{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=5","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=4","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=6","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=8"},"meta":{"pages":{"current_page":5,"next_page":6,"prev_page":4,"total_pages":8,"limit_value":10,"offset_value":40,"total_count":75,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_691","type":"collection","attributes":{"title":"Mary Lavigne programs collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691#creator","type":"document_value","attributes":{"value":"Lavigne, Mary","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691#abstract_or_scope","type":"document_value","attributes":{"value":"A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_691","ead_ssi":"vifgm_repositories_2_resources_691","_root_":"vifgm_repositories_2_resources_691","_nest_parent_":"vifgm_repositories_2_resources_691","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_691.xml","title_ssm":["Mary Lavigne programs collection"],"title_tesim":["Mary Lavigne programs collection"],"unitdate_ssm":["1950s-1980s"],"unitdate_inclusive_ssm":["1950s-1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0417","/repositories/2/resources/691"],"text":["C0417","/repositories/2/resources/691","Mary Lavigne programs collection","Broadway (New York, N.Y.)","Richmond (Va.)","Berlin (Germany)","London (England)","Performing arts","Musical Theater","Musical Theater -- New York (State) -- New York","Theater","Theater -- New York (State) -- New York","Theater programs","Theater -- Washington (D.C.)","Ballet","Dance","Opera","Art","Art -- Exhibitions","There are no access restrictions.","This collection is arranged alphabetically by show title and then chronologically.","\"Fascinating History of Theater Programs.\" 2020. 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Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e"],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. 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These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Dating back to at least the 18th century, the term \"bill\" has been used to refer to printed advertisements for a theatrical event, starting first with small printed sheets delivered by hand and known as \"handbills.\" By the middle of the 19th century, the word \"bill\" was used to refer to large printed papers that were posted in public places and provided information about a theatrical production. The word \"programme\" or \"program\" came into use in the mid-19th century to refer to short printed pamphlets, containing a cast list, that was handed to audience members attending a theatrical performance. However, by the 1870s, the status of these as one of the only printed papers that were free and widely distributed led to the introduction of advertising into these play \"bills\" or \"programs.\"","Seeing an opportunity, in 1884 New York businessman Frank Vance Strauss created the first company to specialize in printing theatrical programs that would be provided free of charge to New York City's larger playhouses. Introducing the standard format for theatrical programs still in use today, Strauss' company expanded the short printed pamphlets into magazine-style multi-page programs containing short articles, advertisements, and information about the individual productions that changed weekly. Known in 1911 as the \"Strauss Magazine Theatre Program\", the publication would formally adopt the name \"The Playbill\" in 1934. These higher quality programs led to a new practice of keeping and collecting programs as souvenirs, leading to the creation of specially produced \"Souvenir Programs\" that were filled with full-color illustrations, photographs, and more detailed information on the productions and performers."],"prefercite_html_tesm":["\u003cp\u003eMary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Mary Lavigne programs collection, C0417, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from November 2023 - January 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0184\"\u003eCharles Rodrigues playbill collection\u003c/a\u003e, and the \u003ca href=\"https://aspace.gmu.edu/resources/c0015\"\u003eVirginia Nelson playbills collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other performing arts collections, including other collections of theatrical programs such as the  Charles Rodrigues playbill collection , and the  Virginia Nelson playbills collection ."],"scopecontent_html_tesm":["\u003cp\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway \u003ctitle\u003ePlaybill\u003c/title\u003e editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne. Programs include a mix of types including colorful souvenir booklets and Broadway  Playbill  editions. Most programs include various inserts, including cast change notices and newspaper clippings, which have been removed and placed in the folder with the program. A number of the programs were also originally grouped into two small binders. All of these specifics have been noted at the folder level where applicable."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_a8c54c9980d86e35454eaa6e8fcb0ba6\"\u003eA collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne.\u003c/abstract\u003e"],"abstract_tesim":["A collection of opera, ballet, concert, art exhibition, and theatrical programs for performances and events in New York City, Richmond, Virginia, Washington, D.C., and various international locations attended by Mary Lavigne."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4e66d1c2241266f9e38d78e5e3d12eb\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Graham, Martha","Marceau, Marcel"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet","Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Carnegie Hall (New York, N.Y.)","City Center of Music and Drama (New York, N. Y.)","John F. Kennedy Center for the Performing Arts (U.S.)","Kongelige Danske ballet","London Festival Ballet","Metropolitan Opera (New York, N.Y.)","National Gallery of Art (U.S.)","New York City Ballet","New York City Center","New York Philharmonic","Randolph-Macon Woman's College","Royal Ballet","Sadler's Wells Ballet"],"persname_ssim":["Lavigne, Mary","Graham, Martha","Marceau, Marcel"],"language_ssim":["English \n,        German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":131,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_691"}},{"id":"viw_repositories_2_resources_9841","type":"collection","attributes":{"title":"Mint Theater Company records","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9841#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eMint Theater Company was formed at William \u0026amp; Mary by Anya Ruzicka, William \u0026amp; Mary (W\u0026amp;M) class 2025, in 2022. Ruzicka was inspired to create the group following discussions with Paul Hardin (W\u0026amp;M class 2020) and others involved in Hardin's April 2022 production \"Spectacular!\" This collection includes a program from \"Spectacular!\", as well as a program and poster from Mint Theater's first production, \"Something Real\" in April 2023, and digital materials.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9841#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9841","ead_ssi":"viw_repositories_2_resources_9841","_root_":"viw_repositories_2_resources_9841","_nest_parent_":"viw_repositories_2_resources_9841","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9841.xml","title_filing_ssi":"Mint Theater Company records","title_ssm":["Mint Theater Company records"],"title_tesim":["Mint Theater Company records"],"unitdate_ssm":["2022-2023"],"unitdate_inclusive_ssm":["2022-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 7.108","/repositories/2/resources/9841"],"text":["UA 7.108","/repositories/2/resources/9841","Mint Theater Company records","College and school drama","Musicals","Clubs","College theater","College theater--United States","College theater--United States--History","Theater","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Collection is arranged by accession.","Mint Theater Company was formed at William \u0026 Mary by Anya Ruzicka, William \u0026 Mary (W\u0026M)  class 2025, in 2022. Ruzicka was inspired to create the group following discussions with Paul Hardin (W\u0026M class 2020) and others involved in Hardin's April 2022 production \"Spectacular!\" This collection includes a program from \"Spectacular!\", as well as a program and poster from Mint Theater's first production, \"Something Real\" in April 2023, and digital materials.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["UA 7.108","/repositories/2/resources/9841"],"normalized_title_ssm":["Mint Theater Company records"],"collection_title_tesim":["Mint Theater Company records"],"collection_ssim":["Mint Theater Company records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Anya Ruzicka, Administrative Officer, Mint Theatre Company."],"access_subjects_ssim":["College and school drama","Musicals","Clubs","College theater","College theater--United States","College theater--United States--History","Theater"],"access_subjects_ssm":["College and school drama","Musicals","Clubs","College theater","College theater--United States","College theater--United States--History","Theater"],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet 1 Hollinger box and 2 oversize folders"],"extent_tesim":["4 Linear Feet 1 Hollinger box and 2 oversize folders"],"date_range_isim":[2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged by accession.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged by accession."],"prefercite_html_tesm":["\u003cp\u003eMint Theater Company records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Mint Theater Company records, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eMint Theater Company was formed at William \u0026amp; Mary by Anya Ruzicka, William \u0026amp; Mary (W\u0026amp;M)  class 2025, in 2022. Ruzicka was inspired to create the group following discussions with Paul Hardin (W\u0026amp;M class 2020) and others involved in Hardin's April 2022 production \"Spectacular!\" This collection includes a program from \"Spectacular!\", as well as a program and poster from Mint Theater's first production, \"Something Real\" in April 2023, and digital materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Mint Theater Company was formed at William \u0026 Mary by Anya Ruzicka, William \u0026 Mary (W\u0026M)  class 2025, in 2022. Ruzicka was inspired to create the group following discussions with Paul Hardin (W\u0026M class 2020) and others involved in Hardin's April 2022 production \"Spectacular!\" This collection includes a program from \"Spectacular!\", as well as a program and poster from Mint Theater's first production, \"Something Real\" in April 2023, and digital materials."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:30:03.527Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9841","ead_ssi":"viw_repositories_2_resources_9841","_root_":"viw_repositories_2_resources_9841","_nest_parent_":"viw_repositories_2_resources_9841","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9841.xml","title_filing_ssi":"Mint Theater Company records","title_ssm":["Mint Theater Company records"],"title_tesim":["Mint Theater Company records"],"unitdate_ssm":["2022-2023"],"unitdate_inclusive_ssm":["2022-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 7.108","/repositories/2/resources/9841"],"text":["UA 7.108","/repositories/2/resources/9841","Mint Theater Company records","College and school drama","Musicals","Clubs","College theater","College theater--United States","College theater--United States--History","Theater","Collection is open to all researchers. 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Ruzicka was inspired to create the group following discussions with Paul Hardin (W\u0026M class 2020) and others involved in Hardin's April 2022 production \"Spectacular!\" This collection includes a program from \"Spectacular!\", as well as a program and poster from Mint Theater's first production, \"Something Real\" in April 2023, and digital materials.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["UA 7.108","/repositories/2/resources/9841"],"normalized_title_ssm":["Mint Theater Company records"],"collection_title_tesim":["Mint Theater Company records"],"collection_ssim":["Mint Theater Company records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Anya Ruzicka, Administrative Officer, Mint Theatre Company."],"access_subjects_ssim":["College and school drama","Musicals","Clubs","College theater","College theater--United States","College theater--United States--History","Theater"],"access_subjects_ssm":["College and school drama","Musicals","Clubs","College theater","College theater--United States","College theater--United States--History","Theater"],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet 1 Hollinger box and 2 oversize folders"],"extent_tesim":["4 Linear Feet 1 Hollinger box and 2 oversize folders"],"date_range_isim":[2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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Ruzicka was inspired to create the group following discussions with Paul Hardin (W\u0026M class 2020) and others involved in Hardin's April 2022 production \"Spectacular!\" This collection includes a program from \"Spectacular!\", as well as a program and poster from Mint Theater's first production, \"Something Real\" in April 2023, and digital materials."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:30:03.527Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9841"}},{"id":"vifgm_repositories_2_resources_170","type":"collection","attributes":{"title":"Music, theatre, and spoken word sound recordings collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_170#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_170#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_170#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_170","ead_ssi":"vifgm_repositories_2_resources_170","_root_":"vifgm_repositories_2_resources_170","_nest_parent_":"vifgm_repositories_2_resources_170","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_170.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/musictheatrespokenrecordings.html","title_ssm":["Music, theatre, and spoken word sound recordings collection"],"title_tesim":["Music, theatre, and spoken word sound recordings collection"],"unitdate_ssm":["1949-1986"],"unitdate_inclusive_ssm":["1949-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0130","/repositories/2/resources/170"],"text":["C0130","/repositories/2/resources/170","Music, theatre, and spoken word sound recordings collection","Music -- 20th century","Music","Acting","Depressions -- 1929","Protest songs -- United States","Folk music -- United States","Live sound recordings","Musical Theater","Theater","Drama","Speeches, addresses, etc.","Labor unions","Literature","Sound recordings","Collection is open to research.","The collection is not arranged in any specific order.","No information of donor or history is known at the present time.","Processed by Kristen Korfitzen in 2012. EAD markup completed by Kristen Korfitzen in 2012.","Special Collections and Archives also holds the Japanese Phonograph collection.","This collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. The collection also features original cast recordings of musicals Winnie and Brigham!, a musical based on the life of Brigham Young and contains literary recordings of the works of T.S. Elliot, Frederick Douglass and Lorraine Hansberry. ","Several of the albums focus on content related to the Great Depression, unions, American labour, and Folk Music. ","Recordings may be protected by copyright laws.","This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection.","George Mason University. Libraries. Special Collections Research Center","Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616","English \n.    "],"unitid_tesim":["C0130","/repositories/2/resources/170"],"normalized_title_ssm":["Music, theatre, and spoken word sound recordings collection"],"collection_title_tesim":["Music, theatre, and spoken word sound recordings collection"],"collection_ssim":["Music, theatre, and spoken word sound recordings collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. 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","Recordings may be protected by copyright laws.","This collection contains LP phonograph albums containing a variety of music, oral history, and musical scores. This box was found unlabeled and might be associated with another collection.","George Mason University. Libraries. Special Collections Research Center","Hansberry, Lorraine, 1930-1965","Miller, Arthur, 1915-2005","Shakespeare, William, 1564-1616","English \n.    "],"unitid_tesim":["C0130","/repositories/2/resources/170"],"normalized_title_ssm":["Music, theatre, and spoken word sound recordings collection"],"collection_title_tesim":["Music, theatre, and spoken word sound recordings collection"],"collection_ssim":["Music, theatre, and spoken word sound recordings collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. 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Albums of recorded plays feature playwrights such as William Shakespeare and Arthur Miller. The collection also features original cast recordings of musicals Winnie and Brigham!, a musical based on the life of Brigham Young and contains literary recordings of the works of T.S. Elliot, Frederick Douglass and Lorraine Hansberry. \u003c/p\u003e\n","\u003cp\u003eSeveral of the albums focus on content related to the Great Depression, unions, American labour, and Folk Music. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains 31 LP phonograph albums including music, musical scores, plays, literature recordings and speech recordings. The albums span a roughly 40 year period being released between 1949 and the late 1980s. Musical albums include: A Tribute to Woodie Guthrie, Pete Seeger's Greatest Hits, Songs of the Depression, and I Will Win: Songs of the Wooblies. 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Both volumes originated from Century Library, Inc. of New York, NY.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_569#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_569","ead_ssi":"vifgm_repositories_2_resources_569","_root_":"vifgm_repositories_2_resources_569","_nest_parent_":"vifgm_repositories_2_resources_569","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_569.xml","title_ssm":["\"My Maryland\" operetta stage guide and score manuscripts"],"title_tesim":["\"My Maryland\" operetta stage guide and score manuscripts"],"unitdate_ssm":["circa 1929"],"unitdate_other_ssim":["circa 1929"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0487","/repositories/2/resources/569"],"text":["C0487","/repositories/2/resources/569","\"My Maryland\" operetta stage guide and score manuscripts","Music","Operetta","Theater","There are no access restrictions.","This is a two folder collection.","Britannica, T. Editors of Encyclopaedia. \"Sigmund Romberg.