{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Students+--+Photographs","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Students+--+Photographs\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":3,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_573","type":"collection","attributes":{"title":"Doug Nelms photographs","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_573#creator","type":"document_value","attributes":{"value":"Nelms, Douglas W.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_573#abstract_or_scope","type":"document_value","attributes":{"value":"Photos of the earliest days of George Mason University, previously known as George Mason College, taken by yearbook photographer Doug Nelms.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_573#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_573","ead_ssi":"vifgm_repositories_2_resources_573","_root_":"vifgm_repositories_2_resources_573","_nest_parent_":"vifgm_repositories_2_resources_573","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_573.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/nelmsdoug.html","title_ssm":["Doug Nelms photographs"],"title_tesim":["Doug Nelms photographs"],"unitdate_ssm":["1963-1968"],"unitdate_inclusive_ssm":["1963-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0152","/repositories/2/resources/573"],"text":["R0152","/repositories/2/resources/573","Doug Nelms photographs","Students","George Mason University -- Photographs","Nineteen sixties","Students -- Photographs","Universities and colleges -- History","There are no access restrictions.","This collection is arranged by subject. There are four subjects: school events, campus and construction, faculty and students, and student groups.","George Mason University, previously George Mason College, was founded as a satellite campus of the University of Virginia in 1957. With limited resources, the college began to offer the first two years of liberal arts degrees, pre-engineering programs, and some advanced language and science courses in 1966. The campus was still in its infancy when Doug Nelms became a student there. George Mason College only hosted the North, East, South, and West buildings, while the original Fenwick library was still being built. It gained independency in 1972, becoming a full four-year school. Nevertheless, the small campus and small student body functioned as a normal college, hosting many clubs and parties.","Processing completed by Christopher Babbitt in September 2019. EAD markup completed by Christopher Babbitt in September 2019.","The Special Collections Research Center also holds other collections related to the history of ","Box 1 contains photograph negatives taken by Nelms during his time at George Mason College. The content is split into four different catagories: school events, campus and construction, faculty and students, and student groups. The collection also contains a brochure advertising for the new campus and several finished photographs. Box 2 contains some promotional materials and finished photographs.","There are no restrictions on personal use. Permission to publish material from Doug Nelms photographs must be obtained from the Special Collections Research Center, George Mason University Libraries.","Photos of the earliest days of George Mason University, previously known as George Mason College, taken by yearbook photographer Doug Nelms.","George Mason University. Libraries. Special Collections Research Center","George Mason University","Nelms, Douglas W.","English"],"unitid_tesim":["R0152","/repositories/2/resources/573"],"normalized_title_ssm":["Doug Nelms photographs"],"collection_title_tesim":["Doug Nelms photographs"],"collection_ssim":["Doug Nelms photographs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Nelms, Douglas W."],"creator_ssim":["Nelms, Douglas W."],"creator_persname_ssim":["Nelms, Douglas W."],"creators_ssim":["Nelms, Douglas W."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from Doug Nelms photographs must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Doug Nelms on Feburary 6, 2019."],"access_subjects_ssim":["Students","George Mason University -- Photographs","Nineteen sixties","Students -- Photographs","Universities and colleges -- History"],"access_subjects_ssm":["Students","George Mason University -- Photographs","Nineteen sixties","Students -- Photographs","Universities and colleges -- History"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 linear ft. (2 boxes)"],"extent_tesim":["0.5 linear ft. (2 boxes)"],"date_range_isim":[1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject. There are four subjects: school events, campus and construction, faculty and students, and student groups.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject. There are four subjects: school events, campus and construction, faculty and students, and student groups."],"bioghist_html_tesm":["\u003cp\u003eGeorge Mason University, previously George Mason College, was founded as a satellite campus of the University of Virginia in 1957. With limited resources, the college began to offer the first two years of liberal arts degrees, pre-engineering programs, and some advanced language and science courses in 1966. The campus was still in its infancy when Doug Nelms became a student there. George Mason College only hosted the North, East, South, and West buildings, while the original Fenwick library was still being built. It gained independency in 1972, becoming a full four-year school. Nevertheless, the small campus and small student body functioned as a normal college, hosting many clubs and parties.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical note"],"bioghist_tesim":["George Mason University, previously George Mason College, was founded as a satellite campus of the University of Virginia in 1957. With limited resources, the college began to offer the first two years of liberal arts degrees, pre-engineering programs, and some advanced language and science courses in 1966. The campus was still in its infancy when Doug Nelms became a student there. George Mason College only hosted the North, East, South, and West buildings, while the original Fenwick library was still being built. It gained independency in 1972, becoming a full four-year school. Nevertheless, the small campus and small student body functioned as a normal college, hosting many clubs and parties."],"prefercite_html_tesm":["\u003cp\u003eDoug Nelms photographs, R0152, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Doug Nelms photographs, R0152, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Christopher Babbitt in September 2019. EAD markup completed by Christopher Babbitt in September 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Christopher Babbitt in September 2019. EAD markup completed by Christopher Babbitt in September 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other collections related to the history of \u003cbibref\u003e\u003cextptr href=\"https://aspace.gmu.edu/search?q[]=george+mason+university\u0026amp;op[]=\u0026amp;field[]=keyword\u0026amp;from_year[]=\u0026amp;to_year[]=\u0026amp;filter_fields[]=published_agents\u0026amp;filter_values[]=George+Mason+University\" title=\"George Mason University.