{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater--United+States.\u0026page=2\u0026view=list","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater--United+States.\u0026page=1\u0026view=list","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater--United+States.\u0026page=3\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater--United+States.\u0026page=3\u0026view=list"},"meta":{"pages":{"current_page":2,"next_page":3,"prev_page":1,"total_pages":3,"limit_value":10,"offset_value":10,"total_count":27,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_ftppersonal","type":"collection","attributes":{"title":"Federal Theatre Project personal papers, 1926/1991","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_ftppersonal#creator","type":"document_value","attributes":{"value":"Federal Theatre Project (U.S.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_ftppersonal#abstract_or_scope","type":"document_value","attributes":{"value":"This collection brings together over 90 individual donations of Federal Theatre Project material. 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About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a \"Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County,\" and correspondence and papers about non-Federal Theatre Project employment.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_bosworth#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_bosworth","ead_ssi":"vifgm_bosworth","_root_":"vifgm_bosworth","_nest_parent_":"vifgm_bosworth","ead_source_url_ssi":"data/gmu/bosworth.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/bosworth.html","title_ssm":["Francis Bosworth papers"],"title_tesim":["Francis Bosworth papers"],"unitdate_ssm":["1933-1982","1933-1943"],"unitdate_inclusive_ssm":["1933-1982"],"unitdate_bulk_ssim":["1933-1943"],"normalized_date_ssm":["1933/1982, bulk 1933/1943"],"normalized_title_ssm":["Francis Bosworth papers, 1933/1982, bulk 1933/1943"],"text":["Francis Bosworth papers, 1933/1982, bulk 1933/1943","C0220","New Deal, 1933-1939.","Theater--United States.","There are no access restrictions.","This collection is arranged alphabetically by folder title.","Francis Bosworth was born in St. Paul Minnesota on November 6, 1904. He attended the University of Minnesota before moving to New York City in 1929. In New York he was the author of several plays, the Head of the Drama Department of the New College at Columbia, and was the Director of the National Play Bureau of the Federal Theatre Project.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. 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Permission to publish material from the Francis Bosworth papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","The Francis Bosworth papers contain personal papers collected by Bosworth from the 1930s to the 1980s. About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a \"Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County,\" and correspondence and papers about non-Federal Theatre Project employment.","George Mason University. Libraries. 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About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a \"Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County,\" and correspondence and papers about non-Federal Theatre Project employment."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Francis Bosworth"],"names_ssim":["George Mason University. Libraries. 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Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Francis Bosworth papers contain personal papers collected by Bosworth from the 1930s to the 1980s. About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County, and correspondence and papers about non-Federal Theatre Project employment. Federal Theatre Project material includes correspondence, memorandums, material on the production It Can't Happen Here, articles written by Bosworth, a radio script, and a collection of National Youth Administration letters.","There are no restrictions on personal use. Permission to publish material from the Francis Bosworth papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","The Francis Bosworth papers contain personal papers collected by Bosworth from the 1930s to the 1980s. About three-fourths of the material in this collection is about the Federal Theatre Project, other material consists of projects Bosworth worked on for the World's Fair in New York City in 1940, the National Council of Teachers of English 27th annual meeting, a \"Report of an Experiment in the use of Documentary Playwriting for the teaching of Intercultural Education carried on in Selected Secondary Schools of Westchester County,\" and correspondence and papers about non-Federal Theatre Project employment.","George Mason University. Libraries. 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Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_dowell#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_dowell","ead_ssi":"vifgm_dowell","_root_":"vifgm_dowell","_nest_parent_":"vifgm_dowell","ead_source_url_ssi":"data/gmu/dowell.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/dowell.html","title_ssm":["George B. Dowell papers"],"title_tesim":["George B. Dowell papers"],"unitdate_ssm":["1931-1986"],"unitdate_inclusive_ssm":["1931-1986"],"normalized_date_ssm":["1931/1986"],"normalized_title_ssm":["George B. Dowell papers, 1931/1986"],"text":["George B. 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Dowell and Flanagan worked together on the play \"Heritage\" in commemoration of the 75th Anniversary of Smith College in 1950. After teaching at Smith he went on to work at Skidmore College (1954-1956), Vassar College (1957-1961), and Goucher College (1962-1975). His work at Vassar College revolved around their Centennial Celebration in 1961. At Goucher College he was instrumental in developing the drama program and held the position of Associate Professor of Speech and Drama. He died in Towson, Maryland, in January of 1997.","Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","This collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.","There are no restrictions on personal use. Permission to publish material from the George B. Dowell papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Dowell, George Brendan","Dowell, George Brendan.","Flanagan, Hallie, 1890-1969.","English"],"collection_title_tesim":["George B. Dowell papers, 1931/1986"],"collection_ssim":["George B. 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His work at Vassar College revolved around their Centennial Celebration in 1961. At Goucher College he was instrumental in developing the drama program and held the position of Associate Professor of Speech and Drama. He died in Towson, Maryland, in January of 1997.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["George Brendan Dowell was born in New York City on December 15, 1909. He spent his life working in the theatre and academic institutions. In 1933 he received a certificate in playwriting from Yale University. In 1939 the Federal Theatre Project produced The God Innis, a play Dowell wrote. Dowell met Hallie Flanagan while working with the Federal Theatre Project and continued to work with her throughout his career. He served with the Army in World War II from 1941 to 1943. In 1946 he graduated from New York University and received a doctorate from Columbia University Teachers College in 1949. 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Dowell papers, C0219, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in November 2012 by Greta Kuriger Suiter.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains personal papers donated by George B. 