{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+--+United+States\u0026page=3\u0026view=compact","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+--+United+States\u0026page=2\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+--+United+States\u0026page=4\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+--+United+States\u0026page=5\u0026view=compact"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":5,"limit_value":10,"offset_value":20,"total_count":48,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_135","type":"collection","attributes":{"title":"Frank Mack papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_135#creator","type":"document_value","attributes":{"value":"Mack, Frank","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_135#abstract_or_scope","type":"document_value","attributes":{"value":"Collection contains correspondence, memos, reports and other papers generated by Frank Mack.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_135#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_135","ead_ssi":"vifgm_repositories_2_resources_135","_root_":"vifgm_repositories_2_resources_135","_nest_parent_":"vifgm_repositories_2_resources_135","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_135.xml","title_filing_ssi":"Frank Mack papers","title_ssm":["Frank Mack papers"],"title_tesim":["Frank Mack papers"],"unitdate_ssm":["1980s-1990s"],"unitdate_inclusive_ssm":["1980s-1990s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0058","/repositories/2/resources/135"],"text":["C0058","/repositories/2/resources/135","Frank Mack papers","Theater -- Washington (D.C.)","Performing arts","Theater","Theater -- Production and direction","Theater -- United States","Correspondence","There are no access restrictions.","Organized by subject.","Arena Stage was an early leader in the resident theater movement. 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Dowell papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_337#creator","type":"document_value","attributes":{"value":"Dowell, George Brendan, 1909-1997","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_337#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_337#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_337","ead_ssi":"vifgm_repositories_2_resources_337","_root_":"vifgm_repositories_2_resources_337","_nest_parent_":"vifgm_repositories_2_resources_337","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_337.xml","title_ssm":["George B. Dowell papers"],"title_tesim":["George B. Dowell papers"],"unitdate_ssm":["1931-1986"],"unitdate_inclusive_ssm":["1931-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0219","/repositories/2/resources/337"],"text":["C0219","/repositories/2/resources/337","George B. Dowell papers","Theater -- United States","New Deal, 1933-1939","Universities and colleges","Collection is open to research.","Arranged alphabetically by folder title.","George Brendan Dowell was born in New York City on December 15, 1909. He spent his life working in the theatre and academic institutions.  In 1933 he received a certificate in playwriting from Yale University. In 1939 the Federal Theatre Project produced a play Dowell wrote entitled \"The God Innis\". Dowell met Hallie Flanagan while working with the Federal Theatre Project and continued to work with her throughout his career. He served with the Army in World War II from 1941 to 1943. In 1946 he graduated from New York University and received a doctorate from Columbia University Teachers College in 1949. He worked at Smith College from 1949 to 1955, first as a Visiting Lecturer of Theatre and then as an Assistant Professor of Theatre from 1950 to 1955. Dowell and Flanagan worked together on the play \"Heritage\" in commemoration of the 75th Anniversary of Smith College in 1950. After teaching at Smith he went on to work at Skidmore College (1954-1956), Vassar College (1957-1961), and Goucher College (1962-1975). His work at Vassar College revolved around their Centennial Celebration in 1961. At Goucher College he was instrumental in developing the drama program and held the position of Associate Professor of Speech and Drama. He died of cancer in Towson, Maryland in January of 1997.","Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","This collection contains personal papers donated by George B. 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EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.\u003c/p\u003e\n","\u003cp\u003eThe collection is divided into two series.\u003c/p\u003e\n","\u003cp\u003eSeries one consists of documents and photographs and is organized alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. 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","Series two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e\n","\u003cp\u003ePermission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b1ba4d4ad20f3518d1769d1c3b1f07ad\" label=\"Summary\"\u003eThe Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.\u003c/abstract\u003e"],"abstract_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Graham, Hedley Gordon"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Graham, Hedley Gordon"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Graham, Hedley Gordon"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:38:19.956Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_361","ead_ssi":"vifgm_repositories_2_resources_361","_root_":"vifgm_repositories_2_resources_361","_nest_parent_":"vifgm_repositories_2_resources_361","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_361.xml","title_ssm":["Hedley Gordon Graham papers"],"title_tesim":["Hedley Gordon Graham papers"],"unitdate_ssm":["1925-1983"],"unitdate_inclusive_ssm":["1925-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0240","/repositories/2/resources/361"],"text":["C0240","/repositories/2/resources/361","Hedley Gordon Graham papers","Theater -- United States","Performing arts","New Deal, 1933-1939","There are no access restrictions.","Organized alphabetically by folder title.","Missing Title Series 1: Documents and Photographs, 1920s-1983 (Boxes 1-3) Series 2: Oversize, 1920s-1930s (Box 4)","Gordon Hedley Graham was a drama major at Columbia University and graduated from the American Academy of Dramatic Arts in 1925, he also spent a year at the Royal Academy of London and a year at the Max Rheinhardt School of Drama in Salzburg, Austria.","Professional experience includes working for the Theatre Guild in New York City as an Actor, Stage Manager, and Director of Understudies; work in Hollywood for MGM and Warner Brothers, as well as work in New Orleans. For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","The collection is divided into two series.","Series one consists of documents and photographs and is organized alphabetically. 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For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Gordon Hedley Graham was a drama major at Columbia University and graduated from the American Academy of Dramatic Arts in 1925, he also spent a year at the Royal Academy of London and a year at the Max Rheinhardt School of Drama in Salzburg, Austria.","Professional experience includes working for the Theatre Guild in New York City as an Actor, Stage Manager, and Director of Understudies; work in Hollywood for MGM and Warner Brothers, as well as work in New Orleans. For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall."],"prefercite_html_tesm":["\u003cp\u003eThe Hedley Gordon Graham papers, C0240, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Hedley Gordon Graham papers, C0240, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.\u003c/p\u003e\n","\u003cp\u003eThe collection is divided into two series.\u003c/p\u003e\n","\u003cp\u003eSeries one consists of documents and photographs and is organized alphabetically. \u003c/p\u003e\n","\u003cp\u003eSeries two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","The collection is divided into two series.","Series one consists of documents and photographs and is organized alphabetically. ","Series two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e\n","\u003cp\u003ePermission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b1ba4d4ad20f3518d1769d1c3b1f07ad\" label=\"Summary\"\u003eThe Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.\u003c/abstract\u003e"],"abstract_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Graham, Hedley Gordon"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Graham, Hedley Gordon"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Graham, Hedley Gordon"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:38:19.956Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_361"}},{"id":"vifgm_repositories_2_resources_131","type":"collection","attributes":{"title":"J. Burke Knapp papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_131#creator","type":"document_value","attributes":{"value":"Knapp, J. Burke (Joseph Burke), 1913-2009","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_131#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains materials related primarily to financial matters generated during J. Burke Knapp's work with Arena Stage in Washington, D.C.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_131#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_131","ead_ssi":"vifgm_repositories_2_resources_131","_root_":"vifgm_repositories_2_resources_131","_nest_parent_":"vifgm_repositories_2_resources_131","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_131.xml","title_filing_ssi":"J. Burke Knapp papers","title_ssm":["J. Burke Knapp papers"],"title_tesim":["J. Burke Knapp papers"],"unitdate_ssm":["circa 1950s-1960s"],"unitdate_inclusive_ssm":["circa 1950s-1960s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0199","/repositories/2/resources/131"],"text":["C0199","/repositories/2/resources/131","J. Burke Knapp papers","Theater -- Washington (D.C.)","Performing arts","Theater","Theater -- United States","Correspondence","There are no access restrictions.","Collection is organized roughly by subject at the folder level only.","Bernstein, Adam. 2009. \"World Bank Executive Also Led Arena Stage Theater.\"  The Washington Post , December 9, 2009. https://www.washingtonpost.com/archive/local/2009/12/10/world-bank-executive-also-led-arena-stage-theater/e1e8f564-2644-4ebd-9225-6ba528b65d08/.","\"J. Burke Knapp.\" n.d. The Association of American Rhodes Scholars. Accessed May 15, 2024. https://www.americanrhodes.org/news-obituaries-245.html.","\"J. Knapp Obituary (2009) - San Francisco, CA - San Francisco Chronicle.\" n.d. Legacy.Com. Accessed May 15, 2024. https://www.legacy.com/us/obituaries/sfgate/name/j-knapp-obituary?id=22168108.","J. Burke Knapp was born in Portland, Oregon in 1913. After graduating from Stanford University in 1933 he was selected as a Rhodes Scholar and attended Oxford University from 1933-1936, after which he served four years working as an investment banker in London, England before returning to the United States to continue his career in international finance. Knapp served in various positions in the U.S. government until 1952, including senior roles with the Federal Reserve Board and the Department of State, as well as attending the Bretton Woods Conference in 1944 which created the International Monetary Fund and World Bank, and serving as a member of the Inter-Departmental Committee to prepare the Marshall Plan. In December 1952, he joined the World Bank as the Director of Latin American operations and was appointed Senior Vice-President and Chairman of the Loan Committee in 1956, serving in this position until his retirement in 1978. In 1939 he married first wife, British actress Hilary Eaves, who served as one of his first connections to the performing arts. From 1959-1968 he served as President of the board of Washington, D.C.'s Arena Stage, assisting with raising money and expanding and restructuring the organization into a non-profit. He would remain on the board as a member until his death on November 22, 2009 at the age of 96.","One of the first not-for-profit theatres in the United States, as well as a pioneer of the regional theatre movement, Arena Stage was the first regional theatre to transfer a production to Broadway ( The Great White Hope , 1967), the first invited by the U.S. State Department to tour the Soviet Union, and the first to receive a Tony Award. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, in 1950, Arena Stage was opened in Washington, D.C. to fill the void left by the closing of the National Theater in 1948. Deriving its name from the idea of \"theater in the round,\" Arena Stage became one of the first resident theatres in the United States, beginning with a company of only eight actors. During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington, D.C. since 1895. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new \"Kreeger Theatre,\" which opened formally on January 15, 1971. Today, Arena Stage performs to over 250,000 patrons during a September to June season and employs nearly 200 theatre professionals.","Processed by Special Collections Research Center staff. Finding aid updated by Meghan Glasbrenner in May 2024.","The Special Collections Research Center also holds the  Arena Stage records , the  Living Stage records , and the  Ken Kitch papers , as well as the papers of Arena Stage founders Zelda and Thomas Fichandler.","This collection contains reports, correspondence, contracts, and general materials related primarily to financial matters generated during J. Burke Knapp's work with Arena Stage in Washington, D.C. The majority of the materials relate to the Washington Drama Society, Arena Stage II, stockholders, the organization's tax exemption status and non-profit application, and general personal materials related to Arena Stage.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains materials related primarily to financial matters generated during J. Burke Knapp's work with Arena Stage in Washington, D.C.","R 45, C 1, S 1, 4-5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Knapp, J. Burke (Joseph Burke), 1913-2009","English \n.    "],"unitid_tesim":["C0199","/repositories/2/resources/131"],"normalized_title_ssm":["J. Burke Knapp papers"],"collection_title_tesim":["J. Burke Knapp papers"],"collection_ssim":["J. Burke Knapp papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Knapp, J. Burke (Joseph Burke), 1913-2009"],"creator_ssim":["Knapp, J. Burke (Joseph Burke), 1913-2009"],"creator_persname_ssim":["Knapp, J. Burke (Joseph Burke), 1913-2009"],"creators_ssim":["Knapp, J. Burke (Joseph Burke), 1913-2009"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Performing arts","Theater","Theater -- United States","Correspondence"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Performing arts","Theater","Theater -- United States","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["3.45 Linear Feet 8 boxes"],"extent_tesim":["3.45 Linear Feet 8 boxes"],"genreform_ssim":["Correspondence"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eCollection is organized roughly by subject at the folder level only.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is organized roughly by subject at the folder level only."],"bibliography_html_tesm":["\u003cp\u003eBernstein, Adam. 2009. \"World Bank Executive Also Led Arena Stage Theater.\" \u003ctitle\u003eThe Washington Post\u003c/title\u003e, December 9, 2009. https://www.washingtonpost.com/archive/local/2009/12/10/world-bank-executive-also-led-arena-stage-theater/e1e8f564-2644-4ebd-9225-6ba528b65d08/.\u003c/p\u003e\n","\u003cp\u003e\"J. Burke Knapp.\" n.d. The Association of American Rhodes Scholars. Accessed May 15, 2024. https://www.americanrhodes.org/news-obituaries-245.html.\u003c/p\u003e\n","\u003cp\u003e\"J. Knapp Obituary (2009) - San Francisco, CA - San Francisco Chronicle.\" n.d. Legacy.Com. Accessed May 15, 2024. https://www.legacy.com/us/obituaries/sfgate/name/j-knapp-obituary?id=22168108.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Bernstein, Adam. 2009. \"World Bank Executive Also Led Arena Stage Theater.\"  The Washington Post , December 9, 2009. https://www.washingtonpost.com/archive/local/2009/12/10/world-bank-executive-also-led-arena-stage-theater/e1e8f564-2644-4ebd-9225-6ba528b65d08/.","\"J. Burke Knapp.\" n.d. The Association of American Rhodes Scholars. Accessed May 15, 2024. https://www.americanrhodes.org/news-obituaries-245.html.","\"J. Knapp Obituary (2009) - San Francisco, CA - San Francisco Chronicle.\" n.d. Legacy.Com. Accessed May 15, 2024. https://www.legacy.com/us/obituaries/sfgate/name/j-knapp-obituary?id=22168108."],"bioghist_html_tesm":["\u003cp\u003eJ. Burke Knapp was born in Portland, Oregon in 1913. After graduating from Stanford University in 1933 he was selected as a Rhodes Scholar and attended Oxford University from 1933-1936, after which he served four years working as an investment banker in London, England before returning to the United States to continue his career in international finance. Knapp served in various positions in the U.S. government until 1952, including senior roles with the Federal Reserve Board and the Department of State, as well as attending the Bretton Woods Conference in 1944 which created the International Monetary Fund and World Bank, and serving as a member of the Inter-Departmental Committee to prepare the Marshall Plan. In December 1952, he joined the World Bank as the Director of Latin American operations and was appointed Senior Vice-President and Chairman of the Loan Committee in 1956, serving in this position until his retirement in 1978. In 1939 he married first wife, British actress Hilary Eaves, who served as one of his first connections to the performing arts. From 1959-1968 he served as President of the board of Washington, D.C.'s Arena Stage, assisting with raising money and expanding and restructuring the organization into a non-profit. He would remain on the board as a member until his death on November 22, 2009 at the age of 96.\u003c/p\u003e\n","\u003cp\u003eOne of the first not-for-profit theatres in the United States, as well as a pioneer of the regional theatre movement, Arena Stage was the first regional theatre to transfer a production to Broadway (\u003citalic\u003eThe Great White Hope\u003c/italic\u003e, 1967), the first invited by the U.S. State Department to tour the Soviet Union, and the first to receive a Tony Award. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, in 1950, Arena Stage was opened in Washington, D.C. to fill the void left by the closing of the National Theater in 1948. Deriving its name from the idea of \"theater in the round,\" Arena Stage became one of the first resident theatres in the United States, beginning with a company of only eight actors. During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington, D.C. since 1895. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new \"Kreeger Theatre,\" which opened formally on January 15, 1971. Today, Arena Stage performs to over 250,000 patrons during a September to June season and employs nearly 200 theatre professionals.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["J. Burke Knapp was born in Portland, Oregon in 1913. After graduating from Stanford University in 1933 he was selected as a Rhodes Scholar and attended Oxford University from 1933-1936, after which he served four years working as an investment banker in London, England before returning to the United States to continue his career in international finance. Knapp served in various positions in the U.S. government until 1952, including senior roles with the Federal Reserve Board and the Department of State, as well as attending the Bretton Woods Conference in 1944 which created the International Monetary Fund and World Bank, and serving as a member of the Inter-Departmental Committee to prepare the Marshall Plan. In December 1952, he joined the World Bank as the Director of Latin American operations and was appointed Senior Vice-President and Chairman of the Loan Committee in 1956, serving in this position until his retirement in 1978. In 1939 he married first wife, British actress Hilary Eaves, who served as one of his first connections to the performing arts. From 1959-1968 he served as President of the board of Washington, D.C.'s Arena Stage, assisting with raising money and expanding and restructuring the organization into a non-profit. He would remain on the board as a member until his death on November 22, 2009 at the age of 96.","One of the first not-for-profit theatres in the United States, as well as a pioneer of the regional theatre movement, Arena Stage was the first regional theatre to transfer a production to Broadway ( The Great White Hope , 1967), the first invited by the U.S. State Department to tour the Soviet Union, and the first to receive a Tony Award. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, in 1950, Arena Stage was opened in Washington, D.C. to fill the void left by the closing of the National Theater in 1948. Deriving its name from the idea of \"theater in the round,\" Arena Stage became one of the first resident theatres in the United States, beginning with a company of only eight actors. During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington, D.C. since 1895. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new \"Kreeger Theatre,\" which opened formally on January 15, 1971. Today, Arena Stage performs to over 250,000 patrons during a September to June season and employs nearly 200 theatre professionals."],"prefercite_html_tesm":["\u003cp\u003eJ. Burke Knapp papers, C0199, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["J. Burke Knapp papers, C0199, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Finding aid updated by Meghan Glasbrenner in May 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Finding aid updated by Meghan Glasbrenner in May 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003ca href=\"https://aspace.gmu.edu/resources/c0017\"\u003eArena Stage records\u003c/a\u003e, the \u003ca href=\"https://aspace.gmu.edu/resources/c0277\"\u003eLiving Stage records\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0198\"\u003eKen Kitch papers\u003c/a\u003e, as well as the papers of Arena Stage founders Zelda and Thomas Fichandler.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  Arena Stage records , the  Living Stage records , and the  Ken Kitch papers , as well as the papers of Arena Stage founders Zelda and Thomas Fichandler."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains reports, correspondence, contracts, and general materials related primarily to financial matters generated during J. Burke Knapp's work with Arena Stage in Washington, D.C. The majority of the materials relate to the Washington Drama Society, Arena Stage II, stockholders, the organization's tax exemption status and non-profit application, and general personal materials related to Arena Stage.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains reports, correspondence, contracts, and general materials related primarily to financial matters generated during J. Burke Knapp's work with Arena Stage in Washington, D.C. The majority of the materials relate to the Washington Drama Society, Arena Stage II, stockholders, the organization's tax exemption status and non-profit application, and general personal materials related to Arena Stage."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9c0eae297e99b05a5103d642af4f7d96\"\u003eThis collection contains materials related primarily to financial matters generated during J. Burke Knapp's work with Arena Stage in Washington, D.C.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials related primarily to financial matters generated during J. Burke Knapp's work with Arena Stage in Washington, D.C."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_efcbd04c294f057904a6556310b240e2\"\u003eR 45, C 1, S 1, 4-5\u003c/physloc\u003e"],"physloc_tesim":["R 45, C 1, S 1, 4-5"],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Knapp, J. Burke (Joseph Burke), 1913-2009"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Knapp, J. Burke (Joseph Burke), 1913-2009"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":47,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:27:54.262Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_131","ead_ssi":"vifgm_repositories_2_resources_131","_root_":"vifgm_repositories_2_resources_131","_nest_parent_":"vifgm_repositories_2_resources_131","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_131.xml","title_filing_ssi":"J. Burke Knapp papers","title_ssm":["J. Burke Knapp papers"],"title_tesim":["J. Burke Knapp papers"],"unitdate_ssm":["circa 1950s-1960s"],"unitdate_inclusive_ssm":["circa 1950s-1960s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0199","/repositories/2/resources/131"],"text":["C0199","/repositories/2/resources/131","J. Burke Knapp papers","Theater -- Washington (D.C.)","Performing arts","Theater","Theater -- United States","Correspondence","There are no access restrictions.","Collection is organized roughly by subject at the folder level only.","Bernstein, Adam. 2009. \"World Bank Executive Also Led Arena Stage Theater.\"  The Washington Post , December 9, 2009. https://www.washingtonpost.com/archive/local/2009/12/10/world-bank-executive-also-led-arena-stage-theater/e1e8f564-2644-4ebd-9225-6ba528b65d08/.","\"J. Burke Knapp.\" n.d. The Association of American Rhodes Scholars. Accessed May 15, 2024. https://www.americanrhodes.org/news-obituaries-245.html.","\"J. Knapp Obituary (2009) - San Francisco, CA - San Francisco Chronicle.