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other collections related to the history of "],"scopecontent_html_tesm":["\u003cp\u003eBox 1 contains photograph negatives taken by Nelms during his time at George Mason College. The content is split into four different catagories: school events, campus and construction, faculty and students, and student groups. The collection also contains a brochure advertising for the new campus and several finished photographs. Box 2 contains some promotional materials and finished photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Box 1 contains photograph negatives taken by Nelms during his time at George Mason College. The content is split into four different catagories: school events, campus and construction, faculty and students, and student groups. The collection also contains a brochure advertising for the new campus and several finished photographs. Box 2 contains some promotional materials and finished photographs."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from Doug Nelms photographs must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from Doug Nelms photographs must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003ePhotos of the earliest days of George Mason University, previously known as George Mason College, taken by yearbook photographer Doug Nelms.\u003c/abstract\u003e"],"abstract_tesim":["Photos of the earliest days of George Mason University, previously known as George Mason College, taken by yearbook photographer Doug Nelms."],"names_coll_ssim":["George Mason University"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Nelms, Douglas W."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University"],"persname_ssim":["Nelms, Douglas W."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:18:55.319Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_573","ead_ssi":"vifgm_repositories_2_resources_573","_root_":"vifgm_repositories_2_resources_573","_nest_parent_":"vifgm_repositories_2_resources_573","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_573.xml","aspace_url_ssi":"http://scrc.gmu.edu/finding_aids/nelmsdoug.html","title_ssm":["Doug Nelms photographs"],"title_tesim":["Doug Nelms photographs"],"unitdate_ssm":["1963-1968"],"unitdate_inclusive_ssm":["1963-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0152","/repositories/2/resources/573"],"text":["R0152","/repositories/2/resources/573","Doug Nelms photographs","Students","George Mason University -- Photographs","Nineteen sixties","Students -- Photographs","Universities and colleges -- History","There are no access restrictions.","This collection is arranged by subject. There are four subjects: school events, campus and construction, faculty and students, and student groups.","George Mason University, previously George Mason College, was founded as a satellite campus of the University of Virginia in 1957. With limited resources, the college began to offer the first two years of liberal arts degrees, pre-engineering programs, and some advanced language and science courses in 1966. The campus was still in its infancy when Doug Nelms became a student there. George Mason College only hosted the North, East, South, and West buildings, while the original Fenwick library was still being built. It gained independency in 1972, becoming a full four-year school. Nevertheless, the small campus and small student body functioned as a normal college, hosting many clubs and parties.","Processing completed by Christopher Babbitt in September 2019. EAD markup completed by Christopher Babbitt in September 2019.","The Special Collections Research Center also holds other collections related to the history of ","Box 1 contains photograph negatives taken by Nelms during his time at George Mason College. The content is split into four different catagories: school events, campus and construction, faculty and students, and student groups. The collection also contains a brochure advertising for the new campus and several finished photographs. Box 2 contains some promotional materials and finished photographs.","There are no restrictions on personal use. Permission to publish material from Doug Nelms photographs must be obtained from the Special Collections Research Center, George Mason University Libraries.","Photos of the earliest days of George Mason University, previously known as George Mason College, taken by yearbook photographer Doug Nelms.","George Mason University. Libraries. Special Collections Research Center","George Mason University","Nelms, Douglas W.","English"],"unitid_tesim":["R0152","/repositories/2/resources/573"],"normalized_title_ssm":["Doug Nelms photographs"],"collection_title_tesim":["Doug Nelms photographs"],"collection_ssim":["Doug Nelms photographs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Nelms, Douglas W."],"creator_ssim":["Nelms, Douglas W."],"creator_persname_ssim":["Nelms, Douglas W."],"creators_ssim":["Nelms, Douglas W."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from Doug Nelms photographs must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Doug Nelms on Feburary 6, 2019."],"access_subjects_ssim":["Students","George Mason University -- Photographs","Nineteen sixties","Students -- Photographs","Universities and colleges -- History"],"access_subjects_ssm":["Students","George Mason University -- Photographs","Nineteen sixties","Students -- Photographs","Universities and colleges -- History"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 linear ft. (2 boxes)"],"extent_tesim":["0.5 linear ft. (2 boxes)"],"date_range_isim":[1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by subject. There are four subjects: school events, campus and construction, faculty and students, and student groups.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged by subject. There are four subjects: school events, campus and construction, faculty and students, and student groups."],"bioghist_html_tesm":["\u003cp\u003eGeorge Mason University, previously George Mason College, was founded as a satellite campus of the University of Virginia in 1957. With limited resources, the college began to offer the first two years of liberal arts degrees, pre-engineering programs, and some advanced language and science courses in 1966. The campus was still in its infancy when Doug Nelms became a student there. George Mason College only hosted the North, East, South, and West buildings, while the original Fenwick library was still being built. It gained independency in 1972, becoming a full four-year school. Nevertheless, the small campus and small student body functioned as a normal college, hosting many clubs and parties.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical note"],"bioghist_tesim":["George Mason University, previously George Mason College, was founded as a satellite campus of the University of Virginia in 1957. With limited resources, the college began to offer the first two years of liberal arts degrees, pre-engineering programs, and some advanced language and science courses in 1966. The campus was still in its infancy when Doug Nelms became a student there. George Mason College only hosted the North, East, South, and West buildings, while the original Fenwick library was still being built. It gained independency in 1972, becoming a full four-year school. Nevertheless, the small campus and small student body functioned as a normal college, hosting many clubs and parties."],"prefercite_html_tesm":["\u003cp\u003eDoug Nelms photographs, R0152, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Doug Nelms photographs, R0152, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Christopher Babbitt in September 2019. EAD markup completed by Christopher Babbitt in September 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Christopher Babbitt in September 2019. EAD markup completed by Christopher Babbitt in September 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other collections related to the history of \u003cbibref\u003e\u003cextptr href=\"https://aspace.gmu.edu/search?q[]=george+mason+university\u0026amp;op[]=\u0026amp;field[]=keyword\u0026amp;from_year[]=\u0026amp;to_year[]=\u0026amp;filter_fields[]=published_agents\u0026amp;filter_values[]=George+Mason+University\" title=\"George Mason University.