 1. Tape 14, letter number 61. Contents unknown. One 1/4 inch audio reel.","Box 2. Contents unknown. One 1/4 inch audio reel.","Box 3. Contents unknown. One 1/4 inch audio reel.","Box 4. Contents unknown. One 1/4 inch audio reel.","Box 5. Contents unknown. One 1/4 inch audio reel.","Box 6. Contents unknown. One 1/4 inch audio reel.","Box 7. Contents unknown. One 1/4 inch audio reel.","Box 8. Contents unknown. One 1/4 inch audio reel.","Box 9. Contents unknown. One 1/4 inch audio reel.","Box 10. Contents unknown. One 1/4 inch audio reel.","Collection is CLOSED.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","One sixty second radio spot. 7 1/2 ips - mono, one reel.","One sixty second radio spot.  7 1/2 ips - mono, one reel.","One sixty second radio spot. One reel.","One sixty second radio spot. 7 1/2 ips - mono master, one reel.","Reel-to-reel audiotapes of various piano performances by Claudia Stevens around the United States, including Carnegie Hall, Harvard University, National Public Radio, and the College of William and Mary.","The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven, Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premiers, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\" ). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Contains three reel-to-reel audiotapes of theater productions including \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman Tape I.\"","Scope and Contents One 7\" reel-to-reel audiotape of a production called \"Family Stones\" that was once owned by William and Mary Theatre Director Howard Scammon. The tape speed is 3 3/4.","One 2500 ft. reel-to-reel audiotape that is labeled \"Chapman Tape I.\" The audiotape was once owned by William and Mary Theatre Director Howard Scammon.","Scope and Contents One 2500 ft. reel-to-reel audiotape from a production entitled \"Chapman II\" that was once owned by William and Mary Theatre Director Howard Scammon. The audiotape was recorded at 7 1/2 inches per second. The approximate lenght of the tape is one hour.","One reel-to-reel audiotape labeled Mine workers monologues...European History.","Could have been filmed by CW or the VA Chamber of Commerce. No sound, black and white. One oversize video reel.","No sound, black and white. Raw footage. Lathen Zimmer, Virginia Bray, Zeke Friedman. One video reel.","Run time approximately 10 minutes. No sound, full color. Collage of scenes and dances. One video reel.","Run time 1 minute. One color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 60 seconds. Filmed by Colonial Williamsburg. One color video reel with sound.","One 16mm video reel.","Run time 30 seconds. One 16mm color video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Presented to Governor Mills E. Godwin, Jr. by the Virginia Association of Electric Cooperatives.  One oversize 16mm video reel with audio.","TV video reel, black and white with sound.  One 50 mm oversize video reel.","One 16mm video reel with audio.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","Running time 15 minutes.  One 1/2 inch audio and video reel.","No good - damaged. One oversize 1/2 inch audio and video reel.","Shipped to Lutheran TV Productions in St. Louis, Missouri. One oversize 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","From 2005.38 addition. One small reel to reel video tape in plastic case."],"separatedmaterial_html_tesm":["\u003cp\u003eAudiovisual material from Acc. 2013.246 was pulled from the Bruton Parish Church (Williamsburg, Virginia) Records and was added to this collection on 10/11/2013.\u003c/p\u003e\n","\u003cp\u003e Mss. Acc. 2014.003 were previously described under Acc. 2009.252 (\"Fairy Stones), Acc. 2009.253 (\"Chapman 1), and Acc. 2009.254 (\"Chapman II\") in the University Archives Audiovisual Collection.\u003c/p\u003e\n","\u003cp\u003e Mss. Acc. 2003.66.044-.046 were previously part of the James Bill Papers and were added to this collection on 3/6/2014.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Audiovisual material from Acc. 2013.246 was pulled from the Bruton Parish Church (Williamsburg, Virginia) Records and was added to this collection on 10/11/2013."," Mss. Acc. 2014.003 were previously described under Acc. 2009.252 (\"Fairy Stones), Acc. 2009.253 (\"Chapman 1), and Acc. 2009.254 (\"Chapman II\") in the University Archives Audiovisual Collection."," Mss. Acc. 2003.66.044-.046 were previously part of the James Bill Papers and were added to this collection on 3/6/2014."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":1000,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T13:42:09.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_695","ead_ssi":"viw_repositories_2_resources_695","_root_":"viw_repositories_2_resources_695","_nest_parent_":"viw_repositories_2_resources_695","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_695.xml","title_filing_ssi":"Audiovisual, Manuscripts Collection","title_ssm":["Manuscripts Audiovisual Collection"],"title_tesim":["Manuscripts Audiovisual Collection"],"unitdate_ssm":["1920-2013"],"unitdate_inclusive_ssm":["1920-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. 1.04","/repositories/2/resources/695"],"text":["01/Mss. 1.04","/repositories/2/resources/695","Manuscripts Audiovisual Collection","Audiocassettes","DVDs","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Additions are being made to this collection on an ongoing basis.","Many of the audiovisual recordings inventoried in this collection came to the Special Collections Research Center as part of a collection of personal papers or organizational records. Those relationships are documented when known.","The physical condition of some audiovisual formats may restrict access to the original recordings."," Special equipment is required to listen to or view audiovisual recordings.","The Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.","Contains videocassete tapes that were pulled from the Vincent DeVita Papers (Mss. 84 D49).","One VHS tape.","One VHS tape","One VHS tape","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","Two VHS tapes.","One VHS tape","One VHS tape","One VHS tape","Contains videocassette tapes that were pulled from the Richard J. Davis Papers (Mss. 86 D27).","One VHS tape","Contains videocassette tapes that were pulled from the Glenn Close Papers (Mss. 93 C62). See Mss. Acc. 2010.601 below for more videocassette tapes from the Glenn Close Papers.","One VHS tape","One VHS Tape","One VHS tape","One Betamax tape.","One VHS tape.","One VHS tape.","One VHS show.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape, performed at Deutsches Theater, Berlin.","One VHS tape.","One VHS tape.","One VHS tape.","Two VHS tapes.","One oversize VHS tape.  Stored at the end of Series 1.","Running time 13:34. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from the Henry Chapin Papers (Mss. 1993.005).","Three VHS tapes.","Contains videocassette tapes that were pulled from the Lee Family Papers (Mss. 1993.006-01).","One VHS tape.","1930. The Geddy Family of Williamsburg 1931. The Yorktown Sesquicentennial 1933. Miami No date. Arizona Desert School - Tuscon","Contains videocassette tapes that were pulled from the Rosa Marie and James A. Fuller Papers (Mss. 2001 F95).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2001.50 of the Louis E. Catron Papers. For more, see also Sub-Series 9.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.034 of the Woman's Club of Williamsburg Records.","Two U-matic tapes.","One VHS tape.","Running time 30 min. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.039 of the Louis E. Catron Papers. For more, see Sub-Series 7.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from the James A. Bill Papers (Mss. Acc. 2003.066).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","For more, see audio cassette tapes.","One VHS tape of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Jive.  C-SPAN.  One VHS tape.","Berlin, NYC.  One VHS tape.","One VHS tape of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Contains videocassette tapes that were pulled from the Art Song of Williamsburg Records (Mss. Acc. 2007.058).","One VHS tape.","One VHS tape.","One VHS tape.","Marketing video with cassette tape which was to be placed with video. One VHS tape.","Contains videocassette tapes that were pulled from the Williamsburg Regional Commission on Growth and Historic Triangle Growth Management Group Papers (Mss. 2008.077).","One VHS tape.","One VHS tape.","One VHS tape.","For more, see Sub-Series 17. There are also audio cassettes and computer discs from this collection.","One VHS tape.","Tape features a health program, a continual candidates forum, Williamsburg City Council meeting.  One VHS tape.","1 VHS tape, running time 18 min.","One VHS tape, running time 12 min.","One VHS Tape.","One VHS tape.","One VHS tape.","Virginia Senate District 3, VA Delegates District 96 \u0026 97, Candidates Forum, Stryker Building, Williamsburg. One VHS tape.","One VHS tape.","One VHS tape.","Produced by the Alliance for Better Campaigns, running time 9 minutes, 1 VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.114 of the Claudia Stevens Papers. For more, see Sub-Series 16.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Three VHS tapes.","One VHS tape.","Two VHS tapes.","One VHS tape.","One oversized VHS tape.  Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.139 of the Hamilton Family Papers.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.601 of the Claudia Stevens Papers. For more, see Sub-Series 14.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2010.342 of the League of Women Voters of the Williamsburg Area Records. For more, see Sub-Series 13. There are also audio cassettes and computer disks from this collection.","Two VHS tapes.","One Betacam tape with two WWE wrestlers.","This accession also includes an oversize video tape and a cassette tape.","Running time 63 minutes. One VHS tape.","Redford. One VHS tape.","The Kanew Company. Tape Dub. One VHS tape.","One VHS tape. 1 hr 37 min.","Length: 11:30. One VHS tape.","Starring Gloria Swanson, Lionel Barrymore, and Raoul Walsh.  One VHS tape.","One VHS tape.","Roughcut. Viewing cassette. One VHS tape.","One VHS tape.","Sesame Street. One VHS tape.","The Lifetime Channel. One VHS tape.","One VHS tape.","Dub. One VHS tape.","Greta Cammermeyer - Prime Time Live. One VHS tape.","Walt Disney Pictures. 60 sec. One VHS tape.","Rough Publicity Clip. TRT: 1:04. Glenn Close Clip. One VHS tape.","Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Los Angeles Coverage. One VHS tape.","One VHS tape.","Guests: Glenn Close, Vanessa Mae, Martin Sheen, Malik Yoba. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. One VHS tape.","One VHS tape.","TCA Highlights. One VHS tape.","TCA Highlights. One VHS tape.","Avid Cut. RT: 11:03. One VHS tape.","TRT - 45:00. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Includes Tribute Speeches by Jane Seymour and Glenn Close. One VHS tape.","Trailers. One VHS tape.","Columbia Pictures. Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Nightline. One VHS tape.","Columbia Pictures. Featurette. Length: 5:59. One VHS tape.","Hosted by Glenn Close. Starring Aaliyah, Shirley Caesar, Deana Carter, Hanson and Thomas Hampson. One VHS tape.","Winner Communications. 105:00. One VHS tape.","Sarajevo Package. One VHS tape.","Subject - Sarajevo. One VHS tape.","Columbia Tristar Home Video. 1. Access Hollywood. KNBC TV (NBC) Los Angeles. 3:32. 1 October 1998. 2. Entertainment Tonight. KCBS TV (CBS) Los Angeles. :27. 2 November 1998. 3. Good Morning America. ABC-TV Network. 6:58. 3 November 1998. One VHS tape.","Walt Disney Pictures. EPK Materials. 9:40. 1. Character Voices 2. Kala and Kerchak 3. Terk and Tantor One VHS tape.","One VHS tape.","Sizzle Piece v. 5. TRT: 3:00. One VHS tape.","Walt Disney Pictures. Select B-Roll. Revised V 2.1. TRT: 54:37. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. Select Soundbites Cut #3. TRT 36:42. One VHS tape.","Walt Disney Pictures. Rough Clips #2. TRT 23:10. One VHS tape.","ABC Entertainment. Press Tour Clip. Version 1. 20 min. TRT 21:54. One VHS tape.","One VHS tape.","ABC Hollywood. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","TRT : 59:30. One VHS tape.","B-Roll selects. One VHS tape.","Master Dub. One VHS tape.","Press Tour. One VHS tape.","One VHS tape.","B-Roll selects. One VHS tape.","B-Roll. Running Time 9:00. One VHS tape.","Rabbit Ears Productions. 30 mins. One VHS tape.","One VHS tape.","One VHS tape.","1. 213ST - Bravo Logo 2. #2 PSA - Reggie Rivers/Denver Arts PSA One VHS tape.","Scott Mauro Entertainment. 12:36. One VHS tape.","EP # 1083. For Talent. Stereo TRT 20:49. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long. A DVD version of the video is avaiable in Series 4.","Three Cassette Tapes.","Basil Rathbone.  Dupont Theatre.  Two Cassette Tapes.","One Cassette Tape.","Nine Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One cassette tape.","Nine Cassette Tapes. For more, see Sub-Series 6.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Chapel of the Wren Building, at the College of William and Mary. One Cassette Tape.","Accession number 1990-36. One cassette tape.","One Cassette Tape.","One Cassette Tape.","Recorded interviews on James City County history.","One cassette tape.","One cassette tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","Four Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. See Doris Wildenburger.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. No transcripts, cassette dated 12/8/87.","Three Cassette Tapes.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","For more, see Sub-Series 3.","One Cassette Tape.","Jeremiah Clarke - The Prince of Denmark's March; Trumpet Tune; Almand in D; Round O in a; Jigg in A. From Choice Lessons. One cassette tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","80 min. One Cassette Tape.","One Cassette Tape.","40 min. One Cassette Tape.","Svec was a neighbor of Aleksandr Solzhenitsyn, the Nobel Prize Winning Russian dissident writer. Interview by Frank Shatz. 10 min. One Cassette Tape.","Frank Shatz is the interviewer. Run time 20 min. One Cassette Tape.","Running time 20 minutes. One Cassette Tape.","Running times 20min and 30 min, respectively. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Interviewer is Frank Shatz. Running Time 25 min. One Cassette Tape.","Interviewer Frank Shatz. 15 minutes. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Six Cassette Tapes.","Jack \u0026 Catherine Morpurgo. Community Arts Programme, Caldwell Idaho. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. 5-6 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer. 15 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 20 min. One Cassette Tape.","Fifty-four audio cassette tapes of interviews by James A. Bill.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","New York. One Cassette Tape.","Austin, TX. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","One Cassette Tape.","Princeton. One Cassette Tape.","One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","New York. One Cassette Tape.","New York City. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Washington, D.C. One Cassette Tape.","Cambridge, MA. One Cassette Tape.","One audio cassette tape.","One audio cassette tape.","One audio cassette tape interview possibly covering the Iran-Contra affair.","Tapes are CLOSED.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Frank Shatz is the Interviewer. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Tapes are CLOSED.","Reves Center Global Forum, 40 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Read by Scott Martin. Two cassette tapes.","Tapes are CLOSED.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. 15 min. One cassette tape.","Frank Shatz is the interviewer.  20 min.  One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Recorded by Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Frank Shatz, Gene Nichol, Paul Verkuil, Tim Sullivan, and Dr. Kern Wildenthal. One cassette tape.","Tapes are CLOSED.","Telephone Interview by Frank Shatz. One cassette tape.","Interview by Frank Shatz. One cassette tape.","Interviews on cassette tapes.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape. For more, see B side of tape 52.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Two cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Two cassette tapes.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape. More of Laurence (Larry) Deutsch on the B Side.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Three cassette tapes.","Two cassette tapes.","Three cassette tapes.","One cassette tape.","One cassette tape.","By League of Women Voters. Williamsburg Public Library. One cassette tape.","Four cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Five cassette tapes with music for common year (?).","One cassette tape.","One cassette tape.","Three cassette tape.","GC-4089 and GC-4088. One cassette tape.","GC-4107 and GC-4085. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Tapes are CLOSED. Nine cassette tapes.","Interview at the Reves Center with Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 40 min. One cassette tape.","Interview by Frank Shatz. 25 min. One cassette tape.","Interview by Frank Shatz. 35 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Audio cassettes relating to the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","The radio broadcast for \"NPR Playhouse.\"  One cassette tape.","Tapes are CLOSED. Thirteen tapes.","Frank Shatz is the interviewer. 25 min. One cassette tape.","Frank Shatz is the interviewer. 35 min. One cassette tape.","One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer.  Running time 10 min.  One cassette tape.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 45 min. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Tapes are CLOSED.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 20 minutes long. One audiocassette tape.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 10 minutes long. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Fank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Audiocassette tapes of piano performances by Claudia Stevens.","One audiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126 Copland, Piano Fantasy Schumann, Sonata in F minor, Opus 14","Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (an National Public Radio affiliate).","Scope and Contents Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\" . Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\" ), Joel Chadabe, and Betsy Jolas.","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\" .","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","Tapes are closed.","Interview by Frank Shatz. The tape is approximately 30 minutes in length.","Interview by Frank Shatz of Colin Campbell, president of Colonial Williamsburg. Tape length is approximately 20 minutes in length.","Interview by Frank Shatz with Tim O'Brien, writer. Tape lenght is approximately 20 minutes in length.","One CD.","Three CDs of first, second, and final transcription of selected letters by Lonnie Dobbs.","One CD.","One CD.","One CD.","Piano, 1816, owned by William \u0026 Mary, 2003. Conservation by John Watson \u0026 Louis Dolive, Colonial Williamsburg. One CD.","Recordings of Claudia Stevens' piano concerts, including programs.","One CD.","One CD.","One CD.","Two CDs related to Jamestown Commemorative Postage Stamp.","One CD.","One CD.","Inaugural concert. With Lisa Edwards-Burrs, soprano, and Ruth Easterling Winters, pianist. One CD.","With Will Crutchfield, lecturer/pianist, and Steven Tharp, tenor. One CD.","With Michael Posey, tenor, and Ruth Easterling Winters, pianist. Two CDs.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. Five CDs.","With Pamela Armstrong, soprano, and Melanie Day, pianist. Four CDs.","Branch Fields, with Ruth Easterling Winters. One CD.","With Martha Slay, mezzo-soprano, and Charles Staples, pianist. One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  Two CDs.","With Stephen Tharp, tenor, and Will Crutchfield, pianist. One CD.","With Georgeann Paddock, soprano, Jonathan Hays, baritone, and Ruth Easterling Winters, pianist. Two CDs.","With Robynne Redmon, mezzo-soprano, and Charles Woodward, pianist. Four CDs.","With Lisa Edwards-Burrs, soprano, and Melanie Day, pianist. One CD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One CD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. One CD.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Four CDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two CDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three CDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. One CD.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Four CDs.","CD-roms of Bucktrout and Draughtsman map imaged by Colonial Williamsburg.","One CD.","One CD.","One CD.","One CD.","One CD.","One CD.","Five Seasons, as performed at Atlanta Memorial Arts Center, Atlanta, GA. First performed February 6, 1979, recorded February 27, 1979. By Merritt Ierley, Lavinia Phillips, Soprano, and Judith Shulz, Pianist. One CD.","Two unopened CDs.","One CD.","One CD.","One CD.","One CD.","One CD.","In PDF format. One CD.","April 2005, February 2005, Flag Day 2005, January 2005, May 2005. One CD.","Veterans' Day, 2007. One CD.","Veterans' Day, 2010. One CD.","Memorial Day, 2010. One CD.","One CD.","One CD.","Performed live (mostly) at the Celebration of William Cabbell's 300th Birthday, October 21-22, 2000 at the Williasmburg Lodge.","Recording of a campaign rally for state Senator Garland Gray. Speakers include Russell M. Carneal, Robert Hornsby, H. W. Stryker, Fred M. Flanary, Davis Y. Paschall, and Garland Gray.","One compact disc of digital transcripts of letters from Julia Cherney (Bateman) to Clara Walde (Lawrence) while serving as a missionary in China from 1909 to 1923. From the Clara Lawrence Papers, Mss. Acc. 2009.299, series 1, box 3.","Played on the organ of Bruton Parish Church by James Darling, organist.","Two copies of a DVD on John Marshall. Running time 29 min.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","One DVD of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD case.","One DVD.","Hightlights from Queen Elizabeth II and Prince Philip's visit to Jamestown and Williamsburg, commemorating the 400th anniversary of the Jamestown settlement. One DVD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One DVD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. Four DVDs.