{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=3\u0026view=compact","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=2\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=4\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=4\u0026view=compact"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":4,"limit_value":10,"offset_value":20,"total_count":33,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_173","type":"collection","attributes":{"title":"Reston Reflections oral history collection, 1994/2008","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_173#creator","type":"document_value","attributes":{"value":"Langston Hughes Middle School (Reston, Va.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_173#abstract_or_scope","type":"document_value","attributes":{"value":"The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. The collection is large and contained within 128 boxes.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_173#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_173","ead_ssi":"vifgm_repositories_2_resources_173","_root_":"vifgm_repositories_2_resources_173","_nest_parent_":"vifgm_repositories_2_resources_173","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_173.xml","title_filing_ssi":"Reston Reflections oral history collection","title_ssm":["Reston Reflections oral history collection"],"title_tesim":["Reston Reflections oral history collection"],"unitdate_ssm":["1994-2008"],"unitdate_inclusive_ssm":["1994-2008"],"normalized_date_ssm":["1994/2008"],"normalized_title_ssm":["Reston Reflections oral history collection, 1994/2008"],"text":["Reston Reflections oral history collection, 1994/2008","C0171","/repositories/2/resources/173","Reston (Va.)","Reston (Va.) -- History","Northern Virginia","Virginia, Northern -- History","Virginia, Northern -- History, Local","Planned communities -- Virginia -- Reston","Housing","Oral history","Local history","Sound recordings","Oral histories","There are no access restrictions.","Arranged into four series.","Series\n      Series 1: Transcripts, 1994-2008 (Boxes 1-79)\n      Series 2: Audiotapes, 1994-2000 (Boxes 80-90)\n      Series 3: 1996 Interviews (Volunteers), 1996 (Boxes 91-96)\n      Series 4: 2001, 2003 and 2009 Interviews, 2001, 2003, 2009 (Boxes 97-128)","Langston Hughes Middle School is a school in Reston in Fairfax County. The school was named for the poet, Langston Hughes, and was established in 1979. Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston. Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008).","Processed in July 2009 by Emily Martin with additions by Steven Harris-Scott in September 2010. The Reston Reflections Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. Beginning in 2009 the documents from the Reston Reflections were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries.","The Special Collections Research Center also holds many other collections on the history of Reston, Virginia and other planned communities.","The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino.","Series one is titled Transcripts. This series contains the transcripts of the interviews that the student conducted. The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed. The series is dated from 1994 to 2008 and contained in 79 boxes.","Series two is titled Audiotapes. These are the tapes that have been removed from the transcripts. The tapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools. The series is dated from 1994 to 2000 and is contained in 10 boxes.","Series three is titled 1996 Interviews (Volunteers). These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections. The series is dated 1996 and is contained in 6 boxes.","Series four is titled 2001, 2003 and 2009 Interviews. These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003. They were processed separately but have now been organized with the entire Reston Reflection collection. The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes.","The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed.","518.22","514.28","518.23","518.25","452.2","512.02","452.3","504.1","452.4","504.2","504.3","517.27","504.4","504.5","518.18","512.03","518.3","512.04","504.6","504.7","512.05","504.8","512.06","452.5","452.6","512.07","504.9","512.1","452.7","504.10","504.11","452.8","516.29","452.9","452.10","504.12","517.20","452.11","452.12","515.28","504.13","452.13","452.14","504.14","504.13","512.08","504.15","504.16","512.09","452.15","504.17","512.10","504.18","504.19","504.20","516.17","515.25","504.21","517.16","452.16","512.12","512.11","512.13","518.15","452.17","504.22","512.14","452.18","452.19","504.23","452.20","504.25","504.24","517.21","512.15","504.26","504.27","504.28","504.29","452.21","452.22","512.16","512.17","516.23","504.30","512.18","517.24","515.20","452.23","517.1","514.4","515.3","452.24","515.1","452.25","452.26","518.19","504.31","504.32","512.19","452.27","452.28","516.19","512.20","504.34","452.29","512.21","452.30","512.5","504.36","512.27","452.31","504.38","504.37","515.30","516.28","452.32","504.39","504.40","504.41","452.33","512.22","512.23","504.42","504.43","515.7","512.24","504.44","518.20","516.1","512.26","515.22","515.29","512.28","452.34","516.24","517.15","512.29","515.2","512.30","512.31","512.32","516.14","452.35","452.36","512.33","516.20","518.14","517.17","453.1","516.9","517.14","516.8","512.34","515.13","512.35","453.2","512.36","453.3","512.37","453.4","505.15","512.38","517.4","512.39","453.5","505.16","505.17","505.18","453.6","505.19","505.20","453.7","453.8","518.17","512.40","515.10","512.41","453.9","453.10","453.11","512.42","517.26","512.43","518.5","515.18","518.1","512.44","515.9","453.12","515.23","453.13","512.45","516.18","512.46","505.21","513.01","505.22","505.23","453.14","513.02","453.15","505.24","505.25","511.11","513.03","505.26","453.16","453.17","517.9","505.27","517.28","517.5","453.18","513.04","513.05","515.31","513.06","513.07","513.08","513.09","517.6","513.10","504.33","513.11","513.12","453.20","453.19","505.28","505.29","513.13","453.22","453.21","516.13","453.24","453.23","505.30","505.31","512.4","516.25","513.14","512.6","518.2","515.6","513.15","505.32","513.16","513.17","505.33","515.12","453.25","515.24","513.18","513.19","518.10","515.11","513.21","513.22","515.8","513.20","518.12","505.34","516.11","513.23","453.26","516.30","505.35","513.24","513.25","516.16","513.26","513.27","512.3","518.8","516.2","505.36","453.27","515.10","515.32","453.28","505.37","505.38","516.3","505.39","513.28","513.29","515.21","518.26","453.29","516.21","513.30","505.40","453.30","453.31","513.31","505.41","505.42","513.32","515.27","518.13","506.01","515.19","506.02","516.10","506.03","454.1","454.2","506.04","513.33","518.7","513.34","513.35","517.13","454.3","506.05","506.06","454.4","506.07","518.4","454.5","515.17","454.6","514.01","506.08","506.09","514.02","513.16","514.03","516.5","515.5","514.04","514.05","506.10","506.11","454.7","506.12","517.10","506.13","506.14","518.24","506.16","506.17","514.06","514.07","454.8","454.9","514.08","517.2","517.12","514.09","518.21","506.18","514.10","517.18","517.19","454.10","506.19","506.20","517.3","514.11","454.11","454.12","517.8","516.22","516.12","506.21","506.22","506.23","454.13","454.14","515.15","517.25","454.15","505.24","514.13","454.16","454.17","514.14","517.22","514.15","518.11","506.28","506.25","514.16","506.26","514.17","504.35","515.26","514.18","514.19","506.27","518.6","514.20","454.18","514.21","518.16","506.29","512.7","454.19","514.22","516.7","454.20","517.7","514.23","514.24","506.30","454.21","506.31","516.15","516.6","506.32","506.33","454.22","454.23","516.4","506.34","454.24","454.25","454.28","506.35","506.36","454.26","454.27","514.25","506.37","454.29","516.27","515.14","454.30","514.26","506.38","514.27","517.23","512.2","506.39","These are the audiotape cassettes that have been removed from the transcripts. The audiotapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools.","These are additional transcripts and audiotapes that were done in 1996 by the students at Langeston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections.","464.1","464.2","464.3","464.4","464.5","464.6","464.7","464.8","464.9","464.10","464.11","464.12","464.13","464.14","464.15","464.16","464.17","464.18","464.19","464.20","464.21","464.22","464.23","464.24","464.25","464.25","464.27","464.28","464.29","464.30","464.31","464.32","464.33","464.34","464.35","464.36","464.37","464.38","464.39","464.40","464.41","464.42","464.43","464.44","465.1","465.2","465.3","465.4","465.5","465.6","465.7","465.8","465.9","465.10","465.11","465.12","465.13","465.14","465.15","465.16","465.17","465.18","465.19","465.20","465.21","465.22","465.23","465.24","465.25","465.26","465.27","465.28","465.29","465.30","465.31","465.32","465.33","465.34","465.35","465.36","465.37","465.38","466.1","466.2","466.3","466.4","466.5","466.6","466.7","466.8","466.9","466.10","466.11","466.12","466.13","466.14","466.15","466.16","466.17","466.18","466.19","466.20","466.21","466.22","466.23","466.24","466.25","466.26","466.27","466.28","466.29","466.30","466.31","466.32","466.33","466.34","466.35","466.36","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","These are additional transcripts and audiotapes completed by the students at Langeston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003 among others. They were processed separately but have now been organized with the entire Reston Reflection collection.","506D.7","506F.1","506G.4","506G.2","506D.8","506F.4","506E.1","506E.2","506D.6","506D.5","506D.4","506D.3","506C.1","506C.2","506C.4","506F.2","506G.1","506C.9","506C.5","506C.6","506C.7","506.3","506C.3","506D.2","506D.1","506C.8","506E.4","506F.5","506E.6","506F.7","506F.6","506E.7","506G.3","506E.3","506F.8","506G.5","506E.5","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. The collection is large and contained within 128 boxes.","R43, C1, S1 - C3, S5","George Mason University. Libraries. Special Collections Research Center","Langston Hughes Middle School (Reston, Va.)","English"],"collection_title_tesim":["Reston Reflections oral history collection, 1994/2008"],"collection_ssim":["Reston Reflections oral history collection, 1994/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0171","/repositories/2/resources/173"],"unitid_tesim":["C0171","/repositories/2/resources/173"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Reston (Va.)","Reston (Va.) -- History","Northern Virginia","Virginia, Northern -- History","Virginia, Northern -- History, Local"],"geogname_ssim":["Reston (Va.)","Reston (Va.) -- History","Northern Virginia","Virginia, Northern -- History","Virginia, Northern -- History, Local"],"places_ssim":["Reston (Va.)","Reston (Va.) -- History","Northern Virginia","Virginia, Northern -- History","Virginia, Northern -- History, Local"],"creator_ssm":["Langston Hughes Middle School (Reston, Va.)"],"creator_ssim":["Langston Hughes Middle School (Reston, Va.)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Langston Hughes Middle School (Reston, Va.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Langston Hughes Middle School (Reston, Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Sarah Larson, Gene B. Zablotney, and others in 1995-2010."],"access_subjects_ssim":["Planned communities -- Virginia -- Reston","Housing","Oral history","Local history","Sound recordings","Oral histories"],"access_subjects_ssm":["Planned communities -- Virginia -- Reston","Housing","Oral history","Local history","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["56.5 Linear Feet 127 boxes"],"extent_tesim":["56.5 Linear Feet 127 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into four series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1994-2008 (Boxes 1-79)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audiotapes, 1994-2000 (Boxes 80-90)\u003c/item\u003e\n      \u003citem\u003eSeries 3: 1996 Interviews (Volunteers), 1996 (Boxes 91-96)\u003c/item\u003e\n      \u003citem\u003eSeries 4: 2001, 2003 and 2009 Interviews, 2001, 2003, 2009 (Boxes 97-128)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into four series.","Series\n      Series 1: Transcripts, 1994-2008 (Boxes 1-79)\n      Series 2: Audiotapes, 1994-2000 (Boxes 80-90)\n      Series 3: 1996 Interviews (Volunteers), 1996 (Boxes 91-96)\n      Series 4: 2001, 2003 and 2009 Interviews, 2001, 2003, 2009 (Boxes 97-128)"],"bioghist_html_tesm":["\u003cp\u003eLangston Hughes Middle School is a school in Reston in Fairfax County. The school was named for the poet, Langston Hughes, and was established in 1979. Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston. Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008).\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Langston Hughes Middle School is a school in Reston in Fairfax County. The school was named for the poet, Langston Hughes, and was established in 1979. Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston. Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008)."],"prefercite_html_tesm":["\u003cp\u003eReston Reflections oral history collection, C0171, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Reston Reflections oral history collection, C0171, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in July 2009 by Emily Martin with additions by Steven Harris-Scott in September 2010. The Reston Reflections Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. Beginning in 2009 the documents from the Reston Reflections were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in July 2009 by Emily Martin with additions by Steven Harris-Scott in September 2010. The Reston Reflections Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. Beginning in 2009 the documents from the Reston Reflections were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on the history of Reston, Virginia and other planned communities.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on the history of Reston, Virginia and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. \u003c/p\u003e","\u003cp\u003eSeries one is titled Transcripts. This series contains the transcripts of the interviews that the student conducted. The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed. The series is dated from 1994 to 2008 and contained in 79 boxes. \u003c/p\u003e","\u003cp\u003eSeries two is titled Audiotapes. These are the tapes that have been removed from the transcripts. The tapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools. The series is dated from 1994 to 2000 and is contained in 10 boxes. \u003c/p\u003e","\u003cp\u003eSeries three is titled 1996 Interviews (Volunteers). These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections. The series is dated 1996 and is contained in 6 boxes. \u003c/p\u003e","\u003cp\u003eSeries four is titled 2001, 2003 and 2009 Interviews. These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003. They were processed separately but have now been organized with the entire Reston Reflection collection. The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes. \u003c/p\u003e  ","\u003cp\u003eThe transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed.\u003c/p\u003e","\u003cp\u003e518.22\u003c/p\u003e","\u003cp\u003e514.28\u003c/p\u003e","\u003cp\u003e518.23\u003c/p\u003e","\u003cp\u003e518.25\u003c/p\u003e","\u003cp\u003e452.2\u003c/p\u003e","\u003cp\u003e512.02\u003c/p\u003e","\u003cp\u003e452.3\u003c/p\u003e","\u003cp\u003e504.1\u003c/p\u003e","\u003cp\u003e452.4\u003c/p\u003e","\u003cp\u003e504.2\u003c/p\u003e","\u003cp\u003e504.3\u003c/p\u003e","\u003cp\u003e517.27\u003c/p\u003e","\u003cp\u003e504.4\u003c/p\u003e","\u003cp\u003e504.5\u003c/p\u003e","\u003cp\u003e518.18\u003c/p\u003e","\u003cp\u003e512.03\u003c/p\u003e","\u003cp\u003e518.3\u003c/p\u003e","\u003cp\u003e512.04\u003c/p\u003e","\u003cp\u003e504.6\u003c/p\u003e","\u003cp\u003e504.7\u003c/p\u003e","\u003cp\u003e512.05\u003c/p\u003e","\u003cp\u003e504.8\u003c/p\u003e","\u003cp\u003e512.06\u003c/p\u003e","\u003cp\u003e452.5\u003c/p\u003e","\u003cp\u003e452.6\u003c/p\u003e","\u003cp\u003e512.07\u003c/p\u003e","\u003cp\u003e504.9\u003c/p\u003e","\u003cp\u003e512.1\u003c/p\u003e","\u003cp\u003e452.7\u003c/p\u003e","\u003cp\u003e504.10\u003c/p\u003e","\u003cp\u003e504.11\u003c/p\u003e","\u003cp\u003e452.8\u003c/p\u003e","\u003cp\u003e516.29\u003c/p\u003e","\u003cp\u003e452.9\u003c/p\u003e","\u003cp\u003e452.10\u003c/p\u003e","\u003cp\u003e504.12\u003c/p\u003e","\u003cp\u003e517.20\u003c/p\u003e","\u003cp\u003e452.11\u003c/p\u003e","\u003cp\u003e452.12\u003c/p\u003e","\u003cp\u003e515.28\u003c/p\u003e","\u003cp\u003e504.13\u003c/p\u003e","\u003cp\u003e452.13\u003c/p\u003e","\u003cp\u003e452.14\u003c/p\u003e","\u003cp\u003e504.14\u003c/p\u003e","\u003cp\u003e504.13\u003c/p\u003e","\u003cp\u003e512.08\u003c/p\u003e","\u003cp\u003e504.15\u003c/p\u003e","\u003cp\u003e504.16\u003c/p\u003e","\u003cp\u003e512.09\u003c/p\u003e","\u003cp\u003e452.15\u003c/p\u003e","\u003cp\u003e504.17\u003c/p\u003e","\u003cp\u003e512.10\u003c/p\u003e","\u003cp\u003e504.18\u003c/p\u003e","\u003cp\u003e504.19\u003c/p\u003e","\u003cp\u003e504.20\u003c/p\u003e","\u003cp\u003e516.17\u003c/p\u003e","\u003cp\u003e515.25\u003c/p\u003e","\u003cp\u003e504.21\u003c/p\u003e","\u003cp\u003e517.16\u003c/p\u003e","\u003cp\u003e452.16\u003c/p\u003e","\u003cp\u003e512.12\u003c/p\u003e","\u003cp\u003e512.11\u003c/p\u003e","\u003cp\u003e512.13\u003c/p\u003e","\u003cp\u003e518.15\u003c/p\u003e","\u003cp\u003e452.17\u003c/p\u003e","\u003cp\u003e504.22\u003c/p\u003e","\u003cp\u003e512.14\u003c/p\u003e","\u003cp\u003e452.18\u003c/p\u003e","\u003cp\u003e452.19\u003c/p\u003e","\u003cp\u003e504.23\u003c/p\u003e","\u003cp\u003e452.20\u003c/p\u003e","\u003cp\u003e504.25\u003c/p\u003e","\u003cp\u003e504.24\u003c/p\u003e","\u003cp\u003e517.21\u003c/p\u003e","\u003cp\u003e512.15\u003c/p\u003e","\u003cp\u003e504.26\u003c/p\u003e","\u003cp\u003e504.27\u003c/p\u003e","\u003cp\u003e504.28\u003c/p\u003e","\u003cp\u003e504.29\u003c/p\u003e","\u003cp\u003e452.21\u003c/p\u003e","\u003cp\u003e452.22\u003c/p\u003e","\u003cp\u003e512.16\u003c/p\u003e","\u003cp\u003e512.17\u003c/p\u003e","\u003cp\u003e516.23\u003c/p\u003e","\u003cp\u003e504.30\u003c/p\u003e","\u003cp\u003e512.18\u003c/p\u003e","\u003cp\u003e517.24\u003c/p\u003e","\u003cp\u003e515.20\u003c/p\u003e","\u003cp\u003e452.23\u003c/p\u003e","\u003cp\u003e517.1\u003c/p\u003e","\u003cp\u003e514.4\u003c/p\u003e","\u003cp\u003e515.3\u003c/p\u003e","\u003cp\u003e452.24\u003c/p\u003e","\u003cp\u003e515.1\u003c/p\u003e","\u003cp\u003e452.25\u003c/p\u003e","\u003cp\u003e452.26\u003c/p\u003e","\u003cp\u003e518.19\u003c/p\u003e","\u003cp\u003e504.31\u003c/p\u003e","\u003cp\u003e504.32\u003c/p\u003e","\u003cp\u003e512.19\u003c/p\u003e","\u003cp\u003e452.27\u003c/p\u003e","\u003cp\u003e452.28\u003c/p\u003e","\u003cp\u003e516.19\u003c/p\u003e","\u003cp\u003e512.20\u003c/p\u003e","\u003cp\u003e504.34\u003c/p\u003e","\u003cp\u003e452.29\u003c/p\u003e","\u003cp\u003e512.21\u003c/p\u003e","\u003cp\u003e452.30\u003c/p\u003e","\u003cp\u003e512.5\u003c/p\u003e","\u003cp\u003e504.36\u003c/p\u003e","\u003cp\u003e512.27\u003c/p\u003e","\u003cp\u003e452.31\u003c/p\u003e","\u003cp\u003e504.38\u003c/p\u003e","\u003cp\u003e504.37\u003c/p\u003e","\u003cp\u003e515.30\u003c/p\u003e","\u003cp\u003e516.28\u003c/p\u003e","\u003cp\u003e452.32\u003c/p\u003e","\u003cp\u003e504.39\u003c/p\u003e","\u003cp\u003e504.40\u003c/p\u003e","\u003cp\u003e504.41\u003c/p\u003e","\u003cp\u003e452.33\u003c/p\u003e","\u003cp\u003e512.22\u003c/p\u003e","\u003cp\u003e512.23\u003c/p\u003e","\u003cp\u003e504.42\u003c/p\u003e","\u003cp\u003e504.43\u003c/p\u003e","\u003cp\u003e515.7\u003c/p\u003e","\u003cp\u003e512.24\u003c/p\u003e","\u003cp\u003e504.44\u003c/p\u003e","\u003cp\u003e518.20\u003c/p\u003e","\u003cp\u003e516.1\u003c/p\u003e","\u003cp\u003e512.26\u003c/p\u003e","\u003cp\u003e515.22\u003c/p\u003e","\u003cp\u003e515.29\u003c/p\u003e","\u003cp\u003e512.28\u003c/p\u003e","\u003cp\u003e452.34\u003c/p\u003e","\u003cp\u003e516.24\u003c/p\u003e","\u003cp\u003e517.15\u003c/p\u003e","\u003cp\u003e512.29\u003c/p\u003e","\u003cp\u003e515.2\u003c/p\u003e","\u003cp\u003e512.30\u003c/p\u003e","\u003cp\u003e512.31\u003c/p\u003e","\u003cp\u003e512.32\u003c/p\u003e","\u003cp\u003e516.14\u003c/p\u003e","\u003cp\u003e452.35\u003c/p\u003e","\u003cp\u003e452.36\u003c/p\u003e","\u003cp\u003e512.33\u003c/p\u003e","\u003cp\u003e516.20\u003c/p\u003e","\u003cp\u003e518.14\u003c/p\u003e","\u003cp\u003e517.17\u003c/p\u003e","\u003cp\u003e453.1\u003c/p\u003e","\u003cp\u003e516.9\u003c/p\u003e","\u003cp\u003e517.14\u003c/p\u003e","\u003cp\u003e516.8\u003c/p\u003e","\u003cp\u003e512.34\u003c/p\u003e","\u003cp\u003e515.13\u003c/p\u003e","\u003cp\u003e512.35\u003c/p\u003e","\u003cp\u003e453.2\u003c/p\u003e","\u003cp\u003e512.36\u003c/p\u003e","\u003cp\u003e453.3\u003c/p\u003e","\u003cp\u003e512.37\u003c/p\u003e","\u003cp\u003e453.4\u003c/p\u003e","\u003cp\u003e505.15\u003c/p\u003e","\u003cp\u003e512.38\u003c/p\u003e","\u003cp\u003e517.4\u003c/p\u003e","\u003cp\u003e512.39\u003c/p\u003e","\u003cp\u003e453.5\u003c/p\u003e","\u003cp\u003e505.16\u003c/p\u003e","\u003cp\u003e505.17\u003c/p\u003e","\u003cp\u003e505.18\u003c/p\u003e","\u003cp\u003e453.6\u003c/p\u003e","\u003cp\u003e505.19\u003c/p\u003e","\u003cp\u003e505.20\u003c/p\u003e","\u003cp\u003e453.7\u003c/p\u003e","\u003cp\u003e453.8\u003c/p\u003e","\u003cp\u003e518.17\u003c/p\u003e","\u003cp\u003e512.40\u003c/p\u003e","\u003cp\u003e515.10\u003c/p\u003e","\u003cp\u003e512.41\u003c/p\u003e","\u003cp\u003e453.9\u003c/p\u003e","\u003cp\u003e453.10\u003c/p\u003e","\u003cp\u003e453.11\u003c/p\u003e","\u003cp\u003e512.42\u003c/p\u003e","\u003cp\u003e517.26\u003c/p\u003e","\u003cp\u003e512.43\u003c/p\u003e","\u003cp\u003e518.5\u003c/p\u003e","\u003cp\u003e515.18\u003c/p\u003e","\u003cp\u003e518.1\u003c/p\u003e","\u003cp\u003e512.44\u003c/p\u003e","\u003cp\u003e515.9\u003c/p\u003e","\u003cp\u003e453.12\u003c/p\u003e","\u003cp\u003e515.23\u003c/p\u003e","\u003cp\u003e453.13\u003c/p\u003e","\u003cp\u003e512.45\u003c/p\u003e","\u003cp\u003e516.18\u003c/p\u003e","\u003cp\u003e512.46\u003c/p\u003e","\u003cp\u003e505.21\u003c/p\u003e","\u003cp\u003e513.01\u003c/p\u003e","\u003cp\u003e505.22\u003c/p\u003e","\u003cp\u003e505.23\u003c/p\u003e","\u003cp\u003e453.14\u003c/p\u003e","\u003cp\u003e513.02\u003c/p\u003e","\u003cp\u003e453.15\u003c/p\u003e","\u003cp\u003e505.24\u003c/p\u003e","\u003cp\u003e505.25\u003c/p\u003e","\u003cp\u003e511.11\u003c/p\u003e","\u003cp\u003e513.03\u003c/p\u003e","\u003cp\u003e505.26\u003c/p\u003e","\u003cp\u003e453.16\u003c/p\u003e","\u003cp\u003e453.17\u003c/p\u003e","\u003cp\u003e517.9\u003c/p\u003e","\u003cp\u003e505.27\u003c/p\u003e","\u003cp\u003e517.28\u003c/p\u003e","\u003cp\u003e517.5\u003c/p\u003e","\u003cp\u003e453.18\u003c/p\u003e","\u003cp\u003e513.04\u003c/p\u003e","\u003cp\u003e513.05\u003c/p\u003e","\u003cp\u003e515.31\u003c/p\u003e","\u003cp\u003e513.06\u003c/p\u003e","\u003cp\u003e513.07\u003c/p\u003e","\u003cp\u003e513.08\u003c/p\u003e","\u003cp\u003e513.09\u003c/p\u003e","\u003cp\u003e517.6\u003c/p\u003e","\u003cp\u003e513.10\u003c/p\u003e","\u003cp\u003e504.33\u003c/p\u003e","\u003cp\u003e513.11\u003c/p\u003e","\u003cp\u003e513.12\u003c/p\u003e","\u003cp\u003e453.20\u003c/p\u003e","\u003cp\u003e453.19\u003c/p\u003e","\u003cp\u003e505.28\u003c/p\u003e","\u003cp\u003e505.29\u003c/p\u003e","\u003cp\u003e513.13\u003c/p\u003e","\u003cp\u003e453.22\u003c/p\u003e","\u003cp\u003e453.21\u003c/p\u003e","\u003cp\u003e516.13\u003c/p\u003e","\u003cp\u003e453.24\u003c/p\u003e","\u003cp\u003e453.23\u003c/p\u003e","\u003cp\u003e505.30\u003c/p\u003e","\u003cp\u003e505.31\u003c/p\u003e","\u003cp\u003e512.4\u003c/p\u003e","\u003cp\u003e516.25\u003c/p\u003e","\u003cp\u003e513.14\u003c/p\u003e","\u003cp\u003e512.6\u003c/p\u003e","\u003cp\u003e518.2\u003c/p\u003e","\u003cp\u003e515.6\u003c/p\u003e","\u003cp\u003e513.15\u003c/p\u003e","\u003cp\u003e505.32\u003c/p\u003e","\u003cp\u003e513.16\u003c/p\u003e","\u003cp\u003e513.17\u003c/p\u003e","\u003cp\u003e505.33\u003c/p\u003e","\u003cp\u003e515.12\u003c/p\u003e","\u003cp\u003e453.25\u003c/p\u003e","\u003cp\u003e515.24\u003c/p\u003e","\u003cp\u003e513.18\u003c/p\u003e","\u003cp\u003e513.19\u003c/p\u003e","\u003cp\u003e518.10\u003c/p\u003e","\u003cp\u003e515.11\u003c/p\u003e","\u003cp\u003e513.21\u003c/p\u003e","\u003cp\u003e513.22\u003c/p\u003e","\u003cp\u003e515.8\u003c/p\u003e","\u003cp\u003e513.20\u003c/p\u003e","\u003cp\u003e518.12\u003c/p\u003e","\u003cp\u003e505.34\u003c/p\u003e","\u003cp\u003e516.11\u003c/p\u003e","\u003cp\u003e513.23\u003c/p\u003e","\u003cp\u003e453.26\u003c/p\u003e","\u003cp\u003e516.30\u003c/p\u003e","\u003cp\u003e505.35\u003c/p\u003e","\u003cp\u003e513.24\u003c/p\u003e","\u003cp\u003e513.25\u003c/p\u003e","\u003cp\u003e516.16\u003c/p\u003e","\u003cp\u003e513.26\u003c/p\u003e","\u003cp\u003e513.27\u003c/p\u003e","\u003cp\u003e512.3\u003c/p\u003e","\u003cp\u003e518.8\u003c/p\u003e","\u003cp\u003e516.2\u003c/p\u003e","\u003cp\u003e505.36\u003c/p\u003e","\u003cp\u003e453.27\u003c/p\u003e","\u003cp\u003e515.10\u003c/p\u003e","\u003cp\u003e515.32\u003c/p\u003e","\u003cp\u003e453.28\u003c/p\u003e","\u003cp\u003e505.37\u003c/p\u003e","\u003cp\u003e505.38\u003c/p\u003e","\u003cp\u003e516.3\u003c/p\u003e","\u003cp\u003e505.39\u003c/p\u003e","\u003cp\u003e513.28\u003c/p\u003e","\u003cp\u003e513.29\u003c/p\u003e","\u003cp\u003e515.21\u003c/p\u003e","\u003cp\u003e518.26\u003c/p\u003e","\u003cp\u003e453.29\u003c/p\u003e","\u003cp\u003e516.21\u003c/p\u003e","\u003cp\u003e513.30\u003c/p\u003e","\u003cp\u003e505.40\u003c/p\u003e","\u003cp\u003e453.30\u003c/p\u003e","\u003cp\u003e453.31\u003c/p\u003e","\u003cp\u003e513.31\u003c/p\u003e","\u003cp\u003e505.41\u003c/p\u003e","\u003cp\u003e505.42\u003c/p\u003e","\u003cp\u003e513.32\u003c/p\u003e","\u003cp\u003e515.27\u003c/p\u003e","\u003cp\u003e518.13\u003c/p\u003e","\u003cp\u003e506.01\u003c/p\u003e","\u003cp\u003e515.19\u003c/p\u003e","\u003cp\u003e506.02\u003c/p\u003e","\u003cp\u003e516.10\u003c/p\u003e","\u003cp\u003e506.03\u003c/p\u003e","\u003cp\u003e454.1\u003c/p\u003e","\u003cp\u003e454.2\u003c/p\u003e","\u003cp\u003e506.04\u003c/p\u003e","\u003cp\u003e513.33\u003c/p\u003e","\u003cp\u003e518.7\u003c/p\u003e","\u003cp\u003e513.34\u003c/p\u003e","\u003cp\u003e513.35\u003c/p\u003e","\u003cp\u003e517.13\u003c/p\u003e","\u003cp\u003e454.3\u003c/p\u003e","\u003cp\u003e506.05\u003c/p\u003e","\u003cp\u003e506.06\u003c/p\u003e","\u003cp\u003e454.4\u003c/p\u003e","\u003cp\u003e506.07\u003c/p\u003e","\u003cp\u003e518.4\u003c/p\u003e","\u003cp\u003e454.5\u003c/p\u003e","\u003cp\u003e515.17\u003c/p\u003e","\u003cp\u003e454.6\u003c/p\u003e","\u003cp\u003e514.01\u003c/p\u003e","\u003cp\u003e506.08\u003c/p\u003e","\u003cp\u003e506.09\u003c/p\u003e","\u003cp\u003e514.02\u003c/p\u003e","\u003cp\u003e513.16\u003c/p\u003e","\u003cp\u003e514.03\u003c/p\u003e","\u003cp\u003e516.5\u003c/p\u003e","\u003cp\u003e515.5\u003c/p\u003e","\u003cp\u003e514.04\u003c/p\u003e","\u003cp\u003e514.05\u003c/p\u003e","\u003cp\u003e506.10\u003c/p\u003e","\u003cp\u003e506.11\u003c/p\u003e","\u003cp\u003e454.7\u003c/p\u003e","\u003cp\u003e506.12\u003c/p\u003e","\u003cp\u003e517.10\u003c/p\u003e","\u003cp\u003e506.13\u003c/p\u003e","\u003cp\u003e506.14\u003c/p\u003e","\u003cp\u003e518.24\u003c/p\u003e","\u003cp\u003e506.16\u003c/p\u003e","\u003cp\u003e506.17\u003c/p\u003e","\u003cp\u003e514.06\u003c/p\u003e","\u003cp\u003e514.07\u003c/p\u003e","\u003cp\u003e454.8\u003c/p\u003e","\u003cp\u003e454.9\u003c/p\u003e","\u003cp\u003e514.08\u003c/p\u003e","\u003cp\u003e517.2\u003c/p\u003e","\u003cp\u003e517.12\u003c/p\u003e","\u003cp\u003e514.09\u003c/p\u003e","\u003cp\u003e518.21\u003c/p\u003e","\u003cp\u003e506.18\u003c/p\u003e","\u003cp\u003e514.10\u003c/p\u003e","\u003cp\u003e517.18\u003c/p\u003e","\u003cp\u003e517.19\u003c/p\u003e","\u003cp\u003e454.10\u003c/p\u003e","\u003cp\u003e506.19\u003c/p\u003e","\u003cp\u003e506.20\u003c/p\u003e","\u003cp\u003e517.3\u003c/p\u003e","\u003cp\u003e514.11\u003c/p\u003e","\u003cp\u003e454.11\u003c/p\u003e","\u003cp\u003e454.12\u003c/p\u003e","\u003cp\u003e517.8\u003c/p\u003e","\u003cp\u003e516.22\u003c/p\u003e","\u003cp\u003e516.12\u003c/p\u003e","\u003cp\u003e506.21\u003c/p\u003e","\u003cp\u003e506.22\u003c/p\u003e","\u003cp\u003e506.23\u003c/p\u003e","\u003cp\u003e454.13\u003c/p\u003e","\u003cp\u003e454.14\u003c/p\u003e","\u003cp\u003e515.15\u003c/p\u003e","\u003cp\u003e517.25\u003c/p\u003e","\u003cp\u003e454.15\u003c/p\u003e","\u003cp\u003e505.24\u003c/p\u003e","\u003cp\u003e514.13\u003c/p\u003e","\u003cp\u003e454.16\u003c/p\u003e","\u003cp\u003e454.17\u003c/p\u003e","\u003cp\u003e514.14\u003c/p\u003e","\u003cp\u003e517.22\u003c/p\u003e","\u003cp\u003e514.15\u003c/p\u003e","\u003cp\u003e518.11\u003c/p\u003e","\u003cp\u003e506.28\u003c/p\u003e","\u003cp\u003e506.25\u003c/p\u003e","\u003cp\u003e514.16\u003c/p\u003e","\u003cp\u003e506.26\u003c/p\u003e","\u003cp\u003e514.17\u003c/p\u003e","\u003cp\u003e504.35\u003c/p\u003e","\u003cp\u003e515.26\u003c/p\u003e","\u003cp\u003e514.18\u003c/p\u003e","\u003cp\u003e514.19\u003c/p\u003e","\u003cp\u003e506.27\u003c/p\u003e","\u003cp\u003e518.6\u003c/p\u003e","\u003cp\u003e514.20\u003c/p\u003e","\u003cp\u003e454.18\u003c/p\u003e","\u003cp\u003e514.21\u003c/p\u003e","\u003cp\u003e518.16\u003c/p\u003e","\u003cp\u003e506.29\u003c/p\u003e","\u003cp\u003e512.7\u003c/p\u003e","\u003cp\u003e454.19\u003c/p\u003e","\u003cp\u003e514.22\u003c/p\u003e","\u003cp\u003e516.7\u003c/p\u003e","\u003cp\u003e454.20\u003c/p\u003e","\u003cp\u003e517.7\u003c/p\u003e","\u003cp\u003e514.23\u003c/p\u003e","\u003cp\u003e514.24\u003c/p\u003e","\u003cp\u003e506.30\u003c/p\u003e","\u003cp\u003e454.21\u003c/p\u003e","\u003cp\u003e506.31\u003c/p\u003e","\u003cp\u003e516.15\u003c/p\u003e","\u003cp\u003e516.6\u003c/p\u003e","\u003cp\u003e506.32\u003c/p\u003e","\u003cp\u003e506.33\u003c/p\u003e","\u003cp\u003e454.22\u003c/p\u003e","\u003cp\u003e454.23\u003c/p\u003e","\u003cp\u003e516.4\u003c/p\u003e","\u003cp\u003e506.34\u003c/p\u003e","\u003cp\u003e454.24\u003c/p\u003e","\u003cp\u003e454.25\u003c/p\u003e","\u003cp\u003e454.28\u003c/p\u003e","\u003cp\u003e506.35\u003c/p\u003e","\u003cp\u003e506.36\u003c/p\u003e","\u003cp\u003e454.26\u003c/p\u003e","\u003cp\u003e454.27\u003c/p\u003e","\u003cp\u003e514.25\u003c/p\u003e","\u003cp\u003e506.37\u003c/p\u003e","\u003cp\u003e454.29\u003c/p\u003e","\u003cp\u003e516.27\u003c/p\u003e","\u003cp\u003e515.14\u003c/p\u003e","\u003cp\u003e454.30\u003c/p\u003e","\u003cp\u003e514.26\u003c/p\u003e","\u003cp\u003e506.38\u003c/p\u003e","\u003cp\u003e514.27\u003c/p\u003e","\u003cp\u003e517.23\u003c/p\u003e","\u003cp\u003e512.2\u003c/p\u003e","\u003cp\u003e506.39\u003c/p\u003e","\u003cp\u003eThese are the audiotape cassettes that have been removed from the transcripts. The audiotapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools.\u003c/p\u003e","\u003cp\u003eThese are additional transcripts and audiotapes that were done in 1996 by the students at Langeston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections.\u003c/p\u003e","\u003cp\u003e464.1\u003c/p\u003e","\u003cp\u003e464.2\u003c/p\u003e","\u003cp\u003e464.3\u003c/p\u003e","\u003cp\u003e464.4\u003c/p\u003e","\u003cp\u003e464.5\u003c/p\u003e","\u003cp\u003e464.6\u003c/p\u003e","\u003cp\u003e464.7\u003c/p\u003e","\u003cp\u003e464.8\u003c/p\u003e","\u003cp\u003e464.9\u003c/p\u003e","\u003cp\u003e464.10\u003c/p\u003e","\u003cp\u003e464.11\u003c/p\u003e","\u003cp\u003e464.12\u003c/p\u003e","\u003cp\u003e464.13\u003c/p\u003e","\u003cp\u003e464.14\u003c/p\u003e","\u003cp\u003e464.15\u003c/p\u003e","\u003cp\u003e464.16\u003c/p\u003e","\u003cp\u003e464.17\u003c/p\u003e","\u003cp\u003e464.18\u003c/p\u003e","\u003cp\u003e464.19\u003c/p\u003e","\u003cp\u003e464.20\u003c/p\u003e","\u003cp\u003e464.21\u003c/p\u003e","\u003cp\u003e464.22\u003c/p\u003e","\u003cp\u003e464.23\u003c/p\u003e","\u003cp\u003e464.24\u003c/p\u003e","\u003cp\u003e464.25\u003c/p\u003e","\u003cp\u003e464.25\u003c/p\u003e","\u003cp\u003e464.27\u003c/p\u003e","\u003cp\u003e464.28\u003c/p\u003e","\u003cp\u003e464.29\u003c/p\u003e","\u003cp\u003e464.30\u003c/p\u003e","\u003cp\u003e464.31\u003c/p\u003e","\u003cp\u003e464.32\u003c/p\u003e","\u003cp\u003e464.33\u003c/p\u003e","\u003cp\u003e464.34\u003c/p\u003e","\u003cp\u003e464.35\u003c/p\u003e","\u003cp\u003e464.36\u003c/p\u003e","\u003cp\u003e464.37\u003c/p\u003e","\u003cp\u003e464.38\u003c/p\u003e","\u003cp\u003e464.39\u003c/p\u003e","\u003cp\u003e464.40\u003c/p\u003e","\u003cp\u003e464.41\u003c/p\u003e","\u003cp\u003e464.42\u003c/p\u003e","\u003cp\u003e464.43\u003c/p\u003e","\u003cp\u003e464.44\u003c/p\u003e","\u003cp\u003e465.1\u003c/p\u003e","\u003cp\u003e465.2\u003c/p\u003e","\u003cp\u003e465.3\u003c/p\u003e","\u003cp\u003e465.4\u003c/p\u003e","\u003cp\u003e465.5\u003c/p\u003e","\u003cp\u003e465.6\u003c/p\u003e","\u003cp\u003e465.7\u003c/p\u003e","\u003cp\u003e465.8\u003c/p\u003e","\u003cp\u003e465.9\u003c/p\u003e","\u003cp\u003e465.10\u003c/p\u003e","\u003cp\u003e465.11\u003c/p\u003e","\u003cp\u003e465.12\u003c/p\u003e","\u003cp\u003e465.13\u003c/p\u003e","\u003cp\u003e465.14\u003c/p\u003e","\u003cp\u003e465.15\u003c/p\u003e","\u003cp\u003e465.16\u003c/p\u003e","\u003cp\u003e465.17\u003c/p\u003e","\u003cp\u003e465.18\u003c/p\u003e","\u003cp\u003e465.19\u003c/p\u003e","\u003cp\u003e465.20\u003c/p\u003e","\u003cp\u003e465.21\u003c/p\u003e","\u003cp\u003e465.22\u003c/p\u003e","\u003cp\u003e465.23\u003c/p\u003e","\u003cp\u003e465.24\u003c/p\u003e","\u003cp\u003e465.25\u003c/p\u003e","\u003cp\u003e465.26\u003c/p\u003e","\u003cp\u003e465.27\u003c/p\u003e","\u003cp\u003e465.28\u003c/p\u003e","\u003cp\u003e465.29\u003c/p\u003e","\u003cp\u003e465.30\u003c/p\u003e","\u003cp\u003e465.31\u003c/p\u003e","\u003cp\u003e465.32\u003c/p\u003e","\u003cp\u003e465.33\u003c/p\u003e","\u003cp\u003e465.34\u003c/p\u003e","\u003cp\u003e465.35\u003c/p\u003e","\u003cp\u003e465.36\u003c/p\u003e","\u003cp\u003e465.37\u003c/p\u003e","\u003cp\u003e465.38\u003c/p\u003e","\u003cp\u003e466.1\u003c/p\u003e","\u003cp\u003e466.2\u003c/p\u003e","\u003cp\u003e466.3\u003c/p\u003e","\u003cp\u003e466.4\u003c/p\u003e","\u003cp\u003e466.5\u003c/p\u003e","\u003cp\u003e466.6\u003c/p\u003e","\u003cp\u003e466.7\u003c/p\u003e","\u003cp\u003e466.8\u003c/p\u003e","\u003cp\u003e466.9\u003c/p\u003e","\u003cp\u003e466.10\u003c/p\u003e","\u003cp\u003e466.11\u003c/p\u003e","\u003cp\u003e466.12\u003c/p\u003e","\u003cp\u003e466.13\u003c/p\u003e","\u003cp\u003e466.14\u003c/p\u003e","\u003cp\u003e466.15\u003c/p\u003e","\u003cp\u003e466.16\u003c/p\u003e","\u003cp\u003e466.17\u003c/p\u003e","\u003cp\u003e466.18\u003c/p\u003e","\u003cp\u003e466.19\u003c/p\u003e","\u003cp\u003e466.20\u003c/p\u003e","\u003cp\u003e466.21\u003c/p\u003e","\u003cp\u003e466.22\u003c/p\u003e","\u003cp\u003e466.23\u003c/p\u003e","\u003cp\u003e466.24\u003c/p\u003e","\u003cp\u003e466.25\u003c/p\u003e","\u003cp\u003e466.26\u003c/p\u003e","\u003cp\u003e466.27\u003c/p\u003e","\u003cp\u003e466.28\u003c/p\u003e","\u003cp\u003e466.29\u003c/p\u003e","\u003cp\u003e466.30\u003c/p\u003e","\u003cp\u003e466.31\u003c/p\u003e","\u003cp\u003e466.32\u003c/p\u003e","\u003cp\u003e466.33\u003c/p\u003e","\u003cp\u003e466.34\u003c/p\u003e","\u003cp\u003e466.35\u003c/p\u003e","\u003cp\u003e466.36\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003eThese are additional transcripts and audiotapes completed by the students at Langeston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003 among others. They were processed separately but have now been organized with the entire Reston Reflection collection.\u003c/p\u003e","\u003cp\u003e506D.7\u003c/p\u003e","\u003cp\u003e506F.1\u003c/p\u003e","\u003cp\u003e506G.4\u003c/p\u003e","\u003cp\u003e506G.2\u003c/p\u003e","\u003cp\u003e506D.8\u003c/p\u003e","\u003cp\u003e506F.4\u003c/p\u003e","\u003cp\u003e506E.1\u003c/p\u003e","\u003cp\u003e506E.2\u003c/p\u003e","\u003cp\u003e506D.6\u003c/p\u003e","\u003cp\u003e506D.5\u003c/p\u003e","\u003cp\u003e506D.4\u003c/p\u003e","\u003cp\u003e506D.3\u003c/p\u003e","\u003cp\u003e506C.1\u003c/p\u003e","\u003cp\u003e506C.2\u003c/p\u003e","\u003cp\u003e506C.4\u003c/p\u003e","\u003cp\u003e506F.2\u003c/p\u003e","\u003cp\u003e506G.1\u003c/p\u003e","\u003cp\u003e506C.9\u003c/p\u003e","\u003cp\u003e506C.5\u003c/p\u003e","\u003cp\u003e506C.6\u003c/p\u003e","\u003cp\u003e506C.7\u003c/p\u003e","\u003cp\u003e506.3\u003c/p\u003e","\u003cp\u003e506C.3\u003c/p\u003e","\u003cp\u003e506D.2\u003c/p\u003e","\u003cp\u003e506D.1\u003c/p\u003e","\u003cp\u003e506C.8\u003c/p\u003e","\u003cp\u003e506E.4\u003c/p\u003e","\u003cp\u003e506F.5\u003c/p\u003e","\u003cp\u003e506E.6\u003c/p\u003e","\u003cp\u003e506F.7\u003c/p\u003e","\u003cp\u003e506F.6\u003c/p\u003e","\u003cp\u003e506E.7\u003c/p\u003e","\u003cp\u003e506G.3\u003c/p\u003e","\u003cp\u003e506E.3\u003c/p\u003e","\u003cp\u003e506F.8\u003c/p\u003e","\u003cp\u003e506G.5\u003c/p\u003e","\u003cp\u003e506E.5\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino.","Series one is titled Transcripts. This series contains the transcripts of the interviews that the student conducted. The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed. The series is dated from 1994 to 2008 and contained in 79 boxes.","Series two is titled Audiotapes. These are the tapes that have been removed from the transcripts. The tapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools. The series is dated from 1994 to 2000 and is contained in 10 boxes.","Series three is titled 1996 Interviews (Volunteers). These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections. The series is dated 1996 and is contained in 6 boxes.","Series four is titled 2001, 2003 and 2009 Interviews. These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003. They were processed separately but have now been organized with the entire Reston Reflection collection. The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes.","The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed.","518.22","514.28","518.23","518.25","452.2","512.02","452.3","504.1","452.4","504.2","504.3","517.27","504.4","504.5","518.18","512.03","518.3","512.04","504.6","504.7","512.05","504.8","512.06","452.5","452.6","512.07","504.9","512.1","452.7","504.10","504.11","452.8","516.29","452.9","452.10","504.12","517.20","452.11","452.12","515.28","504.13","452.13","452.14","504.14","504.13","512.08","504.15","504.16","512.09","452.15","504.17","512.10","504.18","504.19","504.20","516.17","515.25","504.21","517.16","452.16","512.12","512.11","512.13","518.15","452.17","504.22","512.14","452.18","452.19","504.23","452.20","504.25","504.24","517.21","512.15","504.26","504.27","504.28","504.29","452.21","452.22","512.16","512.17","516.23","504.30","512.18","517.24","515.20","452.23","517.1","514.4","515.3","452.24","515.1","452.25","452.26","518.19","504.31","504.32","512.19","452.27","452.28","516.19","512.20","504.34","452.29","512.21","452.30","512.5","504.36","512.27","452.31","504.38","504.37","515.30","516.28","452.32","504.39","504.40","504.41","452.33","512.22","512.23","504.42","504.43","515.7","512.24","504.44","518.20","516.1","512.26","515.22","515.29","512.28","452.34","516.24","517.15","512.29","515.2","512.30","512.31","512.32","516.14","452.35","452.36","512.33","516.20","518.14","517.17","453.1","516.9","517.14","516.8","512.34","515.13","512.35","453.2","512.36","453.3","512.37","453.4","505.15","512.38","517.4","512.39","453.5","505.16","505.17","505.18","453.6","505.19","505.20","453.7","453.8","518.17","512.40","515.10","512.41","453.9","453.10","453.11","512.42","517.26","512.43","518.5","515.18","518.1","512.44","515.9","453.12","515.23","453.13","512.45","516.18","512.46","505.21","513.01","505.22","505.23","453.14","513.02","453.15","505.24","505.25","511.11","513.03","505.26","453.16","453.17","517.9","505.27","517.28","517.5","453.18","513.04","513.05","515.31","513.06","513.07","513.08","513.09","517.6","513.10","504.33","513.11","513.12","453.20","453.19","505.28","505.29","513.13","453.22","453.21","516.13","453.24","453.23","505.30","505.31","512.4","516.25","513.14","512.6","518.2","515.6","513.15","505.32","513.16","513.17","505.33","515.12","453.25","515.24","513.18","513.19","518.10","515.11","513.21","513.22","515.8","513.20","518.12","505.34","516.11","513.23","453.26","516.30","505.35","513.24","513.25","516.16","513.26","513.27","512.3","518.8","516.2","505.36","453.27","515.10","515.32","453.28","505.37","505.38","516.3","505.39","513.28","513.29","515.21","518.26","453.29","516.21","513.30","505.40","453.30","453.31","513.31","505.41","505.42","513.32","515.27","518.13","506.01","515.19","506.02","516.10","506.03","454.1","454.2","506.04","513.33","518.7","513.34","513.35","517.13","454.3","506.05","506.06","454.4","506.07","518.4","454.5","515.17","454.6","514.01","506.08","506.09","514.02","513.16","514.03","516.5","515.5","514.04","514.05","506.10","506.11","454.7","506.12","517.10","506.13","506.14","518.24","506.16","506.17","514.06","514.07","454.8","454.9","514.08","517.2","517.12","514.09","518.21","506.18","514.10","517.18","517.19","454.10","506.19","506.20","517.3","514.11","454.11","454.12","517.8","516.22","516.12","506.21","506.22","506.23","454.13","454.14","515.15","517.25","454.15","505.24","514.13","454.16","454.17","514.14","517.22","514.15","518.11","506.28","506.25","514.16","506.26","514.17","504.35","515.26","514.18","514.19","506.27","518.6","514.20","454.18","514.21","518.16","506.29","512.7","454.19","514.22","516.7","454.20","517.7","514.23","514.24","506.30","454.21","506.31","516.15","516.6","506.32","506.33","454.22","454.23","516.4","506.34","454.24","454.25","454.28","506.35","506.36","454.26","454.27","514.25","506.37","454.29","516.27","515.14","454.30","514.26","506.38","514.27","517.23","512.2","506.39","These are the audiotape cassettes that have been removed from the transcripts. The audiotapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools.","These are additional transcripts and audiotapes that were done in 1996 by the students at Langeston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections.","464.1","464.2","464.3","464.4","464.5","464.6","464.7","464.8","464.9","464.10","464.11","464.12","464.13","464.14","464.15","464.16","464.17","464.18","464.19","464.20","464.21","464.22","464.23","464.24","464.25","464.25","464.27","464.28","464.29","464.30","464.31","464.32","464.33","464.34","464.35","464.36","464.37","464.38","464.39","464.40","464.41","464.42","464.43","464.44","465.1","465.2","465.3","465.4","465.5","465.6","465.7","465.8","465.9","465.10","465.11","465.12","465.13","465.14","465.15","465.16","465.17","465.18","465.19","465.20","465.21","465.22","465.23","465.24","465.25","465.26","465.27","465.28","465.29","465.30","465.31","465.32","465.33","465.34","465.35","465.36","465.37","465.38","466.1","466.2","466.3","466.4","466.5","466.6","466.7","466.8","466.9","466.10","466.11","466.12","466.13","466.14","466.15","466.16","466.17","466.18","466.19","466.20","466.21","466.22","466.23","466.24","466.25","466.26","466.27","466.28","466.29","466.30","466.31","466.32","466.33","466.34","466.35","466.36","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","These are additional transcripts and audiotapes completed by the students at Langeston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003 among others. They were processed separately but have now been organized with the entire Reston Reflection collection.","506D.7","506F.1","506G.4","506G.2","506D.8","506F.4","506E.1","506E.2","506D.6","506D.5","506D.4","506D.3","506C.1","506C.2","506C.4","506F.2","506G.1","506C.9","506C.5","506C.6","506C.7","506.3","506C.3","506D.2","506D.1","506C.8","506E.4","506F.5","506E.6","506F.7","506F.6","506E.7","506G.3","506E.3","506F.8","506G.5","506E.5"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_01dfabdd3ba3f1ec4d6db71d4512f9bc\" label=\"Abstract\"\u003eThe Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. The collection is large and contained within 128 boxes.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. The collection is large and contained within 128 boxes."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_12ac235a72deffb7cfb02600d4bbf6db\"\u003eR43, C1, S1 - C3, S5\u003c/physloc\u003e\n    "],"physloc_tesim":["R43, C1, S1 - C3, S5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Langston Hughes Middle School (Reston, Va.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Langston Hughes Middle School (Reston, Va.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2084,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:08.491Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_173","ead_ssi":"vifgm_repositories_2_resources_173","_root_":"vifgm_repositories_2_resources_173","_nest_parent_":"vifgm_repositories_2_resources_173","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_173.xml","title_filing_ssi":"Reston Reflections oral history collection","title_ssm":["Reston Reflections oral history collection"],"title_tesim":["Reston Reflections oral history collection"],"unitdate_ssm":["1994-2008"],"unitdate_inclusive_ssm":["1994-2008"],"normalized_date_ssm":["1994/2008"],"normalized_title_ssm":["Reston Reflections oral history collection, 1994/2008"],"text":["Reston Reflections oral history collection, 1994/2008","C0171","/repositories/2/resources/173","Reston (Va.)","Reston (Va.) -- History","Northern Virginia","Virginia, Northern -- History","Virginia, Northern -- History, Local","Planned communities -- Virginia -- Reston","Housing","Oral history","Local history","Sound recordings","Oral histories","There are no access restrictions.","Arranged into four series.","Series\n      Series 1: Transcripts, 1994-2008 (Boxes 1-79)\n      Series 2: Audiotapes, 1994-2000 (Boxes 80-90)\n      Series 3: 1996 Interviews (Volunteers), 1996 (Boxes 91-96)\n      Series 4: 2001, 2003 and 2009 Interviews, 2001, 2003, 2009 (Boxes 97-128)","Langston Hughes Middle School is a school in Reston in Fairfax County. The school was named for the poet, Langston Hughes, and was established in 1979. Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston. Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008).","Processed in July 2009 by Emily Martin with additions by Steven Harris-Scott in September 2010. The Reston Reflections Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. Beginning in 2009 the documents from the Reston Reflections were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries.","The Special Collections Research Center also holds many other collections on the history of Reston, Virginia and other planned communities.","The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino.","Series one is titled Transcripts. This series contains the transcripts of the interviews that the student conducted. The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed. The series is dated from 1994 to 2008 and contained in 79 boxes.","Series two is titled Audiotapes. These are the tapes that have been removed from the transcripts. The tapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools. The series is dated from 1994 to 2000 and is contained in 10 boxes.","Series three is titled 1996 Interviews (Volunteers). These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections. The series is dated 1996 and is contained in 6 boxes.","Series four is titled 2001, 2003 and 2009 Interviews. These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003. They were processed separately but have now been organized with the entire Reston Reflection collection. The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes.","The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed.","518.22","514.28","518.23","518.25","452.2","512.02","452.3","504.1","452.4","504.2","504.3","517.27","504.4","504.5","518.18","512.03","518.3","512.04","504.6","504.7","512.05","504.8","512.06","452.5","452.6","512.07","504.9","512.1","452.7","504.10","504.11","452.8","516.29","452.9","452.10","504.12","517.20","452.11","452.12","515.28","504.13","452.13","452.14","504.14","504.13","512.08","504.15","504.16","512.09","452.15","504.17","512.10","504.18","504.19","504.20","516.17","515.25","504.21","517.16","452.16","512.12","512.11","512.13","518.15","452.17","504.22","512.14","452.18","452.19","504.23","452.20","504.25","504.24","517.21","512.15","504.26","504.27","504.28","504.29","452.21","452.22","512.16","512.17","516.23","504.30","512.18","517.24","515.20","452.23","517.1","514.4","515.3","452.24","515.1","452.25","452.26","518.19","504.31","504.32","512.19","452.27","452.28","516.19","512.20","504.34","452.29","512.21","452.30","512.5","504.36","512.27","452.31","504.38","504.37","515.30","516.28","452.32","504.39","504.40","504.41","452.33","512.22","512.23","504.42","504.43","515.7","512.24","504.44","518.20","516.1","512.26","515.22","515.29","512.28","452.34","516.24","517.15","512.29","515.2","512.30","512.31","512.32","516.14","452.35","452.36","512.33","516.20","518.14","517.17","453.1","516.9","517.14","516.8","512.34","515.13","512.35","453.2","512.36","453.3","512.37","453.4","505.15","512.38","517.4","512.39","453.5","505.16","505.17","505.18","453.6","505.19","505.20","453.7","453.8","518.17","512.40","515.10","512.41","453.9","453.10","453.11","512.42","517.26","512.43","518.5","515.18","518.1","512.44","515.9","453.12","515.23","453.13","512.45","516.18","512.46","505.21","513.01","505.22","505.23","453.14","513.02","453.15","505.24","505.25","511.11","513.03","505.26","453.16","453.17","517.9","505.27","517.28","517.5","453.18","513.04","513.05","515.31","513.06","513.07","513.08","513.09","517.6","513.10","504.33","513.11","513.12","453.20","453.19","505.28","505.29","513.13","453.22","453.21","516.13","453.24","453.23","505.30","505.31","512.4","516.25","513.14","512.6","518.2","515.6","513.15","505.32","513.16","513.17","505.33","515.12","453.25","515.24","513.18","513.19","518.10","515.11","513.21","513.22","515.8","513.20","518.12","505.34","516.11","513.23","453.26","516.30","505.35","513.24","513.25","516.16","513.26","513.27","512.3","518.8","516.2","505.36","453.27","515.10","515.32","453.28","505.37","505.38","516.3","505.39","513.28","513.29","515.21","518.26","453.29","516.21","513.30","505.40","453.30","453.31","513.31","505.41","505.42","513.32","515.27","518.13","506.01","515.19","506.02","516.10","506.03","454.1","454.2","506.04","513.33","518.7","513.34","513.35","517.13","454.3","506.05","506.06","454.4","506.07","518.4","454.5","515.17","454.6","514.01","506.08","506.09","514.02","513.16","514.03","516.5","515.5","514.04","514.05","506.10","506.11","454.7","506.12","517.10","506.13","506.14","518.24","506.16","506.17","514.06","514.07","454.8","454.9","514.08","517.2","517.12","514.09","518.21","506.18","514.10","517.18","517.19","454.10","506.19","506.20","517.3","514.11","454.11","454.12","517.8","516.22","516.12","506.21","506.22","506.23","454.13","454.14","515.15","517.25","454.15","505.24","514.13","454.16","454.17","514.14","517.22","514.15","518.11","506.28","506.25","514.16","506.26","514.17","504.35","515.26","514.18","514.19","506.27","518.6","514.20","454.18","514.21","518.16","506.29","512.7","454.19","514.22","516.7","454.20","517.7","514.23","514.24","506.30","454.21","506.31","516.15","516.6","506.32","506.33","454.22","454.23","516.4","506.34","454.24","454.25","454.28","506.35","506.36","454.26","454.27","514.25","506.37","454.29","516.27","515.14","454.30","514.26","506.38","514.27","517.23","512.2","506.39","These are the audiotape cassettes that have been removed from the transcripts. The audiotapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools.","These are additional transcripts and audiotapes that were done in 1996 by the students at Langeston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections.","464.1","464.2","464.3","464.4","464.5","464.6","464.7","464.8","464.9","464.10","464.11","464.12","464.13","464.14","464.15","464.16","464.17","464.18","464.19","464.20","464.21","464.22","464.23","464.24","464.25","464.25","464.27","464.28","464.29","464.30","464.31","464.32","464.33","464.34","464.35","464.36","464.37","464.38","464.39","464.40","464.41","464.42","464.43","464.44","465.1","465.2","465.3","465.4","465.5","465.6","465.7","465.8","465.9","465.10","465.11","465.12","465.13","465.14","465.15","465.16","465.17","465.18","465.19","465.20","465.21","465.22","465.23","465.24","465.25","465.26","465.27","465.28","465.29","465.30","465.31","465.32","465.33","465.34","465.35","465.36","465.37","465.38","466.1","466.2","466.3","466.4","466.5","466.6","466.7","466.8","466.9","466.10","466.11","466.12","466.13","466.14","466.15","466.16","466.17","466.18","466.19","466.20","466.21","466.22","466.23","466.24","466.25","466.26","466.27","466.28","466.29","466.30","466.31","466.32","466.33","466.34","466.35","466.36","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","These are additional transcripts and audiotapes completed by the students at Langeston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003 among others. They were processed separately but have now been organized with the entire Reston Reflection collection.","506D.7","506F.1","506G.4","506G.2","506D.8","506F.4","506E.1","506E.2","506D.6","506D.5","506D.4","506D.3","506C.1","506C.2","506C.4","506F.2","506G.1","506C.9","506C.5","506C.6","506C.7","506.3","506C.3","506D.2","506D.1","506C.8","506E.4","506F.5","506E.6","506F.7","506F.6","506E.7","506G.3","506E.3","506F.8","506G.5","506E.5","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. The collection is large and contained within 128 boxes.","R43, C1, S1 - C3, S5","George Mason University. Libraries. Special Collections Research Center","Langston Hughes Middle School (Reston, Va.)","English"],"collection_title_tesim":["Reston Reflections oral history collection, 1994/2008"],"collection_ssim":["Reston Reflections oral history collection, 1994/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0171","/repositories/2/resources/173"],"unitid_tesim":["C0171","/repositories/2/resources/173"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Reston (Va.)","Reston (Va.) -- History","Northern Virginia","Virginia, Northern -- History","Virginia, Northern -- History, Local"],"geogname_ssim":["Reston (Va.)","Reston (Va.) -- History","Northern Virginia","Virginia, Northern -- History","Virginia, Northern -- History, Local"],"places_ssim":["Reston (Va.)","Reston (Va.) -- History","Northern Virginia","Virginia, Northern -- History","Virginia, Northern -- History, Local"],"creator_ssm":["Langston Hughes Middle School (Reston, Va.)"],"creator_ssim":["Langston Hughes Middle School (Reston, Va.)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Langston Hughes Middle School (Reston, Va.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Langston Hughes Middle School (Reston, Va.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Sarah Larson, Gene B. Zablotney, and others in 1995-2010."],"access_subjects_ssim":["Planned communities -- Virginia -- Reston","Housing","Oral history","Local history","Sound recordings","Oral histories"],"access_subjects_ssm":["Planned communities -- Virginia -- Reston","Housing","Oral history","Local history","Sound recordings","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["56.5 Linear Feet 127 boxes"],"extent_tesim":["56.5 Linear Feet 127 boxes"],"genreform_ssim":["Sound recordings","Oral histories"],"date_range_isim":[1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged into four series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Transcripts, 1994-2008 (Boxes 1-79)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Audiotapes, 1994-2000 (Boxes 80-90)\u003c/item\u003e\n      \u003citem\u003eSeries 3: 1996 Interviews (Volunteers), 1996 (Boxes 91-96)\u003c/item\u003e\n      \u003citem\u003eSeries 4: 2001, 2003 and 2009 Interviews, 2001, 2003, 2009 (Boxes 97-128)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into four series.","Series\n      Series 1: Transcripts, 1994-2008 (Boxes 1-79)\n      Series 2: Audiotapes, 1994-2000 (Boxes 80-90)\n      Series 3: 1996 Interviews (Volunteers), 1996 (Boxes 91-96)\n      Series 4: 2001, 2003 and 2009 Interviews, 2001, 2003, 2009 (Boxes 97-128)"],"bioghist_html_tesm":["\u003cp\u003eLangston Hughes Middle School is a school in Reston in Fairfax County. The school was named for the poet, Langston Hughes, and was established in 1979. Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston. Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008).\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Langston Hughes Middle School is a school in Reston in Fairfax County. The school was named for the poet, Langston Hughes, and was established in 1979. Beginning in 1994 the eighth graders at Langston Hughes Middle School began an oral history project where they interviewed different citizens of Reston. Each year had a different theme starting with Reston's Thirtieth Anniversary (1994-1995), Volunteers in the Community (1996), Leadership in the Community (1998), Business in the Community (1999), Transportation in the Community (2000), Life Cycle of Neighborhoods (2001), Civil Rights Movement (2002), War and the Community (2003), Reston's Fortieth Anniversary (2004), Providing Affordable Housing (2005), Women in Community (2006), Creating Recreation Opportunities in Community (2007) and Technology and Community Change (2008)."],"prefercite_html_tesm":["\u003cp\u003eReston Reflections oral history collection, C0171, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Reston Reflections oral history collection, C0171, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in July 2009 by Emily Martin with additions by Steven Harris-Scott in September 2010. The Reston Reflections Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. Beginning in 2009 the documents from the Reston Reflections were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in July 2009 by Emily Martin with additions by Steven Harris-Scott in September 2010. The Reston Reflections Collection was originally attached to the larger Planned Community Collection currently in the Special Collections Research Center. Beginning in 2009 the documents from the Reston Reflections were removed and organized into a separate collection still housed in the Special Collections Research Center at George Mason University Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other collections on the history of Reston, Virginia and other planned communities.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other collections on the history of Reston, Virginia and other planned communities."],"scopecontent_html_tesm":["\u003cp\u003eThe Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. \u003c/p\u003e","\u003cp\u003eSeries one is titled Transcripts. This series contains the transcripts of the interviews that the student conducted. The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed. The series is dated from 1994 to 2008 and contained in 79 boxes. \u003c/p\u003e","\u003cp\u003eSeries two is titled Audiotapes. These are the tapes that have been removed from the transcripts. The tapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools. The series is dated from 1994 to 2000 and is contained in 10 boxes. \u003c/p\u003e","\u003cp\u003eSeries three is titled 1996 Interviews (Volunteers). These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections. The series is dated 1996 and is contained in 6 boxes. \u003c/p\u003e","\u003cp\u003eSeries four is titled 2001, 2003 and 2009 Interviews. These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003. They were processed separately but have now been organized with the entire Reston Reflection collection. The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes. \u003c/p\u003e  ","\u003cp\u003eThe transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed.\u003c/p\u003e","\u003cp\u003e518.22\u003c/p\u003e","\u003cp\u003e514.28\u003c/p\u003e","\u003cp\u003e518.23\u003c/p\u003e","\u003cp\u003e518.25\u003c/p\u003e","\u003cp\u003e452.2\u003c/p\u003e","\u003cp\u003e512.02\u003c/p\u003e","\u003cp\u003e452.3\u003c/p\u003e","\u003cp\u003e504.1\u003c/p\u003e","\u003cp\u003e452.4\u003c/p\u003e","\u003cp\u003e504.2\u003c/p\u003e","\u003cp\u003e504.3\u003c/p\u003e","\u003cp\u003e517.27\u003c/p\u003e","\u003cp\u003e504.4\u003c/p\u003e","\u003cp\u003e504.5\u003c/p\u003e","\u003cp\u003e518.18\u003c/p\u003e","\u003cp\u003e512.03\u003c/p\u003e","\u003cp\u003e518.3\u003c/p\u003e","\u003cp\u003e512.04\u003c/p\u003e","\u003cp\u003e504.6\u003c/p\u003e","\u003cp\u003e504.7\u003c/p\u003e","\u003cp\u003e512.05\u003c/p\u003e","\u003cp\u003e504.8\u003c/p\u003e","\u003cp\u003e512.06\u003c/p\u003e","\u003cp\u003e452.5\u003c/p\u003e","\u003cp\u003e452.6\u003c/p\u003e","\u003cp\u003e512.07\u003c/p\u003e","\u003cp\u003e504.9\u003c/p\u003e","\u003cp\u003e512.1\u003c/p\u003e","\u003cp\u003e452.7\u003c/p\u003e","\u003cp\u003e504.10\u003c/p\u003e","\u003cp\u003e504.11\u003c/p\u003e","\u003cp\u003e452.8\u003c/p\u003e","\u003cp\u003e516.29\u003c/p\u003e","\u003cp\u003e452.9\u003c/p\u003e","\u003cp\u003e452.10\u003c/p\u003e","\u003cp\u003e504.12\u003c/p\u003e","\u003cp\u003e517.20\u003c/p\u003e","\u003cp\u003e452.11\u003c/p\u003e","\u003cp\u003e452.12\u003c/p\u003e","\u003cp\u003e515.28\u003c/p\u003e","\u003cp\u003e504.13\u003c/p\u003e","\u003cp\u003e452.13\u003c/p\u003e","\u003cp\u003e452.14\u003c/p\u003e","\u003cp\u003e504.14\u003c/p\u003e","\u003cp\u003e504.13\u003c/p\u003e","\u003cp\u003e512.08\u003c/p\u003e","\u003cp\u003e504.15\u003c/p\u003e","\u003cp\u003e504.16\u003c/p\u003e","\u003cp\u003e512.09\u003c/p\u003e","\u003cp\u003e452.15\u003c/p\u003e","\u003cp\u003e504.17\u003c/p\u003e","\u003cp\u003e512.10\u003c/p\u003e","\u003cp\u003e504.18\u003c/p\u003e","\u003cp\u003e504.19\u003c/p\u003e","\u003cp\u003e504.20\u003c/p\u003e","\u003cp\u003e516.17\u003c/p\u003e","\u003cp\u003e515.25\u003c/p\u003e","\u003cp\u003e504.21\u003c/p\u003e","\u003cp\u003e517.16\u003c/p\u003e","\u003cp\u003e452.16\u003c/p\u003e","\u003cp\u003e512.12\u003c/p\u003e","\u003cp\u003e512.11\u003c/p\u003e","\u003cp\u003e512.13\u003c/p\u003e","\u003cp\u003e518.15\u003c/p\u003e","\u003cp\u003e452.17\u003c/p\u003e","\u003cp\u003e504.22\u003c/p\u003e","\u003cp\u003e512.14\u003c/p\u003e","\u003cp\u003e452.18\u003c/p\u003e","\u003cp\u003e452.19\u003c/p\u003e","\u003cp\u003e504.23\u003c/p\u003e","\u003cp\u003e452.20\u003c/p\u003e","\u003cp\u003e504.25\u003c/p\u003e","\u003cp\u003e504.24\u003c/p\u003e","\u003cp\u003e517.21\u003c/p\u003e","\u003cp\u003e512.15\u003c/p\u003e","\u003cp\u003e504.26\u003c/p\u003e","\u003cp\u003e504.27\u003c/p\u003e","\u003cp\u003e504.28\u003c/p\u003e","\u003cp\u003e504.29\u003c/p\u003e","\u003cp\u003e452.21\u003c/p\u003e","\u003cp\u003e452.22\u003c/p\u003e","\u003cp\u003e512.16\u003c/p\u003e","\u003cp\u003e512.17\u003c/p\u003e","\u003cp\u003e516.23\u003c/p\u003e","\u003cp\u003e504.30\u003c/p\u003e","\u003cp\u003e512.18\u003c/p\u003e","\u003cp\u003e517.24\u003c/p\u003e","\u003cp\u003e515.20\u003c/p\u003e","\u003cp\u003e452.23\u003c/p\u003e","\u003cp\u003e517.1\u003c/p\u003e","\u003cp\u003e514.4\u003c/p\u003e","\u003cp\u003e515.3\u003c/p\u003e","\u003cp\u003e452.24\u003c/p\u003e","\u003cp\u003e515.1\u003c/p\u003e","\u003cp\u003e452.25\u003c/p\u003e","\u003cp\u003e452.26\u003c/p\u003e","\u003cp\u003e518.19\u003c/p\u003e","\u003cp\u003e504.31\u003c/p\u003e","\u003cp\u003e504.32\u003c/p\u003e","\u003cp\u003e512.19\u003c/p\u003e","\u003cp\u003e452.27\u003c/p\u003e","\u003cp\u003e452.28\u003c/p\u003e","\u003cp\u003e516.19\u003c/p\u003e","\u003cp\u003e512.20\u003c/p\u003e","\u003cp\u003e504.34\u003c/p\u003e","\u003cp\u003e452.29\u003c/p\u003e","\u003cp\u003e512.21\u003c/p\u003e","\u003cp\u003e452.30\u003c/p\u003e","\u003cp\u003e512.5\u003c/p\u003e","\u003cp\u003e504.36\u003c/p\u003e","\u003cp\u003e512.27\u003c/p\u003e","\u003cp\u003e452.31\u003c/p\u003e","\u003cp\u003e504.38\u003c/p\u003e","\u003cp\u003e504.37\u003c/p\u003e","\u003cp\u003e515.30\u003c/p\u003e","\u003cp\u003e516.28\u003c/p\u003e","\u003cp\u003e452.32\u003c/p\u003e","\u003cp\u003e504.39\u003c/p\u003e","\u003cp\u003e504.40\u003c/p\u003e","\u003cp\u003e504.41\u003c/p\u003e","\u003cp\u003e452.33\u003c/p\u003e","\u003cp\u003e512.22\u003c/p\u003e","\u003cp\u003e512.23\u003c/p\u003e","\u003cp\u003e504.42\u003c/p\u003e","\u003cp\u003e504.43\u003c/p\u003e","\u003cp\u003e515.7\u003c/p\u003e","\u003cp\u003e512.24\u003c/p\u003e","\u003cp\u003e504.44\u003c/p\u003e","\u003cp\u003e518.20\u003c/p\u003e","\u003cp\u003e516.1\u003c/p\u003e","\u003cp\u003e512.26\u003c/p\u003e","\u003cp\u003e515.22\u003c/p\u003e","\u003cp\u003e515.29\u003c/p\u003e","\u003cp\u003e512.28\u003c/p\u003e","\u003cp\u003e452.34\u003c/p\u003e","\u003cp\u003e516.24\u003c/p\u003e","\u003cp\u003e517.15\u003c/p\u003e","\u003cp\u003e512.29\u003c/p\u003e","\u003cp\u003e515.2\u003c/p\u003e","\u003cp\u003e512.30\u003c/p\u003e","\u003cp\u003e512.31\u003c/p\u003e","\u003cp\u003e512.32\u003c/p\u003e","\u003cp\u003e516.14\u003c/p\u003e","\u003cp\u003e452.35\u003c/p\u003e","\u003cp\u003e452.36\u003c/p\u003e","\u003cp\u003e512.33\u003c/p\u003e","\u003cp\u003e516.20\u003c/p\u003e","\u003cp\u003e518.14\u003c/p\u003e","\u003cp\u003e517.17\u003c/p\u003e","\u003cp\u003e453.1\u003c/p\u003e","\u003cp\u003e516.9\u003c/p\u003e","\u003cp\u003e517.14\u003c/p\u003e","\u003cp\u003e516.8\u003c/p\u003e","\u003cp\u003e512.34\u003c/p\u003e","\u003cp\u003e515.13\u003c/p\u003e","\u003cp\u003e512.35\u003c/p\u003e","\u003cp\u003e453.2\u003c/p\u003e","\u003cp\u003e512.36\u003c/p\u003e","\u003cp\u003e453.3\u003c/p\u003e","\u003cp\u003e512.37\u003c/p\u003e","\u003cp\u003e453.4\u003c/p\u003e","\u003cp\u003e505.15\u003c/p\u003e","\u003cp\u003e512.38\u003c/p\u003e","\u003cp\u003e517.4\u003c/p\u003e","\u003cp\u003e512.39\u003c/p\u003e","\u003cp\u003e453.5\u003c/p\u003e","\u003cp\u003e505.16\u003c/p\u003e","\u003cp\u003e505.17\u003c/p\u003e","\u003cp\u003e505.18\u003c/p\u003e","\u003cp\u003e453.6\u003c/p\u003e","\u003cp\u003e505.19\u003c/p\u003e","\u003cp\u003e505.20\u003c/p\u003e","\u003cp\u003e453.7\u003c/p\u003e","\u003cp\u003e453.8\u003c/p\u003e","\u003cp\u003e518.17\u003c/p\u003e","\u003cp\u003e512.40\u003c/p\u003e","\u003cp\u003e515.10\u003c/p\u003e","\u003cp\u003e512.41\u003c/p\u003e","\u003cp\u003e453.9\u003c/p\u003e","\u003cp\u003e453.10\u003c/p\u003e","\u003cp\u003e453.11\u003c/p\u003e","\u003cp\u003e512.42\u003c/p\u003e","\u003cp\u003e517.26\u003c/p\u003e","\u003cp\u003e512.43\u003c/p\u003e","\u003cp\u003e518.5\u003c/p\u003e","\u003cp\u003e515.18\u003c/p\u003e","\u003cp\u003e518.1\u003c/p\u003e","\u003cp\u003e512.44\u003c/p\u003e","\u003cp\u003e515.9\u003c/p\u003e","\u003cp\u003e453.12\u003c/p\u003e","\u003cp\u003e515.23\u003c/p\u003e","\u003cp\u003e453.13\u003c/p\u003e","\u003cp\u003e512.45\u003c/p\u003e","\u003cp\u003e516.18\u003c/p\u003e","\u003cp\u003e512.46\u003c/p\u003e","\u003cp\u003e505.21\u003c/p\u003e","\u003cp\u003e513.01\u003c/p\u003e","\u003cp\u003e505.22\u003c/p\u003e","\u003cp\u003e505.23\u003c/p\u003e","\u003cp\u003e453.14\u003c/p\u003e","\u003cp\u003e513.02\u003c/p\u003e","\u003cp\u003e453.15\u003c/p\u003e","\u003cp\u003e505.24\u003c/p\u003e","\u003cp\u003e505.25\u003c/p\u003e","\u003cp\u003e511.11\u003c/p\u003e","\u003cp\u003e513.03\u003c/p\u003e","\u003cp\u003e505.26\u003c/p\u003e","\u003cp\u003e453.16\u003c/p\u003e","\u003cp\u003e453.17\u003c/p\u003e","\u003cp\u003e517.9\u003c/p\u003e","\u003cp\u003e505.27\u003c/p\u003e","\u003cp\u003e517.28\u003c/p\u003e","\u003cp\u003e517.5\u003c/p\u003e","\u003cp\u003e453.18\u003c/p\u003e","\u003cp\u003e513.04\u003c/p\u003e","\u003cp\u003e513.05\u003c/p\u003e","\u003cp\u003e515.31\u003c/p\u003e","\u003cp\u003e513.06\u003c/p\u003e","\u003cp\u003e513.07\u003c/p\u003e","\u003cp\u003e513.08\u003c/p\u003e","\u003cp\u003e513.09\u003c/p\u003e","\u003cp\u003e517.6\u003c/p\u003e","\u003cp\u003e513.10\u003c/p\u003e","\u003cp\u003e504.33\u003c/p\u003e","\u003cp\u003e513.11\u003c/p\u003e","\u003cp\u003e513.12\u003c/p\u003e","\u003cp\u003e453.20\u003c/p\u003e","\u003cp\u003e453.19\u003c/p\u003e","\u003cp\u003e505.28\u003c/p\u003e","\u003cp\u003e505.29\u003c/p\u003e","\u003cp\u003e513.13\u003c/p\u003e","\u003cp\u003e453.22\u003c/p\u003e","\u003cp\u003e453.21\u003c/p\u003e","\u003cp\u003e516.13\u003c/p\u003e","\u003cp\u003e453.24\u003c/p\u003e","\u003cp\u003e453.23\u003c/p\u003e","\u003cp\u003e505.30\u003c/p\u003e","\u003cp\u003e505.31\u003c/p\u003e","\u003cp\u003e512.4\u003c/p\u003e","\u003cp\u003e516.25\u003c/p\u003e","\u003cp\u003e513.14\u003c/p\u003e","\u003cp\u003e512.6\u003c/p\u003e","\u003cp\u003e518.2\u003c/p\u003e","\u003cp\u003e515.6\u003c/p\u003e","\u003cp\u003e513.15\u003c/p\u003e","\u003cp\u003e505.32\u003c/p\u003e","\u003cp\u003e513.16\u003c/p\u003e","\u003cp\u003e513.17\u003c/p\u003e","\u003cp\u003e505.33\u003c/p\u003e","\u003cp\u003e515.12\u003c/p\u003e","\u003cp\u003e453.25\u003c/p\u003e","\u003cp\u003e515.24\u003c/p\u003e","\u003cp\u003e513.18\u003c/p\u003e","\u003cp\u003e513.19\u003c/p\u003e","\u003cp\u003e518.10\u003c/p\u003e","\u003cp\u003e515.11\u003c/p\u003e","\u003cp\u003e513.21\u003c/p\u003e","\u003cp\u003e513.22\u003c/p\u003e","\u003cp\u003e515.8\u003c/p\u003e","\u003cp\u003e513.20\u003c/p\u003e","\u003cp\u003e518.12\u003c/p\u003e","\u003cp\u003e505.34\u003c/p\u003e","\u003cp\u003e516.11\u003c/p\u003e","\u003cp\u003e513.23\u003c/p\u003e","\u003cp\u003e453.26\u003c/p\u003e","\u003cp\u003e516.30\u003c/p\u003e","\u003cp\u003e505.35\u003c/p\u003e","\u003cp\u003e513.24\u003c/p\u003e","\u003cp\u003e513.25\u003c/p\u003e","\u003cp\u003e516.16\u003c/p\u003e","\u003cp\u003e513.26\u003c/p\u003e","\u003cp\u003e513.27\u003c/p\u003e","\u003cp\u003e512.3\u003c/p\u003e","\u003cp\u003e518.8\u003c/p\u003e","\u003cp\u003e516.2\u003c/p\u003e","\u003cp\u003e505.36\u003c/p\u003e","\u003cp\u003e453.27\u003c/p\u003e","\u003cp\u003e515.10\u003c/p\u003e","\u003cp\u003e515.32\u003c/p\u003e","\u003cp\u003e453.28\u003c/p\u003e","\u003cp\u003e505.37\u003c/p\u003e","\u003cp\u003e505.38\u003c/p\u003e","\u003cp\u003e516.3\u003c/p\u003e","\u003cp\u003e505.39\u003c/p\u003e","\u003cp\u003e513.28\u003c/p\u003e","\u003cp\u003e513.29\u003c/p\u003e","\u003cp\u003e515.21\u003c/p\u003e","\u003cp\u003e518.26\u003c/p\u003e","\u003cp\u003e453.29\u003c/p\u003e","\u003cp\u003e516.21\u003c/p\u003e","\u003cp\u003e513.30\u003c/p\u003e","\u003cp\u003e505.40\u003c/p\u003e","\u003cp\u003e453.30\u003c/p\u003e","\u003cp\u003e453.31\u003c/p\u003e","\u003cp\u003e513.31\u003c/p\u003e","\u003cp\u003e505.41\u003c/p\u003e","\u003cp\u003e505.42\u003c/p\u003e","\u003cp\u003e513.32\u003c/p\u003e","\u003cp\u003e515.27\u003c/p\u003e","\u003cp\u003e518.13\u003c/p\u003e","\u003cp\u003e506.01\u003c/p\u003e","\u003cp\u003e515.19\u003c/p\u003e","\u003cp\u003e506.02\u003c/p\u003e","\u003cp\u003e516.10\u003c/p\u003e","\u003cp\u003e506.03\u003c/p\u003e","\u003cp\u003e454.1\u003c/p\u003e","\u003cp\u003e454.2\u003c/p\u003e","\u003cp\u003e506.04\u003c/p\u003e","\u003cp\u003e513.33\u003c/p\u003e","\u003cp\u003e518.7\u003c/p\u003e","\u003cp\u003e513.34\u003c/p\u003e","\u003cp\u003e513.35\u003c/p\u003e","\u003cp\u003e517.13\u003c/p\u003e","\u003cp\u003e454.3\u003c/p\u003e","\u003cp\u003e506.05\u003c/p\u003e","\u003cp\u003e506.06\u003c/p\u003e","\u003cp\u003e454.4\u003c/p\u003e","\u003cp\u003e506.07\u003c/p\u003e","\u003cp\u003e518.4\u003c/p\u003e","\u003cp\u003e454.5\u003c/p\u003e","\u003cp\u003e515.17\u003c/p\u003e","\u003cp\u003e454.6\u003c/p\u003e","\u003cp\u003e514.01\u003c/p\u003e","\u003cp\u003e506.08\u003c/p\u003e","\u003cp\u003e506.09\u003c/p\u003e","\u003cp\u003e514.02\u003c/p\u003e","\u003cp\u003e513.16\u003c/p\u003e","\u003cp\u003e514.03\u003c/p\u003e","\u003cp\u003e516.5\u003c/p\u003e","\u003cp\u003e515.5\u003c/p\u003e","\u003cp\u003e514.04\u003c/p\u003e","\u003cp\u003e514.05\u003c/p\u003e","\u003cp\u003e506.10\u003c/p\u003e","\u003cp\u003e506.11\u003c/p\u003e","\u003cp\u003e454.7\u003c/p\u003e","\u003cp\u003e506.12\u003c/p\u003e","\u003cp\u003e517.10\u003c/p\u003e","\u003cp\u003e506.13\u003c/p\u003e","\u003cp\u003e506.14\u003c/p\u003e","\u003cp\u003e518.24\u003c/p\u003e","\u003cp\u003e506.16\u003c/p\u003e","\u003cp\u003e506.17\u003c/p\u003e","\u003cp\u003e514.06\u003c/p\u003e","\u003cp\u003e514.07\u003c/p\u003e","\u003cp\u003e454.8\u003c/p\u003e","\u003cp\u003e454.9\u003c/p\u003e","\u003cp\u003e514.08\u003c/p\u003e","\u003cp\u003e517.2\u003c/p\u003e","\u003cp\u003e517.12\u003c/p\u003e","\u003cp\u003e514.09\u003c/p\u003e","\u003cp\u003e518.21\u003c/p\u003e","\u003cp\u003e506.18\u003c/p\u003e","\u003cp\u003e514.10\u003c/p\u003e","\u003cp\u003e517.18\u003c/p\u003e","\u003cp\u003e517.19\u003c/p\u003e","\u003cp\u003e454.10\u003c/p\u003e","\u003cp\u003e506.19\u003c/p\u003e","\u003cp\u003e506.20\u003c/p\u003e","\u003cp\u003e517.3\u003c/p\u003e","\u003cp\u003e514.11\u003c/p\u003e","\u003cp\u003e454.11\u003c/p\u003e","\u003cp\u003e454.12\u003c/p\u003e","\u003cp\u003e517.8\u003c/p\u003e","\u003cp\u003e516.22\u003c/p\u003e","\u003cp\u003e516.12\u003c/p\u003e","\u003cp\u003e506.21\u003c/p\u003e","\u003cp\u003e506.22\u003c/p\u003e","\u003cp\u003e506.23\u003c/p\u003e","\u003cp\u003e454.13\u003c/p\u003e","\u003cp\u003e454.14\u003c/p\u003e","\u003cp\u003e515.15\u003c/p\u003e","\u003cp\u003e517.25\u003c/p\u003e","\u003cp\u003e454.15\u003c/p\u003e","\u003cp\u003e505.24\u003c/p\u003e","\u003cp\u003e514.13\u003c/p\u003e","\u003cp\u003e454.16\u003c/p\u003e","\u003cp\u003e454.17\u003c/p\u003e","\u003cp\u003e514.14\u003c/p\u003e","\u003cp\u003e517.22\u003c/p\u003e","\u003cp\u003e514.15\u003c/p\u003e","\u003cp\u003e518.11\u003c/p\u003e","\u003cp\u003e506.28\u003c/p\u003e","\u003cp\u003e506.25\u003c/p\u003e","\u003cp\u003e514.16\u003c/p\u003e","\u003cp\u003e506.26\u003c/p\u003e","\u003cp\u003e514.17\u003c/p\u003e","\u003cp\u003e504.35\u003c/p\u003e","\u003cp\u003e515.26\u003c/p\u003e","\u003cp\u003e514.18\u003c/p\u003e","\u003cp\u003e514.19\u003c/p\u003e","\u003cp\u003e506.27\u003c/p\u003e","\u003cp\u003e518.6\u003c/p\u003e","\u003cp\u003e514.20\u003c/p\u003e","\u003cp\u003e454.18\u003c/p\u003e","\u003cp\u003e514.21\u003c/p\u003e","\u003cp\u003e518.16\u003c/p\u003e","\u003cp\u003e506.29\u003c/p\u003e","\u003cp\u003e512.7\u003c/p\u003e","\u003cp\u003e454.19\u003c/p\u003e","\u003cp\u003e514.22\u003c/p\u003e","\u003cp\u003e516.7\u003c/p\u003e","\u003cp\u003e454.20\u003c/p\u003e","\u003cp\u003e517.7\u003c/p\u003e","\u003cp\u003e514.23\u003c/p\u003e","\u003cp\u003e514.24\u003c/p\u003e","\u003cp\u003e506.30\u003c/p\u003e","\u003cp\u003e454.21\u003c/p\u003e","\u003cp\u003e506.31\u003c/p\u003e","\u003cp\u003e516.15\u003c/p\u003e","\u003cp\u003e516.6\u003c/p\u003e","\u003cp\u003e506.32\u003c/p\u003e","\u003cp\u003e506.33\u003c/p\u003e","\u003cp\u003e454.22\u003c/p\u003e","\u003cp\u003e454.23\u003c/p\u003e","\u003cp\u003e516.4\u003c/p\u003e","\u003cp\u003e506.34\u003c/p\u003e","\u003cp\u003e454.24\u003c/p\u003e","\u003cp\u003e454.25\u003c/p\u003e","\u003cp\u003e454.28\u003c/p\u003e","\u003cp\u003e506.35\u003c/p\u003e","\u003cp\u003e506.36\u003c/p\u003e","\u003cp\u003e454.26\u003c/p\u003e","\u003cp\u003e454.27\u003c/p\u003e","\u003cp\u003e514.25\u003c/p\u003e","\u003cp\u003e506.37\u003c/p\u003e","\u003cp\u003e454.29\u003c/p\u003e","\u003cp\u003e516.27\u003c/p\u003e","\u003cp\u003e515.14\u003c/p\u003e","\u003cp\u003e454.30\u003c/p\u003e","\u003cp\u003e514.26\u003c/p\u003e","\u003cp\u003e506.38\u003c/p\u003e","\u003cp\u003e514.27\u003c/p\u003e","\u003cp\u003e517.23\u003c/p\u003e","\u003cp\u003e512.2\u003c/p\u003e","\u003cp\u003e506.39\u003c/p\u003e","\u003cp\u003eThese are the audiotape cassettes that have been removed from the transcripts. The audiotapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools.\u003c/p\u003e","\u003cp\u003eThese are additional transcripts and audiotapes that were done in 1996 by the students at Langeston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections.\u003c/p\u003e","\u003cp\u003e464.1\u003c/p\u003e","\u003cp\u003e464.2\u003c/p\u003e","\u003cp\u003e464.3\u003c/p\u003e","\u003cp\u003e464.4\u003c/p\u003e","\u003cp\u003e464.5\u003c/p\u003e","\u003cp\u003e464.6\u003c/p\u003e","\u003cp\u003e464.7\u003c/p\u003e","\u003cp\u003e464.8\u003c/p\u003e","\u003cp\u003e464.9\u003c/p\u003e","\u003cp\u003e464.10\u003c/p\u003e","\u003cp\u003e464.11\u003c/p\u003e","\u003cp\u003e464.12\u003c/p\u003e","\u003cp\u003e464.13\u003c/p\u003e","\u003cp\u003e464.14\u003c/p\u003e","\u003cp\u003e464.15\u003c/p\u003e","\u003cp\u003e464.16\u003c/p\u003e","\u003cp\u003e464.17\u003c/p\u003e","\u003cp\u003e464.18\u003c/p\u003e","\u003cp\u003e464.19\u003c/p\u003e","\u003cp\u003e464.20\u003c/p\u003e","\u003cp\u003e464.21\u003c/p\u003e","\u003cp\u003e464.22\u003c/p\u003e","\u003cp\u003e464.23\u003c/p\u003e","\u003cp\u003e464.24\u003c/p\u003e","\u003cp\u003e464.25\u003c/p\u003e","\u003cp\u003e464.25\u003c/p\u003e","\u003cp\u003e464.27\u003c/p\u003e","\u003cp\u003e464.28\u003c/p\u003e","\u003cp\u003e464.29\u003c/p\u003e","\u003cp\u003e464.30\u003c/p\u003e","\u003cp\u003e464.31\u003c/p\u003e","\u003cp\u003e464.32\u003c/p\u003e","\u003cp\u003e464.33\u003c/p\u003e","\u003cp\u003e464.34\u003c/p\u003e","\u003cp\u003e464.35\u003c/p\u003e","\u003cp\u003e464.36\u003c/p\u003e","\u003cp\u003e464.37\u003c/p\u003e","\u003cp\u003e464.38\u003c/p\u003e","\u003cp\u003e464.39\u003c/p\u003e","\u003cp\u003e464.40\u003c/p\u003e","\u003cp\u003e464.41\u003c/p\u003e","\u003cp\u003e464.42\u003c/p\u003e","\u003cp\u003e464.43\u003c/p\u003e","\u003cp\u003e464.44\u003c/p\u003e","\u003cp\u003e465.1\u003c/p\u003e","\u003cp\u003e465.2\u003c/p\u003e","\u003cp\u003e465.3\u003c/p\u003e","\u003cp\u003e465.4\u003c/p\u003e","\u003cp\u003e465.5\u003c/p\u003e","\u003cp\u003e465.6\u003c/p\u003e","\u003cp\u003e465.7\u003c/p\u003e","\u003cp\u003e465.8\u003c/p\u003e","\u003cp\u003e465.9\u003c/p\u003e","\u003cp\u003e465.10\u003c/p\u003e","\u003cp\u003e465.11\u003c/p\u003e","\u003cp\u003e465.12\u003c/p\u003e","\u003cp\u003e465.13\u003c/p\u003e","\u003cp\u003e465.14\u003c/p\u003e","\u003cp\u003e465.15\u003c/p\u003e","\u003cp\u003e465.16\u003c/p\u003e","\u003cp\u003e465.17\u003c/p\u003e","\u003cp\u003e465.18\u003c/p\u003e","\u003cp\u003e465.19\u003c/p\u003e","\u003cp\u003e465.20\u003c/p\u003e","\u003cp\u003e465.21\u003c/p\u003e","\u003cp\u003e465.22\u003c/p\u003e","\u003cp\u003e465.23\u003c/p\u003e","\u003cp\u003e465.24\u003c/p\u003e","\u003cp\u003e465.25\u003c/p\u003e","\u003cp\u003e465.26\u003c/p\u003e","\u003cp\u003e465.27\u003c/p\u003e","\u003cp\u003e465.28\u003c/p\u003e","\u003cp\u003e465.29\u003c/p\u003e","\u003cp\u003e465.30\u003c/p\u003e","\u003cp\u003e465.31\u003c/p\u003e","\u003cp\u003e465.32\u003c/p\u003e","\u003cp\u003e465.33\u003c/p\u003e","\u003cp\u003e465.34\u003c/p\u003e","\u003cp\u003e465.35\u003c/p\u003e","\u003cp\u003e465.36\u003c/p\u003e","\u003cp\u003e465.37\u003c/p\u003e","\u003cp\u003e465.38\u003c/p\u003e","\u003cp\u003e466.1\u003c/p\u003e","\u003cp\u003e466.2\u003c/p\u003e","\u003cp\u003e466.3\u003c/p\u003e","\u003cp\u003e466.4\u003c/p\u003e","\u003cp\u003e466.5\u003c/p\u003e","\u003cp\u003e466.6\u003c/p\u003e","\u003cp\u003e466.7\u003c/p\u003e","\u003cp\u003e466.8\u003c/p\u003e","\u003cp\u003e466.9\u003c/p\u003e","\u003cp\u003e466.10\u003c/p\u003e","\u003cp\u003e466.11\u003c/p\u003e","\u003cp\u003e466.12\u003c/p\u003e","\u003cp\u003e466.13\u003c/p\u003e","\u003cp\u003e466.14\u003c/p\u003e","\u003cp\u003e466.15\u003c/p\u003e","\u003cp\u003e466.16\u003c/p\u003e","\u003cp\u003e466.17\u003c/p\u003e","\u003cp\u003e466.18\u003c/p\u003e","\u003cp\u003e466.19\u003c/p\u003e","\u003cp\u003e466.20\u003c/p\u003e","\u003cp\u003e466.21\u003c/p\u003e","\u003cp\u003e466.22\u003c/p\u003e","\u003cp\u003e466.23\u003c/p\u003e","\u003cp\u003e466.24\u003c/p\u003e","\u003cp\u003e466.25\u003c/p\u003e","\u003cp\u003e466.26\u003c/p\u003e","\u003cp\u003e466.27\u003c/p\u003e","\u003cp\u003e466.28\u003c/p\u003e","\u003cp\u003e466.29\u003c/p\u003e","\u003cp\u003e466.30\u003c/p\u003e","\u003cp\u003e466.31\u003c/p\u003e","\u003cp\u003e466.32\u003c/p\u003e","\u003cp\u003e466.33\u003c/p\u003e","\u003cp\u003e466.34\u003c/p\u003e","\u003cp\u003e466.35\u003c/p\u003e","\u003cp\u003e466.36\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e467\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e468\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003e469\u003c/p\u003e","\u003cp\u003eThese are additional transcripts and audiotapes completed by the students at Langeston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003 among others. They were processed separately but have now been organized with the entire Reston Reflection collection.\u003c/p\u003e","\u003cp\u003e506D.7\u003c/p\u003e","\u003cp\u003e506F.1\u003c/p\u003e","\u003cp\u003e506G.4\u003c/p\u003e","\u003cp\u003e506G.2\u003c/p\u003e","\u003cp\u003e506D.8\u003c/p\u003e","\u003cp\u003e506F.4\u003c/p\u003e","\u003cp\u003e506E.1\u003c/p\u003e","\u003cp\u003e506E.2\u003c/p\u003e","\u003cp\u003e506D.6\u003c/p\u003e","\u003cp\u003e506D.5\u003c/p\u003e","\u003cp\u003e506D.4\u003c/p\u003e","\u003cp\u003e506D.3\u003c/p\u003e","\u003cp\u003e506C.1\u003c/p\u003e","\u003cp\u003e506C.2\u003c/p\u003e","\u003cp\u003e506C.4\u003c/p\u003e","\u003cp\u003e506F.2\u003c/p\u003e","\u003cp\u003e506G.1\u003c/p\u003e","\u003cp\u003e506C.9\u003c/p\u003e","\u003cp\u003e506C.5\u003c/p\u003e","\u003cp\u003e506C.6\u003c/p\u003e","\u003cp\u003e506C.7\u003c/p\u003e","\u003cp\u003e506.3\u003c/p\u003e","\u003cp\u003e506C.3\u003c/p\u003e","\u003cp\u003e506D.2\u003c/p\u003e","\u003cp\u003e506D.1\u003c/p\u003e","\u003cp\u003e506C.8\u003c/p\u003e","\u003cp\u003e506E.4\u003c/p\u003e","\u003cp\u003e506F.5\u003c/p\u003e","\u003cp\u003e506E.6\u003c/p\u003e","\u003cp\u003e506F.7\u003c/p\u003e","\u003cp\u003e506F.6\u003c/p\u003e","\u003cp\u003e506E.7\u003c/p\u003e","\u003cp\u003e506G.3\u003c/p\u003e","\u003cp\u003e506E.3\u003c/p\u003e","\u003cp\u003e506F.8\u003c/p\u003e","\u003cp\u003e506G.5\u003c/p\u003e","\u003cp\u003e506E.5\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino.","Series one is titled Transcripts. This series contains the transcripts of the interviews that the student conducted. The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed. The series is dated from 1994 to 2008 and contained in 79 boxes.","Series two is titled Audiotapes. These are the tapes that have been removed from the transcripts. The tapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools. The series is dated from 1994 to 2000 and is contained in 10 boxes.","Series three is titled 1996 Interviews (Volunteers). These are additional transcripts and audiotapes that were done in 1996 by the students at Langston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections. The series is dated 1996 and is contained in 6 boxes.","Series four is titled 2001, 2003 and 2009 Interviews. These are additional transcripts and audiotapes completed by the students at Langston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003. They were processed separately but have now been organized with the entire Reston Reflection collection. The series is dated in 2001, 2003 and 2009, and is contained in 33 boxes.","The transcripts have descriptions of the interviewee, questions and answers from the interviews, report from the student on the process they undertook to arrange the interviews and a final evaluation done by the teacher, grading the students projects. Some of the transcripts also have the audiotapes because the projects have not been processed previously. Also included at the beginning of the series are an index and list of those interviewed.","518.22","514.28","518.23","518.25","452.2","512.02","452.3","504.1","452.4","504.2","504.3","517.27","504.4","504.5","518.18","512.03","518.3","512.04","504.6","504.7","512.05","504.8","512.06","452.5","452.6","512.07","504.9","512.1","452.7","504.10","504.11","452.8","516.29","452.9","452.10","504.12","517.20","452.11","452.12","515.28","504.13","452.13","452.14","504.14","504.13","512.08","504.15","504.16","512.09","452.15","504.17","512.10","504.18","504.19","504.20","516.17","515.25","504.21","517.16","452.16","512.12","512.11","512.13","518.15","452.17","504.22","512.14","452.18","452.19","504.23","452.20","504.25","504.24","517.21","512.15","504.26","504.27","504.28","504.29","452.21","452.22","512.16","512.17","516.23","504.30","512.18","517.24","515.20","452.23","517.1","514.4","515.3","452.24","515.1","452.25","452.26","518.19","504.31","504.32","512.19","452.27","452.28","516.19","512.20","504.34","452.29","512.21","452.30","512.5","504.36","512.27","452.31","504.38","504.37","515.30","516.28","452.32","504.39","504.40","504.41","452.33","512.22","512.23","504.42","504.43","515.7","512.24","504.44","518.20","516.1","512.26","515.22","515.29","512.28","452.34","516.24","517.15","512.29","515.2","512.30","512.31","512.32","516.14","452.35","452.36","512.33","516.20","518.14","517.17","453.1","516.9","517.14","516.8","512.34","515.13","512.35","453.2","512.36","453.3","512.37","453.4","505.15","512.38","517.4","512.39","453.5","505.16","505.17","505.18","453.6","505.19","505.20","453.7","453.8","518.17","512.40","515.10","512.41","453.9","453.10","453.11","512.42","517.26","512.43","518.5","515.18","518.1","512.44","515.9","453.12","515.23","453.13","512.45","516.18","512.46","505.21","513.01","505.22","505.23","453.14","513.02","453.15","505.24","505.25","511.11","513.03","505.26","453.16","453.17","517.9","505.27","517.28","517.5","453.18","513.04","513.05","515.31","513.06","513.07","513.08","513.09","517.6","513.10","504.33","513.11","513.12","453.20","453.19","505.28","505.29","513.13","453.22","453.21","516.13","453.24","453.23","505.30","505.31","512.4","516.25","513.14","512.6","518.2","515.6","513.15","505.32","513.16","513.17","505.33","515.12","453.25","515.24","513.18","513.19","518.10","515.11","513.21","513.22","515.8","513.20","518.12","505.34","516.11","513.23","453.26","516.30","505.35","513.24","513.25","516.16","513.26","513.27","512.3","518.8","516.2","505.36","453.27","515.10","515.32","453.28","505.37","505.38","516.3","505.39","513.28","513.29","515.21","518.26","453.29","516.21","513.30","505.40","453.30","453.31","513.31","505.41","505.42","513.32","515.27","518.13","506.01","515.19","506.02","516.10","506.03","454.1","454.2","506.04","513.33","518.7","513.34","513.35","517.13","454.3","506.05","506.06","454.4","506.07","518.4","454.5","515.17","454.6","514.01","506.08","506.09","514.02","513.16","514.03","516.5","515.5","514.04","514.05","506.10","506.11","454.7","506.12","517.10","506.13","506.14","518.24","506.16","506.17","514.06","514.07","454.8","454.9","514.08","517.2","517.12","514.09","518.21","506.18","514.10","517.18","517.19","454.10","506.19","506.20","517.3","514.11","454.11","454.12","517.8","516.22","516.12","506.21","506.22","506.23","454.13","454.14","515.15","517.25","454.15","505.24","514.13","454.16","454.17","514.14","517.22","514.15","518.11","506.28","506.25","514.16","506.26","514.17","504.35","515.26","514.18","514.19","506.27","518.6","514.20","454.18","514.21","518.16","506.29","512.7","454.19","514.22","516.7","454.20","517.7","514.23","514.24","506.30","454.21","506.31","516.15","516.6","506.32","506.33","454.22","454.23","516.4","506.34","454.24","454.25","454.28","506.35","506.36","454.26","454.27","514.25","506.37","454.29","516.27","515.14","454.30","514.26","506.38","514.27","517.23","512.2","506.39","These are the audiotape cassettes that have been removed from the transcripts. The audiotapes are the actual interviews conducted by the students. The audiotapes are from the oral histories that were previously processed and are the earlier interviews done by the students of Langston Hughes Middle Schools.","These are additional transcripts and audiotapes that were done in 1996 by the students at Langeston Hughes Middle School. They were originally stored separated under the title oral history in the Planned Community Archives. They are now organized together with the rest of the Reston Reflections.","464.1","464.2","464.3","464.4","464.5","464.6","464.7","464.8","464.9","464.10","464.11","464.12","464.13","464.14","464.15","464.16","464.17","464.18","464.19","464.20","464.21","464.22","464.23","464.24","464.25","464.25","464.27","464.28","464.29","464.30","464.31","464.32","464.33","464.34","464.35","464.36","464.37","464.38","464.39","464.40","464.41","464.42","464.43","464.44","465.1","465.2","465.3","465.4","465.5","465.6","465.7","465.8","465.9","465.10","465.11","465.12","465.13","465.14","465.15","465.16","465.17","465.18","465.19","465.20","465.21","465.22","465.23","465.24","465.25","465.26","465.27","465.28","465.29","465.30","465.31","465.32","465.33","465.34","465.35","465.36","465.37","465.38","466.1","466.2","466.3","466.4","466.5","466.6","466.7","466.8","466.9","466.10","466.11","466.12","466.13","466.14","466.15","466.16","466.17","466.18","466.19","466.20","466.21","466.22","466.23","466.24","466.25","466.26","466.27","466.28","466.29","466.30","466.31","466.32","466.33","466.34","466.35","466.36","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","467","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","468","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","469","These are additional transcripts and audiotapes completed by the students at Langeston Hughes Middle School. The topics covered are Life Cycle of Neighborhood in 2001 and the War and Community in 2003 among others. They were processed separately but have now been organized with the entire Reston Reflection collection.","506D.7","506F.1","506G.4","506G.2","506D.8","506F.4","506E.1","506E.2","506D.6","506D.5","506D.4","506D.3","506C.1","506C.2","506C.4","506F.2","506G.1","506C.9","506C.5","506C.6","506C.7","506.3","506C.3","506D.2","506D.1","506C.8","506E.4","506F.5","506E.6","506F.7","506F.6","506E.7","506G.3","506E.3","506F.8","506G.5","506E.5"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_01dfabdd3ba3f1ec4d6db71d4512f9bc\" label=\"Abstract\"\u003eThe Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. The collection is large and contained within 128 boxes.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Reston Reflections are a collection of interviews done by the students at Langston Hughes Middle School. The students conducted interviews with residents of Reston to create an oral history of Reston. The project spans several years beginning in 1994 with the final interviews in 2009. Among those interviewed are some of Reston more prominent citizens such as Robert E. Simon, the founder of Reston, and Martha Pennino. The collection is divided into four series, the first contains the transcripts of the interviews, the second series is audiotapes from the interviews, the third is the interviews from 1996 that were originally separated from the majority of the collection and the fourth are the interviews from 2001, 2003 and 2009 that were also separated. The collection is large and contained within 128 boxes."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_12ac235a72deffb7cfb02600d4bbf6db\"\u003eR43, C1, S1 - C3, S5\u003c/physloc\u003e\n    "],"physloc_tesim":["R43, C1, S1 - C3, S5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Langston Hughes Middle School (Reston, Va.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Langston Hughes Middle School (Reston, Va.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2084,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:08.491Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_173"}},{"id":"vircu_repositories_5_resources_648","type":"collection","attributes":{"title":"Richmond Police Department Surveillance collection, 1961/1975","creator":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_648#creator","type":"document_value","attributes":{"value":"Richmond (Va.). Police Department","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_648#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection contains film and audio reels pertaining to civil rights and other activities in the 1960s and 1970s in Richmond, Virginia, and surrounding states. These include the H. Rap Brown trial, Lincoln Memorial Peace March, the Martin Luther King memorial at the Virginia State Capitol, Anti-Bussing protests, the Poor People's Campaign, student protest marches, surveillance of the Black Panthers, the Ku Klux Klan (KKK), the National Socialist White People's Party, and illegal abortion providers. There are also reels of police training videos, retirement parties, and the 1969 flood. In addition to the film and audio reels, there are also photographs of many of the events recorded on film reels, as well as Personal Information Cards.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_648#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_5_resources_648","ead_ssi":"vircu_repositories_5_resources_648","_root_":"vircu_repositories_5_resources_648","_nest_parent_":"vircu_repositories_5_resources_648","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_648.xml","aspace_url_ssi":"https://archives.library.vcu.edu/repositories/5/resources/648","title_ssm":["Richmond Police Department Surveillance collection"],"title_tesim":["Richmond Police Department Surveillance collection"],"unitdate_ssm":["1961-1975"],"unitdate_inclusive_ssm":["1961-1975"],"normalized_date_ssm":["1961/1975"],"normalized_title_ssm":["Richmond Police Department Surveillance collection, 1961/1975"],"text":["Richmond Police Department Surveillance collection, 1961/1975","M 571","/repositories/5/resources/648","Police patrol -- Surveillance operations -- Virginia -- Richmond","Demonstrations -- Virginia -- Richmond","Protest movements -- Virginia -- Richmond","Video recordings","Sound recordings","Photographs","The collection is open for research with the exception of some of the films and personal information cards. Films of public activities in public spaces, which constitute the majority of the films, are available through the VCU Libraries Digtial Collections. Films where the subjects were unaware they were being recorded are not available online. Those films can only be accessed in the Special Collections reading room at James Branch Cabell Library.  When this is the case, the item will state \"For access to this digital file, please consult Special Collections and Archives staff for assistance.\"","Box 18, Personal Identification Cards is restricted for privacy reasons. Researchers may be able to access the information in an anonymized way. Please contact VCU SCA for more information","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","Access copies of the majority of the audio and film reels and the transcripts are available via VCU Libraries Digital Collections.","Series 1: Audio Recordings","Series 2: Film Recordings","Series 3: Film and Audio Reels","Series 4: Photographs and Personal Information Cards","During the turbulent years of the 1960s and 1970s, the Richmond, VA police department surveilled groups, people, and events they determined to be subversive, counter-cultural, or threatening. Most of the films were taken at public events, with officers filming from the street-level sidelines or even embedded in the event. There are other instances where police are covertly filming people entering private homes or secret events from higher or hidden vantage points. The footage they took are considered general-investigatory, non-evidential, non-permanent records. While it appears the department was primarily focused on the Civil Rights, Black Power, Women's Rights, and Anti-War movements, they also surveilled those involved with the White Power and anti-integration movements.","Detective Ricky Duling maintained these materials after retirement. After his death they were given to David Jackson, who transferred them to VCU Libraries.","The film and audio reels have been digitzed for use. Digitized files need a computer or other internet-enabled device to access.","The collection contains film and audio reels pertaining to civil rights and other activities in the 1960s and 1970s in Richmond, Virginia, and surrounding states. These include the H. Rap Brown trial, Lincoln Memorial Peace March, the Martin Luther King memorial at the Virginia State Capitol, Anti-Bussing protests, the Poor People's Campaign, student protest marches, surveillance of the Black Panthers, the Ku Klux Klan (KKK), the National Socialist White People's Party, and illegal abortion providers. There are also reels of police training videos, retirement parties, and the 1969 flood. In addition to the film and audio reels, there are also photographs of many of the events recorded on film reels, as well as Personal Information Cards.","Series 1: Audio Recordings","Digital copies of audio recordings, arranged alphabetically.","Series 2: Film Recordings","Digital copies of film recordings, arranged alphabetically.","Series 3: Professional Organizations and Service","Original film and audio reels. Arranged numerically by VCU-assigned reel number. For which digitized reel they correspond to, please contact Special Collections and Archives to see the inventory.","Series 4: Photographs and Personal Information Cards","Photographs taken by the Richmond Police documenting protests, marches, \"undesireable\" people, movements, or places, locations, and other events. Unfortunately, these events remain unidentified except by the roll of film number, with no key indicating what the images are of. As such, the photographs are arranged numerically by the police-assigned roll number.","Personal Information Cards contain information on individual people being surveilled by police. This can include their address, what they are being surveilled for, and their employment, among other things. They remain in the order in which they were recieved, which is no particular order.","TITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and feb. 16, 1968, #1; RUNTIME: 00:03:52; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage.","TITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and Feb. 16, 1968, #2; RUNTIME: 00:03:46; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage","TITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan 1968 and Feb. 16 1968, #3; RUNTIME: 00:03:39; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage.","TITLE ON REEL:Aboration [sic], 614 W. 31st. St. between last of Jan 1968 and Feb. 16, 1968, #4; RUNTIME: 00:03:53; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. No individuals are shown in this footage","TITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and Feb. 16, 1968, #5; RUNTIME: 00:03:40; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. No individuals are shown in this footage","TITLE ON REEL:Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of an American Nazi Party rally in Lafayette Park in Washington, D.C. There is footage of speakers, including John Patler, and panning shots of the crowd.","TITLE ON REEL:Det. Burton; RUNTIME: 00:03:10; DESCRIPTION: This real contains footage of a protest in opposition to the Vietnam War in front of the Richmond Federal Building in downtown Richmond on April 29, 1967. About 100 individuals participated in the march. Individuals march holding signs or flowers, wearing business clothing. Several children participate in the march as well. Towards the middle of the reel, there is footage of a pro-war counterprotest of approximately seven individuals.","TITLE ON REEL:Bussing Picket- Belvidere St. / Grove Ave. 1100 Block taken 10-14-70; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of several dozen adults and children, all of whom appear to be white, protesting against school desegregation busing in Belvidere Street near the Virginia War Memorial on August 22, 1970. It also contains aerial footage of the Monroe Park area of Richmond filmed on October 14, 1970.","TITLE ON REEL:Anti-Bussing, Skinny Morrisett's Parade, 8-29-70, Police I.D.; RUNTIME: 00:04:00; DESCRIPTION: This reel contains footage of approximately 250 individuals protesting school desegregation via busing in downtown Richmond. This protest appears to be majority white, though there are participants who are people of color, both adults and children. This footage shows demonstrators gathering in Monroe Park, leaving Monroe Park, marching in downtown Richmond, and approaching the Virginia State Capitol grounds.","TITLE ON REEL:Anti-bussing, Skinny Morrisett's parade, 8-29-70; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of approximately 250 individuals protesting school desegregation via busing in downtown Richmond. This protest appears to be majority white, though there are participants who are people of color, both adults and children. This footage shows demonstrators marching at the the Virginia State Capitol grounds, as well as a car protest leaving Skinny's Kitchen in southern Richmond.; NOTE:","TITLE ON REEL:Finished 4-13-62, Anti-Bussing Meeting Mosque Rev. J.B. Book, 8-28-70; RUNTIME: 00:04:33; DESCRIPTION: This reel contains footage of a rally against school desegregation busing organized by Reverend John B. Book of the Southside Christian Church the Mosque (now the Altria Theater) in Richmond, Virginia, held on August 28, 1970. Footage includes Book and several other speakers on the stage. ; NOTE: This footage is in black and white. The reel has the date April 13, 1962, which might indicate that is when the film was started but was not concluded until the second date, August 28, 1970. This may account for why this film is in black and white when most films from this year are in color.","TITLE ON REEL:Anti Draft Protest, 3-19-70 [2]; RUNTIME: 00:04:18; DESCRIPTION: This reel contains footage of the gathering of individuals who will participate in a day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage follows individuals and groups arriving for the picket, walking back and forth in front of the building. Some building workers are seen--potential security and others. The footage is filmed from across the street and above. Towards the end of the video, the individuals preparing the picket notice the camera and gesture toward it. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft Protest, 3-19-70; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others. The footage is filmed from across the street and above. At one point, one of the picketers is detained by a uniformed individual and led away. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators. One Black individual is seen photographing the demonstrators and communicating with another individual filming the picketers.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft Protest, 3-19-70, Rich. Police I.D., 649-4811 [phone number]; RUNTIME: 00:03:53; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others. The footage is filmed from the street and steps of the Station. At one point, one of the picketers is detained by a uniformed individual and led away. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators. One Black individual is seen photographing the demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti draft [sic] protest, 3-19-70; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others.  The footage is filmed from across the street and above. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Antidraft [sic] protest; RUNTIME: 00:04:44; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others.  The footage is filmed from across the street and above. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft [sic] protest 3-19-70; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of approximately 150 individuals gathering for a march from Monroe Park to the Federal Building at 8th and Marshall Streets. Individuals and their signs are visible, then the march begins. The second half of the reel is of individuals from the protest leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft Protest, 3-19-70, Rich Police ID, 649-4811 [phone number]; RUNTIME: 00:03:38; DESCRIPTION: This reel contains footage of several dozen individuals marching to the Federal Building at 8th and Marshall Streets. Individuals and their signs are visible. The last part of the reel shows individuals from the protest leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft protest 3-19-70, Rich. Police I.D., 649-4811 [phone number]; RUNTIME: 00:03:46; DESCRIPTION: This reel contains footage of several dozen individuals leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Klan's A.B.C. protest march of open housing in front of Jefferson Hotel. 4-6-68; RUNTIME: 00:03:46; DESCRIPTION: This reel contains footage of white individuals protesting against a conference on fair housing in front of the Hotel Jefferson in Richmond, Virginia on April 6, 1968. There are approximately ten individuals in the protest.; NOTE: While language on the original reel refers to the \"Klan\", most likely the Ku Klux Klan, there is no information in the reel or in newspaper reporting of the protest that identifies protestors as Klan members. Newspapers at the time referred to the group as segregationists.","TITLE ON REEL:Klan's A.B.C., protest march of open housing in front of Jefferson Hotel, short strip of Dianne Sugg. 4-6-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of white individuals protesting against a conference on fair housing in front of the Hotel Jefferson in Richmond, Virginia on April 6, 1968. There are approximately ten individuals in the protest.; NOTE: While language on the original reel refers to the \"Klan\", most likely the Ku Klux Klan, there is no information in the reel or in newspaper reporting of the protest that identifies protestors as Klan members. Newspapers at the time referred to the group as segregationists.","TITLE ON REEL:[Unidentified #11], Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of a daytime anti-Vietnam War picket protest in front of the United States White House held on November 27, 2965. Most individuals appear to be white, though individuals of other races can be seen throughout. Footage focuses on those picketing, with specific emphasis on potential protest coordinators who wear orange armbands. Also included is footage of cars, police officers, and counter-protestors.","TITLE ON REEL:Be-In, Monroe Park, 4-  -69 [date missing], Police I.D. (Burton), [Sat.?]; RUNTIME: 00:03:41; DESCRIPTION: This reels contains footage of a crowd of individuals at an event labeled as a \"Be-In\" on the reel in Monroe Park, likely on April 27, 1969. Individuals sit on the grass, listen to a band playing in front of the Checkers House.","TITLE ON REEL:In Park, 9-16-69, 1:30 am, I; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of a press conference in Monroe Park on September 16, 1969. Speaking at the press conference were Bob Lee, field secretary of the Black Panther Party of Illinois, and Bill Fesperman, field secretary of the Young Patriots Organization. The reel contains footage of individuals gathering in Monroe Park, as well as footage of Lee and Fesperman near the fountain with a journalist, and individuals watching the press conference.","TITLE ON REEL:Black Panther Headquarters #8 E. Baker Street, 11-25-70, [0?]1005-1335; RUNTIME: 00:04:48; DESCRIPTION: This reel contains police surveillance footage of individuals exiting and entering the Black Panther Party Information Center at 8 E. Baker Street in Richmond, Virginia, on November 25, 1970. The house has a large Black Panther banner on the front porch railing, and an article with the address appeared in the Richmond Times-Dispatch three days prior to this recording. It appears the BPP members were aware they were being surveilled, although the video is filmed from a distance.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes debris in the camera gate and a camera registration error, which leads to \"jumps\" in footage or multiple frames being seen at once.","TITLE ON REEL:30 April 70, Black Panther Visit to VCU, Ogden, et al; RUNTIME: 00:04:11; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park for what was advertised as a Black Panther Party press conference on April 30, 1970. There is footage filmed in the park, and footage of individuals outside of Rhoads Hall on Franklin Street.","TITLE ON REEL:Black Panther meeting Monroe Park 4-29-70 / William and Mary students Induction Center 5-11-1970; RUNTIME: 00:04:08; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park for what was advertised as a Black Panther Party press conference on April 30, 1970. There is also footage of College of William and Mary students picketing the draft at the Richmond Parcel Post Building at 1102 E. Main St., which also served as the induction center during the Vietnam War, on May 11, 1970.; NOTE: Although the reel is labeled April 29, 1970, this is likely the meeting covered by the Richmond Times-Dispatch which took place on April 30, 1970.","TITLE ON REEL:Caplan - Raid; RUNTIME: 00:04:53; DESCRIPTION: Undated police surveillance of unknown business during the daytime. Mostly individuals entering and leaving business. Suspected raid footage.","TITLE ON REEL:Chief - Col. Wright's Ret. Party Police Hdq., Dec. 29, 1967; RUNTIME: 00:03:38; DESCRIPTION: Footage of a retirement celebration for Chief Col. John M. Wright Jr. from the Richmond Police Department. Wright worked in the department from 1920 to 1967. The Wright Family Papers are available via theLibrary of Virginia. An announcement of Wright's retirement ran in the Richmond Times-Dispatch on October 3, 1967. An announcement of this event ran in the Richmond Times-Dispatch on December 30, 1967.","TITLE ON REEL:Chief - Colonel Wright's ret. party at police Hdq., Dec. 29, 1967; RUNTIME: 00:03:54; DESCRIPTION: Footage of a retirement celebration for three individuals from the Richmond Police Department. The only named individual on the reel is Chief Col. John M. Wright Jr., who worked in the department from 1920 to 1967. The Wright Family Papers are available via the Library of Virginia. Two other individuals also appear to be receiving accolades and gifts in the reel. One is Mary P. Phillips, who worked as executive secretary to Chief Wright and his predecessor Chief O.D. Garton. An announcement of their retirements ran in the Richmond Times-Dispatch on October 3, 1967. The second is Detective Sgt. Clifford L. Brown, a homocide investigator. An announcement of this event ran in the Richmond Times-Dispatch on December 30, 1967. Their order of appearance in the footage is Wright, Phillips, Brown.","TITLE ON REEL:Richmond Police, 3-19-34, [Colemans?] + 2501 W. Main St.","TITLE ON REEL:4-12-62, Finished","TITLE ON REEL:[Unidentified #12], Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of former United States of America President Dwight D. Eisenhower visiting the Virginia War Memorial in Richmond on September 14, 1965. Eisenhower was in Virginia supporting the campaign of Linwood Holton for Virginia Governor. During the trip, he spoke to a 6,000 person rally at the South Portico on the Virginia State Capitol grounds, attended a 500 person luncheon at the Hotel John Marshall, and laid a wreathe at the World War II Memorial--now the Virginia War Memorial--with Virginia Adjutant General Major General Paul M. Booth, chairman of the World War II Memorial Commission John J. Wicker Jr., as well as Dr. Louis H. Williams, Robert P. Buford, and Holton and his wife Virginia Harrison \"Jinks\" Rogers Holton (Richmond Times-Dispatch, September 15, 1965).","TITLE ON REEL:1st day at Free University, 9-16-69, III","TITLE ON REEL:[Unknown #2]","TITLE ON REEL:Panther Meeting, Laurel St., Free University, 9-17-69, Police I.D.","TITLE ON REEL:Black Panther Meeting, Free University, IV Free University 2nd Day, 9-17-69, Police I.D","TITLE ON REEL:Lab. Day Caplan Colemans, Richmond Police, 3-19-34","TITLE ON REEL:Georges, 7-13-68; RUNTIME: 00:03:36; DESCRIPTION: George's Place was located at 17 W Grace St.","TITLE ON REEL:Georgies; RUNTIME: 00:03:44","TITLE ON REEL:Georges, 7-13-68; RUNTIME: 00:03:51; DESCRIPTION: George's Place was located at 17 W Grace St.","TITLE ON REEL:Georgio's; RUNTIME: 00:03:36; DESCRIPTION:","TITLE ON REEL:Georgios","TITLE ON REEL:H. Rap Brown, September 15-18, 1967, City Jail- I.D., Bureau Police I.D., #28 (2); RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage of cars parked on streets, police officers at Richmond City Jail, and protestors in front of the jail on September 15, 1967. Individuals protested the jailing of Black power activist H. Rap Brown as he fought extradition to Maryland. Another angle of this footage is available \n via Youtube.","TITLE ON REEL:H. Rap Brown September 15-18, 1967, Post Office- Trial; RUNTIME: 00:03:49; DESCRIPTION: This reel contains footage protestors in front of the Richmond City Jail on September 15, 1967, as well as footage outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from Brown's habeas corpus hearing on September 16, 1967. Individuals protested the jailing of Black power activist H. Rap Brown as he fought extradition to Maryland.","TITLE ON REEL:H. Rap Brown, September 15-18, 1967, Post Office* Trial; RUNTIME: 00:03:43; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's habeas corpus hearing on September 16, 1967.","TITLE ON REEL:February 23, 1968, Friday, Trial of H. Rap Brown, Post office Bldg., Federal Court; (1) #25, H Rap Brown, 2-23-68; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage of individuals approaching, entering, and leaving the courthouse.","TITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown Post Office Bldg., Federal Court; RUNTIME: 00:03:51; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage individuals leaving the courthouse, as well as individuals speaking with the press. It ends with footage following a specific car on the highway.","TITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown, Post Office Bldg., Federal Court., Police I.D. (Burton), 2-23-68; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage of an individual, likely Brown's attorney Charles Mangum, speaking with the press, as well as various individuals gathered at the courthouse after the ruling. It ends with footage following a specific car on the highway.","TITLE ON REEL:[illegible writing on masking tape], 2/23/68; RUNTIME: 00:07:00; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage individuals leaving the courthouse, as well as Brown's attorney William M. Kunstler giving remarks to the press. It ends with footage of Brown leaving the courthouse.; NOTE: This reel has sound.","TITLE ON REEL:Rap Brown trial, April 1968; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.","TITLE ON REEL:Rap Brown's hearing at Main St. Post Office, Eddie Slater, Dianne Sugg, Bruce Smith \u0026 Boy from RAM. 4-8-68; RUNTIME: 00:03:31; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.","TITLE ON REEL:Rap Brown's Hearing at Main Street Post Office, 4-6-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.","TITLE ON REEL:Rap Brown Trial April 1968; RUNTIME: 00:03:59; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.","TITLE ON REEL:Rap Brown's Hearing at Main Street Post Office. 4-8-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse. The end of the footage, the camera follows several cars on a highway and continues to film them while parked. It is likely this is footage from April 11, 1968, when previous SNCC chairman Stokely Carmichael (who later changed his name to Kwame Ture) traveled to Richmond for Brown's hearing on that day. Footage on Reel #13 in this collection matches this footage and is labeled \"Stokely Carmichael and his group at the federal reformatory in Petersbug, VA, 4-11-68\".","TITLE ON REEL:Stokely Carmichael and his group at the federal reformatory, Petersbug, VA, 4-11-68; RUNTIME: 00:03:48; DESCRIPTION: This reel contains footage filmed outside of the Federal Reformatory in Petersburg, VA, on April 11, 1968, where H. Rap Brown was being held after the U.S. 4th Circuit Court of Appeals rejected his bond request. The footage films several cars and individuals in them, including previous SNCC chairman Stokely Carmichael (who later changed his name to Kwame Ture), who traveled to Richmond for Brown's hearing. There is also footage at an unidentified gas station.","TITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown, Post Office Bldg., Federal Court, Police I.D. (Burton)","TITLE ON REEL:8-22-69, Flood Area; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage of flooded areas on the north side of the Mayo Bridge at 14th Street and Dock Street, as well as footage on Main Street at 15th Street.","TITLE ON REEL:Blvd. Bridge during flood, flood area, 8-22-69; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of the James River after Hurricane Camille, filmed from the Boulevard Bridge and perhaps the Mayo Bridge.","TITLE ON REEL:8-22-69, Flood area, Lee Bridge (bad places); RUNTIME: 00:03:45; DESCRIPTION: This reel contains footage of the James River after Hurricane Camille, filmed from the Lee Bridge. There is also footage of Hull Street near the Mayo Bridge.","TITLE ON REEL:Klan Parade, Police I.D.; RUNTIME: 00:04:05; DESCRIPTION: This reel contains footage of individuals participating in a Ku Klux Klan car caravan in the Richmond area. Cars drive down two unidentified streets, with United States of America and/or Confederate flags on their cars. The footage is undated, however it appears that this occurred on July 9, 1967. ; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting and debris in the camera gate, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a \"bleeding\" effect for bright lights.","TITLE ON REEL:Klan parade; RUNTIME: 00:04:46; DESCRIPTION: This reel contains footage of individuals gathered in a parking lot, where two individuals receive and inspect Ku Klux Klan robes. The footage is undated, and appears to be filmed in a parking lot near 521 E. Southside Plaza in Richmond, Virginia. However, it appears that this group was preparing for a march in downtown Richmond and at the Virginia State Capitol grounds reported to have occurred on July 8, 1967. Some group members appear in both reels of the event.; NOTE:","TITLE ON REEL:[Unidentified #9] I, Police I.D.; RUNTIME: 00:04:49; DESCRIPTION: This reel contains footage of individuals wearing Ku Klux Klan robes and hoods (with their faces showing) marching on Broad Street and at the Virginia State Capitol grounds. The footage is undated, however it appears that this occurred on July 8, 1967. Some group members appear in both reels of the event. The final clips of the footage appear to be from the March on the Pentagon on October 21, 1967.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes a camera registration issue, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.","TITLE ON REEL:KKK, 6-11-66; RUNTIME: 00:04:50; DESCRIPTION: This reel contains footage of individuals wearing Ku Klux Klan robes and hoods in an unidentified location on June 11, 1966. The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes a camera registration issue, as well as frames not being properly aligned to perforations, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.","TITLE ON REEL:3 April '71, March Against Opression [sic], Commeration [sic] of M.L. King's Death, scenes along US #1.; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of approximately 100 individuals marching along the roadside of U.S. Route 1 in Virginia (somewhere between Petersburg and Richmond, likely closer to Richmond) on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression in Richmond. The crowd in this part of the march appears to grow as the footage follows them.","TITLE ON REEL:Victory March; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of individuals marching in Richmond, primarily on Franklin Street, on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression at the Virginia State Capitol. The final part of the reel is footage of the crowd on the capitol grounds.","TITLE ON REEL:3 April 71, March Against Opression [sic], Commeration [sic] of Martin L. King's Death, State Capitol \u0026 March from Monroe Park, Police I.D.; RUNTIME: 00:04:35; DESCRIPTION: This reel contains footage of individuals marching in Richmond, primarily on Franklin Street, on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression at the Virginia State Capitol. The final part of the reel is footage of the crowd on the capitol grounds.","TITLE ON REEL:Lincoln Memorial Peace March, Washington, D.C., October 21-22, 1967 #1; RUNTIME: 00:04:07; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of the Lincoln Memorial and around the Reflecting Pool.","TITLE ON REEL:Lincoln Memorial Peace March, Washington, D.C., October 21-22 1967, #2; RUNTIME: 00:03:44; DESCRIPTION: Please note, this footage contains protest signs that include photographs of human corpses. Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd near the Lincoln Memorial and around the Reflecting Pool. It also contains footage of a counter-protest and of speakers at a podium.","TITLE ON REEL:Police I.D.; RUNTIME: 00:04:41; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of Lincoln Memorial. It also contains footage of the crowd marching from the Lincoln Memorial to the Pentagon.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting and a camera registration issue, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout","TITLE ON REEL:Lincoln Memorial March, Wash., D.C., Oct. 21-22, 1967, #3; RUNTIME: 00:03:37; DESCRIPTION: Footage filmed at the Pentagon and Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd in both locations.","TITLE ON REEL:Police I.D.; RUNTIME: 00:04:44; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of Lincoln Memorial. It also contains footage of the crowd marching from the Lincoln Memorial to the Pentagon.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting which leads to footage looking blurry.","TITLE ON REEL:March Wash D.C., Oct. 21-22 1967, Police I.D.; RUNTIME: 00:04:12; DESCRIPTION: Footage filmed at the Pentagon and Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd in both locations.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes the camera gate slipping which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.","TITLE ON REEL:Memorial held for Martin Luther King at State Capitol. 4-7-68; RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.","TITLE ON REEL:Memorial held for Martin Luther King at State Capitol 4-7-68 [2]; RUNTIME: 00:04:12; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.","TITLE ON REEL:Memorial for Martin Luther King held at State Capitol. 4-7-68; RUNTIME: 00:03:27; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.","TITLE ON REEL:Martin Luther King Parade, April 69; RUNTIME: 00:04:45; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals gather in Monroe Park preparing to march in the rain, and then march down what appears to be Broad Street.","TITLE ON REEL:Martin Luther King Memorial March - Apr. 4, 1969; RUNTIME: 00:03:53; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals leave Monroe Park marching in the rain, and then march down what appears to be Broad Street.","TITLE ON REEL:Kings [sic] Memorial; RUNTIME: 00:03:37; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals gather in Monroe Park preparing to march in the rain, and then march down what appears to be Broad Street.","TITLE ON REEL:Martin Luther King Memorial, April 4, 1969; RUNTIME: 00:04:19; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, marchers gather at the steps of the Virginia State Capitol, with some speakers gathering under the portico. Then the crowd disperses.","TITLE ON REEL:Moratorium Day Monroe Park 69; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Individuals gathered for discussion groups, and later on sit and stand while listening to a speaker on a stage in the park.","TITLE ON REEL:Peace March #2, Union Group, 10-15-69; RUNTIME: 00:04:21; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Individuals are seen gathered in the park near the Checkers House. Footage includes several speakers on a stage in the park, demonstrators leaving Monroe Park, and speakers at the Virginia State Capitol Building.","TITLE ON REEL:Moratorium Day, Monroe Park + Capitol, 69, Police I.D.; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes several speakers on a stage in the park, speakers at the Virginia State Capitol Building, and the crowd of demonstrators gathering on the capitol grounds.","TITLE ON REEL:10-15-69, Peace March Monroe Park, City Hall, State Capitol, #3; RUNTIME: 00:04:28; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes several at the Virginia State Capitol Building, the crowd of demonstrators on the capitol grounds, the crowd dispersing from the grounds, a smaller demonstration at Richmond City Hall, the crowd walking down Broad Street, and a small gathering at Monroe Park.","TITLE ON REEL:Moratorium Day, City Hall, 69; RUNTIME: 00:03:44; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes a short clip at the Virginia State Capitol Building, a smaller demonstration at Richmond City Hall and the police dispersal of it, and the crowd walking down Broad Street.","TITLE ON REEL:Anti-school consolidation motorcade to Washington, 24 Feb. 72, Fair Grounds written on film ; RUNTIME: 00:04:23; DESCRIPTION: This reel contains a footage of cars in the February 17, 1972 motorcade from Richmond to Washington D.C. opposing the consolidation of schools for integration. The cars are primarily filmed leaving the State Fairgrounds on Laburnum Avenue. Car license plates are filmed, as well as a uniformed officer and other individuals directing traffic and speaking with one another outside of cars.; NOTE: Although the reel is labeled February 24, 1972, the motorcade from Richmond to Washington, D.C. took place on February 17, 1972.","TITLE ON REEL:Anti-School Consolidation Motorcade to Washington, 24 Feb. 1972, Bureau of Police I.D.; RUNTIME: 00:04:07; DESCRIPTION: This reel contains a footage of cars in the February 17, 1972 motorcade from Richmond to Washington, D.C. opposing the consolidation of schools for integration. The beginning of the reel films the motorcade on the highway to Washington D.C. The rest of the reel films cars in the motorcade turning left at the intersection of Independence Ave SW and 14th Street SW in Washington, D.C.","TITLE ON REEL:Apr. 15 1970, National Priorties [sic] Day; RUNTIME: 00:04:12; DESCRIPTION: This reel contain footage of a crowd of several dozen individuals gathered at the Checkers House in Monroe Park as part of the National Priorities Day event held on April 15, 1970. Several speakers are featured including Jim Elam, Arthur Waskow, David Hawk, and Loretta Johnson. It appears to be raining, with many individuals wearing rain coats and/or carrying umbrellas.","TITLE ON REEL:National Priorities Day - Monroe Park + SHW building, April 15 - 1970; RUNTIME: 00:04:14; DESCRIPTION: This reels contain footage of a crowd of approximately 100 individuals marching from Monroe Park east on Franklin Street, then arriving at a building at 501 N 9th Street and placing a cardboard coffin at the building's entrance. This was part of the National Priorities Day event held on April 15, 1970.","TITLE ON REEL:15 May 70, Anti-Viet Nam in Monroe Park, Police I.D.; RUNTIME: 00:04:05; DESCRIPTION: This reel contains footage of individuals gathering in Monroe Park on May 15, 1970 for a protest against the ongoing war in Vietnam. It begins with footage of individuals gathered in downtown Richmond, it is unclear if this gathering is associated with the rest of the footage. It also contains footage of individuals gathering at the Checkers House in Monroe Park, and the crowd leaving the park.","TITLE ON REEL:#2 Anti Vietnam [sic] - 15 May 70, Leaving Monroe Park + Capitol; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of individuals leaving Monroe Park, marching to on Franklin Street, and at the Bell Tower on the Virginia State Capitol grounds on May 15, 1970 for a protest against the ongoing war in Vietnam.","TITLE ON REEL:MA, 15 May 70, Capitol Square, Anti-Vietnam, Police ID; RUNTIME: 00:04:16; DESCRIPTION: This reel contains footage of individuals gathered at the Bell Tower on the ground of the Virginia State Capitol on May 15, 1970 for a protest against the ongoing war in Vietnam. It features footage of multiple speakers including Loretta F. Johnson, an organizer with the Richmond Welfare Rights Organization.","TITLE ON REEL:National Socialist White People's Party NSWPP visit to Richmond 15 Feb. 72; RUNTIME: 00:04:47; DESCRIPTION: This reel contains police surveillance footage of an American Nazi Party bus in Richmond, brought to the city by Matt Koehl to protest school desegregation busing. There are multiple clips of the bus in Richmond, as well as individuals in Nazi uniforms boarding the bus.","TITLE ON REEL:June 30, 1969, Welfare March; RUNTIME: 00:03:37; DESCRIPTION: Footage from the June 30, 1969 Solidarity Day march and rally in support of increased welfare benefits. This reels contains footage of individuals gathering at the Safety, Health and Welfare Building, marching to the Virginia State Capitol, and individuals preparing for speeches at the capitol.; NOTE:","TITLE ON REEL:Welfare March June 30, 1969; RUNTIME: 00:03:36; DESCRIPTION: Footage from the June 30, 1969 Solidarity Day march and rally in support of increased welfare benefits. This reels contains footage of individuals gathering at the Virginia State Capitol, including multiple individuals speaking into a microphone.","TITLE ON REEL:1 July 70, City Hall Carwile for Mayor; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of individuals, including several children, picketing outside of Richmond City Hall in support of Howard H. Carwile for mayor on July 1, 1970.","TITLE ON REEL:Sunday, May 5, 1968 1100am-600pm, Protest march of VUU students to Monroe Park in protest of the arrest Elliott Hatcher, First part of this film..police court hearing for Elliott Hatcher, Thursday, May 2, 1968 #1; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond Police Court on May 2, 1968, likely showing individuals gathering for Elliott Hatcher's sentencing. It also contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Hatcher. The crowd appears to be made up of majority Black individuals, though individuals of different races are visible throughout.","TITLE ON REEL:Carwile - Prison Pickets #1 - 1st part of Peace March 10-15-69; RUNTIME: 00:04:19; DESCRIPTION: This reel contains footage of protestors at what appears to be Virginia State Penitentiary and the Virginia State Capitol grounds, picketing for prison reform. The dates of these events are unknown. The final clips are of individuals gathering in Monroe Park as part of Moratorium Day held on October 15, 1969.","TITLE ON REEL:Protest march, 1102 E. Main St., Parcel post building, November 9, 1967, SHERA; RUNTIME: 00:03:50; DESCRIPTION: This reel contains footage filmed outside of the Richmond Parcel Post Building at 1102 E. Main St., which also served as the induction center during the Vietnam War. Footage features a group of protestors supporting Dr. James Marvin Shea Jr.'s refusal to accept the draft. Towards the end of the footage, Shea is seen talking to individuals outside, potentially journalists.","TITLE ON REEL:MI85895, TV + Motion Picture 117 E Main, Mi 34444, Mi 37068","TITLE ON REEL:Raid 2501 W. Main [Erkie?] Walker, Va [Hallane C?","TITLE ON REEL:1-30-61, Richmond Police Department 3-19-34","TITLE ON REEL:Dec. 20, 1967 (Wed) 906 W. Broad St.","TITLE ON REEL:Prostitution at 2913 W. Grace St. March 6, 1968; RUNTIME: 00:03:35","TITLE ON REEL:I.D. Div, Bureau of Police","TITLE ON REEL:Cox Barron-Coleman","TITLE ON REEL:Bureau of Police ID Div","TITLE ON REEL:City of Richmond Bureau of Police K449","TITLE ON REEL:Bureau of Police ID Div","TITLE ON REEL:Bureau of Police","TITLE ON REEL:Police ID Jefferson St.","TITLE ON REEL:[Unknown #8] XX;","TITLE ON REEL:Black \u0026 White","TITLE ON REEL:2501 W. Main St","TITLE ON REEL:Caplan, N. Harrison St., Cockey;","TITLE ON REEL:Man w/ dog, Girl coming out of apt., about 5 feet","TITLE ON REEL:Test for Spot Light","TITLE ON REEL:Police Wk. 196[2?]","TITLE ON REEL:Police Week 1962 #1; RUNTIME: 00:04:36; DESCRIPTION: This reel contains footage of multiple demonstrations of police equipment and other events as a part of Richmond Police Week, 14-19, 1962. This footage appears to be of an outdoor display of \"equipment, horses, and dogs\" which occurred May 17-19 from 10AM-4PM on 6th Street between Broad Street and Grace Street (Richmond Times-Dispatch, April 1, 1962).","TITLE ON REEL:Police Week 1965, Show at the school on Fendall Ave.; RUNTIME: 00:14:41; DESCRIPTION: This reel contain footage of a judo demonstration by police officers during Richmond's Police Week beginning May 9, 1965. According to the Richmond Times-Dispatch, members of the \"juvenile, traffic, and patrol divisions, including K-9 and cadet forces\" would be participating in the school programs scheduled for the week (Richmond Times-Dispatch, May 9, 1965). Writing on the reel states that this \"show\" took place at a school on Fendall, likely referring to J. E. B Stuart Elementary (renamed Barack Obama Elementary School in 2018) at 3101 Fendall Ave in Richmond, Virginia.","TITLE ON REEL:Poor People's Campaign June 1968; RUNTIME: 00:04:46; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan likely driving from Norfolk to Richmond, as well as the march gathering in a parking lot. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.; NOTE: The film reel is labeled \"June 1968\" but the Poor People's Campaign 1968 Southern Caravan to Washington D.C. arrived in Richmond on Saturday, May 18, 1968. It is believed that is the date this reel is from.","TITLE ON REEL:Poor Peoples [sic] March, Saturday May 18, 1968, Richmond, Va.; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage likely at the Southside parking lot where the Poor People's Campaign march in Richmond began. Several dozen individuals stand in groups in a large open space, talking and moving about. Several individuals in marshal jackets are seen. There is also a stage and some footage of speakers on the stage, likely from the Southern Christian Leadership Conference (SCLC). The crowd appears to be majority Black, with a significant amount of white marchers also present. All speakers on the stage are Black. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.","TITLE ON REEL:Waverly Eddie","TITLE ON REEL:[Unidentified #10], Police ID; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of the Poor People's Campaign march in Richmond, like the portion where they marched north from Southside over the Robert E. Lee Memorial Bridge. The footage is shot from above, perhaps an overpass, with wide shots of the crowd. The footage is blurry. The crowd appears to be majority Black, with a significant amount of white marchers also present. There is also a significant uniformed police presence on foot, on horseback, and on motorcycles.","TITLE ON REEL:Poor Peoples [sic] March, Saturday, May 18, 1968, North end of Lee Bridge by the War Memorial; RUNTIME: 00:03:53; DESCRIPTION: This reel contains footage of the Poor Peoples Campaign Caravan crossing over the Robert E. Lee Memorial Bridge in Richmond,  likely filmed from the Virginia War Memorial. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.","TITLE ON REEL:Poor Peoples [sic] Campaign, June 1968; RUNTIME: 00:04:20; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan driving through Richmond, Virginia. It also contains footage of individuals in the campaign outside of the Presbyterian School of Christian Education on Brook Road. The march appears to be majority Black, with a significant amount of white marchers also present. Uniformed police officers of various races also appear.; NOTE: The film reel is labeled \"June 1968\" but the Poor People's Campaign 1968 Southern Caravan to Washington D.C. arrived in Richmond on Saturday, May 18, 1968. It is believed that is the date this reel is from.","TITLE ON REEL:Poor Peoples [sic] March, Saturday May 18, 1968, Richmond, Va.; RUNTIME: 00:03:45; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign in Richmond, Virginia. It contains footage of individuals in the campaign on Lombardy Street, as well as individuals and groups diving cars and trucks in what appears to be Richmond. While other reels of this event featured a majority Black crowd, this footage seems to focus on white motorists in costume, potentially students from the Richmond Professional Institute (RPI). Uniformed police officers of various races also appear.","TITLE ON REEL:25 February 73 Richmond Prisoners Solidarity Committee at State Peninteniary [sic]; RUNTIME: 00:03:11; DESCRIPTION: This reel contains footage of a picket organized by the Richmond Prisoners Solidarity Committee (PCS) at the Virginia State Penitentiary, likely on January 21, 1973. Picketers carry signs calling for support of incarcerated individuals, the firing of W.K. Cunningham, and the abolition of \"C-Cell\".; NOTE: Although the reel is labeled February 25, 1973, this is likely the protest covered by the Richmond Times-Dispatch which took place on January 31, 1973.","TITLE ON REEL:May 10, 1968 Friday, RPI students at Byrd Airport Ref. May Day celb. ART / PPC March Sat. 5-18-1968 230PM; RUNTIME: 00:03:50; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan likely driving from Norfolk to Richmond, as well as the march gathering in a parking lot. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.","TITLE ON REEL:Pickets at RPI, 10-20-65, JBF; RUNTIME: 00:04:47; DESCRIPTION: This reel contains footage of a student picket in front of the Richmond Professional Institute (RPI) administration building which took place on October 20, 1965 between 8AM and 9:15AM. Several dozen students picketed with signs supporting three RPI students who had been denied enrollment due to having long hair and beards.","TITLE ON REEL:Sergeants Peppers [sic] Peace March, 5th - 7th / Broad St. and Grace Sts., Dec. 15, 1967 ; RUNTIME: 00:03:36; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 15, 1967. The first sign carried reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The protest was in opposition to the Vietnam War.","TITLE ON REEL:Sgt. Pepper's Peace Parade (Start) Dec-15-1967 / Sergeants Peppers Peace March, Dec. 15-16-18-19, 1967 / Sgt. Peppers [sic] Peace March 12/15-16-18-19/67, #9, City of Rich. Police I.D.; RUNTIME: 00:03:34; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 16, 18, and 19. A sign carried in other footage of this march (see Reels #1 and #3) reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The protest was in opposition to the Vietnam War.","TITLE ON REEL:Sgt. Peppers peace March, Dec. 22-23, 1967; RUNTIME: 00:03:54; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 20, 21, and 23. The first sign carried reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The footage was recorded over a span of a few days, noticeable by changing days on protest signs. The protest was in opposition to the Vietnam War.","TITLE ON REEL:Police I.D.; RUNTIME: 00:04:16; DESCRIPTION: This reel contains footage of an unidentified gathering in front of what appears to be a courthouse, most likely in Richmond, Virginia between 1962 and 1973. If you have any identifying information on this event, please contact VCU Libraries Digital Libraries and Publishing via libcompass@vcu.edu.","TITLE ON REEL:#1 Dec. 17, 1969, VSC students protest - Belvidere + Franklin St.; RUNTIME: 00:03:37; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs","TITLE ON REEL:VSC Students, 12-17-69, Belvidere + Franklin, Police I.D.; RUNTIME: 00:03:38; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.","TITLE ON REEL:12-17-69, Belvidere + Franklin- VSC students protest; RUNTIME: 00:03:52; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.","TITLE ON REEL:12-17-69, VSC Students, Belvidere + Franklin; RUNTIME: 00:04:04; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.","TITLE ON REEL:Dec 17, 1969, at State Capitol, VA State Coll. protest pickets; RUNTIME: 00:03:51; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of protestors marching around the Virginia State Capitol, as well as a smaller group entering the Capitol grounds and building. Marchers wear winter coats and jackets, buttons, and hold signs.","TITLE ON REEL:VSC Students, 12-17-69, at State Capitol, #6, Police I.D.; RUNTIME: 00:03:38; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage Governor Mills E. Godwin Jr. It also features a smaller group of marchers entering the Virginia State Capitol grounds and marching in a picket. Marchers wear winter coats and jackets, buttons, and hold signs. It ends with marchers boarding buses on 9th Street.","TITLE ON REEL:Sunday, May 5 1968 1100am-600pm, Students from VUU protest march for the arrest of Elliott Hatccher [sic] for tresp. on VUU property. VUU to Monroe Park, #2; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as one speaker is featured. The crowd appears to be made up of majority Black individuals, though individuals of different races are visible throughout.","TITLE ON REEL:Sunday, May 5, 1968, 11;00am-600pm, Virginia Union Univeristy [sic] Protest March for Elliott Hatcher Arrest for tresp. on VUU Property, VUU to Monroe Park #3; RUNTIME: 00:03:39; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as individuals preparing to speak are featured.","TITLE ON REEL:Va. Union Students, Hatcher, May 1968; RUNTIME: 00:04:45; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as several speakers are featured.","TITLE ON REEL:Sunday, May 5, 1968 Between the hours 1100AM and 600PM, Virginia Union University protest march from VUU to Monroe Park. Protest of the arrest of Elliott Hatcher. For trespassing on VUU property. Exp. Student... #5; RUNTIME: 00:03:52; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as several speakers are featured.","TITLE ON REEL:Sunday, May 5, 1968, 1100am-600pm, Students protest march for Elliott Natcher from VUU to Monroe Park in symth. of his arrest. #4; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of several speakers is featured.","TITLE ON REEL:Sunday, May 5, 1968, 1100am-600pm, Students protest march for the arrest of Elliot Hatcher fro [sic] tresp. on VUU property....VUU to Monroe Park, #6; RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher, as well as the demonstrators marching from Monroe Park to Virginia Union University.","TITLE ON REEL:VA. Union students, May 5, 1968; RUNTIME: 00:04:45; DESCRIPTION: This reel contains footage filmed in on May 5, 1968, during a protest in support of Elliott Hatcher. Demonstrators march from Monroe Park to Virginia Union University.","TITLE ON REEL:VA. Union students Hatcher, May 5, 1968; RUNTIME: 00:04:20; DESCRIPTION: This reel contains footage filmed at Monroe Park and Virginia Union University on May 5, 1968, during a protest in support of Elliott Hatcher. It also features footage of students delivering a petition to Kate Gilpin Henderson, wife of VUU President Dr. Henderson.","TITLE ON REEL:March to State Capitol from VA Union, #1, from VA Union to Capitol; RUNTIME: 00:04:47; DESCRIPTION: This reel contains footage of some 300 individuals marching from Virginia Union University to the Virginia State Capitol in support of voting rights legislation. Footage is filmed on VUU campus, Lombardy Street, and Broad Street. An object covers the top right corner of the frame throughout most of the footage.","TITLE ON REEL:part of march from Va. Union to State Capital [sic] / Police Week, 1965, Show at school on Fendall by Cain, Police F.D.; RUNTIME: 00:02:43; DESCRIPTION: This reel contains footage of the March 16, 965 voting rights march from Virginia Union University to the Virginia State Capitol, as well as a judo and K-9 demonstration by police officers during Richmond's Police Week beginning May 9, 1965.","TITLE ON REEL:March at State Capitol from VA Union (#2) At Capitol; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of some 500 individuals gathering on the steps of the Virginia State Capitol in support of voting rights legislation. Towards the end of the footage, they appear to pray and sing. An object covers the top right corner of the frame throughout most of the footage.","TITLE ON REEL:Finished 4-2-62, Whisnant","TITLE ON REEL:4-14-62, Whisnant","There are an additional two unprocessed boxes awaiting conservation. These boxes are not yet available for research.","VCU James Branch Cabell Library","Richmond (Va.). Police Department","Duling, Dalton Rotruck \"Ricky\", 1926-2010","English"],"collection_title_tesim":["Richmond Police Department Surveillance collection, 1961/1975"],"collection_ssim":["Richmond Police Department Surveillance collection, 1961/1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 571","/repositories/5/resources/648"],"unitid_tesim":["M 571","/repositories/5/resources/648"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Richmond (Va.). Police Department","Duling, Dalton Rotruck \"Ricky\", 1926-2010"],"creator_ssim":["Richmond (Va.). Police Department","Duling, Dalton Rotruck \"Ricky\", 1926-2010"],"creator_persname_ssim":["Duling, Dalton Rotruck \"Ricky\", 1926-2010"],"creator_corpname_ssim":["VCU James Branch Cabell Library","Richmond (Va.). Police Department"],"creators_ssim":["Duling, Dalton Rotruck \"Ricky\", 1926-2010","VCU James Branch Cabell Library","Richmond (Va.). Police Department"],"acqinfo_ssim":["Virginia Commonwealth University acquired the collection from David Jackson in 2017."],"access_subjects_ssim":["Police patrol -- Surveillance operations -- Virginia -- Richmond","Demonstrations -- Virginia -- Richmond","Protest movements -- Virginia -- Richmond","Video recordings","Sound recordings","Photographs"],"access_subjects_ssm":["Police patrol -- Surveillance operations -- Virginia -- Richmond","Demonstrations -- Virginia -- Richmond","Protest movements -- Virginia -- Richmond","Video recordings","Sound recordings","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["169 Items 156 films and 13 audio reels","9.4 Linear Feet 12 cd boxes, 2 flat file boxes, and 3 document cases."],"extent_tesim":["169 Items 156 films and 13 audio reels","9.4 Linear Feet 12 cd boxes, 2 flat file boxes, and 3 document cases."],"genreform_ssim":["Video recordings","Sound recordings","Photographs"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research with the exception of some of the films and personal information cards. Films of public activities in public spaces, which constitute the majority of the films, are available through the VCU Libraries Digtial Collections. Films where the subjects were unaware they were being recorded are not available online. Those films can only be accessed in the Special Collections reading room at James Branch Cabell Library.  When this is the case, the item will state \"For access to this digital file, please consult Special Collections and Archives staff for assistance.\"\u003c/p\u003e","\u003cp\u003eBox 18, Personal Identification Cards is restricted for privacy reasons. Researchers may be able to access the information in an anonymized way. Please contact VCU SCA for more information\u003c/p\u003e  ","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access restrictions","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research with the exception of some of the films and personal information cards. Films of public activities in public spaces, which constitute the majority of the films, are available through the VCU Libraries Digtial Collections. Films where the subjects were unaware they were being recorded are not available online. Those films can only be accessed in the Special Collections reading room at James Branch Cabell Library.  When this is the case, the item will state \"For access to this digital file, please consult Special Collections and Archives staff for assistance.