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Dowell papers"],"unitdate_ssm":["1931-1986"],"unitdate_inclusive_ssm":["1931-1986"],"normalized_date_ssm":["1931/1986"],"normalized_title_ssm":["George B. Dowell papers, 1931/1986"],"text":["George B. Dowell papers, 1931/1986","C0219","New Deal, 1933-1939.","Theater--United States.","Universities and colleges.","There are no access restrictions.","Arranged alphabetically by folder title.","George Brendan Dowell was born in New York City on December 15, 1909. He spent his life working in the theatre and academic institutions. In 1933 he received a certificate in playwriting from Yale University. In 1939 the Federal Theatre Project produced The God Innis, a play Dowell wrote. Dowell met Hallie Flanagan while working with the Federal Theatre Project and continued to work with her throughout his career. He served with the Army in World War II from 1941 to 1943. In 1946 he graduated from New York University and received a doctorate from Columbia University Teachers College in 1949. He worked at Smith College from 1949 to 1955, first as a Visiting Lecturer of Theatre and then as an Assistant Professor of Theatre from 1950 to 1955. Dowell and Flanagan worked together on the play \"Heritage\" in commemoration of the 75th Anniversary of Smith College in 1950. After teaching at Smith he went on to work at Skidmore College (1954-1956), Vassar College (1957-1961), and Goucher College (1962-1975). His work at Vassar College revolved around their Centennial Celebration in 1961. At Goucher College he was instrumental in developing the drama program and held the position of Associate Professor of Speech and Drama. He died in Towson, Maryland, in January of 1997.","Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","This collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.","There are no restrictions on personal use. Permission to publish material from the George B. Dowell papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","This collection contains personal papers donated by George B. 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His work at Vassar College revolved around their Centennial Celebration in 1961. At Goucher College he was instrumental in developing the drama program and held the position of Associate Professor of Speech and Drama. He died in Towson, Maryland, in January of 1997.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["George Brendan Dowell was born in New York City on December 15, 1909. He spent his life working in the theatre and academic institutions. In 1933 he received a certificate in playwriting from Yale University. In 1939 the Federal Theatre Project produced The God Innis, a play Dowell wrote. Dowell met Hallie Flanagan while working with the Federal Theatre Project and continued to work with her throughout his career. He served with the Army in World War II from 1941 to 1943. In 1946 he graduated from New York University and received a doctorate from Columbia University Teachers College in 1949. He worked at Smith College from 1949 to 1955, first as a Visiting Lecturer of Theatre and then as an Assistant Professor of Theatre from 1950 to 1955. Dowell and Flanagan worked together on the play \"Heritage\" in commemoration of the 75th Anniversary of Smith College in 1950. After teaching at Smith he went on to work at Skidmore College (1954-1956), Vassar College (1957-1961), and Goucher College (1962-1975). His work at Vassar College revolved around their Centennial Celebration in 1961. At Goucher College he was instrumental in developing the drama program and held the position of Associate Professor of Speech and Drama. He died in Towson, Maryland, in January of 1997."],"prefercite_html_tesm":["\u003cp\u003eGeorge B. Dowell papers, C0219, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["George B. Dowell papers, C0219, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in November 2012 by Greta Kuriger Suiter.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains personal papers donated by George B. 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Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_graham#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_graham","ead_ssi":"vifgm_graham","_root_":"vifgm_graham","_nest_parent_":"vifgm_graham","ead_source_url_ssi":"data/gmu/graham.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/graham.html","title_ssm":["Hedley Gordon Graham papers"],"title_tesim":["Hedley Gordon Graham papers"],"unitdate_ssm":["1925-1983"],"unitdate_inclusive_ssm":["1925-1983"],"normalized_date_ssm":["1920/1983"],"normalized_title_ssm":["Hedley Gordon Graham papers, 1920/1983"],"text":["Hedley Gordon Graham papers, 1920/1983","C0240","New Deal, 1933-1939.","Performing arts.","Theater--United States.","There are no access restrictions.","Organized alphabetically by folder title.","Series 1: Documents and Photographs, 1920s-1983 (Boxes 1-3)\n        Series 2: Oversize, 1920s-1930s (Box 4)","Gordon Hedley Graham was a drama major at Columbia University and graduated from the American Academy of Dramatic Arts in 1925, he also spent a year at the Royal Academy of London and a year at the Max Reinhardt School of Drama in Salzburg, Austria.","Professional experience includes working for the Theatre Guild in New York City as an Actor, Stage Manager, and Director of Understudies; work in Hollywood for MGM and Warner Brothers, as well as work in New Orleans. For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rhythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. 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For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rhythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall."],"prefercite_html_tesm":["\u003cp\u003eThe Hedley Gordon Graham papers, C0240, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["The Hedley Gordon Graham papers, C0240, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. 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Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref1\" label=\"Abstract\"\u003eThe Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Graham, Hedley Gordon","Graham, Hedley Gordon."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Graham, Hedley Gordon","Graham, Hedley Gordon."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:19:57.213Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_graham","ead_ssi":"vifgm_graham","_root_":"vifgm_graham","_nest_parent_":"vifgm_graham","ead_source_url_ssi":"data/gmu/graham.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/graham.html","title_ssm":["Hedley Gordon Graham papers"],"title_tesim":["Hedley Gordon Graham papers"],"unitdate_ssm":["1925-1983"],"unitdate_inclusive_ssm":["1925-1983"],"normalized_date_ssm":["1920/1983"],"normalized_title_ssm":["Hedley Gordon Graham papers, 1920/1983"],"text":["Hedley Gordon Graham papers, 1920/1983","C0240","New Deal, 1933-1939.","Performing arts.","Theater--United States.","There are no access restrictions.","Organized alphabetically by folder title.","Series 1: Documents and Photographs, 1920s-1983 (Boxes 1-3)\n        Series 2: Oversize, 1920s-1930s (Box 4)","Gordon Hedley Graham was a drama major at Columbia University and graduated from the American Academy of Dramatic Arts in 1925, he also spent a year at the Royal Academy of London and a year at the Max Reinhardt School of Drama in Salzburg, Austria.","Professional experience includes working for the Theatre Guild in New York City as an Actor, Stage Manager, and Director of Understudies; work in Hollywood for MGM and Warner Brothers, as well as work in New Orleans. For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rhythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","The collection is divided into two series.","Series one consists of documents and photographs and is organized alphabetically.","Series two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook.","There are no restrictions on personal use. Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Graham, Hedley Gordon","Graham, Hedley Gordon.","English"],"collection_title_tesim":["Hedley Gordon Graham papers, 1920/1983"],"collection_ssim":["Hedley Gordon Graham papers, 1920/1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0240"],"unitid_tesim":["C0240"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Graham, Hedley Gordon"],"creator_ssim":["Graham, Hedley Gordon"],"creator_persname_ssim":["Graham, Hedley Gordon","Graham, Hedley Gordon."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"creators_ssim":["Graham, Hedley Gordon","Graham, Hedley Gordon.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by W. H. Crain at the University of Texas in May 1988."],"access_subjects_ssim":["New Deal, 1933-1939.","Performing arts.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Performing arts.","Theater--United States."],"has_online_content_ssim":["false"],"extent_ssm":["3.0 linear feet (4 boxes)"],"extent_tesim":["3.0 linear feet (4 boxes)"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically by folder title.