{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=2\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=8\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":8,"limit_value":10,"offset_value":0,"total_count":79,"first_page?":true,"last_page?":false}},"data":[{"id":"vilxw_repositories_5_resources_219","type":"collection","attributes":{"title":"American Shakespeare Center Collection, 1987, bulk 1987/1995","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_219#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection includes 65 Shakespeare plays, additional plays by George Bernard Shaw, Oscar Wilde and Molière; 12 Beta videotapes and audiocassettes; 26 cast scrapbooks with photographs; correspondence between Ralph Cohen and James Warren, founders of American Shakespeare Center, Hank Dobin, Washington and Lee University Dean (2005-2012), and a member of the Board of Directors of the American Shakespeare Center.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_219#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_219","ead_ssi":"vilxw_repositories_5_resources_219","_root_":"vilxw_repositories_5_resources_219","_nest_parent_":"vilxw_repositories_5_resources_219","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_219.xml","title_ssm":["American Shakespeare Center Collection"],"title_tesim":["American Shakespeare Center Collection"],"unitdate_ssm":["Inclusive 1987- ongoing","Bulk 1987-1995"],"unitdate_inclusive_ssm":["Inclusive 1987- ongoing"],"unitdate_bulk_ssim":["Bulk 1987-1995"],"normalized_date_ssm":["1987, bulk 1987/1995"],"normalized_title_ssm":["American Shakespeare Center Collection, 1987, bulk 1987/1995"],"text":["American Shakespeare Center Collection, 1987, bulk 1987/1995","WLU.Coll.0371","/repositories/5/resources/219","Virginia -- Staunton","Theater","Scrapbooks","Correspondence","Video recordings","Photographs","Some restrictions apply: no reproductions of DVDs are allowed. The archives are governed by the rules of the Actor's Equity Association.","Blue sheet prepared by Edna Milliner (11/4/2011)","There is a note attached that says 'Please Do Not Remove this Tape Without Letting Linda Blazer Know' with a phone number at the bottom.","The Shenandoah Shakespeare Express was formed in 1988 with a small cast of actors; originally a touring company, they use the theatrical methods of Shakespeare's time.","This collection includes 65 Shakespeare plays, additional plays by George Bernard Shaw, Oscar Wilde and Molière; 12 Beta videotapes and audiocassettes; 26 cast scrapbooks with photographs; correspondence between Ralph Cohen and James Warren, founders of American Shakespeare Center, Hank Dobin, Washington and Lee University Dean (2005-2012), and a member of the Board of Directors of the American Shakespeare Center.","This folder contains promotional dvds, general organization papers, and 2011 article by Vaughan Stanley from the Friends of Leyburn Library Letter.","This folder cntains newspaper clippings about various topics related to the American Shakespeare Center.","This is Folder 1 of 2 which contains magazines related to the American Shakespeare Center.","This is Folder 2 of 2. It contains magazine articles relating to the American Shakespeare Center and a few Shakespeare periodicals.","This folder contains spreadsheets that catalog the contents of this donation.","This folder contains four dvds relating to the Alchemist.","This folder contains correspondence, flyers, brochures, clippings, and three photographs related to The Odyssey Tour production of the Alchemist.","This folder contains correspondence, flyers, brochures, clipping, and thirty photographs relating to the Season of Love production of Anthony and Cleopatra.","This folder contains three dvds relating to the Season of Love production of Anthony and Cleopatra, one of which is labeled 'all the year's p.r.'.","This folder contains correspondence, flyers, brochures, and clippings relating to the Blush and Swoon Tour production of As You Like It.","This folder contains correspondence, flyers, brochures, clippings, and fifty photographs relating to the Lend Me Your Ears Tour production of As You Like It. The photographs also include pictures from Julius Caesar, Henry V, and Comedy of Errors.","This folder contains two dvds and the script relating to the Lend Me Your Ears Tour production of As You Like It.","This folder contains two dvds and an actor's handbook related to the Blush and Swoon Tour production of As You Like It.","This folder contains correspondence, flyers, brochures, clipping, and four photographs relating to the Hurly Burly Tour production of Comedy of Errors.","This folder contains a script relating to the Hurly Burly Tour production of Comedy of Errors.","This folder contained six dvds and a script relating to the Lend Me Your Ears Tour production of Comedy of Errors.","This folder contains correspondence, flyers, brochures, and clippings relating to the Lend Me Your Ears Tour production of Comedy of Errors.","This file contains correspondence, flyers, brochures, and clippings related to the Blush and Swoon Tour production and the Bright Heaven of Invention Tour production of Comedy of Errors.","This file contains flyers, brochures, clippings, and five dvds relating to the Excellent Motion Tour production of Coriolanus.","This file contains three dvds relating to productions of Comedy of Errors from 2002.","This file contains flyers, brochures, and clippings relating to the Ripe with Mischief Tour production of Falstaff. The full title of Falstaff is: The Most Lamentable Comedy of Sir John, as written by Ralph Cohen.","This file contains an annotatated script and an actor's handbook relating to the Ripe with Mischief Tour production of Falstaff.","This file contains six dvds and a script relating to te Ripe with Mischief Tour production of Falstaff.","This file contains two dvds and an actor's handbook relating to the Scoff and Grin Tour production of Dr. Faustus.","This file contains correspondence, flyers, brochures, clippings, and three photos relating to the Scoff and Grin Tour production of Dr. Faustus.","This file contains correspondence, flyers, reviews, clippings, and thirty-six photographs relating to the Words to the Third Tour production of Hamlet.","This file contains eight dvds, a script, and drirector's notes relating to the Words to the Third Tour production of Hamlet.","This file contains correspondence, flyers, and eleven photographs relating to the Eaten Heart Tour production of Hamlet.","This file contains correspondence, flyers, brochures, clippings, and two photographs relating to The Odyssey Tour production of Hamlet.","This file contains eight dvds relating to The Odyssey Tour production of Hamlet.","This file contains correspondence, flyers, brochures, reviews, clippings, and thirty-three photographs relating to the Sweet Smoke of Rhetoric Tour production of Henry IV, part 1.","This file contains scripts and notes relating to the Sweet Smoke of Rhetoric Tour production of Henry IV, part 1.","This file contains flyers and clippings relating to the Excellent Motion Tour production of Henry IV.","This file contains correspondence, flyers, brochures, clippings, reviews, and ten photographs relating to the We Happy Few Tour production of Henry V.","This file contains two dvds and a script relating to the We Happy Few Tour production of Henry V.","This file contains two dvds and a promptbook for Jim relating to the Sweet Smoke of Rhetoric Tour production of Henry V.","This file contains a script with notes relating to the Sweet Smoke of Rhetoric Tour production of Henry V.","This file contains flyers, brochures, clippings, and two dvds relating to the Bright Heaven of Invention Tour production of Henry V.","This file contains flyers, brochures, clippings, and three dvds relating to the Excellent Motion Tour production of The Importance of Being Earnest by Oscar Wilde.","This file contains a script and an actor's handbook relating to the First Rep Tour production of Julius Caesar.","This file contains correspondence, reviews, clippings, and fifty photographs relating to the First Rep Tour production of Julius Caesar.","This file contains correspondence,flyers, brochures, and clippings relating to the Lend Me Your Ears Tour production of Julius Caesar.","This file contains scripts and a prompt book relating to the Lend Me Your Ears Tour production of Julius Caesar.","This file contains a script and ten dvds relating to the Lend Me Your Ears Tour production of Julius Caesar.","This file contains correspondenc, flyers, brochures, and clippings relating the the Renaissance Run production of Julius Caesar.","This file contains two dvds and a script relating the the Renaissance Run production of Julius Caesar.","This file contains flyers, brochures, clippings, and three dvds relating to the Renaissance Run production of King Lear.","This file contains flyers, brochures, and clippings relating to the productions of Knights of the Burning Pestle at the Vaulting Heart tour, the Eaten Heart Tour, and Renaissance Run. Knight of the Burning Pestle is a play within A Midsummer Night's Dream.","This file contains flyers, brochures, clippings, and four dvds relating to the Ripe with Mischief Tour production of Les Liaisons Dangereuses by Christopher Hampton.","This file contains correspondence, flyers, brochures, clippings, and thirty-six photographs relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of Love's Labours Lost.","This file contains four dvds and a script relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of Love's Labours Lost.","This file contains flyers, brochures, clippings, and two dvds of a 2002 production of Love's Labours Lost.","This file contains correspondence, flyers, reviews, and clippings relating to the Hurly Burly Tour production of Macbeth.","This file contains three dvds, scripts, and notes relating to the Hurly Burly Tour production of Macbeth.","This file contains correspondence, flers, brochures, and fifty-one photographs relating to the Hurly Burly Tour production of Macbeth. This production was preformed by the James Troupe.","This file contains a prompt book for an actor named Jim which relates to the Hurly Burly Tour production of Macbeth.","This file contains flyers, brochures, and clippings relating to the Vaulting Ambition Tour, Eaten Heart Tour, and Done Quick Tour productions of Macbeth.","This file contains correspondence, flyers, brochures, and clippings relating to the Bequile the Rich Tour production of Macbeth. This production was performed by the Elizabeth Troupe.","This file contains a script that relates to the Bequile the Rich Tour production of Macbeth.","This file contains information relating to the Prick of Love Tour production of Measure for Measure.","This file contains correspondence, flyers, reviews, forty-eight photographs, and three dvds relating to the Over the Hump Tour production of Measure for Measure.","This file contains correspondence, flyers, programs, reviews, clippings, and twenty-two photographs relating to the Hurly Burly Tour production of Merchant of Venice.","This file contains scripts relating to the Hurly Burly Tour production of Merchant of Venice.","This file contains correspondence, flyers, and thirty-one photographs relating to the Done Quick Tour, Eaten Heart Tour, and Vaulting Ambition Tour productions of Merchant of Venice.","This file contains two dvds and a script relating to the Done Quick Tour, Eaten Heart Tour, and Vaulting Ambition Tour productions of Merchant of Venice.","This file contains flyers, brochures, clippings, and six dvds relating to the Rife with Mischief production of Merchant of Venice.","This file contains correspondence, flyers, brochures, clippings, and two dvds relating to a 2002 production of Merry Wives of Windsor.","This file contains correspondence and clippings relating to the Prick of Love Tour production of A Midsummer Night's Dream.","This file contains correspondence, flyers, brochures, and forty photographs relating to the Season of Love Tour production of A Midsummer Night's Dream.","This file contains a script, the director's notes, and four dvds relating to the Season of Love Tour production of A Midsummer Night's Dream.","This file contains correspondence, flyers, brochures, clippings, and fifty-three photographs relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of A Midsummer Night's Dream.","This file contains a script and four dvds relating to the Rough Magic Tour and Sweet Smoke of Rhetoric Tour productions of A Midsummer Night's Dream.","This file contains flyers, brochures, clippings, and seven dvds relating to the Ripe with Mischief Tour production of A Midsummer Night's Dream preformed by the Odyssey troupe.","This file contains flyers, brochures, clippings, twenty-five photographs, a script, and two dvds relating to the Tongues Like Knives Tour production of Much Ado About Nothing.","This file contains correspondence, flyers, clippings, and an actor's handbook relating to the Eaten Heart Tour production of Much Ado About Nothing.","This file contains correspondence, flyers, clippings, and an actor's handbook relating to the Scoff and Grin Tour production of Much Ado About Nothing preformed by Elizabeth Troupe.","This file contains correspondence, flyers, brochures, clippings, and three dvds relating to the Renaissance Run production of Much Ado About Nothing.","This file contains correspondence, flyers, brochures, reviews, clippings, and five dvds relating to the Tongues Like Knives Tour production of Othello.","This file contains flyers, brochures, clippings, one photograph, and one dvd relating to the Charming Your Tongue Tour and Scoff and Grin Tour productions of Othello.","This file contains correspondence, flyers, brochures, clippings, and nine photographs relating to the Scoff and Grin Tour production of Richard II.","This file contains an actor's handbook and eight dvds relating to The Scoff and Grin Tour procution of Richard II.","This file contains a script and three dvds relating to the 10th anniversary of Over the Hump Tour and the Tough Love Tour productions of Richard III.","This file contains correspondence, flyers, brochures, clippings, and nine photographs relating to the Maiden Tour production of Richard III.","This file contains information relating to the 10th anniversary of Over the Hump Tour and Tough Love Tour productions of Richard III.","This file contains correspondence, flyers, brochures, and clippings relating to a 2002 production of Richard III.","This file contains a script and one dvd relating to the 2002 production of Richard III.","This file contains an envelope filled with Edward Gorey clippings which were apparently used for character attitudes. These relate to the 2002 production of Richard III.","This file contains correspondence, flyers, reviews, clippings, and twenty-seven photographs relating to the Season of Love production of Romeo and Juliet.","This file contains correspondence, flyers, reviews, clippings, photographs, and two dvds relating to the Tough Love Tour production of Romeo and Juliet.","This file contains correspondence, flyers, brochures, and clippings relating to the BLush and Swoon Tour production of Romeo and Juliet.","This file contains a script and six dvds relating to the Blush and Swoon Tour production of Romeo and Juliet.","This file contains correspondence, flyers, brochures, clippings, and a dvd relating to the Word to the Third Tour production of Rosencrantz and Guildenstern Are Dead by Tom Stoppard.","This file contains correspondence, flyers, brochures, clippings, and two photographs relating to The Odyssey Tour production of Rosencrantz and Guildenstern Are Dead by Tom Stoppard.","This file contains correspondence, flyers, brochures, clippings, and photographs relating to the Bright Heaven of Invention Tour production of Saint Joan by George Bernard Shaw.","This file contains an actor's handbook and four dvds relating to the Bright Heaven of Invention Tour production of Saint Joan by George Bernard Shaw.","This file contains correspondence, flyers, reviews, clippings, and one dvd relating to the Taming Tour production of Taming of the Shrew.","This file contains correspondence, flyers, reviews, clippings, and five photographs relating to the Tongues Like Knives Tour production of Taming of the Shrew.","This file contains a script and five dvds relating to the Tongues Like Knives Tour production of Taming of the Shrew.","This file contains correspondence, flyers, brochures, reviews, clippings, and thirty-seven photographs relating to the Over the Hump Tour and Tough Love Tour productions of Taming of the Shrew.","This file contains flyers, brochures, clippings, and five dvds relating to the Renaissance Run and Excellent Motion Tour productions of Taming of the Shrew.","This file contains correspondence, flyers, brochures, and clippings relating to the Renaissance Run production of Tartuffe by Molliere.","This file contains correspondence, flyers, brochures, clippings, and twenty-five photographs relating to the Word to the Third Tour production of The Tempest.","This file contains scripts, director's notes, and three dvds relating to the Word to the Third Tour production of The Tempest.","This file contains correspondence, flyers, brochures, and clippings relating to the Brave New World Tour and Excellent Motion Tour productions of The Tempest.","This file contains correspondence, flyers, brochures, clippings, a script, and one dvd relating to the Prick of Love Tour production of Twelfth Night.","This file contains flyers, brochures, reviews, clippings, and forty photographs relating to the First James Tour and the Words to the Third Tour productions of Twelfth Night.","This file contains a script and three dvds relating to the First James Tour and Words to the Third Tour productions of Twelfth Night.","This file contains correspondence, flyers, brochures, clippings, and three photographs relating to the Charm Your Tongue Tour production of Twelfth Night.","This file contains scripts and two dvds relating to the Charm Your Tongue Tour production of Twelfth Night.","This file contains flyers, brochures, and clippings relating to a 2002 production of Twelfth Night.","This file contains a script relating to a 2002 production of Twelfth Night.","This file contains correspondence, flyers, brochures, clippings, and two dvds relating to a 2004 production of Two Gentlemen of Verona.","THis file contains correspondence, flyers, brochures, and clippings relating to the Blush and Swoon Tour production of Winter's Tale.","This file contains a script and five dvds relating to the Blush and Swoon Tour production of Winter's Tale.","This is a Betacam SP labeled 30 sec. spot for WCVE Richmond and WHTJ Charlottesville. It is related to the American Shakespeare Center.","This is a Betacam SP labeled 'underwriter's spot'. It lasts 30 seconds. It is related to the American Shakespeare Center.","This is a Betacam SP labeled SSE submaster.","This is a Betacam SP . It is labeled 'Raw 30 no graphics and music' and relates to the Shenandoah Shakespeare Virginia Season.","This is a Betacam SP tape. It is labeled 'Shenandoah Shakespeare Express edited'. It has a business card for WVIR-TV-NBC 29 Shenandoah Valley Office attached.","This is a Sony KSP-S20 tape labeled SSE Master Demo. The time length is 5:10 and Ch. 1 and 2 are not mixed.","This is a large-format Beta tape labeled Royal Shakespeare Company Speaking Shakespearean Verse.","This is a large format Beta tape labeled WVIR TV Ch. 29 Valley Bureau. The time is 2:01.","This is a large format Betacam SP labeled Love's Labour Lost and A Midsummer Night's Dream 2nd session SSE raw tape THMS Harrisonburg.","This is a 7 1/2 ips reel to reel. It is labeled WRXL 102 FM, 910 WRNL, WRVA, and '91 Radio Spots MM and TN.","This is a MD Gold 74 labeled Blush A4CI-WT.","This is a small format Fuji d-cassette labeled Bright Day and Blush - R and J.","This is a Maxwell GX-MP 8mm cassette tape labeled RTTFP #2 13 Apr 06.","This is a Radioshack 8mm cassette tape labeled 3rd project- 04-16-2003 Virginia Vaughan lecture- 4/16/03.","This is a Panasonic 8 mm cassette with no notes.","This is a Maxwell GX-MP 8 mm cassette tape labeled Coffeehouse YCTC 2000.","This is a Radioshack 8 mm cassette labeled Richard III 3/19/03 Blackfriars 2002/2003 RezCo.","This is a Radioshack 8 mm cassette tape labeled 1. Philaster Reading 2. Ralph 'Earnest' Lecture.","This is a Fuji hi8 MP 8 mm cassette with no notes.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","There is a note attached for Linda Blazer.","This collection is shelved near the rest of our theatre playbill collections.","Washington and Lee University, University Library Special Collections and Archives","American Shakespeare Center (Staunton, Va.)","Blackfriars Theatre (Staunton, Va.)","Actors' Equity Association","Shakespeare, William","Warren, James Perrin","Shaw, Bernard","Wilde, Oscar","Molière (1622-1673)","Cohen, Ralph Alan","Dobin, Howard N.","English"],"collection_title_tesim":["American Shakespeare Center Collection, 1987, bulk 1987/1995"],"collection_ssim":["American Shakespeare Center Collection, 1987, bulk 1987/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0371","/repositories/5/resources/219"],"unitid_tesim":["WLU.Coll.0371","/repositories/5/resources/219"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Virginia -- Staunton"],"geogname_ssim":["Virginia -- Staunton"],"places_ssim":["Virginia -- Staunton"],"creator_persname_ssim":["Shakespeare, William","Warren, James Perrin","Shaw, Bernard","Wilde, Oscar","Molière (1622-1673)","Cohen, Ralph Alan","Dobin, Howard N."],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","American Shakespeare Center (Staunton, Va.)","Blackfriars Theatre (Staunton, Va.)","Actors' Equity Association"],"creators_ssim":["Shakespeare, William","Warren, James Perrin","Shaw, Bernard","Wilde, Oscar","Molière (1622-1673)","Cohen, Ralph Alan","Dobin, Howard N.","Washington and Lee University, University Library Special Collections and Archives","American Shakespeare Center (Staunton, Va.)","Blackfriars Theatre (Staunton, Va.)","Actors' Equity Association"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Gift of the American Shakespeare Center, 2011."],"access_subjects_ssim":["Theater","Scrapbooks","Correspondence","Video recordings","Photographs"],"access_subjects_ssm":["Theater","Scrapbooks","Correspondence","Video recordings","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 75 plays, 175 DVDs, and 700 photographs"],"extent_tesim":["13 Linear Feet 75 plays, 175 DVDs, and 700 photographs"],"genreform_ssim":["Photographs"],"date_range_isim":[1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eSome restrictions apply: no reproductions of DVDs are allowed. The archives are governed by the rules of the Actor's Equity Association.\u003c/p\u003e  ","\u003cp\u003eBlue sheet prepared by Edna Milliner (11/4/2011)\u003c/p\u003e  ","\u003cp\u003eThere is a note attached that says 'Please Do Not Remove this Tape Without Letting Linda Blazer Know' with a phone number at the bottom.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Some restrictions apply: no reproductions of DVDs are allowed. The archives are governed by the rules of the Actor's Equity Association.","Blue sheet prepared by Edna Milliner (11/4/2011)","There is a note attached that says 'Please Do Not Remove this Tape Without Letting Linda Blazer Know' with a phone number at the bottom."],"bioghist_html_tesm":["\u003cp\u003eThe Shenandoah Shakespeare Express was formed in 1988 with a small cast of actors; originally a touring company, they use the theatrical methods of Shakespeare's time.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Shenandoah Shakespeare Express was formed in 1988 with a small cast of actors; originally a touring company, they use the theatrical methods of Shakespeare's time."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], American Shakespeare Center Collection, WLU Coll. 0371, Special Collections, Leyburn Library, Washington and Lee University, Lexington, VA. \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], American Shakespeare Center Collection, WLU Coll. 0371, Special Collections, Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes 65 Shakespeare plays, additional plays by George Bernard Shaw, Oscar Wilde and Molière; 12 Beta videotapes and audiocassettes; 26 cast scrapbooks with photographs; correspondence between Ralph Cohen and James Warren, founders of American Shakespeare Center, Hank Dobin, Washington and Lee University Dean (2005-2012), and a member of the Board of Directors of the American Shakespeare Center.\u003c/p\u003e  ","\u003cp\u003eThis folder contains promotional dvds, general organization papers, and 2011 article by Vaughan Stanley from the Friends of Leyburn Library Letter.\u003c/p\u003e","\u003cp\u003eThis folder cntains newspaper clippings about various topics related to the American Shakespeare Center.\u003c/p\u003e","\u003cp\u003eThis is Folder 1 of 2 which contains magazines related to the American Shakespeare Center.\u003c/p\u003e","\u003cp\u003eThis is Folder 2 of 2. It contains magazine articles relating to the American Shakespeare Center and a few Shakespeare periodicals.\u003c/p\u003e","\u003cp\u003eThis folder contains spreadsheets that catalog the contents of this donation.\u003c/p\u003e","\u003cp\u003eThis folder contains four dvds relating to the Alchemist.\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence, flyers, brochures, clippings, and three photographs related to The Odyssey Tour production of the Alchemist.\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence, flyers, brochures, clipping, and thirty photographs relating to the Season of Love production of Anthony and Cleopatra.\u003c/p\u003e","\u003cp\u003eThis folder contains three dvds relating to the Season of Love production of Anthony and Cleopatra, one of which is labeled 'all the year's p.r.'.\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence, flyers, brochures, and clippings relating to the Blush and Swoon Tour production of As You Like It.\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence, flyers, brochures, clippings, and fifty photographs relating to the Lend Me Your Ears Tour production of As You Like It. The photographs also include pictures from Julius Caesar, Henry V, and Comedy of Errors.\u003c/p\u003e","\u003cp\u003eThis folder contains two dvds and the script relating to the Lend Me Your Ears Tour production of As You Like It.\u003c/p\u003e","\u003cp\u003eThis folder contains two dvds and an actor's handbook related to the Blush and Swoon Tour production of As You Like It.\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence, flyers, brochures, clipping, and four photographs relating to the Hurly Burly Tour production of Comedy of Errors.\u003c/p\u003e","\u003cp\u003eThis folder contains a script relating to the Hurly Burly Tour production of Comedy of Errors.\u003c/p\u003e","\u003cp\u003eThis folder contained six dvds and a script relating to the Lend Me Your Ears Tour production of Comedy of Errors.\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence, flyers, brochures, and clippings relating to the Lend Me Your Ears Tour production of Comedy of Errors.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, and clippings related to the Blush and Swoon Tour production and the Bright Heaven of Invention Tour production of Comedy of Errors.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and five dvds relating to the Excellent Motion Tour production of Coriolanus.\u003c/p\u003e","\u003cp\u003eThis file contains three dvds relating to productions of Comedy of Errors from 2002.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, and clippings relating to the Ripe with Mischief Tour production of Falstaff. The full title of Falstaff is: The Most Lamentable Comedy of Sir John, as written by Ralph Cohen.\u003c/p\u003e","\u003cp\u003eThis file contains an annotatated script and an actor's handbook relating to the Ripe with Mischief Tour production of Falstaff.\u003c/p\u003e","\u003cp\u003eThis file contains six dvds and a script relating to te Ripe with Mischief Tour production of Falstaff.