{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Bdate_range%5D%5B%5D=1990","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Bdate_range%5D%5B%5D=1990\u0026page=2","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Bdate_range%5D%5B%5D=1990\u0026page=2"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":15,"first_page?":true,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_416","type":"collection","attributes":{"title":"Arena Stage records","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#creator","type":"document_value","attributes":{"value":"Arena Stage (Organization : Washington, D.C.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#abstract_or_scope","type":"document_value","attributes":{"value":"The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416"}},{"id":"vifgm_repositories_2_resources_111","type":"collection","attributes":{"title":"Broadway souvenir theatre programs collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_111#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_111#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_111#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_111","ead_ssi":"vifgm_repositories_2_resources_111","_root_":"vifgm_repositories_2_resources_111","_nest_parent_":"vifgm_repositories_2_resources_111","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_111.xml","title_ssm":["Broadway souvenir theatre programs collection"],"title_tesim":["Broadway souvenir theatre programs collection"],"unitdate_ssm":["1942-1997"],"unitdate_inclusive_ssm":["1942-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0182","/repositories/2/resources/111"],"text":["C0182","/repositories/2/resources/111","Broadway souvenir theatre programs collection","Broadway (New York, N.Y.)","Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York","There are no access restrictions.","This collection is arranged alphabetically by production title.","\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020.","The Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim.","Processed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020.","The Special Collections Research Center holds other playbill and theatre-related collections.","This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.","Starring Sydney Poitier.","Starring Liza Minnelli and Barry Nelson.","Starring June Havoc.","Starring Viveca Lindfors and Eugenie Leontovich.","Starring Andrea McArdle and Reid Shelton.","Starring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.","Starring Lauren Bacall; Includes Program","Composed by Andrew Lloyd Weber.","Starring Rosalind Russell.","Starring Nancy Dussault; Includes 2 newspaper articles.","Starring Jim Dale and Glenn Close.","Starring Susan Egan and Terrence Mann.","Starring Judy Holliday.","Starring Ruth Brown, Linda Hopkins, and Carrie Smith","Starring Celeste Holm.","Starring Jean Bayless and John Hewer.","Starring Mickey Rooney and Ann Miller.","Starring Kim Stanley.","Starring Shirley Booth and Wilbur Evans.","Starring Chita Rivera and Dick Van Dyke.","Includes special record of excerpts from the Columbia Original Cast Album","Starring Barry Sullivan, John Hodiak, and Lloyd Nolan.","Starring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture","Starring Ethel Merman.","Starring Robert Goulet.","Starring Richard Burton, Julie Andrews, and Robert Goulet.","Lilo","Starring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.","Starring Anna Maria Alberghetti.","Composed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.","Composed by Andrew Lloyd Weber.","Starring Chris Brown and Kay Gayner; Not Original Cast","Starring James Naughton and Gregg Edelman.","Starring Katharine Hepburn.","Starring Harry Groener and Jodi Benson.","Starring Bill Van Dijk.","Starring Gwen Verdon.","Starring Bebe Neuwirth and Victor Garber.","Starring Gail Benedict.","Starring Andy Griffith and Dolores Gray.","Includes Newspaper Article from April 2, 1961","Starring Joseph Schildkraut and Susan Strasberg.","Starring Phil Silvers.","Starring Frank Langella.","Starring Laurence Olivier.","Starring Patti LuPone, Mandy Patinkin, and Bob Gunton.","Starring Ezio Pinza and Walter Slezak.","25th Anniversary Production; Starring Chaim Topol.","Starring Tom Bosley; Includes Newspaper Article on Tom Bosley","Composed by Rodgers and Hammerstein.","Starring Nathan Lane.","The Story of Judy Garland.","Repeat copy from previous folder; Includes Newspaper Article","Starring Joel Grey.","Written and composed by Jim Jacobs and Warren Casey.","Written and composed by Jim Jacobs and Warren Casey.","Starring Vivian Blaine.","Starring Ethel Merman.","Starring Alec McCowen.","Includes a number of newspaper articles about the production","Starring Ethel Merman and Fernando Lamas.","Starring Ethel Merman and David Wayne.","Starring Shelley Winters and Ben Gazzara.","Starring Freddie Trenkler and Carol Lynne.","Starring Ethel Merman.","Starring Carol Channing.","Starring Pearl Bailey; Includes newspaper articles about the production","Starring Mary Martin and Robert Preston; Includes newspaper article about the production","Starring Elizabeth Seal and Keith Michell.","Starring Jack Lemmon.","Starring Lena Horne and Ricardo Montalban.","Starring Christopher Plummer, Basil Rathbone, and James Daly.","Composed by Andrew Lloyd Weber; Starring Michael Damian.","Composed by Andrew Lloyd Weber; Starring Donny Osmond.","Composed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.","Starring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.","Starring Rex Harrison, Claudette Colbert, and George Rose.","Starring Alfred Drake.","Starring Alfred Drake and Patricia Morison.","Starring Chita Rivera, Brent Carver, and Anthony Crivello.","Starring Julie Harris and Boris Karloff.","Starring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.","Starring Nathan Lane.","Starring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.","Starring Irene Worth, Mercedes Ruehl, and Kevin Spacey.","Starring Angela Lansbury.","Starring Raul Julia, Sheena Easton, and Tony Martinez.","Starring Brooks Atkinson, David Atkinson, and Wilbur Evans.","Composed by Rodgers and Hammerstein.","Starring Charles Boyer and Claudette Colbert.","Starring James Brennan, Judy Blazer, Jay Garner; Includes Program","Starring Ethel Waters and Julie Harris.","Written by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.","Starring Anne Bancroft, Patty Duke, and Torin Thatcher.","Starring Jonathan Pryce, Lea Salonga, and Willy Falk.","Starring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.","Starring Robert Weede.","Starring Robert Preston.","Starring Rex Harrison and Julie Andrews.","Starring Richard Chamberlain.","Starring Gwen Verdon and Thelma Ritter; Includes Program","Starring Gwen Verdon and Thelma Ritter.","Composed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.","Composed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.","Starring Betty Garde, Harry Stockwell, and Celeste Holm.","Starring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.","Starring Ron Moody; Film version","Written by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.","Starring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978","Starring Lillias White (Appears on flyer but not in playbill)","Starring James Barton and Olga San Juan.","Starring John Raitt, Janis Paige, and Eddie Foy, Jr.","Starring Vivienne Segal and Harold Lang.","Starring Jean Arthur, Boris Karloff, and Marcia Henderson.","Pantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.","Starring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.","Starring Richard Derr and Barbara Cook.","Starring Maureen Stapleton and Don Porter.","Starring Jerry Orbach, Jill O'Hara, and Edward Winter.","Starring Gwen Verdon and Richard Kiley.","Starring David Wayne, Vivian Blaine, and Johnny Desmond.","Starring Christopher Young, James Parker; Film version","Starring Tom Ewell and Vanessa Brown.","Starring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.","Starring Hildegarde Neff and Don Ameche.","Starring DeLee Lively, Michael Park, and Ken Ard.","Starring Irra Petina, Lawrence Brooks, and Helena Bliss.","Starring Mary Martin.","Starring Mary Martin and Ezio Pinza.","Starring Florence Henderson and Giorgio Tozzi.","Book","Starring Scott Wise, Ben Wright, and Jackie Angelescu.","Starring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Ralph Bellamy, Mary Fickett, and Henry Jones.","Starring Angela Lansbury, Len Cariou, and Cris Groenendaal.","Starring Paul Newman, Geraldine Page, and Sydney Blackmer.","Starring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.","Starring David Wayne, John Forsythe, and Mariko Niki.","Starring Maurice Evans and Ron Husmann.","Starring Eartha Kitt, Melba Moore, and Gilbert Price.","Starring Phil Silvers and Audrey Meadows.","Starring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.","Starring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program","Starring Tammy Grimes and Harve Presnell.","Starring Julie Andrews, Tony Roberts, and Michael Nouri.","Starring Thomas Hasson, George Marcy, and Pat Birch.","Starring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.","Starring Ray Bolger.","Starring Lucille Ball and Keith Andes.","Starring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.","Written by Moss Hart.","starring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.","Starring Rosalind Russell.","Starring France Nuyen, William Shatner, and Ron Randell.","Starring William Daniels, Paul Hecht, Clifford David, and Roy Poole.","Starring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.","R43, C5, S1 - S7","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0182","/repositories/2/resources/111"],"normalized_title_ssm":["Broadway souvenir theatre programs collection"],"collection_title_tesim":["Broadway souvenir theatre programs collection"],"collection_ssim":["Broadway souvenir theatre programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)"],"geogname_ssim":["Broadway (New York, N.Y.)"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"places_ssim":["Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The donor is unknown."],"access_subjects_ssim":["Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York"],"access_subjects_ssm":["Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York"],"has_online_content_ssim":["false"],"extent_ssm":["2.75 Linear Feet 6 boxes"],"extent_tesim":["2.75 Linear Feet 6 boxes"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by production title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by production title."],"bibliography_html_tesm":["\u003cp\u003e\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.\u003c/p\u003e\n","\u003cp\u003e\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.\u003c/p\u003e\n","\u003cp\u003e\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020."],"bioghist_html_tesm":["\u003cp\u003eThe Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim."],"prefercite_html_tesm":["\u003cp\u003eBroadway souvenir theatre programs collection, C0182, Special Collections Research Center, George Mason University.\u003c/p\u003e"],"prefercite_tesim":["Broadway souvenir theatre programs collection, C0182, Special Collections Research Center, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other playbill and theatre-related collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other playbill and theatre-related collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.\u003c/p\u003e","\u003cp\u003eStarring Sydney Poitier.\u003c/p\u003e","\u003cp\u003eStarring Liza Minnelli and Barry Nelson.\u003c/p\u003e","\u003cp\u003eStarring June Havoc.\u003c/p\u003e","\u003cp\u003eStarring Viveca Lindfors and Eugenie Leontovich.\u003c/p\u003e","\u003cp\u003eStarring Andrea McArdle and Reid Shelton.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.\u003c/p\u003e","\u003cp\u003eStarring Lauren Bacall; Includes Program\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber.\u003c/p\u003e","\u003cp\u003eStarring Rosalind Russell.\u003c/p\u003e","\u003cp\u003eStarring Nancy Dussault; Includes 2 newspaper articles.\u003c/p\u003e","\u003cp\u003eStarring Jim Dale and Glenn Close.\u003c/p\u003e","\u003cp\u003eStarring Susan Egan and Terrence Mann.\u003c/p\u003e","\u003cp\u003eStarring Judy Holliday.\u003c/p\u003e","\u003cp\u003eStarring Ruth Brown, Linda Hopkins, and Carrie Smith\u003c/p\u003e","\u003cp\u003eStarring Celeste Holm.\u003c/p\u003e","\u003cp\u003eStarring Jean Bayless and John Hewer.\u003c/p\u003e","\u003cp\u003eStarring Mickey Rooney and Ann Miller.\u003c/p\u003e","\u003cp\u003eStarring Kim Stanley.\u003c/p\u003e","\u003cp\u003eStarring Shirley Booth and Wilbur Evans.\u003c/p\u003e","\u003cp\u003eStarring Chita Rivera and Dick Van Dyke.\u003c/p\u003e","\u003cp\u003eIncludes special record of excerpts from the Columbia Original Cast Album\u003c/p\u003e","\u003cp\u003eStarring Barry Sullivan, John Hodiak, and Lloyd Nolan.\u003c/p\u003e","\u003cp\u003eStarring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Robert Goulet.\u003c/p\u003e","\u003cp\u003eStarring Richard Burton, Julie Andrews, and Robert Goulet.\u003c/p\u003e","\u003cp\u003eLilo\u003c/p\u003e","\u003cp\u003eStarring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.\u003c/p\u003e","\u003cp\u003eStarring Anna Maria Alberghetti.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber.\u003c/p\u003e","\u003cp\u003eStarring Chris Brown and Kay Gayner; Not Original Cast\u003c/p\u003e","\u003cp\u003eStarring James Naughton and Gregg Edelman.\u003c/p\u003e","\u003cp\u003eStarring Katharine Hepburn.\u003c/p\u003e","\u003cp\u003eStarring Harry Groener and Jodi Benson.\u003c/p\u003e","\u003cp\u003eStarring Bill Van Dijk.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon.\u003c/p\u003e","\u003cp\u003eStarring Bebe Neuwirth and Victor Garber.\u003c/p\u003e","\u003cp\u003eStarring Gail Benedict.\u003c/p\u003e","\u003cp\u003eStarring Andy Griffith and Dolores Gray.\u003c/p\u003e","\u003cp\u003eIncludes Newspaper Article from April 2, 1961\u003c/p\u003e","\u003cp\u003eStarring Joseph Schildkraut and Susan Strasberg.\u003c/p\u003e","\u003cp\u003eStarring Phil Silvers.\u003c/p\u003e","\u003cp\u003eStarring Frank Langella.\u003c/p\u003e","\u003cp\u003eStarring Laurence Olivier.\u003c/p\u003e","\u003cp\u003eStarring Patti LuPone, Mandy Patinkin, and Bob Gunton.\u003c/p\u003e","\u003cp\u003eStarring Ezio Pinza and Walter Slezak.\u003c/p\u003e","\u003cp\u003e25th Anniversary Production; Starring Chaim Topol.\u003c/p\u003e","\u003cp\u003eStarring Tom Bosley; Includes Newspaper Article on Tom Bosley\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Nathan Lane.\u003c/p\u003e","\u003cp\u003eThe Story of Judy Garland.\u003c/p\u003e","\u003cp\u003eRepeat copy from previous folder; Includes Newspaper Article\u003c/p\u003e","\u003cp\u003eStarring Joel Grey.\u003c/p\u003e","\u003cp\u003eWritten and composed by Jim Jacobs and Warren Casey.\u003c/p\u003e","\u003cp\u003eWritten and composed by Jim Jacobs and Warren Casey.\u003c/p\u003e","\u003cp\u003eStarring Vivian Blaine.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Alec McCowen.\u003c/p\u003e","\u003cp\u003eIncludes a number of newspaper articles about the production\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman and Fernando Lamas.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman and David Wayne.\u003c/p\u003e","\u003cp\u003eStarring Shelley Winters and Ben Gazzara.\u003c/p\u003e","\u003cp\u003eStarring Freddie Trenkler and Carol Lynne.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Carol Channing.\u003c/p\u003e","\u003cp\u003eStarring Pearl Bailey; Includes newspaper articles about the production\u003c/p\u003e","\u003cp\u003eStarring Mary Martin and Robert Preston; Includes newspaper article about the production\u003c/p\u003e","\u003cp\u003eStarring Elizabeth Seal and Keith Michell.\u003c/p\u003e","\u003cp\u003eStarring Jack Lemmon.\u003c/p\u003e","\u003cp\u003eStarring Lena Horne and Ricardo Montalban.\u003c/p\u003e","\u003cp\u003eStarring Christopher Plummer, Basil Rathbone, and James Daly.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber; Starring Michael Damian.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber; Starring Donny Osmond.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.\u003c/p\u003e","\u003cp\u003eStarring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.\u003c/p\u003e","\u003cp\u003eStarring Rex Harrison, Claudette Colbert, and George Rose.\u003c/p\u003e","\u003cp\u003eStarring Alfred Drake.\u003c/p\u003e","\u003cp\u003eStarring Alfred Drake and Patricia Morison.\u003c/p\u003e","\u003cp\u003eStarring Chita Rivera, Brent Carver, and Anthony Crivello.\u003c/p\u003e","\u003cp\u003eStarring Julie Harris and Boris Karloff.\u003c/p\u003e","\u003cp\u003eStarring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.\u003c/p\u003e","\u003cp\u003eStarring Nathan Lane.\u003c/p\u003e","\u003cp\u003eStarring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.\u003c/p\u003e","\u003cp\u003eStarring Irene Worth, Mercedes Ruehl, and Kevin Spacey.\u003c/p\u003e","\u003cp\u003eStarring Angela Lansbury.\u003c/p\u003e","\u003cp\u003eStarring Raul Julia, Sheena Easton, and Tony Martinez.\u003c/p\u003e","\u003cp\u003eStarring Brooks Atkinson, David Atkinson, and Wilbur Evans.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Charles Boyer and Claudette Colbert.\u003c/p\u003e","\u003cp\u003eStarring James Brennan, Judy Blazer, Jay Garner; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Ethel Waters and Julie Harris.\u003c/p\u003e","\u003cp\u003eWritten by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.\u003c/p\u003e","\u003cp\u003eStarring Anne Bancroft, Patty Duke, and Torin Thatcher.\u003c/p\u003e","\u003cp\u003eStarring Jonathan Pryce, Lea Salonga, and Willy Falk.\u003c/p\u003e","\u003cp\u003eStarring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.\u003c/p\u003e","\u003cp\u003eStarring Robert Weede.\u003c/p\u003e","\u003cp\u003eStarring Robert Preston.\u003c/p\u003e","\u003cp\u003eStarring Rex Harrison and Julie Andrews.\u003c/p\u003e","\u003cp\u003eStarring Richard Chamberlain.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Thelma Ritter; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Thelma Ritter.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.\u003c/p\u003e","\u003cp\u003eStarring Betty Garde, Harry Stockwell, and Celeste Holm.\u003c/p\u003e","\u003cp\u003eStarring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.\u003c/p\u003e","\u003cp\u003eStarring Ron Moody; Film version\u003c/p\u003e","\u003cp\u003eWritten by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.\u003c/p\u003e","\u003cp\u003eStarring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978\u003c/p\u003e","\u003cp\u003eStarring Lillias White (Appears on flyer but not in playbill)\u003c/p\u003e","\u003cp\u003eStarring James Barton and Olga San Juan.\u003c/p\u003e","\u003cp\u003eStarring John Raitt, Janis Paige, and Eddie Foy, Jr.\u003c/p\u003e","\u003cp\u003eStarring Vivienne Segal and Harold Lang.\u003c/p\u003e","\u003cp\u003eStarring Jean Arthur, Boris Karloff, and Marcia Henderson.\u003c/p\u003e","\u003cp\u003ePantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.\u003c/p\u003e","\u003cp\u003eStarring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Richard Derr and Barbara Cook.\u003c/p\u003e","\u003cp\u003eStarring Maureen Stapleton and Don Porter.\u003c/p\u003e","\u003cp\u003eStarring Jerry Orbach, Jill O'Hara, and Edward Winter.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Richard Kiley.\u003c/p\u003e","\u003cp\u003eStarring David Wayne, Vivian Blaine, and Johnny Desmond.\u003c/p\u003e","\u003cp\u003eStarring Christopher Young, James Parker; Film version\u003c/p\u003e","\u003cp\u003eStarring Tom Ewell and Vanessa Brown.\u003c/p\u003e","\u003cp\u003eStarring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.\u003c/p\u003e","\u003cp\u003eStarring Hildegarde Neff and Don Ameche.\u003c/p\u003e","\u003cp\u003eStarring DeLee Lively, Michael Park, and Ken Ard.\u003c/p\u003e","\u003cp\u003eStarring Irra Petina, Lawrence Brooks, and Helena Bliss.\u003c/p\u003e","\u003cp\u003eStarring Mary Martin.\u003c/p\u003e","\u003cp\u003eStarring Mary Martin and Ezio Pinza.\u003c/p\u003e","\u003cp\u003eStarring Florence Henderson and Giorgio Tozzi.\u003c/p\u003e","\u003cp\u003eBook\u003c/p\u003e","\u003cp\u003eStarring Scott Wise, Ben Wright, and Jackie Angelescu.\u003c/p\u003e","\u003cp\u003eStarring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Ralph Bellamy, Mary Fickett, and Henry Jones.\u003c/p\u003e","\u003cp\u003eStarring Angela Lansbury, Len Cariou, and Cris Groenendaal.\u003c/p\u003e","\u003cp\u003eStarring Paul Newman, Geraldine Page, and Sydney Blackmer.\u003c/p\u003e","\u003cp\u003eStarring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.\u003c/p\u003e","\u003cp\u003eStarring David Wayne, John Forsythe, and Mariko Niki.\u003c/p\u003e","\u003cp\u003eStarring Maurice Evans and Ron Husmann.\u003c/p\u003e","\u003cp\u003eStarring Eartha Kitt, Melba Moore, and Gilbert Price.\u003c/p\u003e","\u003cp\u003eStarring Phil Silvers and Audrey Meadows.\u003c/p\u003e","\u003cp\u003eStarring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.\u003c/p\u003e","\u003cp\u003eStarring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Tammy Grimes and Harve Presnell.\u003c/p\u003e","\u003cp\u003eStarring Julie Andrews, Tony Roberts, and Michael Nouri.\u003c/p\u003e","\u003cp\u003eStarring Thomas Hasson, George Marcy, and Pat Birch.\u003c/p\u003e","\u003cp\u003eStarring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.\u003c/p\u003e","\u003cp\u003eStarring Ray Bolger.\u003c/p\u003e","\u003cp\u003eStarring Lucille Ball and Keith Andes.\u003c/p\u003e","\u003cp\u003eStarring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.\u003c/p\u003e","\u003cp\u003eWritten by Moss Hart.\u003c/p\u003e","\u003cp\u003estarring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.\u003c/p\u003e","\u003cp\u003eStarring Rosalind Russell.\u003c/p\u003e","\u003cp\u003eStarring France Nuyen, William Shatner, and Ron Randell.\u003c/p\u003e","\u003cp\u003eStarring William Daniels, Paul Hecht, Clifford David, and Roy Poole.\u003c/p\u003e","\u003cp\u003eStarring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.","Starring Sydney Poitier.","Starring Liza Minnelli and Barry Nelson.","Starring June Havoc.","Starring Viveca Lindfors and Eugenie Leontovich.","Starring Andrea McArdle and Reid Shelton.","Starring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.","Starring Lauren Bacall; Includes Program","Composed by Andrew Lloyd Weber.","Starring Rosalind Russell.","Starring Nancy Dussault; Includes 2 newspaper articles.","Starring Jim Dale and Glenn Close.","Starring Susan Egan and Terrence Mann.","Starring Judy Holliday.","Starring Ruth Brown, Linda Hopkins, and Carrie Smith","Starring Celeste Holm.","Starring Jean Bayless and John Hewer.","Starring Mickey Rooney and Ann Miller.","Starring Kim Stanley.","Starring Shirley Booth and Wilbur Evans.","Starring Chita Rivera and Dick Van Dyke.","Includes special record of excerpts from the Columbia Original Cast Album","Starring Barry Sullivan, John Hodiak, and Lloyd Nolan.","Starring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture","Starring Ethel Merman.","Starring Robert Goulet.","Starring Richard Burton, Julie Andrews, and Robert Goulet.","Lilo","Starring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.","Starring Anna Maria Alberghetti.","Composed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.","Composed by Andrew Lloyd Weber.","Starring Chris Brown and Kay Gayner; Not Original Cast","Starring James Naughton and Gregg Edelman.","Starring Katharine Hepburn.","Starring Harry Groener and Jodi Benson.","Starring Bill Van Dijk.","Starring Gwen Verdon.","Starring Bebe Neuwirth and Victor Garber.","Starring Gail Benedict.","Starring Andy Griffith and Dolores Gray.","Includes Newspaper Article from April 2, 1961","Starring Joseph Schildkraut and Susan Strasberg.","Starring Phil Silvers.","Starring Frank Langella.","Starring Laurence Olivier.","Starring Patti LuPone, Mandy Patinkin, and Bob Gunton.","Starring Ezio Pinza and Walter Slezak.","25th Anniversary Production; Starring Chaim Topol.","Starring Tom Bosley; Includes Newspaper Article on Tom Bosley","Composed by Rodgers and Hammerstein.","Starring Nathan Lane.","The Story of Judy Garland.","Repeat copy from previous folder; Includes Newspaper Article","Starring Joel Grey.","Written and composed by Jim Jacobs and Warren Casey.","Written and composed by Jim Jacobs and Warren Casey.","Starring Vivian Blaine.","Starring Ethel Merman.","Starring Alec McCowen.","Includes a number of newspaper articles about the production","Starring Ethel Merman and Fernando Lamas.","Starring Ethel Merman and David Wayne.","Starring Shelley Winters and Ben Gazzara.","Starring Freddie Trenkler and Carol Lynne.","Starring Ethel Merman.","Starring Carol Channing.","Starring Pearl Bailey; Includes newspaper articles about the production","Starring Mary Martin and Robert Preston; Includes newspaper article about the production","Starring Elizabeth Seal and Keith Michell.","Starring Jack Lemmon.","Starring Lena Horne and Ricardo Montalban.","Starring Christopher Plummer, Basil Rathbone, and James Daly.","Composed by Andrew Lloyd Weber; Starring Michael Damian.","Composed by Andrew Lloyd Weber; Starring Donny Osmond.","Composed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.","Starring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.","Starring Rex Harrison, Claudette Colbert, and George Rose.","Starring Alfred Drake.","Starring Alfred Drake and Patricia Morison.","Starring Chita Rivera, Brent Carver, and Anthony Crivello.","Starring Julie Harris and Boris Karloff.","Starring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.","Starring Nathan Lane.","Starring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.","Starring Irene Worth, Mercedes Ruehl, and Kevin Spacey.","Starring Angela Lansbury.","Starring Raul Julia, Sheena Easton, and Tony Martinez.","Starring Brooks Atkinson, David Atkinson, and Wilbur Evans.","Composed by Rodgers and Hammerstein.","Starring Charles Boyer and Claudette Colbert.","Starring James Brennan, Judy Blazer, Jay Garner; Includes Program","Starring Ethel Waters and Julie Harris.","Written by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.","Starring Anne Bancroft, Patty Duke, and Torin Thatcher.","Starring Jonathan Pryce, Lea Salonga, and Willy Falk.","Starring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.","Starring Robert Weede.","Starring Robert Preston.","Starring Rex Harrison and Julie Andrews.","Starring Richard Chamberlain.","Starring Gwen Verdon and Thelma Ritter; Includes Program","Starring Gwen Verdon and Thelma Ritter.","Composed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.","Composed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.","Starring Betty Garde, Harry Stockwell, and Celeste Holm.","Starring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.","Starring Ron Moody; Film version","Written by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.","Starring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978","Starring Lillias White (Appears on flyer but not in playbill)","Starring James Barton and Olga San Juan.","Starring John Raitt, Janis Paige, and Eddie Foy, Jr.","Starring Vivienne Segal and Harold Lang.","Starring Jean Arthur, Boris Karloff, and Marcia Henderson.","Pantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.","Starring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.","Starring Richard Derr and Barbara Cook.","Starring Maureen Stapleton and Don Porter.","Starring Jerry Orbach, Jill O'Hara, and Edward Winter.","Starring Gwen Verdon and Richard Kiley.","Starring David Wayne, Vivian Blaine, and Johnny Desmond.","Starring Christopher Young, James Parker; Film version","Starring Tom Ewell and Vanessa Brown.","Starring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.","Starring Hildegarde Neff and Don Ameche.","Starring DeLee Lively, Michael Park, and Ken Ard.","Starring Irra Petina, Lawrence Brooks, and Helena Bliss.","Starring Mary Martin.","Starring Mary Martin and Ezio Pinza.","Starring Florence Henderson and Giorgio Tozzi.","Book","Starring Scott Wise, Ben Wright, and Jackie Angelescu.","Starring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Ralph Bellamy, Mary Fickett, and Henry Jones.","Starring Angela Lansbury, Len Cariou, and Cris Groenendaal.","Starring Paul Newman, Geraldine Page, and Sydney Blackmer.","Starring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.","Starring David Wayne, John Forsythe, and Mariko Niki.","Starring Maurice Evans and Ron Husmann.","Starring Eartha Kitt, Melba Moore, and Gilbert Price.","Starring Phil Silvers and Audrey Meadows.","Starring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.","Starring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program","Starring Tammy Grimes and Harve Presnell.","Starring Julie Andrews, Tony Roberts, and Michael Nouri.","Starring Thomas Hasson, George Marcy, and Pat Birch.","Starring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.","Starring Ray Bolger.","Starring Lucille Ball and Keith Andes.","Starring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.","Written by Moss Hart.","starring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.","Starring Rosalind Russell.","Starring France Nuyen, William Shatner, and Ron Randell.","Starring William Daniels, Paul Hecht, Clifford David, and Roy Poole.","Starring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_bee07ba592a9093c395e24c430464c9f\" label=\"Abstract\"\u003eThis collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_50e2d6e41029baee7b2391636d5da92a\"\u003eR43, C5, S1 - S7\u003c/physloc\u003e"],"physloc_tesim":["R43, C5, S1 - S7"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":164,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:01:53.579Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_111","ead_ssi":"vifgm_repositories_2_resources_111","_root_":"vifgm_repositories_2_resources_111","_nest_parent_":"vifgm_repositories_2_resources_111","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_111.xml","title_ssm":["Broadway souvenir theatre programs collection"],"title_tesim":["Broadway souvenir theatre programs collection"],"unitdate_ssm":["1942-1997"],"unitdate_inclusive_ssm":["1942-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0182","/repositories/2/resources/111"],"text":["C0182","/repositories/2/resources/111","Broadway souvenir theatre programs collection","Broadway (New York, N.Y.)","Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York","There are no access restrictions.","This collection is arranged alphabetically by production title.","\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020.","The Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim.","Processed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020.","The Special Collections Research Center holds other playbill and theatre-related collections.","This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.","Starring Sydney Poitier.","Starring Liza Minnelli and Barry Nelson.","Starring June Havoc.","Starring Viveca Lindfors and Eugenie Leontovich.","Starring Andrea McArdle and Reid Shelton.","Starring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.","Starring Lauren Bacall; Includes Program","Composed by Andrew Lloyd Weber.","Starring Rosalind Russell.","Starring Nancy Dussault; Includes 2 newspaper articles.","Starring Jim Dale and Glenn Close.","Starring Susan Egan and Terrence Mann.","Starring Judy Holliday.","Starring Ruth Brown, Linda Hopkins, and Carrie Smith","Starring Celeste Holm.","Starring Jean Bayless and John Hewer.","Starring Mickey Rooney and Ann Miller.","Starring Kim Stanley.","Starring Shirley Booth and Wilbur Evans.","Starring Chita Rivera and Dick Van Dyke.","Includes special record of excerpts from the Columbia Original Cast Album","Starring Barry Sullivan, John Hodiak, and Lloyd Nolan.","Starring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture","Starring Ethel Merman.","Starring Robert Goulet.","Starring Richard Burton, Julie Andrews, and Robert Goulet.","Lilo","Starring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.","Starring Anna Maria Alberghetti.","Composed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.","Composed by Andrew Lloyd Weber.","Starring Chris Brown and Kay Gayner; Not Original Cast","Starring James Naughton and Gregg Edelman.","Starring Katharine Hepburn.","Starring Harry Groener and Jodi Benson.","Starring Bill Van Dijk.","Starring Gwen Verdon.","Starring Bebe Neuwirth and Victor Garber.","Starring Gail Benedict.","Starring Andy Griffith and Dolores Gray.","Includes Newspaper Article from April 2, 1961","Starring Joseph Schildkraut and Susan Strasberg.","Starring Phil Silvers.","Starring Frank Langella.","Starring Laurence Olivier.","Starring Patti LuPone, Mandy Patinkin, and Bob Gunton.","Starring Ezio Pinza and Walter Slezak.","25th Anniversary Production; Starring Chaim Topol.","Starring Tom Bosley; Includes Newspaper Article on Tom Bosley","Composed by Rodgers and Hammerstein.","Starring Nathan Lane.","The Story of Judy Garland.","Repeat copy from previous folder; Includes Newspaper Article","Starring Joel Grey.","Written and composed by Jim Jacobs and Warren Casey.","Written and composed by Jim Jacobs and Warren Casey.","Starring Vivian Blaine.","Starring Ethel Merman.","Starring Alec McCowen.","Includes a number of newspaper articles about the production","Starring Ethel Merman and Fernando Lamas.","Starring Ethel Merman and David Wayne.","Starring Shelley Winters and Ben Gazzara.","Starring Freddie Trenkler and Carol Lynne.","Starring Ethel Merman.","Starring Carol Channing.","Starring Pearl Bailey; Includes newspaper articles about the production","Starring Mary Martin and Robert Preston; Includes newspaper article about the production","Starring Elizabeth Seal and Keith Michell.","Starring Jack Lemmon.","Starring Lena Horne and Ricardo Montalban.","Starring Christopher Plummer, Basil Rathbone, and James Daly.","Composed by Andrew Lloyd Weber; Starring Michael Damian.","Composed by Andrew Lloyd Weber; Starring Donny Osmond.","Composed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.","Starring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.","Starring Rex Harrison, Claudette Colbert, and George Rose.","Starring Alfred Drake.","Starring Alfred Drake and Patricia Morison.","Starring Chita Rivera, Brent Carver, and Anthony Crivello.","Starring Julie Harris and Boris Karloff.","Starring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.","Starring Nathan Lane.","Starring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.","Starring Irene Worth, Mercedes Ruehl, and Kevin Spacey.","Starring Angela Lansbury.","Starring Raul Julia, Sheena Easton, and Tony Martinez.","Starring Brooks Atkinson, David Atkinson, and Wilbur Evans.","Composed by Rodgers and Hammerstein.","Starring Charles Boyer and Claudette Colbert.","Starring James Brennan, Judy Blazer, Jay Garner; Includes Program","Starring Ethel Waters and Julie Harris.","Written by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.","Starring Anne Bancroft, Patty Duke, and Torin Thatcher.","Starring Jonathan Pryce, Lea Salonga, and Willy Falk.","Starring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.","Starring Robert Weede.","Starring Robert Preston.","Starring Rex Harrison and Julie Andrews.","Starring Richard Chamberlain.","Starring Gwen Verdon and Thelma Ritter; Includes Program","Starring Gwen Verdon and Thelma Ritter.","Composed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.","Composed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.","Starring Betty Garde, Harry Stockwell, and Celeste Holm.","Starring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.","Starring Ron Moody; Film version","Written by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.","Starring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978","Starring Lillias White (Appears on flyer but not in playbill)","Starring James Barton and Olga San Juan.","Starring John Raitt, Janis Paige, and Eddie Foy, Jr.","Starring Vivienne Segal and Harold Lang.","Starring Jean Arthur, Boris Karloff, and Marcia Henderson.","Pantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.","Starring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.","Starring Richard Derr and Barbara Cook.","Starring Maureen Stapleton and Don Porter.","Starring Jerry Orbach, Jill O'Hara, and Edward Winter.","Starring Gwen Verdon and Richard Kiley.","Starring David Wayne, Vivian Blaine, and Johnny Desmond.","Starring Christopher Young, James Parker; Film version","Starring Tom Ewell and Vanessa Brown.","Starring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.","Starring Hildegarde Neff and Don Ameche.","Starring DeLee Lively, Michael Park, and Ken Ard.","Starring Irra Petina, Lawrence Brooks, and Helena Bliss.","Starring Mary Martin.","Starring Mary Martin and Ezio Pinza.","Starring Florence Henderson and Giorgio Tozzi.","Book","Starring Scott Wise, Ben Wright, and Jackie Angelescu.","Starring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Ralph Bellamy, Mary Fickett, and Henry Jones.","Starring Angela Lansbury, Len Cariou, and Cris Groenendaal.","Starring Paul Newman, Geraldine Page, and Sydney Blackmer.","Starring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.","Starring David Wayne, John Forsythe, and Mariko Niki.","Starring Maurice Evans and Ron Husmann.","Starring Eartha Kitt, Melba Moore, and Gilbert Price.","Starring Phil Silvers and Audrey Meadows.","Starring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.","Starring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program","Starring Tammy Grimes and Harve Presnell.","Starring Julie Andrews, Tony Roberts, and Michael Nouri.","Starring Thomas Hasson, George Marcy, and Pat Birch.","Starring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.","Starring Ray Bolger.","Starring Lucille Ball and Keith Andes.","Starring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.","Written by Moss Hart.","starring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.","Starring Rosalind Russell.","Starring France Nuyen, William Shatner, and Ron Randell.","Starring William Daniels, Paul Hecht, Clifford David, and Roy Poole.","Starring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.","R43, C5, S1 - S7","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0182","/repositories/2/resources/111"],"normalized_title_ssm":["Broadway souvenir theatre programs collection"],"collection_title_tesim":["Broadway souvenir theatre programs collection"],"collection_ssim":["Broadway souvenir theatre programs collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)"],"geogname_ssim":["Broadway (New York, N.Y.)"