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other collections related to the history of "],"scopecontent_html_tesm":["\u003cp\u003eBox 1 contains photograph negatives taken by Nelms during his time at George Mason College. The content is split into four different catagories: school events, campus and construction, faculty and students, and student groups. The collection also contains a brochure advertising for the new campus and several finished photographs. Box 2 contains some promotional materials and finished photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Box 1 contains photograph negatives taken by Nelms during his time at George Mason College. The content is split into four different catagories: school events, campus and construction, faculty and students, and student groups. The collection also contains a brochure advertising for the new campus and several finished photographs. Box 2 contains some promotional materials and finished photographs."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from Doug Nelms photographs must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from Doug Nelms photographs must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003ePhotos of the earliest days of George Mason University, previously known as George Mason College, taken by yearbook photographer Doug Nelms.\u003c/abstract\u003e"],"abstract_tesim":["Photos of the earliest days of George Mason University, previously known as George Mason College, taken by yearbook photographer Doug Nelms."],"names_coll_ssim":["George Mason University"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","Nelms, Douglas W."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University"],"persname_ssim":["Nelms, Douglas W."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:18:55.319Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_573"}},{"id":"vifgm_repositories_2_resources_602","type":"collection","attributes":{"title":"Living Stage records","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_602#abstract_or_scope","type":"document_value","attributes":{"value":"The Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_602#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_602","ead_ssi":"vifgm_repositories_2_resources_602","_root_":"vifgm_repositories_2_resources_602","_nest_parent_":"vifgm_repositories_2_resources_602","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_602.xml","title_filing_ssi":"Living Stage records","title_ssm":["Living Stage records"],"title_tesim":["Living Stage records"],"unitdate_ssm":["1965-2001"],"unitdate_inclusive_ssm":["1965-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0277","/repositories/2/resources/602"],"text":["C0277","/repositories/2/resources/602","Living Stage records","Washington (D.C.)","Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript","There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3.","The collection is divided into three series, each of which is divided into subseries.","Series Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)","The Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"","The organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.","The Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access.","Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025.","The Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records.","The Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001.","R 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0277","/repositories/2/resources/602"],"normalized_title_ssm":["Living Stage records"],"collection_title_tesim":["Living Stage records"],"collection_ssim":["Living Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Washington (D.C.)"],"geogname_ssim":["Washington (D.C.)"],"places_ssim":["Washington (D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000."],"access_subjects_ssim":["Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript"],"access_subjects_ssm":["Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["48.0 Linear Feet 106 boxes"],"extent_tesim":["48.0 Linear Feet 106 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into three series, each of which is divided into subseries.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into three series, each of which is divided into subseries.","Series Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)"],"bioghist_html_tesm":["\u003cp\u003eThe Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. \u003c/p\u003e\n","\u003cp\u003eThe Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. \u003c/p\u003e\n","\u003cp\u003eThe projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"\u003c/p\u003e\n","\u003cp\u003eThe organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"","The organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eLiving Stage records, C0277, Special Collections Reserch Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Living Stage records, C0277, Special Collections Reserch Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001.\u003c/abstract\u003e"],"abstract_tesim":["The Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e176c0c8972614dd614b2ea45cfacaaf\"\u003eR 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2\u003c/physloc\u003e"],"physloc_tesim":["R 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:33:57.755Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_602","ead_ssi":"vifgm_repositories_2_resources_602","_root_":"vifgm_repositories_2_resources_602","_nest_parent_":"vifgm_repositories_2_resources_602","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_602.xml","title_filing_ssi":"Living Stage records","title_ssm":["Living Stage records"],"title_tesim":["Living Stage records"],"unitdate_ssm":["1965-2001"],"unitdate_inclusive_ssm":["1965-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0277","/repositories/2/resources/602"],"text":["C0277","/repositories/2/resources/602","Living Stage records","Washington (D.C.)","Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript","There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3.","The collection is divided into three series, each of which is divided into subseries.","Series Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)","The Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"","The organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.","The Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access.","Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025.","The Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records.","The Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001.","R 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0277","/repositories/2/resources/602"],"normalized_title_ssm":["Living Stage records"],"collection_title_tesim":["Living Stage records"],"collection_ssim":["Living Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Washington (D.C.)"],"geogname_ssim":["Washington (D.C.)"],"places_ssim":["Washington (D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000."],"access_subjects_ssim":["Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript"],"access_subjects_ssm":["Acting","People with mental disabilities -- Services for -- United States","Performance art -- Photographs","Public schools -- Virginia","Radicalism -- United States -- History -- 20th century","Students -- Photographs","Theater -- United States -- History -- 20th century","Theater -- Washington (D.C.)","Theater programs","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["48.0 Linear Feet 106 boxes"],"extent_tesim":["48.0 Linear Feet 106 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions on Series 1 and 2. Please see the Physical Characteristics and Technical Requirements note for access information on Series 3."