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Three DVDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two DVDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three DVDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. Five DVDs.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Seven DVDs.","One DVD.","Two DVDs.","One DVD.","Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Ida Green Arena Theater. Item 12. One DVD.","One DVD.","Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","Recorded at Berkeley Art Center. One DVD.","A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Baltimore Theater. One DVD.","Charlotte Kaufman, director. An Opera in Two Acts, being Mr. Doggett's farce of The Country Wake altered after the manner of The Beggar's Opera. By John Hippisley, 1729. Harvard Unitarian Church, Harvard, Mass. One DVD.","Charlotte Kaufman, Director. A Ballad Opera Farce. Remis Auditorium. One DVD.","Charlotte Kaufman, director and harpsichord. Staged by Craig Wich. Remis Auditorian. One DVD.","One DVD.","Two DVDs.","One DVD.","A film by Julia Melchoir and Sebastian Denhardt. One DVD.","At St. John's Kirk, Perth, Scotland. One DVD.","Contains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Contains three files relating to the Cabell Family homes and graveyards in Nelson, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Format is Word Perfect 5.1. One 3.5 inch floppy disk.","WHRA","Two 3.5 inch floppy disks.","One disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","FS- 95/96, 96/97, 97/98; Dues 97/98; Treasurer's Job; Envelope. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Four disks with office files.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Pictures, files. Four 3.5 inch floppy disks","President's files.","Brochure, handbook, letterhead, fax form, agenda, invoice, membership renewal form. One 3.5 inch floppy disk.","LWVWA 2000-2001 Education proposal, Education positions, LWVWA Education study proposal, working on a LWV study (P. Kent). One 3.5 inch floppy disk.","Newsletter and labels, invitations and flyers. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Board meetings, agenda, letter. One 3.5 inch floppy disk.","Policies, by-laws, positions, annual meeting handout, grant applications. One 3.5 inch floppy disk.","Scope and Contents Must be played with wooden \"Kacti\" needle. One record.","An example of material distributed during political campaigns. One 33 rpm disk.","By R. B. Tisdale. One 33 1/3 rpm disk.","Songs: Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Eyes.  One 33 1/3 rpm disk.","Dunmore - Bouree - Fireworks. One 33 1/3 rpm disk.","Country dance. Reserve copy. Two cuttings. One 33 1/3 rpm disk.","Dunmore Ballet, Scarlotti, Allemande, Gallop, Country Dance. \"Too fast!\" One disk.","Dunmore Ballet, Allemande, Gallop, Country Dance, Scarlotti. One disk.","Sowers \u0026 Reapers - plus (?) Diggers - Orch. Band I + II - Yankee Doodle Band III + IV - One disk.","One disk.","One 33 1/3 rpm disk.","One disk.","Side 1: Music from The Common Glory (Musical Synopsis) Side 2: Common Glory Concert Choir One 33 1/3 rpm disk.","Dunmore Ballet, Rainy Night. One 33 1/3 rpm disk.","Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Ones. One 33 1/3 rpm disk.","Recorded by Ray Charles Singers with orchestra. Three Ships, Pocahontas, The Old Church Tower, Jamestown. One disk.","One disk.","One 33 1/3 rpm disk.","One disk. Damaged.","Dave Remington Quartet. Lyrics by P. Quinto, S. Spilmon, M. Vallo. Music by Vincent Chiarelli. One 45 rpm disk.","One 78 rpm disk.","One disk.","One 33 1/3 rpm disk.","George Passage News.  Recorded in Richmond, Va.  Three 78 rpm disks.","Roanoke, Va.  One 33 1/3 rpm disk.","Richmond, Va.  Three 78 rpm disks.","Three 33 1/3 rpm disks.","Political Anns. Open \u0026 Closing included.  One 33 1/3 rpm disk.","José Iturbi, pianist.  One disk.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist before entering the College of William and Mary.","Two records. Includes note from Glenn Close to Howard Scammon, May 31, 1985.","Transferred from the music library.","Soundtrack to the musical by Stephen Sondheim and directed by Harold Prince. With Angela Lansbury and Len Cariou. Case is signed by the cast members. Two records.","Scope and Contents A \"back-alley opera\" narrated by David Wayne. With Carol Channing and Eddie Bracken. One record.","A musical by Cy Coleman and Michael Stewart. With Glenn Close and Jim Dale. In original case signed by cast members. One record.","Eleven songs performed by Dudley Moore (piano) and Cleo Laine (vocals). Case signed by Cleo and the producer. One record.","Soundtrack of the musical by Jerry Herman and Harvey Firestein. With George Hearn and Gene Barry. Record case signed by cast. One record.","Album by Perry Como. Case signed by the artist. One record.","The Common Glory orchestra and soloists from the Common Glory choir (including members of the William and Mary choir) in a concert performace of Act 1 of \"The Marriage of Figaro.\" Monday, August 20, 1956, in Blow Gymnasium at the College of William and Mary. Program and two 33 1/3 LP records.","Recording of the musical program presented by WVEC-TV on January 29, 1960, honoring the 350th anniversary of the city of Hampton, Virginia.","\"A report to all Armstrong men and women of our operating results.\" Stockholders address from Armstrong Cork Company. One 7 inch 45 rpm record and booklet.","Directed by Mr. C. W. Moore. Four tracks. One 33 1/3 rpm record","Narrated by Ralph Cooper. Recorded in Washington D.C., August 28, 1963. One 33 1/3 rpm record.","Performed by J. S. Darling on the Wren Chapel Organ at the College of William and Mary. Produced by Colonial Williamsburg Foundation.","State Capitol. One 1/4 inch audio reel.","Audio tape, along with a letter from Governor Godwin's office and a transcript of the tape.  The tape was broadcast by 50 stations on September 6, 1968.  One 1/4 inch reel.","Two 1/4 inch audio reels.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audio recording of the 1952 program \"At Home with Lindy,\" sponsored by the Colonial Dames of Lexington, VA. Probably belonging to Mary Meares Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Probably belonging to Mary M. Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Radford, VA. 5 min overall length. Two copies, 1/4 inch audio reels.","One 1/4 inch audio reel.","Reel #41, Machine #2. Program time 29:30. Tape speed 7 1/2. Recorded by Bill. One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audiotape of a lecture in which Dr. Koontz participated. One 1/4 inch audio tape. Folder includes typed information on lecture.","Box 1. Tape 14, letter number 61. Contents unknown. One 1/4 inch audio reel.","Box 2. Contents unknown. One 1/4 inch audio reel.","Box 3. Contents unknown. One 1/4 inch audio reel.","Box 4. Contents unknown. One 1/4 inch audio reel.","Box 5. Contents unknown. One 1/4 inch audio reel.","Box 6. Contents unknown. One 1/4 inch audio reel.","Box 7. Contents unknown. One 1/4 inch audio reel.","Box 8. Contents unknown. One 1/4 inch audio reel.","Box 9. Contents unknown. One 1/4 inch audio reel.","Box 10. Contents unknown. One 1/4 inch audio reel.","Collection is CLOSED.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","One sixty second radio spot. 7 1/2 ips - mono, one reel.","One sixty second radio spot.  7 1/2 ips - mono, one reel.","One sixty second radio spot. One reel.","One sixty second radio spot. 7 1/2 ips - mono master, one reel.","Reel-to-reel audiotapes of various piano performances by Claudia Stevens around the United States, including Carnegie Hall, Harvard University, National Public Radio, and the College of William and Mary.","The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven, Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premiers, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\" ). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Contains three reel-to-reel audiotapes of theater productions including \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman Tape I.\"","Scope and Contents One 7\" reel-to-reel audiotape of a production called \"Family Stones\" that was once owned by William and Mary Theatre Director Howard Scammon. The tape speed is 3 3/4.","One 2500 ft. reel-to-reel audiotape that is labeled \"Chapman Tape I.\" The audiotape was once owned by William and Mary Theatre Director Howard Scammon.","Scope and Contents One 2500 ft. reel-to-reel audiotape from a production entitled \"Chapman II\" that was once owned by William and Mary Theatre Director Howard Scammon. The audiotape was recorded at 7 1/2 inches per second. The approximate lenght of the tape is one hour.","One reel-to-reel audiotape labeled Mine workers monologues...European History.","Could have been filmed by CW or the VA Chamber of Commerce. No sound, black and white. One oversize video reel.","No sound, black and white. Raw footage. Lathen Zimmer, Virginia Bray, Zeke Friedman. One video reel.","Run time approximately 10 minutes. No sound, full color. Collage of scenes and dances. One video reel.","Run time 1 minute. One color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 60 seconds. Filmed by Colonial Williamsburg. One color video reel with sound.","One 16mm video reel.","Run time 30 seconds. One 16mm color video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Presented to Governor Mills E. Godwin, Jr. by the Virginia Association of Electric Cooperatives.  One oversize 16mm video reel with audio.","TV video reel, black and white with sound.  One 50 mm oversize video reel.","One 16mm video reel with audio.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","Running time 15 minutes.  One 1/2 inch audio and video reel.","No good - damaged. One oversize 1/2 inch audio and video reel.","Shipped to Lutheran TV Productions in St. Louis, Missouri. One oversize 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","From 2005.38 addition. One small reel to reel video tape in plastic case.","Audiovisual material from Acc. 2013.246 was pulled from the Bruton Parish Church (Williamsburg, Virginia) Records and was added to this collection on 10/11/2013."," Mss. Acc. 2014.003 were previously described under Acc. 2009.252 (\"Fairy Stones), Acc. 2009.253 (\"Chapman 1), and Acc. 2009.254 (\"Chapman II\") in the University Archives Audiovisual Collection."," Mss. Acc. 2003.66.044-.046 were previously part of the James Bill Papers and were added to this collection on 3/6/2014.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["01/Mss. 1.04","/repositories/2/resources/695"],"normalized_title_ssm":["Manuscripts Audiovisual Collection"],"collection_title_tesim":["Manuscripts Audiovisual Collection"],"collection_ssim":["Manuscripts Audiovisual Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Audiocassettes","DVDs","Video recordings"],"access_subjects_ssm":["Audiocassettes","DVDs","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["20.0 Linear Feet"],"extent_tesim":["20.0 Linear Feet"],"genreform_ssim":["Audiocassettes","DVDs","Video recordings"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eAdditions are being made to this collection on an ongoing basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Additions are being made to this collection on an ongoing basis."],"custodhist_html_tesm":["\u003cp\u003eMany of the audiovisual recordings inventoried in this collection came to the Special Collections Research Center as part of a collection of personal papers or organizational records. Those relationships are documented when known.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Many of the audiovisual recordings inventoried in this collection came to the Special Collections Research Center as part of a collection of personal papers or organizational records. Those relationships are documented when known."],"phystech_html_tesm":["\u003cp\u003eThe physical condition of some audiovisual formats may restrict access to the original recordings.\u003c/p\u003e","\u003cp\u003e Special equipment is required to listen to or view audiovisual recordings.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["The physical condition of some audiovisual formats may restrict access to the original recordings."," Special equipment is required to listen to or view audiovisual recordings."],"prefercite_html_tesm":["\u003cp\u003eManuscripts Audiovisual Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Manuscripts Audiovisual Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eThe Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.\u003c/p\u003e","\u003cp\u003eContains videocassete tapes that were pulled from the Vincent DeVita Papers (Mss. 84 D49).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Richard J. Davis Papers (Mss. 86 D27).\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Glenn Close Papers (Mss. 93 C62). See Mss. Acc. 2010.601 below for more videocassette tapes from the Glenn Close Papers.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS Tape\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne Betamax tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS show.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape, performed at Deutsches Theater, Berlin.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne oversize VHS tape.  Stored at the end of Series 1.\u003c/p\u003e","\u003cp\u003eRunning time 13:34. One oversize VHS tape. Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Henry Chapin Papers (Mss. 1993.005).\u003c/p\u003e","\u003cp\u003eThree VHS tapes.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Lee Family Papers (Mss. 1993.006-01).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003e1930. The Geddy Family of Williamsburg 1931. The Yorktown Sesquicentennial 1933. Miami No date. Arizona Desert School - Tuscon\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Rosa Marie and James A. Fuller Papers (Mss. 2001 F95).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2001.50 of the Louis E. Catron Papers. For more, see also Sub-Series 9.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2002.034 of the Woman's Club of Williamsburg Records.\u003c/p\u003e","\u003cp\u003eTwo U-matic tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eRunning time 30 min. One oversize VHS tape. Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2002.039 of the Louis E. Catron Papers. For more, see Sub-Series 7.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the James A. Bill Papers (Mss. Acc. 2003.066).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eFor more, see audio cassette tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).\u003c/p\u003e","\u003cp\u003eJive.  C-SPAN.  One VHS tape.\u003c/p\u003e","\u003cp\u003eBerlin, NYC.  One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Art Song of Williamsburg Records (Mss. Acc. 2007.058).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eMarketing video with cassette tape which was to be placed with video. One VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from the Williamsburg Regional Commission on Growth and Historic Triangle Growth Management Group Papers (Mss. 2008.077).\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eFor more, see Sub-Series 17. There are also audio cassettes and computer discs from this collection.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTape features a health program, a continual candidates forum, Williamsburg City Council meeting.  One VHS tape.\u003c/p\u003e","\u003cp\u003e1 VHS tape, running time 18 min.\u003c/p\u003e","\u003cp\u003eOne VHS tape, running time 12 min.\u003c/p\u003e","\u003cp\u003eOne VHS Tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eVirginia Senate District 3, VA Delegates District 96 \u0026amp; 97, Candidates Forum, Stryker Building, Williamsburg. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eProduced by the Alliance for Better Campaigns, running time 9 minutes, 1 VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2009.114 of the Claudia Stevens Papers. For more, see Sub-Series 16.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eThree VHS tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne oversized VHS tape.  Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2009.139 of the Hamilton Family Papers.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2009.601 of the Claudia Stevens Papers. For more, see Sub-Series 14.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eContains videocassette tapes that were pulled from Mss. Acc. 2010.342 of the League of Women Voters of the Williamsburg Area Records. For more, see Sub-Series 13. There are also audio cassettes and computer disks from this collection.\u003c/p\u003e","\u003cp\u003eTwo VHS tapes.\u003c/p\u003e","\u003cp\u003eOne Betacam tape with two WWE wrestlers.\u003c/p\u003e","\u003cp\u003eThis accession also includes an oversize video tape and a cassette tape.\u003c/p\u003e","\u003cp\u003eRunning time 63 minutes. One VHS tape.\u003c/p\u003e","\u003cp\u003eRedford. One VHS tape.\u003c/p\u003e","\u003cp\u003eThe Kanew Company. Tape Dub. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape. 1 hr 37 min.\u003c/p\u003e","\u003cp\u003eLength: 11:30. One VHS tape.\u003c/p\u003e","\u003cp\u003eStarring Gloria Swanson, Lionel Barrymore, and Raoul Walsh.  One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eRoughcut. Viewing cassette. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eSesame Street. One VHS tape.\u003c/p\u003e","\u003cp\u003eThe Lifetime Channel. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eDub. One VHS tape.\u003c/p\u003e","\u003cp\u003eGreta Cammermeyer - Prime Time Live. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. 60 sec. One VHS tape.\u003c/p\u003e","\u003cp\u003eRough Publicity Clip. TRT: 1:04. Glenn Close Clip. One VHS tape.\u003c/p\u003e","\u003cp\u003eEntertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.\u003c/p\u003e","\u003cp\u003eLos Angeles Coverage. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eGuests: Glenn Close, Vanessa Mae, Martin Sheen, Malik Yoba. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Electronic Press Kit. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTCA Highlights. One VHS tape.\u003c/p\u003e","\u003cp\u003eTCA Highlights. One VHS tape.\u003c/p\u003e","\u003cp\u003eAvid Cut. RT: 11:03. One VHS tape.\u003c/p\u003e","\u003cp\u003eTRT - 45:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Length 1:54. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Length 1:54. One VHS tape.\u003c/p\u003e","\u003cp\u003eIncludes Tribute Speeches by Jane Seymour and Glenn Close. One VHS tape.\u003c/p\u003e","\u003cp\u003eTrailers. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.\u003c/p\u003e","\u003cp\u003eNightline. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Pictures. Featurette. Length: 5:59. One VHS tape.\u003c/p\u003e","\u003cp\u003eHosted by Glenn Close. Starring Aaliyah, Shirley Caesar, Deana Carter, Hanson and Thomas Hampson. One VHS tape.\u003c/p\u003e","\u003cp\u003eWinner Communications. 105:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eSarajevo Package. One VHS tape.\u003c/p\u003e","\u003cp\u003eSubject - Sarajevo. One VHS tape.\u003c/p\u003e","\u003cp\u003eColumbia Tristar Home Video. 1. Access Hollywood. KNBC TV (NBC) Los Angeles. 3:32. 1 October 1998. 2. Entertainment Tonight. KCBS TV (CBS) Los Angeles. :27. 2 November 1998. 3. Good Morning America. ABC-TV Network. 6:58. 3 November 1998. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. EPK Materials. 9:40. 1. Character Voices 2. Kala and Kerchak 3. Terk and Tantor One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eSizzle Piece v. 5. TRT: 3:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Select B-Roll. Revised V 2.1. TRT: 54:37. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Electronic Press Kit. Select Soundbites Cut #3. TRT 36:42. One VHS tape.\u003c/p\u003e","\u003cp\u003eWalt Disney Pictures. Rough Clips #2. TRT 23:10. One VHS tape.\u003c/p\u003e","\u003cp\u003eABC Entertainment. Press Tour Clip. Version 1. 20 min. TRT 21:54. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eABC Hollywood. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eTRT : 59:30. One VHS tape.\u003c/p\u003e","\u003cp\u003eB-Roll selects. One VHS tape.\u003c/p\u003e","\u003cp\u003eMaster Dub. One VHS tape.\u003c/p\u003e","\u003cp\u003ePress Tour. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eB-Roll selects. One VHS tape.\u003c/p\u003e","\u003cp\u003eB-Roll. Running Time 9:00. One VHS tape.\u003c/p\u003e","\u003cp\u003eRabbit Ears Productions. 30 mins. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003e1. 213ST - Bravo Logo 2. #2 PSA - Reggie Rivers/Denver Arts PSA One VHS tape.\u003c/p\u003e","\u003cp\u003eScott Mauro Entertainment. 12:36. One VHS tape.\u003c/p\u003e","\u003cp\u003eEP # 1083. For Talent. Stereo TRT 20:49. One VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eOne VHS tape.\u003c/p\u003e","\u003cp\u003eVideocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.\u003c/p\u003e","\u003cp\u003eVideo exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long. A DVD version of the video is avaiable in Series 4.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eBasil Rathbone.  Dupont Theatre.  Two Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eNine Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eNine Cassette Tapes. For more, see Sub-Series 6.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eChapel of the Wren Building, at the College of William and Mary. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eAccession number 1990-36. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eRecorded interviews on James City County history.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eFour Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape. See Doris Wildenburger.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape. No transcripts, cassette dated 12/8/87.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eFor more, see Sub-Series 3.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eJeremiah Clarke - The Prince of Denmark's March; Trumpet Tune; Almand in D; Round O in a; Jigg in A. From Choice Lessons. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003e80 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003e40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eSvec was a neighbor of Aleksandr Solzhenitsyn, the Nobel Prize Winning Russian dissident writer. Interview by Frank Shatz. 