\u003c/p\u003e","\u003cp\u003eThis file contains two dvds and an actor's handbook relating to the Scoff and Grin Tour production of Dr. Faustus.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and three photos relating to the Scoff and Grin Tour production of Dr. Faustus.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, reviews, clippings, and thirty-six photographs relating to the Words to the Third Tour production of Hamlet.\u003c/p\u003e","\u003cp\u003eThis file contains eight dvds, a script, and drirector's notes relating to the Words to the Third Tour production of Hamlet.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, and eleven photographs relating to the Eaten Heart Tour production of Hamlet.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and two photographs relating to The Odyssey Tour production of Hamlet.\u003c/p\u003e","\u003cp\u003eThis file contains eight dvds relating to The Odyssey Tour production of Hamlet.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, reviews, clippings, and thirty-three photographs relating to the Sweet Smoke of Rhetoric Tour production of Henry IV, part 1.\u003c/p\u003e","\u003cp\u003eThis file contains scripts and notes relating to the Sweet Smoke of Rhetoric Tour production of Henry IV, part 1.\u003c/p\u003e","\u003cp\u003eThis file contains flyers and clippings relating to the Excellent Motion Tour production of Henry IV.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, reviews, and ten photographs relating to the We Happy Few Tour production of Henry V.\u003c/p\u003e","\u003cp\u003eThis file contains two dvds and a script relating to the We Happy Few Tour production of Henry V.\u003c/p\u003e","\u003cp\u003eThis file contains two dvds and a promptbook for Jim relating to the Sweet Smoke of Rhetoric Tour production of Henry V.\u003c/p\u003e","\u003cp\u003eThis file contains a script with notes relating to the Sweet Smoke of Rhetoric Tour production of Henry V.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and two dvds relating to the Bright Heaven of Invention Tour production of Henry V.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and three dvds relating to the Excellent Motion Tour production of The Importance of Being Earnest by Oscar Wilde.\u003c/p\u003e","\u003cp\u003eThis file contains a script and an actor's handbook relating to the First Rep Tour production of Julius Caesar.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, reviews, clippings, and fifty photographs relating to the First Rep Tour production of Julius Caesar.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence,flyers, brochures, and clippings relating to the Lend Me Your Ears Tour production of Julius Caesar.\u003c/p\u003e","\u003cp\u003eThis file contains scripts and a prompt book relating to the Lend Me Your Ears Tour production of Julius Caesar.\u003c/p\u003e","\u003cp\u003eThis file contains a script and ten dvds relating to the Lend Me Your Ears Tour production of Julius Caesar.\u003c/p\u003e","\u003cp\u003eThis file contains correspondenc, flyers, brochures, and clippings relating the the Renaissance Run production of Julius Caesar.\u003c/p\u003e","\u003cp\u003eThis file contains two dvds and a script relating the the Renaissance Run production of Julius Caesar.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and three dvds relating to the Renaissance Run production of King Lear.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, and clippings relating to the productions of Knights of the Burning Pestle at the Vaulting Heart tour, the Eaten Heart Tour, and Renaissance Run. Knight of the Burning Pestle is a play within A Midsummer Night's Dream.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and four dvds relating to the Ripe with Mischief Tour production of Les Liaisons Dangereuses by Christopher Hampton.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and thirty-six photographs relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of Love's Labours Lost.\u003c/p\u003e","\u003cp\u003eThis file contains four dvds and a script relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of Love's Labours Lost.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and two dvds of a 2002 production of Love's Labours Lost.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, reviews, and clippings relating to the Hurly Burly Tour production of Macbeth.\u003c/p\u003e","\u003cp\u003eThis file contains three dvds, scripts, and notes relating to the Hurly Burly Tour production of Macbeth.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flers, brochures, and fifty-one photographs relating to the Hurly Burly Tour production of Macbeth. This production was preformed by the James Troupe.\u003c/p\u003e","\u003cp\u003eThis file contains a prompt book for an actor named Jim which relates to the Hurly Burly Tour production of Macbeth.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, and clippings relating to the Vaulting Ambition Tour, Eaten Heart Tour, and Done Quick Tour productions of Macbeth.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, and clippings relating to the Bequile the Rich Tour production of Macbeth. This production was performed by the Elizabeth Troupe.\u003c/p\u003e","\u003cp\u003eThis file contains a script that relates to the Bequile the Rich Tour production of Macbeth.\u003c/p\u003e","\u003cp\u003eThis file contains information relating to the Prick of Love Tour production of Measure for Measure.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, reviews, forty-eight photographs, and three dvds relating to the Over the Hump Tour production of Measure for Measure.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, programs, reviews, clippings, and twenty-two photographs relating to the Hurly Burly Tour production of Merchant of Venice.\u003c/p\u003e","\u003cp\u003eThis file contains scripts relating to the Hurly Burly Tour production of Merchant of Venice.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, and thirty-one photographs relating to the Done Quick Tour, Eaten Heart Tour, and Vaulting Ambition Tour productions of Merchant of Venice.\u003c/p\u003e","\u003cp\u003eThis file contains two dvds and a script relating to the Done Quick Tour, Eaten Heart Tour, and Vaulting Ambition Tour productions of Merchant of Venice.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and six dvds relating to the Rife with Mischief production of Merchant of Venice.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and two dvds relating to a 2002 production of Merry Wives of Windsor.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence and clippings relating to the Prick of Love Tour production of A Midsummer Night's Dream.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, and forty photographs relating to the Season of Love Tour production of A Midsummer Night's Dream.\u003c/p\u003e","\u003cp\u003eThis file contains a script, the director's notes, and four dvds relating to the Season of Love Tour production of A Midsummer Night's Dream.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and fifty-three photographs relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of A Midsummer Night's Dream.\u003c/p\u003e","\u003cp\u003eThis file contains a script and four dvds relating to the Rough Magic Tour and Sweet Smoke of Rhetoric Tour productions of A Midsummer Night's Dream.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and seven dvds relating to the Ripe with Mischief Tour production of A Midsummer Night's Dream preformed by the Odyssey troupe.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, twenty-five photographs, a script, and two dvds relating to the Tongues Like Knives Tour production of Much Ado About Nothing.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, clippings, and an actor's handbook relating to the Eaten Heart Tour production of Much Ado About Nothing.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, clippings, and an actor's handbook relating to the Scoff and Grin Tour production of Much Ado About Nothing preformed by Elizabeth Troupe.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and three dvds relating to the Renaissance Run production of Much Ado About Nothing.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, reviews, clippings, and five dvds relating to the Tongues Like Knives Tour production of Othello.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, one photograph, and one dvd relating to the Charming Your Tongue Tour and Scoff and Grin Tour productions of Othello.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and nine photographs relating to the Scoff and Grin Tour production of Richard II.\u003c/p\u003e","\u003cp\u003eThis file contains an actor's handbook and eight dvds relating to The Scoff and Grin Tour procution of Richard II.\u003c/p\u003e","\u003cp\u003eThis file contains a script and three dvds relating to the 10th anniversary of Over the Hump Tour and the Tough Love Tour productions of Richard III.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and nine photographs relating to the Maiden Tour production of Richard III.\u003c/p\u003e","\u003cp\u003eThis file contains information relating to the 10th anniversary of Over the Hump Tour and Tough Love Tour productions of Richard III.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, and clippings relating to a 2002 production of Richard III.\u003c/p\u003e","\u003cp\u003eThis file contains a script and one dvd relating to the 2002 production of Richard III.\u003c/p\u003e","\u003cp\u003eThis file contains an envelope filled with Edward Gorey clippings which were apparently used for character attitudes. These relate to the 2002 production of Richard III.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, reviews, clippings, and twenty-seven photographs relating to the Season of Love production of Romeo and Juliet.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, reviews, clippings, photographs, and two dvds relating to the Tough Love Tour production of Romeo and Juliet.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, and clippings relating to the BLush and Swoon Tour production of Romeo and Juliet.\u003c/p\u003e","\u003cp\u003eThis file contains a script and six dvds relating to the Blush and Swoon Tour production of Romeo and Juliet.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and a dvd relating to the Word to the Third Tour production of Rosencrantz and Guildenstern Are Dead by Tom Stoppard.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and two photographs relating to The Odyssey Tour production of Rosencrantz and Guildenstern Are Dead by Tom Stoppard.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and photographs relating to the Bright Heaven of Invention Tour production of Saint Joan by George Bernard Shaw.\u003c/p\u003e","\u003cp\u003eThis file contains an actor's handbook and four dvds relating to the Bright Heaven of Invention Tour production of Saint Joan by George Bernard Shaw.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, reviews, clippings, and one dvd relating to the Taming Tour production of Taming of the Shrew.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, reviews, clippings, and five photographs relating to the Tongues Like Knives Tour production of Taming of the Shrew.\u003c/p\u003e","\u003cp\u003eThis file contains a script and five dvds relating to the Tongues Like Knives Tour production of Taming of the Shrew.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, reviews, clippings, and thirty-seven photographs relating to the Over the Hump Tour and Tough Love Tour productions of Taming of the Shrew.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and five dvds relating to the Renaissance Run and Excellent Motion Tour productions of Taming of the Shrew.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, and clippings relating to the Renaissance Run production of Tartuffe by Molliere.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and twenty-five photographs relating to the Word to the Third Tour production of The Tempest.\u003c/p\u003e","\u003cp\u003eThis file contains scripts, director's notes, and three dvds relating to the Word to the Third Tour production of The Tempest.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, and clippings relating to the Brave New World Tour and Excellent Motion Tour productions of The Tempest.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, a script, and one dvd relating to the Prick of Love Tour production of Twelfth Night.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, reviews, clippings, and forty photographs relating to the First James Tour and the Words to the Third Tour productions of Twelfth Night.\u003c/p\u003e","\u003cp\u003eThis file contains a script and three dvds relating to the First James Tour and Words to the Third Tour productions of Twelfth Night.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and three photographs relating to the Charm Your Tongue Tour production of Twelfth Night.\u003c/p\u003e","\u003cp\u003eThis file contains scripts and two dvds relating to the Charm Your Tongue Tour production of Twelfth Night.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, and clippings relating to a 2002 production of Twelfth Night.\u003c/p\u003e","\u003cp\u003eThis file contains a script relating to a 2002 production of Twelfth Night.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and two dvds relating to a 2004 production of Two Gentlemen of Verona.\u003c/p\u003e","\u003cp\u003eTHis file contains correspondence, flyers, brochures, and clippings relating to the Blush and Swoon Tour production of Winter's Tale.\u003c/p\u003e","\u003cp\u003eThis file contains a script and five dvds relating to the Blush and Swoon Tour production of Winter's Tale.\u003c/p\u003e","\u003cp\u003eThis is a Betacam SP labeled 30 sec. spot for WCVE Richmond and WHTJ Charlottesville. It is related to the American Shakespeare Center.\u003c/p\u003e","\u003cp\u003eThis is a Betacam SP labeled 'underwriter's spot'. It lasts 30 seconds. It is related to the American Shakespeare Center.\u003c/p\u003e","\u003cp\u003eThis is a Betacam SP labeled SSE submaster.\u003c/p\u003e","\u003cp\u003eThis is a Betacam SP . It is labeled 'Raw 30 no graphics and music' and relates to the Shenandoah Shakespeare Virginia Season.\u003c/p\u003e","\u003cp\u003eThis is a Betacam SP tape. It is labeled 'Shenandoah Shakespeare Express edited'. It has a business card for WVIR-TV-NBC 29 Shenandoah Valley Office attached.\u003c/p\u003e","\u003cp\u003eThis is a Sony KSP-S20 tape labeled SSE Master Demo. The time length is 5:10 and Ch. 1 and 2 are not mixed.\u003c/p\u003e","\u003cp\u003eThis is a large-format Beta tape labeled Royal Shakespeare Company Speaking Shakespearean Verse.\u003c/p\u003e","\u003cp\u003eThis is a large format Beta tape labeled WVIR TV Ch. 29 Valley Bureau. The time is 2:01.\u003c/p\u003e","\u003cp\u003eThis is a large format Betacam SP labeled Love's Labour Lost and A Midsummer Night's Dream 2nd session SSE raw tape THMS Harrisonburg.\u003c/p\u003e","\u003cp\u003eThis is a 7 1/2 ips reel to reel. It is labeled WRXL 102 FM, 910 WRNL, WRVA, and '91 Radio Spots MM and TN.\u003c/p\u003e","\u003cp\u003eThis is a MD Gold 74 labeled Blush A4CI-WT.\u003c/p\u003e","\u003cp\u003eThis is a small format Fuji d-cassette labeled Bright Day and Blush - R and J.\u003c/p\u003e","\u003cp\u003eThis is a Maxwell GX-MP 8mm cassette tape labeled RTTFP #2 13 Apr 06.\u003c/p\u003e","\u003cp\u003eThis is a Radioshack 8mm cassette tape labeled 3rd project- 04-16-2003 Virginia Vaughan lecture- 4/16/03.\u003c/p\u003e","\u003cp\u003eThis is a Panasonic 8 mm cassette with no notes.\u003c/p\u003e","\u003cp\u003eThis is a Maxwell GX-MP 8 mm cassette tape labeled Coffeehouse YCTC 2000.\u003c/p\u003e","\u003cp\u003eThis is a Radioshack 8 mm cassette labeled Richard III 3/19/03 Blackfriars 2002/2003 RezCo.\u003c/p\u003e","\u003cp\u003eThis is a Radioshack 8 mm cassette tape labeled 1. Philaster Reading 2. Ralph 'Earnest' Lecture.\u003c/p\u003e","\u003cp\u003eThis is a Fuji hi8 MP 8 mm cassette with no notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes 65 Shakespeare plays, additional plays by George Bernard Shaw, Oscar Wilde and Molière; 12 Beta videotapes and audiocassettes; 26 cast scrapbooks with photographs; correspondence between Ralph Cohen and James Warren, founders of American Shakespeare Center, Hank Dobin, Washington and Lee University Dean (2005-2012), and a member of the Board of Directors of the American Shakespeare Center.","This folder contains promotional dvds, general organization papers, and 2011 article by Vaughan Stanley from the Friends of Leyburn Library Letter.","This folder cntains newspaper clippings about various topics related to the American Shakespeare Center.","This is Folder 1 of 2 which contains magazines related to the American Shakespeare Center.","This is Folder 2 of 2. It contains magazine articles relating to the American Shakespeare Center and a few Shakespeare periodicals.","This folder contains spreadsheets that catalog the contents of this donation.","This folder contains four dvds relating to the Alchemist.","This folder contains correspondence, flyers, brochures, clippings, and three photographs related to The Odyssey Tour production of the Alchemist.","This folder contains correspondence, flyers, brochures, clipping, and thirty photographs relating to the Season of Love production of Anthony and Cleopatra.","This folder contains three dvds relating to the Season of Love production of Anthony and Cleopatra, one of which is labeled 'all the year's p.r.'.","This folder contains correspondence, flyers, brochures, and clippings relating to the Blush and Swoon Tour production of As You Like It.","This folder contains correspondence, flyers, brochures, clippings, and fifty photographs relating to the Lend Me Your Ears Tour production of As You Like It. The photographs also include pictures from Julius Caesar, Henry V, and Comedy of Errors.","This folder contains two dvds and the script relating to the Lend Me Your Ears Tour production of As You Like It.","This folder contains two dvds and an actor's handbook related to the Blush and Swoon Tour production of As You Like It.","This folder contains correspondence, flyers, brochures, clipping, and four photographs relating to the Hurly Burly Tour production of Comedy of Errors.","This folder contains a script relating to the Hurly Burly Tour production of Comedy of Errors.","This folder contained six dvds and a script relating to the Lend Me Your Ears Tour production of Comedy of Errors.","This folder contains correspondence, flyers, brochures, and clippings relating to the Lend Me Your Ears Tour production of Comedy of Errors.","This file contains correspondence, flyers, brochures, and clippings related to the Blush and Swoon Tour production and the Bright Heaven of Invention Tour production of Comedy of Errors.","This file contains flyers, brochures, clippings, and five dvds relating to the Excellent Motion Tour production of Coriolanus.","This file contains three dvds relating to productions of Comedy of Errors from 2002.","This file contains flyers, brochures, and clippings relating to the Ripe with Mischief Tour production of Falstaff. The full title of Falstaff is: The Most Lamentable Comedy of Sir John, as written by Ralph Cohen.","This file contains an annotatated script and an actor's handbook relating to the Ripe with Mischief Tour production of Falstaff.","This file contains six dvds and a script relating to te Ripe with Mischief Tour production of Falstaff.","This file contains two dvds and an actor's handbook relating to the Scoff and Grin Tour production of Dr. Faustus.","This file contains correspondence, flyers, brochures, clippings, and three photos relating to the Scoff and Grin Tour production of Dr. Faustus.","This file contains correspondence, flyers, reviews, clippings, and thirty-six photographs relating to the Words to the Third Tour production of Hamlet.","This file contains eight dvds, a script, and drirector's notes relating to the Words to the Third Tour production of Hamlet.","This file contains correspondence, flyers, and eleven photographs relating to the Eaten Heart Tour production of Hamlet.","This file contains correspondence, flyers, brochures, clippings, and two photographs relating to The Odyssey Tour production of Hamlet.","This file contains eight dvds relating to The Odyssey Tour production of Hamlet.","This file contains correspondence, flyers, brochures, reviews, clippings, and thirty-three photographs relating to the Sweet Smoke of Rhetoric Tour production of Henry IV, part 1.","This file contains scripts and notes relating to the Sweet Smoke of Rhetoric Tour production of Henry IV, part 1.","This file contains flyers and clippings relating to the Excellent Motion Tour production of Henry IV.","This file contains correspondence, flyers, brochures, clippings, reviews, and ten photographs relating to the We Happy Few Tour production of Henry V.","This file contains two dvds and a script relating to the We Happy Few Tour production of Henry V.","This file contains two dvds and a promptbook for Jim relating to the Sweet Smoke of Rhetoric Tour production of Henry V.","This file contains a script with notes relating to the Sweet Smoke of Rhetoric Tour production of Henry V.","This file contains flyers, brochures, clippings, and two dvds relating to the Bright Heaven of Invention Tour production of Henry V.","This file contains flyers, brochures, clippings, and three dvds relating to the Excellent Motion Tour production of The Importance of Being Earnest by Oscar Wilde.","This file contains a script and an actor's handbook relating to the First Rep Tour production of Julius Caesar.","This file contains correspondence, reviews, clippings, and fifty photographs relating to the First Rep Tour production of Julius Caesar.","This file contains correspondence,flyers, brochures, and clippings relating to the Lend Me Your Ears Tour production of Julius Caesar.","This file contains scripts and a prompt book relating to the Lend Me Your Ears Tour production of Julius Caesar.","This file contains a script and ten dvds relating to the Lend Me Your Ears Tour production of Julius Caesar.","This file contains correspondenc, flyers, brochures, and clippings relating the the Renaissance Run production of Julius Caesar.","This file contains two dvds and a script relating the the Renaissance Run production of Julius Caesar.","This file contains flyers, brochures, clippings, and three dvds relating to the Renaissance Run production of King Lear.","This file contains flyers, brochures, and clippings relating to the productions of Knights of the Burning Pestle at the Vaulting Heart tour, the Eaten Heart Tour, and Renaissance Run. Knight of the Burning Pestle is a play within A Midsummer Night's Dream.","This file contains flyers, brochures, clippings, and four dvds relating to the Ripe with Mischief Tour production of Les Liaisons Dangereuses by Christopher Hampton.","This file contains correspondence, flyers, brochures, clippings, and thirty-six photographs relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of Love's Labours Lost.","This file contains four dvds and a script relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of Love's Labours Lost.","This file contains flyers, brochures, clippings, and two dvds of a 2002 production of Love's Labours Lost.","This file contains correspondence, flyers, reviews, and clippings relating to the Hurly Burly Tour production of Macbeth.","This file contains three dvds, scripts, and notes relating to the Hurly Burly Tour production of Macbeth.","This file contains correspondence, flers, brochures, and fifty-one photographs relating to the Hurly Burly Tour production of Macbeth. This production was preformed by the James Troupe.","This file contains a prompt book for an actor named Jim which relates to the Hurly Burly Tour production of Macbeth.","This file contains flyers, brochures, and clippings relating to the Vaulting Ambition Tour, Eaten Heart Tour, and Done Quick Tour productions of Macbeth.","This file contains correspondence, flyers, brochures, and clippings relating to the Bequile the Rich Tour production of Macbeth. This production was performed by the Elizabeth Troupe.","This file contains a script that relates to the Bequile the Rich Tour production of Macbeth.","This file contains information relating to the Prick of Love Tour production of Measure for Measure.","This file contains correspondence, flyers, reviews, forty-eight photographs, and three dvds relating to the Over the Hump Tour production of Measure for Measure.","This file contains correspondence, flyers, programs, reviews, clippings, and twenty-two photographs relating to the Hurly Burly Tour production of Merchant of Venice.","This file contains scripts relating to the Hurly Burly Tour production of Merchant of Venice.","This file contains correspondence, flyers, and thirty-one photographs relating to the Done Quick Tour, Eaten Heart Tour, and Vaulting Ambition Tour productions of Merchant of Venice.","This file contains two dvds and a script relating to the Done Quick Tour, Eaten Heart Tour, and Vaulting Ambition Tour productions of Merchant of Venice.","This file contains flyers, brochures, clippings, and six dvds relating to the Rife with Mischief production of Merchant of Venice.","This file contains correspondence, flyers, brochures, clippings, and two dvds relating to a 2002 production of Merry Wives of Windsor.","This file contains correspondence and clippings relating to the Prick of Love Tour production of A Midsummer Night's Dream.","This file contains correspondence, flyers, brochures, and forty photographs relating to the Season of Love Tour production of A Midsummer Night's Dream.","This file contains a script, the director's notes, and four dvds relating to the Season of Love Tour production of A Midsummer Night's Dream.","This file contains correspondence, flyers, brochures, clippings, and fifty-three photographs relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of A Midsummer Night's Dream.","This file contains a script and four dvds relating to the Rough Magic Tour and Sweet Smoke of Rhetoric Tour productions of A Midsummer Night's Dream.","This file contains flyers, brochures, clippings, and seven dvds relating to the Ripe with Mischief Tour production of A Midsummer Night's Dream preformed by the Odyssey troupe.","This file contains flyers, brochures, clippings, twenty-five photographs, a script, and two dvds relating to the Tongues Like Knives Tour production of Much Ado About Nothing.","This file contains correspondence, flyers, clippings, and an actor's handbook relating to the Eaten Heart Tour production of Much Ado About Nothing.","This file contains correspondence, flyers, clippings, and an actor's handbook relating to the Scoff and Grin Tour production of Much Ado About Nothing preformed by Elizabeth Troupe.","This file contains correspondence, flyers, brochures, clippings, and three dvds relating to the Renaissance Run production of Much Ado About Nothing.","This file contains correspondence, flyers, brochures, reviews, clippings, and five dvds relating to the Tongues Like Knives Tour production of Othello.","This file contains flyers, brochures, clippings, one photograph, and one dvd relating to the Charming Your Tongue Tour and Scoff and Grin Tour productions of Othello.","This file contains correspondence, flyers, brochures, clippings, and nine photographs relating to the Scoff and Grin Tour production of Richard II.","This file contains an actor's handbook and eight dvds relating to The Scoff and Grin Tour procution of Richard II.","This file contains a script and three dvds relating to the 10th anniversary of Over the Hump Tour and the Tough Love Tour productions of Richard III.","This file contains correspondence, flyers, brochures, clippings, and nine photographs relating to the Maiden Tour production of Richard III.","This file contains information relating to the 10th anniversary of Over the Hump Tour and Tough Love Tour productions of Richard III.","This file contains correspondence, flyers, brochures, and clippings relating to a 2002 production of Richard III.","This file contains a script