{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026page=1\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":1,"first_page?":true,"last_page?":true}},"data":[{"id":"viur_repositories_6_resources_146","type":"collection","attributes":{"title":"Composition gold","creator":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_6_resources_146#creator","type":"document_value","attributes":{"value":"Passenger Pigeon Press","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_6_resources_146#abstract_or_scope","type":"document_value","attributes":{"value":"\"This issue of Martha's Quarterly, Issue 20, Summer 2021, Composition Gold, brings together an essay by classicist Tae-Yeoun Keum and photographs by artist Rodrigo Valenzuela to explore questions of nobility and class, labor and imagination, and fate and agency. I was inspired when I listened to someone talk about the noble lie, a kind of myth often told by the elite or ruling class of a society that is meant to maintain social harmony. In monarchies and caste system societies, the noble lie is essential to keeping people spread across different classes, in their place and seldom questioning their situation. Today, many democratic societies also use a noble lie that many accept: \"meritocracy,\" i.e. the idea that one is rewarded and can move between classes as a result of one's hard work and talent.\" -- publisher's website, viewed August 11, 2022.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_6_resources_146#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_6_resources_146","ead_ssi":"viur_repositories_6_resources_146","_root_":"viur_repositories_6_resources_146","_nest_parent_":"viur_repositories_6_resources_146","ead_source_url_ssi":"data/oai/RICH/repositories_6_resources_146.xml","title_ssm":["Composition gold"],"title_tesim":["Composition gold"],"unitdate_ssm":["2021"],"unitdate_other_ssim":["2021"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["BA-87","/repositories/6/resources/146"],"text":["BA-87","/repositories/6/resources/146","Composition gold","Nobility in art","Social classes in art","Specimens","Artists' Books","\"Martha's Quarterly, Issue 20, Summer 2021. Composition Gold was printed using black and white photocopy on 20 lb. text weight paper. The silver laborer was laser-cut from silver Stardream cardstock. The metal leaf is gilded composition gold. Gill Sans font was used throughout in various sizes and styles. Tae-Yeoun Keum's text, Born-Again. Citizens in the Myth of Metals was excerpted from the article Plato's Myth of Er and the Reconfiguration of Nature, published in American Political Science Review, 2020. We reprinted it with permission from Cambridge University Press.\"--Colophon","[Editor's introduction] \nTammy Nguyen -- Born-Again Citizens in the Myth of Metals \nTae-Yeoun Keum -- [photographs] \nRodrigo Valenzuela","\"This issue of Martha's Quarterly, Issue 20, Summer 2021, Composition Gold, brings together an essay by classicist Tae-Yeoun Keum and photographs by artist Rodrigo Valenzuela to explore questions of nobility and class, labor and imagination, and fate and agency. I was inspired when I listened to someone talk about the noble lie, a kind of myth often told by the elite or ruling class of a society that is meant to maintain social harmony. In monarchies and caste system societies, the noble lie is essential to keeping people spread across different classes, in their place and seldom questioning their situation. Today, many democratic societies also use a noble lie that many accept: \"meritocracy,\" i.e. the idea that one is rewarded and can move between classes as a result of one's hard work and talent.\" -- publisher's website, viewed August 11, 2022.","RBR copy is 46 of 200 numbered copies.","University of Richmond Book Arts Studio","Passenger Pigeon Press","Nguyen, Tammy, 1984-","Beer, Téa Chai","Keum, Tae-Yeoun, 1986-","Valenzuela, Rodrigo, 1982-","English"],"unitid_tesim":["BA-87","/repositories/6/resources/146"],"normalized_title_ssm":["Composition gold"],"collection_title_tesim":["Composition gold"],"collection_ssim":["Composition gold"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Passenger Pigeon Press","Nguyen, Tammy, 1984-","Beer, Téa Chai","Keum, Tae-Yeoun, 1986-","Valenzuela, Rodrigo, 1982-"],"creator_ssim":["Passenger Pigeon Press","Nguyen, Tammy, 1984-","Beer, Téa