\"","Box 18, Personal Identification Cards is restricted for privacy reasons. Researchers may be able to access the information in an anonymized way. Please contact VCU SCA for more information","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance."],"altformavail_html_tesm":["\u003cp\u003eAccess copies of the majority of the audio and film reels and the transcripts are available via \u003cextref type=\"simple\" href=\"https://scholarscompass.vcu.edu/rpd_films/\"\u003eVCU Libraries Digital Collections.\u003c/extref\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Access copies of the majority of the audio and film reels and the transcripts are available via VCU Libraries Digital Collections."],"arrangement_html_tesm":["\u003cp\u003eSeries 1: Audio Recordings\u003c/p\u003e\n","\u003cp\u003eSeries 2: Film Recordings\u003c/p\u003e\n","\u003cp\u003eSeries 3: Film and Audio Reels\n\u003c/p\u003e\n","\u003cp\u003eSeries 4: Photographs and Personal Information Cards\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Audio Recordings","Series 2: Film Recordings","Series 3: Film and Audio Reels","Series 4: Photographs and Personal Information Cards"],"bioghist_html_tesm":["\u003cp\u003eDuring the turbulent years of the 1960s and 1970s, the Richmond, VA police department surveilled groups, people, and events they determined to be subversive, counter-cultural, or threatening. Most of the films were taken at public events, with officers filming from the street-level sidelines or even embedded in the event. There are other instances where police are covertly filming people entering private homes or secret events from higher or hidden vantage points. The footage they took are considered general-investigatory, non-evidential, non-permanent records. While it appears the department was primarily focused on the Civil Rights, Black Power, Women's Rights, and Anti-War movements, they also surveilled those involved with the White Power and anti-integration movements.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical Information"],"bioghist_tesim":["During the turbulent years of the 1960s and 1970s, the Richmond, VA police department surveilled groups, people, and events they determined to be subversive, counter-cultural, or threatening. Most of the films were taken at public events, with officers filming from the street-level sidelines or even embedded in the event. There are other instances where police are covertly filming people entering private homes or secret events from higher or hidden vantage points. The footage they took are considered general-investigatory, non-evidential, non-permanent records. While it appears the department was primarily focused on the Civil Rights, Black Power, Women's Rights, and Anti-War movements, they also surveilled those involved with the White Power and anti-integration movements."],"custodhist_html_tesm":["\u003cp\u003eDetective Ricky Duling maintained these materials after retirement. After his death they were given to David Jackson, who transferred them to VCU Libraries.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Detective Ricky Duling maintained these materials after retirement. After his death they were given to David Jackson, who transferred them to VCU Libraries."],"phystech_html_tesm":["\u003cp\u003eThe film and audio reels have been digitzed for use. Digitized files need a computer or other internet-enabled device to access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The film and audio reels have been digitzed for use. Digitized files need a computer or other internet-enabled device to access."],"prefercite_html_tesm":["\u003cp\u003eRichmond Police Surveillance collection, 1961-1975, Collection # M 571, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Richmond Police Surveillance collection, 1961-1975, Collection # M 571, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains film and audio reels pertaining to civil rights and other activities in the 1960s and 1970s in Richmond, Virginia, and surrounding states. These include the H. Rap Brown trial, Lincoln Memorial Peace March, the Martin Luther King memorial at the Virginia State Capitol, Anti-Bussing protests, the Poor People's Campaign, student protest marches, surveillance of the Black Panthers, the Ku Klux Klan (KKK), the National Socialist White People's Party, and illegal abortion providers. There are also reels of police training videos, retirement parties, and the 1969 flood. In addition to the film and audio reels, there are also photographs of many of the events recorded on film reels, as well as Personal Information Cards.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSeries 1: Audio Recordings\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eDigital copies of audio recordings, arranged alphabetically.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 2: Film Recordings\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eDigital copies of film recordings, arranged alphabetically.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 3: Professional Organizations and Service\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eOriginal film and audio reels. Arranged numerically by VCU-assigned reel number. For which digitized reel they correspond to, please contact Special Collections and Archives to see the inventory.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 4: Photographs and Personal Information Cards\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003ePhotographs taken by the Richmond Police documenting protests, marches, \"undesireable\" people, movements, or places, locations, and other events. Unfortunately, these events remain unidentified except by the roll of film number, with no key indicating what the images are of. As such, the photographs are arranged numerically by the police-assigned roll number. \u003c/p\u003e","\u003cp\u003ePersonal Information Cards contain information on individual people being surveilled by police. This can include their address, what they are being surveilled for, and their employment, among other things. They remain in the order in which they were recieved, which is no particular order.\u003c/p\u003e  ","\u003cp\u003eTITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and feb. 16, 1968, #1; RUNTIME: 00:03:52; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and Feb. 16, 1968, #2; RUNTIME: 00:03:46; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan 1968 and Feb. 16 1968, #3; RUNTIME: 00:03:39; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Aboration [sic], 614 W. 31st. St. between last of Jan 1968 and Feb. 16, 1968, #4; RUNTIME: 00:03:53; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. No individuals are shown in this footage\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and Feb. 16, 1968, #5; RUNTIME: 00:03:40; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. No individuals are shown in this footage\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of an American Nazi Party rally in Lafayette Park in Washington, D.C. There is footage of speakers, including John Patler, and panning shots of the crowd.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Det. Burton; RUNTIME: 00:03:10; DESCRIPTION: This real contains footage of a protest in opposition to the Vietnam War in front of the Richmond Federal Building in downtown Richmond on April 29, 1967. About 100 individuals participated in the march. Individuals march holding signs or flowers, wearing business clothing. Several children participate in the march as well. Towards the middle of the reel, there is footage of a pro-war counterprotest of approximately seven individuals.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Bussing Picket- Belvidere St. / Grove Ave. 1100 Block taken 10-14-70; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of several dozen adults and children, all of whom appear to be white, protesting against school desegregation busing in Belvidere Street near the Virginia War Memorial on August 22, 1970. It also contains aerial footage of the Monroe Park area of Richmond filmed on October 14, 1970.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti-Bussing, Skinny Morrisett's Parade, 8-29-70, Police I.D.; RUNTIME: 00:04:00; DESCRIPTION: This reel contains footage of approximately 250 individuals protesting school desegregation via busing in downtown Richmond. This protest appears to be majority white, though there are participants who are people of color, both adults and children. This footage shows demonstrators gathering in Monroe Park, leaving Monroe Park, marching in downtown Richmond, and approaching the Virginia State Capitol grounds.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti-bussing, Skinny Morrisett's parade, 8-29-70; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of approximately 250 individuals protesting school desegregation via busing in downtown Richmond. This protest appears to be majority white, though there are participants who are people of color, both adults and children. This footage shows demonstrators marching at the the Virginia State Capitol grounds, as well as a car protest leaving Skinny's Kitchen in southern Richmond.; NOTE:\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Finished 4-13-62, Anti-Bussing Meeting Mosque Rev. J.B. Book, 8-28-70; RUNTIME: 00:04:33; DESCRIPTION: This reel contains footage of a rally against school desegregation busing organized by Reverend John B. Book of the Southside Christian Church the Mosque (now the Altria Theater) in Richmond, Virginia, held on August 28, 1970. Footage includes Book and several other speakers on the stage. ; NOTE: This footage is in black and white. The reel has the date April 13, 1962, which might indicate that is when the film was started but was not concluded until the second date, August 28, 1970. This may account for why this film is in black and white when most films from this year are in color.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti Draft Protest, 3-19-70 [2]; RUNTIME: 00:04:18; DESCRIPTION: This reel contains footage of the gathering of individuals who will participate in a day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage follows individuals and groups arriving for the picket, walking back and forth in front of the building. Some building workers are seen--potential security and others. The footage is filmed from across the street and above. Towards the end of the video, the individuals preparing the picket notice the camera and gesture toward it. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti Draft Protest, 3-19-70; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others. The footage is filmed from across the street and above. At one point, one of the picketers is detained by a uniformed individual and led away. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators. One Black individual is seen photographing the demonstrators and communicating with another individual filming the picketers.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti Draft Protest, 3-19-70, Rich. Police I.D., 649-4811 [phone number]; RUNTIME: 00:03:53; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others. The footage is filmed from the street and steps of the Station. At one point, one of the picketers is detained by a uniformed individual and led away. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators. One Black individual is seen photographing the demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti draft [sic] protest, 3-19-70; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others.  The footage is filmed from across the street and above. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Antidraft [sic] protest; RUNTIME: 00:04:44; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others.  The footage is filmed from across the street and above. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti Draft [sic] protest 3-19-70; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of approximately 150 individuals gathering for a march from Monroe Park to the Federal Building at 8th and Marshall Streets. Individuals and their signs are visible, then the march begins. The second half of the reel is of individuals from the protest leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti Draft Protest, 3-19-70, Rich Police ID, 649-4811 [phone number]; RUNTIME: 00:03:38; DESCRIPTION: This reel contains footage of several dozen individuals marching to the Federal Building at 8th and Marshall Streets. Individuals and their signs are visible. The last part of the reel shows individuals from the protest leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti Draft protest 3-19-70, Rich. Police I.D., 649-4811 [phone number]; RUNTIME: 00:03:46; DESCRIPTION: This reel contains footage of several dozen individuals leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Klan's A.B.C. protest march of open housing in front of Jefferson Hotel. 4-6-68; RUNTIME: 00:03:46; DESCRIPTION: This reel contains footage of white individuals protesting against a conference on fair housing in front of the Hotel Jefferson in Richmond, Virginia on April 6, 1968. There are approximately ten individuals in the protest.; NOTE: While language on the original reel refers to the \"Klan\", most likely the Ku Klux Klan, there is no information in the reel or in newspaper reporting of the protest that identifies protestors as Klan members. Newspapers at the time referred to the group as segregationists.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Klan's A.B.C., protest march of open housing in front of Jefferson Hotel, short strip of Dianne Sugg. 4-6-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of white individuals protesting against a conference on fair housing in front of the Hotel Jefferson in Richmond, Virginia on April 6, 1968. There are approximately ten individuals in the protest.; NOTE: While language on the original reel refers to the \"Klan\", most likely the Ku Klux Klan, there is no information in the reel or in newspaper reporting of the protest that identifies protestors as Klan members. Newspapers at the time referred to the group as segregationists.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:[Unidentified #11], Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of a daytime anti-Vietnam War picket protest in front of the United States White House held on November 27, 2965. Most individuals appear to be white, though individuals of other races can be seen throughout. Footage focuses on those picketing, with specific emphasis on potential protest coordinators who wear orange armbands. Also included is footage of cars, police officers, and counter-protestors.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Be-In, Monroe Park, 4-  -69 [date missing], Police I.D. (Burton), [Sat.?]; RUNTIME: 00:03:41; DESCRIPTION: This reels contains footage of a crowd of individuals at an event labeled as a \"Be-In\" on the reel in Monroe Park, likely on April 27, 1969. Individuals sit on the grass, listen to a band playing in front of the Checkers House.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:In Park, 9-16-69, 1:30 am, I; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of a press conference in Monroe Park on September 16, 1969. Speaking at the press conference were Bob Lee, field secretary of the Black Panther Party of Illinois, and Bill Fesperman, field secretary of the Young Patriots Organization. The reel contains footage of individuals gathering in Monroe Park, as well as footage of Lee and Fesperman near the fountain with a journalist, and individuals watching the press conference.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Black Panther Headquarters #8 E. Baker Street, 11-25-70, [0?]1005-1335; RUNTIME: 00:04:48; DESCRIPTION: This reel contains police surveillance footage of individuals exiting and entering the Black Panther Party Information Center at 8 E. Baker Street in Richmond, Virginia, on November 25, 1970. The house has a large Black Panther banner on the front porch railing, and an article with the address appeared in the \u003cem\u003eRichmond Times-Dispatch\u003c/em\u003e three days prior to this recording. It appears the BPP members were aware they were being surveilled, although the video is filmed from a distance.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes debris in the camera gate and a camera registration error, which leads to \"jumps\" in footage or multiple frames being seen at once.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:30 April 70, Black Panther Visit to VCU, Ogden, et al; RUNTIME: 00:04:11; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park for what was advertised as a Black Panther Party press conference on April 30, 1970. There is footage filmed in the park, and footage of individuals outside of Rhoads Hall on Franklin Street.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Black Panther meeting Monroe Park 4-29-70 / William and Mary students Induction Center 5-11-1970; RUNTIME: 00:04:08; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park for what was advertised as a Black Panther Party press conference on April 30, 1970. There is also footage of College of William and Mary students picketing the draft at the Richmond Parcel Post Building at 1102 E. Main St., which also served as the induction center during the Vietnam War, on May 11, 1970.; NOTE: Although the reel is labeled April 29, 1970, this is likely the meeting covered by the \u003cemph render=\"italic\"\u003eRichmond Times-Dispatch\u003c/emph\u003e which took place on April 30, 1970.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Caplan - Raid; RUNTIME: 00:04:53; DESCRIPTION: Undated police surveillance of unknown business during the daytime. Mostly individuals entering and leaving business. Suspected raid footage.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Chief - Col. Wright's Ret. Party Police Hdq., Dec. 29, 1967; RUNTIME: 00:03:38; DESCRIPTION: Footage of a retirement celebration for Chief Col. John M. Wright Jr. from the Richmond Police Department. Wright worked in the department from 1920 to 1967. The Wright Family Papers are available via theLibrary of Virginia. An announcement of Wright's retirement ran in the Richmond Times-Dispatch on October 3, 1967. An announcement of this event ran in the Richmond Times-Dispatch on December 30, 1967.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Chief - Colonel Wright's ret. party at police Hdq., Dec. 29, 1967; RUNTIME: 00:03:54; DESCRIPTION: Footage of a retirement celebration for three individuals from the Richmond Police Department. The only named individual on the reel is Chief Col. John M. Wright Jr., who worked in the department from 1920 to 1967. The Wright Family Papers are available via the Library of Virginia. Two other individuals also appear to be receiving accolades and gifts in the reel. One is Mary P. Phillips, who worked as executive secretary to Chief Wright and his predecessor Chief O.D. Garton. An announcement of their retirements ran in the Richmond Times-Dispatch on October 3, 1967. The second is Detective Sgt. Clifford L. Brown, a homocide investigator. An announcement of this event ran in the Richmond Times-Dispatch on December 30, 1967. Their order of appearance in the footage is Wright, Phillips, Brown.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Richmond Police, 3-19-34, [Colemans?] + 2501 W. Main St.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:4-12-62, Finished\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:[Unidentified #12], Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of former United States of America President Dwight D. Eisenhower visiting the Virginia War Memorial in Richmond on September 14, 1965. Eisenhower was in Virginia supporting the campaign of Linwood Holton for Virginia Governor. During the trip, he spoke to a 6,000 person rally at the South Portico on the Virginia State Capitol grounds, attended a 500 person luncheon at the Hotel John Marshall, and laid a wreathe at the World War II Memorial--now the Virginia War Memorial--with Virginia Adjutant General Major General Paul M. Booth, chairman of the World War II Memorial Commission John J. Wicker Jr., as well as Dr. Louis H. Williams, Robert P. Buford, and Holton and his wife Virginia Harrison \"Jinks\" Rogers Holton (\u003cemph render=\"italic\"\u003eRichmond Times-Dispatch\u003c/emph\u003e, September 15, 1965).\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:1st day at Free University, 9-16-69, III\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:[Unknown #2]\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Panther Meeting, Laurel St., Free University, 9-17-69, Police I.D.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Black Panther Meeting, Free University, IV Free University 2nd Day, 9-17-69, Police I.D\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Lab. Day Caplan Colemans, Richmond Police, 3-19-34\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Georges, 7-13-68; RUNTIME: 00:03:36; DESCRIPTION: George's Place was located at 17 W Grace St.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Georgies; RUNTIME: 00:03:44\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Georges, 7-13-68; RUNTIME: 00:03:51; DESCRIPTION: George's Place was located at 17 W Grace St.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Georgio's; RUNTIME: 00:03:36; DESCRIPTION:\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Georgios\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:H. Rap Brown, September 15-18, 1967, City Jail- I.D., Bureau Police I.D., #28 (2); RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage of cars parked on streets, police officers at Richmond City Jail, and protestors in front of the jail on September 15, 1967. Individuals protested the jailing of Black power activist H. Rap Brown as he fought extradition to Maryland. Another angle of this footage is available \n\u003cextref type=\"simple\" href=\"https://www.youtube.com/watch?v=w-mgouibnCs\u0026amp;ab_channel=MSNBC\"\u003e via Youtube.\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:H. Rap Brown September 15-18, 1967, Post Office- Trial; RUNTIME: 00:03:49; DESCRIPTION: This reel contains footage protestors in front of the Richmond City Jail on September 15, 1967, as well as footage outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from Brown's habeas corpus hearing on September 16, 1967. Individuals protested the jailing of Black power activist H. Rap Brown as he fought extradition to Maryland.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:H. Rap Brown, September 15-18, 1967, Post Office* Trial; RUNTIME: 00:03:43; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's habeas corpus hearing on September 16, 1967.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:February 23, 1968, Friday, Trial of H. Rap Brown, Post office Bldg., Federal Court; (1) #25, H Rap Brown, 2-23-68; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage of individuals approaching, entering, and leaving the courthouse.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown Post Office Bldg., Federal Court; RUNTIME: 00:03:51; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage individuals leaving the courthouse, as well as individuals speaking with the press. It ends with footage following a specific car on the highway.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown, Post Office Bldg., Federal Court., Police I.D. (Burton), 2-23-68; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage of an individual, likely Brown's attorney Charles Mangum, speaking with the press, as well as various individuals gathered at the courthouse after the ruling. It ends with footage following a specific car on the highway.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:[illegible writing on masking tape], 2/23/68; RUNTIME: 00:07:00; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage individuals leaving the courthouse, as well as Brown's attorney William M. Kunstler giving remarks to the press. It ends with footage of Brown leaving the courthouse.; NOTE: This reel has sound.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Rap Brown trial, April 1968; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Rap Brown's hearing at Main St. Post Office, Eddie Slater, Dianne Sugg, Bruce Smith \u0026amp; Boy from RAM. 4-8-68; RUNTIME: 00:03:31; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Rap Brown's Hearing at Main Street Post Office, 4-6-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Rap Brown Trial April 1968; RUNTIME: 00:03:59; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Rap Brown's Hearing at Main Street Post Office. 4-8-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse. The end of the footage, the camera follows several cars on a highway and continues to film them while parked. It is likely this is footage from April 11, 1968, when previous SNCC chairman Stokely Carmichael (who later changed his name to Kwame Ture) traveled to Richmond for Brown's hearing on that day. Footage on Reel #13 in this collection matches this footage and is labeled \"Stokely Carmichael and his group at the federal reformatory in Petersbug, VA, 4-11-68\".\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Stokely Carmichael and his group at the federal reformatory, Petersbug, VA, 4-11-68; RUNTIME: 00:03:48; DESCRIPTION: This reel contains footage filmed outside of the Federal Reformatory in Petersburg, VA, on April 11, 1968, where H. Rap Brown was being held after the U.S. 4th Circuit Court of Appeals rejected his bond request. The footage films several cars and individuals in them, including previous SNCC chairman Stokely Carmichael (who later changed his name to Kwame Ture), who traveled to Richmond for Brown's hearing. There is also footage at an unidentified gas station.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown, Post Office Bldg., Federal Court, Police I.D. (Burton)\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:8-22-69, Flood Area; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage of flooded areas on the north side of the Mayo Bridge at 14th Street and Dock Street, as well as footage on Main Street at 15th Street.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Blvd. Bridge during flood, flood area, 8-22-69; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of the James River after Hurricane Camille, filmed from the Boulevard Bridge and perhaps the Mayo Bridge.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:8-22-69, Flood area, Lee Bridge (bad places); RUNTIME: 00:03:45; DESCRIPTION: This reel contains footage of the James River after Hurricane Camille, filmed from the Lee Bridge. There is also footage of Hull Street near the Mayo Bridge.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Klan Parade, Police I.D.; RUNTIME: 00:04:05; DESCRIPTION: This reel contains footage of individuals participating in a Ku Klux Klan car caravan in the Richmond area. Cars drive down two unidentified streets, with United States of America and/or Confederate flags on their cars. The footage is undated, however it appears that this occurred on July 9, 1967. ; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting and debris in the camera gate, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a \"bleeding\" effect for bright lights.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Klan parade; RUNTIME: 00:04:46; DESCRIPTION: This reel contains footage of individuals gathered in a parking lot, where two individuals receive and inspect Ku Klux Klan robes. The footage is undated, and appears to be filmed in a parking lot near 521 E. Southside Plaza in Richmond, Virginia. However, it appears that this group was preparing for a march in downtown Richmond and at the Virginia State Capitol grounds reported to have occurred on July 8, 1967. Some group members appear in both reels of the event.; NOTE:\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:[Unidentified #9] I, Police I.D.; RUNTIME: 00:04:49; DESCRIPTION: This reel contains footage of individuals wearing Ku Klux Klan robes and hoods (with their faces showing) marching on Broad Street and at the Virginia State Capitol grounds. The footage is undated, however it appears that this occurred on July 8, 1967. Some group members appear in both reels of the event. The final clips of the footage appear to be from the March on the Pentagon on October 21, 1967.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes a camera registration issue, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:KKK, 6-11-66; RUNTIME: 00:04:50; DESCRIPTION: This reel contains footage of individuals wearing Ku Klux Klan robes and hoods in an unidentified location on June 11, 1966. The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes a camera registration issue, as well as frames not being properly aligned to perforations, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:3 April '71, March Against Opression [sic], Commeration [sic] of M.L. King's Death, scenes along US #1.; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of approximately 100 individuals marching along the roadside of U.S. Route 1 in Virginia (somewhere between Petersburg and Richmond, likely closer to Richmond) on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression in Richmond. The crowd in this part of the march appears to grow as the footage follows them.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Victory March; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of individuals marching in Richmond, primarily on Franklin Street, on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression at the Virginia State Capitol. The final part of the reel is footage of the crowd on the capitol grounds.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:3 April 71, March Against Opression [sic], Commeration [sic] of Martin L. King's Death, State Capitol \u0026amp; March from Monroe Park, Police I.D.; RUNTIME: 00:04:35; DESCRIPTION: This reel contains footage of individuals marching in Richmond, primarily on Franklin Street, on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression at the Virginia State Capitol. The final part of the reel is footage of the crowd on the capitol grounds.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Lincoln Memorial Peace March, Washington, D.C., October 21-22, 1967 #1; RUNTIME: 00:04:07; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of the Lincoln Memorial and around the Reflecting Pool.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Lincoln Memorial Peace March, Washington, D.C., October 21-22 1967, #2; RUNTIME: 00:03:44; DESCRIPTION: Please note, this footage contains protest signs that include photographs of human corpses. Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd near the Lincoln Memorial and around the Reflecting Pool. It also contains footage of a counter-protest and of speakers at a podium.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Police I.D.; RUNTIME: 00:04:41; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of Lincoln Memorial. It also contains footage of the crowd marching from the Lincoln Memorial to the Pentagon.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting and a camera registration issue, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Lincoln Memorial March, Wash., D.C., Oct. 21-22, 1967, #3; RUNTIME: 00:03:37; DESCRIPTION: Footage filmed at the Pentagon and Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd in both locations.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Police I.D.; RUNTIME: 00:04:44; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of Lincoln Memorial. It also contains footage of the crowd marching from the Lincoln Memorial to the Pentagon.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting which leads to footage looking blurry.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:March Wash D.C., Oct. 21-22 1967, Police I.D.; RUNTIME: 00:04:12; DESCRIPTION: Footage filmed at the Pentagon and Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd in both locations.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes the camera gate slipping which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Memorial held for Martin Luther King at State Capitol. 4-7-68; RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Memorial held for Martin Luther King at State Capitol 4-7-68 [2]; RUNTIME: 00:04:12; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Memorial for Martin Luther King held at State Capitol. 4-7-68; RUNTIME: 00:03:27; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Martin Luther King Parade, April 69; RUNTIME: 00:04:45; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals gather in Monroe Park preparing to march in the rain, and then march down what appears to be Broad Street.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Martin Luther King Memorial March - Apr. 4, 1969; RUNTIME: 00:03:53; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals leave Monroe Park marching in the rain, and then march down what appears to be Broad Street.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Kings [sic] Memorial; RUNTIME: 00:03:37; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals gather in Monroe Park preparing to march in the rain, and then march down what appears to be Broad Street.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Martin Luther King Memorial, April 4, 1969; RUNTIME: 00:04:19; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, marchers gather at the steps of the Virginia State Capitol, with some speakers gathering under the portico. Then the crowd disperses.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Moratorium Day Monroe Park 69; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Individuals gathered for discussion groups, and later on sit and stand while listening to a speaker on a stage in the park.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Peace March #2, Union Group, 10-15-69; RUNTIME: 00:04:21; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Individuals are seen gathered in the park near the Checkers House. Footage includes several speakers on a stage in the park, demonstrators leaving Monroe Park, and speakers at the Virginia State Capitol Building.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Moratorium Day, Monroe Park + Capitol, 69, Police I.D.; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes several speakers on a stage in the park, speakers at the Virginia State Capitol Building, and the crowd of demonstrators gathering on the capitol grounds.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:10-15-69, Peace March Monroe Park, City Hall, State Capitol, #3; RUNTIME: 00:04:28; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes several at the Virginia State Capitol Building, the crowd of demonstrators on the capitol grounds, the crowd dispersing from the grounds, a smaller demonstration at Richmond City Hall, the crowd walking down Broad Street, and a small gathering at Monroe Park.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Moratorium Day, City Hall, 69; RUNTIME: 00:03:44; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes a short clip at the Virginia State Capitol Building, a smaller demonstration at Richmond City Hall and the police dispersal of it, and the crowd walking down Broad Street.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti-school consolidation motorcade to Washington, 24 Feb. 72, Fair Grounds written on film ; RUNTIME: 00:04:23; DESCRIPTION: This reel contains a footage of cars in the February 17, 1972 motorcade from Richmond to Washington D.C. opposing the consolidation of schools for integration. The cars are primarily filmed leaving the State Fairgrounds on Laburnum Avenue. Car license plates are filmed, as well as a uniformed officer and other individuals directing traffic and speaking with one another outside of cars.; NOTE: Although the reel is labeled February 24, 1972, the motorcade from Richmond to Washington, D.C. took place on February 17, 1972.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti-School Consolidation Motorcade to Washington, 24 Feb. 1972, Bureau of Police I.D.; RUNTIME: 00:04:07; DESCRIPTION: This reel contains a footage of cars in the February 17, 1972 motorcade from Richmond to Washington, D.C. opposing the consolidation of schools for integration. The beginning of the reel films the motorcade on the highway to Washington D.C. The rest of the reel films cars in the motorcade turning left at the intersection of Independence Ave SW and 14th Street SW in Washington, D.C.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Apr. 15 1970, National Priorties [sic] Day; RUNTIME: 00:04:12; DESCRIPTION: This reel contain footage of a crowd of several dozen individuals gathered at the Checkers House in Monroe Park as part of the National Priorities Day event held on April 15, 1970. Several speakers are featured including Jim Elam, Arthur Waskow, David Hawk, and Loretta Johnson. It appears to be raining, with many individuals wearing rain coats and/or carrying umbrellas.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:National Priorities Day - Monroe Park + SHW building, April 15 - 1970; RUNTIME: 00:04:14; DESCRIPTION: This reels contain footage of a crowd of approximately 100 individuals marching from Monroe Park east on Franklin Street, then arriving at a building at 501 N 9th Street and placing a cardboard coffin at the building's entrance. This was part of the National Priorities Day event held on April 15, 1970.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:15 May 70, Anti-Viet Nam in Monroe Park, Police I.D.; RUNTIME: 00:04:05; DESCRIPTION: This reel contains footage of individuals gathering in Monroe Park on May 15, 1970 for a protest against the ongoing war in Vietnam. It begins with footage of individuals gathered in downtown Richmond, it is unclear if this gathering is associated with the rest of the footage. It also contains footage of individuals gathering at the Checkers House in Monroe Park, and the crowd leaving the park.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:#2 Anti Vietnam [sic] - 15 May 70, Leaving Monroe Park + Capitol; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of individuals leaving Monroe Park, marching to on Franklin Street, and at the Bell Tower on the Virginia State Capitol grounds on May 15, 1970 for a protest against the ongoing war in Vietnam.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:MA, 15 May 70, Capitol Square, Anti-Vietnam, Police ID; RUNTIME: 00:04:16; DESCRIPTION: This reel contains footage of individuals gathered at the Bell Tower on the ground of the Virginia State Capitol on May 15, 1970 for a protest against the ongoing war in Vietnam. It features footage of multiple speakers including Loretta F. Johnson, an organizer with the Richmond Welfare Rights Organization.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:National Socialist White People's Party NSWPP visit to Richmond 15 Feb. 72; RUNTIME: 00:04:47; DESCRIPTION: This reel contains police surveillance footage of an American Nazi Party bus in Richmond, brought to the city by Matt Koehl to protest school desegregation busing. There are multiple clips of the bus in Richmond, as well as individuals in Nazi uniforms boarding the bus.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:June 30, 1969, Welfare March; RUNTIME: 00:03:37; DESCRIPTION: Footage from the June 30, 1969 Solidarity Day march and rally in support of increased welfare benefits. This reels contains footage of individuals gathering at the Safety, Health and Welfare Building, marching to the Virginia State Capitol, and individuals preparing for speeches at the capitol.; NOTE:\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Welfare March June 30, 1969; RUNTIME: 00:03:36; DESCRIPTION: Footage from the June 30, 1969 Solidarity Day march and rally in support of increased welfare benefits. This reels contains footage of individuals gathering at the Virginia State Capitol, including multiple individuals speaking into a microphone.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:1 July 70, City Hall Carwile for Mayor; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of individuals, including several children, picketing outside of Richmond City Hall in support of Howard H. Carwile for mayor on July 1, 1970.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sunday, May 5, 1968 1100am-600pm, Protest march of VUU students to Monroe Park in protest of the arrest Elliott Hatcher, First part of this film..police court hearing for Elliott Hatcher, Thursday, May 2, 1968 #1; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond Police Court on May 2, 1968, likely showing individuals gathering for Elliott Hatcher's sentencing. It also contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Hatcher. The crowd appears to be made up of majority Black individuals, though individuals of different races are visible throughout.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Carwile - Prison Pickets #1 - 1st part of Peace March 10-15-69; RUNTIME: 00:04:19; DESCRIPTION: This reel contains footage of protestors at what appears to be Virginia State Penitentiary and the Virginia State Capitol grounds, picketing for prison reform. The dates of these events are unknown. The final clips are of individuals gathering in Monroe Park as part of Moratorium Day held on October 15, 1969.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Protest march, 1102 E. Main St., Parcel post building, November 9, 1967, SHERA; RUNTIME: 00:03:50; DESCRIPTION: This reel contains footage filmed outside of the Richmond Parcel Post Building at 1102 E. Main St., which also served as the induction center during the Vietnam War. Footage features a group of protestors supporting Dr. James Marvin Shea Jr.'s refusal to accept the draft. Towards the end of the footage, Shea is seen talking to individuals outside, potentially journalists.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:MI85895, TV + Motion Picture 117 E Main, Mi 34444, Mi 37068\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Raid 2501 W. Main [Erkie?] Walker, Va [Hallane C?\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:1-30-61, Richmond Police Department 3-19-34\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Dec. 20, 1967 (Wed) 906 W. Broad St.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Prostitution at 2913 W. Grace St. March 6, 1968; RUNTIME: 00:03:35\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:I.D. Div, Bureau of Police\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Cox Barron-Coleman\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Bureau of Police ID Div\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:City of Richmond Bureau of Police K449\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Bureau of Police ID Div\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Bureau of Police\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Police ID Jefferson St.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:[Unknown #8] XX;\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Black \u0026amp; White\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:2501 W. Main St\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Caplan, N. Harrison St., Cockey;\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Man w/ dog, Girl coming out of apt., about 5 feet\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Test for Spot Light\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Police Wk. 196[2?]\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Police Week 1962 #1; RUNTIME: 00:04:36; DESCRIPTION: This reel contains footage of multiple demonstrations of police equipment and other events as a part of Richmond Police Week, 14-19, 1962. This footage appears to be of an outdoor display of \"equipment, horses, and dogs\" which occurred May 17-19 from 10AM-4PM on 6th Street between Broad Street and Grace Street (\u003cemph render=\"italic\"\u003eRichmond Times-Dispatch\u003c/emph\u003e, April 1, 1962).\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Police Week 1965, Show at the school on Fendall Ave.; RUNTIME: 00:14:41; DESCRIPTION: This reel contain footage of a judo demonstration by police officers during Richmond's Police Week beginning May 9, 1965. According to the \u003cemph render=\"italic\"\u003eRichmond Times-Dispatch\u003c/emph\u003e, members of the \"juvenile, traffic, and patrol divisions, including K-9 and cadet forces\" would be participating in the school programs scheduled for the week (\u003cemph render=\"italic\"\u003eRichmond Times-Dispatch\u003c/emph\u003e, May 9, 1965). Writing on the reel states that this \"show\" took place at a school on Fendall, likely referring to J. E. B Stuart Elementary (renamed Barack Obama Elementary School in 2018) at 3101 Fendall Ave in Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Poor People's Campaign June 1968; RUNTIME: 00:04:46; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan likely driving from Norfolk to Richmond, as well as the march gathering in a parking lot. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.; NOTE: The film reel is labeled \"June 1968\" but the Poor People's Campaign 1968 Southern Caravan to Washington D.C. arrived in Richmond on Saturday, May 18, 1968. It is believed that is the date this reel is from.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Poor Peoples [sic] March, Saturday May 18, 1968, Richmond, Va.; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage likely at the Southside parking lot where the Poor People's Campaign march in Richmond began. Several dozen individuals stand in groups in a large open space, talking and moving about. Several individuals in marshal jackets are seen. There is also a stage and some footage of speakers on the stage, likely from the Southern Christian Leadership Conference (SCLC). The crowd appears to be majority Black, with a significant amount of white marchers also present. All speakers on the stage are Black. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Waverly Eddie\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:[Unidentified #10], Police ID; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of the Poor People's Campaign march in Richmond, like the portion where they marched north from Southside over the Robert E. Lee Memorial Bridge. The footage is shot from above, perhaps an overpass, with wide shots of the crowd. The footage is blurry. The crowd appears to be majority Black, with a significant amount of white marchers also present. There is also a significant uniformed police presence on foot, on horseback, and on motorcycles.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Poor Peoples [sic] March, Saturday, May 18, 1968, North end of Lee Bridge by the War Memorial; RUNTIME: 00:03:53; DESCRIPTION: This reel contains footage of the Poor Peoples Campaign Caravan crossing over the Robert E. Lee Memorial Bridge in Richmond,  likely filmed from the Virginia War Memorial. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Poor Peoples [sic] Campaign, June 1968; RUNTIME: 00:04:20; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan driving through Richmond, Virginia. It also contains footage of individuals in the campaign outside of the Presbyterian School of Christian Education on Brook Road. The march appears to be majority Black, with a significant amount of white marchers also present. Uniformed police officers of various races also appear.; NOTE: The film reel is labeled \"June 1968\" but the Poor People's Campaign 1968 Southern Caravan to Washington D.C. arrived in Richmond on Saturday, May 18, 1968. It is believed that is the date this reel is from.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Poor Peoples [sic] March, Saturday May 18, 1968, Richmond, Va.; RUNTIME: 00:03:45; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign in Richmond, Virginia. It contains footage of individuals in the campaign on Lombardy Street, as well as individuals and groups diving cars and trucks in what appears to be Richmond. While other reels of this event featured a majority Black crowd, this footage seems to focus on white motorists in costume, potentially students from the Richmond Professional Institute (RPI). Uniformed police officers of various races also appear.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:25 February 73 Richmond Prisoners Solidarity Committee at State Peninteniary [sic]; RUNTIME: 00:03:11; DESCRIPTION: This reel contains footage of a picket organized by the Richmond Prisoners Solidarity Committee (PCS) at the Virginia State Penitentiary, likely on January 21, 1973. Picketers carry signs calling for support of incarcerated individuals, the firing of W.K. Cunningham, and the abolition of \"C-Cell\".; NOTE: Although the reel is labeled February 25, 1973, this is likely the protest covered by the Richmond Times-Dispatch which took place on January 31, 1973.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:May 10, 1968 Friday, RPI students at Byrd Airport Ref. May Day celb. ART / PPC March Sat. 5-18-1968 230PM; RUNTIME: 00:03:50; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan likely driving from Norfolk to Richmond, as well as the march gathering in a parking lot. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Pickets at RPI, 10-20-65, JBF; RUNTIME: 00:04:47; DESCRIPTION: This reel contains footage of a student picket in front of the Richmond Professional Institute (RPI) administration building which took place on October 20, 1965 between 8AM and 9:15AM. Several dozen students picketed with signs supporting three RPI students who had been denied enrollment due to having long hair and beards.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sergeants Peppers [sic] Peace March, 5th - 7th / Broad St. and Grace Sts., Dec. 15, 1967 ; RUNTIME: 00:03:36; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 15, 1967. The first sign carried reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The protest was in opposition to the Vietnam War.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sgt. Pepper's Peace Parade (Start) Dec-15-1967 / Sergeants Peppers Peace March, Dec. 15-16-18-19, 1967 / Sgt. Peppers [sic] Peace March 12/15-16-18-19/67, #9, City of Rich. Police I.D.; RUNTIME: 00:03:34; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 16, 18, and 19. A sign carried in other footage of this march (see Reels #1 and #3) reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The protest was in opposition to the Vietnam War.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sgt. Peppers peace March, Dec. 22-23, 1967; RUNTIME: 00:03:54; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 20, 21, and 23. The first sign carried reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The footage was recorded over a span of a few days, noticeable by changing days on protest signs. The protest was in opposition to the Vietnam War.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Police I.D.; RUNTIME: 00:04:16; DESCRIPTION: This reel contains footage of an unidentified gathering in front of what appears to be a courthouse, most likely in Richmond, Virginia between 1962 and 1973. If you have any identifying information on this event, please contact VCU Libraries Digital Libraries and Publishing via libcompass@vcu.edu.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:#1 Dec. 17, 1969, VSC students protest - Belvidere + Franklin St.; RUNTIME: 00:03:37; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:VSC Students, 12-17-69, Belvidere + Franklin, Police I.D.; RUNTIME: 00:03:38; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:12-17-69, Belvidere + Franklin- VSC students protest; RUNTIME: 00:03:52; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:12-17-69, VSC Students, Belvidere + Franklin; RUNTIME: 00:04:04; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Dec 17, 1969, at State Capitol, VA State Coll. protest pickets; RUNTIME: 00:03:51; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of protestors marching around the Virginia State Capitol, as well as a smaller group entering the Capitol grounds and building. Marchers wear winter coats and jackets, buttons, and hold signs.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:VSC Students, 12-17-69, at State Capitol, #6, Police I.D.; RUNTIME: 00:03:38; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage Governor Mills E. Godwin Jr. It also features a smaller group of marchers entering the Virginia State Capitol grounds and marching in a picket. Marchers wear winter coats and jackets, buttons, and hold signs. It ends with marchers boarding buses on 9th Street.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sunday, May 5 1968 1100am-600pm, Students from VUU protest march for the arrest of Elliott Hatccher [sic] for tresp. on VUU property. VUU to Monroe Park, #2; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as one speaker is featured. The crowd appears to be made up of majority Black individuals, though individuals of different races are visible throughout.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sunday, May 5, 1968, 11;00am-600pm, Virginia Union Univeristy [sic] Protest March for Elliott Hatcher Arrest for tresp. on VUU Property, VUU to Monroe Park #3; RUNTIME: 00:03:39; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as individuals preparing to speak are featured.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Va. Union Students, Hatcher, May 1968; RUNTIME: 00:04:45; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as several speakers are featured.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sunday, May 5, 1968 Between the hours 1100AM and 600PM, Virginia Union University protest march from VUU to Monroe Park. Protest of the arrest of Elliott Hatcher. For trespassing on VUU property. Exp. Student... #5; RUNTIME: 00:03:52; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as several speakers are featured.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sunday, May 5, 1968, 1100am-600pm, Students protest march for Elliott Natcher from VUU to Monroe Park in symth. of his arrest. #4; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of several speakers is featured.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sunday, May 5, 1968, 1100am-600pm, Students protest march for the arrest of Elliot Hatcher fro [sic] tresp. on VUU property....VUU to Monroe Park, #6; RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher, as well as the demonstrators marching from Monroe Park to Virginia Union University.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:VA. Union students, May 5, 1968; RUNTIME: 00:04:45; DESCRIPTION: This reel contains footage filmed in on May 5, 1968, during a protest in support of Elliott Hatcher. Demonstrators march from Monroe Park to Virginia Union University.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:VA. Union students Hatcher, May 5, 1968; RUNTIME: 00:04:20; DESCRIPTION: This reel contains footage filmed at Monroe Park and Virginia Union University on May 5, 1968, during a protest in support of Elliott Hatcher. It also features footage of students delivering a petition to Kate Gilpin Henderson, wife of VUU President Dr. Henderson.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:March to State Capitol from VA Union, #1, from VA Union to Capitol; RUNTIME: 00:04:47; DESCRIPTION: This reel contains footage of some 300 individuals marching from Virginia Union University to the Virginia State Capitol in support of voting rights legislation. Footage is filmed on VUU campus, Lombardy Street, and Broad Street. An object covers the top right corner of the frame throughout most of the footage.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:part of march from Va. Union to State Capital [sic] / Police Week, 1965, Show at school on Fendall by Cain, Police F.D.; RUNTIME: 00:02:43; DESCRIPTION: This reel contains footage of the March 16, 965 voting rights march from Virginia Union University to the Virginia State Capitol, as well as a judo and K-9 demonstration by police officers during Richmond's Police Week beginning May 9, 1965.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:March at State Capitol from VA Union (#2) At Capitol; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of some 500 individuals gathering on the steps of the Virginia State Capitol in support of voting rights legislation. Towards the end of the footage, they appear to pray and sing. An object covers the top right corner of the frame throughout most of the footage.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Finished 4-2-62, Whisnant\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:4-14-62, Whisnant\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains film and audio reels pertaining to civil rights and other activities in the 1960s and 1970s in Richmond, Virginia, and surrounding states. These include the H. Rap Brown trial, Lincoln Memorial Peace March, the Martin Luther King memorial at the Virginia State Capitol, Anti-Bussing protests, the Poor People's Campaign, student protest marches, surveillance of the Black Panthers, the Ku Klux Klan (KKK), the National Socialist White People's Party, and illegal abortion providers. There are also reels of police training videos, retirement parties, and the 1969 flood. In addition to the film and audio reels, there are also photographs of many of the events recorded on film reels, as well as Personal Information Cards.","Series 1: Audio Recordings","Digital copies of audio recordings, arranged alphabetically.","Series 2: Film Recordings","Digital copies of film recordings, arranged alphabetically.","Series 3: Professional Organizations and Service","Original film and audio reels. Arranged numerically by VCU-assigned reel number. For which digitized reel they correspond to, please contact Special Collections and Archives to see the inventory.","Series 4: Photographs and Personal Information Cards","Photographs taken by the Richmond Police documenting protests, marches, \"undesireable\" people, movements, or places, locations, and other events. Unfortunately, these events remain unidentified except by the roll of film number, with no key indicating what the images are of. As such, the photographs are arranged numerically by the police-assigned roll number.","Personal Information Cards contain information on individual people being surveilled by police. This can include their address, what they are being surveilled for, and their employment, among other things. They remain in the order in which they were recieved, which is no particular order.","TITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and feb. 16, 1968, #1; RUNTIME: 00:03:52; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage.","TITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and Feb. 16, 1968, #2; RUNTIME: 00:03:46; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage","TITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan 1968 and Feb. 16 1968, #3; RUNTIME: 00:03:39; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage.","TITLE ON REEL:Aboration [sic], 614 W. 31st. St. between last of Jan 1968 and Feb. 16, 1968, #4; RUNTIME: 00:03:53; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. No individuals are shown in this footage","TITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and Feb. 16, 1968, #5; RUNTIME: 00:03:40; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. No individuals are shown in this footage","TITLE ON REEL:Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of an American Nazi Party rally in Lafayette Park in Washington, D.C. There is footage of speakers, including John Patler, and panning shots of the crowd.","TITLE ON REEL:Det. Burton; RUNTIME: 00:03:10; DESCRIPTION: This real contains footage of a protest in opposition to the Vietnam War in front of the Richmond Federal Building in downtown Richmond on April 29, 1967. About 100 individuals participated in the march. Individuals march holding signs or flowers, wearing business clothing. Several children participate in the march as well. Towards the middle of the reel, there is footage of a pro-war counterprotest of approximately seven individuals.","TITLE ON REEL:Bussing Picket- Belvidere St. / Grove Ave. 1100 Block taken 10-14-70; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of several dozen adults and children, all of whom appear to be white, protesting against school desegregation busing in Belvidere Street near the Virginia War Memorial on August 22, 1970. It also contains aerial footage of the Monroe Park area of Richmond filmed on October 14, 1970.","TITLE ON REEL:Anti-Bussing, Skinny Morrisett's Parade, 8-29-70, Police I.D.; RUNTIME: 00:04:00; DESCRIPTION: This reel contains footage of approximately 250 individuals protesting school desegregation via busing in downtown Richmond. This protest appears to be majority white, though there are participants who are people of color, both adults and children. This footage shows demonstrators gathering in Monroe Park, leaving Monroe Park, marching in downtown Richmond, and approaching the Virginia State Capitol grounds.","TITLE ON REEL:Anti-bussing, Skinny Morrisett's parade, 8-29-70; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of approximately 250 individuals protesting school desegregation via busing in downtown Richmond. This protest appears to be majority white, though there are participants who are people of color, both adults and children. This footage shows demonstrators marching at the the Virginia State Capitol grounds, as well as a car protest leaving Skinny's Kitchen in southern Richmond.; NOTE:","TITLE ON REEL:Finished 4-13-62, Anti-Bussing Meeting Mosque Rev. J.B. Book, 8-28-70; RUNTIME: 00:04:33; DESCRIPTION: This reel contains footage of a rally against school desegregation busing organized by Reverend John B. Book of the Southside Christian Church the Mosque (now the Altria Theater) in Richmond, Virginia, held on August 28, 1970. Footage includes Book and several other speakers on the stage. ; NOTE: This footage is in black and white. The reel has the date April 13, 1962, which might indicate that is when the film was started but was not concluded until the second date, August 28, 1970. This may account for why this film is in black and white when most films from this year are in color.","TITLE ON REEL:Anti Draft Protest, 3-19-70 [2]; RUNTIME: 00:04:18; DESCRIPTION: This reel contains footage of the gathering of individuals who will participate in a day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage follows individuals and groups arriving for the picket, walking back and forth in front of the building. Some building workers are seen--potential security and others. The footage is filmed from across the street and above. Towards the end of the video, the individuals preparing the picket notice the camera and gesture toward it. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft Protest, 3-19-70; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others. The footage is filmed from across the street and above. At one point, one of the picketers is detained by a uniformed individual and led away. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators. One Black individual is seen photographing the demonstrators and communicating with another individual filming the picketers.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft Protest, 3-19-70, Rich. Police I.D., 649-4811 [phone number]; RUNTIME: 00:03:53; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others. The footage is filmed from the street and steps of the Station. At one point, one of the picketers is detained by a uniformed individual and led away. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators. One Black individual is seen photographing the demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti draft [sic] protest, 3-19-70; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others.  The footage is filmed from across the street and above. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Antidraft [sic] protest; RUNTIME: 00:04:44; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others.  The footage is filmed from across the street and above. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft [sic] protest 3-19-70; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of approximately 150 individuals gathering for a march from Monroe Park to the Federal Building at 8th and Marshall Streets. Individuals and their signs are visible, then the march begins. The second half of the reel is of individuals from the protest leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft Protest, 3-19-70, Rich Police ID, 649-4811 [phone number]; RUNTIME: 00:03:38; DESCRIPTION: This reel contains footage of several dozen individuals marching to the Federal Building at 8th and Marshall Streets. Individuals and their signs are visible. The last part of the reel shows individuals from the protest leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft protest 3-19-70, Rich. Police I.D., 649-4811 [phone number]; RUNTIME: 00:03:46; DESCRIPTION: This reel contains footage of several dozen individuals leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Klan's A.B.C. protest march of open housing in front of Jefferson Hotel. 4-6-68; RUNTIME: 00:03:46; DESCRIPTION: This reel contains footage of white individuals protesting against a conference on fair housing in front of the Hotel Jefferson in Richmond, Virginia on April 6, 1968. There are approximately ten individuals in the protest.; NOTE: While language on the original reel refers to the \"Klan\", most likely the Ku Klux Klan, there is no information in the reel or in newspaper reporting of the protest that identifies protestors as Klan members. Newspapers at the time referred to the group as segregationists.","TITLE ON REEL:Klan's A.B.C., protest march of open housing in front of Jefferson Hotel, short strip of Dianne Sugg. 4-6-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of white individuals protesting against a conference on fair housing in front of the Hotel Jefferson in Richmond, Virginia on April 6, 1968. There are approximately ten individuals in the protest.; NOTE: While language on the original reel refers to the \"Klan\", most likely the Ku Klux Klan, there is no information in the reel or in newspaper reporting of the protest that identifies protestors as Klan members. Newspapers at the time referred to the group as segregationists.","TITLE ON REEL:[Unidentified #11], Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of a daytime anti-Vietnam War picket protest in front of the United States White House held on November 27, 2965. Most individuals appear to be white, though individuals of other races can be seen throughout. Footage focuses on those picketing, with specific emphasis on potential protest coordinators who wear orange armbands. Also included is footage of cars, police officers, and counter-protestors.","TITLE ON REEL:Be-In, Monroe Park, 4-  -69 [date missing], Police I.D. (Burton), [Sat.?]; RUNTIME: 00:03:41; DESCRIPTION: This reels contains footage of a crowd of individuals at an event labeled as a \"Be-In\" on the reel in Monroe Park, likely on April 27, 1969. Individuals sit on the grass, listen to a band playing in front of the Checkers House.","TITLE ON REEL:In Park, 9-16-69, 1:30 am, I; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of a press conference in Monroe Park on September 16, 1969. Speaking at the press conference were Bob Lee, field secretary of the Black Panther Party of Illinois, and Bill Fesperman, field secretary of the Young Patriots Organization. The reel contains footage of individuals gathering in Monroe Park, as well as footage of Lee and Fesperman near the fountain with a journalist, and individuals watching the press conference.","TITLE ON REEL:Black Panther Headquarters #8 E. Baker Street, 11-25-70, [0?]1005-1335; RUNTIME: 00:04:48; DESCRIPTION: This reel contains police surveillance footage of individuals exiting and entering the Black Panther Party Information Center at 8 E. Baker Street in Richmond, Virginia, on November 25, 1970. The house has a large Black Panther banner on the front porch railing, and an article with the address appeared in the Richmond Times-Dispatch three days prior to this recording. It appears the BPP members were aware they were being surveilled, although the video is filmed from a distance.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes debris in the camera gate and a camera registration error, which leads to \"jumps\" in footage or multiple frames being seen at once.","TITLE ON REEL:30 April 70, Black Panther Visit to VCU, Ogden, et al; RUNTIME: 00:04:11; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park for what was advertised as a Black Panther Party press conference on April 30, 1970. There is footage filmed in the park, and footage of individuals outside of Rhoads Hall on Franklin Street.","TITLE ON REEL:Black Panther meeting Monroe Park 4-29-70 / William and Mary students Induction Center 5-11-1970; RUNTIME: 00:04:08; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park for what was advertised as a Black Panther Party press conference on April 30, 1970. There is also footage of College of William and Mary students picketing the draft at the Richmond Parcel Post Building at 1102 E. Main St., which also served as the induction center during the Vietnam War, on May 11, 1970.; NOTE: Although the reel is labeled April 29, 1970, this is likely the meeting covered by the Richmond Times-Dispatch which took place on April 30, 1970.","TITLE ON REEL:Caplan - Raid; RUNTIME: 00:04:53; DESCRIPTION: Undated police surveillance of unknown business during the daytime. Mostly individuals entering and leaving business. Suspected raid footage.","TITLE ON REEL:Chief - Col. Wright's Ret. Party Police Hdq., Dec. 29, 1967; RUNTIME: 00:03:38; DESCRIPTION: Footage of a retirement celebration for Chief Col. John M. Wright Jr. from the Richmond Police Department. Wright worked in the department from 1920 to 1967. The Wright Family Papers are available via theLibrary of Virginia. An announcement of Wright's retirement ran in the Richmond Times-Dispatch on October 3, 1967. An announcement of this event ran in the Richmond Times-Dispatch on December 30, 1967.","TITLE ON REEL:Chief - Colonel Wright's ret. party at police Hdq., Dec. 29, 1967; RUNTIME: 00:03:54; DESCRIPTION: Footage of a retirement celebration for three individuals from the Richmond Police Department. The only named individual on the reel is Chief Col. John M. Wright Jr., who worked in the department from 1920 to 1967. The Wright Family Papers are available via the Library of Virginia. Two other individuals also appear to be receiving accolades and gifts in the reel. One is Mary P. Phillips, who worked as executive secretary to Chief Wright and his predecessor Chief O.D. Garton. An announcement of their retirements ran in the Richmond Times-Dispatch on October 3, 1967. The second is Detective Sgt. Clifford L. Brown, a homocide investigator. An announcement of this event ran in the Richmond Times-Dispatch on December 30, 1967. Their order of appearance in the footage is Wright, Phillips, Brown.","TITLE ON REEL:Richmond Police, 3-19-34, [Colemans?] + 2501 W. Main St.","TITLE ON REEL:4-12-62, Finished","TITLE ON REEL:[Unidentified #12], Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of former United States of America President Dwight D. Eisenhower visiting the Virginia War Memorial in Richmond on September 14, 1965. Eisenhower was in Virginia supporting the campaign of Linwood Holton for Virginia Governor. During the trip, he spoke to a 6,000 person rally at the South Portico on the Virginia State Capitol grounds, attended a 500 person luncheon at the Hotel John Marshall, and laid a wreathe at the World War II Memorial--now the Virginia War Memorial--with Virginia Adjutant General Major General Paul M. Booth, chairman of the World War II Memorial Commission John J. Wicker Jr., as well as Dr. Louis H. Williams, Robert P. Buford, and Holton and his wife Virginia Harrison \"Jinks\" Rogers Holton (Richmond Times-Dispatch, September 15, 1965).","TITLE ON REEL:1st day at Free University, 9-16-69, III","TITLE ON REEL:[Unknown #2]","TITLE ON REEL:Panther Meeting, Laurel St., Free University, 9-17-69, Police I.D.","TITLE ON REEL:Black Panther Meeting, Free University, IV Free University 2nd Day, 9-17-69, Police I.D","TITLE ON REEL:Lab. Day Caplan Colemans, Richmond Police, 3-19-34","TITLE ON REEL:Georges, 7-13-68; RUNTIME: 00:03:36; DESCRIPTION: George's Place was located at 17 W Grace St.","TITLE ON REEL:Georgies; RUNTIME: 00:03:44","TITLE ON REEL:Georges, 7-13-68; RUNTIME: 00:03:51; DESCRIPTION: George's Place was located at 17 W Grace St.","TITLE ON REEL:Georgio's; RUNTIME: 00:03:36; DESCRIPTION:","TITLE ON REEL:Georgios","TITLE ON REEL:H. Rap Brown, September 15-18, 1967, City Jail- I.D., Bureau Police I.D., #28 (2); RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage of cars parked on streets, police officers at Richmond City Jail, and protestors in front of the jail on September 15, 1967. Individuals protested the jailing of Black power activist H. Rap Brown as he fought extradition to Maryland. Another angle of this footage is available \n via Youtube.","TITLE ON REEL:H. Rap Brown September 15-18, 1967, Post Office- Trial; RUNTIME: 00:03:49; DESCRIPTION: This reel contains footage protestors in front of the Richmond City Jail on September 15, 1967, as well as footage outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from Brown's habeas corpus hearing on September 16, 1967. Individuals protested the jailing of Black power activist H. Rap Brown as he fought extradition to Maryland.","TITLE ON REEL:H. Rap Brown, September 15-18, 1967, Post Office* Trial; RUNTIME: 00:03:43; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's habeas corpus hearing on September 16, 1967.","TITLE ON REEL:February 23, 1968, Friday, Trial of H. Rap Brown, Post office Bldg., Federal Court; (1) #25, H Rap Brown, 2-23-68; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage of individuals approaching, entering, and leaving the courthouse.","TITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown Post Office Bldg., Federal Court; RUNTIME: 00:03:51; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage individuals leaving the courthouse, as well as individuals speaking with the press. It ends with footage following a specific car on the highway.","TITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown, Post Office Bldg., Federal Court., Police I.D. (Burton), 2-23-68; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage of an individual, likely Brown's attorney Charles Mangum, speaking with the press, as well as various individuals gathered at the courthouse after the ruling. It ends with footage following a specific car on the highway.","TITLE ON REEL:[illegible writing on masking tape], 2/23/68; RUNTIME: 00:07:00; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage individuals leaving the courthouse, as well as Brown's attorney William M. Kunstler giving remarks to the press. It ends with footage of Brown leaving the courthouse.; NOTE: This reel has sound.","TITLE ON REEL:Rap Brown trial, April 1968; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.","TITLE ON REEL:Rap Brown's hearing at Main St. Post Office, Eddie Slater, Dianne Sugg, Bruce Smith \u0026 Boy from RAM. 4-8-68; RUNTIME: 00:03:31; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.","TITLE ON REEL:Rap Brown's Hearing at Main Street Post Office, 4-6-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.","TITLE ON REEL:Rap Brown Trial April 1968; RUNTIME: 00:03:59; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.","TITLE ON REEL:Rap Brown's Hearing at Main Street Post Office. 