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"places_ssim":["Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The donor is unknown."],"access_subjects_ssim":["Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York"],"access_subjects_ssm":["Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York"],"has_online_content_ssim":["false"],"extent_ssm":["2.75 Linear Feet 6 boxes"],"extent_tesim":["2.75 Linear Feet 6 boxes"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by production title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by production title."],"bibliography_html_tesm":["\u003cp\u003e\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.\u003c/p\u003e\n","\u003cp\u003e\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.\u003c/p\u003e\n","\u003cp\u003e\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020."],"bioghist_html_tesm":["\u003cp\u003eThe Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim."],"prefercite_html_tesm":["\u003cp\u003eBroadway souvenir theatre programs collection, C0182, Special Collections Research Center, George Mason University.\u003c/p\u003e"],"prefercite_tesim":["Broadway souvenir theatre programs collection, C0182, Special Collections Research Center, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other playbill and theatre-related collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other playbill and theatre-related collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.\u003c/p\u003e","\u003cp\u003eStarring Sydney Poitier.\u003c/p\u003e","\u003cp\u003eStarring Liza Minnelli and Barry Nelson.\u003c/p\u003e","\u003cp\u003eStarring June Havoc.\u003c/p\u003e","\u003cp\u003eStarring Viveca Lindfors and Eugenie Leontovich.\u003c/p\u003e","\u003cp\u003eStarring Andrea McArdle and Reid Shelton.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.\u003c/p\u003e","\u003cp\u003eStarring Lauren Bacall; Includes Program\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber.\u003c/p\u003e","\u003cp\u003eStarring Rosalind Russell.\u003c/p\u003e","\u003cp\u003eStarring Nancy Dussault; Includes 2 newspaper articles.\u003c/p\u003e","\u003cp\u003eStarring Jim Dale and Glenn Close.\u003c/p\u003e","\u003cp\u003eStarring Susan Egan and Terrence Mann.\u003c/p\u003e","\u003cp\u003eStarring Judy Holliday.\u003c/p\u003e","\u003cp\u003eStarring Ruth Brown, Linda Hopkins, and Carrie Smith\u003c/p\u003e","\u003cp\u003eStarring Celeste Holm.\u003c/p\u003e","\u003cp\u003eStarring Jean Bayless and John Hewer.\u003c/p\u003e","\u003cp\u003eStarring Mickey Rooney and Ann Miller.\u003c/p\u003e","\u003cp\u003eStarring Kim Stanley.\u003c/p\u003e","\u003cp\u003eStarring Shirley Booth and Wilbur Evans.\u003c/p\u003e","\u003cp\u003eStarring Chita Rivera and Dick Van Dyke.\u003c/p\u003e","\u003cp\u003eIncludes special record of excerpts from the Columbia Original Cast Album\u003c/p\u003e","\u003cp\u003eStarring Barry Sullivan, John Hodiak, and Lloyd Nolan.\u003c/p\u003e","\u003cp\u003eStarring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Robert Goulet.\u003c/p\u003e","\u003cp\u003eStarring Richard Burton, Julie Andrews, and Robert Goulet.\u003c/p\u003e","\u003cp\u003eLilo\u003c/p\u003e","\u003cp\u003eStarring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.\u003c/p\u003e","\u003cp\u003eStarring Anna Maria Alberghetti.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber.\u003c/p\u003e","\u003cp\u003eStarring Chris Brown and Kay Gayner; Not Original Cast\u003c/p\u003e","\u003cp\u003eStarring James Naughton and Gregg Edelman.\u003c/p\u003e","\u003cp\u003eStarring Katharine Hepburn.\u003c/p\u003e","\u003cp\u003eStarring Harry Groener and Jodi Benson.\u003c/p\u003e","\u003cp\u003eStarring Bill Van Dijk.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon.\u003c/p\u003e","\u003cp\u003eStarring Bebe Neuwirth and Victor Garber.\u003c/p\u003e","\u003cp\u003eStarring Gail Benedict.\u003c/p\u003e","\u003cp\u003eStarring Andy Griffith and Dolores Gray.\u003c/p\u003e","\u003cp\u003eIncludes Newspaper Article from April 2, 1961\u003c/p\u003e","\u003cp\u003eStarring Joseph Schildkraut and Susan Strasberg.\u003c/p\u003e","\u003cp\u003eStarring Phil Silvers.\u003c/p\u003e","\u003cp\u003eStarring Frank Langella.\u003c/p\u003e","\u003cp\u003eStarring Laurence Olivier.\u003c/p\u003e","\u003cp\u003eStarring Patti LuPone, Mandy Patinkin, and Bob Gunton.\u003c/p\u003e","\u003cp\u003eStarring Ezio Pinza and Walter Slezak.\u003c/p\u003e","\u003cp\u003e25th Anniversary Production; Starring Chaim Topol.\u003c/p\u003e","\u003cp\u003eStarring Tom Bosley; Includes Newspaper Article on Tom Bosley\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Nathan Lane.\u003c/p\u003e","\u003cp\u003eThe Story of Judy Garland.\u003c/p\u003e","\u003cp\u003eRepeat copy from previous folder; Includes Newspaper Article\u003c/p\u003e","\u003cp\u003eStarring Joel Grey.\u003c/p\u003e","\u003cp\u003eWritten and composed by Jim Jacobs and Warren Casey.\u003c/p\u003e","\u003cp\u003eWritten and composed by Jim Jacobs and Warren Casey.\u003c/p\u003e","\u003cp\u003eStarring Vivian Blaine.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Alec McCowen.\u003c/p\u003e","\u003cp\u003eIncludes a number of newspaper articles about the production\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman and Fernando Lamas.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman and David Wayne.\u003c/p\u003e","\u003cp\u003eStarring Shelley Winters and Ben Gazzara.\u003c/p\u003e","\u003cp\u003eStarring Freddie Trenkler and Carol Lynne.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Carol Channing.\u003c/p\u003e","\u003cp\u003eStarring Pearl Bailey; Includes newspaper articles about the production\u003c/p\u003e","\u003cp\u003eStarring Mary Martin and Robert Preston; Includes newspaper article about the production\u003c/p\u003e","\u003cp\u003eStarring Elizabeth Seal and Keith Michell.\u003c/p\u003e","\u003cp\u003eStarring Jack Lemmon.\u003c/p\u003e","\u003cp\u003eStarring Lena Horne and Ricardo Montalban.\u003c/p\u003e","\u003cp\u003eStarring Christopher Plummer, Basil Rathbone, and James Daly.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber; Starring Michael Damian.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber; Starring Donny Osmond.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.\u003c/p\u003e","\u003cp\u003eStarring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.\u003c/p\u003e","\u003cp\u003eStarring Rex Harrison, Claudette Colbert, and George Rose.\u003c/p\u003e","\u003cp\u003eStarring Alfred Drake.\u003c/p\u003e","\u003cp\u003eStarring Alfred Drake and Patricia Morison.\u003c/p\u003e","\u003cp\u003eStarring Chita Rivera, Brent Carver, and Anthony Crivello.\u003c/p\u003e","\u003cp\u003eStarring Julie Harris and Boris Karloff.\u003c/p\u003e","\u003cp\u003eStarring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.\u003c/p\u003e","\u003cp\u003eStarring Nathan Lane.\u003c/p\u003e","\u003cp\u003eStarring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.\u003c/p\u003e","\u003cp\u003eStarring Irene Worth, Mercedes Ruehl, and Kevin Spacey.\u003c/p\u003e","\u003cp\u003eStarring Angela Lansbury.\u003c/p\u003e","\u003cp\u003eStarring Raul Julia, Sheena Easton, and Tony Martinez.\u003c/p\u003e","\u003cp\u003eStarring Brooks Atkinson, David Atkinson, and Wilbur Evans.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Charles Boyer and Claudette Colbert.\u003c/p\u003e","\u003cp\u003eStarring James Brennan, Judy Blazer, Jay Garner; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Ethel Waters and Julie Harris.\u003c/p\u003e","\u003cp\u003eWritten by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.\u003c/p\u003e","\u003cp\u003eStarring Anne Bancroft, Patty Duke, and Torin Thatcher.\u003c/p\u003e","\u003cp\u003eStarring Jonathan Pryce, Lea Salonga, and Willy Falk.\u003c/p\u003e","\u003cp\u003eStarring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.\u003c/p\u003e","\u003cp\u003eStarring Robert Weede.\u003c/p\u003e","\u003cp\u003eStarring Robert Preston.\u003c/p\u003e","\u003cp\u003eStarring Rex Harrison and Julie Andrews.\u003c/p\u003e","\u003cp\u003eStarring Richard Chamberlain.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Thelma Ritter; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Thelma Ritter.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.\u003c/p\u003e","\u003cp\u003eStarring Betty Garde, Harry Stockwell, and Celeste Holm.\u003c/p\u003e","\u003cp\u003eStarring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.\u003c/p\u003e","\u003cp\u003eStarring Ron Moody; Film version\u003c/p\u003e","\u003cp\u003eWritten by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.\u003c/p\u003e","\u003cp\u003eStarring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978\u003c/p\u003e","\u003cp\u003eStarring Lillias White (Appears on flyer but not in playbill)\u003c/p\u003e","\u003cp\u003eStarring James Barton and Olga San Juan.\u003c/p\u003e","\u003cp\u003eStarring John Raitt, Janis Paige, and Eddie Foy, Jr.\u003c/p\u003e","\u003cp\u003eStarring Vivienne Segal and Harold Lang.\u003c/p\u003e","\u003cp\u003eStarring Jean Arthur, Boris Karloff, and Marcia Henderson.\u003c/p\u003e","\u003cp\u003ePantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.\u003c/p\u003e","\u003cp\u003eStarring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Richard Derr and Barbara Cook.\u003c/p\u003e","\u003cp\u003eStarring Maureen Stapleton and Don Porter.\u003c/p\u003e","\u003cp\u003eStarring Jerry Orbach, Jill O'Hara, and Edward Winter.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Richard Kiley.\u003c/p\u003e","\u003cp\u003eStarring David Wayne, Vivian Blaine, and Johnny Desmond.\u003c/p\u003e","\u003cp\u003eStarring Christopher Young, James Parker; Film version\u003c/p\u003e","\u003cp\u003eStarring Tom Ewell and Vanessa Brown.\u003c/p\u003e","\u003cp\u003eStarring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.\u003c/p\u003e","\u003cp\u003eStarring Hildegarde Neff and Don Ameche.\u003c/p\u003e","\u003cp\u003eStarring DeLee Lively, Michael Park, and Ken Ard.\u003c/p\u003e","\u003cp\u003eStarring Irra Petina, Lawrence Brooks, and Helena Bliss.\u003c/p\u003e","\u003cp\u003eStarring Mary Martin.\u003c/p\u003e","\u003cp\u003eStarring Mary Martin and Ezio Pinza.\u003c/p\u003e","\u003cp\u003eStarring Florence Henderson and Giorgio Tozzi.\u003c/p\u003e","\u003cp\u003eBook\u003c/p\u003e","\u003cp\u003eStarring Scott Wise, Ben Wright, and Jackie Angelescu.\u003c/p\u003e","\u003cp\u003eStarring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Ralph Bellamy, Mary Fickett, and Henry Jones.\u003c/p\u003e","\u003cp\u003eStarring Angela Lansbury, Len Cariou, and Cris Groenendaal.\u003c/p\u003e","\u003cp\u003eStarring Paul Newman, Geraldine Page, and Sydney Blackmer.\u003c/p\u003e","\u003cp\u003eStarring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.\u003c/p\u003e","\u003cp\u003eStarring David Wayne, John Forsythe, and Mariko Niki.\u003c/p\u003e","\u003cp\u003eStarring Maurice Evans and Ron Husmann.\u003c/p\u003e","\u003cp\u003eStarring Eartha Kitt, Melba Moore, and Gilbert Price.\u003c/p\u003e","\u003cp\u003eStarring Phil Silvers and Audrey Meadows.\u003c/p\u003e","\u003cp\u003eStarring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.\u003c/p\u003e","\u003cp\u003eStarring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Tammy Grimes and Harve Presnell.\u003c/p\u003e","\u003cp\u003eStarring Julie Andrews, Tony Roberts, and Michael Nouri.\u003c/p\u003e","\u003cp\u003eStarring Thomas Hasson, George Marcy, and Pat Birch.\u003c/p\u003e","\u003cp\u003eStarring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.\u003c/p\u003e","\u003cp\u003eStarring Ray Bolger.\u003c/p\u003e","\u003cp\u003eStarring Lucille Ball and Keith Andes.\u003c/p\u003e","\u003cp\u003eStarring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.\u003c/p\u003e","\u003cp\u003eWritten by Moss Hart.\u003c/p\u003e","\u003cp\u003estarring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.\u003c/p\u003e","\u003cp\u003eStarring Rosalind Russell.\u003c/p\u003e","\u003cp\u003eStarring France Nuyen, William Shatner, and Ron Randell.\u003c/p\u003e","\u003cp\u003eStarring William Daniels, Paul Hecht, Clifford David, and Roy Poole.\u003c/p\u003e","\u003cp\u003eStarring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.","Starring Sydney Poitier.","Starring Liza Minnelli and Barry Nelson.","Starring June Havoc.","Starring Viveca Lindfors and Eugenie Leontovich.","Starring Andrea McArdle and Reid Shelton.","Starring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.","Starring Lauren Bacall; Includes Program","Composed by Andrew Lloyd Weber.","Starring Rosalind Russell.","Starring Nancy Dussault; Includes 2 newspaper articles.","Starring Jim Dale and Glenn Close.","Starring Susan Egan and Terrence Mann.","Starring Judy Holliday.","Starring Ruth Brown, Linda Hopkins, and Carrie Smith","Starring Celeste Holm.","Starring Jean Bayless and John Hewer.","Starring Mickey Rooney and Ann Miller.","Starring Kim Stanley.","Starring Shirley Booth and Wilbur Evans.","Starring Chita Rivera and Dick Van Dyke.","Includes special record of excerpts from the Columbia Original Cast Album","Starring Barry Sullivan, John Hodiak, and Lloyd Nolan.","Starring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture","Starring Ethel Merman.","Starring Robert Goulet.","Starring Richard Burton, Julie Andrews, and Robert Goulet.","Lilo","Starring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.","Starring Anna Maria Alberghetti.","Composed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.","Composed by Andrew Lloyd Weber.","Starring Chris Brown and Kay Gayner; Not Original Cast","Starring James Naughton and Gregg Edelman.","Starring Katharine Hepburn.","Starring Harry Groener and Jodi Benson.","Starring Bill Van Dijk.","Starring Gwen Verdon.","Starring Bebe Neuwirth and Victor Garber.","Starring Gail Benedict.","Starring Andy Griffith and Dolores Gray.","Includes Newspaper Article from April 2, 1961","Starring Joseph Schildkraut and Susan Strasberg.","Starring Phil Silvers.","Starring Frank Langella.","Starring Laurence Olivier.","Starring Patti LuPone, Mandy Patinkin, and Bob Gunton.","Starring Ezio Pinza and Walter Slezak.","25th Anniversary Production; Starring Chaim Topol.","Starring Tom Bosley; Includes Newspaper Article on Tom Bosley","Composed by Rodgers and Hammerstein.","Starring Nathan Lane.","The Story of Judy Garland.","Repeat copy from previous folder; Includes Newspaper Article","Starring Joel Grey.","Written and composed by Jim Jacobs and Warren Casey.","Written and composed by Jim Jacobs and Warren Casey.","Starring Vivian Blaine.","Starring Ethel Merman.","Starring Alec McCowen.","Includes a number of newspaper articles about the production","Starring Ethel Merman and Fernando Lamas.","Starring Ethel Merman and David Wayne.","Starring Shelley Winters and Ben Gazzara.","Starring Freddie Trenkler and Carol Lynne.","Starring Ethel Merman.","Starring Carol Channing.","Starring Pearl Bailey; Includes newspaper articles about the production","Starring Mary Martin and Robert Preston; Includes newspaper article about the production","Starring Elizabeth Seal and Keith Michell.","Starring Jack Lemmon.","Starring Lena Horne and Ricardo Montalban.","Starring Christopher Plummer, Basil Rathbone, and James Daly.","Composed by Andrew Lloyd Weber; Starring Michael Damian.","Composed by Andrew Lloyd Weber; Starring Donny Osmond.","Composed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.","Starring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.","Starring Rex Harrison, Claudette Colbert, and George Rose.","Starring Alfred Drake.","Starring Alfred Drake and Patricia Morison.","Starring Chita Rivera, Brent Carver, and Anthony Crivello.","Starring Julie Harris and Boris Karloff.","Starring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.","Starring Nathan Lane.","Starring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.","Starring Irene Worth, Mercedes Ruehl, and Kevin Spacey.","Starring Angela Lansbury.","Starring Raul Julia, Sheena Easton, and Tony Martinez.","Starring Brooks Atkinson, David Atkinson, and Wilbur Evans.","Composed by Rodgers and Hammerstein.","Starring Charles Boyer and Claudette Colbert.","Starring James Brennan, Judy Blazer, Jay Garner; Includes Program","Starring Ethel Waters and Julie Harris.","Written by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.","Starring Anne Bancroft, Patty Duke, and Torin Thatcher.","Starring Jonathan Pryce, Lea Salonga, and Willy Falk.","Starring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.","Starring Robert Weede.","Starring Robert Preston.","Starring Rex Harrison and Julie Andrews.","Starring Richard Chamberlain.","Starring Gwen Verdon and Thelma Ritter; Includes Program","Starring Gwen Verdon and Thelma Ritter.","Composed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.","Composed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.","Starring Betty Garde, Harry Stockwell, and Celeste Holm.","Starring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.","Starring Ron Moody; Film version","Written by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.","Starring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978","Starring Lillias White (Appears on flyer but not in playbill)","Starring James Barton and Olga San Juan.","Starring John Raitt, Janis Paige, and Eddie Foy, Jr.","Starring Vivienne Segal and Harold Lang.","Starring Jean Arthur, Boris Karloff, and Marcia Henderson.","Pantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.","Starring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.","Starring Richard Derr and Barbara Cook.","Starring Maureen Stapleton and Don Porter.","Starring Jerry Orbach, Jill O'Hara, and Edward Winter.","Starring Gwen Verdon and Richard Kiley.","Starring David Wayne, Vivian Blaine, and Johnny Desmond.","Starring Christopher Young, James Parker; Film version","Starring Tom Ewell and Vanessa Brown.","Starring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.","Starring Hildegarde Neff and Don Ameche.","Starring DeLee Lively, Michael Park, and Ken Ard.","Starring Irra Petina, Lawrence Brooks, and Helena Bliss.","Starring Mary Martin.","Starring Mary Martin and Ezio Pinza.","Starring Florence Henderson and Giorgio Tozzi.","Book","Starring Scott Wise, Ben Wright, and Jackie Angelescu.","Starring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Ralph Bellamy, Mary Fickett, and Henry Jones.","Starring Angela Lansbury, Len Cariou, and Cris Groenendaal.","Starring Paul Newman, Geraldine Page, and Sydney Blackmer.","Starring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.","Starring David Wayne, John Forsythe, and Mariko Niki.","Starring Maurice Evans and Ron Husmann.","Starring Eartha Kitt, Melba Moore, and Gilbert Price.","Starring Phil Silvers and Audrey Meadows.","Starring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.","Starring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program","Starring Tammy Grimes and Harve Presnell.","Starring Julie Andrews, Tony Roberts, and Michael Nouri.","Starring Thomas Hasson, George Marcy, and Pat Birch.","Starring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.","Starring Ray Bolger.","Starring Lucille Ball and Keith Andes.","Starring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.","Written by Moss Hart.","starring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.","Starring Rosalind Russell.","Starring France Nuyen, William Shatner, and Ron Randell.","Starring William Daniels, Paul Hecht, Clifford David, and Roy Poole.","Starring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_bee07ba592a9093c395e24c430464c9f\" label=\"Abstract\"\u003eThis collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_50e2d6e41029baee7b2391636d5da92a\"\u003eR43, C5, S1 - S7\u003c/physloc\u003e"],"physloc_tesim":["R43, C5, S1 - S7"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":164,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:01:53.579Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_111"}},{"id":"vifgm_repositories_2_resources_552","type":"collection","attributes":{"title":"Carol Berger Chicago performing arts playbills collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_552#creator","type":"document_value","attributes":{"value":"Berger, Carol","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_552#abstract_or_scope","type":"document_value","attributes":{"value":"This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_552#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_552","ead_ssi":"vifgm_repositories_2_resources_552","_root_":"vifgm_repositories_2_resources_552","_nest_parent_":"vifgm_repositories_2_resources_552","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_552.xml","title_ssm":["Carol Berger Chicago performing arts playbills collection"],"title_tesim":["Carol Berger Chicago performing arts playbills collection"],"unitdate_ssm":["1988-2015"],"unitdate_inclusive_ssm":["1988-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0263","/repositories/2/resources/552"],"text":["C0263","/repositories/2/resources/552","Carol Berger Chicago performing arts playbills collection","Chicago (Ill.)","Performing arts","Theater programs","Theater -- United States","Theater","There are no access restrictions.","This collection is arranged by venue, followed by format. The playbills are arranged chronologically by season, and alphabetically within each season.","","The Lyric Opera of Chicago was founded by Carol Fox, Lawrence V. Kelly and Nicola Rescigno in 1954. It is located in the Civic Opera Building which first opened its doors on November 4, 1929. The Civic Opera Building was envisioned by Samuel Insull as the predominant place for operatic performances. The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills.","Processing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018. Finding aid updated by Amanda Menjivar in January 2024.","The Special Collections Research Center holds many other ","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.","George Mason University. Libraries. Special Collections Research Center","Berger, Carol","English \n.    "],"unitid_tesim":["C0263","/repositories/2/resources/552"],"normalized_title_ssm":["Carol Berger Chicago performing arts playbills collection"],"collection_title_tesim":["Carol Berger Chicago performing arts playbills collection"],"collection_ssim":["Carol Berger Chicago performing arts playbills collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Chicago (Ill.)"],"geogname_ssim":["Chicago (Ill.)"],"creator_ssm":["Berger, Carol"],"creator_ssim":["Berger, Carol"],"creator_persname_ssim":["Berger, Carol"],"creators_ssim":["Berger, Carol"],"places_ssim":["Chicago (Ill.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Carol Berger in 2015."],"access_subjects_ssim":["Performing arts","Theater programs","Theater -- United States","Theater"],"access_subjects_ssm":["Performing arts","Theater programs","Theater -- United States","Theater"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 4 boxes"],"extent_tesim":["1 Linear Feet 4 boxes"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by venue, followed by format. The playbills are arranged chronologically by season, and alphabetically within each season.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by venue, followed by format. The playbills are arranged chronologically by season, and alphabetically within each season."],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.lyricopera.org/about/history/lyricoperahistory\" title=\"History of Lyric Opera of Chicago.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""],"bioghist_html_tesm":["\u003cp\u003eThe Lyric Opera of Chicago was founded by Carol Fox, Lawrence V. Kelly and Nicola Rescigno in 1954. It is located in the Civic Opera Building which first opened its doors on November 4, 1929. The Civic Opera Building was envisioned by Samuel Insull as the predominant place for operatic performances. The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Lyric Opera of Chicago was founded by Carol Fox, Lawrence V. Kelly and Nicola Rescigno in 1954. It is located in the Civic Opera Building which first opened its doors on November 4, 1929. The Civic Opera Building was envisioned by Samuel Insull as the predominant place for operatic performances. The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills."],"prefercite_html_tesm":["\u003cp\u003eCarol Berger Chicago performing arts playbills collection, C0263, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carol Berger Chicago performing arts playbills collection, C0263, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018. Finding aid updated by Amanda Menjivar in January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018. Finding aid updated by Amanda Menjivar in January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other \u003cextptr show=\"new\" title=\"playbill collections.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=playbill\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other "],"scopecontent_html_tesm":["\u003cp\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref2\"\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.\u003c/abstract\u003e"],"abstract_tesim":["This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Berger, Carol"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Berger, Carol"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:03.377Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_552","ead_ssi":"vifgm_repositories_2_resources_552","_root_":"vifgm_repositories_2_resources_552","_nest_parent_":"vifgm_repositories_2_resources_552","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_552.xml","title_ssm":["Carol Berger Chicago performing arts playbills collection"],"title_tesim":["Carol Berger Chicago performing arts playbills collection"],"unitdate_ssm":["1988-2015"],"unitdate_inclusive_ssm":["1988-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0263","/repositories/2/resources/552"],"text":["C0263","/repositories/2/resources/552","Carol Berger Chicago performing arts playbills collection","Chicago (Ill.)","Performing arts","Theater programs","Theater -- United States","Theater","There are no access restrictions.","This collection is arranged by venue, followed by format. The playbills are arranged chronologically by season, and alphabetically within each season.","","The Lyric Opera of Chicago was founded by Carol Fox, Lawrence V. Kelly and Nicola Rescigno in 1954. It is located in the Civic Opera Building which first opened its doors on November 4, 1929. The Civic Opera Building was envisioned by Samuel Insull as the predominant place for operatic performances. The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills.","Processing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018. Finding aid updated by Amanda Menjivar in January 2024.","The Special Collections Research Center holds many other ","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.","George Mason University. Libraries. Special Collections Research Center","Berger, Carol","English \n.    "],"unitid_tesim":["C0263","/repositories/2/resources/552"],"normalized_title_ssm":["Carol Berger Chicago performing arts playbills collection"],"collection_title_tesim":["Carol Berger Chicago performing arts playbills collection"],"collection_ssim":["Carol Berger Chicago performing arts playbills collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Chicago (Ill.)"],"geogname_ssim":["Chicago (Ill.)"],"creator_ssm":["Berger, Carol"],"creator_ssim":["Berger, Carol"],"creator_persname_ssim":["Berger, Carol"],"creators_ssim":["Berger, Carol"],"places_ssim":["Chicago (Ill.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Carol Berger in 2015."],"access_subjects_ssim":["Performing arts","Theater programs","Theater -- United States","Theater"],"access_subjects_ssm":["Performing arts","Theater programs","Theater -- United States","Theater"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 4 boxes"],"extent_tesim":["1 Linear Feet 4 boxes"],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by venue, followed by format. The playbills are arranged chronologically by season, and alphabetically within each season.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by venue, followed by format. The playbills are arranged chronologically by season, and alphabetically within each season."],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://www.lyricopera.org/about/history/lyricoperahistory\" title=\"History of Lyric Opera of Chicago.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""],"bioghist_html_tesm":["\u003cp\u003eThe Lyric Opera of Chicago was founded by Carol Fox, Lawrence V. Kelly and Nicola Rescigno in 1954. It is located in the Civic Opera Building which first opened its doors on November 4, 1929. The Civic Opera Building was envisioned by Samuel Insull as the predominant place for operatic performances. The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Lyric Opera of Chicago was founded by Carol Fox, Lawrence V. Kelly and Nicola Rescigno in 1954. It is located in the Civic Opera Building which first opened its doors on November 4, 1929. The Civic Opera Building was envisioned by Samuel Insull as the predominant place for operatic performances. The Lyric Opera is now globally renowned for their chorus, orchestra, as well as their preservation of the cultural importance of opera in Chicago, Illinois. Several other nationally and internationally renowned theatres are also included in the collection of playbills."],"prefercite_html_tesm":["\u003cp\u003eCarol Berger Chicago performing arts playbills collection, C0263, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carol Berger Chicago performing arts playbills collection, C0263, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018. Finding aid updated by Amanda Menjivar in January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in August 2018. EAD markup completed by Amy Blake in August 2018. Finding aid updated by Amanda Menjivar in January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other \u003cextptr show=\"new\" title=\"playbill collections.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=playbill\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other "],"scopecontent_html_tesm":["\u003cp\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from a handful of the performances, as well as materials from the Art Institute of Chicago. The playbills from Chicago's Lyric Opera House span the course of twenty-one seasons from the 34th to the 57th. The largest part of the collection consists of playbills from regional theatres from across the United States, including one piece from the San Francisco Opera. A smaller portion of the collection is made up of pamphlets from the Art Institute of Chicago that describe a few fashion and art exhibitions from 1996 to 2015."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref2\"\u003eThis collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.\u003c/abstract\u003e"],"abstract_tesim":["This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Berger, Carol"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Berger, Carol"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":60,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:27:03.377Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_552"}},{"id":"vifgm_repositories_2_resources_113","type":"collection","attributes":{"title":"Charles Rodrigues playbill collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_113#creator","type":"document_value","attributes":{"value":"Rodrigues, Charles","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_113#abstract_or_scope","type":"document_value","attributes":{"value":"The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_113#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_113","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_113.xml","title_filing_ssi":"Charles Rodrigues playbill collection","title_ssm":["Charles Rodrigues playbill collection"],"title_tesim":["Charles Rodrigues playbill collection"],"unitdate_ssm":["1879-2009"],"unitdate_inclusive_ssm":["1879-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0184","/repositories/2/resources/113"],"text":["C0184","/repositories/2/resources/113","Charles Rodrigues playbill collection","Broadway (New York, N.Y.)","Theater -- New York (State) -- New York","Theater -- United States","Performing arts","Musical Theater","Theater","Theater programs","Musical Theater -- New York (State) -- New York","There are no access restrictions.","Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37) Series 2: New York City, 1885-2009 (boxes 6-34, 37-38) Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)","Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.","Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Menjivar in April 2022.","The Special Collections Research Center holds many other collections on theatre and the performing arts.","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. ","Includes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Playbills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.","Springfield, MA","A Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days","Indians  review from the Tiltonian publication of the Tilton School in Tilton, NH.","First Love; Follies ; Benefit performance of  Follies  for the American Cancer Society Massachusetts division;  Giants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September","Mame; Married Alive!; Mid-Summer; Mr. President","The Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year","Provincetown, MA","Many of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.","Camelot; Evita; Gigi; Give 'em Hell, Harry!","Hair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!","Pacific Overtures ; San Francisco Opera  L'elisir d'amore; Shine It On","Sunset Boulevard; Tom Jones; The Wiz","This subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.","Includes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.","A Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno","Dear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I","Kiss Me, Kate; The Marquise; The Play's the Thing","Spider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba","Playbill from the Parker Playhouse in Ft. Lauderdale, Florida","This subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.","A Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos","Playbill and souvenir program","Souvenir programs","Follies  (includes photograph of theatre;  Front \u0026 Center  (magazine of Roundabout Theatre Company);  The Four Musketeers!","Golden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap","Gone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre","Operettas  by Jacques Offenbach; Sadler's Wells opera at the London Coliseum;  Travesties","Miss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies","Steel Magnolias; Sunset Boulevard; Sweet Charity","This subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.","A Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies","Ain't Misbehavin'; At This Performance; Camelot ; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret;  Friends In Deed; Funny Girl ; Johnny Carson; Liza Minnelli;  Pure Heaven; 'S Wonderful, 's Gershwin ; Steve Martin;  Sweet Hearts ; The Vienna Boys' Choir","Ann Hampton Callaway (ticket);  Call me Madam; Carousel ; The Festival Orchestra opening performance;  Fiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92 ; Second annual M.H.S. student film festival;  Studio night chamber music; Tosca; Who's out there that's for me?; Winter birds ; also includes a letter from Helen S. Murray to Charles Rodrigues","Anything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town","The Absence of a Cello ;  Aida  at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show;  The Boy Friend; Brigadoon; My One and Only; The Old Woman Broods ; Valentine's Day benefit February 14, 1987","A Connecticut Yankee in King Arthur's Court; Fando and Lis","This subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.","Animal Crackers; Children of Eden ; Fleetwood Mac, concert program;  Follies; Phantom of the Opera; The Trojan Women; Where's Charley?","This subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.","This subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.","This subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.","Pittsburgh","70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass","Daughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits","The Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady","National Repertory Theatre;  No, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment ; The Philadelphia Orchestra (1962-1963 season);  The Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich","The Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba","Four one-act plays:  Present Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer ; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers","This subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.","This subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.","The Alvin Alley City Center Dance Theatre; Applause; Carnival!","Lost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit","This series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Angel Face; Animal Crackers; Apple Blossoms; The Apple Cart","Ballyhoo; Ballyhoo of '32; The Bandwagon","Playbills from the Broadhurst and Shubert theatres","Montauk Theatre in Brooklyn","The Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl","Cherry Blossoms; China Rose; The Chocolate Dandies","Daddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms","Two incomplete playbills","General Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together","The Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home","Good Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby","The Greenwich Village Follies; The Greenwich Village Follies of 1920","Helen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920","Lassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie","Little Nelly Kelly; The Little Show; Lollipop; Love Birds","Melody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime","Odds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!","Three playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn","Padlocks of 1927; Paris; The Parisian Model","Pietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy","R.U.R.; Rainbow; The Ramblers; The Red Mill","Redemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild","Simple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty","Three Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes","6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776","Souvenir program","A Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life","A Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise","A Life; A Little Family Business; A Little Night Music","Souvenir program","A Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn","Abelard  Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand","Alan Gilbert  The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador","America Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour","Souvenir program","And Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie","Souvenir program","Souvenir program","Souvenir program","As Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!","Baby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum","Souvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris","Bayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe","Big Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy","Black Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday","Borstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter","Boris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares","Broadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie","Souvenir program","Two souvenir programs","Souvenir program","Souvenir program","Can Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)","Cantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats","Celebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)","Childs Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels","Closer Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise","Company (playbills and souvenir programs)","Souvenir program","Conduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl","Crazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All","Cuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano","The D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D","The Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)","Death of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted","Diamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street","Do Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls","Dr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan","Easter Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World","The Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita","Face Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid","Fiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling","Three souvenir programs including one for the film version","Finian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise","Five Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden","Follies (playbills and souvenir program); Follow the Girls; Fosse; Foxy","Frank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty","Playbills and souvenir programs","The Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy","Gideon; Gigi (playbills and souvenir program); Gilbert  Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones","God's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour","Souvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl","The Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)","Playbills and souvenir program","H.