and one dvd relating to the 2002 production of Richard III.","This file contains an envelope filled with Edward Gorey clippings which were apparently used for character attitudes. These relate to the 2002 production of Richard III.","This file contains correspondence, flyers, reviews, clippings, and twenty-seven photographs relating to the Season of Love production of Romeo and Juliet.","This file contains correspondence, flyers, reviews, clippings, photographs, and two dvds relating to the Tough Love Tour production of Romeo and Juliet.","This file contains correspondence, flyers, brochures, and clippings relating to the BLush and Swoon Tour production of Romeo and Juliet.","This file contains a script and six dvds relating to the Blush and Swoon Tour production of Romeo and Juliet.","This file contains correspondence, flyers, brochures, clippings, and a dvd relating to the Word to the Third Tour production of Rosencrantz and Guildenstern Are Dead by Tom Stoppard.","This file contains correspondence, flyers, brochures, clippings, and two photographs relating to The Odyssey Tour production of Rosencrantz and Guildenstern Are Dead by Tom Stoppard.","This file contains correspondence, flyers, brochures, clippings, and photographs relating to the Bright Heaven of Invention Tour production of Saint Joan by George Bernard Shaw.","This file contains an actor's handbook and four dvds relating to the Bright Heaven of Invention Tour production of Saint Joan by George Bernard Shaw.","This file contains correspondence, flyers, reviews, clippings, and one dvd relating to the Taming Tour production of Taming of the Shrew.","This file contains correspondence, flyers, reviews, clippings, and five photographs relating to the Tongues Like Knives Tour production of Taming of the Shrew.","This file contains a script and five dvds relating to the Tongues Like Knives Tour production of Taming of the Shrew.","This file contains correspondence, flyers, brochures, reviews, clippings, and thirty-seven photographs relating to the Over the Hump Tour and Tough Love Tour productions of Taming of the Shrew.","This file contains flyers, brochures, clippings, and five dvds relating to the Renaissance Run and Excellent Motion Tour productions of Taming of the Shrew.","This file contains correspondence, flyers, brochures, and clippings relating to the Renaissance Run production of Tartuffe by Molliere.","This file contains correspondence, flyers, brochures, clippings, and twenty-five photographs relating to the Word to the Third Tour production of The Tempest.","This file contains scripts, director's notes, and three dvds relating to the Word to the Third Tour production of The Tempest.","This file contains correspondence, flyers, brochures, and clippings relating to the Brave New World Tour and Excellent Motion Tour productions of The Tempest.","This file contains correspondence, flyers, brochures, clippings, a script, and one dvd relating to the Prick of Love Tour production of Twelfth Night.","This file contains flyers, brochures, reviews, clippings, and forty photographs relating to the First James Tour and the Words to the Third Tour productions of Twelfth Night.","This file contains a script and three dvds relating to the First James Tour and Words to the Third Tour productions of Twelfth Night.","This file contains correspondence, flyers, brochures, clippings, and three photographs relating to the Charm Your Tongue Tour production of Twelfth Night.","This file contains scripts and two dvds relating to the Charm Your Tongue Tour production of Twelfth Night.","This file contains flyers, brochures, and clippings relating to a 2002 production of Twelfth Night.","This file contains a script relating to a 2002 production of Twelfth Night.","This file contains correspondence, flyers, brochures, clippings, and two dvds relating to a 2004 production of Two Gentlemen of Verona.","THis file contains correspondence, flyers, brochures, and clippings relating to the Blush and Swoon Tour production of Winter's Tale.","This file contains a script and five dvds relating to the Blush and Swoon Tour production of Winter's Tale.","This is a Betacam SP labeled 30 sec. spot for WCVE Richmond and WHTJ Charlottesville. It is related to the American Shakespeare Center.","This is a Betacam SP labeled 'underwriter's spot'. It lasts 30 seconds. It is related to the American Shakespeare Center.","This is a Betacam SP labeled SSE submaster.","This is a Betacam SP . It is labeled 'Raw 30 no graphics and music' and relates to the Shenandoah Shakespeare Virginia Season.","This is a Betacam SP tape. It is labeled 'Shenandoah Shakespeare Express edited'. It has a business card for WVIR-TV-NBC 29 Shenandoah Valley Office attached.","This is a Sony KSP-S20 tape labeled SSE Master Demo. The time length is 5:10 and Ch. 1 and 2 are not mixed.","This is a large-format Beta tape labeled Royal Shakespeare Company Speaking Shakespearean Verse.","This is a large format Beta tape labeled WVIR TV Ch. 29 Valley Bureau. The time is 2:01.","This is a large format Betacam SP labeled Love's Labour Lost and A Midsummer Night's Dream 2nd session SSE raw tape THMS Harrisonburg.","This is a 7 1/2 ips reel to reel. It is labeled WRXL 102 FM, 910 WRNL, WRVA, and '91 Radio Spots MM and TN.","This is a MD Gold 74 labeled Blush A4CI-WT.","This is a small format Fuji d-cassette labeled Bright Day and Blush - R and J.","This is a Maxwell GX-MP 8mm cassette tape labeled RTTFP #2 13 Apr 06.","This is a Radioshack 8mm cassette tape labeled 3rd project- 04-16-2003 Virginia Vaughan lecture- 4/16/03.","This is a Panasonic 8 mm cassette with no notes.","This is a Maxwell GX-MP 8 mm cassette tape labeled Coffeehouse YCTC 2000.","This is a Radioshack 8 mm cassette labeled Richard III 3/19/03 Blackfriars 2002/2003 RezCo.","This is a Radioshack 8 mm cassette tape labeled 1. Philaster Reading 2. Ralph 'Earnest' Lecture.","This is a Fuji hi8 MP 8 mm cassette with no notes."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  ","\u003cp\u003eThere is a note attached for Linda Blazer.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","There is a note attached for Linda Blazer."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4102bcab5861589e7df5354e47a8875e\"\u003eThis collection is shelved near the rest of our theatre playbill collections.\u003c/physloc\u003e\n    "],"physloc_tesim":["This collection is shelved near the rest of our theatre playbill collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","American Shakespeare Center (Staunton, Va.)","Blackfriars Theatre (Staunton, Va.)","Actors' Equity Association"],"names_coll_ssim":["American Shakespeare Center (Staunton, Va.)","Blackfriars Theatre (Staunton, Va.)","Actors' Equity Association","Shakespeare, William","Warren, James Perrin","Shaw, Bernard","Wilde, Oscar","Molière (1622-1673)","Cohen, Ralph Alan","Dobin, Howard N."],"persname_ssim":["Shakespeare, William","Warren, James Perrin","Shaw, Bernard","Wilde, Oscar","Molière (1622-1673)","Cohen, Ralph Alan","Dobin, Howard N."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","American Shakespeare Center (Staunton, Va.)","Blackfriars Theatre (Staunton, Va.)","Actors' Equity Association","Shakespeare, William","Warren, James Perrin","Shaw, Bernard","Wilde, Oscar","Molière (1622-1673)","Cohen, Ralph Alan","Dobin, Howard N."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":135,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:01:08.296Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_219","ead_ssi":"vilxw_repositories_5_resources_219","_root_":"vilxw_repositories_5_resources_219","_nest_parent_":"vilxw_repositories_5_resources_219","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_219.xml","title_ssm":["American Shakespeare Center Collection"],"title_tesim":["American Shakespeare Center Collection"],"unitdate_ssm":["Inclusive 1987- ongoing","Bulk 1987-1995"],"unitdate_inclusive_ssm":["Inclusive 1987- ongoing"],"unitdate_bulk_ssim":["Bulk 1987-1995"],"normalized_date_ssm":["1987, bulk 1987/1995"],"normalized_title_ssm":["American Shakespeare Center Collection, 1987, bulk 1987/1995"],"text":["American Shakespeare Center Collection, 1987, bulk 1987/1995","WLU.Coll.0371","/repositories/5/resources/219","Virginia -- Staunton","Theater","Scrapbooks","Correspondence","Video recordings","Photographs","Some restrictions apply: no reproductions of DVDs are allowed. The archives are governed by the rules of the Actor's Equity Association.","Blue sheet prepared by Edna Milliner (11/4/2011)","There is a note attached that says 'Please Do Not Remove this Tape Without Letting Linda Blazer Know' with a phone number at the bottom.","The Shenandoah Shakespeare Express was formed in 1988 with a small cast of actors; originally a touring company, they use the theatrical methods of Shakespeare's time.","This collection includes 65 Shakespeare plays, additional plays by George Bernard Shaw, Oscar Wilde and Molière; 12 Beta videotapes and audiocassettes; 26 cast scrapbooks with photographs; correspondence between Ralph Cohen and James Warren, founders of American Shakespeare Center, Hank Dobin, Washington and Lee University Dean (2005-2012), and a member of the Board of Directors of the American Shakespeare Center.","This folder contains promotional dvds, general organization papers, and 2011 article by Vaughan Stanley from the Friends of Leyburn Library Letter.","This folder cntains newspaper clippings about various topics related to the American Shakespeare Center.","This is Folder 1 of 2 which contains magazines related to the American Shakespeare Center.","This is Folder 2 of 2. It contains magazine articles relating to the American Shakespeare Center and a few Shakespeare periodicals.","This folder contains spreadsheets that catalog the contents of this donation.","This folder contains four dvds relating to the Alchemist.","This folder contains correspondence, flyers, brochures, clippings, and three photographs related to The Odyssey Tour production of the Alchemist.","This folder contains correspondence, flyers, brochures, clipping, and thirty photographs relating to the Season of Love production of Anthony and Cleopatra.","This folder contains three dvds relating to the Season of Love production of Anthony and Cleopatra, one of which is labeled 'all the year's p.r.'.","This folder contains correspondence, flyers, brochures, and clippings relating to the Blush and Swoon Tour production of As You Like It.","This folder contains correspondence, flyers, brochures, clippings, and fifty photographs relating to the Lend Me Your Ears Tour production of As You Like It. The photographs also include pictures from Julius Caesar, Henry V, and Comedy of Errors.","This folder contains two dvds and the script relating to the Lend Me Your Ears Tour production of As You Like It.","This folder contains two dvds and an actor's handbook related to the Blush and Swoon Tour production of As You Like It.","This folder contains correspondence, flyers, brochures, clipping, and four photographs relating to the Hurly Burly Tour production of Comedy of Errors.","This folder contains a script relating to the Hurly Burly Tour production of Comedy of Errors.","This folder contained six dvds and a script relating to the Lend Me Your Ears Tour production of Comedy of Errors.","This folder contains correspondence, flyers, brochures, and clippings relating to the Lend Me Your Ears Tour production of Comedy of Errors.","This file contains correspondence, flyers, brochures, and clippings related to the Blush and Swoon Tour production and the Bright Heaven of Invention Tour production of Comedy of Errors.","This file contains flyers, brochures, clippings, and five dvds relating to the Excellent Motion Tour production of Coriolanus.","This file contains three dvds relating to productions of Comedy of Errors from 2002.","This file contains flyers, brochures, and clippings relating to the Ripe with Mischief Tour production of Falstaff. The full title of Falstaff is: The Most Lamentable Comedy of Sir John, as written by Ralph Cohen.","This file contains an annotatated script and an actor's handbook relating to the Ripe with Mischief Tour production of Falstaff.","This file contains six dvds and a script relating to te Ripe with Mischief Tour production of Falstaff.","This file contains two dvds and an actor's handbook relating to the Scoff and Grin Tour production of Dr. Faustus.","This file contains correspondence, flyers, brochures, clippings, and three photos relating to the Scoff and Grin Tour production of Dr. Faustus.","This file contains correspondence, flyers, reviews, clippings, and thirty-six photographs relating to the Words to the Third Tour production of Hamlet.","This file contains eight dvds, a script, and drirector's notes relating to the Words to the Third Tour production of Hamlet.","This file contains correspondence, flyers, and eleven photographs relating to the Eaten Heart Tour production of Hamlet.","This file contains correspondence, flyers, brochures, clippings, and two photographs relating to The Odyssey Tour production of Hamlet.","This file contains eight dvds relating to The Odyssey Tour production of Hamlet.","This file contains correspondence, flyers, brochures, reviews, clippings, and thirty-three photographs relating to the Sweet Smoke of Rhetoric Tour production of Henry IV, part 1.","This file contains scripts and notes relating to the Sweet Smoke of Rhetoric Tour production of Henry IV, part 1.","This file contains flyers and clippings relating to the Excellent Motion Tour production of Henry IV.","This file contains correspondence, flyers, brochures, clippings, reviews, and ten photographs relating to the We Happy Few Tour production of Henry V.","This file contains two dvds and a script relating to the We Happy Few Tour production of Henry V.","This file contains two dvds and a promptbook for Jim relating to the Sweet Smoke of Rhetoric Tour production of Henry V.","This file contains a script with notes relating to the Sweet Smoke of Rhetoric Tour production of Henry V.","This file contains flyers, brochures, clippings, and two dvds relating to the Bright Heaven of Invention Tour production of Henry V.","This file contains flyers, brochures, clippings, and three dvds relating to the Excellent Motion Tour production of The Importance of Being Earnest by Oscar Wilde.","This file contains a script and an actor's handbook relating to the First Rep Tour production of Julius Caesar.","This file contains correspondence, reviews, clippings, and fifty photographs relating to the First Rep Tour production of Julius Caesar.","This file contains correspondence,flyers, brochures, and clippings relating to the Lend Me Your Ears Tour production of Julius Caesar.","This file contains scripts and a prompt book relating to the Lend Me Your Ears Tour production of Julius Caesar.","This file contains a script and ten dvds relating to the Lend Me Your Ears Tour production of Julius Caesar.","This file contains correspondenc, flyers, brochures, and clippings relating the the Renaissance Run production of Julius Caesar.","This file contains two dvds and a script relating the the Renaissance Run production of Julius Caesar.","This file contains flyers, brochures, clippings, and three dvds relating to the Renaissance Run production of King Lear.","This file contains flyers, brochures, and clippings relating to the productions of Knights of the Burning Pestle at the Vaulting Heart tour, the Eaten Heart Tour, and Renaissance Run. Knight of the Burning Pestle is a play within A Midsummer Night's Dream.","This file contains flyers, brochures, clippings, and four dvds relating to the Ripe with Mischief Tour production of Les Liaisons Dangereuses by Christopher Hampton.","This file contains correspondence, flyers, brochures, clippings, and thirty-six photographs relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of Love's Labours Lost.","This file contains four dvds and a script relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of Love's Labours Lost.","This file contains flyers, brochures, clippings, and two dvds of a 2002 production of Love's Labours Lost.","This file contains correspondence, flyers, reviews, and clippings relating to the Hurly Burly Tour production of Macbeth.","This file contains three dvds, scripts, and notes relating to the Hurly Burly Tour production of Macbeth.","This file contains correspondence, flers, brochures, and fifty-one photographs relating to the Hurly Burly Tour production of Macbeth. This production was preformed by the James Troupe.","This file contains a prompt book for an actor named Jim which relates to the Hurly Burly Tour production of Macbeth.","This file contains flyers, brochures, and clippings relating to the Vaulting Ambition Tour, Eaten Heart Tour, and Done Quick Tour productions of Macbeth.","This file contains correspondence, flyers, brochures, and clippings relating to the Bequile the Rich Tour production of Macbeth. This production was performed by the Elizabeth Troupe.","This file contains a script that relates to the Bequile the Rich Tour production of Macbeth.","This file contains information relating to the Prick of Love Tour production of Measure for Measure.","This file contains correspondence, flyers, reviews, forty-eight photographs, and three dvds relating to the Over the Hump Tour production of Measure for Measure.","This file contains correspondence, flyers, programs, reviews, clippings, and twenty-two photographs relating to the Hurly Burly Tour production of Merchant of Venice.","This file contains scripts relating to the Hurly Burly Tour production of Merchant of Venice.","This file contains correspondence, flyers, and thirty-one photographs relating to the Done Quick Tour, Eaten Heart Tour, and Vaulting Ambition Tour productions of Merchant of Venice.","This file contains two dvds and a script relating to the Done Quick Tour, Eaten Heart Tour, and Vaulting Ambition Tour productions of Merchant of Venice.","This file contains flyers, brochures, clippings, and six dvds relating to the Rife with Mischief production of Merchant of Venice.","This file contains correspondence, flyers, brochures, clippings, and two dvds relating to a 2002 production of Merry Wives of Windsor.","This file contains correspondence and clippings relating to the Prick of Love Tour production of A Midsummer Night's Dream.","This file contains correspondence, flyers, brochures, and forty photographs relating to the Season of Love Tour production of A Midsummer Night's Dream.","This file contains a script, the director's notes, and four dvds relating to the Season of Love Tour production of A Midsummer Night's Dream.","This file contains correspondence, flyers, brochures, clippings, and fifty-three photographs relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of A Midsummer Night's Dream.","This file contains a script and four dvds relating to the Rough Magic Tour and Sweet Smoke of Rhetoric Tour productions of A Midsummer Night's Dream.","This file contains flyers, brochures, clippings, and seven dvds relating to the Ripe with Mischief Tour production of A Midsummer Night's Dream preformed by the Odyssey troupe.","This file contains flyers, brochures, clippings, twenty-five photographs, a script, and two dvds relating to the Tongues Like Knives Tour production of Much Ado About Nothing.","This file contains correspondence, flyers, clippings, and an actor's handbook relating to the Eaten Heart Tour production of Much Ado About Nothing.","This file contains correspondence, flyers, clippings, and an actor's handbook relating to the Scoff and Grin Tour production of Much Ado About Nothing preformed by Elizabeth Troupe.","This file contains correspondence, flyers, brochures, clippings, and three dvds relating to the Renaissance Run production of Much Ado About Nothing.","This file contains correspondence, flyers, brochures, reviews, clippings, and five dvds relating to the Tongues Like Knives Tour production of Othello.","This file contains flyers, brochures, clippings, one photograph, and one dvd relating to the Charming Your Tongue Tour and Scoff and Grin Tour productions of Othello.","This file contains correspondence, flyers, brochures, clippings, and nine photographs relating to the Scoff and Grin Tour production of Richard II.","This file contains an actor's handbook and eight dvds relating to The Scoff and Grin Tour procution of Richard II.","This file contains a script and three dvds relating to the 10th anniversary of Over the Hump Tour and the Tough Love Tour productions of Richard III.","This file contains correspondence, flyers, brochures, clippings, and nine photographs relating to the Maiden Tour production of Richard III.","This file contains information relating to the 10th anniversary of Over the Hump Tour and Tough Love Tour productions of Richard III.","This file contains correspondence, flyers, brochures, and clippings relating to a 2002 production of Richard III.","This file contains a script and one dvd relating to the 2002 production of Richard III.","This file contains an envelope filled with Edward Gorey clippings which were apparently used for character attitudes. These relate to the 2002 production of Richard III.","This file contains correspondence, flyers, reviews, clippings, and twenty-seven photographs relating to the Season of Love production of Romeo and Juliet.","This file contains correspondence, flyers, reviews, clippings, photographs, and two dvds relating to the Tough Love Tour production of Romeo and Juliet.","This file contains correspondence, flyers, brochures, and clippings relating to the BLush and Swoon Tour production of Romeo and Juliet.","This file contains a script and six dvds relating to the Blush and Swoon Tour production of Romeo and Juliet.","This file contains correspondence, flyers, brochures, clippings, and a dvd relating to the Word to the Third Tour production of Rosencrantz and Guildenstern Are Dead by Tom Stoppard.","This file contains correspondence, flyers, brochures, clippings, and two photographs relating to The Odyssey Tour production of Rosencrantz and Guildenstern Are Dead by Tom Stoppard.","This file contains correspondence, flyers, brochures, clippings, and photographs relating to the Bright Heaven of Invention Tour production of Saint Joan by George Bernard Shaw.","This file contains an actor's handbook and four dvds relating to the Bright Heaven of Invention Tour production of Saint Joan by George Bernard Shaw.","This file contains correspondence, flyers, reviews, clippings, and one dvd relating to the Taming Tour production of Taming of the Shrew.","This file contains correspondence, flyers, reviews, clippings, and five photographs relating to the Tongues Like Knives Tour production of Taming of the Shrew.","This file contains a script and five dvds relating to the Tongues Like Knives Tour production of Taming of the Shrew.","This file contains correspondence, flyers, brochures, reviews, clippings, and thirty-seven photographs relating to the Over the Hump Tour and Tough Love Tour productions of Taming of the Shrew.","This file contains flyers, brochures, clippings, and five dvds relating to the Renaissance Run and Excellent Motion Tour productions of Taming of the Shrew.","This file contains correspondence, flyers, brochures, and clippings relating to the Renaissance Run production of Tartuffe by Molliere.","This file contains correspondence, flyers, brochures, clippings, and twenty-five photographs relating to the Word to the Third Tour production of The Tempest.","This file contains scripts, director's notes, and three dvds relating to the Word to the Third Tour production of The Tempest.","This file contains correspondence, flyers, brochures, and clippings relating to the Brave New World Tour and Excellent Motion Tour productions of The Tempest.","This file contains correspondence, flyers, brochures, clippings, a script, and one dvd relating to the Prick of Love Tour production of Twelfth Night.","This file contains flyers, brochures, reviews, clippings, and forty photographs relating to the First James Tour and the Words to the Third Tour productions of Twelfth Night.","This file contains a script and three dvds relating to the First James Tour and Words to the Third Tour productions of Twelfth Night.","This file contains correspondence, flyers, brochures, clippings, and three photographs relating to the Charm Your Tongue Tour production of Twelfth Night.","This file contains scripts and two dvds relating to the Charm Your Tongue Tour production of Twelfth Night.","This file contains flyers, brochures, and clippings relating to a 2002 production of Twelfth Night.","This file contains a script relating to a 2002 production of Twelfth Night.","This file contains correspondence, flyers, brochures, clippings, and two dvds relating to a 2004 production of Two Gentlemen of Verona.","THis file contains correspondence, flyers, brochures, and clippings relating to the Blush and Swoon Tour production of Winter's Tale.","This file contains a script and five dvds relating to the Blush and Swoon Tour production of Winter's Tale.","This is a Betacam SP labeled 30 sec. spot for WCVE Richmond and WHTJ Charlottesville. It is related to the American Shakespeare Center.","This is a Betacam SP labeled 'underwriter's spot'. It lasts 30 seconds. It is related to the American Shakespeare Center.","This is a Betacam SP labeled SSE submaster.","This is a Betacam SP . It is labeled 'Raw 30 no graphics and music' and relates to the Shenandoah Shakespeare Virginia Season.","This is a Betacam SP tape. It is labeled 'Shenandoah Shakespeare Express edited'. It has a business card for WVIR-TV-NBC 29 Shenandoah Valley Office attached.","This is a Sony KSP-S20 tape labeled SSE Master Demo. The time length is 5:10 and Ch. 1 and 2 are not mixed.","This is a large-format Beta tape labeled Royal Shakespeare Company Speaking Shakespearean Verse.","This is a large format Beta tape labeled WVIR TV Ch. 29 Valley Bureau. The time is 2:01.","This is a large format Betacam SP labeled Love's Labour Lost and A Midsummer Night's Dream 2nd session SSE raw tape THMS Harrisonburg.","This is a 7 1/2 ips reel to reel. It is labeled WRXL 102 FM, 910 WRNL, WRVA, and '91 Radio Spots MM and TN.","This is a MD Gold 74 labeled Blush A4CI-WT.","This is a small format Fuji d-cassette labeled Bright Day and Blush - R and J.","This is a Maxwell GX-MP 8mm cassette tape labeled RTTFP #2 13 Apr 06.","This is a Radioshack 8mm cassette tape labeled 3rd project- 04-16-2003 Virginia Vaughan lecture- 4/16/03.","This is a Panasonic 8 mm cassette with no notes.","This is a Maxwell GX-MP 8 mm cassette tape labeled Coffeehouse YCTC 2000.","This is a Radioshack 8 mm cassette labeled Richard III 3/19/03 Blackfriars 2002/2003 RezCo.","This is a Radioshack 8 mm cassette tape labeled 1. Philaster Reading 2. Ralph 'Earnest' Lecture.","This is a Fuji hi8 MP 8 mm cassette with no notes.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","There is a note attached for Linda Blazer.","This collection is shelved near the rest of our theatre playbill collections.","Washington and Lee University, University Library Special Collections and Archives","American Shakespeare Center (Staunton, Va.)","Blackfriars Theatre (Staunton, Va.)","Actors' Equity Association","Shakespeare, William","Warren, James Perrin","Shaw, Bernard","Wilde, Oscar","Molière (1622-1673)","Cohen, Ralph Alan","Dobin, Howard N.","English"],"collection_title_tesim":["American Shakespeare Center Collection, 1987, bulk 1987/1995"],"collection_ssim":["American Shakespeare Center Collection, 1987, bulk 1987/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0371","/repositories/5/resources/219"],"unitid_tesim":["WLU.Coll.0371","/repositories/5/resources/219"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Virginia -- Staunton"],"geogname_ssim":["Virginia -- Staunton"],"places_ssim":["Virginia -- Staunton"],"creator_persname_ssim":["Shakespeare, William","Warren, James Perrin","Shaw, Bernard","Wilde, Oscar","Molière (1622-1673)","Cohen, Ralph Alan","Dobin, Howard N."],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","American Shakespeare Center (Staunton, Va.)","Blackfriars Theatre (Staunton, Va.)","Actors' Equity Association"],"creators_ssim":["Shakespeare, William","Warren, James Perrin","Shaw, Bernard","Wilde, Oscar","Molière (1622-1673)","Cohen, Ralph Alan","Dobin, Howard N.","Washington and Lee University, University Library Special Collections and Archives","American Shakespeare Center (Staunton, Va.)","Blackfriars Theatre (Staunton, Va.)","Actors' Equity Association"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Gift of the American Shakespeare Center, 2011."],"access_subjects_ssim":["Theater","Scrapbooks","Correspondence","Video recordings","Photographs"],"access_subjects_ssm":["Theater","Scrapbooks","Correspondence","Video recordings","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet 75 plays, 175 DVDs, and 700 photographs"],"extent_tesim":["13 Linear Feet 75 plays, 175 DVDs, and 700 photographs"],"genreform_ssim":["Photographs"],"date_range_isim":[1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eSome restrictions apply: no reproductions of DVDs are allowed. The archives are governed by the rules of the Actor's Equity Association.