\u003c/p\u003e\n      ","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Documents and Photographs, 1920s-1983 (Boxes 1-3)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Oversize, 1920s-1930s (Box 4)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized alphabetically by folder title.","Series 1: Documents and Photographs, 1920s-1983 (Boxes 1-3)\n        Series 2: Oversize, 1920s-1930s (Box 4)"],"bioghist_html_tesm":["\u003cp\u003eGordon Hedley Graham was a drama major at Columbia University and graduated from the American Academy of Dramatic Arts in 1925, he also spent a year at the Royal Academy of London and a year at the Max Reinhardt School of Drama in Salzburg, Austria.\u003c/p\u003e\n      ","\u003cp\u003eProfessional experience includes working for the Theatre Guild in New York City as an Actor, Stage Manager, and Director of Understudies; work in Hollywood for MGM and Warner Brothers, as well as work in New Orleans. For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rhythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Gordon Hedley Graham was a drama major at Columbia University and graduated from the American Academy of Dramatic Arts in 1925, he also spent a year at the Royal Academy of London and a year at the Max Reinhardt School of Drama in Salzburg, Austria.","Professional experience includes working for the Theatre Guild in New York City as an Actor, Stage Manager, and Director of Understudies; work in Hollywood for MGM and Warner Brothers, as well as work in New Orleans. For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rhythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall."],"prefercite_html_tesm":["\u003cp\u003eThe Hedley Gordon Graham papers, C0240, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["The Hedley Gordon Graham papers, C0240, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.\u003c/p\u003e\n      ","\u003cp\u003eThe collection is divided into two series.\u003c/p\u003e\n      ","\u003cp\u003eSeries one consists of documents and photographs and is organized alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","The collection is divided into two series.","Series one consists of documents and photographs and is organized alphabetically.","Series two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref1\" label=\"Abstract\"\u003eThe Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Graham, Hedley Gordon","Graham, Hedley Gordon."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Graham, Hedley Gordon","Graham, Hedley Gordon."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:19:57.213Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_graham"}},{"id":"vifgm_lawson","type":"collection","attributes":{"title":"Kate Lawson papers, 1936/1940","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_lawson#creator","type":"document_value","attributes":{"value":"Lawson, Kate Drain","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_lawson#abstract_or_scope","type":"document_value","attributes":{"value":"The Kate Lawson papers include newspaper clippings and press releases on Federal Theatre Project productions, FTP administrative correspondence including job descriptions, memorandums on employee reclassification, complaints from employees and audience survey questionnaires, research lists, production records, and personal correspondence.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_lawson#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_lawson","ead_ssi":"vifgm_lawson","_root_":"vifgm_lawson","_nest_parent_":"vifgm_lawson","ead_source_url_ssi":"data/gmu/lawson.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/lawson.html","title_ssm":["Kate Lawson papers"],"title_tesim":["Kate Lawson papers"],"unitdate_ssm":["1936-1940"],"unitdate_inclusive_ssm":["1936-1940"],"normalized_date_ssm":["1936/1940"],"normalized_title_ssm":["Kate Lawson papers, 1936/1940"],"text":["Kate Lawson papers, 1936/1940","C0222","New Deal, 1933-1939.","Theater--United States.","There are no access restrictions.","There are digital documents from this and other GMU FTP collections in the .","Arranged alphabetically by folder title.","Born Kathryn Drain on July 27, 1894 in Spokane, Washington, her family moved to Washington, D.C., in the early 1900s. Drain left D.C. to become a nurse's aide in Paris, France, during World War I. She served in World War I in Paris as a nurse and in World War II in India with the American Red Cross. It was in Paris that she met and married John Howard Lawson, and she began her theatrical career. By 1922 she was working on Broadway as a technical director, costume and stage designer, and actress. She joined the FTP in July 1936 and headed the Bureau of Research and Publication and was the Chief Technical Officer for the FTP in New York City. She resigned in September of 1937 and moved to Los Angeles, California, to pursue a career in film and television.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Kate Lawson papers include newspaper clippings and press releases on Federal Theatre Project productions, FTP administrative correspondence including job descriptions, memorandums on employee reclassification, complaints from employees and audience survey questionnaires, research lists, production records, and personal correspondence.","There are no restrictions on personal use. 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Simon worked for the Federal Theatre Project as New Jersey State Director and later as Production Director in New York State.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. 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Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Louis Simon papers contain newspaper clippings, photographs, programs, and correspondence relating to Federal Theatre in New Jersey and New York.","There are no restrictions on personal use. Permission to publish material from the Louis Simon papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The Louis Simon papers contain newspaper clippings, photographs, programs, and correspondence relating to Federal Theatre in New Jersey and New York.","George Mason University. Libraries. 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Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands."],"prefercite_html_tesm":["\u003cp\u003eLouis Simon papers, C0223, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Louis Simon papers, C0223, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in September 2012 by Greta Kuriger Suiter.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Louis Simon papers contain newspaper clippings, photographs, programs, and correspondence relating to Federal Theatre in New Jersey and New York.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Louis Simon papers contain newspaper clippings, photographs, programs, and correspondence relating to Federal Theatre in New Jersey and New York."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. 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Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"access_subjects_ssim":["Theater--United States.","Playscript"],"access_subjects_ssm":["Theater--United States.","Playscript"],"_nest_path_":"/components#3/components#75/components#0","timestamp":"2026-07-23T21:20:07.979Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_reich","ead_ssi":"vifgm_reich","_root_":"vifgm_reich","_nest_parent_":"vifgm_reich","ead_source_url_ssi":"data/gmu/reich.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/reich.html","title_ssm":["Molka Reich papers"],"title_tesim":["Molka Reich papers"],"unitdate_ssm":["1904-1986"],"unitdate_inclusive_ssm":["1904-1986"],"normalized_date_ssm":["1904/1986"],"normalized_title_ssm":["Molka Reich papers, 1904/1986"],"text":["Molka Reich papers, 1904/1986","C0229","New Deal, 1933-1939.","Theater--United States.","There are no access restrictions.","There are scripts from this collection and other FTP collections online in the .","Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n        Series 2: Newspaper clippings, 1936-1986 (Box 2)\n        Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n        Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n        Series 5: Programs, 1928-1950s (Boxes 6-7)\n        Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)","Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.","Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.","Special Collections and Archives also holds the , the , the , as well as numerous other personal papers.