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into three series, each of which is divided into subseries.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into three series, each of which is divided into subseries.","Series Series 1: Administrative and Financial Files, 1965-2000 (Boxes 1-56) Series 2: Artistic and Workshop Files, 1966-2001 (Boxes 57-85) Series 3: Audiovisual and Photographic Materials, 1967-1999 (Boxes 86-106)"],"bioghist_html_tesm":["\u003cp\u003eThe Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. \u003c/p\u003e\n","\u003cp\u003eThe Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. \u003c/p\u003e\n","\u003cp\u003eThe projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"\u003c/p\u003e\n","\u003cp\u003eThe organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Living Stage Theatre Company began in 1966 as a venture of Arena Stage and Robert Alexander. Known from 1966-1968 as The Children's Theatre, the Living Stage from the beginning dedicated itself to programming with a social consciousness and a desire to effect societal change through performance. Robert Alexander was the theatre's founder and until 1995 its director. Alexander brought an adapted street and guerilla theater style to the D.C. area after becoming disenchanted with traditional theatre's \"middle-class\" audience. The Living Stage provided training to actors in the art of improvisational theater through tuition free schooling during the summers, as well as through weekend long workshop training for social workers, teachers, and other professionals throughout their 9 month season. While most of the Stage's workshops were held on site at schools, museums, and prisons, the Living Stage did have its own formal space in Washington, D.C. on 14th and T Streets NW. The Living Stage put on productions across Northern Virginia in schools, youth homes, and even prisons like the Lorton Penitentiary. Senior members of the company, like Jennifer Nelson and Oran Sandel helped to send the Living Stage across the country as well. Their efforts were largely funded through vigorous campaigning for grants and fund raising through the National Endowment for the Arts (NEA) and other private foundations. The Living Stage also received substantial financial assistance from its parent company, the Washington Drama Society, Inc. ","The Living Stage performance style consisted of \"The Jam,\" \"The Performance,\" and \"The Workshop,\" a three part study that was used at most of their venues. The first part, or \"Jam,\" consisted of actors working with their audience to \"rap,\" make music, and \"jam\" through spoken or sung words accompanied by instrumentals typically provided by audience members. The actors then moved into the \"performance\" itself. During the performance the actors put on an improvised theater production directed by a senior member of the cast and assisted by one or two audience members. The \"Workshop\" began from there; during the workshop, the audience took over the scene, while still directed by the actors, and was encouraged to make it their own. Audiences gave their opinions and thoughts on each performance in the form of production reports that were collected by the Living Stage. ","The projects that the Living Stage put on typically dealt with controversial and sensitive topics like race, economic inequality, the dangers of an overzealous American foreign policy, the atom bomb, violence, and freedom. The \"Baltimore Incident\" of 1971 is an excellent example of how controversial these productions could be. No matter how mixed opinions were, the Living Stage always elicited a reaction with their improvisational performances. During the 1980s the Living Stage began to reach out extensively to local initiatives like The District's Alcohol and Drug Abuse Services Administration and created their own Community Services Project in order to continue to bring theater and creativity to underserved sections of society. The Living Stage championed New Left ideals like equality and social justice throughout the Reagan years, despite some criticisms about their message being \"anachronistic.\"","The organization began to sunset in the first half of the 1990s as many of its founding and senior members took their skills elsewhere. Robert Alexander himself left in 1995 to start educating people in the art of improvisational theater full time. Jennifer Nelson, David Matthew Proctor, Ezra Knight, and others began to filter away in the 1990s to pursue their own acting goals and the Living Stage would officially close its doors in 2002."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch or listen to all audiovisual material in Series 3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eLiving Stage records, C0277, Special Collections Reserch Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Living Stage records, C0277, Special Collections Reserch Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Nick Welsh and Elizabeth Beckman in 2016. EAD markup completed by Nick Welsh in June 2016. Finding aid updated by Amanda Menjivar in March 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds several collections of personal papers of individuals involved with the Living Stage Theater Company, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, and the Ken Kitch papers. It also holds the Arena Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Living Stage records consists of material spanning the length of the organization's history from 1965, when the Living Stage was known as the Children's Theatre, to 2001. Included in the records are administrative files, financial papers, grant requests and applications, correspondence, workshop reports and scripts, as well as audiovisual and photographic materials.","Series 1: Administrative and Financial Files (1965-2000) includes documents relating to the day to day running of the Living Stage Theatre Company as well as programming, project planning, financials, budgets, grants, press releases and printed documents. It is divided further into 4 subseries. Subseries 1.1 Policies, Planning, and Development includes the administrative files of the Living Stage including season summaries by date, long range plans, meeting minutes, and Community Service Project information. Subseries 1.2 Grants and Foundations contains all materials related to grant requests, endowments (including the National Endowment for the Arts), and donations made by both large charitable organizations and private donors. Subseries 1.3 Financials and Correspondence includes budget materials, expense reports, and benefit information, as well as correspondence between members of the LSTC, memos, and fan mail (called \"love letters\") from schools and other workshop sites. Subseries 1.4 Public Relations and Printed Pieces consist of various publications made by the Living Stage such as their newsletters and advertisements, as well as transcripts of speeches made by LSTC executives and press releases promoting the Living Stage.","Series 2: Artistic and Workshop Files (1966-2001), which is split into 3 subseries, contains the creative aspects of the Living Stage, including details about residencies and the personnel of the Company, as well as workshop reports, scripts, and \"Jams.