10 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Run time 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eRunning time 20 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eRunning times 20min and 30 min, respectively. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. Running Time 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer Frank Shatz. 15 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eSix Cassette Tapes.\u003c/p\u003e","\u003cp\u003eJack \u0026amp; Catherine Morpurgo. Community Arts Programme, Caldwell Idaho. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 5-6 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 15 minutes. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 25 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One Cassette Tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFifty-four audio cassette tapes of interviews by James A. Bill.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eThree Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eTwo Cassette Tapes.\u003c/p\u003e","\u003cp\u003eNew York. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eAustin, TX. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eWashington, D.C. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eWashington, D.C. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eWilliamsburg, VA. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003ePrinceton. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eWilliamsburg, VA. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eNew York. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eNew York City. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne Cassette Tape.\u003c/p\u003e","\u003cp\u003eWashington, D.C. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eCambridge, MA. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape interview possibly covering the Iran-Contra affair.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 30 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eReves Center Global Forum, 40 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the Interviewer, 20 min. One Cassette Tape.\u003c/p\u003e","\u003cp\u003eRead by Scott Martin. Two cassette tapes.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 15 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  20 min.  One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One cassette tape.\u003c/p\u003e","\u003cp\u003eRecorded by Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviewer is Frank Shatz.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz, Gene Nichol, Paul Verkuil, Tim Sullivan, and Dr. Kern Wildenthal. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eTelephone Interview by Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterviews on cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape. For more, see B side of tape 52.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTwo cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTwo cassette tapes.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape. More of Laurence (Larry) Deutsch on the B Side.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eRestricted. One cassette tape.\u003c/p\u003e","\u003cp\u003eThree cassette tapes.\u003c/p\u003e","\u003cp\u003eTwo cassette tapes.\u003c/p\u003e","\u003cp\u003eThree cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eBy League of Women Voters. Williamsburg Public Library. One cassette tape.\u003c/p\u003e","\u003cp\u003eFour cassette tapes.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eFive cassette tapes with music for common year (?).\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eThree cassette tape.\u003c/p\u003e","\u003cp\u003eGC-4089 and GC-4088. One cassette tape.\u003c/p\u003e","\u003cp\u003eGC-4107 and GC-4085. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED. Nine cassette tapes.\u003c/p\u003e","\u003cp\u003eInterview at the Reves Center with Frank Shatz. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 15 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 15 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 40 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 25 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 35 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eAudio cassettes relating to the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eThe radio broadcast for \"NPR Playhouse.\"  One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED. Thirteen tapes.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 25 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 35 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eOne cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer.  Running time 10 min.  One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 40 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 45 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 40 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. Running time 20 min. One cassette tape.\u003c/p\u003e","\u003cp\u003eTapes are CLOSED.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 20 minutes long. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 10 minutes long. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eFrank Shatz is the interviewer. One audiocassette tape.\u003c/p\u003e","\u003cp\u003eAudiocassette tapes of piano performances by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOne audiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126 Copland, Piano Fantasy Schumann, Sonata in F minor, Opus 14\u003c/p\u003e","\u003cp\u003eAudiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (an National Public Radio affiliate).\u003c/p\u003e","\u003cp\u003eScope and Contents Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\" . Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\" ), Joel Chadabe, and Betsy Jolas.\u003c/p\u003e","\u003cp\u003eScope and Contents Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\" .\u003c/p\u003e","\u003cp\u003eScope and Contents Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.\u003c/p\u003e","\u003cp\u003eTapes are closed.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz. The tape is approximately 30 minutes in length.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz of Colin Campbell, president of Colonial Williamsburg. Tape length is approximately 20 minutes in length.\u003c/p\u003e","\u003cp\u003eInterview by Frank Shatz with Tim O'Brien, writer. Tape lenght is approximately 20 minutes in length.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eThree CDs of first, second, and final transcription of selected letters by Lonnie Dobbs.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003ePiano, 1816, owned by William \u0026amp; Mary, 2003. Conservation by John Watson \u0026amp; Louis Dolive, Colonial Williamsburg. One CD.\u003c/p\u003e","\u003cp\u003eRecordings of Claudia Stevens' piano concerts, including programs.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eTwo CDs related to Jamestown Commemorative Postage Stamp.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eInaugural concert. With Lisa Edwards-Burrs, soprano, and Ruth Easterling Winters, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Will Crutchfield, lecturer/pianist, and Steven Tharp, tenor. One CD.\u003c/p\u003e","\u003cp\u003eWith Michael Posey, tenor, and Ruth Easterling Winters, pianist. Two CDs.\u003c/p\u003e","\u003cp\u003eWith Barbara Quintiliani, soprano, and Charles Woodward, pianist. Five CDs.\u003c/p\u003e","\u003cp\u003eWith Pamela Armstrong, soprano, and Melanie Day, pianist. Four CDs.\u003c/p\u003e","\u003cp\u003eBranch Fields, with Ruth Easterling Winters. One CD.\u003c/p\u003e","\u003cp\u003eWith Martha Slay, mezzo-soprano, and Charles Staples, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Branch Fields, bass, and Ruth Easterling Winters, pianist.  One CD.\u003c/p\u003e","\u003cp\u003eWith Branch Fields, bass, and Ruth Easterling Winters, pianist.  Two CDs.\u003c/p\u003e","\u003cp\u003eWith Stephen Tharp, tenor, and Will Crutchfield, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Georgeann Paddock, soprano, Jonathan Hays, baritone, and Ruth Easterling Winters, pianist. Two CDs.\u003c/p\u003e","\u003cp\u003eWith Robynne Redmon, mezzo-soprano, and Charles Woodward, pianist. Four CDs.\u003c/p\u003e","\u003cp\u003eWith Lisa Edwards-Burrs, soprano, and Melanie Day, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Barbara Quintiliani, soprano, and Charles Woodward, pianist. One CD.\u003c/p\u003e","\u003cp\u003eWith Tracey Welborn, Tenor, and Tamara Sanikidze, piano. One CD.\u003c/p\u003e","\u003cp\u003eWith Matthew Burns, bass-baritone, and Melanie Day, piano. Four CDs.\u003c/p\u003e","\u003cp\u003eWith Catarina Lundgren, soprano, Heikki Pellinen, piano. Two CDs.\u003c/p\u003e","\u003cp\u003eWith Andrew Garland, baritone, and Donna Loewy, pianist. Three CDs.\u003c/p\u003e","\u003cp\u003eWith Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. One CD.\u003c/p\u003e","\u003cp\u003eWith Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Four CDs.\u003c/p\u003e","\u003cp\u003eCD-roms of Bucktrout and Draughtsman map imaged by Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eFive Seasons, as performed at Atlanta Memorial Arts Center, Atlanta, GA. First performed February 6, 1979, recorded February 27, 1979. By Merritt Ierley, Lavinia Phillips, Soprano, and Judith Shulz, Pianist. One CD.\u003c/p\u003e","\u003cp\u003eTwo unopened CDs.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eIn PDF format. One CD.\u003c/p\u003e","\u003cp\u003eApril 2005, February 2005, Flag Day 2005, January 2005, May 2005. One CD.\u003c/p\u003e","\u003cp\u003eVeterans' Day, 2007. One CD.\u003c/p\u003e","\u003cp\u003eVeterans' Day, 2010. One CD.\u003c/p\u003e","\u003cp\u003eMemorial Day, 2010. One CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003eOne CD.\u003c/p\u003e","\u003cp\u003ePerformed live (mostly) at the Celebration of William Cabbell's 300th Birthday, October 21-22, 2000 at the Williasmburg Lodge.\u003c/p\u003e","\u003cp\u003eRecording of a campaign rally for state Senator Garland Gray. Speakers include Russell M. Carneal, Robert Hornsby, H. W. Stryker, Fred M. Flanary, Davis Y. Paschall, and Garland Gray.\u003c/p\u003e","\u003cp\u003eOne compact disc of digital transcripts of letters from Julia Cherney (Bateman) to Clara Walde (Lawrence) while serving as a missionary in China from 1909 to 1923. From the Clara Lawrence Papers, Mss. Acc. 2009.299, series 1, box 3.\u003c/p\u003e","\u003cp\u003ePlayed on the organ of Bruton Parish Church by James Darling, organist.\u003c/p\u003e","\u003cp\u003eTwo copies of a DVD on John Marshall. Running time 29 min.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eDigitized daybook and ledger.  UVA Library RMDS.  One DVD.\u003c/p\u003e","\u003cp\u003eOne DVD of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.\u003c/p\u003e","\u003cp\u003eOne DVD of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.\u003c/p\u003e","\u003cp\u003eOne DVD case.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eHightlights from Queen Elizabeth II and Prince Philip's visit to Jamestown and Williamsburg, commemorating the 400th anniversary of the Jamestown settlement. One DVD.\u003c/p\u003e","\u003cp\u003eWith Barbara Quintiliani, soprano, and Charles Woodward, pianist. One DVD.\u003c/p\u003e","\u003cp\u003eWith Tracey Welborn, Tenor, and Tamara Sanikidze, piano. Four DVDs.\u003c/p\u003e","\u003cp\u003eWith Matthew Burns, bass-baritone, and Melanie Day, piano. Three DVDs.\u003c/p\u003e","\u003cp\u003eWith Catarina Lundgren, soprano, Heikki Pellinen, piano. Two DVDs.\u003c/p\u003e","\u003cp\u003eWith Andrew Garland, baritone, and Donna Loewy, pianist. Three DVDs.\u003c/p\u003e","\u003cp\u003eWith Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. Five DVDs.\u003c/p\u003e","\u003cp\u003eWith Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Seven DVDs.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eTwo DVDs.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eMeredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.\u003c/p\u003e","\u003cp\u003eIda Green Arena Theater. Item 12. One DVD.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eHerbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.\u003c/p\u003e","\u003cp\u003eRecorded at Berkeley Art Center. One DVD.\u003c/p\u003e","\u003cp\u003eA solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.\u003c/p\u003e","\u003cp\u003eBaltimore Theater. One DVD.\u003c/p\u003e","\u003cp\u003eCharlotte Kaufman, director. An Opera in Two Acts, being Mr. Doggett's farce of The Country Wake altered after the manner of The Beggar's Opera. By John Hippisley, 1729. Harvard Unitarian Church, Harvard, Mass. One DVD.\u003c/p\u003e","\u003cp\u003eCharlotte Kaufman, Director. A Ballad Opera Farce. Remis Auditorium. One DVD.\u003c/p\u003e","\u003cp\u003eCharlotte Kaufman, director and harpsichord. Staged by Craig Wich. Remis Auditorian. One DVD.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eTwo DVDs.\u003c/p\u003e","\u003cp\u003eOne DVD.\u003c/p\u003e","\u003cp\u003eA film by Julia Melchoir and Sebastian Denhardt. One DVD.\u003c/p\u003e","\u003cp\u003eAt St. John's Kirk, Perth, Scotland. One DVD.\u003c/p\u003e","\u003cp\u003eContains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.\u003c/p\u003e","\u003cp\u003eContains three files relating to the Cabell Family homes and graveyards in Nelson, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.\u003c/p\u003e","\u003cp\u003eVideo exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eFormat is Word Perfect 5.1. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eWHRA\u003c/p\u003e","\u003cp\u003eTwo 3.5 inch floppy disks.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eFS- 95/96, 96/97, 97/98; Dues 97/98; Treasurer's Job; Envelope. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eFour disks with office files.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003ePictures, files. Four 3.5 inch floppy disks\u003c/p\u003e","\u003cp\u003ePresident's files.\u003c/p\u003e","\u003cp\u003eBrochure, handbook, letterhead, fax form, agenda, invoice, membership renewal form. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eLWVWA 2000-2001 Education proposal, Education positions, LWVWA Education study proposal, working on a LWV study (P. Kent). One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eNewsletter and labels, invitations and flyers. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eOne 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eBoard meetings, agenda, letter. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003ePolicies, by-laws, positions, annual meeting handout, grant applications. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eScope and Contents Must be played with wooden \"Kacti\" needle. One record.\u003c/p\u003e","\u003cp\u003eAn example of material distributed during political campaigns. One 33 rpm disk.\u003c/p\u003e","\u003cp\u003eBy R. B. Tisdale. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eSongs: Ballet, Allemande, Country Dance, Reap \u0026amp; Sow, Diggers, Weary Eyes.  One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eDunmore - Bouree - Fireworks. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eCountry dance. Reserve copy. Two cuttings. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eDunmore Ballet, Scarlotti, Allemande, Gallop, Country Dance. \"Too fast!\" One disk.\u003c/p\u003e","\u003cp\u003eDunmore Ballet, Allemande, Gallop, Country Dance, Scarlotti. One disk.\u003c/p\u003e","\u003cp\u003eSowers \u0026amp; Reapers - plus (?) Diggers - Orch. Band I + II - Yankee Doodle Band III + IV - One disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eSide 1: Music from The Common Glory (Musical Synopsis) Side 2: Common Glory Concert Choir One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eDunmore Ballet, Rainy Night. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eBallet, Allemande, Country Dance, Reap \u0026amp; Sow, Diggers, Weary Ones. One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eRecorded by Ray Charles Singers with orchestra. Three Ships, Pocahontas, The Old Church Tower, Jamestown. One disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eOne disk. Damaged.\u003c/p\u003e","\u003cp\u003eDave Remington Quartet. Lyrics by P. Quinto, S. Spilmon, M. Vallo. Music by Vincent Chiarelli. One 45 rpm disk.\u003c/p\u003e","\u003cp\u003eOne 78 rpm disk.\u003c/p\u003e","\u003cp\u003eOne disk.\u003c/p\u003e","\u003cp\u003eOne 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eGeorge Passage News.  Recorded in Richmond, Va.  Three 78 rpm disks.\u003c/p\u003e","\u003cp\u003eRoanoke, Va.  One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eRichmond, Va.  Three 78 rpm disks.\u003c/p\u003e","\u003cp\u003eThree 33 1/3 rpm disks.\u003c/p\u003e","\u003cp\u003ePolitical Anns. Open \u0026amp; Closing included.  One 33 1/3 rpm disk.\u003c/p\u003e","\u003cp\u003eJosé Iturbi, pianist.  One disk.\u003c/p\u003e","\u003cp\u003eScope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist before entering the College of William and Mary.\u003c/p\u003e","\u003cp\u003eTwo records. Includes note from Glenn Close to Howard Scammon, May 31, 1985.\u003c/p\u003e","\u003cp\u003eTransferred from the music library.\u003c/p\u003e","\u003cp\u003eSoundtrack to the musical by Stephen Sondheim and directed by Harold Prince. With Angela Lansbury and Len Cariou. Case is signed by the cast members. Two records.\u003c/p\u003e","\u003cp\u003eScope and Contents A \"back-alley opera\" narrated by David Wayne. With Carol Channing and Eddie Bracken. One record.\u003c/p\u003e","\u003cp\u003eA musical by Cy Coleman and Michael Stewart. With Glenn Close and Jim Dale. In original case signed by cast members. One record.\u003c/p\u003e","\u003cp\u003eEleven songs performed by Dudley Moore (piano) and Cleo Laine (vocals). Case signed by Cleo and the producer. One record.\u003c/p\u003e","\u003cp\u003eSoundtrack of the musical by Jerry Herman and Harvey Firestein. With George Hearn and Gene Barry. Record case signed by cast. One record.\u003c/p\u003e","\u003cp\u003eAlbum by Perry Como. Case signed by the artist. One record.\u003c/p\u003e","\u003cp\u003eThe Common Glory orchestra and soloists from the Common Glory choir (including members of the William and Mary choir) in a concert performace of Act 1 of \"The Marriage of Figaro.\" Monday, August 20, 1956, in Blow Gymnasium at the College of William and Mary. Program and two 33 1/3 LP records.\u003c/p\u003e","\u003cp\u003eRecording of the musical program presented by WVEC-TV on January 29, 1960, honoring the 350th anniversary of the city of Hampton, Virginia.\u003c/p\u003e","\u003cp\u003e\"A report to all Armstrong men and women of our operating results.\" Stockholders address from Armstrong Cork Company. One 7 inch 45 rpm record and booklet.\u003c/p\u003e","\u003cp\u003eDirected by Mr. C. W. Moore. Four tracks. One 33 1/3 rpm record\u003c/p\u003e","\u003cp\u003eNarrated by Ralph Cooper. Recorded in Washington D.C., August 28, 1963. One 33 1/3 rpm record.\u003c/p\u003e","\u003cp\u003ePerformed by J. S. Darling on the Wren Chapel Organ at the College of William and Mary. Produced by Colonial Williamsburg Foundation.\u003c/p\u003e","\u003cp\u003eState Capitol. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eAudio tape, along with a letter from Governor Godwin's office and a transcript of the tape.  The tape was broadcast by 50 stations on September 6, 1968.  One 1/4 inch reel.\u003c/p\u003e","\u003cp\u003eTwo 1/4 inch audio reels.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eAudio recording of the 1952 program \"At Home with Lindy,\" sponsored by the Colonial Dames of Lexington, VA. Probably belonging to Mary Meares Galt. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eProbably belonging to Mary M. Galt. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eRadford, VA. 5 min overall length. Two copies, 1/4 inch audio reels.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eReel #41, Machine #2. Program time 29:30. Tape speed 7 1/2. Recorded by Bill. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eAudiotape of a lecture in which Dr. Koontz participated. One 1/4 inch audio tape. Folder includes typed information on lecture.\u003c/p\u003e","\u003cp\u003eBox 1. Tape 14, letter number 61. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 2. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 3. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 4. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 5. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 6. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 7. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 8. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 9. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eBox 10. Contents unknown. One 1/4 inch audio reel.\u003c/p\u003e","\u003cp\u003eCollection is CLOSED.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eOne 1/4 inch reel to reel tape. Closed.\u003c/p\u003e","\u003cp\u003eFives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot. 7 1/2 ips - mono, one reel.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot.  7 1/2 ips - mono, one reel.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot. One reel.\u003c/p\u003e","\u003cp\u003eOne sixty second radio spot. 7 1/2 ips - mono master, one reel.\u003c/p\u003e","\u003cp\u003eReel-to-reel audiotapes of various piano performances by Claudia Stevens around the United States, including Carnegie Hall, Harvard University, National Public Radio, and the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThe program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven, Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.\u003c/p\u003e","\u003cp\u003ePortions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.\u003c/p\u003e","\u003cp\u003eScope and Contents Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.\u003c/p\u003e","\u003cp\u003eProgram includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premiers, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.\u003c/p\u003e","\u003cp\u003eProgram includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.