\" Encyclopedia Britannica, accessed July 3, 2021. https://www.britannica.com/biography/Sigmund-Romberg.","\"History.\" Barbara Fritchie House, 2021. Accessed July 23, 2021. https://barbarafritchie.org/history/.","\"Dorothy Donnelly, Dramatist, Dies.\" The New York Times, January 4, 1928. Accessed July 23, 2021. https://timesmachine.nytimes.com/timesmachine/1928/01/04/94116349.pdf?pdf_redirect=true\u0026ip=0.","\"Your Land and My Land.\" 1983.0692.13  National Museum of American History, Behring Center, accessed July 23, 2021. https://americanhistory.si.edu/collections/search/object/nmah_679618.","\"My Maryland\" was an American operetta from 1927 with book and lyrics by Dorothy Donnelly and music by Sigmund Romberg. It was based off of the 1899 play \"Barbara Frietchie\" by Clyde Fitch. \"My Maryland\" is set during the American Civil War in Frederick, Maryland and is based on the historical figure Barbara Fritchie (last name spelling varies). Fritichie is a folk hero of the Civil War, whose legend is described by the Barbara Fritchie House website as follows: \"A Unionist during the Civil War, [Fritchie] is best known for her folkloric defiance in the face of Confederate troops. As the occupying rebel forces were marching out of Frederick in September 1862, Dame Fritchie, then 95, was said to have waved a Union flag from her upstairs window…[which] was immortalized in an 1863 poem by John Greenleaf Whittier.\" \"My Maryland\" opened in New York City to moderate success, but quickly fell out of the zeitgeist. ","Dorothy Donnelly was an American stage and film actress, librettist, and playwright. Born in 1876, she first achieved fame by playing the lead role of Jacqueline in the play \"Madame X\" and later reprised the same role on film. \"Blossom Time\" was her first huge success writing a play, and was her first collaboration with Romberg. Donnelly went on to write other productions like \"Poppy\" and \"The Student Prince.\" \"My Maryland\" was her last creative work. She passed away a year after its premiere in 1928.","Sigmund Romberg, born in 1887, was a successful Hungarian-American composer. In addition to \"My Maryland,\" Romberg was famously known for the Broadway operettas \"The Desert Song,\" \"Blossom Time,\" and \"The Student Prince.\" The latter two were also collaborations with Dorothy Donnelly. Romberg's career later shifted to composing film scores. Romberg passed away in 1951.","Processing completed by Amanda Brent in July 2021. EAD markup completed by Amanda Brent in July 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","\nThe Special Collections Research Center holds many other collections on the performing arts, including materials on American musicals, opera, and operettas.","The University of Arizona Special Collections holds the American Vaudeville Museum Archive which contains  .","The Music Division of the New York Public Library holds the  .","Piano/vocal score and stage guide to the operetta \"My Maryland\" by Dorothy Donnelly and Sigmund Romberg, both created circa 1929. Both volumes originated from Century Library, Inc. of New York, NY. The piano/vocal score contains music and lyrics for all musical numbers in the operetta. The stage guide contains drawing of sets, blocking guides, lighting plots, and the full script. Each volume is spiral bound with printed pages and handwritten additions and notes.","Public Domain. There are no known restrictions.","Piano/vocal score and stage guide to the operetta \"My Maryland\" by Dorothy Donnelly and Sigmund Romberg, both created circa 1929. Both volumes originated from Century Library, Inc. of New York, NY.","George Mason University. Libraries. Special Collections Research Center","Donnelly, Dorothy, 1880-1928","Romberg, Sigmund, 1887-1951","English"],"unitid_tesim":["C0487","/repositories/2/resources/569"],"normalized_title_ssm":["\"My Maryland\" operetta stage guide and score manuscripts"],"collection_title_tesim":["\"My Maryland\" operetta stage guide and score manuscripts"],"collection_ssim":["\"My Maryland\" operetta stage guide and score manuscripts"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in July 2017."],"access_subjects_ssim":["Music","Operetta","Theater"],"access_subjects_ssm":["Music","Operetta","Theater"],"has_online_content_ssim":["false"],"extent_ssm":[".02 Linear Feet 2 folders"],"extent_tesim":[".02 Linear Feet 2 folders"],"date_range_isim":[1929],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a two folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a two folder collection."],"bibliography_html_tesm":["\u003cp\u003eBritannica, T. Editors of Encyclopaedia. \"Sigmund Romberg.\" Encyclopedia Britannica, accessed July 3, 2021. https://www.britannica.com/biography/Sigmund-Romberg.\u003c/p\u003e\n","\u003cp\u003e\"History.\" Barbara Fritchie House, 2021. Accessed July 23, 2021. https://barbarafritchie.org/history/.\u003c/p\u003e\n","\u003cp\u003e\"Dorothy Donnelly, Dramatist, Dies.\" The New York Times, January 4, 1928. Accessed July 23, 2021. https://timesmachine.nytimes.com/timesmachine/1928/01/04/94116349.pdf?pdf_redirect=true\u0026amp;ip=0.\u003c/p\u003e\n","\u003cp\u003e\"Your Land and My Land.\" 1983.0692.13  National Museum of American History, Behring Center, accessed July 23, 2021. https://americanhistory.si.edu/collections/search/object/nmah_679618.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Britannica, T. Editors of Encyclopaedia. \"Sigmund Romberg.\" Encyclopedia Britannica, accessed July 3, 2021. https://www.britannica.com/biography/Sigmund-Romberg.","\"History.\" Barbara Fritchie House, 2021. Accessed July 23, 2021. https://barbarafritchie.org/history/.","\"Dorothy Donnelly, Dramatist, Dies.\" The New York Times, January 4, 1928. Accessed July 23, 2021. https://timesmachine.nytimes.com/timesmachine/1928/01/04/94116349.pdf?pdf_redirect=true\u0026ip=0.","\"Your Land and My Land.\" 1983.0692.13  National Museum of American History, Behring Center, accessed July 23, 2021. https://americanhistory.si.edu/collections/search/object/nmah_679618."],"bioghist_html_tesm":["\u003cp\u003e\"My Maryland\" was an American operetta from 1927 with book and lyrics by Dorothy Donnelly and music by Sigmund Romberg. It was based off of the 1899 play \"Barbara Frietchie\" by Clyde Fitch. \"My Maryland\" is set during the American Civil War in Frederick, Maryland and is based on the historical figure Barbara Fritchie (last name spelling varies). Fritichie is a folk hero of the Civil War, whose legend is described by the Barbara Fritchie House website as follows: \"A Unionist during the Civil War, [Fritchie] is best known for her folkloric defiance in the face of Confederate troops. As the occupying rebel forces were marching out of Frederick in September 1862, Dame Fritchie, then 95, was said to have waved a Union flag from her upstairs window…[which] was immortalized in an 1863 poem by John Greenleaf Whittier.\" \"My Maryland\" opened in New York City to moderate success, but quickly fell out of the zeitgeist. \u003c/p\u003e\n","\u003cp\u003eDorothy Donnelly was an American stage and film actress, librettist, and playwright. Born in 1876, she first achieved fame by playing the lead role of Jacqueline in the play \"Madame X\" and later reprised the same role on film. \"Blossom Time\" was her first huge success writing a play, and was her first collaboration with Romberg. Donnelly went on to write other productions like \"Poppy\" and \"The Student Prince.\" \"My Maryland\" was her last creative work. She passed away a year after its premiere in 1928.\u003c/p\u003e\n","\u003cp\u003eSigmund Romberg, born in 1887, was a successful Hungarian-American composer. In addition to \"My Maryland,\" Romberg was famously known for the Broadway operettas \"The Desert Song,\" \"Blossom Time,\" and \"The Student Prince.\" The latter two were also collaborations with Dorothy Donnelly. Romberg's career later shifted to composing film scores. Romberg passed away in 1951.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["\"My Maryland\" was an American operetta from 1927 with book and lyrics by Dorothy Donnelly and music by Sigmund Romberg. It was based off of the 1899 play \"Barbara Frietchie\" by Clyde Fitch. \"My Maryland\" is set during the American Civil War in Frederick, Maryland and is based on the historical figure Barbara Fritchie (last name spelling varies). Fritichie is a folk hero of the Civil War, whose legend is described by the Barbara Fritchie House website as follows: \"A Unionist during the Civil War, [Fritchie] is best known for her folkloric defiance in the face of Confederate troops. As the occupying rebel forces were marching out of Frederick in September 1862, Dame Fritchie, then 95, was said to have waved a Union flag from her upstairs window…[which] was immortalized in an 1863 poem by John Greenleaf Whittier.\" \"My Maryland\" opened in New York City to moderate success, but quickly fell out of the zeitgeist. ","Dorothy Donnelly was an American stage and film actress, librettist, and playwright. Born in 1876, she first achieved fame by playing the lead role of Jacqueline in the play \"Madame X\" and later reprised the same role on film. \"Blossom Time\" was her first huge success writing a play, and was her first collaboration with Romberg. Donnelly went on to write other productions like \"Poppy\" and \"The Student Prince.\" \"My Maryland\" was her last creative work. She passed away a year after its premiere in 1928.","Sigmund Romberg, born in 1887, was a successful Hungarian-American composer. In addition to \"My Maryland,\" Romberg was famously known for the Broadway operettas \"The Desert Song,\" \"Blossom Time,\" and \"The Student Prince.\" The latter two were also collaborations with Dorothy Donnelly. Romberg's career later shifted to composing film scores. Romberg passed away in 1951."],"prefercite_html_tesm":["\u003cp\u003e\"My Maryland\" operetta stage guide and score manuscripts, C0487, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["\"My Maryland\" operetta stage guide and score manuscripts, C0487, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in July 2021. EAD markup completed by Amanda Brent in July 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in July 2021. EAD markup completed by Amanda Brent in July 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003e\nThe Special Collections Research Center holds many other collections on the performing arts, including materials on American musicals, opera, and operettas.\u003c/p\u003e\n","\u003cp\u003eThe University of Arizona Special Collections holds the American Vaudeville Museum Archive which contains \u003cextptr show=\"new\" title=\"materials related to Dorothy Donnelly\" href=\"https://vaudeville.library.arizona.edu/?s=dorothy+donnelly\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Music Division of the New York Public Library holds the \u003cextptr show=\"new\" title=\"Sigmund Romberg collection\" href=\"https://archives.nypl.org/mus/19916\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["\nThe Special Collections Research Center holds many other collections on the performing arts, including materials on American musicals, opera, and operettas.","The University of Arizona Special Collections holds the American Vaudeville Museum Archive which contains  .","The Music Division of the New York Public Library holds the  ."],"scopecontent_html_tesm":["\u003cp\u003ePiano/vocal score and stage guide to the operetta \"My Maryland\" by Dorothy Donnelly and Sigmund Romberg, both created circa 1929. Both volumes originated from Century Library, Inc. of New York, NY. The piano/vocal score contains music and lyrics for all musical numbers in the operetta. The stage guide contains drawing of sets, blocking guides, lighting plots, and the full script. Each volume is spiral bound with printed pages and handwritten additions and notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["Piano/vocal score and stage guide to the operetta \"My Maryland\" by Dorothy Donnelly and Sigmund Romberg, both created circa 1929. Both volumes originated from Century Library, Inc. of New York, NY. The piano/vocal score contains music and lyrics for all musical numbers in the operetta. The stage guide contains drawing of sets, blocking guides, lighting plots, and the full script. Each volume is spiral bound with printed pages and handwritten additions and notes."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f6f6fbd288f3a405d248b5fd4484d0a0\" label=\"Abstract\"\u003ePiano/vocal score and stage guide to the operetta \"My Maryland\" by Dorothy Donnelly and Sigmund Romberg, both created circa 1929. Both volumes originated from Century Library, Inc. of New York, NY.\u003c/abstract\u003e"],"abstract_tesim":["Piano/vocal score and stage guide to the operetta \"My Maryland\" by Dorothy Donnelly and Sigmund Romberg, both created circa 1929. Both volumes originated from Century Library, Inc. of New York, NY."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Donnelly, Dorothy, 1880-1928","Romberg, Sigmund, 1887-1951"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Donnelly, Dorothy, 1880-1928","Romberg, Sigmund, 1887-1951"],"persname_ssim":["Donnelly, Dorothy, 1880-1928","Romberg, Sigmund, 1887-1951"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:33:57.755Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_569","ead_ssi":"vifgm_repositories_2_resources_569","_root_":"vifgm_repositories_2_resources_569","_nest_parent_":"vifgm_repositories_2_resources_569","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_569.xml","title_ssm":["\"My Maryland\" operetta stage guide and score manuscripts"],"title_tesim":["\"My Maryland\" operetta stage guide and score manuscripts"],"unitdate_ssm":["circa 1929"],"unitdate_other_ssim":["circa 1929"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0487","/repositories/2/resources/569"],"text":["C0487","/repositories/2/resources/569","\"My Maryland\" operetta stage guide and score manuscripts","Music","Operetta","Theater","There are no access restrictions.","This is a two folder collection.","Britannica, T. Editors of Encyclopaedia. \"Sigmund Romberg.\" Encyclopedia Britannica, accessed July 3, 2021. https://www.britannica.com/biography/Sigmund-Romberg.","\"History.\" Barbara Fritchie House, 2021. Accessed July 23, 2021. https://barbarafritchie.org/history/.","\"Dorothy Donnelly, Dramatist, Dies.\" The New York Times, January 4, 1928. Accessed July 23, 2021. https://timesmachine.nytimes.com/timesmachine/1928/01/04/94116349.pdf?pdf_redirect=true\u0026ip=0.","\"Your Land and My Land.\" 1983.0692.13  National Museum of American History, Behring Center, accessed July 23, 2021. https://americanhistory.si.edu/collections/search/object/nmah_679618.","\"My Maryland\" was an American operetta from 1927 with book and lyrics by Dorothy Donnelly and music by Sigmund Romberg. It was based off of the 1899 play \"Barbara Frietchie\" by Clyde Fitch. \"My Maryland\" is set during the American Civil War in Frederick, Maryland and is based on the historical figure Barbara Fritchie (last name spelling varies). Fritichie is a folk hero of the Civil War, whose legend is described by the Barbara Fritchie House website as follows: \"A Unionist during the Civil War, [Fritchie] is best known for her folkloric defiance in the face of Confederate troops. As the occupying rebel forces were marching out of Frederick in September 1862, Dame Fritchie, then 95, was said to have waved a Union flag from her upstairs window…[which] was immortalized in an 1863 poem by John Greenleaf Whittier.\" \"My Maryland\" opened in New York City to moderate success, but quickly fell out of the zeitgeist. ","Dorothy Donnelly was an American stage and film actress, librettist, and playwright. Born in 1876, she first achieved fame by playing the lead role of Jacqueline in the play \"Madame X\" and later reprised the same role on film. \"Blossom Time\" was her first huge success writing a play, and was her first collaboration with Romberg. Donnelly went on to write other productions like \"Poppy\" and \"The Student Prince.\" \"My Maryland\" was her last creative work. She passed away a year after its premiere in 1928.","Sigmund Romberg, born in 1887, was a successful Hungarian-American composer. In addition to \"My Maryland,\" Romberg was famously known for the Broadway operettas \"The Desert Song,\" \"Blossom Time,\" and \"The Student Prince.\" The latter two were also collaborations with Dorothy Donnelly. Romberg's career later shifted to composing film scores. Romberg passed away in 1951.","Processing completed by Amanda Brent in July 2021. EAD markup completed by Amanda Brent in July 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","\nThe Special Collections Research Center holds many other collections on the performing arts, including materials on American musicals, opera, and operettas.","The University of Arizona Special Collections holds the American Vaudeville Museum Archive which contains  .","The Music Division of the New York Public Library holds the  .","Piano/vocal score and stage guide to the operetta \"My Maryland\" by Dorothy Donnelly and Sigmund Romberg, both created circa 1929. Both volumes originated from Century Library, Inc. of New York, NY. The piano/vocal score contains music and lyrics for all musical numbers in the operetta. The stage guide contains drawing of sets, blocking guides, lighting plots, and the full script. Each volume is spiral bound with printed pages and handwritten additions and notes.","Public Domain. There are no known restrictions.","Piano/vocal score and stage guide to the operetta \"My Maryland\" by Dorothy Donnelly and Sigmund Romberg, both created circa 1929. Both volumes originated from Century Library, Inc. of New York, NY.","George Mason University. Libraries. Special Collections Research Center","Donnelly, Dorothy, 1880-1928","Romberg, Sigmund, 1887-1951","English"],"unitid_tesim":["C0487","/repositories/2/resources/569"],"normalized_title_ssm":["\"My Maryland\" operetta stage guide and score manuscripts"],"collection_title_tesim":["\"My Maryland\" operetta stage guide and score manuscripts"],"collection_ssim":["\"My Maryland\" operetta stage guide and score manuscripts"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Steve Gerber from J \u0026 J Lubrano Music Antiquarians in July 2017."],"access_subjects_ssim":["Music","Operetta","Theater"],"access_subjects_ssm":["Music","Operetta","Theater"],"has_online_content_ssim":["false"],"extent_ssm":[".02 Linear Feet 2 folders"],"extent_tesim":[".02 Linear Feet 2 folders"],"date_range_isim":[1929],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a two folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a two folder collection."],"bibliography_html_tesm":["\u003cp\u003eBritannica, T. Editors of Encyclopaedia. \"Sigmund Romberg.