\" n.d. Legacy.Com. Accessed May 15, 2024. https://www.legacy.com/us/obituaries/sfgate/name/j-knapp-obituary?id=22168108.","J. Burke Knapp was born in Portland, Oregon in 1913. After graduating from Stanford University in 1933 he was selected as a Rhodes Scholar and attended Oxford University from 1933-1936, after which he served four years working as an investment banker in London, England before returning to the United States to continue his career in international finance. Knapp served in various positions in the U.S. government until 1952, including senior roles with the Federal Reserve Board and the Department of State, as well as attending the Bretton Woods Conference in 1944 which created the International Monetary Fund and World Bank, and serving as a member of the Inter-Departmental Committee to prepare the Marshall Plan. In December 1952, he joined the World Bank as the Director of Latin American operations and was appointed Senior Vice-President and Chairman of the Loan Committee in 1956, serving in this position until his retirement in 1978. In 1939 he married first wife, British actress Hilary Eaves, who served as one of his first connections to the performing arts. From 1959-1968 he served as President of the board of Washington, D.C.'s Arena Stage, assisting with raising money and expanding and restructuring the organization into a non-profit. He would remain on the board as a member until his death on November 22, 2009 at the age of 96.","One of the first not-for-profit theatres in the United States, as well as a pioneer of the regional theatre movement, Arena Stage was the first regional theatre to transfer a production to Broadway ( The Great White Hope , 1967), the first invited by the U.S. State Department to tour the Soviet Union, and the first to receive a Tony Award. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, in 1950, Arena Stage was opened in Washington, D.C. to fill the void left by the closing of the National Theater in 1948. Deriving its name from the idea of \"theater in the round,\" Arena Stage became one of the first resident theatres in the United States, beginning with a company of only eight actors. During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington, D.C. since 1895. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new \"Kreeger Theatre,\" which opened formally on January 15, 1971. Today, Arena Stage performs to over 250,000 patrons during a September to June season and employs nearly 200 theatre professionals.","Processed by Special Collections Research Center staff. Finding aid updated by Meghan Glasbrenner in May 2024.","The Special Collections Research Center also holds the  Arena Stage records , the  Living Stage records , and the  Ken Kitch papers , as well as the papers of Arena Stage founders Zelda and Thomas Fichandler.","This collection contains reports, correspondence, contracts, and general materials related primarily to financial matters generated during J. Burke Knapp's work with Arena Stage in Washington, D.C. The majority of the materials relate to the Washington Drama Society, Arena Stage II, stockholders, the organization's tax exemption status and non-profit application, and general personal materials related to Arena Stage.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains materials related primarily to financial matters generated during J. Burke Knapp's work with Arena Stage in Washington, D.C.","R 45, C 1, S 1, 4-5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Knapp, J. Burke (Joseph Burke), 1913-2009","English \n.    "],"unitid_tesim":["C0199","/repositories/2/resources/131"],"normalized_title_ssm":["J. Burke Knapp papers"],"collection_title_tesim":["J. Burke Knapp papers"],"collection_ssim":["J. Burke Knapp papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Knapp, J. Burke (Joseph Burke), 1913-2009"],"creator_ssim":["Knapp, J. Burke (Joseph Burke), 1913-2009"],"creator_persname_ssim":["Knapp, J. Burke (Joseph Burke), 1913-2009"],"creators_ssim":["Knapp, J. Burke (Joseph Burke), 1913-2009"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Performing arts","Theater","Theater -- United States","Correspondence"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Performing arts","Theater","Theater -- United States","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["3.45 Linear Feet 8 boxes"],"extent_tesim":["3.45 Linear Feet 8 boxes"],"genreform_ssim":["Correspondence"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eCollection is organized roughly by subject at the folder level only.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is organized roughly by subject at the folder level only."],"bibliography_html_tesm":["\u003cp\u003eBernstein, Adam. 2009. \"World Bank Executive Also Led Arena Stage Theater.\" \u003ctitle\u003eThe Washington Post\u003c/title\u003e, December 9, 2009. https://www.washingtonpost.com/archive/local/2009/12/10/world-bank-executive-also-led-arena-stage-theater/e1e8f564-2644-4ebd-9225-6ba528b65d08/.\u003c/p\u003e\n","\u003cp\u003e\"J. Burke Knapp.\" n.d. The Association of American Rhodes Scholars. Accessed May 15, 2024. https://www.americanrhodes.org/news-obituaries-245.html.\u003c/p\u003e\n","\u003cp\u003e\"J. Knapp Obituary (2009) - San Francisco, CA - San Francisco Chronicle.\" n.d. Legacy.Com. Accessed May 15, 2024. https://www.legacy.com/us/obituaries/sfgate/name/j-knapp-obituary?id=22168108.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Bernstein, Adam. 2009. \"World Bank Executive Also Led Arena Stage Theater.\"  The Washington Post , December 9, 2009. https://www.washingtonpost.com/archive/local/2009/12/10/world-bank-executive-also-led-arena-stage-theater/e1e8f564-2644-4ebd-9225-6ba528b65d08/.","\"J. Burke Knapp.\" n.d. The Association of American Rhodes Scholars. Accessed May 15, 2024. https://www.americanrhodes.org/news-obituaries-245.html.","\"J. Knapp Obituary (2009) - San Francisco, CA - San Francisco Chronicle.\" n.d. Legacy.Com. Accessed May 15, 2024. https://www.legacy.com/us/obituaries/sfgate/name/j-knapp-obituary?id=22168108."],"bioghist_html_tesm":["\u003cp\u003eJ. Burke Knapp was born in Portland, Oregon in 1913. After graduating from Stanford University in 1933 he was selected as a Rhodes Scholar and attended Oxford University from 1933-1936, after which he served four years working as an investment banker in London, England before returning to the United States to continue his career in international finance. Knapp served in various positions in the U.S. government until 1952, including senior roles with the Federal Reserve Board and the Department of State, as well as attending the Bretton Woods Conference in 1944 which created the International Monetary Fund and World Bank, and serving as a member of the Inter-Departmental Committee to prepare the Marshall Plan. In December 1952, he joined the World Bank as the Director of Latin American operations and was appointed Senior Vice-President and Chairman of the Loan Committee in 1956, serving in this position until his retirement in 1978. In 1939 he married first wife, British actress Hilary Eaves, who served as one of his first connections to the performing arts. From 1959-1968 he served as President of the board of Washington, D.C.'s Arena Stage, assisting with raising money and expanding and restructuring the organization into a non-profit. He would remain on the board as a member until his death on November 22, 2009 at the age of 96.\u003c/p\u003e\n","\u003cp\u003eOne of the first not-for-profit theatres in the United States, as well as a pioneer of the regional theatre movement, Arena Stage was the first regional theatre to transfer a production to Broadway (\u003citalic\u003eThe Great White Hope\u003c/italic\u003e, 1967), the first invited by the U.S. State Department to tour the Soviet Union, and the first to receive a Tony Award. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, in 1950, Arena Stage was opened in Washington, D.C. to fill the void left by the closing of the National Theater in 1948. Deriving its name from the idea of \"theater in the round,\" Arena Stage became one of the first resident theatres in the United States, beginning with a company of only eight actors. During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington, D.C. since 1895. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new \"Kreeger Theatre,\" which opened formally on January 15, 1971. Today, Arena Stage performs to over 250,000 patrons during a September to June season and employs nearly 200 theatre professionals.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["J. Burke Knapp was born in Portland, Oregon in 1913. After graduating from Stanford University in 1933 he was selected as a Rhodes Scholar and attended Oxford University from 1933-1936, after which he served four years working as an investment banker in London, England before returning to the United States to continue his career in international finance. Knapp served in various positions in the U.S. government until 1952, including senior roles with the Federal Reserve Board and the Department of State, as well as attending the Bretton Woods Conference in 1944 which created the International Monetary Fund and World Bank, and serving as a member of the Inter-Departmental Committee to prepare the Marshall Plan. In December 1952, he joined the World Bank as the Director of Latin American operations and was appointed Senior Vice-President and Chairman of the Loan Committee in 1956, serving in this position until his retirement in 1978. In 1939 he married first wife, British actress Hilary Eaves, who served as one of his first connections to the performing arts. From 1959-1968 he served as President of the board of Washington, D.C.'s Arena Stage, assisting with raising money and expanding and restructuring the organization into a non-profit. He would remain on the board as a member until his death on November 22, 2009 at the age of 96.","One of the first not-for-profit theatres in the United States, as well as a pioneer of the regional theatre movement, Arena Stage was the first regional theatre to transfer a production to Broadway ( The Great White Hope , 1967), the first invited by the U.S. State Department to tour the Soviet Union, and the first to receive a Tony Award. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, in 1950, Arena Stage was opened in Washington, D.C. to fill the void left by the closing of the National Theater in 1948. Deriving its name from the idea of \"theater in the round,\" Arena Stage became one of the first resident theatres in the United States, beginning with a company of only eight actors. During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington, D.C. since 1895. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new \"Kreeger Theatre,\" which opened formally on January 15, 1971. Today, Arena Stage performs to over 250,000 patrons during a September to June season and employs nearly 200 theatre professionals."],"prefercite_html_tesm":["\u003cp\u003eJ. Burke Knapp papers, C0199, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["J. Burke Knapp papers, C0199, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Finding aid updated by Meghan Glasbrenner in May 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Finding aid updated by Meghan Glasbrenner in May 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003ca href=\"https://aspace.gmu.edu/resources/c0017\"\u003eArena Stage records\u003c/a\u003e, the \u003ca href=\"https://aspace.gmu.edu/resources/c0277\"\u003eLiving Stage records\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0198\"\u003eKen Kitch papers\u003c/a\u003e, as well as the papers of Arena Stage founders Zelda and Thomas Fichandler.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  Arena Stage records , the  Living Stage records , and the  Ken Kitch papers , as well as the papers of Arena Stage founders Zelda and Thomas Fichandler."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains reports, correspondence, contracts, and general materials related primarily to financial matters generated during J. Burke Knapp's work with Arena Stage in Washington, D.C. The majority of the materials relate to the Washington Drama Society, Arena Stage II, stockholders, the organization's tax exemption status and non-profit application, and general personal materials related to Arena Stage.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains reports, correspondence, contracts, and general materials related primarily to financial matters generated during J. Burke Knapp's work with Arena Stage in Washington, D.C. The majority of the materials relate to the Washington Drama Society, Arena Stage II, stockholders, the organization's tax exemption status and non-profit application, and general personal materials related to Arena Stage."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9c0eae297e99b05a5103d642af4f7d96\"\u003eThis collection contains materials related primarily to financial matters generated during J. Burke Knapp's work with Arena Stage in Washington, D.C.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials related primarily to financial matters generated during J. Burke Knapp's work with Arena Stage in Washington, D.C."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_efcbd04c294f057904a6556310b240e2\"\u003eR 45, C 1, S 1, 4-5\u003c/physloc\u003e"],"physloc_tesim":["R 45, C 1, S 1, 4-5"],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Knapp, J. Burke (Joseph Burke), 1913-2009"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Knapp, J. Burke (Joseph Burke), 1913-2009"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":47,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:27:54.262Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_131"}},{"id":"vifgm_repositories_2_resources_346","type":"collection","attributes":{"title":"J. Howard Miller papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_346#creator","type":"document_value","attributes":{"value":"Miller, J. Howard","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_346#abstract_or_scope","type":"document_value","attributes":{"value":"The J. Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. Also included is correspondence to and from Miller and employee identification cards.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_346#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_346","ead_ssi":"vifgm_repositories_2_resources_346","_root_":"vifgm_repositories_2_resources_346","_nest_parent_":"vifgm_repositories_2_resources_346","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_346.xml","title_ssm":["J. Howard Miller papers"],"title_tesim":["J. Howard Miller papers"],"unitdate_ssm":["1891-1946"],"unitdate_inclusive_ssm":["1891-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0228","/repositories/2/resources/346"],"text":["C0228","/repositories/2/resources/346","J. Howard Miller papers","Theater -- United States","New Deal, 1933-1939","There are no access restrictions.","This collection is arranged alphabetically by title.","Born on April 3, 1908 J. Howard Miller was a former actor and stage manager. He worked with the Federal Theatre Project as the Regional Director in the west, and later the Deputy National Director of the Federal Theatre Project.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The J. Howard Miller papers contain eleven scrapbooks created by Miller. Scrapbooks are compiled around a location or play: one has general newsclippings about the Federal Theatre Project and the WPA, three are for productions from the Mayan Theatre in Los Angeles, two are for productions from the Savoy Theatre in San Diego, one is for the State Emergency Relief Administration (SERA), one covers the Federal Theatre unit in Denver, one covers the play It Can't Happen Here in it's many locations of production. There are also two scrapbooks for materials that did not originate with the Federal Theatre Project, one of these is filled with programs collected by Miller and the other is material from the Padua Players theatre group where Miller worked before joining the Federal Theatre. Also included in this collection is one folder of photographs featuring Federal Theatre sets and actors, and three folders with correspondence, miscellaneous newspaper clippings, and employee related material.","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The J. Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. Also included is correspondence to and from Miller and employee identification cards.","Map Case 9.1","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Miller, J. Howard","English \n.    "],"unitid_tesim":["C0228","/repositories/2/resources/346"],"normalized_title_ssm":["J. Howard Miller papers"],"collection_title_tesim":["J. Howard Miller papers"],"collection_ssim":["J. Howard Miller papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Miller, J. Howard"],"creator_ssim":["Miller, J. Howard"],"creator_persname_ssim":["Miller, J. Howard"],"creators_ssim":["Miller, J. Howard"],"access_terms_ssm":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated to Special Collections and Archives by J. Howard Miller on April 12, 1979."],"access_subjects_ssim":["Theater -- United States","New Deal, 1933-1939"],"access_subjects_ssm":["Theater -- United States","New Deal, 1933-1939"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet (6 boxes)"],"extent_tesim":["2.5 Linear Feet (6 boxes)"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by title."],"bioghist_html_tesm":["\u003cp\u003eBorn on April 3, 1908 J. Howard Miller was a former actor and stage manager. He worked with the Federal Theatre Project as the Regional Director in the west, and later the Deputy National Director of the Federal Theatre Project.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born on April 3, 1908 J. Howard Miller was a former actor and stage manager. He worked with the Federal Theatre Project as the Regional Director in the west, and later the Deputy National Director of the Federal Theatre Project.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression."],"prefercite_html_tesm":["\u003cp\u003eJ. Howard Miller personal papers, C0228, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["J. Howard Miller personal papers, C0228, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in November 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe J. Howard Miller papers contain eleven scrapbooks created by Miller. Scrapbooks are compiled around a location or play: one has general newsclippings about the Federal Theatre Project and the WPA, three are for productions from the Mayan Theatre in Los Angeles, two are for productions from the Savoy Theatre in San Diego, one is for the State Emergency Relief Administration (SERA), one covers the Federal Theatre unit in Denver, one covers the play It Can't Happen Here in it's many locations of production. There are also two scrapbooks for materials that did not originate with the Federal Theatre Project, one of these is filled with programs collected by Miller and the other is material from the Padua Players theatre group where Miller worked before joining the Federal Theatre. Also included in this collection is one folder of photographs featuring Federal Theatre sets and actors, and three folders with correspondence, miscellaneous newspaper clippings, and employee related material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The J. Howard Miller papers contain eleven scrapbooks created by Miller. Scrapbooks are compiled around a location or play: one has general newsclippings about the Federal Theatre Project and the WPA, three are for productions from the Mayan Theatre in Los Angeles, two are for productions from the Savoy Theatre in San Diego, one is for the State Emergency Relief Administration (SERA), one covers the Federal Theatre unit in Denver, one covers the play It Can't Happen Here in it's many locations of production. There are also two scrapbooks for materials that did not originate with the Federal Theatre Project, one of these is filled with programs collected by Miller and the other is material from the Padua Players theatre group where Miller worked before joining the Federal Theatre. Also included in this collection is one folder of photographs featuring Federal Theatre sets and actors, and three folders with correspondence, miscellaneous newspaper clippings, and employee related material."],"userestrict_html_tesm":["\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e\n","\u003cp\u003eThe copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_5c091e00e82823798960d1532cc52ff9\" label=\"Summary\"\u003eThe J. Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. Also included is correspondence to and from Miller and employee identification cards.\u003c/abstract\u003e"],"abstract_tesim":["The J. Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. Also included is correspondence to and from Miller and employee identification cards."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fd2c8824a22a79e4b1c6284aa68ef1f9\"\u003eMap Case 9.1\u003c/physloc\u003e"],"physloc_tesim":["Map Case 9.1"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Miller, J. Howard"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Miller, J. Howard"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:29:33.238Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_346","ead_ssi":"vifgm_repositories_2_resources_346","_root_":"vifgm_repositories_2_resources_346","_nest_parent_":"vifgm_repositories_2_resources_346","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_346.xml","title_ssm":["J. Howard Miller papers"],"title_tesim":["J. Howard Miller papers"],"unitdate_ssm":["1891-1946"],"unitdate_inclusive_ssm":["1891-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0228","/repositories/2/resources/346"],"text":["C0228","/repositories/2/resources/346","J. Howard Miller papers","Theater -- United States","New Deal, 1933-1939","There are no access restrictions.","This collection is arranged alphabetically by title.","Born on April 3, 1908 J. Howard Miller was a former actor and stage manager. He worked with the Federal Theatre Project as the Regional Director in the west, and later the Deputy National Director of the Federal Theatre Project.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The J. Howard Miller papers contain eleven scrapbooks created by Miller. Scrapbooks are compiled around a location or play: one has general newsclippings about the Federal Theatre Project and the WPA, three are for productions from the Mayan Theatre in Los Angeles, two are for productions from the Savoy Theatre in San Diego, one is for the State Emergency Relief Administration (SERA), one covers the Federal Theatre unit in Denver, one covers the play It Can't Happen Here in it's many locations of production. There are also two scrapbooks for materials that did not originate with the Federal Theatre Project, one of these is filled with programs collected by Miller and the other is material from the Padua Players theatre group where Miller worked before joining the Federal Theatre. Also included in this collection is one folder of photographs featuring Federal Theatre sets and actors, and three folders with correspondence, miscellaneous newspaper clippings, and employee related material.","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The J. Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. Also included is correspondence to and from Miller and employee identification cards.","Map Case 9.1","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Miller, J. Howard","English \n.    "],"unitid_tesim":["C0228","/repositories/2/resources/346"],"normalized_title_ssm":["J. Howard Miller papers"],"collection_title_tesim":["J. Howard Miller papers"],"collection_ssim":["J. Howard Miller papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Miller, J. Howard"],"creator_ssim":["Miller, J. Howard"],"creator_persname_ssim":["Miller, J. Howard"],"creators_ssim":["Miller, J. Howard"],"access_terms_ssm":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated to Special Collections and Archives by J. Howard Miller on April 12, 1979."],"access_subjects_ssim":["Theater -- United States","New Deal, 1933-1939"],"access_subjects_ssm":["Theater -- United States","New Deal, 1933-1939"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet (6 boxes)"],"extent_tesim":["2.5 Linear Feet (6 boxes)"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by title."],"bioghist_html_tesm":["\u003cp\u003eBorn on April 3, 1908 J. Howard Miller was a former actor and stage manager. He worked with the Federal Theatre Project as the Regional Director in the west, and later the Deputy National Director of the Federal Theatre Project.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born on April 3, 1908 J. Howard Miller was a former actor and stage manager. He worked with the Federal Theatre Project as the Regional Director in the west, and later the Deputy National Director of the Federal Theatre Project.","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression."],"prefercite_html_tesm":["\u003cp\u003eJ. Howard Miller personal papers, C0228, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["J. Howard Miller personal papers, C0228, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in November 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe J. Howard Miller papers contain eleven scrapbooks created by Miller. Scrapbooks are compiled around a location or play: one has general newsclippings about the Federal Theatre Project and the WPA, three are for productions from the Mayan Theatre in Los Angeles, two are for productions from the Savoy Theatre in San Diego, one is for the State Emergency Relief Administration (SERA), one covers the Federal Theatre unit in Denver, one covers the play It Can't Happen Here in it's many locations of production. There are also two scrapbooks for materials that did not originate with the Federal Theatre Project, one of these is filled with programs collected by Miller and the other is material from the Padua Players theatre group where Miller worked before joining the Federal Theatre. Also included in this collection is one folder of photographs featuring Federal Theatre sets and actors, and three folders with correspondence, miscellaneous newspaper clippings, and employee related material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The J. Howard Miller papers contain eleven scrapbooks created by Miller. Scrapbooks are compiled around a location or play: one has general newsclippings about the Federal Theatre Project and the WPA, three are for productions from the Mayan Theatre in Los Angeles, two are for productions from the Savoy Theatre in San Diego, one is for the State Emergency Relief Administration (SERA), one covers the Federal Theatre unit in Denver, one covers the play It Can't Happen Here in it's many locations of production. There are also two scrapbooks for materials that did not originate with the Federal Theatre Project, one of these is filled with programs collected by Miller and the other is material from the Padua Players theatre group where Miller worked before joining the Federal Theatre. Also included in this collection is one folder of photographs featuring Federal Theatre sets and actors, and three folders with correspondence, miscellaneous newspaper clippings, and employee related material."],"userestrict_html_tesm":["\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e\n","\u003cp\u003eThe copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_5c091e00e82823798960d1532cc52ff9\" label=\"Summary\"\u003eThe J. Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. Also included is correspondence to and from Miller and employee identification cards.\u003c/abstract\u003e"],"abstract_tesim":["The J. Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. Also included is correspondence to and from Miller and employee identification cards."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fd2c8824a22a79e4b1c6284aa68ef1f9\"\u003eMap Case 9.1\u003c/physloc\u003e"],"physloc_tesim":["Map Case 9.1"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Miller, J. Howard"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Miller, J. Howard"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:29:33.238Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_346"}},{"id":"vifgm_repositories_2_resources_340","type":"collection","attributes":{"title":"Kate Lawson papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_340#creator","type":"document_value","attributes":{"value":"Lawson, Kate Drain","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_340#abstract_or_scope","type":"document_value","attributes":{"value":"The Kate Lawson papers include newspaper clippings and press releases on Federal Theatre Project productions, FTP administrative correspondence including job descriptions, memorandums on employee reclassification, complaints from employees and audience survey questionnaires, research lists, production records, and personal correspondence.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_340#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_340","ead_ssi":"vifgm_repositories_2_resources_340","_root_":"vifgm_repositories_2_resources_340","_nest_parent_":"vifgm_repositories_2_resources_340","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_340.xml","title_ssm":["Kate Lawson papers"],"title_tesim":["Kate Lawson papers"],"unitdate_ssm":["1936-1940"],"unitdate_inclusive_ssm":["1936-1940"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0222","/repositories/2/resources/340"],"text":["C0222","/repositories/2/resources/340","Kate Lawson papers","New Deal, 1933-1939","Theater -- United States","Collection is open to research.","There are documents from this and other GMU FTP collections in the  .","Arranged alphabetically by folder title.","Born Kathryn Drain on July 27, 1894 in Spokane, Washington, her family moved to Washington, D.C., in the early 1900s. Drain left D.C. to become a nurse's aide in Paris, France, during World War I. She served in World War I in Paris as a nurse and in World War II in India with the American Red Cross. It was in Paris that she met and married John Howard Lawson, and she began her theatrical career. By 1922 she was working on Broadway as a technical director, costume and stage designer, and actress. She joined the FTP in July 1936 and headed the Bureau of Research and Publication and was the Chief Technical Officer for the FTP in New York City. She resigned in September of 1937 and moved to Los Angeles, California, to pursue a career in film and television.","Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Kate Lawson papers include newspaper clippings and press releases on Federal Theatre Project productions, FTP administrative correspondence including job descriptions, memorandums on employee reclassification, complaints from employees and audience survey questionnaires, research lists, production records, and personal correspondence.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Kate Lawson papers include newspaper clippings and press releases on Federal Theatre Project productions, FTP administrative correspondence including job descriptions, memorandums on employee reclassification, complaints from employees and audience survey questionnaires, research lists, production records, and personal correspondence.","George Mason University. 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Drain left D.C. to become a nurse's aide in Paris, France, during World War I. She served in World War I in Paris as a nurse and in World War II in India with the American Red Cross. It was in Paris that she met and married John Howard Lawson, and she began her theatrical career. By 1922 she was working on Broadway as a technical director, costume and stage designer, and actress. She joined the FTP in July 1936 and headed the Bureau of Research and Publication and was the Chief Technical Officer for the FTP in New York City. She resigned in September of 1937 and moved to Los Angeles, California, to pursue a career in film and television.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born Kathryn Drain on July 27, 1894 in Spokane, Washington, her family moved to Washington, D.C., in the early 1900s. Drain left D.C. to become a nurse's aide in Paris, France, during World War I. She served in World War I in Paris as a nurse and in World War II in India with the American Red Cross. It was in Paris that she met and married John Howard Lawson, and she began her theatrical career. By 1922 she was working on Broadway as a technical director, costume and stage designer, and actress. She joined the FTP in July 1936 and headed the Bureau of Research and Publication and was the Chief Technical Officer for the FTP in New York City. She resigned in September of 1937 and moved to Los Angeles, California, to pursue a career in film and television."],"prefercite_html_tesm":["\u003cp\u003eKate Lawson papers, Collection C0222, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Kate Lawson papers, Collection C0222, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Kate Lawson papers include newspaper clippings and press releases on Federal Theatre Project productions, FTP administrative correspondence including job descriptions, memorandums on employee reclassification, complaints from employees and audience survey questionnaires, research lists, production records, and personal correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Kate Lawson papers include newspaper clippings and press releases on Federal Theatre Project productions, FTP administrative correspondence including job descriptions, memorandums on employee reclassification, complaints from employees and audience survey questionnaires, research lists, production records, and personal correspondence."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_469b0d13f90af7b57ec934e55d753794\" label=\"Abstract\"\u003eThe Kate Lawson papers include newspaper clippings and press releases on Federal Theatre Project productions, FTP administrative correspondence including job descriptions, memorandums on employee reclassification, complaints from employees and audience survey questionnaires, research lists, production records, and personal correspondence.\u003c/abstract\u003e"],"abstract_tesim":["The Kate Lawson papers include newspaper clippings and press releases on Federal Theatre Project productions, FTP administrative correspondence including job descriptions, memorandums on employee reclassification, complaints from employees and audience survey questionnaires, research lists, production records, and personal correspondence."],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Lawson, Kate Drain"],"corpname_ssim":["George Mason University. Libraries. 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Drain left D.C. to become a nurse's aide in Paris, France, during World War I. She served in World War I in Paris as a nurse and in World War II in India with the American Red Cross. It was in Paris that she met and married John Howard Lawson, and she began her theatrical career. By 1922 she was working on Broadway as a technical director, costume and stage designer, and actress. She joined the FTP in July 1936 and headed the Bureau of Research and Publication and was the Chief Technical Officer for the FTP in New York City. 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Drain left D.C. to become a nurse's aide in Paris, France, during World War I. She served in World War I in Paris as a nurse and in World War II in India with the American Red Cross. It was in Paris that she met and married John Howard Lawson, and she began her theatrical career. By 1922 she was working on Broadway as a technical director, costume and stage designer, and actress. She joined the FTP in July 1936 and headed the Bureau of Research and Publication and was the Chief Technical Officer for the FTP in New York City. She resigned in September of 1937 and moved to Los Angeles, California, to pursue a career in film and television.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born Kathryn Drain on July 27, 1894 in Spokane, Washington, her family moved to Washington, D.C., in the early 1900s. Drain left D.C. to become a nurse's aide in Paris, France, during World War I. She served in World War I in Paris as a nurse and in World War II in India with the American Red Cross. It was in Paris that she met and married John Howard Lawson, and she began her theatrical career. By 1922 she was working on Broadway as a technical director, costume and stage designer, and actress. She joined the FTP in July 1936 and headed the Bureau of Research and Publication and was the Chief Technical Officer for the FTP in New York City. She resigned in September of 1937 and moved to Los Angeles, California, to pursue a career in film and television."],"prefercite_html_tesm":["\u003cp\u003eKate Lawson papers, Collection C0222, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Kate Lawson papers, Collection C0222, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Kate Lawson papers include newspaper clippings and press releases on Federal Theatre Project productions, FTP administrative correspondence including job descriptions, memorandums on employee reclassification, complaints from employees and audience survey questionnaires, research lists, production records, and personal correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Kate Lawson papers include newspaper clippings and press releases on Federal Theatre Project productions, FTP administrative correspondence including job descriptions, memorandums on employee reclassification, complaints from employees and audience survey questionnaires, research lists, production records, and personal correspondence."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_469b0d13f90af7b57ec934e55d753794\" label=\"Abstract\"\u003eThe Kate Lawson papers include newspaper clippings and press releases on Federal Theatre Project productions, FTP administrative correspondence including job descriptions, memorandums on employee reclassification, complaints from employees and audience survey questionnaires, research lists, production records, and personal correspondence.\u003c/abstract\u003e"],"abstract_tesim":["The Kate Lawson papers include newspaper clippings and press releases on Federal Theatre Project productions, FTP administrative correspondence including job descriptions, memorandums on employee reclassification, complaints from employees and audience survey questionnaires, research lists, production records, and personal correspondence."],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Lawson, Kate Drain"],"corpname_ssim":["George Mason University. Libraries. 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Kitch attended the University of California, Berkeley and San Francisco Stage College, earning degrees in English Literature and Drama. He began his work in professional, regional theatre as an actor in 1960 for the San Francisco Actor's Workshop where he would later serve as Technical Director, Administrator, and Director, before being named Managing Director in 1965. At the same time he was appointed Associate Professor of World Literature at San Francisco State College, teaching modern continental drama, and coordinator and advisor to San Quentin Prison's all-convict Drama Workshop where he conducted directing workshops and served as Acting Coach. In 1966, he joined John Hancock at the Pittsburgh Playhouse as Production Manager and Director, and later assumed the role of Associate Director of the Circle in the Square production of  A Midsummer Night's Dream . He joined Arena Stage in 1967 as Associate Director, where his initial responsibility was serving as administrative coordinator of the capital funds campaign for planning and construction of the Arena II, later Kreeger, theatre. During this time he also served as a theatre consultant for the Central Atlantic Regional Education Laboratory, served on the District of Columbia Committee for the Performing Arts, and taught drama workshops at Lorton Prison. Kitch worked with Arena Stage from August 1967-circa 1970. ","One of the first not-for-profit theatres in the United States, as well as a pioneer of the regional theatre movement, Arena Stage was the first regional theatre to transfer a production to Broadway ( The Great White Hope , 1967), the first invited by the U.S. State Department to tour the Soviet Union, and the first to receive a Tony Award. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, in 1950, Arena Stage was opened in Washington, D.C. to fill the void left by the closing of the National Theater in 1948. Deriving its name from the idea of \"theater in the round,\" Arena Stage became one of the first resident theatres in the United States, beginning with a company of only eight actors. During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington, D.C. since 1895. Genorosity on the part of David Lloyd Kreeger, and others, led to the construction of the new \"Kreeger Theatre,\" which opened formally on January 15, 1971. Today, Arena Stage performs to over 250,000 patrons during a September to June season and employs nearly 200 theatre professionals.","Processed by Special Collections Research Center staff. Finding aid updated by Meghan Glasbrenner in January 2024.","The Special Collections Research Center also holds the  , the  , and the  , as well as the papers of Arena Stage founders Zelda and Thomas C. Fichandler.","This collection contains correspondence, memos, reports, and other materials generated during Ken Kitch's time serving as Associate Director of Arena Stage in Washington, D.C. The majority of the materials relate to Arena II fund raising and donations, construction and opening of the Kreeger Theatre, and Steering Committee Development notes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains materials generated during Ken Kitch's time serving as Associate Director of Arena Stage in Washington, D.C.","R 45, C 1, S 3","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Kitch, Kenneth","English \n.    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Kitch attended the University of California, Berkeley and San Francisco Stage College, earning degrees in English Literature and Drama. He began his work in professional, regional theatre as an actor in 1960 for the San Francisco Actor's Workshop where he would later serve as Technical Director, Administrator, and Director, before being named Managing Director in 1965. At the same time he was appointed Associate Professor of World Literature at San Francisco State College, teaching modern continental drama, and coordinator and advisor to San Quentin Prison's all-convict Drama Workshop where he conducted directing workshops and served as Acting Coach. In 1966, he joined John Hancock at the Pittsburgh Playhouse as Production Manager and Director, and later assumed the role of Associate Director of the Circle in the Square production of \u003citalic\u003eA Midsummer Night's Dream\u003c/italic\u003e. He joined Arena Stage in 1967 as Associate Director, where his initial responsibility was serving as administrative coordinator of the capital funds campaign for planning and construction of the Arena II, later Kreeger, theatre. During this time he also served as a theatre consultant for the Central Atlantic Regional Education Laboratory, served on the District of Columbia Committee for the Performing Arts, and taught drama workshops at Lorton Prison. Kitch worked with Arena Stage from August 1967-circa 1970. \u003c/p\u003e\n","\u003cp\u003eOne of the first not-for-profit theatres in the United States, as well as a pioneer of the regional theatre movement, Arena Stage was the first regional theatre to transfer a production to Broadway (\u003citalic\u003eThe Great White Hope\u003c/italic\u003e, 1967), the first invited by the U.S. State Department to tour the Soviet Union, and the first to receive a Tony Award. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, in 1950, Arena Stage was opened in Washington, D.C. to fill the void left by the closing of the National Theater in 1948. Deriving its name from the idea of \"theater in the round,\" Arena Stage became one of the first resident theatres in the United States, beginning with a company of only eight actors. During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington, D.C. since 1895. Genorosity on the part of David Lloyd Kreeger, and others, led to the construction of the new \"Kreeger Theatre,\" which opened formally on January 15, 1971. Today, Arena Stage performs to over 250,000 patrons during a September to June season and employs nearly 200 theatre professionals.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Kenneth \"Ken\" K. Kitch attended the University of California, Berkeley and San Francisco Stage College, earning degrees in English Literature and Drama. He began his work in professional, regional theatre as an actor in 1960 for the San Francisco Actor's Workshop where he would later serve as Technical Director, Administrator, and Director, before being named Managing Director in 1965. At the same time he was appointed Associate Professor of World Literature at San Francisco State College, teaching modern continental drama, and coordinator and advisor to San Quentin Prison's all-convict Drama Workshop where he conducted directing workshops and served as Acting Coach. In 1966, he joined John Hancock at the Pittsburgh Playhouse as Production Manager and Director, and later assumed the role of Associate Director of the Circle in the Square production of  A Midsummer Night's Dream . He joined Arena Stage in 1967 as Associate Director, where his initial responsibility was serving as administrative coordinator of the capital funds campaign for planning and construction of the Arena II, later Kreeger, theatre. During this time he also served as a theatre consultant for the Central Atlantic Regional Education Laboratory, served on the District of Columbia Committee for the Performing Arts, and taught drama workshops at Lorton Prison. Kitch worked with Arena Stage from August 1967-circa 1970. ","One of the first not-for-profit theatres in the United States, as well as a pioneer of the regional theatre movement, Arena Stage was the first regional theatre to transfer a production to Broadway ( The Great White Hope , 1967), the first invited by the U.S. State Department to tour the Soviet Union, and the first to receive a Tony Award. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, in 1950, Arena Stage was opened in Washington, D.C. to fill the void left by the closing of the National Theater in 1948. Deriving its name from the idea of \"theater in the round,\" Arena Stage became one of the first resident theatres in the United States, beginning with a company of only eight actors. During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington, D.C. since 1895. Genorosity on the part of David Lloyd Kreeger, and others, led to the construction of the new \"Kreeger Theatre,\" which opened formally on January 15, 1971. Today, Arena Stage performs to over 250,000 patrons during a September to June season and employs nearly 200 theatre professionals."],"prefercite_html_tesm":["\u003cp\u003eKen Kitch papers, C0198, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Ken Kitch papers, C0198, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Finding aid updated by Meghan Glasbrenner in January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Finding aid updated by Meghan Glasbrenner in January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Arena Stage records\" href=\"https://aspace.gmu.edu/resources/c0017\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Living Stage records\" href=\"https://aspace.gmu.edu/resources/c0277\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"J. Burke Knapp papers\" href=\"https://aspace.gmu.edu/resources/c0199\"\u003e\u003c/extptr\u003e, as well as the papers of Arena Stage founders Zelda and Thomas C. Fichandler.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  , the  , and the  , as well as the papers of Arena Stage founders Zelda and Thomas C. Fichandler."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains correspondence, memos, reports, and other materials generated during Ken Kitch's time serving as Associate Director of Arena Stage in Washington, D.C. The majority of the materials relate to Arena II fund raising and donations, construction and opening of the Kreeger Theatre, and Steering Committee Development notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains correspondence, memos, reports, and other materials generated during Ken Kitch's time serving as Associate Director of Arena Stage in Washington, D.C. The majority of the materials relate to Arena II fund raising and donations, construction and opening of the Kreeger Theatre, and Steering Committee Development notes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f48fbace47eb3626e3fcadeb4a669696\"\u003eThis collection contains materials generated during Ken Kitch's time serving as Associate Director of Arena Stage in Washington, D.C.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials generated during Ken Kitch's time serving as Associate Director of Arena Stage in Washington, D.C."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d8829c875631e84f6e30ac32b40c44ce\"\u003eR 45, C 1, S 3\u003c/physloc\u003e"],"physloc_tesim":["R 45, C 1, S 3"],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Kitch, Kenneth"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Kitch, Kenneth"],"language_ssim":["English \n.    "],"total_component_count_is":39,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:35:02.663Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_130","ead_ssi":"vifgm_repositories_2_resources_130","_root_":"vifgm_repositories_2_resources_130","_nest_parent_":"vifgm_repositories_2_resources_130","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_130.xml","title_ssm":["Ken Kitch papers"],"title_tesim":["Ken Kitch papers"],"unitdate_ssm":["1950-2000"],"unitdate_inclusive_ssm":["1950-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0198","/repositories/2/resources/130"],"text":["C0198","/repositories/2/resources/130","Ken Kitch papers","Theater -- Washington (D.C.)","Performing arts","Theater","Theater -- United States","There are no access restrictions.","Collection is organized roughly into three subjects: Kreeger Theatre, Arena II, and Steering Committee Development.","Kenneth \"Ken\" K. Kitch attended the University of California, Berkeley and San Francisco Stage College, earning degrees in English Literature and Drama. He began his work in professional, regional theatre as an actor in 1960 for the San Francisco Actor's Workshop where he would later serve as Technical Director, Administrator, and Director, before being named Managing Director in 1965. At the same time he was appointed Associate Professor of World Literature at San Francisco State College, teaching modern continental drama, and coordinator and advisor to San Quentin Prison's all-convict Drama Workshop where he conducted directing workshops and served as Acting Coach. In 1966, he joined John Hancock at the Pittsburgh Playhouse as Production Manager and Director, and later assumed the role of Associate Director of the Circle in the Square production of  A Midsummer Night's Dream . He joined Arena Stage in 1967 as Associate Director, where his initial responsibility was serving as administrative coordinator of the capital funds campaign for planning and construction of the Arena II, later Kreeger, theatre. During this time he also served as a theatre consultant for the Central Atlantic Regional Education Laboratory, served on the District of Columbia Committee for the Performing Arts, and taught drama workshops at Lorton Prison. Kitch worked with Arena Stage from August 1967-circa 1970. ","One of the first not-for-profit theatres in the United States, as well as a pioneer of the regional theatre movement, Arena Stage was the first regional theatre to transfer a production to Broadway ( The Great White Hope , 1967), the first invited by the U.S. State Department to tour the Soviet Union, and the first to receive a Tony Award. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, in 1950, Arena Stage was opened in Washington, D.C. to fill the void left by the closing of the National Theater in 1948. Deriving its name from the idea of \"theater in the round,\" Arena Stage became one of the first resident theatres in the United States, beginning with a company of only eight actors. During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington, D.C. since 1895. Genorosity on the part of David Lloyd Kreeger, and others, led to the construction of the new \"Kreeger Theatre,\" which opened formally on January 15, 1971. Today, Arena Stage performs to over 250,000 patrons during a September to June season and employs nearly 200 theatre professionals.","Processed by Special Collections Research Center staff. Finding aid updated by Meghan Glasbrenner in January 2024.","The Special Collections Research Center also holds the  , the  , and the  , as well as the papers of Arena Stage founders Zelda and Thomas C. Fichandler.","This collection contains correspondence, memos, reports, and other materials generated during Ken Kitch's time serving as Associate Director of Arena Stage in Washington, D.C. The majority of the materials relate to Arena II fund raising and donations, construction and opening of the Kreeger Theatre, and Steering Committee Development notes.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains materials generated during Ken Kitch's time serving as Associate Director of Arena Stage in Washington, D.C.","R 45, C 1, S 3","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Kitch, Kenneth","English \n.    