4-8-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse. The end of the footage, the camera follows several cars on a highway and continues to film them while parked. It is likely this is footage from April 11, 1968, when previous SNCC chairman Stokely Carmichael (who later changed his name to Kwame Ture) traveled to Richmond for Brown's hearing on that day. Footage on Reel #13 in this collection matches this footage and is labeled \"Stokely Carmichael and his group at the federal reformatory in Petersbug, VA, 4-11-68\".","TITLE ON REEL:Stokely Carmichael and his group at the federal reformatory, Petersbug, VA, 4-11-68; RUNTIME: 00:03:48; DESCRIPTION: This reel contains footage filmed outside of the Federal Reformatory in Petersburg, VA, on April 11, 1968, where H. Rap Brown was being held after the U.S. 4th Circuit Court of Appeals rejected his bond request. The footage films several cars and individuals in them, including previous SNCC chairman Stokely Carmichael (who later changed his name to Kwame Ture), who traveled to Richmond for Brown's hearing. There is also footage at an unidentified gas station.","TITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown, Post Office Bldg., Federal Court, Police I.D. (Burton)","TITLE ON REEL:8-22-69, Flood Area; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage of flooded areas on the north side of the Mayo Bridge at 14th Street and Dock Street, as well as footage on Main Street at 15th Street.","TITLE ON REEL:Blvd. Bridge during flood, flood area, 8-22-69; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of the James River after Hurricane Camille, filmed from the Boulevard Bridge and perhaps the Mayo Bridge.","TITLE ON REEL:8-22-69, Flood area, Lee Bridge (bad places); RUNTIME: 00:03:45; DESCRIPTION: This reel contains footage of the James River after Hurricane Camille, filmed from the Lee Bridge. There is also footage of Hull Street near the Mayo Bridge.","TITLE ON REEL:Klan Parade, Police I.D.; RUNTIME: 00:04:05; DESCRIPTION: This reel contains footage of individuals participating in a Ku Klux Klan car caravan in the Richmond area. Cars drive down two unidentified streets, with United States of America and/or Confederate flags on their cars. The footage is undated, however it appears that this occurred on July 9, 1967. ; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting and debris in the camera gate, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a \"bleeding\" effect for bright lights.","TITLE ON REEL:Klan parade; RUNTIME: 00:04:46; DESCRIPTION: This reel contains footage of individuals gathered in a parking lot, where two individuals receive and inspect Ku Klux Klan robes. The footage is undated, and appears to be filmed in a parking lot near 521 E. Southside Plaza in Richmond, Virginia. However, it appears that this group was preparing for a march in downtown Richmond and at the Virginia State Capitol grounds reported to have occurred on July 8, 1967. Some group members appear in both reels of the event.; NOTE:","TITLE ON REEL:[Unidentified #9] I, Police I.D.; RUNTIME: 00:04:49; DESCRIPTION: This reel contains footage of individuals wearing Ku Klux Klan robes and hoods (with their faces showing) marching on Broad Street and at the Virginia State Capitol grounds. The footage is undated, however it appears that this occurred on July 8, 1967. Some group members appear in both reels of the event. The final clips of the footage appear to be from the March on the Pentagon on October 21, 1967.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes a camera registration issue, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.","TITLE ON REEL:KKK, 6-11-66; RUNTIME: 00:04:50; DESCRIPTION: This reel contains footage of individuals wearing Ku Klux Klan robes and hoods in an unidentified location on June 11, 1966. The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes a camera registration issue, as well as frames not being properly aligned to perforations, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.","TITLE ON REEL:3 April '71, March Against Opression [sic], Commeration [sic] of M.L. King's Death, scenes along US #1.; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of approximately 100 individuals marching along the roadside of U.S. Route 1 in Virginia (somewhere between Petersburg and Richmond, likely closer to Richmond) on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression in Richmond. The crowd in this part of the march appears to grow as the footage follows them.","TITLE ON REEL:Victory March; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of individuals marching in Richmond, primarily on Franklin Street, on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression at the Virginia State Capitol. The final part of the reel is footage of the crowd on the capitol grounds.","TITLE ON REEL:3 April 71, March Against Opression [sic], Commeration [sic] of Martin L. King's Death, State Capitol \u0026 March from Monroe Park, Police I.D.; RUNTIME: 00:04:35; DESCRIPTION: This reel contains footage of individuals marching in Richmond, primarily on Franklin Street, on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression at the Virginia State Capitol. The final part of the reel is footage of the crowd on the capitol grounds.","TITLE ON REEL:Lincoln Memorial Peace March, Washington, D.C., October 21-22, 1967 #1; RUNTIME: 00:04:07; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of the Lincoln Memorial and around the Reflecting Pool.","TITLE ON REEL:Lincoln Memorial Peace March, Washington, D.C., October 21-22 1967, #2; RUNTIME: 00:03:44; DESCRIPTION: Please note, this footage contains protest signs that include photographs of human corpses. Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd near the Lincoln Memorial and around the Reflecting Pool. It also contains footage of a counter-protest and of speakers at a podium.","TITLE ON REEL:Police I.D.; RUNTIME: 00:04:41; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of Lincoln Memorial. It also contains footage of the crowd marching from the Lincoln Memorial to the Pentagon.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting and a camera registration issue, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout","TITLE ON REEL:Lincoln Memorial March, Wash., D.C., Oct. 21-22, 1967, #3; RUNTIME: 00:03:37; DESCRIPTION: Footage filmed at the Pentagon and Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd in both locations.","TITLE ON REEL:Police I.D.; RUNTIME: 00:04:44; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of Lincoln Memorial. It also contains footage of the crowd marching from the Lincoln Memorial to the Pentagon.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting which leads to footage looking blurry.","TITLE ON REEL:March Wash D.C., Oct. 21-22 1967, Police I.D.; RUNTIME: 00:04:12; DESCRIPTION: Footage filmed at the Pentagon and Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd in both locations.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes the camera gate slipping which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.","TITLE ON REEL:Memorial held for Martin Luther King at State Capitol. 4-7-68; RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.","TITLE ON REEL:Memorial held for Martin Luther King at State Capitol 4-7-68 [2]; RUNTIME: 00:04:12; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.","TITLE ON REEL:Memorial for Martin Luther King held at State Capitol. 4-7-68; RUNTIME: 00:03:27; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.","TITLE ON REEL:Martin Luther King Parade, April 69; RUNTIME: 00:04:45; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals gather in Monroe Park preparing to march in the rain, and then march down what appears to be Broad Street.","TITLE ON REEL:Martin Luther King Memorial March - Apr. 4, 1969; RUNTIME: 00:03:53; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals leave Monroe Park marching in the rain, and then march down what appears to be Broad Street.","TITLE ON REEL:Kings [sic] Memorial; RUNTIME: 00:03:37; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals gather in Monroe Park preparing to march in the rain, and then march down what appears to be Broad Street.","TITLE ON REEL:Martin Luther King Memorial, April 4, 1969; RUNTIME: 00:04:19; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, marchers gather at the steps of the Virginia State Capitol, with some speakers gathering under the portico. Then the crowd disperses.","TITLE ON REEL:Moratorium Day Monroe Park 69; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Individuals gathered for discussion groups, and later on sit and stand while listening to a speaker on a stage in the park.","TITLE ON REEL:Peace March #2, Union Group, 10-15-69; RUNTIME: 00:04:21; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Individuals are seen gathered in the park near the Checkers House. Footage includes several speakers on a stage in the park, demonstrators leaving Monroe Park, and speakers at the Virginia State Capitol Building.","TITLE ON REEL:Moratorium Day, Monroe Park + Capitol, 69, Police I.D.; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes several speakers on a stage in the park, speakers at the Virginia State Capitol Building, and the crowd of demonstrators gathering on the capitol grounds.","TITLE ON REEL:10-15-69, Peace March Monroe Park, City Hall, State Capitol, #3; RUNTIME: 00:04:28; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes several at the Virginia State Capitol Building, the crowd of demonstrators on the capitol grounds, the crowd dispersing from the grounds, a smaller demonstration at Richmond City Hall, the crowd walking down Broad Street, and a small gathering at Monroe Park.","TITLE ON REEL:Moratorium Day, City Hall, 69; RUNTIME: 00:03:44; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes a short clip at the Virginia State Capitol Building, a smaller demonstration at Richmond City Hall and the police dispersal of it, and the crowd walking down Broad Street.","TITLE ON REEL:Anti-school consolidation motorcade to Washington, 24 Feb. 72, Fair Grounds written on film ; RUNTIME: 00:04:23; DESCRIPTION: This reel contains a footage of cars in the February 17, 1972 motorcade from Richmond to Washington D.C. opposing the consolidation of schools for integration. The cars are primarily filmed leaving the State Fairgrounds on Laburnum Avenue. Car license plates are filmed, as well as a uniformed officer and other individuals directing traffic and speaking with one another outside of cars.; NOTE: Although the reel is labeled February 24, 1972, the motorcade from Richmond to Washington, D.C. took place on February 17, 1972.","TITLE ON REEL:Anti-School Consolidation Motorcade to Washington, 24 Feb. 1972, Bureau of Police I.D.; RUNTIME: 00:04:07; DESCRIPTION: This reel contains a footage of cars in the February 17, 1972 motorcade from Richmond to Washington, D.C. opposing the consolidation of schools for integration. The beginning of the reel films the motorcade on the highway to Washington D.C. The rest of the reel films cars in the motorcade turning left at the intersection of Independence Ave SW and 14th Street SW in Washington, D.C.","TITLE ON REEL:Apr. 15 1970, National Priorties [sic] Day; RUNTIME: 00:04:12; DESCRIPTION: This reel contain footage of a crowd of several dozen individuals gathered at the Checkers House in Monroe Park as part of the National Priorities Day event held on April 15, 1970. Several speakers are featured including Jim Elam, Arthur Waskow, David Hawk, and Loretta Johnson. It appears to be raining, with many individuals wearing rain coats and/or carrying umbrellas.","TITLE ON REEL:National Priorities Day - Monroe Park + SHW building, April 15 - 1970; RUNTIME: 00:04:14; DESCRIPTION: This reels contain footage of a crowd of approximately 100 individuals marching from Monroe Park east on Franklin Street, then arriving at a building at 501 N 9th Street and placing a cardboard coffin at the building's entrance. This was part of the National Priorities Day event held on April 15, 1970.","TITLE ON REEL:15 May 70, Anti-Viet Nam in Monroe Park, Police I.D.; RUNTIME: 00:04:05; DESCRIPTION: This reel contains footage of individuals gathering in Monroe Park on May 15, 1970 for a protest against the ongoing war in Vietnam. It begins with footage of individuals gathered in downtown Richmond, it is unclear if this gathering is associated with the rest of the footage. It also contains footage of individuals gathering at the Checkers House in Monroe Park, and the crowd leaving the park.","TITLE ON REEL:#2 Anti Vietnam [sic] - 15 May 70, Leaving Monroe Park + Capitol; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of individuals leaving Monroe Park, marching to on Franklin Street, and at the Bell Tower on the Virginia State Capitol grounds on May 15, 1970 for a protest against the ongoing war in Vietnam.","TITLE ON REEL:MA, 15 May 70, Capitol Square, Anti-Vietnam, Police ID; RUNTIME: 00:04:16; DESCRIPTION: This reel contains footage of individuals gathered at the Bell Tower on the ground of the Virginia State Capitol on May 15, 1970 for a protest against the ongoing war in Vietnam. It features footage of multiple speakers including Loretta F. Johnson, an organizer with the Richmond Welfare Rights Organization.","TITLE ON REEL:National Socialist White People's Party NSWPP visit to Richmond 15 Feb. 72; RUNTIME: 00:04:47; DESCRIPTION: This reel contains police surveillance footage of an American Nazi Party bus in Richmond, brought to the city by Matt Koehl to protest school desegregation busing. There are multiple clips of the bus in Richmond, as well as individuals in Nazi uniforms boarding the bus.","TITLE ON REEL:June 30, 1969, Welfare March; RUNTIME: 00:03:37; DESCRIPTION: Footage from the June 30, 1969 Solidarity Day march and rally in support of increased welfare benefits. This reels contains footage of individuals gathering at the Safety, Health and Welfare Building, marching to the Virginia State Capitol, and individuals preparing for speeches at the capitol.; NOTE:","TITLE ON REEL:Welfare March June 30, 1969; RUNTIME: 00:03:36; DESCRIPTION: Footage from the June 30, 1969 Solidarity Day march and rally in support of increased welfare benefits. This reels contains footage of individuals gathering at the Virginia State Capitol, including multiple individuals speaking into a microphone.","TITLE ON REEL:1 July 70, City Hall Carwile for Mayor; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of individuals, including several children, picketing outside of Richmond City Hall in support of Howard H. Carwile for mayor on July 1, 1970.","TITLE ON REEL:Sunday, May 5, 1968 1100am-600pm, Protest march of VUU students to Monroe Park in protest of the arrest Elliott Hatcher, First part of this film..police court hearing for Elliott Hatcher, Thursday, May 2, 1968 #1; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond Police Court on May 2, 1968, likely showing individuals gathering for Elliott Hatcher's sentencing. It also contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Hatcher. The crowd appears to be made up of majority Black individuals, though individuals of different races are visible throughout.","TITLE ON REEL:Carwile - Prison Pickets #1 - 1st part of Peace March 10-15-69; RUNTIME: 00:04:19; DESCRIPTION: This reel contains footage of protestors at what appears to be Virginia State Penitentiary and the Virginia State Capitol grounds, picketing for prison reform. The dates of these events are unknown. The final clips are of individuals gathering in Monroe Park as part of Moratorium Day held on October 15, 1969.","TITLE ON REEL:Protest march, 1102 E. Main St., Parcel post building, November 9, 1967, SHERA; RUNTIME: 00:03:50; DESCRIPTION: This reel contains footage filmed outside of the Richmond Parcel Post Building at 1102 E. Main St., which also served as the induction center during the Vietnam War. Footage features a group of protestors supporting Dr. James Marvin Shea Jr.'s refusal to accept the draft. Towards the end of the footage, Shea is seen talking to individuals outside, potentially journalists.","TITLE ON REEL:MI85895, TV + Motion Picture 117 E Main, Mi 34444, Mi 37068","TITLE ON REEL:Raid 2501 W. Main [Erkie?] Walker, Va [Hallane C?","TITLE ON REEL:1-30-61, Richmond Police Department 3-19-34","TITLE ON REEL:Dec. 20, 1967 (Wed) 906 W. Broad St.","TITLE ON REEL:Prostitution at 2913 W. Grace St. March 6, 1968; RUNTIME: 00:03:35","TITLE ON REEL:I.D. Div, Bureau of Police","TITLE ON REEL:Cox Barron-Coleman","TITLE ON REEL:Bureau of Police ID Div","TITLE ON REEL:City of Richmond Bureau of Police K449","TITLE ON REEL:Bureau of Police ID Div","TITLE ON REEL:Bureau of Police","TITLE ON REEL:Police ID Jefferson St.","TITLE ON REEL:[Unknown #8] XX;","TITLE ON REEL:Black \u0026 White","TITLE ON REEL:2501 W. Main St","TITLE ON REEL:Caplan, N. Harrison St., Cockey;","TITLE ON REEL:Man w/ dog, Girl coming out of apt., about 5 feet","TITLE ON REEL:Test for Spot Light","TITLE ON REEL:Police Wk. 196[2?]","TITLE ON REEL:Police Week 1962 #1; RUNTIME: 00:04:36; DESCRIPTION: This reel contains footage of multiple demonstrations of police equipment and other events as a part of Richmond Police Week, 14-19, 1962. This footage appears to be of an outdoor display of \"equipment, horses, and dogs\" which occurred May 17-19 from 10AM-4PM on 6th Street between Broad Street and Grace Street (Richmond Times-Dispatch, April 1, 1962).","TITLE ON REEL:Police Week 1965, Show at the school on Fendall Ave.; RUNTIME: 00:14:41; DESCRIPTION: This reel contain footage of a judo demonstration by police officers during Richmond's Police Week beginning May 9, 1965. According to the Richmond Times-Dispatch, members of the \"juvenile, traffic, and patrol divisions, including K-9 and cadet forces\" would be participating in the school programs scheduled for the week (Richmond Times-Dispatch, May 9, 1965). Writing on the reel states that this \"show\" took place at a school on Fendall, likely referring to J. E. B Stuart Elementary (renamed Barack Obama Elementary School in 2018) at 3101 Fendall Ave in Richmond, Virginia.","TITLE ON REEL:Poor People's Campaign June 1968; RUNTIME: 00:04:46; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan likely driving from Norfolk to Richmond, as well as the march gathering in a parking lot. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.; NOTE: The film reel is labeled \"June 1968\" but the Poor People's Campaign 1968 Southern Caravan to Washington D.C. arrived in Richmond on Saturday, May 18, 1968. It is believed that is the date this reel is from.","TITLE ON REEL:Poor Peoples [sic] March, Saturday May 18, 1968, Richmond, Va.; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage likely at the Southside parking lot where the Poor People's Campaign march in Richmond began. Several dozen individuals stand in groups in a large open space, talking and moving about. Several individuals in marshal jackets are seen. There is also a stage and some footage of speakers on the stage, likely from the Southern Christian Leadership Conference (SCLC). The crowd appears to be majority Black, with a significant amount of white marchers also present. All speakers on the stage are Black. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.","TITLE ON REEL:Waverly Eddie","TITLE ON REEL:[Unidentified #10], Police ID; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of the Poor People's Campaign march in Richmond, like the portion where they marched north from Southside over the Robert E. Lee Memorial Bridge. The footage is shot from above, perhaps an overpass, with wide shots of the crowd. The footage is blurry. The crowd appears to be majority Black, with a significant amount of white marchers also present. There is also a significant uniformed police presence on foot, on horseback, and on motorcycles.","TITLE ON REEL:Poor Peoples [sic] March, Saturday, May 18, 1968, North end of Lee Bridge by the War Memorial; RUNTIME: 00:03:53; DESCRIPTION: This reel contains footage of the Poor Peoples Campaign Caravan crossing over the Robert E. Lee Memorial Bridge in Richmond,  likely filmed from the Virginia War Memorial. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.","TITLE ON REEL:Poor Peoples [sic] Campaign, June 1968; RUNTIME: 00:04:20; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan driving through Richmond, Virginia. It also contains footage of individuals in the campaign outside of the Presbyterian School of Christian Education on Brook Road. The march appears to be majority Black, with a significant amount of white marchers also present. Uniformed police officers of various races also appear.; NOTE: The film reel is labeled \"June 1968\" but the Poor People's Campaign 1968 Southern Caravan to Washington D.C. arrived in Richmond on Saturday, May 18, 1968. It is believed that is the date this reel is from.","TITLE ON REEL:Poor Peoples [sic] March, Saturday May 18, 1968, Richmond, Va.; RUNTIME: 00:03:45; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign in Richmond, Virginia. It contains footage of individuals in the campaign on Lombardy Street, as well as individuals and groups diving cars and trucks in what appears to be Richmond. While other reels of this event featured a majority Black crowd, this footage seems to focus on white motorists in costume, potentially students from the Richmond Professional Institute (RPI). Uniformed police officers of various races also appear.","TITLE ON REEL:25 February 73 Richmond Prisoners Solidarity Committee at State Peninteniary [sic]; RUNTIME: 00:03:11; DESCRIPTION: This reel contains footage of a picket organized by the Richmond Prisoners Solidarity Committee (PCS) at the Virginia State Penitentiary, likely on January 21, 1973. Picketers carry signs calling for support of incarcerated individuals, the firing of W.K. Cunningham, and the abolition of \"C-Cell\".; NOTE: Although the reel is labeled February 25, 1973, this is likely the protest covered by the Richmond Times-Dispatch which took place on January 31, 1973.","TITLE ON REEL:May 10, 1968 Friday, RPI students at Byrd Airport Ref. May Day celb. ART / PPC March Sat. 5-18-1968 230PM; RUNTIME: 00:03:50; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan likely driving from Norfolk to Richmond, as well as the march gathering in a parking lot. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.","TITLE ON REEL:Pickets at RPI, 10-20-65, JBF; RUNTIME: 00:04:47; DESCRIPTION: This reel contains footage of a student picket in front of the Richmond Professional Institute (RPI) administration building which took place on October 20, 1965 between 8AM and 9:15AM. Several dozen students picketed with signs supporting three RPI students who had been denied enrollment due to having long hair and beards.","TITLE ON REEL:Sergeants Peppers [sic] Peace March, 5th - 7th / Broad St. and Grace Sts., Dec. 15, 1967 ; RUNTIME: 00:03:36; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 15, 1967. The first sign carried reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The protest was in opposition to the Vietnam War.","TITLE ON REEL:Sgt. Pepper's Peace Parade (Start) Dec-15-1967 / Sergeants Peppers Peace March, Dec. 15-16-18-19, 1967 / Sgt. Peppers [sic] Peace March 12/15-16-18-19/67, #9, City of Rich. Police I.D.; RUNTIME: 00:03:34; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 16, 18, and 19. A sign carried in other footage of this march (see Reels #1 and #3) reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The protest was in opposition to the Vietnam War.","TITLE ON REEL:Sgt. Peppers peace March, Dec. 22-23, 1967; RUNTIME: 00:03:54; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 20, 21, and 23. The first sign carried reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The footage was recorded over a span of a few days, noticeable by changing days on protest signs. The protest was in opposition to the Vietnam War.","TITLE ON REEL:Police I.D.; RUNTIME: 00:04:16; DESCRIPTION: This reel contains footage of an unidentified gathering in front of what appears to be a courthouse, most likely in Richmond, Virginia between 1962 and 1973. If you have any identifying information on this event, please contact VCU Libraries Digital Libraries and Publishing via libcompass@vcu.edu.","TITLE ON REEL:#1 Dec. 17, 1969, VSC students protest - Belvidere + Franklin St.; RUNTIME: 00:03:37; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs","TITLE ON REEL:VSC Students, 12-17-69, Belvidere + Franklin, Police I.D.; RUNTIME: 00:03:38; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.","TITLE ON REEL:12-17-69, Belvidere + Franklin- VSC students protest; RUNTIME: 00:03:52; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.","TITLE ON REEL:12-17-69, VSC Students, Belvidere + Franklin; RUNTIME: 00:04:04; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.","TITLE ON REEL:Dec 17, 1969, at State Capitol, VA State Coll. protest pickets; RUNTIME: 00:03:51; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of protestors marching around the Virginia State Capitol, as well as a smaller group entering the Capitol grounds and building. Marchers wear winter coats and jackets, buttons, and hold signs.","TITLE ON REEL:VSC Students, 12-17-69, at State Capitol, #6, Police I.D.; RUNTIME: 00:03:38; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage Governor Mills E. Godwin Jr. It also features a smaller group of marchers entering the Virginia State Capitol grounds and marching in a picket. Marchers wear winter coats and jackets, buttons, and hold signs. It ends with marchers boarding buses on 9th Street.","TITLE ON REEL:Sunday, May 5 1968 1100am-600pm, Students from VUU protest march for the arrest of Elliott Hatccher [sic] for tresp. on VUU property. VUU to Monroe Park, #2; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as one speaker is featured. The crowd appears to be made up of majority Black individuals, though individuals of different races are visible throughout.","TITLE ON REEL:Sunday, May 5, 1968, 11;00am-600pm, Virginia Union Univeristy [sic] Protest March for Elliott Hatcher Arrest for tresp. on VUU Property, VUU to Monroe Park #3; RUNTIME: 00:03:39; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as individuals preparing to speak are featured.","TITLE ON REEL:Va. Union Students, Hatcher, May 1968; RUNTIME: 00:04:45; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as several speakers are featured.","TITLE ON REEL:Sunday, May 5, 1968 Between the hours 1100AM and 600PM, Virginia Union University protest march from VUU to Monroe Park. Protest of the arrest of Elliott Hatcher. For trespassing on VUU property. Exp. Student... #5; RUNTIME: 00:03:52; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as several speakers are featured.","TITLE ON REEL:Sunday, May 5, 1968, 1100am-600pm, Students protest march for Elliott Natcher from VUU to Monroe Park in symth. of his arrest. #4; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of several speakers is featured.","TITLE ON REEL:Sunday, May 5, 1968, 1100am-600pm, Students protest march for the arrest of Elliot Hatcher fro [sic] tresp. on VUU property....VUU to Monroe Park, #6; RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher, as well as the demonstrators marching from Monroe Park to Virginia Union University.","TITLE ON REEL:VA. Union students, May 5, 1968; RUNTIME: 00:04:45; DESCRIPTION: This reel contains footage filmed in on May 5, 1968, during a protest in support of Elliott Hatcher. Demonstrators march from Monroe Park to Virginia Union University.","TITLE ON REEL:VA. Union students Hatcher, May 5, 1968; RUNTIME: 00:04:20; DESCRIPTION: This reel contains footage filmed at Monroe Park and Virginia Union University on May 5, 1968, during a protest in support of Elliott Hatcher. It also features footage of students delivering a petition to Kate Gilpin Henderson, wife of VUU President Dr. Henderson.","TITLE ON REEL:March to State Capitol from VA Union, #1, from VA Union to Capitol; RUNTIME: 00:04:47; DESCRIPTION: This reel contains footage of some 300 individuals marching from Virginia Union University to the Virginia State Capitol in support of voting rights legislation. Footage is filmed on VUU campus, Lombardy Street, and Broad Street. An object covers the top right corner of the frame throughout most of the footage.","TITLE ON REEL:part of march from Va. Union to State Capital [sic] / Police Week, 1965, Show at school on Fendall by Cain, Police F.D.; RUNTIME: 00:02:43; DESCRIPTION: This reel contains footage of the March 16, 965 voting rights march from Virginia Union University to the Virginia State Capitol, as well as a judo and K-9 demonstration by police officers during Richmond's Police Week beginning May 9, 1965.","TITLE ON REEL:March at State Capitol from VA Union (#2) At Capitol; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of some 500 individuals gathering on the steps of the Virginia State Capitol in support of voting rights legislation. Towards the end of the footage, they appear to pray and sing. An object covers the top right corner of the frame throughout most of the footage.","TITLE ON REEL:Finished 4-2-62, Whisnant","TITLE ON REEL:4-14-62, Whisnant"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_a2d9eced82b78ccfab522b0fa04d8050\"\u003eThere are an additional two unprocessed boxes awaiting conservation. These boxes are not yet available for research.\u003c/materialspec\u003e\n    "],"materialspec_tesim":["There are an additional two unprocessed boxes awaiting conservation. These boxes are not yet available for research."],"corpname_ssim":["VCU James Branch Cabell Library","Richmond (Va.). Police Department"],"persname_ssim":["Duling, Dalton Rotruck \"Ricky\", 1926-2010"],"names_ssim":["VCU James Branch Cabell Library","Richmond (Va.). Police Department","Duling, Dalton Rotruck \"Ricky\", 1926-2010"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":230,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:16.781Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_648","ead_ssi":"vircu_repositories_5_resources_648","_root_":"vircu_repositories_5_resources_648","_nest_parent_":"vircu_repositories_5_resources_648","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_648.xml","aspace_url_ssi":"https://archives.library.vcu.edu/repositories/5/resources/648","title_ssm":["Richmond Police Department Surveillance collection"],"title_tesim":["Richmond Police Department Surveillance collection"],"unitdate_ssm":["1961-1975"],"unitdate_inclusive_ssm":["1961-1975"],"normalized_date_ssm":["1961/1975"],"normalized_title_ssm":["Richmond Police Department Surveillance collection, 1961/1975"],"text":["Richmond Police Department Surveillance collection, 1961/1975","M 571","/repositories/5/resources/648","Police patrol -- Surveillance operations -- Virginia -- Richmond","Demonstrations -- Virginia -- Richmond","Protest movements -- Virginia -- Richmond","Video recordings","Sound recordings","Photographs","The collection is open for research with the exception of some of the films and personal information cards. Films of public activities in public spaces, which constitute the majority of the films, are available through the VCU Libraries Digtial Collections. Films where the subjects were unaware they were being recorded are not available online. Those films can only be accessed in the Special Collections reading room at James Branch Cabell Library.  When this is the case, the item will state \"For access to this digital file, please consult Special Collections and Archives staff for assistance.\"","Box 18, Personal Identification Cards is restricted for privacy reasons. Researchers may be able to access the information in an anonymized way. Please contact VCU SCA for more information","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","Access copies of the majority of the audio and film reels and the transcripts are available via VCU Libraries Digital Collections.","Series 1: Audio Recordings","Series 2: Film Recordings","Series 3: Film and Audio Reels","Series 4: Photographs and Personal Information Cards","During the turbulent years of the 1960s and 1970s, the Richmond, VA police department surveilled groups, people, and events they determined to be subversive, counter-cultural, or threatening. Most of the films were taken at public events, with officers filming from the street-level sidelines or even embedded in the event. There are other instances where police are covertly filming people entering private homes or secret events from higher or hidden vantage points. The footage they took are considered general-investigatory, non-evidential, non-permanent records. While it appears the department was primarily focused on the Civil Rights, Black Power, Women's Rights, and Anti-War movements, they also surveilled those involved with the White Power and anti-integration movements.","Detective Ricky Duling maintained these materials after retirement. After his death they were given to David Jackson, who transferred them to VCU Libraries.","The film and audio reels have been digitzed for use. Digitized files need a computer or other internet-enabled device to access.","The collection contains film and audio reels pertaining to civil rights and other activities in the 1960s and 1970s in Richmond, Virginia, and surrounding states. These include the H. Rap Brown trial, Lincoln Memorial Peace March, the Martin Luther King memorial at the Virginia State Capitol, Anti-Bussing protests, the Poor People's Campaign, student protest marches, surveillance of the Black Panthers, the Ku Klux Klan (KKK), the National Socialist White People's Party, and illegal abortion providers. There are also reels of police training videos, retirement parties, and the 1969 flood. In addition to the film and audio reels, there are also photographs of many of the events recorded on film reels, as well as Personal Information Cards.","Series 1: Audio Recordings","Digital copies of audio recordings, arranged alphabetically.","Series 2: Film Recordings","Digital copies of film recordings, arranged alphabetically.","Series 3: Professional Organizations and Service","Original film and audio reels. Arranged numerically by VCU-assigned reel number. For which digitized reel they correspond to, please contact Special Collections and Archives to see the inventory.","Series 4: Photographs and Personal Information Cards","Photographs taken by the Richmond Police documenting protests, marches, \"undesireable\" people, movements, or places, locations, and other events. Unfortunately, these events remain unidentified except by the roll of film number, with no key indicating what the images are of. As such, the photographs are arranged numerically by the police-assigned roll number.","Personal Information Cards contain information on individual people being surveilled by police. This can include their address, what they are being surveilled for, and their employment, among other things. They remain in the order in which they were recieved, which is no particular order.","TITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and feb. 16, 1968, #1; RUNTIME: 00:03:52; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage.","TITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and Feb. 16, 1968, #2; RUNTIME: 00:03:46; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage","TITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan 1968 and Feb. 16 1968, #3; RUNTIME: 00:03:39; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage.","TITLE ON REEL:Aboration [sic], 614 W. 31st. St. between last of Jan 1968 and Feb. 16, 1968, #4; RUNTIME: 00:03:53; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. No individuals are shown in this footage","TITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and Feb. 16, 1968, #5; RUNTIME: 00:03:40; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. No individuals are shown in this footage","TITLE ON REEL:Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of an American Nazi Party rally in Lafayette Park in Washington, D.C. There is footage of speakers, including John Patler, and panning shots of the crowd.","TITLE ON REEL:Det. Burton; RUNTIME: 00:03:10; DESCRIPTION: This real contains footage of a protest in opposition to the Vietnam War in front of the Richmond Federal Building in downtown Richmond on April 29, 1967. About 100 individuals participated in the march. Individuals march holding signs or flowers, wearing business clothing. Several children participate in the march as well. Towards the middle of the reel, there is footage of a pro-war counterprotest of approximately seven individuals.","TITLE ON REEL:Bussing Picket- Belvidere St. / Grove Ave. 1100 Block taken 10-14-70; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of several dozen adults and children, all of whom appear to be white, protesting against school desegregation busing in Belvidere Street near the Virginia War Memorial on August 22, 1970. It also contains aerial footage of the Monroe Park area of Richmond filmed on October 14, 1970.","TITLE ON REEL:Anti-Bussing, Skinny Morrisett's Parade, 8-29-70, Police I.D.; RUNTIME: 00:04:00; DESCRIPTION: This reel contains footage of approximately 250 individuals protesting school desegregation via busing in downtown Richmond. This protest appears to be majority white, though there are participants who are people of color, both adults and children. This footage shows demonstrators gathering in Monroe Park, leaving Monroe Park, marching in downtown Richmond, and approaching the Virginia State Capitol grounds.","TITLE ON REEL:Anti-bussing, Skinny Morrisett's parade, 8-29-70; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of approximately 250 individuals protesting school desegregation via busing in downtown Richmond. This protest appears to be majority white, though there are participants who are people of color, both adults and children. This footage shows demonstrators marching at the the Virginia State Capitol grounds, as well as a car protest leaving Skinny's Kitchen in southern Richmond.; NOTE:","TITLE ON REEL:Finished 4-13-62, Anti-Bussing Meeting Mosque Rev. J.B. Book, 8-28-70; RUNTIME: 00:04:33; DESCRIPTION: This reel contains footage of a rally against school desegregation busing organized by Reverend John B. Book of the Southside Christian Church the Mosque (now the Altria Theater) in Richmond, Virginia, held on August 28, 1970. Footage includes Book and several other speakers on the stage. ; NOTE: This footage is in black and white. The reel has the date April 13, 1962, which might indicate that is when the film was started but was not concluded until the second date, August 28, 1970. This may account for why this film is in black and white when most films from this year are in color.","TITLE ON REEL:Anti Draft Protest, 3-19-70 [2]; RUNTIME: 00:04:18; DESCRIPTION: This reel contains footage of the gathering of individuals who will participate in a day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage follows individuals and groups arriving for the picket, walking back and forth in front of the building. Some building workers are seen--potential security and others. The footage is filmed from across the street and above. Towards the end of the video, the individuals preparing the picket notice the camera and gesture toward it. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft Protest, 3-19-70; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others. The footage is filmed from across the street and above. At one point, one of the picketers is detained by a uniformed individual and led away. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators. One Black individual is seen photographing the demonstrators and communicating with another individual filming the picketers.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft Protest, 3-19-70, Rich. Police I.D., 649-4811 [phone number]; RUNTIME: 00:03:53; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others. The footage is filmed from the street and steps of the Station. At one point, one of the picketers is detained by a uniformed individual and led away. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators. One Black individual is seen photographing the demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti draft [sic] protest, 3-19-70; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others.  The footage is filmed from across the street and above. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Antidraft [sic] protest; RUNTIME: 00:04:44; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others.  The footage is filmed from across the street and above. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft [sic] protest 3-19-70; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of approximately 150 individuals gathering for a march from Monroe Park to the Federal Building at 8th and Marshall Streets. Individuals and their signs are visible, then the march begins. The second half of the reel is of individuals from the protest leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft Protest, 3-19-70, Rich Police ID, 649-4811 [phone number]; RUNTIME: 00:03:38; DESCRIPTION: This reel contains footage of several dozen individuals marching to the Federal Building at 8th and Marshall Streets. Individuals and their signs are visible. The last part of the reel shows individuals from the protest leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft protest 3-19-70, Rich. Police I.D., 649-4811 [phone number]; RUNTIME: 00:03:46; DESCRIPTION: This reel contains footage of several dozen individuals leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Klan's A.B.C. protest march of open housing in front of Jefferson Hotel. 4-6-68; RUNTIME: 00:03:46; DESCRIPTION: This reel contains footage of white individuals protesting against a conference on fair housing in front of the Hotel Jefferson in Richmond, Virginia on April 6, 1968. There are approximately ten individuals in the protest.; NOTE: While language on the original reel refers to the \"Klan\", most likely the Ku Klux Klan, there is no information in the reel or in newspaper reporting of the protest that identifies protestors as Klan members. Newspapers at the time referred to the group as segregationists.","TITLE ON REEL:Klan's A.B.C., protest march of open housing in front of Jefferson Hotel, short strip of Dianne Sugg. 4-6-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of white individuals protesting against a conference on fair housing in front of the Hotel Jefferson in Richmond, Virginia on April 6, 1968. There are approximately ten individuals in the protest.; NOTE: While language on the original reel refers to the \"Klan\", most likely the Ku Klux Klan, there is no information in the reel or in newspaper reporting of the protest that identifies protestors as Klan members. Newspapers at the time referred to the group as segregationists.","TITLE ON REEL:[Unidentified #11], Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of a daytime anti-Vietnam War picket protest in front of the United States White House held on November 27, 2965. Most individuals appear to be white, though individuals of other races can be seen throughout. Footage focuses on those picketing, with specific emphasis on potential protest coordinators who wear orange armbands. Also included is footage of cars, police officers, and counter-protestors.","TITLE ON REEL:Be-In, Monroe Park, 4-  -69 [date missing], Police I.D. (Burton), [Sat.?]; RUNTIME: 00:03:41; DESCRIPTION: This reels contains footage of a crowd of individuals at an event labeled as a \"Be-In\" on the reel in Monroe Park, likely on April 27, 1969. Individuals sit on the grass, listen to a band playing in front of the Checkers House.","TITLE ON REEL:In Park, 9-16-69, 1:30 am, I; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of a press conference in Monroe Park on September 16, 1969. Speaking at the press conference were Bob Lee, field secretary of the Black Panther Party of Illinois, and Bill Fesperman, field secretary of the Young Patriots Organization. The reel contains footage of individuals gathering in Monroe Park, as well as footage of Lee and Fesperman near the fountain with a journalist, and individuals watching the press conference.","TITLE ON REEL:Black Panther Headquarters #8 E. Baker Street, 11-25-70, [0?]1005-1335; RUNTIME: 00:04:48; DESCRIPTION: This reel contains police surveillance footage of individuals exiting and entering the Black Panther Party Information Center at 8 E. Baker Street in Richmond, Virginia, on November 25, 1970. The house has a large Black Panther banner on the front porch railing, and an article with the address appeared in the Richmond Times-Dispatch three days prior to this recording. It appears the BPP members were aware they were being surveilled, although the video is filmed from a distance.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes debris in the camera gate and a camera registration error, which leads to \"jumps\" in footage or multiple frames being seen at once.","TITLE ON REEL:30 April 70, Black Panther Visit to VCU, Ogden, et al; RUNTIME: 00:04:11; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park for what was advertised as a Black Panther Party press conference on April 30, 1970. There is footage filmed in the park, and footage of individuals outside of Rhoads Hall on Franklin Street.","TITLE ON REEL:Black Panther meeting Monroe Park 4-29-70 / William and Mary students Induction Center 5-11-1970; RUNTIME: 00:04:08; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park for what was advertised as a Black Panther Party press conference on April 30, 1970. There is also footage of College of William and Mary students picketing the draft at the Richmond Parcel Post Building at 1102 E. Main St., which also served as the induction center during the Vietnam War, on May 11, 1970.; NOTE: Although the reel is labeled April 29, 1970, this is likely the meeting covered by the Richmond Times-Dispatch which took place on April 30, 1970.","TITLE ON REEL:Caplan - Raid; RUNTIME: 00:04:53; DESCRIPTION: Undated police surveillance of unknown business during the daytime. Mostly individuals entering and leaving business. Suspected raid footage.","TITLE ON REEL:Chief - Col. Wright's Ret. Party Police Hdq., Dec. 29, 1967; RUNTIME: 00:03:38; DESCRIPTION: Footage of a retirement celebration for Chief Col. John M. Wright Jr. from the Richmond Police Department. Wright worked in the department from 1920 to 1967. The Wright Family Papers are available via theLibrary of Virginia. An announcement of Wright's retirement ran in the Richmond Times-Dispatch on October 3, 1967. An announcement of this event ran in the Richmond Times-Dispatch on December 30, 1967.","TITLE ON REEL:Chief - Colonel Wright's ret. party at police Hdq., Dec. 29, 1967; RUNTIME: 00:03:54; DESCRIPTION: Footage of a retirement celebration for three individuals from the Richmond Police Department. The only named individual on the reel is Chief Col. John M. Wright Jr., who worked in the department from 1920 to 1967. The Wright Family Papers are available via the Library of Virginia. Two other individuals also appear to be receiving accolades and gifts in the reel. One is Mary P. Phillips, who worked as executive secretary to Chief Wright and his predecessor Chief O.D. Garton. An announcement of their retirements ran in the Richmond Times-Dispatch on October 3, 1967. The second is Detective Sgt. Clifford L. Brown, a homocide investigator. An announcement of this event ran in the Richmond Times-Dispatch on December 30, 1967. Their order of appearance in the footage is Wright, Phillips, Brown.","TITLE ON REEL:Richmond Police, 3-19-34, [Colemans?] + 2501 W. Main St.","TITLE ON REEL:4-12-62, Finished","TITLE ON REEL:[Unidentified #12], Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of former United States of America President Dwight D. Eisenhower visiting the Virginia War Memorial in Richmond on September 14, 1965. Eisenhower was in Virginia supporting the campaign of Linwood Holton for Virginia Governor. During the trip, he spoke to a 6,000 person rally at the South Portico on the Virginia State Capitol grounds, attended a 500 person luncheon at the Hotel John Marshall, and laid a wreathe at the World War II Memorial--now the Virginia War Memorial--with Virginia Adjutant General Major General Paul M. Booth, chairman of the World War II Memorial Commission John J. Wicker Jr., as well as Dr. Louis H. Williams, Robert P. Buford, and Holton and his wife Virginia Harrison \"Jinks\" Rogers Holton (Richmond Times-Dispatch, September 15, 1965).","TITLE ON REEL:1st day at Free University, 9-16-69, III","TITLE ON REEL:[Unknown #2]","TITLE ON REEL:Panther Meeting, Laurel St., Free University, 9-17-69, Police I.D.","TITLE ON REEL:Black Panther Meeting, Free University, IV Free University 2nd Day, 9-17-69, Police I.D","TITLE ON REEL:Lab. Day Caplan Colemans, Richmond Police, 3-19-34","TITLE ON REEL:Georges, 7-13-68; RUNTIME: 00:03:36; DESCRIPTION: George's Place was located at 17 W Grace St.","TITLE ON REEL:Georgies; RUNTIME: 00:03:44","TITLE ON REEL:Georges, 7-13-68; RUNTIME: 00:03:51; DESCRIPTION: George's Place was located at 17 W Grace St.","TITLE ON REEL:Georgio's; RUNTIME: 00:03:36; DESCRIPTION:","TITLE ON REEL:Georgios","TITLE ON REEL:H. Rap Brown, September 15-18, 1967, City Jail- I.D., Bureau Police I.D., #28 (2); RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage of cars parked on streets, police officers at Richmond City Jail, and protestors in front of the jail on September 15, 1967. Individuals protested the jailing of Black power activist H. Rap Brown as he fought extradition to Maryland. Another angle of this footage is available \n via Youtube.","TITLE ON REEL:H. Rap Brown September 15-18, 1967, Post Office- Trial; RUNTIME: 00:03:49; DESCRIPTION: This reel contains footage protestors in front of the Richmond City Jail on September 15, 1967, as well as footage outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from Brown's habeas corpus hearing on September 16, 1967. Individuals protested the jailing of Black power activist H. Rap Brown as he fought extradition to Maryland.","TITLE ON REEL:H. Rap Brown, September 15-18, 1967, Post Office* Trial; RUNTIME: 00:03:43; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's habeas corpus hearing on September 16, 1967.","TITLE ON REEL:February 23, 1968, Friday, Trial of H. Rap Brown, Post office Bldg., Federal Court; (1) #25, H Rap Brown, 2-23-68; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage of individuals approaching, entering, and leaving the courthouse.","TITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown Post Office Bldg., Federal Court; RUNTIME: 00:03:51; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage individuals leaving the courthouse, as well as individuals speaking with the press. It ends with footage following a specific car on the highway.","TITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown, Post Office Bldg., Federal Court., Police I.D. (Burton), 2-23-68; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage of an individual, likely Brown's attorney Charles Mangum, speaking with the press, as well as various individuals gathered at the courthouse after the ruling. It ends with footage following a specific car on the highway.","TITLE ON REEL:[illegible writing on masking tape], 2/23/68; RUNTIME: 00:07:00; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage individuals leaving the courthouse, as well as Brown's attorney William M. Kunstler giving remarks to the press. It ends with footage of Brown leaving the courthouse.; NOTE: This reel has sound.","TITLE ON REEL:Rap Brown trial, April 1968; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.","TITLE ON REEL:Rap Brown's hearing at Main St. Post Office, Eddie Slater, Dianne Sugg, Bruce Smith \u0026 Boy from RAM. 4-8-68; RUNTIME: 00:03:31; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.","TITLE ON REEL:Rap Brown's Hearing at Main Street Post Office, 4-6-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.","TITLE ON REEL:Rap Brown Trial April 1968; RUNTIME: 00:03:59; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.","TITLE ON REEL:Rap Brown's Hearing at Main Street Post Office. 4-8-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse. The end of the footage, the camera follows several cars on a highway and continues to film them while parked. It is likely this is footage from April 11, 1968, when previous SNCC chairman Stokely Carmichael (who later changed his name to Kwame Ture) traveled to Richmond for Brown's hearing on that day. Footage on Reel #13 in this collection matches this footage and is labeled \"Stokely Carmichael and his group at the federal reformatory in Petersbug, VA, 4-11-68\".","TITLE ON REEL:Stokely Carmichael and his group at the federal reformatory, Petersbug, VA, 4-11-68; RUNTIME: 00:03:48; DESCRIPTION: This reel contains footage filmed outside of the Federal Reformatory in Petersburg, VA, on April 11, 1968, where H. Rap Brown was being held after the U.S. 4th Circuit Court of Appeals rejected his bond request. The footage films several cars and individuals in them, including previous SNCC chairman Stokely Carmichael (who later changed his name to Kwame Ture), who traveled to Richmond for Brown's hearing. There is also footage at an unidentified gas station.","TITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown, Post Office Bldg., Federal Court, Police I.D. (Burton)","TITLE ON REEL:8-22-69, Flood Area; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage of flooded areas on the north side of the Mayo Bridge at 14th Street and Dock Street, as well as footage on Main Street at 15th Street.","TITLE ON REEL:Blvd. Bridge during flood, flood area, 8-22-69; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of the James River after Hurricane Camille, filmed from the Boulevard Bridge and perhaps the Mayo Bridge.","TITLE ON REEL:8-22-69, Flood area, Lee Bridge (bad places); RUNTIME: 00:03:45; DESCRIPTION: This reel contains footage of the James River after Hurricane Camille, filmed from the Lee Bridge. There is also footage of Hull Street near the Mayo Bridge.","TITLE ON REEL:Klan Parade, Police I.D.; RUNTIME: 00:04:05; DESCRIPTION: This reel contains footage of individuals participating in a Ku Klux Klan car caravan in the Richmond area. Cars drive down two unidentified streets, with United States of America and/or Confederate flags on their cars. The footage is undated, however it appears that this occurred on July 9, 1967. ; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting and debris in the camera gate, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a \"bleeding\" effect for bright lights.","TITLE ON REEL:Klan parade; RUNTIME: 00:04:46; DESCRIPTION: This reel contains footage of individuals gathered in a parking lot, where two individuals receive and inspect Ku Klux Klan robes. The footage is undated, and appears to be filmed in a parking lot near 521 E. Southside Plaza in Richmond, Virginia. However, it appears that this group was preparing for a march in downtown Richmond and at the Virginia State Capitol grounds reported to have occurred on July 8, 1967. Some group members appear in both reels of the event.; NOTE:","TITLE ON REEL:[Unidentified #9] I, Police I.D.; RUNTIME: 00:04:49; DESCRIPTION: This reel contains footage of individuals wearing Ku Klux Klan robes and hoods (with their faces showing) marching on Broad Street and at the Virginia State Capitol grounds. The footage is undated, however it appears that this occurred on July 8, 1967. Some group members appear in both reels of the event. The final clips of the footage appear to be from the March on the Pentagon on October 21, 1967.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes a camera registration issue, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.","TITLE ON REEL:KKK, 6-11-66; RUNTIME: 00:04:50; DESCRIPTION: This reel contains footage of individuals wearing Ku Klux Klan robes and hoods in an unidentified location on June 11, 1966. The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes a camera registration issue, as well as frames not being properly aligned to perforations, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.","TITLE ON REEL:3 April '71, March Against Opression [sic], Commeration [sic] of M.L. King's Death, scenes along US #1.; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of approximately 100 individuals marching along the roadside of U.S. Route 1 in Virginia (somewhere between Petersburg and Richmond, likely closer to Richmond) on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression in Richmond. The crowd in this part of the march appears to grow as the footage follows them.","TITLE ON REEL:Victory March; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of individuals marching in Richmond, primarily on Franklin Street, on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression at the Virginia State Capitol. The final part of the reel is footage of the crowd on the capitol grounds.","TITLE ON REEL:3 April 71, March Against Opression [sic], Commeration [sic] of Martin L. King's Death, State Capitol \u0026 March from Monroe Park, Police I.D.; RUNTIME: 00:04:35; DESCRIPTION: This reel contains footage of individuals marching in Richmond, primarily on Franklin Street, on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression at the Virginia State Capitol. The final part of the reel is footage of the crowd on the capitol grounds.","TITLE ON REEL:Lincoln Memorial Peace March, Washington, D.C., October 21-22, 1967 #1; RUNTIME: 00:04:07; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of the Lincoln Memorial and around the Reflecting Pool.","TITLE ON REEL:Lincoln Memorial Peace March, Washington, D.C., October 21-22 1967, #2; RUNTIME: 00:03:44; DESCRIPTION: Please note, this footage contains protest signs that include photographs of human corpses. Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd near the Lincoln Memorial and around the Reflecting Pool. It also contains footage of a counter-protest and of speakers at a podium.","TITLE ON REEL:Police I.D.; RUNTIME: 00:04:41; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of Lincoln Memorial. It also contains footage of the crowd marching from the Lincoln Memorial to the Pentagon.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting and a camera registration issue, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout","TITLE ON REEL:Lincoln Memorial March, Wash., D.C., Oct. 21-22, 1967, #3; RUNTIME: 00:03:37; DESCRIPTION: Footage filmed at the Pentagon and Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd in both locations.","TITLE ON REEL:Police I.D.; RUNTIME: 00:04:44; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of Lincoln Memorial. It also contains footage of the crowd marching from the Lincoln Memorial to the Pentagon.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting which leads to footage looking blurry.","TITLE ON REEL:March Wash D.C., Oct. 21-22 1967, Police I.D.; RUNTIME: 00:04:12; DESCRIPTION: Footage filmed at the Pentagon and Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd in both locations.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes the camera gate slipping which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.","TITLE ON REEL:Memorial held for Martin Luther King at State Capitol. 4-7-68; RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.","TITLE ON REEL:Memorial held for Martin Luther King at State Capitol 4-7-68 [2]; RUNTIME: 00:04:12; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.","TITLE ON REEL:Memorial for Martin Luther King held at State Capitol. 4-7-68; RUNTIME: 00:03:27; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.","TITLE ON REEL:Martin Luther King Parade, April 69; RUNTIME: 00:04:45; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals gather in Monroe Park preparing to march in the rain, and then march down what appears to be Broad Street.","TITLE ON REEL:Martin Luther King Memorial March - Apr. 4, 1969; RUNTIME: 00:03:53; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals leave Monroe Park marching in the rain, and then march down what appears to be Broad Street.","TITLE ON REEL:Kings [sic] Memorial; RUNTIME: 00:03:37; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals gather in Monroe Park preparing to march in the rain, and then march down what appears to be Broad Street.","TITLE ON REEL:Martin Luther King Memorial, April 4, 1969; RUNTIME: 00:04:19; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, marchers gather at the steps of the Virginia State Capitol, with some speakers gathering under the portico. Then the crowd disperses.","TITLE ON REEL:Moratorium Day Monroe Park 69; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Individuals gathered for discussion groups, and later on sit and stand while listening to a speaker on a stage in the park.","TITLE ON REEL:Peace March #2, Union Group, 10-15-69; RUNTIME: 00:04:21; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Individuals are seen gathered in the park near the Checkers House. Footage includes several speakers on a stage in the park, demonstrators leaving Monroe Park, and speakers at the Virginia State Capitol Building.","TITLE ON REEL:Moratorium Day, Monroe Park + Capitol, 69, Police I.D.; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes several speakers on a stage in the park, speakers at the Virginia State Capitol Building, and the crowd of demonstrators gathering on the capitol grounds.","TITLE ON REEL:10-15-69, Peace March Monroe Park, City Hall, State Capitol, #3; RUNTIME: 00:04:28; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes several at the Virginia State Capitol Building, the crowd of demonstrators on the capitol grounds, the crowd dispersing from the grounds, a smaller demonstration at Richmond City Hall, the crowd walking down Broad Street, and a small gathering at Monroe Park.","TITLE ON REEL:Moratorium Day, City Hall, 69; RUNTIME: 00:03:44; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes a short clip at the Virginia State Capitol Building, a smaller demonstration at Richmond City Hall and the police dispersal of it, and the crowd walking down Broad Street.","TITLE ON REEL:Anti-school consolidation motorcade to Washington, 24 Feb. 72, Fair Grounds written on film ; RUNTIME: 00:04:23; DESCRIPTION: This reel contains a footage of cars in the February 17, 1972 motorcade from Richmond to Washington D.C. opposing the consolidation of schools for integration. The cars are primarily filmed leaving the State Fairgrounds on Laburnum Avenue. Car license plates are filmed, as well as a uniformed officer and other individuals directing traffic and speaking with one another outside of cars.; NOTE: Although the reel is labeled February 24, 1972, the motorcade from Richmond to Washington, D.C. took place on February 17, 1972.","TITLE ON REEL:Anti-School Consolidation Motorcade to Washington, 24 Feb. 1972, Bureau of Police I.D.; RUNTIME: 00:04:07; DESCRIPTION: This reel contains a footage of cars in the February 17, 1972 motorcade from Richmond to Washington, D.C. opposing the consolidation of schools for integration. The beginning of the reel films the motorcade on the highway to Washington D.C. The rest of the reel films cars in the motorcade turning left at the intersection of Independence Ave SW and 14th Street SW in Washington, D.C.","TITLE ON REEL:Apr. 15 1970, National Priorties [sic] Day; RUNTIME: 00:04:12; DESCRIPTION: This reel contain footage of a crowd of several dozen individuals gathered at the Checkers House in Monroe Park as part of the National Priorities Day event held on April 15, 1970. Several speakers are featured including Jim Elam, Arthur Waskow, David Hawk, and Loretta Johnson. It appears to be raining, with many individuals wearing rain coats and/or carrying umbrellas.","TITLE ON REEL:National Priorities Day - Monroe Park + SHW building, April 15 - 1970; RUNTIME: 00:04:14; DESCRIPTION: This reels contain footage of a crowd of approximately 100 individuals marching from Monroe Park east on Franklin Street, then arriving at a building at 501 N 9th Street and placing a cardboard coffin at the building's entrance. This was part of the National Priorities Day event held on April 15, 1970.","TITLE ON REEL:15 May 70, Anti-Viet Nam in Monroe Park, Police I.D.; RUNTIME: 00:04:05; DESCRIPTION: This reel contains footage of individuals gathering in Monroe Park on May 15, 1970 for a protest against the ongoing war in Vietnam. It begins with footage of individuals gathered in downtown Richmond, it is unclear if this gathering is associated with the rest of the footage. It also contains footage of individuals gathering at the Checkers House in Monroe Park, and the crowd leaving the park.","TITLE ON REEL:#2 Anti Vietnam [sic] - 15 May 70, Leaving Monroe Park + Capitol; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of individuals leaving Monroe Park, marching to on Franklin Street, and at the Bell Tower on the Virginia State Capitol grounds on May 15, 1970 for a protest against the ongoing war in Vietnam.","TITLE ON REEL:MA, 15 May 70, Capitol Square, Anti-Vietnam, Police ID; RUNTIME: 00:04:16; DESCRIPTION: This reel contains footage of individuals gathered at the Bell Tower on the ground of the Virginia State Capitol on May 15, 1970 for a protest against the ongoing war in Vietnam. It features footage of multiple speakers including Loretta F. Johnson, an organizer with the Richmond Welfare Rights Organization.","TITLE ON REEL:National Socialist White People's Party NSWPP visit to Richmond 15 Feb. 72; RUNTIME: 00:04:47; DESCRIPTION: This reel contains police surveillance footage of an American Nazi Party bus in Richmond, brought to the city by Matt Koehl to protest school desegregation busing. There are multiple clips of the bus in Richmond, as well as individuals in Nazi uniforms boarding the bus.","TITLE ON REEL:June 30, 1969, Welfare March; RUNTIME: 00:03:37; DESCRIPTION: Footage from the June 30, 1969 Solidarity Day march and rally in support of increased welfare benefits. This reels contains footage of individuals gathering at the Safety, Health and Welfare Building, marching to the Virginia State Capitol, and individuals preparing for speeches at the capitol.; NOTE:","TITLE ON REEL:Welfare March June 30, 1969; RUNTIME: 00:03:36; DESCRIPTION: Footage from the June 30, 1969 Solidarity Day march and rally in support of increased welfare benefits. This reels contains footage of individuals gathering at the Virginia State Capitol, including multiple individuals speaking into a microphone.","TITLE ON REEL:1 July 70, City Hall Carwile for Mayor; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of individuals, including several children, picketing outside of Richmond City Hall in support of Howard H. Carwile for mayor on July 1, 1970.","TITLE ON REEL:Sunday, May 5, 1968 1100am-600pm, Protest march of VUU students to Monroe Park in protest of the arrest Elliott Hatcher, First part of this film..police court hearing for Elliott Hatcher, Thursday, May 2, 1968 #1; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond Police Court on May 2, 1968, likely showing individuals gathering for Elliott Hatcher's sentencing. It also contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Hatcher. The crowd appears to be made up of majority Black individuals, though individuals of different races are visible throughout.","TITLE ON REEL:Carwile - Prison Pickets #1 - 1st part of Peace March 10-15-69; RUNTIME: 00:04:19; DESCRIPTION: This reel contains footage of protestors at what appears to be Virginia State Penitentiary and the Virginia State Capitol grounds, picketing for prison reform. The dates of these events are unknown. The final clips are of individuals gathering in Monroe Park as part of Moratorium Day held on October 15, 1969.","TITLE ON REEL:Protest march, 1102 E. Main St., Parcel post building, November 9, 1967, SHERA; RUNTIME: 00:03:50; DESCRIPTION: This reel contains footage filmed outside of the Richmond Parcel Post Building at 1102 E. Main St., which also served as the induction center during the Vietnam War. Footage features a group of protestors supporting Dr. James Marvin Shea Jr.'s refusal to accept the draft. Towards the end of the footage, Shea is seen talking to individuals outside, potentially journalists.","TITLE ON REEL:MI85895, TV + Motion Picture 117 E Main, Mi 34444, Mi 37068","TITLE ON REEL:Raid 2501 W. Main [Erkie?] Walker, Va [Hallane C?","TITLE ON REEL:1-30-61, Richmond Police Department 3-19-34","TITLE ON REEL:Dec. 20, 1967 (Wed) 906 W. Broad St.","TITLE ON REEL:Prostitution at 2913 W. Grace St. March 6, 1968; RUNTIME: 00:03:35","TITLE ON REEL:I.D. Div, Bureau of Police","TITLE ON REEL:Cox Barron-Coleman","TITLE ON REEL:Bureau of Police ID Div","TITLE ON REEL:City of Richmond Bureau of Police K449","TITLE ON REEL:Bureau of Police ID Div","TITLE ON REEL:Bureau of Police","TITLE ON REEL:Police ID Jefferson St.","TITLE ON REEL:[Unknown #8] XX;","TITLE ON REEL:Black \u0026 White","TITLE ON REEL:2501 W. Main St","TITLE ON REEL:Caplan, N. Harrison St., Cockey;","TITLE ON REEL:Man w/ dog, Girl coming out of apt., about 5 feet","TITLE ON REEL:Test for Spot Light","TITLE ON REEL:Police Wk. 196[2?]","TITLE ON REEL:Police Week 1962 #1; RUNTIME: 00:04:36; DESCRIPTION: This reel contains footage of multiple demonstrations of police equipment and other events as a part of Richmond Police Week, 14-19, 1962. This footage appears to be of an outdoor display of \"equipment, horses, and dogs\" which occurred May 17-19 from 10AM-4PM on 6th Street between Broad Street and Grace Street (Richmond Times-Dispatch, April 1, 1962).","TITLE ON REEL:Police Week 1965, Show at the school on Fendall Ave.; RUNTIME: 00:14:41; DESCRIPTION: This reel contain footage of a judo demonstration by police officers during Richmond's Police Week beginning May 9, 1965. According to the Richmond Times-Dispatch, members of the \"juvenile, traffic, and patrol divisions, including K-9 and cadet forces\" would be participating in the school programs scheduled for the week (Richmond Times-Dispatch, May 9, 1965). Writing on the reel states that this \"show\" took place at a school on Fendall, likely referring to J. E. B Stuart Elementary (renamed Barack Obama Elementary School in 2018) at 3101 Fendall Ave in Richmond, Virginia.","TITLE ON REEL:Poor People's Campaign June 1968; RUNTIME: 00:04:46; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan likely driving from Norfolk to Richmond, as well as the march gathering in a parking lot. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.; NOTE: The film reel is labeled \"June 1968\" but the Poor People's Campaign 1968 Southern Caravan to Washington D.C. arrived in Richmond on Saturday, May 18, 1968. It is believed that is the date this reel is from.","TITLE ON REEL:Poor Peoples [sic] March, Saturday May 18, 1968, Richmond, Va.; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage likely at the Southside parking lot where the Poor People's Campaign march in Richmond began. Several dozen individuals stand in groups in a large open space, talking and moving about. Several individuals in marshal jackets are seen. There is also a stage and some footage of speakers on the stage, likely from the Southern Christian Leadership Conference (SCLC). The crowd appears to be majority Black, with a significant amount of white marchers also present. All speakers on the stage are Black. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.","TITLE ON REEL:Waverly Eddie","TITLE ON REEL:[Unidentified #10], Police ID; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of the Poor People's Campaign march in Richmond, like the portion where they marched north from Southside over the Robert E. Lee Memorial Bridge. The footage is shot from above, perhaps an overpass, with wide shots of the crowd. The footage is blurry. The crowd appears to be majority Black, with a significant amount of white marchers also present. There is also a significant uniformed police presence on foot, on horseback, and on motorcycles.","TITLE ON REEL:Poor Peoples [sic] March, Saturday, May 18, 1968, North end of Lee Bridge by the War Memorial; RUNTIME: 00:03:53; DESCRIPTION: This reel contains footage of the Poor Peoples Campaign Caravan crossing over the Robert E. Lee Memorial Bridge in Richmond,  likely filmed from the Virginia War Memorial. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.","TITLE ON REEL:Poor Peoples [sic] Campaign, June 1968; RUNTIME: 00:04:20; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan driving through Richmond, Virginia. It also contains footage of individuals in the campaign outside of the Presbyterian School of Christian Education on Brook Road. The march appears to be majority Black, with a significant amount of white marchers also present. Uniformed police officers of various races also appear.; NOTE: The film reel is labeled \"June 1968\" but the Poor People's Campaign 1968 Southern Caravan to Washington D.C. arrived in Richmond on Saturday, May 18, 1968. It is believed that is the date this reel is from.","TITLE ON REEL:Poor Peoples [sic] March, Saturday May 18, 1968, Richmond, Va.; RUNTIME: 00:03:45; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign in Richmond, Virginia. It contains footage of individuals in the campaign on Lombardy Street, as well as individuals and groups diving cars and trucks in what appears to be Richmond. While other reels of this event featured a majority Black crowd, this footage seems to focus on white motorists in costume, potentially students from the Richmond Professional Institute (RPI). Uniformed police officers of various races also appear.","TITLE ON REEL:25 February 73 Richmond Prisoners Solidarity Committee at State Peninteniary [sic]; RUNTIME: 00:03:11; DESCRIPTION: This reel contains footage of a picket organized by the Richmond Prisoners Solidarity Committee (PCS) at the Virginia State Penitentiary, likely on January 21, 1973. Picketers carry signs calling for support of incarcerated individuals, the firing of W.K. Cunningham, and the abolition of \"C-Cell\".; NOTE: Although the reel is labeled February 25, 1973, this is likely the protest covered by the Richmond Times-Dispatch which took place on January 31, 1973.","TITLE ON REEL:May 10, 1968 Friday, RPI students at Byrd Airport Ref. May Day celb. ART / PPC March Sat. 5-18-1968 230PM; RUNTIME: 00:03:50; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan likely driving from Norfolk to Richmond, as well as the march gathering in a parking lot. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.","TITLE ON REEL:Pickets at RPI, 10-20-65, JBF; RUNTIME: 00:04:47; DESCRIPTION: This reel contains footage of a student picket in front of the Richmond Professional Institute (RPI) administration building which took place on October 20, 1965 between 8AM and 9:15AM. Several dozen students picketed with signs supporting three RPI students who had been denied enrollment due to having long hair and beards.","TITLE ON REEL:Sergeants Peppers [sic] Peace March, 5th - 7th / Broad St. and Grace Sts., Dec. 15, 1967 ; RUNTIME: 00:03:36; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 15, 1967. The first sign carried reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The protest was in opposition to the Vietnam War.","TITLE ON REEL:Sgt. Pepper's Peace Parade (Start) Dec-15-1967 / Sergeants Peppers Peace March, Dec. 15-16-18-19, 1967 / Sgt. Peppers [sic] Peace March 12/15-16-18-19/67, #9, City of Rich. Police I.D.; RUNTIME: 00:03:34; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 16, 18, and 19. A sign carried in other footage of this march (see Reels #1 and #3) reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The protest was in opposition to the Vietnam War.","TITLE ON REEL:Sgt. Peppers peace March, Dec. 22-23, 1967; RUNTIME: 00:03:54; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 20, 21, and 23. The first sign carried reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The footage was recorded over a span of a few days, noticeable by changing days on protest signs. The protest was in opposition to the Vietnam War.","TITLE ON REEL:Police I.D.; RUNTIME: 00:04:16; DESCRIPTION: This reel contains footage of an unidentified gathering in front of what appears to be a courthouse, most likely in Richmond, Virginia between 1962 and 1973. If you have any identifying information on this event, please contact VCU Libraries Digital Libraries and Publishing via libcompass@vcu.edu.","TITLE ON REEL:#1 Dec. 17, 1969, VSC students protest - Belvidere + Franklin St.; RUNTIME: 00:03:37; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs","TITLE ON REEL:VSC Students, 12-17-69, Belvidere + Franklin, Police I.D.; RUNTIME: 00:03:38; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.","TITLE ON REEL:12-17-69, Belvidere + Franklin- VSC students protest; RUNTIME: 00:03:52; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.","TITLE ON REEL:12-17-69, VSC Students, Belvidere + Franklin; RUNTIME: 00:04:04; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.","TITLE ON REEL:Dec 17, 1969, at State Capitol, VA State Coll. protest pickets; RUNTIME: 00:03:51; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of protestors marching around the Virginia State Capitol, as well as a smaller group entering the Capitol grounds and building. Marchers wear winter coats and jackets, buttons, and hold signs.","TITLE ON REEL:VSC Students, 12-17-69, at State Capitol, #6, Police I.D.; RUNTIME: 00:03:38; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage Governor Mills E. Godwin Jr. It also features a smaller group of marchers entering the Virginia State Capitol grounds and marching in a picket. Marchers wear winter coats and jackets, buttons, and hold signs. It ends with marchers boarding buses on 9th Street.","TITLE ON REEL:Sunday, May 5 1968 1100am-600pm, Students from VUU protest march for the arrest of Elliott Hatccher [sic] for tresp. on VUU property. VUU to Monroe Park, #2; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as one speaker is featured. The crowd appears to be made up of majority Black individuals, though individuals of different races are visible throughout.","TITLE ON REEL:Sunday, May 5, 1968, 11;00am-600pm, Virginia Union Univeristy [sic] Protest March for Elliott Hatcher Arrest for tresp. on VUU Property, VUU to Monroe Park #3; RUNTIME: 00:03:39; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as individuals preparing to speak are featured.","TITLE ON REEL:Va. Union Students, Hatcher, May 1968; RUNTIME: 00:04:45; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as several speakers are featured.","TITLE ON REEL:Sunday, May 5, 1968 Between the hours 1100AM and 600PM, Virginia Union University protest march from VUU to Monroe Park. Protest of the arrest of Elliott Hatcher. For trespassing on VUU property. Exp. Student... #5; RUNTIME: 00:03:52; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as several speakers are featured.","TITLE ON REEL:Sunday, May 5, 1968, 1100am-600pm, Students protest march for Elliott Natcher from VUU to Monroe Park in symth. of his arrest. #4; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of several speakers is featured.","TITLE ON REEL:Sunday, May 5, 1968, 1100am-600pm, Students protest march for the arrest of Elliot Hatcher fro [sic] tresp. on VUU property....VUU to Monroe Park, #6; RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher, as well as the demonstrators marching from Monroe Park to Virginia Union University.","TITLE ON REEL:VA. Union students, May 5, 1968; RUNTIME: 00:04:45; DESCRIPTION: This reel contains footage filmed in on May 5, 1968, during a protest in support of Elliott Hatcher. Demonstrators march from Monroe Park to Virginia Union University.","TITLE ON REEL:VA. Union students Hatcher, May 5, 1968; RUNTIME: 00:04:20; DESCRIPTION: This reel contains footage filmed at Monroe Park and Virginia Union University on May 5, 1968, during a protest in support of Elliott Hatcher. It also features footage of students delivering a petition to Kate Gilpin Henderson, wife of VUU President Dr. Henderson.","TITLE ON REEL:March to State Capitol from VA Union, #1, from VA Union to Capitol; RUNTIME: 00:04:47; DESCRIPTION: This reel contains footage of some 300 individuals marching from Virginia Union University to the Virginia State Capitol in support of voting rights legislation. Footage is filmed on VUU campus, Lombardy Street, and Broad Street. An object covers the top right corner of the frame throughout most of the footage.","TITLE ON REEL:part of march from Va. Union to State Capital [sic] / Police Week, 1965, Show at school on Fendall by Cain, Police F.D.; RUNTIME: 00:02:43; DESCRIPTION: This reel contains footage of the March 16, 965 voting rights march from Virginia Union University to the Virginia State Capitol, as well as a judo and K-9 demonstration by police officers during Richmond's Police Week beginning May 9, 1965.","TITLE ON REEL:March at State Capitol from VA Union (#2) At Capitol; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of some 500 individuals gathering on the steps of the Virginia State Capitol in support of voting rights legislation. Towards the end of the footage, they appear to pray and sing. An object covers the top right corner of the frame throughout most of the footage.","TITLE ON REEL:Finished 4-2-62, Whisnant","TITLE ON REEL:4-14-62, Whisnant","There are an additional two unprocessed boxes awaiting conservation. These boxes are not yet available for research.","VCU James Branch Cabell Library","Richmond (Va.). Police Department","Duling, Dalton Rotruck \"Ricky\", 1926-2010","English"],"collection_title_tesim":["Richmond Police Department Surveillance collection, 1961/1975"],"collection_ssim":["Richmond Police Department Surveillance collection, 1961/1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 571","/repositories/5/resources/648"],"unitid_tesim":["M 571","/repositories/5/resources/648"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Richmond (Va.). Police Department","Duling, Dalton Rotruck \"Ricky\", 1926-2010"],"creator_ssim":["Richmond (Va.). Police Department","Duling, Dalton Rotruck \"Ricky\", 1926-2010"],"creator_persname_ssim":["Duling, Dalton Rotruck \"Ricky\", 1926-2010"],"creator_corpname_ssim":["VCU James Branch Cabell Library","Richmond (Va.). Police Department"],"creators_ssim":["Duling, Dalton Rotruck \"Ricky\", 1926-2010","VCU James Branch Cabell Library","Richmond (Va.). Police Department"],"acqinfo_ssim":["Virginia Commonwealth University acquired the collection from David Jackson in 2017."],"access_subjects_ssim":["Police patrol -- Surveillance operations -- Virginia -- Richmond","Demonstrations -- Virginia -- Richmond","Protest movements -- Virginia -- Richmond","Video recordings","Sound recordings","Photographs"],"access_subjects_ssm":["Police patrol -- Surveillance operations -- Virginia -- Richmond","Demonstrations -- Virginia -- Richmond","Protest movements -- Virginia -- Richmond","Video recordings","Sound recordings","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["169 Items 156 films and 13 audio reels","9.4 Linear Feet 12 cd boxes, 2 flat file boxes, and 3 document cases."],"extent_tesim":["169 Items 156 films and 13 audio reels","9.4 Linear Feet 12 cd boxes, 2 flat file boxes, and 3 document cases."],"genreform_ssim":["Video recordings","Sound recordings","Photographs"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research with the exception of some of the films and personal information cards. Films of public activities in public spaces, which constitute the majority of the films, are available through the VCU Libraries Digtial Collections. Films where the subjects were unaware they were being recorded are not available online. Those films can only be accessed in the Special Collections reading room at James Branch Cabell Library.  When this is the case, the item will state \"For access to this digital file, please consult Special Collections and Archives staff for assistance.\"\u003c/p\u003e","\u003cp\u003eBox 18, Personal Identification Cards is restricted for privacy reasons. Researchers may be able to access the information in an anonymized way. Please contact VCU SCA for more information\u003c/p\u003e  ","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e","\u003cp\u003eFor access to this digital file, please consult Special Collections and Archives staff for assistance.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access restrictions","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research with the exception of some of the films and personal information cards. Films of public activities in public spaces, which constitute the majority of the films, are available through the VCU Libraries Digtial Collections. Films where the subjects were unaware they were being recorded are not available online. Those films can only be accessed in the Special Collections reading room at James Branch Cabell Library.  When this is the case, the item will state \"For access to this digital file, please consult Special Collections and Archives staff for assistance.\"","Box 18, Personal Identification Cards is restricted for privacy reasons. Researchers may be able to access the information in an anonymized way. Please contact VCU SCA for more information","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance.","For access to this digital file, please consult Special Collections and Archives staff for assistance."],"altformavail_html_tesm":["\u003cp\u003eAccess copies of the majority of the audio and film reels and the transcripts are available via \u003cextref type=\"simple\" href=\"https://scholarscompass.vcu.edu/rpd_films/\"\u003eVCU Libraries Digital Collections.\u003c/extref\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Access copies of the majority of the audio and film reels and the transcripts are available via VCU Libraries Digital Collections."],"arrangement_html_tesm":["\u003cp\u003eSeries 1: Audio Recordings\u003c/p\u003e\n","\u003cp\u003eSeries 2: Film Recordings\u003c/p\u003e\n","\u003cp\u003eSeries 3: Film and Audio Reels\n\u003c/p\u003e\n","\u003cp\u003eSeries 4: Photographs and Personal Information Cards\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Audio Recordings","Series 2: Film Recordings","Series 3: Film and Audio Reels","Series 4: Photographs and Personal Information Cards"],"bioghist_html_tesm":["\u003cp\u003eDuring the turbulent years of the 1960s and 1970s, the Richmond, VA police department surveilled groups, people, and events they determined to be subversive, counter-cultural, or threatening. Most of the films were taken at public events, with officers filming from the street-level sidelines or even embedded in the event. There are other instances where police are covertly filming people entering private homes or secret events from higher or hidden vantage points. The footage they took are considered general-investigatory, non-evidential, non-permanent records. While it appears the department was primarily focused on the Civil Rights, Black Power, Women's Rights, and Anti-War movements, they also surveilled those involved with the White Power and anti-integration movements.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical Information"],"bioghist_tesim":["During the turbulent years of the 1960s and 1970s, the Richmond, VA police department surveilled groups, people, and events they determined to be subversive, counter-cultural, or threatening. Most of the films were taken at public events, with officers filming from the street-level sidelines or even embedded in the event. There are other instances where police are covertly filming people entering private homes or secret events from higher or hidden vantage points. The footage they took are considered general-investigatory, non-evidential, non-permanent records. While it appears the department was primarily focused on the Civil Rights, Black Power, Women's Rights, and Anti-War movements, they also surveilled those involved with the White Power and anti-integration movements."],"custodhist_html_tesm":["\u003cp\u003eDetective Ricky Duling maintained these materials after retirement. After his death they were given to David Jackson, who transferred them to VCU Libraries.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Detective Ricky Duling maintained these materials after retirement. After his death they were given to David Jackson, who transferred them to VCU Libraries."],"phystech_html_tesm":["\u003cp\u003eThe film and audio reels have been digitzed for use. Digitized files need a computer or other internet-enabled device to access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The film and audio reels have been digitzed for use. Digitized files need a computer or other internet-enabled device to access."],"prefercite_html_tesm":["\u003cp\u003eRichmond Police Surveillance collection, 1961-1975, Collection # M 571, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Richmond Police Surveillance collection, 1961-1975, Collection # M 571, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains film and audio reels pertaining to civil rights and other activities in the 1960s and 1970s in Richmond, Virginia, and surrounding states. These include the H. Rap Brown trial, Lincoln Memorial Peace March, the Martin Luther King memorial at the Virginia State Capitol, Anti-Bussing protests, the Poor People's Campaign, student protest marches, surveillance of the Black Panthers, the Ku Klux Klan (KKK), the National Socialist White People's Party, and illegal abortion providers. There are also reels of police training videos, retirement parties, and the 1969 flood. In addition to the film and audio reels, there are also photographs of many of the events recorded on film reels, as well as Personal Information Cards.\u003c/p\u003e","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eSeries 1: Audio Recordings\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eDigital copies of audio recordings, arranged alphabetically.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 2: Film Recordings\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eDigital copies of film recordings, arranged alphabetically.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 3: Professional Organizations and Service\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eOriginal film and audio reels. Arranged numerically by VCU-assigned reel number. For which digitized reel they correspond to, please contact Special Collections and Archives to see the inventory.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 4: Photographs and Personal Information Cards\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003ePhotographs taken by the Richmond Police documenting protests, marches, \"undesireable\" people, movements, or places, locations, and other events. Unfortunately, these events remain unidentified except by the roll of film number, with no key indicating what the images are of. As such, the photographs are arranged numerically by the police-assigned roll number. \u003c/p\u003e","\u003cp\u003ePersonal Information Cards contain information on individual people being surveilled by police. This can include their address, what they are being surveilled for, and their employment, among other things. They remain in the order in which they were recieved, which is no particular order.\u003c/p\u003e  ","\u003cp\u003eTITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and feb. 16, 1968, #1; RUNTIME: 00:03:52; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and Feb. 16, 1968, #2; RUNTIME: 00:03:46; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan 1968 and Feb. 16 1968, #3; RUNTIME: 00:03:39; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Aboration [sic], 614 W. 31st. St. between last of Jan 1968 and Feb. 16, 1968, #4; RUNTIME: 00:03:53; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. No individuals are shown in this footage\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and Feb. 16, 1968, #5; RUNTIME: 00:03:40; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. No individuals are shown in this footage\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of an American Nazi Party rally in Lafayette Park in Washington, D.C. There is footage of speakers, including John Patler, and panning shots of the crowd.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Det. Burton; RUNTIME: 00:03:10; DESCRIPTION: This real contains footage of a protest in opposition to the Vietnam War in front of the Richmond Federal Building in downtown Richmond on April 29, 1967. About 100 individuals participated in the march. Individuals march holding signs or flowers, wearing business clothing. Several children participate in the march as well. Towards the middle of the reel, there is footage of a pro-war counterprotest of approximately seven individuals.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Bussing Picket- Belvidere St. / Grove Ave. 1100 Block taken 10-14-70; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of several dozen adults and children, all of whom appear to be white, protesting against school desegregation busing in Belvidere Street near the Virginia War Memorial on August 22, 1970. It also contains aerial footage of the Monroe Park area of Richmond filmed on October 14, 1970.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti-Bussing, Skinny Morrisett's Parade, 8-29-70, Police I.D.; RUNTIME: 00:04:00; DESCRIPTION: This reel contains footage of approximately 250 individuals protesting school desegregation via busing in downtown Richmond. This protest appears to be majority white, though there are participants who are people of color, both adults and children. This footage shows demonstrators gathering in Monroe Park, leaving Monroe Park, marching in downtown Richmond, and approaching the Virginia State Capitol grounds.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti-bussing, Skinny Morrisett's parade, 8-29-70; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of approximately 250 individuals protesting school desegregation via busing in downtown Richmond. This protest appears to be majority white, though there are participants who are people of color, both adults and children. This footage shows demonstrators marching at the the Virginia State Capitol grounds, as well as a car protest leaving Skinny's Kitchen in southern Richmond.; NOTE:\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Finished 4-13-62, Anti-Bussing Meeting Mosque Rev. J.B. Book, 8-28-70; RUNTIME: 00:04:33; DESCRIPTION: This reel contains footage of a rally against school desegregation busing organized by Reverend John B. Book of the Southside Christian Church the Mosque (now the Altria Theater) in Richmond, Virginia, held on August 28, 1970. Footage includes Book and several other speakers on the stage. ; NOTE: This footage is in black and white. The reel has the date April 13, 1962, which might indicate that is when the film was started but was not concluded until the second date, August 28, 1970. This may account for why this film is in black and white when most films from this year are in color.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti Draft Protest, 3-19-70 [2]; RUNTIME: 00:04:18; DESCRIPTION: This reel contains footage of the gathering of individuals who will participate in a day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage follows individuals and groups arriving for the picket, walking back and forth in front of the building. Some building workers are seen--potential security and others. The footage is filmed from across the street and above. Towards the end of the video, the individuals preparing the picket notice the camera and gesture toward it. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti Draft Protest, 3-19-70; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others. The footage is filmed from across the street and above. At one point, one of the picketers is detained by a uniformed individual and led away. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators. One Black individual is seen photographing the demonstrators and communicating with another individual filming the picketers.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti Draft Protest, 3-19-70, Rich. Police I.D., 649-4811 [phone number]; RUNTIME: 00:03:53; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others. The footage is filmed from the street and steps of the Station. At one point, one of the picketers is detained by a uniformed individual and led away. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators. One Black individual is seen photographing the demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti draft [sic] protest, 3-19-70; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others.  The footage is filmed from across the street and above. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Antidraft [sic] protest; RUNTIME: 00:04:44; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others.  The footage is filmed from across the street and above. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti Draft [sic] protest 3-19-70; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of approximately 150 individuals gathering for a march from Monroe Park to the Federal Building at 8th and Marshall Streets. Individuals and their signs are visible, then the march begins. The second half of the reel is of individuals from the protest leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti Draft Protest, 3-19-70, Rich Police ID, 649-4811 [phone number]; RUNTIME: 00:03:38; DESCRIPTION: This reel contains footage of several dozen individuals marching to the Federal Building at 8th and Marshall Streets. Individuals and their signs are visible. The last part of the reel shows individuals from the protest leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti Draft protest 3-19-70, Rich. Police I.D., 649-4811 [phone number]; RUNTIME: 00:03:46; DESCRIPTION: This reel contains footage of several dozen individuals leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Klan's A.B.C. protest march of open housing in front of Jefferson Hotel. 4-6-68; RUNTIME: 00:03:46; DESCRIPTION: This reel contains footage of white individuals protesting against a conference on fair housing in front of the Hotel Jefferson in Richmond, Virginia on April 6, 1968. There are approximately ten individuals in the protest.; NOTE: While language on the original reel refers to the \"Klan\", most likely the Ku Klux Klan, there is no information in the reel or in newspaper reporting of the protest that identifies protestors as Klan members. Newspapers at the time referred to the group as segregationists.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Klan's A.B.C., protest march of open housing in front of Jefferson Hotel, short strip of Dianne Sugg. 4-6-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of white individuals protesting against a conference on fair housing in front of the Hotel Jefferson in Richmond, Virginia on April 6, 1968. There are approximately ten individuals in the protest.; NOTE: While language on the original reel refers to the \"Klan\", most likely the Ku Klux Klan, there is no information in the reel or in newspaper reporting of the protest that identifies protestors as Klan members. Newspapers at the time referred to the group as segregationists.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:[Unidentified #11], Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of a daytime anti-Vietnam War picket protest in front of the United States White House held on November 27, 2965. Most individuals appear to be white, though individuals of other races can be seen throughout. Footage focuses on those picketing, with specific emphasis on potential protest coordinators who wear orange armbands. Also included is footage of cars, police officers, and counter-protestors.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Be-In, Monroe Park, 4-  -69 [date missing], Police I.D. (Burton), [Sat.?]; RUNTIME: 00:03:41; DESCRIPTION: This reels contains footage of a crowd of individuals at an event labeled as a \"Be-In\" on the reel in Monroe Park, likely on April 27, 1969. Individuals sit on the grass, listen to a band playing in front of the Checkers House.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:In Park, 9-16-69, 1:30 am, I; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of a press conference in Monroe Park on September 16, 1969. Speaking at the press conference were Bob Lee, field secretary of the Black Panther Party of Illinois, and Bill Fesperman, field secretary of the Young Patriots Organization. The reel contains footage of individuals gathering in Monroe Park, as well as footage of Lee and Fesperman near the fountain with a journalist, and individuals watching the press conference.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Black Panther Headquarters #8 E. Baker Street, 11-25-70, [0?]1005-1335; RUNTIME: 00:04:48; DESCRIPTION: This reel contains police surveillance footage of individuals exiting and entering the Black Panther Party Information Center at 8 E. Baker Street in Richmond, Virginia, on November 25, 1970. The house has a large Black Panther banner on the front porch railing, and an article with the address appeared in the \u003cem\u003eRichmond Times-Dispatch\u003c/em\u003e three days prior to this recording. It appears the BPP members were aware they were being surveilled, although the video is filmed from a distance.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes debris in the camera gate and a camera registration error, which leads to \"jumps\" in footage or multiple frames being seen at once.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:30 April 70, Black Panther Visit to VCU, Ogden, et al; RUNTIME: 00:04:11; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park for what was advertised as a Black Panther Party press conference on April 30, 1970. There is footage filmed in the park, and footage of individuals outside of Rhoads Hall on Franklin Street.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Black Panther meeting Monroe Park 4-29-70 / William and Mary students Induction Center 5-11-1970; RUNTIME: 00:04:08; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park for what was advertised as a Black Panther Party press conference on April 30, 1970. There is also footage of College of William and Mary students picketing the draft at the Richmond Parcel Post Building at 1102 E. Main St., which also served as the induction center during the Vietnam War, on May 11, 1970.; NOTE: Although the reel is labeled April 29, 1970, this is likely the meeting covered by the \u003cemph render=\"italic\"\u003eRichmond Times-Dispatch\u003c/emph\u003e which took place on April 30, 1970.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Caplan - Raid; RUNTIME: 00:04:53; DESCRIPTION: Undated police surveillance of unknown business during the daytime. Mostly individuals entering and leaving business. Suspected raid footage.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Chief - Col. Wright's Ret. Party Police Hdq., Dec. 29, 1967; RUNTIME: 00:03:38; DESCRIPTION: Footage of a retirement celebration for Chief Col. John M. Wright Jr. from the Richmond Police Department. Wright worked in the department from 1920 to 1967. The Wright Family Papers are available via theLibrary of Virginia. An announcement of Wright's retirement ran in the Richmond Times-Dispatch on October 3, 1967. An announcement of this event ran in the Richmond Times-Dispatch on December 30, 1967.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Chief - Colonel Wright's ret. party at police Hdq., Dec. 29, 1967; RUNTIME: 00:03:54; DESCRIPTION: Footage of a retirement celebration for three individuals from the Richmond Police Department. The only named individual on the reel is Chief Col. John M. Wright Jr., who worked in the department from 1920 to 1967. The Wright Family Papers are available via the Library of Virginia. Two other individuals also appear to be receiving accolades and gifts in the reel. One is Mary P. Phillips, who worked as executive secretary to Chief Wright and his predecessor Chief O.D. Garton. An announcement of their retirements ran in the Richmond Times-Dispatch on October 3, 1967. The second is Detective Sgt. Clifford L. Brown, a homocide investigator. An announcement of this event ran in the Richmond Times-Dispatch on December 30, 1967. Their order of appearance in the footage is Wright, Phillips, Brown.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Richmond Police, 3-19-34, [Colemans?] + 2501 W. Main St.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:4-12-62, Finished\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:[Unidentified #12], Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of former United States of America President Dwight D. Eisenhower visiting the Virginia War Memorial in Richmond on September 14, 1965. Eisenhower was in Virginia supporting the campaign of Linwood Holton for Virginia Governor. During the trip, he spoke to a 6,000 person rally at the South Portico on the Virginia State Capitol grounds, attended a 500 person luncheon at the Hotel John Marshall, and laid a wreathe at the World War II Memorial--now the Virginia War Memorial--with Virginia Adjutant General Major General Paul M. Booth, chairman of the World War II Memorial Commission John J. Wicker Jr., as well as Dr. Louis H. Williams, Robert P. Buford, and Holton and his wife Virginia Harrison \"Jinks\" Rogers Holton (\u003cemph render=\"italic\"\u003eRichmond Times-Dispatch\u003c/emph\u003e, September 15, 1965).\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:1st day at Free University, 9-16-69, III\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:[Unknown #2]\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Panther Meeting, Laurel St., Free University, 9-17-69, Police I.D.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Black Panther Meeting, Free University, IV Free University 2nd Day, 9-17-69, Police I.D\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Lab. Day Caplan Colemans, Richmond Police, 3-19-34\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Georges, 7-13-68; RUNTIME: 00:03:36; DESCRIPTION: George's Place was located at 17 W Grace St.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Georgies; RUNTIME: 00:03:44\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Georges, 7-13-68; RUNTIME: 00:03:51; DESCRIPTION: George's Place was located at 17 W Grace St.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Georgio's; RUNTIME: 00:03:36; DESCRIPTION:\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Georgios\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:H. Rap Brown, September 15-18, 1967, City Jail- I.D., Bureau Police I.D., #28 (2); RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage of cars parked on streets, police officers at Richmond City Jail, and protestors in front of the jail on September 15, 1967. Individuals protested the jailing of Black power activist H. Rap Brown as he fought extradition to Maryland. Another angle of this footage is available \n\u003cextref type=\"simple\" href=\"https://www.youtube.com/watch?v=w-mgouibnCs\u0026amp;ab_channel=MSNBC\"\u003e via Youtube.\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:H. Rap Brown September 15-18, 1967, Post Office- Trial; RUNTIME: 00:03:49; DESCRIPTION: This reel contains footage protestors in front of the Richmond City Jail on September 15, 1967, as well as footage outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from Brown's habeas corpus hearing on September 16, 1967. Individuals protested the jailing of Black power activist H. Rap Brown as he fought extradition to Maryland.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:H. Rap Brown, September 15-18, 1967, Post Office* Trial; RUNTIME: 00:03:43; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's habeas corpus hearing on September 16, 1967.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:February 23, 1968, Friday, Trial of H. Rap Brown, Post office Bldg., Federal Court; (1) #25, H Rap Brown, 2-23-68; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage of individuals approaching, entering, and leaving the courthouse.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown Post Office Bldg., Federal Court; RUNTIME: 00:03:51; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage individuals leaving the courthouse, as well as individuals speaking with the press. It ends with footage following a specific car on the highway.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown, Post Office Bldg., Federal Court., Police I.D. (Burton), 2-23-68; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage of an individual, likely Brown's attorney Charles Mangum, speaking with the press, as well as various individuals gathered at the courthouse after the ruling. It ends with footage following a specific car on the highway.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:[illegible writing on masking tape], 2/23/68; RUNTIME: 00:07:00; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage individuals leaving the courthouse, as well as Brown's attorney William M. Kunstler giving remarks to the press. It ends with footage of Brown leaving the courthouse.; NOTE: This reel has sound.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Rap Brown trial, April 1968; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Rap Brown's hearing at Main St. Post Office, Eddie Slater, Dianne Sugg, Bruce Smith \u0026amp; Boy from RAM. 4-8-68; RUNTIME: 00:03:31; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Rap Brown's Hearing at Main Street Post Office, 4-6-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Rap Brown Trial April 1968; RUNTIME: 00:03:59; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Rap Brown's Hearing at Main Street Post Office. 4-8-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse. The end of the footage, the camera follows several cars on a highway and continues to film them while parked. It is likely this is footage from April 11, 1968, when previous SNCC chairman Stokely Carmichael (who later changed his name to Kwame Ture) traveled to Richmond for Brown's hearing on that day. Footage on Reel #13 in this collection matches this footage and is labeled \"Stokely Carmichael and his group at the federal reformatory in Petersbug, VA, 4-11-68\".\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Stokely Carmichael and his group at the federal reformatory, Petersbug, VA, 4-11-68; RUNTIME: 00:03:48; DESCRIPTION: This reel contains footage filmed outside of the Federal Reformatory in Petersburg, VA, on April 11, 1968, where H. Rap Brown was being held after the U.S. 4th Circuit Court of Appeals rejected his bond request. The footage films several cars and individuals in them, including previous SNCC chairman Stokely Carmichael (who later changed his name to Kwame Ture), who traveled to Richmond for Brown's hearing. There is also footage at an unidentified gas station.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown, Post Office Bldg., Federal Court, Police I.D. (Burton)\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:8-22-69, Flood Area; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage of flooded areas on the north side of the Mayo Bridge at 14th Street and Dock Street, as well as footage on Main Street at 15th Street.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Blvd. Bridge during flood, flood area, 8-22-69; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of the James River after Hurricane Camille, filmed from the Boulevard Bridge and perhaps the Mayo Bridge.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:8-22-69, Flood area, Lee Bridge (bad places); RUNTIME: 00:03:45; DESCRIPTION: This reel contains footage of the James River after Hurricane Camille, filmed from the Lee Bridge. There is also footage of Hull Street near the Mayo Bridge.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Klan Parade, Police I.D.; RUNTIME: 00:04:05; DESCRIPTION: This reel contains footage of individuals participating in a Ku Klux Klan car caravan in the Richmond area. Cars drive down two unidentified streets, with United States of America and/or Confederate flags on their cars. The footage is undated, however it appears that this occurred on July 9, 1967. ; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting and debris in the camera gate, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a \"bleeding\" effect for bright lights.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Klan parade; RUNTIME: 00:04:46; DESCRIPTION: This reel contains footage of individuals gathered in a parking lot, where two individuals receive and inspect Ku Klux Klan robes. The footage is undated, and appears to be filmed in a parking lot near 521 E. Southside Plaza in Richmond, Virginia. However, it appears that this group was preparing for a march in downtown Richmond and at the Virginia State Capitol grounds reported to have occurred on July 8, 1967. Some group members appear in both reels of the event.; NOTE:\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:[Unidentified #9] I, Police I.D.; RUNTIME: 00:04:49; DESCRIPTION: This reel contains footage of individuals wearing Ku Klux Klan robes and hoods (with their faces showing) marching on Broad Street and at the Virginia State Capitol grounds. The footage is undated, however it appears that this occurred on July 8, 1967. Some group members appear in both reels of the event. The final clips of the footage appear to be from the March on the Pentagon on October 21, 1967.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes a camera registration issue, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:KKK, 6-11-66; RUNTIME: 00:04:50; DESCRIPTION: This reel contains footage of individuals wearing Ku Klux Klan robes and hoods in an unidentified location on June 11, 1966. The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes a camera registration issue, as well as frames not being properly aligned to perforations, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:3 April '71, March Against Opression [sic], Commeration [sic] of M.L. King's Death, scenes along US #1.; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of approximately 100 individuals marching along the roadside of U.S. Route 1 in Virginia (somewhere between Petersburg and Richmond, likely closer to Richmond) on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression in Richmond. The crowd in this part of the march appears to grow as the footage follows them.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Victory March; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of individuals marching in Richmond, primarily on Franklin Street, on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression at the Virginia State Capitol. The final part of the reel is footage of the crowd on the capitol grounds.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:3 April 71, March Against Opression [sic], Commeration [sic] of Martin L. King's Death, State Capitol \u0026amp; March from Monroe Park, Police I.D.; RUNTIME: 00:04:35; DESCRIPTION: This reel contains footage of individuals marching in Richmond, primarily on Franklin Street, on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression at the Virginia State Capitol. The final part of the reel is footage of the crowd on the capitol grounds.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Lincoln Memorial Peace March, Washington, D.C., October 21-22, 1967 #1; RUNTIME: 00:04:07; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of the Lincoln Memorial and around the Reflecting Pool.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Lincoln Memorial Peace March, Washington, D.C., October 21-22 1967, #2; RUNTIME: 00:03:44; DESCRIPTION: Please note, this footage contains protest signs that include photographs of human corpses. Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd near the Lincoln Memorial and around the Reflecting Pool. It also contains footage of a counter-protest and of speakers at a podium.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Police I.D.; RUNTIME: 00:04:41; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of Lincoln Memorial. It also contains footage of the crowd marching from the Lincoln Memorial to the Pentagon.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting and a camera registration issue, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Lincoln Memorial March, Wash., D.C., Oct. 21-22, 1967, #3; RUNTIME: 00:03:37; DESCRIPTION: Footage filmed at the Pentagon and Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd in both locations.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Police I.D.; RUNTIME: 00:04:44; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of Lincoln Memorial. It also contains footage of the crowd marching from the Lincoln Memorial to the Pentagon.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting which leads to footage looking blurry.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:March Wash D.C., Oct. 21-22 1967, Police I.D.; RUNTIME: 00:04:12; DESCRIPTION: Footage filmed at the Pentagon and Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd in both locations.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes the camera gate slipping which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Memorial held for Martin Luther King at State Capitol. 4-7-68; RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Memorial held for Martin Luther King at State Capitol 4-7-68 [2]; RUNTIME: 00:04:12; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Memorial for Martin Luther King held at State Capitol. 4-7-68; RUNTIME: 00:03:27; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Martin Luther King Parade, April 69; RUNTIME: 00:04:45; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals gather in Monroe Park preparing to march in the rain, and then march down what appears to be Broad Street.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Martin Luther King Memorial March - Apr. 4, 1969; RUNTIME: 00:03:53; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals leave Monroe Park marching in the rain, and then march down what appears to be Broad Street.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Kings [sic] Memorial; RUNTIME: 00:03:37; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals gather in Monroe Park preparing to march in the rain, and then march down what appears to be Broad Street.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Martin Luther King Memorial, April 4, 1969; RUNTIME: 00:04:19; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, marchers gather at the steps of the Virginia State Capitol, with some speakers gathering under the portico. Then the crowd disperses.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Moratorium Day Monroe Park 69; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Individuals gathered for discussion groups, and later on sit and stand while listening to a speaker on a stage in the park.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Peace March #2, Union Group, 10-15-69; RUNTIME: 00:04:21; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Individuals are seen gathered in the park near the Checkers House. Footage includes several speakers on a stage in the park, demonstrators leaving Monroe Park, and speakers at the Virginia State Capitol Building.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Moratorium Day, Monroe Park + Capitol, 69, Police I.D.; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes several speakers on a stage in the park, speakers at the Virginia State Capitol Building, and the crowd of demonstrators gathering on the capitol grounds.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:10-15-69, Peace March Monroe Park, City Hall, State Capitol, #3; RUNTIME: 00:04:28; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes several at the Virginia State Capitol Building, the crowd of demonstrators on the capitol grounds, the crowd dispersing from the grounds, a smaller demonstration at Richmond City Hall, the crowd walking down Broad Street, and a small gathering at Monroe Park.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Moratorium Day, City Hall, 69; RUNTIME: 00:03:44; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes a short clip at the Virginia State Capitol Building, a smaller demonstration at Richmond City Hall and the police dispersal of it, and the crowd walking down Broad Street.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti-school consolidation motorcade to Washington, 24 Feb. 72, Fair Grounds written on film ; RUNTIME: 00:04:23; DESCRIPTION: This reel contains a footage of cars in the February 17, 1972 motorcade from Richmond to Washington D.C. opposing the consolidation of schools for integration. The cars are primarily filmed leaving the State Fairgrounds on Laburnum Avenue. Car license plates are filmed, as well as a uniformed officer and other individuals directing traffic and speaking with one another outside of cars.; NOTE: Although the reel is labeled February 24, 1972, the motorcade from Richmond to Washington, D.C. took place on February 17, 1972.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Anti-School Consolidation Motorcade to Washington, 24 Feb. 1972, Bureau of Police I.D.; RUNTIME: 00:04:07; DESCRIPTION: This reel contains a footage of cars in the February 17, 1972 motorcade from Richmond to Washington, D.C. opposing the consolidation of schools for integration. The beginning of the reel films the motorcade on the highway to Washington D.C. The rest of the reel films cars in the motorcade turning left at the intersection of Independence Ave SW and 14th Street SW in Washington, D.C.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Apr. 15 1970, National Priorties [sic] Day; RUNTIME: 00:04:12; DESCRIPTION: This reel contain footage of a crowd of several dozen individuals gathered at the Checkers House in Monroe Park as part of the National Priorities Day event held on April 15, 1970. Several speakers are featured including Jim Elam, Arthur Waskow, David Hawk, and Loretta Johnson. It appears to be raining, with many individuals wearing rain coats and/or carrying umbrellas.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:National Priorities Day - Monroe Park + SHW building, April 15 - 1970; RUNTIME: 00:04:14; DESCRIPTION: This reels contain footage of a crowd of approximately 100 individuals marching from Monroe Park east on Franklin Street, then arriving at a building at 501 N 9th Street and placing a cardboard coffin at the building's entrance. This was part of the National Priorities Day event held on April 15, 1970.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:15 May 70, Anti-Viet Nam in Monroe Park, Police I.D.; RUNTIME: 00:04:05; DESCRIPTION: This reel contains footage of individuals gathering in Monroe Park on May 15, 1970 for a protest against the ongoing war in Vietnam. It begins with footage of individuals gathered in downtown Richmond, it is unclear if this gathering is associated with the rest of the footage. It also contains footage of individuals gathering at the Checkers House in Monroe Park, and the crowd leaving the park.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:#2 Anti Vietnam [sic] - 15 May 70, Leaving Monroe Park + Capitol; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of individuals leaving Monroe Park, marching to on Franklin Street, and at the Bell Tower on the Virginia State Capitol grounds on May 15, 1970 for a protest against the ongoing war in Vietnam.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:MA, 15 May 70, Capitol Square, Anti-Vietnam, Police ID; RUNTIME: 00:04:16; DESCRIPTION: This reel contains footage of individuals gathered at the Bell Tower on the ground of the Virginia State Capitol on May 15, 1970 for a protest against the ongoing war in Vietnam. It features footage of multiple speakers including Loretta F. Johnson, an organizer with the Richmond Welfare Rights Organization.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:National Socialist White People's Party NSWPP visit to Richmond 15 Feb. 72; RUNTIME: 00:04:47; DESCRIPTION: This reel contains police surveillance footage of an American Nazi Party bus in Richmond, brought to the city by Matt Koehl to protest school desegregation busing. There are multiple clips of the bus in Richmond, as well as individuals in Nazi uniforms boarding the bus.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:June 30, 1969, Welfare March; RUNTIME: 00:03:37; DESCRIPTION: Footage from the June 30, 1969 Solidarity Day march and rally in support of increased welfare benefits. This reels contains footage of individuals gathering at the Safety, Health and Welfare Building, marching to the Virginia State Capitol, and individuals preparing for speeches at the capitol.; NOTE:\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Welfare March June 30, 1969; RUNTIME: 00:03:36; DESCRIPTION: Footage from the June 30, 1969 Solidarity Day march and rally in support of increased welfare benefits. This reels contains footage of individuals gathering at the Virginia State Capitol, including multiple individuals speaking into a microphone.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:1 July 70, City Hall Carwile for Mayor; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of individuals, including several children, picketing outside of Richmond City Hall in support of Howard H. Carwile for mayor on July 1, 1970.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sunday, May 5, 1968 1100am-600pm, Protest march of VUU students to Monroe Park in protest of the arrest Elliott Hatcher, First part of this film..police court hearing for Elliott Hatcher, Thursday, May 2, 1968 #1; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond Police Court on May 2, 1968, likely showing individuals gathering for Elliott Hatcher's sentencing. It also contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Hatcher. The crowd appears to be made up of majority Black individuals, though individuals of different races are visible throughout.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Carwile - Prison Pickets #1 - 1st part of Peace March 10-15-69; RUNTIME: 00:04:19; DESCRIPTION: This reel contains footage of protestors at what appears to be Virginia State Penitentiary and the Virginia State Capitol grounds, picketing for prison reform. The dates of these events are unknown. The final clips are of individuals gathering in Monroe Park as part of Moratorium Day held on October 15, 1969.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Protest march, 1102 E. Main St., Parcel post building, November 9, 1967, SHERA; RUNTIME: 00:03:50; DESCRIPTION: This reel contains footage filmed outside of the Richmond Parcel Post Building at 1102 E. Main St., which also served as the induction center during the Vietnam War. Footage features a group of protestors supporting Dr. James Marvin Shea Jr.'s refusal to accept the draft. Towards the end of the footage, Shea is seen talking to individuals outside, potentially journalists.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:MI85895, TV + Motion Picture 117 E Main, Mi 34444, Mi 37068\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Raid 2501 W. Main [Erkie?] Walker, Va [Hallane C?\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:1-30-61, Richmond Police Department 3-19-34\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Dec. 20, 1967 (Wed) 906 W. Broad St.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Prostitution at 2913 W. Grace St. March 6, 1968; RUNTIME: 00:03:35\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:I.D. Div, Bureau of Police\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Cox Barron-Coleman\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Bureau of Police ID Div\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:City of Richmond Bureau of Police K449\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Bureau of Police ID Div\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Bureau of Police\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Police ID Jefferson St.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:[Unknown #8] XX;\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Black \u0026amp; White\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:2501 W. Main St\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Caplan, N. Harrison St., Cockey;\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Man w/ dog, Girl coming out of apt., about 5 feet\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Test for Spot Light\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Police Wk. 196[2?]\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Police Week 1962 #1; RUNTIME: 00:04:36; DESCRIPTION: This reel contains footage of multiple demonstrations of police equipment and other events as a part of Richmond Police Week, 14-19, 1962. This footage appears to be of an outdoor display of \"equipment, horses, and dogs\" which occurred May 17-19 from 10AM-4PM on 6th Street between Broad Street and Grace Street (\u003cemph render=\"italic\"\u003eRichmond Times-Dispatch\u003c/emph\u003e, April 1, 1962).\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Police Week 1965, Show at the school on Fendall Ave.; RUNTIME: 00:14:41; DESCRIPTION: This reel contain footage of a judo demonstration by police officers during Richmond's Police Week beginning May 9, 1965. According to the \u003cemph render=\"italic\"\u003eRichmond Times-Dispatch\u003c/emph\u003e, members of the \"juvenile, traffic, and patrol divisions, including K-9 and cadet forces\" would be participating in the school programs scheduled for the week (\u003cemph render=\"italic\"\u003eRichmond Times-Dispatch\u003c/emph\u003e, May 9, 1965). Writing on the reel states that this \"show\" took place at a school on Fendall, likely referring to J. E. B Stuart Elementary (renamed Barack Obama Elementary School in 2018) at 3101 Fendall Ave in Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Poor People's Campaign June 1968; RUNTIME: 00:04:46; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan likely driving from Norfolk to Richmond, as well as the march gathering in a parking lot. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.; NOTE: The film reel is labeled \"June 1968\" but the Poor People's Campaign 1968 Southern Caravan to Washington D.C. arrived in Richmond on Saturday, May 18, 1968. It is believed that is the date this reel is from.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Poor Peoples [sic] March, Saturday May 18, 1968, Richmond, Va.; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage likely at the Southside parking lot where the Poor People's Campaign march in Richmond began. Several dozen individuals stand in groups in a large open space, talking and moving about. Several individuals in marshal jackets are seen. There is also a stage and some footage of speakers on the stage, likely from the Southern Christian Leadership Conference (SCLC). The crowd appears to be majority Black, with a significant amount of white marchers also present. All speakers on the stage are Black. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Waverly Eddie\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:[Unidentified #10], Police ID; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of the Poor People's Campaign march in Richmond, like the portion where they marched north from Southside over the Robert E. Lee Memorial Bridge. The footage is shot from above, perhaps an overpass, with wide shots of the crowd. The footage is blurry. The crowd appears to be majority Black, with a significant amount of white marchers also present. There is also a significant uniformed police presence on foot, on horseback, and on motorcycles.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Poor Peoples [sic] March, Saturday, May 18, 1968, North end of Lee Bridge by the War Memorial; RUNTIME: 00:03:53; DESCRIPTION: This reel contains footage of the Poor Peoples Campaign Caravan crossing over the Robert E. Lee Memorial Bridge in Richmond,  likely filmed from the Virginia War Memorial. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Poor Peoples [sic] Campaign, June 1968; RUNTIME: 00:04:20; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan driving through Richmond, Virginia. It also contains footage of individuals in the campaign outside of the Presbyterian School of Christian Education on Brook Road. The march appears to be majority Black, with a significant amount of white marchers also present. Uniformed police officers of various races also appear.; NOTE: The film reel is labeled \"June 1968\" but the Poor People's Campaign 1968 Southern Caravan to Washington D.C. arrived in Richmond on Saturday, May 18, 1968. It is believed that is the date this reel is from.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Poor Peoples [sic] March, Saturday May 18, 1968, Richmond, Va.; RUNTIME: 00:03:45; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign in Richmond, Virginia. It contains footage of individuals in the campaign on Lombardy Street, as well as individuals and groups diving cars and trucks in what appears to be Richmond. While other reels of this event featured a majority Black crowd, this footage seems to focus on white motorists in costume, potentially students from the Richmond Professional Institute (RPI). Uniformed police officers of various races also appear.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:25 February 73 Richmond Prisoners Solidarity Committee at State Peninteniary [sic]; RUNTIME: 00:03:11; DESCRIPTION: This reel contains footage of a picket organized by the Richmond Prisoners Solidarity Committee (PCS) at the Virginia State Penitentiary, likely on January 21, 1973. Picketers carry signs calling for support of incarcerated individuals, the firing of W.K. Cunningham, and the abolition of \"C-Cell\".; NOTE: Although the reel is labeled February 25, 1973, this is likely the protest covered by the Richmond Times-Dispatch which took place on January 31, 1973.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:May 10, 1968 Friday, RPI students at Byrd Airport Ref. May Day celb. ART / PPC March Sat. 5-18-1968 230PM; RUNTIME: 00:03:50; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan likely driving from Norfolk to Richmond, as well as the march gathering in a parking lot. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Pickets at RPI, 10-20-65, JBF; RUNTIME: 00:04:47; DESCRIPTION: This reel contains footage of a student picket in front of the Richmond Professional Institute (RPI) administration building which took place on October 20, 1965 between 8AM and 9:15AM. Several dozen students picketed with signs supporting three RPI students who had been denied enrollment due to having long hair and beards.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sergeants Peppers [sic] Peace March, 5th - 7th / Broad St. and Grace Sts., Dec. 15, 1967 ; RUNTIME: 00:03:36; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 15, 1967. The first sign carried reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The protest was in opposition to the Vietnam War.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sgt. Pepper's Peace Parade (Start) Dec-15-1967 / Sergeants Peppers Peace March, Dec. 15-16-18-19, 1967 / Sgt. Peppers [sic] Peace March 12/15-16-18-19/67, #9, City of Rich. Police I.D.; RUNTIME: 00:03:34; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 16, 18, and 19. A sign carried in other footage of this march (see Reels #1 and #3) reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The protest was in opposition to the Vietnam War.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sgt. Peppers peace March, Dec. 22-23, 1967; RUNTIME: 00:03:54; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 20, 21, and 23. The first sign carried reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The footage was recorded over a span of a few days, noticeable by changing days on protest signs. The protest was in opposition to the Vietnam War.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Police I.D.; RUNTIME: 00:04:16; DESCRIPTION: This reel contains footage of an unidentified gathering in front of what appears to be a courthouse, most likely in Richmond, Virginia between 1962 and 1973. If you have any identifying information on this event, please contact VCU Libraries Digital Libraries and Publishing via libcompass@vcu.edu.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:#1 Dec. 17, 1969, VSC students protest - Belvidere + Franklin St.; RUNTIME: 00:03:37; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:VSC Students, 12-17-69, Belvidere + Franklin, Police I.D.; RUNTIME: 00:03:38; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:12-17-69, Belvidere + Franklin- VSC students protest; RUNTIME: 00:03:52; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:12-17-69, VSC Students, Belvidere + Franklin; RUNTIME: 00:04:04; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Dec 17, 1969, at State Capitol, VA State Coll. protest pickets; RUNTIME: 00:03:51; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of protestors marching around the Virginia State Capitol, as well as a smaller group entering the Capitol grounds and building. Marchers wear winter coats and jackets, buttons, and hold signs.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:VSC Students, 12-17-69, at State Capitol, #6, Police I.D.; RUNTIME: 00:03:38; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage Governor Mills E. Godwin Jr. It also features a smaller group of marchers entering the Virginia State Capitol grounds and marching in a picket. Marchers wear winter coats and jackets, buttons, and hold signs. It ends with marchers boarding buses on 9th Street.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sunday, May 5 1968 1100am-600pm, Students from VUU protest march for the arrest of Elliott Hatccher [sic] for tresp. on VUU property. VUU to Monroe Park, #2; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as one speaker is featured. The crowd appears to be made up of majority Black individuals, though individuals of different races are visible throughout.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sunday, May 5, 1968, 11;00am-600pm, Virginia Union Univeristy [sic] Protest March for Elliott Hatcher Arrest for tresp. on VUU Property, VUU to Monroe Park #3; RUNTIME: 00:03:39; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as individuals preparing to speak are featured.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Va. Union Students, Hatcher, May 1968; RUNTIME: 00:04:45; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as several speakers are featured.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sunday, May 5, 1968 Between the hours 1100AM and 600PM, Virginia Union University protest march from VUU to Monroe Park. Protest of the arrest of Elliott Hatcher. For trespassing on VUU property. Exp. Student... #5; RUNTIME: 00:03:52; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as several speakers are featured.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sunday, May 5, 1968, 1100am-600pm, Students protest march for Elliott Natcher from VUU to Monroe Park in symth. of his arrest. #4; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of several speakers is featured.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Sunday, May 5, 1968, 1100am-600pm, Students protest march for the arrest of Elliot Hatcher fro [sic] tresp. on VUU property....VUU to Monroe Park, #6; RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher, as well as the demonstrators marching from Monroe Park to Virginia Union University.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:VA. Union students, May 5, 1968; RUNTIME: 00:04:45; DESCRIPTION: This reel contains footage filmed in on May 5, 1968, during a protest in support of Elliott Hatcher. Demonstrators march from Monroe Park to Virginia Union University.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:VA. Union students Hatcher, May 5, 1968; RUNTIME: 00:04:20; DESCRIPTION: This reel contains footage filmed at Monroe Park and Virginia Union University on May 5, 1968, during a protest in support of Elliott Hatcher. It also features footage of students delivering a petition to Kate Gilpin Henderson, wife of VUU President Dr. Henderson.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:March to State Capitol from VA Union, #1, from VA Union to Capitol; RUNTIME: 00:04:47; DESCRIPTION: This reel contains footage of some 300 individuals marching from Virginia Union University to the Virginia State Capitol in support of voting rights legislation. Footage is filmed on VUU campus, Lombardy Street, and Broad Street. An object covers the top right corner of the frame throughout most of the footage.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:part of march from Va. Union to State Capital [sic] / Police Week, 1965, Show at school on Fendall by Cain, Police F.D.; RUNTIME: 00:02:43; DESCRIPTION: This reel contains footage of the March 16, 965 voting rights march from Virginia Union University to the Virginia State Capitol, as well as a judo and K-9 demonstration by police officers during Richmond's Police Week beginning May 9, 1965.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:March at State Capitol from VA Union (#2) At Capitol; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of some 500 individuals gathering on the steps of the Virginia State Capitol in support of voting rights legislation. Towards the end of the footage, they appear to pray and sing. An object covers the top right corner of the frame throughout most of the footage.