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree","Half a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire","Happy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey","Hats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!","Playbills and souvenir programs","Hello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love","Hold On to Your Hats; Holiday for Lovers; Hooray for What!","The High Rollers Social  Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones","How the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry","I Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father","I Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)","Illya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max","Indians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March","The Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov","JB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar","Jimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace","Kids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre","La Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante","La Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln","Last of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It","The Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)","Playbills and souvenir program","The Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel","Playbills and souvenir programs.  Liza with a Z  tour program includes signature from Liza on last page.","Look to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire","Alan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim","Macbeth; Mack  Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha","Souvenir programs","Mame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)","The Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round","Martin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)","Me and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)","Milk  Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven","Mister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally","Murder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)","My Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I","National Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera","New York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal","Two souvenir programs","Nick  Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress","No Strings; Nobody Loves an Albatross; Noises Off","O Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)","Old Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century","On the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One","Our Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat","P.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion","Paul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist","Photo Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy","Platinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie","The Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes","Playbills and souvenir program","Radio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime","Souvenir program","Red Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene","Rex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)","The Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo","Rosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)","The Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!","Sabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild","The Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter","Shenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)","Show Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare","Skyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys","Sondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song  Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music","South Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust","Starmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs","The Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset","The Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth","Playbills and souvenir programs","Take Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie","There's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic","Tomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective","The Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls","Playbills and souvenir program for The Unsinkable Molly Brown","The Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria","Vienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices","Wait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story","West Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)","The White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars  Tin Pan Alley","Wicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child","Woman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder","The Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)","Ziegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda","This series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.","Appalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game","Actors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords","Far from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter","Ben Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story","Return of the Jedi; Romeo  Juliet; Ringling Brothers and Barnum  Bailey Circus; Song of Norway; The Sound of Music","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles","English"],"unitid_tesim":["C0184","/repositories/2/resources/113"],"normalized_title_ssm":["Charles Rodrigues playbill collection"],"collection_title_tesim":["Charles Rodrigues playbill collection"],"collection_ssim":["Charles Rodrigues playbill collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)"],"geogname_ssim":["Broadway (New York, N.Y.)"],"creator_ssm":["Rodrigues, Charles"],"creator_ssim":["Rodrigues, Charles"],"creator_persname_ssim":["Rodrigues, Charles"],"creators_ssim":["Rodrigues, Charles"],"places_ssim":["Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Phil Rodrigues, brother of Charles Rodrigues, October 21, 2010."],"access_subjects_ssim":["Theater -- New York (State) -- New York","Theater -- United States","Performing arts","Musical Theater","Theater","Theater programs","Musical Theater -- New York (State) -- New York"],"access_subjects_ssm":["Theater -- New York (State) -- New York","Theater -- United States","Performing arts","Musical Theater","Theater","Theater programs","Musical Theater -- New York (State) -- New York"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 38 boxes"],"extent_tesim":["18 Linear Feet 38 boxes"],"date_range_isim":[1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\u003c/item\u003e\n      \u003citem\u003eSeries 2: New York City, 1885-2009 (boxes 6-34, 37-38)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37) Series 2: New York City, 1885-2009 (boxes 6-34, 37-38) Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)"],"bioghist_html_tesm":["\u003cp\u003eCharles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage."],"prefercite_html_tesm":["\u003cp\u003eCharles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Charles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Menjivar in April 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Menjivar in April 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections on theatre and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections on theatre and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/p\u003e\n","\u003cp\u003eThe collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. \u003c/p\u003e","\u003cp\u003eIncludes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.\u003c/p\u003e","\u003cp\u003ePlaybills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.\u003c/p\u003e","\u003cp\u003eSpringfield, MA\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIndians\u003c/title\u003e review from the Tiltonian publication of the Tilton School in Tilton, NH.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Love; Follies\u003c/title\u003e; Benefit performance of \u003ctitle\u003eFollies\u003c/title\u003e for the American Cancer Society Massachusetts division; \u003ctitle\u003eGiants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMame; Married Alive!; Mid-Summer; Mr. President\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eProvincetown, MA\u003c/p\u003e","\u003cp\u003eMany of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCamelot; Evita; Gigi; Give 'em Hell, Harry!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePacific Overtures\u003c/title\u003e; San Francisco Opera \u003ctitle\u003eL'elisir d'amore; Shine It On\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSunset Boulevard; Tom Jones; The Wiz\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.\u003c/p\u003e","\u003cp\u003eIncludes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eKiss Me, Kate; The Marquise; The Play's the Thing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSpider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePlaybill from the Parker Playhouse in Ft. Lauderdale, Florida\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePlaybill and souvenir program\u003c/p\u003e","\u003cp\u003eSouvenir programs\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFollies\u003c/title\u003e (includes photograph of theatre; \u003ctitle\u003eFront \u0026amp; Center\u003c/title\u003e (magazine of Roundabout Theatre Company); \u003ctitle\u003eThe Four Musketeers!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGolden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOperettas\u003c/title\u003e by Jacques Offenbach; Sadler's Wells opera at the London Coliseum; \u003ctitle\u003eTravesties\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMiss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSteel Magnolias; Sunset Boulevard; Sweet Charity\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAin't Misbehavin'; At This Performance; Camelot\u003c/title\u003e; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret; \u003ctitle\u003eFriends In Deed; Funny Girl\u003c/title\u003e; Johnny Carson; Liza Minnelli; \u003ctitle\u003ePure Heaven; 'S Wonderful, 's Gershwin\u003c/title\u003e; Steve Martin; \u003ctitle\u003eSweet Hearts\u003c/title\u003e; The Vienna Boys' Choir\u003c/p\u003e","\u003cp\u003eAnn Hampton Callaway (ticket); \u003ctitle\u003eCall me Madam; Carousel\u003c/title\u003e; The Festival Orchestra opening performance; \u003ctitle\u003eFiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92\u003c/title\u003e; Second annual M.H.S. student film festival; \u003ctitle\u003eStudio night chamber music; Tosca; Who's out there that's for me?; Winter birds\u003c/title\u003e; also includes a letter from Helen S. Murray to Charles Rodrigues\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Absence of a Cello\u003c/title\u003e; \u003ctitle\u003eAida\u003c/title\u003e at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show; \u003ctitle\u003eThe Boy Friend; Brigadoon; My One and Only; The Old Woman Broods\u003c/title\u003e; Valentine's Day benefit February 14, 1987\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Connecticut Yankee in King Arthur's Court; Fando and Lis\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnimal Crackers; Children of Eden\u003c/title\u003e; Fleetwood Mac, concert program; \u003ctitle\u003eFollies; Phantom of the Opera; The Trojan Women; Where's Charley?\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.\u003c/p\u003e","\u003cp\u003ePittsburgh\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003e70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDaughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNational Repertory Theatre; \u003ctitle\u003eNo, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment\u003c/title\u003e; The Philadelphia Orchestra (1962-1963 season); \u003ctitle\u003eThe Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFour one-act plays: \u003ctitle\u003ePresent Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer\u003c/title\u003e; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.\u003c/p\u003e","\u003cp\u003eThe Alvin Alley City Center Dance Theatre; Applause; Carnival!\u003c/p\u003e","\u003cp\u003eLost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit\u003c/p\u003e","\u003cp\u003eThis series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.\u003c/p\u003e","\u003cp\u003eAngel Face; Animal Crackers; Apple Blossoms; The Apple Cart\u003c/p\u003e","\u003cp\u003eBallyhoo; Ballyhoo of '32; The Bandwagon\u003c/p\u003e","\u003cp\u003ePlaybills from the Broadhurst and Shubert theatres\u003c/p\u003e","\u003cp\u003eMontauk Theatre in Brooklyn\u003c/p\u003e","\u003cp\u003eThe Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl\u003c/p\u003e","\u003cp\u003eCherry Blossoms; China Rose; The Chocolate Dandies\u003c/p\u003e","\u003cp\u003eDaddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms\u003c/p\u003e","\u003cp\u003eTwo incomplete playbills\u003c/p\u003e","\u003cp\u003eGeneral Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together\u003c/p\u003e","\u003cp\u003eThe Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home\u003c/p\u003e","\u003cp\u003eGood Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby\u003c/p\u003e","\u003cp\u003eThe Greenwich Village Follies; The Greenwich Village Follies of 1920\u003c/p\u003e","\u003cp\u003eHelen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920\u003c/p\u003e","\u003cp\u003eLassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie\u003c/p\u003e","\u003cp\u003eLittle Nelly Kelly; The Little Show; Lollipop; Love Birds\u003c/p\u003e","\u003cp\u003eMelody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime\u003c/p\u003e","\u003cp\u003eOdds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!\u003c/p\u003e","\u003cp\u003eThree playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn\u003c/p\u003e","\u003cp\u003ePadlocks of 1927; Paris; The Parisian Model\u003c/p\u003e","\u003cp\u003ePietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy\u003c/p\u003e","\u003cp\u003eR.U.R.; Rainbow; The Ramblers; The Red Mill\u003c/p\u003e","\u003cp\u003eRedemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild\u003c/p\u003e","\u003cp\u003eSimple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty\u003c/p\u003e","\u003cp\u003eThree Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes\u003c/p\u003e","\u003cp\u003e6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eA Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life\u003c/p\u003e","\u003cp\u003eA Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise\u003c/p\u003e","\u003cp\u003eA Life; A Little Family Business; A Little Night Music\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eA Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn\u003c/p\u003e","\u003cp\u003eAbelard  Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand\u003c/p\u003e","\u003cp\u003eAlan Gilbert  The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador\u003c/p\u003e","\u003cp\u003eAmerica Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eAnd Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eAs Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!\u003c/p\u003e","\u003cp\u003eBaby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum\u003c/p\u003e","\u003cp\u003eSouvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris\u003c/p\u003e","\u003cp\u003eBayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe\u003c/p\u003e","\u003cp\u003eBig Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy\u003c/p\u003e","\u003cp\u003eBlack Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday\u003c/p\u003e","\u003cp\u003eBorstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter\u003c/p\u003e","\u003cp\u003eBoris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares\u003c/p\u003e","\u003cp\u003eBroadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eTwo souvenir programs\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eCan Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eCantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats\u003c/p\u003e","\u003cp\u003eCelebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eChilds Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels\u003c/p\u003e","\u003cp\u003eCloser Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise\u003c/p\u003e","\u003cp\u003eCompany (playbills and souvenir programs)\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eConduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl\u003c/p\u003e","\u003cp\u003eCrazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All\u003c/p\u003e","\u003cp\u003eCuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano\u003c/p\u003e","\u003cp\u003eThe D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eDeath of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted\u003c/p\u003e","\u003cp\u003eDiamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street\u003c/p\u003e","\u003cp\u003eDo Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls\u003c/p\u003e","\u003cp\u003eDr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan\u003c/p\u003e","\u003cp\u003eEaster Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World\u003c/p\u003e","\u003cp\u003eThe Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita\u003c/p\u003e","\u003cp\u003eFace Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid\u003c/p\u003e","\u003cp\u003eFiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling\u003c/p\u003e","\u003cp\u003eThree souvenir programs including one for the film version\u003c/p\u003e","\u003cp\u003eFinian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise\u003c/p\u003e","\u003cp\u003eFive Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden\u003c/p\u003e","\u003cp\u003eFollies (playbills and souvenir program); Follow the Girls; Fosse; Foxy\u003c/p\u003e","\u003cp\u003eFrank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eThe Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy\u003c/p\u003e","\u003cp\u003eGideon; Gigi (playbills and souvenir program); Gilbert  Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones\u003c/p\u003e","\u003cp\u003eGod's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour\u003c/p\u003e","\u003cp\u003eSouvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl\u003c/p\u003e","\u003cp\u003eThe Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eH.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree\u003c/p\u003e","\u003cp\u003eHalf a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire\u003c/p\u003e","\u003cp\u003eHappy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey\u003c/p\u003e","\u003cp\u003eHats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eHello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love\u003c/p\u003e","\u003cp\u003eHold On to Your Hats; Holiday for Lovers; Hooray for What!\u003c/p\u003e","\u003cp\u003eThe High Rollers Social  Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones\u003c/p\u003e","\u003cp\u003eHow the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry\u003c/p\u003e","\u003cp\u003eI Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father\u003c/p\u003e","\u003cp\u003eI Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)\u003c/p\u003e","\u003cp\u003eIllya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max\u003c/p\u003e","\u003cp\u003eIndians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March\u003c/p\u003e","\u003cp\u003eThe Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov\u003c/p\u003e","\u003cp\u003eJB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar\u003c/p\u003e","\u003cp\u003eJimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace\u003c/p\u003e","\u003cp\u003eKids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre\u003c/p\u003e","\u003cp\u003eLa Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante\u003c/p\u003e","\u003cp\u003eLa Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln\u003c/p\u003e","\u003cp\u003eLast of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It\u003c/p\u003e","\u003cp\u003eThe Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eThe Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs. \u003ctitle\u003eLiza with a Z\u003c/title\u003e tour program includes signature from Liza on last page.\u003c/p\u003e","\u003cp\u003eLook to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire\u003c/p\u003e","\u003cp\u003eAlan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim\u003c/p\u003e","\u003cp\u003eMacbeth; Mack  Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha\u003c/p\u003e","\u003cp\u003eSouvenir programs\u003c/p\u003e","\u003cp\u003eMame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)\u003c/p\u003e","\u003cp\u003eThe Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round\u003c/p\u003e","\u003cp\u003eMartin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eMe and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)\u003c/p\u003e","\u003cp\u003eMilk  Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven\u003c/p\u003e","\u003cp\u003eMister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally\u003c/p\u003e","\u003cp\u003eMurder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eMy Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I\u003c/p\u003e","\u003cp\u003eNational Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera\u003c/p\u003e","\u003cp\u003eNew York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal\u003c/p\u003e","\u003cp\u003eTwo souvenir programs\u003c/p\u003e","\u003cp\u003eNick  Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress\u003c/p\u003e","\u003cp\u003eNo Strings; Nobody Loves an Albatross; Noises Off\u003c/p\u003e","\u003cp\u003eO Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eOld Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century\u003c/p\u003e","\u003cp\u003eOn the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One\u003c/p\u003e","\u003cp\u003eOur Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat\u003c/p\u003e","\u003cp\u003eP.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion\u003c/p\u003e","\u003cp\u003ePaul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist\u003c/p\u003e","\u003cp\u003ePhoto Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy\u003c/p\u003e","\u003cp\u003ePlatinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie\u003c/p\u003e","\u003cp\u003eThe Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eRadio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eRed Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene\u003c/p\u003e","\u003cp\u003eRex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eThe Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo\u003c/p\u003e","\u003cp\u003eRosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)\u003c/p\u003e","\u003cp\u003eThe Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!\u003c/p\u003e","\u003cp\u003eSabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild\u003c/p\u003e","\u003cp\u003eThe Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter\u003c/p\u003e","\u003cp\u003eShenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eShow Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare\u003c/p\u003e","\u003cp\u003eSkyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys\u003c/p\u003e","\u003cp\u003eSondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song  Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music\u003c/p\u003e","\u003cp\u003eSouth Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust\u003c/p\u003e","\u003cp\u003eStarmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs\u003c/p\u003e","\u003cp\u003eThe Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset\u003c/p\u003e","\u003cp\u003eThe Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eTake Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie\u003c/p\u003e","\u003cp\u003eThere's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic\u003c/p\u003e","\u003cp\u003eTomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective\u003c/p\u003e","\u003cp\u003eThe Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program for The Unsinkable Molly Brown\u003c/p\u003e","\u003cp\u003eThe Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria\u003c/p\u003e","\u003cp\u003eVienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices\u003c/p\u003e","\u003cp\u003eWait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story\u003c/p\u003e","\u003cp\u003eWest Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eThe White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars  Tin Pan Alley\u003c/p\u003e","\u003cp\u003eWicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child\u003c/p\u003e","\u003cp\u003eWoman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder\u003c/p\u003e","\u003cp\u003eThe Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eZiegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda\u003c/p\u003e","\u003cp\u003eThis series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.\u003c/p\u003e","\u003cp\u003eAppalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game\u003c/p\u003e","\u003cp\u003eActors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords\u003c/p\u003e","\u003cp\u003eFar from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter\u003c/p\u003e","\u003cp\u003eBen Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story\u003c/p\u003e","\u003cp\u003eReturn of the Jedi; Romeo  Juliet; Ringling Brothers and Barnum  Bailey Circus; Song of Norway; The Sound of Music\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. ","Includes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Playbills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.","Springfield, MA","A Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days","Indians  review from the Tiltonian publication of the Tilton School in Tilton, NH.","First Love; Follies ; Benefit performance of  Follies  for the American Cancer Society Massachusetts division;  Giants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September","Mame; Married Alive!; Mid-Summer; Mr. President","The Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year","Provincetown, MA","Many of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.","Camelot; Evita; Gigi; Give 'em Hell, Harry!","Hair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!","Pacific Overtures ; San Francisco Opera  L'elisir d'amore; Shine It On","Sunset Boulevard; Tom Jones; The Wiz","This subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.","Includes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.","A Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno","Dear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I","Kiss Me, Kate; The Marquise; The Play's the Thing","Spider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba","Playbill from the Parker Playhouse in Ft. Lauderdale, Florida","This subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.","A Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos","Playbill and souvenir program","Souvenir programs","Follies  (includes photograph of theatre;  Front \u0026 Center  (magazine of Roundabout Theatre Company);  The Four Musketeers!","Golden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap","Gone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre","Operettas  by Jacques Offenbach; Sadler's Wells opera at the London Coliseum;  Travesties","Miss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies","Steel Magnolias; Sunset Boulevard; Sweet Charity","This subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.","A Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies","Ain't Misbehavin'; At This Performance; Camelot ; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret;  Friends In Deed; Funny Girl ; Johnny Carson; Liza Minnelli;  Pure Heaven; 'S Wonderful, 's Gershwin ; Steve Martin;  Sweet Hearts ; The Vienna Boys' Choir","Ann Hampton Callaway (ticket);  Call me Madam; Carousel ; The Festival Orchestra opening performance;  Fiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92 ; Second annual M.H.S. student film festival;  Studio night chamber music; Tosca; Who's out there that's for me?; Winter birds ; also includes a letter from Helen S. Murray to Charles Rodrigues","Anything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town","The Absence of a Cello ;  Aida  at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show;  The Boy Friend; Brigadoon; My One and Only; The Old Woman Broods ; Valentine's Day benefit February 14, 1987","A Connecticut Yankee in King Arthur's Court; Fando and Lis","This subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.","Animal Crackers; Children of Eden ; Fleetwood Mac, concert program;  Follies; Phantom of the Opera; The Trojan Women; Where's Charley?","This subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.","This subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.","This subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.","Pittsburgh","70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass","Daughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits","The Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady","National Repertory Theatre;  No, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment ; The Philadelphia Orchestra (1962-1963 season);  The Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich","The Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba","Four one-act plays:  Present Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer ; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers","This subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.","This subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.","The Alvin Alley City Center Dance Theatre; Applause; Carnival!","Lost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit","This series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Angel Face; Animal Crackers; Apple Blossoms; The Apple Cart","Ballyhoo; Ballyhoo of '32; The Bandwagon","Playbills from the Broadhurst and Shubert theatres","Montauk Theatre in Brooklyn","The Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl","Cherry Blossoms; China Rose; The Chocolate Dandies","Daddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms","Two incomplete playbills","General Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together","The Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home","Good Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby","The Greenwich Village Follies; The Greenwich Village Follies of 1920","Helen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920","Lassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie","Little Nelly Kelly; The Little Show; Lollipop; Love Birds","Melody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime","Odds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!","Three playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn","Padlocks of 1927; Paris; The Parisian Model","Pietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy","R.U.R.; Rainbow; The Ramblers; The Red Mill","Redemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild","Simple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty","Three Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes","6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776","Souvenir program","A Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life","A Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise","A Life; A Little Family Business; A Little Night Music","Souvenir program","A Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn","Abelard  Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand","Alan Gilbert  The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador","America Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour","Souvenir program","And Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie","Souvenir program","Souvenir program","Souvenir program","As Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!","Baby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum","Souvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris","Bayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe","Big Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy","Black Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday","Borstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter","Boris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares","Broadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie","Souvenir program","Two souvenir programs","Souvenir program","Souvenir program","Can Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)","Cantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats","Celebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)","Childs Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels","Closer Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise","Company (playbills and souvenir programs)","Souvenir program","Conduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl","Crazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All","Cuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano","The D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D","The Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)","Death of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted","Diamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street","Do Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls","Dr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan","Easter Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World","The Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita","Face Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid","Fiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling","Three souvenir programs including one for the film version","Finian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise","Five Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden","Follies (playbills and souvenir program); Follow the Girls; Fosse; Foxy","Frank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty","Playbills and souvenir programs","The Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy","Gideon; Gigi (playbills and souvenir program); Gilbert  Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones","God's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour","Souvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl","The Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)","Playbills and souvenir program","H.