\u003c/p\u003e  ","\u003cp\u003eBlue sheet prepared by Edna Milliner (11/4/2011)\u003c/p\u003e  ","\u003cp\u003eThere is a note attached that says 'Please Do Not Remove this Tape Without Letting Linda Blazer Know' with a phone number at the bottom.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Some restrictions apply: no reproductions of DVDs are allowed. The archives are governed by the rules of the Actor's Equity Association.","Blue sheet prepared by Edna Milliner (11/4/2011)","There is a note attached that says 'Please Do Not Remove this Tape Without Letting Linda Blazer Know' with a phone number at the bottom."],"bioghist_html_tesm":["\u003cp\u003eThe Shenandoah Shakespeare Express was formed in 1988 with a small cast of actors; originally a touring company, they use the theatrical methods of Shakespeare's time.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Shenandoah Shakespeare Express was formed in 1988 with a small cast of actors; originally a touring company, they use the theatrical methods of Shakespeare's time."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], American Shakespeare Center Collection, WLU Coll. 0371, Special Collections, Leyburn Library, Washington and Lee University, Lexington, VA. \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], American Shakespeare Center Collection, WLU Coll. 0371, Special Collections, Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes 65 Shakespeare plays, additional plays by George Bernard Shaw, Oscar Wilde and Molière; 12 Beta videotapes and audiocassettes; 26 cast scrapbooks with photographs; correspondence between Ralph Cohen and James Warren, founders of American Shakespeare Center, Hank Dobin, Washington and Lee University Dean (2005-2012), and a member of the Board of Directors of the American Shakespeare Center.\u003c/p\u003e  ","\u003cp\u003eThis folder contains promotional dvds, general organization papers, and 2011 article by Vaughan Stanley from the Friends of Leyburn Library Letter.\u003c/p\u003e","\u003cp\u003eThis folder cntains newspaper clippings about various topics related to the American Shakespeare Center.\u003c/p\u003e","\u003cp\u003eThis is Folder 1 of 2 which contains magazines related to the American Shakespeare Center.\u003c/p\u003e","\u003cp\u003eThis is Folder 2 of 2. It contains magazine articles relating to the American Shakespeare Center and a few Shakespeare periodicals.\u003c/p\u003e","\u003cp\u003eThis folder contains spreadsheets that catalog the contents of this donation.\u003c/p\u003e","\u003cp\u003eThis folder contains four dvds relating to the Alchemist.\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence, flyers, brochures, clippings, and three photographs related to The Odyssey Tour production of the Alchemist.\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence, flyers, brochures, clipping, and thirty photographs relating to the Season of Love production of Anthony and Cleopatra.\u003c/p\u003e","\u003cp\u003eThis folder contains three dvds relating to the Season of Love production of Anthony and Cleopatra, one of which is labeled 'all the year's p.r.'.\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence, flyers, brochures, and clippings relating to the Blush and Swoon Tour production of As You Like It.\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence, flyers, brochures, clippings, and fifty photographs relating to the Lend Me Your Ears Tour production of As You Like It. The photographs also include pictures from Julius Caesar, Henry V, and Comedy of Errors.\u003c/p\u003e","\u003cp\u003eThis folder contains two dvds and the script relating to the Lend Me Your Ears Tour production of As You Like It.\u003c/p\u003e","\u003cp\u003eThis folder contains two dvds and an actor's handbook related to the Blush and Swoon Tour production of As You Like It.\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence, flyers, brochures, clipping, and four photographs relating to the Hurly Burly Tour production of Comedy of Errors.\u003c/p\u003e","\u003cp\u003eThis folder contains a script relating to the Hurly Burly Tour production of Comedy of Errors.\u003c/p\u003e","\u003cp\u003eThis folder contained six dvds and a script relating to the Lend Me Your Ears Tour production of Comedy of Errors.\u003c/p\u003e","\u003cp\u003eThis folder contains correspondence, flyers, brochures, and clippings relating to the Lend Me Your Ears Tour production of Comedy of Errors.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, and clippings related to the Blush and Swoon Tour production and the Bright Heaven of Invention Tour production of Comedy of Errors.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and five dvds relating to the Excellent Motion Tour production of Coriolanus.\u003c/p\u003e","\u003cp\u003eThis file contains three dvds relating to productions of Comedy of Errors from 2002.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, and clippings relating to the Ripe with Mischief Tour production of Falstaff. The full title of Falstaff is: The Most Lamentable Comedy of Sir John, as written by Ralph Cohen.\u003c/p\u003e","\u003cp\u003eThis file contains an annotatated script and an actor's handbook relating to the Ripe with Mischief Tour production of Falstaff.\u003c/p\u003e","\u003cp\u003eThis file contains six dvds and a script relating to te Ripe with Mischief Tour production of Falstaff.\u003c/p\u003e","\u003cp\u003eThis file contains two dvds and an actor's handbook relating to the Scoff and Grin Tour production of Dr. Faustus.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and three photos relating to the Scoff and Grin Tour production of Dr. Faustus.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, reviews, clippings, and thirty-six photographs relating to the Words to the Third Tour production of Hamlet.\u003c/p\u003e","\u003cp\u003eThis file contains eight dvds, a script, and drirector's notes relating to the Words to the Third Tour production of Hamlet.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, and eleven photographs relating to the Eaten Heart Tour production of Hamlet.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and two photographs relating to The Odyssey Tour production of Hamlet.\u003c/p\u003e","\u003cp\u003eThis file contains eight dvds relating to The Odyssey Tour production of Hamlet.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, reviews, clippings, and thirty-three photographs relating to the Sweet Smoke of Rhetoric Tour production of Henry IV, part 1.\u003c/p\u003e","\u003cp\u003eThis file contains scripts and notes relating to the Sweet Smoke of Rhetoric Tour production of Henry IV, part 1.\u003c/p\u003e","\u003cp\u003eThis file contains flyers and clippings relating to the Excellent Motion Tour production of Henry IV.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, reviews, and ten photographs relating to the We Happy Few Tour production of Henry V.\u003c/p\u003e","\u003cp\u003eThis file contains two dvds and a script relating to the We Happy Few Tour production of Henry V.\u003c/p\u003e","\u003cp\u003eThis file contains two dvds and a promptbook for Jim relating to the Sweet Smoke of Rhetoric Tour production of Henry V.\u003c/p\u003e","\u003cp\u003eThis file contains a script with notes relating to the Sweet Smoke of Rhetoric Tour production of Henry V.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and two dvds relating to the Bright Heaven of Invention Tour production of Henry V.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and three dvds relating to the Excellent Motion Tour production of The Importance of Being Earnest by Oscar Wilde.\u003c/p\u003e","\u003cp\u003eThis file contains a script and an actor's handbook relating to the First Rep Tour production of Julius Caesar.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, reviews, clippings, and fifty photographs relating to the First Rep Tour production of Julius Caesar.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence,flyers, brochures, and clippings relating to the Lend Me Your Ears Tour production of Julius Caesar.\u003c/p\u003e","\u003cp\u003eThis file contains scripts and a prompt book relating to the Lend Me Your Ears Tour production of Julius Caesar.\u003c/p\u003e","\u003cp\u003eThis file contains a script and ten dvds relating to the Lend Me Your Ears Tour production of Julius Caesar.\u003c/p\u003e","\u003cp\u003eThis file contains correspondenc, flyers, brochures, and clippings relating the the Renaissance Run production of Julius Caesar.\u003c/p\u003e","\u003cp\u003eThis file contains two dvds and a script relating the the Renaissance Run production of Julius Caesar.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and three dvds relating to the Renaissance Run production of King Lear.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, and clippings relating to the productions of Knights of the Burning Pestle at the Vaulting Heart tour, the Eaten Heart Tour, and Renaissance Run. Knight of the Burning Pestle is a play within A Midsummer Night's Dream.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and four dvds relating to the Ripe with Mischief Tour production of Les Liaisons Dangereuses by Christopher Hampton.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and thirty-six photographs relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of Love's Labours Lost.\u003c/p\u003e","\u003cp\u003eThis file contains four dvds and a script relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of Love's Labours Lost.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and two dvds of a 2002 production of Love's Labours Lost.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, reviews, and clippings relating to the Hurly Burly Tour production of Macbeth.\u003c/p\u003e","\u003cp\u003eThis file contains three dvds, scripts, and notes relating to the Hurly Burly Tour production of Macbeth.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flers, brochures, and fifty-one photographs relating to the Hurly Burly Tour production of Macbeth. This production was preformed by the James Troupe.\u003c/p\u003e","\u003cp\u003eThis file contains a prompt book for an actor named Jim which relates to the Hurly Burly Tour production of Macbeth.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, and clippings relating to the Vaulting Ambition Tour, Eaten Heart Tour, and Done Quick Tour productions of Macbeth.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, and clippings relating to the Bequile the Rich Tour production of Macbeth. This production was performed by the Elizabeth Troupe.\u003c/p\u003e","\u003cp\u003eThis file contains a script that relates to the Bequile the Rich Tour production of Macbeth.\u003c/p\u003e","\u003cp\u003eThis file contains information relating to the Prick of Love Tour production of Measure for Measure.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, reviews, forty-eight photographs, and three dvds relating to the Over the Hump Tour production of Measure for Measure.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, programs, reviews, clippings, and twenty-two photographs relating to the Hurly Burly Tour production of Merchant of Venice.\u003c/p\u003e","\u003cp\u003eThis file contains scripts relating to the Hurly Burly Tour production of Merchant of Venice.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, and thirty-one photographs relating to the Done Quick Tour, Eaten Heart Tour, and Vaulting Ambition Tour productions of Merchant of Venice.\u003c/p\u003e","\u003cp\u003eThis file contains two dvds and a script relating to the Done Quick Tour, Eaten Heart Tour, and Vaulting Ambition Tour productions of Merchant of Venice.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and six dvds relating to the Rife with Mischief production of Merchant of Venice.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and two dvds relating to a 2002 production of Merry Wives of Windsor.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence and clippings relating to the Prick of Love Tour production of A Midsummer Night's Dream.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, and forty photographs relating to the Season of Love Tour production of A Midsummer Night's Dream.\u003c/p\u003e","\u003cp\u003eThis file contains a script, the director's notes, and four dvds relating to the Season of Love Tour production of A Midsummer Night's Dream.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and fifty-three photographs relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of A Midsummer Night's Dream.\u003c/p\u003e","\u003cp\u003eThis file contains a script and four dvds relating to the Rough Magic Tour and Sweet Smoke of Rhetoric Tour productions of A Midsummer Night's Dream.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and seven dvds relating to the Ripe with Mischief Tour production of A Midsummer Night's Dream preformed by the Odyssey troupe.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, twenty-five photographs, a script, and two dvds relating to the Tongues Like Knives Tour production of Much Ado About Nothing.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, clippings, and an actor's handbook relating to the Eaten Heart Tour production of Much Ado About Nothing.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, clippings, and an actor's handbook relating to the Scoff and Grin Tour production of Much Ado About Nothing preformed by Elizabeth Troupe.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and three dvds relating to the Renaissance Run production of Much Ado About Nothing.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, reviews, clippings, and five dvds relating to the Tongues Like Knives Tour production of Othello.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, one photograph, and one dvd relating to the Charming Your Tongue Tour and Scoff and Grin Tour productions of Othello.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and nine photographs relating to the Scoff and Grin Tour production of Richard II.\u003c/p\u003e","\u003cp\u003eThis file contains an actor's handbook and eight dvds relating to The Scoff and Grin Tour procution of Richard II.\u003c/p\u003e","\u003cp\u003eThis file contains a script and three dvds relating to the 10th anniversary of Over the Hump Tour and the Tough Love Tour productions of Richard III.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and nine photographs relating to the Maiden Tour production of Richard III.\u003c/p\u003e","\u003cp\u003eThis file contains information relating to the 10th anniversary of Over the Hump Tour and Tough Love Tour productions of Richard III.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, and clippings relating to a 2002 production of Richard III.\u003c/p\u003e","\u003cp\u003eThis file contains a script and one dvd relating to the 2002 production of Richard III.\u003c/p\u003e","\u003cp\u003eThis file contains an envelope filled with Edward Gorey clippings which were apparently used for character attitudes. These relate to the 2002 production of Richard III.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, reviews, clippings, and twenty-seven photographs relating to the Season of Love production of Romeo and Juliet.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, reviews, clippings, photographs, and two dvds relating to the Tough Love Tour production of Romeo and Juliet.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, and clippings relating to the BLush and Swoon Tour production of Romeo and Juliet.\u003c/p\u003e","\u003cp\u003eThis file contains a script and six dvds relating to the Blush and Swoon Tour production of Romeo and Juliet.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and a dvd relating to the Word to the Third Tour production of Rosencrantz and Guildenstern Are Dead by Tom Stoppard.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and two photographs relating to The Odyssey Tour production of Rosencrantz and Guildenstern Are Dead by Tom Stoppard.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and photographs relating to the Bright Heaven of Invention Tour production of Saint Joan by George Bernard Shaw.\u003c/p\u003e","\u003cp\u003eThis file contains an actor's handbook and four dvds relating to the Bright Heaven of Invention Tour production of Saint Joan by George Bernard Shaw.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, reviews, clippings, and one dvd relating to the Taming Tour production of Taming of the Shrew.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, reviews, clippings, and five photographs relating to the Tongues Like Knives Tour production of Taming of the Shrew.\u003c/p\u003e","\u003cp\u003eThis file contains a script and five dvds relating to the Tongues Like Knives Tour production of Taming of the Shrew.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, reviews, clippings, and thirty-seven photographs relating to the Over the Hump Tour and Tough Love Tour productions of Taming of the Shrew.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, clippings, and five dvds relating to the Renaissance Run and Excellent Motion Tour productions of Taming of the Shrew.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, and clippings relating to the Renaissance Run production of Tartuffe by Molliere.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and twenty-five photographs relating to the Word to the Third Tour production of The Tempest.\u003c/p\u003e","\u003cp\u003eThis file contains scripts, director's notes, and three dvds relating to the Word to the Third Tour production of The Tempest.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, and clippings relating to the Brave New World Tour and Excellent Motion Tour productions of The Tempest.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, a script, and one dvd relating to the Prick of Love Tour production of Twelfth Night.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, reviews, clippings, and forty photographs relating to the First James Tour and the Words to the Third Tour productions of Twelfth Night.\u003c/p\u003e","\u003cp\u003eThis file contains a script and three dvds relating to the First James Tour and Words to the Third Tour productions of Twelfth Night.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and three photographs relating to the Charm Your Tongue Tour production of Twelfth Night.\u003c/p\u003e","\u003cp\u003eThis file contains scripts and two dvds relating to the Charm Your Tongue Tour production of Twelfth Night.\u003c/p\u003e","\u003cp\u003eThis file contains flyers, brochures, and clippings relating to a 2002 production of Twelfth Night.\u003c/p\u003e","\u003cp\u003eThis file contains a script relating to a 2002 production of Twelfth Night.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence, flyers, brochures, clippings, and two dvds relating to a 2004 production of Two Gentlemen of Verona.\u003c/p\u003e","\u003cp\u003eTHis file contains correspondence, flyers, brochures, and clippings relating to the Blush and Swoon Tour production of Winter's Tale.\u003c/p\u003e","\u003cp\u003eThis file contains a script and five dvds relating to the Blush and Swoon Tour production of Winter's Tale.\u003c/p\u003e","\u003cp\u003eThis is a Betacam SP labeled 30 sec. spot for WCVE Richmond and WHTJ Charlottesville. It is related to the American Shakespeare Center.\u003c/p\u003e","\u003cp\u003eThis is a Betacam SP labeled 'underwriter's spot'. It lasts 30 seconds. It is related to the American Shakespeare Center.\u003c/p\u003e","\u003cp\u003eThis is a Betacam SP labeled SSE submaster.\u003c/p\u003e","\u003cp\u003eThis is a Betacam SP . It is labeled 'Raw 30 no graphics and music' and relates to the Shenandoah Shakespeare Virginia Season.\u003c/p\u003e","\u003cp\u003eThis is a Betacam SP tape. It is labeled 'Shenandoah Shakespeare Express edited'. It has a business card for WVIR-TV-NBC 29 Shenandoah Valley Office attached.\u003c/p\u003e","\u003cp\u003eThis is a Sony KSP-S20 tape labeled SSE Master Demo. The time length is 5:10 and Ch. 1 and 2 are not mixed.\u003c/p\u003e","\u003cp\u003eThis is a large-format Beta tape labeled Royal Shakespeare Company Speaking Shakespearean Verse.\u003c/p\u003e","\u003cp\u003eThis is a large format Beta tape labeled WVIR TV Ch. 29 Valley Bureau. The time is 2:01.\u003c/p\u003e","\u003cp\u003eThis is a large format Betacam SP labeled Love's Labour Lost and A Midsummer Night's Dream 2nd session SSE raw tape THMS Harrisonburg.\u003c/p\u003e","\u003cp\u003eThis is a 7 1/2 ips reel to reel. It is labeled WRXL 102 FM, 910 WRNL, WRVA, and '91 Radio Spots MM and TN.\u003c/p\u003e","\u003cp\u003eThis is a MD Gold 74 labeled Blush A4CI-WT.\u003c/p\u003e","\u003cp\u003eThis is a small format Fuji d-cassette labeled Bright Day and Blush - R and J.\u003c/p\u003e","\u003cp\u003eThis is a Maxwell GX-MP 8mm cassette tape labeled RTTFP #2 13 Apr 06.\u003c/p\u003e","\u003cp\u003eThis is a Radioshack 8mm cassette tape labeled 3rd project- 04-16-2003 Virginia Vaughan lecture- 4/16/03.\u003c/p\u003e","\u003cp\u003eThis is a Panasonic 8 mm cassette with no notes.\u003c/p\u003e","\u003cp\u003eThis is a Maxwell GX-MP 8 mm cassette tape labeled Coffeehouse YCTC 2000.\u003c/p\u003e","\u003cp\u003eThis is a Radioshack 8 mm cassette labeled Richard III 3/19/03 Blackfriars 2002/2003 RezCo.\u003c/p\u003e","\u003cp\u003eThis is a Radioshack 8 mm cassette tape labeled 1. Philaster Reading 2. Ralph 'Earnest' Lecture.\u003c/p\u003e","\u003cp\u003eThis is a Fuji hi8 MP 8 mm cassette with no notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection includes 65 Shakespeare plays, additional plays by George Bernard Shaw, Oscar Wilde and Molière; 12 Beta videotapes and audiocassettes; 26 cast scrapbooks with photographs; correspondence between Ralph Cohen and James Warren, founders of American Shakespeare Center, Hank Dobin, Washington and Lee University Dean (2005-2012), and a member of the Board of Directors of the American Shakespeare Center.","This folder contains promotional dvds, general organization papers, and 2011 article by Vaughan Stanley from the Friends of Leyburn Library Letter.","This folder cntains newspaper clippings about various topics related to the American Shakespeare Center.","This is Folder 1 of 2 which contains magazines related to the American Shakespeare Center.","This is Folder 2 of 2. It contains magazine articles relating to the American Shakespeare Center and a few Shakespeare periodicals.","This folder contains spreadsheets that catalog the contents of this donation.","This folder contains four dvds relating to the Alchemist.","This folder contains correspondence, flyers, brochures, clippings, and three photographs related to The Odyssey Tour production of the Alchemist.","This folder contains correspondence, flyers, brochures, clipping, and thirty photographs relating to the Season of Love production of Anthony and Cleopatra.","This folder contains three dvds relating to the Season of Love production of Anthony and Cleopatra, one of which is labeled 'all the year's p.r.'