\" Subseries 2.1 Residency and Personnel Files contains all documents related to the people of the Living Stage, including casting information and details about out of state residencies (including those in Stockholm, Boston, Pittsburgh, New York and others). Subseries 2.2 Production Reports and Workshops encompasses the output of the Living Stage Theatre Company in the form of workshops, which are series of performances put on at schools, museums, and communities, and the production reports which sought to analyze audience reception of and reaction to these performances. Look to the \"Baltimore Incident\" for an excellent example of how contentious and revolutionary the Living Stage's performances were. Subseries 2.3 Production Files and Scripts, while small, contains items related to the Living Stage's \"Jams\" including scripts, research, and other assorted play files. ","Series 3: Audiovisual and Photographic Materials (1967-1999) includes all photos, negatives, and film of the Living Stage or their productions. It is divided into three subseries. Subseries 3.1 Photographic Materials includes various photos and negatives showing the cast of the Living Stage at various times, as well as production stills. Unfortunately, the majority of these are undated or have little in the way of description. Subseries 3.2 Audio and film reels includes tapings of various workshops and productions mostly from the 1970s and 1980s. Subseries 3.3 Audio and video tapes contains cassette, VHS, Betamax, and U-matic tapes either used by the Living Stage for performances or made by/about the Living Stage."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001.\u003c/abstract\u003e"],"abstract_tesim":["The Living Stage records documents the Living Stage Theatre Company, founded by Robert Alexander as an offshoot of Arena Stage in Washington, D.C. The records were created from 1965-2001."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e176c0c8972614dd614b2ea45cfacaaf\"\u003eR 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2\u003c/physloc\u003e"],"physloc_tesim":["R 52, C 6, S 3 - R 53, C 2, S 6\n\nMap Case 8.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1502,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:33:57.755Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_602"}},{"id":"vifgm_repositories_2_resources_722","type":"collection","attributes":{"title":"Richard M. Sparks George Mason College photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_722#creator","type":"document_value","attributes":{"value":"Sparks, Richard M.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_722#abstract_or_scope","type":"document_value","attributes":{"value":"Digitized and printed photographs taken by Richard M. Sparks of George Mason College student life at Bailey's Crossroads in the early 1960s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_722#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_722","ead_ssi":"vifgm_repositories_2_resources_722","_root_":"vifgm_repositories_2_resources_722","_nest_parent_":"vifgm_repositories_2_resources_722","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_722.xml","title_filing_ssi":"Richard M. Sparks George Mason College photograph collection","title_ssm":["Richard M. Sparks George Mason College photograph collection"],"title_tesim":["Richard M. Sparks George Mason College photograph collection"],"unitdate_ssm":["1961-1968, 2004"],"unitdate_inclusive_ssm":["1961-1968, 2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0521","/repositories/2/resources/722"],"text":["C0521","/repositories/2/resources/722","Richard M. Sparks George Mason College photograph collection","Bailey's Crossroads (Va.)","George Mason University -- Student Life","College students","Education, Higher -- Virginia","George Mason University -- Photographs","Education, Higher","Students","Students -- Photographs","Nineteen sixties","Photographs","There are no access restrictions.","The collection is in original order, grouped by photographic medium.","\"The Bailey's Crossroads Campus - George Mason University's Humble Beginnings.\" n.d. The Mason Experience: Past and Present. Accessed August 9, 2024. https://pastandpresent.gmu.edu/items/show/3.","\"The First Four Buildings at the Fairfax Campus - North, South, East and West Buildings.\" n.d. The Mason Experience: Past and Present. Accessed August 9, 2024. https://pastandpresent.gmu.edu/items/show/4.","Vay, Bob. 2022a. \"Before We Became George Mason University: Our First Campus at Bailey's Crossroads, 1957-1964 - Vault217.\" May 3, 2022. https://vault217.gmu.edu/?p=10138.","———. 2022b. \"Establishing Our Identity: George Mason's Fairfax Campus - Vault217.\" June 8, 2022. https://vault217.gmu.edu/?p=10152.","Originally established as a Northern Virginia branch of the University of Virginia, the University College of the University of Virginia formally opened as a 2-year associates degree granting school on September 24, 1957 in the former Bailey's Elementary School on Columbia Pike in Bailey's Crossroads, Virginia. The eight-room red-brick schoolhouse, originally built in 1922, had 8 classrooms, with no designated gathering place for students aside from the main hallway, front porch, and parking lot. To help provide a place for students to gather, the nearby Bailey's Crossroads Volunteer Fire Department offered the use of its upstairs bingo hall as a student lounge during the day. Additionally, the building's small rooms required college events, such as assemblies, meetings, and celebrations, to also be held at nearby locations, such as the Alexandria Episcopal Seminary. On January 1, 1960 the name was changed to George Mason College (GMC) following a tiebreaking vote by the University's Board of Visitors.","The Bailey's Crossroads campus (also known as BXU) remained in service until August 1964 when GMC moved to its permanent location south of the City of Fairfax. The new Fairfax campus officially opened on September 14, 1964 with 356 registered students, a 58% increase from the final school year at Bailey's Crossroads, and four buildings, each named for the direction it faced (North, South, East, and West). More information about the history of these early GMC locations can be found at this link:  The Mason Experience: Past and Present .","Richard M. Sparks entered GMC as a student at the Bailey's Crossroads campus in September 1961. After completing his two-year program, Sparks remained at GMC part-time the following year working as a lab assistant while also attending American University in Washington, D.C. It was during this year that Sparks met his future wife Ann Walker. When GMC moved to its new, permanent Fairfax campus in August 1964 Sparks continued his work with the school in the Biology Department as an instructor until 1968. He received his undergraduate degree from George Washington University in 1967 and returned to GMC in 1970 to complete his Master of Science degree in Biology, which he received in 1973, one year after the school separated from the University of Virginia and was renamed George Mason University.","Processing and finding aid completed by Meghan Glasbrenner from July - August 2024.","The Special Collections Research Center holds other photograph collections documenting the history of George Mason College, including the  Doug Nelms photographs  and the  Charles Baptie photograph collection .","The University Archives also holds the  George Mason University Oral History Program collection .","Digitized and printed photographs taken by Richard M. Sparks of George Mason College student life at Bailey's Crossroads in the early 1960s. Photographs document classes, faculty, students, and college events and celebrations primarily at Bailey's Crossroads, but also during the first few years at the permanent campus in Fairfax. Photographs are primarily described individually, although some have been grouped if multiple photographs cover the same event. Folder titles have either being taken directly from inscriptions provided, indicated by the use of quotation marks, or created to describe the content of the images. Full inscription information, which includes identified individuals depicted, and identification of the digital file name is provided at the folder level where applicable. Unless otherwise noted, all photographs are attributed to Richard M. Sparks.