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree","Half a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire","Happy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey","Hats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!","Playbills and souvenir programs","Hello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love","Hold On to Your Hats; Holiday for Lovers; Hooray for What!","The High Rollers Social  Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones","How the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry","I Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father","I Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)","Illya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max","Indians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March","The Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov","JB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar","Jimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace","Kids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre","La Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante","La Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln","Last of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It","The Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)","Playbills and souvenir program","The Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel","Playbills and souvenir programs.  Liza with a Z  tour program includes signature from Liza on last page.","Look to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire","Alan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim","Macbeth; Mack  Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha","Souvenir programs","Mame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)","The Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round","Martin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)","Me and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)","Milk  Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven","Mister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally","Murder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)","My Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I","National Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera","New York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal","Two souvenir programs","Nick  Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress","No Strings; Nobody Loves an Albatross; Noises Off","O Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)","Old Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century","On the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One","Our Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat","P.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion","Paul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist","Photo Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy","Platinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie","The Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes","Playbills and souvenir program","Radio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime","Souvenir program","Red Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene","Rex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)","The Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo","Rosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)","The Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!","Sabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild","The Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter","Shenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)","Show Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare","Skyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys","Sondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song  Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music","South Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust","Starmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs","The Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset","The Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth","Playbills and souvenir programs","Take Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie","There's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic","Tomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective","The Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls","Playbills and souvenir program for The Unsinkable Molly Brown","The Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria","Vienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices","Wait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story","West Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)","The White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars  Tin Pan Alley","Wicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child","Woman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder","The Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)","Ziegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda","This series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.","Appalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game","Actors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords","Far from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter","Ben Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story","Return of the Jedi; Romeo  Juliet; Ringling Brothers and Barnum  Bailey Circus; Song of Norway; The Sound of Music"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d46ac9a9e4e3a7b9dc6e8e0b7d7a8d53\" label=\"Abstract\"\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/abstract\u003e"],"abstract_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Rodrigues, Charles"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":563,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T07:14:19.084Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_113","ead_ssi":"vifgm_repositories_2_resources_113","_root_":"vifgm_repositories_2_resources_113","_nest_parent_":"vifgm_repositories_2_resources_113","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_113.xml","title_filing_ssi":"Charles Rodrigues playbill collection","title_ssm":["Charles Rodrigues playbill collection"],"title_tesim":["Charles Rodrigues playbill collection"],"unitdate_ssm":["1879-2009"],"unitdate_inclusive_ssm":["1879-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0184","/repositories/2/resources/113"],"text":["C0184","/repositories/2/resources/113","Charles Rodrigues playbill collection","Broadway (New York, N.Y.)","Theater -- New York (State) -- New York","Theater -- United States","Performing arts","Musical Theater","Theater","Theater programs","Musical Theater -- New York (State) -- New York","There are no access restrictions.","Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37) Series 2: New York City, 1885-2009 (boxes 6-34, 37-38) Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)","Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.","Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Menjivar in April 2022.","The Special Collections Research Center holds many other collections on theatre and the performing arts.","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. ","Includes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Playbills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.","Springfield, MA","A Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days","Indians  review from the Tiltonian publication of the Tilton School in Tilton, NH.","First Love; Follies ; Benefit performance of  Follies  for the American Cancer Society Massachusetts division;  Giants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September","Mame; Married Alive!; Mid-Summer; Mr. President","The Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year","Provincetown, MA","Many of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.","Camelot; Evita; Gigi; Give 'em Hell, Harry!","Hair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!","Pacific Overtures ; San Francisco Opera  L'elisir d'amore; Shine It On","Sunset Boulevard; Tom Jones; The Wiz","This subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.","Includes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.","A Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno","Dear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I","Kiss Me, Kate; The Marquise; The Play's the Thing","Spider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba","Playbill from the Parker Playhouse in Ft. Lauderdale, Florida","This subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.","A Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos","Playbill and souvenir program","Souvenir programs","Follies  (includes photograph of theatre;  Front \u0026 Center  (magazine of Roundabout Theatre Company);  The Four Musketeers!","Golden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap","Gone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre","Operettas  by Jacques Offenbach; Sadler's Wells opera at the London Coliseum;  Travesties","Miss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies","Steel Magnolias; Sunset Boulevard; Sweet Charity","This subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.","A Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies","Ain't Misbehavin'; At This Performance; Camelot ; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret;  Friends In Deed; Funny Girl ; Johnny Carson; Liza Minnelli;  Pure Heaven; 'S Wonderful, 's Gershwin ; Steve Martin;  Sweet Hearts ; The Vienna Boys' Choir","Ann Hampton Callaway (ticket);  Call me Madam; Carousel ; The Festival Orchestra opening performance;  Fiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92 ; Second annual M.H.S. student film festival;  Studio night chamber music; Tosca; Who's out there that's for me?; Winter birds ; also includes a letter from Helen S. Murray to Charles Rodrigues","Anything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town","The Absence of a Cello ;  Aida  at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show;  The Boy Friend; Brigadoon; My One and Only; The Old Woman Broods ; Valentine's Day benefit February 14, 1987","A Connecticut Yankee in King Arthur's Court; Fando and Lis","This subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.","Animal Crackers; Children of Eden ; Fleetwood Mac, concert program;  Follies; Phantom of the Opera; The Trojan Women; Where's Charley?","This subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.","This subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.","This subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.","Pittsburgh","70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass","Daughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits","The Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady","National Repertory Theatre;  No, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment ; The Philadelphia Orchestra (1962-1963 season);  The Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich","The Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba","Four one-act plays:  Present Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer ; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers","This subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.","This subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.","The Alvin Alley City Center Dance Theatre; Applause; Carnival!","Lost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit","This series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Angel Face; Animal Crackers; Apple Blossoms; The Apple Cart","Ballyhoo; Ballyhoo of '32; The Bandwagon","Playbills from the Broadhurst and Shubert theatres","Montauk Theatre in Brooklyn","The Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl","Cherry Blossoms; China Rose; The Chocolate Dandies","Daddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms","Two incomplete playbills","General Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together","The Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home","Good Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby","The Greenwich Village Follies; The Greenwich Village Follies of 1920","Helen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920","Lassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie","Little Nelly Kelly; The Little Show; Lollipop; Love Birds","Melody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime","Odds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!","Three playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn","Padlocks of 1927; Paris; The Parisian Model","Pietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy","R.U.R.; Rainbow; The Ramblers; The Red Mill","Redemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild","Simple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty","Three Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes","6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776","Souvenir program","A Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life","A Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise","A Life; A Little Family Business; A Little Night Music","Souvenir program","A Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn","Abelard  Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand","Alan Gilbert  The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador","America Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour","Souvenir program","And Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie","Souvenir program","Souvenir program","Souvenir program","As Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!","Baby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum","Souvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris","Bayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe","Big Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy","Black Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday","Borstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter","Boris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares","Broadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie","Souvenir program","Two souvenir programs","Souvenir program","Souvenir program","Can Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)","Cantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats","Celebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)","Childs Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels","Closer Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise","Company (playbills and souvenir programs)","Souvenir program","Conduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl","Crazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All","Cuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano","The D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D","The Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)","Death of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted","Diamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street","Do Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls","Dr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan","Easter Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World","The Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita","Face Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid","Fiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling","Three souvenir programs including one for the film version","Finian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise","Five Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden","Follies (playbills and souvenir program); Follow the Girls; Fosse; Foxy","Frank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty","Playbills and souvenir programs","The Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy","Gideon; Gigi (playbills and souvenir program); Gilbert  Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones","God's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour","Souvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl","The Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)","Playbills and souvenir program","H.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree","Half a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire","Happy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey","Hats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!","Playbills and souvenir programs","Hello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love","Hold On to Your Hats; Holiday for Lovers; Hooray for What!","The High Rollers Social  Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones","How the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry","I Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father","I Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)","Illya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max","Indians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March","The Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov","JB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar","Jimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace","Kids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre","La Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante","La Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln","Last of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It","The Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)","Playbills and souvenir program","The Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel","Playbills and souvenir programs.  Liza with a Z  tour program includes signature from Liza on last page.","Look to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire","Alan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim","Macbeth; Mack  Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha","Souvenir programs","Mame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)","The Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round","Martin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)","Me and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)","Milk  Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven","Mister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally","Murder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)","My Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I","National Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera","New York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal","Two souvenir programs","Nick  Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress","No Strings; Nobody Loves an Albatross; Noises Off","O Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)","Old Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century","On the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One","Our Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat","P.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion","Paul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist","Photo Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy","Platinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie","The Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes","Playbills and souvenir program","Radio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime","Souvenir program","Red Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene","Rex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)","The Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo","Rosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)","The Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!","Sabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild","The Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter","Shenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)","Show Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare","Skyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys","Sondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song  Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music","South Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust","Starmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs","The Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset","The Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth","Playbills and souvenir programs","Take Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie","There's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic","Tomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective","The Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls","Playbills and souvenir program for The Unsinkable Molly Brown","The Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria","Vienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices","Wait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story","West Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)","The White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars  Tin Pan Alley","Wicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child","Woman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder","The Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)","Ziegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda","This series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.","Appalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game","Actors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords","Far from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter","Ben Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story","Return of the Jedi; Romeo  Juliet; Ringling Brothers and Barnum  Bailey Circus; Song of Norway; The Sound of Music","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles","English"],"unitid_tesim":["C0184","/repositories/2/resources/113"],"normalized_title_ssm":["Charles Rodrigues playbill collection"],"collection_title_tesim":["Charles Rodrigues playbill collection"],"collection_ssim":["Charles Rodrigues playbill collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)"],"geogname_ssim":["Broadway (New York, N.Y.)"],"creator_ssm":["Rodrigues, Charles"],"creator_ssim":["Rodrigues, Charles"],"creator_persname_ssim":["Rodrigues, Charles"],"creators_ssim":["Rodrigues, Charles"],"places_ssim":["Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Phil Rodrigues, brother of Charles Rodrigues, October 21, 2010."],"access_subjects_ssim":["Theater -- New York (State) -- New York","Theater -- United States","Performing arts","Musical Theater","Theater","Theater programs","Musical Theater -- New York (State) -- New York"],"access_subjects_ssm":["Theater -- New York (State) -- New York","Theater -- United States","Performing arts","Musical Theater","Theater","Theater programs","Musical Theater -- New York (State) -- New York"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 38 boxes"],"extent_tesim":["18 Linear Feet 38 boxes"],"date_range_isim":[1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Outside New York City, 1879-2009 (boxes 1-5, 37)\u003c/item\u003e\n      \u003citem\u003eSeries 2: New York City, 1885-2009 (boxes 6-34, 37-38)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into three series, two of which are based on location, and a final series for film programs, music scores, ticket stubs, and advertisements.","Series Series 1: Outside New York City, 1879-2009 (boxes 1-5, 37) Series 2: New York City, 1885-2009 (boxes 6-34, 37-38) Series 3: Film Programs, music scores, and ticket stubs, 1909-2009 (boxes 34-38)"],"bioghist_html_tesm":["\u003cp\u003eCharles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles Rodrigues was an avid theatre enthusiast who amassed a large collection of playbills and programs by attending shows, purchasing programs at yard sales and thrift stores, trading with other collectors, and inheriting collections from friends. Rodrigues began collecting playbills at performances he attended on and off Broadway in 1961. He would also attend performances around the United States and abroad and collect playbills from these shows. One sizable addition came from Richard W. Rowan who also collected playbills from shows he attended. Many of these playbills date from World War I to the 1930s. The oldest part of the Rodrigues collection dates to the late 19th century and is from a movie theatre that used the playbills as cushioning between the older vaudeville stage and the newer movie theatre stage."],"prefercite_html_tesm":["\u003cp\u003eCharles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Charles Rodrigues playbill collection, C0184, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Menjivar in April 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Greta Kuriger in 2011. EAD markup completed by Greta Kuriger in 2011. Finding aid updated by Amanda Menjivar in April 2022."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections on theatre and the performing arts.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections on theatre and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/p\u003e\n","\u003cp\u003eThe collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. \u003c/p\u003e","\u003cp\u003eIncludes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.\u003c/p\u003e","\u003cp\u003ePlaybills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.\u003c/p\u003e","\u003cp\u003eSpringfield, MA\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIndians\u003c/title\u003e review from the Tiltonian publication of the Tilton School in Tilton, NH.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Love; Follies\u003c/title\u003e; Benefit performance of \u003ctitle\u003eFollies\u003c/title\u003e for the American Cancer Society Massachusetts division; \u003ctitle\u003eGiants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMame; Married Alive!; Mid-Summer; Mr. President\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eProvincetown, MA\u003c/p\u003e","\u003cp\u003eMany of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCamelot; Evita; Gigi; Give 'em Hell, Harry!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePacific Overtures\u003c/title\u003e; San Francisco Opera \u003ctitle\u003eL'elisir d'amore; Shine It On\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSunset Boulevard; Tom Jones; The Wiz\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.\u003c/p\u003e","\u003cp\u003eIncludes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eKiss Me, Kate; The Marquise; The Play's the Thing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSpider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePlaybill from the Parker Playhouse in Ft. Lauderdale, Florida\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePlaybill and souvenir program\u003c/p\u003e","\u003cp\u003eSouvenir programs\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFollies\u003c/title\u003e (includes photograph of theatre; \u003ctitle\u003eFront \u0026amp; Center\u003c/title\u003e (magazine of Roundabout Theatre Company); \u003ctitle\u003eThe Four Musketeers!\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGolden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOperettas\u003c/title\u003e by Jacques Offenbach; Sadler's Wells opera at the London Coliseum; \u003ctitle\u003eTravesties\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMiss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSteel Magnolias; Sunset Boulevard; Sweet Charity\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAin't Misbehavin'; At This Performance; Camelot\u003c/title\u003e; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret; \u003ctitle\u003eFriends In Deed; Funny Girl\u003c/title\u003e; Johnny Carson; Liza Minnelli; \u003ctitle\u003ePure Heaven; 'S Wonderful, 's Gershwin\u003c/title\u003e; Steve Martin; \u003ctitle\u003eSweet Hearts\u003c/title\u003e; The Vienna Boys' Choir\u003c/p\u003e","\u003cp\u003eAnn Hampton Callaway (ticket); \u003ctitle\u003eCall me Madam; Carousel\u003c/title\u003e; The Festival Orchestra opening performance; \u003ctitle\u003eFiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92\u003c/title\u003e; Second annual M.H.S. student film festival; \u003ctitle\u003eStudio night chamber music; Tosca; Who's out there that's for me?; Winter birds\u003c/title\u003e; also includes a letter from Helen S. Murray to Charles Rodrigues\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Absence of a Cello\u003c/title\u003e; \u003ctitle\u003eAida\u003c/title\u003e at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show; \u003ctitle\u003eThe Boy Friend; Brigadoon; My One and Only; The Old Woman Broods\u003c/title\u003e; Valentine's Day benefit February 14, 1987\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Connecticut Yankee in King Arthur's Court; Fando and Lis\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnimal Crackers; Children of Eden\u003c/title\u003e; Fleetwood Mac, concert program; \u003ctitle\u003eFollies; Phantom of the Opera; The Trojan Women; Where's Charley?\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.\u003c/p\u003e","\u003cp\u003ePittsburgh\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003e70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDaughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNational Repertory Theatre; \u003ctitle\u003eNo, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment\u003c/title\u003e; The Philadelphia Orchestra (1962-1963 season); \u003ctitle\u003eThe Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFour one-act plays: \u003ctitle\u003ePresent Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer\u003c/title\u003e; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.\u003c/p\u003e","\u003cp\u003eThis subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.\u003c/p\u003e","\u003cp\u003eThe Alvin Alley City Center Dance Theatre; Applause; Carnival!\u003c/p\u003e","\u003cp\u003eLost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit\u003c/p\u003e","\u003cp\u003eThis series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.\u003c/p\u003e","\u003cp\u003eAngel Face; Animal Crackers; Apple Blossoms; The Apple Cart\u003c/p\u003e","\u003cp\u003eBallyhoo; Ballyhoo of '32; The Bandwagon\u003c/p\u003e","\u003cp\u003ePlaybills from the Broadhurst and Shubert theatres\u003c/p\u003e","\u003cp\u003eMontauk Theatre in Brooklyn\u003c/p\u003e","\u003cp\u003eThe Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl\u003c/p\u003e","\u003cp\u003eCherry Blossoms; China Rose; The Chocolate Dandies\u003c/p\u003e","\u003cp\u003eDaddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms\u003c/p\u003e","\u003cp\u003eTwo incomplete playbills\u003c/p\u003e","\u003cp\u003eGeneral Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together\u003c/p\u003e","\u003cp\u003eThe Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home\u003c/p\u003e","\u003cp\u003eGood Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby\u003c/p\u003e","\u003cp\u003eThe Greenwich Village Follies; The Greenwich Village Follies of 1920\u003c/p\u003e","\u003cp\u003eHelen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920\u003c/p\u003e","\u003cp\u003eLassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie\u003c/p\u003e","\u003cp\u003eLittle Nelly Kelly; The Little Show; Lollipop; Love Birds\u003c/p\u003e","\u003cp\u003eMelody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime\u003c/p\u003e","\u003cp\u003eOdds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!\u003c/p\u003e","\u003cp\u003eThree playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn\u003c/p\u003e","\u003cp\u003ePadlocks of 1927; Paris; The Parisian Model\u003c/p\u003e","\u003cp\u003ePietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy\u003c/p\u003e","\u003cp\u003eR.U.R.; Rainbow; The Ramblers; The Red Mill\u003c/p\u003e","\u003cp\u003eRedemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild\u003c/p\u003e","\u003cp\u003eSimple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty\u003c/p\u003e","\u003cp\u003eThree Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes\u003c/p\u003e","\u003cp\u003e6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eA Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life\u003c/p\u003e","\u003cp\u003eA Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise\u003c/p\u003e","\u003cp\u003eA Life; A Little Family Business; A Little Night Music\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eA Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn\u003c/p\u003e","\u003cp\u003eAbelard  Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand\u003c/p\u003e","\u003cp\u003eAlan Gilbert  The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador\u003c/p\u003e","\u003cp\u003eAmerica Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eAnd Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eAs Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!\u003c/p\u003e","\u003cp\u003eBaby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum\u003c/p\u003e","\u003cp\u003eSouvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris\u003c/p\u003e","\u003cp\u003eBayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe\u003c/p\u003e","\u003cp\u003eBig Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy\u003c/p\u003e","\u003cp\u003eBlack Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday\u003c/p\u003e","\u003cp\u003eBorstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter\u003c/p\u003e","\u003cp\u003eBoris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares\u003c/p\u003e","\u003cp\u003eBroadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eTwo souvenir programs\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eCan Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eCantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats\u003c/p\u003e","\u003cp\u003eCelebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eChilds Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels\u003c/p\u003e","\u003cp\u003eCloser Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise\u003c/p\u003e","\u003cp\u003eCompany (playbills and souvenir programs)\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eConduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl\u003c/p\u003e","\u003cp\u003eCrazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All\u003c/p\u003e","\u003cp\u003eCuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano\u003c/p\u003e","\u003cp\u003eThe D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D\u003c/p\u003e","\u003cp\u003eThe Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eDeath of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted\u003c/p\u003e","\u003cp\u003eDiamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street\u003c/p\u003e","\u003cp\u003eDo Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls\u003c/p\u003e","\u003cp\u003eDr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan\u003c/p\u003e","\u003cp\u003eEaster Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World\u003c/p\u003e","\u003cp\u003eThe Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita\u003c/p\u003e","\u003cp\u003eFace Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid\u003c/p\u003e","\u003cp\u003eFiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling\u003c/p\u003e","\u003cp\u003eThree souvenir programs including one for the film version\u003c/p\u003e","\u003cp\u003eFinian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise\u003c/p\u003e","\u003cp\u003eFive Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden\u003c/p\u003e","\u003cp\u003eFollies (playbills and souvenir program); Follow the Girls; Fosse; Foxy\u003c/p\u003e","\u003cp\u003eFrank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eThe Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy\u003c/p\u003e","\u003cp\u003eGideon; Gigi (playbills and souvenir program); Gilbert  Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones\u003c/p\u003e","\u003cp\u003eGod's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour\u003c/p\u003e","\u003cp\u003eSouvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl\u003c/p\u003e","\u003cp\u003eThe Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eH.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree\u003c/p\u003e","\u003cp\u003eHalf a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire\u003c/p\u003e","\u003cp\u003eHappy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey\u003c/p\u003e","\u003cp\u003eHats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eHello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love\u003c/p\u003e","\u003cp\u003eHold On to Your Hats; Holiday for Lovers; Hooray for What!\u003c/p\u003e","\u003cp\u003eThe High Rollers Social  Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones\u003c/p\u003e","\u003cp\u003eHow the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry\u003c/p\u003e","\u003cp\u003eI Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father\u003c/p\u003e","\u003cp\u003eI Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)\u003c/p\u003e","\u003cp\u003eIllya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max\u003c/p\u003e","\u003cp\u003eIndians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March\u003c/p\u003e","\u003cp\u003eThe Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov\u003c/p\u003e","\u003cp\u003eJB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar\u003c/p\u003e","\u003cp\u003eJimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace\u003c/p\u003e","\u003cp\u003eKids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre\u003c/p\u003e","\u003cp\u003eLa Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante\u003c/p\u003e","\u003cp\u003eLa Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln\u003c/p\u003e","\u003cp\u003eLast of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It\u003c/p\u003e","\u003cp\u003eThe Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eThe Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs. \u003ctitle\u003eLiza with a Z\u003c/title\u003e tour program includes signature from Liza on last page.