\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:Finished 4-2-62, Whisnant\u003c/p\u003e","\u003cp\u003eTITLE ON REEL:4-14-62, Whisnant\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains film and audio reels pertaining to civil rights and other activities in the 1960s and 1970s in Richmond, Virginia, and surrounding states. These include the H. Rap Brown trial, Lincoln Memorial Peace March, the Martin Luther King memorial at the Virginia State Capitol, Anti-Bussing protests, the Poor People's Campaign, student protest marches, surveillance of the Black Panthers, the Ku Klux Klan (KKK), the National Socialist White People's Party, and illegal abortion providers. There are also reels of police training videos, retirement parties, and the 1969 flood. In addition to the film and audio reels, there are also photographs of many of the events recorded on film reels, as well as Personal Information Cards.","Series 1: Audio Recordings","Digital copies of audio recordings, arranged alphabetically.","Series 2: Film Recordings","Digital copies of film recordings, arranged alphabetically.","Series 3: Professional Organizations and Service","Original film and audio reels. Arranged numerically by VCU-assigned reel number. For which digitized reel they correspond to, please contact Special Collections and Archives to see the inventory.","Series 4: Photographs and Personal Information Cards","Photographs taken by the Richmond Police documenting protests, marches, \"undesireable\" people, movements, or places, locations, and other events. Unfortunately, these events remain unidentified except by the roll of film number, with no key indicating what the images are of. As such, the photographs are arranged numerically by the police-assigned roll number.","Personal Information Cards contain information on individual people being surveilled by police. This can include their address, what they are being surveilled for, and their employment, among other things. They remain in the order in which they were recieved, which is no particular order.","TITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and feb. 16, 1968, #1; RUNTIME: 00:03:52; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage.","TITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and Feb. 16, 1968, #2; RUNTIME: 00:03:46; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage","TITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan 1968 and Feb. 16 1968, #3; RUNTIME: 00:03:39; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. Individuals are shown in the footage.","TITLE ON REEL:Aboration [sic], 614 W. 31st. St. between last of Jan 1968 and Feb. 16, 1968, #4; RUNTIME: 00:03:53; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. No individuals are shown in this footage","TITLE ON REEL:Aboration [sic] 614 W. 31st. St. between last of Jan. 1968 and Feb. 16, 1968, #5; RUNTIME: 00:03:40; DESCRIPTION: Police surveillance footage of an alleged abortion clinic in a residential home at 614 W. 31st St. in Richmond, Virginia. This footage was recorded between January 31 and February 16, 1968, at a time where abortion was not legal in Virginia outside of emergency situations to save the life of the parent. No individuals are shown in this footage","TITLE ON REEL:Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of an American Nazi Party rally in Lafayette Park in Washington, D.C. There is footage of speakers, including John Patler, and panning shots of the crowd.","TITLE ON REEL:Det. Burton; RUNTIME: 00:03:10; DESCRIPTION: This real contains footage of a protest in opposition to the Vietnam War in front of the Richmond Federal Building in downtown Richmond on April 29, 1967. About 100 individuals participated in the march. Individuals march holding signs or flowers, wearing business clothing. Several children participate in the march as well. Towards the middle of the reel, there is footage of a pro-war counterprotest of approximately seven individuals.","TITLE ON REEL:Bussing Picket- Belvidere St. / Grove Ave. 1100 Block taken 10-14-70; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of several dozen adults and children, all of whom appear to be white, protesting against school desegregation busing in Belvidere Street near the Virginia War Memorial on August 22, 1970. It also contains aerial footage of the Monroe Park area of Richmond filmed on October 14, 1970.","TITLE ON REEL:Anti-Bussing, Skinny Morrisett's Parade, 8-29-70, Police I.D.; RUNTIME: 00:04:00; DESCRIPTION: This reel contains footage of approximately 250 individuals protesting school desegregation via busing in downtown Richmond. This protest appears to be majority white, though there are participants who are people of color, both adults and children. This footage shows demonstrators gathering in Monroe Park, leaving Monroe Park, marching in downtown Richmond, and approaching the Virginia State Capitol grounds.","TITLE ON REEL:Anti-bussing, Skinny Morrisett's parade, 8-29-70; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of approximately 250 individuals protesting school desegregation via busing in downtown Richmond. This protest appears to be majority white, though there are participants who are people of color, both adults and children. This footage shows demonstrators marching at the the Virginia State Capitol grounds, as well as a car protest leaving Skinny's Kitchen in southern Richmond.; NOTE:","TITLE ON REEL:Finished 4-13-62, Anti-Bussing Meeting Mosque Rev. J.B. Book, 8-28-70; RUNTIME: 00:04:33; DESCRIPTION: This reel contains footage of a rally against school desegregation busing organized by Reverend John B. Book of the Southside Christian Church the Mosque (now the Altria Theater) in Richmond, Virginia, held on August 28, 1970. Footage includes Book and several other speakers on the stage. ; NOTE: This footage is in black and white. The reel has the date April 13, 1962, which might indicate that is when the film was started but was not concluded until the second date, August 28, 1970. This may account for why this film is in black and white when most films from this year are in color.","TITLE ON REEL:Anti Draft Protest, 3-19-70 [2]; RUNTIME: 00:04:18; DESCRIPTION: This reel contains footage of the gathering of individuals who will participate in a day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage follows individuals and groups arriving for the picket, walking back and forth in front of the building. Some building workers are seen--potential security and others. The footage is filmed from across the street and above. Towards the end of the video, the individuals preparing the picket notice the camera and gesture toward it. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft Protest, 3-19-70; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others. The footage is filmed from across the street and above. At one point, one of the picketers is detained by a uniformed individual and led away. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators. One Black individual is seen photographing the demonstrators and communicating with another individual filming the picketers.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft Protest, 3-19-70, Rich. Police I.D., 649-4811 [phone number]; RUNTIME: 00:03:53; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others. The footage is filmed from the street and steps of the Station. At one point, one of the picketers is detained by a uniformed individual and led away. Most individuals appear to be white, though individuals of other races can be seen throughout, but not in the group of demonstrators. One Black individual is seen photographing the demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti draft [sic] protest, 3-19-70; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others.  The footage is filmed from across the street and above. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Antidraft [sic] protest; RUNTIME: 00:04:44; DESCRIPTION: This reel contains footage of the day-time picket at the Armed Forces Examining and Entrance Station at 11th and Main Streets. Most footage is of the picket, showing individuals walking in a large oval on the sidewalk. Some building workers are seen--potential security and others.  The footage is filmed from across the street and above. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft [sic] protest 3-19-70; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of approximately 150 individuals gathering for a march from Monroe Park to the Federal Building at 8th and Marshall Streets. Individuals and their signs are visible, then the march begins. The second half of the reel is of individuals from the protest leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft Protest, 3-19-70, Rich Police ID, 649-4811 [phone number]; RUNTIME: 00:03:38; DESCRIPTION: This reel contains footage of several dozen individuals marching to the Federal Building at 8th and Marshall Streets. Individuals and their signs are visible. The last part of the reel shows individuals from the protest leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Anti Draft protest 3-19-70, Rich. Police I.D., 649-4811 [phone number]; RUNTIME: 00:03:46; DESCRIPTION: This reel contains footage of several dozen individuals leaving the Federal Building after a sit-in. Most individuals appear to be white, though individuals of other races can be seen throughout, including in the group of demonstrators.; NOTE: The order of the eight reels from this day of protests was determined by the Digital Initiatives Librarian using newspaper reports from the day, as well as other indicators of time in the footage. It may not be accurate to the order the footage was filmed in.","TITLE ON REEL:Klan's A.B.C. protest march of open housing in front of Jefferson Hotel. 4-6-68; RUNTIME: 00:03:46; DESCRIPTION: This reel contains footage of white individuals protesting against a conference on fair housing in front of the Hotel Jefferson in Richmond, Virginia on April 6, 1968. There are approximately ten individuals in the protest.; NOTE: While language on the original reel refers to the \"Klan\", most likely the Ku Klux Klan, there is no information in the reel or in newspaper reporting of the protest that identifies protestors as Klan members. Newspapers at the time referred to the group as segregationists.","TITLE ON REEL:Klan's A.B.C., protest march of open housing in front of Jefferson Hotel, short strip of Dianne Sugg. 4-6-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of white individuals protesting against a conference on fair housing in front of the Hotel Jefferson in Richmond, Virginia on April 6, 1968. There are approximately ten individuals in the protest.; NOTE: While language on the original reel refers to the \"Klan\", most likely the Ku Klux Klan, there is no information in the reel or in newspaper reporting of the protest that identifies protestors as Klan members. Newspapers at the time referred to the group as segregationists.","TITLE ON REEL:[Unidentified #11], Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of a daytime anti-Vietnam War picket protest in front of the United States White House held on November 27, 2965. Most individuals appear to be white, though individuals of other races can be seen throughout. Footage focuses on those picketing, with specific emphasis on potential protest coordinators who wear orange armbands. Also included is footage of cars, police officers, and counter-protestors.","TITLE ON REEL:Be-In, Monroe Park, 4-  -69 [date missing], Police I.D. (Burton), [Sat.?]; RUNTIME: 00:03:41; DESCRIPTION: This reels contains footage of a crowd of individuals at an event labeled as a \"Be-In\" on the reel in Monroe Park, likely on April 27, 1969. Individuals sit on the grass, listen to a band playing in front of the Checkers House.","TITLE ON REEL:In Park, 9-16-69, 1:30 am, I; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of a press conference in Monroe Park on September 16, 1969. Speaking at the press conference were Bob Lee, field secretary of the Black Panther Party of Illinois, and Bill Fesperman, field secretary of the Young Patriots Organization. The reel contains footage of individuals gathering in Monroe Park, as well as footage of Lee and Fesperman near the fountain with a journalist, and individuals watching the press conference.","TITLE ON REEL:Black Panther Headquarters #8 E. Baker Street, 11-25-70, [0?]1005-1335; RUNTIME: 00:04:48; DESCRIPTION: This reel contains police surveillance footage of individuals exiting and entering the Black Panther Party Information Center at 8 E. Baker Street in Richmond, Virginia, on November 25, 1970. The house has a large Black Panther banner on the front porch railing, and an article with the address appeared in the Richmond Times-Dispatch three days prior to this recording. It appears the BPP members were aware they were being surveilled, although the video is filmed from a distance.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes debris in the camera gate and a camera registration error, which leads to \"jumps\" in footage or multiple frames being seen at once.","TITLE ON REEL:30 April 70, Black Panther Visit to VCU, Ogden, et al; RUNTIME: 00:04:11; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park for what was advertised as a Black Panther Party press conference on April 30, 1970. There is footage filmed in the park, and footage of individuals outside of Rhoads Hall on Franklin Street.","TITLE ON REEL:Black Panther meeting Monroe Park 4-29-70 / William and Mary students Induction Center 5-11-1970; RUNTIME: 00:04:08; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park for what was advertised as a Black Panther Party press conference on April 30, 1970. There is also footage of College of William and Mary students picketing the draft at the Richmond Parcel Post Building at 1102 E. Main St., which also served as the induction center during the Vietnam War, on May 11, 1970.; NOTE: Although the reel is labeled April 29, 1970, this is likely the meeting covered by the Richmond Times-Dispatch which took place on April 30, 1970.","TITLE ON REEL:Caplan - Raid; RUNTIME: 00:04:53; DESCRIPTION: Undated police surveillance of unknown business during the daytime. Mostly individuals entering and leaving business. Suspected raid footage.","TITLE ON REEL:Chief - Col. Wright's Ret. Party Police Hdq., Dec. 29, 1967; RUNTIME: 00:03:38; DESCRIPTION: Footage of a retirement celebration for Chief Col. John M. Wright Jr. from the Richmond Police Department. Wright worked in the department from 1920 to 1967. The Wright Family Papers are available via theLibrary of Virginia. An announcement of Wright's retirement ran in the Richmond Times-Dispatch on October 3, 1967. An announcement of this event ran in the Richmond Times-Dispatch on December 30, 1967.","TITLE ON REEL:Chief - Colonel Wright's ret. party at police Hdq., Dec. 29, 1967; RUNTIME: 00:03:54; DESCRIPTION: Footage of a retirement celebration for three individuals from the Richmond Police Department. The only named individual on the reel is Chief Col. John M. Wright Jr., who worked in the department from 1920 to 1967. The Wright Family Papers are available via the Library of Virginia. Two other individuals also appear to be receiving accolades and gifts in the reel. One is Mary P. Phillips, who worked as executive secretary to Chief Wright and his predecessor Chief O.D. Garton. An announcement of their retirements ran in the Richmond Times-Dispatch on October 3, 1967. The second is Detective Sgt. Clifford L. Brown, a homocide investigator. An announcement of this event ran in the Richmond Times-Dispatch on December 30, 1967. Their order of appearance in the footage is Wright, Phillips, Brown.","TITLE ON REEL:Richmond Police, 3-19-34, [Colemans?] + 2501 W. Main St.","TITLE ON REEL:4-12-62, Finished","TITLE ON REEL:[Unidentified #12], Police ID; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of former United States of America President Dwight D. Eisenhower visiting the Virginia War Memorial in Richmond on September 14, 1965. Eisenhower was in Virginia supporting the campaign of Linwood Holton for Virginia Governor. During the trip, he spoke to a 6,000 person rally at the South Portico on the Virginia State Capitol grounds, attended a 500 person luncheon at the Hotel John Marshall, and laid a wreathe at the World War II Memorial--now the Virginia War Memorial--with Virginia Adjutant General Major General Paul M. Booth, chairman of the World War II Memorial Commission John J. Wicker Jr., as well as Dr. Louis H. Williams, Robert P. Buford, and Holton and his wife Virginia Harrison \"Jinks\" Rogers Holton (Richmond Times-Dispatch, September 15, 1965).","TITLE ON REEL:1st day at Free University, 9-16-69, III","TITLE ON REEL:[Unknown #2]","TITLE ON REEL:Panther Meeting, Laurel St., Free University, 9-17-69, Police I.D.","TITLE ON REEL:Black Panther Meeting, Free University, IV Free University 2nd Day, 9-17-69, Police I.D","TITLE ON REEL:Lab. Day Caplan Colemans, Richmond Police, 3-19-34","TITLE ON REEL:Georges, 7-13-68; RUNTIME: 00:03:36; DESCRIPTION: George's Place was located at 17 W Grace St.","TITLE ON REEL:Georgies; RUNTIME: 00:03:44","TITLE ON REEL:Georges, 7-13-68; RUNTIME: 00:03:51; DESCRIPTION: George's Place was located at 17 W Grace St.","TITLE ON REEL:Georgio's; RUNTIME: 00:03:36; DESCRIPTION:","TITLE ON REEL:Georgios","TITLE ON REEL:H. Rap Brown, September 15-18, 1967, City Jail- I.D., Bureau Police I.D., #28 (2); RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage of cars parked on streets, police officers at Richmond City Jail, and protestors in front of the jail on September 15, 1967. Individuals protested the jailing of Black power activist H. Rap Brown as he fought extradition to Maryland. Another angle of this footage is available \n via Youtube.","TITLE ON REEL:H. Rap Brown September 15-18, 1967, Post Office- Trial; RUNTIME: 00:03:49; DESCRIPTION: This reel contains footage protestors in front of the Richmond City Jail on September 15, 1967, as well as footage outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from Brown's habeas corpus hearing on September 16, 1967. Individuals protested the jailing of Black power activist H. Rap Brown as he fought extradition to Maryland.","TITLE ON REEL:H. Rap Brown, September 15-18, 1967, Post Office* Trial; RUNTIME: 00:03:43; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's habeas corpus hearing on September 16, 1967.","TITLE ON REEL:February 23, 1968, Friday, Trial of H. Rap Brown, Post office Bldg., Federal Court; (1) #25, H Rap Brown, 2-23-68; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage of individuals approaching, entering, and leaving the courthouse.","TITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown Post Office Bldg., Federal Court; RUNTIME: 00:03:51; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage individuals leaving the courthouse, as well as individuals speaking with the press. It ends with footage following a specific car on the highway.","TITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown, Post Office Bldg., Federal Court., Police I.D. (Burton), 2-23-68; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage of an individual, likely Brown's attorney Charles Mangum, speaking with the press, as well as various individuals gathered at the courthouse after the ruling. It ends with footage following a specific car on the highway.","TITLE ON REEL:[illegible writing on masking tape], 2/23/68; RUNTIME: 00:07:00; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's hearing in regards to his $10,000 bond in Virginia on February 23, 1968.  At the February 23 hearing, Brown's bond was revoked and he was ordered to return to New Orleans to face federal charges. This reel contains footage individuals leaving the courthouse, as well as Brown's attorney William M. Kunstler giving remarks to the press. It ends with footage of Brown leaving the courthouse.; NOTE: This reel has sound.","TITLE ON REEL:Rap Brown trial, April 1968; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.","TITLE ON REEL:Rap Brown's hearing at Main St. Post Office, Eddie Slater, Dianne Sugg, Bruce Smith \u0026 Boy from RAM. 4-8-68; RUNTIME: 00:03:31; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.","TITLE ON REEL:Rap Brown's Hearing at Main Street Post Office, 4-6-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.","TITLE ON REEL:Rap Brown Trial April 1968; RUNTIME: 00:03:59; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse.","TITLE ON REEL:Rap Brown's Hearing at Main Street Post Office. 4-8-68; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond City Courthouse (known as the United States Post Office and Customhouse) from H. Rap Brown's bond hearing on April 8, 1968. Brown had been transferred from New Orleans to Richmond the previous day, and according to papers looked emaciated and limped into the courtroom, as he had just ended a hunger strike. Judge Merhige denied the bond. There was a heavy presence of Richmond police and state troopers both inside and outside the courthouse, likely due to ongoing unrest following the assassination of Dr. Martin Luther King, Jr. four days prior. This reel contains footage of individuals outside the courthouse. The end of the footage, the camera follows several cars on a highway and continues to film them while parked. It is likely this is footage from April 11, 1968, when previous SNCC chairman Stokely Carmichael (who later changed his name to Kwame Ture) traveled to Richmond for Brown's hearing on that day. Footage on Reel #13 in this collection matches this footage and is labeled \"Stokely Carmichael and his group at the federal reformatory in Petersbug, VA, 4-11-68\".","TITLE ON REEL:Stokely Carmichael and his group at the federal reformatory, Petersbug, VA, 4-11-68; RUNTIME: 00:03:48; DESCRIPTION: This reel contains footage filmed outside of the Federal Reformatory in Petersburg, VA, on April 11, 1968, where H. Rap Brown was being held after the U.S. 4th Circuit Court of Appeals rejected his bond request. The footage films several cars and individuals in them, including previous SNCC chairman Stokely Carmichael (who later changed his name to Kwame Ture), who traveled to Richmond for Brown's hearing. There is also footage at an unidentified gas station.","TITLE ON REEL:February 23, 1968 (Friday), Trial of H. Rap Brown, Post Office Bldg., Federal Court, Police I.D. (Burton)","TITLE ON REEL:8-22-69, Flood Area; RUNTIME: 00:04:17; DESCRIPTION: This reel contains footage of flooded areas on the north side of the Mayo Bridge at 14th Street and Dock Street, as well as footage on Main Street at 15th Street.","TITLE ON REEL:Blvd. Bridge during flood, flood area, 8-22-69; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of the James River after Hurricane Camille, filmed from the Boulevard Bridge and perhaps the Mayo Bridge.","TITLE ON REEL:8-22-69, Flood area, Lee Bridge (bad places); RUNTIME: 00:03:45; DESCRIPTION: This reel contains footage of the James River after Hurricane Camille, filmed from the Lee Bridge. There is also footage of Hull Street near the Mayo Bridge.","TITLE ON REEL:Klan Parade, Police I.D.; RUNTIME: 00:04:05; DESCRIPTION: This reel contains footage of individuals participating in a Ku Klux Klan car caravan in the Richmond area. Cars drive down two unidentified streets, with United States of America and/or Confederate flags on their cars. The footage is undated, however it appears that this occurred on July 9, 1967. ; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting and debris in the camera gate, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a \"bleeding\" effect for bright lights.","TITLE ON REEL:Klan parade; RUNTIME: 00:04:46; DESCRIPTION: This reel contains footage of individuals gathered in a parking lot, where two individuals receive and inspect Ku Klux Klan robes. The footage is undated, and appears to be filmed in a parking lot near 521 E. Southside Plaza in Richmond, Virginia. However, it appears that this group was preparing for a march in downtown Richmond and at the Virginia State Capitol grounds reported to have occurred on July 8, 1967. Some group members appear in both reels of the event.; NOTE:","TITLE ON REEL:[Unidentified #9] I, Police I.D.; RUNTIME: 00:04:49; DESCRIPTION: This reel contains footage of individuals wearing Ku Klux Klan robes and hoods (with their faces showing) marching on Broad Street and at the Virginia State Capitol grounds. The footage is undated, however it appears that this occurred on July 8, 1967. Some group members appear in both reels of the event. The final clips of the footage appear to be from the March on the Pentagon on October 21, 1967.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes a camera registration issue, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.","TITLE ON REEL:KKK, 6-11-66; RUNTIME: 00:04:50; DESCRIPTION: This reel contains footage of individuals wearing Ku Klux Klan robes and hoods in an unidentified location on June 11, 1966. The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes a camera registration issue, as well as frames not being properly aligned to perforations, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.","TITLE ON REEL:3 April '71, March Against Opression [sic], Commeration [sic] of M.L. King's Death, scenes along US #1.; RUNTIME: 00:04:15; DESCRIPTION: This reel contains footage of approximately 100 individuals marching along the roadside of U.S. Route 1 in Virginia (somewhere between Petersburg and Richmond, likely closer to Richmond) on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression in Richmond. The crowd in this part of the march appears to grow as the footage follows them.","TITLE ON REEL:Victory March; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of individuals marching in Richmond, primarily on Franklin Street, on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression at the Virginia State Capitol. The final part of the reel is footage of the crowd on the capitol grounds.","TITLE ON REEL:3 April 71, March Against Opression [sic], Commeration [sic] of Martin L. King's Death, State Capitol \u0026 March from Monroe Park, Police I.D.; RUNTIME: 00:04:35; DESCRIPTION: This reel contains footage of individuals marching in Richmond, primarily on Franklin Street, on April 3, 1971. They were on their way to an event in commemoration of the assassination of Dr. Martin Luther King Jr. and against war, racism, and repression at the Virginia State Capitol. The final part of the reel is footage of the crowd on the capitol grounds.","TITLE ON REEL:Lincoln Memorial Peace March, Washington, D.C., October 21-22, 1967 #1; RUNTIME: 00:04:07; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of the Lincoln Memorial and around the Reflecting Pool.","TITLE ON REEL:Lincoln Memorial Peace March, Washington, D.C., October 21-22 1967, #2; RUNTIME: 00:03:44; DESCRIPTION: Please note, this footage contains protest signs that include photographs of human corpses. Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd near the Lincoln Memorial and around the Reflecting Pool. It also contains footage of a counter-protest and of speakers at a podium.","TITLE ON REEL:Police I.D.; RUNTIME: 00:04:41; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of Lincoln Memorial. It also contains footage of the crowd marching from the Lincoln Memorial to the Pentagon.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting and a camera registration issue, which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout","TITLE ON REEL:Lincoln Memorial March, Wash., D.C., Oct. 21-22, 1967, #3; RUNTIME: 00:03:37; DESCRIPTION: Footage filmed at the Pentagon and Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd in both locations.","TITLE ON REEL:Police I.D.; RUNTIME: 00:04:44; DESCRIPTION: Footage filmed at the Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd on the steps of Lincoln Memorial. It also contains footage of the crowd marching from the Lincoln Memorial to the Pentagon.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes ghosting which leads to footage looking blurry.","TITLE ON REEL:March Wash D.C., Oct. 21-22 1967, Police I.D.; RUNTIME: 00:04:12; DESCRIPTION: Footage filmed at the Pentagon and Lincoln Memorial in Washington, D.C. on October 21, 1967, of a demonstration against the Vietnam War. This reel contains footage of the crowd in both locations.; NOTE: The original 16mm film reel has damage which translated to the digitized copy presented here. The damage includes the camera gate slipping which leads to \"jumps\" in footage or multiple frames being seen at once, as well as a soft focus throughout.","TITLE ON REEL:Memorial held for Martin Luther King at State Capitol. 4-7-68; RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.","TITLE ON REEL:Memorial held for Martin Luther King at State Capitol 4-7-68 [2]; RUNTIME: 00:04:12; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.","TITLE ON REEL:Memorial for Martin Luther King held at State Capitol. 4-7-68; RUNTIME: 00:03:27; DESCRIPTION: This reel contains footage of a gathering at the Virginia State Capitol on April 7, 1968, in mourning of the assassination of Dr. Martin Luther King Jr. on April 4. The majority of individuals wear dress clothes/church clothes. The crowd is made of a majority of Black individuals, though individuals of various races are visible throughout.","TITLE ON REEL:Martin Luther King Parade, April 69; RUNTIME: 00:04:45; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals gather in Monroe Park preparing to march in the rain, and then march down what appears to be Broad Street.","TITLE ON REEL:Martin Luther King Memorial March - Apr. 4, 1969; RUNTIME: 00:03:53; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals leave Monroe Park marching in the rain, and then march down what appears to be Broad Street.","TITLE ON REEL:Kings [sic] Memorial; RUNTIME: 00:03:37; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, individuals gather in Monroe Park preparing to march in the rain, and then march down what appears to be Broad Street.","TITLE ON REEL:Martin Luther King Memorial, April 4, 1969; RUNTIME: 00:04:19; DESCRIPTION: Footage of the April 4, 1969 Memorial March for Dr. Martin Luther King Jr. in Richmond, Virginia. In this reel, marchers gather at the steps of the Virginia State Capitol, with some speakers gathering under the portico. Then the crowd disperses.","TITLE ON REEL:Moratorium Day Monroe Park 69; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Individuals gathered for discussion groups, and later on sit and stand while listening to a speaker on a stage in the park.","TITLE ON REEL:Peace March #2, Union Group, 10-15-69; RUNTIME: 00:04:21; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Individuals are seen gathered in the park near the Checkers House. Footage includes several speakers on a stage in the park, demonstrators leaving Monroe Park, and speakers at the Virginia State Capitol Building.","TITLE ON REEL:Moratorium Day, Monroe Park + Capitol, 69, Police I.D.; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes several speakers on a stage in the park, speakers at the Virginia State Capitol Building, and the crowd of demonstrators gathering on the capitol grounds.","TITLE ON REEL:10-15-69, Peace March Monroe Park, City Hall, State Capitol, #3; RUNTIME: 00:04:28; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes several at the Virginia State Capitol Building, the crowd of demonstrators on the capitol grounds, the crowd dispersing from the grounds, a smaller demonstration at Richmond City Hall, the crowd walking down Broad Street, and a small gathering at Monroe Park.","TITLE ON REEL:Moratorium Day, City Hall, 69; RUNTIME: 00:03:44; DESCRIPTION: This reel contains footage of individuals gathered in Monroe Park on October 15, 1969 for the Moratorium to End the War in Vietnam. Footage includes a short clip at the Virginia State Capitol Building, a smaller demonstration at Richmond City Hall and the police dispersal of it, and the crowd walking down Broad Street.","TITLE ON REEL:Anti-school consolidation motorcade to Washington, 24 Feb. 72, Fair Grounds written on film ; RUNTIME: 00:04:23; DESCRIPTION: This reel contains a footage of cars in the February 17, 1972 motorcade from Richmond to Washington D.C. opposing the consolidation of schools for integration. The cars are primarily filmed leaving the State Fairgrounds on Laburnum Avenue. Car license plates are filmed, as well as a uniformed officer and other individuals directing traffic and speaking with one another outside of cars.; NOTE: Although the reel is labeled February 24, 1972, the motorcade from Richmond to Washington, D.C. took place on February 17, 1972.","TITLE ON REEL:Anti-School Consolidation Motorcade to Washington, 24 Feb. 1972, Bureau of Police I.D.; RUNTIME: 00:04:07; DESCRIPTION: This reel contains a footage of cars in the February 17, 1972 motorcade from Richmond to Washington, D.C. opposing the consolidation of schools for integration. The beginning of the reel films the motorcade on the highway to Washington D.C. The rest of the reel films cars in the motorcade turning left at the intersection of Independence Ave SW and 14th Street SW in Washington, D.C.","TITLE ON REEL:Apr. 15 1970, National Priorties [sic] Day; RUNTIME: 00:04:12; DESCRIPTION: This reel contain footage of a crowd of several dozen individuals gathered at the Checkers House in Monroe Park as part of the National Priorities Day event held on April 15, 1970. Several speakers are featured including Jim Elam, Arthur Waskow, David Hawk, and Loretta Johnson. It appears to be raining, with many individuals wearing rain coats and/or carrying umbrellas.","TITLE ON REEL:National Priorities Day - Monroe Park + SHW building, April 15 - 1970; RUNTIME: 00:04:14; DESCRIPTION: This reels contain footage of a crowd of approximately 100 individuals marching from Monroe Park east on Franklin Street, then arriving at a building at 501 N 9th Street and placing a cardboard coffin at the building's entrance. This was part of the National Priorities Day event held on April 15, 1970.","TITLE ON REEL:15 May 70, Anti-Viet Nam in Monroe Park, Police I.D.; RUNTIME: 00:04:05; DESCRIPTION: This reel contains footage of individuals gathering in Monroe Park on May 15, 1970 for a protest against the ongoing war in Vietnam. It begins with footage of individuals gathered in downtown Richmond, it is unclear if this gathering is associated with the rest of the footage. It also contains footage of individuals gathering at the Checkers House in Monroe Park, and the crowd leaving the park.","TITLE ON REEL:#2 Anti Vietnam [sic] - 15 May 70, Leaving Monroe Park + Capitol; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of individuals leaving Monroe Park, marching to on Franklin Street, and at the Bell Tower on the Virginia State Capitol grounds on May 15, 1970 for a protest against the ongoing war in Vietnam.","TITLE ON REEL:MA, 15 May 70, Capitol Square, Anti-Vietnam, Police ID; RUNTIME: 00:04:16; DESCRIPTION: This reel contains footage of individuals gathered at the Bell Tower on the ground of the Virginia State Capitol on May 15, 1970 for a protest against the ongoing war in Vietnam. It features footage of multiple speakers including Loretta F. Johnson, an organizer with the Richmond Welfare Rights Organization.","TITLE ON REEL:National Socialist White People's Party NSWPP visit to Richmond 15 Feb. 72; RUNTIME: 00:04:47; DESCRIPTION: This reel contains police surveillance footage of an American Nazi Party bus in Richmond, brought to the city by Matt Koehl to protest school desegregation busing. There are multiple clips of the bus in Richmond, as well as individuals in Nazi uniforms boarding the bus.","TITLE ON REEL:June 30, 1969, Welfare March; RUNTIME: 00:03:37; DESCRIPTION: Footage from the June 30, 1969 Solidarity Day march and rally in support of increased welfare benefits. This reels contains footage of individuals gathering at the Safety, Health and Welfare Building, marching to the Virginia State Capitol, and individuals preparing for speeches at the capitol.; NOTE:","TITLE ON REEL:Welfare March June 30, 1969; RUNTIME: 00:03:36; DESCRIPTION: Footage from the June 30, 1969 Solidarity Day march and rally in support of increased welfare benefits. This reels contains footage of individuals gathering at the Virginia State Capitol, including multiple individuals speaking into a microphone.","TITLE ON REEL:1 July 70, City Hall Carwile for Mayor; RUNTIME: 00:04:14; DESCRIPTION: This reel contains footage of individuals, including several children, picketing outside of Richmond City Hall in support of Howard H. Carwile for mayor on July 1, 1970.","TITLE ON REEL:Sunday, May 5, 1968 1100am-600pm, Protest march of VUU students to Monroe Park in protest of the arrest Elliott Hatcher, First part of this film..police court hearing for Elliott Hatcher, Thursday, May 2, 1968 #1; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed outside of the Richmond Police Court on May 2, 1968, likely showing individuals gathering for Elliott Hatcher's sentencing. It also contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Hatcher. The crowd appears to be made up of majority Black individuals, though individuals of different races are visible throughout.","TITLE ON REEL:Carwile - Prison Pickets #1 - 1st part of Peace March 10-15-69; RUNTIME: 00:04:19; DESCRIPTION: This reel contains footage of protestors at what appears to be Virginia State Penitentiary and the Virginia State Capitol grounds, picketing for prison reform. The dates of these events are unknown. The final clips are of individuals gathering in Monroe Park as part of Moratorium Day held on October 15, 1969.","TITLE ON REEL:Protest march, 1102 E. Main St., Parcel post building, November 9, 1967, SHERA; RUNTIME: 00:03:50; DESCRIPTION: This reel contains footage filmed outside of the Richmond Parcel Post Building at 1102 E. Main St., which also served as the induction center during the Vietnam War. Footage features a group of protestors supporting Dr. James Marvin Shea Jr.'s refusal to accept the draft. Towards the end of the footage, Shea is seen talking to individuals outside, potentially journalists.","TITLE ON REEL:MI85895, TV + Motion Picture 117 E Main, Mi 34444, Mi 37068","TITLE ON REEL:Raid 2501 W. Main [Erkie?] Walker, Va [Hallane C?","TITLE ON REEL:1-30-61, Richmond Police Department 3-19-34","TITLE ON REEL:Dec. 20, 1967 (Wed) 906 W. Broad St.","TITLE ON REEL:Prostitution at 2913 W. Grace St. March 6, 1968; RUNTIME: 00:03:35","TITLE ON REEL:I.D. Div, Bureau of Police","TITLE ON REEL:Cox Barron-Coleman","TITLE ON REEL:Bureau of Police ID Div","TITLE ON REEL:City of Richmond Bureau of Police K449","TITLE ON REEL:Bureau of Police ID Div","TITLE ON REEL:Bureau of Police","TITLE ON REEL:Police ID Jefferson St.","TITLE ON REEL:[Unknown #8] XX;","TITLE ON REEL:Black \u0026 White","TITLE ON REEL:2501 W. Main St","TITLE ON REEL:Caplan, N. Harrison St., Cockey;","TITLE ON REEL:Man w/ dog, Girl coming out of apt., about 5 feet","TITLE ON REEL:Test for Spot Light","TITLE ON REEL:Police Wk. 196[2?]","TITLE ON REEL:Police Week 1962 #1; RUNTIME: 00:04:36; DESCRIPTION: This reel contains footage of multiple demonstrations of police equipment and other events as a part of Richmond Police Week, 14-19, 1962. This footage appears to be of an outdoor display of \"equipment, horses, and dogs\" which occurred May 17-19 from 10AM-4PM on 6th Street between Broad Street and Grace Street (Richmond Times-Dispatch, April 1, 1962).","TITLE ON REEL:Police Week 1965, Show at the school on Fendall Ave.; RUNTIME: 00:14:41; DESCRIPTION: This reel contain footage of a judo demonstration by police officers during Richmond's Police Week beginning May 9, 1965. According to the Richmond Times-Dispatch, members of the \"juvenile, traffic, and patrol divisions, including K-9 and cadet forces\" would be participating in the school programs scheduled for the week (Richmond Times-Dispatch, May 9, 1965). Writing on the reel states that this \"show\" took place at a school on Fendall, likely referring to J. E. B Stuart Elementary (renamed Barack Obama Elementary School in 2018) at 3101 Fendall Ave in Richmond, Virginia.","TITLE ON REEL:Poor People's Campaign June 1968; RUNTIME: 00:04:46; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan likely driving from Norfolk to Richmond, as well as the march gathering in a parking lot. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.; NOTE: The film reel is labeled \"June 1968\" but the Poor People's Campaign 1968 Southern Caravan to Washington D.C. arrived in Richmond on Saturday, May 18, 1968. It is believed that is the date this reel is from.","TITLE ON REEL:Poor Peoples [sic] March, Saturday May 18, 1968, Richmond, Va.; RUNTIME: 00:03:35; DESCRIPTION: This reel contains footage likely at the Southside parking lot where the Poor People's Campaign march in Richmond began. Several dozen individuals stand in groups in a large open space, talking and moving about. Several individuals in marshal jackets are seen. There is also a stage and some footage of speakers on the stage, likely from the Southern Christian Leadership Conference (SCLC). The crowd appears to be majority Black, with a significant amount of white marchers also present. All speakers on the stage are Black. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.","TITLE ON REEL:Waverly Eddie","TITLE ON REEL:[Unidentified #10], Police ID; RUNTIME: 00:04:09; DESCRIPTION: This reel contains footage of the Poor People's Campaign march in Richmond, like the portion where they marched north from Southside over the Robert E. Lee Memorial Bridge. The footage is shot from above, perhaps an overpass, with wide shots of the crowd. The footage is blurry. The crowd appears to be majority Black, with a significant amount of white marchers also present. There is also a significant uniformed police presence on foot, on horseback, and on motorcycles.","TITLE ON REEL:Poor Peoples [sic] March, Saturday, May 18, 1968, North end of Lee Bridge by the War Memorial; RUNTIME: 00:03:53; DESCRIPTION: This reel contains footage of the Poor Peoples Campaign Caravan crossing over the Robert E. Lee Memorial Bridge in Richmond,  likely filmed from the Virginia War Memorial. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.","TITLE ON REEL:Poor Peoples [sic] Campaign, June 1968; RUNTIME: 00:04:20; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan driving through Richmond, Virginia. It also contains footage of individuals in the campaign outside of the Presbyterian School of Christian Education on Brook Road. The march appears to be majority Black, with a significant amount of white marchers also present. Uniformed police officers of various races also appear.; NOTE: The film reel is labeled \"June 1968\" but the Poor People's Campaign 1968 Southern Caravan to Washington D.C. arrived in Richmond on Saturday, May 18, 1968. It is believed that is the date this reel is from.","TITLE ON REEL:Poor Peoples [sic] March, Saturday May 18, 1968, Richmond, Va.; RUNTIME: 00:03:45; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign in Richmond, Virginia. It contains footage of individuals in the campaign on Lombardy Street, as well as individuals and groups diving cars and trucks in what appears to be Richmond. While other reels of this event featured a majority Black crowd, this footage seems to focus on white motorists in costume, potentially students from the Richmond Professional Institute (RPI). Uniformed police officers of various races also appear.","TITLE ON REEL:25 February 73 Richmond Prisoners Solidarity Committee at State Peninteniary [sic]; RUNTIME: 00:03:11; DESCRIPTION: This reel contains footage of a picket organized by the Richmond Prisoners Solidarity Committee (PCS) at the Virginia State Penitentiary, likely on January 21, 1973. Picketers carry signs calling for support of incarcerated individuals, the firing of W.K. Cunningham, and the abolition of \"C-Cell\".; NOTE: Although the reel is labeled February 25, 1973, this is likely the protest covered by the Richmond Times-Dispatch which took place on January 31, 1973.","TITLE ON REEL:May 10, 1968 Friday, RPI students at Byrd Airport Ref. May Day celb. ART / PPC March Sat. 5-18-1968 230PM; RUNTIME: 00:03:50; DESCRIPTION: This reel contains footage likely filmed by the Richmond Police Department of the Poor Peoples Campaign Caravan likely driving from Norfolk to Richmond, as well as the march gathering in a parking lot. The crowd appears to be majority Black, with a significant amount of white marchers also present. Most wear wearing day clothes, some are dressed in religious wear, and many holding signs.","TITLE ON REEL:Pickets at RPI, 10-20-65, JBF; RUNTIME: 00:04:47; DESCRIPTION: This reel contains footage of a student picket in front of the Richmond Professional Institute (RPI) administration building which took place on October 20, 1965 between 8AM and 9:15AM. Several dozen students picketed with signs supporting three RPI students who had been denied enrollment due to having long hair and beards.","TITLE ON REEL:Sergeants Peppers [sic] Peace March, 5th - 7th / Broad St. and Grace Sts., Dec. 15, 1967 ; RUNTIME: 00:03:36; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 15, 1967. The first sign carried reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The protest was in opposition to the Vietnam War.","TITLE ON REEL:Sgt. Pepper's Peace Parade (Start) Dec-15-1967 / Sergeants Peppers Peace March, Dec. 15-16-18-19, 1967 / Sgt. Peppers [sic] Peace March 12/15-16-18-19/67, #9, City of Rich. Police I.D.; RUNTIME: 00:03:34; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 16, 18, and 19. A sign carried in other footage of this march (see Reels #1 and #3) reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The protest was in opposition to the Vietnam War.","TITLE ON REEL:Sgt. Peppers peace March, Dec. 22-23, 1967; RUNTIME: 00:03:54; DESCRIPTION: This reel of police surveillance footage is of a protest march in downtown Richmond, around the area of the Carpenter Theatre on N 6th Street between Grace Street and Broad Street, on December 20, 21, and 23. The first sign carried reads \"Sgt. Peppers Peace March,\" likely in reference to the album Sgt. Pepper's Lonely Hearts Club Band which was released by The Beatles in May of 1967. The footage was recorded over a span of a few days, noticeable by changing days on protest signs. The protest was in opposition to the Vietnam War.","TITLE ON REEL:Police I.D.; RUNTIME: 00:04:16; DESCRIPTION: This reel contains footage of an unidentified gathering in front of what appears to be a courthouse, most likely in Richmond, Virginia between 1962 and 1973. If you have any identifying information on this event, please contact VCU Libraries Digital Libraries and Publishing via libcompass@vcu.edu.","TITLE ON REEL:#1 Dec. 17, 1969, VSC students protest - Belvidere + Franklin St.; RUNTIME: 00:03:37; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs","TITLE ON REEL:VSC Students, 12-17-69, Belvidere + Franklin, Police I.D.; RUNTIME: 00:03:38; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.","TITLE ON REEL:12-17-69, Belvidere + Franklin- VSC students protest; RUNTIME: 00:03:52; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.","TITLE ON REEL:12-17-69, VSC Students, Belvidere + Franklin; RUNTIME: 00:04:04; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of marchers leaving Monroe Park and walking in pairs east on Franklin Street. They wear winter coats and jackets, buttons, and hold signs.","TITLE ON REEL:Dec 17, 1969, at State Capitol, VA State Coll. protest pickets; RUNTIME: 00:03:51; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage of protestors marching around the Virginia State Capitol, as well as a smaller group entering the Capitol grounds and building. Marchers wear winter coats and jackets, buttons, and hold signs.","TITLE ON REEL:VSC Students, 12-17-69, at State Capitol, #6, Police I.D.; RUNTIME: 00:03:38; DESCRIPTION: Footage of students, faculty, and supporters protesting changes to Virginia State College in Richmond, Virginia. This reel contains footage Governor Mills E. Godwin Jr. It also features a smaller group of marchers entering the Virginia State Capitol grounds and marching in a picket. Marchers wear winter coats and jackets, buttons, and hold signs. It ends with marchers boarding buses on 9th Street.","TITLE ON REEL:Sunday, May 5 1968 1100am-600pm, Students from VUU protest march for the arrest of Elliott Hatccher [sic] for tresp. on VUU property. VUU to Monroe Park, #2; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as one speaker is featured. The crowd appears to be made up of majority Black individuals, though individuals of different races are visible throughout.","TITLE ON REEL:Sunday, May 5, 1968, 11;00am-600pm, Virginia Union Univeristy [sic] Protest March for Elliott Hatcher Arrest for tresp. on VUU Property, VUU to Monroe Park #3; RUNTIME: 00:03:39; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as individuals preparing to speak are featured.","TITLE ON REEL:Va. Union Students, Hatcher, May 1968; RUNTIME: 00:04:45; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as several speakers are featured.","TITLE ON REEL:Sunday, May 5, 1968 Between the hours 1100AM and 600PM, Virginia Union University protest march from VUU to Monroe Park. Protest of the arrest of Elliott Hatcher. For trespassing on VUU property. Exp. Student... #5; RUNTIME: 00:03:52; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of the crowd at the park as well as several speakers are featured.","TITLE ON REEL:Sunday, May 5, 1968, 1100am-600pm, Students protest march for Elliott Natcher from VUU to Monroe Park in symth. of his arrest. #4; RUNTIME: 00:03:36; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher. Footage of several speakers is featured.","TITLE ON REEL:Sunday, May 5, 1968, 1100am-600pm, Students protest march for the arrest of Elliot Hatcher fro [sic] tresp. on VUU property....VUU to Monroe Park, #6; RUNTIME: 00:03:37; DESCRIPTION: This reel contains footage filmed in Monroe Park on May 5, 1968, during a protest in support of Elliott Hatcher, as well as the demonstrators marching from Monroe Park to Virginia Union University.","TITLE ON REEL:VA. Union students, May 5, 1968; RUNTIME: 00:04:45; DESCRIPTION: This reel contains footage filmed in on May 5, 1968, during a protest in support of Elliott Hatcher. Demonstrators march from Monroe Park to Virginia Union University.","TITLE ON REEL:VA. Union students Hatcher, May 5, 1968; RUNTIME: 00:04:20; DESCRIPTION: This reel contains footage filmed at Monroe Park and Virginia Union University on May 5, 1968, during a protest in support of Elliott Hatcher. It also features footage of students delivering a petition to Kate Gilpin Henderson, wife of VUU President Dr. Henderson.","TITLE ON REEL:March to State Capitol from VA Union, #1, from VA Union to Capitol; RUNTIME: 00:04:47; DESCRIPTION: This reel contains footage of some 300 individuals marching from Virginia Union University to the Virginia State Capitol in support of voting rights legislation. Footage is filmed on VUU campus, Lombardy Street, and Broad Street. An object covers the top right corner of the frame throughout most of the footage.","TITLE ON REEL:part of march from Va. Union to State Capital [sic] / Police Week, 1965, Show at school on Fendall by Cain, Police F.D.; RUNTIME: 00:02:43; DESCRIPTION: This reel contains footage of the March 16, 965 voting rights march from Virginia Union University to the Virginia State Capitol, as well as a judo and K-9 demonstration by police officers during Richmond's Police Week beginning May 9, 1965.","TITLE ON REEL:March at State Capitol from VA Union (#2) At Capitol; RUNTIME: 00:04:10; DESCRIPTION: This reel contains footage of some 500 individuals gathering on the steps of the Virginia State Capitol in support of voting rights legislation. Towards the end of the footage, they appear to pray and sing. An object covers the top right corner of the frame throughout most of the footage.","TITLE ON REEL:Finished 4-2-62, Whisnant","TITLE ON REEL:4-14-62, Whisnant"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_a2d9eced82b78ccfab522b0fa04d8050\"\u003eThere are an additional two unprocessed boxes awaiting conservation. These boxes are not yet available for research.\u003c/materialspec\u003e\n    "],"materialspec_tesim":["There are an additional two unprocessed boxes awaiting conservation. These boxes are not yet available for research."],"corpname_ssim":["VCU James Branch Cabell Library","Richmond (Va.). Police Department"],"persname_ssim":["Duling, Dalton Rotruck \"Ricky\", 1926-2010"],"names_ssim":["VCU James Branch Cabell Library","Richmond (Va.). Police Department","Duling, Dalton Rotruck \"Ricky\", 1926-2010"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":230,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:07:16.781Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_5_resources_648"}},{"id":"vifgm_repositories_2_resources_328","type":"collection","attributes":{"title":"Roger Wilkins papers, 1928/2008","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_328#creator","type":"document_value","attributes":{"value":"Wilkins, Roger W., 1932-2017","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_328#abstract_or_scope","type":"document_value","attributes":{"value":"The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_328#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_328","ead_ssi":"vifgm_repositories_2_resources_328","_root_":"vifgm_repositories_2_resources_328","_nest_parent_":"vifgm_repositories_2_resources_328","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_328.xml","title_ssm":["Roger Wilkins papers"],"title_tesim":["Roger Wilkins papers"],"unitdate_ssm":["1928-2008"],"unitdate_inclusive_ssm":["1928-2008"],"normalized_date_ssm":["1928/2008"],"normalized_title_ssm":["Roger Wilkins papers, 1928/2008"],"text":["Roger Wilkins papers, 1928/2008","C0212","/repositories/2/resources/328","United States -- Politics and government","African Americans -- Civil rights -- History -- 20th century","Education, Higher","Education, Higher -- Virginia","Correspondence","Photographs","Sound recordings","Video recordings","There are no access restrictions.","Organized by into six series:\nseries 1 - Publications, 1965-2008, (Boxes 1-5)\nseries 2 - General Correspondence, [undated] 1987-2006, (Box 5)\nseries 3 - Affilitations, 1995-2000, (Box 6)\nseries 4 - Biographical papers, [undated] 1923, 1963-2007, (Box 6)\nseries 5 - George Mason University, 1990-2006, (Boxes 7 and 8)\nseries 6 - Audio/Visual, [undated] 1995-2004, (Boxes 8 and 9)","Organized into 6 series","Series\n      Series 1: Publications, 1965-2008, (Boxes 1-5)\n      Series 2: General Correspondence, 1987-2006) (Box 5)\n      Series 3: Affiliations, 1995-2000, (Box 6)\n      Series 4: Biographical papers, 1928, 1963-2007 (Box 6)\n      Series 5: George Mason University, 1990-2006, (Boxes 7-8)\n      Series 6: Audio/Visual, 1994-2004, (Boxes 8-9; oversize 1)","Born in 1932 in Kansas City, Missouri, Roger Wilkins attended the University of Michigan and earned his Bachelor's degree in 1953 and his J.D. in 1956. He interned with Thurgood Marshall at the NAACP's Legal Defense Fund during his studies and his uncle, Roy Wilkins, served as the executive secretary of the NAACP from 1955 to 1977. In his early career, Roger Wilkins worked with the Ohio Welfare Department, the U.S. Agency for International Development, and as the assistant attorney general under President Lyndon B. Johnson. Following this, Wilkins pursued a successful career in journalism writing for The New York Times, The Washington Times, and editing The Washington Star. In 1972, as a member of The Washington Post's editorial staff, Wilkins along with Bob Woodward, Carl Bernstein, and Herbert Block earned the Pulitzer Prize for their coverage of the Watergate Scandal that led to President Nixon's resignation. A widely published author, Wilkins wrote \"A Man's Life,\" his autobiography, published first in 1982 and reprinted in 1991. In addition, Wilkins co-authored \"Quiet Riots: Race and Poverty in the United States\" with Fred Harris in 1988 and published \"Jefferson's Pillow: the Founding Fathers and the Dilemma of Black Patriotism\" in 2001. In 1986 he joined George Mason University as the Clarence Robinson Professor of History and American Culture and retired in 2007. Wilkins passed away in 2017. George Mason University named the Roger Wilkins Plaza after him that same year.","Processed by Stephanie Washburn in 2012. EAD markup completed by Stephanie Washburn in 2012. Finding aid updated by Amanda Brent in February 2021.","The Special Collections Research Center also holds the papers of other Robinson professors.","The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.","Series 1 contains the publications of Roger Wilkins and the various conferences, lecture series, and symposiums he attended and contributed to.  The series includes articles he wrote organized by general subject, two of the books he published with various book reviews of the works, and the various flyers and papers of the conferences.  The series is organized alphabetically by folder and then chronologically.","Series 2 contains Wilkins' general correspondence during his time as a Robinson professor.  This series is organized chronologically by folder.","Series 3 contains the papers on the various organizations in which Wilkins was involved such as the African American Institute, the MacArthur Foundation, and the NAACP Legal Defense Fund.  The series is organized alphabetically by folder and then chronologically.","Series 4 is made up of biographical material on Roger Wilkins.  It includes articles he wrote describing himself as a father as well as other documents discussing his mother's and uncle's work for civil rights.  There are also several transcribed interviews, one of which was conducted by one of his daughters. The series is arranged alphabetically by folder and then chronologically.","Series 5 contains various syllabi and notes from the classes Wilkins taught while at George Mason from 1990 through 2006.  In addition there is information about the provost search in the spring of 1990.  The series is organized alphabetically by folder and then chronologically.","Series 6 contains photographs, two cassette tapes of speeches, and 14 VHS tapes of lectures by Wilkins and other professors from 1995 through 2004.  The series includes a funeral speech for George N. Lindsay given by Roger Wilkins as well as a letter from Lindsay's widow.  This series is organized by medium and then chronologically.","This series includes articles and books written by Roger Wilkins, lectures, conferences, symposiums at which Roger Wilkins spoke, and the notes of the Pulitzer Prize committee.","This series contains Roger Wilkins correspondence from 1987 to 2006. It is organized chronologically.","This series includes organizations in which Roger Wilkins participated or headed from 1995 to 2000.  It is organized alphabetically by organization then chronologically.","This series includes interviews with Roger Wilkins and biographical articles about him and his family.","This series contains notes and syllabi of the classes Roger Wilkins taught while a Clarence Robinson professor of History and American Culture at George Mason University.","This series contains audio tapes and VHS tapes of lectures given by Roger Wilkins and other Robinson professors.","The American Academy of Arts and Letters where Roger Wilkins was a keynote speaker.  Wilkins is in the first row sixth from the right.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.","Map Case 11.5","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","Wilkins, Roger W., 1932-2017","English"],"collection_title_tesim":["Roger Wilkins papers, 1928/2008"],"collection_ssim":["Roger Wilkins papers, 1928/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0212","/repositories/2/resources/328"],"unitid_tesim":["C0212","/repositories/2/resources/328"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Politics and government"],"geogname_ssim":["United States -- Politics and government"],"places_ssim":["United States -- Politics and government"],"creator_ssm":["Wilkins, Roger W., 1932-2017"],"creator_ssim":["Wilkins, Roger W., 1932-2017"],"creator_persname_ssim":["Wilkins, Roger W., 1932-2017"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty"],"creators_ssim":["Wilkins, Roger W., 1932-2017","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Roger Wilkins in 2012."],"access_subjects_ssim":["African Americans -- Civil rights -- History -- 20th century","Education, Higher","Education, Higher -- Virginia","Correspondence","Photographs","Sound recordings","Video recordings"],"access_subjects_ssm":["African Americans -- Civil rights -- History -- 20th century","Education, Higher","Education, Higher -- Virginia","Correspondence","Photographs","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 9 boxes"],"extent_tesim":["3.25 Linear Feet 9 boxes"],"genreform_ssim":["Correspondence","Photographs","Sound recordings","Video recordings"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized by into six series:\nseries 1 - Publications, 1965-2008, (Boxes 1-5)\nseries 2 - General Correspondence, [undated] 1987-2006, (Box 5)\nseries 3 - Affilitations, 1995-2000, (Box 6)\nseries 4 - Biographical papers, [undated] 1923, 1963-2007, (Box 6)\nseries 5 - George Mason University, 1990-2006, (Boxes 7 and 8)\nseries 6 - Audio/Visual, [undated] 1995-2004, (Boxes 8 and 9)\u003c/p\u003e","\u003cp\u003eOrganized into 6 series\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Publications, 1965-2008, (Boxes 1-5)\u003c/item\u003e\n      \u003citem\u003eSeries 2: General Correspondence, 1987-2006) (Box 5)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Affiliations, 1995-2000, (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Biographical papers, 1928, 1963-2007 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: George Mason University, 1990-2006, (Boxes 7-8)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Audio/Visual, 1994-2004, (Boxes 8-9; oversize 1)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by into six series:\nseries 1 - Publications, 1965-2008, (Boxes 1-5)\nseries 2 - General Correspondence, [undated] 1987-2006, (Box 5)\nseries 3 - Affilitations, 1995-2000, (Box 6)\nseries 4 - Biographical papers, [undated] 1923, 1963-2007, (Box 6)\nseries 5 - George Mason University, 1990-2006, (Boxes 7 and 8)\nseries 6 - Audio/Visual, [undated] 1995-2004, (Boxes 8 and 9)","Organized into 6 series","Series\n      Series 1: Publications, 1965-2008, (Boxes 1-5)\n      Series 2: General Correspondence, 1987-2006) (Box 5)\n      Series 3: Affiliations, 1995-2000, (Box 6)\n      Series 4: Biographical papers, 1928, 1963-2007 (Box 6)\n      Series 5: George Mason University, 1990-2006, (Boxes 7-8)\n      Series 6: Audio/Visual, 1994-2004, (Boxes 8-9; oversize 1)"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1932 in Kansas City, Missouri, Roger Wilkins attended the University of Michigan and earned his Bachelor's degree in 1953 and his J.D. in 1956. He interned with Thurgood Marshall at the NAACP's Legal Defense Fund during his studies and his uncle, Roy Wilkins, served as the executive secretary of the NAACP from 1955 to 1977. In his early career, Roger Wilkins worked with the Ohio Welfare Department, the U.S. Agency for International Development, and as the assistant attorney general under President Lyndon B. Johnson. Following this, Wilkins pursued a successful career in journalism writing for The New York Times, The Washington Times, and editing The Washington Star. In 1972, as a member of The Washington Post's editorial staff, Wilkins along with Bob Woodward, Carl Bernstein, and Herbert Block earned the Pulitzer Prize for their coverage of the Watergate Scandal that led to President Nixon's resignation. A widely published author, Wilkins wrote \"A Man's Life,\" his autobiography, published first in 1982 and reprinted in 1991. In addition, Wilkins co-authored \"Quiet Riots: Race and Poverty in the United States\" with Fred Harris in 1988 and published \"Jefferson's Pillow: the Founding Fathers and the Dilemma of Black Patriotism\" in 2001. In 1986 he joined George Mason University as the Clarence Robinson Professor of History and American Culture and retired in 2007. Wilkins passed away in 2017. George Mason University named the Roger Wilkins Plaza after him that same year.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in 1932 in Kansas City, Missouri, Roger Wilkins attended the University of Michigan and earned his Bachelor's degree in 1953 and his J.D. in 1956. He interned with Thurgood Marshall at the NAACP's Legal Defense Fund during his studies and his uncle, Roy Wilkins, served as the executive secretary of the NAACP from 1955 to 1977. In his early career, Roger Wilkins worked with the Ohio Welfare Department, the U.S. Agency for International Development, and as the assistant attorney general under President Lyndon B. Johnson. Following this, Wilkins pursued a successful career in journalism writing for The New York Times, The Washington Times, and editing The Washington Star. In 1972, as a member of The Washington Post's editorial staff, Wilkins along with Bob Woodward, Carl Bernstein, and Herbert Block earned the Pulitzer Prize for their coverage of the Watergate Scandal that led to President Nixon's resignation. A widely published author, Wilkins wrote \"A Man's Life,\" his autobiography, published first in 1982 and reprinted in 1991. In addition, Wilkins co-authored \"Quiet Riots: Race and Poverty in the United States\" with Fred Harris in 1988 and published \"Jefferson's Pillow: the Founding Fathers and the Dilemma of Black Patriotism\" in 2001. In 1986 he joined George Mason University as the Clarence Robinson Professor of History and American Culture and retired in 2007. Wilkins passed away in 2017. George Mason University named the Roger Wilkins Plaza after him that same year."],"prefercite_html_tesm":["\u003cp\u003eRoger Wilkins papers, C0212, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Roger Wilkins papers, C0212, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Stephanie Washburn in 2012. EAD markup completed by Stephanie Washburn in 2012. Finding aid updated by Amanda Brent in February 2021.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Stephanie Washburn in 2012. EAD markup completed by Stephanie Washburn in 2012. Finding aid updated by Amanda Brent in February 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the papers of other Robinson professors.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the papers of other Robinson professors."],"scopecontent_html_tesm":["\u003cp\u003eThe papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.      \u003c/p\u003e","\u003cp\u003eSeries 1 contains the publications of Roger Wilkins and the various conferences, lecture series, and symposiums he attended and contributed to.  The series includes articles he wrote organized by general subject, two of the books he published with various book reviews of the works, and the various flyers and papers of the conferences.  The series is organized alphabetically by folder and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 2 contains Wilkins' general correspondence during his time as a Robinson professor.  This series is organized chronologically by folder.\u003c/p\u003e","\u003cp\u003eSeries 3 contains the papers on the various organizations in which Wilkins was involved such as the African American Institute, the MacArthur Foundation, and the NAACP Legal Defense Fund.  The series is organized alphabetically by folder and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 4 is made up of biographical material on Roger Wilkins.  It includes articles he wrote describing himself as a father as well as other documents discussing his mother's and uncle's work for civil rights.  There are also several transcribed interviews, one of which was conducted by one of his daughters. The series is arranged alphabetically by folder and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 5 contains various syllabi and notes from the classes Wilkins taught while at George Mason from 1990 through 2006.  In addition there is information about the provost search in the spring of 1990.  The series is organized alphabetically by folder and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 6 contains photographs, two cassette tapes of speeches, and 14 VHS tapes of lectures by Wilkins and other professors from 1995 through 2004.  The series includes a funeral speech for George N. Lindsay given by Roger Wilkins as well as a letter from Lindsay's widow.  This series is organized by medium and then chronologically.\u003c/p\u003e  ","\u003cp\u003eThis series includes articles and books written by Roger Wilkins, lectures, conferences, symposiums at which Roger Wilkins spoke, and the notes of the Pulitzer Prize committee.\u003c/p\u003e","\u003cp\u003eThis series contains Roger Wilkins correspondence from 1987 to 2006. It is organized chronologically.\u003c/p\u003e","\u003cp\u003eThis series includes organizations in which Roger Wilkins participated or headed from 1995 to 2000.  It is organized alphabetically by organization then chronologically.\u003c/p\u003e","\u003cp\u003eThis series includes interviews with Roger Wilkins and biographical articles about him and his family.\u003c/p\u003e","\u003cp\u003eThis series contains notes and syllabi of the classes Roger Wilkins taught while a Clarence Robinson professor of History and American Culture at George Mason University.\u003c/p\u003e","\u003cp\u003eThis series contains audio tapes and VHS tapes of lectures given by Roger Wilkins and other Robinson professors.\u003c/p\u003e","\u003cp\u003eThe American Academy of Arts and Letters where Roger Wilkins was a keynote speaker.  Wilkins is in the first row sixth from the right.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.","Series 1 contains the publications of Roger Wilkins and the various conferences, lecture series, and symposiums he attended and contributed to.  The series includes articles he wrote organized by general subject, two of the books he published with various book reviews of the works, and the various flyers and papers of the conferences.  The series is organized alphabetically by folder and then chronologically.","Series 2 contains Wilkins' general correspondence during his time as a Robinson professor.  This series is organized chronologically by folder.","Series 3 contains the papers on the various organizations in which Wilkins was involved such as the African American Institute, the MacArthur Foundation, and the NAACP Legal Defense Fund.  The series is organized alphabetically by folder and then chronologically.","Series 4 is made up of biographical material on Roger Wilkins.  It includes articles he wrote describing himself as a father as well as other documents discussing his mother's and uncle's work for civil rights.  There are also several transcribed interviews, one of which was conducted by one of his daughters. The series is arranged alphabetically by folder and then chronologically.","Series 5 contains various syllabi and notes from the classes Wilkins taught while at George Mason from 1990 through 2006.  In addition there is information about the provost search in the spring of 1990.  The series is organized alphabetically by folder and then chronologically.","Series 6 contains photographs, two cassette tapes of speeches, and 14 VHS tapes of lectures by Wilkins and other professors from 1995 through 2004.  The series includes a funeral speech for George N. Lindsay given by Roger Wilkins as well as a letter from Lindsay's widow.  This series is organized by medium and then chronologically.","This series includes articles and books written by Roger Wilkins, lectures, conferences, symposiums at which Roger Wilkins spoke, and the notes of the Pulitzer Prize committee.","This series contains Roger Wilkins correspondence from 1987 to 2006. It is organized chronologically.","This series includes organizations in which Roger Wilkins participated or headed from 1995 to 2000.  It is organized alphabetically by organization then chronologically.","This series includes interviews with Roger Wilkins and biographical articles about him and his family.","This series contains notes and syllabi of the classes Roger Wilkins taught while a Clarence Robinson professor of History and American Culture at George Mason University.","This series contains audio tapes and VHS tapes of lectures given by Roger Wilkins and other Robinson professors.","The American Academy of Arts and Letters where Roger Wilkins was a keynote speaker.  Wilkins is in the first row sixth from the right."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e95d32f9f1e4e0c233934736c9ce8301\" label=\"Abstract\"\u003eThe papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.\u003c/abstract\u003e\n    "],"abstract_tesim":["The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1ca6a9e64e9d671ec90cafaf9795222f\"\u003eMap Case 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty"],"names_coll_ssim":["George Mason University","George Mason University--Faculty","Wilkins, Roger W., 1932-2017"],"persname_ssim":["Wilkins, Roger W., 1932-2017"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","Wilkins, Roger W., 1932-2017"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":67,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:52.365Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_328","ead_ssi":"vifgm_repositories_2_resources_328","_root_":"vifgm_repositories_2_resources_328","_nest_parent_":"vifgm_repositories_2_resources_328","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_328.xml","title_ssm":["Roger Wilkins papers"],"title_tesim":["Roger Wilkins papers"],"unitdate_ssm":["1928-2008"],"unitdate_inclusive_ssm":["1928-2008"],"normalized_date_ssm":["1928/2008"],"normalized_title_ssm":["Roger Wilkins papers, 1928/2008"],"text":["Roger Wilkins papers, 1928/2008","C0212","/repositories/2/resources/328","United States -- Politics and government","African Americans -- Civil rights -- History -- 20th century","Education, Higher","Education, Higher -- Virginia","Correspondence","Photographs","Sound recordings","Video recordings","There are no access restrictions.","Organized by into six series:\nseries 1 - Publications, 1965-2008, (Boxes 1-5)\nseries 2 - General Correspondence, [undated] 1987-2006, (Box 5)\nseries 3 - Affilitations, 1995-2000, (Box 6)\nseries 4 - Biographical papers, [undated] 1923, 1963-2007, (Box 6)\nseries 5 - George Mason University, 1990-2006, (Boxes 7 and 8)\nseries 6 - Audio/Visual, [undated] 1995-2004, (Boxes 8 and 9)","Organized into 6 series","Series\n      Series 1: Publications, 1965-2008, (Boxes 1-5)\n      Series 2: General Correspondence, 1987-2006) (Box 5)\n      Series 3: Affiliations, 1995-2000, (Box 6)\n      Series 4: Biographical papers, 1928, 1963-2007 (Box 6)\n      Series 5: George Mason University, 1990-2006, (Boxes 7-8)\n      Series 6: Audio/Visual, 1994-2004, (Boxes 8-9; oversize 1)","Born in 1932 in Kansas City, Missouri, Roger Wilkins attended the University of Michigan and earned his Bachelor's degree in 1953 and his J.D. in 1956. He interned with Thurgood Marshall at the NAACP's Legal Defense Fund during his studies and his uncle, Roy Wilkins, served as the executive secretary of the NAACP from 1955 to 1977. In his early career, Roger Wilkins worked with the Ohio Welfare Department, the U.S. Agency for International Development, and as the assistant attorney general under President Lyndon B. Johnson. Following this, Wilkins pursued a successful career in journalism writing for The New York Times, The Washington Times, and editing The Washington Star. In 1972, as a member of The Washington Post's editorial staff, Wilkins along with Bob Woodward, Carl Bernstein, and Herbert Block earned the Pulitzer Prize for their coverage of the Watergate Scandal that led to President Nixon's resignation. A widely published author, Wilkins wrote \"A Man's Life,\" his autobiography, published first in 1982 and reprinted in 1991. In addition, Wilkins co-authored \"Quiet Riots: Race and Poverty in the United States\" with Fred Harris in 1988 and published \"Jefferson's Pillow: the Founding Fathers and the Dilemma of Black Patriotism\" in 2001. In 1986 he joined George Mason University as the Clarence Robinson Professor of History and American Culture and retired in 2007. Wilkins passed away in 2017. George Mason University named the Roger Wilkins Plaza after him that same year.","Processed by Stephanie Washburn in 2012. EAD markup completed by Stephanie Washburn in 2012. Finding aid updated by Amanda Brent in February 2021.","The Special Collections Research Center also holds the papers of other Robinson professors.","The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.","Series 1 contains the publications of Roger Wilkins and the various conferences, lecture series, and symposiums he attended and contributed to.  