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Digitized and printed photographs taken by Richard M. Sparks of George Mason College student life at Bailey's Crossroads in the early 1960s.","R 71, C 1, S 7","George Mason University. Libraries. Special Collections Research Center","George Mason College","George Mason University","Sparks, Richard M.","Arundel, Arthur M.","Nelms, Douglas W.","Potter, Lee H., -2014","English \n.    "],"unitid_tesim":["C0521","/repositories/2/resources/722"],"normalized_title_ssm":["Richard M. Sparks George Mason College photograph collection"],"collection_title_tesim":["Richard M. Sparks George Mason College photograph collection"],"collection_ssim":["Richard M. Sparks George Mason College photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Bailey's Crossroads (Va.)","George Mason University -- Student Life"],"geogname_ssim":["Bailey's Crossroads (Va.)","George Mason University -- Student Life"],"creator_ssm":["Sparks, Richard M."],"creator_ssim":["Sparks, Richard M."],"creator_persname_ssim":["Sparks, Richard M."],"creators_ssim":["Sparks, Richard M."],"places_ssim":["Bailey's Crossroads (Va.)","George Mason University -- Student Life"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated to SCRC in 2005 through Bob Vay."],"access_subjects_ssim":["College students","Education, Higher -- Virginia","George Mason University -- Photographs","Education, Higher","Students","Students -- Photographs","Nineteen sixties","Photographs"],"access_subjects_ssm":["College students","Education, Higher -- Virginia","George Mason University -- Photographs","Education, Higher","Students","Students -- Photographs","Nineteen sixties","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet 1 box"],"extent_tesim":[".5 Linear Feet 1 box"],"genreform_ssim":["Photographs"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is in original order, grouped by photographic medium.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is in original order, grouped by photographic medium."],"bibliography_html_tesm":["\u003cp\u003e\"The Bailey's Crossroads Campus - George Mason University's Humble Beginnings.\" n.d. The Mason Experience: Past and Present. Accessed August 9, 2024. https://pastandpresent.gmu.edu/items/show/3.\u003c/p\u003e\n","\u003cp\u003e\"The First Four Buildings at the Fairfax Campus - North, South, East and West Buildings.\" n.d. The Mason Experience: Past and Present. Accessed August 9, 2024. https://pastandpresent.gmu.edu/items/show/4.\u003c/p\u003e\n","\u003cp\u003eVay, Bob. 2022a. \"Before We Became George Mason University: Our First Campus at Bailey's Crossroads, 1957-1964 - Vault217.\" May 3, 2022. https://vault217.gmu.edu/?p=10138.\u003c/p\u003e\n","\u003cp\u003e———. 2022b. \"Establishing Our Identity: George Mason's Fairfax Campus - Vault217.\" June 8, 2022. https://vault217.gmu.edu/?p=10152.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"The Bailey's Crossroads Campus - George Mason University's Humble Beginnings.\" n.d. The Mason Experience: Past and Present. Accessed August 9, 2024. https://pastandpresent.gmu.edu/items/show/3.","\"The First Four Buildings at the Fairfax Campus - North, South, East and West Buildings.\" n.d. The Mason Experience: Past and Present. Accessed August 9, 2024. https://pastandpresent.gmu.edu/items/show/4.","Vay, Bob. 2022a. \"Before We Became George Mason University: Our First Campus at Bailey's Crossroads, 1957-1964 - Vault217.\" May 3, 2022. https://vault217.gmu.edu/?p=10138.","———. 2022b. \"Establishing Our Identity: George Mason's Fairfax Campus - Vault217.\" June 8, 2022. https://vault217.gmu.edu/?p=10152."],"bioghist_html_tesm":["\u003cp\u003eOriginally established as a Northern Virginia branch of the University of Virginia, the University College of the University of Virginia formally opened as a 2-year associates degree granting school on September 24, 1957 in the former Bailey's Elementary School on Columbia Pike in Bailey's Crossroads, Virginia. The eight-room red-brick schoolhouse, originally built in 1922, had 8 classrooms, with no designated gathering place for students aside from the main hallway, front porch, and parking lot. To help provide a place for students to gather, the nearby Bailey's Crossroads Volunteer Fire Department offered the use of its upstairs bingo hall as a student lounge during the day. Additionally, the building's small rooms required college events, such as assemblies, meetings, and celebrations, to also be held at nearby locations, such as the Alexandria Episcopal Seminary. On January 1, 1960 the name was changed to George Mason College (GMC) following a tiebreaking vote by the University's Board of Visitors.\u003c/p\u003e\n","\u003cp\u003eThe Bailey's Crossroads campus (also known as BXU) remained in service until August 1964 when GMC moved to its permanent location south of the City of Fairfax. The new Fairfax campus officially opened on September 14, 1964 with 356 registered students, a 58% increase from the final school year at Bailey's Crossroads, and four buildings, each named for the direction it faced (North, South, East, and West). More information about the history of these early GMC locations can be found at this link: \u003ca href=\"https://pastandpresent.gmu.edu/\"\u003eThe Mason Experience: Past and Present\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eRichard M. Sparks entered GMC as a student at the Bailey's Crossroads campus in September 1961. After completing his two-year program, Sparks remained at GMC part-time the following year working as a lab assistant while also attending American University in Washington, D.C. It was during this year that Sparks met his future wife Ann Walker. When GMC moved to its new, permanent Fairfax campus in August 1964 Sparks continued his work with the school in the Biology Department as an instructor until 1968. He received his undergraduate degree from George Washington University in 1967 and returned to GMC in 1970 to complete his Master of Science degree in Biology, which he received in 1973, one year after the school separated from the University of Virginia and was renamed George Mason University.