\u003c/p\u003e","\u003cp\u003eLook to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire\u003c/p\u003e","\u003cp\u003eAlan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim\u003c/p\u003e","\u003cp\u003eMacbeth; Mack  Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha\u003c/p\u003e","\u003cp\u003eSouvenir programs\u003c/p\u003e","\u003cp\u003eMame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)\u003c/p\u003e","\u003cp\u003eThe Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round\u003c/p\u003e","\u003cp\u003eMartin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eMe and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)\u003c/p\u003e","\u003cp\u003eMilk  Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven\u003c/p\u003e","\u003cp\u003eMister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally\u003c/p\u003e","\u003cp\u003eMurder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eMy Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I\u003c/p\u003e","\u003cp\u003eNational Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera\u003c/p\u003e","\u003cp\u003eNew York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal\u003c/p\u003e","\u003cp\u003eTwo souvenir programs\u003c/p\u003e","\u003cp\u003eNick  Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress\u003c/p\u003e","\u003cp\u003eNo Strings; Nobody Loves an Albatross; Noises Off\u003c/p\u003e","\u003cp\u003eO Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eOld Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century\u003c/p\u003e","\u003cp\u003eOn the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One\u003c/p\u003e","\u003cp\u003eOur Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat\u003c/p\u003e","\u003cp\u003eP.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion\u003c/p\u003e","\u003cp\u003ePaul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist\u003c/p\u003e","\u003cp\u003ePhoto Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy\u003c/p\u003e","\u003cp\u003ePlatinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie\u003c/p\u003e","\u003cp\u003eThe Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program\u003c/p\u003e","\u003cp\u003eRadio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime\u003c/p\u003e","\u003cp\u003eSouvenir program\u003c/p\u003e","\u003cp\u003eRed Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene\u003c/p\u003e","\u003cp\u003eRex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eThe Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo\u003c/p\u003e","\u003cp\u003eRosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)\u003c/p\u003e","\u003cp\u003eThe Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!\u003c/p\u003e","\u003cp\u003eSabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild\u003c/p\u003e","\u003cp\u003eThe Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter\u003c/p\u003e","\u003cp\u003eShenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eShow Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare\u003c/p\u003e","\u003cp\u003eSkyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys\u003c/p\u003e","\u003cp\u003eSondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song  Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music\u003c/p\u003e","\u003cp\u003eSouth Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust\u003c/p\u003e","\u003cp\u003eStarmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs\u003c/p\u003e","\u003cp\u003eThe Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset\u003c/p\u003e","\u003cp\u003eThe Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir programs\u003c/p\u003e","\u003cp\u003eTake Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie\u003c/p\u003e","\u003cp\u003eThere's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic\u003c/p\u003e","\u003cp\u003eTomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective\u003c/p\u003e","\u003cp\u003eThe Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls\u003c/p\u003e","\u003cp\u003ePlaybills and souvenir program for The Unsinkable Molly Brown\u003c/p\u003e","\u003cp\u003eThe Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria\u003c/p\u003e","\u003cp\u003eVienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices\u003c/p\u003e","\u003cp\u003eWait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story\u003c/p\u003e","\u003cp\u003eWest Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)\u003c/p\u003e","\u003cp\u003eThe White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars  Tin Pan Alley\u003c/p\u003e","\u003cp\u003eWicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child\u003c/p\u003e","\u003cp\u003eWoman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder\u003c/p\u003e","\u003cp\u003eThe Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)\u003c/p\u003e","\u003cp\u003eZiegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda\u003c/p\u003e","\u003cp\u003eThis series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.\u003c/p\u003e","\u003cp\u003eAppalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game\u003c/p\u003e","\u003cp\u003eActors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords\u003c/p\u003e","\u003cp\u003eFar from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter\u003c/p\u003e","\u003cp\u003eBen Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story\u003c/p\u003e","\u003cp\u003eReturn of the Jedi; Romeo  Juliet; Ringling Brothers and Barnum  Bailey Circus; Song of Norway; The Sound of Music\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, as well as theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, but it also includes programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.","The collection consists of three series, two of which are based on geographic location, divided by date, and then arranged alphabetically by play title. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward. If the name of the play was not present the name of theatre is used instead. Series one consists of fourteen subseries each including playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Series two consists of programs from productions performed in New York City, on and off Broadway, and in Brooklyn. Plays are listed alphabetically within each series and often one play title represents more than one playbill. Many of the playbills have ticket stubs attached to the front cover or loose inside. Newspaper clippings relating to the play also accompany some of the programs. The final series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs. ","Includes playbills and programs from theatres outside of New York City. Subseries 1.1 to 1.14 consist of programs from Austria, Boston, California, Chicago, Connecticut, Florida, London, New York State, New Jersey, Ohio, Paris, Philadelphia, Toronto, and Washington D.C. respectively. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Playbills in this subseries are from the Boston Museum, Carousel Theatre, Charles Playhouse, Colonial Theatre, Copley Theatre, Music Hall, the New Globe Theatre, North Shore Music Theatre, Plymouth Theatre, Saxon Theatre, Shubert Theatre, South Shore Music Circus, Sumner Theatre, and the Wilbur Theatre in Boston. There is also one playbill from the Court Square Theatre in Springfield, MA, one from The Dettors Theatre in Concord, MA, two from the Provincetown Playhouse On-the-wharf in Provincetown, MA, and a review of a play from Tilton, NH.","Springfield, MA","A Majority of One; A Thousand Clowns; A Very Special Baby; Anastasia; Around the World in 80 Days","Indians  review from the Tiltonian publication of the Tilton School in Tilton, NH.","First Love; Follies ; Benefit performance of  Follies  for the American Cancer Society Massachusetts division;  Giants, Sons of Giants; Grand Hotel; Guys and Dolls; Hamlet; Hot September","Mame; Married Alive!; Mid-Summer; Mr. President","The Odd Couple; On a Clear Day You Can See Forever; On the Twentieth Century; Pacific Overtures; Photo Finish; Pretty Belle; The Roar of the Greasepaint-The Smell of the Crowd; Romanoff and Juliet; Sherry!; Toys in the Attic; Wildcat; Woman of the Year","Provincetown, MA","Many of the playbills in this subseries are Performing Arts magazines and from theaters in San Franciso and Los Angeles. Theatres include the Ambassador Cocoanut grove, American Conservatory Theatre, Aquarius Theatre, Curran Theatre, Dorothy Chandler Pavilion, Huntington Hartford Theatre, Las Palmas Theatre, Little Fox Theatre, the Music Center, the Orpheum Theatre, Shubert Theatre, and the War Memorial Opera House.","Camelot; Evita; Gigi; Give 'em Hell, Harry!","Hair; Kismet; Lorelei; The Music Man; Odyssey; Oklahoma!","Pacific Overtures ; San Francisco Opera  L'elisir d'amore; Shine It On","Sunset Boulevard; Tom Jones; The Wiz","This subseries includes playbills from the Blackstone Theatre, Columbia Theatre, the Goodman Theatre, and the Happy Medium Theatre in Chicago.","Includes playbills from the Westport Country Playhouse, Goodspeed Opera House, the Hartman Theatre, The Holmes School in Darien, Stamford Center for the Arts, the Shubert Theatre, the Long Wharf Theatre, the Ivoryton Playhouse, Yale Repertory Theatre, and Westbury Music Fair in Connecticut.","A Song for Cyrano; Ain't Misbehavin'; Annie; Bells are Ringing; The Chalk Garden; Cry for Us All; Daarlin' Juno","Dear Charles; The Devil's Disciple; El Capitan; How Now Dow Jones; Illya Darling; The King and I","Kiss Me, Kate; The Marquise; The Play's the Thing","Spider's Web; Stardust; The Three Musketeers; Two by Two; The Vagabond King; Zorba","Playbill from the Parker Playhouse in Ft. Lauderdale, Florida","This subseries includes playbills from the Abbey Theatre, Adelphi Theatre, Apollo Theatre, Comedy Theatre, Daly's Theatre, Duke of York's Theatre, Her Majesty's A Stoll Moss Theatre, Lyric Theatre, National Theatre, New London Theatre, The New Lyric Opera House, New Theatre, Palace Theatre, Palladium, Phoenix Theatre, Piccadilly Theatre, Prince Edward Theatre, Prince of Wales Theatre, Queen's Hall, The Queen's Theatre, Roundabout Theatre, Royal Court Theatre, Royal Lyceum Theatre, Royal Opera House Covent Garden, Royal Shakespeare Theatre, Savoy Theatre, Shaftesbury Theatre, Strand Theatre, St. James Theatre, Theatre Royal Drury Lane, Theatre Royal Haymarket, Victoria Palace Theatre, Wyndham's Theatre in London, the West Yorkshire Playhouse in Leeds, and the Alexandrian Theatre in Liverpool.","A Madhouse in Goa; Aspects of Love; Bloomsbury; Don Carlos","Playbill and souvenir program","Souvenir programs","Follies  (includes photograph of theatre;  Front \u0026 Center  (magazine of Roundabout Theatre Company);  The Four Musketeers!","Golden Boy; Hadrian VII; Halfway Up the Tree; The Hotel in Amsterdam; Lady Be Good; Madame Tussaud's; The Mousetrap","Gone with the Wind; Hamlet; Here and Now; High Society; Les Miserables; Martin Guerre","Operettas  by Jacques Offenbach; Sadler's Wells opera at the London Coliseum;  Travesties","Miss Saigon; Murder Among Friends; Not Now, Darling; The Odd Couple; Oliver!; Over My Dead Body; Phantom of the Opera; The Quare Fellow; The Secret of Sherlock Holmes; Shirley Valentine; Show Boat; Single Spies","Steel Magnolias; Sunset Boulevard; Sweet Charity","This subseries includes playbills from Long Island theatres, SUNY, and the Tappan Zee theatre in Nyack, as well as playbills from Westchester New York. Playbills from Westchester theatres are separated and included after the Long Island, SUNY, and Nyack playbills. Playbills from High School and community productions are included alphabetically by city at the end of this subseries.","A Song for Cyrano; Anita Baker; Assassins; Chicago; Come Back, Little Sheba; Damn Yankees; Follies","Ain't Misbehavin'; At This Performance; Camelot ; Emelin Theatre 2008-2009; Emelin's Broadway Holiday Cabaret;  Friends In Deed; Funny Girl ; Johnny Carson; Liza Minnelli;  Pure Heaven; 'S Wonderful, 's Gershwin ; Steve Martin;  Sweet Hearts ; The Vienna Boys' Choir","Ann Hampton Callaway (ticket);  Call me Madam; Carousel ; The Festival Orchestra opening performance;  Fiorello!; Glad, Too; Godspell; Grow up! A Musical; How to Succeed in Business Without Really Trying; Incongruities; The Madwoman of Chaillot; New Plays 90; New Plays 91; New Plays 92 ; Second annual M.H.S. student film festival;  Studio night chamber music; Tosca; Who's out there that's for me?; Winter birds ; also includes a letter from Helen S. Murray to Charles Rodrigues","Anything Goes; Bye Bye Birdie; Brigadoon; Carnival; Cats; Cinderella '72; Fiddler on the Roof; Footlight Follies; Guys and Dolls; The King and I; Kiss Me, Kate; Li'l Abner; Mame; The Night Thoreau Spent in Jail; Once Upon a Mattress; Paint Your Wagon; Peter Pan; South Pacific; Wonderful Town","The Absence of a Cello ;  Aida  at the Verdi Opera Festival; AFS 1983 variety show; AFS 1984 variety show;  The Boy Friend; Brigadoon; My One and Only; The Old Woman Broods ; Valentine's Day benefit February 14, 1987","A Connecticut Yankee in King Arthur's Court; Fando and Lis","This subseries includes playbills and a concert program from the state of New Jersey. Theatres include the Surflight Theatre, Paper Mill Playhouse, The Whole Theatre Company, and the Broad Street Theatre.","Animal Crackers; Children of Eden ; Fleetwood Mac, concert program;  Follies; Phantom of the Opera; The Trojan Women; Where's Charley?","This subseries includes playbills from the state of Ohio. Theatres include B.F. Keith's Hippodrome, the Cincinnati Music Theatre, and The Cincinnati Playhouse in the park.","This subseries includes playbills from the city of Paris. Theatres include the Cabaret Lido Paris, Theatre De La Renaissance, and the Theatre National de L'Opera.","This subseries includes playbills from the city of Philadelphia. One playbill from Pittsburgh's Nixon Theatre is included at the end of the Philadelphia pre-1934 playbills. Theatres include The Academy of Music, Broad Street Theatre, The Erlanger Theatre, Forrest Theatre, The Goldman Theatre, The Little Theatre, The New Locust Theatre, Playhouse, Shubert Theatre, Society Hill Playhouse, Valley Forge Music Fair, Walnut Theatre, and The University of Pennsylvania.","Pittsburgh","70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; A Call on Kuprin; A Cook for Mr. General; A Man's a Man; A Matter of Position; A Severed Head; A Thurber Carnival; A View from the Bridge; Advise and Consent; All American; Alice; Anyone Can Whistle; Ari; Artur Rubinstein; The Aspern Papers; The Beauty Part; Big Fish, Little Fish; Brain Child; Butterflies Are Free; Bye Bye Birdie; Chicago; Christine; Copper and Brass","Daughter of Silence; Dear Me, the Sky is Falling; Destry Rides Again; The Disenchanted; Do Re Mi; Donnybrook; Elizabeth the Queen; Enrico; The Fantasticks; The Fighting Cock; First impressions; Five finger exercise; Four on a garden; The fun couple; Funny girl; Gideon; The girl who came to supper; Goodbye Charlie; Greenwillow; Gypsy; H.M.S. Pinafore; Here's love; High spirits","The Highest Tree; Hot Spot; How Now, Dow Jones; I Can Get It for You Wholesale; I Remember Mama; In the Counting House; J.B.; Julia, Jake, and Uncle Joe; Little Me; Lolita, My Love; Lord Pengo; Love and Kisses; Lovely Ladies, Kind Gentlemen; Luther; Mame; The Marriage-Go-Round; Mary Stuart; Milk and Honey; The Milk Train Doesn't Stop Here Anymore; The Miracle Worker; My Fair Lady","National Repertory Theatre;  No, No, Nanette; Nowhere to Go But Up; Old World; Period of Adjustment ; The Philadelphia Orchestra (1962-1963 season);  The Pleasure of His Company; The Prince of Grand Street; Ready When You Are C.B.!; Romulus; Say, darling; The school for scandal; She loves me; Spartacus; Something About a Soldier; Stop the World - I Want to Get Off; The Subject Was Roses; Sugar; Sugar Babies; Sweet Bird of Youth; Take Her, She's Mine; Take Me Along; There Was a Little Girl; Threepenny Opera; Tovarich","The Umbrella; The Visit; The Wall; Wildcat; Who's Afraid of Virginia Wolf?; The World of Carl Sandburg; Zorba","Four one-act plays:  Present Day Courtship, The Still Alarm, People in the Wind, In the Zone; The Sandbox, The Lesson, Daughters; Medea; She Stoops to Conquer ; The Stringart Quartet artists-in-residence; The University of Pennsylvania Glee club and Pennsyngers","This subseries includes playbills from the city of Toronto. Playbills are from the Melody Fair and the Royal Alexandra Theatre.","This subseries includes playbills from the city of Washington D.C. Playbills are from the Kennedy Center, National Theatre, Signature Theatre, and the Morris A. Mechanic Theatre in Baltimore.","The Alvin Alley City Center Dance Theatre; Applause; Carnival!","Lost in the Stars; Natural Affection; Over and Over; Rex; Sondheim Celebration; Spotlight; Sugar; The Visit","This series contains playbills and souvenir programs from a variety of theatres and venues including those found on Broadway, off-Broadway, off-off Broadway and in Brooklyn. Playbills from performances prior to 1934 are included at the beginning of each series in alphabetical order by play followed by playbills that date 1934 and onward.","Angel Face; Animal Crackers; Apple Blossoms; The Apple Cart","Ballyhoo; Ballyhoo of '32; The Bandwagon","Playbills from the Broadhurst and Shubert theatres","Montauk Theatre in Brooklyn","The Blackbirds of 1928; Blossom Time; Blue Eyes; Broadway; The Broadway Whirl","Cherry Blossoms; China Rose; The Chocolate Dandies","Daddies; The Dancing Girl; Dearest Enemy; Death Takes a Holiday; The Desert Song; Design for Living; Desire Under the Elms","Two incomplete playbills","General Post; Gentlemen Prefer Blondes; George White's Scandals; Getting Married; Getting Together","The Girl Behind the Gun; Girl Crazy; The Girl Friend; The Girl from Home","Good Gracious Annabelle; Girls; Good Boy; Good News; The Grab Bag; Grand Hotel; The Great Adventure; The Great Divide; The Great Gatsby","The Greenwich Village Follies; The Greenwich Village Follies of 1920","Helen of Troy, New York; Hello Daddy; Here's Howe; Hit the Deck; Hitchy-Koo 1920","Lassie; The Lassoo; The Laugh Parade; The Last Waltz; Liliom; The Lie","Little Nelly Kelly; The Little Show; Lollipop; Love Birds","Melody; Men in White; The Merry Widow; Midnight Revue; Miss Springtime","Odds and Ends of 1917; Of Thee I Sing; Oh, Boy!; Oh, Kay!, Oh Look, Oh, please!","Three playbills, two of which are for vaudeville performances at the Orpheum Theatre in Brooklyn","Padlocks of 1927; Paris; The Parisian Model","Pietro; Pitter Patter; Poor Little Ritz Girl; Poppy; Porgy","R.U.R.; Rainbow; The Ramblers; The Red Mill","Redemption; Revels; The Rise of Rosie O'Reilly; Rosalie; Rose Bernd; Rose-Marie; The Royal Family; The Royal Vagabond; Running Wild","Simple Simon; Singin' the Blues; Six Characters in Search of an Author; Smiles; Some Time; The Song and Dance Man; Song of the Flame; Spring is Here; Strange Interlude; Street Scene; Strike Me Pink; Strike Up the Band; The Student Prince in Heidelberg; Sweet; Sweet Little Devil; Swifty","Three Wise Fools; Three's a Crowd; Tickle Me; Tip-Toes","6 Rms Riv Vu; The 25th Annual Putnam County Spelling Bee; 42nd Street; 70, Girls, 70; 110 in the Shade; 1600 Pennsylvania Avenue; 1776","Souvenir program","A Bell for Adano; A Bistro Car; A Broadway Musical; A Case of Libel; A Catered Affair; A Celebration of Richard Rodgers; A Chorus Line; A Class Act; A Day in Hollywood / A Night in the Ukraine; A Day in the Life of Just About Everyone; A Delicate Balance; A Doll's Life","A Far Country; A FunnyTthing Happened on the Way to the Forum; A Hand Is on the Gate; A Hatful of Rain; A Kurt Weill Cabaret; A Joyful Noise","A Life; A Little Family Business; A Little Night Music","Souvenir program","A Majority of One; A Meeting by the River; A Moon for the Misbegotten; A Night at the Palace; A Party with Betty Comden and Adolph Green; A Patriot for Me; A Passage to India; A Place Without Doors; A Raisin in the Sun; A Salute to ASCAP; A Shot in the Dark; A Streetcar Named Desire; A Tale of Two Cities; A Taste of Honey; A Thurber Carnival; A Time for Singing; A Tree Grows in Brooklyn","Abelard  Heloise; Accidental Death of an Anarchist; The Act; The Actors Studio Theatre productions 1963-1964; ACT (American Conservatory Theatre); The Adventures of Tom Sawyer; Advise and Consent; After the Rain; Ah, Wilderness; Ain't Broadway Grand","Alan Gilbert  The New York Philharmonic; All Over; All the Way home; All's Well That Ends Well; Alfie!; Allegro; Amadeus; Ambassador","America Kicks Up Its Heels; American Ballet Theatre; The American Dance Machine; The American Way; Amour","Souvenir program","And Miss Reardon Drinks a Little; And the World Goes Around; The Andersonville Trial; Angel; Angel Street; Angels in America; Anna Karenina; Annie","Souvenir program","Souvenir program","Souvenir program","As Is; The Astrakhan Coat; Assassins; At the Drop of Another Hat; Auntie Mame; Autumn's Here!","Baby Want a Kiss; Bajour; Baker street; The Ballad of the Sad Cafe; Ballroom; Barbara Back to Broadway; Barefoot in Athens; Barefoot in the Park; Barnum","Souvenir programs for: Barefoot in the Park; Barnum; Beauty and the Beast; Beggar on Horseback; The Beggar's Opera; Belafonte at the Palace; Ben Franklin in Paris","Bayanihan; Beekman Place; Beg, Borrow or Steal; Beggar's Holiday; Bell's are Ringing; Ben Franklin in Paris; Bernadine; Best Foot Forward; The Best Little Whorehouse Goes Public; The Best Little Whorehouse in Texas; The Best Man; Beyond the Fringe","Big Deal; Billion Dollar Baby; Billy; The Birthday Party; Bklyn; Black and Blue; Black Broadway; Black Chiffon; Black Comedy","Black Comedy White Lies; Blast; Blithe Spirit; Blood Brothers; Blood Red Roses; Bloomer Girl; Blue Denim; Blues for Mister Charlie; The Body Beautiful; Born Yesterday","Borstal Boy; The Boy Friend; The Boy from Oz; Boys and Girls Together; The Boys from Syracuse; The Boys in the Band; The Boys of Winter","Boris Aronson (exhibit catalogue); Breakfast at Tiffany's; Breaking Legs; Brief Lives; Brigadoon; Brighton Beach Memoirs; Bring Back Birdie; Broadway Cabaret Festival; Broadway Cares","Broadway on Broadway; Broadway's Stars in the Alley; Bubbling Brown Sugar; The Buddy Holly Story; Butterflies are Free; By George; By Jupiter; Bye Bye Birdie","Souvenir program","Two souvenir programs","Souvenir program","Souvenir program","Can Can; Candida; Candide; Canterbury Tales (playbills and souvenir program)","Cantorial; Carmelina; Carousel (playbill and souvenir program); Carnival!; Carrie; Catch Me If You Can; Cats","Celebration; Century of Change; Charles Aznavour; Checking Out; Chess (playbill and souvenir program); Chicago (playbills and souvenir program)","Childs Play; The Chinese Prime Minister; Chips With Everything; Chita Rivera: The Dancer's Life; Chitty Chitty Bang Bang; City Center Joffrey ballet; City of Angels","Closer Than Ever; Cloud 7; Coco (playbills and souvenir program); The Color Purple (playbill and souvenir program); Come Blow Your Horn; Come on Strong; Come Summer; The Comedie Francaise","Company (playbills and souvenir programs)","Souvenir program","Conduct Unbecoming; The Contrast; Copper and Brass; Counsellor-at-Law; The Country Girl","Crazy For You; The Cradle Will Rock; The Creation of the World and Other Business; Critic's Choice; Cry For Us All","Cuba and His Teddy Bear; Curtains (playbills and souvenir program); Cyrano","The D'oyly Carte Opera Company; Dame Edna; Dames at Sea; Damn Yankees; Dance a Little Closer; Dance of Death; Dance of the Vampires; Dancin'; Daphne in Cottage D","The Dark at the Top of the Stairs; The Day Before Spring; The Day the Money Stopped; Dear Janet Rosenberg Dear Mr. Kooning; Dear Ruth; Dear Me, the Sky is Falling; Dear World (playbills and souvenir program)","Death of a Salesman; The Deputy (playbills and souvenir program); The Desperate Hours; Destry Rides Again; Deuce; The Devils; The Disenchanted","Diamonds; Different Times; Dinner at Eight; Dirty Rotten Scoundrels; Division Street","Do Black Patent Leather Shoes Really Reflect Up?; Do Re Mi; Do I Hear a Waltz?; Doctor Jazz; Does a Tiger Wear a Necktie?; Don Carlo and Les Troyens; Don't Drink the Water; The Doughgirls","Dr. Cook's Garden; Dracula; Drat the Cat; Dreamgirls; Drink to Me Only; The Drowsy Chaperone (playbill and souvenir program); Du Barry Was a Lady; Dude: The Highway Life; Duel of Angels; Dylan","Easter Bonnet Competition; Eating Raoul; El Bravo!; Elba; End of the World","The Effect of Gamma Rays on Man-in-the-Moon Marigolds; Elizabeth 1; Emperor Henry IV; Enter Laughing; Entertaining Mr. Sloane; Equus; The Ethel Merman Show; Everything in the Garden; Evita","Face Value; Fade Out-Fade In; Fair Game; Fallen Angels; The Family Reunion; Fanny (playbills and souvenir programs); Father's Day; Fences; Fiesta in Madrid","Fiddler on the Roof (playbills and souvenir program); Fifth of July; The Fig Leaves are Falling","Three souvenir programs including one for the film version","Finian's Rainbow; Fiorello!; Fire!; The First; The Firstborn (playbill and souvenir program); First Impressions; Fit to be Tied; Five Finger Exercise","Five Guys named Moe; The Flip Side; Flora the Red Menace; Flower Drum Song; Folies Bergere; Fortune and Men's Eyes; Forty Carats; Four on a Garden","Follies (playbills and souvenir program); Follow the Girls; Fosse; Foxy","Frank Merriwell or Honor Challenged; Frankenstein; Fred Ebb; The Frogs (playbills and souvenir program); From A to Z; The Front Page; The Full Monty","Playbills and souvenir programs","The Gang's All Here; Gantry; The Gazebo; Geese; Generation; George M.; Georgy","Gideon; Gigi (playbills and souvenir program); Gilbert  Sullivan Company; Gilbert Becaud on Broadway; The Gingerbread Lady; The Girl Against the Boys; The Girl Who Came to Supper; The Glass Menagerie; The Glorious Ones","God's Favorite; Golden Bat; Golden Boy; Golden Rainbow; Goldilocks; The Good Times Are Killing Me; The Goodbye Girl; Goodbye My Fancy; Goodtime Charlie; Grand Hotel (playbills and souvenir program); The Grand Tour","Souvenir programs for: Godspell; Golden Boy; Golden Rainbow; The Goodbye Girl","The Grass Harp; The Great God b=Brown; The Great Waltz; The Great White Hope (souvenir program); Greenwillow; Grey Gardens; Guys and Dolls; Gypsy (souvenir program)","Playbills and souvenir program","H.M.S. Pinafore; Hadrian VII; Hail Scrawdyke!; Hair; Hairspray; Half a Sixpence; Halfway Up the Tree","Half a Sixpence (souvenir program); Halfway Up the Tree; Hallelujah, Baby! (playbill and souvenir programs); Hamlet; Handful of Fire; Happiest Millionaire","Happy Birthday; Happy Birthday, Wanda June; The Happy Time (playbill and souvenir program); Happy Town; Happy Hunting (playbills and souvenir program); Harvey","Hats Off to Ice; Hay Fever; Heathen!; Hello, Dolly!","Playbills and souvenir programs","Hello, Solly!; Henry V; Henry, Sweet Henry (playbills and souvenir program); Here's Love","Hold On to Your Hats; Holiday for Lovers; Hooray for What!","The High Rollers Social  Pleasure Club; The History Boys; Home; Home Sweet Home; The Homecoming; The Hostage; Hot Spot; The House of Blue Leaves; How Now Dow Jones","How the Other Half Lives; How to Be a Jewish Mother; How to Succeed in Business Without Really Trying; How's the World Treating You; Hughie; Hurry, Harry","I Am a Camera; I Can Get It for You Wholesale; I Do! I Do! (playbills and souvenir program); I Had a Ball; I Hate Hamlet; I Know My Love; I Like It Here; I Never Sang for My Father","I Remember Mama; I'm Not Rappaport; Icetime; Illya Darling (souvenir program)","Illya Darling; The Impossible Years; In Bed We Cry; Inadmissible Evidence; Inbal; The Incomparable Max","Indians; Inherit the Wind; Inquest; International Soiree; Into the Woods (playbills and souvenir program); The Investigation; Invitation to a March","The Irregular Verb to Love; Is He Dead?; It Ain't Nothing but the Blues; It's a Bird, It's a Plane, It's Superman; Ivanov","JB; Jacobowsky and the Colonel; Jacques Brel is Alive and Well and Living in Paris; Jake's Women; Jamaica; James Joyce's The Dead; Jane; Janus; Jelly's Last Jam; Jennie; Jerome Robbins' ballets: U.S.A.; Jerome Robbins' on Broadway (playbills and souvenir program); Jesus Christ Superstar","Jimmy; Joan of Lorraine; The Jocky Club Stakes; Joe Egg; Johnny Johnson; Johnny No-Trump; Joseph and the Amazing Technicolor Dreamcoat; Joy; Journey's End; Jubilee; Judgment at Nuremberg, Judy Garland: At Home at the Palace","Kids Care; The Killing of Sister George; The King and I (playbills and souvenir program); King of Hearts; Kismet; Kiss of the Spiderwoman (playbill and souvenir program); The Knack; Kurt Weill: Making Music Theatre","La Bohème; La Cage aux Folles; La Grosse Valise; La Plume de Ma Tante","La Strada; Lady in the Dark; The Lake; Larry Kert 1930-1991; The Last Analysis; The Last of Mrs. Lincoln","Last of the Red Hot Lovers; The Last Sweet Days of Isaac; Laughs and Other Events; Legally Blonde; Legs Diamond; Les Ballets de Paris; Les Blancs; Lestat (playbill and souvenir program); Let's Face It","The Life; Life with Father; The Light in the Piazza; The Lion in Winter; Little Me (playbills and souvenir program)","Playbills and souvenir program","The Little Mermaid (playbills and souvenir program); Little Murders; Little Women (playbills and souvenir program); Lolita; Look After Lulu; Look Back in Anger; Look Homeward Angel","Playbills and souvenir programs.  Liza with a Z  tour program includes signature from Liza on last page.","Look to the Lillies; Loot; Lord Pergo; Lorelei (playbills and souvenir program); Lost in the Stars; Louisiana Purchase; Love Life; Love! Valour! Compassion!; Lovely Ladies, Kind Gentlemen; LoveMusik; The Loves of Cass McGuire","Alan Jay Lerner; Betty Comden and Adolph Green; Carolyn Leigh; Dorothy Fields; E.Y. 'Yip' Harburg; Fred Ebb and John Kander; Life is a Cabaret: A tribute to Fred Ebb; Hal David; Harold Rome; Jerry Herman; Johnny Mercer; Sammy Cahn; Shelden Harnick; Stephen Schwartz; Stephen Sondheim","Macbeth; Mack  Mabel (playbill and souvenir program); Madam Butterfly; Maggie Flynn; Make Mine Manhattan; Man of La Mancha","Souvenir programs","Mame (playbills and souvenir programs); The Mambo Kings; Mamma Mia; The Man in the Glass Booth (souvenir program)","The Man Who Came to Dinner; The Man Who Had All the Luck; The Man With a Load of Mischief; Marcel Marceau; Mark Twain Tonight!; Marlene Dietrich; The Marriage-Go-Round","Martin Short: Fame Becomes Me (playbill and souvenir program); Mary, Mary; Mary Poppins (playbills and souvenir program)","Me and My Girl (playbills and souvenir program); Meet Me in St. Louis; The Megilla of Itzik Manger; The Member of the Wedding; Merlin; Merrily We Roll Along; Metro; The Metropolitan Opera: Met in the Parks (June 2007)","Milk  Honey; Milliken Breakfast Show; Minnelli on Minnelli; Minnie's Boys; Minor Miracle; The Miracle Worker; Miss Liberty; Mister Roberts; Molly; Monty Python's Spamalot; More Stately Mansions; Morning's at Seven","Mister Johnson; Monty Python's Spamalot (souvenir program); More Stately Mansions (souvenir program); Morning, Noon, and Night; The Most Happy Fella; Mourning Become Electra; Movin' Out; Mr. Wonderful; Mr. President; Mrs. Dally","Murder at Minsing Manor: A Nancy Boys Mystery; Music! Music!; Music in My Heart; Music in the Air; The Music Man (playbill and souvenir program); The Musical Theatre of Harold Prince; Musicals in Mufti; My Fair Lady (playbills and souvenir program); My One and Only (playbill and souvenir program)","My Fair Lady; My Favorite Year; My Funny Valentine; My Sister Eileen; My Wife and I","National Ballet; Natural Affection; Nature's Way; The Nerd; The Nervous Set; Never Too Late; The New Musical of Israel; New York City Ballet; New York City Opera","New York City Ballet (playbills and Nutcracker souvenir program); New York City Opera; New York Philharmonic; The New Yorkers; The Next President; Next to Normal","Two souvenir programs","Nick  Nora; The Night Circus; The Night of the Iguana; Night Watch; Nine (playbills and souvenir program); No, No, Nanette; No Place to Be Somebody; The Ninety Day Mistress","No Strings; Nobody Loves an Albatross; Noises Off","O Mistress Mine; The Odd Couple; Of Thee I Sing; Oh! Calcutta!; Oh, Captain!; Oh, Kay!; Oh What a Lovely War; Oil City Symphony; Oklahoma! (playbills and souvenir program)","Old Times; Old Vic; Oliver! (playbills and souvenir program); On a Clear Day You Can See Forever (playbills and souvenir programs); On Golden Pond; On the Town; On the Twentieth Century","On the Waterfront; On Your Toes; Once More, With Feeling; Once on This Island (playbill and souvenir program); Once Upon a Mattress; One More River; One Night Stand; One Touch of Venus; The Only Game in Town; Orpheus Descending; Over Twenty-One","Our Country's Good; Our Town; Out Cry; Out of This World; The Owl and the Pussycat","P.S. I Love You; Pacific Overtures; The Pajama Game; Pal Joey; Pamela's First Musical; Panama Hattie; Paris Is Out!; Park; Passion; The Passion","Paul Sills' Story Theatre; Paul Taylor Dance Company; The Penny Wars; Perfectly Frank; Period of Adjustment; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Petrified Forest; Phantom of the Opera (playbill and souvenir program); Philadelphia, Here I Come!; The Philanthropist","Photo Finish; Pickwick (playbill and souvenir program); Pippin (playbill and souvenir program); The Pirate Queen (playbill and souvenir program); The Pirates of Penzance; Plain and Fancy","Platinum; Play It Again, Sam; Plaza Suite; The Pleasure of His Company; Ponti; Poor Bitos; Poor Richard; Porgy and Bess; Portofino; Pousse-Café; The Power and the Glory; The Prime of Miss Jean Brodie","The Prisoner of Second Avenue; The Private Ear and the Public Eye; Private Lives; The Producers; Program I; Program II; Program III; Promenade; Promises, Promises (playbill and souvenir program); Pump Boys and Dinettes","Playbills and souvenir program","Radio City Music Hall (playbills and a souvenir program); Radio City Music Hall Christmas Spectacular; Rags; Ragtime","Souvenir program","Red Gloves; The Red Mill; The Red Shoes; Red White and Maddox; Redhead; Rendezvous with Marlene","Rex (playbills and souvenir program); Ring Bells! Sing Songs! (playbills and souvenir programs); The Rink (playbills and souvenir program)","The Rise and Fall of the City of Mahagony (souvenir programs); The Ritz; The Roar of the Greasepaint - The Smell of the Crowd (playbills and souvenir program); The Robber Bridegroom; Rockabye Hamlet; The Rocky Horror Picture Show; Room Service; The Rose Tattoo","Rosencrantz and Guildenstern Are Dead; The Rothschilds (playbills and souvenir program); The Royal Ballet (souvenir programs)","The Royal Family; The Royal Hunt of the Sun; Rugatino; Rumple; Ruthless!","Sabrina Fair; Sadie Thompson; Salvation; Saratoga; Say, Darling; The School for Scandal (playbills and souvenir program); The School for Wives; Scratch; Scrooge (souvenir program); The Secret Affairs of Mildred Wild","The Secret Garden; Seesaw (playbills and souvenir program); The Selling of the President; Send Me No Flowers; Set to Music; Seven Days of Mourning; She Loves Me!; Sheep on the Runway; Shelter","Shenandoah (playbills and souvenir programs); Sherry!; Shinbone Alley; Shogun: The Musical; Show Boat (playbill and souvenir program)","Show Boat; The Show Is On; The Sign in Sidney Brustein's Window; Silent Night, Lonely Night; Silk Stockings; Silverlake; Sing Happy (playbills and souvenir program); Sister Mary Ignatius Explains It All for You; The Actor's Nightmare","Skyscraper (playbill and souvenir program); Sleight of Hand; Sleuth; Slow Dance on the Killing Ground; Smile; Smokey Joe's Cafe: The Songs of Leiber and Stoller; Social Security; Soldiers; Solitaire, Double Solitaire; Something Different; Something for the Boys","Sondheim: A Celebration at Carnegie Hall; Sondheim: A Musical Tribute; Song  Dance (playbills and souvenir program); Song of Norway (playbill and souvenir programs); Song of the Grasshopper; Soon; The Sound of Music","South Pacific (playbills and souvenir program); Splendora; Spofford; The Star Spangled Girl; Star and Garter; Stardust","Starmites; Stars of the Bolshoi Ballet; Stars of the New York Stage 1870-1970 (exhibit catalogue); State Fair; Steel Pier; Sticks and Bones; Stop the World- I Want to Get Off; Strange Interlude; Street Songs","The Subject Was Roses; Subways Are for Sleeping; Sugar (playbills and souvenir program); Summer of the 17th Doll; Sunday in the Park with George (playbills and souvenir program); Sunset","The Sunshine Boys; The Supporting Cast; The Survival of St. Joan: A Medieval Rock Opera; Sweeney Todd: The Demon Barber of Fleet Street (playbills and souvenir program); Sweet Bird of Youth","Playbills and souvenir programs","Take Me Along; Taking Steps; Tango Argentino; Tchaikovsky at Carnegie Hall; Tchin-Tchin (playbills and souvenir programs); The Teahouse of the August Moon; Ten Little Indians; Tenderloin; The Tenth Man; That Championship Season; That's Entertainment; There Was a Little Girl; They're Playing Our Song; Thoroughly Modern Millie","There's a Girl in My Soup; Three Men on a Horse; The Threepenny Opera; Time Remembered; Tiny Alice; Titanic","Tomorrow, the World; Tonight at 8:30; Tony Award programs; Too True to Be Good; Tovarich; Toys in the Attic; Traveller Without Luggage; The Trial of Lee Harvey Oswald; Tricks; Trixie True: Teen Detective","The Tumbler; The Tunnel of Love; Twelfth Night; Twigs; Two by Two (playbill and souvenir program); Two Gentlemen of Verona (playbills and souvenir program); The Two Mrs. Carrolls","Playbills and souvenir program for The Unsinkable Molly Brown","The Utter Glory of Morrissey Hall; Veronica's Room; Very Dry and on the rocks; Very Good Eddie (playbills and souvenir program); Via Galactica; Victor Victoria","Vienna Boys Choir (souvenir program); Vintage '60; The Visit; Vivat! Vivat Regina!; The Voice of the Turtle; Voices","Wait a Minim!; Wait Until Dark; Walking Happy; Wall to Wall Richard Rodgers; Waltz of the Toreadors; War and Peace; Warp One: My Battlefield, My Body; We Have Always Lived in the Castle; The Wedding Singer (playbills and souvenir program); Welcome to the Club; West Side Story","West Side Story (playbills and souvenir programs); What Did We Do Wrong?; What Makes Sammy Run? (playbill and souvenir program); When Pigs Fly; Where's Charley? (playbill and souvenir program)","The White House; Who Was That Lady I Saw You With?; Who's Afraid of Virginia Woolf?; The Who's Tommy; Whodunnit; Whoop Dee Doo!; Whoop Up; Whores, Wars  Tin Pan Alley","Wicked (playbills and souvenir program); Wiener Blut (playbill and souvenir program); Wild and Wonderful; The Will Rodgers Follies; Winesburg, Ohio; Wings; Wish You Were Here; Wise Child","Woman of the Year (playbills and souvenir program); The Woman in White; Wonderful Tennessee; Wonderhouse; Working; The World of Suzie Wong; Write Me a Murder","The Yearling; You Can't Take It With You; You Know I Can't Hear You When the Water's Running; Young Frankenstein (playbills and souvenir program)","Ziegfeld Follies; Zombie Prom; Zoot Suit; Zorba (playbills and souvenir programs); The Zulu and the Zayda","This series includes programs from films, music scores, theatre advertisement mailings, and ticket stubs. Within this series music scores are listed first in alphabetical order followed by film programs and then mailings from theatres, newspaper and magazine clippings, pamphlets and advertisements, show announcements, and assorted ticket stubs.","Appalachian Autumn; The Day Before Sunday; Dear Friends; Do Not Go Gentle Into That Good Night; The Experiment; My Father and My Mother; The People Next Door; Sadbird; Saturday Adoption; Secrets; Shadow Game","Actors Equity Association \"Equity\" magazine; Blithe Spirit; Camelot; Chinese Theatre Hollywood; Crossed Swords","Far from the Madding Crowd; Goodbye, Mr. Chips; Helen Hayes: Portrait of an American Actress; Indiana Jones and the Temple of Doom; Latin Quarter; The Lion in Winter","Ben Hur; El Cid; How the West Was Won; It's a Mad Mad, Mad, Mad World; Judgment at Nuremburg; Lawrence of Arabia; The Longest Day; Mutiny on the Bounty; The Wonderful World of the Brothers Grimm; West Side Story","Return of the Jedi; Romeo  Juliet; Ringling Brothers and Barnum  Bailey Circus; Song of Norway; The Sound of Music"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d46ac9a9e4e3a7b9dc6e8e0b7d7a8d53\" label=\"Abstract\"\u003eThe Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements.\u003c/abstract\u003e"],"abstract_tesim":["The Charles Rodrigues playbill collection consists of playbills and programs from 1879-2009. The bulk of the collection material represents plays performed on and off Broadway, but it also includes programs from theatres in Philadelphia, Boston, Connecticut, Long Island, New Jersey, Washington D.C., San Francisco, Los Angeles, Ohio, and Chicago. This collection represents a broad cross-section of programs with plays as the main source, as well as, programs from burlesque houses, vaudeville performances, and concerts. Playbills can be important documents for researchers in that they depict the world of theatre changing over time and often provide rich information about prevailing cultural and social attitudes of the moment through articles and advertisements."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Rodrigues, Charles"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Rodrigues, Charles"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":563,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T07:14:19.084Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_113"}},{"id":"vifgm_repositories_2_resources_577","type":"collection","attributes":{"title":"College of Visual and Performing Arts records","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_577#creator","type":"document_value","attributes":{"value":"George Mason University. College of Visual \u0026 Performing Arts","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_577#abstract_or_scope","type":"document_value","attributes":{"value":"The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_577#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_577","ead_ssi":"vifgm_repositories_2_resources_577","_root_":"vifgm_repositories_2_resources_577","_nest_parent_":"vifgm_repositories_2_resources_577","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_577.xml","title_ssm":["College of Visual and Performing Arts records"],"title_tesim":["College of Visual and Performing Arts records"],"unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0011","/repositories/2/resources/577"],"text":["R0011","/repositories/2/resources/577","College of Visual and Performing Arts records","Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters","There are no access restrictions.","This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)","George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, ","Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.","Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.","The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the ","The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts","English"],"unitid_tesim":["R0011","/repositories/2/resources/577"],"normalized_title_ssm":["College of Visual and Performing Arts records"],"collection_title_tesim":["College of Visual and Performing Arts records"],"collection_ssim":["College of Visual and Performing Arts records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_corpname_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creators_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the College of Visual and Performing Arts between 1984 and 2016."],"access_subjects_ssim":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"access_subjects_ssm":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"has_online_content_ssim":["false"],"extent_ssm":["36.0 linear feet (64 boxes)"],"extent_tesim":["36.0 linear feet (64 boxes)"],"genreform_ssim":["Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject first and then chronologically and alphabetically respectively.\u003c/p\u003e\n","\u003cp\u003e The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 4: \"In The Wings\", 1990s-1999 (Box 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Department of Music, 1968-2001 (Boxes 16-27)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\u003c/item\u003e\n      \u003citem\u003eSeries 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)"],"bibliography_html_tesm":["\u003cbibref\u003eGeorge Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, \u003cextptr href=\"https://cvpa.gmu.edu/about/our-history\" title=\"https://cvpa.gmu.edu/about/our-history.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, "],"bioghist_html_tesm":["\u003cp\u003eBeginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical note"],"bioghist_tesim":["Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018."],"prefercite_html_tesm":["\u003cp\u003eCollege of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["College of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/ftp.html\" title=\"Federal Theater Project\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records\" show=\"new\"\u003e\u003c/extptr\u003e, and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/tfa.html\" title=\"Theater of the First Amendment\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the "],"scopecontent_html_tesm":["\u003cp\u003eThe materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.\u003c/p\u003e\n","\u003cp\u003e Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. \u003c/p\u003e\n","\u003cp\u003e Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e\n","\u003cp\u003e Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e\n","\u003cp\u003e Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". \u003c/p\u003e\n","\u003cp\u003e Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e\n","\u003cp\u003e Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.\u003c/p\u003e\n","\u003cp\u003e Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e\n","\u003cp\u003e Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e\n","\u003cp\u003e Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e\n","\u003cp\u003e Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e\n","\u003cp\u003e Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e\n","\u003cp\u003e Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.\u003c/p\u003e\n","\u003cp\u003e It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.\u003c/p\u003e\n","\u003cp\u003e This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.\u003c/abstract\u003e"],"abstract_tesim":["The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:01:53.579Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_577","ead_ssi":"vifgm_repositories_2_resources_577","_root_":"vifgm_repositories_2_resources_577","_nest_parent_":"vifgm_repositories_2_resources_577","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_577.xml","title_ssm":["College of Visual and Performing Arts records"],"title_tesim":["College of Visual and Performing Arts records"],"unitdate_ssm":["1930-2015"],"unitdate_inclusive_ssm":["1930-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0011","/repositories/2/resources/577"],"text":["R0011","/repositories/2/resources/577","College of Visual and Performing Arts records","Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters","There are no access restrictions.","This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)","George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, ","Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.","Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.","The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the ","The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.","There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.","The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.","George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts","English"],"unitid_tesim":["R0011","/repositories/2/resources/577"],"normalized_title_ssm":["College of Visual and Performing Arts records"],"collection_title_tesim":["College of Visual and Performing Arts records"],"collection_ssim":["College of Visual and Performing Arts records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creator_corpname_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"creators_ssim":["George Mason University. College of Visual \u0026 Performing Arts"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the College of Visual and Performing Arts between 1984 and 2016."],"access_subjects_ssim":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"access_subjects_ssm":["Photography -- Negatives","Dance","George Mason University. Center for Study of Public Choice","Music","Theater","Playwriting","Color photography","Slides (Photography)","Theater programs","Performing arts","Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"has_online_content_ssim":["false"],"extent_ssm":["36.0 linear feet (64 boxes)"],"extent_tesim":["36.0 linear feet (64 boxes)"],"genreform_ssim":["Negatives","Performing arts posters","Photographs","Playscript","Theatrical posters","Color photographs","Concert posters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject first and then chronologically and alphabetically respectively.\u003c/p\u003e\n","\u003cp\u003e The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eSeries 1: International Arts Festival, 1980s-2005 (Boxes 1-2)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12)\u003c/item\u003e\n      \u003citem\u003eSeries 4: \"In The Wings\", 1990s-1999 (Box 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Department of Music, 1968-2001 (Boxes 16-27)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64)\u003c/item\u003e\n      \u003citem\u003eSeries 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35)\u003c/item\u003e\n      \u003citem\u003eSeries 9: Playbills/Programs, 1966-2005 (Boxes 37-42)\u003c/item\u003e\n      \u003citem\u003eSeries 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52)\u003c/item\u003e\n      \u003citem\u003eSeries 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject first and then chronologically and alphabetically respectively."," The collection was arranged as such in order to maintain cohesion between the series and subjects within it in a meaningful way in terms of dates. When dates were unreliable, alphabetical organization was used to add order to the materials. A note: The boxes in each series are not always chronological or next to one another in the stacks.","Series 1: International Arts Festival, 1980s-2005 (Boxes 1-2) Series 2: Theater Department/GMU Players, 1962-2012 (Boxes 3-10, 36, 44) Series 3: Arts Center Associates (ACA), 1980-1998 (Boxes 11-12) Series 4: \"In The Wings\", 1990s-1999 (Box 13) Series 5: Center for the Arts/Institute of the Arts, 1987-2013 (Boxes 14-15, 45-46, 60-62) Series 6: Department of Music, 1968-2001 (Boxes 16-27) Series 7: Photographs/Negatives/Slides, 1949-2003 (Boxes 28-33, 59, 63, 64) Series 8: Jane Pearson Papers, 1987-2004 (Boxes 34-35) Series 9: Playbills/Programs, 1966-2005 (Boxes 37-42) Series 10: CD-Rs/AV, 1970s-2015 (Boxes 47, 49-52) Series 11: Outside the GMU Theater, 1930s-1991 (Boxes 43, 48, 53-58)"],"bibliography_html_tesm":["\u003cbibref\u003eGeorge Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, \u003cextptr href=\"https://cvpa.gmu.edu/about/our-history\" title=\"https://cvpa.gmu.edu/about/our-history.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["George Mason University College of Visual and Performing Arts, \"Our History\", College of Visual and Performing Arts, Accessed December 17, 2018, "],"bioghist_html_tesm":["\u003cp\u003eBeginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical note"],"bioghist_tesim":["Beginning with the creation of the Institute of the Arts (IOA) alongside the opening of the Center for the Arts in 1990, the Arts at George Mason University has been growing, eventually creating the College of Visual and Performing Arts at George Mason University. It has since been thriving and expanding with many departments including Music, Art and Visual Technology, Dance and Theater. The College of Visual and Performing Arts was established on July 1, 2001 with William F. Reeder serving as the founding dean for 14 years. He was later followed by Rick Davis starting in 2015. As of 2018 there 1,400 active majors within the college with three of the newer programs being Arts Management, Film and Video Studies and Computer Game Design. The college, along with the Center for the Arts and Hylton Performing Arts Center serves more than 300,000 patrons anually as of 2018."],"prefercite_html_tesm":["\u003cp\u003eCollege of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["College of Visual and Performing Arts records, R0011, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amy Blake in December 2018. EAD markup completed by Amy Blake in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/ftp.html\" title=\"Federal Theater Project\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/arenastage.html\" title=\"Arena Stage records\" show=\"new\"\u003e\u003c/extptr\u003e, and the \u003cextptr href=\"https://scrc.gmu.edu/finding_aids/tfa.html\" title=\"Theater of the First Amendment\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several other collections related to George Mason Performing Arts such as the  , the  , and the "],"scopecontent_html_tesm":["\u003cp\u003eThe materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks.\u003c/p\u003e\n","\u003cp\u003e Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. \u003c/p\u003e\n","\u003cp\u003e Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e\n","\u003cp\u003e Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e\n","\u003cp\u003e Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". \u003c/p\u003e\n","\u003cp\u003e Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e\n","\u003cp\u003e Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department.\u003c/p\u003e\n","\u003cp\u003e Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e\n","\u003cp\u003e Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e\n","\u003cp\u003e Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e\n","\u003cp\u003e Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e\n","\u003cp\u003e Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e\n","\u003cp\u003e Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater.\u003c/p\u003e\n","\u003cp\u003e It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s.\u003c/p\u003e\n","\u003cp\u003e This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.\u003c/p\u003e","\u003cp\u003eThe materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The materials contained in this colection are varied and include: posters, playbills, programs, faculty paperwork and meeting minutes, colour and black and white photographs, negatives, slides, Life Magazines, VHS tapes, CD-Rs, cassette tapes, flyers, tickets, memorandum, invitations to Mathy House, scripts and playbooks."," Series 1: International Arts Festival, dated 1980s-2005, is comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival. "," Series 2: Theater Department/GMU Players, dated 1962-2011, is comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players."," Series 3: Arts Center Associates (ACA) dated 1980-1999, is comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA)."," Series 4: \"In The Wings,\" dated 1990s, is issues of the George Mason University magazine, \"In The Wings\". "," Series 5: Center for the Arts/Institute of the Arts, dated 1987-2013, is compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts."," Series 6: Department of Music, dated 1978-2001, is compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memoranda related to George Mason Univeristy's music department and the faculty of the department."," Series 7: Photographs/Negatives/Slides, dated 1949-2003, is comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included."," Series 8: Jane Pearson Papers, dated 1987-2004, is comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson."," Series 9: Playbills/Programs, dated 1982-2012, is comprised of playbills and programs from various George Mason University plays, musicals, music productions and events."," Series 10: CD-Rs/AV, dated 1970s-2015, is comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings."," Series 11: Outside the GMU Theater, dated 1930s-1980, the materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."," Notable people in this collection are Jane Pearson, Colonel Arnald Gabriel, and Doc. Severinsen. John F. Kennedy and Carol Burnett are featured in some of the material unrelated to George Mason Theater."," It is important to note that this collection contains materials that are from George Mason Music, Dance and Theater departments that pre-date the creation of the College of Visual and Performing Arts. CVPA was established in 1990, and several pieces from George Mason date from the 1960s-1980s."," This collection also contains several pieces that are unrelated to the College of Visual and Performing Arts and George Mason University. These pieces are Life Magazines from the 1960s when President John F. Kennedy was assassinated, as well as many programs, some in scrapbooks, dating from the 1930s to the 1950s, that feature famous celebrities and works such as \"Hello, Dolly!\" and Carol Burnett.","The materials contained in this series are comprised of paperwork, flyers and memorandum related to George Mason University's International Arts Festival.","The materials contained in this series are comprised of paperwork, flyers, memoranda, playbills and posters related to George Mason University's Theater Department and the GMU/Mason Players.","The materials contained in this series are comprised of paperwork and flyers related to George Mason University's Arts Center Associates (ACA).","The materials contained in this series are issues of the George Mason University magazine, \"In The Wings\".","The materials contained in this series are compromised of paperwork, flyers, memorandum, playbills and degree information related to George Mason University's Center for the Arts.","The materials contained in this series are compromised of paperwork, flyers, degree information, faculty paperwork, playbills and memorandum related to George Mason University's music department and the faculty of the department.","The materials contained in this series are comprised of photographs, negatives and slides related to the College of Visual and Performing Arts at George Mason University. There are three damaged photographs within these materials and both color and black and white materials are included.","The materials contained in this series are comprised mostly of invitations to Mathy House from the President and his wife and were donated by Jane Pearson.","The materials contained in this series are comprised of playbills and programs from various George Mason University plays, musicals, music productions and events.","The materials contained in this series are comprised of AV materials and CD-Rs, the AV materials are VHS tapes and Cassettes containing performances and snippets of recordings.","The materials contained in this series are unrelated to George Mason University and are comprised of Life Magazines and programs from old performances from the 1930s and 1940s as well as scrapbooks filled with clippings from programs and playbills of the same era."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the College of Visual and Performing Arts records must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.\u003c/abstract\u003e"],"abstract_tesim":["The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. College of Visual \u0026 Performing Arts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:01:53.579Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_577"}},{"id":"vifgm_repositories_2_resources_90","type":"collection","attributes":{"title":"E. P. Conkle papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_90#creator","type":"document_value","attributes":{"value":"Conkle, E. P. (Ellsworth Prouty)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_90#abstract_or_scope","type":"document_value","attributes":{"value":"Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_90#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_90","ead_ssi":"vifgm_repositories_2_resources_90","_root_":"vifgm_repositories_2_resources_90","_nest_parent_":"vifgm_repositories_2_resources_90","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_90.xml","title_filing_ssi":"E. P. Conkle papers","title_ssm":["E. P. Conkle papers"],"title_tesim":["E. P. Conkle papers"],"unitdate_ssm":["1928-1994"],"unitdate_inclusive_ssm":["1928-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0157","/repositories/2/resources/90"],"text":["C0157","/repositories/2/resources/90","E. P. Conkle papers","Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence","There are no access restrictions.","This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)","Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. ","Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.","The Special Collections Research Center also holds the  .","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).","George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)","English"],"unitid_tesim":["C0157","/repositories/2/resources/90"],"normalized_title_ssm":["E. P. Conkle papers"],"collection_title_tesim":["E. P. Conkle papers"],"collection_ssim":["E. P. Conkle papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Conkle, E. P. (Ellsworth Prouty)"],"creator_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creator_persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creators_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Virginia McNeal Conkle in 1994."],"access_subjects_ssim":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"access_subjects_ssm":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 7 boxes"],"extent_tesim":["3.5 Linear Feet 7 boxes"],"genreform_ssim":["Poetry","Manuscripts","Correspondence"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Book Manuscripts, undated (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Poetry, 1939-1973 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Short Stories, 1939-1973 (Box 7)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Miscellaneous, 1931-1992 (Box 7)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)"],"bioghist_html_tesm":["\u003cp\u003eEllsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. \u003c/p\u003e\n","\u003cp\u003eIn addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. "],"prefercite_html_tesm":["\u003cp\u003eE. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["E. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Jay Bradford Fowler, Jr. papers\" href=\"https://aspace.gmu.edu/resources/c0046\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" \u003c/p\u003e\n","\u003cp\u003eSeries 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" \u003c/p\u003e\n","\u003cp\u003eSeries 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. \u003c/p\u003e","\u003cp\u003eThis series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; address of the Works Progress Administration in heading\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; note in margin indicates \"Los Angeles Production,\"\u003c/p\u003e","\u003cp\u003eThis series contains typed and annotated manuscripts of books written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript, 292 pages, includes cover with title\u003c/p\u003e","\u003cp\u003etyped manuscript, 292 pages, no cover\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscript with annotations, 135 pages\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript with revisions, 266 pages\u003c/p\u003e","\u003cp\u003eThis is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, 121 pages each\u003c/p\u003e","\u003cp\u003eTexas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan\u003c/p\u003e","\u003cp\u003etwo annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each\u003c/p\u003e","\u003cp\u003eAustin, Texas\u003c/p\u003e","\u003cp\u003eAustin, Texas; facsimile of typescript\u003c/p\u003e","\u003cp\u003ecast: Clyte Cedars and Arlie Askew; place: Clyte's place\u003c/p\u003e","\u003cp\u003e123 pages\u003c/p\u003e","\u003cp\u003eUniversity of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages\u003c/p\u003e","\u003cp\u003etwo typed manuscripts\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages\u003c/p\u003e","\u003cp\u003e84 pages\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two typed copies, one marked \"Final / 1971\"\u003c/p\u003e","\u003cp\u003etwo copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies, 113 pages each\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated poems written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eseveral copies, including one 8 page typed copy with corrections\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"\u003c/p\u003e","\u003cp\u003etwo typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscripts with revisions\u003c/p\u003e","\u003cp\u003esmall format type scripts\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated short stories written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"\u003c/p\u003e","\u003cp\u003eThis collection contains various items including essays and term papers Conkle wrote as a student.\u003c/p\u003e","\u003cp\u003e35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated\u003c/p\u003e","\u003cp\u003elist of University of Texas graduate students and the titles of their theses and dissertations arranged by date\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; revised three-page essay on education written by Conkle\u003c/p\u003e","\u003cp\u003etwo pages listing titles of plays by Conkle and four lines of verse, untitled\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4cc520ef016e4cf4b96e754985251fb\" label=\"Abstract\"\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).\u003c/abstract\u003e"],"abstract_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973)."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:14:16.259Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_90","ead_ssi":"vifgm_repositories_2_resources_90","_root_":"vifgm_repositories_2_resources_90","_nest_parent_":"vifgm_repositories_2_resources_90","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_90.xml","title_filing_ssi":"E. P. Conkle papers","title_ssm":["E. P. Conkle papers"],"title_tesim":["E. P. Conkle papers"],"unitdate_ssm":["1928-1994"],"unitdate_inclusive_ssm":["1928-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0157","/repositories/2/resources/90"],"text":["C0157","/repositories/2/resources/90","E. P. Conkle papers","Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence","There are no access restrictions.","This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)","Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. ","Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.","The Special Collections Research Center also holds the  .","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).","George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)","English"],"unitid_tesim":["C0157","/repositories/2/resources/90"],"normalized_title_ssm":["E. P. Conkle papers"],"collection_title_tesim":["E. P. Conkle papers"],"collection_ssim":["E. P. Conkle papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Conkle, E. P. (Ellsworth Prouty)"],"creator_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creator_persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creators_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Virginia McNeal Conkle in 1994."],"access_subjects_ssim":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"access_subjects_ssm":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 7 boxes"],"extent_tesim":["3.5 Linear Feet 7 boxes"],"genreform_ssim":["Poetry","Manuscripts","Correspondence"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Book Manuscripts, undated (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Poetry, 1939-1973 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Short Stories, 1939-1973 (Box 7)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Miscellaneous, 1931-1992 (Box 7)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)"],"bioghist_html_tesm":["\u003cp\u003eEllsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. \u003c/p\u003e\n","\u003cp\u003eIn addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. "],"prefercite_html_tesm":["\u003cp\u003eE. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["E. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Jay Bradford Fowler, Jr. papers\" href=\"https://aspace.gmu.edu/resources/c0046\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" \u003c/p\u003e\n","\u003cp\u003eSeries 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" \u003c/p\u003e\n","\u003cp\u003eSeries 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. \u003c/p\u003e","\u003cp\u003eThis series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; address of the Works Progress Administration in heading\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; note in margin indicates \"Los Angeles Production,\"\u003c/p\u003e","\u003cp\u003eThis series contains typed and annotated manuscripts of books written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript, 292 pages, includes cover with title\u003c/p\u003e","\u003cp\u003etyped manuscript, 292 pages, no cover\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscript with annotations, 135 pages\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript with revisions, 266 pages\u003c/p\u003e","\u003cp\u003eThis is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, 121 pages each\u003c/p\u003e","\u003cp\u003eTexas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan\u003c/p\u003e","\u003cp\u003etwo annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each\u003c/p\u003e","\u003cp\u003eAustin, Texas\u003c/p\u003e","\u003cp\u003eAustin, Texas; facsimile of typescript\u003c/p\u003e","\u003cp\u003ecast: Clyte Cedars and Arlie Askew; place: Clyte's place\u003c/p\u003e","\u003cp\u003e123 pages\u003c/p\u003e","\u003cp\u003eUniversity of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages\u003c/p\u003e","\u003cp\u003etwo typed manuscripts\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages\u003c/p\u003e","\u003cp\u003e84 pages\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two typed copies, one marked \"Final / 1971\"\u003c/p\u003e","\u003cp\u003etwo copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies, 113 pages each\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated poems written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eseveral copies, including one 8 page typed copy with corrections\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"\u003c/p\u003e","\u003cp\u003etwo typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscripts with revisions\u003c/p\u003e","\u003cp\u003esmall format type scripts\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated short stories written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"\u003c/p\u003e","\u003cp\u003eThis collection contains various items including essays and term papers Conkle wrote as a student.\u003c/p\u003e","\u003cp\u003e35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated\u003c/p\u003e","\u003cp\u003elist of University of Texas graduate students and the titles of their theses and dissertations arranged by date\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; revised three-page essay on education written by Conkle\u003c/p\u003e","\u003cp\u003etwo pages listing titles of plays by Conkle and four lines of verse, untitled\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4cc520ef016e4cf4b96e754985251fb\" label=\"Abstract\"\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).\u003c/abstract\u003e"],"abstract_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973)."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:14:16.259Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_90"}},{"id":"vifgm_repositories_2_resources_209","type":"collection","attributes":{"title":"George Mason University Institute on the Federal Theatre Project and New Deal Culture records","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_209#creator","type":"document_value","attributes":{"value":"George Mason University. Institute on the Federal Theatre Project and New Deal Culture","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_209#abstract_or_scope","type":"document_value","attributes":{"value":"The George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_209#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_209","ead_ssi":"vifgm_repositories_2_resources_209","_root_":"vifgm_repositories_2_resources_209","_nest_parent_":"vifgm_repositories_2_resources_209","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_209.xml","title_filing_ssi":"George Mason University Institute on the Federal Theatre Project and New Deal Culture records","title_ssm":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"title_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"unitdate_ssm":["1935-2006"],"unitdate_inclusive_ssm":["1935-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0021","/repositories/2/resources/209"],"text":["R0021","/repositories/2/resources/209","George Mason University Institute on the Federal Theatre Project and New Deal Culture records","Theater programs","Dance","Ballet","None","There are no restrictions.","Collection is arranged within the following series:","Series 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials","Within each series, the records are arranged alphabetically by subject, topic, or individual.","The Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.","After Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  ","While initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026 Archives (SC\u0026A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.","In 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). ","In 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026 Archives). The CGSA and IFTP ceased operation during the summer of 1998. ","Materials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000.","Collection processed by Maegan Jankowsi and Robert Vay.","George Mason University Libraries records","Federal Theatre Project collection","Federal Theatre Project photograph collection","Federal Theatre Project personal papers","Works Progress Administration oral histories","Collection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. ","The collection is organized within the following series:","\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.","Series 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. ","Series 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. ","Series 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. ","Series 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. ","Series 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  ","Series 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  ","Series 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. ","The George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000.","SCRC storage area, Rows 81 and 82.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration","English"],"unitid_tesim":["R0021","/repositories/2/resources/209"],"normalized_title_ssm":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"collection_title_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"collection_ssim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"access_subjects_ssim":["Theater programs","Dance","Ballet"],"access_subjects_ssm":["Theater programs","Dance","Ballet"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 81 boxes"],"extent_tesim":["37.5 Linear Feet 81 boxes"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eNone\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Use Restictions"],"accessrestrict_tesim":["None","There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged within the following series:\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials\u003c/p\u003e\n","\u003cp\u003eWithin each series, the records are arranged alphabetically by subject, topic, or individual.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged within the following series:","Series 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials","Within each series, the records are arranged alphabetically by subject, topic, or individual."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.\u003c/p\u003e\n","\u003cp\u003eAfter Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  \u003c/p\u003e\n","\u003cp\u003eWhile initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026amp; Archives (SC\u0026amp;A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.