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Reich, Molka","English"],"collection_title_tesim":["Molka Reich papers, 1904/1986"],"collection_ssim":["Molka Reich papers, 1904/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0229"],"unitid_tesim":["C0229"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Reich, Molka"],"creator_ssim":["Reich, Molka"],"creator_persname_ssim":["Reich, Molka"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"creators_ssim":["Reich, Molka","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Molka Reich in 1980 and 1981. Scott Griffin material presented by Molka Reich for the Scott Griffin estate on June 25, 1979."],"access_subjects_ssim":["New Deal, 1933-1939.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["6.0 linear feet (9 boxes)"],"extent_tesim":["6.0 linear feet (9 boxes)"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003e\nThere are scripts from this collection and other FTP collections online in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are scripts from this collection and other FTP collections online in the ."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Newspaper clippings, 1936-1986 (Box 2)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Playscripts, 1920s-1953 (Boxes 2-6)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Programs, 1928-1950s (Boxes 6-7)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Scrapbooks, 1920s-1950s (Boxes 7-8)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n        Series 2: Newspaper clippings, 1936-1986 (Box 2)\n        Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n        Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n        Series 5: Programs, 1928-1950s (Boxes 6-7)\n        Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)"],"bioghist_html_tesm":["\u003cp\u003eMolka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club."],"prefercite_html_tesm":["\u003cp\u003eMolka Reich papers, C0229, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Molka Reich papers, C0229, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Works Progress Administration oral histories collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/wpaoh.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ftp.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Federal Theatre Project photograph collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ftpphoto.html\"\u003e\u003c/extptr\u003e, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the , the , the , as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref297\" label=\"Abstract\"\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Reich, Molka"],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Reich, Molka"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":226,"online_item_count_is":12,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:07.979Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_reich_c04_c76_c01"}},{"id":"vifgm_reich","type":"collection","attributes":{"title":"Molka Reich papers, 1904/1986","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_reich#creator","type":"document_value","attributes":{"value":"Reich, Molka","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_reich#abstract_or_scope","type":"document_value","attributes":{"value":"The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_reich#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_reich","ead_ssi":"vifgm_reich","_root_":"vifgm_reich","_nest_parent_":"vifgm_reich","ead_source_url_ssi":"data/gmu/reich.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/reich.html","title_ssm":["Molka Reich papers"],"title_tesim":["Molka Reich papers"],"unitdate_ssm":["1904-1986"],"unitdate_inclusive_ssm":["1904-1986"],"normalized_date_ssm":["1904/1986"],"normalized_title_ssm":["Molka Reich papers, 1904/1986"],"text":["Molka Reich papers, 1904/1986","C0229","New Deal, 1933-1939.","Theater--United States.","There are no access restrictions.","There are scripts from this collection and other FTP collections online in the .","Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n        Series 2: Newspaper clippings, 1936-1986 (Box 2)\n        Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n        Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n        Series 5: Programs, 1928-1950s (Boxes 6-7)\n        Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)","Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.","Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.","Special Collections and Archives also holds the , the , the , as well as numerous other personal papers.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Reich, Molka","English"],"collection_title_tesim":["Molka Reich papers, 1904/1986"],"collection_ssim":["Molka Reich papers, 1904/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0229"],"unitid_tesim":["C0229"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Reich, Molka"],"creator_ssim":["Reich, Molka"],"creator_persname_ssim":["Reich, Molka"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"creators_ssim":["Reich, Molka","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Molka Reich in 1980 and 1981. Scott Griffin material presented by Molka Reich for the Scott Griffin estate on June 25, 1979."],"access_subjects_ssim":["New Deal, 1933-1939.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["6.0 linear feet (9 boxes)"],"extent_tesim":["6.0 linear feet (9 boxes)"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003e\nThere are scripts from this collection and other FTP collections online in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are scripts from this collection and other FTP collections online in the ."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Newspaper clippings, 1936-1986 (Box 2)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Playscripts, 1920s-1953 (Boxes 2-6)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Programs, 1928-1950s (Boxes 6-7)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Scrapbooks, 1920s-1950s (Boxes 7-8)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n        Series 2: Newspaper clippings, 1936-1986 (Box 2)\n        Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n        Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n        Series 5: Programs, 1928-1950s (Boxes 6-7)\n        Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)"],"bioghist_html_tesm":["\u003cp\u003eMolka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club."],"prefercite_html_tesm":["\u003cp\u003eMolka Reich papers, C0229, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Molka Reich papers, C0229, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Works Progress Administration oral histories collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/wpaoh.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ftp.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Federal Theatre Project photograph collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ftpphoto.html\"\u003e\u003c/extptr\u003e, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the , the , the , as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref297\" label=\"Abstract\"\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Reich, Molka"],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Reich, Molka"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":226,"online_item_count_is":12,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:07.979Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_reich","ead_ssi":"vifgm_reich","_root_":"vifgm_reich","_nest_parent_":"vifgm_reich","ead_source_url_ssi":"data/gmu/reich.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/reich.html","title_ssm":["Molka Reich papers"],"title_tesim":["Molka Reich papers"],"unitdate_ssm":["1904-1986"],"unitdate_inclusive_ssm":["1904-1986"],"normalized_date_ssm":["1904/1986"],"normalized_title_ssm":["Molka Reich papers, 1904/1986"],"text":["Molka Reich papers, 1904/1986","C0229","New Deal, 1933-1939.","Theater--United States.","There are no access restrictions.","There are scripts from this collection and other FTP collections online in the .","Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n        Series 2: Newspaper clippings, 1936-1986 (Box 2)\n        Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n        Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n        Series 5: Programs, 1928-1950s (Boxes 6-7)\n        Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)","Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.","Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.","Special Collections and Archives also holds the , the , the , as well as numerous other personal papers.