.","This folder contains correspondence, flyers, brochures, and clippings relating to the Blush and Swoon Tour production of As You Like It.","This folder contains correspondence, flyers, brochures, clippings, and fifty photographs relating to the Lend Me Your Ears Tour production of As You Like It. The photographs also include pictures from Julius Caesar, Henry V, and Comedy of Errors.","This folder contains two dvds and the script relating to the Lend Me Your Ears Tour production of As You Like It.","This folder contains two dvds and an actor's handbook related to the Blush and Swoon Tour production of As You Like It.","This folder contains correspondence, flyers, brochures, clipping, and four photographs relating to the Hurly Burly Tour production of Comedy of Errors.","This folder contains a script relating to the Hurly Burly Tour production of Comedy of Errors.","This folder contained six dvds and a script relating to the Lend Me Your Ears Tour production of Comedy of Errors.","This folder contains correspondence, flyers, brochures, and clippings relating to the Lend Me Your Ears Tour production of Comedy of Errors.","This file contains correspondence, flyers, brochures, and clippings related to the Blush and Swoon Tour production and the Bright Heaven of Invention Tour production of Comedy of Errors.","This file contains flyers, brochures, clippings, and five dvds relating to the Excellent Motion Tour production of Coriolanus.","This file contains three dvds relating to productions of Comedy of Errors from 2002.","This file contains flyers, brochures, and clippings relating to the Ripe with Mischief Tour production of Falstaff. The full title of Falstaff is: The Most Lamentable Comedy of Sir John, as written by Ralph Cohen.","This file contains an annotatated script and an actor's handbook relating to the Ripe with Mischief Tour production of Falstaff.","This file contains six dvds and a script relating to te Ripe with Mischief Tour production of Falstaff.","This file contains two dvds and an actor's handbook relating to the Scoff and Grin Tour production of Dr. Faustus.","This file contains correspondence, flyers, brochures, clippings, and three photos relating to the Scoff and Grin Tour production of Dr. Faustus.","This file contains correspondence, flyers, reviews, clippings, and thirty-six photographs relating to the Words to the Third Tour production of Hamlet.","This file contains eight dvds, a script, and drirector's notes relating to the Words to the Third Tour production of Hamlet.","This file contains correspondence, flyers, and eleven photographs relating to the Eaten Heart Tour production of Hamlet.","This file contains correspondence, flyers, brochures, clippings, and two photographs relating to The Odyssey Tour production of Hamlet.","This file contains eight dvds relating to The Odyssey Tour production of Hamlet.","This file contains correspondence, flyers, brochures, reviews, clippings, and thirty-three photographs relating to the Sweet Smoke of Rhetoric Tour production of Henry IV, part 1.","This file contains scripts and notes relating to the Sweet Smoke of Rhetoric Tour production of Henry IV, part 1.","This file contains flyers and clippings relating to the Excellent Motion Tour production of Henry IV.","This file contains correspondence, flyers, brochures, clippings, reviews, and ten photographs relating to the We Happy Few Tour production of Henry V.","This file contains two dvds and a script relating to the We Happy Few Tour production of Henry V.","This file contains two dvds and a promptbook for Jim relating to the Sweet Smoke of Rhetoric Tour production of Henry V.","This file contains a script with notes relating to the Sweet Smoke of Rhetoric Tour production of Henry V.","This file contains flyers, brochures, clippings, and two dvds relating to the Bright Heaven of Invention Tour production of Henry V.","This file contains flyers, brochures, clippings, and three dvds relating to the Excellent Motion Tour production of The Importance of Being Earnest by Oscar Wilde.","This file contains a script and an actor's handbook relating to the First Rep Tour production of Julius Caesar.","This file contains correspondence, reviews, clippings, and fifty photographs relating to the First Rep Tour production of Julius Caesar.","This file contains correspondence,flyers, brochures, and clippings relating to the Lend Me Your Ears Tour production of Julius Caesar.","This file contains scripts and a prompt book relating to the Lend Me Your Ears Tour production of Julius Caesar.","This file contains a script and ten dvds relating to the Lend Me Your Ears Tour production of Julius Caesar.","This file contains correspondenc, flyers, brochures, and clippings relating the the Renaissance Run production of Julius Caesar.","This file contains two dvds and a script relating the the Renaissance Run production of Julius Caesar.","This file contains flyers, brochures, clippings, and three dvds relating to the Renaissance Run production of King Lear.","This file contains flyers, brochures, and clippings relating to the productions of Knights of the Burning Pestle at the Vaulting Heart tour, the Eaten Heart Tour, and Renaissance Run. Knight of the Burning Pestle is a play within A Midsummer Night's Dream.","This file contains flyers, brochures, clippings, and four dvds relating to the Ripe with Mischief Tour production of Les Liaisons Dangereuses by Christopher Hampton.","This file contains correspondence, flyers, brochures, clippings, and thirty-six photographs relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of Love's Labours Lost.","This file contains four dvds and a script relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of Love's Labours Lost.","This file contains flyers, brochures, clippings, and two dvds of a 2002 production of Love's Labours Lost.","This file contains correspondence, flyers, reviews, and clippings relating to the Hurly Burly Tour production of Macbeth.","This file contains three dvds, scripts, and notes relating to the Hurly Burly Tour production of Macbeth.","This file contains correspondence, flers, brochures, and fifty-one photographs relating to the Hurly Burly Tour production of Macbeth. This production was preformed by the James Troupe.","This file contains a prompt book for an actor named Jim which relates to the Hurly Burly Tour production of Macbeth.","This file contains flyers, brochures, and clippings relating to the Vaulting Ambition Tour, Eaten Heart Tour, and Done Quick Tour productions of Macbeth.","This file contains correspondence, flyers, brochures, and clippings relating to the Bequile the Rich Tour production of Macbeth. This production was performed by the Elizabeth Troupe.","This file contains a script that relates to the Bequile the Rich Tour production of Macbeth.","This file contains information relating to the Prick of Love Tour production of Measure for Measure.","This file contains correspondence, flyers, reviews, forty-eight photographs, and three dvds relating to the Over the Hump Tour production of Measure for Measure.","This file contains correspondence, flyers, programs, reviews, clippings, and twenty-two photographs relating to the Hurly Burly Tour production of Merchant of Venice.","This file contains scripts relating to the Hurly Burly Tour production of Merchant of Venice.","This file contains correspondence, flyers, and thirty-one photographs relating to the Done Quick Tour, Eaten Heart Tour, and Vaulting Ambition Tour productions of Merchant of Venice.","This file contains two dvds and a script relating to the Done Quick Tour, Eaten Heart Tour, and Vaulting Ambition Tour productions of Merchant of Venice.","This file contains flyers, brochures, clippings, and six dvds relating to the Rife with Mischief production of Merchant of Venice.","This file contains correspondence, flyers, brochures, clippings, and two dvds relating to a 2002 production of Merry Wives of Windsor.","This file contains correspondence and clippings relating to the Prick of Love Tour production of A Midsummer Night's Dream.","This file contains correspondence, flyers, brochures, and forty photographs relating to the Season of Love Tour production of A Midsummer Night's Dream.","This file contains a script, the director's notes, and four dvds relating to the Season of Love Tour production of A Midsummer Night's Dream.","This file contains correspondence, flyers, brochures, clippings, and fifty-three photographs relating to the Rough Magic Tour and the Sweet Smoke of Rhetoric Tour productions of A Midsummer Night's Dream.","This file contains a script and four dvds relating to the Rough Magic Tour and Sweet Smoke of Rhetoric Tour productions of A Midsummer Night's Dream.","This file contains flyers, brochures, clippings, and seven dvds relating to the Ripe with Mischief Tour production of A Midsummer Night's Dream preformed by the Odyssey troupe.","This file contains flyers, brochures, clippings, twenty-five photographs, a script, and two dvds relating to the Tongues Like Knives Tour production of Much Ado About Nothing.","This file contains correspondence, flyers, clippings, and an actor's handbook relating to the Eaten Heart Tour production of Much Ado About Nothing.","This file contains correspondence, flyers, clippings, and an actor's handbook relating to the Scoff and Grin Tour production of Much Ado About Nothing preformed by Elizabeth Troupe.","This file contains correspondence, flyers, brochures, clippings, and three dvds relating to the Renaissance Run production of Much Ado About Nothing.","This file contains correspondence, flyers, brochures, reviews, clippings, and five dvds relating to the Tongues Like Knives Tour production of Othello.","This file contains flyers, brochures, clippings, one photograph, and one dvd relating to the Charming Your Tongue Tour and Scoff and Grin Tour productions of Othello.","This file contains correspondence, flyers, brochures, clippings, and nine photographs relating to the Scoff and Grin Tour production of Richard II.","This file contains an actor's handbook and eight dvds relating to The Scoff and Grin Tour procution of Richard II.","This file contains a script and three dvds relating to the 10th anniversary of Over the Hump Tour and the Tough Love Tour productions of Richard III.","This file contains correspondence, flyers, brochures, clippings, and nine photographs relating to the Maiden Tour production of Richard III.","This file contains information relating to the 10th anniversary of Over the Hump Tour and Tough Love Tour productions of Richard III.","This file contains correspondence, flyers, brochures, and clippings relating to a 2002 production of Richard III.","This file contains a script and one dvd relating to the 2002 production of Richard III.","This file contains an envelope filled with Edward Gorey clippings which were apparently used for character attitudes. These relate to the 2002 production of Richard III.","This file contains correspondence, flyers, reviews, clippings, and twenty-seven photographs relating to the Season of Love production of Romeo and Juliet.","This file contains correspondence, flyers, reviews, clippings, photographs, and two dvds relating to the Tough Love Tour production of Romeo and Juliet.","This file contains correspondence, flyers, brochures, and clippings relating to the BLush and Swoon Tour production of Romeo and Juliet.","This file contains a script and six dvds relating to the Blush and Swoon Tour production of Romeo and Juliet.","This file contains correspondence, flyers, brochures, clippings, and a dvd relating to the Word to the Third Tour production of Rosencrantz and Guildenstern Are Dead by Tom Stoppard.","This file contains correspondence, flyers, brochures, clippings, and two photographs relating to The Odyssey Tour production of Rosencrantz and Guildenstern Are Dead by Tom Stoppard.","This file contains correspondence, flyers, brochures, clippings, and photographs relating to the Bright Heaven of Invention Tour production of Saint Joan by George Bernard Shaw.","This file contains an actor's handbook and four dvds relating to the Bright Heaven of Invention Tour production of Saint Joan by George Bernard Shaw.","This file contains correspondence, flyers, reviews, clippings, and one dvd relating to the Taming Tour production of Taming of the Shrew.","This file contains correspondence, flyers, reviews, clippings, and five photographs relating to the Tongues Like Knives Tour production of Taming of the Shrew.","This file contains a script and five dvds relating to the Tongues Like Knives Tour production of Taming of the Shrew.","This file contains correspondence, flyers, brochures, reviews, clippings, and thirty-seven photographs relating to the Over the Hump Tour and Tough Love Tour productions of Taming of the Shrew.","This file contains flyers, brochures, clippings, and five dvds relating to the Renaissance Run and Excellent Motion Tour productions of Taming of the Shrew.","This file contains correspondence, flyers, brochures, and clippings relating to the Renaissance Run production of Tartuffe by Molliere.","This file contains correspondence, flyers, brochures, clippings, and twenty-five photographs relating to the Word to the Third Tour production of The Tempest.","This file contains scripts, director's notes, and three dvds relating to the Word to the Third Tour production of The Tempest.","This file contains correspondence, flyers, brochures, and clippings relating to the Brave New World Tour and Excellent Motion Tour productions of The Tempest.","This file contains correspondence, flyers, brochures, clippings, a script, and one dvd relating to the Prick of Love Tour production of Twelfth Night.","This file contains flyers, brochures, reviews, clippings, and forty photographs relating to the First James Tour and the Words to the Third Tour productions of Twelfth Night.","This file contains a script and three dvds relating to the First James Tour and Words to the Third Tour productions of Twelfth Night.","This file contains correspondence, flyers, brochures, clippings, and three photographs relating to the Charm Your Tongue Tour production of Twelfth Night.","This file contains scripts and two dvds relating to the Charm Your Tongue Tour production of Twelfth Night.","This file contains flyers, brochures, and clippings relating to a 2002 production of Twelfth Night.","This file contains a script relating to a 2002 production of Twelfth Night.","This file contains correspondence, flyers, brochures, clippings, and two dvds relating to a 2004 production of Two Gentlemen of Verona.","THis file contains correspondence, flyers, brochures, and clippings relating to the Blush and Swoon Tour production of Winter's Tale.","This file contains a script and five dvds relating to the Blush and Swoon Tour production of Winter's Tale.","This is a Betacam SP labeled 30 sec. spot for WCVE Richmond and WHTJ Charlottesville. It is related to the American Shakespeare Center.","This is a Betacam SP labeled 'underwriter's spot'. It lasts 30 seconds. It is related to the American Shakespeare Center.","This is a Betacam SP labeled SSE submaster.","This is a Betacam SP . It is labeled 'Raw 30 no graphics and music' and relates to the Shenandoah Shakespeare Virginia Season.","This is a Betacam SP tape. It is labeled 'Shenandoah Shakespeare Express edited'. It has a business card for WVIR-TV-NBC 29 Shenandoah Valley Office attached.","This is a Sony KSP-S20 tape labeled SSE Master Demo. The time length is 5:10 and Ch. 1 and 2 are not mixed.","This is a large-format Beta tape labeled Royal Shakespeare Company Speaking Shakespearean Verse.","This is a large format Beta tape labeled WVIR TV Ch. 29 Valley Bureau. The time is 2:01.","This is a large format Betacam SP labeled Love's Labour Lost and A Midsummer Night's Dream 2nd session SSE raw tape THMS Harrisonburg.","This is a 7 1/2 ips reel to reel. It is labeled WRXL 102 FM, 910 WRNL, WRVA, and '91 Radio Spots MM and TN.","This is a MD Gold 74 labeled Blush A4CI-WT.","This is a small format Fuji d-cassette labeled Bright Day and Blush - R and J.","This is a Maxwell GX-MP 8mm cassette tape labeled RTTFP #2 13 Apr 06.","This is a Radioshack 8mm cassette tape labeled 3rd project- 04-16-2003 Virginia Vaughan lecture- 4/16/03.","This is a Panasonic 8 mm cassette with no notes.","This is a Maxwell GX-MP 8 mm cassette tape labeled Coffeehouse YCTC 2000.","This is a Radioshack 8 mm cassette labeled Richard III 3/19/03 Blackfriars 2002/2003 RezCo.","This is a Radioshack 8 mm cassette tape labeled 1. Philaster Reading 2. Ralph 'Earnest' Lecture.","This is a Fuji hi8 MP 8 mm cassette with no notes."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  ","\u003cp\u003eThere is a note attached for Linda Blazer.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  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(Jed Horace)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2838,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:52.725Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_118"}},{"id":"vifgm_repositories_2_resources_396","type":"collection","attributes":{"title":"Amy Federman performing arts collection, 1963/2012","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_396#creator","type":"document_value","attributes":{"value":"Federman, Amy","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_396#abstract_or_scope","type":"document_value","attributes":{"value":"Collection largely consists of ephemera that documents performing arts and theater in Washington, D.C.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_396#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_396","ead_ssi":"vifgm_repositories_2_resources_396","_root_":"vifgm_repositories_2_resources_396","_nest_parent_":"vifgm_repositories_2_resources_396","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_396.xml","title_ssm":["Amy Federman performing arts collection"],"title_tesim":["Amy Federman performing arts collection"],"unitdate_ssm":["1963 - 2012"],"unitdate_inclusive_ssm":["1963 - 2012"],"normalized_date_ssm":["1963/2012"],"normalized_title_ssm":["Amy Federman performing arts collection, 1963/2012"],"text":["Amy Federman performing arts collection, 1963/2012","C0269","Theater","Theater -- Washington (D.C.)","Performing arts","There are no access restrictions.","Arranged by subject.","Following World War II, Washington, D.C. gradually acquired a vibrant theatre and performing arts scene, due in large part to the population growth as the federal government expanded. 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Finding aid updated by Amanda Menjivar in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collection on \u003cextptr show=\"new\" title=\"theatre in the Washington, D.C. area\" href=\"https://aspace.gmu.edu/search?q[]=playbills\u0026amp;op[]=\u0026amp;field[]=keyword\u0026amp;from_year[]=\u0026amp;to_year[]=\u0026amp;filter_fields[]=subjects\u0026amp;filter_values[]=Theater+--+Washington+%28D.C.%29\"\u003e\u003c/extptr\u003e, as well as \u003cextptr show=\"new\" title=\"theatre playbills collections.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=playbills\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collection on , as well as"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of ephemera that documents performing arts and theater in Washington, D.C. 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Some of the items are autographed.","With badge.","With ticket stubs."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a69a6731ce82c7b112ea185e046db928\" label=\"Abstract\"\u003eCollection largely consists of ephemera that documents performing arts and theater in Washington, D.C.\u003c/abstract\u003e\n    "],"abstract_tesim":["Collection largely consists of ephemera that documents performing arts and theater in Washington, D.C."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Federman, Amy"],"names_ssim":["George Mason University. 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Finding aid updated by Amanda Menjivar in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collection on \u003cextptr show=\"new\" title=\"theatre in the Washington, D.C. area\" href=\"https://aspace.gmu.edu/search?q[]=playbills\u0026amp;op[]=\u0026amp;field[]=keyword\u0026amp;from_year[]=\u0026amp;to_year[]=\u0026amp;filter_fields[]=subjects\u0026amp;filter_values[]=Theater+--+Washington+%28D.C.%29\"\u003e\u003c/extptr\u003e, as well as \u003cextptr show=\"new\" title=\"theatre playbills collections.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=playbills\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collection on , as well as"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of ephemera that documents performing arts and theater in Washington, D.C. 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Special Collections Research Center","Federman, Amy"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:20.896Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_396"}},{"id":"viw_repositories_2_resources_8445","type":"collection","attributes":{"title":"Ann Buckles Papers, 1950/2008","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8445#creator","type":"document_value","attributes":{"value":"Buckles, Ann","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8445#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of the personal papers of Ann Buckles, College of William and Mary class of 1951, and includes materials from her time at William and Mary, her subsequent career on Broadway and in television and film, and her tenure at Harper's Bazaar. There are photographs, video recordings, clippings, correspondence, and materials regarding Benjamin Bray, Glenn Close, and members of the Department of Theatre and Speech. There is also some material from Buckles' later activities upon her return to Williamsburg, Virginia.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8445#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8445","ead_ssi":"viw_repositories_2_resources_8445","_root_":"viw_repositories_2_resources_8445","_nest_parent_":"viw_repositories_2_resources_8445","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8445.xml","title_filing_ssi":"Buckles, Ann","title_ssm":["Ann Buckles Papers"],"title_tesim":["Ann Buckles Papers"],"unitdate_ssm":["1950-2008"],"unitdate_inclusive_ssm":["1950-2008"],"normalized_date_ssm":["1950/2008"],"normalized_title_ssm":["Ann Buckles Papers, 1950/2008"],"text":["Ann Buckles Papers, 1950/2008","UA 5.035","/repositories/2/resources/8445","Theater","Correspondence","Photographs","Scripts (documents)","Video recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Organized into four series: Series 1: Acting; Series 2: Correspondence; Series 3: Personal Material; and Series 4: Clippings. Acc. 2012.178 is arranged and described separately.","Acc. 2006.005 was received on 4/3/2006 from Ann Buckles. Acc. 2009.090 was received on 3/13/09 from Ann Buckles. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member.","Arranged and described by Michael Lusby, SCRC Staff, in December 2009 and Jeffrey Flanagan, SCRC Staff, in December 2009-January 2010. Acc. 2012.178 accessioned and minimally processed by Benjamin Bromley in May 2012.","Department of Theatre, Speech, and Dance Records (UA 59); Benjamin F. Bray Scrapbook (UA 5.071).","This collection consists of the personal papers of Ann Buckles, College of William and Mary class of 1951, and includes materials from her time at William and Mary, her subsequent career on Broadway and in television and film, and her tenure at Harper's Bazaar. There are photographs, video recordings, clippings, correspondence, and materials regarding Benjamin Bray, Glenn Close, and members of the Department of Theatre and Speech. There is also some material from Buckles' later activities upon her return to Williamsburg, Virginia.","Acc. 2012.178 contains correspondence, official legal and religions documents, printed material, newsletters and pamphlets, clippings, and a copy of Paul Green's \"The Common Glory.\"","This series encompasses Buckles' long career in the performing arts as an actress and director. Buckles was involved in productions ranging from community theater to Broadway as well as in television and film. Within are playbills, programs, scripts, and acting notes. Though the collection spans the time between 1950 and 2006, there are gaps during which Buckles pursued other interests, such as her stint at Harper's Bazaar.","This series contains letters, greeting cards, and notes between Ann Buckles and her family, friends, and colleagues in both her personal and professional lives.","This series contains photos, pay stubs, legal papers concerning Buckles' affairs as well as those of Benjamin Bray, copies of her work at Harper's Bazaar, and other personal papers.","This series contains clippings pertaining to Buckles' life and career as well as clippings regarding items and people of interest that she collected.","Contains correspondence, official legal and religions documents, printed material, newsletters and pamphlets, clippings, and a copy of Paul Green's \"The Common Glory.\"","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary--Alumni and alumnae","College of William and Mary. 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Dept. of Theatre, Speech, and Dance","Harper's Bazaar"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Theater","Correspondence","Photographs","Scripts (documents)","Video recordings"],"access_subjects_ssm":["Theater","Correspondence","Photographs","Scripts (documents)","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["4.75 Linear Feet"],"extent_tesim":["4.75 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","Scripts (documents)","Video recordings"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. 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Bray Scrapbook (UA 5.071)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of the personal papers of Ann Buckles, College of William and Mary class of 1951, and includes materials from her time at William and Mary, her subsequent career on Broadway and in television and film, and her tenure at Harper's Bazaar. There are photographs, video recordings, clippings, correspondence, and materials regarding Benjamin Bray, Glenn Close, and members of the Department of Theatre and Speech. There is also some material from Buckles' later activities upon her return to Williamsburg, Virginia.\u003c/p\u003e","\u003cp\u003eAcc. 2012.178 contains correspondence, official legal and religions documents, printed material, newsletters and pamphlets, clippings, and a copy of Paul Green's \"The Common Glory.\"\u003c/p\u003e  ","\u003cp\u003eThis series encompasses Buckles' long career in the performing arts as an actress and director. 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Dept. of Theatre, Speech, and Dance","Harper's Bazaar"],"names_coll_ssim":["College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Theatre, Speech, and Dance","Harper's Bazaar","Bray, Benjamin","Close, Glenn, 1947-"],"persname_ssim":["Buckles, Ann","Bray, Benjamin","Close, Glenn, 1947-"],"names_ssim":["Special Collections Research Center","College of William and Mary--Alumni and alumnae","College of William and Mary. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Organized into four series: Series 1: Acting; Series 2: Correspondence; Series 3: Personal Material; and Series 4: Clippings. Acc. 2012.178 is arranged and described separately.","Acc. 2006.005 was received on 4/3/2006 from Ann Buckles. Acc. 2009.090 was received on 3/13/09 from Ann Buckles. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member.","Arranged and described by Michael Lusby, SCRC Staff, in December 2009 and Jeffrey Flanagan, SCRC Staff, in December 2009-January 2010. Acc. 2012.178 accessioned and minimally processed by Benjamin Bromley in May 2012.","Department of Theatre, Speech, and Dance Records (UA 59); Benjamin F. Bray Scrapbook (UA 5.071).","This collection consists of the personal papers of Ann Buckles, College of William and Mary class of 1951, and includes materials from her time at William and Mary, her subsequent career on Broadway and in television and film, and her tenure at Harper's Bazaar. There are photographs, video recordings, clippings, correspondence, and materials regarding Benjamin Bray, Glenn Close, and members of the Department of Theatre and Speech. 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Dept. of Theatre, Speech, and Dance","Harper's Bazaar"],"names_coll_ssim":["College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Theatre, Speech, and Dance","Harper's Bazaar","Bray, Benjamin","Close, Glenn, 1947-"],"persname_ssim":["Buckles, Ann","Bray, Benjamin","Close, Glenn, 1947-"],"names_ssim":["Special Collections Research Center","College of William and Mary--Alumni and alumnae","College of William and Mary. 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Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","Annette John was a member of the faculty at Washington and Lee University from 1968 to 2000.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","John, Annette","English"],"collection_title_tesim":["Annette John Collection"],"collection_ssim":["Annette John Collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0385","/repositories/5/resources/229"],"unitid_tesim":["WLU.Coll.0385","/repositories/5/resources/229"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["John, Annette"],"creator_ssim":["John, Annette"],"creator_persname_ssim":["John, Annette"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"creators_ssim":["John, Annette","Washington and Lee University, University Library Special Collections and Archives"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Gift of Annette John."],"access_subjects_ssim":["Theater","Playbills"],"access_subjects_ssm":["Theater","Playbills"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet"],"extent_tesim":["1 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information."],"bioghist_html_tesm":["\u003cp\u003eAnnette John was a member of the faculty at Washington and Lee University from 1968 to 2000.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Annette John was a member of the faculty at Washington and Lee University from 1968 to 2000."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Annette John Collection, WLU Coll. 0385, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], Annette John Collection, WLU Coll. 0385, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["John, Annette"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","John, Annette"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:01:08.296Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_229","ead_ssi":"vilxw_repositories_5_resources_229","_root_":"vilxw_repositories_5_resources_229","_nest_parent_":"vilxw_repositories_5_resources_229","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_229.xml","title_ssm":["Annette John Collection"],"title_tesim":["Annette John Collection"],"unitdate_ssm":["Date Not Yet Determined"],"unitdate_other_ssim":["Date Not Yet Determined"],"normalized_title_ssm":["Annette John Collection"],"text":["Annette John Collection","WLU.Coll.0385","/repositories/5/resources/229","Theater","Playbills","This collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","Annette John was a member of the faculty at Washington and Lee University from 1968 to 2000.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","John, Annette","English"],"collection_title_tesim":["Annette John Collection"],"collection_ssim":["Annette John Collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0385","/repositories/5/resources/229"],"unitid_tesim":["WLU.Coll.0385","/repositories/5/resources/229"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["John, Annette"],"creator_ssim":["John, Annette"],"creator_persname_ssim":["John, Annette"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"creators_ssim":["John, Annette","Washington and Lee University, University Library Special Collections and Archives"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Gift of Annette John."],"access_subjects_ssim":["Theater","Playbills"],"access_subjects_ssm":["Theater","Playbills"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet"],"extent_tesim":["1 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information."],"bioghist_html_tesm":["\u003cp\u003eAnnette John was a member of the faculty at Washington and Lee University from 1968 to 2000.