\" Encyclopedia Britannica, accessed July 3, 2021. https://www.britannica.com/biography/Sigmund-Romberg.\u003c/p\u003e\n","\u003cp\u003e\"History.\" Barbara Fritchie House, 2021. Accessed July 23, 2021. https://barbarafritchie.org/history/.\u003c/p\u003e\n","\u003cp\u003e\"Dorothy Donnelly, Dramatist, Dies.\" The New York Times, January 4, 1928. Accessed July 23, 2021. https://timesmachine.nytimes.com/timesmachine/1928/01/04/94116349.pdf?pdf_redirect=true\u0026amp;ip=0.\u003c/p\u003e\n","\u003cp\u003e\"Your Land and My Land.\" 1983.0692.13  National Museum of American History, Behring Center, accessed July 23, 2021. https://americanhistory.si.edu/collections/search/object/nmah_679618.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Britannica, T. Editors of Encyclopaedia. \"Sigmund Romberg.\" Encyclopedia Britannica, accessed July 3, 2021. https://www.britannica.com/biography/Sigmund-Romberg.","\"History.\" Barbara Fritchie House, 2021. Accessed July 23, 2021. https://barbarafritchie.org/history/.","\"Dorothy Donnelly, Dramatist, Dies.\" The New York Times, January 4, 1928. Accessed July 23, 2021. https://timesmachine.nytimes.com/timesmachine/1928/01/04/94116349.pdf?pdf_redirect=true\u0026ip=0.","\"Your Land and My Land.\" 1983.0692.13  National Museum of American History, Behring Center, accessed July 23, 2021. https://americanhistory.si.edu/collections/search/object/nmah_679618."],"bioghist_html_tesm":["\u003cp\u003e\"My Maryland\" was an American operetta from 1927 with book and lyrics by Dorothy Donnelly and music by Sigmund Romberg. It was based off of the 1899 play \"Barbara Frietchie\" by Clyde Fitch. \"My Maryland\" is set during the American Civil War in Frederick, Maryland and is based on the historical figure Barbara Fritchie (last name spelling varies). Fritichie is a folk hero of the Civil War, whose legend is described by the Barbara Fritchie House website as follows: \"A Unionist during the Civil War, [Fritchie] is best known for her folkloric defiance in the face of Confederate troops. As the occupying rebel forces were marching out of Frederick in September 1862, Dame Fritchie, then 95, was said to have waved a Union flag from her upstairs window…[which] was immortalized in an 1863 poem by John Greenleaf Whittier.\" \"My Maryland\" opened in New York City to moderate success, but quickly fell out of the zeitgeist. \u003c/p\u003e\n","\u003cp\u003eDorothy Donnelly was an American stage and film actress, librettist, and playwright. Born in 1876, she first achieved fame by playing the lead role of Jacqueline in the play \"Madame X\" and later reprised the same role on film. \"Blossom Time\" was her first huge success writing a play, and was her first collaboration with Romberg. Donnelly went on to write other productions like \"Poppy\" and \"The Student Prince.\" \"My Maryland\" was her last creative work. She passed away a year after its premiere in 1928.\u003c/p\u003e\n","\u003cp\u003eSigmund Romberg, born in 1887, was a successful Hungarian-American composer. In addition to \"My Maryland,\" Romberg was famously known for the Broadway operettas \"The Desert Song,\" \"Blossom Time,\" and \"The Student Prince.\" The latter two were also collaborations with Dorothy Donnelly. Romberg's career later shifted to composing film scores. 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As the occupying rebel forces were marching out of Frederick in September 1862, Dame Fritchie, then 95, was said to have waved a Union flag from her upstairs window…[which] was immortalized in an 1863 poem by John Greenleaf Whittier.\" \"My Maryland\" opened in New York City to moderate success, but quickly fell out of the zeitgeist. ","Dorothy Donnelly was an American stage and film actress, librettist, and playwright. Born in 1876, she first achieved fame by playing the lead role of Jacqueline in the play \"Madame X\" and later reprised the same role on film. \"Blossom Time\" was her first huge success writing a play, and was her first collaboration with Romberg. Donnelly went on to write other productions like \"Poppy\" and \"The Student Prince.\" \"My Maryland\" was her last creative work. She passed away a year after its premiere in 1928.","Sigmund Romberg, born in 1887, was a successful Hungarian-American composer. In addition to \"My Maryland,\" Romberg was famously known for the Broadway operettas \"The Desert Song,\" \"Blossom Time,\" and \"The Student Prince.\" The latter two were also collaborations with Dorothy Donnelly. Romberg's career later shifted to composing film scores. Romberg passed away in 1951."],"prefercite_html_tesm":["\u003cp\u003e\"My Maryland\" operetta stage guide and score manuscripts, C0487, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["\"My Maryland\" operetta stage guide and score manuscripts, C0487, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in July 2021. EAD markup completed by Amanda Brent in July 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in July 2021. EAD markup completed by Amanda Brent in July 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003e\nThe Special Collections Research Center holds many other collections on the performing arts, including materials on American musicals, opera, and operettas.\u003c/p\u003e\n","\u003cp\u003eThe University of Arizona Special Collections holds the American Vaudeville Museum Archive which contains \u003cextptr show=\"new\" title=\"materials related to Dorothy Donnelly\" href=\"https://vaudeville.library.arizona.edu/?s=dorothy+donnelly\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Music Division of the New York Public Library holds the \u003cextptr show=\"new\" title=\"Sigmund Romberg collection\" href=\"https://archives.nypl.org/mus/19916\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["\nThe Special Collections Research Center holds many other collections on the performing arts, including materials on American musicals, opera, and operettas.","The University of Arizona Special Collections holds the American Vaudeville Museum Archive which contains  .","The Music Division of the New York Public Library holds the  ."],"scopecontent_html_tesm":["\u003cp\u003ePiano/vocal score and stage guide to the operetta \"My Maryland\" by Dorothy Donnelly and Sigmund Romberg, both created circa 1929. Both volumes originated from Century Library, Inc. of New York, NY. The piano/vocal score contains music and lyrics for all musical numbers in the operetta. The stage guide contains drawing of sets, blocking guides, lighting plots, and the full script. Each volume is spiral bound with printed pages and handwritten additions and notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content Note"],"scopecontent_tesim":["Piano/vocal score and stage guide to the operetta \"My Maryland\" by Dorothy Donnelly and Sigmund Romberg, both created circa 1929. Both volumes originated from Century Library, Inc. of New York, NY. The piano/vocal score contains music and lyrics for all musical numbers in the operetta. The stage guide contains drawing of sets, blocking guides, lighting plots, and the full script. Each volume is spiral bound with printed pages and handwritten additions and notes."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f6f6fbd288f3a405d248b5fd4484d0a0\" label=\"Abstract\"\u003ePiano/vocal score and stage guide to the operetta \"My Maryland\" by Dorothy Donnelly and Sigmund Romberg, both created circa 1929. Both volumes originated from Century Library, Inc. of New York, NY.\u003c/abstract\u003e"],"abstract_tesim":["Piano/vocal score and stage guide to the operetta \"My Maryland\" by Dorothy Donnelly and Sigmund Romberg, both created circa 1929. Both volumes originated from Century Library, Inc. of New York, NY."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Donnelly, Dorothy, 1880-1928","Romberg, Sigmund, 1887-1951"],"corpname_ssim":["George Mason University. Libraries. 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Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_37","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_37.xml","title_filing_ssi":"North American 19th century theatre broadside collection","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081","/repositories/2/resources/37"],"text":["C0081","/repositories/2/resources/37","North American 19th century theatre broadside collection","Boston (Mass.) ","New York (N.Y.) ","Canada","Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters","There are no access restrictions.","Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series Series 1: National Theatre of Boston, 1850-1857 (Box 1) Series 2: Boston Museum, 1852-1858 (Box 1) Series 3: Boston Theatre, 1854-1858 (Box 1) Series 4: Howard Anthenaeum, 1851-1857 (Box 1) Series 5: Boston Academy of Music, 1860 (Box 1) Series 6: Canada and New York City, 1855-1867 (Box 1) Series 7: Boston and New York City, 1850s-1860s (Box 1)"," Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. "," Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. ","Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.","The Special Collections Research CEnter also holds many other  .","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. ","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. ","Public domain. There are no known restrictions.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","R29, C4, S1","George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum","English"],"unitid_tesim":["C0081","/repositories/2/resources/37"],"normalized_title_ssm":["North American 19th century theatre broadside collection"],"collection_title_tesim":["North American 19th century theatre broadside collection"],"collection_ssim":["North American 19th century theatre broadside collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Boston (Mass.) ","New York (N.Y.) ","Canada"],"geogname_ssim":["Boston (Mass.) ","New York (N.Y.) ","Canada"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. 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There are no known restrictions."],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"access_subjects_ssm":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"genreform_ssim":["Broadsides -- 1850-1870","Theatrical posters"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into seven series predominantly by venue. Some single broadsides grouped together.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series Series 1: National Theatre of Boston, 1850-1857 (Box 1) Series 2: Boston Museum, 1852-1858 (Box 1) Series 3: Boston Theatre, 1854-1858 (Box 1) Series 4: Howard Anthenaeum, 1851-1857 (Box 1) Series 5: Boston Academy of Music, 1860 (Box 1) Series 6: Canada and New York City, 1855-1867 (Box 1) Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. \u003c/p\u003e\n","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":[" Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. "," Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. "],"prefercite_html_tesm":["\u003cp\u003eNorth American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["North American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman. EAD markup completed by Kate Norman in April 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research CEnter also holds many other \u003cextptr show=\"new\" title=\"theatre collections\" href=\"https://aspace.gmu.edu/subjects/sh85134522\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research CEnter also holds many other  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \u003c/p\u003e\n","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. ","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. "],"userestrict_html_tesm":["\u003cp\u003ePublic domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d05ea848f0d59764ae39f991551616c8\" label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32a9d920136e071738de0b78dff77807\"\u003eR29, C4, S1\u003c/physloc\u003e"],"physloc_tesim":["R29, C4, S1"],"names_coll_ssim":["Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:37:55.284Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_37","ead_ssi":"vifgm_repositories_2_resources_37","_root_":"vifgm_repositories_2_resources_37","_nest_parent_":"vifgm_repositories_2_resources_37","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_37.xml","title_filing_ssi":"North American 19th century theatre broadside collection","title_ssm":["North American 19th century theatre broadside collection"],"title_tesim":["North American 19th century theatre broadside collection"],"unitdate_ssm":["1850-1867"],"unitdate_inclusive_ssm":["1850-1867"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0081","/repositories/2/resources/37"],"text":["C0081","/repositories/2/resources/37","North American 19th century theatre broadside collection","Boston (Mass.) ","New York (N.Y.) ","Canada","Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters","There are no access restrictions.","Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series Series 1: National Theatre of Boston, 1850-1857 (Box 1) Series 2: Boston Museum, 1852-1858 (Box 1) Series 3: Boston Theatre, 1854-1858 (Box 1) Series 4: Howard Anthenaeum, 1851-1857 (Box 1) Series 5: Boston Academy of Music, 1860 (Box 1) Series 6: Canada and New York City, 1855-1867 (Box 1) Series 7: Boston and New York City, 1850s-1860s (Box 1)"," Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. "," Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. ","Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.","The Special Collections Research CEnter also holds many other  .","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. ","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. ","Public domain. There are no known restrictions.","This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.","R29, C4, S1","George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum","English"],"unitid_tesim":["C0081","/repositories/2/resources/37"],"normalized_title_ssm":["North American 19th century theatre broadside collection"],"collection_title_tesim":["North American 19th century theatre broadside collection"],"collection_ssim":["North American 19th century theatre broadside collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Boston (Mass.) ","New York (N.Y.) ","Canada"],"geogname_ssim":["Boston (Mass.) ","New York (N.Y.) ","Canada"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. 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There are no known restrictions."],"acqinfo_ssim":["Purchased in 2008."],"access_subjects_ssim":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"access_subjects_ssm":["Theater","Theater -- United States","Theater -- New York (State) -- New York","Performing arts","Broadsides -- 1850-1870","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"genreform_ssim":["Broadsides -- 1850-1870","Theatrical posters"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into seven series predominantly by venue. Some single broadsides grouped together.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: National Theatre of Boston, 1850-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Boston Museum, 1852-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Boston Theatre, 1854-1858 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Howard Anthenaeum, 1851-1857 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Boston Academy of Music, 1860 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Canada and New York City, 1855-1867 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 7: Boston and New York City, 1850s-1860s (Box 1)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into seven series predominantly by venue. Some single broadsides grouped together.","Series Series 1: National Theatre of Boston, 1850-1857 (Box 1) Series 2: Boston Museum, 1852-1858 (Box 1) Series 3: Boston Theatre, 1854-1858 (Box 1) Series 4: Howard Anthenaeum, 1851-1857 (Box 1) Series 5: Boston Academy of Music, 1860 (Box 1) Series 6: Canada and New York City, 1855-1867 (Box 1) Series 7: Boston and New York City, 1850s-1860s (Box 1)"],"bioghist_html_tesm":["\u003cp\u003e Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. \u003c/p\u003e\n","\u003cp\u003e Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":[" Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century. "," Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees. "],"prefercite_html_tesm":["\u003cp\u003eNorth American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["North American 19th century theatre broadside collection, C0081, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kate Norman. EAD markup completed by Kate Norman in April 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research CEnter also holds many other \u003cextptr show=\"new\" title=\"theatre collections\" href=\"https://aspace.gmu.edu/subjects/sh85134522\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research CEnter also holds many other  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. \u003c/p\u003e\n","\u003cp\u003eMost of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall. ","Most of the broadsides measure approximately 7\" x 19\", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man. "],"userestrict_html_tesm":["\u003cp\u003ePublic domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d05ea848f0d59764ae39f991551616c8\" label=\"Abstract\"\u003eThis collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_32a9d920136e071738de0b78dff77807\"\u003eR29, C4, S1\u003c/physloc\u003e"],"physloc_tesim":["R29, C4, S1"],"names_coll_ssim":["Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Boston Museum and Gallery of Fine Arts","Boston Theatre (Washington Street, Boston, Mass.)","Howard Athenaeum"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:37:55.284Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_37"}},{"id":"viw_repositories_2_resources_7496","type":"collection","attributes":{"title":"Parke Shepherd Rouse, Jr. Papers","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_7496#creator","type":"document_value","attributes":{"value":"Rouse, Parke Shepherd, Jr.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_7496#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eProfessional and personal papers of Parke Shepherd Rouse, Jr. who was a newspaper writer and columnist and an author of books on Virginia. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_7496#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_7496","ead_ssi":"viw_repositories_2_resources_7496","_root_":"viw_repositories_2_resources_7496","_nest_parent_":"viw_repositories_2_resources_7496","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_7496.xml","title_filing_ssi":"Rouse, Parke, Jr. Papers","title_ssm":["Parke Shepherd Rouse, Jr. Papers"],"title_tesim":["Parke Shepherd Rouse, Jr. Papers"],"unitdate_ssm":["1930-1998"],"unitdate_inclusive_ssm":["1930-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 71 R75","/repositories/2/resources/7496"],"text":["Mss. 71 R75","/repositories/2/resources/7496","Parke Shepherd Rouse, Jr. Papers","Virginia--History--Civil War, 1861-1865","Virginia--History--Colonial period, ca. 1600-1775","Virginia--History--20th century","Williamsburg (Va.)--Photographs","Virginia--Social life and customs","Virginia--History","Authors, American--20th century","Theater","World War, 1939-1945","Washington and Lee University","United States. Navy--History--20th century","Education, Higher--Virginia--History","Manuscripts (document genre)","Newspaper columns","Photographs","Playbills","Programs","Research notes","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","http://scrc.swem.wm.edu/wiki/index.php/Parke Rouse, Jr.","Jamestown Festival Park Scrapbooks (Mss 1996.48). Scrapbooks of newsclippings and some photographs about  Jamestown Festival Park  beginning in 1955 for the 350th anniversary of Jamestown.","David Edward Cronin's \"The Vest Mansion\", 1908-1910\nMss. Acc. 1996.32 and Acc. 1997.11.","Professional and personal papers of Parke Shepherd Rouse, Jr. who was a newspaper writer and columnist and an author of books on Virginia.  ","His personal correspondence covers his college years at Washington and Lee University; his years in the Navy during World War II; his early career while working in Richmond, Virginia and Newport News, Virginia; and his business affairs.  His college and Navy letters include not only the letters he wrote home, but the letters he received from family and friends.  Memorabilia, articles and official papers from his time in the Navy are also included. His personal papers include material on his leadership roles in the Jamestown Festival and Colonial Records Project, among others.  Sixty-four playbills from the 1930's and 1940's are also part of this collection.","His professional papers include his notes, research, drafts, transcripts, notecards, photographs, clippings, correspondence, financial material and copies/drafts of his books, articles and columns.  The material includes copies of his Sunday feature column in the Daily Press which were vignettes of people, places and the history of Virginia, mostly in the Williamsburg and Tidewater area from the 17th to the 20th century.  Some notes and research are for books and articles that he never wrote or published, mostly about late 18th century and early 19th century famous people, places and events in Virginia.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Daily Press (Hampton Roads, Va.)","Simpson family","Rouse, Parke Shepherd, Jr.","Ford, Gerald R., 1913-2006","Meade, Robert Douthat, 1903-1974","Blair, James, 1656-1743","English"],"unitid_tesim":["Mss. 71 R75","/repositories/2/resources/7496"],"normalized_title_ssm":["Parke Shepherd Rouse, Jr. Papers"],"collection_title_tesim":["Parke Shepherd Rouse, Jr. Papers"],"collection_ssim":["Parke Shepherd Rouse, Jr. Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--History--Civil War, 1861-1865","Virginia--History--Colonial period, ca. 1600-1775","Virginia--History--20th century","Williamsburg (Va.)--Photographs","Virginia--Social life and customs","Virginia--History"],"geogname_ssim":["Virginia--History--Civil War, 1861-1865","Virginia--History--Colonial period, ca. 1600-1775","Virginia--History--20th century","Williamsburg (Va.)--Photographs","Virginia--Social life and customs","Virginia--History"],"creator_ssm":["Rouse, Parke Shepherd, Jr.","Ford, Gerald R., 1913-2006","Meade, Robert Douthat, 1903-1974","Simpson family"],"creator_ssim":["Rouse, Parke Shepherd, Jr.","Ford, Gerald R., 1913-2006","Meade, Robert Douthat, 1903-1974","Simpson family"],"creator_persname_ssim":["Rouse, Parke Shepherd, Jr.","Ford, Gerald R., 1913-2006","Meade, Robert Douthat, 1903-1974"],"creator_famname_ssim":["Simpson family"],"creators_ssim":["Rouse, Parke Shepherd, Jr.","Ford, Gerald R., 1913-2006","Meade, Robert Douthat, 1903-1974","Simpson family"],"places_ssim":["Virginia--History--Civil War, 1861-1865","Virginia--History--Colonial period, ca. 1600-1775","Virginia--History--20th century","Williamsburg (Va.)--Photographs","Virginia--Social life and customs","Virginia--History"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts: 12/1/1971; 03/01/1976; 02/21/1978; 3/22/1982; 11/17/1982; 05/19/1998; 07/07/1998; 12/16/1998; 03/01/1999 1998.19 and 1998.31 Gifts of Mrs. Parke Rouse."],"access_subjects_ssim":["Authors, American--20th century","Theater","World War, 1939-1945","Washington and Lee University","United States. Navy--History--20th century","Education, Higher--Virginia--History","Manuscripts (document genre)","Newspaper columns","Photographs","Playbills","Programs","Research notes"],"access_subjects_ssm":["Authors, American--20th century","Theater","World War, 1939-1945","Washington and Lee University","United States. Navy--History--20th century","Education, Higher--Virginia--History","Manuscripts (document genre)","Newspaper columns","Photographs","Playbills","Programs","Research notes"],"has_online_content_ssim":["false"],"extent_ssm":["18.50 Linear Feet"],"extent_tesim":["18.50 Linear Feet"],"genreform_ssim":["Manuscripts (document genre)","Newspaper columns","Photographs","Playbills","Programs","Research notes"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003ca href=\"http://scrc.swem.wm.edu/wiki/index.php/Parke%20Rouse,%20Jr.\"\u003ehttp://scrc.swem.wm.edu/wiki/index.php/Parke Rouse, Jr.\u003c/a\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["http://scrc.swem.wm.edu/wiki/index.php/Parke Rouse, Jr."],"prefercite_html_tesm":["\u003cp\u003eParke Shepherd Rouse, Jr. Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Parke Shepherd Rouse, Jr. Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eJamestown Festival Park Scrapbooks (Mss 1996.48). Scrapbooks of newsclippings and some photographs about  Jamestown Festival Park  beginning in 1955 for the 350th anniversary of Jamestown.\u003c/p\u003e","\u003cp\u003eDavid Edward Cronin's \"The Vest Mansion\", 1908-1910\nMss. Acc. 1996.32 and Acc. 1997.11.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Other Parke Rouse Gifts","Other Parke Rouse Gifts"],"relatedmaterial_tesim":["Jamestown Festival Park Scrapbooks (Mss 1996.48). Scrapbooks of newsclippings and some photographs about  Jamestown Festival Park  beginning in 1955 for the 350th anniversary of Jamestown.","David Edward Cronin's \"The Vest Mansion\", 1908-1910\nMss. Acc. 1996.32 and Acc. 1997.11."],"scopecontent_html_tesm":["\u003cp\u003eProfessional and personal papers of Parke Shepherd Rouse, Jr. who was a newspaper writer and columnist and an author of books on Virginia.  \u003c/p\u003e\n","\u003cp\u003eHis personal correspondence covers his college years at Washington and Lee University; his years in the Navy during World War II; his early career while working in Richmond, Virginia and Newport News, Virginia; and his business affairs.  His college and Navy letters include not only the letters he wrote home, but the letters he received from family and friends.  Memorabilia, articles and official papers from his time in the Navy are also included. His personal papers include material on his leadership roles in the Jamestown Festival and Colonial Records Project, among others.  Sixty-four playbills from the 1930's and 1940's are also part of this collection.\u003c/p\u003e\n","\u003cp\u003eHis professional papers include his notes, research, drafts, transcripts, notecards, photographs, clippings, correspondence, financial material and copies/drafts of his books, articles and columns.  The material includes copies of his Sunday feature column in the Daily Press which were vignettes of people, places and the history of Virginia, mostly in the Williamsburg and Tidewater area from the 17th to the 20th century.  Some notes and research are for books and articles that he never wrote or published, mostly about late 18th century and early 19th century famous people, places and events in Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Professional and personal papers of Parke Shepherd Rouse, Jr. who was a newspaper writer and columnist and an author of books on Virginia.  ","His personal correspondence covers his college years at Washington and Lee University; his years in the Navy during World War II; his early career while working in Richmond, Virginia and Newport News, Virginia; and his business affairs.  His college and Navy letters include not only the letters he wrote home, but the letters he received from family and friends.  Memorabilia, articles and official papers from his time in the Navy are also included. His personal papers include material on his leadership roles in the Jamestown Festival and Colonial Records Project, among others.  Sixty-four playbills from the 1930's and 1940's are also part of this collection.","His professional papers include his notes, research, drafts, transcripts, notecards, photographs, clippings, correspondence, financial material and copies/drafts of his books, articles and columns.  The material includes copies of his Sunday feature column in the Daily Press which were vignettes of people, places and the history of Virginia, mostly in the Williamsburg and Tidewater area from the 17th to the 20th century.  Some notes and research are for books and articles that he never wrote or published, mostly about late 18th century and early 19th century famous people, places and events in Virginia."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Daily Press (Hampton Roads, Va.)","Blair, James, 1656-1743"],"names_ssim":["Special Collections Research Center","Daily Press (Hampton Roads, Va.)","Simpson family","Rouse, Parke Shepherd, Jr.","Ford, Gerald R., 1913-2006","Meade, Robert Douthat, 1903-1974","Blair, James, 1656-1743"],"corpname_ssim":["Special Collections Research Center","Daily Press (Hampton Roads, Va.)"],"famname_ssim":["Simpson family"],"persname_ssim":["Rouse, Parke Shepherd, Jr.","Ford, Gerald R., 1913-2006","Meade, Robert Douthat, 1903-1974","Blair, James, 1656-1743"],"language_ssim":["English"],"total_component_count_is":446,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-09T07:08:10.616Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_7496","ead_ssi":"viw_repositories_2_resources_7496","_root_":"viw_repositories_2_resources_7496","_nest_parent_":"viw_repositories_2_resources_7496","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_7496.xml","title_filing_ssi":"Rouse, Parke, Jr. Papers","title_ssm":["Parke Shepherd Rouse, Jr. Papers"],"title_tesim":["Parke Shepherd Rouse, Jr. Papers"],"unitdate_ssm":["1930-1998"],"unitdate_inclusive_ssm":["1930-1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 71 R75","/repositories/2/resources/7496"],"text":["Mss. 71 R75","/repositories/2/resources/7496","Parke Shepherd Rouse, Jr. Papers","Virginia--History--Civil War, 1861-1865","Virginia--History--Colonial period, ca. 1600-1775","Virginia--History--20th century","Williamsburg (Va.)--Photographs","Virginia--Social life and customs","Virginia--History","Authors, American--20th century","Theater","World War, 1939-1945","Washington and Lee University","United States. Navy--History--20th century","Education, Higher--Virginia--History","Manuscripts (document genre)","Newspaper columns","Photographs","Playbills","Programs","Research notes","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","http://scrc.swem.wm.edu/wiki/index.php/Parke Rouse, Jr.","Jamestown Festival Park Scrapbooks (Mss 1996.48). Scrapbooks of newsclippings and some photographs about  Jamestown Festival Park  beginning in 1955 for the 350th anniversary of Jamestown.","David Edward Cronin's \"The Vest Mansion\", 1908-1910\nMss. Acc. 1996.32 and Acc. 1997.11.","Professional and personal papers of Parke Shepherd Rouse, Jr. who was a newspaper writer and columnist and an author of books on Virginia.  ","His personal correspondence covers his college years at Washington and Lee University; his years in the Navy during World War II; his early career while working in Richmond, Virginia and Newport News, Virginia; and his business affairs.  His college and Navy letters include not only the letters he wrote home, but the letters he received from family and friends.  Memorabilia, articles and official papers from his time in the Navy are also included. His personal papers include material on his leadership roles in the Jamestown Festival and Colonial Records Project, among others.  Sixty-four playbills from the 1930's and 1940's are also part of this collection.","His professional papers include his notes, research, drafts, transcripts, notecards, photographs, clippings, correspondence, financial material and copies/drafts of his books, articles and columns.  The material includes copies of his Sunday feature column in the Daily Press which were vignettes of people, places and the history of Virginia, mostly in the Williamsburg and Tidewater area from the 17th to the 20th century.  Some notes and research are for books and articles that he never wrote or published, mostly about late 18th century and early 19th century famous people, places and events in Virginia.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Daily Press (Hampton Roads, Va.)","Simpson family","Rouse, Parke Shepherd, Jr.","Ford, Gerald R., 1913-2006","Meade, Robert Douthat, 1903-1974","Blair, James, 1656-1743","English"],"unitid_tesim":["Mss. 71 R75","/repositories/2/resources/7496"],"normalized_title_ssm":["Parke Shepherd Rouse, Jr. Papers"],"collection_title_tesim":["Parke Shepherd Rouse, Jr. Papers"],"collection_ssim":["Parke Shepherd Rouse, Jr. Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--History--Civil War, 1861-1865","Virginia--History--Colonial period, ca. 1600-1775","Virginia--History--20th century","Williamsburg (Va.)--Photographs","Virginia--Social life and customs","Virginia--History"],"geogname_ssim":["Virginia--History--Civil War, 1861-1865","Virginia--History--Colonial period, ca. 1600-1775","Virginia--History--20th century","Williamsburg (Va.)--Photographs","Virginia--Social life and customs","Virginia--History"],"creator_ssm":["Rouse, Parke Shepherd, Jr.","Ford, Gerald R., 1913-2006","Meade, Robert Douthat, 1903-1974","Simpson family"],"creator_ssim":["Rouse, Parke Shepherd, Jr.","Ford, Gerald R., 1913-2006","Meade, Robert Douthat, 1903-1974","Simpson family"],"creator_persname_ssim":["Rouse, Parke Shepherd, Jr.","Ford, Gerald R., 1913-2006","Meade, Robert Douthat, 1903-1974"],"creator_famname_ssim":["Simpson family"],"creators_ssim":["Rouse, Parke Shepherd, Jr.","Ford, Gerald R., 1913-2006","Meade, Robert Douthat, 1903-1974","Simpson family"],"places_ssim":["Virginia--History--Civil War, 1861-1865","Virginia--History--Colonial period, ca. 1600-1775","Virginia--History--20th century","Williamsburg (Va.)--Photographs","Virginia--Social life and customs","Virginia--History"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts: 12/1/1971; 03/01/1976; 02/21/1978; 3/22/1982; 11/17/1982; 05/19/1998; 07/07/1998; 12/16/1998; 03/01/1999 1998.19 and 1998.31 Gifts of Mrs. Parke Rouse."],"access_subjects_ssim":["Authors, American--20th century","Theater","World War, 1939-1945","Washington and Lee University","United States. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003ca href=\"http://scrc.swem.wm.edu/wiki/index.php/Parke%20Rouse,%20Jr.\"\u003ehttp://scrc.swem.wm.edu/wiki/index.php/Parke Rouse, Jr.\u003c/a\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["http://scrc.swem.wm.edu/wiki/index.php/Parke Rouse, Jr."],"prefercite_html_tesm":["\u003cp\u003eParke Shepherd Rouse, Jr. Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Parke Shepherd Rouse, Jr. Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eJamestown Festival Park Scrapbooks (Mss 1996.48). 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Acc. 1996.32 and Acc. 1997.11."],"scopecontent_html_tesm":["\u003cp\u003eProfessional and personal papers of Parke Shepherd Rouse, Jr. who was a newspaper writer and columnist and an author of books on Virginia.  \u003c/p\u003e\n","\u003cp\u003eHis personal correspondence covers his college years at Washington and Lee University; his years in the Navy during World War II; his early career while working in Richmond, Virginia and Newport News, Virginia; and his business affairs.  His college and Navy letters include not only the letters he wrote home, but the letters he received from family and friends.  Memorabilia, articles and official papers from his time in the Navy are also included. His personal papers include material on his leadership roles in the Jamestown Festival and Colonial Records Project, among others.  Sixty-four playbills from the 1930's and 1940's are also part of this collection.\u003c/p\u003e\n","\u003cp\u003eHis professional papers include his notes, research, drafts, transcripts, notecards, photographs, clippings, correspondence, financial material and copies/drafts of his books, articles and columns.  The material includes copies of his Sunday feature column in the Daily Press which were vignettes of people, places and the history of Virginia, mostly in the Williamsburg and Tidewater area from the 17th to the 20th century.  Some notes and research are for books and articles that he never wrote or published, mostly about late 18th century and early 19th century famous people, places and events in Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Professional and personal papers of Parke Shepherd Rouse, Jr. who was a newspaper writer and columnist and an author of books on Virginia.  ","His personal correspondence covers his college years at Washington and Lee University; his years in the Navy during World War II; his early career while working in Richmond, Virginia and Newport News, Virginia; and his business affairs.  His college and Navy letters include not only the letters he wrote home, but the letters he received from family and friends.  Memorabilia, articles and official papers from his time in the Navy are also included. His personal papers include material on his leadership roles in the Jamestown Festival and Colonial Records Project, among others.  Sixty-four playbills from the 1930's and 1940's are also part of this collection.","His professional papers include his notes, research, drafts, transcripts, notecards, photographs, clippings, correspondence, financial material and copies/drafts of his books, articles and columns.  