Chai","Keum, Tae-Yeoun, 1986-","Valenzuela, Rodrigo, 1982-"],"creator_persname_ssim":["Nguyen, Tammy, 1984-","Beer, Téa Chai","Keum, Tae-Yeoun, 1986-","Valenzuela, Rodrigo, 1982-"],"creator_corpname_ssim":["Passenger Pigeon Press"],"creators_ssim":["Nguyen, Tammy, 1984-","Beer, Téa Chai","Keum, Tae-Yeoun, 1986-","Valenzuela, Rodrigo, 1982-","Passenger Pigeon Press"],"access_subjects_ssim":["Nobility in art","Social classes in art","Specimens","Artists' Books"],"access_subjects_ssm":["Nobility in art","Social classes in art","Specimens","Artists' Books"],"has_online_content_ssim":["false"],"physdesc_tesim":["\"Martha's Quarterly, Issue 20, Summer 2021. Composition Gold was printed using black and white photocopy on 20 lb. text weight paper. The silver laborer was laser-cut from silver Stardream cardstock. The metal leaf is gilded composition gold. Gill Sans font was used throughout in various sizes and styles. Tae-Yeoun Keum's text, Born-Again. Citizens in the Myth of Metals was excerpted from the article Plato's Myth of Er and the Reconfiguration of Nature, published in American Political Science Review, 2020. We reprinted it with permission from Cambridge University Press.\"--Colophon"],"extent_ssm":["2 Volumes"],"extent_tesim":["2 Volumes"],"physfacet_tesim":["2 volumes (1 unnumbered folded sheet, 23 page booklet) : black and white photographs"],"dimensions_tesim":["15 cm"],"genreform_ssim":["Artists' Books"],"date_range_isim":[2021],"scopecontent_html_tesm":["\u003cp\u003e[Editor's introduction]\u003cbr\u003e\nTammy Nguyen -- Born-Again Citizens in the Myth of Metals\u003cbr\u003e\nTae-Yeoun Keum -- [photographs]\u003cbr\u003e\nRodrigo Valenzuela\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["[Editor's introduction] \nTammy Nguyen -- Born-Again Citizens in the Myth of Metals \nTae-Yeoun Keum -- [photographs] \nRodrigo Valenzuela"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f9a9311a7e4c59623936c7ffee5e7d23\" label=\"Description\"\u003e\"This issue of Martha's Quarterly, Issue 20, Summer 2021, Composition Gold, brings together an essay by classicist Tae-Yeoun Keum and photographs by artist Rodrigo Valenzuela to explore questions of nobility and class, labor and imagination, and fate and agency. I was inspired when I listened to someone talk about the noble lie, a kind of myth often told by the elite or ruling class of a society that is meant to maintain social harmony. In monarchies and caste system societies, the noble lie is essential to keeping people spread across different classes, in their place and seldom questioning their situation. Today, many democratic societies also use a noble lie that many accept: \"meritocracy,\" i.e. the idea that one is rewarded and can move between classes as a result of one's hard work and talent.\" -- publisher's website, viewed August 11, 2022.\u003c/abstract\u003e"],"abstract_tesim":["\"This issue of Martha's Quarterly, Issue 20, Summer 2021, Composition Gold, brings together an essay by classicist Tae-Yeoun Keum and photographs by artist Rodrigo Valenzuela to explore questions of nobility and class, labor and imagination, and fate and agency. I was inspired when I listened to someone talk about the noble lie, a kind of myth often told by the elite or ruling class of a society that is meant to maintain social harmony. In monarchies and caste system societies, the noble lie is essential to keeping people spread across different classes, in their place and seldom questioning their situation. Today, many democratic societies also use a noble lie that many accept: \"meritocracy,\" i.e. the idea that one is rewarded and can move between classes as a result of one's hard work and talent.\" -- publisher's website, viewed August 11, 2022."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_21f46d2b17557f2a878434b7c21356fb\"\u003eRBR copy is 46 of 200 numbered copies.