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Annette John was a member of the faculty at Washington and Lee University from 1968 to 2000."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Annette John Collection, WLU Coll. 0385, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], Annette John Collection, WLU Coll. 0385, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["John, Annette"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","John, Annette"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:01:08.296Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_229"}},{"id":"vifgm_repositories_2_resources_416","type":"collection","attributes":{"title":"Arena Stage records, 1949/2010","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#creator","type":"document_value","attributes":{"value":"Arena Stage (Organization : Washington, D.C.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#abstract_or_scope","type":"document_value","attributes":{"value":"The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e  ","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  ","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:23.861Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"normalized_date_ssm":["1949/2010"],"normalized_title_ssm":["Arena Stage records, 1949/2010"],"text":["Arena Stage records, 1949/2010","C0017","/repositories/2/resources/416","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)","Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"collection_title_tesim":["Arena Stage records, 1949/2010"],"collection_ssim":["Arena Stage records, 1949/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e  ","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series\n      Series 1: Administrative records, 1949-2007 (Boxes 1-196)\n      Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\n      Series 3: Photographs, 1950-1991 (Boxes 589-639)\n      Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\n      Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e\n            ","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e\n","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990."],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e  ","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:23.861Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_416"}},{"id":"vifgm_repositories_2_resources_164","type":"collection","attributes":{"title":"Arnold Goldman Living Newspaper collection, 1931/1973","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_164#creator","type":"document_value","attributes":{"value":"Goldman, Arnold","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_164#abstract_or_scope","type":"document_value","attributes":{"value":"Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_164#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_164","ead_ssi":"vifgm_repositories_2_resources_164","_root_":"vifgm_repositories_2_resources_164","_nest_parent_":"vifgm_repositories_2_resources_164","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_164.xml","title_filing_ssi":"Arnold Goldman Living Newspaper collection","title_ssm":["Arnold Goldman Living Newspaper collection"],"title_tesim":["Arnold Goldman Living Newspaper collection"],"unitdate_ssm":["1931-1973"],"unitdate_inclusive_ssm":["1931-1973"],"normalized_date_ssm":["1931/1973"],"normalized_title_ssm":["Arnold Goldman Living Newspaper collection, 1931/1973"],"text":["Arnold Goldman Living Newspaper collection, 1931/1973","C0173","/repositories/2/resources/164","Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence","There are no access restrictions.","Arranged by subject into one series.","Arnold Goldman was a writer and professor of English and American literature. Born in Swampscott, MA, Goldman received degrees from both Harvard University and Yale University. Goldman taught at the Universities of Manchester, Sussex, and Keele in the United Kingdom, where he also served as Professor of American Studies. Much of Goldman's work focused on the writings of author James Joyce.","Processing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019.","The Special Collections Research Center also holds the Federal Theatre Project collection.","Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.","Documents and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.","Documents and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".","Documents and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.","A thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".","Documents and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.","The Minnesota Review Fall 1973 issue.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Goldman, Arnold","Arent, Arthur","Losey, Joseph","English"],"collection_title_tesim":["Arnold Goldman Living Newspaper collection, 1931/1973"],"collection_ssim":["Arnold Goldman Living Newspaper collection, 1931/1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0173","/repositories/2/resources/164"],"unitid_tesim":["C0173","/repositories/2/resources/164"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Goldman, Arnold"],"creator_ssim":["Goldman, Arnold"],"creator_persname_ssim":["Goldman, Arnold","Arent, Arthur","Losey, Joseph"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["Goldman, Arnold","Arent, Arthur","Losey, Joseph","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arnold Goldman in 2009."],"access_subjects_ssim":["Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence"],"access_subjects_ssm":["Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 box"],"extent_tesim":["0.5 Linear Feet 1 box"],"genreform_ssim":["Correspondence"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject into one series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject into one series."],"bioghist_html_tesm":["\u003cp\u003eArnold Goldman was a writer and professor of English and American literature. 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Much of Goldman's work focused on the writings of author James Joyce."],"prefercite_html_tesm":["\u003cp\u003eArnold Goldman Living Newspaper collection, C0173, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arnold Goldman Living Newspaper collection, C0173, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project collection.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project collection."],"scopecontent_html_tesm":["\u003cp\u003eConsists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.\u003c/p\u003e  ","\u003cp\u003eDocuments and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.\u003c/p\u003e","\u003cp\u003eA thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.\u003c/p\u003e","\u003cp\u003eThe Minnesota Review Fall 1973 issue.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.","Documents and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.","Documents and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".","Documents and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.","A thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".","Documents and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.","The Minnesota Review Fall 1973 issue."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e7a75b7b6ff59b344922c4a792a07ffa\" label=\"Abstract\"\u003eConsists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973.\u003c/abstract\u003e\n    "],"abstract_tesim":["Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_coll_ssim":["Federal Theatre Project (U.S.)","Arent, Arthur","Losey, Joseph"],"persname_ssim":["Goldman, Arnold","Arent, Arthur","Losey, Joseph"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Goldman, Arnold","Arent, Arthur","Losey, Joseph"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:08.491Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_164","ead_ssi":"vifgm_repositories_2_resources_164","_root_":"vifgm_repositories_2_resources_164","_nest_parent_":"vifgm_repositories_2_resources_164","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_164.xml","title_filing_ssi":"Arnold Goldman Living Newspaper collection","title_ssm":["Arnold Goldman Living Newspaper collection"],"title_tesim":["Arnold Goldman Living Newspaper collection"],"unitdate_ssm":["1931-1973"],"unitdate_inclusive_ssm":["1931-1973"],"normalized_date_ssm":["1931/1973"],"normalized_title_ssm":["Arnold Goldman Living Newspaper collection, 1931/1973"],"text":["Arnold Goldman Living Newspaper collection, 1931/1973","C0173","/repositories/2/resources/164","Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence","There are no access restrictions.","Arranged by subject into one series.","Arnold Goldman was a writer and professor of English and American literature. Born in Swampscott, MA, Goldman received degrees from both Harvard University and Yale University. Goldman taught at the Universities of Manchester, Sussex, and Keele in the United Kingdom, where he also served as Professor of American Studies. Much of Goldman's work focused on the writings of author James Joyce.","Processing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019.","The Special Collections Research Center also holds the Federal Theatre Project collection.","Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.","Documents and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.","Documents and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".","Documents and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.","A thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".","Documents and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.","The Minnesota Review Fall 1973 issue.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Goldman, Arnold","Arent, Arthur","Losey, Joseph","English"],"collection_title_tesim":["Arnold Goldman Living Newspaper collection, 1931/1973"],"collection_ssim":["Arnold Goldman Living Newspaper collection, 1931/1973"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0173","/repositories/2/resources/164"],"unitid_tesim":["C0173","/repositories/2/resources/164"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Goldman, Arnold"],"creator_ssim":["Goldman, Arnold"],"creator_persname_ssim":["Goldman, Arnold","Arent, Arthur","Losey, Joseph"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["Goldman, Arnold","Arent, Arthur","Losey, Joseph","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arnold Goldman in 2009."],"access_subjects_ssim":["Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence"],"access_subjects_ssm":["Living newspaper","Theater -- United States -- History -- 20th century","Interviews","Theater","Theater and society","Theater -- United States","Performing arts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 1 box"],"extent_tesim":["0.5 Linear Feet 1 box"],"genreform_ssim":["Correspondence"],"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject into one series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject into one series."],"bioghist_html_tesm":["\u003cp\u003eArnold Goldman was a writer and professor of English and American literature. 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Much of Goldman's work focused on the writings of author James Joyce."],"prefercite_html_tesm":["\u003cp\u003eArnold Goldman Living Newspaper collection, C0173, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arnold Goldman Living Newspaper collection, C0173, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed by Hal Barthold in 2011. Finding aid updated by Amanda Brent in February 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project collection.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project collection."],"scopecontent_html_tesm":["\u003cp\u003eConsists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.\u003c/p\u003e  ","\u003cp\u003eDocuments and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.\u003c/p\u003e","\u003cp\u003eA thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".\u003c/p\u003e","\u003cp\u003eDocuments and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.\u003c/p\u003e","\u003cp\u003eThe Minnesota Review Fall 1973 issue.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973. Includes correspondence with Living Newspaper actors and interviews with Arthur Arent and Joseph Losey which occurred in the late 1960s and early 1970s. There is also other correspondence about the research, scripts, and research notes. Also, there are 3 black and white 8 x 10\" prints of a \"Injunction Granted\" performance, probably in the 1930s.","Documents and correspondence about Arthur Arent. Material includes a photocopy of the play \"Can You Hear Their Voices?\", photocopies of The Living Newspaper, newspaper advertisement for Arthur Arent \"The Laying On of Hands\", a biography of Arthur Arent, \"The Technique of the Living Newspaper\" by Arthur Arent, transcripts of an interview between Arnold Goldman and Arthur Arent, notes, abstracts of nationwide reviews of Arthur Arent, scene scripts and an issue of Federal Theatre Magazine.","Documents and correspondence about a 1970s project dealing with the 1930s Federal Theatre Project play \"Injunction Granted\". Material includes 8 x 10\" prints of \"Injunction Granted\", notes, a script for \"Injunction Granted\", a series of correspondence between Roger Mitchell and Arnold Goldman and the original score of \"Injunction Granted\".","Documents and correspondence about a play by Andre Van Gyseghem about Adolf Hitler. Materials include notes on the \"Injunction Granted\" scrapbook, press releases on Federal Theatre Project plays, memos, scripts and information from a play about Adolph Hitler, an interview with Andre Van Gyseghem, a newspaper article, \"The Dies Committee and the Federal Theatre Project\" and an article about the Living Newspaper.","A thesis by Sally Smith Potter titled \"A Study of the Form, History and Influence of the Living Newspaper\".","Documents and correspondence about Joseph Losey's work with the Living Newspaper. Material includes correspondence with Joseph Losey, interview questions for Joseph Losey, notes, an interview with Joseph Losey, notes by Joseph Losey about \"Injunction Granted\", an article for Encore by Joseph Losey titled \"The Individual Eye\", biofilmographies, a list of reviews, a list of books on the Federal Theatre project and the Living Newspaper, a microfilm order form and information about the New York Public Library photographic services.","The Minnesota Review Fall 1973 issue."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e7a75b7b6ff59b344922c4a792a07ffa\" label=\"Abstract\"\u003eConsists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973.\u003c/abstract\u003e\n    "],"abstract_tesim":["Consists of research materials, mainly photocopies, of research on \"Injunction Granted\" published in Minnesota Review in 1973."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_coll_ssim":["Federal Theatre Project (U.S.)","Arent, Arthur","Losey, Joseph"],"persname_ssim":["Goldman, Arnold","Arent, Arthur","Losey, Joseph"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Goldman, Arnold","Arent, Arthur","Losey, Joseph"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:08.491Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_164"}},{"id":"vifgm_repositories_2_resources_147","type":"collection","attributes":{"title":"Arthur Peterson papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_147#creator","type":"document_value","attributes":{"value":"Peterson, Arthur, 1912-1996","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_147#abstract_or_scope","type":"document_value","attributes":{"value":"Collection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_147#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_147","ead_ssi":"vifgm_repositories_2_resources_147","_root_":"vifgm_repositories_2_resources_147","_nest_parent_":"vifgm_repositories_2_resources_147","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_147.xml","title_ssm":["Arthur Peterson papers"],"title_tesim":["Arthur Peterson papers"],"unitdate_ssm":["1940-1987"],"unitdate_inclusive_ssm":["1940-1987"],"normalized_title_ssm":["Arthur Peterson papers"],"text":["Arthur Peterson papers","C0027","/repositories/2/resources/147","Theater -- United States","Television programs -- United States","Situation comedies (Television programs)","Acting","Actors -- United States","Theater","Performing arts","Motion pictures","There are no access restrictions.","This collection is arranged alphabetically by subject and production title.","Arthur Peterson played character and supporting roles on stage, television, and feature films. On television, fans of the series Soap (1977-1981), a spoof on soap operas, may remember Peterson as the Major. Born in North Dakota, Peterson first obtained a degree in theater from the University of Minnesota before becoming a professional actor with the Federal Theater Project. Peterson made his media debut in 1936 with a regular role on the radio serial The Guiding Light. During WWII, Peterson fought within General Patton's third regiment. Upon his discharge, Peterson appeared in the ABC network's first situation comedy, That's O'Toole. Peterson's stage work included appearances in such plays as Inherit the Wind. His film credits include Return to Peyton Place (1961), Born Wild (1968), the television movie Rollercoaster (1977), and Just Pals (1982). Peterson spent 1981 to 1991 touring the country with his wife in a Pasadena Playhouse production of The Gin Game. When the play's long run ended, Peterson retired from acting. He passed away on October 31, 1996.","Processed by Special Collections Research Center staff. EAD markup completed in March 2009 by Eron Ackerman and Jordan Patty.","Special Collections Research Center also holds many other collections on theatre and the performing arts.","Collection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson.","includes Rehearsal Schedule for this episode","note indicates \"revised but not final\"","includes rehearsal schedule","3 copies: Arthur Peterson's, Jennifer Salt and Diana Canova","contains 2 copies Peterson's and Dinah Manoff's copy as well","2 copies","2 copies including prop copy","2 copies: 1 prop, signed by ? Peterson's character not included","3 copies","4 copies","2 copies","prop copy","Soap 41 contains Scenes from 39, 40 and 41","Contains scenes from 39, 40 and 41","3 copies, 1 copy contains revisions dated 1/9/78","2 copies","2 copies","3 copies","2 copies","2 copies","Also contains \"pre-shoot\" for episodes 50 and 51","2 copies","also contains post-shoot for 49 and 50, pre-shoot for 52 and 54","also contains post-shoot for 51 and 52, pre-shoot for 54","also contains post-shoot for 53 and pre-shoot for 55 and 56","also contains post-shoot for 53 and pre-shoot for 55 and 56","3 copies","also contains post-shoot for 55 and pre-shoot for 57","also contains post-shoot for 57 and pre-shoot for 59","also contains post-shoot for 57 and pre-shoot for 59","also contains Post shoot for 60; 2 copies","2 copies; also contains post-shoot for 60 and pre-shoot for 62","2 copies; also contains post-shoot for 61","2 copies; also contains post-shoot for 61","2 copies; includes pre-shoot for 70","2 copies; includes post-shoot for 68","includes post-shoot for 68 and pre-shoot for 70","2 copies: includes post-shoot for 69","includes pre-shoot for 72","2 copies; contains per-shoot for 72","contains post shoot for 71 and pre-shoot for 73","contains post shoot for 71 and pre-shoot for 73","contains post shoot for 71 and preshoot for 73","contains preshoot for 74","contains preshoot for 74","contains preshoot for 77","postshoot for 74","2 copies","2 copies","post shoot for 80","preshoot for 85","includes preshoot for 86","preshoot for 86","4 copies","includes post shoot for 83","post shoot for 88 and 89","contains post shoot for 88 and 89 and pre shoot for 92","contains post shoot for 88 and 89 and pre shoot for 92","includes post shoot for 91","includes post shoot for 91","2 copies","2 copies","2 copies","2 copies","2 copies","3 copies; 1 copy has penciled revisions","2 copies: 1 copy has pencil revisions","2 copies; 1 copy has pencil revisions","2 copies","2 copies; one is the Revised Final Draft(1/17/62) the other is the Final Draft(1/9/62) also includes \"call sheet\"","Actor's Alley Equity Workshop production","2 copies and Shooting Schedule","includes 9 cast call sheets","Script does not show date. However, rehearsal Schedule is dated 11/5/79","Includes a letter from the author, Jesse L. Lasky Jr, to \"Arthur and Norma\" forwarding the script for a possible student production.","includes shooting schedule","second copy","Revised Final Draft, 2/22/82; Final Draft 2/17/82","6 hats: black beret made in France sold by Van Duke Hatters of New York; Gray cap with black bill; Navy baseball cap; Army military Hat warn by Peterson in his role as Major on Soap; Tan hat barret-shaped made by Broadstreet's; Black cap with small bill; 4 brimmed hats: beige Knox Twenty purchased at Miller Bishop, Durham NC; brown Dobbs fedora purchased at Joe Balson, Chicago, IL; black fedora, Desmond's Southern CA; gray fedora purchased at Lee hats, NY lining no longer attached to hat","Puppet of Arthur Peterson's Major character from Soap.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Collection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson.","George Mason University. Libraries. Special Collections Research Center","Peterson, Arthur, 1912-1996","English"],"collection_title_tesim":["Arthur Peterson papers"],"collection_ssim":["Arthur Peterson papers"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0027","/repositories/2/resources/147"],"unitid_tesim":["C0027","/repositories/2/resources/147"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Peterson, Arthur, 1912-1996"],"creator_ssim":["Peterson, Arthur, 1912-1996"],"creator_persname_ssim":["Peterson, Arthur, 1912-1996"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Peterson, Arthur, 1912-1996","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Lorraine Brown in 1992"],"access_subjects_ssim":["Theater -- United States","Television programs -- United States","Situation comedies (Television programs)","Acting","Actors -- United States","Theater","Performing arts","Motion pictures"],"access_subjects_ssm":["Theater -- United States","Television programs -- United States","Situation comedies (Television programs)","Acting","Actors -- United States","Theater","Performing arts","Motion pictures"],"has_online_content_ssim":["false"],"extent_ssm":["12 Linear Feet 33 boxes"],"extent_tesim":["12 Linear Feet 33 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by subject and production title.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by subject and production title."],"bioghist_html_tesm":["\u003cp\u003eArthur Peterson played character and supporting roles on stage, television, and feature films. On television, fans of the series Soap (1977-1981), a spoof on soap operas, may remember Peterson as the Major. Born in North Dakota, Peterson first obtained a degree in theater from the University of Minnesota before becoming a professional actor with the Federal Theater Project. Peterson made his media debut in 1936 with a regular role on the radio serial The Guiding Light. During WWII, Peterson fought within General Patton's third regiment. Upon his discharge, Peterson appeared in the ABC network's first situation comedy, That's O'Toole. Peterson's stage work included appearances in such plays as Inherit the Wind. His film credits include Return to Peyton Place (1961), Born Wild (1968), the television movie Rollercoaster (1977), and Just Pals (1982). Peterson spent 1981 to 1991 touring the country with his wife in a Pasadena Playhouse production of The Gin Game. When the play's long run ended, Peterson retired from acting. He passed away on October 31, 1996.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Arthur Peterson played character and supporting roles on stage, television, and feature films. On television, fans of the series Soap (1977-1981), a spoof on soap operas, may remember Peterson as the Major. Born in North Dakota, Peterson first obtained a degree in theater from the University of Minnesota before becoming a professional actor with the Federal Theater Project. Peterson made his media debut in 1936 with a regular role on the radio serial The Guiding Light. During WWII, Peterson fought within General Patton's third regiment. Upon his discharge, Peterson appeared in the ABC network's first situation comedy, That's O'Toole. Peterson's stage work included appearances in such plays as Inherit the Wind. His film credits include Return to Peyton Place (1961), Born Wild (1968), the television movie Rollercoaster (1977), and Just Pals (1982). Peterson spent 1981 to 1991 touring the country with his wife in a Pasadena Playhouse production of The Gin Game. When the play's long run ended, Peterson retired from acting. He passed away on October 31, 1996."],"prefercite_html_tesm":["\u003cp\u003eArthur Peterson papers, C0027, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arthur Peterson papers, C0027, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed in March 2009 by Eron Ackerman and Jordan Patty.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed in March 2009 by Eron Ackerman and Jordan Patty."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds many other collections on theatre and the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds many other collections on theatre and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson.\u003c/p\u003e  ","\u003cp\u003eincludes Rehearsal Schedule for this episode\u003c/p\u003e","\u003cp\u003enote indicates \"revised but not final\"\u003c/p\u003e","\u003cp\u003eincludes rehearsal schedule\u003c/p\u003e","\u003cp\u003e3 copies: Arthur Peterson's, Jennifer Salt and Diana Canova\u003c/p\u003e","\u003cp\u003econtains 2 copies Peterson's and Dinah Manoff's copy as well\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 copies including prop copy\u003c/p\u003e","\u003cp\u003e2 copies: 1 prop, signed by ? 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However, rehearsal Schedule is dated 11/5/79\u003c/p\u003e","\u003cp\u003eIncludes a letter from the author, Jesse L. Lasky Jr, to \"Arthur and Norma\" forwarding the script for a possible student production.\u003c/p\u003e","\u003cp\u003eincludes shooting schedule\u003c/p\u003e","\u003cp\u003esecond copy\u003c/p\u003e","\u003cp\u003eRevised Final Draft, 2/22/82; Final Draft 2/17/82\u003c/p\u003e","\u003cp\u003e6 hats: black beret made in France sold by Van Duke Hatters of New York; Gray cap with black bill; Navy baseball cap; Army military Hat warn by Peterson in his role as Major on Soap; Tan hat barret-shaped made by Broadstreet's; Black cap with small bill; 4 brimmed hats: beige Knox Twenty purchased at Miller Bishop, Durham NC; brown Dobbs fedora purchased at Joe Balson, Chicago, IL; black fedora, Desmond's Southern CA; gray fedora purchased at Lee hats, NY lining no longer attached to hat\u003c/p\u003e","\u003cp\u003ePuppet of Arthur Peterson's Major character from Soap.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and 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Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson.","includes Rehearsal Schedule for this episode","note indicates \"revised but not final\"","includes rehearsal schedule","3 copies: Arthur Peterson's, Jennifer Salt and Diana Canova","contains 2 copies Peterson's and Dinah Manoff's copy as well","2 copies","2 copies including prop copy","2 copies: 1 prop, signed by ? 