The material includes copies of his Sunday feature column in the Daily Press which were vignettes of people, places and the history of Virginia, mostly in the Williamsburg and Tidewater area from the 17th to the 20th century.  Some notes and research are for books and articles that he never wrote or published, mostly about late 18th century and early 19th century famous people, places and events in Virginia."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Daily Press (Hampton Roads, Va.)","Blair, James, 1656-1743"],"names_ssim":["Special Collections Research Center","Daily Press (Hampton Roads, Va.)","Simpson family","Rouse, Parke Shepherd, Jr.","Ford, Gerald R., 1913-2006","Meade, Robert Douthat, 1903-1974","Blair, James, 1656-1743"],"corpname_ssim":["Special Collections Research Center","Daily Press (Hampton Roads, Va.)"],"famname_ssim":["Simpson family"],"persname_ssim":["Rouse, Parke Shepherd, Jr.","Ford, Gerald R., 1913-2006","Meade, Robert Douthat, 1903-1974","Blair, James, 1656-1743"],"language_ssim":["English"],"total_component_count_is":446,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-09T07:08:10.616Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_7496"}},{"id":"vifgm_repositories_2_resources_637","type":"collection","attributes":{"title":"Porgy and Bess poster collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_637#creator","type":"document_value","attributes":{"value":"George Mason University. Special Collections Research Center.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_637#abstract_or_scope","type":"document_value","attributes":{"value":"Content warning: Racist imagery. This collection contains posters promoting the American National Theatre and Academy (ANTA)-sponsored production of the Gershwin opera \"Porgy and Bess\" as it toured various countries - mostly European - during the mid-1950s. It also contains poster mock-ups and artwork related to the production.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_637#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_637","ead_ssi":"vifgm_repositories_2_resources_637","_root_":"vifgm_repositories_2_resources_637","_nest_parent_":"vifgm_repositories_2_resources_637","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_637.xml","title_ssm":["Porgy and Bess poster collection"],"title_tesim":["Porgy and Bess poster collection"],"unitdate_ssm":["1952 - 1956"],"unitdate_inclusive_ssm":["1952 - 1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0145","/repositories/2/resources/637"],"text":["C0145","/repositories/2/resources/637","Porgy and Bess poster collection","African Americans","Opera","Performing arts","Musical Theater","Theater","Theatrical posters","There are no access restrictions.","This posters in this collection were digitized by Kelsey Kim from May-June 2024 and are available to access upon request.","The posters are arranged alphabetically by country and city where they were performed.","\"Porgy and Bess\" is a 1934 American \"folk opera\" by George and Ira Gershwin, based on the play \"Porgy\" by Dorothy Heyward, which was itself an adaptation of the novel \"Porgy and Bess\" by DuBose Heyward. The opera tells the story of Porgy, a disabled Black man living in Catfish Row, a slum of Charleston, South Carolina. Porgy encounters Bess, a Black woman wishing to escape an abusive relationship with her lover, Crown, and her drug dealer, Sportin' Life. The two eventually begin living together and fall in love, with many consequences ensuing. \"Porgy and Bess\" is considered a classic of American opera and is performed to this day.","From its premiere, \"Porgy and Bess\" was controversial, mostly for the story's treatment of Black characters and perpetuating racial stereotypes. It was overall a commercial failure and met with little critical success. In 1942 a Broadway revival brought it back to the American public's attention, and the opera begin to receive success, which cemented it as a cultural touchstone. Eventually a large European tour was undertaken by Robert Breen and Blevins Davis of ANTA, which lasted from 1952 - 1956, to monumental success. The tour visited 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. The production eventually toured the United States, also to great success.","Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Amanda Brent in April 2020. ","Reprocessed by Amanda Brent from October 2021 - February 2022. Finding aid completed by Amanda Brent in February 2022. Inventory updated September 2023.","The Special Collections Research Center also holds the   and the  . ","The New York Public Library, Archives and Manuscripts Division holds the  , which has materials from the United States ANTA tour.","Content warning: Racist imagery. This collection contains posters promoting the ANTA-sponsored production of \"Porgy and Bess\" as it toured various countries, mostly European, during the mid-1950s. It also includes poster mock-ups, drawings, and art related to the production.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Content warning: Racist imagery. This collection contains posters promoting the American National Theatre and Academy (ANTA)-sponsored production of the Gershwin opera \"Porgy and Bess\" as it toured various countries - mostly European - during the mid-1950s. It also contains poster mock-ups and artwork related to the production.","Map cases 10.1 - 10.2","George Mason University. Libraries. Special Collections Research Center","American National Theatre and Academy","George Mason University. Special Collections Research Center.","Multiple"],"unitid_tesim":["C0145","/repositories/2/resources/637"],"normalized_title_ssm":["Porgy and Bess poster collection"],"collection_title_tesim":["Porgy and Bess poster collection"],"collection_ssim":["Porgy and Bess poster collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Special Collections Research Center."],"creator_ssim":["George Mason University. Special Collections Research Center."],"creator_persname_ssim":["George Mason University. Special Collections Research Center."],"creators_ssim":["George Mason University. Special Collections Research Center."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Lorraine Brown in 1995."],"access_subjects_ssim":["African Americans","Opera","Performing arts","Musical Theater","Theater","Theatrical posters"],"access_subjects_ssm":["African Americans","Opera","Performing arts","Musical Theater","Theater","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["84 posters; poster mock-ups and artwork"],"extent_tesim":["84 posters; poster mock-ups and artwork"],"genreform_ssim":["Theatrical posters"],"date_range_isim":[1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThis posters in this collection were digitized by Kelsey Kim from May-June 2024 and are available to access upon request.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternate Format Available"],"altformavail_tesim":["This posters in this collection were digitized by Kelsey Kim from May-June 2024 and are available to access upon request."],"arrangement_html_tesm":["\u003cp\u003eThe posters are arranged alphabetically by country and city where they were performed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The posters are arranged alphabetically by country and city where they were performed."],"bioghist_html_tesm":["\u003cp\u003e\"Porgy and Bess\" is a 1934 American \"folk opera\" by George and Ira Gershwin, based on the play \"Porgy\" by Dorothy Heyward, which was itself an adaptation of the novel \"Porgy and Bess\" by DuBose Heyward. The opera tells the story of Porgy, a disabled Black man living in Catfish Row, a slum of Charleston, South Carolina. Porgy encounters Bess, a Black woman wishing to escape an abusive relationship with her lover, Crown, and her drug dealer, Sportin' Life. The two eventually begin living together and fall in love, with many consequences ensuing. \"Porgy and Bess\" is considered a classic of American opera and is performed to this day.\u003c/p\u003e\n","\u003cp\u003eFrom its premiere, \"Porgy and Bess\" was controversial, mostly for the story's treatment of Black characters and perpetuating racial stereotypes. It was overall a commercial failure and met with little critical success. In 1942 a Broadway revival brought it back to the American public's attention, and the opera begin to receive success, which cemented it as a cultural touchstone. Eventually a large European tour was undertaken by Robert Breen and Blevins Davis of ANTA, which lasted from 1952 - 1956, to monumental success. The tour visited 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. The production eventually toured the United States, also to great success.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["\"Porgy and Bess\" is a 1934 American \"folk opera\" by George and Ira Gershwin, based on the play \"Porgy\" by Dorothy Heyward, which was itself an adaptation of the novel \"Porgy and Bess\" by DuBose Heyward. The opera tells the story of Porgy, a disabled Black man living in Catfish Row, a slum of Charleston, South Carolina. Porgy encounters Bess, a Black woman wishing to escape an abusive relationship with her lover, Crown, and her drug dealer, Sportin' Life. The two eventually begin living together and fall in love, with many consequences ensuing. \"Porgy and Bess\" is considered a classic of American opera and is performed to this day.","From its premiere, \"Porgy and Bess\" was controversial, mostly for the story's treatment of Black characters and perpetuating racial stereotypes. It was overall a commercial failure and met with little critical success. In 1942 a Broadway revival brought it back to the American public's attention, and the opera begin to receive success, which cemented it as a cultural touchstone. Eventually a large European tour was undertaken by Robert Breen and Blevins Davis of ANTA, which lasted from 1952 - 1956, to monumental success. The tour visited 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. The production eventually toured the United States, also to great success."],"prefercite_html_tesm":["\u003cp\u003ePorgy and Bess poster collection, C0145, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Porgy and Bess poster collection, C0145, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Amanda Brent in April 2020. \u003c/p\u003e","\u003cp\u003eReprocessed by Amanda Brent from October 2021 - February 2022. Finding aid completed by Amanda Brent in February 2022. Inventory updated September 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Amanda Brent in April 2020. ","Reprocessed by Amanda Brent from October 2021 - February 2022. Finding aid completed by Amanda Brent in February 2022. Inventory updated September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0004\" title=\"Robert and Wilva Breen papers\" show=\"new\"\u003e\u003c/extptr\u003e and the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0289\" title=\"Porgy and Bess letter from James Tipton\" show=\"new\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n","\u003cp\u003eThe New York Public Library, Archives and Manuscripts Division holds the \u003cextptr href=\"https://archives.nypl.org/scm/21118\" title=\"Porgy and Bess collection\" show=\"new\"\u003e\u003c/extptr\u003e, which has materials from the United States ANTA tour.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the  . ","The New York Public Library, Archives and Manuscripts Division holds the  , which has materials from the United States ANTA tour."],"scopecontent_html_tesm":["\u003cp\u003eContent warning: Racist imagery. This collection contains posters promoting the ANTA-sponsored production of \"Porgy and Bess\" as it toured various countries, mostly European, during the mid-1950s. It also includes poster mock-ups, drawings, and art related to the production.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content warning: Racist imagery. This collection contains posters promoting the ANTA-sponsored production of \"Porgy and Bess\" as it toured various countries, mostly European, during the mid-1950s. It also includes poster mock-ups, drawings, and art related to the production."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_32cf273d7a094b56619b7083b3a97a6c\"\u003eContent warning: Racist imagery. This collection contains posters promoting the American National Theatre and Academy (ANTA)-sponsored production of the Gershwin opera \"Porgy and Bess\" as it toured various countries - mostly European - during the mid-1950s. It also contains poster mock-ups and artwork related to the production.\u003c/abstract\u003e"],"abstract_tesim":["Content warning: Racist imagery. This collection contains posters promoting the American National Theatre and Academy (ANTA)-sponsored production of the Gershwin opera \"Porgy and Bess\" as it toured various countries - mostly European - during the mid-1950s. It also contains poster mock-ups and artwork related to the production."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_603b4ba9d7c49a6f200f0087fcd3137b\"\u003eMap cases 10.1 - 10.2\u003c/physloc\u003e"],"physloc_tesim":["Map cases 10.1 - 10.2"],"names_coll_ssim":["American National Theatre and Academy"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Theatre and Academy","George Mason University. Special Collections Research Center."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Theatre and Academy"],"persname_ssim":["George Mason University. Special Collections Research Center."],"language_ssim":["Multiple"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_637","ead_ssi":"vifgm_repositories_2_resources_637","_root_":"vifgm_repositories_2_resources_637","_nest_parent_":"vifgm_repositories_2_resources_637","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_637.xml","title_ssm":["Porgy and Bess poster collection"],"title_tesim":["Porgy and Bess poster collection"],"unitdate_ssm":["1952 - 1956"],"unitdate_inclusive_ssm":["1952 - 1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0145","/repositories/2/resources/637"],"text":["C0145","/repositories/2/resources/637","Porgy and Bess poster collection","African Americans","Opera","Performing arts","Musical Theater","Theater","Theatrical posters","There are no access restrictions.","This posters in this collection were digitized by Kelsey Kim from May-June 2024 and are available to access upon request.","The posters are arranged alphabetically by country and city where they were performed.","\"Porgy and Bess\" is a 1934 American \"folk opera\" by George and Ira Gershwin, based on the play \"Porgy\" by Dorothy Heyward, which was itself an adaptation of the novel \"Porgy and Bess\" by DuBose Heyward. The opera tells the story of Porgy, a disabled Black man living in Catfish Row, a slum of Charleston, South Carolina. Porgy encounters Bess, a Black woman wishing to escape an abusive relationship with her lover, Crown, and her drug dealer, Sportin' Life. The two eventually begin living together and fall in love, with many consequences ensuing. \"Porgy and Bess\" is considered a classic of American opera and is performed to this day.","From its premiere, \"Porgy and Bess\" was controversial, mostly for the story's treatment of Black characters and perpetuating racial stereotypes. It was overall a commercial failure and met with little critical success. In 1942 a Broadway revival brought it back to the American public's attention, and the opera begin to receive success, which cemented it as a cultural touchstone. Eventually a large European tour was undertaken by Robert Breen and Blevins Davis of ANTA, which lasted from 1952 - 1956, to monumental success. The tour visited 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. The production eventually toured the United States, also to great success.","Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Amanda Brent in April 2020. ","Reprocessed by Amanda Brent from October 2021 - February 2022. Finding aid completed by Amanda Brent in February 2022. Inventory updated September 2023.","The Special Collections Research Center also holds the   and the  . ","The New York Public Library, Archives and Manuscripts Division holds the  , which has materials from the United States ANTA tour.","Content warning: Racist imagery. This collection contains posters promoting the ANTA-sponsored production of \"Porgy and Bess\" as it toured various countries, mostly European, during the mid-1950s. It also includes poster mock-ups, drawings, and art related to the production.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Content warning: Racist imagery. This collection contains posters promoting the American National Theatre and Academy (ANTA)-sponsored production of the Gershwin opera \"Porgy and Bess\" as it toured various countries - mostly European - during the mid-1950s. It also contains poster mock-ups and artwork related to the production.","Map cases 10.1 - 10.2","George Mason University. Libraries. Special Collections Research Center","American National Theatre and Academy","George Mason University. Special Collections Research Center.","Multiple"],"unitid_tesim":["C0145","/repositories/2/resources/637"],"normalized_title_ssm":["Porgy and Bess poster collection"],"collection_title_tesim":["Porgy and Bess poster collection"],"collection_ssim":["Porgy and Bess poster collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Special Collections Research Center."],"creator_ssim":["George Mason University. Special Collections Research Center."],"creator_persname_ssim":["George Mason University. Special Collections Research Center."],"creators_ssim":["George Mason University. Special Collections Research Center."],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Lorraine Brown in 1995."],"access_subjects_ssim":["African Americans","Opera","Performing arts","Musical Theater","Theater","Theatrical posters"],"access_subjects_ssm":["African Americans","Opera","Performing arts","Musical Theater","Theater","Theatrical posters"],"has_online_content_ssim":["false"],"extent_ssm":["84 posters; poster mock-ups and artwork"],"extent_tesim":["84 posters; poster mock-ups and artwork"],"genreform_ssim":["Theatrical posters"],"date_range_isim":[1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThis posters in this collection were digitized by Kelsey Kim from May-June 2024 and are available to access upon request.