\u003c/p\u003e\n","\u003cp\u003eIn 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). \u003c/p\u003e\n","\u003cp\u003eIn 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026amp; Archives). The CGSA and IFTP ceased operation during the summer of 1998. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.","After Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  ","While initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026 Archives (SC\u0026A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.","In 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). ","In 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026 Archives). The CGSA and IFTP ceased operation during the summer of 1998. "],"custodhist_html_tesm":["\u003cp\u003eMaterials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000.\u003c/p\u003e"],"custodhist_heading_ssm":["Acquisition Information"],"custodhist_tesim":["Materials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Institute on the Federal Theatre Project and New Deal Culture records, #R0021, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records, #R0021, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Maegan Jankowsi and Robert Vay.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Maegan Jankowsi and Robert Vay."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/r0095\"\u003eGeorge Mason University Libraries records\u003c/extref\u003e \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0002\"\u003eFederal Theatre Project collection\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0205\"\u003eFederal Theatre Project photograph collection\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0227\"\u003eFederal Theatre Project personal papers\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0153\"\u003eWorks Progress Administration oral histories\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George Mason University Libraries records","Federal Theatre Project collection","Federal Theatre Project photograph collection","Federal Theatre Project personal papers","Works Progress Administration oral histories"],"scopecontent_html_tesm":["\u003cp\u003eCollection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. \u003c/p\u003e\n","\u003cp\u003eThe collection is organized within the following series:\u003c/p\u003e\n","\u003cp\u003e\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. \u003c/p\u003e\n","\u003cp\u003eSeries 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  \u003c/p\u003e\n","\u003cp\u003eSeries 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  \u003c/p\u003e\n","\u003cp\u003eSeries 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. ","The collection is organized within the following series:","\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.","Series 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. ","Series 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. ","Series 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. ","Series 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. ","Series 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  ","Series 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  ","Series 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_554430af778b5b3433a75c9894961db0\"\u003eThe George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d66750c11aa95b4555db32d46e03745b\" label=\"Physical Location\"\u003eSCRC storage area, Rows 81 and 82.\u003c/physloc\u003e"],"physloc_tesim":["SCRC storage area, Rows 81 and 82."],"names_coll_ssim":["Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":621,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:24.808Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_209","ead_ssi":"vifgm_repositories_2_resources_209","_root_":"vifgm_repositories_2_resources_209","_nest_parent_":"vifgm_repositories_2_resources_209","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_209.xml","title_filing_ssi":"George Mason University Institute on the Federal Theatre Project and New Deal Culture records","title_ssm":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"title_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"unitdate_ssm":["1935-2006"],"unitdate_inclusive_ssm":["1935-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0021","/repositories/2/resources/209"],"text":["R0021","/repositories/2/resources/209","George Mason University Institute on the Federal Theatre Project and New Deal Culture records","Theater programs","Dance","Ballet","None","There are no restrictions.","Collection is arranged within the following series:","Series 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials","Within each series, the records are arranged alphabetically by subject, topic, or individual.","The Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.","After Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  ","While initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026 Archives (SC\u0026A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.","In 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). ","In 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026 Archives). The CGSA and IFTP ceased operation during the summer of 1998. ","Materials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000.","Collection processed by Maegan Jankowsi and Robert Vay.","George Mason University Libraries records","Federal Theatre Project collection","Federal Theatre Project photograph collection","Federal Theatre Project personal papers","Works Progress Administration oral histories","Collection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. ","The collection is organized within the following series:","\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.","Series 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. ","Series 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. ","Series 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. ","Series 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. ","Series 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  ","Series 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  ","Series 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. ","The George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000.","SCRC storage area, Rows 81 and 82.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration","English"],"unitid_tesim":["R0021","/repositories/2/resources/209"],"normalized_title_ssm":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"collection_title_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"collection_ssim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"creator_corpname_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"creators_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"access_subjects_ssim":["Theater programs","Dance","Ballet"],"access_subjects_ssm":["Theater programs","Dance","Ballet"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 81 boxes"],"extent_tesim":["37.5 Linear Feet 81 boxes"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eNone\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Use Restictions"],"accessrestrict_tesim":["None","There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged within the following series:\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials\u003c/p\u003e\n","\u003cp\u003eWithin each series, the records are arranged alphabetically by subject, topic, or individual.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged within the following series:","Series 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials","Within each series, the records are arranged alphabetically by subject, topic, or individual."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.\u003c/p\u003e\n","\u003cp\u003eAfter Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  \u003c/p\u003e\n","\u003cp\u003eWhile initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026amp; Archives (SC\u0026amp;A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.\u003c/p\u003e\n","\u003cp\u003eIn 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). \u003c/p\u003e\n","\u003cp\u003eIn 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026amp; Archives). The CGSA and IFTP ceased operation during the summer of 1998. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.","After Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  ","While initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026 Archives (SC\u0026A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.","In 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). ","In 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026 Archives). The CGSA and IFTP ceased operation during the summer of 1998. "],"custodhist_html_tesm":["\u003cp\u003eMaterials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000.\u003c/p\u003e"],"custodhist_heading_ssm":["Acquisition Information"],"custodhist_tesim":["Materials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Institute on the Federal Theatre Project and New Deal Culture records, #R0021, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records, #R0021, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Maegan Jankowsi and Robert Vay.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Maegan Jankowsi and Robert Vay."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/r0095\"\u003eGeorge Mason University Libraries records\u003c/extref\u003e \u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0002\"\u003eFederal Theatre Project collection\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0205\"\u003eFederal Theatre Project photograph collection\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0227\"\u003eFederal Theatre Project personal papers\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0153\"\u003eWorks Progress Administration oral histories\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George Mason University Libraries records","Federal Theatre Project collection","Federal Theatre Project photograph collection","Federal Theatre Project personal papers","Works Progress Administration oral histories"],"scopecontent_html_tesm":["\u003cp\u003eCollection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. \u003c/p\u003e\n","\u003cp\u003eThe collection is organized within the following series:\u003c/p\u003e\n","\u003cp\u003e\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. \u003c/p\u003e\n","\u003cp\u003eSeries 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. \u003c/p\u003e\n","\u003cp\u003eSeries 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  \u003c/p\u003e\n","\u003cp\u003eSeries 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  \u003c/p\u003e\n","\u003cp\u003eSeries 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. ","The collection is organized within the following series:","\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.","Series 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. ","Series 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. ","Series 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. ","Series 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. ","Series 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  ","Series 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  ","Series 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_554430af778b5b3433a75c9894961db0\"\u003eThe George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000.\u003c/abstract\u003e"],"abstract_tesim":["The George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d66750c11aa95b4555db32d46e03745b\" label=\"Physical Location\"\u003eSCRC storage area, Rows 81 and 82.\u003c/physloc\u003e"],"physloc_tesim":["SCRC storage area, Rows 81 and 82."],"names_coll_ssim":["Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":621,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:10:24.808Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_209"}},{"id":"vilxw_repositories_5_resources_227","type":"collection","attributes":{"title":"George Ray Papers","creator":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_227#creator","type":"document_value","attributes":{"value":"Ray, George Washington, III","label":"Creator"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_227#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_227","ead_ssi":"vilxw_repositories_5_resources_227","_root_":"vilxw_repositories_5_resources_227","_nest_parent_":"vilxw_repositories_5_resources_227","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_227.xml","title_ssm":["George Ray Papers"],"title_tesim":["George Ray Papers"],"unitdate_ssm":["1896-2007"],"unitdate_inclusive_ssm":["1896-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0382","/repositories/5/resources/227"],"text":["WLU.Coll.0382","/repositories/5/resources/227","George Ray Papers","Playbills","Theater programs","This collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","George Ray was a member of the English faculty at Washington and Lee University from 1964-2001.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  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The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Gift of George Ray."],"access_subjects_ssim":["Playbills","Theater programs"],"access_subjects_ssm":["Playbills","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet"],"extent_tesim":["1 Linear Feet"],"date_range_isim":[1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information."],"bioghist_html_tesm":["\u003cp\u003eGeorge Ray was a member of the English faculty at Washington and Lee University from 1964-2001.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["George Ray was a member of the English faculty at Washington and Lee University from 1964-2001."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], George Ray Papers, WLU Coll. 0382, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], George Ray Papers, WLU Coll. 0382, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Ray, George Washington, III"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["Ray, George Washington, III"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:45:42.947Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_227","ead_ssi":"vilxw_repositories_5_resources_227","_root_":"vilxw_repositories_5_resources_227","_nest_parent_":"vilxw_repositories_5_resources_227","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_227.xml","title_ssm":["George Ray Papers"],"title_tesim":["George Ray Papers"],"unitdate_ssm":["1896-2007"],"unitdate_inclusive_ssm":["1896-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0382","/repositories/5/resources/227"],"text":["WLU.Coll.0382","/repositories/5/resources/227","George Ray Papers","Playbills","Theater programs","This collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","George Ray was a member of the English faculty at Washington and Lee University from 1964-2001.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Ray, George Washington, III","English"],"unitid_tesim":["WLU.Coll.0382","/repositories/5/resources/227"],"normalized_title_ssm":["George Ray Papers"],"collection_title_tesim":["George Ray Papers"],"collection_ssim":["George Ray Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Ray, George Washington, III"],"creator_ssim":["Ray, George Washington, III"],"creator_persname_ssim":["Ray, George Washington, III"],"creators_ssim":["Ray, George Washington, III"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Gift of George Ray."],"access_subjects_ssim":["Playbills","Theater programs"],"access_subjects_ssm":["Playbills","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet"],"extent_tesim":["1 Linear Feet"],"date_range_isim":[1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information."],"bioghist_html_tesm":["\u003cp\u003eGeorge Ray was a member of the English faculty at Washington and Lee University from 1964-2001.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["George Ray was a member of the English faculty at Washington and Lee University from 1964-2001."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], George Ray Papers, WLU Coll. 0382, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], George Ray Papers, WLU Coll. 0382, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Ray, George Washington, III"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["Ray, George Washington, III"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:45:42.947Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_227"}},{"id":"viblbv_repositories_2_resources_3426","type":"collection","attributes":{"title":"Hard Times Blues Collection","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3426#abstract_or_scope","type":"document_value","attributes":{"value":"The \u003cem\u003eHard Times Blues\u003c/em\u003e Collection contains materials about the play \u003cem\u003eHard Times Blues\u003c/em\u003e by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3426#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3426","ead_ssi":"viblbv_repositories_2_resources_3426","_root_":"viblbv_repositories_2_resources_3426","_nest_parent_":"viblbv_repositories_2_resources_3426","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3426.xml","title_filing_ssi":"Hard Times Blues Collection","title_ssm":["Hard Times Blues Collection"],"title_tesim":["Hard Times Blues Collection"],"unitdate_ssm":["1966, 2001, 2003, 2019"],"unitdate_inclusive_ssm":["1966, 2001, 2003, 2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2019.038"],"text":["Ms.2019.038","Hard Times Blues Collection","Blacksburg (Va.)","African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs","The collection is open for research.","Virginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.","According to Col. Harry Temple's Virginia Tech epic history  The Bugle's Echo , Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).","In 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).","On August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.","In December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.","Floyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.","Sources Blacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va. Biographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va. The Bugle's Echo  by Col. Harry Temple Marriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org Draft card for Floyd Meade, FamilySearch.org Death certificates for Denie, Floyd, and Lucy Meade, Ancestry.com Death certificate for Alex Meade, FamilySearch.org U.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com","Playwright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation,  Eminent Women in Acting: Personality \u0026 Development of Five Actresses  melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.","Sweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of  Hard Times Blues  (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play  Nashville Dreams  in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville.","The guide to the  Hard Times Blues  Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the  Hard Times Blues  Collection was completed in July 2019.","The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.","Two copies of  Hard Times Blues  by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019).","The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.","Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","The materials in the collection are in English."],"unitid_tesim":["Ms.2019.038"],"normalized_title_ssm":["Hard Times Blues Collection"],"collection_title_tesim":["Hard Times Blues Collection"],"collection_ssim":["Hard Times Blues Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"access_terms_ssm":["The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in June 2019."],"access_subjects_ssim":["African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs"],"access_subjects_ssm":["African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 1 box"],"extent_tesim":["0.2 Cubic Feet 1 box"],"genreform_ssim":["Theater programs"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eVirginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.\u003c/p\u003e\n","\u003cp\u003eAccording to Col. Harry Temple's Virginia Tech epic history \u003ctitle render=\"italic\"\u003eThe Bugle's Echo\u003c/title\u003e, Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).\u003c/p\u003e\n","\u003cp\u003eIn 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).\u003c/p\u003e\n","\u003cp\u003eOn August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.\u003c/p\u003e\n","\u003cp\u003eIn December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.\u003c/p\u003e\n","\u003cp\u003eFloyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eSources\u003c/head\u003e\n      \u003citem\u003eBlacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/item\u003e\n      \u003citem\u003eBiographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/item\u003e\n      \u003citem\u003e\u003ctitle render=\"italic\"\u003eThe Bugle's Echo\u003c/title\u003e by Col. Harry Temple\u003c/item\u003e\n      \u003citem\u003eMarriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eDraft card for Floyd Meade, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eDeath certificates for Denie, Floyd, and Lucy Meade, Ancestry.com\u003c/item\u003e\n      \u003citem\u003eDeath certificate for Alex Meade, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eU.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003ePlaywright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation, \u003ctitle render=\"italic\"\u003eEminent Women in Acting: Personality \u0026amp; Development of Five Actresses\u003c/title\u003e melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.\u003c/p\u003e\n","\u003cp\u003eSweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play \u003ctitle render=\"italic\"\u003eNashville Dreams\u003c/title\u003e in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note - Floyd Meade","Biographical Note - Lucy Sweeney"],"bioghist_tesim":["Virginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.","According to Col. Harry Temple's Virginia Tech epic history  The Bugle's Echo , Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).","In 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).","On August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.","In December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.","Floyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.","Sources Blacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va. Biographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va. The Bugle's Echo  by Col. Harry Temple Marriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org Draft card for Floyd Meade, FamilySearch.org Death certificates for Denie, Floyd, and Lucy Meade, Ancestry.com Death certificate for Alex Meade, FamilySearch.org U.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com","Playwright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation,  Eminent Women in Acting: Personality \u0026 Development of Five Actresses  melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.","Sweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of  Hard Times Blues  (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play  Nashville Dreams  in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville."],"odd_html_tesm":["\u003cp\u003eThe guide to the \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Hard Times Blues  Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection, Ms2019-038, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Hard Times Blues  Collection, Ms2019-038, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection was completed in July 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the  Hard Times Blues  Collection was completed in July 2019."],"scopecontent_html_tesm":["\u003cp\u003eThe \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection contains materials about the play \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo copies of \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two copies of  Hard Times Blues  by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019)."],"userestrict_html_tesm":["\u003cp\u003eThe playwright Lucy Sweeney retains all rights to \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e, and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.\u003c/p\u003e\n","\u003cp\u003eFor the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae22529e10904d0104ee71671f743448\" label=\"Abstract\"\u003eThe \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection contains materials about the play \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.\u003c/abstract\u003e"],"abstract_tesim":["The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today."],"names_coll_ssim":["Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:00:15.737Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3426","ead_ssi":"viblbv_repositories_2_resources_3426","_root_":"viblbv_repositories_2_resources_3426","_nest_parent_":"viblbv_repositories_2_resources_3426","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3426.xml","title_filing_ssi":"Hard Times Blues Collection","title_ssm":["Hard Times Blues Collection"],"title_tesim":["Hard Times Blues Collection"],"unitdate_ssm":["1966, 2001, 2003, 2019"],"unitdate_inclusive_ssm":["1966, 2001, 2003, 2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2019.038"],"text":["Ms.2019.038","Hard Times Blues Collection","Blacksburg (Va.)","African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs","The collection is open for research.","Virginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.","According to Col. Harry Temple's Virginia Tech epic history  The Bugle's Echo , Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).","In 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).","On August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.","In December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.","Floyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.","Sources Blacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va. Biographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va. The Bugle's Echo  by Col. Harry Temple Marriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org Draft card for Floyd Meade, FamilySearch.org Death certificates for Denie, Floyd, and Lucy Meade, Ancestry.com Death certificate for Alex Meade, FamilySearch.org U.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com","Playwright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation,  Eminent Women in Acting: Personality \u0026 Development of Five Actresses  melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.","Sweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of  Hard Times Blues  (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play  Nashville Dreams  in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville.","The guide to the  Hard Times Blues  Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the  Hard Times Blues  Collection was completed in July 2019.","The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.","Two copies of  Hard Times Blues  by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019).","The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.","Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","The materials in the collection are in English."],"unitid_tesim":["Ms.2019.038"],"normalized_title_ssm":["Hard Times Blues Collection"],"collection_title_tesim":["Hard Times Blues Collection"],"collection_ssim":["Hard Times Blues Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"access_terms_ssm":["The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in June 2019."],"access_subjects_ssim":["African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs"],"access_subjects_ssm":["African Americans -- History","Community theater","Faculty and staff","Local/Regional History and Appalachian South","Theater  -- United States","University Archives","University History","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 1 box"],"extent_tesim":["0.2 Cubic Feet 1 box"],"genreform_ssim":["Theater programs"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eVirginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.\u003c/p\u003e\n","\u003cp\u003eAccording to Col. Harry Temple's Virginia Tech epic history \u003ctitle render=\"italic\"\u003eThe Bugle's Echo\u003c/title\u003e, Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).\u003c/p\u003e\n","\u003cp\u003eIn 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).\u003c/p\u003e\n","\u003cp\u003eOn August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.\u003c/p\u003e\n","\u003cp\u003eIn December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.\u003c/p\u003e\n","\u003cp\u003eFloyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003chead\u003eSources\u003c/head\u003e\n      \u003citem\u003eBlacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/item\u003e\n      \u003citem\u003eBiographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/item\u003e\n      \u003citem\u003e\u003ctitle render=\"italic\"\u003eThe Bugle's Echo\u003c/title\u003e by Col. Harry Temple\u003c/item\u003e\n      \u003citem\u003eMarriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eDraft card for Floyd Meade, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eDeath certificates for Denie, Floyd, and Lucy Meade, Ancestry.com\u003c/item\u003e\n      \u003citem\u003eDeath certificate for Alex Meade, FamilySearch.org\u003c/item\u003e\n      \u003citem\u003eU.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003ePlaywright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation, \u003ctitle render=\"italic\"\u003eEminent Women in Acting: Personality \u0026amp; Development of Five Actresses\u003c/title\u003e melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.\u003c/p\u003e\n","\u003cp\u003eSweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play \u003ctitle render=\"italic\"\u003eNashville Dreams\u003c/title\u003e in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note - Floyd Meade","Biographical Note - Lucy Sweeney"],"bioghist_tesim":["Virginia Tech employee Floyd Hobson \"Hardtimes\" Meade (also Mead) was born October 2, 1882, in Blacksburg to Denie (also Dina) Meade and either William Meade or Joe Dill. Meade also had a brother Emmett (b. 1880), sister Octavia (b. May 1885), and probably another brother named Alex (1887-1896). Emmett also worked at Virginia Tech, in the Mess Hall as a waiter and later the Machine Shop as a machinist.","According to Col. Harry Temple's Virginia Tech epic history  The Bugle's Echo , Meade briefly lived with the family of Cadet N. W. Thomas, who brought him to campus in 1889. After that, Meade started advertising the school's athletic games. By 1896, he traveled with the football team on their trips as a mascot in an orange and maroon clown costume. (pp. 254-255) At this time, he also began working at the college in the Mess Hall (p. 448).","In 1913, Meade started bringing live turkeys to football games, inspired by the team's informal nickname the \"Gobblers.\" He trained the birds to pull carts, walk on a leash, and flap their wings and gobble on command. Temple even recounts after a victorious Thanksgiving Day game against V.M.I., that the rotund turkey was cooked and served in the Mess Hall! He also played music for himself and for the cadets – Temple states Meade was a regular one-man-band playing a guitar, bass drum, and harmonica all at once (p. 3115-3116).","On August 25, 1913, Floyd married Lucy M. Turner, daughter of Giles Turner and a cook in private service. Floyd and Lucy were both involved in the Grand United Order of Odd Fellows in America. In 1905, he joined Tadmore Light Lodge #6184, the Blacksburg chapter of the fraternal organization. Minutes and attendance records list him as Past Noble Father (the highest degree or rank in the organization), and a number of other documents refer to Meade's service as secretary of the organization. Lucy Meade was a member of the Household of Ruth, the female auxiliary of the Odd Fellows.","In December 1929, Floyd lost his job at Virginia Tech, according to Temple. So students took up a collection to help with his family's living expenses, and alumni wrote letters to try and change administrators' minds – to no avail. (p. 3846-3847) Then, tragedy struck once more, when Lucy died on June 28, 1931, around age 45 of heart disease.","Floyd continued to work as a cook or waiter in restaurants around town and even served as head waiter at the Lake Hotel in Mountain Lake. By 1940, he was working as a janitor in private service. The next year, Meade died on February 8, after a car accident.","Sources Blacksburg (Virginia) Odd Fellows Records, Ms1988-009, Special Collections, Virginia Tech, Blacksburg, Va. Biographical Vertical Files, Special Collections, Virginia Tech, Blacksburg, Va. The Bugle's Echo  by Col. Harry Temple Marriage certificate for Floyd Meade and Lucy Turner, FamilySearch.org Draft card for Floyd Meade, FamilySearch.org Death certificates for Denie, Floyd, and Lucy Meade, Ancestry.com Death certificate for Alex Meade, FamilySearch.org U.S. Census records from 1880 through 1940 for Denie, Emmett, and Floyd Meade and their families, Ancestry.com","Playwright and licensed psychologist, Lucy Sweeney, Psy.D., earned a Bachelor's degree in theatre arts at the University of Denver before receiving a Master's in developmental psychology at Columbia University and a Doctor of Psychology (Psy.D.) from Rutgers, awarded in 1990. Her dissertation,  Eminent Women in Acting: Personality \u0026 Development of Five Actresses  melded her two passions for psychology and the arts. Upon receiving her doctorate, Sweeney began practicing psychology and became a member of the American Psychological Society. During this time, she also joined Actors' Equity as an actress in the New York and regional area, keeping her interest in theatre alive.","Sweeney opened her first private practice in Scotch Plains, NJ, in 1993, closing in 1999. The next year, she opened a private practice in Blacksburg, Virginia. Here she also joined the faculty of Virginia Tech in 2002, teaching the course \"Women and Creativity\" in the Department of Women's Studies. It was during this time that she wrote the first edition of  Hard Times Blues  (2001) about Blacksburg-native Floyd \"Hardtimes\" Meade, which was performed in Blacksburg and Roanoke by the Dumas Theatre Players. Sweeney's practiced closed down in 2005, but she continued to work, publishing the play  Nashville Dreams  in 2007. The next year, Sweeney opened a new practice in Gallatin, TN, just outside Nashville."],"odd_html_tesm":["\u003cp\u003eThe guide to the \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the  Hard Times Blues  Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection, Ms2019-038, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder],  Hard Times Blues  Collection, Ms2019-038, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection was completed in July 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the  Hard Times Blues  Collection was completed in July 2019."],"scopecontent_html_tesm":["\u003cp\u003eThe \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection contains materials about the play \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today."],"separatedmaterial_html_tesm":["\u003cp\u003eTwo copies of \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Two copies of  Hard Times Blues  by Lucy Sweeney (2019 rev. ed.) separated to the Rare Books Collection and Newman Library's Scripts Collection (call number PS3619.W44 H37 2019)."],"userestrict_html_tesm":["\u003cp\u003eThe playwright Lucy Sweeney retains all rights to \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e, and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.\u003c/p\u003e\n","\u003cp\u003eFor the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The playwright Lucy Sweeney retains all rights to  Hard Times Blues , and permission to publish or perform must be obtained from Sweeney. Contact Special Collections and University Archives for more information on permissions.","For the rest of the collection, the copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae22529e10904d0104ee71671f743448\" label=\"Abstract\"\u003eThe \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e Collection contains materials about the play \u003ctitle render=\"italic\"\u003eHard Times Blues\u003c/title\u003e by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today.\u003c/abstract\u003e"],"abstract_tesim":["The  Hard Times Blues  Collection contains materials about the play  Hard Times Blues  by Lucy Sweeney and its production by the Dumas Theatre Troupe in 2003. Items include background research, correspondence, and a 2019 revised copy of the play as well as programs, flyers, photographs, and a newspaper article about the 2003 production. The play is about Blacksburg local and Virginia Tech employee Floyd \"Hardtimes\" Meade (1882-1941), who was influential as a mascot performer and turkey trainer for football games. His turkeys served as an early predecessor to the HokieBird mascot representing Virginia Tech today."],"names_coll_ssim":["Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:00:15.737Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_3426"}},{"id":"vifgm_repositories_2_resources_13","type":"collection","attributes":{"title":"L. Claire Kincannon theatre collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_13#creator","type":"document_value","attributes":{"value":"Kincannon, Lois Claire","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_13#abstract_or_scope","type":"document_value","attributes":{"value":"The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show Behind the Scenes.