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On television, fans of the series Soap (1977-1981), a spoof on soap operas, may remember Peterson as the Major. Born in North Dakota, Peterson first obtained a degree in theater from the University of Minnesota before becoming a professional actor with the Federal Theater Project. Peterson made his media debut in 1936 with a regular role on the radio serial The Guiding Light. During WWII, Peterson fought within General Patton's third regiment. Upon his discharge, Peterson appeared in the ABC network's first situation comedy, That's O'Toole. Peterson's stage work included appearances in such plays as Inherit the Wind. His film credits include Return to Peyton Place (1961), Born Wild (1968), the television movie Rollercoaster (1977), and Just Pals (1982). Peterson spent 1981 to 1991 touring the country with his wife in a Pasadena Playhouse production of The Gin Game. When the play's long run ended, Peterson retired from acting. He passed away on October 31, 1996.","Processed by Special Collections Research Center staff. EAD markup completed in March 2009 by Eron Ackerman and Jordan Patty.","Special Collections Research Center also holds many other collections on theatre and the performing arts.","Collection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson.","includes Rehearsal Schedule for this episode","note indicates \"revised but not final\"","includes rehearsal schedule","3 copies: Arthur Peterson's, Jennifer Salt and Diana Canova","contains 2 copies Peterson's and Dinah Manoff's copy as well","2 copies","2 copies including prop copy","2 copies: 1 prop, signed by ? 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EAD markup completed in March 2009 by Eron Ackerman and Jordan Patty."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds many other collections on theatre and the performing arts.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds many other collections on theatre and the performing arts."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains materials relating to Peterson's long acting career. 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Collection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson.","includes Rehearsal Schedule for this episode","note indicates \"revised but not final\"","includes rehearsal schedule","3 copies: Arthur Peterson's, Jennifer Salt and Diana Canova","contains 2 copies Peterson's and Dinah Manoff's copy as well","2 copies","2 copies including prop copy","2 copies: 1 prop, signed by ? Peterson's character not included","3 copies","4 copies","2 copies","prop copy","Soap 41 contains Scenes from 39, 40 and 41","Contains scenes from 39, 40 and 41","3 copies, 1 copy contains revisions dated 1/9/78","2 copies","2 copies","3 copies","2 copies","2 copies","Also contains \"pre-shoot\" for episodes 50 and 51","2 copies","also contains post-shoot for 49 and 50, pre-shoot for 52 and 54","also contains post-shoot for 51 and 52, pre-shoot for 54","also contains post-shoot for 53 and pre-shoot for 55 and 56","also contains post-shoot for 53 and pre-shoot for 55 and 56","3 copies","also contains post-shoot for 55 and pre-shoot for 57","also contains post-shoot for 57 and pre-shoot for 59","also contains post-shoot for 57 and pre-shoot for 59","also contains Post shoot for 60; 2 copies","2 copies; also contains post-shoot for 60 and pre-shoot for 62","2 copies; also contains post-shoot for 61","2 copies; also contains post-shoot for 61","2 copies; includes pre-shoot for 70","2 copies; includes post-shoot for 68","includes post-shoot for 68 and pre-shoot for 70","2 copies: includes post-shoot for 69","includes pre-shoot for 72","2 copies; contains per-shoot for 72","contains post shoot for 71 and pre-shoot for 73","contains post shoot for 71 and pre-shoot for 73","contains post shoot for 71 and preshoot for 73","contains preshoot for 74","contains preshoot for 74","contains preshoot for 77","postshoot for 74","2 copies","2 copies","post shoot for 80","preshoot for 85","includes preshoot for 86","preshoot for 86","4 copies","includes post shoot for 83","post shoot for 88 and 89","contains post shoot for 88 and 89 and pre shoot for 92","contains post shoot for 88 and 89 and pre shoot for 92","includes post shoot for 91","includes post shoot for 91","2 copies","2 copies","2 copies","2 copies","2 copies","3 copies; 1 copy has penciled revisions","2 copies: 1 copy has pencil revisions","2 copies; 1 copy has pencil revisions","2 copies","2 copies; one is the Revised Final Draft(1/17/62) the other is the Final Draft(1/9/62) also includes \"call sheet\"","Actor's Alley Equity Workshop production","2 copies and Shooting Schedule","includes 9 cast call sheets","Script does not show date. However, rehearsal Schedule is dated 11/5/79","Includes a letter from the author, Jesse L. Lasky Jr, to \"Arthur and Norma\" forwarding the script for a possible student production.","includes shooting schedule","second copy","Revised Final Draft, 2/22/82; Final Draft 2/17/82","6 hats: black beret made in France sold by Van Duke Hatters of New York; Gray cap with black bill; Navy baseball cap; Army military Hat warn by Peterson in his role as Major on Soap; Tan hat barret-shaped made by Broadstreet's; Black cap with small bill; 4 brimmed hats: beige Knox Twenty purchased at Miller Bishop, Durham NC; brown Dobbs fedora purchased at Joe Balson, Chicago, IL; black fedora, Desmond's Southern CA; gray fedora purchased at Lee hats, NY lining no longer attached to hat","Puppet of Arthur Peterson's Major character from Soap."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_95c03e029f352ee902d3ef5ddf795380\" label=\"Abstract\"\u003eCollection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson.\u003c/abstract\u003e\n    "],"abstract_tesim":["Collection contains materials relating to Peterson's long acting career. Types of materials include scripts to his television, film, and stage roles, correspondence, and props used by Peterson."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Peterson, Arthur, 1912-1996"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Peterson, Arthur, 1912-1996"],"language_ssim":["English"],"total_component_count_is":311,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:59.239Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_147"}},{"id":"vifgm_repositories_2_resources_664","type":"collection","attributes":{"title":"Barbara Lustbader New York City playbills collection, 1957/2012","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_664#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains playbills and programs from hundreds of theatre, opera, symphonic music, and dance performances attended by Barbara Lustbader in New York City from 1957-2012.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_664#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_664","ead_ssi":"vifgm_repositories_2_resources_664","_root_":"vifgm_repositories_2_resources_664","_nest_parent_":"vifgm_repositories_2_resources_664","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_664.xml","title_ssm":["Barbara Lustbader New York City playbills collection"],"title_tesim":["Barbara Lustbader New York City playbills collection"],"unitdate_ssm":["1957-2012"],"unitdate_inclusive_ssm":["1957-2012"],"normalized_date_ssm":["1957/2012"],"normalized_title_ssm":["Barbara Lustbader New York City playbills collection, 1957/2012"],"text":["Barbara Lustbader New York City playbills collection, 1957/2012","C0508","/repositories/2/resources/664","Musical Theater","Opera","Theater","Theater -- New York (State) -- New York","Music","Symphony orchestras -- United States","Ballet","Dance","Theater programs","There are no access restrictions.","This collections is arranged into four series based on performance type.","Series\n      Series 1: Theatre\n      Series 2: Ballet and Dance\n      Series 3: Symphonic Music\n      Series 4: Opera","\"The arts of New York City.\" Brittanica.com. https://www.britannica.com/place/New-York-City/The-arts. Accessed January 2024.","\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed January 2024.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed January 2024.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed January 2024.","New York City holds a reputation for its offerings in the performing arts. In addition to theatrical performances on Broadway, opera and ballet at Lincoln Center, and symphonic and classical music at Carnegie Hall, the city also offers Off-Broadway and festival productions for visitors and residents to attend. From the creation of the theater district in the 1900s to the founding of Lincoln Center in the 1960s, to the resurgence of musical theater in the 1980s, New York has established itself as an international hub of the performing arts.","Processed by Amanda Menjivar from May 2023-January 2024. Inventory assistance provided by Vilma Chicas Garcia. Finding aid completed by Amanda Menjivar in January 2024.","The Special Collections Research Center holds many other","This collection contains hundreds of playbills and programs from theatre, opera, symphonic music, and dance performances in New York City attended by Barbara Lustbader from 1957-2012. The majority of the programs for plays and musicals were officially produced by Playbill magazine, though there are also Showbills, \"Playkills,\" and other programs produced by local theaters and festivals. Many of the playbills have inserts announcing outages and understudies and covers stepping in for that particular performance. The collection is arranged into four series. All series are arranged alphabetically by production title or performing group and then chronologically by performance date.","Series 1: Theatre. Subseries 1.1 Musicals. Subseries 1.2 Plays. Subseries 1.3 Comedy and Special Events","Series 2: Ballet and Dance","Series 3: Symphonic Music","Series 4: Opera","Premiere performance.","Opening night playbill.","Opening night playbill.","Two copies.","Two copies.","Opening night playbill.","Opening night playbill.","Opening night playbill.","Opening night playbill.","Closing night program.","Opening night playbill.","Opening night program.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains playbills and programs from hundreds of theatre, opera, symphonic music, and dance performances attended by Barbara Lustbader in New York City from 1957-2012.","R 71, C 2, S 2-5","George Mason University. Libraries. Special Collections Research Center","English"],"collection_title_tesim":["Barbara Lustbader New York City playbills collection, 1957/2012"],"collection_ssim":["Barbara Lustbader New York City playbills collection, 1957/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0508","/repositories/2/resources/664"],"unitid_tesim":["C0508","/repositories/2/resources/664"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Barbara Lustbader in December 2017."],"access_subjects_ssim":["Musical Theater","Opera","Theater","Theater -- New York (State) -- New York","Music","Symphony orchestras -- United States","Ballet","Dance","Theater programs"],"access_subjects_ssm":["Musical Theater","Opera","Theater","Theater -- New York (State) -- New York","Music","Symphony orchestras -- United States","Ballet","Dance","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["11 Linear Feet 26 boxes"],"extent_tesim":["11 Linear Feet 26 boxes"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collections is arranged into four series based on performance type.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Theatre\u003c/item\u003e\n      \u003citem\u003eSeries 2: Ballet and Dance\u003c/item\u003e\n      \u003citem\u003eSeries 3: Symphonic Music\u003c/item\u003e\n      \u003citem\u003eSeries 4: Opera\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collections is arranged into four series based on performance type.","Series\n      Series 1: Theatre\n      Series 2: Ballet and Dance\n      Series 3: Symphonic Music\n      Series 4: Opera"],"bibliography_html_tesm":["\u003cp\u003e\"The arts of New York City.\" Brittanica.com. https://www.britannica.com/place/New-York-City/The-arts. Accessed January 2024.\u003c/p\u003e","\u003cp\u003e\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed January 2024.\u003c/p\u003e","\u003cp\u003e\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed January 2024.\u003c/p\u003e","\u003cp\u003e\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed January 2024.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"The arts of New York City.\" Brittanica.com. https://www.britannica.com/place/New-York-City/The-arts. Accessed January 2024.","\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed January 2024.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed January 2024.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed January 2024."],"bioghist_html_tesm":["\u003cp\u003eNew York City holds a reputation for its offerings in the performing arts. In addition to theatrical performances on Broadway, opera and ballet at Lincoln Center, and symphonic and classical music at Carnegie Hall, the city also offers Off-Broadway and festival productions for visitors and residents to attend. From the creation of the theater district in the 1900s to the founding of Lincoln Center in the 1960s, to the resurgence of musical theater in the 1980s, New York has established itself as an international hub of the performing arts.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["New York City holds a reputation for its offerings in the performing arts. In addition to theatrical performances on Broadway, opera and ballet at Lincoln Center, and symphonic and classical music at Carnegie Hall, the city also offers Off-Broadway and festival productions for visitors and residents to attend. From the creation of the theater district in the 1900s to the founding of Lincoln Center in the 1960s, to the resurgence of musical theater in the 1980s, New York has established itself as an international hub of the performing arts."],"prefercite_html_tesm":["\u003cp\u003eBarbara Lustbader New York City playbills collection, C0508, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Barbara Lustbader New York City playbills collection, C0508, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar from May 2023-January 2024. Inventory assistance provided by Vilma Chicas Garcia. Finding aid completed by Amanda Menjivar in January 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar from May 2023-January 2024. Inventory assistance provided by Vilma Chicas Garcia. Finding aid completed by Amanda Menjivar in January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other \u003cextptr show=\"new\" title=\"playbill and theatre program collections.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=playbills\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains hundreds of playbills and programs from theatre, opera, symphonic music, and dance performances in New York City attended by Barbara Lustbader from 1957-2012. The majority of the programs for plays and musicals were officially produced by Playbill magazine, though there are also Showbills, \"Playkills,\" and other programs produced by local theaters and festivals. Many of the playbills have inserts announcing outages and understudies and covers stepping in for that particular performance. The collection is arranged into four series. All series are arranged alphabetically by production title or performing group and then chronologically by performance date.\u003c/p\u003e","\u003cp\u003eSeries 1: Theatre. Subseries 1.1 Musicals. Subseries 1.2 Plays. Subseries 1.3 Comedy and Special Events\u003c/p\u003e","\u003cp\u003eSeries 2: Ballet and Dance\u003c/p\u003e","\u003cp\u003eSeries 3: Symphonic Music\u003c/p\u003e","\u003cp\u003eSeries 4: Opera\u003c/p\u003e  ","\u003cp\u003ePremiere performance.\u003c/p\u003e","\u003cp\u003eOpening night playbill.\u003c/p\u003e","\u003cp\u003eOpening night playbill.\u003c/p\u003e","\u003cp\u003eTwo copies.\u003c/p\u003e","\u003cp\u003eTwo copies.\u003c/p\u003e","\u003cp\u003eOpening night playbill.\u003c/p\u003e","\u003cp\u003eOpening night playbill.\u003c/p\u003e","\u003cp\u003eOpening night playbill.\u003c/p\u003e","\u003cp\u003eOpening night playbill.\u003c/p\u003e","\u003cp\u003eClosing night program.\u003c/p\u003e","\u003cp\u003eOpening night playbill.\u003c/p\u003e","\u003cp\u003eOpening night program.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains hundreds of playbills and programs from theatre, opera, symphonic music, and dance performances in New York City attended by Barbara Lustbader from 1957-2012. The majority of the programs for plays and musicals were officially produced by Playbill magazine, though there are also Showbills, \"Playkills,\" and other programs produced by local theaters and festivals. Many of the playbills have inserts announcing outages and understudies and covers stepping in for that particular performance. The collection is arranged into four series. All series are arranged alphabetically by production title or performing group and then chronologically by performance date.","Series 1: Theatre. Subseries 1.1 Musicals. Subseries 1.2 Plays. Subseries 1.3 Comedy and Special Events","Series 2: Ballet and Dance","Series 3: Symphonic Music","Series 4: Opera","Premiere performance.","Opening night playbill.","Opening night playbill.","Two copies.","Two copies.","Opening night playbill.","Opening night playbill.","Opening night playbill.","Opening night playbill.","Closing night program.","Opening night playbill.","Opening night program."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9101d003e3751b01453a5722252ea0ae\"\u003eThis collection contains playbills and programs from hundreds of theatre, opera, symphonic music, and dance performances attended by Barbara Lustbader in New York City from 1957-2012.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains playbills and programs from hundreds of theatre, opera, symphonic music, and dance performances attended by Barbara Lustbader in New York City from 1957-2012."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_23aedeb1f7ecd319c60197c184080615\"\u003eR 71, C 2, S 2-5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 2, S 2-5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":747,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:37.302Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_664","ead_ssi":"vifgm_repositories_2_resources_664","_root_":"vifgm_repositories_2_resources_664","_nest_parent_":"vifgm_repositories_2_resources_664","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_664.xml","title_ssm":["Barbara Lustbader New York City playbills collection"],"title_tesim":["Barbara Lustbader New York City playbills collection"],"unitdate_ssm":["1957-2012"],"unitdate_inclusive_ssm":["1957-2012"],"normalized_date_ssm":["1957/2012"],"normalized_title_ssm":["Barbara Lustbader New York City playbills collection, 1957/2012"],"text":["Barbara Lustbader New York City playbills collection, 1957/2012","C0508","/repositories/2/resources/664","Musical Theater","Opera","Theater","Theater -- New York (State) -- New York","Music","Symphony orchestras -- United States","Ballet","Dance","Theater programs","There are no access restrictions.","This collections is arranged into four series based on performance type.","Series\n      Series 1: Theatre\n      Series 2: Ballet and Dance\n      Series 3: Symphonic Music\n      Series 4: Opera","\"The arts of New York City.\" Brittanica.com. https://www.britannica.com/place/New-York-City/The-arts. Accessed January 2024.","\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed January 2024.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed January 2024.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed January 2024.","New York City holds a reputation for its offerings in the performing arts. In addition to theatrical performances on Broadway, opera and ballet at Lincoln Center, and symphonic and classical music at Carnegie Hall, the city also offers Off-Broadway and festival productions for visitors and residents to attend. From the creation of the theater district in the 1900s to the founding of Lincoln Center in the 1960s, to the resurgence of musical theater in the 1980s, New York has established itself as an international hub of the performing arts.","Processed by Amanda Menjivar from May 2023-January 2024. Inventory assistance provided by Vilma Chicas Garcia. Finding aid completed by Amanda Menjivar in January 2024.","The Special Collections Research Center holds many other","This collection contains hundreds of playbills and programs from theatre, opera, symphonic music, and dance performances in New York City attended by Barbara Lustbader from 1957-2012. The majority of the programs for plays and musicals were officially produced by Playbill magazine, though there are also Showbills, \"Playkills,\" and other programs produced by local theaters and festivals. Many of the playbills have inserts announcing outages and understudies and covers stepping in for that particular performance. The collection is arranged into four series. All series are arranged alphabetically by production title or performing group and then chronologically by performance date.","Series 1: Theatre. Subseries 1.1 Musicals. Subseries 1.2 Plays. Subseries 1.3 Comedy and Special Events","Series 2: Ballet and Dance","Series 3: Symphonic Music","Series 4: Opera","Premiere performance.","Opening night playbill.","Opening night playbill.","Two copies.","Two copies.","Opening night playbill.","Opening night playbill.","Opening night playbill.","Opening night playbill.","Closing night program.","Opening night playbill.","Opening night program.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains playbills and programs from hundreds of theatre, opera, symphonic music, and dance performances attended by Barbara Lustbader in New York City from 1957-2012.","R 71, C 2, S 2-5","George Mason University. Libraries. Special Collections Research Center","English"],"collection_title_tesim":["Barbara Lustbader New York City playbills collection, 1957/2012"],"collection_ssim":["Barbara Lustbader New York City playbills collection, 1957/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0508","/repositories/2/resources/664"],"unitid_tesim":["C0508","/repositories/2/resources/664"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Barbara Lustbader in December 2017."],"access_subjects_ssim":["Musical Theater","Opera","Theater","Theater -- New York (State) -- New York","Music","Symphony orchestras -- United States","Ballet","Dance","Theater programs"],"access_subjects_ssm":["Musical Theater","Opera","Theater","Theater -- New York (State) -- New York","Music","Symphony orchestras -- United States","Ballet","Dance","Theater programs"],"has_online_content_ssim":["false"],"extent_ssm":["11 Linear Feet 26 boxes"],"extent_tesim":["11 Linear Feet 26 boxes"],"date_range_isim":[1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collections is arranged into four series based on performance type.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Theatre\u003c/item\u003e\n      \u003citem\u003eSeries 2: Ballet and Dance\u003c/item\u003e\n      \u003citem\u003eSeries 3: Symphonic Music\u003c/item\u003e\n      \u003citem\u003eSeries 4: Opera\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collections is arranged into four series based on performance type.","Series\n      Series 1: Theatre\n      Series 2: Ballet and Dance\n      Series 3: Symphonic Music\n      Series 4: Opera"],"bibliography_html_tesm":["\u003cp\u003e\"The arts of New York City.\" Brittanica.com. https://www.britannica.com/place/New-York-City/The-arts. Accessed January 2024.\u003c/p\u003e","\u003cp\u003e\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed January 2024.\u003c/p\u003e","\u003cp\u003e\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed January 2024.\u003c/p\u003e","\u003cp\u003e\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed January 2024.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"The arts of New York City.\" Brittanica.com. https://www.britannica.com/place/New-York-City/The-arts. Accessed January 2024.","\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed January 2024.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed January 2024.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed January 2024."],"bioghist_html_tesm":["\u003cp\u003eNew York City holds a reputation for its offerings in the performing arts. In addition to theatrical performances on Broadway, opera and ballet at Lincoln Center, and symphonic and classical music at Carnegie Hall, the city also offers Off-Broadway and festival productions for visitors and residents to attend. From the creation of the theater district in the 1900s to the founding of Lincoln Center in the 1960s, to the resurgence of musical theater in the 1980s, New York has established itself as an international hub of the performing arts.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["New York City holds a reputation for its offerings in the performing arts. In addition to theatrical performances on Broadway, opera and ballet at Lincoln Center, and symphonic and classical music at Carnegie Hall, the city also offers Off-Broadway and festival productions for visitors and residents to attend. From the creation of the theater district in the 1900s to the founding of Lincoln Center in the 1960s, to the resurgence of musical theater in the 1980s, New York has established itself as an international hub of the performing arts."],"prefercite_html_tesm":["\u003cp\u003eBarbara Lustbader New York City playbills collection, C0508, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Barbara Lustbader New York City playbills collection, C0508, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar from May 2023-January 2024. Inventory assistance provided by Vilma Chicas Garcia. Finding aid completed by Amanda Menjivar in January 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar from May 2023-January 2024. Inventory assistance provided by Vilma Chicas Garcia. Finding aid completed by Amanda Menjivar in January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other \u003cextptr show=\"new\" title=\"playbill and theatre program collections.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=playbills\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains hundreds of playbills and programs from theatre, opera, symphonic music, and dance performances in New York City attended by Barbara Lustbader from 1957-2012. The majority of the programs for plays and musicals were officially produced by Playbill magazine, though there are also Showbills, \"Playkills,\" and other programs produced by local theaters and festivals. Many of the playbills have inserts announcing outages and understudies and covers stepping in for that particular performance. The collection is arranged into four series. All series are arranged alphabetically by production title or performing group and then chronologically by performance date.\u003c/p\u003e","\u003cp\u003eSeries 1: Theatre. Subseries 1.1 Musicals. Subseries 1.2 Plays. Subseries 1.3 Comedy and Special Events\u003c/p\u003e","\u003cp\u003eSeries 2: Ballet and Dance\u003c/p\u003e","\u003cp\u003eSeries 3: Symphonic Music\u003c/p\u003e","\u003cp\u003eSeries 4: Opera\u003c/p\u003e  ","\u003cp\u003ePremiere performance.\u003c/p\u003e","\u003cp\u003eOpening night playbill.\u003c/p\u003e","\u003cp\u003eOpening night playbill.\u003c/p\u003e","\u003cp\u003eTwo copies.\u003c/p\u003e","\u003cp\u003eTwo copies.\u003c/p\u003e","\u003cp\u003eOpening night playbill.\u003c/p\u003e","\u003cp\u003eOpening night playbill.\u003c/p\u003e","\u003cp\u003eOpening night playbill.\u003c/p\u003e","\u003cp\u003eOpening night playbill.\u003c/p\u003e","\u003cp\u003eClosing night program.\u003c/p\u003e","\u003cp\u003eOpening night playbill.\u003c/p\u003e","\u003cp\u003eOpening night program.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains hundreds of playbills and programs from theatre, opera, symphonic music, and dance performances in New York City attended by Barbara Lustbader from 1957-2012. The majority of the programs for plays and musicals were officially produced by Playbill magazine, though there are also Showbills, \"Playkills,\" and other programs produced by local theaters and festivals. Many of the playbills have inserts announcing outages and understudies and covers stepping in for that particular performance. The collection is arranged into four series. All series are arranged alphabetically by production title or performing group and then chronologically by performance date.","Series 1: Theatre. Subseries 1.1 Musicals. Subseries 1.2 Plays. Subseries 1.3 Comedy and Special Events","Series 2: Ballet and Dance","Series 3: Symphonic Music","Series 4: Opera","Premiere performance.","Opening night playbill.","Opening night playbill.","Two copies.","Two copies.","Opening night playbill.","Opening night playbill.","Opening night playbill.","Opening night playbill.","Closing night program.","Opening night playbill.","Opening night program."