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternate Format Available"],"altformavail_tesim":["This posters in this collection were digitized by Kelsey Kim from May-June 2024 and are available to access upon request."],"arrangement_html_tesm":["\u003cp\u003eThe posters are arranged alphabetically by country and city where they were performed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The posters are arranged alphabetically by country and city where they were performed."],"bioghist_html_tesm":["\u003cp\u003e\"Porgy and Bess\" is a 1934 American \"folk opera\" by George and Ira Gershwin, based on the play \"Porgy\" by Dorothy Heyward, which was itself an adaptation of the novel \"Porgy and Bess\" by DuBose Heyward. The opera tells the story of Porgy, a disabled Black man living in Catfish Row, a slum of Charleston, South Carolina. Porgy encounters Bess, a Black woman wishing to escape an abusive relationship with her lover, Crown, and her drug dealer, Sportin' Life. The two eventually begin living together and fall in love, with many consequences ensuing. \"Porgy and Bess\" is considered a classic of American opera and is performed to this day.\u003c/p\u003e\n","\u003cp\u003eFrom its premiere, \"Porgy and Bess\" was controversial, mostly for the story's treatment of Black characters and perpetuating racial stereotypes. It was overall a commercial failure and met with little critical success. In 1942 a Broadway revival brought it back to the American public's attention, and the opera begin to receive success, which cemented it as a cultural touchstone. Eventually a large European tour was undertaken by Robert Breen and Blevins Davis of ANTA, which lasted from 1952 - 1956, to monumental success. The tour visited 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. The production eventually toured the United States, also to great success.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["\"Porgy and Bess\" is a 1934 American \"folk opera\" by George and Ira Gershwin, based on the play \"Porgy\" by Dorothy Heyward, which was itself an adaptation of the novel \"Porgy and Bess\" by DuBose Heyward. The opera tells the story of Porgy, a disabled Black man living in Catfish Row, a slum of Charleston, South Carolina. Porgy encounters Bess, a Black woman wishing to escape an abusive relationship with her lover, Crown, and her drug dealer, Sportin' Life. The two eventually begin living together and fall in love, with many consequences ensuing. \"Porgy and Bess\" is considered a classic of American opera and is performed to this day.","From its premiere, \"Porgy and Bess\" was controversial, mostly for the story's treatment of Black characters and perpetuating racial stereotypes. It was overall a commercial failure and met with little critical success. In 1942 a Broadway revival brought it back to the American public's attention, and the opera begin to receive success, which cemented it as a cultural touchstone. Eventually a large European tour was undertaken by Robert Breen and Blevins Davis of ANTA, which lasted from 1952 - 1956, to monumental success. The tour visited 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. The production eventually toured the United States, also to great success."],"prefercite_html_tesm":["\u003cp\u003ePorgy and Bess poster collection, C0145, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Porgy and Bess poster collection, C0145, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Amanda Brent in April 2020. \u003c/p\u003e","\u003cp\u003eReprocessed by Amanda Brent from October 2021 - February 2022. Finding aid completed by Amanda Brent in February 2022. Inventory updated September 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty. Finding aid updated by Amanda Brent in April 2020. ","Reprocessed by Amanda Brent from October 2021 - February 2022. Finding aid completed by Amanda Brent in February 2022. Inventory updated September 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0004\" title=\"Robert and Wilva Breen papers\" show=\"new\"\u003e\u003c/extptr\u003e and the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0289\" title=\"Porgy and Bess letter from James Tipton\" show=\"new\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n","\u003cp\u003eThe New York Public Library, Archives and Manuscripts Division holds the \u003cextptr href=\"https://archives.nypl.org/scm/21118\" title=\"Porgy and Bess collection\" show=\"new\"\u003e\u003c/extptr\u003e, which has materials from the United States ANTA tour.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the  . ","The New York Public Library, Archives and Manuscripts Division holds the  , which has materials from the United States ANTA tour."],"scopecontent_html_tesm":["\u003cp\u003eContent warning: Racist imagery. This collection contains posters promoting the ANTA-sponsored production of \"Porgy and Bess\" as it toured various countries, mostly European, during the mid-1950s. It also includes poster mock-ups, drawings, and art related to the production.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content warning: Racist imagery. This collection contains posters promoting the ANTA-sponsored production of \"Porgy and Bess\" as it toured various countries, mostly European, during the mid-1950s. It also includes poster mock-ups, drawings, and art related to the production."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_32cf273d7a094b56619b7083b3a97a6c\"\u003eContent warning: Racist imagery. This collection contains posters promoting the American National Theatre and Academy (ANTA)-sponsored production of the Gershwin opera \"Porgy and Bess\" as it toured various countries - mostly European - during the mid-1950s. It also contains poster mock-ups and artwork related to the production.\u003c/abstract\u003e"],"abstract_tesim":["Content warning: Racist imagery. This collection contains posters promoting the American National Theatre and Academy (ANTA)-sponsored production of the Gershwin opera \"Porgy and Bess\" as it toured various countries - mostly European - during the mid-1950s. It also contains poster mock-ups and artwork related to the production."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_603b4ba9d7c49a6f200f0087fcd3137b\"\u003eMap cases 10.1 - 10.2\u003c/physloc\u003e"],"physloc_tesim":["Map cases 10.1 - 10.2"],"names_coll_ssim":["American National Theatre and Academy"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Theatre and Academy","George Mason University. Special Collections Research Center."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Theatre and Academy"],"persname_ssim":["George Mason University. Special Collections Research Center."],"language_ssim":["Multiple"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:33.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_637"}},{"id":"vifgm_repositories_2_resources_80","type":"collection","attributes":{"title":"Reston Players collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_80#creator","type":"document_value","attributes":{"value":"Matthews, Frank E.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_80#abstract_or_scope","type":"document_value","attributes":{"value":"The Reston Players collection consists of two boxes of materials. Materials relate to the production \"The Greatest Game in Town,\" a show put on at the theater in the late 1960s, as well as production and financial information. Included are three scrapbooks with newspaper clippings about the company.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_80#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_80","ead_ssi":"vifgm_repositories_2_resources_80","_root_":"vifgm_repositories_2_resources_80","_nest_parent_":"vifgm_repositories_2_resources_80","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_80.xml","title_filing_ssi":"Reston Players collection","title_ssm":["Reston Players collection"],"title_tesim":["Reston Players collection"],"unitdate_ssm":["1966-1983"],"unitdate_inclusive_ssm":["1966-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0135","/repositories/2/resources/80"],"text":["C0135","/repositories/2/resources/80","Reston Players collection","Reston (Va.)","Theater -- United States","Theater","Theater -- Production and direction","Newspapers","Scrapbooks","Photographs","Sound recordings","There are no access restrictions.","Arranged into two series.","SEries Series 1: \"The Greatest Game in Town\", 1966-1969 (Box 1) Series 2: Scrapbooks, 1979-1983 (Box 2)","Founded in 1966 as a for-profit organization, the group renamed itself the Reston Community Players (RCP) in 1972, a non-profit organization. The RCP continues to perform and bring high quality productions to the Northern Virginia region every year. The RCP performs a variety of productions including classics and original plays, as well as popular Broadway musicals, dramas, mysteries, and comedies.","The Reston Players collection was originally attached to the larger Planned Community  Archives collection currently in the Special Collections Research Center. In 2008 the papers from Reston Players were removed and organized into a separate collection. The old box and folder numbers for each folder are also included as part of the new arrangement. ","Processed in December 2008 by Emily Martin. EAD markup completed in December 2008 by Emily Martin. ","The Special Collections Research Center also holds the Planned Community Archives collections and other personal papers and organizational records that document Reston, Virginia.","The Reston Players collection consists of two boxes of materials. Materials relate to the production \"The Greatest Game in Town,\" a show put on at the theater in the late 1960s, as well as production and financial information. Included are three scrapbooks with newspaper clippings about the company. ","Series 1 is titled \"The Greatest Game in Town\" and is dated from 1966 to 1969. Within the box there are six folders in the series. The information included is an audio tape of the production, a copy of the script, poster from the production signed by cast and crew, production photographs, financial report and an inventory of collage items. ","Series 2 is titled Scrapbooks and is dated from 1979 to 1983. The series has three scrapbooks with newspaper clippings about different shows the Reston Players performed. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Reston Players collection consists of two boxes of materials. Materials relate to the production \"The Greatest Game in Town,\" a show put on at the theater in the late 1960s, as well as production and financial information. Included are three scrapbooks with newspaper clippings about the company.","George Mason University. Libraries. Special Collections Research Center","Reston Players","Matthews, Frank E.","English"],"unitid_tesim":["C0135","/repositories/2/resources/80"],"normalized_title_ssm":["Reston Players collection"],"collection_title_tesim":["Reston Players collection"],"collection_ssim":["Reston Players collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Reston (Va.)"],"geogname_ssim":["Reston (Va.)"],"creator_ssm":["Matthews, Frank E."],"creator_ssim":["Matthews, Frank E."],"creator_persname_ssim":["Matthews, Frank E."],"creators_ssim":["Matthews, Frank E."],"places_ssim":["Reston (Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Nina and Frank Matthews on February 17, 1989."],"access_subjects_ssim":["Theater -- United States","Theater","Theater -- Production and direction","Newspapers","Scrapbooks","Photographs","Sound recordings"],"access_subjects_ssm":["Theater -- United States","Theater","Theater -- Production and direction","Newspapers","Scrapbooks","Photographs","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["0.75 Linear Feet 2 boxes"],"extent_tesim":["0.75 Linear Feet 2 boxes"],"genreform_ssim":["Newspapers","Scrapbooks","Photographs","Sound recordings"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into two series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSEries\u003c/head\u003e\n      \u003citem\u003eSeries 1: \"The Greatest Game in Town\", 1966-1969 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Scrapbooks, 1979-1983 (Box 2)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into two series.","SEries Series 1: \"The Greatest Game in Town\", 1966-1969 (Box 1) Series 2: Scrapbooks, 1979-1983 (Box 2)"],"bioghist_html_tesm":["\u003cp\u003eFounded in 1966 as a for-profit organization, the group renamed itself the Reston Community Players (RCP) in 1972, a non-profit organization. The RCP continues to perform and bring high quality productions to the Northern Virginia region every year. The RCP performs a variety of productions including classics and original plays, as well as popular Broadway musicals, dramas, mysteries, and comedies.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Founded in 1966 as a for-profit organization, the group renamed itself the Reston Community Players (RCP) in 1972, a non-profit organization. The RCP continues to perform and bring high quality productions to the Northern Virginia region every year. The RCP performs a variety of productions including classics and original plays, as well as popular Broadway musicals, dramas, mysteries, and comedies."],"prefercite_html_tesm":["\u003cp\u003eReston Players collection, C0135, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Reston Players collection, C0135, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe Reston Players collection was originally attached to the larger Planned Community  Archives collection currently in the Special Collections Research Center. In 2008 the papers from Reston Players were removed and organized into a separate collection. The old box and folder numbers for each folder are also included as part of the new arrangement. \u003c/p\u003e","\u003cp\u003eProcessed in December 2008 by Emily Martin. EAD markup completed in December 2008 by Emily Martin. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Reston Players collection was originally attached to the larger Planned Community  Archives collection currently in the Special Collections Research Center. In 2008 the papers from Reston Players were removed and organized into a separate collection. The old box and folder numbers for each folder are also included as part of the new arrangement. ","Processed in December 2008 by Emily Martin. EAD markup completed in December 2008 by Emily Martin. "],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Planned Community Archives collections and other personal papers and organizational records that document Reston, Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Planned Community Archives collections and other personal papers and organizational records that document Reston, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Reston Players collection consists of two boxes of materials. Materials relate to the production \"The Greatest Game in Town,\" a show put on at the theater in the late 1960s, as well as production and financial information. Included are three scrapbooks with newspaper clippings about the company. \u003c/p\u003e\n","\u003cp\u003eSeries 1 is titled \"The Greatest Game in Town\" and is dated from 1966 to 1969. Within the box there are six folders in the series. The information included is an audio tape of the production, a copy of the script, poster from the production signed by cast and crew, production photographs, financial report and an inventory of collage items. \u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Scrapbooks and is dated from 1979 to 1983. The series has three scrapbooks with newspaper clippings about different shows the Reston Players performed. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Reston Players collection consists of two boxes of materials. Materials relate to the production \"The Greatest Game in Town,\" a show put on at the theater in the late 1960s, as well as production and financial information. Included are three scrapbooks with newspaper clippings about the company. ","Series 1 is titled \"The Greatest Game in Town\" and is dated from 1966 to 1969. Within the box there are six folders in the series. The information included is an audio tape of the production, a copy of the script, poster from the production signed by cast and crew, production photographs, financial report and an inventory of collage items. ","Series 2 is titled Scrapbooks and is dated from 1979 to 1983. The series has three scrapbooks with newspaper clippings about different shows the Reston Players performed. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_39999592e4b3e77530e9609980866c37\" label=\"Abstract\"\u003eThe Reston Players collection consists of two boxes of materials. Materials relate to the production \"The Greatest Game in Town,\" a show put on at the theater in the late 1960s, as well as production and financial information. Included are three scrapbooks with newspaper clippings about the company.\u003c/abstract\u003e"],"abstract_tesim":["The Reston Players collection consists of two boxes of materials. Materials relate to the production \"The Greatest Game in Town,\" a show put on at the theater in the late 1960s, as well as production and financial information. Included are three scrapbooks with newspaper clippings about the company."],"names_coll_ssim":["Reston Players"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Reston Players","Matthews, Frank E."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Reston Players"],"persname_ssim":["Matthews, Frank E."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:56.393Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_80","ead_ssi":"vifgm_repositories_2_resources_80","_root_":"vifgm_repositories_2_resources_80","_nest_parent_":"vifgm_repositories_2_resources_80","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_80.xml","title_filing_ssi":"Reston Players collection","title_ssm":["Reston Players collection"],"title_tesim":["Reston Players collection"],"unitdate_ssm":["1966-1983"],"unitdate_inclusive_ssm":["1966-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0135","/repositories/2/resources/80"],"text":["C0135","/repositories/2/resources/80","Reston Players collection","Reston (Va.)","Theater -- United States","Theater","Theater -- Production and direction","Newspapers","Scrapbooks","Photographs","Sound recordings","There are no access restrictions.","Arranged into two series.","SEries Series 1: \"The Greatest Game in Town\", 1966-1969 (Box 1) Series 2: Scrapbooks, 1979-1983 (Box 2)","Founded in 1966 as a for-profit organization, the group renamed itself the Reston Community Players (RCP) in 1972, a non-profit organization. The RCP continues to perform and bring high quality productions to the Northern Virginia region every year. The RCP performs a variety of productions including classics and original plays, as well as popular Broadway musicals, dramas, mysteries, and comedies.","The Reston Players collection was originally attached to the larger Planned Community  Archives collection currently in the Special Collections Research Center. In 2008 the papers from Reston Players were removed and organized into a separate collection. The old box and folder numbers for each folder are also included as part of the new arrangement. ","Processed in December 2008 by Emily Martin. EAD markup completed in December 2008 by Emily Martin. ","The Special Collections Research Center also holds the Planned Community Archives collections and other personal papers and organizational records that document Reston, Virginia.","The Reston Players collection consists of two boxes of materials. Materials relate to the production \"The Greatest Game in Town,\" a show put on at the theater in the late 1960s, as well as production and financial information. Included are three scrapbooks with newspaper clippings about the company. ","Series 1 is titled \"The Greatest Game in Town\" and is dated from 1966 to 1969. Within the box there are six folders in the series. The information included is an audio tape of the production, a copy of the script, poster from the production signed by cast and crew, production photographs, financial report and an inventory of collage items. ","Series 2 is titled Scrapbooks and is dated from 1979 to 1983. The series has three scrapbooks with newspaper clippings about different shows the Reston Players performed. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Reston Players collection consists of two boxes of materials. Materials relate to the production \"The Greatest Game in Town,\" a show put on at the theater in the late 1960s, as well as production and financial information. Included are three scrapbooks with newspaper clippings about the company.","George Mason University. Libraries. Special Collections Research Center","Reston Players","Matthews, Frank E.","English"],"unitid_tesim":["C0135","/repositories/2/resources/80"],"normalized_title_ssm":["Reston Players collection"],"collection_title_tesim":["Reston Players collection"],"collection_ssim":["Reston Players collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Reston (Va.)"],"geogname_ssim":["Reston (Va.)"],"creator_ssm":["Matthews, Frank E."],"creator_ssim":["Matthews, Frank E."],"creator_persname_ssim":["Matthews, Frank E."],"creators_ssim":["Matthews, Frank E."],"places_ssim":["Reston (Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Nina and Frank Matthews on February 17, 1989."],"access_subjects_ssim":["Theater -- United States","Theater","Theater -- Production and direction","Newspapers","Scrapbooks","Photographs","Sound recordings"],"access_subjects_ssm":["Theater -- United States","Theater","Theater -- Production and direction","Newspapers","Scrapbooks","Photographs","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["0.75 Linear Feet 2 boxes"],"extent_tesim":["0.75 Linear Feet 2 boxes"],"genreform_ssim":["Newspapers","Scrapbooks","Photographs","Sound recordings"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into two series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSEries\u003c/head\u003e\n      \u003citem\u003eSeries 1: \"The Greatest Game in Town\", 1966-1969 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Scrapbooks, 1979-1983 (Box 2)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into two series.","SEries Series 1: \"The Greatest Game in Town\", 1966-1969 (Box 1) Series 2: Scrapbooks, 1979-1983 (Box 2)"],"bioghist_html_tesm":["\u003cp\u003eFounded in 1966 as a for-profit organization, the group renamed itself the Reston Community Players (RCP) in 1972, a non-profit organization. The RCP continues to perform and bring high quality productions to the Northern Virginia region every year. The RCP performs a variety of productions including classics and original plays, as well as popular Broadway musicals, dramas, mysteries, and comedies.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Founded in 1966 as a for-profit organization, the group renamed itself the Reston Community Players (RCP) in 1972, a non-profit organization. The RCP continues to perform and bring high quality productions to the Northern Virginia region every year. The RCP performs a variety of productions including classics and original plays, as well as popular Broadway musicals, dramas, mysteries, and comedies."],"prefercite_html_tesm":["\u003cp\u003eReston Players collection, C0135, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Reston Players collection, C0135, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe Reston Players collection was originally attached to the larger Planned Community  Archives collection currently in the Special Collections Research Center. In 2008 the papers from Reston Players were removed and organized into a separate collection. The old box and folder numbers for each folder are also included as part of the new arrangement. \u003c/p\u003e","\u003cp\u003eProcessed in December 2008 by Emily Martin. EAD markup completed in December 2008 by Emily Martin. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Reston Players collection was originally attached to the larger Planned Community  Archives collection currently in the Special Collections Research Center. In 2008 the papers from Reston Players were removed and organized into a separate collection. The old box and folder numbers for each folder are also included as part of the new arrangement. ","Processed in December 2008 by Emily Martin. EAD markup completed in December 2008 by Emily Martin. "],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Planned Community Archives collections and other personal papers and organizational records that document Reston, Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Planned Community Archives collections and other personal papers and organizational records that document Reston, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Reston Players collection consists of two boxes of materials. Materials relate to the production \"The Greatest Game in Town,\" a show put on at the theater in the late 1960s, as well as production and financial information. Included are three scrapbooks with newspaper clippings about the company. \u003c/p\u003e\n","\u003cp\u003eSeries 1 is titled \"The Greatest Game in Town\" and is dated from 1966 to 1969. Within the box there are six folders in the series. The information included is an audio tape of the production, a copy of the script, poster from the production signed by cast and crew, production photographs, financial report and an inventory of collage items. \u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Scrapbooks and is dated from 1979 to 1983. The series has three scrapbooks with newspaper clippings about different shows the Reston Players performed. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Reston Players collection consists of two boxes of materials. Materials relate to the production \"The Greatest Game in Town,\" a show put on at the theater in the late 1960s, as well as production and financial information. Included are three scrapbooks with newspaper clippings about the company. ","Series 1 is titled \"The Greatest Game in Town\" and is dated from 1966 to 1969. Within the box there are six folders in the series. The information included is an audio tape of the production, a copy of the script, poster from the production signed by cast and crew, production photographs, financial report and an inventory of collage items. ","Series 2 is titled Scrapbooks and is dated from 1979 to 1983. The series has three scrapbooks with newspaper clippings about different shows the Reston Players performed. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_39999592e4b3e77530e9609980866c37\" label=\"Abstract\"\u003eThe Reston Players collection consists of two boxes of materials. Materials relate to the production \"The Greatest Game in Town,\" a show put on at the theater in the late 1960s, as well as production and financial information. Included are three scrapbooks with newspaper clippings about the company.\u003c/abstract\u003e"],"abstract_tesim":["The Reston Players collection consists of two boxes of materials. Materials relate to the production \"The Greatest Game in Town,\" a show put on at the theater in the late 1960s, as well as production and financial information. Included are three scrapbooks with newspaper clippings about the company."],"names_coll_ssim":["Reston Players"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Reston Players","Matthews, Frank E."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Reston Players"],"persname_ssim":["Matthews, Frank E."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:32:56.393Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_80"}},{"id":"vifgm_repositories_2_resources_521","type":"collection","attributes":{"title":"Robert and Wilva Breen papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_521#creator","type":"document_value","attributes":{"value":"Breen, Robert","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_521#abstract_or_scope","type":"document_value","attributes":{"value":"The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_521#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_521","ead_ssi":"vifgm_repositories_2_resources_521","_root_":"vifgm_repositories_2_resources_521","_nest_parent_":"vifgm_repositories_2_resources_521","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_521.xml","title_ssm":["Robert and Wilva Breen papers"],"title_tesim":["Robert and Wilva Breen papers"],"unitdate_ssm":["1834, 1933-2000s"],"unitdate_inclusive_ssm":["1834, 1933-2000s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0004","/repositories/2/resources/521"],"text":["C0004","/repositories/2/resources/521","Robert and Wilva Breen papers","Helsingør (Denmark)","Broadway (New York, N.Y.)","Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs","Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions.","Selections from the Robert and Wilva Breen papers are also available digitally on ","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.","The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.","Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.   (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.   (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.   (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.   (accessed December 12, 2018).","Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990."," The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad."," Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946."," Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States."," Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company."," ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.","Part of the Robert and Wilva Breen papers was donated to The Ohio State University.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.","Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.","Special Collections Research Center also holds the  , the  , the  , and many other "," The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the "," The UCLA Library Special Collections, Charles E. Young Research Library holds the ","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.","R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","English"],"unitid_tesim":["C0004","/repositories/2/resources/521"],"normalized_title_ssm":["Robert and Wilva Breen papers"],"collection_title_tesim":["Robert and Wilva Breen papers"],"collection_ssim":["Robert and Wilva Breen papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"geogname_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"creator_ssm":["Breen, Robert","Breen, Wilva"],"creator_ssim":["Breen, Robert","Breen, Wilva"],"creator_persname_ssim":["Breen, Robert","Breen, Wilva"],"creators_ssim":["Breen, Robert","Breen, Wilva"],"places_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["This collection was donated by the trustees of the Robert and Wilva Breen papers in 1988, and Wilva Breen and The Ohio State University in 1989. There were multiple accessions of materials throughout the 1990s. Additional materials were donated by Diana Lawrence and Mike Timoney in 2011."],"access_subjects_ssim":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"access_subjects_ssm":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["80.5 Linear Feet 207 boxes, 1 map case"],"extent_tesim":["80.5 Linear Feet 207 boxes, 1 map case"],"genreform_ssim":["Theatrical posters","Photographs"],"date_range_isim":[1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eBox 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.\u003c/p\u003e\n","\u003cp\u003eBox 89, Folder 8 and 9 are restricted due to personally identifiable information.\u003c/p\u003e\n","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the Robert and Wilva Breen papers are also available digitally on \u003cextptr href=\"http://mars.gmu.edu/handle/1920/4609\" title=\"Mason Archival Respository Service (MARS).\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eIn 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the Robert and Wilva Breen papers are also available digitally on ","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room."],"arrangement_html_tesm":["\u003cp\u003eThe collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center."],"bibliography_html_tesm":["\u003cp\u003eStrom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com. \u003cbibref\u003e\u003cextptr href=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" title=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eOliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com. \u003cbibref\u003e\u003cextptr href=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" title=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eRiedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com. \u003cbibref\u003e\u003cextptr href=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" title=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA. \u003cbibref\u003e\u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.   (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.   (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.   (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.   (accessed December 12, 2018)."],"bioghist_html_tesm":["\u003cp\u003eRobert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.\u003c/p\u003e\n","\u003cp\u003e The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.\u003c/p\u003e\n","\u003cp\u003e Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.\u003c/p\u003e\n","\u003cp\u003e Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.\u003c/p\u003e\n","\u003cp\u003e Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.\u003c/p\u003e\n","\u003cp\u003e ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990."," The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad."," Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946."," Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States."," Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company."," ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region."],"custodhist_html_tesm":["\u003cp\u003ePart of the Robert and Wilva Breen papers was donated to The Ohio State University.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Part of the Robert and Wilva Breen papers was donated to The Ohio State University."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eRobert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Robert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0145\" title=\"Porgy and Bess poster collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0043\" title=\"Robert C. Schnitzer papers\" show=\"new\"\u003e\u003c/extptr\u003e, and many other \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\" title=\"performing arts collections.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the \u003cextptr href=\"https://library.osu.edu/collections/spec.tri.rb\" title=\"Robert Breen and Wilva papers.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e The UCLA Library Special Collections, Charles E. Young Research Library holds the \u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"ANTA West records.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  , the  , the  , and many other "," The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the "," The UCLA Library Special Collections, Charles E. Young Research Library holds the "],"scopecontent_html_tesm":["\u003cp\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/abstract\u003e"],"abstract_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ddb931edc4f44bf997d326b2923a7505\"\u003eR2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1\u003c/physloc\u003e"],"physloc_tesim":["R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1"],"names_coll_ssim":["American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Porterfield, Robert, 1905-1971"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"persname_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3014,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-08T07:16:03.204Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_521","ead_ssi":"vifgm_repositories_2_resources_521","_root_":"vifgm_repositories_2_resources_521","_nest_parent_":"vifgm_repositories_2_resources_521","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_521.xml","title_ssm":["Robert and Wilva Breen papers"],"title_tesim":["Robert and Wilva Breen papers"],"unitdate_ssm":["1834, 1933-2000s"],"unitdate_inclusive_ssm":["1834, 1933-2000s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0004","/repositories/2/resources/521"],"text":["C0004","/repositories/2/resources/521","Robert and Wilva Breen papers","Helsingør (Denmark)","Broadway (New York, N.Y.)","Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs","Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions.","Selections from the Robert and Wilva Breen papers are also available digitally on ","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.","The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.","Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.   (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.   (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.   (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.   (accessed December 12, 2018).","Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990."," The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad."," Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946."," Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States."," Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company."," ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.","Part of the Robert and Wilva Breen papers was donated to The Ohio State University.