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Kitch attended the University of California, Berkeley and San Francisco Stage College, earning degrees in English Literature and Drama. He began his work in professional, regional theatre as an actor in 1960 for the San Francisco Actor's Workshop where he would later serve as Technical Director, Administrator, and Director, before being named Managing Director in 1965. At the same time he was appointed Associate Professor of World Literature at San Francisco State College, teaching modern continental drama, and coordinator and advisor to San Quentin Prison's all-convict Drama Workshop where he conducted directing workshops and served as Acting Coach. In 1966, he joined John Hancock at the Pittsburgh Playhouse as Production Manager and Director, and later assumed the role of Associate Director of the Circle in the Square production of \u003citalic\u003eA Midsummer Night's Dream\u003c/italic\u003e. He joined Arena Stage in 1967 as Associate Director, where his initial responsibility was serving as administrative coordinator of the capital funds campaign for planning and construction of the Arena II, later Kreeger, theatre. During this time he also served as a theatre consultant for the Central Atlantic Regional Education Laboratory, served on the District of Columbia Committee for the Performing Arts, and taught drama workshops at Lorton Prison. Kitch worked with Arena Stage from August 1967-circa 1970. \u003c/p\u003e\n","\u003cp\u003eOne of the first not-for-profit theatres in the United States, as well as a pioneer of the regional theatre movement, Arena Stage was the first regional theatre to transfer a production to Broadway (\u003citalic\u003eThe Great White Hope\u003c/italic\u003e, 1967), the first invited by the U.S. State Department to tour the Soviet Union, and the first to receive a Tony Award. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, in 1950, Arena Stage was opened in Washington, D.C. to fill the void left by the closing of the National Theater in 1948. Deriving its name from the idea of \"theater in the round,\" Arena Stage became one of the first resident theatres in the United States, beginning with a company of only eight actors. During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington, D.C. since 1895. Genorosity on the part of David Lloyd Kreeger, and others, led to the construction of the new \"Kreeger Theatre,\" which opened formally on January 15, 1971. Today, Arena Stage performs to over 250,000 patrons during a September to June season and employs nearly 200 theatre professionals.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Kenneth \"Ken\" K. Kitch attended the University of California, Berkeley and San Francisco Stage College, earning degrees in English Literature and Drama. He began his work in professional, regional theatre as an actor in 1960 for the San Francisco Actor's Workshop where he would later serve as Technical Director, Administrator, and Director, before being named Managing Director in 1965. At the same time he was appointed Associate Professor of World Literature at San Francisco State College, teaching modern continental drama, and coordinator and advisor to San Quentin Prison's all-convict Drama Workshop where he conducted directing workshops and served as Acting Coach. In 1966, he joined John Hancock at the Pittsburgh Playhouse as Production Manager and Director, and later assumed the role of Associate Director of the Circle in the Square production of  A Midsummer Night's Dream . He joined Arena Stage in 1967 as Associate Director, where his initial responsibility was serving as administrative coordinator of the capital funds campaign for planning and construction of the Arena II, later Kreeger, theatre. During this time he also served as a theatre consultant for the Central Atlantic Regional Education Laboratory, served on the District of Columbia Committee for the Performing Arts, and taught drama workshops at Lorton Prison. Kitch worked with Arena Stage from August 1967-circa 1970. ","One of the first not-for-profit theatres in the United States, as well as a pioneer of the regional theatre movement, Arena Stage was the first regional theatre to transfer a production to Broadway ( The Great White Hope , 1967), the first invited by the U.S. State Department to tour the Soviet Union, and the first to receive a Tony Award. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, in 1950, Arena Stage was opened in Washington, D.C. to fill the void left by the closing of the National Theater in 1948. Deriving its name from the idea of \"theater in the round,\" Arena Stage became one of the first resident theatres in the United States, beginning with a company of only eight actors. During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington, D.C. since 1895. Genorosity on the part of David Lloyd Kreeger, and others, led to the construction of the new \"Kreeger Theatre,\" which opened formally on January 15, 1971. Today, Arena Stage performs to over 250,000 patrons during a September to June season and employs nearly 200 theatre professionals."],"prefercite_html_tesm":["\u003cp\u003eKen Kitch papers, C0198, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Ken Kitch papers, C0198, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Finding aid updated by Meghan Glasbrenner in January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Finding aid updated by Meghan Glasbrenner in January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Arena Stage records\" href=\"https://aspace.gmu.edu/resources/c0017\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Living Stage records\" href=\"https://aspace.gmu.edu/resources/c0277\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"J. Burke Knapp papers\" href=\"https://aspace.gmu.edu/resources/c0199\"\u003e\u003c/extptr\u003e, as well as the papers of Arena Stage founders Zelda and Thomas C. Fichandler.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  , the  , and the  , as well as the papers of Arena Stage founders Zelda and Thomas C. Fichandler."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains correspondence, memos, reports, and other materials generated during Ken Kitch's time serving as Associate Director of Arena Stage in Washington, D.C. The majority of the materials relate to Arena II fund raising and donations, construction and opening of the Kreeger Theatre, and Steering Committee Development notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains correspondence, memos, reports, and other materials generated during Ken Kitch's time serving as Associate Director of Arena Stage in Washington, D.C. The majority of the materials relate to Arena II fund raising and donations, construction and opening of the Kreeger Theatre, and Steering Committee Development notes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f48fbace47eb3626e3fcadeb4a669696\"\u003eThis collection contains materials generated during Ken Kitch's time serving as Associate Director of Arena Stage in Washington, D.C.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials generated during Ken Kitch's time serving as Associate Director of Arena Stage in Washington, D.C."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d8829c875631e84f6e30ac32b40c44ce\"\u003eR 45, C 1, S 3\u003c/physloc\u003e"],"physloc_tesim":["R 45, C 1, S 3"],"names_coll_ssim":["Arena Stage (Organization : Washington, D.C.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Kitch, Kenneth"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Kitch, Kenneth"],"language_ssim":["English \n.    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","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Louis Simon papers contain newspaper clippings, photographs, programs, and correspondence relating to Federal Theatre in New Jersey and New York.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Louis Simon papers contain newspaper clippings, photographs, programs, and correspondence relating to Federal Theatre in New Jersey and New York.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Simon, Louis M., 1906-1996","English \n.    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"],"prefercite_html_tesm":["\u003cp\u003eLouis Simon papers, Collection C0223, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Louis Simon papers, Collection C0223, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in September 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Louis Simon papers contain newspaper clippings, photographs, programs, and correspondence relating to Federal Theatre in New Jersey and New York.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Louis Simon papers contain newspaper clippings, photographs, programs, and correspondence relating to Federal Theatre in New Jersey and New York."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_3b1214710b4a27d78c66e4d148dea2ab\" label=\"Abstract\"\u003eThe Louis Simon papers contain newspaper clippings, photographs, programs, and correspondence relating to Federal Theatre in New Jersey and New York.\u003c/abstract\u003e"],"abstract_tesim":["The Louis Simon papers contain newspaper clippings, photographs, programs, and correspondence relating to Federal Theatre in New Jersey and New York."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Simon, Louis M., 1906-1996"],"names_ssim":["George Mason University. 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The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Louis M. Simon worked for the Federal Theatre Project as New Jersey State Director and later as Production Director in New York State. ","Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Louis Simon papers contain newspaper clippings, photographs, programs, and correspondence relating to Federal Theatre in New Jersey and New York.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Louis Simon papers contain newspaper clippings, photographs, programs, and correspondence relating to Federal Theatre in New Jersey and New York.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Simon, Louis M., 1906-1996","English \n.    "],"unitid_tesim":["C0223","/repositories/2/resources/341"],"normalized_title_ssm":["Louis Simon papers"],"collection_title_tesim":["Louis Simon papers"],"collection_ssim":["Louis Simon papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Simon, Louis M., 1906-1996"],"creator_ssim":["Simon, Louis M., 1906-1996"],"creator_persname_ssim":["Simon, Louis M., 1906-1996"],"creators_ssim":["Simon, Louis M., 1906-1996"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Louis Simon to Special Collections and Archives October 25, 1976."],"access_subjects_ssim":["Theater -- United States","New Deal, 1933-1939"],"access_subjects_ssm":["Theater -- United States","New Deal, 1933-1939"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet (1 box)"],"extent_tesim":["0.25 Linear Feet (1 box)"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n","\u003cp\u003eLouis M. Simon worked for the Federal Theatre Project as New Jersey State Director and later as Production Director in New York State. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Louis M. Simon worked for the Federal Theatre Project as New Jersey State Director and later as Production Director in New York State. "],"prefercite_html_tesm":["\u003cp\u003eLouis Simon papers, Collection C0223, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Louis Simon papers, Collection C0223, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in September 2012 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in September 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Louis Simon papers contain newspaper clippings, photographs, programs, and correspondence relating to Federal Theatre in New Jersey and New York.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Louis Simon papers contain newspaper clippings, photographs, programs, and correspondence relating to Federal Theatre in New Jersey and New York."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_3b1214710b4a27d78c66e4d148dea2ab\" label=\"Abstract\"\u003eThe Louis Simon papers contain newspaper clippings, photographs, programs, and correspondence relating to Federal Theatre in New Jersey and New York.\u003c/abstract\u003e"],"abstract_tesim":["The Louis Simon papers contain newspaper clippings, photographs, programs, and correspondence relating to Federal Theatre in New Jersey and New York."