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Reich, Molka","English"],"collection_title_tesim":["Molka Reich papers, 1904/1986"],"collection_ssim":["Molka Reich papers, 1904/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0229"],"unitid_tesim":["C0229"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Reich, Molka"],"creator_ssim":["Reich, Molka"],"creator_persname_ssim":["Reich, Molka"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"creators_ssim":["Reich, Molka","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Molka Reich in 1980 and 1981. Scott Griffin material presented by Molka Reich for the Scott Griffin estate on June 25, 1979."],"access_subjects_ssim":["New Deal, 1933-1939.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["6.0 linear feet (9 boxes)"],"extent_tesim":["6.0 linear feet (9 boxes)"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003e\nThere are scripts from this collection and other FTP collections online in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are scripts from this collection and other FTP collections online in the ."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Newspaper clippings, 1936-1986 (Box 2)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Playscripts, 1920s-1953 (Boxes 2-6)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Programs, 1928-1950s (Boxes 6-7)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Scrapbooks, 1920s-1950s (Boxes 7-8)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n        Series 2: Newspaper clippings, 1936-1986 (Box 2)\n        Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n        Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n        Series 5: Programs, 1928-1950s (Boxes 6-7)\n        Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)"],"bioghist_html_tesm":["\u003cp\u003eMolka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club."],"prefercite_html_tesm":["\u003cp\u003eMolka Reich papers, C0229, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Molka Reich papers, C0229, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Works Progress Administration oral histories collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/wpaoh.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ftp.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Federal Theatre Project photograph collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ftpphoto.html\"\u003e\u003c/extptr\u003e, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the , the , the , as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref297\" label=\"Abstract\"\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Reich, Molka"],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Reich, Molka"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":226,"online_item_count_is":12,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:07.979Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_reich"}},{"id":"vifgm_porgyandbessletter","type":"collection","attributes":{"title":"Porgy and Bess letter from James Tipton, 1942","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_porgyandbessletter#creator","type":"document_value","attributes":{"value":"Tipton, James","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_porgyandbessletter#abstract_or_scope","type":"document_value","attributes":{"value":"Letter from James Tipton to his parents in Nebraska describing his experience seeing Porgy and Bess in New York City.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_porgyandbessletter#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_porgyandbessletter","ead_ssi":"vifgm_porgyandbessletter","_root_":"vifgm_porgyandbessletter","_nest_parent_":"vifgm_porgyandbessletter","ead_source_url_ssi":"data/gmu/porgyandbessletter.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/porgyandbessletter.html","title_ssm":["Porgy and Bess letter from James Tipton"],"title_tesim":["Porgy and Bess letter from James Tipton"],"unitdate_ssm":["February 12, 1942"],"unitdate_other_ssim":["February 12, 1942"],"normalized_date_ssm":["1942"],"normalized_title_ssm":["Porgy and Bess letter from James Tipton, 1942"],"text":["Porgy and Bess letter from James Tipton, 1942","C0289","Theater--United States.","World War, 1939-1945.","There are no access restrictions.","Letter is foldered by itself.","George Gershwin's iconic opera \"Porgy and Bess\" debuted in 1935. The work, set in an African American community in coastal South Carolina, chronicles the turbulent relationship between the title characters. James Standifer notes that \"it wasn't until World War II that 'Porgy' found financial success in a production by Cheryl Crawford.\" Presumably this is the revival that James Tipton saw in 1942.","Processing completed by Elizabeth Beckman in June 2016. EAD markup completed by Elizabeth Beckman in June 2016.","The collection consists of a short postcard from James Tipton to his parents, Rev. and Mrs. E.H. Tipton of Nebraska, briefly describing his experience seeing George Gershwin's \"Porgy and Bess\" in New York City while at school in 1942.","There are no restrictions on personal use. Permission to publish material from the Porgy and Bess letter from James Tipton must be obtained from the Special Collections Research Center, George Mason University Libraries.","Letter from James Tipton to his parents in Nebraska describing his experience seeing Porgy and Bess in New York City.","George Mason University. Libraries. Special Collections Research Center","Tipton, James","English"],"collection_title_tesim":["Porgy and Bess letter from James Tipton, 1942"],"collection_ssim":["Porgy and Bess letter from James Tipton, 1942"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0289"],"unitid_tesim":["C0289"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Tipton, James"],"creator_ssim":["Tipton, James"],"creator_persname_ssim":["Tipton, James"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Tipton, James","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Porgy and Bess letter from James Tipton must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Purchased by the Special Collections Research Center in 2015."],"access_subjects_ssim":["Theater--United States.","World War, 1939-1945."],"access_subjects_ssm":["Theater--United States.","World War, 1939-1945."],"has_online_content_ssim":["false"],"extent_ssm":["0.1 linear feet (1 item)"],"extent_tesim":["0.1 linear feet (1 item)"],"date_range_isim":[1942],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eLetter is foldered by itself.\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Letter is foldered by itself."],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Standifer, James. 'The Tumultuous Life of Porgy and Bess.' Humanities 18, no. 6 (November/December 1997).\" show=\"new\" href=\"http://www.neh.gov/humanities/1997/novemberdecember/feature/the-tumultuous-life-porgy-and-bess\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bioghist_html_tesm":["\u003cp\u003eGeorge Gershwin's iconic opera \"Porgy and Bess\" debuted in 1935. The work, set in an African American community in coastal South Carolina, chronicles the turbulent relationship between the title characters. James Standifer notes that \"it wasn't until World War II that 'Porgy' found financial success in a production by Cheryl Crawford.\" Presumably this is the revival that James Tipton saw in 1942.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["George Gershwin's iconic opera \"Porgy and Bess\" debuted in 1935. The work, set in an African American community in coastal South Carolina, chronicles the turbulent relationship between the title characters. James Standifer notes that \"it wasn't until World War II that 'Porgy' found financial success in a production by Cheryl Crawford.\" Presumably this is the revival that James Tipton saw in 1942."],"prefercite_html_tesm":["\u003cp\u003ePorgy and Bess letter from James Tipton, C0289, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Porgy and Bess letter from James Tipton, C0289, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in June 2016. EAD markup completed by Elizabeth Beckman in June 2016.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in June 2016. EAD markup completed by Elizabeth Beckman in June 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of a short postcard from James Tipton to his parents, Rev. and Mrs. E.H. Tipton of Nebraska, briefly describing his experience seeing George Gershwin's \"Porgy and Bess\" in New York City while at school in 1942.