\u003c/p\u003e","\u003cp\u003eConducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.\u003c/p\u003e","\u003cp\u003eProgram includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.\u003c/p\u003e","\u003cp\u003eProgram includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.\u003c/p\u003e","\u003cp\u003eProgram includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\" ). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.\u003c/p\u003e","\u003cp\u003eContains three reel-to-reel audiotapes of theater productions including \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman Tape I.\"\u003c/p\u003e","\u003cp\u003eScope and Contents One 7\" reel-to-reel audiotape of a production called \"Family Stones\" that was once owned by William and Mary Theatre Director Howard Scammon. The tape speed is 3 3/4.\u003c/p\u003e","\u003cp\u003eOne 2500 ft. reel-to-reel audiotape that is labeled \"Chapman Tape I.\" The audiotape was once owned by William and Mary Theatre Director Howard Scammon.\u003c/p\u003e","\u003cp\u003eScope and Contents One 2500 ft. reel-to-reel audiotape from a production entitled \"Chapman II\" that was once owned by William and Mary Theatre Director Howard Scammon. The audiotape was recorded at 7 1/2 inches per second. The approximate lenght of the tape is one hour.\u003c/p\u003e","\u003cp\u003eOne reel-to-reel audiotape labeled Mine workers monologues...European History.\u003c/p\u003e","\u003cp\u003eCould have been filmed by CW or the VA Chamber of Commerce. No sound, black and white. One oversize video reel.\u003c/p\u003e","\u003cp\u003eNo sound, black and white. Raw footage. Lathen Zimmer, Virginia Bray, Zeke Friedman. One video reel.\u003c/p\u003e","\u003cp\u003eRun time approximately 10 minutes. No sound, full color. Collage of scenes and dances. One video reel.\u003c/p\u003e","\u003cp\u003eRun time 1 minute. One color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 28 seconds. One 16mm color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 28 seconds. One 16mm color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 28 seconds. One 16mm color video reel with sound.\u003c/p\u003e","\u003cp\u003eRun time 60 seconds. Filmed by Colonial Williamsburg. One color video reel with sound.\u003c/p\u003e","\u003cp\u003eOne 16mm video reel.\u003c/p\u003e","\u003cp\u003eRun time 30 seconds. One 16mm color video reel.\u003c/p\u003e","\u003cp\u003ePromo film, run time 60 seconds. Retired March 1976. One 16mm video reel.\u003c/p\u003e","\u003cp\u003ePromo film, run time 60 seconds. Retired March 1976. One 16mm video reel.\u003c/p\u003e","\u003cp\u003ePresented to Governor Mills E. Godwin, Jr. by the Virginia Association of Electric Cooperatives.  One oversize 16mm video reel with audio.\u003c/p\u003e","\u003cp\u003eTV video reel, black and white with sound.  One 50 mm oversize video reel.\u003c/p\u003e","\u003cp\u003eOne 16mm video reel with audio.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eRunning time 15 minutes.  One 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eNo good - damaged. One oversize 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eShipped to Lutheran TV Productions in St. Louis, Missouri. One oversize 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eOne 1/2 inch audio and video reel.\u003c/p\u003e","\u003cp\u003eFrom 2005.38 addition. One small reel to reel video tape in plastic case.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Manuscripts Audiovisual Collection includes audiovisual formats from a variety of personal papers and organizational records collections.","Contains videocassete tapes that were pulled from the Vincent DeVita Papers (Mss. 84 D49).","One VHS tape.","One VHS tape","One VHS tape","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","Two VHS tapes.","One VHS tape","One VHS tape","One VHS tape","Contains videocassette tapes that were pulled from the Richard J. Davis Papers (Mss. 86 D27).","One VHS tape","Contains videocassette tapes that were pulled from the Glenn Close Papers (Mss. 93 C62). See Mss. Acc. 2010.601 below for more videocassette tapes from the Glenn Close Papers.","One VHS tape","One VHS Tape","One VHS tape","One Betamax tape.","One VHS tape.","One VHS tape.","One VHS show.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape, performed at Deutsches Theater, Berlin.","One VHS tape.","One VHS tape.","One VHS tape.","Two VHS tapes.","One oversize VHS tape.  Stored at the end of Series 1.","Running time 13:34. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from the Henry Chapin Papers (Mss. 1993.005).","Three VHS tapes.","Contains videocassette tapes that were pulled from the Lee Family Papers (Mss. 1993.006-01).","One VHS tape.","1930. The Geddy Family of Williamsburg 1931. The Yorktown Sesquicentennial 1933. Miami No date. Arizona Desert School - Tuscon","Contains videocassette tapes that were pulled from the Rosa Marie and James A. Fuller Papers (Mss. 2001 F95).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2001.50 of the Louis E. Catron Papers. For more, see also Sub-Series 9.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.034 of the Woman's Club of Williamsburg Records.","Two U-matic tapes.","One VHS tape.","Running time 30 min. One oversize VHS tape. Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2002.039 of the Louis E. Catron Papers. For more, see Sub-Series 7.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from the James A. Bill Papers (Mss. Acc. 2003.066).","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","For more, see audio cassette tapes.","One VHS tape of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Jive.  C-SPAN.  One VHS tape.","Berlin, NYC.  One VHS tape.","One VHS tape of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A DVD of this video is also avialable in Series 4: Digital Video Discs (DVD).","Contains videocassette tapes that were pulled from the Art Song of Williamsburg Records (Mss. Acc. 2007.058).","One VHS tape.","One VHS tape.","One VHS tape.","Marketing video with cassette tape which was to be placed with video. One VHS tape.","Contains videocassette tapes that were pulled from the Williamsburg Regional Commission on Growth and Historic Triangle Growth Management Group Papers (Mss. 2008.077).","One VHS tape.","One VHS tape.","One VHS tape.","For more, see Sub-Series 17. There are also audio cassettes and computer discs from this collection.","One VHS tape.","Tape features a health program, a continual candidates forum, Williamsburg City Council meeting.  One VHS tape.","1 VHS tape, running time 18 min.","One VHS tape, running time 12 min.","One VHS Tape.","One VHS tape.","One VHS tape.","Virginia Senate District 3, VA Delegates District 96 \u0026 97, Candidates Forum, Stryker Building, Williamsburg. One VHS tape.","One VHS tape.","One VHS tape.","Produced by the Alliance for Better Campaigns, running time 9 minutes, 1 VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.114 of the Claudia Stevens Papers. For more, see Sub-Series 16.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Three VHS tapes.","One VHS tape.","Two VHS tapes.","One VHS tape.","One oversized VHS tape.  Stored at the end of the series.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.139 of the Hamilton Family Papers.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2009.601 of the Claudia Stevens Papers. For more, see Sub-Series 14.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Contains videocassette tapes that were pulled from Mss. Acc. 2010.342 of the League of Women Voters of the Williamsburg Area Records. For more, see Sub-Series 13. There are also audio cassettes and computer disks from this collection.","Two VHS tapes.","One Betacam tape with two WWE wrestlers.","This accession also includes an oversize video tape and a cassette tape.","Running time 63 minutes. One VHS tape.","Redford. One VHS tape.","The Kanew Company. Tape Dub. One VHS tape.","One VHS tape. 1 hr 37 min.","Length: 11:30. One VHS tape.","Starring Gloria Swanson, Lionel Barrymore, and Raoul Walsh.  One VHS tape.","One VHS tape.","Roughcut. Viewing cassette. One VHS tape.","One VHS tape.","Sesame Street. One VHS tape.","The Lifetime Channel. One VHS tape.","One VHS tape.","Dub. One VHS tape.","Greta Cammermeyer - Prime Time Live. One VHS tape.","Walt Disney Pictures. 60 sec. One VHS tape.","Rough Publicity Clip. TRT: 1:04. Glenn Close Clip. One VHS tape.","Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Los Angeles Coverage. One VHS tape.","One VHS tape.","Guests: Glenn Close, Vanessa Mae, Martin Sheen, Malik Yoba. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. One VHS tape.","One VHS tape.","TCA Highlights. One VHS tape.","TCA Highlights. One VHS tape.","Avid Cut. RT: 11:03. One VHS tape.","TRT - 45:00. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Columbia Pictures. Length 1:54. One VHS tape.","Includes Tribute Speeches by Jane Seymour and Glenn Close. One VHS tape.","Trailers. One VHS tape.","Columbia Pictures. Entertainment Tonight (SYN). KCBS-TV (CBS). Los Angeles. One VHS tape.","Nightline. One VHS tape.","Columbia Pictures. Featurette. Length: 5:59. One VHS tape.","Hosted by Glenn Close. Starring Aaliyah, Shirley Caesar, Deana Carter, Hanson and Thomas Hampson. One VHS tape.","Winner Communications. 105:00. One VHS tape.","Sarajevo Package. One VHS tape.","Subject - Sarajevo. One VHS tape.","Columbia Tristar Home Video. 1. Access Hollywood. KNBC TV (NBC) Los Angeles. 3:32. 1 October 1998. 2. Entertainment Tonight. KCBS TV (CBS) Los Angeles. :27. 2 November 1998. 3. Good Morning America. ABC-TV Network. 6:58. 3 November 1998. One VHS tape.","Walt Disney Pictures. EPK Materials. 9:40. 1. Character Voices 2. Kala and Kerchak 3. Terk and Tantor One VHS tape.","One VHS tape.","Sizzle Piece v. 5. TRT: 3:00. One VHS tape.","Walt Disney Pictures. Select B-Roll. Revised V 2.1. TRT: 54:37. One VHS tape.","Walt Disney Pictures. Electronic Press Kit. Select Soundbites Cut #3. TRT 36:42. One VHS tape.","Walt Disney Pictures. Rough Clips #2. TRT 23:10. One VHS tape.","ABC Entertainment. Press Tour Clip. Version 1. 20 min. TRT 21:54. One VHS tape.","One VHS tape.","ABC Hollywood. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","TRT : 59:30. One VHS tape.","B-Roll selects. One VHS tape.","Master Dub. One VHS tape.","Press Tour. One VHS tape.","One VHS tape.","B-Roll selects. One VHS tape.","B-Roll. Running Time 9:00. One VHS tape.","Rabbit Ears Productions. 30 mins. One VHS tape.","One VHS tape.","One VHS tape.","1. 213ST - Bravo Logo 2. #2 PSA - Reggie Rivers/Denver Arts PSA One VHS tape.","Scott Mauro Entertainment. 12:36. One VHS tape.","EP # 1083. For Talent. Stereo TRT 20:49. One VHS tape.","One VHS tape.","One VHS tape.","One VHS tape.","Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long. A DVD version of the video is avaiable in Series 4.","Three Cassette Tapes.","Basil Rathbone.  Dupont Theatre.  Two Cassette Tapes.","One Cassette Tape.","Nine Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One cassette tape.","Nine Cassette Tapes. For more, see Sub-Series 6.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Chapel of the Wren Building, at the College of William and Mary. One Cassette Tape.","Accession number 1990-36. One cassette tape.","One Cassette Tape.","One Cassette Tape.","Recorded interviews on James City County history.","One cassette tape.","One cassette tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","Four Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. See Doris Wildenburger.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape. No transcripts, cassette dated 12/8/87.","Three Cassette Tapes.","One Cassette Tape.","Three Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Three Cassette Tapes.","For more, see Sub-Series 3.","One Cassette Tape.","Jeremiah Clarke - The Prince of Denmark's March; Trumpet Tune; Almand in D; Round O in a; Jigg in A. From Choice Lessons. One cassette tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","80 min. One Cassette Tape.","One Cassette Tape.","40 min. One Cassette Tape.","Svec was a neighbor of Aleksandr Solzhenitsyn, the Nobel Prize Winning Russian dissident writer. Interview by Frank Shatz. 10 min. One Cassette Tape.","Frank Shatz is the interviewer. Run time 20 min. One Cassette Tape.","Running time 20 minutes. One Cassette Tape.","Running times 20min and 30 min, respectively. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Interviewer is Frank Shatz. Running Time 25 min. One Cassette Tape.","Interviewer Frank Shatz. 15 minutes. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Six Cassette Tapes.","Jack \u0026 Catherine Morpurgo. Community Arts Programme, Caldwell Idaho. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. 5-6 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Frank Shatz is the interviewer. 40 min. One Cassette Tape.","Frank Shatz is the interviewer. 15 minutes. One Cassette Tape.","Frank Shatz is the interviewer. 30 min. One Cassette Tape.","Frank Shatz is the interviewer. One Cassette Tape.","Frank Shatz is the interviewer.  One Cassette Tape.","Frank Shatz is the interviewer. 25 min. One Cassette Tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 30 min. One Cassette Tape.","Interviewer is Frank Shatz. 25 min. One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz.  One Cassette Tape.","Interviewer is Frank Shatz. 20 min. One Cassette Tape.","Fifty-four audio cassette tapes of interviews by James A. Bill.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","Three Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Two Cassette Tapes.","Two Cassette Tapes.","Two Cassette Tapes.","New York. One Cassette Tape.","Austin, TX. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Washington, D.C. One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","One Cassette Tape.","Princeton. One Cassette Tape.","One Cassette Tape.","Williamsburg, VA. One Cassette Tape.","New York. One Cassette Tape.","New York City. One Cassette Tape.","One Cassette Tape.","One Cassette Tape.","Washington, D.C. One Cassette Tape.","Cambridge, MA. One Cassette Tape.","One audio cassette tape.","One audio cassette tape.","One audio cassette tape interview possibly covering the Iran-Contra affair.","Tapes are CLOSED.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Frank Shatz is the Interviewer. One Cassette Tape.","Frank Shatz is the Interviewer, 30 min. One Cassette Tape.","Tapes are CLOSED.","Reves Center Global Forum, 40 min. One Cassette Tape.","Frank Shatz is the Interviewer, 20 min. One Cassette Tape.","Read by Scott Martin. Two cassette tapes.","Tapes are CLOSED.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. 15 min. One cassette tape.","Frank Shatz is the interviewer.  20 min.  One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Tapes are CLOSED.","Interviewer is Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Recorded by Frank Shatz. One cassette tape.","Interviewer is Frank Shatz.  One cassette tape.","Frank Shatz, Gene Nichol, Paul Verkuil, Tim Sullivan, and Dr. Kern Wildenthal. One cassette tape.","Tapes are CLOSED.","Telephone Interview by Frank Shatz. One cassette tape.","Interview by Frank Shatz. One cassette tape.","Interviews on cassette tapes.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape. For more, see B side of tape 52.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Two cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Two cassette tapes.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape. More of Laurence (Larry) Deutsch on the B Side.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Restricted. One cassette tape.","One cassette tape.","One cassette tape.","Restricted. One cassette tape.","One cassette tape.","Restricted. One cassette tape.","Three cassette tapes.","Two cassette tapes.","Three cassette tapes.","One cassette tape.","One cassette tape.","By League of Women Voters. Williamsburg Public Library. One cassette tape.","Four cassette tapes.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Five cassette tapes with music for common year (?).","One cassette tape.","One cassette tape.","Three cassette tape.","GC-4089 and GC-4088. One cassette tape.","GC-4107 and GC-4085. One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","Tapes are CLOSED. Nine cassette tapes.","Interview at the Reves Center with Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 15 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Interview by Frank Shatz. 40 min. One cassette tape.","Interview by Frank Shatz. 25 min. One cassette tape.","Interview by Frank Shatz. 35 min. One cassette tape.","Interview by Frank Shatz. 20 min. One cassette tape.","Audio cassettes relating to the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","One cassette tape.","The radio broadcast for \"NPR Playhouse.\"  One cassette tape.","Tapes are CLOSED. Thirteen tapes.","Frank Shatz is the interviewer. 25 min. One cassette tape.","Frank Shatz is the interviewer. 35 min. One cassette tape.","One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. 20 min. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer.  One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Frank Shatz is the interviewer. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer.  Running time 10 min.  One cassette tape.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 45 min. One cassette tape.","Tapes are CLOSED.","Frank Shatz is the interviewer. Running time 40 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Frank Shatz is the interviewer. Running time 20 min. One cassette tape.","Tapes are CLOSED.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 20 minutes long. One audiocassette tape.","Interview by Frank Shatz with former Secretary of Defense Robert Gates as Chancellor of William and Mary during Charter Day exercises in 2012. The tape is approximately 10 minutes long. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Fank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Frank Shatz is the interviewer. One audiocassette tape.","Audiocassette tapes of piano performances by Claudia Stevens.","One audiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126 Copland, Piano Fantasy Schumann, Sonata in F minor, Opus 14","Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (an National Public Radio affiliate).","Scope and Contents Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\" . Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\" ), Joel Chadabe, and Betsy Jolas.","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\" .","Scope and Contents Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","Tapes are closed.","Interview by Frank Shatz. The tape is approximately 30 minutes in length.","Interview by Frank Shatz of Colin Campbell, president of Colonial Williamsburg. Tape length is approximately 20 minutes in length.","Interview by Frank Shatz with Tim O'Brien, writer. Tape lenght is approximately 20 minutes in length.","One CD.","Three CDs of first, second, and final transcription of selected letters by Lonnie Dobbs.","One CD.","One CD.","One CD.","Piano, 1816, owned by William \u0026 Mary, 2003. Conservation by John Watson \u0026 Louis Dolive, Colonial Williamsburg. One CD.","Recordings of Claudia Stevens' piano concerts, including programs.","One CD.","One CD.","One CD.","Two CDs related to Jamestown Commemorative Postage Stamp.","One CD.","One CD.","Inaugural concert. With Lisa Edwards-Burrs, soprano, and Ruth Easterling Winters, pianist. One CD.","With Will Crutchfield, lecturer/pianist, and Steven Tharp, tenor. One CD.","With Michael Posey, tenor, and Ruth Easterling Winters, pianist. Two CDs.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. Five CDs.","With Pamela Armstrong, soprano, and Melanie Day, pianist. Four CDs.","Branch Fields, with Ruth Easterling Winters. One CD.","With Martha Slay, mezzo-soprano, and Charles Staples, pianist. One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  One CD.","With Branch Fields, bass, and Ruth Easterling Winters, pianist.  Two CDs.","With Stephen Tharp, tenor, and Will Crutchfield, pianist. One CD.","With Georgeann Paddock, soprano, Jonathan Hays, baritone, and Ruth Easterling Winters, pianist. Two CDs.","With Robynne Redmon, mezzo-soprano, and Charles Woodward, pianist. Four CDs.","With Lisa Edwards-Burrs, soprano, and Melanie Day, pianist. One CD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One CD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. One CD.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Four CDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two CDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three CDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. One CD.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Four CDs.","CD-roms of Bucktrout and Draughtsman map imaged by Colonial Williamsburg.","One CD.","One CD.","One CD.","One CD.","One CD.","One CD.","Five Seasons, as performed at Atlanta Memorial Arts Center, Atlanta, GA. First performed February 6, 1979, recorded February 27, 1979. By Merritt Ierley, Lavinia Phillips, Soprano, and Judith Shulz, Pianist. One CD.","Two unopened CDs.","One CD.","One CD.","One CD.","One CD.","One CD.","In PDF format. One CD.","April 2005, February 2005, Flag Day 2005, January 2005, May 2005. One CD.","Veterans' Day, 2007. One CD.","Veterans' Day, 2010. One CD.","Memorial Day, 2010. One CD.","One CD.","One CD.","Performed live (mostly) at the Celebration of William Cabbell's 300th Birthday, October 21-22, 2000 at the Williasmburg Lodge.","Recording of a campaign rally for state Senator Garland Gray. Speakers include Russell M. Carneal, Robert Hornsby, H. W. Stryker, Fred M. Flanary, Davis Y. Paschall, and Garland Gray.","One compact disc of digital transcripts of letters from Julia Cherney (Bateman) to Clara Walde (Lawrence) while serving as a missionary in China from 1909 to 1923. From the Clara Lawrence Papers, Mss. Acc. 2009.299, series 1, box 3.","Played on the organ of Bruton Parish Church by James Darling, organist.","Two copies of a DVD on John Marshall. Running time 29 min.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","Digitized daybook and ledger.  UVA Library RMDS.  