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Simon, Louis M., 1906-1996"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Simon, Louis M., 1906-1996"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Simon, Louis M., 1906-1996"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":14,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:33:57.755Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_341"}},{"id":"vifgm_repositories_2_resources_348_c04_c76_c01","type":"Item","attributes":{"title":"Miss Marlow at Play","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_348_c04_c76_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_348_c04_c76_c01","ref_ssm":["vifgm_repositories_2_resources_348_c04_c76_c01"],"id":"vifgm_repositories_2_resources_348_c04_c76_c01","ead_ssi":"vifgm_repositories_2_resources_348","_root_":"vifgm_repositories_2_resources_348","_nest_parent_":"vifgm_repositories_2_resources_348_c04_c76","parent_ssi":"vifgm_repositories_2_resources_348_c04_c76","parent_ssim":["vifgm_repositories_2_resources_348","vifgm_repositories_2_resources_348_c04","vifgm_repositories_2_resources_348_c04_c76"],"parent_ids_ssim":["vifgm_repositories_2_resources_348","vifgm_repositories_2_resources_348_c04","vifgm_repositories_2_resources_348_c04_c76"],"parent_unittitles_ssm":["Molka Reich papers","Series 4: Playscripts","Miss Marlow at Play"],"parent_unittitles_tesim":["Molka Reich papers","Series 4: Playscripts","Miss Marlow at Play"],"text":["Molka Reich papers","Series 4: Playscripts","Miss Marlow at Play","Miss Marlow at Play","Theater -- United States","Playscript"],"title_filing_ssi":"Miss Marlow at Play","title_ssm":["Miss Marlow at Play"],"title_tesim":["Miss Marlow at Play"],"unitdate_other_ssim":["undated"],"normalized_title_ssm":["Miss Marlow at Play"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Molka Reich papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":130,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"access_subjects_ssim":["Theater -- United States","Playscript"],"access_subjects_ssm":["Theater -- United States","Playscript"],"_nest_path_":"/components#3/components#75/components#0","timestamp":"2026-05-01T00:18:28.281Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_348","ead_ssi":"vifgm_repositories_2_resources_348","_root_":"vifgm_repositories_2_resources_348","_nest_parent_":"vifgm_repositories_2_resources_348","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_348.xml","title_ssm":["Molka Reich papers"],"title_tesim":["Molka Reich papers"],"unitdate_ssm":["1904-1986"],"unitdate_inclusive_ssm":["1904-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0229","/repositories/2/resources/348"],"text":["C0229","/repositories/2/resources/348","Molka Reich papers","Theater -- United States","New Deal, 1933-1939","There are no access restrictions.","Organized into six series:","Missing Title Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9) Series 2: Newspaper clippings, 1936-1986 (Box 2) Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9) Series 4: Playscripts, 1920s-1953 (Boxes 2-6) Series 5: Programs, 1928-1950s (Boxes 6-7) Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)","Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.","Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.","Special Collections and Archives also holds the  , the  , the  , as well as numerous other personal papers.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Reich, Molka","English"],"unitid_tesim":["C0229","/repositories/2/resources/348"],"normalized_title_ssm":["Molka Reich papers"],"collection_title_tesim":["Molka Reich papers"],"collection_ssim":["Molka Reich papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Reich, Molka"],"creator_ssim":["Reich, Molka"],"creator_persname_ssim":["Reich, Molka"],"creators_ssim":["Reich, Molka"],"access_terms_ssm":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Molka Reich in 1980 and 1981. Scott Griffin material presented by Molka Reich for the Scott Griffin estate on June 25, 1979."],"access_subjects_ssim":["Theater -- United States","New Deal, 1933-1939"],"access_subjects_ssm":["Theater -- United States","New Deal, 1933-1939"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet (9 boxes)"],"extent_tesim":["6 Linear Feet (9 boxes)"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into six series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Newspaper clippings, 1936-1986 (Box 2)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Playscripts, 1920s-1953 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Programs, 1928-1950s (Boxes 6-7)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Scrapbooks, 1920s-1950s (Boxes 7-8)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into six series:","Missing Title Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9) Series 2: Newspaper clippings, 1936-1986 (Box 2) Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9) Series 4: Playscripts, 1920s-1953 (Boxes 2-6) Series 5: Programs, 1928-1950s (Boxes 6-7) Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)"],"bioghist_html_tesm":["\u003cp\u003eMolka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club."],"prefercite_html_tesm":["\u003cp\u003eMolka Reich papers, Collection C0229, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Molka Reich papers, Collection C0229, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0153\" title=\"Works Progress Administration oral histories collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0205\" title=\"Federal Theatre Project photograph collection\" show=\"new\"\u003e\u003c/extptr\u003e, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the  , the  , the  , as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e\n","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material."],"userestrict_html_tesm":["\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e\n","\u003cp\u003eThe copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_84dd143d1a81fa0708a802608718089b\" label=\"Summary\"\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/abstract\u003e"],"abstract_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich."],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Reich, Molka"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Reich, Molka"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:18:28.281Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_348_c04_c76_c01"}},{"id":"vifgm_repositories_2_resources_348","type":"collection","attributes":{"title":"Molka Reich papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_348#creator","type":"document_value","attributes":{"value":"Reich, Molka","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_348#abstract_or_scope","type":"document_value","attributes":{"value":"The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_348#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_348","ead_ssi":"vifgm_repositories_2_resources_348","_root_":"vifgm_repositories_2_resources_348","_nest_parent_":"vifgm_repositories_2_resources_348","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_348.xml","title_ssm":["Molka Reich papers"],"title_tesim":["Molka Reich papers"],"unitdate_ssm":["1904-1986"],"unitdate_inclusive_ssm":["1904-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0229","/repositories/2/resources/348"],"text":["C0229","/repositories/2/resources/348","Molka Reich papers","Theater -- United States","New Deal, 1933-1939","There are no access restrictions.","Organized into six series:","Missing Title Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9) Series 2: Newspaper clippings, 1936-1986 (Box 2) Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9) Series 4: Playscripts, 1920s-1953 (Boxes 2-6) Series 5: Programs, 1928-1950s (Boxes 6-7) Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)","Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.","Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.","Special Collections and Archives also holds the  , the  , the  , as well as numerous other personal papers.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Reich, Molka","English"],"unitid_tesim":["C0229","/repositories/2/resources/348"],"normalized_title_ssm":["Molka Reich papers"],"collection_title_tesim":["Molka Reich papers"],"collection_ssim":["Molka Reich papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Reich, Molka"],"creator_ssim":["Reich, Molka"],"creator_persname_ssim":["Reich, Molka"],"creators_ssim":["Reich, Molka"],"access_terms_ssm":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Molka Reich in 1980 and 1981. Scott Griffin material presented by Molka Reich for the Scott Griffin estate on June 25, 1979."],"access_subjects_ssim":["Theater -- United States","New Deal, 1933-1939"],"access_subjects_ssm":["Theater -- United States","New Deal, 1933-1939"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet (9 boxes)"],"extent_tesim":["6 Linear Feet (9 boxes)"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into six series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Newspaper clippings, 1936-1986 (Box 2)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Playscripts, 1920s-1953 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Programs, 1928-1950s (Boxes 6-7)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Scrapbooks, 1920s-1950s (Boxes 7-8)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into six series:","Missing Title Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9) Series 2: Newspaper clippings, 1936-1986 (Box 2) Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9) Series 4: Playscripts, 1920s-1953 (Boxes 2-6) Series 5: Programs, 1928-1950s (Boxes 6-7) Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)"],"bioghist_html_tesm":["\u003cp\u003eMolka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club."],"prefercite_html_tesm":["\u003cp\u003eMolka Reich papers, Collection C0229, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Molka Reich papers, Collection C0229, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0153\" title=\"Works Progress Administration oral histories collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0205\" title=\"Federal Theatre Project photograph collection\" show=\"new\"\u003e\u003c/extptr\u003e, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the  , the  , the  , as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e\n","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material."],"userestrict_html_tesm":["\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e\n","\u003cp\u003eThe copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_84dd143d1a81fa0708a802608718089b\" label=\"Summary\"\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/abstract\u003e"],"abstract_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich."],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Reich, Molka"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Reich, Molka"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:18:28.281Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_348","ead_ssi":"vifgm_repositories_2_resources_348","_root_":"vifgm_repositories_2_resources_348","_nest_parent_":"vifgm_repositories_2_resources_348","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_348.xml","title_ssm":["Molka Reich papers"],"title_tesim":["Molka Reich papers"],"unitdate_ssm":["1904-1986"],"unitdate_inclusive_ssm":["1904-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0229","/repositories/2/resources/348"],"text":["C0229","/repositories/2/resources/348","Molka Reich papers","Theater -- United States","New Deal, 1933-1939","There are no access restrictions.","Organized into six series:","Missing Title Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9) Series 2: Newspaper clippings, 1936-1986 (Box 2) Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9) Series 4: Playscripts, 1920s-1953 (Boxes 2-6) Series 5: Programs, 1928-1950s (Boxes 6-7) Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)","Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.","Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.","Special Collections and Archives also holds the  , the  , the  , as well as numerous other personal papers.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. 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She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club."],"prefercite_html_tesm":["\u003cp\u003eMolka Reich papers, Collection C0229, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Molka Reich papers, Collection C0229, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0153\" title=\"Works Progress Administration oral histories collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0205\" title=\"Federal Theatre Project photograph collection\" show=\"new\"\u003e\u003c/extptr\u003e, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the  , the  , the  , as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e\n","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material."],"userestrict_html_tesm":["\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e\n","\u003cp\u003eThe copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_84dd143d1a81fa0708a802608718089b\" label=\"Summary\"\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/abstract\u003e"],"abstract_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich."],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Reich, Molka"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Reich, Molka"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:18:28.281Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_348"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":48},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater+--+United+States\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Theater+--+United+States\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Adams T. 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