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of a short postcard from James Tipton to his parents, Rev. and Mrs. E.H. Tipton of Nebraska, briefly describing his experience seeing George Gershwin's \"Porgy and Bess\" in New York City while at school in 1942."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Porgy and Bess letter from James Tipton must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Porgy and Bess letter from James Tipton must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eLetter from James Tipton to his parents in Nebraska describing his experience seeing Porgy and Bess in New York City.\u003c/abstract\u003e\n      "],"abstract_tesim":["Letter from James Tipton to his parents in Nebraska describing his experience seeing Porgy and Bess in New York City."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Tipton, James"],"names_ssim":["George Mason University. Libraries. 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The work, set in an African American community in coastal South Carolina, chronicles the turbulent relationship between the title characters. James Standifer notes that \"it wasn't until World War II that 'Porgy' found financial success in a production by Cheryl Crawford.\" Presumably this is the revival that James Tipton saw in 1942.","Processing completed by Elizabeth Beckman in June 2016. EAD markup completed by Elizabeth Beckman in June 2016.","The collection consists of a short postcard from James Tipton to his parents, Rev. and Mrs. E.H. Tipton of Nebraska, briefly describing his experience seeing George Gershwin's \"Porgy and Bess\" in New York City while at school in 1942.","There are no restrictions on personal use. Permission to publish material from the Porgy and Bess letter from James Tipton must be obtained from the Special Collections Research Center, George Mason University Libraries.","Letter from James Tipton to his parents in Nebraska describing his experience seeing Porgy and Bess in New York City.","George Mason University. Libraries. Special Collections Research Center","Tipton, James","English"],"collection_title_tesim":["Porgy and Bess letter from James Tipton, 1942"],"collection_ssim":["Porgy and Bess letter from James Tipton, 1942"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0289"],"unitid_tesim":["C0289"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Tipton, James"],"creator_ssim":["Tipton, James"],"creator_persname_ssim":["Tipton, James"],"creator_corpname_ssim":["George Mason University. Libraries. 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'The Tumultuous Life of Porgy and Bess.' Humanities 18, no. 6 (November/December 1997).\" show=\"new\" href=\"http://www.neh.gov/humanities/1997/novemberdecember/feature/the-tumultuous-life-porgy-and-bess\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e\n    "],"bibliography_heading_ssm":["Bibliography"],"bioghist_html_tesm":["\u003cp\u003eGeorge Gershwin's iconic opera \"Porgy and Bess\" debuted in 1935. The work, set in an African American community in coastal South Carolina, chronicles the turbulent relationship between the title characters. James Standifer notes that \"it wasn't until World War II that 'Porgy' found financial success in a production by Cheryl Crawford.\" Presumably this is the revival that James Tipton saw in 1942.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["George Gershwin's iconic opera \"Porgy and Bess\" debuted in 1935. The work, set in an African American community in coastal South Carolina, chronicles the turbulent relationship between the title characters. James Standifer notes that \"it wasn't until World War II that 'Porgy' found financial success in a production by Cheryl Crawford.\" Presumably this is the revival that James Tipton saw in 1942."],"prefercite_html_tesm":["\u003cp\u003ePorgy and Bess letter from James Tipton, C0289, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Porgy and Bess letter from James Tipton, C0289, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Elizabeth Beckman in June 2016. EAD markup completed by Elizabeth Beckman in June 2016.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Elizabeth Beckman in June 2016. EAD markup completed by Elizabeth Beckman in June 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of a short postcard from James Tipton to his parents, Rev. and Mrs. E.H. Tipton of Nebraska, briefly describing his experience seeing George Gershwin's \"Porgy and Bess\" in New York City while at school in 1942.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of a short postcard from James Tipton to his parents, Rev. and Mrs. E.H. Tipton of Nebraska, briefly describing his experience seeing George Gershwin's \"Porgy and Bess\" in New York City while at school in 1942."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Porgy and Bess letter from James Tipton must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Porgy and Bess letter from James Tipton must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2\" label=\"Abstract\"\u003eLetter from James Tipton to his parents in Nebraska describing his experience seeing Porgy and Bess in New York City.\u003c/abstract\u003e\n      "],"abstract_tesim":["Letter from James Tipton to his parents in Nebraska describing his experience seeing Porgy and Bess in New York City."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Tipton, James"],"names_ssim":["George Mason University. Libraries. 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Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_chesse#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_chesse","ead_ssi":"vifgm_chesse","_root_":"vifgm_chesse","_nest_parent_":"vifgm_chesse","ead_source_url_ssi":"data/gmu/chesse.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/chesse.html","title_ssm":["Ralph Chesse papers"],"title_tesim":["Ralph Chesse papers"],"unitdate_ssm":["1935-1975"],"unitdate_inclusive_ssm":["1935-1975"],"normalized_date_ssm":["1935/1975"],"normalized_title_ssm":["Ralph Chesse papers, 1935/1975"],"text":["Ralph Chesse papers, 1935/1975","C0224","New Deal, 1933-1939.","Puppet theater.","Theater--United States.","There are no access restrictions.","Digitized photographs from this collection can be found in the \n                .","Organized alphabetically by title. Oversize materials are separated physically but integrated intellectually in this finding aid.","Ralph Chesse was born in New Orleans, Louisiana on January 6, 1900. He attended schools in New Orleans and Chicago including the Chicago Art Institute, but was primarily a self-taught painter. In 1924 he traveled to San Francisco where he met the puppeteer Blanding Sloan. It was after this meeting that Chesse began working as a puppeteer. In 1929 he opened his first puppet theatre, The Marionette Guild on Merchant Street. In 1934 Chesse was selected, with a mural design titled \"Playground,\" as one of 26 artists by the Works Progress Administration to paint a wall fresco inside of Coit Tower. During this same year The Marionette Guild had to close due to lack of funds.","Chesse joined the Federal Theatre project in 1936 as Director of the Puppetry Unit. There he oversaw a crew of 17 people. Their first production was The Crock of Gold in 1936. Other early productions included The Mikado, Alice in Wonderland, A Marionette Variety Show, and Emperor Jones.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","In 1937 Chesse moved to Los Angeles to take over as State Director for California. This was a larger unit employing 50 people. He remained in Los Angeles until 1939 though was still in communication with activities in San Francisco. In Los Angeles productions included Rip Van Winkle, Snow White and the Seven Dwarves, and a Variety Show. On June 30th 1939 the puppetry unit received notice that the Federal Theatre Project had been terminated. Also in 1939 Chesse brought marionettes to the World's Fair held in San Francisco.","After work finished with the FTP Chesse moved his family back to San Francisco and had a long and successful career that included various jobs. At different points in his life Chesse made a living by teaching puppetry for adult education classes at San Francisco State College, producing a children's television program called The Wonderful World of Brother Buzz, making puppets for TV, theatre, and opera, and acting in plays and films. In 1984 he moved to Ashland, Oregon where he was an avid painter up until his death in 1991. He died of heart failure.","Processed and EAD completed by Greta Kuriger Suiter in September 2012.