One DVD.","One DVD of the program \"The Last Nazi,\" featuring an interview with Albert Speer who was a German architecht and, for part of World War II, Minister of Armaments and War Production for the Third Reich. The program was written and directed by Brian Nolan, and was produced by Global Television Network and Lakeville Group, LTD. Conn. It is approximately, 1 hour, 8 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD of the Frontline episode \"The Spy Hunter,\" a biography about CIA agent James Jesus Angleton from May 14, 1991. The video was produced by the Corporation for Public Broadcasting and is approximately 56 minutes long. A VHS version of this program is also available in Series 1, Sub-Series 12.","One DVD case.","One DVD.","Hightlights from Queen Elizabeth II and Prince Philip's visit to Jamestown and Williamsburg, commemorating the 400th anniversary of the Jamestown settlement. One DVD.","With Barbara Quintiliani, soprano, and Charles Woodward, pianist. One DVD.","With Tracey Welborn, Tenor, and Tamara Sanikidze, piano. Four DVDs.","With Matthew Burns, bass-baritone, and Melanie Day, piano. Three DVDs.","With Catarina Lundgren, soprano, Heikki Pellinen, piano. Two DVDs.","With Andrew Garland, baritone, and Donna Loewy, pianist. Three DVDs.","With Kerry Alkema, mezzo-soprano, and Michael Baitzer, piano. Five DVDs.","With Georgeann Paddock, soprano, Christopher Mooney, baritone, Ruth Easterling Winters, pianist, and Genevieve McGiffert, lecturer. Seven DVDs.","One DVD.","Two DVDs.","One DVD.","Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Ida Green Arena Theater. Item 12. One DVD.","One DVD.","Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","Recorded at Berkeley Art Center. One DVD.","A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Baltimore Theater. One DVD.","Charlotte Kaufman, director. An Opera in Two Acts, being Mr. Doggett's farce of The Country Wake altered after the manner of The Beggar's Opera. By John Hippisley, 1729. Harvard Unitarian Church, Harvard, Mass. One DVD.","Charlotte Kaufman, Director. A Ballad Opera Farce. Remis Auditorium. One DVD.","Charlotte Kaufman, director and harpsichord. Staged by Craig Wich. Remis Auditorian. One DVD.","One DVD.","Two DVDs.","One DVD.","A film by Julia Melchoir and Sebastian Denhardt. One DVD.","At St. John's Kirk, Perth, Scotland. One DVD.","Contains three files relating to the Cabell Family homes and graveyards in Neslon, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Contains three files relating to the Cabell Family homes and graveyards in Nelson, Buckingham and Amherst Counties in Virginia. The original documents were received as PDF files on a CD (compact disc) from the donor. Electronic access is available to users on the College of William and Mary campus.","Video exploring the inside of the Bruton Parish Church steeple that was made for PBS. The video is approximately 55 minutes long.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Format is Word Perfect 5.1. One 3.5 inch floppy disk.","WHRA","Two 3.5 inch floppy disks.","One disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","FS- 95/96, 96/97, 97/98; Dues 97/98; Treasurer's Job; Envelope. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Four disks with office files.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Pictures, files. Four 3.5 inch floppy disks","President's files.","Brochure, handbook, letterhead, fax form, agenda, invoice, membership renewal form. One 3.5 inch floppy disk.","LWVWA 2000-2001 Education proposal, Education positions, LWVWA Education study proposal, working on a LWV study (P. Kent). One 3.5 inch floppy disk.","Newsletter and labels, invitations and flyers. One 3.5 inch floppy disk.","One 3.5 inch floppy disk.","Board meetings, agenda, letter. One 3.5 inch floppy disk.","Policies, by-laws, positions, annual meeting handout, grant applications. One 3.5 inch floppy disk.","Scope and Contents Must be played with wooden \"Kacti\" needle. One record.","An example of material distributed during political campaigns. One 33 rpm disk.","By R. B. Tisdale. One 33 1/3 rpm disk.","Songs: Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Eyes.  One 33 1/3 rpm disk.","Dunmore - Bouree - Fireworks. One 33 1/3 rpm disk.","Country dance. Reserve copy. Two cuttings. One 33 1/3 rpm disk.","Dunmore Ballet, Scarlotti, Allemande, Gallop, Country Dance. \"Too fast!\" One disk.","Dunmore Ballet, Allemande, Gallop, Country Dance, Scarlotti. One disk.","Sowers \u0026 Reapers - plus (?) Diggers - Orch. Band I + II - Yankee Doodle Band III + IV - One disk.","One disk.","One 33 1/3 rpm disk.","One disk.","Side 1: Music from The Common Glory (Musical Synopsis) Side 2: Common Glory Concert Choir One 33 1/3 rpm disk.","Dunmore Ballet, Rainy Night. One 33 1/3 rpm disk.","Ballet, Allemande, Country Dance, Reap \u0026 Sow, Diggers, Weary Ones. One 33 1/3 rpm disk.","Recorded by Ray Charles Singers with orchestra. Three Ships, Pocahontas, The Old Church Tower, Jamestown. One disk.","One disk.","One 33 1/3 rpm disk.","One disk. Damaged.","Dave Remington Quartet. Lyrics by P. Quinto, S. Spilmon, M. Vallo. Music by Vincent Chiarelli. One 45 rpm disk.","One 78 rpm disk.","One disk.","One 33 1/3 rpm disk.","George Passage News.  Recorded in Richmond, Va.  Three 78 rpm disks.","Roanoke, Va.  One 33 1/3 rpm disk.","Richmond, Va.  Three 78 rpm disks.","Three 33 1/3 rpm disks.","Political Anns. Open \u0026 Closing included.  One 33 1/3 rpm disk.","José Iturbi, pianist.  One disk.","Scope and Contents Record (78 rpm) of \"Sing-out 66,\" a group Glenn Close sang with sponsored by the Moral Majority. Featured on the record are two songs by Ms. Close: \"The Happy Song\" and \"Run and Catch the Wind.\" This album sold at a performance in Phi Beta Kappa Hall, 1966. The traveling show was called \"Up with People.\" Ms. Close was a featured soloist before entering the College of William and Mary.","Two records. Includes note from Glenn Close to Howard Scammon, May 31, 1985.","Transferred from the music library.","Soundtrack to the musical by Stephen Sondheim and directed by Harold Prince. With Angela Lansbury and Len Cariou. Case is signed by the cast members. Two records.","Scope and Contents A \"back-alley opera\" narrated by David Wayne. With Carol Channing and Eddie Bracken. One record.","A musical by Cy Coleman and Michael Stewart. With Glenn Close and Jim Dale. In original case signed by cast members. One record.","Eleven songs performed by Dudley Moore (piano) and Cleo Laine (vocals). Case signed by Cleo and the producer. One record.","Soundtrack of the musical by Jerry Herman and Harvey Firestein. With George Hearn and Gene Barry. Record case signed by cast. One record.","Album by Perry Como. Case signed by the artist. One record.","The Common Glory orchestra and soloists from the Common Glory choir (including members of the William and Mary choir) in a concert performace of Act 1 of \"The Marriage of Figaro.\" Monday, August 20, 1956, in Blow Gymnasium at the College of William and Mary. Program and two 33 1/3 LP records.","Recording of the musical program presented by WVEC-TV on January 29, 1960, honoring the 350th anniversary of the city of Hampton, Virginia.","\"A report to all Armstrong men and women of our operating results.\" Stockholders address from Armstrong Cork Company. One 7 inch 45 rpm record and booklet.","Directed by Mr. C. W. Moore. Four tracks. One 33 1/3 rpm record","Narrated by Ralph Cooper. Recorded in Washington D.C., August 28, 1963. One 33 1/3 rpm record.","Performed by J. S. Darling on the Wren Chapel Organ at the College of William and Mary. Produced by Colonial Williamsburg Foundation.","State Capitol. One 1/4 inch audio reel.","Audio tape, along with a letter from Governor Godwin's office and a transcript of the tape.  The tape was broadcast by 50 stations on September 6, 1968.  One 1/4 inch reel.","Two 1/4 inch audio reels.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audio recording of the 1952 program \"At Home with Lindy,\" sponsored by the Colonial Dames of Lexington, VA. Probably belonging to Mary Meares Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Probably belonging to Mary M. Galt. One 1/4 inch audio reel.","One 1/4 inch audio reel.","Radford, VA. 5 min overall length. Two copies, 1/4 inch audio reels.","One 1/4 inch audio reel.","Reel #41, Machine #2. Program time 29:30. Tape speed 7 1/2. Recorded by Bill. One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","One 1/4 inch audio reel.","Audiotape of a lecture in which Dr. Koontz participated. One 1/4 inch audio tape. Folder includes typed information on lecture.","Box 1. Tape 14, letter number 61. Contents unknown. One 1/4 inch audio reel.","Box 2. Contents unknown. One 1/4 inch audio reel.","Box 3. Contents unknown. One 1/4 inch audio reel.","Box 4. Contents unknown. One 1/4 inch audio reel.","Box 5. Contents unknown. One 1/4 inch audio reel.","Box 6. Contents unknown. One 1/4 inch audio reel.","Box 7. Contents unknown. One 1/4 inch audio reel.","Box 8. Contents unknown. One 1/4 inch audio reel.","Box 9. Contents unknown. One 1/4 inch audio reel.","Box 10. Contents unknown. One 1/4 inch audio reel.","Collection is CLOSED.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","One 1/4 inch reel to reel tape. Closed.","Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","One sixty second radio spot. 7 1/2 ips - mono, one reel.","One sixty second radio spot.  7 1/2 ips - mono, one reel.","One sixty second radio spot. One reel.","One sixty second radio spot. 7 1/2 ips - mono master, one reel.","Reel-to-reel audiotapes of various piano performances by Claudia Stevens around the United States, including Carnegie Hall, Harvard University, National Public Radio, and the College of William and Mary.","The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven, Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premiers, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\" ). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Contains three reel-to-reel audiotapes of theater productions including \"Fairy Stones,\" \"Greek Rhapsody,\" and a tape labelled \"Chapman Tape I.\"","Scope and Contents One 7\" reel-to-reel audiotape of a production called \"Family Stones\" that was once owned by William and Mary Theatre Director Howard Scammon. The tape speed is 3 3/4.","One 2500 ft. reel-to-reel audiotape that is labeled \"Chapman Tape I.\" The audiotape was once owned by William and Mary Theatre Director Howard Scammon.","Scope and Contents One 2500 ft. reel-to-reel audiotape from a production entitled \"Chapman II\" that was once owned by William and Mary Theatre Director Howard Scammon. The audiotape was recorded at 7 1/2 inches per second. The approximate lenght of the tape is one hour.","One reel-to-reel audiotape labeled Mine workers monologues...European History.","Could have been filmed by CW or the VA Chamber of Commerce. No sound, black and white. One oversize video reel.","No sound, black and white. Raw footage. Lathen Zimmer, Virginia Bray, Zeke Friedman. One video reel.","Run time approximately 10 minutes. No sound, full color. Collage of scenes and dances. One video reel.","Run time 1 minute. One color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 28 seconds. One 16mm color video reel with sound.","Run time 60 seconds. Filmed by Colonial Williamsburg. One color video reel with sound.","One 16mm video reel.","Run time 30 seconds. One 16mm color video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Promo film, run time 60 seconds. Retired March 1976. One 16mm video reel.","Presented to Governor Mills E. Godwin, Jr. by the Virginia Association of Electric Cooperatives.  One oversize 16mm video reel with audio.","TV video reel, black and white with sound.  One 50 mm oversize video reel.","One 16mm video reel with audio.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","Running time 15 minutes.  One 1/2 inch audio and video reel.","No good - damaged. One oversize 1/2 inch audio and video reel.","Shipped to Lutheran TV Productions in St. Louis, Missouri. One oversize 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","One 1/2 inch audio and video reel.","From 2005.38 addition. One small reel to reel video tape in plastic case."],"separatedmaterial_html_tesm":["\u003cp\u003eAudiovisual material from Acc. 2013.246 was pulled from the Bruton Parish Church (Williamsburg, Virginia) Records and was added to this collection on 10/11/2013.\u003c/p\u003e\n","\u003cp\u003e Mss. Acc. 2014.003 were previously described under Acc. 2009.252 (\"Fairy Stones), Acc. 2009.253 (\"Chapman 1), and Acc. 2009.254 (\"Chapman II\") in the University Archives Audiovisual Collection.\u003c/p\u003e\n","\u003cp\u003e Mss. Acc. 2003.66.044-.046 were previously part of the James Bill Papers and were added to this collection on 3/6/2014.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Audiovisual material from Acc. 2013.246 was pulled from the Bruton Parish Church (Williamsburg, Virginia) Records and was added to this collection on 10/11/2013."," Mss. Acc. 2014.003 were previously described under Acc. 2009.252 (\"Fairy Stones), Acc. 2009.253 (\"Chapman 1), and Acc. 2009.254 (\"Chapman II\") in the University Archives Audiovisual Collection."," Mss. Acc. 2003.66.044-.046 were previously part of the James Bill Papers and were added to this collection on 3/6/2014."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":1000,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T13:42:09.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_695"}},{"id":"viw_repositories_2_resources_8981","type":"collection","attributes":{"title":"The Gentlemen of the College records","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8981#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe records of the College of William and Mary men's a capella group Gentlemen of the College include internal and external correspondence related to public performances; the constitution and by-laws; fliers advertising performances and auditions; a history of the group; membership lists; photographs; an extensive collection of audiovisual material documenting both live performances and studio sessions; and several scrapbooks. A portion of the collection was created to mark the group's 10th and 20th anniversaries, however, material from throughout the group's history available.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8981#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8981","ead_ssi":"viw_repositories_2_resources_8981","_root_":"viw_repositories_2_resources_8981","_nest_parent_":"viw_repositories_2_resources_8981","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8981.xml","title_filing_ssi":"Gentlemen of the College records","title_ssm":["The Gentlemen of the College records"],"title_tesim":["The Gentlemen of the College records"],"unitdate_ssm":["1990-2023"],"unitdate_inclusive_ssm":["1990-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 7.006","/repositories/2/resources/8981"],"text":["UA 7.006","/repositories/2/resources/8981","The Gentlemen of the College records","College of William and Mary--Students","Music","Student Organizations","Constitutions","Correspondence","Fliers (printed matter)","Lapel Pins","Negatives","Photographs","Programs","Rosters","Scrapbooks","Sound Recordings","Sweat shirts","T-shirts","Video recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into five series: Series 1: Scrapbooks, 1990-1998; Series 2: Audiovisual Material, 1990-2000; Series 3: Photographs, 1990-2000; Series 4: Administrative Records, 1990-2005; and Series 5: Publicity Material, 1990-2006.","The Gentlemen of the College, a men's a cappella group at the College of William and Mary, was organized in January 1990 and formally recognized by the Office of Student Activities in November 1990. Founding members identified in a photograph taken in Fall 1990 include Doug Stambler, class of 1992, and Michael Fitch, class of 1993. As of December 2007, the group remains active on campus and is the oldest men's a cappella group at the College of William and Mary. The group performs live many times throughout the academic year. Performances are both on and off campus in the Williamsburg area in addition to their annual spring tour and any competitions in which they compete throughout the year. The group performs barbershop standards in addition to more modern tunes with traditional a cappella arrangements. Typically the group will consist of anywhere from 10-15 members. Their performances are known for lively antics during the songs and the comedy skits performed between numbers. Every academic year ends with a Gentlemen of the College final concert in Phi Beta Kappa Hall. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Additional portions of the collection were removed from the artificial collection the University Archives Publications Collection. The portions of the collection given to the University Archives prior to 2007 were assigned the accession number 2007.030 except for the material included as part of acc. 1994.032.","Records received prior to 2007 were described as part of the University Archives Publications Collection. This material was reprocessed by Rebecca Barnhart, SCRC Staff, when additional material was received from the Gentlemen of the College in November 2007.","University Archives Subject File Collection (UA 9); University Archives Photograph Collection; University Archives Artifact Collection (UA 13) ; University Archives Poster Collection (UA 12); University Archives Audiovisual Collection (UA 58).","The records of the College of William and Mary men's a capella group Gentlemen of the College include internal and external correspondence related to public performances; the constitution and by-laws; fliers advertising performances and auditions; a history of the group; membership lists; photographs; an extensive collection of audiovisual material documenting both live performances and studio sessions; and several scrapbooks. A portion of the collection was created to mark the group's 10th and 20th anniversaries, however, material from throughout the group's history available.","Scope and Contents\nThis collection contains several scrapbooks, all of which were compiled by the Gentlemen of the College's historian during the years which they chronicle. They all contain photographs, correspondence, schedules, newspaper clippings, fliers, and assorted ephemera. The first scrapbook covers the academic year of 1990-1991. Although it has been removed from its binder, its organization remains intact. The second one is for the academic year of 1991-1992. The third scrapbook covers the academic year of 1992-1993. The fourth scrapbook covers the academic year of 1993-1994. The fifth scrapbook covers the academic year of 1996-1997. The final scrapbook covers the academic year of 1997-1998. In addition to the original scrapbooks, the collection also contains photocopies of the first three.","Scope and Contents\nThis scrapbook has been removed from its binder; however, its organization remains intact.","Scope and Contents\nThe Gentlemen of the College have amassed a vast collection of CDs, cassettes, VHS, DAT, VHSC, Hi8, reel-to-reel, as well as zip drives of album artwork.  This collection documents both live performances by the group as well as studio sessions recording their albums.","Scope and Contents\nCassette-label reads \"Copy of 4/19 and 4/20/93 DAT recording. This side made with Dolby B. Sides A \u0026 B\"-1 copy","Scope and Contents\nCassette-studio recording-3 copies","Scope and Contents\nCassette-live recording-1 copy","Scope and Contents\nCassette-Side 1 is songs with arrangements already in the group's archives. Side 2 is songs where the Gentlemen don't already own copies of the arrangements, but they are available-1 copy","Scope and Contents\nCassette-the labels indicates this is a (dub)-2 copies","Scope and Contents\nCassette-this is the first part of the show-1 copy","Scope and Contents\nCassette-this is the second part of the show-1 copy","Scope and Contents\nCassette-side 1 has \"Lunchlady (better version)\" and \"Mighty Love (cut off).\" Side 2 has \"(1) Mighty Love\" and \"(2) Monty Python's Philosopher's Song (cut off)\"-1 copy","Scope and Contents\nCassette-this is a tape of the group Keepsake-1 copy","Scope and Contents\nCassette-this is a tape of the group Gas House Gang-1 copy","Scope and Contents\nCassette-label reads, \"Songs where a take was chosen-that is the only take on this tape. Where take was not chosen, all takes are here\"-1 copy","Scope and Contents\nCassette-lyrics and music by Robert Flinn-2 copies","Scope and Contents\nCassette-professional version released by S.P.E.B.Q.S.A.-1 copy","Scope and Contents\nCassette-label lists individual tracks-1 copy","Scope and Contents\nCassette-1 copy","Scope and Contents\nCassette-No label, but it sounds like a GOC final concert, possibly during the years Mike Fitch was still a member-1 copy","Scope and Contents\nDAT-label reads, \"Gentlemen of the College Original DAT. Recorded 4/19 \u0026 4/20/93. Ends at 4624 on counter\"-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-label reads, \"Gentlemen of the College, Recordings from 1/30/94 and 2/17/94. Original-all takes\"-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-labeled as the original-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-this has a #2 on the label. It is unclear if it is a copy of Item #40 or the second part of a larger recording-1 copy","Scope and Contents\nDAT-2 copies","Scope and Contents\nDAT-labeled as a backup-1 copy","Scope and Contents\nDAT-the label states this show was in the Great Hall at 6pm-1 copy","Scope and Contents\nDAT-this is 1 of 2-1 copy","Scope and Contents\nDAT-this is 2 of 2-1 copy","Scope and Contents\nDAT-labeled as final-1 copy","Scope and Contents\nDAT-this is labeled as final-1 copy","Scope and Contents\nDAT-this is the master recording for their studio release-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-the label lists track names with minimal notes accompanying-1 copy","Scope and Contents\nDAT-the label says \"Wren, Brett Thompson Rec.\"-1 copy","Scope and Contents\nDAT-the labels indicates this was recorded in the UC auditorium-1 copy","Scope and Contents\nDAT-labels says 30 min.-1 copy","Scope and Contents\nDAT-there is no label on this recording-1 copy","Scope and Contents\nZIP-1 copy","Scope and Contents\nZIP-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-label reads, \"Side 1, 15 I.P.S., Tails Out, No Noise Reduction\"-1 copy","Scope and Contents\nReel to Reel-label reads, \"Side 2, 15 I.P.S., Tails Out, No Noise Reduction\"-1 copy","Scope and Contents\nReel to Reel-label reads, \"7 1/2 I.P.S. Tails Out. 1/2 Track Stereo.\"-1 copy","Scope and Contents\nReel to Reel-label reads, \"7 1/2 I.P.S. Tails Out. 1/2 Track Stereo.