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Originally established as a Northern Virginia branch of the University of Virginia, the University College of the University of Virginia formally opened as a 2-year associates degree granting school on September 24, 1957 in the former Bailey's Elementary School on Columbia Pike in Bailey's Crossroads, Virginia. The eight-room red-brick schoolhouse, originally built in 1922, had 8 classrooms, with no designated gathering place for students aside from the main hallway, front porch, and parking lot. To help provide a place for students to gather, the nearby Bailey's Crossroads Volunteer Fire Department offered the use of its upstairs bingo hall as a student lounge during the day. Additionally, the building's small rooms required college events, such as assemblies, meetings, and celebrations, to also be held at nearby locations, such as the Alexandria Episcopal Seminary. On January 1, 1960 the name was changed to George Mason College (GMC) following a tiebreaking vote by the University's Board of Visitors.","The Bailey's Crossroads campus (also known as BXU) remained in service until August 1964 when GMC moved to its permanent location south of the City of Fairfax. The new Fairfax campus officially opened on September 14, 1964 with 356 registered students, a 58% increase from the final school year at Bailey's Crossroads, and four buildings, each named for the direction it faced (North, South, East, and West). More information about the history of these early GMC locations can be found at this link:  The Mason Experience: Past and Present .","Richard M. Sparks entered GMC as a student at the Bailey's Crossroads campus in September 1961. After completing his two-year program, Sparks remained at GMC part-time the following year working as a lab assistant while also attending American University in Washington, D.C. It was during this year that Sparks met his future wife Ann Walker. When GMC moved to its new, permanent Fairfax campus in August 1964 Sparks continued his work with the school in the Biology Department as an instructor until 1968. He received his undergraduate degree from George Washington University in 1967 and returned to GMC in 1970 to complete his Master of Science degree in Biology, which he received in 1973, one year after the school separated from the University of Virginia and was renamed George Mason University."],"prefercite_html_tesm":["\u003cp\u003eRichard M. Sparks George Mason College photograph collection, C0521, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Richard M. Sparks George Mason College photograph collection, C0521, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from July - August 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from July - August 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other photograph collections documenting the history of George Mason College, including the \u003ca href=\"https://aspace.gmu.edu/resources/r0152\"\u003eDoug Nelms photographs\u003c/a\u003e and the \u003ca href=\"https://aspace.gmu.edu/resources/c0032\"\u003eCharles Baptie photograph collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe University Archives also holds the \u003ca href=\"https://aspace.gmu.edu/resources/r0121\"\u003eGeorge Mason University Oral History Program collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other photograph collections documenting the history of George Mason College, including the  Doug Nelms photographs  and the  Charles Baptie photograph collection .","The University Archives also holds the  George Mason University Oral History Program collection ."],"scopecontent_html_tesm":["\u003cp\u003eDigitized and printed photographs taken by Richard M. Sparks of George Mason College student life at Bailey's Crossroads in the early 1960s. Photographs document classes, faculty, students, and college events and celebrations primarily at Bailey's Crossroads, but also during the first few years at the permanent campus in Fairfax. Photographs are primarily described individually, although some have been grouped if multiple photographs cover the same event. Folder titles have either being taken directly from inscriptions provided, indicated by the use of quotation marks, or created to describe the content of the images. Full inscription information, which includes identified individuals depicted, and identification of the digital file name is provided at the folder level where applicable. Unless otherwise noted, all photographs are attributed to Richard M. Sparks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Digitized and printed photographs taken by Richard M. Sparks of George Mason College student life at Bailey's Crossroads in the early 1960s. Photographs document classes, faculty, students, and college events and celebrations primarily at Bailey's Crossroads, but also during the first few years at the permanent campus in Fairfax. Photographs are primarily described individually, although some have been grouped if multiple photographs cover the same event. Folder titles have either being taken directly from inscriptions provided, indicated by the use of quotation marks, or created to describe the content of the images. Full inscription information, which includes identified individuals depicted, and identification of the digital file name is provided at the folder level where applicable. Unless otherwise noted, all photographs are attributed to Richard M. Sparks."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_10834c9200d13f26ecf4f46327408b66\"\u003eDigitized and printed photographs taken by Richard M. Sparks of George Mason College student life at Bailey's Crossroads in the early 1960s.\u003c/abstract\u003e"],"abstract_tesim":["Digitized and printed photographs taken by Richard M. Sparks of George Mason College student life at Bailey's Crossroads in the early 1960s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3e20069248f77d174bbd86fb188d75a6\"\u003eR 71, C 1, S 7\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 7"],"names_coll_ssim":["George Mason College","George Mason University","Arundel, Arthur M.","Nelms, Douglas W.","Potter, Lee H., -2014"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason College","George Mason University","Sparks, Richard M.","Arundel, Arthur M.","Nelms, Douglas W.","Potter, Lee H., -2014"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason College","George Mason University"],"persname_ssim":["Sparks, Richard M.","Arundel, Arthur M.","Nelms, Douglas W.","Potter, Lee H., -2014"],"language_ssim":["English \n.    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Accessed August 9, 2024. https://pastandpresent.gmu.edu/items/show/3.","\"The First Four Buildings at the Fairfax Campus - North, South, East and West Buildings.\" n.d. The Mason Experience: Past and Present. Accessed August 9, 2024. https://pastandpresent.gmu.edu/items/show/4.","Vay, Bob. 2022a. \"Before We Became George Mason University: Our First Campus at Bailey's Crossroads, 1957-1964 - Vault217.\" May 3, 2022. https://vault217.gmu.edu/?p=10138.","———. 2022b. \"Establishing Our Identity: George Mason's Fairfax Campus - Vault217.\" June 8, 2022. https://vault217.gmu.edu/?p=10152.","Originally established as a Northern Virginia branch of the University of Virginia, the University College of the University of Virginia formally opened as a 2-year associates degree granting school on September 24, 1957 in the former Bailey's Elementary School on Columbia Pike in Bailey's Crossroads, Virginia. 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The Mason Experience: Past and Present. Accessed August 9, 2024. https://pastandpresent.gmu.edu/items/show/3.\u003c/p\u003e\n","\u003cp\u003e\"The First Four Buildings at the Fairfax Campus - North, South, East and West Buildings.\" n.d. The Mason Experience: Past and Present. Accessed August 9, 2024. https://pastandpresent.gmu.edu/items/show/4.\u003c/p\u003e\n","\u003cp\u003eVay, Bob. 2022a. \"Before We Became George Mason University: Our First Campus at Bailey's Crossroads, 1957-1964 - Vault217.\" May 3, 2022. https://vault217.gmu.edu/?p=10138.\u003c/p\u003e\n","\u003cp\u003e———. 2022b. \"Establishing Our Identity: George Mason's Fairfax Campus - Vault217.\" June 8, 2022. https://vault217.gmu.edu/?p=10152.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"The Bailey's Crossroads Campus - George Mason University's Humble Beginnings.\" n.d. The Mason Experience: Past and Present. Accessed August 9, 2024. https://pastandpresent.gmu.edu/items/show/3.","\"The First Four Buildings at the Fairfax Campus - North, South, East and West Buildings.\" n.d. The Mason Experience: Past and Present. Accessed August 9, 2024. https://pastandpresent.gmu.edu/items/show/4.","Vay, Bob. 2022a. \"Before We Became George Mason University: Our First Campus at Bailey's Crossroads, 1957-1964 - Vault217.