\u003c/materialspec\u003e"],"materialspec_tesim":["RBR copy is 46 of 200 numbered copies."],"names_ssim":["University of Richmond Book Arts Studio","Passenger Pigeon Press","Nguyen, Tammy, 1984-","Beer, Téa Chai","Keum, Tae-Yeoun, 1986-","Valenzuela, Rodrigo, 1982-"],"corpname_ssim":["University of Richmond Book Arts Studio","Passenger Pigeon Press"],"persname_ssim":["Nguyen, Tammy, 1984-","Beer, Téa Chai","Keum, Tae-Yeoun, 1986-","Valenzuela, Rodrigo, 1982-"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:11:04.291Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_6_resources_146","ead_ssi":"viur_repositories_6_resources_146","_root_":"viur_repositories_6_resources_146","_nest_parent_":"viur_repositories_6_resources_146","ead_source_url_ssi":"data/oai/RICH/repositories_6_resources_146.xml","title_ssm":["Composition gold"],"title_tesim":["Composition gold"],"unitdate_ssm":["2021"],"unitdate_other_ssim":["2021"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["BA-87","/repositories/6/resources/146"],"text":["BA-87","/repositories/6/resources/146","Composition gold","Nobility in art","Social classes in art","Specimens","Artists' Books","\"Martha's Quarterly, Issue 20, Summer 2021. Composition Gold was printed using black and white photocopy on 20 lb. text weight paper. The silver laborer was laser-cut from silver Stardream cardstock. The metal leaf is gilded composition gold. Gill Sans font was used throughout in various sizes and styles. Tae-Yeoun Keum's text, Born-Again. Citizens in the Myth of Metals was excerpted from the article Plato's Myth of Er and the Reconfiguration of Nature, published in American Political Science Review, 2020. We reprinted it with permission from Cambridge University Press.\"--Colophon","[Editor's introduction] \nTammy Nguyen -- Born-Again Citizens in the Myth of Metals \nTae-Yeoun Keum -- [photographs] \nRodrigo Valenzuela","\"This issue of Martha's Quarterly, Issue 20, Summer 2021, Composition Gold, brings together an essay by classicist Tae-Yeoun Keum and photographs by artist Rodrigo Valenzuela to explore questions of nobility and class, labor and imagination, and fate and agency. I was inspired when I listened to someone talk about the noble lie, a kind of myth often told by the elite or ruling class of a society that is meant to maintain social harmony. In monarchies and caste system societies, the noble lie is essential to keeping people spread across different classes, in their place and seldom questioning their situation. Today, many democratic societies also use a noble lie that many accept: \"meritocracy,\" i.e. the idea that one is rewarded and can move between classes as a result of one's hard work and talent.\" -- publisher's website, viewed August 11, 2022.","RBR copy is 46 of 200 numbered copies.","University of Richmond Book Arts Studio","Passenger Pigeon Press","Nguyen, Tammy, 1984-","Beer, Téa Chai","Keum, Tae-Yeoun, 1986-","Valenzuela, Rodrigo, 1982-","English"],"unitid_tesim":["BA-87","/repositories/6/resources/146"],"normalized_title_ssm":["Composition gold"],"collection_title_tesim":["Composition gold"],"collection_ssim":["Composition gold"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Passenger Pigeon Press","Nguyen, Tammy, 1984-","Beer, Téa Chai","Keum, Tae-Yeoun, 1986-","Valenzuela, Rodrigo, 1982-"],"creator_ssim":["Passenger Pigeon Press","Nguyen, Tammy, 1984-","Beer, Téa Chai","Keum, Tae-Yeoun, 1986-","Valenzuela, Rodrigo, 1982-"],"creator_persname_ssim":["Nguyen, Tammy, 1984-","Beer, Téa Chai","Keum, Tae-Yeoun, 1986-","Valenzuela, Rodrigo, 1982-"],"creator_corpname_ssim":["Passenger Pigeon Press"],"creators_ssim":["Nguyen, Tammy, 1984-","Beer, Téa Chai","Keum, Tae-Yeoun, 1986-","Valenzuela, Rodrigo, 1982-","Passenger Pigeon Press"],"access_subjects_ssim":["Nobility in art","Social classes in art","Specimens","Artists' Books"],"access_subjects_ssm":["Nobility in art","Social classes in art","Specimens","Artists' Books"],"has_online_content_ssim":["false"],"physdesc_tesim":["\"Martha's Quarterly, Issue 20, Summer 2021. Composition Gold was printed using black and white photocopy on 20 lb. text weight paper. The silver laborer was laser-cut from silver Stardream cardstock. The metal leaf is gilded composition gold. Gill Sans font was used throughout in various sizes and styles. Tae-Yeoun Keum's text, Born-Again. Citizens in the Myth of Metals was excerpted from the article Plato's Myth of Er and the Reconfiguration of Nature, published in American Political Science Review, 2020. We reprinted it with permission from Cambridge University Press.