\"-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nDTRS-1 copy","Scope and Contents\nDTRS-1 copy","Scope and Contents\nDTRS-1 copy","Scope and Contents\nDTRS-1 copy","Scope and Contents\nVHSC-this appears to be 2 of 3-1 copy","Scope and Contents\nVHSC-this appears to be 3 of 3-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-labels says \"#1\"-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nVHS-1 copy","Scope and Contents\nVHS-label says this is a copy-1 copy","Scope and Contents\nVHS-raw footage of a spoof Real World video the Gentlemen made-1 copy","Scope and Contents\nVHS-edited footage from the raw footage in item 86. This is a spoof on the MTV show \"The Real World\" featuring the Gentlemen of the College-1 copy","Scope and Contents\nCassette-studio recording-1 copy","Scope and Contents\nThere is an incredible collection of undated performance, rehearsal, and publicity photographs. While most were not identified, most have been classified as performance and rehearsal related.  There are also numerous undated candid photographs of the group, as well as photographs from the 10 year reunion in 2000.  This series also contains the negatives for a portion of the photographs in this collection.","Scope and Contents\nThis series chronicles some aspects of the inner workings of the Gentlemen of the College.  Included in this series is a collection of alumni newsletters from 1994-1999.  There is also an organization file which contains a few papers from 1990-1993, including a version of the bylaws, contact sheets, and correspondence from 2005 regarding official recognition from the College of William and Mary as the first male a cappella group in the College's history.  The bulk of information related to the inner organization of the group, at least in the early years, can be found in the scrapbooks.  There is a folder of correspondence related to the planning of the 10 year reunion celebration as well as a folder of correspondence both to and from the group and the individual members.  There is a folder related to concert planning including schedules and song lists for specific performances from 1990-1998.  There is also a folder related to planning for the group's spring retreats from 1993-1996.  There is some sheet music in this collection as well as a folder that contains some information on the recording process of the group in 1994-1998.  Finally, this series contains some assorted ephemera from 1991-1993 including invitations, airplane tickets, a sticker, and business cards.","Scope and Contents\nThe items in this series were all intended for public viewing.  There is an extensive collection of fliers posted around the campus advertising performances and auditions.  These span the years 1990-2006.  There are also a few performance programs and newspaper clippings.  Finally, this series contains a few undated printouts from the group's website.","Artifacts related to the Gentlemen of the College have been separated from this collection and have been added to the University Archives Artifact Collection."," Two tablecloths that were used at the 2003-2004 banquet were deaccessioned from this collection in May 2010."," Audiovisual material from the Gentlemen of the College have been separated from this collection and have been added to the University Archives Audiovisual Collection under Acc. 2007.030.001-2007.030.093","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary--Alumni and alumnae","English"],"unitid_tesim":["UA 7.006","/repositories/2/resources/8981"],"normalized_title_ssm":["The Gentlemen of the College records"],"collection_title_tesim":["The Gentlemen of the College records"],"collection_ssim":["The Gentlemen of the College records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["The collection was given to the University Archives prior to 2007 and at least a portion was a gift of Michael Fitch. Acc. 1994.032 was also received by the University Archives. Acc. 1995.007, scrapbooks, was received from the organization on 5/14/1993. The provenance of portions of the collection is uncertain and was given the accession number 2007.030. Accession 2007.78 was received on 11/20/2007 from the Gentlemen of the College via business manager Dan Maguire."],"access_subjects_ssim":["College of William and Mary--Students","Music","Student Organizations","Constitutions","Correspondence","Fliers (printed matter)","Lapel Pins","Negatives","Photographs","Programs","Rosters","Scrapbooks","Sound Recordings","Sweat shirts","T-shirts","Video recordings"],"access_subjects_ssm":["College of William and Mary--Students","Music","Student Organizations","Constitutions","Correspondence","Fliers (printed matter)","Lapel Pins","Negatives","Photographs","Programs","Rosters","Scrapbooks","Sound Recordings","Sweat shirts","T-shirts","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["4.71 Linear Feet"],"extent_tesim":["4.71 Linear Feet"],"genreform_ssim":["Constitutions","Correspondence","Fliers (printed matter)","Lapel Pins","Negatives","Photographs","Programs","Rosters","Scrapbooks","Sound Recordings","Sweat shirts","T-shirts","Video recordings"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five series: Series 1: Scrapbooks, 1990-1998; Series 2: Audiovisual Material, 1990-2000; Series 3: Photographs, 1990-2000; Series 4: Administrative Records, 1990-2005; and Series 5: Publicity Material, 1990-2006.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is arranged into five series: Series 1: Scrapbooks, 1990-1998; Series 2: Audiovisual Material, 1990-2000; Series 3: Photographs, 1990-2000; Series 4: Administrative Records, 1990-2005; and Series 5: Publicity Material, 1990-2006."],"bioghist_html_tesm":["\u003cp\u003eThe Gentlemen of the College, a men's a cappella group at the College of William and Mary, was organized in January 1990 and formally recognized by the Office of Student Activities in November 1990. Founding members identified in a photograph taken in Fall 1990 include Doug Stambler, class of 1992, and Michael Fitch, class of 1993. As of December 2007, the group remains active on campus and is the oldest men's a cappella group at the College of William and Mary. The group performs live many times throughout the academic year. Performances are both on and off campus in the Williamsburg area in addition to their annual spring tour and any competitions in which they compete throughout the year. The group performs barbershop standards in addition to more modern tunes with traditional a cappella arrangements. Typically the group will consist of anywhere from 10-15 members. Their performances are known for lively antics during the songs and the comedy skits performed between numbers. Every academic year ends with a Gentlemen of the College final concert in Phi Beta Kappa Hall. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Gentlemen_of_the_College\" title=\"Gentlemen of the College\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The Gentlemen of the College, a men's a cappella group at the College of William and Mary, was organized in January 1990 and formally recognized by the Office of Student Activities in November 1990. Founding members identified in a photograph taken in Fall 1990 include Doug Stambler, class of 1992, and Michael Fitch, class of 1993. As of December 2007, the group remains active on campus and is the oldest men's a cappella group at the College of William and Mary. The group performs live many times throughout the academic year. Performances are both on and off campus in the Williamsburg area in addition to their annual spring tour and any competitions in which they compete throughout the year. The group performs barbershop standards in addition to more modern tunes with traditional a cappella arrangements. Typically the group will consist of anywhere from 10-15 members. Their performances are known for lively antics during the songs and the comedy skits performed between numbers. Every academic year ends with a Gentlemen of the College final concert in Phi Beta Kappa Hall. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"custodhist_html_tesm":["\u003cp\u003eAdditional portions of the collection were removed from the artificial collection the University Archives Publications Collection. The portions of the collection given to the University Archives prior to 2007 were assigned the accession number 2007.030 except for the material included as part of acc. 1994.032.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Additional portions of the collection were removed from the artificial collection the University Archives Publications Collection. The portions of the collection given to the University Archives prior to 2007 were assigned the accession number 2007.030 except for the material included as part of acc. 1994.032."],"prefercite_html_tesm":["\u003cp\u003eThe Gentlemen of the College records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Gentlemen of the College records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eRecords received prior to 2007 were described as part of the University Archives Publications Collection. This material was reprocessed by Rebecca Barnhart, SCRC Staff, when additional material was received from the Gentlemen of the College in November 2007.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Records received prior to 2007 were described as part of the University Archives Publications Collection. This material was reprocessed by Rebecca Barnhart, SCRC Staff, when additional material was received from the Gentlemen of the College in November 2007."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Subject File Collection (UA 9); University Archives Photograph Collection; University Archives Artifact Collection (UA 13) ; University Archives Poster Collection (UA 12); University Archives Audiovisual Collection (UA 58).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Subject File Collection (UA 9); University Archives Photograph Collection; University Archives Artifact Collection (UA 13) ; University Archives Poster Collection (UA 12); University Archives Audiovisual Collection (UA 58)."],"scopecontent_html_tesm":["\u003cp\u003eThe records of the College of William and Mary men's a capella group Gentlemen of the College include internal and external correspondence related to public performances; the constitution and by-laws; fliers advertising performances and auditions; a history of the group; membership lists; photographs; an extensive collection of audiovisual material documenting both live performances and studio sessions; and several scrapbooks. A portion of the collection was created to mark the group's 10th and 20th anniversaries, however, material from throughout the group's history available.\u003c/p\u003e","\u003cp\u003eScope and Contents\nThis collection contains several scrapbooks, all of which were compiled by the Gentlemen of the College's historian during the years which they chronicle. They all contain photographs, correspondence, schedules, newspaper clippings, fliers, and assorted ephemera. The first scrapbook covers the academic year of 1990-1991. Although it has been removed from its binder, its organization remains intact. The second one is for the academic year of 1991-1992. The third scrapbook covers the academic year of 1992-1993. The fourth scrapbook covers the academic year of 1993-1994. The fifth scrapbook covers the academic year of 1996-1997. The final scrapbook covers the academic year of 1997-1998. In addition to the original scrapbooks, the collection also contains photocopies of the first three.\u003c/p\u003e","\u003cp\u003eScope and Contents\nThis scrapbook has been removed from its binder; however, its organization remains intact.\u003c/p\u003e","\u003cp\u003eScope and Contents\nThe Gentlemen of the College have amassed a vast collection of CDs, cassettes, VHS, DAT, VHSC, Hi8, reel-to-reel, as well as zip drives of album artwork.  This collection documents both live performances by the group as well as studio sessions recording their albums.\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-label reads \"Copy of 4/19 and 4/20/93 DAT recording. This side made with Dolby B. Sides A \u0026amp; B\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-studio recording-3 copies\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-live recording-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-Side 1 is songs with arrangements already in the group's archives. Side 2 is songs where the Gentlemen don't already own copies of the arrangements, but they are available-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-the labels indicates this is a (dub)-2 copies\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-this is the first part of the show-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-this is the second part of the show-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-side 1 has \"Lunchlady (better version)\" and \"Mighty Love (cut off).\" Side 2 has \"(1) Mighty Love\" and \"(2) Monty Python's Philosopher's Song (cut off)\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-this is a tape of the group Keepsake-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-this is a tape of the group Gas House Gang-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-label reads, \"Songs where a take was chosen-that is the only take on this tape. Where take was not chosen, all takes are here\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-lyrics and music by Robert Flinn-2 copies\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-professional version released by S.P.E.B.Q.S.A.-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-label lists individual tracks-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-No label, but it sounds like a GOC final concert, possibly during the years Mike Fitch was still a member-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-label reads, \"Gentlemen of the College Original DAT. Recorded 4/19 \u0026amp; 4/20/93. Ends at 4624 on counter\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-label reads, \"Gentlemen of the College, Recordings from 1/30/94 and 2/17/94. Original-all takes\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-labeled as the original-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-this has a #2 on the label. It is unclear if it is a copy of Item #40 or the second part of a larger recording-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-2 copies\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-labeled as a backup-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-the label states this show was in the Great Hall at 6pm-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-this is 1 of 2-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-this is 2 of 2-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-labeled as final-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-this is labeled as final-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-this is the master recording for their studio release-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-the label lists track names with minimal notes accompanying-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-the label says \"Wren, Brett Thompson Rec.\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-the labels indicates this was recorded in the UC auditorium-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-labels says 30 min.-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-there is no label on this recording-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nZIP-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nZIP-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-label reads, \"Side 1, 15 I.P.S., Tails Out, No Noise Reduction\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-label reads, \"Side 2, 15 I.P.S., Tails Out, No Noise Reduction\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-label reads, \"7 1/2 I.P.S. Tails Out. 1/2 Track Stereo.\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-label reads, \"7 1/2 I.P.S. Tails Out. 1/2 Track Stereo.\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDTRS-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDTRS-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDTRS-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDTRS-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nVHSC-this appears to be 2 of 3-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nVHSC-this appears to be 3 of 3-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nHi8-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nHi8-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nHi8-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nHi8-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nHi8-labels says \"#1\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nHi8-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nHi8-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nHi8-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nVHS-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nVHS-label says this is a copy-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nVHS-raw footage of a spoof Real World video the Gentlemen made-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nVHS-edited footage from the raw footage in item 86. This is a spoof on the MTV show \"The Real World\" featuring the Gentlemen of the College-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-studio recording-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nThere is an incredible collection of undated performance, rehearsal, and publicity photographs. While most were not identified, most have been classified as performance and rehearsal related.  There are also numerous undated candid photographs of the group, as well as photographs from the 10 year reunion in 2000.  This series also contains the negatives for a portion of the photographs in this collection.\u003c/p\u003e","\u003cp\u003eScope and Contents\nThis series chronicles some aspects of the inner workings of the Gentlemen of the College.  Included in this series is a collection of alumni newsletters from 1994-1999.  There is also an organization file which contains a few papers from 1990-1993, including a version of the bylaws, contact sheets, and correspondence from 2005 regarding official recognition from the College of William and Mary as the first male a cappella group in the College's history.  The bulk of information related to the inner organization of the group, at least in the early years, can be found in the scrapbooks.  There is a folder of correspondence related to the planning of the 10 year reunion celebration as well as a folder of correspondence both to and from the group and the individual members.  There is a folder related to concert planning including schedules and song lists for specific performances from 1990-1998.  There is also a folder related to planning for the group's spring retreats from 1993-1996.  There is some sheet music in this collection as well as a folder that contains some information on the recording process of the group in 1994-1998.  Finally, this series contains some assorted ephemera from 1991-1993 including invitations, airplane tickets, a sticker, and business cards.\u003c/p\u003e","\u003cp\u003eScope and Contents\nThe items in this series were all intended for public viewing.  There is an extensive collection of fliers posted around the campus advertising performances and auditions.  These span the years 1990-2006.  There are also a few performance programs and newspaper clippings.  Finally, this series contains a few undated printouts from the group's website.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The records of the College of William and Mary men's a capella group Gentlemen of the College include internal and external correspondence related to public performances; the constitution and by-laws; fliers advertising performances and auditions; a history of the group; membership lists; photographs; an extensive collection of audiovisual material documenting both live performances and studio sessions; and several scrapbooks. A portion of the collection was created to mark the group's 10th and 20th anniversaries, however, material from throughout the group's history available.","Scope and Contents\nThis collection contains several scrapbooks, all of which were compiled by the Gentlemen of the College's historian during the years which they chronicle. They all contain photographs, correspondence, schedules, newspaper clippings, fliers, and assorted ephemera. The first scrapbook covers the academic year of 1990-1991. Although it has been removed from its binder, its organization remains intact. The second one is for the academic year of 1991-1992. The third scrapbook covers the academic year of 1992-1993. The fourth scrapbook covers the academic year of 1993-1994. The fifth scrapbook covers the academic year of 1996-1997. The final scrapbook covers the academic year of 1997-1998. In addition to the original scrapbooks, the collection also contains photocopies of the first three.","Scope and Contents\nThis scrapbook has been removed from its binder; however, its organization remains intact.","Scope and Contents\nThe Gentlemen of the College have amassed a vast collection of CDs, cassettes, VHS, DAT, VHSC, Hi8, reel-to-reel, as well as zip drives of album artwork.  This collection documents both live performances by the group as well as studio sessions recording their albums.","Scope and Contents\nCassette-label reads \"Copy of 4/19 and 4/20/93 DAT recording. This side made with Dolby B. Sides A \u0026 B\"-1 copy","Scope and Contents\nCassette-studio recording-3 copies","Scope and Contents\nCassette-live recording-1 copy","Scope and Contents\nCassette-Side 1 is songs with arrangements already in the group's archives. Side 2 is songs where the Gentlemen don't already own copies of the arrangements, but they are available-1 copy","Scope and Contents\nCassette-the labels indicates this is a (dub)-2 copies","Scope and Contents\nCassette-this is the first part of the show-1 copy","Scope and Contents\nCassette-this is the second part of the show-1 copy","Scope and Contents\nCassette-side 1 has \"Lunchlady (better version)\" and \"Mighty Love (cut off).