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.","There are no restrictions on personal use. Permission to publish material from the Ralph Chesse papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)","Chesse, Ralph","Chesse, Ralph.","English"],"collection_title_tesim":["Ralph Chesse papers, 1935/1975"],"collection_ssim":["Ralph Chesse papers, 1935/1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0224"],"unitid_tesim":["C0224"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Chesse, Ralph"],"creator_ssim":["Chesse, Ralph"],"creator_persname_ssim":["Chesse, Ralph","Chesse, Ralph."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)"],"creators_ssim":["Chesse, Ralph","Chesse, Ralph.","George Mason University. Libraries. 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Oversize materials are separated physically but integrated intellectually in this finding aid.\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized alphabetically by title. Oversize materials are separated physically but integrated intellectually in this finding aid."],"bioghist_html_tesm":["\u003cp\u003eRalph Chesse was born in New Orleans, Louisiana on January 6, 1900. He attended schools in New Orleans and Chicago including the Chicago Art Institute, but was primarily a self-taught painter. In 1924 he traveled to San Francisco where he met the puppeteer Blanding Sloan. It was after this meeting that Chesse began working as a puppeteer. In 1929 he opened his first puppet theatre, The Marionette Guild on Merchant Street. In 1934 Chesse was selected, with a mural design titled \"Playground,\" as one of 26 artists by the Works Progress Administration to paint a wall fresco inside of Coit Tower. During this same year The Marionette Guild had to close due to lack of funds.\u003c/p\u003e\n      ","\u003cp\u003eChesse joined the Federal Theatre project in 1936 as Director of the Puppetry Unit. There he oversaw a crew of 17 people. Their first production was The Crock of Gold in 1936. Other early productions included The Mikado, Alice in Wonderland, A Marionette Variety Show, and Emperor Jones.\u003c/p\u003e\n      ","\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. 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At different points in his life Chesse made a living by teaching puppetry for adult education classes at San Francisco State College, producing a children's television program called The Wonderful World of Brother Buzz, making puppets for TV, theatre, and opera, and acting in plays and films. In 1984 he moved to Ashland, Oregon where he was an avid painter up until his death in 1991. He died of heart failure.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ralph Chesse was born in New Orleans, Louisiana on January 6, 1900. He attended schools in New Orleans and Chicago including the Chicago Art Institute, but was primarily a self-taught painter. In 1924 he traveled to San Francisco where he met the puppeteer Blanding Sloan. It was after this meeting that Chesse began working as a puppeteer. In 1929 he opened his first puppet theatre, The Marionette Guild on Merchant Street. In 1934 Chesse was selected, with a mural design titled \"Playground,\" as one of 26 artists by the Works Progress Administration to paint a wall fresco inside of Coit Tower. During this same year The Marionette Guild had to close due to lack of funds.","Chesse joined the Federal Theatre project in 1936 as Director of the Puppetry Unit. There he oversaw a crew of 17 people. Their first production was The Crock of Gold in 1936. Other early productions included The Mikado, Alice in Wonderland, A Marionette Variety Show, and Emperor Jones.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","In 1937 Chesse moved to Los Angeles to take over as State Director for California. This was a larger unit employing 50 people. He remained in Los Angeles until 1939 though was still in communication with activities in San Francisco. In Los Angeles productions included Rip Van Winkle, Snow White and the Seven Dwarves, and a Variety Show. On June 30th 1939 the puppetry unit received notice that the Federal Theatre Project had been terminated. Also in 1939 Chesse brought marionettes to the World's Fair held in San Francisco.","After work finished with the FTP Chesse moved his family back to San Francisco and had a long and successful career that included various jobs. At different points in his life Chesse made a living by teaching puppetry for adult education classes at San Francisco State College, producing a children's television program called The Wonderful World of Brother Buzz, making puppets for TV, theatre, and opera, and acting in plays and films. In 1984 he moved to Ashland, Oregon where he was an avid painter up until his death in 1991. He died of heart failure."],"prefercite_html_tesm":["\u003cp\u003eRalph Chesse papers, C0224, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Ralph Chesse papers, C0224, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and EAD completed by Greta Kuriger Suiter in September 2012.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and EAD completed by Greta Kuriger Suiter in September 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Ralph Chesse papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Ralph Chesse papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref53\" label=\"Abstract\"\u003eThe Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)"],"persname_ssim":["Chesse, Ralph","Chesse, Ralph."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)","Chesse, Ralph","Chesse, Ralph."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":48,"online_item_count_is":4,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:19:52.252Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_chesse","ead_ssi":"vifgm_chesse","_root_":"vifgm_chesse","_nest_parent_":"vifgm_chesse","ead_source_url_ssi":"data/gmu/chesse.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/chesse.html","title_ssm":["Ralph Chesse papers"],"title_tesim":["Ralph Chesse papers"],"unitdate_ssm":["1935-1975"],"unitdate_inclusive_ssm":["1935-1975"],"normalized_date_ssm":["1935/1975"],"normalized_title_ssm":["Ralph Chesse papers, 1935/1975"],"text":["Ralph Chesse papers, 1935/1975","C0224","New Deal, 1933-1939.","Puppet theater.","Theater--United States.","There are no access restrictions.","Digitized photographs from this collection can be found in the \n                .","Organized alphabetically by title. Oversize materials are separated physically but integrated intellectually in this finding aid.","Ralph Chesse was born in New Orleans, Louisiana on January 6, 1900. He attended schools in New Orleans and Chicago including the Chicago Art Institute, but was primarily a self-taught painter. In 1924 he traveled to San Francisco where he met the puppeteer Blanding Sloan. It was after this meeting that Chesse began working as a puppeteer. In 1929 he opened his first puppet theatre, The Marionette Guild on Merchant Street. In 1934 Chesse was selected, with a mural design titled \"Playground,\" as one of 26 artists by the Works Progress Administration to paint a wall fresco inside of Coit Tower. During this same year The Marionette Guild had to close due to lack of funds.","Chesse joined the Federal Theatre project in 1936 as Director of the Puppetry Unit. There he oversaw a crew of 17 people. Their first production was The Crock of Gold in 1936. Other early productions included The Mikado, Alice in Wonderland, A Marionette Variety Show, and Emperor Jones.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","In 1937 Chesse moved to Los Angeles to take over as State Director for California. This was a larger unit employing 50 people. He remained in Los Angeles until 1939 though was still in communication with activities in San Francisco. In Los Angeles productions included Rip Van Winkle, Snow White and the Seven Dwarves, and a Variety Show. On June 30th 1939 the puppetry unit received notice that the Federal Theatre Project had been terminated. Also in 1939 Chesse brought marionettes to the World's Fair held in San Francisco.","After work finished with the FTP Chesse moved his family back to San Francisco and had a long and successful career that included various jobs. At different points in his life Chesse made a living by teaching puppetry for adult education classes at San Francisco State College, producing a children's television program called The Wonderful World of Brother Buzz, making puppets for TV, theatre, and opera, and acting in plays and films. In 1984 he moved to Ashland, Oregon where he was an avid painter up until his death in 1991. He died of heart failure.","Processed and EAD completed by Greta Kuriger Suiter in September 2012.