\"--Colophon"],"extent_ssm":["2 Volumes"],"extent_tesim":["2 Volumes"],"physfacet_tesim":["2 volumes (1 unnumbered folded sheet, 23 page booklet) : black and white photographs"],"dimensions_tesim":["15 cm"],"genreform_ssim":["Artists' Books"],"date_range_isim":[2021],"scopecontent_html_tesm":["\u003cp\u003e[Editor's introduction]\u003cbr\u003e\nTammy Nguyen -- Born-Again Citizens in the Myth of Metals\u003cbr\u003e\nTae-Yeoun Keum -- [photographs]\u003cbr\u003e\nRodrigo Valenzuela\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["[Editor's introduction] \nTammy Nguyen -- Born-Again Citizens in the Myth of Metals \nTae-Yeoun Keum -- [photographs] \nRodrigo Valenzuela"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f9a9311a7e4c59623936c7ffee5e7d23\" label=\"Description\"\u003e\"This issue of Martha's Quarterly, Issue 20, Summer 2021, Composition Gold, brings together an essay by classicist Tae-Yeoun Keum and photographs by artist Rodrigo Valenzuela to explore questions of nobility and class, labor and imagination, and fate and agency. I was inspired when I listened to someone talk about the noble lie, a kind of myth often told by the elite or ruling class of a society that is meant to maintain social harmony. In monarchies and caste system societies, the noble lie is essential to keeping people spread across different classes, in their place and seldom questioning their situation. Today, many democratic societies also use a noble lie that many accept: \"meritocracy,\" i.e. the idea that one is rewarded and can move between classes as a result of one's hard work and talent.\" -- publisher's website, viewed August 11, 2022.\u003c/abstract\u003e"],"abstract_tesim":["\"This issue of Martha's Quarterly, Issue 20, Summer 2021, Composition Gold, brings together an essay by classicist Tae-Yeoun Keum and photographs by artist Rodrigo Valenzuela to explore questions of nobility and class, labor and imagination, and fate and agency. I was inspired when I listened to someone talk about the noble lie, a kind of myth often told by the elite or ruling class of a society that is meant to maintain social harmony. In monarchies and caste system societies, the noble lie is essential to keeping people spread across different classes, in their place and seldom questioning their situation. Today, many democratic societies also use a noble lie that many accept: \"meritocracy,\" i.e. the idea that one is rewarded and can move between classes as a result of one's hard work and talent.\" -- publisher's website, viewed August 11, 2022."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_21f46d2b17557f2a878434b7c21356fb\"\u003eRBR copy is 46 of 200 numbered copies.\u003c/materialspec\u003e"],"materialspec_tesim":["RBR copy is 46 of 200 numbered copies."],"names_ssim":["University of Richmond Book Arts Studio","Passenger Pigeon Press","Nguyen, Tammy, 1984-","Beer, Téa Chai","Keum, Tae-Yeoun, 1986-","Valenzuela, Rodrigo, 1982-"],"corpname_ssim":["University of Richmond Book Arts Studio","Passenger Pigeon Press"],"persname_ssim":["Nguyen, Tammy, 1984-","Beer, Téa Chai","Keum, Tae-Yeoun, 1986-","Valenzuela, Rodrigo, 1982-"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:11:04.291Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_6_resources_146"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026view=list"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026view=list"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Composition gold","value":"Composition gold","hits":1},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026view=list"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026view=list"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"2021","value":"2021","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026f%5Bdate_range%5D%5B%5D=2021\u0026view=list"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026view=list"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Beer, Téa Chai","value":"Beer, Téa Chai","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026f%5Bcreators%5D%5B%5D=Beer%2C+Te%CC%81a+Chai\u0026view=list"}},{"attributes":{"label":"Keum, Tae-Yeoun, 1986-","value":"Keum, Tae-Yeoun, 1986-","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026f%5Bcreators%5D%5B%5D=Keum%2C+Tae-Yeoun%2C+1986-\u0026view=list"}},{"attributes":{"label":"Nguyen, Tammy, 1984-","value":"Nguyen, Tammy, 1984-","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026f%5Bcreators%5D%5B%5D=Nguyen%2C+Tammy%2C+1984-\u0026view=list"}},{"attributes":{"label":"Passenger Pigeon Press","value":"Passenger Pigeon