\" Side 2 has \"(1) Mighty Love\" and \"(2) Monty Python's Philosopher's Song (cut off)\"-1 copy","Scope and Contents\nCassette-this is a tape of the group Keepsake-1 copy","Scope and Contents\nCassette-this is a tape of the group Gas House Gang-1 copy","Scope and Contents\nCassette-label reads, \"Songs where a take was chosen-that is the only take on this tape. Where take was not chosen, all takes are here\"-1 copy","Scope and Contents\nCassette-lyrics and music by Robert Flinn-2 copies","Scope and Contents\nCassette-professional version released by S.P.E.B.Q.S.A.-1 copy","Scope and Contents\nCassette-label lists individual tracks-1 copy","Scope and Contents\nCassette-1 copy","Scope and Contents\nCassette-No label, but it sounds like a GOC final concert, possibly during the years Mike Fitch was still a member-1 copy","Scope and Contents\nDAT-label reads, \"Gentlemen of the College Original DAT. Recorded 4/19 \u0026 4/20/93. Ends at 4624 on counter\"-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-label reads, \"Gentlemen of the College, Recordings from 1/30/94 and 2/17/94. Original-all takes\"-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-labeled as the original-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-this has a #2 on the label. It is unclear if it is a copy of Item #40 or the second part of a larger recording-1 copy","Scope and Contents\nDAT-2 copies","Scope and Contents\nDAT-labeled as a backup-1 copy","Scope and Contents\nDAT-the label states this show was in the Great Hall at 6pm-1 copy","Scope and Contents\nDAT-this is 1 of 2-1 copy","Scope and Contents\nDAT-this is 2 of 2-1 copy","Scope and Contents\nDAT-labeled as final-1 copy","Scope and Contents\nDAT-this is labeled as final-1 copy","Scope and Contents\nDAT-this is the master recording for their studio release-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-the label lists track names with minimal notes accompanying-1 copy","Scope and Contents\nDAT-the label says \"Wren, Brett Thompson Rec.\"-1 copy","Scope and Contents\nDAT-the labels indicates this was recorded in the UC auditorium-1 copy","Scope and Contents\nDAT-labels says 30 min.-1 copy","Scope and Contents\nDAT-there is no label on this recording-1 copy","Scope and Contents\nZIP-1 copy","Scope and Contents\nZIP-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-label reads, \"Side 1, 15 I.P.S., Tails Out, No Noise Reduction\"-1 copy","Scope and Contents\nReel to Reel-label reads, \"Side 2, 15 I.P.S., Tails Out, No Noise Reduction\"-1 copy","Scope and Contents\nReel to Reel-label reads, \"7 1/2 I.P.S. Tails Out. 1/2 Track Stereo.\"-1 copy","Scope and Contents\nReel to Reel-label reads, \"7 1/2 I.P.S. Tails Out. 1/2 Track Stereo.\"-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nDTRS-1 copy","Scope and Contents\nDTRS-1 copy","Scope and Contents\nDTRS-1 copy","Scope and Contents\nDTRS-1 copy","Scope and Contents\nVHSC-this appears to be 2 of 3-1 copy","Scope and Contents\nVHSC-this appears to be 3 of 3-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-labels says \"#1\"-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nVHS-1 copy","Scope and Contents\nVHS-label says this is a copy-1 copy","Scope and Contents\nVHS-raw footage of a spoof Real World video the Gentlemen made-1 copy","Scope and Contents\nVHS-edited footage from the raw footage in item 86. This is a spoof on the MTV show \"The Real World\" featuring the Gentlemen of the College-1 copy","Scope and Contents\nCassette-studio recording-1 copy","Scope and Contents\nThere is an incredible collection of undated performance, rehearsal, and publicity photographs. While most were not identified, most have been classified as performance and rehearsal related.  There are also numerous undated candid photographs of the group, as well as photographs from the 10 year reunion in 2000.  This series also contains the negatives for a portion of the photographs in this collection.","Scope and Contents\nThis series chronicles some aspects of the inner workings of the Gentlemen of the College.  Included in this series is a collection of alumni newsletters from 1994-1999.  There is also an organization file which contains a few papers from 1990-1993, including a version of the bylaws, contact sheets, and correspondence from 2005 regarding official recognition from the College of William and Mary as the first male a cappella group in the College's history.  The bulk of information related to the inner organization of the group, at least in the early years, can be found in the scrapbooks.  There is a folder of correspondence related to the planning of the 10 year reunion celebration as well as a folder of correspondence both to and from the group and the individual members.  There is a folder related to concert planning including schedules and song lists for specific performances from 1990-1998.  There is also a folder related to planning for the group's spring retreats from 1993-1996.  There is some sheet music in this collection as well as a folder that contains some information on the recording process of the group in 1994-1998.  Finally, this series contains some assorted ephemera from 1991-1993 including invitations, airplane tickets, a sticker, and business cards.","Scope and Contents\nThe items in this series were all intended for public viewing.  There is an extensive collection of fliers posted around the campus advertising performances and auditions.  These span the years 1990-2006.  There are also a few performance programs and newspaper clippings.  Finally, this series contains a few undated printouts from the group's website."],"separatedmaterial_html_tesm":["\u003cp\u003eArtifacts related to the Gentlemen of the College have been separated from this collection and have been added to the University Archives Artifact Collection.\u003c/p\u003e\n","\u003cp\u003e Two tablecloths that were used at the 2003-2004 banquet were deaccessioned from this collection in May 2010.\u003c/p\u003e\n","\u003cp\u003e Audiovisual material from the Gentlemen of the College have been separated from this collection and have been added to the University Archives Audiovisual Collection under Acc. 2007.030.001-2007.030.093\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Artifacts related to the Gentlemen of the College have been separated from this collection and have been added to the University Archives Artifact Collection."," Two tablecloths that were used at the 2003-2004 banquet were deaccessioned from this collection in May 2010."," Audiovisual material from the Gentlemen of the College have been separated from this collection and have been added to the University Archives Audiovisual Collection under Acc. 2007.030.001-2007.030.093"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary--Alumni and alumnae"],"names_ssim":["Special Collections Research Center","College of William and Mary--Alumni and alumnae"],"corpname_ssim":["Special Collections Research Center","College of William and Mary--Alumni and alumnae"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":158,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:44:36.610Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8981","ead_ssi":"viw_repositories_2_resources_8981","_root_":"viw_repositories_2_resources_8981","_nest_parent_":"viw_repositories_2_resources_8981","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8981.xml","title_filing_ssi":"Gentlemen of the College records","title_ssm":["The Gentlemen of the College records"],"title_tesim":["The Gentlemen of the College records"],"unitdate_ssm":["1990-2023"],"unitdate_inclusive_ssm":["1990-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 7.006","/repositories/2/resources/8981"],"text":["UA 7.006","/repositories/2/resources/8981","The Gentlemen of the College records","College of William and Mary--Students","Music","Student Organizations","Constitutions","Correspondence","Fliers (printed matter)","Lapel Pins","Negatives","Photographs","Programs","Rosters","Scrapbooks","Sound Recordings","Sweat shirts","T-shirts","Video recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into five series: Series 1: Scrapbooks, 1990-1998; Series 2: Audiovisual Material, 1990-2000; Series 3: Photographs, 1990-2000; Series 4: Administrative Records, 1990-2005; and Series 5: Publicity Material, 1990-2006.","The Gentlemen of the College, a men's a cappella group at the College of William and Mary, was organized in January 1990 and formally recognized by the Office of Student Activities in November 1990. Founding members identified in a photograph taken in Fall 1990 include Doug Stambler, class of 1992, and Michael Fitch, class of 1993. As of December 2007, the group remains active on campus and is the oldest men's a cappella group at the College of William and Mary. The group performs live many times throughout the academic year. Performances are both on and off campus in the Williamsburg area in addition to their annual spring tour and any competitions in which they compete throughout the year. The group performs barbershop standards in addition to more modern tunes with traditional a cappella arrangements. Typically the group will consist of anywhere from 10-15 members. Their performances are known for lively antics during the songs and the comedy skits performed between numbers. Every academic year ends with a Gentlemen of the College final concert in Phi Beta Kappa Hall. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Additional portions of the collection were removed from the artificial collection the University Archives Publications Collection. The portions of the collection given to the University Archives prior to 2007 were assigned the accession number 2007.030 except for the material included as part of acc. 1994.032.","Records received prior to 2007 were described as part of the University Archives Publications Collection. This material was reprocessed by Rebecca Barnhart, SCRC Staff, when additional material was received from the Gentlemen of the College in November 2007.","University Archives Subject File Collection (UA 9); University Archives Photograph Collection; University Archives Artifact Collection (UA 13) ; University Archives Poster Collection (UA 12); University Archives Audiovisual Collection (UA 58).","The records of the College of William and Mary men's a capella group Gentlemen of the College include internal and external correspondence related to public performances; the constitution and by-laws; fliers advertising performances and auditions; a history of the group; membership lists; photographs; an extensive collection of audiovisual material documenting both live performances and studio sessions; and several scrapbooks. A portion of the collection was created to mark the group's 10th and 20th anniversaries, however, material from throughout the group's history available.","Scope and Contents\nThis collection contains several scrapbooks, all of which were compiled by the Gentlemen of the College's historian during the years which they chronicle. They all contain photographs, correspondence, schedules, newspaper clippings, fliers, and assorted ephemera. The first scrapbook covers the academic year of 1990-1991. Although it has been removed from its binder, its organization remains intact. The second one is for the academic year of 1991-1992. The third scrapbook covers the academic year of 1992-1993. The fourth scrapbook covers the academic year of 1993-1994. The fifth scrapbook covers the academic year of 1996-1997. The final scrapbook covers the academic year of 1997-1998. In addition to the original scrapbooks, the collection also contains photocopies of the first three.","Scope and Contents\nThis scrapbook has been removed from its binder; however, its organization remains intact.","Scope and Contents\nThe Gentlemen of the College have amassed a vast collection of CDs, cassettes, VHS, DAT, VHSC, Hi8, reel-to-reel, as well as zip drives of album artwork.  This collection documents both live performances by the group as well as studio sessions recording their albums.","Scope and Contents\nCassette-label reads \"Copy of 4/19 and 4/20/93 DAT recording. This side made with Dolby B. Sides A \u0026 B\"-1 copy","Scope and Contents\nCassette-studio recording-3 copies","Scope and Contents\nCassette-live recording-1 copy","Scope and Contents\nCassette-Side 1 is songs with arrangements already in the group's archives. Side 2 is songs where the Gentlemen don't already own copies of the arrangements, but they are available-1 copy","Scope and Contents\nCassette-the labels indicates this is a (dub)-2 copies","Scope and Contents\nCassette-this is the first part of the show-1 copy","Scope and Contents\nCassette-this is the second part of the show-1 copy","Scope and Contents\nCassette-side 1 has \"Lunchlady (better version)\" and \"Mighty Love (cut off).\" Side 2 has \"(1) Mighty Love\" and \"(2) Monty Python's Philosopher's Song (cut off)\"-1 copy","Scope and Contents\nCassette-this is a tape of the group Keepsake-1 copy","Scope and Contents\nCassette-this is a tape of the group Gas House Gang-1 copy","Scope and Contents\nCassette-label reads, \"Songs where a take was chosen-that is the only take on this tape. Where take was not chosen, all takes are here\"-1 copy","Scope and Contents\nCassette-lyrics and music by Robert Flinn-2 copies","Scope and Contents\nCassette-professional version released by S.P.E.B.Q.S.A.-1 copy","Scope and Contents\nCassette-label lists individual tracks-1 copy","Scope and Contents\nCassette-1 copy","Scope and Contents\nCassette-No label, but it sounds like a GOC final concert, possibly during the years Mike Fitch was still a member-1 copy","Scope and Contents\nDAT-label reads, \"Gentlemen of the College Original DAT. Recorded 4/19 \u0026 4/20/93. Ends at 4624 on counter\"-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-label reads, \"Gentlemen of the College, Recordings from 1/30/94 and 2/17/94. Original-all takes\"-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-labeled as the original-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-this has a #2 on the label. It is unclear if it is a copy of Item #40 or the second part of a larger recording-1 copy","Scope and Contents\nDAT-2 copies","Scope and Contents\nDAT-labeled as a backup-1 copy","Scope and Contents\nDAT-the label states this show was in the Great Hall at 6pm-1 copy","Scope and Contents\nDAT-this is 1 of 2-1 copy","Scope and Contents\nDAT-this is 2 of 2-1 copy","Scope and Contents\nDAT-labeled as final-1 copy","Scope and Contents\nDAT-this is labeled as final-1 copy","Scope and Contents\nDAT-this is the master recording for their studio release-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-the label lists track names with minimal notes accompanying-1 copy","Scope and Contents\nDAT-the label says \"Wren, Brett Thompson Rec.\"-1 copy","Scope and Contents\nDAT-the labels indicates this was recorded in the UC auditorium-1 copy","Scope and Contents\nDAT-labels says 30 min.-1 copy","Scope and Contents\nDAT-there is no label on this recording-1 copy","Scope and Contents\nZIP-1 copy","Scope and Contents\nZIP-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-label reads, \"Side 1, 15 I.P.S., Tails Out, No Noise Reduction\"-1 copy","Scope and Contents\nReel to Reel-label reads, \"Side 2, 15 I.P.S., Tails Out, No Noise Reduction\"-1 copy","Scope and Contents\nReel to Reel-label reads, \"7 1/2 I.P.S. Tails Out. 1/2 Track Stereo.\"-1 copy","Scope and Contents\nReel to Reel-label reads, \"7 1/2 I.P.S. Tails Out. 1/2 Track Stereo.\"-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nDTRS-1 copy","Scope and Contents\nDTRS-1 copy","Scope and Contents\nDTRS-1 copy","Scope and Contents\nDTRS-1 copy","Scope and Contents\nVHSC-this appears to be 2 of 3-1 copy","Scope and Contents\nVHSC-this appears to be 3 of 3-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-labels says \"#1\"-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nVHS-1 copy","Scope and Contents\nVHS-label says this is a copy-1 copy","Scope and Contents\nVHS-raw footage of a spoof Real World video the Gentlemen made-1 copy","Scope and Contents\nVHS-edited footage from the raw footage in item 86. This is a spoof on the MTV show \"The Real World\" featuring the Gentlemen of the College-1 copy","Scope and Contents\nCassette-studio recording-1 copy","Scope and Contents\nThere is an incredible collection of undated performance, rehearsal, and publicity photographs. While most were not identified, most have been classified as performance and rehearsal related.  There are also numerous undated candid photographs of the group, as well as photographs from the 10 year reunion in 2000.  This series also contains the negatives for a portion of the photographs in this collection.","Scope and Contents\nThis series chronicles some aspects of the inner workings of the Gentlemen of the College.  Included in this series is a collection of alumni newsletters from 1994-1999.  There is also an organization file which contains a few papers from 1990-1993, including a version of the bylaws, contact sheets, and correspondence from 2005 regarding official recognition from the College of William and Mary as the first male a cappella group in the College's history.  The bulk of information related to the inner organization of the group, at least in the early years, can be found in the scrapbooks.  There is a folder of correspondence related to the planning of the 10 year reunion celebration as well as a folder of correspondence both to and from the group and the individual members.  There is a folder related to concert planning including schedules and song lists for specific performances from 1990-1998.  There is also a folder related to planning for the group's spring retreats from 1993-1996.  There is some sheet music in this collection as well as a folder that contains some information on the recording process of the group in 1994-1998.  Finally, this series contains some assorted ephemera from 1991-1993 including invitations, airplane tickets, a sticker, and business cards.","Scope and Contents\nThe items in this series were all intended for public viewing.  There is an extensive collection of fliers posted around the campus advertising performances and auditions.  These span the years 1990-2006.  There are also a few performance programs and newspaper clippings.  Finally, this series contains a few undated printouts from the group's website.","Artifacts related to the Gentlemen of the College have been separated from this collection and have been added to the University Archives Artifact Collection."," Two tablecloths that were used at the 2003-2004 banquet were deaccessioned from this collection in May 2010."," Audiovisual material from the Gentlemen of the College have been separated from this collection and have been added to the University Archives Audiovisual Collection under Acc. 2007.030.001-2007.030.093","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary--Alumni and alumnae","English"],"unitid_tesim":["UA 7.006","/repositories/2/resources/8981"],"normalized_title_ssm":["The Gentlemen of the College records"],"collection_title_tesim":["The Gentlemen of the College records"],"collection_ssim":["The Gentlemen of the College records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["The collection was given to the University Archives prior to 2007 and at least a portion was a gift of Michael Fitch. Acc. 1994.032 was also received by the University Archives. Acc. 1995.007, scrapbooks, was received from the organization on 5/14/1993. The provenance of portions of the collection is uncertain and was given the accession number 2007.030. Accession 2007.78 was received on 11/20/2007 from the Gentlemen of the College via business manager Dan Maguire."],"access_subjects_ssim":["College of William and Mary--Students","Music","Student Organizations","Constitutions","Correspondence","Fliers (printed matter)","Lapel Pins","Negatives","Photographs","Programs","Rosters","Scrapbooks","Sound Recordings","Sweat shirts","T-shirts","Video recordings"],"access_subjects_ssm":["College of William and Mary--Students","Music","Student Organizations","Constitutions","Correspondence","Fliers (printed matter)","Lapel Pins","Negatives","Photographs","Programs","Rosters","Scrapbooks","Sound Recordings","Sweat shirts","T-shirts","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["4.71 Linear Feet"],"extent_tesim":["4.71 Linear Feet"],"genreform_ssim":["Constitutions","Correspondence","Fliers (printed matter)","Lapel Pins","Negatives","Photographs","Programs","Rosters","Scrapbooks","Sound Recordings","Sweat shirts","T-shirts","Video recordings"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five series: Series 1: Scrapbooks, 1990-1998; Series 2: Audiovisual Material, 1990-2000; Series 3: Photographs, 1990-2000; Series 4: Administrative Records, 1990-2005; and Series 5: Publicity Material, 1990-2006.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is arranged into five series: Series 1: Scrapbooks, 1990-1998; Series 2: Audiovisual Material, 1990-2000; Series 3: Photographs, 1990-2000; Series 4: Administrative Records, 1990-2005; and Series 5: Publicity Material, 1990-2006."],"bioghist_html_tesm":["\u003cp\u003eThe Gentlemen of the College, a men's a cappella group at the College of William and Mary, was organized in January 1990 and formally recognized by the Office of Student Activities in November 1990. Founding members identified in a photograph taken in Fall 1990 include Doug Stambler, class of 1992, and Michael Fitch, class of 1993. As of December 2007, the group remains active on campus and is the oldest men's a cappella group at the College of William and Mary. The group performs live many times throughout the academic year. Performances are both on and off campus in the Williamsburg area in addition to their annual spring tour and any competitions in which they compete throughout the year. The group performs barbershop standards in addition to more modern tunes with traditional a cappella arrangements. Typically the group will consist of anywhere from 10-15 members. Their performances are known for lively antics during the songs and the comedy skits performed between numbers. Every academic year ends with a Gentlemen of the College final concert in Phi Beta Kappa Hall. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Gentlemen_of_the_College\" title=\"Gentlemen of the College\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The Gentlemen of the College, a men's a cappella group at the College of William and Mary, was organized in January 1990 and formally recognized by the Office of Student Activities in November 1990. Founding members identified in a photograph taken in Fall 1990 include Doug Stambler, class of 1992, and Michael Fitch, class of 1993. As of December 2007, the group remains active on campus and is the oldest men's a cappella group at the College of William and Mary. The group performs live many times throughout the academic year. Performances are both on and off campus in the Williamsburg area in addition to their annual spring tour and any competitions in which they compete throughout the year. The group performs barbershop standards in addition to more modern tunes with traditional a cappella arrangements. Typically the group will consist of anywhere from 10-15 members. Their performances are known for lively antics during the songs and the comedy skits performed between numbers. Every academic year ends with a Gentlemen of the College final concert in Phi Beta Kappa Hall. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"custodhist_html_tesm":["\u003cp\u003eAdditional portions of the collection were removed from the artificial collection the University Archives Publications Collection. The portions of the collection given to the University Archives prior to 2007 were assigned the accession number 2007.030 except for the material included as part of acc. 1994.032.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["Additional portions of the collection were removed from the artificial collection the University Archives Publications Collection. The portions of the collection given to the University Archives prior to 2007 were assigned the accession number 2007.030 except for the material included as part of acc. 1994.032."],"prefercite_html_tesm":["\u003cp\u003eThe Gentlemen of the College records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Gentlemen of the College records, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eRecords received prior to 2007 were described as part of the University Archives Publications Collection. This material was reprocessed by Rebecca Barnhart, SCRC Staff, when additional material was received from the Gentlemen of the College in November 2007.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Records received prior to 2007 were described as part of the University Archives Publications Collection. This material was reprocessed by Rebecca Barnhart, SCRC Staff, when additional material was received from the Gentlemen of the College in November 2007."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Subject File Collection (UA 9); University Archives Photograph Collection; University Archives Artifact Collection (UA 13) ; University Archives Poster Collection (UA 12); University Archives Audiovisual Collection (UA 58).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Subject File Collection (UA 9); University Archives Photograph Collection; University Archives Artifact Collection (UA 13) ; University Archives Poster Collection (UA 12); University Archives Audiovisual Collection (UA 58)."],"scopecontent_html_tesm":["\u003cp\u003eThe records of the College of William and Mary men's a capella group Gentlemen of the College include internal and external correspondence related to public performances; the constitution and by-laws; fliers advertising performances and auditions; a history of the group; membership lists; photographs; an extensive collection of audiovisual material documenting both live performances and studio sessions; and several scrapbooks. A portion of the collection was created to mark the group's 10th and 20th anniversaries, however, material from throughout the group's history available.\u003c/p\u003e","\u003cp\u003eScope and Contents\nThis collection contains several scrapbooks, all of which were compiled by the Gentlemen of the College's historian during the years which they chronicle. They all contain photographs, correspondence, schedules, newspaper clippings, fliers, and assorted ephemera. The first scrapbook covers the academic year of 1990-1991. Although it has been removed from its binder, its organization remains intact. The second one is for the academic year of 1991-1992. The third scrapbook covers the academic year of 1992-1993. The fourth scrapbook covers the academic year of 1993-1994. The fifth scrapbook covers the academic year of 1996-1997. The final scrapbook covers the academic year of 1997-1998. In addition to the original scrapbooks, the collection also contains photocopies of the first three.\u003c/p\u003e","\u003cp\u003eScope and Contents\nThis scrapbook has been removed from its binder; however, its organization remains intact.\u003c/p\u003e","\u003cp\u003eScope and Contents\nThe Gentlemen of the College have amassed a vast collection of CDs, cassettes, VHS, DAT, VHSC, Hi8, reel-to-reel, as well as zip drives of album artwork.  This collection documents both live performances by the group as well as studio sessions recording their albums.\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-label reads \"Copy of 4/19 and 4/20/93 DAT recording. This side made with Dolby B. Sides A \u0026amp; B\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-studio recording-3 copies\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-live recording-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-Side 1 is songs with arrangements already in the group's archives. Side 2 is songs where the Gentlemen don't already own copies of the arrangements, but they are available-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-the labels indicates this is a (dub)-2 copies\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-this is the first part of the show-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-this is the second part of the show-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-side 1 has \"Lunchlady (better version)\" and \"Mighty Love (cut off).\" Side 2 has \"(1) Mighty Love\" and \"(2) Monty Python's Philosopher's Song (cut off)\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-this is a tape of the group Keepsake-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-this is a tape of the group Gas House Gang-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-label reads, \"Songs where a take was chosen-that is the only take on this tape. Where take was not chosen, all takes are here\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-lyrics and music by Robert Flinn-2 copies\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-professional version released by S.P.E.B.Q.S.A.-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-label lists individual tracks-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-No label, but it sounds like a GOC final concert, possibly during the years Mike Fitch was still a member-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-label reads, \"Gentlemen of the College Original DAT. Recorded 4/19 \u0026amp; 4/20/93. Ends at 4624 on counter\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-label reads, \"Gentlemen of the College, Recordings from 1/30/94 and 2/17/94. Original-all takes\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-labeled as the original-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-this has a #2 on the label. It is unclear if it is a copy of Item #40 or the second part of a larger recording-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-2 copies\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-labeled as a backup-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-the label states this show was in the Great Hall at 6pm-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-this is 1 of 2-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-this is 2 of 2-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-labeled as final-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-this is labeled as final-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-this is the master recording for their studio release-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-the label lists track names with minimal notes accompanying-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-the label says \"Wren, Brett Thompson Rec.\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-the labels indicates this was recorded in the UC auditorium-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-labels says 30 min.-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDAT-there is no label on this recording-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nZIP-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nZIP-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-label reads, \"Side 1, 15 I.P.S., Tails Out, No Noise Reduction\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-label reads, \"Side 2, 15 I.P.S., Tails Out, No Noise Reduction\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-label reads, \"7 1/2 I.P.S. Tails Out. 1/2 Track Stereo.\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-label reads, \"7 1/2 I.P.S. Tails Out. 1/2 Track Stereo.\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nReel to Reel-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDTRS-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDTRS-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDTRS-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nDTRS-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nVHSC-this appears to be 2 of 3-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nVHSC-this appears to be 3 of 3-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nHi8-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nHi8-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nHi8-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nHi8-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nHi8-labels says \"#1\"-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nHi8-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nHi8-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nHi8-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nVHS-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nVHS-label says this is a copy-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nVHS-raw footage of a spoof Real World video the Gentlemen made-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nVHS-edited footage from the raw footage in item 86. This is a spoof on the MTV show \"The Real World\" featuring the Gentlemen of the College-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nCassette-studio recording-1 copy\u003c/p\u003e","\u003cp\u003eScope and Contents\nThere is an incredible collection of undated performance, rehearsal, and publicity photographs. While most were not identified, most have been classified as performance and rehearsal related.  There are also numerous undated candid photographs of the group, as well as photographs from the 10 year reunion in 2000.  This series also contains the negatives for a portion of the photographs in this collection.\u003c/p\u003e","\u003cp\u003eScope and Contents\nThis series chronicles some aspects of the inner workings of the Gentlemen of the College.  Included in this series is a collection of alumni newsletters from 1994-1999.  There is also an organization file which contains a few papers from 1990-1993, including a version of the bylaws, contact sheets, and correspondence from 2005 regarding official recognition from the College of William and Mary as the first male a cappella group in the College's history.  The bulk of information related to the inner organization of the group, at least in the early years, can be found in the scrapbooks.  There is a folder of correspondence related to the planning of the 10 year reunion celebration as well as a folder of correspondence both to and from the group and the individual members.  There is a folder related to concert planning including schedules and song lists for specific performances from 1990-1998.  There is also a folder related to planning for the group's spring retreats from 1993-1996.  There is some sheet music in this collection as well as a folder that contains some information on the recording process of the group in 1994-1998.  Finally, this series contains some assorted ephemera from 1991-1993 including invitations, airplane tickets, a sticker, and business cards.\u003c/p\u003e","\u003cp\u003eScope and Contents\nThe items in this series were all intended for public viewing.  There is an extensive collection of fliers posted around the campus advertising performances and auditions.  These span the years 1990-2006.  There are also a few performance programs and newspaper clippings.  Finally, this series contains a few undated printouts from the group's website.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The records of the College of William and Mary men's a capella group Gentlemen of the College include internal and external correspondence related to public performances; the constitution and by-laws; fliers advertising performances and auditions; a history of the group; membership lists; photographs; an extensive collection of audiovisual material documenting both live performances and studio sessions; and several scrapbooks. A portion of the collection was created to mark the group's 10th and 20th anniversaries, however, material from throughout the group's history available.","Scope and Contents\nThis collection contains several scrapbooks, all of which were compiled by the Gentlemen of the College's historian during the years which they chronicle. They all contain photographs, correspondence, schedules, newspaper clippings, fliers, and assorted ephemera. The first scrapbook covers the academic year of 1990-1991. Although it has been removed from its binder, its organization remains intact. The second one is for the academic year of 1991-1992. The third scrapbook covers the academic year of 1992-1993. The fourth scrapbook covers the academic year of 1993-1994. The fifth scrapbook covers the academic year of 1996-1997. The final scrapbook covers the academic year of 1997-1998. In addition to the original scrapbooks, the collection also contains photocopies of the first three.","Scope and Contents\nThis scrapbook has been removed from its binder; however, its organization remains intact.","Scope and Contents\nThe Gentlemen of the College have amassed a vast collection of CDs, cassettes, VHS, DAT, VHSC, Hi8, reel-to-reel, as well as zip drives of album artwork.  This collection documents both live performances by the group as well as studio sessions recording their albums.","Scope and Contents\nCassette-label reads \"Copy of 4/19 and 4/20/93 DAT recording. This side made with Dolby B. Sides A \u0026 B\"-1 copy","Scope and Contents\nCassette-studio recording-3 copies","Scope and Contents\nCassette-live recording-1 copy","Scope and Contents\nCassette-Side 1 is songs with arrangements already in the group's archives. Side 2 is songs where the Gentlemen don't already own copies of the arrangements, but they are available-1 copy","Scope and Contents\nCassette-the labels indicates this is a (dub)-2 copies","Scope and Contents\nCassette-this is the first part of the show-1 copy","Scope and Contents\nCassette-this is the second part of the show-1 copy","Scope and Contents\nCassette-side 1 has \"Lunchlady (better version)\" and \"Mighty Love (cut off).\" Side 2 has \"(1) Mighty Love\" and \"(2) Monty Python's Philosopher's Song (cut off)\"-1 copy","Scope and Contents\nCassette-this is a tape of the group Keepsake-1 copy","Scope and Contents\nCassette-this is a tape of the group Gas House Gang-1 copy","Scope and Contents\nCassette-label reads, \"Songs where a take was chosen-that is the only take on this tape. Where take was not chosen, all takes are here\"-1 copy","Scope and Contents\nCassette-lyrics and music by Robert Flinn-2 copies","Scope and Contents\nCassette-professional version released by S.P.E.B.Q.S.A.-1 copy","Scope and Contents\nCassette-label lists individual tracks-1 copy","Scope and Contents\nCassette-1 copy","Scope and Contents\nCassette-No label, but it sounds like a GOC final concert, possibly during the years Mike Fitch was still a member-1 copy","Scope and Contents\nDAT-label reads, \"Gentlemen of the College Original DAT. Recorded 4/19 \u0026 4/20/93. Ends at 4624 on counter\"-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-label reads, \"Gentlemen of the College, Recordings from 1/30/94 and 2/17/94. Original-all takes\"-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-labeled as the original-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-this has a #2 on the label. It is unclear if it is a copy of Item #40 or the second part of a larger recording-1 copy","Scope and Contents\nDAT-2 copies","Scope and Contents\nDAT-labeled as a backup-1 copy","Scope and Contents\nDAT-the label states this show was in the Great Hall at 6pm-1 copy","Scope and Contents\nDAT-this is 1 of 2-1 copy","Scope and Contents\nDAT-this is 2 of 2-1 copy","Scope and Contents\nDAT-labeled as final-1 copy","Scope and Contents\nDAT-this is labeled as final-1 copy","Scope and Contents\nDAT-this is the master recording for their studio release-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-1 copy","Scope and Contents\nDAT-the label lists track names with minimal notes accompanying-1 copy","Scope and Contents\nDAT-the label says \"Wren, Brett Thompson Rec.\"-1 copy","Scope and Contents\nDAT-the labels indicates this was recorded in the UC auditorium-1 copy","Scope and Contents\nDAT-labels says 30 min.-1 copy","Scope and Contents\nDAT-there is no label on this recording-1 copy","Scope and Contents\nZIP-1 copy","Scope and Contents\nZIP-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-label reads, \"Side 1, 15 I.P.S., Tails Out, No Noise Reduction\"-1 copy","Scope and Contents\nReel to Reel-label reads, \"Side 2, 15 I.P.S., Tails Out, No Noise Reduction\"-1 copy","Scope and Contents\nReel to Reel-label reads, \"7 1/2 I.P.S. Tails Out. 1/2 Track Stereo.\"-1 copy","Scope and Contents\nReel to Reel-label reads, \"7 1/2 I.P.S. Tails Out. 1/2 Track Stereo.\"-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nReel to Reel-1 copy","Scope and Contents\nDTRS-1 copy","Scope and Contents\nDTRS-1 copy","Scope and Contents\nDTRS-1 copy","Scope and Contents\nDTRS-1 copy","Scope and Contents\nVHSC-this appears to be 2 of 3-1 copy","Scope and Contents\nVHSC-this appears to be 3 of 3-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-labels says \"#1\"-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nHi8-1 copy","Scope and Contents\nVHS-1 copy","Scope and Contents\nVHS-label says this is a copy-1 copy","Scope and Contents\nVHS-raw footage of a spoof Real World video the Gentlemen made-1 copy","Scope and Contents\nVHS-edited footage from the raw footage in item 86. This is a spoof on the MTV show \"The Real World\" featuring the Gentlemen of the College-1 copy","Scope and Contents\nCassette-studio recording-1 copy","Scope and Contents\nThere is an incredible collection of undated performance, rehearsal, and publicity photographs. While most were not identified, most have been classified as performance and rehearsal related.  There are also numerous undated candid photographs of the group, as well as photographs from the 10 year reunion in 2000.  This series also contains the negatives for a portion of the photographs in this collection.","Scope and Contents\nThis series chronicles some aspects of the inner workings of the Gentlemen of the College.  Included in this series is a collection of alumni newsletters from 1994-1999.  There is also an organization file which contains a few papers from 1990-1993, including a version of the bylaws, contact sheets, and correspondence from 2005 regarding official recognition from the College of William and Mary as the first male a cappella group in the College's history.  The bulk of information related to the inner organization of the group, at least in the early years, can be found in the scrapbooks.  There is a folder of correspondence related to the planning of the 10 year reunion celebration as well as a folder of correspondence both to and from the group and the individual members.  There is a folder related to concert planning including schedules and song lists for specific performances from 1990-1998.  There is also a folder related to planning for the group's spring retreats from 1993-1996.  There is some sheet music in this collection as well as a folder that contains some information on the recording process of the group in 1994-1998.  Finally, this series contains some assorted ephemera from 1991-1993 including invitations, airplane tickets, a sticker, and business cards.","Scope and Contents\nThe items in this series were all intended for public viewing.  There is an extensive collection of fliers posted around the campus advertising performances and auditions.  These span the years 1990-2006.  There are also a few performance programs and newspaper clippings.  Finally, this series contains a few undated printouts from the group's website."],"separatedmaterial_html_tesm":["\u003cp\u003eArtifacts related to the Gentlemen of the College have been separated from this collection and have been added to the University Archives Artifact Collection.\u003c/p\u003e\n","\u003cp\u003e Two tablecloths that were used at the 2003-2004 banquet were deaccessioned from this collection in May 2010.\u003c/p\u003e\n","\u003cp\u003e Audiovisual material from the Gentlemen of the College have been separated from this collection and have been added to the University Archives Audiovisual Collection under Acc. 2007.030.001-2007.030.093\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Artifacts related to the Gentlemen of the College have been separated from this collection and have been added to the University Archives Artifact Collection."," Two tablecloths that were used at the 2003-2004 banquet were deaccessioned from this collection in May 2010."," Audiovisual material from the Gentlemen of the College have been separated from this collection and have been added to the University Archives Audiovisual Collection under Acc. 2007.030.001-2007.030.093"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary--Alumni and alumnae"],"names_ssim":["Special Collections Research Center","College of William and Mary--Alumni and alumnae"],"corpname_ssim":["Special Collections Research Center","College of William and Mary--Alumni and 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