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.","There are no restrictions on personal use. Permission to publish material from the Ralph Chesse papers must be obtained from the Special Collections Research Center, George Mason University Libraries.","The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)","Chesse, Ralph","Chesse, Ralph.","English"],"collection_title_tesim":["Ralph Chesse papers, 1935/1975"],"collection_ssim":["Ralph Chesse papers, 1935/1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0224"],"unitid_tesim":["C0224"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Chesse, Ralph"],"creator_ssim":["Chesse, Ralph"],"creator_persname_ssim":["Chesse, Ralph","Chesse, Ralph."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)"],"creators_ssim":["Chesse, Ralph","Chesse, Ralph.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Ralph Chesse papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated to Special Collections Research Center by Ralph Chesse on July 8, 1977; July 24, 1980; May 18, 1981."],"access_subjects_ssim":["New Deal, 1933-1939.","Puppet theater.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Puppet theater.","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["1.25 linear feet (1.5 boxes, 1 flat box)"],"extent_tesim":["1.25 linear feet (1.5 boxes, 1 flat box)"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eDigitized photographs from this collection can be found in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Federal Theatre Project collection\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Digitized photographs from this collection can be found in the \n                ."],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically by title. Oversize materials are separated physically but integrated intellectually in this finding aid.\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized alphabetically by title. Oversize materials are separated physically but integrated intellectually in this finding aid."],"bioghist_html_tesm":["\u003cp\u003eRalph Chesse was born in New Orleans, Louisiana on January 6, 1900. He attended schools in New Orleans and Chicago including the Chicago Art Institute, but was primarily a self-taught painter. In 1924 he traveled to San Francisco where he met the puppeteer Blanding Sloan. It was after this meeting that Chesse began working as a puppeteer. In 1929 he opened his first puppet theatre, The Marionette Guild on Merchant Street. In 1934 Chesse was selected, with a mural design titled \"Playground,\" as one of 26 artists by the Works Progress Administration to paint a wall fresco inside of Coit Tower. During this same year The Marionette Guild had to close due to lack of funds.\u003c/p\u003e\n      ","\u003cp\u003eChesse joined the Federal Theatre project in 1936 as Director of the Puppetry Unit. There he oversaw a crew of 17 people. Their first production was The Crock of Gold in 1936. Other early productions included The Mikado, Alice in Wonderland, A Marionette Variety Show, and Emperor Jones.\u003c/p\u003e\n      ","\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n      ","\u003cp\u003eIn 1937 Chesse moved to Los Angeles to take over as State Director for California. This was a larger unit employing 50 people. He remained in Los Angeles until 1939 though was still in communication with activities in San Francisco. In Los Angeles productions included Rip Van Winkle, Snow White and the Seven Dwarves, and a Variety Show. On June 30th 1939 the puppetry unit received notice that the Federal Theatre Project had been terminated. Also in 1939 Chesse brought marionettes to the World's Fair held in San Francisco.\u003c/p\u003e\n      ","\u003cp\u003eAfter work finished with the FTP Chesse moved his family back to San Francisco and had a long and successful career that included various jobs. At different points in his life Chesse made a living by teaching puppetry for adult education classes at San Francisco State College, producing a children's television program called The Wonderful World of Brother Buzz, making puppets for TV, theatre, and opera, and acting in plays and films. In 1984 he moved to Ashland, Oregon where he was an avid painter up until his death in 1991. He died of heart failure.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ralph Chesse was born in New Orleans, Louisiana on January 6, 1900. He attended schools in New Orleans and Chicago including the Chicago Art Institute, but was primarily a self-taught painter. In 1924 he traveled to San Francisco where he met the puppeteer Blanding Sloan. It was after this meeting that Chesse began working as a puppeteer. In 1929 he opened his first puppet theatre, The Marionette Guild on Merchant Street. In 1934 Chesse was selected, with a mural design titled \"Playground,\" as one of 26 artists by the Works Progress Administration to paint a wall fresco inside of Coit Tower. During this same year The Marionette Guild had to close due to lack of funds.","Chesse joined the Federal Theatre project in 1936 as Director of the Puppetry Unit. There he oversaw a crew of 17 people. Their first production was The Crock of Gold in 1936. Other early productions included The Mikado, Alice in Wonderland, A Marionette Variety Show, and Emperor Jones.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","In 1937 Chesse moved to Los Angeles to take over as State Director for California. This was a larger unit employing 50 people. He remained in Los Angeles until 1939 though was still in communication with activities in San Francisco. In Los Angeles productions included Rip Van Winkle, Snow White and the Seven Dwarves, and a Variety Show. On June 30th 1939 the puppetry unit received notice that the Federal Theatre Project had been terminated. Also in 1939 Chesse brought marionettes to the World's Fair held in San Francisco.","After work finished with the FTP Chesse moved his family back to San Francisco and had a long and successful career that included various jobs. At different points in his life Chesse made a living by teaching puppetry for adult education classes at San Francisco State College, producing a children's television program called The Wonderful World of Brother Buzz, making puppets for TV, theatre, and opera, and acting in plays and films. In 1984 he moved to Ashland, Oregon where he was an avid painter up until his death in 1991. He died of heart failure."],"prefercite_html_tesm":["\u003cp\u003eRalph Chesse papers, C0224, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Ralph Chesse papers, C0224, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and EAD completed by Greta Kuriger Suiter in September 2012.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and EAD completed by Greta Kuriger Suiter in September 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Ralph Chesse papers must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Ralph Chesse papers must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref53\" label=\"Abstract\"\u003eThe Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Chesse papers contain materials such as photographs, watercolor set and costume design sketches, playscripts, and programs relating to Federal Theatre Project marionette productions in San Francisco and Los Angeles. Some of these plays are Child of God, Crock of Gold, The Emperor Jones, Hansel and Gretel, Marionette Varieties, Rip Van Winkle, The Tempest, and Twelfth Night. The papers also include magazine articles from the 1970s that highlight Chesse's mural painting at the Coit Tower in San Francisco."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)"],"persname_ssim":["Chesse, Ralph","Chesse, Ralph."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (Los Angeles, Calif.)","Federal Theatre Project (San Francisco, Calif.)","Federal Theatre Project (U.S.)","Chesse, Ralph","Chesse, Ralph."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":48,"online_item_count_is":4,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:19:52.252Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_chesse"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":27},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater--United+States.\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=list"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Theater--United+States.\u0026view=list"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Adams T. 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