Press","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026f%5Bcreators%5D%5B%5D=Passenger+Pigeon+Press\u0026view=list"}},{"attributes":{"label":"Valenzuela, Rodrigo, 1982-","value":"Valenzuela, Rodrigo, 1982-","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026f%5Bcreators%5D%5B%5D=Valenzuela%2C+Rodrigo%2C+1982-\u0026view=list"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026view=list"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Beer, Téa Chai","value":"Beer, Téa Chai","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026f%5Bnames%5D%5B%5D=Beer%2C+Te%CC%81a+Chai\u0026view=list"}},{"attributes":{"label":"Keum, Tae-Yeoun, 1986-","value":"Keum, Tae-Yeoun, 1986-","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026f%5Bnames%5D%5B%5D=Keum%2C+Tae-Yeoun%2C+1986-\u0026view=list"}},{"attributes":{"label":"Nguyen, Tammy, 1984-","value":"Nguyen, Tammy, 1984-","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026f%5Bnames%5D%5B%5D=Nguyen%2C+Tammy%2C+1984-\u0026view=list"}},{"attributes":{"label":"Passenger Pigeon Press","value":"Passenger Pigeon Press","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026f%5Bnames%5D%5B%5D=Passenger+Pigeon+Press\u0026view=list"}},{"attributes":{"label":"University of Richmond Book Arts Studio","value":"University of Richmond Book Arts Studio","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026f%5Bnames%5D%5B%5D=University+of+Richmond+Book+Arts+Studio\u0026view=list"}},{"attributes":{"label":"Valenzuela, Rodrigo, 1982-","value":"Valenzuela, Rodrigo, 1982-","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026f%5Bnames%5D%5B%5D=Valenzuela%2C+Rodrigo%2C+1982-\u0026view=list"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026view=list"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Artists' Books","value":"Artists' Books","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Baccess_subjects%5D%5B%5D=Artists%27+Books\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026view=list"}},{"attributes":{"label":"Nobility in art","value":"Nobility in art","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Baccess_subjects%5D%5B%5D=Nobility+in+art\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026view=list"}},{"attributes":{"label":"Social classes in art","value":"Social classes in art","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Baccess_subjects%5D%5B%5D=Social+classes+in+art\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026view=list"}},{"attributes":{"label":"Specimens","value":"Specimens","hits":1},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026view=list"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026view=list"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=list"}},{"attributes":{"label":"Item","value":"Item","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026f%5Blevel%5D%5B%5D=Item\u0026view=list"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026view=list"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026search_field=all_fields\u0026view=list"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026search_field=keyword\u0026view=list"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026search_field=name\u0026view=list"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026search_field=place\u0026view=list"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026search_field=subject\u0026view=list"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026search_field=title\u0026view=list"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026search_field=container\u0026view=list"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026search_field=identifier\u0026view=list"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026sort=score+desc%2C+title_sort+asc\u0026view=list"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026sort=date_sort+asc\u0026view=list"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026sort=date_sort+desc\u0026view=list"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026sort=creator_sort+asc\u0026view=list"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026sort=creator_sort+desc\u0026view=list"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026sort=title_sort+asc\u0026view=list"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Specimens\u0026f%5Bcollection%5D%5B%5D=Composition+gold\u0026sort=title_sort+desc\u0026view=list"}}]}