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.","Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.","Special Collections Research Center also holds the  , the  , the  , and many other "," The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the "," The UCLA Library Special Collections, Charles E. Young Research Library holds the ","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.","R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","English"],"unitid_tesim":["C0004","/repositories/2/resources/521"],"normalized_title_ssm":["Robert and Wilva Breen papers"],"collection_title_tesim":["Robert and Wilva Breen papers"],"collection_ssim":["Robert and Wilva Breen papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"geogname_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"creator_ssm":["Breen, Robert","Breen, Wilva"],"creator_ssim":["Breen, Robert","Breen, Wilva"],"creator_persname_ssim":["Breen, Robert","Breen, Wilva"],"creators_ssim":["Breen, Robert","Breen, Wilva"],"places_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["This collection was donated by the trustees of the Robert and Wilva Breen papers in 1988, and Wilva Breen and The Ohio State University in 1989. There were multiple accessions of materials throughout the 1990s. Additional materials were donated by Diana Lawrence and Mike Timoney in 2011."],"access_subjects_ssim":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"access_subjects_ssm":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["80.5 Linear Feet 207 boxes, 1 map case"],"extent_tesim":["80.5 Linear Feet 207 boxes, 1 map case"],"genreform_ssim":["Theatrical posters","Photographs"],"date_range_isim":[1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eBox 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.\u003c/p\u003e\n","\u003cp\u003eBox 89, Folder 8 and 9 are restricted due to personally identifiable information.\u003c/p\u003e\n","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the Robert and Wilva Breen papers are also available digitally on \u003cextptr href=\"http://mars.gmu.edu/handle/1920/4609\" title=\"Mason Archival Respository Service (MARS).\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eIn 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the Robert and Wilva Breen papers are also available digitally on ","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room."],"arrangement_html_tesm":["\u003cp\u003eThe collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center."],"bibliography_html_tesm":["\u003cp\u003eStrom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com. \u003cbibref\u003e\u003cextptr href=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" title=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eOliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com. \u003cbibref\u003e\u003cextptr href=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" title=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eRiedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com. \u003cbibref\u003e\u003cextptr href=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" title=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e\n","\u003cp\u003eANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA. \u003cbibref\u003e\u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.   (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.   (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.   (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.   (accessed December 12, 2018)."],"bioghist_html_tesm":["\u003cp\u003eRobert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.\u003c/p\u003e\n","\u003cp\u003e The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.\u003c/p\u003e\n","\u003cp\u003e Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.\u003c/p\u003e\n","\u003cp\u003e Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.\u003c/p\u003e\n","\u003cp\u003e Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.\u003c/p\u003e\n","\u003cp\u003e ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990."," The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad."," Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946."," Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States."," Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company."," ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region."],"custodhist_html_tesm":["\u003cp\u003ePart of the Robert and Wilva Breen papers was donated to The Ohio State University.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Part of the Robert and Wilva Breen papers was donated to The Ohio State University."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eRobert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Robert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0145\" title=\"Porgy and Bess poster collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0043\" title=\"Robert C. Schnitzer papers\" show=\"new\"\u003e\u003c/extptr\u003e, and many other \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\" title=\"performing arts collections.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the \u003cextptr href=\"https://library.osu.edu/collections/spec.tri.rb\" title=\"Robert Breen and Wilva papers.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e The UCLA Library Special Collections, Charles E. Young Research Library holds the \u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"ANTA West records.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  , the  , the  , and many other "," The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the "," The UCLA Library Special Collections, Charles E. Young Research Library holds the "],"scopecontent_html_tesm":["\u003cp\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/abstract\u003e"],"abstract_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. 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Many of these performers played to audiences in Berlin, Moscow, and other locations behind the Iron Curtain. \u003c/p\u003e\n","\u003cp\u003eIn 1960, Mr. Schnitzer became the general manager for the American Repertory Company, set up by the Theatre Guild at the request of the U.S. Government to export the best in American theater. He arranged for three plays - \u003ctitle\u003eThe Skin of Our Teeth,\u003c/title\u003e \u003ctitle\u003eThe Miracle Worker,\u003c/title\u003e and \u003ctitle\u003eThe Glass Menagerie\u003c/title\u003e - to tour 28 countries in Europe and South America in 1961. The company included the actress Helen Hayes. During the 1970s Schnitzer was head of the University of Michigan's Professional Theatre Program. Schnitzer died on January 2, 2008.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Robert C. Schnitzer is a former actor, producer, educator, and theater administrator. As a young actor in New York City, Schnitzer appeared in or stage managed  The Brothers Karamazov ,  Hamlet, An Enemy of the People, Richelieu, Henry V, Richard III, Caponsacchi, Macbeth,  and  Cyrano de Bergerac.  From 1936 to 1939, Schnitzer was Delaware's State Director and Deputy National Director of the WPA's Federal Theatre Project. ","Schnitzer later joined the American National Theater and Academy (ANTA) as general manager for the Experimental Theater in New York, which returned to the New York theater scene under the auspices of ANTA in 1947. The ANTA-sponsored performances managed by Mr. Schnitzer included the first American production of  Hamlet  to be presented at Elsinore, Denmark; the first European tour of the American Ballet Theatre in 1950; and from 1951 to 1953, three Berlin festivals that showcased American talent such as the Theatre Guild's  Oklahoma!,  the Hall Johnson Choir, and the Julliard String Quartet. ","In 1954, Mr. Schnitzer took over as general manager for the International Exchange Program through which ANTA helped promote and sponsor cultural exchanges in cooperation with the U.S. State Department. The hundreds of overseas productions arranged by Mr. Schnitzer ran the gamut from college choirs and athletes to notables such as Marian Anderson, the Dave Brubeck Quartet, and the New York Philharmonic Orchestra under the direction of Leonard Bernstein. Many of these performers played to audiences in Berlin, Moscow, and other locations behind the Iron Curtain. ","In 1960, Mr. Schnitzer became the general manager for the American Repertory Company, set up by the Theatre Guild at the request of the U.S. Government to export the best in American theater. He arranged for three plays -  The Skin of Our Teeth, The Miracle Worker,  and  The Glass Menagerie  - to tour 28 countries in Europe and South America in 1961. The company included the actress Helen Hayes. During the 1970s Schnitzer was head of the University of Michigan's Professional Theatre Program. Schnitzer died on January 2, 2008."],"prefercite_html_tesm":["\u003cp\u003eRobert C. Schnitzer papers, C0043, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Robert C. Schnitzer papers, C0043, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Finding aid updated by Amanda Menjivar in June 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. 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Schnitzer Papers are textual materials (subject files, correspondence, memoranda) about ANTA overseas productions, photographs of ANTA theater troupe and other ANTA personnel in Europe 1951 and 1955, 1950s and 1960s promotional posters for ANTA overseas productions, newspaper clippings about ANTA performances in Europe, prompt script to the play \u003ctitle\u003eSkin of Our Teeth\u003c/title\u003e starring Helen Hayes, and working papers and other materials about Schnitzer's work with the University of Michigan Professional Theatre Program.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Included in the Robert C. 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Schnitzer Papers are textual materials (subject files, correspondence, memoranda) about ANTA overseas productions, photographs of ANTA theater troupe and other ANTA personnel in Europe 1951 and 1955, 1950s and 1960s promotional posters for ANTA overseas productions, newspaper clippings about ANTA performances in Europe, prompt script to the play  Skin of Our Teeth  starring Helen Hayes, and working papers and other materials about Schnitzer's work with the University of Michigan Professional Theatre Program."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d7d3d62f64fdecd482169ffa47533e2a\"\u003eR20, C3, S1 \nR20, C3, S4-S7\u003c/physloc\u003e"],"physloc_tesim":["R20, C3, S1 \nR20, C3, S4-S7"],"names_coll_ssim":["ANTA (Organization)","University of Michigan. Professional Theatre Program"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","ANTA (Organization)","University of Michigan. 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The ANTA-sponsored performances managed by Mr. Schnitzer included the first American production of \u003ctitle\u003eHamlet\u003c/title\u003e to be presented at Elsinore, Denmark; the first European tour of the American Ballet Theatre in 1950; and from 1951 to 1953, three Berlin festivals that showcased American talent such as the Theatre Guild's \u003ctitle\u003eOklahoma!,\u003c/title\u003e the Hall Johnson Choir, and the Julliard String Quartet. \u003c/p\u003e\n","\u003cp\u003eIn 1954, Mr. Schnitzer took over as general manager for the International Exchange Program through which ANTA helped promote and sponsor cultural exchanges in cooperation with the U.S. State Department. The hundreds of overseas productions arranged by Mr. Schnitzer ran the gamut from college choirs and athletes to notables such as Marian Anderson, the Dave Brubeck Quartet, and the New York Philharmonic Orchestra under the direction of Leonard Bernstein. Many of these performers played to audiences in Berlin, Moscow, and other locations behind the Iron Curtain. \u003c/p\u003e\n","\u003cp\u003eIn 1960, Mr. Schnitzer became the general manager for the American Repertory Company, set up by the Theatre Guild at the request of the U.S. Government to export the best in American theater. He arranged for three plays - \u003ctitle\u003eThe Skin of Our Teeth,\u003c/title\u003e \u003ctitle\u003eThe Miracle Worker,\u003c/title\u003e and \u003ctitle\u003eThe Glass Menagerie\u003c/title\u003e - to tour 28 countries in Europe and South America in 1961. The company included the actress Helen Hayes. During the 1970s Schnitzer was head of the University of Michigan's Professional Theatre Program. Schnitzer died on January 2, 2008.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Robert C. Schnitzer is a former actor, producer, educator, and theater administrator. As a young actor in New York City, Schnitzer appeared in or stage managed  The Brothers Karamazov ,  Hamlet, An Enemy of the People, Richelieu, Henry V, Richard III, Caponsacchi, Macbeth,  and  Cyrano de Bergerac.  From 1936 to 1939, Schnitzer was Delaware's State Director and Deputy National Director of the WPA's Federal Theatre Project. ","Schnitzer later joined the American National Theater and Academy (ANTA) as general manager for the Experimental Theater in New York, which returned to the New York theater scene under the auspices of ANTA in 1947. The ANTA-sponsored performances managed by Mr. Schnitzer included the first American production of  Hamlet  to be presented at Elsinore, Denmark; the first European tour of the American Ballet Theatre in 1950; and from 1951 to 1953, three Berlin festivals that showcased American talent such as the Theatre Guild's  Oklahoma!,  the Hall Johnson Choir, and the Julliard String Quartet. ","In 1954, Mr. Schnitzer took over as general manager for the International Exchange Program through which ANTA helped promote and sponsor cultural exchanges in cooperation with the U.S. State Department. The hundreds of overseas productions arranged by Mr. Schnitzer ran the gamut from college choirs and athletes to notables such as Marian Anderson, the Dave Brubeck Quartet, and the New York Philharmonic Orchestra under the direction of Leonard Bernstein. Many of these performers played to audiences in Berlin, Moscow, and other locations behind the Iron Curtain. ","In 1960, Mr. Schnitzer became the general manager for the American Repertory Company, set up by the Theatre Guild at the request of the U.S. Government to export the best in American theater. He arranged for three plays -  The Skin of Our Teeth, The Miracle Worker,  and  The Glass Menagerie  - to tour 28 countries in Europe and South America in 1961. The company included the actress Helen Hayes. During the 1970s Schnitzer was head of the University of Michigan's Professional Theatre Program. Schnitzer died on January 2, 2008."],"prefercite_html_tesm":["\u003cp\u003eRobert C. Schnitzer papers, C0043, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Robert C. Schnitzer papers, C0043, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Finding aid updated by Amanda Menjivar in June 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in March 2009. Finding aid updated by Amanda Menjivar in June 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Robert and Wilva Breen papers\" href=\"https://aspace.gmu.edu/resources/c0004\"\u003e\u003c/extptr\u003e and many collections on the \u003cextptr show=\"new\" title=\"Federal Theatre Project.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=federal+theatre+project\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and many collections on the "],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the Robert C. Schnitzer Papers are textual materials (subject files, correspondence, memoranda) about ANTA overseas productions, photographs of ANTA theater troupe and other ANTA personnel in Europe 1951 and 1955, 1950s and 1960s promotional posters for ANTA overseas productions, newspaper clippings about ANTA performances in Europe, prompt script to the play \u003ctitle\u003eSkin of Our Teeth\u003c/title\u003e starring Helen Hayes, and working papers and other materials about Schnitzer's work with the University of Michigan Professional Theatre Program.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Included in the Robert C. Schnitzer Papers are textual materials (subject files, correspondence, memoranda) about ANTA overseas productions, photographs of ANTA theater troupe and other ANTA personnel in Europe 1951 and 1955, 1950s and 1960s promotional posters for ANTA overseas productions, newspaper clippings about ANTA performances in Europe, prompt script to the play  Skin of Our Teeth  starring Helen Hayes, and working papers and other materials about Schnitzer's work with the University of Michigan Professional Theatre Program."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f2ec5bd4a4c2e74a55aa2ab956513da0\" label=\"Abstract\"\u003eIncluded in the Robert C. Schnitzer Papers are textual materials (subject files, correspondence, memoranda) about ANTA overseas productions, photographs of ANTA theater troupe and other ANTA personnel in Europe 1951 and 1955, 1950s and 1960s promotional posters for ANTA overseas productions, newspaper clippings about ANTA performances in Europe, prompt script to the play \u003ctitle\u003eSkin of Our Teeth\u003c/title\u003e starring Helen Hayes, and working papers and other materials about Schnitzer's work with the University of Michigan Professional Theatre Program.\u003c/abstract\u003e"],"abstract_tesim":["Included in the Robert C. Schnitzer Papers are textual materials (subject files, correspondence, memoranda) about ANTA overseas productions, photographs of ANTA theater troupe and other ANTA personnel in Europe 1951 and 1955, 1950s and 1960s promotional posters for ANTA overseas productions, newspaper clippings about ANTA performances in Europe, prompt script to the play  Skin of Our Teeth  starring Helen Hayes, and working papers and other materials about Schnitzer's work with the University of Michigan Professional Theatre Program."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d7d3d62f64fdecd482169ffa47533e2a\"\u003eR20, C3, S1 \nR20, C3, S4-S7\u003c/physloc\u003e"],"physloc_tesim":["R20, C3, S1 \nR20, C3, S4-S7"],"names_coll_ssim":["ANTA (Organization)","University of Michigan. Professional Theatre Program"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","ANTA (Organization)","University of Michigan. Professional Theatre Program","Schnitzer, Robert C."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","ANTA (Organization)","University of Michigan. Professional Theatre Program"],"persname_ssim":["Schnitzer, Robert C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":97,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-08T07:16:03.204Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_156"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":19},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Theater\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"George Mason University","value":"George Mason 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