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_13#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_13","ead_ssi":"vifgm_repositories_2_resources_13","_root_":"vifgm_repositories_2_resources_13","_nest_parent_":"vifgm_repositories_2_resources_13","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_13.xml","title_ssm":["L. Claire Kincannon theatre collection"],"title_tesim":["L. Claire Kincannon theatre collection"],"unitdate_ssm":["1941-2015"],"unitdate_inclusive_ssm":["1941-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0018","/repositories/2/resources/13"],"text":["C0018","/repositories/2/resources/13","L. Claire Kincannon theatre collection","Ohio","Broadway (New York, N.Y.)","Washington (D.C.)","Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting","There are no access restrictions.","Most of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information.","This collection is arranged into two series and then alphabetically by title.","Series Series 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65) Series 2:  Behind the Scenes  production materials, 1971-1990s (Boxes 32-34; 42-88) Series 3: Digitized  Behind the Scenes  reels, circa 1980s-1992","Lois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled  Behind the Scenes,  in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including  Paeonian to Paris ,  Sheets for Men Only, Sheets to the Wind,  and  Rockin' with Porch Memories.  After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Reprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. ","Additional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024.","The Special Collections Research Center also holds many other collections on  . ","The University of Maryland holds multiple ","The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.  This collection consists of two series.","Series 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. ","Series 2:  Behind The Scenes  production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her  Bydin' my Time  segment in the  Blue Ridge Leader  newspaper and her radio show  Behind the Scenes.  Materials include audio and visual materials from  Behind the Scenes,  as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.","C0018_018","C0018_031","6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program","C0018_004","C0018_020","C0018_005","C0018_006","C0018_007","C0018_021","C0018_008","C0018_022","C0018_033. Reviews include:  A Chorus Line  at Wolf Trap,  A Midsummer Night's Dream  at Brownell Farm, and  Cat on a Hot Tin Roof  at Wayside Theatre.","C0018_009","Two u-matic tapes for  Behind the Scenes . Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.","C0018_025","C0018_023","C0018_001","C0018_002","C0018_003","C0018_010","Also includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"","C0018_024","C0018_011","C0018_029 and C0018_030","C0018_014","C0018_026","C0018_017","C0018_012","Includes  Cats, The GoodPerson of Setzuan,  and  Happy End  review drafts.","C0018_013","C0018_019","C0018_027","C0018_028","C0018_016","Includes handwritten notes from Kincannon, housed in Box [X].","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally. File name: Kincannon_003.","This material is only available digitally. File name: Kincannon_004.","This material is only available digitally. File name: Kincannon_005.","This material is only available digitally. File name: Kincannon_006.","This material is only available digitally. File name: Kincannon_007.","This material is only available digitally. This material is only available digitally. File name: Kincannon_008.","This material is only available digitally. This material is only available digitally. File name: Kincannon_009.","This material is only available digitally. This material is only available digitally. File name: Kincannon_010.","This material is only available digitally. File name: Kincannon_011.","This material is only available digitally. File name: Kincannon_012.","This material is only available digitally. File name: Kincannon_013.","This material is only available digitally. File name: Kincannon_014.","This material is only available digitally. File name: Kincannon_015.","This material is only available digitally. File name: Kincannon_016.","This material is only available digitally. File name: Kincannon_017.","This material is only available digitally. File name: Kincannon_018.","This material is only available digitally. File name: Kincannon_019.","This material is only available digitally. File name: Kincannon_020.","This material is only available digitally. File name: Kincannon_021.","This material is only available digitally. File name: Kincannon_022.","This material is only available digitally. File name: Kincannon_023.","This material is only available digitally. File name: Kincannon_024.","This material is only available digitally. File name: Kincannon_025.","This material is only available digitally. File name: Kincannon_026.","This material is only available digitally. File name: Kincannon_027.","This material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.","This material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.","R 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)","Kincannon, Lois Claire","English"],"unitid_tesim":["C0018","/repositories/2/resources/13"],"normalized_title_ssm":["L. Claire Kincannon theatre collection"],"collection_title_tesim":["L. Claire Kincannon theatre collection"],"collection_ssim":["L. Claire Kincannon theatre collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"geogname_ssim":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"creator_ssm":["Kincannon, Lois Claire"],"creator_ssim":["Kincannon, Lois Claire"],"creator_persname_ssim":["Kincannon, Lois Claire"],"creators_ssim":["Kincannon, Lois Claire"],"places_ssim":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by L. Claire Kincannon from 2007-2015."],"access_subjects_ssim":["Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting"],"access_subjects_ssm":["Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting"],"has_online_content_ssim":["false"],"extent_ssm":["20 Linear Feet 88 boxes"],"extent_tesim":["20 Linear Feet 88 boxes"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series and then alphabetically by title.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65)\u003c/item\u003e\n      \u003citem\u003eSeries 2: \u003citalic\u003eBehind the Scenes\u003c/italic\u003e production materials, 1971-1990s (Boxes 32-34; 42-88)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Digitized \u003citalic\u003eBehind the Scenes\u003c/italic\u003e reels, circa 1980s-1992\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into two series and then alphabetically by title.","Series Series 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65) Series 2:  Behind the Scenes  production materials, 1971-1990s (Boxes 32-34; 42-88) Series 3: Digitized  Behind the Scenes  reels, circa 1980s-1992"],"bioghist_html_tesm":["\u003cp\u003eLois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled \u003citalic\u003eBehind the Scenes,\u003c/italic\u003e in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including \u003citalic\u003ePaeonian to Paris\u003c/italic\u003e, \u003citalic\u003eSheets for Men Only,\u003c/italic\u003e \u003citalic\u003eSheets to the Wind,\u003c/italic\u003e and \u003citalic\u003eRockin' with Porch Memories.\u003c/italic\u003e After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Lois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled  Behind the Scenes,  in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including  Paeonian to Paris ,  Sheets for Men Only, Sheets to the Wind,  and  Rockin' with Porch Memories.  After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally."],"prefercite_html_tesm":["\u003cp\u003eL. Claire Kincannon theatre collection, C0018, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["L. Claire Kincannon theatre collection, C0018, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e","\u003cp\u003eReprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. \u003c/p\u003e","\u003cp\u003eAdditional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Reprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. ","Additional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on \u003cextptr show=\"new\" title=\"theatre and the performing arts\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=theatre\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n","\u003cp\u003eThe University of Maryland holds multiple \u003cextptr show=\"new\" title=\"radio and television broadcasting collections.\" href=\"https://www.lib.umd.edu/collections/special/broadcasting\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on  . ","The University of Maryland holds multiple "],"scopecontent_html_tesm":["\u003cp\u003eThe L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e This collection consists of two series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. \u003c/p\u003e\n","\u003cp\u003eSeries 2: \u003citalic\u003eBehind The Scenes\u003c/italic\u003e production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her \u003citalic\u003eBydin' my Time\u003c/italic\u003e segment in the \u003citalic\u003eBlue Ridge Leader\u003c/italic\u003e newspaper and her radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e Materials include audio and visual materials from \u003citalic\u003eBehind the Scenes,\u003c/italic\u003e as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.\u003c/p\u003e","\u003cp\u003eC0018_018\u003c/p\u003e","\u003cp\u003eC0018_031\u003c/p\u003e","\u003cp\u003e6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program\u003c/p\u003e","\u003cp\u003eC0018_004\u003c/p\u003e","\u003cp\u003eC0018_020\u003c/p\u003e","\u003cp\u003eC0018_005\u003c/p\u003e","\u003cp\u003eC0018_006\u003c/p\u003e","\u003cp\u003eC0018_007\u003c/p\u003e","\u003cp\u003eC0018_021\u003c/p\u003e","\u003cp\u003eC0018_008\u003c/p\u003e","\u003cp\u003eC0018_022\u003c/p\u003e","\u003cp\u003eC0018_033. Reviews include: \u003citalic\u003eA Chorus Line\u003c/italic\u003e at Wolf Trap, \u003citalic\u003eA Midsummer Night's Dream\u003c/italic\u003e at Brownell Farm, and \u003citalic\u003eCat on a Hot Tin Roof\u003c/italic\u003e at Wayside Theatre.\u003c/p\u003e","\u003cp\u003eC0018_009\u003c/p\u003e","\u003cp\u003eTwo u-matic tapes for \u003citalic\u003eBehind the Scenes\u003c/italic\u003e. Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.\u003c/p\u003e","\u003cp\u003eC0018_025\u003c/p\u003e","\u003cp\u003eC0018_023\u003c/p\u003e","\u003cp\u003eC0018_001\u003c/p\u003e","\u003cp\u003eC0018_002\u003c/p\u003e","\u003cp\u003eC0018_003\u003c/p\u003e","\u003cp\u003eC0018_010\u003c/p\u003e","\u003cp\u003eAlso includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"\u003c/p\u003e","\u003cp\u003eC0018_024\u003c/p\u003e","\u003cp\u003eC0018_011\u003c/p\u003e","\u003cp\u003eC0018_029 and C0018_030\u003c/p\u003e","\u003cp\u003eC0018_014\u003c/p\u003e","\u003cp\u003eC0018_026\u003c/p\u003e","\u003cp\u003eC0018_017\u003c/p\u003e","\u003cp\u003eC0018_012\u003c/p\u003e","\u003cp\u003eIncludes \u003citalic\u003eCats, The GoodPerson of Setzuan,\u003c/italic\u003e and \u003citalic\u003eHappy End\u003c/italic\u003e review drafts.\u003c/p\u003e","\u003cp\u003eC0018_013\u003c/p\u003e","\u003cp\u003eC0018_019\u003c/p\u003e","\u003cp\u003eC0018_027\u003c/p\u003e","\u003cp\u003eC0018_028\u003c/p\u003e","\u003cp\u003eC0018_016\u003c/p\u003e","\u003cp\u003eIncludes handwritten notes from Kincannon, housed in Box [X].\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_003.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_004.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_005.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_006.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_007.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_008.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_009.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_010.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_011.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_012.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_013.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_014.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_015.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_016.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_017.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_018.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_019.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_020.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_021.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_022.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_023.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_024.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_025.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_026.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_027.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.  This collection consists of two series.","Series 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. ","Series 2:  Behind The Scenes  production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her  Bydin' my Time  segment in the  Blue Ridge Leader  newspaper and her radio show  Behind the Scenes.  Materials include audio and visual materials from  Behind the Scenes,  as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.","C0018_018","C0018_031","6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program","C0018_004","C0018_020","C0018_005","C0018_006","C0018_007","C0018_021","C0018_008","C0018_022","C0018_033. Reviews include:  A Chorus Line  at Wolf Trap,  A Midsummer Night's Dream  at Brownell Farm, and  Cat on a Hot Tin Roof  at Wayside Theatre.","C0018_009","Two u-matic tapes for  Behind the Scenes . Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.","C0018_025","C0018_023","C0018_001","C0018_002","C0018_003","C0018_010","Also includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"","C0018_024","C0018_011","C0018_029 and C0018_030","C0018_014","C0018_026","C0018_017","C0018_012","Includes  Cats, The GoodPerson of Setzuan,  and  Happy End  review drafts.","C0018_013","C0018_019","C0018_027","C0018_028","C0018_016","Includes handwritten notes from Kincannon, housed in Box [X].","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally. File name: Kincannon_003.","This material is only available digitally. File name: Kincannon_004.","This material is only available digitally. File name: Kincannon_005.","This material is only available digitally. File name: Kincannon_006.","This material is only available digitally. File name: Kincannon_007.","This material is only available digitally. This material is only available digitally. File name: Kincannon_008.","This material is only available digitally. This material is only available digitally. File name: Kincannon_009.","This material is only available digitally. This material is only available digitally. File name: Kincannon_010.","This material is only available digitally. File name: Kincannon_011.","This material is only available digitally. File name: Kincannon_012.","This material is only available digitally. File name: Kincannon_013.","This material is only available digitally. File name: Kincannon_014.","This material is only available digitally. File name: Kincannon_015.","This material is only available digitally. File name: Kincannon_016.","This material is only available digitally. File name: Kincannon_017.","This material is only available digitally. File name: Kincannon_018.","This material is only available digitally. File name: Kincannon_019.","This material is only available digitally. File name: Kincannon_020.","This material is only available digitally. File name: Kincannon_021.","This material is only available digitally. File name: Kincannon_022.","This material is only available digitally. File name: Kincannon_023.","This material is only available digitally. File name: Kincannon_024.","This material is only available digitally. File name: Kincannon_025.","This material is only available digitally. File name: Kincannon_026.","This material is only available digitally. File name: Kincannon_027.","This material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.","This material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_16a68c93d8b3d69c2ae06c4266189f5f\"\u003eThe L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e\u003c/abstract\u003e"],"abstract_tesim":["The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e075fefd777b95903634244477006030\"\u003eR 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4"],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)","Kincannon, Lois Claire"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"persname_ssim":["Kincannon, Lois Claire"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1250,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:40:54.982Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_13","ead_ssi":"vifgm_repositories_2_resources_13","_root_":"vifgm_repositories_2_resources_13","_nest_parent_":"vifgm_repositories_2_resources_13","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_13.xml","title_ssm":["L. Claire Kincannon theatre collection"],"title_tesim":["L. Claire Kincannon theatre collection"],"unitdate_ssm":["1941-2015"],"unitdate_inclusive_ssm":["1941-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0018","/repositories/2/resources/13"],"text":["C0018","/repositories/2/resources/13","L. Claire Kincannon theatre collection","Ohio","Broadway (New York, N.Y.)","Washington (D.C.)","Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting","There are no access restrictions.","Most of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information.","This collection is arranged into two series and then alphabetically by title.","Series Series 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65) Series 2:  Behind the Scenes  production materials, 1971-1990s (Boxes 32-34; 42-88) Series 3: Digitized  Behind the Scenes  reels, circa 1980s-1992","Lois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled  Behind the Scenes,  in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including  Paeonian to Paris ,  Sheets for Men Only, Sheets to the Wind,  and  Rockin' with Porch Memories.  After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Reprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. ","Additional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024.","The Special Collections Research Center also holds many other collections on  . ","The University of Maryland holds multiple ","The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.  This collection consists of two series.","Series 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. ","Series 2:  Behind The Scenes  production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her  Bydin' my Time  segment in the  Blue Ridge Leader  newspaper and her radio show  Behind the Scenes.  Materials include audio and visual materials from  Behind the Scenes,  as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.","C0018_018","C0018_031","6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program","C0018_004","C0018_020","C0018_005","C0018_006","C0018_007","C0018_021","C0018_008","C0018_022","C0018_033. Reviews include:  A Chorus Line  at Wolf Trap,  A Midsummer Night's Dream  at Brownell Farm, and  Cat on a Hot Tin Roof  at Wayside Theatre.","C0018_009","Two u-matic tapes for  Behind the Scenes . Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.","C0018_025","C0018_023","C0018_001","C0018_002","C0018_003","C0018_010","Also includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"","C0018_024","C0018_011","C0018_029 and C0018_030","C0018_014","C0018_026","C0018_017","C0018_012","Includes  Cats, The GoodPerson of Setzuan,  and  Happy End  review drafts.","C0018_013","C0018_019","C0018_027","C0018_028","C0018_016","Includes handwritten notes from Kincannon, housed in Box [X].","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally. File name: Kincannon_003.","This material is only available digitally. File name: Kincannon_004.","This material is only available digitally. File name: Kincannon_005.","This material is only available digitally. File name: Kincannon_006.","This material is only available digitally. File name: Kincannon_007.","This material is only available digitally. This material is only available digitally. File name: Kincannon_008.","This material is only available digitally. This material is only available digitally. File name: Kincannon_009.","This material is only available digitally. This material is only available digitally. File name: Kincannon_010.","This material is only available digitally. File name: Kincannon_011.","This material is only available digitally. File name: Kincannon_012.","This material is only available digitally. File name: Kincannon_013.","This material is only available digitally. File name: Kincannon_014.","This material is only available digitally. File name: Kincannon_015.","This material is only available digitally. File name: Kincannon_016.","This material is only available digitally. File name: Kincannon_017.","This material is only available digitally. File name: Kincannon_018.","This material is only available digitally. File name: Kincannon_019.","This material is only available digitally. File name: Kincannon_020.","This material is only available digitally. File name: Kincannon_021.","This material is only available digitally. File name: Kincannon_022.","This material is only available digitally. File name: Kincannon_023.","This material is only available digitally. File name: Kincannon_024.","This material is only available digitally. File name: Kincannon_025.","This material is only available digitally. File name: Kincannon_026.","This material is only available digitally. File name: Kincannon_027.","This material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.","This material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.","R 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)","Kincannon, Lois Claire","English"],"unitid_tesim":["C0018","/repositories/2/resources/13"],"normalized_title_ssm":["L. Claire Kincannon theatre collection"],"collection_title_tesim":["L. Claire Kincannon theatre collection"],"collection_ssim":["L. Claire Kincannon theatre collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"geogname_ssim":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"creator_ssm":["Kincannon, Lois Claire"],"creator_ssim":["Kincannon, Lois Claire"],"creator_persname_ssim":["Kincannon, Lois Claire"],"creators_ssim":["Kincannon, Lois Claire"],"places_ssim":["Ohio","Broadway (New York, N.Y.)","Washington (D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by L. Claire Kincannon from 2007-2015."],"access_subjects_ssim":["Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting"],"access_subjects_ssm":["Motion pictures","Theater","Theater -- England -- London","Theater -- New York (State) -- New York","Theater -- Washington (D.C.)","Theater critics","Theater programs","Performing arts","Broadcasting"],"has_online_content_ssim":["false"],"extent_ssm":["20 Linear Feet 88 boxes"],"extent_tesim":["20 Linear Feet 88 boxes"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eMost of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Most of the audiovisual materials in this collection have been digitized. Please contact the Special Collections Research Center for more information."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series and then alphabetically by title.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65)\u003c/item\u003e\n      \u003citem\u003eSeries 2: \u003citalic\u003eBehind the Scenes\u003c/italic\u003e production materials, 1971-1990s (Boxes 32-34; 42-88)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Digitized \u003citalic\u003eBehind the Scenes\u003c/italic\u003e reels, circa 1980s-1992\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into two series and then alphabetically by title.","Series Series 1: Theatre and film-related materials, 1941-2015 (Boxes 1-42; 65) Series 2:  Behind the Scenes  production materials, 1971-1990s (Boxes 32-34; 42-88) Series 3: Digitized  Behind the Scenes  reels, circa 1980s-1992"],"bioghist_html_tesm":["\u003cp\u003eLois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled \u003citalic\u003eBehind the Scenes,\u003c/italic\u003e in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including \u003citalic\u003ePaeonian to Paris\u003c/italic\u003e, \u003citalic\u003eSheets for Men Only,\u003c/italic\u003e \u003citalic\u003eSheets to the Wind,\u003c/italic\u003e and \u003citalic\u003eRockin' with Porch Memories.\u003c/italic\u003e After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Lois Claire Kincannon, known as \"Claire,\" was an author, theatre critic, and radio journalist. Born April 19, 1940, Kincannon originally graduated from the University of Michigan's College of Architecture and Design and pursued a career in Interior Architecture. In 1972, she hosted her own radio show titled  Behind the Scenes,  in which she reviewed and discussed the theatre performances that she attended in the Washington, D.C. area. In late 1992, Kincannon moved to Paris, France, with her husband, where she founded Dancing Ink Press and published several books, including  Paeonian to Paris ,  Sheets for Men Only, Sheets to the Wind,  and  Rockin' with Porch Memories.  After eight years abroad, she returned to the United States, where she lived for the rest of her life. Kincannon passed away on August 9th, 2023."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the L. Claire Kincannon theatre collection. Additional time and money may be required to digitize this material for access.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally."],"prefercite_html_tesm":["\u003cp\u003eL. Claire Kincannon theatre collection, C0018, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["L. Claire Kincannon theatre collection, C0018, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.\u003c/p\u003e","\u003cp\u003eReprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. \u003c/p\u003e","\u003cp\u003eAdditional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Misha Griffith in 2009. EAD markup completed by Misha Griffith and Stacey Kniatt in 2009. Updated by Greta Kuriger in 2011 and 2012.","Reprocessed and additional accessions processed by Vilma Chicas Garcia from January-May 2024. Finding aid completed by Vilma Chicas Garcia in May 2024. ","Additional processing completed by Amanda Menjivar in June 2024. Finding aid edited and published by Amanda Menjivar in May 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on \u003cextptr show=\"new\" title=\"theatre and the performing arts\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=theatre\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n","\u003cp\u003eThe University of Maryland holds multiple \u003cextptr show=\"new\" title=\"radio and television broadcasting collections.\" href=\"https://www.lib.umd.edu/collections/special/broadcasting\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on  . ","The University of Maryland holds multiple "],"scopecontent_html_tesm":["\u003cp\u003eThe L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e This collection consists of two series.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. \u003c/p\u003e\n","\u003cp\u003eSeries 2: \u003citalic\u003eBehind The Scenes\u003c/italic\u003e production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her \u003citalic\u003eBydin' my Time\u003c/italic\u003e segment in the \u003citalic\u003eBlue Ridge Leader\u003c/italic\u003e newspaper and her radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e Materials include audio and visual materials from \u003citalic\u003eBehind the Scenes,\u003c/italic\u003e as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.\u003c/p\u003e","\u003cp\u003eC0018_018\u003c/p\u003e","\u003cp\u003eC0018_031\u003c/p\u003e","\u003cp\u003e6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program\u003c/p\u003e","\u003cp\u003eC0018_004\u003c/p\u003e","\u003cp\u003eC0018_020\u003c/p\u003e","\u003cp\u003eC0018_005\u003c/p\u003e","\u003cp\u003eC0018_006\u003c/p\u003e","\u003cp\u003eC0018_007\u003c/p\u003e","\u003cp\u003eC0018_021\u003c/p\u003e","\u003cp\u003eC0018_008\u003c/p\u003e","\u003cp\u003eC0018_022\u003c/p\u003e","\u003cp\u003eC0018_033. Reviews include: \u003citalic\u003eA Chorus Line\u003c/italic\u003e at Wolf Trap, \u003citalic\u003eA Midsummer Night's Dream\u003c/italic\u003e at Brownell Farm, and \u003citalic\u003eCat on a Hot Tin Roof\u003c/italic\u003e at Wayside Theatre.\u003c/p\u003e","\u003cp\u003eC0018_009\u003c/p\u003e","\u003cp\u003eTwo u-matic tapes for \u003citalic\u003eBehind the Scenes\u003c/italic\u003e. Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.\u003c/p\u003e","\u003cp\u003eC0018_025\u003c/p\u003e","\u003cp\u003eC0018_023\u003c/p\u003e","\u003cp\u003eC0018_001\u003c/p\u003e","\u003cp\u003eC0018_002\u003c/p\u003e","\u003cp\u003eC0018_003\u003c/p\u003e","\u003cp\u003eC0018_010\u003c/p\u003e","\u003cp\u003eAlso includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"\u003c/p\u003e","\u003cp\u003eC0018_024\u003c/p\u003e","\u003cp\u003eC0018_011\u003c/p\u003e","\u003cp\u003eC0018_029 and C0018_030\u003c/p\u003e","\u003cp\u003eC0018_014\u003c/p\u003e","\u003cp\u003eC0018_026\u003c/p\u003e","\u003cp\u003eC0018_017\u003c/p\u003e","\u003cp\u003eC0018_012\u003c/p\u003e","\u003cp\u003eIncludes \u003citalic\u003eCats, The GoodPerson of Setzuan,\u003c/italic\u003e and \u003citalic\u003eHappy End\u003c/italic\u003e review drafts.\u003c/p\u003e","\u003cp\u003eC0018_013\u003c/p\u003e","\u003cp\u003eC0018_019\u003c/p\u003e","\u003cp\u003eC0018_027\u003c/p\u003e","\u003cp\u003eC0018_028\u003c/p\u003e","\u003cp\u003eC0018_016\u003c/p\u003e","\u003cp\u003eIncludes handwritten notes from Kincannon, housed in Box [X].\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_003.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_004.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_005.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_006.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Kincannon_007.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_008.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_009.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. This material is only available digitally. File name: Kincannon_010.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. 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File name: Shakespeare_Theatre_Part_II-1, 2, 3.\u003c/p\u003e","\u003cp\u003eThis material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes.  This collection consists of two series.","Series 1: Theatre and film-related materials consists of five subseries. Subseries 1: Washington, D.C. and District-Maryland-Virginia (DMV) area; Subseries 2: Ohio regional theatres; Subseries 3: New York productions; Subseries 4: Other American productions; and Subseries 5: International productions. Materials in this series include programs, playbills, stage bills, press releases, photographs, news articles, ticket stubs, invitations, and advertisements from theatre and motion picture productions across the United States and Eastern Europe, and are divided based on location. Some programs also contain Kincannon's handwritten notes. Many of these materials are from the John F. Kennedy Center for the Performing Arts, the National Theatre, Arena Stage, The Folger Theatre, Wolf Trap Farm Park, and various other theatres in the D.C. area. It also includes productions by the Kenley Players and Victory Theatre in Dayton, Ohio, among others in the area. ","Series 2:  Behind The Scenes  production materials contains materials created during Kincannon's career, including drafted, unpublished, and published articles and scripts for her  Bydin' my Time  segment in the  Blue Ridge Leader  newspaper and her radio show  Behind the Scenes.  Materials include audio and visual materials from  Behind the Scenes,  as well as outlines, radio broadcast schedules, contracts, proposals, funding, and business correspondence.","C0018_018","C0018_031","6 cuts: 1. porgy + bess, 2. candide, 3. lena horne, 4. dancing in the streets, 5. program with one break, 6. program","C0018_004","C0018_020","C0018_005","C0018_006","C0018_007","C0018_021","C0018_008","C0018_022","C0018_033. Reviews include:  A Chorus Line  at Wolf Trap,  A Midsummer Night's Dream  at Brownell Farm, and  Cat on a Hot Tin Roof  at Wayside Theatre.","C0018_009","Two u-matic tapes for  Behind the Scenes . Includes is an instructional film published by Pacific Canada. This film was very damaged and, though viewable, its content is obstructed.","C0018_025","C0018_023","C0018_001","C0018_002","C0018_003","C0018_010","Also includes \"Cut 5 - Women in film old enough, cut 4 - gin game, cut 2 AIV, cut 3 \"Nine (portion)\"","C0018_024","C0018_011","C0018_029 and C0018_030","C0018_014","C0018_026","C0018_017","C0018_012","Includes  Cats, The GoodPerson of Setzuan,  and  Happy End  review drafts.","C0018_013","C0018_019","C0018_027","C0018_028","C0018_016","Includes handwritten notes from Kincannon, housed in Box [X].","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally.","This material is only available digitally. File name: Kincannon_003.","This material is only available digitally. File name: Kincannon_004.","This material is only available digitally. File name: Kincannon_005.","This material is only available digitally. File name: Kincannon_006.","This material is only available digitally. File name: Kincannon_007.","This material is only available digitally. This material is only available digitally. File name: Kincannon_008.","This material is only available digitally. This material is only available digitally. File name: Kincannon_009.","This material is only available digitally. This material is only available digitally. File name: Kincannon_010.","This material is only available digitally. File name: Kincannon_011.","This material is only available digitally. File name: Kincannon_012.","This material is only available digitally. File name: Kincannon_013.","This material is only available digitally. File name: Kincannon_014.","This material is only available digitally. File name: Kincannon_015.","This material is only available digitally. File name: Kincannon_016.","This material is only available digitally. File name: Kincannon_017.","This material is only available digitally. File name: Kincannon_018.","This material is only available digitally. File name: Kincannon_019.","This material is only available digitally. File name: Kincannon_020.","This material is only available digitally. File name: Kincannon_021.","This material is only available digitally. File name: Kincannon_022.","This material is only available digitally. File name: Kincannon_023.","This material is only available digitally. File name: Kincannon_024.","This material is only available digitally. File name: Kincannon_025.","This material is only available digitally. File name: Kincannon_026.","This material is only available digitally. File name: Kincannon_027.","This material is only available digitally. File name: Master_Tape_Wk_23-1, 2, and 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_1-1, 2, 3.","This material is only available digitally. File name: Shakespeare_Theatre_Part_II-1, 2, 3.","This material is only available digitally. File name: Sound_of_Music_Capital_Steps-1, 2"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_16a68c93d8b3d69c2ae06c4266189f5f\"\u003eThe L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show \u003citalic\u003eBehind the Scenes.\u003c/italic\u003e\u003c/abstract\u003e"],"abstract_tesim":["The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show  Behind the Scenes."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e075fefd777b95903634244477006030\"\u003eR 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 9, C 4, S 3-7\n\nR 10, C 1, S 2-4\n\nOS R 2, C 1, S 4"],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)","Kincannon, Lois Claire"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Folger Theatre","John F. Kennedy Center for the Performing Arts (U.S.)"],"persname_ssim":["Kincannon, Lois Claire"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1250,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:40:54.982Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_13"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":11},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Bdate_range%5D%5B%5D=1990\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Bdate_range%5D%5B%5D=1990\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}},{"attributes":{"label":"Virginia Polytechnic Institute and State University","value":"Virginia Polytechnic Institute and State University","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Bdate_range%5D%5B%5D=1990\u0026f%5Brepository%5D%5B%5D=Virginia+Polytechnic+Institute+and+State+University"}},{"attributes":{"label":"Washington and Lee University, Leyburn Library","value":"Washington and Lee University, Leyburn Library","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Bdate_range%5D%5B%5D=1990\u0026f%5Brepository%5D%5B%5D=Washington+and+Lee+University%2C+Leyburn+Library"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Bdate_range%5D%5B%5D=1990"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Arena Stage records","value":"Arena Stage records","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Bcollection%5D%5B%5D=Arena+Stage+records\u0026f%5Bdate_range%5D%5B%5D=1990"}},{"attributes":{"label":"Broadway souvenir theatre programs collection","value":"Broadway souvenir theatre programs collection","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Bcollection%5D%5B%5D=Broadway+souvenir+theatre+programs+collection\u0026f%5Bdate_range%5D%5B%5D=1990"}},{"attributes":{"label":"Carol Berger Chicago performing arts playbills collection","value":"Carol Berger Chicago performing arts playbills collection","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Bcollection%5D%5B%5D=Carol+Berger+Chicago+performing+arts+playbills+collection\u0026f%5Bdate_range%5D%5B%5D=1990"}},{"attributes":{"label":"Charles Rodrigues playbill collection","value":"Charles Rodrigues playbill collection","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Bcollection%5D%5B%5D=Charles+Rodrigues+playbill+collection\u0026f%5Bdate_range%5D%5B%5D=1990"}},{"attributes":{"label":"College of Visual and Performing Arts records","value":"College of Visual and Performing Arts records","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+programs\u0026f%5Bcollection%5D%5B%5D=College+of+Visual+and+Performing+Arts+records\u0026f%5Bdate_range%5D%5B%5D=1990"}},{"attributes":{"label":"E. P. Conkle papers","value":"E. P. 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