\" May 3, 2022. https://vault217.gmu.edu/?p=10138.","———. 2022b. \"Establishing Our Identity: George Mason's Fairfax Campus - Vault217.\" June 8, 2022. https://vault217.gmu.edu/?p=10152."],"bioghist_html_tesm":["\u003cp\u003eOriginally established as a Northern Virginia branch of the University of Virginia, the University College of the University of Virginia formally opened as a 2-year associates degree granting school on September 24, 1957 in the former Bailey's Elementary School on Columbia Pike in Bailey's Crossroads, Virginia. The eight-room red-brick schoolhouse, originally built in 1922, had 8 classrooms, with no designated gathering place for students aside from the main hallway, front porch, and parking lot. To help provide a place for students to gather, the nearby Bailey's Crossroads Volunteer Fire Department offered the use of its upstairs bingo hall as a student lounge during the day. Additionally, the building's small rooms required college events, such as assemblies, meetings, and celebrations, to also be held at nearby locations, such as the Alexandria Episcopal Seminary. On January 1, 1960 the name was changed to George Mason College (GMC) following a tiebreaking vote by the University's Board of Visitors.\u003c/p\u003e\n","\u003cp\u003eThe Bailey's Crossroads campus (also known as BXU) remained in service until August 1964 when GMC moved to its permanent location south of the City of Fairfax. The new Fairfax campus officially opened on September 14, 1964 with 356 registered students, a 58% increase from the final school year at Bailey's Crossroads, and four buildings, each named for the direction it faced (North, South, East, and West). More information about the history of these early GMC locations can be found at this link: \u003ca href=\"https://pastandpresent.gmu.edu/\"\u003eThe Mason Experience: Past and Present\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eRichard M. Sparks entered GMC as a student at the Bailey's Crossroads campus in September 1961. After completing his two-year program, Sparks remained at GMC part-time the following year working as a lab assistant while also attending American University in Washington, D.C. It was during this year that Sparks met his future wife Ann Walker. When GMC moved to its new, permanent Fairfax campus in August 1964 Sparks continued his work with the school in the Biology Department as an instructor until 1968. He received his undergraduate degree from George Washington University in 1967 and returned to GMC in 1970 to complete his Master of Science degree in Biology, which he received in 1973, one year after the school separated from the University of Virginia and was renamed George Mason University.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Originally established as a Northern Virginia branch of the University of Virginia, the University College of the University of Virginia formally opened as a 2-year associates degree granting school on September 24, 1957 in the former Bailey's Elementary School on Columbia Pike in Bailey's Crossroads, Virginia. The eight-room red-brick schoolhouse, originally built in 1922, had 8 classrooms, with no designated gathering place for students aside from the main hallway, front porch, and parking lot. To help provide a place for students to gather, the nearby Bailey's Crossroads Volunteer Fire Department offered the use of its upstairs bingo hall as a student lounge during the day. Additionally, the building's small rooms required college events, such as assemblies, meetings, and celebrations, to also be held at nearby locations, such as the Alexandria Episcopal Seminary. On January 1, 1960 the name was changed to George Mason College (GMC) following a tiebreaking vote by the University's Board of Visitors.","The Bailey's Crossroads campus (also known as BXU) remained in service until August 1964 when GMC moved to its permanent location south of the City of Fairfax. The new Fairfax campus officially opened on September 14, 1964 with 356 registered students, a 58% increase from the final school year at Bailey's Crossroads, and four buildings, each named for the direction it faced (North, South, East, and West). 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Sparks George Mason College photograph collection, C0521, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Richard M. Sparks George Mason College photograph collection, C0521, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from July - August 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from July - August 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other photograph collections documenting the history of George Mason College, including the \u003ca href=\"https://aspace.gmu.edu/resources/r0152\"\u003eDoug Nelms photographs\u003c/a\u003e and the \u003ca href=\"https://aspace.gmu.edu/resources/c0032\"\u003eCharles Baptie photograph collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe University Archives also holds the \u003ca href=\"https://aspace.gmu.edu/resources/r0121\"\u003eGeorge Mason University Oral History Program collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other photograph collections documenting the history of George Mason College, including the  Doug Nelms photographs  and the  Charles Baptie photograph collection .","The University Archives also holds the  George Mason University Oral History Program collection ."],"scopecontent_html_tesm":["\u003cp\u003eDigitized and printed photographs taken by Richard M. Sparks of George Mason College student life at Bailey's Crossroads in the early 1960s. Photographs document classes, faculty, students, and college events and celebrations primarily at Bailey's Crossroads, but also during the first few years at the permanent campus in Fairfax. Photographs are primarily described individually, although some have been grouped if multiple photographs cover the same event. Folder titles have either being taken directly from inscriptions provided, indicated by the use of quotation marks, or created to describe the content of the images. Full inscription information, which includes identified individuals depicted, and identification of the digital file name is provided at the folder level where applicable. Unless otherwise noted, all photographs are attributed to Richard M. Sparks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Digitized and printed photographs taken by Richard M. Sparks of George Mason College student life at Bailey's Crossroads in the early 1960s. Photographs document classes, faculty, students, and college events and celebrations primarily at Bailey's Crossroads, but also during the first few years at the permanent campus in Fairfax. Photographs are primarily described individually, although some have been grouped if multiple photographs cover the same event. Folder titles have either being taken directly from inscriptions provided, indicated by the use of quotation marks, or created to describe the content of the images. Full inscription information, which includes identified individuals depicted, and identification of the digital file name is provided at the folder level where applicable. Unless otherwise noted, all photographs are attributed to Richard M. Sparks."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_10834c9200d13f26ecf4f46327408b66\"\u003eDigitized and printed photographs taken by Richard M. Sparks of George Mason College student life at Bailey's Crossroads in the early 1960s.\u003c/abstract\u003e"],"abstract_tesim":["Digitized and printed photographs taken by Richard M. 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