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9101d003e3751b01453a5722252ea0ae\"\u003eThis collection contains playbills and programs from hundreds of theatre, opera, symphonic music, and dance performances attended by Barbara Lustbader in New York City from 1957-2012.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains playbills and programs from hundreds of theatre, opera, symphonic music, and dance performances attended by Barbara Lustbader in New York City from 1957-2012."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_23aedeb1f7ecd319c60197c184080615\"\u003eR 71, C 2, S 2-5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 2, S 2-5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":747,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:37.302Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_664"}},{"id":"vifgm_repositories_2_resources_534","type":"collection","attributes":{"title":"Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, 1959","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_534#creator","type":"document_value","attributes":{"value":"Friedman-Abeles (Firm)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_534#abstract_or_scope","type":"document_value","attributes":{"value":"Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, printed September 29, 1959.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_534#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_534","ead_ssi":"vifgm_repositories_2_resources_534","_root_":"vifgm_repositories_2_resources_534","_nest_parent_":"vifgm_repositories_2_resources_534","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_534.xml","title_ssm":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm"],"title_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm"],"unitdate_ssm":["September 29, 1959."],"unitdate_other_ssim":["September 29, 1959."],"normalized_date_ssm":["1959"],"normalized_title_ssm":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, 1959"],"text":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, 1959","C0466","/repositories/2/resources/534","Musical Theater","Photography","Theater","There are no access restrictions.","This is a single item collection.","Billy Rose Theatre Division, The New York Public Library. \"Friedman-Abeles photograph collection.\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/collections/friedman-abeles-photograph-collection#/?tab=about\u0026scroll=20.","Billy Rose Theatre Division, The New York Public Library. \"Stephen Sondheim, Arthur Laurents, Hal Prince, Robert E. Griffith, Leonard Bernstein, and Jerome Robbins during rehearsal for the stage production West Side Story\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/items/de6f38c0-8357-0134-1212-00505686a51c.","Internet Broadway Database. \"West Side Story.\" The Broadway League. Accessed January 20, 2021. https://www.ibdb.com/broadway-production/west-side-story-2639#ProductionStaff.","Schwarm, Betsy. \"West Side Story.\" Encyclopaedia Britannica. Encyclopaedia Britannica, inc. Accessed January 20, 2021. https://www.britannica.com/topic/West-Side-Story.","\"West Side Story\" is a musical that premiered on Broadway on September 26, 1957, with music composed by Leonard Bernstein and book and lyrics by Arthur Laurents and Stephen Sondeheim, respectively. It was conceived of, directed, and choreographed by Jerome Robbins. It was also produced by Harold Prince and Robert E. Griffith. The musical, set on the West Side of New York City, was inspired by Shakespeare's \"Romeo and Juliet.\" Two rival gangs - the white Jets and the Puerto Rican Sharks - battle for neighborhood dominance while star-crossed lovers from each side, Tony and Maria, fall in love. The musical was a critical and commercial success, and was subsequently adapted into two separate films. \"West Side Story\" endures as a musical classic and has been revived multiple times on Broadway since its inception.","Friedman-Abeles was a large photography firm in New York City, NY. Founded on the partnership of Leo and Sy Friedman and Joseph Ables, the firm was regularly tasked with photographing Broadway productions and was most successful from the 1950s - 1970s. Friedman-Ables photographed the behind-the-scenes process, as well as official photos, of the original \"West Side Story\" production.","Processing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds other collections containing items related to \"West Side Story,\" and musical theatre in general, including the , the , and the .","The New York Public Library's Billy Rose Theatre Division holds a copy of this photograph, as well as others in the same series, which can be viewed .","Black and white photograph of prominent members of the original \"West Side Story\" production team by the Friedman-Abeles photography firm, printed September 29, 1959, the year of the musical's first U.S. Tour. The photo was originally taken in 1957, during the musical's production. From left to right are: Stephen Sondheim, Arthur Laurents, Harold Prince, Robert E. Griffith (seated), Leonard Bernstein, and Jerome Robbins. All men had successful careers in the performing arts field. Taped to the verso is an October 4, 1959 news clipping with information about the Chicago premiere of \"West Side Story\" and the names of the photograph's subjects. It is also stamped with the photography firm's information and pertinent dates.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, printed September 29, 1959.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Friedman-Abeles (Firm)","Bernstein, Leonard, 1918-1990","Griffith, Robert E.","Laurents, Arthur","Prince, Harold, 1928-2019","Robbins, Jerome","Sondheim, Stephen","English"],"collection_title_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, 1959"],"collection_ssim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, 1959"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0466","/repositories/2/resources/534"],"unitid_tesim":["C0466","/repositories/2/resources/534"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Friedman-Abeles (Firm)"],"creator_ssim":["Friedman-Abeles (Firm)"],"creator_persname_ssim":["Bernstein, Leonard, 1918-1990","Griffith, Robert E.","Laurents, Arthur","Prince, Harold, 1928-2019","Robbins, Jerome","Sondheim, Stephen"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Friedman-Abeles (Firm)"],"creators_ssim":["Bernstein, Leonard, 1918-1990","Griffith, Robert E.","Laurents, Arthur","Prince, Harold, 1928-2019","Robbins, Jerome","Sondheim, Stephen","George Mason University. Libraries. Special Collections Research Center","Friedman-Abeles (Firm)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Steve Gerber in July 2018."],"access_subjects_ssim":["Musical Theater","Photography","Theater"],"access_subjects_ssm":["Musical Theater","Photography","Theater"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 photograph"],"extent_tesim":[".01 Linear Feet 1 photograph"],"date_range_isim":[1959],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBilly Rose Theatre Division, The New York Public Library. \"Friedman-Abeles photograph collection.\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/collections/friedman-abeles-photograph-collection#/?tab=about\u0026amp;scroll=20.\u003c/p\u003e","\u003cp\u003eBilly Rose Theatre Division, The New York Public Library. \"Stephen Sondheim, Arthur Laurents, Hal Prince, Robert E. Griffith, Leonard Bernstein, and Jerome Robbins during rehearsal for the stage production West Side Story\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/items/de6f38c0-8357-0134-1212-00505686a51c.\u003c/p\u003e","\u003cp\u003eInternet Broadway Database. \"West Side Story.\" The Broadway League. Accessed January 20, 2021. https://www.ibdb.com/broadway-production/west-side-story-2639#ProductionStaff.\u003c/p\u003e","\u003cp\u003eSchwarm, Betsy. \"West Side Story.\" Encyclopaedia Britannica. Encyclopaedia Britannica, inc. Accessed January 20, 2021. https://www.britannica.com/topic/West-Side-Story.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Billy Rose Theatre Division, The New York Public Library. \"Friedman-Abeles photograph collection.\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/collections/friedman-abeles-photograph-collection#/?tab=about\u0026scroll=20.","Billy Rose Theatre Division, The New York Public Library. \"Stephen Sondheim, Arthur Laurents, Hal Prince, Robert E. Griffith, Leonard Bernstein, and Jerome Robbins during rehearsal for the stage production West Side Story\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/items/de6f38c0-8357-0134-1212-00505686a51c.","Internet Broadway Database. \"West Side Story.\" The Broadway League. Accessed January 20, 2021. https://www.ibdb.com/broadway-production/west-side-story-2639#ProductionStaff.","Schwarm, Betsy. \"West Side Story.\" Encyclopaedia Britannica. Encyclopaedia Britannica, inc. Accessed January 20, 2021. https://www.britannica.com/topic/West-Side-Story."],"bioghist_html_tesm":["\u003cp\u003e\"West Side Story\" is a musical that premiered on Broadway on September 26, 1957, with music composed by Leonard Bernstein and book and lyrics by Arthur Laurents and Stephen Sondeheim, respectively. It was conceived of, directed, and choreographed by Jerome Robbins. It was also produced by Harold Prince and Robert E. Griffith. The musical, set on the West Side of New York City, was inspired by Shakespeare's \"Romeo and Juliet.\" Two rival gangs - the white Jets and the Puerto Rican Sharks - battle for neighborhood dominance while star-crossed lovers from each side, Tony and Maria, fall in love. The musical was a critical and commercial success, and was subsequently adapted into two separate films. \"West Side Story\" endures as a musical classic and has been revived multiple times on Broadway since its inception.\u003c/p\u003e","\u003cp\u003eFriedman-Abeles was a large photography firm in New York City, NY. Founded on the partnership of Leo and Sy Friedman and Joseph Ables, the firm was regularly tasked with photographing Broadway productions and was most successful from the 1950s - 1970s. Friedman-Ables photographed the behind-the-scenes process, as well as official photos, of the original \"West Side Story\" production.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"West Side Story\" is a musical that premiered on Broadway on September 26, 1957, with music composed by Leonard Bernstein and book and lyrics by Arthur Laurents and Stephen Sondeheim, respectively. It was conceived of, directed, and choreographed by Jerome Robbins. It was also produced by Harold Prince and Robert E. Griffith. The musical, set on the West Side of New York City, was inspired by Shakespeare's \"Romeo and Juliet.\" Two rival gangs - the white Jets and the Puerto Rican Sharks - battle for neighborhood dominance while star-crossed lovers from each side, Tony and Maria, fall in love. The musical was a critical and commercial success, and was subsequently adapted into two separate films. \"West Side Story\" endures as a musical classic and has been revived multiple times on Broadway since its inception.","Friedman-Abeles was a large photography firm in New York City, NY. Founded on the partnership of Leo and Sy Friedman and Joseph Ables, the firm was regularly tasked with photographing Broadway productions and was most successful from the 1950s - 1970s. Friedman-Ables photographed the behind-the-scenes process, as well as official photos, of the original \"West Side Story\" production."],"prefercite_html_tesm":["\u003cp\u003eBlack and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, C0466, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, C0466, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections containing items related to \"West Side Story,\" and musical theatre in general, including the \u003cextptr show=\"new\" title=\"Broadway souvenir theatre programs collection\" href=\"https://aspace.gmu.edu/repositories/2/resources/111\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Virginia Nelson playbills collection\" href=\"https://aspace.gmu.edu/repositories/2/resources/571\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"Charles Rodrigues playbill collection\" href=\"https://aspace.gmu.edu/repositories/2/resources/113\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eThe New York Public Library's Billy Rose Theatre Division holds a copy of this photograph, as well as others in the same series, which can be viewed \u003cextptr show=\"new\" title=\"here\" href=\"https://digitalcollections.nypl.org/items/de6f38c0-8357-0134-1212-00505686a51c\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections containing items related to \"West Side Story,\" and musical theatre in general, including the , the , and the .","The New York Public Library's Billy Rose Theatre Division holds a copy of this photograph, as well as others in the same series, which can be viewed ."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph of prominent members of the original \"West Side Story\" production team by the Friedman-Abeles photography firm, printed September 29, 1959, the year of the musical's first U.S. Tour. The photo was originally taken in 1957, during the musical's production. From left to right are: Stephen Sondheim, Arthur Laurents, Harold Prince, Robert E. Griffith (seated), Leonard Bernstein, and Jerome Robbins. All men had successful careers in the performing arts field. Taped to the verso is an October 4, 1959 news clipping with information about the Chicago premiere of \"West Side Story\" and the names of the photograph's subjects. It is also stamped with the photography firm's information and pertinent dates.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by the Friedman-Abeles photography firm, printed September 29, 1959, the year of the musical's first U.S. Tour. The photo was originally taken in 1957, during the musical's production. From left to right are: Stephen Sondheim, Arthur Laurents, Harold Prince, Robert E. Griffith (seated), Leonard Bernstein, and Jerome Robbins. All men had successful careers in the performing arts field. Taped to the verso is an October 4, 1959 news clipping with information about the Chicago premiere of \"West Side Story\" and the names of the photograph's subjects. It is also stamped with the photography firm's information and pertinent dates."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_17f46ee49bdc9ef188bc8ece5e472cf9\" label=\"Abstract\"\u003eBlack and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, printed September 29, 1959.\u003c/abstract\u003e\n    "],"abstract_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, printed September 29, 1959."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_0861e172f8c0c799bdb692c60024fa50\"\u003eR 72, C 3, S 5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Friedman-Abeles (Firm)"],"persname_ssim":["Bernstein, Leonard, 1918-1990","Griffith, Robert E.","Laurents, Arthur","Prince, Harold, 1928-2019","Robbins, Jerome","Sondheim, Stephen"],"names_coll_ssim":["Bernstein, Leonard, 1918-1990","Griffith, Robert E.","Laurents, Arthur","Prince, Harold, 1928-2019","Robbins, Jerome","Sondheim, Stephen"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Friedman-Abeles (Firm)","Bernstein, Leonard, 1918-1990","Griffith, Robert E.","Laurents, Arthur","Prince, Harold, 1928-2019","Robbins, Jerome","Sondheim, Stephen"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:07.784Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_534","ead_ssi":"vifgm_repositories_2_resources_534","_root_":"vifgm_repositories_2_resources_534","_nest_parent_":"vifgm_repositories_2_resources_534","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_534.xml","title_ssm":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm"],"title_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm"],"unitdate_ssm":["September 29, 1959."],"unitdate_other_ssim":["September 29, 1959."],"normalized_date_ssm":["1959"],"normalized_title_ssm":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, 1959"],"text":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, 1959","C0466","/repositories/2/resources/534","Musical Theater","Photography","Theater","There are no access restrictions.","This is a single item collection.","Billy Rose Theatre Division, The New York Public Library. \"Friedman-Abeles photograph collection.\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/collections/friedman-abeles-photograph-collection#/?tab=about\u0026scroll=20.","Billy Rose Theatre Division, The New York Public Library. \"Stephen Sondheim, Arthur Laurents, Hal Prince, Robert E. Griffith, Leonard Bernstein, and Jerome Robbins during rehearsal for the stage production West Side Story\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/items/de6f38c0-8357-0134-1212-00505686a51c.","Internet Broadway Database. \"West Side Story.\" The Broadway League. Accessed January 20, 2021. https://www.ibdb.com/broadway-production/west-side-story-2639#ProductionStaff.","Schwarm, Betsy. \"West Side Story.\" Encyclopaedia Britannica. Encyclopaedia Britannica, inc. Accessed January 20, 2021. https://www.britannica.com/topic/West-Side-Story.","\"West Side Story\" is a musical that premiered on Broadway on September 26, 1957, with music composed by Leonard Bernstein and book and lyrics by Arthur Laurents and Stephen Sondeheim, respectively. It was conceived of, directed, and choreographed by Jerome Robbins. It was also produced by Harold Prince and Robert E. Griffith. The musical, set on the West Side of New York City, was inspired by Shakespeare's \"Romeo and Juliet.\" Two rival gangs - the white Jets and the Puerto Rican Sharks - battle for neighborhood dominance while star-crossed lovers from each side, Tony and Maria, fall in love. The musical was a critical and commercial success, and was subsequently adapted into two separate films. \"West Side Story\" endures as a musical classic and has been revived multiple times on Broadway since its inception.","Friedman-Abeles was a large photography firm in New York City, NY. Founded on the partnership of Leo and Sy Friedman and Joseph Ables, the firm was regularly tasked with photographing Broadway productions and was most successful from the 1950s - 1970s. Friedman-Ables photographed the behind-the-scenes process, as well as official photos, of the original \"West Side Story\" production.","Processing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds other collections containing items related to \"West Side Story,\" and musical theatre in general, including the , the , and the .","The New York Public Library's Billy Rose Theatre Division holds a copy of this photograph, as well as others in the same series, which can be viewed .","Black and white photograph of prominent members of the original \"West Side Story\" production team by the Friedman-Abeles photography firm, printed September 29, 1959, the year of the musical's first U.S. Tour. The photo was originally taken in 1957, during the musical's production. From left to right are: Stephen Sondheim, Arthur Laurents, Harold Prince, Robert E. Griffith (seated), Leonard Bernstein, and Jerome Robbins. All men had successful careers in the performing arts field. Taped to the verso is an October 4, 1959 news clipping with information about the Chicago premiere of \"West Side Story\" and the names of the photograph's subjects. It is also stamped with the photography firm's information and pertinent dates.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, printed September 29, 1959.","R 72, C 3, S 5","George Mason University. Libraries. 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(See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Steve Gerber in July 2018."],"access_subjects_ssim":["Musical Theater","Photography","Theater"],"access_subjects_ssm":["Musical Theater","Photography","Theater"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 photograph"],"extent_tesim":[".01 Linear Feet 1 photograph"],"date_range_isim":[1959],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBilly Rose Theatre Division, The New York Public Library. \"Friedman-Abeles photograph collection.\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/collections/friedman-abeles-photograph-collection#/?tab=about\u0026amp;scroll=20.\u003c/p\u003e","\u003cp\u003eBilly Rose Theatre Division, The New York Public Library. \"Stephen Sondheim, Arthur Laurents, Hal Prince, Robert E. Griffith, Leonard Bernstein, and Jerome Robbins during rehearsal for the stage production West Side Story\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/items/de6f38c0-8357-0134-1212-00505686a51c.\u003c/p\u003e","\u003cp\u003eInternet Broadway Database. \"West Side Story.\" The Broadway League. Accessed January 20, 2021. https://www.ibdb.com/broadway-production/west-side-story-2639#ProductionStaff.\u003c/p\u003e","\u003cp\u003eSchwarm, Betsy. \"West Side Story.\" Encyclopaedia Britannica. Encyclopaedia Britannica, inc. Accessed January 20, 2021. https://www.britannica.com/topic/West-Side-Story.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Billy Rose Theatre Division, The New York Public Library. \"Friedman-Abeles photograph collection.\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/collections/friedman-abeles-photograph-collection#/?tab=about\u0026scroll=20.","Billy Rose Theatre Division, The New York Public Library. \"Stephen Sondheim, Arthur Laurents, Hal Prince, Robert E. Griffith, Leonard Bernstein, and Jerome Robbins during rehearsal for the stage production West Side Story\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/items/de6f38c0-8357-0134-1212-00505686a51c.","Internet Broadway Database. \"West Side Story.\" The Broadway League. Accessed January 20, 2021. https://www.ibdb.com/broadway-production/west-side-story-2639#ProductionStaff.","Schwarm, Betsy. \"West Side Story.\" Encyclopaedia Britannica. Encyclopaedia Britannica, inc. Accessed January 20, 2021. https://www.britannica.com/topic/West-Side-Story."],"bioghist_html_tesm":["\u003cp\u003e\"West Side Story\" is a musical that premiered on Broadway on September 26, 1957, with music composed by Leonard Bernstein and book and lyrics by Arthur Laurents and Stephen Sondeheim, respectively. It was conceived of, directed, and choreographed by Jerome Robbins. It was also produced by Harold Prince and Robert E. Griffith. The musical, set on the West Side of New York City, was inspired by Shakespeare's \"Romeo and Juliet.\" Two rival gangs - the white Jets and the Puerto Rican Sharks - battle for neighborhood dominance while star-crossed lovers from each side, Tony and Maria, fall in love. The musical was a critical and commercial success, and was subsequently adapted into two separate films. \"West Side Story\" endures as a musical classic and has been revived multiple times on Broadway since its inception.\u003c/p\u003e","\u003cp\u003eFriedman-Abeles was a large photography firm in New York City, NY. Founded on the partnership of Leo and Sy Friedman and Joseph Ables, the firm was regularly tasked with photographing Broadway productions and was most successful from the 1950s - 1970s. Friedman-Ables photographed the behind-the-scenes process, as well as official photos, of the original \"West Side Story\" production.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"West Side Story\" is a musical that premiered on Broadway on September 26, 1957, with music composed by Leonard Bernstein and book and lyrics by Arthur Laurents and Stephen Sondeheim, respectively. It was conceived of, directed, and choreographed by Jerome Robbins. It was also produced by Harold Prince and Robert E. Griffith. The musical, set on the West Side of New York City, was inspired by Shakespeare's \"Romeo and Juliet.\" Two rival gangs - the white Jets and the Puerto Rican Sharks - battle for neighborhood dominance while star-crossed lovers from each side, Tony and Maria, fall in love. The musical was a critical and commercial success, and was subsequently adapted into two separate films. \"West Side Story\" endures as a musical classic and has been revived multiple times on Broadway since its inception.","Friedman-Abeles was a large photography firm in New York City, NY. Founded on the partnership of Leo and Sy Friedman and Joseph Ables, the firm was regularly tasked with photographing Broadway productions and was most successful from the 1950s - 1970s. Friedman-Ables photographed the behind-the-scenes process, as well as official photos, of the original \"West Side Story\" production."],"prefercite_html_tesm":["\u003cp\u003eBlack and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, C0466, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, C0466, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections containing items related to \"West Side Story,\" and musical theatre in general, including the \u003cextptr show=\"new\" title=\"Broadway souvenir theatre programs collection\" href=\"https://aspace.gmu.edu/repositories/2/resources/111\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Virginia Nelson playbills collection\" href=\"https://aspace.gmu.edu/repositories/2/resources/571\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"Charles Rodrigues playbill collection\" href=\"https://aspace.gmu.edu/repositories/2/resources/113\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eThe New York Public Library's Billy Rose Theatre Division holds a copy of this photograph, as well as others in the same series, which can be viewed \u003cextptr show=\"new\" title=\"here\" href=\"https://digitalcollections.nypl.org/items/de6f38c0-8357-0134-1212-00505686a51c\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections containing items related to \"West Side Story,\" and musical theatre in general, including the , the , and the .","The New York Public Library's Billy Rose Theatre Division holds a copy of this photograph, as well as others in the same series, which can be viewed ."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph of prominent members of the original \"West Side Story\" production team by the Friedman-Abeles photography firm, printed September 29, 1959, the year of the musical's first U.S. Tour. The photo was originally taken in 1957, during the musical's production. From left to right are: Stephen Sondheim, Arthur Laurents, Harold Prince, Robert E. Griffith (seated), Leonard Bernstein, and Jerome Robbins. All men had successful careers in the performing arts field. Taped to the verso is an October 4, 1959 news clipping with information about the Chicago premiere of \"West Side Story\" and the names of the photograph's subjects. It is also stamped with the photography firm's information and pertinent dates.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by the Friedman-Abeles photography firm, printed September 29, 1959, the year of the musical's first U.S. Tour. The photo was originally taken in 1957, during the musical's production. From left to right are: Stephen Sondheim, Arthur Laurents, Harold Prince, Robert E. Griffith (seated), Leonard Bernstein, and Jerome Robbins. All men had successful careers in the performing arts field. Taped to the verso is an October 4, 1959 news clipping with information about the Chicago premiere of \"West Side Story\" and the names of the photograph's subjects. It is also stamped with the photography firm's information and pertinent dates."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_17f46ee49bdc9ef188bc8ece5e472cf9\" label=\"Abstract\"\u003eBlack and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, printed September 29, 1959.\u003c/abstract\u003e\n    "],"abstract_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, printed September 29, 1959."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_0861e172f8c0c799bdb692c60024fa50\"\u003eR 72, C 3, S 5\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 5"],"corpname_ssim":["George Mason University. Libraries. 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