The series includes articles he wrote organized by general subject, two of the books he published with various book reviews of the works, and the various flyers and papers of the conferences.  The series is organized alphabetically by folder and then chronologically.","Series 2 contains Wilkins' general correspondence during his time as a Robinson professor.  This series is organized chronologically by folder.","Series 3 contains the papers on the various organizations in which Wilkins was involved such as the African American Institute, the MacArthur Foundation, and the NAACP Legal Defense Fund.  The series is organized alphabetically by folder and then chronologically.","Series 4 is made up of biographical material on Roger Wilkins.  It includes articles he wrote describing himself as a father as well as other documents discussing his mother's and uncle's work for civil rights.  There are also several transcribed interviews, one of which was conducted by one of his daughters. The series is arranged alphabetically by folder and then chronologically.","Series 5 contains various syllabi and notes from the classes Wilkins taught while at George Mason from 1990 through 2006.  In addition there is information about the provost search in the spring of 1990.  The series is organized alphabetically by folder and then chronologically.","Series 6 contains photographs, two cassette tapes of speeches, and 14 VHS tapes of lectures by Wilkins and other professors from 1995 through 2004.  The series includes a funeral speech for George N. Lindsay given by Roger Wilkins as well as a letter from Lindsay's widow.  This series is organized by medium and then chronologically.","This series includes articles and books written by Roger Wilkins, lectures, conferences, symposiums at which Roger Wilkins spoke, and the notes of the Pulitzer Prize committee.","This series contains Roger Wilkins correspondence from 1987 to 2006. It is organized chronologically.","This series includes organizations in which Roger Wilkins participated or headed from 1995 to 2000.  It is organized alphabetically by organization then chronologically.","This series includes interviews with Roger Wilkins and biographical articles about him and his family.","This series contains notes and syllabi of the classes Roger Wilkins taught while a Clarence Robinson professor of History and American Culture at George Mason University.","This series contains audio tapes and VHS tapes of lectures given by Roger Wilkins and other Robinson professors.","The American Academy of Arts and Letters where Roger Wilkins was a keynote speaker.  Wilkins is in the first row sixth from the right.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.","Map Case 11.5","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","Wilkins, Roger W., 1932-2017","English"],"collection_title_tesim":["Roger Wilkins papers, 1928/2008"],"collection_ssim":["Roger Wilkins papers, 1928/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0212","/repositories/2/resources/328"],"unitid_tesim":["C0212","/repositories/2/resources/328"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Politics and government"],"geogname_ssim":["United States -- Politics and government"],"places_ssim":["United States -- Politics and government"],"creator_ssm":["Wilkins, Roger W., 1932-2017"],"creator_ssim":["Wilkins, Roger W., 1932-2017"],"creator_persname_ssim":["Wilkins, Roger W., 1932-2017"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty"],"creators_ssim":["Wilkins, Roger W., 1932-2017","George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Roger Wilkins in 2012."],"access_subjects_ssim":["African Americans -- Civil rights -- History -- 20th century","Education, Higher","Education, Higher -- Virginia","Correspondence","Photographs","Sound recordings","Video recordings"],"access_subjects_ssm":["African Americans -- Civil rights -- History -- 20th century","Education, Higher","Education, Higher -- Virginia","Correspondence","Photographs","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["3.25 Linear Feet 9 boxes"],"extent_tesim":["3.25 Linear Feet 9 boxes"],"genreform_ssim":["Correspondence","Photographs","Sound recordings","Video recordings"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized by into six series:\nseries 1 - Publications, 1965-2008, (Boxes 1-5)\nseries 2 - General Correspondence, [undated] 1987-2006, (Box 5)\nseries 3 - Affilitations, 1995-2000, (Box 6)\nseries 4 - Biographical papers, [undated] 1923, 1963-2007, (Box 6)\nseries 5 - George Mason University, 1990-2006, (Boxes 7 and 8)\nseries 6 - Audio/Visual, [undated] 1995-2004, (Boxes 8 and 9)\u003c/p\u003e","\u003cp\u003eOrganized into 6 series\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Publications, 1965-2008, (Boxes 1-5)\u003c/item\u003e\n      \u003citem\u003eSeries 2: General Correspondence, 1987-2006) (Box 5)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Affiliations, 1995-2000, (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Biographical papers, 1928, 1963-2007 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: George Mason University, 1990-2006, (Boxes 7-8)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Audio/Visual, 1994-2004, (Boxes 8-9; oversize 1)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by into six series:\nseries 1 - Publications, 1965-2008, (Boxes 1-5)\nseries 2 - General Correspondence, [undated] 1987-2006, (Box 5)\nseries 3 - Affilitations, 1995-2000, (Box 6)\nseries 4 - Biographical papers, [undated] 1923, 1963-2007, (Box 6)\nseries 5 - George Mason University, 1990-2006, (Boxes 7 and 8)\nseries 6 - Audio/Visual, [undated] 1995-2004, (Boxes 8 and 9)","Organized into 6 series","Series\n      Series 1: Publications, 1965-2008, (Boxes 1-5)\n      Series 2: General Correspondence, 1987-2006) (Box 5)\n      Series 3: Affiliations, 1995-2000, (Box 6)\n      Series 4: Biographical papers, 1928, 1963-2007 (Box 6)\n      Series 5: George Mason University, 1990-2006, (Boxes 7-8)\n      Series 6: Audio/Visual, 1994-2004, (Boxes 8-9; oversize 1)"],"bioghist_html_tesm":["\u003cp\u003eBorn in 1932 in Kansas City, Missouri, Roger Wilkins attended the University of Michigan and earned his Bachelor's degree in 1953 and his J.D. in 1956. He interned with Thurgood Marshall at the NAACP's Legal Defense Fund during his studies and his uncle, Roy Wilkins, served as the executive secretary of the NAACP from 1955 to 1977. In his early career, Roger Wilkins worked with the Ohio Welfare Department, the U.S. Agency for International Development, and as the assistant attorney general under President Lyndon B. Johnson. Following this, Wilkins pursued a successful career in journalism writing for The New York Times, The Washington Times, and editing The Washington Star. In 1972, as a member of The Washington Post's editorial staff, Wilkins along with Bob Woodward, Carl Bernstein, and Herbert Block earned the Pulitzer Prize for their coverage of the Watergate Scandal that led to President Nixon's resignation. A widely published author, Wilkins wrote \"A Man's Life,\" his autobiography, published first in 1982 and reprinted in 1991. In addition, Wilkins co-authored \"Quiet Riots: Race and Poverty in the United States\" with Fred Harris in 1988 and published \"Jefferson's Pillow: the Founding Fathers and the Dilemma of Black Patriotism\" in 2001. In 1986 he joined George Mason University as the Clarence Robinson Professor of History and American Culture and retired in 2007. Wilkins passed away in 2017. George Mason University named the Roger Wilkins Plaza after him that same year.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in 1932 in Kansas City, Missouri, Roger Wilkins attended the University of Michigan and earned his Bachelor's degree in 1953 and his J.D. in 1956. He interned with Thurgood Marshall at the NAACP's Legal Defense Fund during his studies and his uncle, Roy Wilkins, served as the executive secretary of the NAACP from 1955 to 1977. In his early career, Roger Wilkins worked with the Ohio Welfare Department, the U.S. Agency for International Development, and as the assistant attorney general under President Lyndon B. Johnson. Following this, Wilkins pursued a successful career in journalism writing for The New York Times, The Washington Times, and editing The Washington Star. In 1972, as a member of The Washington Post's editorial staff, Wilkins along with Bob Woodward, Carl Bernstein, and Herbert Block earned the Pulitzer Prize for their coverage of the Watergate Scandal that led to President Nixon's resignation. A widely published author, Wilkins wrote \"A Man's Life,\" his autobiography, published first in 1982 and reprinted in 1991. In addition, Wilkins co-authored \"Quiet Riots: Race and Poverty in the United States\" with Fred Harris in 1988 and published \"Jefferson's Pillow: the Founding Fathers and the Dilemma of Black Patriotism\" in 2001. In 1986 he joined George Mason University as the Clarence Robinson Professor of History and American Culture and retired in 2007. Wilkins passed away in 2017. George Mason University named the Roger Wilkins Plaza after him that same year."],"prefercite_html_tesm":["\u003cp\u003eRoger Wilkins papers, C0212, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Roger Wilkins papers, C0212, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Stephanie Washburn in 2012. EAD markup completed by Stephanie Washburn in 2012. Finding aid updated by Amanda Brent in February 2021.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Stephanie Washburn in 2012. EAD markup completed by Stephanie Washburn in 2012. Finding aid updated by Amanda Brent in February 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the papers of other Robinson professors.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the papers of other Robinson professors."],"scopecontent_html_tesm":["\u003cp\u003eThe papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.      \u003c/p\u003e","\u003cp\u003eSeries 1 contains the publications of Roger Wilkins and the various conferences, lecture series, and symposiums he attended and contributed to.  The series includes articles he wrote organized by general subject, two of the books he published with various book reviews of the works, and the various flyers and papers of the conferences.  The series is organized alphabetically by folder and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 2 contains Wilkins' general correspondence during his time as a Robinson professor.  This series is organized chronologically by folder.\u003c/p\u003e","\u003cp\u003eSeries 3 contains the papers on the various organizations in which Wilkins was involved such as the African American Institute, the MacArthur Foundation, and the NAACP Legal Defense Fund.  The series is organized alphabetically by folder and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 4 is made up of biographical material on Roger Wilkins.  It includes articles he wrote describing himself as a father as well as other documents discussing his mother's and uncle's work for civil rights.  There are also several transcribed interviews, one of which was conducted by one of his daughters. The series is arranged alphabetically by folder and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 5 contains various syllabi and notes from the classes Wilkins taught while at George Mason from 1990 through 2006.  In addition there is information about the provost search in the spring of 1990.  The series is organized alphabetically by folder and then chronologically.\u003c/p\u003e","\u003cp\u003eSeries 6 contains photographs, two cassette tapes of speeches, and 14 VHS tapes of lectures by Wilkins and other professors from 1995 through 2004.  The series includes a funeral speech for George N. Lindsay given by Roger Wilkins as well as a letter from Lindsay's widow.  This series is organized by medium and then chronologically.\u003c/p\u003e  ","\u003cp\u003eThis series includes articles and books written by Roger Wilkins, lectures, conferences, symposiums at which Roger Wilkins spoke, and the notes of the Pulitzer Prize committee.\u003c/p\u003e","\u003cp\u003eThis series contains Roger Wilkins correspondence from 1987 to 2006. It is organized chronologically.\u003c/p\u003e","\u003cp\u003eThis series includes organizations in which Roger Wilkins participated or headed from 1995 to 2000.  It is organized alphabetically by organization then chronologically.\u003c/p\u003e","\u003cp\u003eThis series includes interviews with Roger Wilkins and biographical articles about him and his family.\u003c/p\u003e","\u003cp\u003eThis series contains notes and syllabi of the classes Roger Wilkins taught while a Clarence Robinson professor of History and American Culture at George Mason University.\u003c/p\u003e","\u003cp\u003eThis series contains audio tapes and VHS tapes of lectures given by Roger Wilkins and other Robinson professors.\u003c/p\u003e","\u003cp\u003eThe American Academy of Arts and Letters where Roger Wilkins was a keynote speaker.  Wilkins is in the first row sixth from the right.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.","Series 1 contains the publications of Roger Wilkins and the various conferences, lecture series, and symposiums he attended and contributed to.  The series includes articles he wrote organized by general subject, two of the books he published with various book reviews of the works, and the various flyers and papers of the conferences.  The series is organized alphabetically by folder and then chronologically.","Series 2 contains Wilkins' general correspondence during his time as a Robinson professor.  This series is organized chronologically by folder.","Series 3 contains the papers on the various organizations in which Wilkins was involved such as the African American Institute, the MacArthur Foundation, and the NAACP Legal Defense Fund.  The series is organized alphabetically by folder and then chronologically.","Series 4 is made up of biographical material on Roger Wilkins.  It includes articles he wrote describing himself as a father as well as other documents discussing his mother's and uncle's work for civil rights.  There are also several transcribed interviews, one of which was conducted by one of his daughters. The series is arranged alphabetically by folder and then chronologically.","Series 5 contains various syllabi and notes from the classes Wilkins taught while at George Mason from 1990 through 2006.  In addition there is information about the provost search in the spring of 1990.  The series is organized alphabetically by folder and then chronologically.","Series 6 contains photographs, two cassette tapes of speeches, and 14 VHS tapes of lectures by Wilkins and other professors from 1995 through 2004.  The series includes a funeral speech for George N. Lindsay given by Roger Wilkins as well as a letter from Lindsay's widow.  This series is organized by medium and then chronologically.","This series includes articles and books written by Roger Wilkins, lectures, conferences, symposiums at which Roger Wilkins spoke, and the notes of the Pulitzer Prize committee.","This series contains Roger Wilkins correspondence from 1987 to 2006. It is organized chronologically.","This series includes organizations in which Roger Wilkins participated or headed from 1995 to 2000.  It is organized alphabetically by organization then chronologically.","This series includes interviews with Roger Wilkins and biographical articles about him and his family.","This series contains notes and syllabi of the classes Roger Wilkins taught while a Clarence Robinson professor of History and American Culture at George Mason University.","This series contains audio tapes and VHS tapes of lectures given by Roger Wilkins and other Robinson professors.","The American Academy of Arts and Letters where Roger Wilkins was a keynote speaker.  Wilkins is in the first row sixth from the right."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e95d32f9f1e4e0c233934736c9ce8301\" label=\"Abstract\"\u003eThe papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins.\u003c/abstract\u003e\n    "],"abstract_tesim":["The papers document Wilkins' career while he was a professor at George Mason University. The documents include correspondence, publications, and speeches. There are also 14 videotape cassettes with lectures by other Robinson professors and media appearances by Wilkins."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_1ca6a9e64e9d671ec90cafaf9795222f\"\u003eMap Case 11.5\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty"],"names_coll_ssim":["George Mason University","George Mason University--Faculty","Wilkins, Roger W., 1932-2017"],"persname_ssim":["Wilkins, Roger W., 1932-2017"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University","George Mason University--Faculty","Wilkins, Roger W., 1932-2017"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":67,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:52.365Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_328"}},{"id":"vifgm_repositories_2_resources_27","type":"collection","attributes":{"title":"Ron Fraser papers, 1991/1996","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_27#creator","type":"document_value","attributes":{"value":"Fraser, Ronald R.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_27#abstract_or_scope","type":"document_value","attributes":{"value":"For his Ph.D. in Public Policy, Ron Fraser wrote a dissertation on the reauthorization of the Intermodal Surface Transportation Efficiency Act (ISTEA) of 1991. The materials in this collection come from his dissertation research and include 44 microcassette audiotapes, transcriptions, and 5.25\" floppy disks of interviews with upper-level transportation officials.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_27#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_27","ead_ssi":"vifgm_repositories_2_resources_27","_root_":"vifgm_repositories_2_resources_27","_nest_parent_":"vifgm_repositories_2_resources_27","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_27.xml","title_ssm":["Ron Fraser papers"],"title_tesim":["Ron Fraser papers"],"unitdate_ssm":["1982 - 1998"],"unitdate_inclusive_ssm":["1982 - 1998"],"normalized_date_ssm":["1991/1996"],"normalized_title_ssm":["Ron Fraser papers, 1991/1996"],"text":["Ron Fraser papers, 1991/1996","C0071","/repositories/2/resources/27","Highway planning -- United States","Transportation -- United States -- Planning","Transportation","Transportation -- Planning","Interviews","Sound recordings","There are no access restrictions.","Arranged by subject.","Ron Fraser holds a Ph.D. in Public Policy.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Box inventory created by Jack Moore and finding aid updated by Amanda Menjivar in April 2023.","The Special Collections Research Center holds many other collections and publications on transportation and planning.","For his Ph.D. in Public Policy, Ron Fraser wrote a dissertation on the reauthorization of the Intermodal Surface Transportation Efficiency Act (ISTEA) of 1991. The materials in this collection come from his dissertation research and include interstate highway planning reports as well as 35 cassette tapes, transcriptions, and 5.25\" floppy disks of interviews with dozens of upper-level transportation officials. Among the interviewees are Sarah Campbell, former Surface Transportation Policy Project Director; International Transportation Policy Consultant Alan E. Pisarski; Federal Highway Administration (FHWA) Deputy Chair Edward Kussy; Kevin E. Heanue, Director of Environment and Planning for the FHWA; and William Roberts, Legislative Director for the Environmental Defense Fund.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","For his Ph.D. in Public Policy, Ron Fraser wrote a dissertation on the reauthorization of the Intermodal Surface Transportation Efficiency Act (ISTEA) of 1991. The materials in this collection come from his dissertation research and include 44 microcassette audiotapes, transcriptions, and 5.25\" floppy disks of interviews with upper-level transportation officials.","R 29, C 1, S 2","George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","American Road \u0026 Transportation Builders Association","United States. Federal Highway Administration","United States. Federal Transit Administration","Fraser, Ronald R.","English"],"collection_title_tesim":["Ron Fraser papers, 1991/1996"],"collection_ssim":["Ron Fraser papers, 1991/1996"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0071","/repositories/2/resources/27"],"unitid_tesim":["C0071","/repositories/2/resources/27"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Fraser, Ronald R."],"creator_ssim":["Fraser, Ronald R."],"creator_persname_ssim":["Fraser, Ronald R."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","American Road \u0026 Transportation Builders Association","United States. Federal Highway Administration","United States. Federal Transit Administration"],"creators_ssim":["Fraser, Ronald R.","George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","American Road \u0026 Transportation Builders Association","United States. Federal Highway Administration","United States. Federal Transit Administration"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Ron Fraser in 2005."],"access_subjects_ssim":["Highway planning -- United States","Transportation -- United States -- Planning","Transportation","Transportation -- Planning","Interviews","Sound recordings"],"access_subjects_ssm":["Highway planning -- United States","Transportation -- United States -- Planning","Transportation","Transportation -- Planning","Interviews","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet 6 boxes"],"extent_tesim":["2.5 Linear Feet 6 boxes"],"genreform_ssim":["Sound recordings"],"date_range_isim":[1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject."],"bioghist_html_tesm":["\u003cp\u003eRon Fraser holds a Ph.D. in Public Policy.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ron Fraser holds a Ph.D. in Public Policy."],"prefercite_html_tesm":["\u003cp\u003eRon Fraser papers, C0071, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Ron Fraser papers, C0071, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Box inventory created by Jack Moore and finding aid updated by Amanda Menjivar in April 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Box inventory created by Jack Moore and finding aid updated by Amanda Menjivar in April 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and publications on transportation and planning.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and publications on transportation and planning."],"scopecontent_html_tesm":["\u003cp\u003eFor his Ph.D. in Public Policy, Ron Fraser wrote a dissertation on the reauthorization of the Intermodal Surface Transportation Efficiency Act (ISTEA) of 1991. The materials in this collection come from his dissertation research and include interstate highway planning reports as well as 35 cassette tapes, transcriptions, and 5.25\" floppy disks of interviews with dozens of upper-level transportation officials. Among the interviewees are Sarah Campbell, former Surface Transportation Policy Project Director; International Transportation Policy Consultant Alan E. Pisarski; Federal Highway Administration (FHWA) Deputy Chair Edward Kussy; Kevin E. Heanue, Director of Environment and Planning for the FHWA; and William Roberts, Legislative Director for the Environmental Defense Fund.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["For his Ph.D. in Public Policy, Ron Fraser wrote a dissertation on the reauthorization of the Intermodal Surface Transportation Efficiency Act (ISTEA) of 1991. The materials in this collection come from his dissertation research and include interstate highway planning reports as well as 35 cassette tapes, transcriptions, and 5.25\" floppy disks of interviews with dozens of upper-level transportation officials. Among the interviewees are Sarah Campbell, former Surface Transportation Policy Project Director; International Transportation Policy Consultant Alan E. Pisarski; Federal Highway Administration (FHWA) Deputy Chair Edward Kussy; Kevin E. Heanue, Director of Environment and Planning for the FHWA; and William Roberts, Legislative Director for the Environmental Defense Fund."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_4d25c0230e8210a3f1def3d4354ff833\" label=\"Abstract\"\u003eFor his Ph.D. in Public Policy, Ron Fraser wrote a dissertation on the reauthorization of the Intermodal Surface Transportation Efficiency Act (ISTEA) of 1991. The materials in this collection come from his dissertation research and include 44 microcassette audiotapes, transcriptions, and 5.25\" floppy disks of interviews with upper-level transportation officials.\u003c/abstract\u003e\n    "],"abstract_tesim":["For his Ph.D. in Public Policy, Ron Fraser wrote a dissertation on the reauthorization of the Intermodal Surface Transportation Efficiency Act (ISTEA) of 1991. The materials in this collection come from his dissertation research and include 44 microcassette audiotapes, transcriptions, and 5.25\" floppy disks of interviews with upper-level transportation officials."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9083f978e42fd13a5382269d2021f0c4\"\u003eR 29, C 1, S 2\u003c/physloc\u003e\n    "],"physloc_tesim":["R 29, C 1, S 2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","American Road \u0026 Transportation Builders Association","United States. Federal Highway Administration","United States. Federal Transit Administration"],"names_coll_ssim":["American Association of State Highway and Transportation Officials","American Road \u0026 Transportation Builders Association","United States. Federal Highway Administration","United States. Federal Transit Administration"],"persname_ssim":["Fraser, Ronald R."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","American Road \u0026 Transportation Builders Association","United States. Federal Highway Administration","United States. Federal Transit Administration","Fraser, Ronald R."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":160,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:43.528Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_27","ead_ssi":"vifgm_repositories_2_resources_27","_root_":"vifgm_repositories_2_resources_27","_nest_parent_":"vifgm_repositories_2_resources_27","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_27.xml","title_ssm":["Ron Fraser papers"],"title_tesim":["Ron Fraser papers"],"unitdate_ssm":["1982 - 1998"],"unitdate_inclusive_ssm":["1982 - 1998"],"normalized_date_ssm":["1991/1996"],"normalized_title_ssm":["Ron Fraser papers, 1991/1996"],"text":["Ron Fraser papers, 1991/1996","C0071","/repositories/2/resources/27","Highway planning -- United States","Transportation -- United States -- Planning","Transportation","Transportation -- Planning","Interviews","Sound recordings","There are no access restrictions.","Arranged by subject.","Ron Fraser holds a Ph.D. in Public Policy.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Box inventory created by Jack Moore and finding aid updated by Amanda Menjivar in April 2023.","The Special Collections Research Center holds many other collections and publications on transportation and planning.","For his Ph.D. in Public Policy, Ron Fraser wrote a dissertation on the reauthorization of the Intermodal Surface Transportation Efficiency Act (ISTEA) of 1991. The materials in this collection come from his dissertation research and include interstate highway planning reports as well as 35 cassette tapes, transcriptions, and 5.25\" floppy disks of interviews with dozens of upper-level transportation officials. Among the interviewees are Sarah Campbell, former Surface Transportation Policy Project Director; International Transportation Policy Consultant Alan E. Pisarski; Federal Highway Administration (FHWA) Deputy Chair Edward Kussy; Kevin E. Heanue, Director of Environment and Planning for the FHWA; and William Roberts, Legislative Director for the Environmental Defense Fund.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","For his Ph.D. in Public Policy, Ron Fraser wrote a dissertation on the reauthorization of the Intermodal Surface Transportation Efficiency Act (ISTEA) of 1991. The materials in this collection come from his dissertation research and include 44 microcassette audiotapes, transcriptions, and 5.25\" floppy disks of interviews with upper-level transportation officials.","R 29, C 1, S 2","George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","American Road \u0026 Transportation Builders Association","United States. Federal Highway Administration","United States. Federal Transit Administration","Fraser, Ronald R.","English"],"collection_title_tesim":["Ron Fraser papers, 1991/1996"],"collection_ssim":["Ron Fraser papers, 1991/1996"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0071","/repositories/2/resources/27"],"unitid_tesim":["C0071","/repositories/2/resources/27"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Fraser, Ronald R."],"creator_ssim":["Fraser, Ronald R."],"creator_persname_ssim":["Fraser, Ronald R."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","American Road \u0026 Transportation Builders Association","United States. Federal Highway Administration","United States. Federal Transit Administration"],"creators_ssim":["Fraser, Ronald R.","George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","American Road \u0026 Transportation Builders Association","United States. Federal Highway Administration","United States. Federal Transit Administration"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Ron Fraser in 2005."],"access_subjects_ssim":["Highway planning -- United States","Transportation -- United States -- Planning","Transportation","Transportation -- Planning","Interviews","Sound recordings"],"access_subjects_ssm":["Highway planning -- United States","Transportation -- United States -- Planning","Transportation","Transportation -- Planning","Interviews","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet 6 boxes"],"extent_tesim":["2.5 Linear Feet 6 boxes"],"genreform_ssim":["Sound recordings"],"date_range_isim":[1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject."],"bioghist_html_tesm":["\u003cp\u003eRon Fraser holds a Ph.D. in Public Policy.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ron Fraser holds a Ph.D. in Public Policy."],"prefercite_html_tesm":["\u003cp\u003eRon Fraser papers, C0071, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Ron Fraser papers, C0071, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Box inventory created by Jack Moore and finding aid updated by Amanda Menjivar in April 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Box inventory created by Jack Moore and finding aid updated by Amanda Menjivar in April 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and publications on transportation and planning.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and publications on transportation and planning."],"scopecontent_html_tesm":["\u003cp\u003eFor his Ph.D. in Public Policy, Ron Fraser wrote a dissertation on the reauthorization of the Intermodal Surface Transportation Efficiency Act (ISTEA) of 1991. The materials in this collection come from his dissertation research and include interstate highway planning reports as well as 35 cassette tapes, transcriptions, and 5.25\" floppy disks of interviews with dozens of upper-level transportation officials. Among the interviewees are Sarah Campbell, former Surface Transportation Policy Project Director; International Transportation Policy Consultant Alan E. Pisarski; Federal Highway Administration (FHWA) Deputy Chair Edward Kussy; Kevin E. Heanue, Director of Environment and Planning for the FHWA; and William Roberts, Legislative Director for the Environmental Defense Fund.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["For his Ph.D. in Public Policy, Ron Fraser wrote a dissertation on the reauthorization of the Intermodal Surface Transportation Efficiency Act (ISTEA) of 1991. The materials in this collection come from his dissertation research and include interstate highway planning reports as well as 35 cassette tapes, transcriptions, and 5.25\" floppy disks of interviews with dozens of upper-level transportation officials. Among the interviewees are Sarah Campbell, former Surface Transportation Policy Project Director; International Transportation Policy Consultant Alan E. Pisarski; Federal Highway Administration (FHWA) Deputy Chair Edward Kussy; Kevin E. Heanue, Director of Environment and Planning for the FHWA; and William Roberts, Legislative Director for the Environmental Defense Fund."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_4d25c0230e8210a3f1def3d4354ff833\" label=\"Abstract\"\u003eFor his Ph.D. in Public Policy, Ron Fraser wrote a dissertation on the reauthorization of the Intermodal Surface Transportation Efficiency Act (ISTEA) of 1991. The materials in this collection come from his dissertation research and include 44 microcassette audiotapes, transcriptions, and 5.25\" floppy disks of interviews with upper-level transportation officials.\u003c/abstract\u003e\n    "],"abstract_tesim":["For his Ph.D. in Public Policy, Ron Fraser wrote a dissertation on the reauthorization of the Intermodal Surface Transportation Efficiency Act (ISTEA) of 1991. The materials in this collection come from his dissertation research and include 44 microcassette audiotapes, transcriptions, and 5.25\" floppy disks of interviews with upper-level transportation officials."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9083f978e42fd13a5382269d2021f0c4\"\u003eR 29, C 1, S 2\u003c/physloc\u003e\n    "],"physloc_tesim":["R 29, C 1, S 2"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","American Road \u0026 Transportation Builders Association","United States. Federal Highway Administration","United States. Federal Transit Administration"],"names_coll_ssim":["American Association of State Highway and Transportation Officials","American Road \u0026 Transportation Builders Association","United States. Federal Highway Administration","United States. Federal Transit Administration"],"persname_ssim":["Fraser, Ronald R."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","American Road \u0026 Transportation Builders Association","United States. Federal Highway Administration","United States. Federal Transit Administration","Fraser, Ronald R."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":160,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:43.528Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_27"}},{"id":"vifgm_repositories_2_resources_15","type":"collection","attributes":{"title":"Sophocles Papas papers","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_15#creator","type":"document_value","attributes":{"value":"Papas, Sophocles, 1893-1986","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_15#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains personal papers of Sophocles Papas including music scores, manuscript scores, phonograph records, correspondence, music journals, photographs, and guitar music manuals.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_15#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_15","ead_ssi":"vifgm_repositories_2_resources_15","_root_":"vifgm_repositories_2_resources_15","_nest_parent_":"vifgm_repositories_2_resources_15","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_15.xml","title_filing_ssi":"Sophocles Papas papers","title_ssm":["Sophocles Papas papers"],"title_tesim":["Sophocles Papas papers"],"unitdate_ssm":["1900-2003"],"unitdate_inclusive_ssm":["1900-2003"],"normalized_title_ssm":["Sophocles Papas papers"],"text":["Sophocles Papas papers","C0052","/repositories/2/resources/15","Guitar music","Guitar -- Instruction and study","Guitar orchestra music","Music","Music -- Instruction and study","Correspondence","Photographs","Sound recordings","There are no access restrictions.","The collection is organized by subject and divided into three series. Series 1 contains the materials acquired in 1987, and Series 2 contains materials acquired in 1999. Since each series was processed separately, the box numbers for the collection repeat. Series 3 consists of scrapbook pages with images of guitarists and guitars, with some original photographs but mostly consisting of reproductions, collected by Elisabeth Papas Smith.","The collection is organized by subject and divided into two series. Series 1 contains the materials acquired in 1987, and Series 2 contains materials acquired in 1999. Since each series was processed separately, the box numbers for the collection repeat. Series 3 consists of scrapbook pages of guitarists and guitars collected by Elisabeth Papas Smith.","Series\n      Series 1: 1987 Accession\n      Series 2: 1999 Accession\n      Series 3: 2010 Accession","Sophocles Papas was an internationally known teacher of classical guitar. A Fairfax County resident later in his life, Papas taught the classical guitar in Washington, D.C. for nearly sixty years. He also taught at American University in Washington, D.C. Among his former students who have risen to fame are Charlie Byrd and Carlos Barbosa-Lima.","Papas was a prominent figure in the Washington music scene for much of his life. He performed live on radio regularly on WCAP and was a close friend to music legends, Andres Segovia and Carlos Montoya. Papas organized and conducted Washington's first guitar/mandolin/banjo orchestra, and founded the Washington Guitar Society. A prolific writer and publisher, Papas produced articles for scholarly music journals; wrote a column for the music magazine Crescendo; and founded Columbia Music Company, a publisher of sheet music and instructional methods for the guitar. Most notable among his publications is Method for the Classic Guitar. In 1998 Columbia Music Company also published a biography of Papas, Sophocles Papas: the Guitar, His Life, written by his daughter, Elisabeth Papas Smith.","Note: this collection is minimally processed with a basic box inventory. Please contact SCRC for more information.","Processed by Barbara Haase and Elizabeth Baker. Original finding aid compiled by Barbara Haase, Robert Vay, and Ronya Wei. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. EAD updated in 2010 by Greta Kuriger. Finding aid updated by Amanda Menjivar in June 2023.","The Special Collections Research Center also holds the .","Note: this collection is minimally processed with a basic box inventory. Please contact SCRC for more information.","This collection contains personal papers of Sophocles Papas including music scores, manuscript scores, phonograph records, correspondence, music journals, photographs, and guitar music manuals.","This series contains music scores, instruction guides, phonograph records, and music journals included in the 1987 acquisition. Note: the box numbers in this series repeat in series 2.","La Golondrina (The Swallow) Mexican Folk Song","Mon coeur s'ouvre a ta voix (My Heart at Sweet Voice) Cantible from Samson and Delilah, voice and piano","Chanson Indoue (A Song of India) from the legend \"Sadko\", voice and piano","Angela Mia (My Angel), voice and piano","Lautenpraludium","Ay, Ay, Ay","Star Dust, voice and piano","Allegretto in C Minor, piano","I Don't Want Him: Oahu \"Rhythm Style\" Note Course for Plectrum Guitar (octave notation)","Flamenco, piano","Siboney, voice and piano","A Song of Old Hawaii, voice and piano","The District of Columbia Is My Home Town, voice and piano","There's a Sweetheart in Nebraska, voice and piano","Prelude in Chords","The Kerry Dance, voice and piano","The Kerry Dance, voice and piano with solo parts for C, B flat, E flat, and bass","Elegie, voice and piano","It Takes Time to Know a Country, voice and piano","The Sweetheart of Sigma Chi, voice and piano","Di Provenza Il Mar (What Has Made Your Heart Grow Cold?) Germont's Aria in the second act of \"La Traviata,\" voice and piano","Loveless Love","Yellow Dog Blues","Aintcha Got Music","Ringtail Blues","Saint Louis Blues","East Saint Louis","Polka Dot Stomp","Trees Song","The Memphis Blues","Gypsy, voice and piano","Hanuka, Oh Hanuka: The Hebrew \"Christmas Season\" song, accordion","Romanza No. 2, guitar","The Rosary","Scherzino Mexicano \nAvailable in digital format.","Minuet from Eine Kleine Nachtmusik","rue de Blue (bossa nova)","Capricho No. 13","Navajo","Cherry Blossom: Theme and Variations for the Classical Guitar","US Air Force Blues, choral arrangement","Consolation: Song without Words","Tico-Tico, voice and piano","Celebrated Minuet","Scarlet Ribbons (for Her Hair), voice and piano","The Entertainer, piano solo","Romance","Gypsy Tango","Suite in D Minor","Fantasia di Francesco Milanese","Elegie","Suite in G Major for Guitar and Viola da Gamba","Two Moments for guitar","Brazilian Breakdown","Classical Guitar Suite","Poliushko (Meadowland) Theme and Variations on Celebrated Red Army Song","Rondino (on a theme by Beethoven), violin and piano","A New Song, choral arrangement","Prelude","Cancion Triste","Solvejg's Song (from the Peer Gynt Suite No. 2)","Gigue in E Major, piano","Pavane","Marieta","Moonlight Sonata","Danza Odalisca","La Bernandina de Josquin (solo) and La Bernandina (duet), lute solo","8 Courantes in Renaissance Tuning, lute solo","Carman's Whistle","Kemp's Jig and Playfellow","Kemp's Jig","Earl of Essex His Galliard and the Sick Tune","Les Premiers Pas","Theme Varie","Leyenda","Gallarda","El Noy de la Mare","Sonata No. 3","Aquellos Ojos Verdes","12 Bagatellen","700 Years of Music for the Classical Guitar","36 caprices in two books (36 caprices en 2 cahiers): Book I","Nineteenth Century Guitar Music","Classical Guitar Editions","The Golden Age: Classics for Solo Guitar, Book One","Mandolin and guitar Collection: No. 9 (first mandolin)","Mandolin and guitar Collection: No. 9 (second mandolin)","Listen to the Mocking Bird","Tango","Granada","Oriental","The Rose Enslaves the Nightengale, voice and piano","Grasshoppers, piano","One Hand Waltz","Clumping Along","Veil Dance, piano","Sonata","12th Street Rag, banjo and piano","Sirocco Tango","Bohemian Girl","Believe Me If All Those Endearing Young Charms","Intermezzo, Op. 117, No. 1","Two Easy Pieces","Gavotte for Guitar","Fantaisie Opus 323","The Rosewood Book: 30 Duets for Guitar and Flute","Melodious and Progressive Etudes for Guitar","Classic American Folk songs for Voice and Guitar","Tunes You Like: Your Favorite Songs Made Easy to Play, voice and piano","12 Easy Pieces for the Guitar","An American Folk Song Mass","6 Sevillanas for Spanish Guitar","Latin Americana for the Elementary Pianist","Guitar Songtime: Solos, Duets, Groups, Singing","A Christmas Recital for Piano","The Guitarist's Hour: Book I","The Guitarist's Hour: Book II","Handel for Guitar","Brahms for the Guitar","Duet Session: Duets in the Modern Jazz Idiom","6 Authentic Songs and Dances of Moscow Gypsies, piano","Popular Classics for Classical Guitar","Greek Songs and Dances including Music History of Greece, accordion","200 Songs for Ukulele","Classic Melodies, Great Composers for Piano for Beginners of All Ages","Guitar Folio No. 1","European Guitar and Lute Music: Book Two - German Masters","World Classics for the Guitar","Renaissance Lute Music for the Guitar: An Anthology of Constant Delight","Musical Moods in All Keys for Piano Solo","Two-Part Inventions for Piano","Book for Boys","Boogie and Blues for Piano","Authentic Guitar Sounds of Peter, Paul and Mary","Peter, Paul and Mary","More Peter, Paul and Mary","Peter, Paul and mary on Tour","A Little Treasury of Folksongs and Dances: One","A Little Treasury of Folksongs and Dances: Three","A Little Treasury of Folksongs and Dances: Four","Symphonic Skeleton Scores No. 2, Symphony 6 in B Minor","Symphonic Skeleton Scores No. 3, Symphony in D Minor","Symphonic Skeleton Scores No. 6, Symphony in G Minor","First Duet Album for Two Violins","First Trio Album for Three Violins","First Quartet Album for Strings (two violins, viola, and cello)","Shake It and Break It","Christmas with the King Family, voice and piano","Selections from West Side Story for Guitar","Six Lute Pieces of the Renaissance, guitar","Songs for Guitar","Operatic Album for Guitar","Graded Anthology for Classic Guitar","Greek Club Date Handbook: Songs and Dances Every Musician Should Know, piano","International Songs for Guitar","Three Duos Concertants for Two Violins","The Moody Blues in Search of the Lost Chord","Classic Melodies: Great Ballets for Piano for Beginners of All Ages","The Mikado","Hebrew Songs for the Young Pianist","Purcell to Mozart: 51 Piano Solos in Their Original Form","Schirmer's American Folk-Song Series: Set 14 - Songs of the Hill-Folk","The Folk Song Sight Singing Series: Book VIII","Four Toyes from Jane Pickering's Lute Book","Tumbalalaika and 16 Other Jewish Songs for Singing in English","25 Carols from the Oxford Book of Carols for Schools (Book 1 Nos. 1-14)","W. C. Handy's Famous Blues for the Hawaiian Guitar","International Christmas for Piano","Intermediate Guitar Solos","Lessons No. 11 and 12 from Follies of my Youth (Le Peche de Ma Jeunesse) for guitar","8 Pezzi Facili per Chitarra (8 Easy Pieces for Guitar)","The Treasure Chest of Famous Marches","Make Way, voice and piano","Sunny Side!, voice and piano","Close Up, voice and piano","Folk Song Sing Along, voice","The French Funny Book of Popular Tunes in Easy Piano Arrangements","Holidays! Holidays! A collection of 21 Songs to Play and Sing in the Holiday Spirit, voice and piano","Classical Guitar","Choice Folk Songs Encore with Guitar Arrangements","Minstrel Songs with Guitar Accompaniment, voice and guitar","Folk tunes for Solo Descant Recorder","Big-Note Carnival, piano","Classical Guitar Recital Book","First Etude Album for Violin","World's Favorite Solos for Classical Guitar","Songs We Sing, voice and piano","Theory and Lessons in Loose Leaf Form for Individual or Class Instruction, Book One","The Beginner's Own Book: Folk Songs Carefully Graded for Ear-Training, Sight-Singing, Harmonization, and Transposition","Fun with the Mandolin","Higher Development of Thirds and Fingered Octaves: Twenty-Four Advanced Formulas for the Violin, Opus 30","Method for the Guitar","120 Daily Guitar Studies for the Right Hand","Ryan's True Guitar Instructor","Home Study Lessons for the Hawaiian Steel Guitar from 1 to 12","Home Study Lessons for the Hawaiian Steel Guitar from 13 to 24","Home Study Lessons for the Hawaiian Steel Guitar from 25 to 36","Home Study Lessons for the Hawaiian Steel Guitar from 37 to 48","Home Study Lessons for the Hawaiian Steel Guitar from 49 to 60","Home Study Lessons for the Hawaiian Steel Guitar from 61 to 72","Home Study Lessons for the Hawaiian Steel Guitar from 85 to 96","Music Theory Papers: Ear and Eye Training for the Beginner","The Simplicity Tutor for Spanish Guitar","Music for the Guitar","Intervals and Chords: How to Use Them","Andres Segovia Studies for the Guitar","Complete and Painless Guide to the Guitar for Young Beginners","A Method for Practicing Scales for Guitar","Smith's Folk Song Tenor Guitar Course","Six Studies for Classical Guitar in the Keys of C Major and A Minor","1, 4, 5, and Minor: Guitar Technique and Song Book for Beginners","Scales and Cadences","Carcassi Method for the Guitar","Intermediate Guitar Solos with Commentary","First Steps in Music: A New Approach to Music for Beginners of All Ages","The Classical Guitar Collection","A Tune a Day: The Teacher's Manual for Violin Instruction in Group, Public School Classes, or Individual Lessons","John W. Schaum Piano Course: A Pre-A Book","Teach Yourself to Play the Guitar","Instrumental Techniques of American Folk Guitar","The Folk Guitarist's Manual: American Folk Guitar Techniques and Songs","Masters of Instrumental Blues Guitar","Instruction Chord Book for Guitar","A Folksinger's Guide to Note Reading and Music Theory: A Manual for the Folk Guitarist","Carcassi Classical Guitar Method","The Art of Finger Style Guitar","Odell Method for the Mandolin","Comprehensive Guitar Method: Student Book","Comprehensive Guitar Method: Teacher's Manual","Excelsior Method for Banjo","You Can Sight Read: Book 1 - The Pleasures of Piano Sight Reading Through Keyboard Harmony and Technique","The New Handy Guitary Method","Spitfire McKenney New Quick Learning System, ukelele","Smith's How to Play Finger Picking Style Guitar","Adantino","Stahl's International Banjo Method","The Folksinger's Guitar Guide","Piano Course Book One","John Thompson's Modern Course for the Piano: The First Grade Book","At the Piano: Book Two","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 1","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 2","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 3","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 4","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 5","Flamenco Guitar Method for Beginners","The New Guitar Course","Carcassi Classical Guitar Method - New Revised Edition","Novello's Music Primers and Educational Series: Harmony Lessons","The Art of Classical Guitar Playing","Guitar Workshop","Musicianship for Guitarists","Method for 12 String Guitar","Bass Clef Note Speller","Folk-Songs with Guitar Chords","Fundamental Trill Studies on a Scientific Basis","The Study of the Guitar Simplified","Music Theory Papers (Third Set) - Sight and Sound","Spanish Guitar Note Speller","John W. Schaum Theory Lessons: Book 3","Gavotte for Guitar Solo","9 Sonatas","Sonata L 238","Two Venezuelan Pieces for Guitar: 1. Valse Criollo, 2. Pavana","Six Venezuelan Pieces: Volume I - 1. Valse Venezolano, 2. Estudio, 3. Cancion de Cuna","Suite in D Minor","Sonata","Six Pieces: Volume I - 1. Prelude in C, 2. Entrata, 3. Little Fantasia","Six Pieces: Volume II - 1. Prelude, 2. Bist du Bei Mir, 3. Petite Courante","Album of Guitar Solos","Three Airs of Court: 1. Preludio, 2. Aria, 3. Finale","Suite: 7 Pieces","Four Preludes: 1. August, 2. Fantasy on a Child's Song","Canonic Variations on the names \"Sophocles and Mercia\"","Virtuoso Waltz No. 1","Seven Brazilian Etudes","Grand Sonata","Slur Exercises and Chromatic Octaves","Valses Poeticos","Concerto in A Major","Pavane Pour une Enfante Defunte","Lute Solo","Two Bagatelles","Simple Variations on \"Las Folias\"","Folk Tune Fugue for Two Guitars","Largo from Cantata No. 156","Cordoba","Five Solos for Guitar","Five Catalan Melodies","The Complete Tremolo Book for the Guitar","Sounds of Bells","Differencias Sobre un Tema","La Fuente de Nie Pastrie","Sonata II: Volume I - Grave, Fuga","Two Pieces: 1. Estudio, 2. Humorada","Sonata II: Volume II - Andante, Allegro","Clair De Lune for Two Guitars","Andante and Menuet","The Old Castle","Two Spanish Dances: 1. Fandango No. 3, 2. Rondalla Aragonesa No. 6","Peasant's Song and Waltz, Op. 12","Sixty Short Pieces for Guitar: Vol. I, Numbers 1-38","Sixty Short Pieces for Guitar: Vol. II, Numbers 39-60","Concerto in D","Two Preludes for Guitar Solo","Six Pavanas","9 Sonatas: Volume II","Three Preludes","Sarabande","Spanish Romance","Diatonic Major and Minor Scales","Arpeggio Studies","Two Pieces: I. Scherzino Mexicano, II. Giga Melancolica","Greensleeves","Five Solos for the Hawaiian Guitar","Method for the Classic Guitar: Volume I Primer","Folias de Espana","Jeannie with the Light Brown Hair / Country Gardens","Six Easy Flamenco Variations","El Noy De La Mare","Album of Guitar Solos","American Fantasy: A Medley for Tenor Banjo Solo","Two Short Pieces","Danube Waves","Malaguena","The Highwayman and 12 Other Folk Songs","Gavotte","Andante","Tarantella","Choros","Two Easy Christmas Carols for Guitar","Student Guitarist's Delight: Volume 1","Student Guitarist's Delight: Volume 2","Greek Dance and Lamet","Method for the Classic Guitar: New Revised and Enlarged Edition","Smith's Theory Book for Guitarist Covering All Scales and Intervals","Position Etudes for Plectrum Guitar","Twenty Easy Pieces","Diatonic Major and Minor Scales","Papas' Flamenco Solos for Guitar","Sylvia Waltz","Bach Album: 14 Pieces by J. S. Bach for Guitar","Chopin Etude: Currently Featured as \"No Other Love\"","Six Short Pieces","Duet Etude for Two Guitars","Spanish Favorites for Classic Guitar","Sonata","Vol. 3","Vol. 5","Vol. 3","(editorial error)","Fall 1966 - Winter 1967","Child's Own Book of Great Musicians - Handel","Child's Own Book of Great Musicians - Haydn","Child's Own Book of Great Musicians - Liszt","Peter Danner, editor","A selected list from catalogs of Belwin-Mills Corp, Edward B. Marks Music Corp., MCA Music.","Prepared by Wayne D. Shirley","Cover page only","Prepared by the Society of the Classical Guitar","Edwin J. Dingle, author","article","The Guitar and Myself","Kleon Raptakis, author (excerpted from unknown magazine)","Program, Columbia Artists Mgmt.","Ronald C. Purcell, Oviatt Library, California State University, Northridge Program","Book","Clippings","Miscellaneous","Manuscript by Sophocles Papas","Oversized","This series contains music scores, instruction guides, guitar journals, and photographs included in the 1999 acquisition. Box numbers from the first acquisition repeat in this series.","Tico-tico (Tico-tico no fuba)","Popular Music Classics for Classical Guitar","Study","Arpeggio Studies","Walzer, Op. 3","Cordoba","Granada","Leyenda","Oriental","Tango","Alborada","Sonata","Album of Guitar Solos","Contributions to the World of Guitar","Compositions arranged by Sophocles Papas","Virtuoso Waltz No. 1","Classical Guitar Suite, \"I'll sleep - when all debt is paid to the wind,\" \"The caretaker of the hills,\" and \"The swordsman's courage\"","Teach Yourself to Play the Guitar","Carcassi Classical Guitar Method","Mood Espanol","Arioso, arranged by Laurindo Almeida","Two Part Inventions for Piano","Bouree","Gavotte","Gigue in E Major","Largo from Cantata No. 156","Lautenpraludium","Papas' Bach Album: 14 pieces by J. S. Bach for Guitar, arranged by Sophocles Papas","Prelude from Cello Suite No. 1","Prelude No. 1 (from The Well Tempered Clavichord - Book 1)","Six pieces: Vol. II - 1. Prelude (Cello Suite No. 1), 2. Bist du bei mir, 3. Petite courante","Sonata II: Vol. 1 - grave, fuga","Mia Amorita","Merry Christmas to Mr. Papas in the Manner of Sor","Arranged by J. K. Mertz","Clumping Along","Fantasia Terza","Las Abejas","Buitar chords in photo diagram form","The Mel Bay Classic Guitar Method, Vols. 2-5","Mel Bay's Fun with the Mandolin","Celebrated Minuet, arranged by Miguel Angel","Moonlight Sonata","Sonatine","Two Short Pieces arranged by Sophocles Papas","Two Bagatelles","Zwei Volksliedbearbeitungen","Arranged by William Foden","West Side Story, arranged by Leon Block","Arranged by Maxwell Eckstein","book","clippings","My Foolish Friend","Seleccion de la opera \"Carmen\"","Calmaiki; Tarantella, Op. 100","Vol. XLVII, No. 542","Vol. XLVII, No. 542","Sirocco Tango","Six Venezuelan Pieces: Vol. I, 1. Valse Venezolano, 2. Estudio, 3. Cancion de Cuna","12th Street Rag","Brahms for the Guitar, arranged by Leon Block","Intermezzo, Op. 117, No. 1","Evocaciones Criollas","Duet Sessions: Duets in the Modern Jazz Idiom","Prelude for Guitar","Cancion Triste, arranged by Carl van Feggelen","Never Weather - Beaten Saile","Suite","Carcassi Classical Guitar Method, New Revised Edition","12 Easy Pieces for the Guitar, Op. 10","Star Dust","Abendmusik","Duet Etdue for Two Guitars","Fantasie Op. 323","Ouverture No. 1","Serenade No. 1","Concerto in D","Guitar Workshop: A Practical Handbook for Beginning Guitarists","Wolf Patterns","Arranged by Richard Cortland Harrison","Chopin Etude, arranged by Sophocles Papas","Three Preludes: Op. 28, Nos. 4, 6, 15","Two Preludes","Arranged by Maxwell Ekstein","Arranged by John Lane","Sonata","Amazon","Bass Clef Note Speller","Andante","Newspaper and magazine clippings","Three Preludes for Guitar","Audio cassette","Corelli, arranged by George Warren","Greek language with some translations","Andante","Barcarolle","Rondeau","Les premiers pas","Guitar Therapy","Scarlet Ribbons (for her hair)","The New Guitar Course","Three Duos concertants for Two Violins","Clair de Lune","La fille aux cheveux de lin","Nr 27/28 quartett fur 4 gitarren","Bourree; Menuet","Prelude","Sarabande","Suite in D Minor","Barre study","Guitarre","Sontaine","Suite in G Major","There's a Sweetheart in Nebraska","The District of Columbia is my home town","Villanella","Rue de blue (Bossa Nova)","Fundamental trill studies on a scientific basis for violin","The higher development of thirds and fingered octaves: twenty-four advanced formulas for the violin, Op. 30","Alman","Altenglische madrigale zur laute","As I wente to Walsinghame; Almane; Tarletone Riserrectione; Mistris Whitte's thinge","Dos gallardas","Earl of Essex, his galliard, and the sick tune; arranged by Mitsuhiko Hamada","Gavotte","Prelude No. 1, Op. 13","Simple variations of \"Las Folias\"","The art of classical guitar playing","Largo","The study of the guitar simplified","First steps in music: a new approach to music for beginners of all ages","Arranged by Carl van Feggelen","Arranged by Sophocles Papas","Complete and painless guide to the guitar for young beginners","Guitar songtime: solos, duets, groups, singing","Smith's how to play finger picking style guitar","Greek dance and lament","Method for guitar - Book 2","Arranged by Sophocles Papas","Spanish favorites for classic guitar","Incomplete","Arranged by Harvey S. Whistler and Herman A. Hummel","Arranged by Harvey S. Whistler and Herman A. Hummel","Arranged by Harvey S. Whistler and Herman A. Hummel","Arranged by Harvey S. Whistler and Herman A. Hummel","Minuet","Arranged by Sophocles Papas","Arranged by Sophocles Papas","Arranged by Sophocles Papas","Listen to the mocking bird","Six short preludes (chord progressions)","Arranged by T. S. Walker","Seven Brazilian etudes","Jeannie with the light brown hair","Oh! Suzanna, Massa's in the cold cold ground, My old Kentucky home","Symphonic skeleton scores: No. 3 - Franck symphony in D minor","A blues for guitar","Arranged by Walter Kaye Bauer","Shake it and break it, arranged by Harry Volpe and Frank Victor","At the piano: Book for two class or individual instruction based on folk tunes of many countries and themes from the masterpieces of music","Saltarello","Sonata in E minor","Boogie and blues for piano solo","Masters of instrumental blues guitar","8 courantes in Renaissance tuning","Thema, Op. 42","Come thou almighty King","The Mikado, arranged by William Krevit","Allegro vivace, Op. 8; Allegro vivace, Op. 40, No. 23; Jagdstuck (rondo), Op. 30; Menuetto, Op. 20; Thema, Op. 34; Walzer, Op. 57, No. 3","Grande ouverture pour la guitare","Grazioso","120 daily guitar studies for the right hand","Serenade concertante en trio pour guitare, violon et violoncello","Sonata, Op. 15","Arranged by Joe Hagerty","Danza Espanola No. 5","Two Spanish dances: 1. Fandango No. 3, 2. Rondalla Aragonesa No. 6","Valses poeticos","La fuente de Nie Pastrie","Greece - collections","Arranged by Kleon Raptakis","Folk tune fugue for two guitars","A method for practicing scales for guitar","Arranged by Sophocles Papas","Peasant's song and waltz, Op. 12","Solvejg's song (from the Peer Gynt Suite No. 2)","Position etudes for plectrum guitar","Silent night","Sounds of bells","Air, Alegretto, Miuet, Passepied - arranged by Len Williams","Concerto in A major","Handel for the guitar, arranged by Leon Block","Siciliana","Suite in D minor","East Saint Louis, arranged by Harry Volp and Frank Victor","Loveless love, arranged by Harry Volp and Frank Victor","The Memphis blues, arranged by Harry Volpe","Saint Louis blues, arranged by Harry Volpe and Frank Victor","Arranged by John Martell","Yellow dog blues","Navajo","Arranged by Alexander Matos","Suite","Rock of ages","You can sight read: Book 1","Andante and menuet","Andante","Minuet, arranged by Jack Duarte","One hand waltz","The classical guitar","Kleine ouverture","A tune a day: the teacher's manual for violin instruction in group, public school classes or individual lessons","Arranged by Elisabeth Papas Smith","Adagio","Sweet music: the Earl of Salusbury's favorite","Hansel and Gretel suite","Arranged by Ada Richter","Arranged by Ada Richter","Arranged by Mel Bey","Danube waves","Carman's whistle, arranged by Kojiro Kobune","Aintcha got music, arranged by Harry Volpe and Frank Victor","Galiarde","The entertainer, arranged by Ada Richter","A little song","Brazilian breakdown","Arranged by Kojiro Kobune","Recognizable blues","Close up","Poliushko polie (Meadowland), arranged by Vladimir Bobri and V. Gabaeff","The folk guitarist's manual: American folk guitar techniques and songs","A new song","Rondino (on a theme from Beethoven)","Excelsior method for the banjo","Arranged by F. Henri Klickmann","Two Venezuelan pieces for guitar: 1. Valse criollo, 2. Pavana","Siboney","Thirty-six caprices","Walzer, Op. 250, No. 6","25 folk-songs with guitar chords","Instruction chord book for guitar","Andantino, arranged by Edmund Severn","Two short pieces arranged by Sophocles Papas","Arranged by Cecily Lambert","Prelude","Spitfire McKenney new quick learning system","Interval and chords: how to use them","Two pieces","Method for 12 string guitar","The simplicity tutor for Spanish guitar","Gypsy tango, arranged by Vladimir Bobri and V. Gabaeff","Make way","Arranged by Louis Tocaben","Arranged by Louis Tocaben","Unidentified and incomplete","Ethnikos ymnos (Greek national hymn)","Arranged by Jack M. Smith, Jr.","Eight pezzi facili per chitarra (Eight easy pieces for guitar)","12 bagatellen","The art of the finger style guitar","Elegia","Elegie","Elegie","Grasshoppers","Consolation: song without words","Aquellos ojos verdes (green eyes), arranged by Jorge Oller","Abendlied, Op. 13, Nr. 2; Adagio, Op. 13, Nr. 10; Kindermarchen, Op. 13, Nr. 8; Tarantella, Op 13, Nr. 6","Canonic variations on the names \"Sophocles and Mercia\"","Four preludes: 1. August, 2. Fantasy on a child's song, 3. Burlesque, 4. Images","Pavane","Pavane II","Six pavanas","Villancico","An American folk song mass","Rondo, Op. 28","Diferencias sobre un tema","The Kerry dance, arranged by Maxwell Eckstein","The Kerry dance, arranged by Maxwell Eckstein","Music theory papers: eye and ear training for the beginner","Music theory papers, third set, sight and sound","In search of the lost chord","Music for the guitar","Pavin","The old castle (from Pictures at an Exhibition)","The old castle (from Pictures at an Exhibition)","Minuet from Ein Kleine Nachtmusik","Sonata No. 3, arranged by David Alzofon","Sonata theme","Symphonic skeleton scores: No. 6 in G minor","Theme from G minor symphony","Two easy pieces: Allegretto in C; Country dance","Suite in D major","Allegro, Op. 51, Nr. 11","Andantino","Bianco fiore","The rosary, arranged by H. F. Odell","The beginner's own book: folk songs carefully graded for ear-training, sight-singing, harmonization and transposition","Arranged by S. S. Cecil","Arranged by John Hoffman","Karntner Volksweise","A song of old Hawaii, arranged by D. Savino","Second series, Vol. XVIII, No. 4; Vol. XIX, Nos. 1 and 4; Vol. XX, No. 2; Vol. XXI, No. 3","Odell method for the mandolin","Capricho No. 13","Grand sonata","Romance","American fantasy: a medley for tenor banjo solo","Biographical and genealogical information","The complete tremolo book for the guitar","Correspondence","Lists of archival materials re: Sophocles Papas","Malaguena","Manuscripts","Manuscripts - \"Method for classic guitar\"","Method for the classic guitar: new revised and enlarged edition","Method for classic guitar: Vol. 1 primer","Miscellaneous pamphlets","Miscellaneous writings","Papas' flamenco solo for guitar","Six easy flamenco variations","Sylvia waltz","Wedding announcement - Sophocles Papas to Mercia F. Lorentz","Stars fell on Alabama","Two moments","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Four toyes from Jane Pickering's lute book","Musicianship for guitarists","Scherzino Mexicano, arranged by Manuel Lopez Ramos","Two pieces: I. Scherzino Mexicano, II. Giga melancolica","Scales cadences","Concerto in C Minor, Op. 18","Angela mia","Music history of Greece from 776 BC to 2nd Century AD","Trees","Pavane pour une enfante defunte","O come all ye faithful","Chanson indoue (A Song of India) from the legend \"Sadko\"","The rose enslaves the nightingale","Arranged by Harry Volpe and Frank Victor","1, 4, 4, and minor: Guitar technique and song book for beginners","Mon coeur s'ouvre a ta voix (My heart at thy sweet voice), Cantabile from \"Samson et Dalila\"","Carcassi method for the guitar","Principios ormonicos de los sonidos otractivos y otraidos","Three airs of court: 1. Preludio, 2. Aria, 3. Finale","Pavana; Zarabanda","Gymnopedie I","Arranged by Elisabeth papas Smith","Arranged by Elisabeth Papas Smith","9 sonatas","9 sonatas, Vol. 2","Sonata","Sonata longo 238","Sonata longo 483","Arranged by Loris O. Chobanian","John W. Schaum piano course: pre-A book","Theory lessons in loose leaf form for individual or class instruction: Book 1","Theory lessons in loose leaf form for individual or class instruction: Book 2","Theory lessons in loose leaf form for individual or class instruction: Book 3","Veil dance","Arranged by John Jacob Niles","Try to remember","Kleine melodie","Allegretto in C minor","Ben Ludlow","A circle of tears","Diatonic major and minor scales","Diatonic major and minor scales","The guitar and myself","Lessons No. 11 and 12 from Follies of My Youth (Le peche de ma jeunesse)","Prelude in chords","Slur exercises and chromatic octaves","Two pieces: 1. Estudio","La golondrina (The swollow) Mexican folk song","La golondrina","Cherry blossom","Flamenco guitar for beginners","International inventory of musical sources: report of the Joint US Committee on Activities","A folksinger's guide to note reading and music theory: a manual for the folk guitarist","Polka dot stomp - arranged by Harry Volpe and Frank Victor","Arranged by Vladimir Bobri and V. Gabaeff","Smith's theory book for guitarist covering all scales and intervals","Smith's folk song tenor guitar course","Andres Segovia: studies for the guitar","Compositions pour la guitare par Ferdinand Sor","Compositions pour la guitare par Ferdinand Sor","Compositions pour la guitare par Ferdinand Sor","Divertissement","Folias de Espana","Grand solo","Menuet; Waltz No. 3; Estudio de Sor","Metodo completo para guittarra","Miscellaneous pieces - oversized","Sixty short pieces for guitar: Vol. 1, Nos. 1-38","Sixty short pieces for guitar: Vol. 2, Nos. 39-60","Theme varie","Arranged by Sophocles Papas","La Bernadina de Josquin","Stal's international banjo method","Novello's music primers and educational series","Cosi amor mi fai languir","Arranged by Sophocles Papas","Arranged by Sophocles Papas","Spanish guitar note speller","It takes time to know a country","Child's own book of great musicians - Handel","Child's own book of great musicians - Haydn","Child's own book of great musicians - Liszt","Danza odalisca","Marieta","Prelude II","Instrumental techniques of American folk guitar","Andante and allegro (for two guitars) arranged by Len Williams","Fantasie","Book for boys for piano","Thompson's modern course for the piano: the first grade book","Dance of candy fairy (Nutcracker Suite)","Symphonic skeleton scores: No. 2 - Symphony 6 in B minor - Pathetic","Arranged by Teddy Schwartz","Arranged by Mark Nevin","Arranged by Eileen Stickley","Arranged by Sophocles Papas","Study in E major","Holidays! Holidays! A collection of twenty-one songs to play and sing in the holiday spirit","Di provenza il mar (What has made your heart grow cold) Germont's aria in the 2nd act of \"La Traviata\"","The sweetheart of Sigma Chi","Choros","Concerto in D","Romanza No. 2","The new handy guitar method: modern plectrum style","Piano course - book one","Artwork for logo","Program","Musical moods in all keys for piano solo","This series consists of a collection of newspaper and magazine clippings, postcards (some with correspondence to Elisabeth Papas-Smith), stamps, and photographs collected by Elisabeth Papas-Smith. Images and articles relate to guitars and other fretted instruments, popular music and musicians, and Sophocles Papas and friends.","Postcards, clippings of guitars and other fretted instruments in art, photograph of English classical guitarists and museum guitar displays","Postcards, stamps, clippings of guitars and other fretted instruments in art, photograph of lute player in Sophocles Papas living room","Clippings of Braque, Gris, Picasso works of art featuring guitars","Stamp, postcards, and clippings of musicians and guitars","Postcards and clippings of musicians and guitars, photographs of Sophocles Papas, Carlos Montoya, Charlie Byrd, Carl Sandburg and others","Clippings of musicians and guitars","Clippings of musicians and guitars","Postcards, clippings of musicians and guitars","Clippings of musicians and guitars","Clippings of musicians and guitars","Clippings of The Beatles and Alia","Clippings of lutes, ouds, ancient fretted instruments in art","Mostly funny, humorous drawings and cartoon clippings","Clippings of women and guitars, photograph of Dorothy Perrenoud","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains personal papers of Sophocles Papas including music scores, manuscript scores, phonograph records, correspondence, music journals, photographs, and guitar music manuals.","R 24, C 1, S 6 - S 7; C 2, S 1 - S 7","George Mason University. Libraries. Special Collections Research Center","Papas, Sophocles, 1893-1986","English"],"collection_title_tesim":["Sophocles Papas papers"],"collection_ssim":["Sophocles Papas papers"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0052","/repositories/2/resources/15"],"unitid_tesim":["C0052","/repositories/2/resources/15"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Papas, Sophocles, 1893-1986"],"creator_ssim":["Papas, Sophocles, 1893-1986"],"creator_persname_ssim":["Papas, Sophocles, 1893-1986"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Papas, Sophocles, 1893-1986","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Elisabeth Papas Smith and David Papas 1987-1999. Additional materials donated in 2010 by Elisabeth Papas Smith."],"access_subjects_ssim":["Guitar music","Guitar -- Instruction and study","Guitar orchestra music","Music","Music -- Instruction and study","Correspondence","Photographs","Sound recordings"],"access_subjects_ssm":["Guitar music","Guitar -- Instruction and study","Guitar orchestra music","Music","Music -- Instruction and study","Correspondence","Photographs","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["23 Linear Feet 43 boxes"],"extent_tesim":["23 Linear Feet 43 boxes"],"genreform_ssim":["Correspondence","Photographs","Sound recordings"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized by subject and divided into three series. Series 1 contains the materials acquired in 1987, and Series 2 contains materials acquired in 1999. Since each series was processed separately, the box numbers for the collection repeat. Series 3 consists of scrapbook pages with images of guitarists and guitars, with some original photographs but mostly consisting of reproductions, collected by Elisabeth Papas Smith.\u003c/p\u003e","\u003cp\u003eThe collection is organized by subject and divided into two series. Series 1 contains the materials acquired in 1987, and Series 2 contains materials acquired in 1999. Since each series was processed separately, the box numbers for the collection repeat. Series 3 consists of scrapbook pages of guitarists and guitars collected by Elisabeth Papas Smith.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: 1987 Accession\u003c/item\u003e\n      \u003citem\u003eSeries 2: 1999 Accession\u003c/item\u003e\n      \u003citem\u003eSeries 3: 2010 Accession\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized by subject and divided into three series. Series 1 contains the materials acquired in 1987, and Series 2 contains materials acquired in 1999. Since each series was processed separately, the box numbers for the collection repeat. Series 3 consists of scrapbook pages with images of guitarists and guitars, with some original photographs but mostly consisting of reproductions, collected by Elisabeth Papas Smith.","The collection is organized by subject and divided into two series. Series 1 contains the materials acquired in 1987, and Series 2 contains materials acquired in 1999. Since each series was processed separately, the box numbers for the collection repeat. Series 3 consists of scrapbook pages of guitarists and guitars collected by Elisabeth Papas Smith.","Series\n      Series 1: 1987 Accession\n      Series 2: 1999 Accession\n      Series 3: 2010 Accession"],"bioghist_html_tesm":["\u003cp\u003eSophocles Papas was an internationally known teacher of classical guitar. A Fairfax County resident later in his life, Papas taught the classical guitar in Washington, D.C. for nearly sixty years. He also taught at American University in Washington, D.C. Among his former students who have risen to fame are Charlie Byrd and Carlos Barbosa-Lima. \u003c/p\u003e","\u003cp\u003ePapas was a prominent figure in the Washington music scene for much of his life. He performed live on radio regularly on WCAP and was a close friend to music legends, Andres Segovia and Carlos Montoya. Papas organized and conducted Washington's first guitar/mandolin/banjo orchestra, and founded the Washington Guitar Society. A prolific writer and publisher, Papas produced articles for scholarly music journals; wrote a column for the music magazine Crescendo; and founded Columbia Music Company, a publisher of sheet music and instructional methods for the guitar. Most notable among his publications is Method for the Classic Guitar. In 1998 Columbia Music Company also published a biography of Papas, Sophocles Papas: the Guitar, His Life, written by his daughter, Elisabeth Papas Smith. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Sophocles Papas was an internationally known teacher of classical guitar. A Fairfax County resident later in his life, Papas taught the classical guitar in Washington, D.C. for nearly sixty years. He also taught at American University in Washington, D.C. Among his former students who have risen to fame are Charlie Byrd and Carlos Barbosa-Lima.","Papas was a prominent figure in the Washington music scene for much of his life. He performed live on radio regularly on WCAP and was a close friend to music legends, Andres Segovia and Carlos Montoya. Papas organized and conducted Washington's first guitar/mandolin/banjo orchestra, and founded the Washington Guitar Society. A prolific writer and publisher, Papas produced articles for scholarly music journals; wrote a column for the music magazine Crescendo; and founded Columbia Music Company, a publisher of sheet music and instructional methods for the guitar. Most notable among his publications is Method for the Classic Guitar. In 1998 Columbia Music Company also published a biography of Papas, Sophocles Papas: the Guitar, His Life, written by his daughter, Elisabeth Papas Smith."],"prefercite_html_tesm":["\u003cp\u003eSophocles Papas papers, C0052, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Sophocles Papas papers, C0052, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eNote: this collection is minimally processed with a basic box inventory. Please contact SCRC for more information.\u003c/p\u003e","\u003cp\u003eProcessed by Barbara Haase and Elizabeth Baker. Original finding aid compiled by Barbara Haase, Robert Vay, and Ronya Wei. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. EAD updated in 2010 by Greta Kuriger. Finding aid updated by Amanda Menjivar in June 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Note: this collection is minimally processed with a basic box inventory. Please contact SCRC for more information.","Processed by Barbara Haase and Elizabeth Baker. Original finding aid compiled by Barbara Haase, Robert Vay, and Ronya Wei. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. EAD updated in 2010 by Greta Kuriger. Finding aid updated by Amanda Menjivar in June 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Sam di Bonaventura papers\" href=\"https://aspace.gmu.edu/resources/c0070\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the ."],"scopecontent_html_tesm":["\u003cp\u003eNote: this collection is minimally processed with a basic box inventory. Please contact SCRC for more information.\u003c/p\u003e","\u003cp\u003eThis collection contains personal papers of Sophocles Papas including music scores, manuscript scores, phonograph records, correspondence, music journals, photographs, and guitar music manuals. \u003c/p\u003e  ","\u003cp\u003eThis series contains music scores, instruction guides, phonograph records, and music journals included in the 1987 acquisition. Note: the box numbers in this series repeat in series 2.\u003c/p\u003e","\u003cp\u003eLa Golondrina (The Swallow) Mexican Folk Song\u003c/p\u003e","\u003cp\u003eMon coeur s'ouvre a ta voix (My Heart at Sweet Voice) Cantible from Samson and Delilah, voice and piano\u003c/p\u003e","\u003cp\u003eChanson Indoue (A Song of India) from the legend \"Sadko\", voice and piano\u003c/p\u003e","\u003cp\u003eAngela Mia (My Angel), voice and piano\u003c/p\u003e","\u003cp\u003eLautenpraludium\u003c/p\u003e","\u003cp\u003eAy, Ay, Ay\u003c/p\u003e","\u003cp\u003eStar Dust, voice and piano\u003c/p\u003e","\u003cp\u003eAllegretto in C Minor, piano\u003c/p\u003e","\u003cp\u003eI Don't Want Him: Oahu \"Rhythm Style\" Note Course for Plectrum Guitar (octave notation)\u003c/p\u003e","\u003cp\u003eFlamenco, piano\u003c/p\u003e","\u003cp\u003eSiboney, voice and piano\u003c/p\u003e","\u003cp\u003eA Song of Old Hawaii, voice and piano\u003c/p\u003e","\u003cp\u003eThe District of Columbia Is My Home Town, voice and piano\u003c/p\u003e","\u003cp\u003eThere's a Sweetheart in Nebraska, voice and piano\u003c/p\u003e","\u003cp\u003ePrelude in Chords\u003c/p\u003e","\u003cp\u003eThe Kerry Dance, voice and piano\u003c/p\u003e","\u003cp\u003eThe Kerry Dance, voice and piano with solo parts for C, B flat, E flat, and bass\u003c/p\u003e","\u003cp\u003eElegie, voice and piano\u003c/p\u003e","\u003cp\u003eIt Takes Time to Know a Country, voice and piano\u003c/p\u003e","\u003cp\u003eThe Sweetheart of Sigma Chi, voice and piano\u003c/p\u003e","\u003cp\u003eDi Provenza Il Mar (What Has Made Your Heart Grow Cold?) Germont's Aria in the second act of \"La Traviata,\" voice and piano\u003c/p\u003e","\u003cp\u003eLoveless Love\u003c/p\u003e","\u003cp\u003eYellow Dog Blues\u003c/p\u003e","\u003cp\u003eAintcha Got Music\u003c/p\u003e","\u003cp\u003eRingtail Blues\u003c/p\u003e","\u003cp\u003eSaint Louis Blues\u003c/p\u003e","\u003cp\u003eEast Saint Louis\u003c/p\u003e","\u003cp\u003ePolka Dot Stomp\u003c/p\u003e","\u003cp\u003eTrees Song\u003c/p\u003e","\u003cp\u003eThe Memphis Blues\u003c/p\u003e","\u003cp\u003eGypsy, voice and piano\u003c/p\u003e","\u003cp\u003eHanuka, Oh Hanuka: The Hebrew \"Christmas Season\" song, accordion\u003c/p\u003e","\u003cp\u003eRomanza No. 2, guitar\u003c/p\u003e","\u003cp\u003eThe Rosary\u003c/p\u003e","\u003cp\u003eScherzino Mexicano \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eMinuet from Eine Kleine Nachtmusik\u003c/p\u003e","\u003cp\u003erue de Blue (bossa nova)\u003c/p\u003e","\u003cp\u003eCapricho No. 13\u003c/p\u003e","\u003cp\u003eNavajo\u003c/p\u003e","\u003cp\u003eCherry Blossom: Theme and Variations for the Classical Guitar\u003c/p\u003e","\u003cp\u003eUS Air Force Blues, choral arrangement\u003c/p\u003e","\u003cp\u003eConsolation: Song without Words\u003c/p\u003e","\u003cp\u003eTico-Tico, voice and piano\u003c/p\u003e","\u003cp\u003eCelebrated Minuet\u003c/p\u003e","\u003cp\u003eScarlet Ribbons (for Her Hair), voice and piano\u003c/p\u003e","\u003cp\u003eThe Entertainer, piano solo\u003c/p\u003e","\u003cp\u003eRomance\u003c/p\u003e","\u003cp\u003eGypsy Tango\u003c/p\u003e","\u003cp\u003eSuite in D Minor\u003c/p\u003e","\u003cp\u003eFantasia di Francesco Milanese\u003c/p\u003e","\u003cp\u003eElegie\u003c/p\u003e","\u003cp\u003eSuite in G Major for Guitar and Viola da Gamba\u003c/p\u003e","\u003cp\u003eTwo Moments for guitar\u003c/p\u003e","\u003cp\u003eBrazilian Breakdown\u003c/p\u003e","\u003cp\u003eClassical Guitar Suite\u003c/p\u003e","\u003cp\u003ePoliushko (Meadowland) Theme and Variations on Celebrated Red Army Song\u003c/p\u003e","\u003cp\u003eRondino (on a theme by Beethoven), violin and piano\u003c/p\u003e","\u003cp\u003eA New Song, choral arrangement\u003c/p\u003e","\u003cp\u003ePrelude\u003c/p\u003e","\u003cp\u003eCancion Triste\u003c/p\u003e","\u003cp\u003eSolvejg's Song (from the Peer Gynt Suite No. 2)\u003c/p\u003e","\u003cp\u003eGigue in E Major, piano\u003c/p\u003e","\u003cp\u003ePavane\u003c/p\u003e","\u003cp\u003eMarieta\u003c/p\u003e","\u003cp\u003eMoonlight Sonata\u003c/p\u003e","\u003cp\u003eDanza Odalisca\u003c/p\u003e","\u003cp\u003eLa Bernandina de Josquin (solo) and La Bernandina (duet), lute solo\u003c/p\u003e","\u003cp\u003e8 Courantes in Renaissance Tuning, lute solo\u003c/p\u003e","\u003cp\u003eCarman's Whistle\u003c/p\u003e","\u003cp\u003eKemp's Jig and Playfellow\u003c/p\u003e","\u003cp\u003eKemp's Jig\u003c/p\u003e","\u003cp\u003eEarl of Essex His Galliard and the Sick Tune\u003c/p\u003e","\u003cp\u003eLes Premiers Pas\u003c/p\u003e","\u003cp\u003eTheme Varie\u003c/p\u003e","\u003cp\u003eLeyenda\u003c/p\u003e","\u003cp\u003eGallarda\u003c/p\u003e","\u003cp\u003eEl Noy de la Mare\u003c/p\u003e","\u003cp\u003eSonata No. 3\u003c/p\u003e","\u003cp\u003eAquellos Ojos Verdes\u003c/p\u003e","\u003cp\u003e12 Bagatellen\u003c/p\u003e","\u003cp\u003e700 Years of Music for the Classical Guitar\u003c/p\u003e","\u003cp\u003e36 caprices in two books (36 caprices en 2 cahiers): Book I\u003c/p\u003e","\u003cp\u003eNineteenth Century Guitar Music\u003c/p\u003e","\u003cp\u003eClassical Guitar Editions\u003c/p\u003e","\u003cp\u003eThe Golden Age: Classics for Solo Guitar, Book One\u003c/p\u003e","\u003cp\u003eMandolin and guitar Collection: No. 9 (first mandolin)\u003c/p\u003e","\u003cp\u003eMandolin and guitar Collection: No. 9 (second mandolin)\u003c/p\u003e","\u003cp\u003eListen to the Mocking Bird\u003c/p\u003e","\u003cp\u003eTango\u003c/p\u003e","\u003cp\u003eGranada\u003c/p\u003e","\u003cp\u003eOriental\u003c/p\u003e","\u003cp\u003eThe Rose Enslaves the Nightengale, voice and piano\u003c/p\u003e","\u003cp\u003eGrasshoppers, piano\u003c/p\u003e","\u003cp\u003eOne Hand Waltz\u003c/p\u003e","\u003cp\u003eClumping Along\u003c/p\u003e","\u003cp\u003eVeil Dance, piano\u003c/p\u003e","\u003cp\u003eSonata\u003c/p\u003e","\u003cp\u003e12th Street Rag, banjo and piano\u003c/p\u003e","\u003cp\u003eSirocco Tango\u003c/p\u003e","\u003cp\u003eBohemian Girl\u003c/p\u003e","\u003cp\u003eBelieve Me If All Those Endearing Young Charms\u003c/p\u003e","\u003cp\u003eIntermezzo, Op. 117, No. 1\u003c/p\u003e","\u003cp\u003eTwo Easy Pieces\u003c/p\u003e","\u003cp\u003eGavotte for Guitar\u003c/p\u003e","\u003cp\u003eFantaisie Opus 323\u003c/p\u003e","\u003cp\u003eThe Rosewood Book: 30 Duets for Guitar and Flute\u003c/p\u003e","\u003cp\u003eMelodious and Progressive Etudes for Guitar\u003c/p\u003e","\u003cp\u003eClassic American Folk songs for Voice and Guitar\u003c/p\u003e","\u003cp\u003eTunes You Like: Your Favorite Songs Made Easy to Play, voice and piano\u003c/p\u003e","\u003cp\u003e12 Easy Pieces for the Guitar\u003c/p\u003e","\u003cp\u003eAn American Folk Song Mass\u003c/p\u003e","\u003cp\u003e6 Sevillanas for Spanish Guitar\u003c/p\u003e","\u003cp\u003eLatin Americana for the Elementary Pianist\u003c/p\u003e","\u003cp\u003eGuitar Songtime: Solos, Duets, Groups, Singing\u003c/p\u003e","\u003cp\u003eA Christmas Recital for Piano\u003c/p\u003e","\u003cp\u003eThe Guitarist's Hour: Book I\u003c/p\u003e","\u003cp\u003eThe Guitarist's Hour: Book II\u003c/p\u003e","\u003cp\u003eHandel for Guitar\u003c/p\u003e","\u003cp\u003eBrahms for the Guitar\u003c/p\u003e","\u003cp\u003eDuet Session: Duets in the Modern Jazz Idiom\u003c/p\u003e","\u003cp\u003e6 Authentic Songs and Dances of Moscow Gypsies, piano\u003c/p\u003e","\u003cp\u003ePopular Classics for Classical Guitar\u003c/p\u003e","\u003cp\u003eGreek Songs and Dances including Music History of Greece, accordion\u003c/p\u003e","\u003cp\u003e200 Songs for Ukulele\u003c/p\u003e","\u003cp\u003eClassic Melodies, Great Composers for Piano for Beginners of All Ages\u003c/p\u003e","\u003cp\u003eGuitar Folio No. 1\u003c/p\u003e","\u003cp\u003eEuropean Guitar and Lute Music: Book Two - German Masters\u003c/p\u003e","\u003cp\u003eWorld Classics for the Guitar\u003c/p\u003e","\u003cp\u003eRenaissance Lute Music for the Guitar: An Anthology of Constant Delight\u003c/p\u003e","\u003cp\u003eMusical Moods in All Keys for Piano Solo\u003c/p\u003e","\u003cp\u003eTwo-Part Inventions for Piano\u003c/p\u003e","\u003cp\u003eBook for Boys\u003c/p\u003e","\u003cp\u003eBoogie and Blues for Piano\u003c/p\u003e","\u003cp\u003eAuthentic Guitar Sounds of Peter, Paul and Mary\u003c/p\u003e","\u003cp\u003ePeter, Paul and Mary\u003c/p\u003e","\u003cp\u003eMore Peter, Paul and Mary\u003c/p\u003e","\u003cp\u003ePeter, Paul and mary on Tour\u003c/p\u003e","\u003cp\u003eA Little Treasury of Folksongs and Dances: One\u003c/p\u003e","\u003cp\u003eA Little Treasury of Folksongs and Dances: Three\u003c/p\u003e","\u003cp\u003eA Little Treasury of Folksongs and Dances: Four\u003c/p\u003e","\u003cp\u003eSymphonic Skeleton Scores No. 2, Symphony 6 in B Minor\u003c/p\u003e","\u003cp\u003eSymphonic Skeleton Scores No. 3, Symphony in D Minor\u003c/p\u003e","\u003cp\u003eSymphonic Skeleton Scores No. 6, Symphony in G Minor\u003c/p\u003e","\u003cp\u003eFirst Duet Album for Two Violins\u003c/p\u003e","\u003cp\u003eFirst Trio Album for Three Violins\u003c/p\u003e","\u003cp\u003eFirst Quartet Album for Strings (two violins, viola, and cello)\u003c/p\u003e","\u003cp\u003eShake It and Break It\u003c/p\u003e","\u003cp\u003eChristmas with the King Family, voice and piano\u003c/p\u003e","\u003cp\u003eSelections from West Side Story for Guitar\u003c/p\u003e","\u003cp\u003eSix Lute Pieces of the Renaissance, guitar\u003c/p\u003e","\u003cp\u003eSongs for Guitar\u003c/p\u003e","\u003cp\u003eOperatic Album for Guitar\u003c/p\u003e","\u003cp\u003eGraded Anthology for Classic Guitar\u003c/p\u003e","\u003cp\u003eGreek Club Date Handbook: Songs and Dances Every Musician Should Know, piano\u003c/p\u003e","\u003cp\u003eInternational Songs for Guitar\u003c/p\u003e","\u003cp\u003eThree Duos Concertants for Two Violins\u003c/p\u003e","\u003cp\u003eThe Moody Blues in Search of the Lost Chord\u003c/p\u003e","\u003cp\u003eClassic Melodies: Great Ballets for Piano for Beginners of All Ages\u003c/p\u003e","\u003cp\u003eThe Mikado\u003c/p\u003e","\u003cp\u003eHebrew Songs for the Young Pianist\u003c/p\u003e","\u003cp\u003ePurcell to Mozart: 51 Piano Solos in Their Original Form\u003c/p\u003e","\u003cp\u003eSchirmer's American Folk-Song Series: Set 14 - Songs of the Hill-Folk\u003c/p\u003e","\u003cp\u003eThe Folk Song Sight Singing Series: Book VIII\u003c/p\u003e","\u003cp\u003eFour Toyes from Jane Pickering's Lute Book\u003c/p\u003e","\u003cp\u003eTumbalalaika and 16 Other Jewish Songs for Singing in English\u003c/p\u003e","\u003cp\u003e25 Carols from the Oxford Book of Carols for Schools (Book 1 Nos. 1-14)\u003c/p\u003e","\u003cp\u003eW. C. Handy's Famous Blues for the Hawaiian Guitar\u003c/p\u003e","\u003cp\u003eInternational Christmas for Piano\u003c/p\u003e","\u003cp\u003eIntermediate Guitar Solos\u003c/p\u003e","\u003cp\u003eLessons No. 11 and 12 from Follies of my Youth (Le Peche de Ma Jeunesse) for guitar\u003c/p\u003e","\u003cp\u003e8 Pezzi Facili per Chitarra (8 Easy Pieces for Guitar)\u003c/p\u003e","\u003cp\u003eThe Treasure Chest of Famous Marches\u003c/p\u003e","\u003cp\u003eMake Way, voice and piano\u003c/p\u003e","\u003cp\u003eSunny Side!, voice and piano\u003c/p\u003e","\u003cp\u003eClose Up, voice and piano\u003c/p\u003e","\u003cp\u003eFolk Song Sing Along, voice\u003c/p\u003e","\u003cp\u003eThe French Funny Book of Popular Tunes in Easy Piano Arrangements\u003c/p\u003e","\u003cp\u003eHolidays! Holidays! A collection of 21 Songs to Play and Sing in the Holiday Spirit, voice and piano\u003c/p\u003e","\u003cp\u003eClassical Guitar\u003c/p\u003e","\u003cp\u003eChoice Folk Songs Encore with Guitar Arrangements\u003c/p\u003e","\u003cp\u003eMinstrel Songs with Guitar Accompaniment, voice and guitar\u003c/p\u003e","\u003cp\u003eFolk tunes for Solo Descant Recorder\u003c/p\u003e","\u003cp\u003eBig-Note Carnival, piano\u003c/p\u003e","\u003cp\u003eClassical Guitar Recital Book\u003c/p\u003e","\u003cp\u003eFirst Etude Album for Violin\u003c/p\u003e","\u003cp\u003eWorld's Favorite Solos for Classical Guitar\u003c/p\u003e","\u003cp\u003eSongs We Sing, voice and piano\u003c/p\u003e","\u003cp\u003eTheory and Lessons in Loose Leaf Form for Individual or Class Instruction, Book One\u003c/p\u003e","\u003cp\u003eThe Beginner's Own Book: Folk Songs Carefully Graded for Ear-Training, Sight-Singing, Harmonization, and Transposition\u003c/p\u003e","\u003cp\u003eFun with the Mandolin\u003c/p\u003e","\u003cp\u003eHigher Development of Thirds and Fingered Octaves: Twenty-Four Advanced Formulas for the Violin, Opus 30\u003c/p\u003e","\u003cp\u003eMethod for the Guitar\u003c/p\u003e","\u003cp\u003e120 Daily Guitar Studies for the Right Hand\u003c/p\u003e","\u003cp\u003eRyan's True Guitar Instructor\u003c/p\u003e","\u003cp\u003eHome Study Lessons for the Hawaiian Steel Guitar from 1 to 12\u003c/p\u003e","\u003cp\u003eHome Study Lessons for the Hawaiian Steel Guitar from 13 to 24\u003c/p\u003e","\u003cp\u003eHome Study Lessons for the Hawaiian Steel Guitar from 25 to 36\u003c/p\u003e","\u003cp\u003eHome Study Lessons for the Hawaiian Steel Guitar from 37 to 48\u003c/p\u003e","\u003cp\u003eHome Study Lessons for the Hawaiian Steel Guitar from 49 to 60\u003c/p\u003e","\u003cp\u003eHome Study Lessons for the Hawaiian Steel Guitar from 61 to 72\u003c/p\u003e","\u003cp\u003eHome Study Lessons for the Hawaiian Steel Guitar from 85 to 96\u003c/p\u003e","\u003cp\u003eMusic Theory Papers: Ear and Eye Training for the Beginner\u003c/p\u003e","\u003cp\u003eThe Simplicity Tutor for Spanish Guitar\u003c/p\u003e","\u003cp\u003eMusic for the Guitar\u003c/p\u003e","\u003cp\u003eIntervals and Chords: How to Use Them\u003c/p\u003e","\u003cp\u003eAndres Segovia Studies for the Guitar\u003c/p\u003e","\u003cp\u003eComplete and Painless Guide to the Guitar for Young Beginners\u003c/p\u003e","\u003cp\u003eA Method for Practicing Scales for Guitar\u003c/p\u003e","\u003cp\u003eSmith's Folk Song Tenor Guitar Course\u003c/p\u003e","\u003cp\u003eSix Studies for Classical Guitar in the Keys of C Major and A Minor\u003c/p\u003e","\u003cp\u003e1, 4, 5, and Minor: Guitar Technique and Song Book for Beginners\u003c/p\u003e","\u003cp\u003eScales and Cadences\u003c/p\u003e","\u003cp\u003eCarcassi Method for the Guitar\u003c/p\u003e","\u003cp\u003eIntermediate Guitar Solos with Commentary\u003c/p\u003e","\u003cp\u003eFirst Steps in Music: A New Approach to Music for Beginners of All Ages\u003c/p\u003e","\u003cp\u003eThe Classical Guitar Collection\u003c/p\u003e","\u003cp\u003eA Tune a Day: The Teacher's Manual for Violin Instruction in Group, Public School Classes, or Individual Lessons\u003c/p\u003e","\u003cp\u003eJohn W. Schaum Piano Course: A Pre-A Book\u003c/p\u003e","\u003cp\u003eTeach Yourself to Play the Guitar\u003c/p\u003e","\u003cp\u003eInstrumental Techniques of American Folk Guitar\u003c/p\u003e","\u003cp\u003eThe Folk Guitarist's Manual: American Folk Guitar Techniques and Songs\u003c/p\u003e","\u003cp\u003eMasters of Instrumental Blues Guitar\u003c/p\u003e","\u003cp\u003eInstruction Chord Book for Guitar\u003c/p\u003e","\u003cp\u003eA Folksinger's Guide to Note Reading and Music Theory: A Manual for the Folk Guitarist\u003c/p\u003e","\u003cp\u003eCarcassi Classical Guitar Method\u003c/p\u003e","\u003cp\u003eThe Art of Finger Style Guitar\u003c/p\u003e","\u003cp\u003eOdell Method for the Mandolin\u003c/p\u003e","\u003cp\u003eComprehensive Guitar Method: Student Book\u003c/p\u003e","\u003cp\u003eComprehensive Guitar Method: Teacher's Manual\u003c/p\u003e","\u003cp\u003eExcelsior Method for Banjo\u003c/p\u003e","\u003cp\u003eYou Can Sight Read: Book 1 - The Pleasures of Piano Sight Reading Through Keyboard Harmony and Technique\u003c/p\u003e","\u003cp\u003eThe New Handy Guitary Method\u003c/p\u003e","\u003cp\u003eSpitfire McKenney New Quick Learning System, ukelele\u003c/p\u003e","\u003cp\u003eSmith's How to Play Finger Picking Style Guitar\u003c/p\u003e","\u003cp\u003eAdantino\u003c/p\u003e","\u003cp\u003eStahl's International Banjo Method\u003c/p\u003e","\u003cp\u003eThe Folksinger's Guitar Guide\u003c/p\u003e","\u003cp\u003ePiano Course Book One\u003c/p\u003e","\u003cp\u003eJohn Thompson's Modern Course for the Piano: The First Grade Book\u003c/p\u003e","\u003cp\u003eAt the Piano: Book Two\u003c/p\u003e","\u003cp\u003eThe Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 1\u003c/p\u003e","\u003cp\u003eThe Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 2\u003c/p\u003e","\u003cp\u003eThe Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 3\u003c/p\u003e","\u003cp\u003eThe Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 4\u003c/p\u003e","\u003cp\u003eThe Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 5\u003c/p\u003e","\u003cp\u003eFlamenco Guitar Method for Beginners\u003c/p\u003e","\u003cp\u003eThe New Guitar Course\u003c/p\u003e","\u003cp\u003eCarcassi Classical Guitar Method - New Revised Edition\u003c/p\u003e","\u003cp\u003eNovello's Music Primers and Educational Series: Harmony Lessons\u003c/p\u003e","\u003cp\u003eThe Art of Classical Guitar Playing\u003c/p\u003e","\u003cp\u003eGuitar Workshop\u003c/p\u003e","\u003cp\u003eMusicianship for Guitarists\u003c/p\u003e","\u003cp\u003eMethod for 12 String Guitar\u003c/p\u003e","\u003cp\u003eBass Clef Note Speller\u003c/p\u003e","\u003cp\u003eFolk-Songs with Guitar Chords\u003c/p\u003e","\u003cp\u003eFundamental Trill Studies on a Scientific Basis\u003c/p\u003e","\u003cp\u003eThe Study of the Guitar Simplified\u003c/p\u003e","\u003cp\u003eMusic Theory Papers (Third Set) - Sight and Sound\u003c/p\u003e","\u003cp\u003eSpanish Guitar Note Speller\u003c/p\u003e","\u003cp\u003eJohn W. Schaum Theory Lessons: Book 3\u003c/p\u003e","\u003cp\u003eGavotte for Guitar Solo\u003c/p\u003e","\u003cp\u003e9 Sonatas\u003c/p\u003e","\u003cp\u003eSonata L 238\u003c/p\u003e","\u003cp\u003eTwo Venezuelan Pieces for Guitar: 1. Valse Criollo, 2. Pavana\u003c/p\u003e","\u003cp\u003eSix Venezuelan Pieces: Volume I - 1. Valse Venezolano, 2. Estudio, 3. Cancion de Cuna\u003c/p\u003e","\u003cp\u003eSuite in D Minor\u003c/p\u003e","\u003cp\u003eSonata\u003c/p\u003e","\u003cp\u003eSix Pieces: Volume I - 1. Prelude in C, 2. Entrata, 3. Little Fantasia\u003c/p\u003e","\u003cp\u003eSix Pieces: Volume II - 1. Prelude, 2. Bist du Bei Mir, 3. Petite Courante\u003c/p\u003e","\u003cp\u003eAlbum of Guitar Solos\u003c/p\u003e","\u003cp\u003eThree Airs of Court: 1. Preludio, 2. Aria, 3. Finale\u003c/p\u003e","\u003cp\u003eSuite: 7 Pieces\u003c/p\u003e","\u003cp\u003eFour Preludes: 1. August, 2. Fantasy on a Child's Song\u003c/p\u003e","\u003cp\u003eCanonic Variations on the names \"Sophocles and Mercia\"\u003c/p\u003e","\u003cp\u003eVirtuoso Waltz No. 1\u003c/p\u003e","\u003cp\u003eSeven Brazilian Etudes\u003c/p\u003e","\u003cp\u003eGrand Sonata\u003c/p\u003e","\u003cp\u003eSlur Exercises and Chromatic Octaves\u003c/p\u003e","\u003cp\u003eValses Poeticos\u003c/p\u003e","\u003cp\u003eConcerto in A Major\u003c/p\u003e","\u003cp\u003ePavane Pour une Enfante Defunte\u003c/p\u003e","\u003cp\u003eLute Solo\u003c/p\u003e","\u003cp\u003eTwo Bagatelles\u003c/p\u003e","\u003cp\u003eSimple Variations on \"Las Folias\"\u003c/p\u003e","\u003cp\u003eFolk Tune Fugue for Two Guitars\u003c/p\u003e","\u003cp\u003eLargo from Cantata No. 156\u003c/p\u003e","\u003cp\u003eCordoba\u003c/p\u003e","\u003cp\u003eFive Solos for Guitar\u003c/p\u003e","\u003cp\u003eFive Catalan Melodies\u003c/p\u003e","\u003cp\u003eThe Complete Tremolo Book for the Guitar\u003c/p\u003e","\u003cp\u003eSounds of Bells\u003c/p\u003e","\u003cp\u003eDifferencias Sobre un Tema\u003c/p\u003e","\u003cp\u003eLa Fuente de Nie Pastrie\u003c/p\u003e","\u003cp\u003eSonata II: Volume I - Grave, Fuga\u003c/p\u003e","\u003cp\u003eTwo Pieces: 1. Estudio, 2. Humorada\u003c/p\u003e","\u003cp\u003eSonata II: Volume II - Andante, Allegro\u003c/p\u003e","\u003cp\u003eClair De Lune for Two Guitars\u003c/p\u003e","\u003cp\u003eAndante and Menuet\u003c/p\u003e","\u003cp\u003eThe Old Castle\u003c/p\u003e","\u003cp\u003eTwo Spanish Dances: 1. Fandango No. 3, 2. Rondalla Aragonesa No. 6\u003c/p\u003e","\u003cp\u003ePeasant's Song and Waltz, Op. 12\u003c/p\u003e","\u003cp\u003eSixty Short Pieces for Guitar: Vol. I, Numbers 1-38\u003c/p\u003e","\u003cp\u003eSixty Short Pieces for Guitar: Vol. II, Numbers 39-60\u003c/p\u003e","\u003cp\u003eConcerto in D\u003c/p\u003e","\u003cp\u003eTwo Preludes for Guitar Solo\u003c/p\u003e","\u003cp\u003eSix Pavanas\u003c/p\u003e","\u003cp\u003e9 Sonatas: Volume II\u003c/p\u003e","\u003cp\u003eThree Preludes\u003c/p\u003e","\u003cp\u003eSarabande\u003c/p\u003e","\u003cp\u003eSpanish Romance\u003c/p\u003e","\u003cp\u003eDiatonic Major and Minor Scales\u003c/p\u003e","\u003cp\u003eArpeggio Studies\u003c/p\u003e","\u003cp\u003eTwo Pieces: I. Scherzino Mexicano, II. Giga Melancolica\u003c/p\u003e","\u003cp\u003eGreensleeves\u003c/p\u003e","\u003cp\u003eFive Solos for the Hawaiian Guitar\u003c/p\u003e","\u003cp\u003eMethod for the Classic Guitar: Volume I Primer\u003c/p\u003e","\u003cp\u003eFolias de Espana\u003c/p\u003e","\u003cp\u003eJeannie with the Light Brown Hair / Country Gardens\u003c/p\u003e","\u003cp\u003eSix Easy Flamenco Variations\u003c/p\u003e","\u003cp\u003eEl Noy De La Mare\u003c/p\u003e","\u003cp\u003eAlbum of Guitar Solos\u003c/p\u003e","\u003cp\u003eAmerican Fantasy: A Medley for Tenor Banjo Solo\u003c/p\u003e","\u003cp\u003eTwo Short Pieces\u003c/p\u003e","\u003cp\u003eDanube Waves\u003c/p\u003e","\u003cp\u003eMalaguena\u003c/p\u003e","\u003cp\u003eThe Highwayman and 12 Other Folk Songs\u003c/p\u003e","\u003cp\u003eGavotte\u003c/p\u003e","\u003cp\u003eAndante\u003c/p\u003e","\u003cp\u003eTarantella\u003c/p\u003e","\u003cp\u003eChoros\u003c/p\u003e","\u003cp\u003eTwo Easy Christmas Carols for Guitar\u003c/p\u003e","\u003cp\u003eStudent Guitarist's Delight: Volume 1\u003c/p\u003e","\u003cp\u003eStudent Guitarist's Delight: Volume 2\u003c/p\u003e","\u003cp\u003eGreek Dance and Lamet\u003c/p\u003e","\u003cp\u003eMethod for the Classic Guitar: New Revised and Enlarged Edition\u003c/p\u003e","\u003cp\u003eSmith's Theory Book for Guitarist Covering All Scales and Intervals\u003c/p\u003e","\u003cp\u003ePosition Etudes for Plectrum Guitar\u003c/p\u003e","\u003cp\u003eTwenty Easy Pieces\u003c/p\u003e","\u003cp\u003eDiatonic Major and Minor Scales\u003c/p\u003e","\u003cp\u003ePapas' Flamenco Solos for Guitar\u003c/p\u003e","\u003cp\u003eSylvia Waltz\u003c/p\u003e","\u003cp\u003eBach Album: 14 Pieces by J. S. Bach for Guitar\u003c/p\u003e","\u003cp\u003eChopin Etude: Currently Featured as \"No Other Love\"\u003c/p\u003e","\u003cp\u003eSix Short Pieces\u003c/p\u003e","\u003cp\u003eDuet Etude for Two Guitars\u003c/p\u003e","\u003cp\u003eSpanish Favorites for Classic Guitar\u003c/p\u003e","\u003cp\u003eSonata\u003c/p\u003e","\u003cp\u003eVol. 3\u003c/p\u003e","\u003cp\u003eVol. 5\u003c/p\u003e","\u003cp\u003eVol. 3\u003c/p\u003e","\u003cp\u003e(editorial error)\u003c/p\u003e","\u003cp\u003eFall 1966 - Winter 1967\u003c/p\u003e","\u003cp\u003eChild's Own Book of Great Musicians - Handel\u003c/p\u003e","\u003cp\u003eChild's Own Book of Great Musicians - Haydn\u003c/p\u003e","\u003cp\u003eChild's Own Book of Great Musicians - Liszt\u003c/p\u003e","\u003cp\u003ePeter Danner, editor\u003c/p\u003e","\u003cp\u003eA selected list from catalogs of Belwin-Mills Corp, Edward B. Marks Music Corp., MCA Music.\u003c/p\u003e","\u003cp\u003ePrepared by Wayne D. Shirley\u003c/p\u003e","\u003cp\u003eCover page only\u003c/p\u003e","\u003cp\u003ePrepared by the Society of the Classical Guitar\u003c/p\u003e","\u003cp\u003eEdwin J. Dingle, author\u003c/p\u003e","\u003cp\u003earticle\u003c/p\u003e","\u003cp\u003eThe Guitar and Myself\u003c/p\u003e","\u003cp\u003eKleon Raptakis, author (excerpted from unknown magazine)\u003c/p\u003e","\u003cp\u003eProgram, Columbia Artists Mgmt.\u003c/p\u003e","\u003cp\u003eRonald C. Purcell, Oviatt Library, California State University, Northridge Program\u003c/p\u003e","\u003cp\u003eBook\u003c/p\u003e","\u003cp\u003eClippings\u003c/p\u003e","\u003cp\u003eMiscellaneous\u003c/p\u003e","\u003cp\u003eManuscript by Sophocles Papas\u003c/p\u003e","\u003cp\u003eOversized\u003c/p\u003e","\u003cp\u003eThis series contains music scores, instruction guides, guitar journals, and photographs included in the 1999 acquisition. Box numbers from the first acquisition repeat in this series.\u003c/p\u003e","\u003cp\u003eTico-tico (Tico-tico no fuba)\u003c/p\u003e","\u003cp\u003ePopular Music Classics for Classical Guitar\u003c/p\u003e","\u003cp\u003eStudy\u003c/p\u003e","\u003cp\u003eArpeggio Studies\u003c/p\u003e","\u003cp\u003eWalzer, Op. 3\u003c/p\u003e","\u003cp\u003eCordoba\u003c/p\u003e","\u003cp\u003eGranada\u003c/p\u003e","\u003cp\u003eLeyenda\u003c/p\u003e","\u003cp\u003eOriental\u003c/p\u003e","\u003cp\u003eTango\u003c/p\u003e","\u003cp\u003eAlborada\u003c/p\u003e","\u003cp\u003eSonata\u003c/p\u003e","\u003cp\u003eAlbum of Guitar Solos\u003c/p\u003e","\u003cp\u003eContributions to the World of Guitar\u003c/p\u003e","\u003cp\u003eCompositions arranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eVirtuoso Waltz No. 1\u003c/p\u003e","\u003cp\u003eClassical Guitar Suite, \"I'll sleep - when all debt is paid to the wind,\" \"The caretaker of the hills,\" and \"The swordsman's courage\"\u003c/p\u003e","\u003cp\u003eTeach Yourself to Play the Guitar\u003c/p\u003e","\u003cp\u003eCarcassi Classical Guitar Method\u003c/p\u003e","\u003cp\u003eMood Espanol\u003c/p\u003e","\u003cp\u003eArioso, arranged by Laurindo Almeida\u003c/p\u003e","\u003cp\u003eTwo Part Inventions for Piano\u003c/p\u003e","\u003cp\u003eBouree\u003c/p\u003e","\u003cp\u003eGavotte\u003c/p\u003e","\u003cp\u003eGigue in E Major\u003c/p\u003e","\u003cp\u003eLargo from Cantata No. 156\u003c/p\u003e","\u003cp\u003eLautenpraludium\u003c/p\u003e","\u003cp\u003ePapas' Bach Album: 14 pieces by J. S. Bach for Guitar, arranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003ePrelude from Cello Suite No. 1\u003c/p\u003e","\u003cp\u003ePrelude No. 1 (from The Well Tempered Clavichord - Book 1)\u003c/p\u003e","\u003cp\u003eSix pieces: Vol. II - 1. Prelude (Cello Suite No. 1), 2. Bist du bei mir, 3. Petite courante\u003c/p\u003e","\u003cp\u003eSonata II: Vol. 1 - grave, fuga\u003c/p\u003e","\u003cp\u003eMia Amorita\u003c/p\u003e","\u003cp\u003eMerry Christmas to Mr. Papas in the Manner of Sor\u003c/p\u003e","\u003cp\u003eArranged by J. K. Mertz\u003c/p\u003e","\u003cp\u003eClumping Along\u003c/p\u003e","\u003cp\u003eFantasia Terza\u003c/p\u003e","\u003cp\u003eLas Abejas\u003c/p\u003e","\u003cp\u003eBuitar chords in photo diagram form\u003c/p\u003e","\u003cp\u003eThe Mel Bay Classic Guitar Method, Vols. 2-5\u003c/p\u003e","\u003cp\u003eMel Bay's Fun with the Mandolin\u003c/p\u003e","\u003cp\u003eCelebrated Minuet, arranged by Miguel Angel\u003c/p\u003e","\u003cp\u003eMoonlight Sonata\u003c/p\u003e","\u003cp\u003eSonatine\u003c/p\u003e","\u003cp\u003eTwo Short Pieces arranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eTwo Bagatelles\u003c/p\u003e","\u003cp\u003eZwei Volksliedbearbeitungen\u003c/p\u003e","\u003cp\u003eArranged by William Foden\u003c/p\u003e","\u003cp\u003eWest Side Story, arranged by Leon Block\u003c/p\u003e","\u003cp\u003eArranged by Maxwell Eckstein\u003c/p\u003e","\u003cp\u003ebook\u003c/p\u003e","\u003cp\u003eclippings\u003c/p\u003e","\u003cp\u003eMy Foolish Friend\u003c/p\u003e","\u003cp\u003eSeleccion de la opera \"Carmen\"\u003c/p\u003e","\u003cp\u003eCalmaiki; Tarantella, Op. 100\u003c/p\u003e","\u003cp\u003eVol. XLVII, No. 542\u003c/p\u003e","\u003cp\u003eVol. XLVII, No. 542\u003c/p\u003e","\u003cp\u003eSirocco Tango\u003c/p\u003e","\u003cp\u003eSix Venezuelan Pieces: Vol. I, 1. Valse Venezolano, 2. Estudio, 3. Cancion de Cuna\u003c/p\u003e","\u003cp\u003e12th Street Rag\u003c/p\u003e","\u003cp\u003eBrahms for the Guitar, arranged by Leon Block\u003c/p\u003e","\u003cp\u003eIntermezzo, Op. 117, No. 1\u003c/p\u003e","\u003cp\u003eEvocaciones Criollas\u003c/p\u003e","\u003cp\u003eDuet Sessions: Duets in the Modern Jazz Idiom\u003c/p\u003e","\u003cp\u003ePrelude for Guitar\u003c/p\u003e","\u003cp\u003eCancion Triste, arranged by Carl van Feggelen\u003c/p\u003e","\u003cp\u003eNever Weather - Beaten Saile\u003c/p\u003e","\u003cp\u003eSuite\u003c/p\u003e","\u003cp\u003eCarcassi Classical Guitar Method, New Revised Edition\u003c/p\u003e","\u003cp\u003e12 Easy Pieces for the Guitar, Op. 10\u003c/p\u003e","\u003cp\u003eStar Dust\u003c/p\u003e","\u003cp\u003eAbendmusik\u003c/p\u003e","\u003cp\u003eDuet Etdue for Two Guitars\u003c/p\u003e","\u003cp\u003eFantasie Op. 323\u003c/p\u003e","\u003cp\u003eOuverture No. 1\u003c/p\u003e","\u003cp\u003eSerenade No. 1\u003c/p\u003e","\u003cp\u003eConcerto in D\u003c/p\u003e","\u003cp\u003eGuitar Workshop: A Practical Handbook for Beginning Guitarists\u003c/p\u003e","\u003cp\u003eWolf Patterns\u003c/p\u003e","\u003cp\u003eArranged by Richard Cortland Harrison\u003c/p\u003e","\u003cp\u003eChopin Etude, arranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eThree Preludes: Op. 28, Nos. 4, 6, 15\u003c/p\u003e","\u003cp\u003eTwo Preludes\u003c/p\u003e","\u003cp\u003eArranged by Maxwell Ekstein\u003c/p\u003e","\u003cp\u003eArranged by John Lane\u003c/p\u003e","\u003cp\u003eSonata\u003c/p\u003e","\u003cp\u003eAmazon\u003c/p\u003e","\u003cp\u003eBass Clef Note Speller\u003c/p\u003e","\u003cp\u003eAndante\u003c/p\u003e","\u003cp\u003eNewspaper and magazine clippings\u003c/p\u003e","\u003cp\u003eThree Preludes for Guitar\u003c/p\u003e","\u003cp\u003eAudio cassette\u003c/p\u003e","\u003cp\u003eCorelli, arranged by George Warren\u003c/p\u003e","\u003cp\u003eGreek language with some translations\u003c/p\u003e","\u003cp\u003eAndante\u003c/p\u003e","\u003cp\u003eBarcarolle\u003c/p\u003e","\u003cp\u003eRondeau\u003c/p\u003e","\u003cp\u003eLes premiers pas\u003c/p\u003e","\u003cp\u003eGuitar Therapy\u003c/p\u003e","\u003cp\u003eScarlet Ribbons (for her hair)\u003c/p\u003e","\u003cp\u003eThe New Guitar Course\u003c/p\u003e","\u003cp\u003eThree Duos concertants for Two Violins\u003c/p\u003e","\u003cp\u003eClair de Lune\u003c/p\u003e","\u003cp\u003eLa fille aux cheveux de lin\u003c/p\u003e","\u003cp\u003eNr 27/28 quartett fur 4 gitarren\u003c/p\u003e","\u003cp\u003eBourree; Menuet\u003c/p\u003e","\u003cp\u003ePrelude\u003c/p\u003e","\u003cp\u003eSarabande\u003c/p\u003e","\u003cp\u003eSuite in D Minor\u003c/p\u003e","\u003cp\u003eBarre study\u003c/p\u003e","\u003cp\u003eGuitarre\u003c/p\u003e","\u003cp\u003eSontaine\u003c/p\u003e","\u003cp\u003eSuite in G Major\u003c/p\u003e","\u003cp\u003eThere's a Sweetheart in Nebraska\u003c/p\u003e","\u003cp\u003eThe District of Columbia is my home town\u003c/p\u003e","\u003cp\u003eVillanella\u003c/p\u003e","\u003cp\u003eRue de blue (Bossa Nova)\u003c/p\u003e","\u003cp\u003eFundamental trill studies on a scientific basis for violin\u003c/p\u003e","\u003cp\u003eThe higher development of thirds and fingered octaves: twenty-four advanced formulas for the violin, Op. 30\u003c/p\u003e","\u003cp\u003eAlman\u003c/p\u003e","\u003cp\u003eAltenglische madrigale zur laute\u003c/p\u003e","\u003cp\u003eAs I wente to Walsinghame; Almane; Tarletone Riserrectione; Mistris Whitte's thinge\u003c/p\u003e","\u003cp\u003eDos gallardas\u003c/p\u003e","\u003cp\u003eEarl of Essex, his galliard, and the sick tune; arranged by Mitsuhiko Hamada\u003c/p\u003e","\u003cp\u003eGavotte\u003c/p\u003e","\u003cp\u003ePrelude No. 1, Op. 13\u003c/p\u003e","\u003cp\u003eSimple variations of \"Las Folias\"\u003c/p\u003e","\u003cp\u003eThe art of classical guitar playing\u003c/p\u003e","\u003cp\u003eLargo\u003c/p\u003e","\u003cp\u003eThe study of the guitar simplified\u003c/p\u003e","\u003cp\u003eFirst steps in music: a new approach to music for beginners of all ages\u003c/p\u003e","\u003cp\u003eArranged by Carl van Feggelen\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eComplete and painless guide to the guitar for young beginners\u003c/p\u003e","\u003cp\u003eGuitar songtime: solos, duets, groups, singing\u003c/p\u003e","\u003cp\u003eSmith's how to play finger picking style guitar\u003c/p\u003e","\u003cp\u003eGreek dance and lament\u003c/p\u003e","\u003cp\u003eMethod for guitar - Book 2\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eSpanish favorites for classic guitar\u003c/p\u003e","\u003cp\u003eIncomplete\u003c/p\u003e","\u003cp\u003eArranged by Harvey S. Whistler and Herman A. Hummel\u003c/p\u003e","\u003cp\u003eArranged by Harvey S. Whistler and Herman A. Hummel\u003c/p\u003e","\u003cp\u003eArranged by Harvey S. Whistler and Herman A. Hummel\u003c/p\u003e","\u003cp\u003eArranged by Harvey S. Whistler and Herman A. Hummel\u003c/p\u003e","\u003cp\u003eMinuet\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eListen to the mocking bird\u003c/p\u003e","\u003cp\u003eSix short preludes (chord progressions)\u003c/p\u003e","\u003cp\u003eArranged by T. S. Walker\u003c/p\u003e","\u003cp\u003eSeven Brazilian etudes\u003c/p\u003e","\u003cp\u003eJeannie with the light brown hair\u003c/p\u003e","\u003cp\u003eOh! Suzanna, Massa's in the cold cold ground, My old Kentucky home\u003c/p\u003e","\u003cp\u003eSymphonic skeleton scores: No. 3 - Franck symphony in D minor\u003c/p\u003e","\u003cp\u003eA blues for guitar\u003c/p\u003e","\u003cp\u003eArranged by Walter Kaye Bauer\u003c/p\u003e","\u003cp\u003eShake it and break it, arranged by Harry Volpe and Frank Victor\u003c/p\u003e","\u003cp\u003eAt the piano: Book for two class or individual instruction based on folk tunes of many countries and themes from the masterpieces of music\u003c/p\u003e","\u003cp\u003eSaltarello\u003c/p\u003e","\u003cp\u003eSonata in E minor\u003c/p\u003e","\u003cp\u003eBoogie and blues for piano solo\u003c/p\u003e","\u003cp\u003eMasters of instrumental blues guitar\u003c/p\u003e","\u003cp\u003e8 courantes in Renaissance tuning\u003c/p\u003e","\u003cp\u003eThema, Op. 42\u003c/p\u003e","\u003cp\u003eCome thou almighty King\u003c/p\u003e","\u003cp\u003eThe Mikado, arranged by William Krevit\u003c/p\u003e","\u003cp\u003eAllegro vivace, Op. 8; Allegro vivace, Op. 40, No. 23; Jagdstuck (rondo), Op. 30; Menuetto, Op. 20; Thema, Op. 34; Walzer, Op. 57, No. 3\u003c/p\u003e","\u003cp\u003eGrande ouverture pour la guitare\u003c/p\u003e","\u003cp\u003eGrazioso\u003c/p\u003e","\u003cp\u003e120 daily guitar studies for the right hand\u003c/p\u003e","\u003cp\u003eSerenade concertante en trio pour guitare, violon et violoncello\u003c/p\u003e","\u003cp\u003eSonata, Op. 15\u003c/p\u003e","\u003cp\u003eArranged by Joe Hagerty\u003c/p\u003e","\u003cp\u003eDanza Espanola No. 5\u003c/p\u003e","\u003cp\u003eTwo Spanish dances: 1. Fandango No. 3, 2. Rondalla Aragonesa No. 6\u003c/p\u003e","\u003cp\u003eValses poeticos\u003c/p\u003e","\u003cp\u003eLa fuente de Nie Pastrie\u003c/p\u003e","\u003cp\u003eGreece - collections\u003c/p\u003e","\u003cp\u003eArranged by Kleon Raptakis\u003c/p\u003e","\u003cp\u003eFolk tune fugue for two guitars\u003c/p\u003e","\u003cp\u003eA method for practicing scales for guitar\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003ePeasant's song and waltz, Op. 12\u003c/p\u003e","\u003cp\u003eSolvejg's song (from the Peer Gynt Suite No. 2)\u003c/p\u003e","\u003cp\u003ePosition etudes for plectrum guitar\u003c/p\u003e","\u003cp\u003eSilent night\u003c/p\u003e","\u003cp\u003eSounds of bells\u003c/p\u003e","\u003cp\u003eAir, Alegretto, Miuet, Passepied - arranged by Len Williams\u003c/p\u003e","\u003cp\u003eConcerto in A major\u003c/p\u003e","\u003cp\u003eHandel for the guitar, arranged by Leon Block\u003c/p\u003e","\u003cp\u003eSiciliana\u003c/p\u003e","\u003cp\u003eSuite in D minor\u003c/p\u003e","\u003cp\u003eEast Saint Louis, arranged by Harry Volp and Frank Victor\u003c/p\u003e","\u003cp\u003eLoveless love, arranged by Harry Volp and Frank Victor\u003c/p\u003e","\u003cp\u003eThe Memphis blues, arranged by Harry Volpe\u003c/p\u003e","\u003cp\u003eSaint Louis blues, arranged by Harry Volpe and Frank Victor\u003c/p\u003e","\u003cp\u003eArranged by John Martell\u003c/p\u003e","\u003cp\u003eYellow dog blues\u003c/p\u003e","\u003cp\u003eNavajo\u003c/p\u003e","\u003cp\u003eArranged by Alexander Matos\u003c/p\u003e","\u003cp\u003eSuite\u003c/p\u003e","\u003cp\u003eRock of ages\u003c/p\u003e","\u003cp\u003eYou can sight read: Book 1\u003c/p\u003e","\u003cp\u003eAndante and menuet\u003c/p\u003e","\u003cp\u003eAndante\u003c/p\u003e","\u003cp\u003eMinuet, arranged by Jack Duarte\u003c/p\u003e","\u003cp\u003eOne hand waltz\u003c/p\u003e","\u003cp\u003eThe classical guitar\u003c/p\u003e","\u003cp\u003eKleine ouverture\u003c/p\u003e","\u003cp\u003eA tune a day: the teacher's manual for violin instruction in group, public school classes or individual lessons\u003c/p\u003e","\u003cp\u003eArranged by Elisabeth Papas Smith\u003c/p\u003e","\u003cp\u003eAdagio\u003c/p\u003e","\u003cp\u003eSweet music: the Earl of Salusbury's favorite\u003c/p\u003e","\u003cp\u003eHansel and Gretel suite\u003c/p\u003e","\u003cp\u003eArranged by Ada Richter\u003c/p\u003e","\u003cp\u003eArranged by Ada Richter\u003c/p\u003e","\u003cp\u003eArranged by Mel Bey\u003c/p\u003e","\u003cp\u003eDanube waves\u003c/p\u003e","\u003cp\u003eCarman's whistle, arranged by Kojiro Kobune\u003c/p\u003e","\u003cp\u003eAintcha got music, arranged by Harry Volpe and Frank Victor\u003c/p\u003e","\u003cp\u003eGaliarde\u003c/p\u003e","\u003cp\u003eThe entertainer, arranged by Ada Richter\u003c/p\u003e","\u003cp\u003eA little song\u003c/p\u003e","\u003cp\u003eBrazilian breakdown\u003c/p\u003e","\u003cp\u003eArranged by Kojiro Kobune\u003c/p\u003e","\u003cp\u003eRecognizable blues\u003c/p\u003e","\u003cp\u003eClose up\u003c/p\u003e","\u003cp\u003ePoliushko polie (Meadowland), arranged by Vladimir Bobri and V. Gabaeff\u003c/p\u003e","\u003cp\u003eThe folk guitarist's manual: American folk guitar techniques and songs\u003c/p\u003e","\u003cp\u003eA new song\u003c/p\u003e","\u003cp\u003eRondino (on a theme from Beethoven)\u003c/p\u003e","\u003cp\u003eExcelsior method for the banjo\u003c/p\u003e","\u003cp\u003eArranged by F. Henri Klickmann\u003c/p\u003e","\u003cp\u003eTwo Venezuelan pieces for guitar: 1. Valse criollo, 2. Pavana\u003c/p\u003e","\u003cp\u003eSiboney\u003c/p\u003e","\u003cp\u003eThirty-six caprices\u003c/p\u003e","\u003cp\u003eWalzer, Op. 250, No. 6\u003c/p\u003e","\u003cp\u003e25 folk-songs with guitar chords\u003c/p\u003e","\u003cp\u003eInstruction chord book for guitar\u003c/p\u003e","\u003cp\u003eAndantino, arranged by Edmund Severn\u003c/p\u003e","\u003cp\u003eTwo short pieces arranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eArranged by Cecily Lambert\u003c/p\u003e","\u003cp\u003ePrelude\u003c/p\u003e","\u003cp\u003eSpitfire McKenney new quick learning system\u003c/p\u003e","\u003cp\u003eInterval and chords: how to use them\u003c/p\u003e","\u003cp\u003eTwo pieces\u003c/p\u003e","\u003cp\u003eMethod for 12 string guitar\u003c/p\u003e","\u003cp\u003eThe simplicity tutor for Spanish guitar\u003c/p\u003e","\u003cp\u003eGypsy tango, arranged by Vladimir Bobri and V. Gabaeff\u003c/p\u003e","\u003cp\u003eMake way\u003c/p\u003e","\u003cp\u003eArranged by Louis Tocaben\u003c/p\u003e","\u003cp\u003eArranged by Louis Tocaben\u003c/p\u003e","\u003cp\u003eUnidentified and incomplete\u003c/p\u003e","\u003cp\u003eEthnikos ymnos (Greek national hymn)\u003c/p\u003e","\u003cp\u003eArranged by Jack M. Smith, Jr.\u003c/p\u003e","\u003cp\u003eEight pezzi facili per chitarra (Eight easy pieces for guitar)\u003c/p\u003e","\u003cp\u003e12 bagatellen\u003c/p\u003e","\u003cp\u003eThe art of the finger style guitar\u003c/p\u003e","\u003cp\u003eElegia\u003c/p\u003e","\u003cp\u003eElegie\u003c/p\u003e","\u003cp\u003eElegie\u003c/p\u003e","\u003cp\u003eGrasshoppers\u003c/p\u003e","\u003cp\u003eConsolation: song without words\u003c/p\u003e","\u003cp\u003eAquellos ojos verdes (green eyes), arranged by Jorge Oller\u003c/p\u003e","\u003cp\u003eAbendlied, Op. 13, Nr. 2; Adagio, Op. 13, Nr. 10; Kindermarchen, Op. 13, Nr. 8; Tarantella, Op 13, Nr. 6\u003c/p\u003e","\u003cp\u003eCanonic variations on the names \"Sophocles and Mercia\"\u003c/p\u003e","\u003cp\u003eFour preludes: 1. August, 2. Fantasy on a child's song, 3. Burlesque, 4. Images\u003c/p\u003e","\u003cp\u003ePavane\u003c/p\u003e","\u003cp\u003ePavane II\u003c/p\u003e","\u003cp\u003eSix pavanas\u003c/p\u003e","\u003cp\u003eVillancico\u003c/p\u003e","\u003cp\u003eAn American folk song mass\u003c/p\u003e","\u003cp\u003eRondo, Op. 28\u003c/p\u003e","\u003cp\u003eDiferencias sobre un tema\u003c/p\u003e","\u003cp\u003eThe Kerry dance, arranged by Maxwell Eckstein\u003c/p\u003e","\u003cp\u003eThe Kerry dance, arranged by Maxwell Eckstein\u003c/p\u003e","\u003cp\u003eMusic theory papers: eye and ear training for the beginner\u003c/p\u003e","\u003cp\u003eMusic theory papers, third set, sight and sound\u003c/p\u003e","\u003cp\u003eIn search of the lost chord\u003c/p\u003e","\u003cp\u003eMusic for the guitar\u003c/p\u003e","\u003cp\u003ePavin\u003c/p\u003e","\u003cp\u003eThe old castle (from Pictures at an Exhibition)\u003c/p\u003e","\u003cp\u003eThe old castle (from Pictures at an Exhibition)\u003c/p\u003e","\u003cp\u003eMinuet from Ein Kleine Nachtmusik\u003c/p\u003e","\u003cp\u003eSonata No. 3, arranged by David Alzofon\u003c/p\u003e","\u003cp\u003eSonata theme\u003c/p\u003e","\u003cp\u003eSymphonic skeleton scores: No. 6 in G minor\u003c/p\u003e","\u003cp\u003eTheme from G minor symphony\u003c/p\u003e","\u003cp\u003eTwo easy pieces: Allegretto in C; Country dance\u003c/p\u003e","\u003cp\u003eSuite in D major\u003c/p\u003e","\u003cp\u003eAllegro, Op. 51, Nr. 11\u003c/p\u003e","\u003cp\u003eAndantino\u003c/p\u003e","\u003cp\u003eBianco fiore\u003c/p\u003e","\u003cp\u003eThe rosary, arranged by H. F. Odell\u003c/p\u003e","\u003cp\u003eThe beginner's own book: folk songs carefully graded for ear-training, sight-singing, harmonization and transposition\u003c/p\u003e","\u003cp\u003eArranged by S. S. Cecil\u003c/p\u003e","\u003cp\u003eArranged by John Hoffman\u003c/p\u003e","\u003cp\u003eKarntner Volksweise\u003c/p\u003e","\u003cp\u003eA song of old Hawaii, arranged by D. Savino\u003c/p\u003e","\u003cp\u003eSecond series, Vol. XVIII, No. 4; Vol. XIX, Nos. 1 and 4; Vol. XX, No. 2; Vol. XXI, No. 3\u003c/p\u003e","\u003cp\u003eOdell method for the mandolin\u003c/p\u003e","\u003cp\u003eCapricho No. 13\u003c/p\u003e","\u003cp\u003eGrand sonata\u003c/p\u003e","\u003cp\u003eRomance\u003c/p\u003e","\u003cp\u003eAmerican fantasy: a medley for tenor banjo solo\u003c/p\u003e","\u003cp\u003eBiographical and genealogical information\u003c/p\u003e","\u003cp\u003eThe complete tremolo book for the guitar\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eLists of archival materials re: Sophocles Papas\u003c/p\u003e","\u003cp\u003eMalaguena\u003c/p\u003e","\u003cp\u003eManuscripts\u003c/p\u003e","\u003cp\u003eManuscripts - \"Method for classic guitar\"\u003c/p\u003e","\u003cp\u003eMethod for the classic guitar: new revised and enlarged edition\u003c/p\u003e","\u003cp\u003eMethod for classic guitar: Vol. 1 primer\u003c/p\u003e","\u003cp\u003eMiscellaneous pamphlets\u003c/p\u003e","\u003cp\u003eMiscellaneous writings\u003c/p\u003e","\u003cp\u003ePapas' flamenco solo for guitar\u003c/p\u003e","\u003cp\u003eSix easy flamenco variations\u003c/p\u003e","\u003cp\u003eSylvia waltz\u003c/p\u003e","\u003cp\u003eWedding announcement - Sophocles Papas to Mercia F. Lorentz\u003c/p\u003e","\u003cp\u003eStars fell on Alabama\u003c/p\u003e","\u003cp\u003eTwo moments\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003eFour toyes from Jane Pickering's lute book\u003c/p\u003e","\u003cp\u003eMusicianship for guitarists\u003c/p\u003e","\u003cp\u003eScherzino Mexicano, arranged by Manuel Lopez Ramos\u003c/p\u003e","\u003cp\u003eTwo pieces: I. Scherzino Mexicano, II. Giga melancolica\u003c/p\u003e","\u003cp\u003eScales cadences\u003c/p\u003e","\u003cp\u003eConcerto in C Minor, Op. 18\u003c/p\u003e","\u003cp\u003eAngela mia\u003c/p\u003e","\u003cp\u003eMusic history of Greece from 776 BC to 2nd Century AD\u003c/p\u003e","\u003cp\u003eTrees\u003c/p\u003e","\u003cp\u003ePavane pour une enfante defunte\u003c/p\u003e","\u003cp\u003eO come all ye faithful\u003c/p\u003e","\u003cp\u003eChanson indoue (A Song of India) from the legend \"Sadko\"\u003c/p\u003e","\u003cp\u003eThe rose enslaves the nightingale\u003c/p\u003e","\u003cp\u003eArranged by Harry Volpe and Frank Victor\u003c/p\u003e","\u003cp\u003e1, 4, 4, and minor: Guitar technique and song book for beginners\u003c/p\u003e","\u003cp\u003eMon coeur s'ouvre a ta voix (My heart at thy sweet voice), Cantabile from \"Samson et Dalila\"\u003c/p\u003e","\u003cp\u003eCarcassi method for the guitar\u003c/p\u003e","\u003cp\u003ePrincipios ormonicos de los sonidos otractivos y otraidos\u003c/p\u003e","\u003cp\u003eThree airs of court: 1. Preludio, 2. Aria, 3. Finale\u003c/p\u003e","\u003cp\u003ePavana; Zarabanda\u003c/p\u003e","\u003cp\u003eGymnopedie I\u003c/p\u003e","\u003cp\u003eArranged by Elisabeth papas Smith\u003c/p\u003e","\u003cp\u003eArranged by Elisabeth Papas Smith\u003c/p\u003e","\u003cp\u003e9 sonatas\u003c/p\u003e","\u003cp\u003e9 sonatas, Vol. 2\u003c/p\u003e","\u003cp\u003eSonata\u003c/p\u003e","\u003cp\u003eSonata longo 238\u003c/p\u003e","\u003cp\u003eSonata longo 483\u003c/p\u003e","\u003cp\u003eArranged by Loris O. Chobanian\u003c/p\u003e","\u003cp\u003eJohn W. Schaum piano course: pre-A book\u003c/p\u003e","\u003cp\u003eTheory lessons in loose leaf form for individual or class instruction: Book 1\u003c/p\u003e","\u003cp\u003eTheory lessons in loose leaf form for individual or class instruction: Book 2\u003c/p\u003e","\u003cp\u003eTheory lessons in loose leaf form for individual or class instruction: Book 3\u003c/p\u003e","\u003cp\u003eVeil dance\u003c/p\u003e","\u003cp\u003eArranged by John Jacob Niles\u003c/p\u003e","\u003cp\u003eTry to remember\u003c/p\u003e","\u003cp\u003eKleine melodie\u003c/p\u003e","\u003cp\u003eAllegretto in C minor\u003c/p\u003e","\u003cp\u003eBen Ludlow\u003c/p\u003e","\u003cp\u003eA circle of tears\u003c/p\u003e","\u003cp\u003eDiatonic major and minor scales\u003c/p\u003e","\u003cp\u003eDiatonic major and minor scales\u003c/p\u003e","\u003cp\u003eThe guitar and myself\u003c/p\u003e","\u003cp\u003eLessons No. 11 and 12 from Follies of My Youth (Le peche de ma jeunesse)\u003c/p\u003e","\u003cp\u003ePrelude in chords\u003c/p\u003e","\u003cp\u003eSlur exercises and chromatic octaves\u003c/p\u003e","\u003cp\u003eTwo pieces: 1. Estudio\u003c/p\u003e","\u003cp\u003eLa golondrina (The swollow) Mexican folk song\u003c/p\u003e","\u003cp\u003eLa golondrina\u003c/p\u003e","\u003cp\u003eCherry blossom\u003c/p\u003e","\u003cp\u003eFlamenco guitar for beginners\u003c/p\u003e","\u003cp\u003eInternational inventory of musical sources: report of the Joint US Committee on Activities\u003c/p\u003e","\u003cp\u003eA folksinger's guide to note reading and music theory: a manual for the folk guitarist\u003c/p\u003e","\u003cp\u003ePolka dot stomp - arranged by Harry Volpe and Frank Victor\u003c/p\u003e","\u003cp\u003eArranged by Vladimir Bobri and V. Gabaeff\u003c/p\u003e","\u003cp\u003eSmith's theory book for guitarist covering all scales and intervals\u003c/p\u003e","\u003cp\u003eSmith's folk song tenor guitar course\u003c/p\u003e","\u003cp\u003eAndres Segovia: studies for the guitar\u003c/p\u003e","\u003cp\u003eCompositions pour la guitare par Ferdinand Sor\u003c/p\u003e","\u003cp\u003eCompositions pour la guitare par Ferdinand Sor\u003c/p\u003e","\u003cp\u003eCompositions pour la guitare par Ferdinand Sor\u003c/p\u003e","\u003cp\u003eDivertissement\u003c/p\u003e","\u003cp\u003eFolias de Espana\u003c/p\u003e","\u003cp\u003eGrand solo\u003c/p\u003e","\u003cp\u003eMenuet; Waltz No. 3; Estudio de Sor\u003c/p\u003e","\u003cp\u003eMetodo completo para guittarra\u003c/p\u003e","\u003cp\u003eMiscellaneous pieces - oversized\u003c/p\u003e","\u003cp\u003eSixty short pieces for guitar: Vol. 1, Nos. 1-38\u003c/p\u003e","\u003cp\u003eSixty short pieces for guitar: Vol. 2, Nos. 39-60\u003c/p\u003e","\u003cp\u003eTheme varie\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eLa Bernadina de Josquin\u003c/p\u003e","\u003cp\u003eStal's international banjo method\u003c/p\u003e","\u003cp\u003eNovello's music primers and educational series\u003c/p\u003e","\u003cp\u003eCosi amor mi fai languir\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eSpanish guitar note speller\u003c/p\u003e","\u003cp\u003eIt takes time to know a country\u003c/p\u003e","\u003cp\u003eChild's own book of great musicians - Handel\u003c/p\u003e","\u003cp\u003eChild's own book of great musicians - Haydn\u003c/p\u003e","\u003cp\u003eChild's own book of great musicians - Liszt\u003c/p\u003e","\u003cp\u003eDanza odalisca\u003c/p\u003e","\u003cp\u003eMarieta\u003c/p\u003e","\u003cp\u003ePrelude II\u003c/p\u003e","\u003cp\u003eInstrumental techniques of American folk guitar\u003c/p\u003e","\u003cp\u003eAndante and allegro (for two guitars) arranged by Len Williams\u003c/p\u003e","\u003cp\u003eFantasie\u003c/p\u003e","\u003cp\u003eBook for boys for piano\u003c/p\u003e","\u003cp\u003eThompson's modern course for the piano: the first grade book\u003c/p\u003e","\u003cp\u003eDance of candy fairy (Nutcracker Suite)\u003c/p\u003e","\u003cp\u003eSymphonic skeleton scores: No. 2 - Symphony 6 in B minor - Pathetic\u003c/p\u003e","\u003cp\u003eArranged by Teddy Schwartz\u003c/p\u003e","\u003cp\u003eArranged by Mark Nevin\u003c/p\u003e","\u003cp\u003eArranged by Eileen Stickley\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eStudy in E major\u003c/p\u003e","\u003cp\u003eHolidays! Holidays! A collection of twenty-one songs to play and sing in the holiday spirit\u003c/p\u003e","\u003cp\u003eDi provenza il mar (What has made your heart grow cold) Germont's aria in the 2nd act of \"La Traviata\"\u003c/p\u003e","\u003cp\u003eThe sweetheart of Sigma Chi\u003c/p\u003e","\u003cp\u003eChoros\u003c/p\u003e","\u003cp\u003eConcerto in D\u003c/p\u003e","\u003cp\u003eRomanza No. 2\u003c/p\u003e","\u003cp\u003eThe new handy guitar method: modern plectrum style\u003c/p\u003e","\u003cp\u003ePiano course - book one\u003c/p\u003e","\u003cp\u003eArtwork for logo\u003c/p\u003e","\u003cp\u003eProgram\u003c/p\u003e","\u003cp\u003eMusical moods in all keys for piano solo\u003c/p\u003e","\u003cp\u003eThis series consists of a collection of newspaper and magazine clippings, postcards (some with correspondence to Elisabeth Papas-Smith), stamps, and photographs collected by Elisabeth Papas-Smith. Images and articles relate to guitars and other fretted instruments, popular music and musicians, and Sophocles Papas and friends.\u003c/p\u003e","\u003cp\u003ePostcards, clippings of guitars and other fretted instruments in art, photograph of English classical guitarists and museum guitar displays\u003c/p\u003e","\u003cp\u003ePostcards, stamps, clippings of guitars and other fretted instruments in art, photograph of lute player in Sophocles Papas living room\u003c/p\u003e","\u003cp\u003eClippings of Braque, Gris, Picasso works of art featuring guitars\u003c/p\u003e","\u003cp\u003eStamp, postcards, and clippings of musicians and guitars\u003c/p\u003e","\u003cp\u003ePostcards and clippings of musicians and guitars, photographs of Sophocles Papas, Carlos Montoya, Charlie Byrd, Carl Sandburg and others\u003c/p\u003e","\u003cp\u003eClippings of musicians and guitars\u003c/p\u003e","\u003cp\u003eClippings of musicians and guitars\u003c/p\u003e","\u003cp\u003ePostcards, clippings of musicians and guitars\u003c/p\u003e","\u003cp\u003eClippings of musicians and guitars\u003c/p\u003e","\u003cp\u003eClippings of musicians and guitars\u003c/p\u003e","\u003cp\u003eClippings of The Beatles and Alia\u003c/p\u003e","\u003cp\u003eClippings of lutes, ouds, ancient fretted instruments in art\u003c/p\u003e","\u003cp\u003eMostly funny, humorous drawings and cartoon clippings\u003c/p\u003e","\u003cp\u003eClippings of women and guitars, photograph of Dorothy Perrenoud\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Note: this collection is minimally processed with a basic box inventory. Please contact SCRC for more information.","This collection contains personal papers of Sophocles Papas including music scores, manuscript scores, phonograph records, correspondence, music journals, photographs, and guitar music manuals.","This series contains music scores, instruction guides, phonograph records, and music journals included in the 1987 acquisition. Note: the box numbers in this series repeat in series 2.","La Golondrina (The Swallow) Mexican Folk Song","Mon coeur s'ouvre a ta voix (My Heart at Sweet Voice) Cantible from Samson and Delilah, voice and piano","Chanson Indoue (A Song of India) from the legend \"Sadko\", voice and piano","Angela Mia (My Angel), voice and piano","Lautenpraludium","Ay, Ay, Ay","Star Dust, voice and piano","Allegretto in C Minor, piano","I Don't Want Him: Oahu \"Rhythm Style\" Note Course for Plectrum Guitar (octave notation)","Flamenco, piano","Siboney, voice and piano","A Song of Old Hawaii, voice and piano","The District of Columbia Is My Home Town, voice and piano","There's a Sweetheart in Nebraska, voice and piano","Prelude in Chords","The Kerry Dance, voice and piano","The Kerry Dance, voice and piano with solo parts for C, B flat, E flat, and bass","Elegie, voice and piano","It Takes Time to Know a Country, voice and piano","The Sweetheart of Sigma Chi, voice and piano","Di Provenza Il Mar (What Has Made Your Heart Grow Cold?) Germont's Aria in the second act of \"La Traviata,\" voice and piano","Loveless Love","Yellow Dog Blues","Aintcha Got Music","Ringtail Blues","Saint Louis Blues","East Saint Louis","Polka Dot Stomp","Trees Song","The Memphis Blues","Gypsy, voice and piano","Hanuka, Oh Hanuka: The Hebrew \"Christmas Season\" song, accordion","Romanza No. 2, guitar","The Rosary","Scherzino Mexicano \nAvailable in digital format.","Minuet from Eine Kleine Nachtmusik","rue de Blue (bossa nova)","Capricho No. 13","Navajo","Cherry Blossom: Theme and Variations for the Classical Guitar","US Air Force Blues, choral arrangement","Consolation: Song without Words","Tico-Tico, voice and piano","Celebrated Minuet","Scarlet Ribbons (for Her Hair), voice and piano","The Entertainer, piano solo","Romance","Gypsy Tango","Suite in D Minor","Fantasia di Francesco Milanese","Elegie","Suite in G Major for Guitar and Viola da Gamba","Two Moments for guitar","Brazilian Breakdown","Classical Guitar Suite","Poliushko (Meadowland) Theme and Variations on Celebrated Red Army Song","Rondino (on a theme by Beethoven), violin and piano","A New Song, choral arrangement","Prelude","Cancion Triste","Solvejg's Song (from the Peer Gynt Suite No. 2)","Gigue in E Major, piano","Pavane","Marieta","Moonlight Sonata","Danza Odalisca","La Bernandina de Josquin (solo) and La Bernandina (duet), lute solo","8 Courantes in Renaissance Tuning, lute solo","Carman's Whistle","Kemp's Jig and Playfellow","Kemp's Jig","Earl of Essex His Galliard and the Sick Tune","Les Premiers Pas","Theme Varie","Leyenda","Gallarda","El Noy de la Mare","Sonata No. 3","Aquellos Ojos Verdes","12 Bagatellen","700 Years of Music for the Classical Guitar","36 caprices in two books (36 caprices en 2 cahiers): Book I","Nineteenth Century Guitar Music","Classical Guitar Editions","The Golden Age: Classics for Solo Guitar, Book One","Mandolin and guitar Collection: No. 9 (first mandolin)","Mandolin and guitar Collection: No. 9 (second mandolin)","Listen to the Mocking Bird","Tango","Granada","Oriental","The Rose Enslaves the Nightengale, voice and piano","Grasshoppers, piano","One Hand Waltz","Clumping Along","Veil Dance, piano","Sonata","12th Street Rag, banjo and piano","Sirocco Tango","Bohemian Girl","Believe Me If All Those Endearing Young Charms","Intermezzo, Op. 117, No. 1","Two Easy Pieces","Gavotte for Guitar","Fantaisie Opus 323","The Rosewood Book: 30 Duets for Guitar and Flute","Melodious and Progressive Etudes for Guitar","Classic American Folk songs for Voice and Guitar","Tunes You Like: Your Favorite Songs Made Easy to Play, voice and piano","12 Easy Pieces for the Guitar","An American Folk Song Mass","6 Sevillanas for Spanish Guitar","Latin Americana for the Elementary Pianist","Guitar Songtime: Solos, Duets, Groups, Singing","A Christmas Recital for Piano","The Guitarist's Hour: Book I","The Guitarist's Hour: Book II","Handel for Guitar","Brahms for the Guitar","Duet Session: Duets in the Modern Jazz Idiom","6 Authentic Songs and Dances of Moscow Gypsies, piano","Popular Classics for Classical Guitar","Greek Songs and Dances including Music History of Greece, accordion","200 Songs for Ukulele","Classic Melodies, Great Composers for Piano for Beginners of All Ages","Guitar Folio No. 1","European Guitar and Lute Music: Book Two - German Masters","World Classics for the Guitar","Renaissance Lute Music for the Guitar: An Anthology of Constant Delight","Musical Moods in All Keys for Piano Solo","Two-Part Inventions for Piano","Book for Boys","Boogie and Blues for Piano","Authentic Guitar Sounds of Peter, Paul and Mary","Peter, Paul and Mary","More Peter, Paul and Mary","Peter, Paul and mary on Tour","A Little Treasury of Folksongs and Dances: One","A Little Treasury of Folksongs and Dances: Three","A Little Treasury of Folksongs and Dances: Four","Symphonic Skeleton Scores No. 2, Symphony 6 in B Minor","Symphonic Skeleton Scores No. 3, Symphony in D Minor","Symphonic Skeleton Scores No. 6, Symphony in G Minor","First Duet Album for Two Violins","First Trio Album for Three Violins","First Quartet Album for Strings (two violins, viola, and cello)","Shake It and Break It","Christmas with the King Family, voice and piano","Selections from West Side Story for Guitar","Six Lute Pieces of the Renaissance, guitar","Songs for Guitar","Operatic Album for Guitar","Graded Anthology for Classic Guitar","Greek Club Date Handbook: Songs and Dances Every Musician Should Know, piano","International Songs for Guitar","Three Duos Concertants for Two Violins","The Moody Blues in Search of the Lost Chord","Classic Melodies: Great Ballets for Piano for Beginners of All Ages","The Mikado","Hebrew Songs for the Young Pianist","Purcell to Mozart: 51 Piano Solos in Their Original Form","Schirmer's American Folk-Song Series: Set 14 - Songs of the Hill-Folk","The Folk Song Sight Singing Series: Book VIII","Four Toyes from Jane Pickering's Lute Book","Tumbalalaika and 16 Other Jewish Songs for Singing in English","25 Carols from the Oxford Book of Carols for Schools (Book 1 Nos. 1-14)","W. C. Handy's Famous Blues for the Hawaiian Guitar","International Christmas for Piano","Intermediate Guitar Solos","Lessons No. 11 and 12 from Follies of my Youth (Le Peche de Ma Jeunesse) for guitar","8 Pezzi Facili per Chitarra (8 Easy Pieces for Guitar)","The Treasure Chest of Famous Marches","Make Way, voice and piano","Sunny Side!, voice and piano","Close Up, voice and piano","Folk Song Sing Along, voice","The French Funny Book of Popular Tunes in Easy Piano Arrangements","Holidays! Holidays! A collection of 21 Songs to Play and Sing in the Holiday Spirit, voice and piano","Classical Guitar","Choice Folk Songs Encore with Guitar Arrangements","Minstrel Songs with Guitar Accompaniment, voice and guitar","Folk tunes for Solo Descant Recorder","Big-Note Carnival, piano","Classical Guitar Recital Book","First Etude Album for Violin","World's Favorite Solos for Classical Guitar","Songs We Sing, voice and piano","Theory and Lessons in Loose Leaf Form for Individual or Class Instruction, Book One","The Beginner's Own Book: Folk Songs Carefully Graded for Ear-Training, Sight-Singing, Harmonization, and Transposition","Fun with the Mandolin","Higher Development of Thirds and Fingered Octaves: Twenty-Four Advanced Formulas for the Violin, Opus 30","Method for the Guitar","120 Daily Guitar Studies for the Right Hand","Ryan's True Guitar Instructor","Home Study Lessons for the Hawaiian Steel Guitar from 1 to 12","Home Study Lessons for the Hawaiian Steel Guitar from 13 to 24","Home Study Lessons for the Hawaiian Steel Guitar from 25 to 36","Home Study Lessons for the Hawaiian Steel Guitar from 37 to 48","Home Study Lessons for the Hawaiian Steel Guitar from 49 to 60","Home Study Lessons for the Hawaiian Steel Guitar from 61 to 72","Home Study Lessons for the Hawaiian Steel Guitar from 85 to 96","Music Theory Papers: Ear and Eye Training for the Beginner","The Simplicity Tutor for Spanish Guitar","Music for the Guitar","Intervals and Chords: How to Use Them","Andres Segovia Studies for the Guitar","Complete and Painless Guide to the Guitar for Young Beginners","A Method for Practicing Scales for Guitar","Smith's Folk Song Tenor Guitar Course","Six Studies for Classical Guitar in the Keys of C Major and A Minor","1, 4, 5, and Minor: Guitar Technique and Song Book for Beginners","Scales and Cadences","Carcassi Method for the Guitar","Intermediate Guitar Solos with Commentary","First Steps in Music: A New Approach to Music for Beginners of All Ages","The Classical Guitar Collection","A Tune a Day: The Teacher's Manual for Violin Instruction in Group, Public School Classes, or Individual Lessons","John W. Schaum Piano Course: A Pre-A Book","Teach Yourself to Play the Guitar","Instrumental Techniques of American Folk Guitar","The Folk Guitarist's Manual: American Folk Guitar Techniques and Songs","Masters of Instrumental Blues Guitar","Instruction Chord Book for Guitar","A Folksinger's Guide to Note Reading and Music Theory: A Manual for the Folk Guitarist","Carcassi Classical Guitar Method","The Art of Finger Style Guitar","Odell Method for the Mandolin","Comprehensive Guitar Method: Student Book","Comprehensive Guitar Method: Teacher's Manual","Excelsior Method for Banjo","You Can Sight Read: Book 1 - The Pleasures of Piano Sight Reading Through Keyboard Harmony and Technique","The New Handy Guitary Method","Spitfire McKenney New Quick Learning System, ukelele","Smith's How to Play Finger Picking Style Guitar","Adantino","Stahl's International Banjo Method","The Folksinger's Guitar Guide","Piano Course Book One","John Thompson's Modern Course for the Piano: The First Grade Book","At the Piano: Book Two","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 1","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 2","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 3","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 4","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 5","Flamenco Guitar Method for Beginners","The New Guitar Course","Carcassi Classical Guitar Method - New Revised Edition","Novello's Music Primers and Educational Series: Harmony Lessons","The Art of Classical Guitar Playing","Guitar Workshop","Musicianship for Guitarists","Method for 12 String Guitar","Bass Clef Note Speller","Folk-Songs with Guitar Chords","Fundamental Trill Studies on a Scientific Basis","The Study of the Guitar Simplified","Music Theory Papers (Third Set) - Sight and Sound","Spanish Guitar Note Speller","John W. Schaum Theory Lessons: Book 3","Gavotte for Guitar Solo","9 Sonatas","Sonata L 238","Two Venezuelan Pieces for Guitar: 1. Valse Criollo, 2. Pavana","Six Venezuelan Pieces: Volume I - 1. Valse Venezolano, 2. Estudio, 3. Cancion de Cuna","Suite in D Minor","Sonata","Six Pieces: Volume I - 1. Prelude in C, 2. Entrata, 3. Little Fantasia","Six Pieces: Volume II - 1. Prelude, 2. Bist du Bei Mir, 3. Petite Courante","Album of Guitar Solos","Three Airs of Court: 1. Preludio, 2. Aria, 3. Finale","Suite: 7 Pieces","Four Preludes: 1. August, 2. Fantasy on a Child's Song","Canonic Variations on the names \"Sophocles and Mercia\"","Virtuoso Waltz No. 1","Seven Brazilian Etudes","Grand Sonata","Slur Exercises and Chromatic Octaves","Valses Poeticos","Concerto in A Major","Pavane Pour une Enfante Defunte","Lute Solo","Two Bagatelles","Simple Variations on \"Las Folias\"","Folk Tune Fugue for Two Guitars","Largo from Cantata No. 156","Cordoba","Five Solos for Guitar","Five Catalan Melodies","The Complete Tremolo Book for the Guitar","Sounds of Bells","Differencias Sobre un Tema","La Fuente de Nie Pastrie","Sonata II: Volume I - Grave, Fuga","Two Pieces: 1. Estudio, 2. Humorada","Sonata II: Volume II - Andante, Allegro","Clair De Lune for Two Guitars","Andante and Menuet","The Old Castle","Two Spanish Dances: 1. Fandango No. 3, 2. Rondalla Aragonesa No. 6","Peasant's Song and Waltz, Op. 12","Sixty Short Pieces for Guitar: Vol. I, Numbers 1-38","Sixty Short Pieces for Guitar: Vol. II, Numbers 39-60","Concerto in D","Two Preludes for Guitar Solo","Six Pavanas","9 Sonatas: Volume II","Three Preludes","Sarabande","Spanish Romance","Diatonic Major and Minor Scales","Arpeggio Studies","Two Pieces: I. Scherzino Mexicano, II. Giga Melancolica","Greensleeves","Five Solos for the Hawaiian Guitar","Method for the Classic Guitar: Volume I Primer","Folias de Espana","Jeannie with the Light Brown Hair / Country Gardens","Six Easy Flamenco Variations","El Noy De La Mare","Album of Guitar Solos","American Fantasy: A Medley for Tenor Banjo Solo","Two Short Pieces","Danube Waves","Malaguena","The Highwayman and 12 Other Folk Songs","Gavotte","Andante","Tarantella","Choros","Two Easy Christmas Carols for Guitar","Student Guitarist's Delight: Volume 1","Student Guitarist's Delight: Volume 2","Greek Dance and Lamet","Method for the Classic Guitar: New Revised and Enlarged Edition","Smith's Theory Book for Guitarist Covering All Scales and Intervals","Position Etudes for Plectrum Guitar","Twenty Easy Pieces","Diatonic Major and Minor Scales","Papas' Flamenco Solos for Guitar","Sylvia Waltz","Bach Album: 14 Pieces by J. S. Bach for Guitar","Chopin Etude: Currently Featured as \"No Other Love\"","Six Short Pieces","Duet Etude for Two Guitars","Spanish Favorites for Classic Guitar","Sonata","Vol. 3","Vol. 5","Vol. 3","(editorial error)","Fall 1966 - Winter 1967","Child's Own Book of Great Musicians - Handel","Child's Own Book of Great Musicians - Haydn","Child's Own Book of Great Musicians - Liszt","Peter Danner, editor","A selected list from catalogs of Belwin-Mills Corp, Edward B. Marks Music Corp., MCA Music.","Prepared by Wayne D. Shirley","Cover page only","Prepared by the Society of the Classical Guitar","Edwin J. Dingle, author","article","The Guitar and Myself","Kleon Raptakis, author (excerpted from unknown magazine)","Program, Columbia Artists Mgmt.","Ronald C. Purcell, Oviatt Library, California State University, Northridge Program","Book","Clippings","Miscellaneous","Manuscript by Sophocles Papas","Oversized","This series contains music scores, instruction guides, guitar journals, and photographs included in the 1999 acquisition. Box numbers from the first acquisition repeat in this series.","Tico-tico (Tico-tico no fuba)","Popular Music Classics for Classical Guitar","Study","Arpeggio Studies","Walzer, Op. 3","Cordoba","Granada","Leyenda","Oriental","Tango","Alborada","Sonata","Album of Guitar Solos","Contributions to the World of Guitar","Compositions arranged by Sophocles Papas","Virtuoso Waltz No. 1","Classical Guitar Suite, \"I'll sleep - when all debt is paid to the wind,\" \"The caretaker of the hills,\" and \"The swordsman's courage\"","Teach Yourself to Play the Guitar","Carcassi Classical Guitar Method","Mood Espanol","Arioso, arranged by Laurindo Almeida","Two Part Inventions for Piano","Bouree","Gavotte","Gigue in E Major","Largo from Cantata No. 156","Lautenpraludium","Papas' Bach Album: 14 pieces by J. S. Bach for Guitar, arranged by Sophocles Papas","Prelude from Cello Suite No. 1","Prelude No. 1 (from The Well Tempered Clavichord - Book 1)","Six pieces: Vol. II - 1. Prelude (Cello Suite No. 1), 2. Bist du bei mir, 3. Petite courante","Sonata II: Vol. 1 - grave, fuga","Mia Amorita","Merry Christmas to Mr. Papas in the Manner of Sor","Arranged by J. K. Mertz","Clumping Along","Fantasia Terza","Las Abejas","Buitar chords in photo diagram form","The Mel Bay Classic Guitar Method, Vols. 2-5","Mel Bay's Fun with the Mandolin","Celebrated Minuet, arranged by Miguel Angel","Moonlight Sonata","Sonatine","Two Short Pieces arranged by Sophocles Papas","Two Bagatelles","Zwei Volksliedbearbeitungen","Arranged by William Foden","West Side Story, arranged by Leon Block","Arranged by Maxwell Eckstein","book","clippings","My Foolish Friend","Seleccion de la opera \"Carmen\"","Calmaiki; Tarantella, Op. 100","Vol. XLVII, No. 542","Vol. XLVII, No. 542","Sirocco Tango","Six Venezuelan Pieces: Vol. I, 1. Valse Venezolano, 2. Estudio, 3. Cancion de Cuna","12th Street Rag","Brahms for the Guitar, arranged by Leon Block","Intermezzo, Op. 117, No. 1","Evocaciones Criollas","Duet Sessions: Duets in the Modern Jazz Idiom","Prelude for Guitar","Cancion Triste, arranged by Carl van Feggelen","Never Weather - Beaten Saile","Suite","Carcassi Classical Guitar Method, New Revised Edition","12 Easy Pieces for the Guitar, Op. 10","Star Dust","Abendmusik","Duet Etdue for Two Guitars","Fantasie Op. 323","Ouverture No. 1","Serenade No. 1","Concerto in D","Guitar Workshop: A Practical Handbook for Beginning Guitarists","Wolf Patterns","Arranged by Richard Cortland Harrison","Chopin Etude, arranged by Sophocles Papas","Three Preludes: Op. 28, Nos. 4, 6, 15","Two Preludes","Arranged by Maxwell Ekstein","Arranged by John Lane","Sonata","Amazon","Bass Clef Note Speller","Andante","Newspaper and magazine clippings","Three Preludes for Guitar","Audio cassette","Corelli, arranged by George Warren","Greek language with some translations","Andante","Barcarolle","Rondeau","Les premiers pas","Guitar Therapy","Scarlet Ribbons (for her hair)","The New Guitar Course","Three Duos concertants for Two Violins","Clair de Lune","La fille aux cheveux de lin","Nr 27/28 quartett fur 4 gitarren","Bourree; Menuet","Prelude","Sarabande","Suite in D Minor","Barre study","Guitarre","Sontaine","Suite in G Major","There's a Sweetheart in Nebraska","The District of Columbia is my home town","Villanella","Rue de blue (Bossa Nova)","Fundamental trill studies on a scientific basis for violin","The higher development of thirds and fingered octaves: twenty-four advanced formulas for the violin, Op. 30","Alman","Altenglische madrigale zur laute","As I wente to Walsinghame; Almane; Tarletone Riserrectione; Mistris Whitte's thinge","Dos gallardas","Earl of Essex, his galliard, and the sick tune; arranged by Mitsuhiko Hamada","Gavotte","Prelude No. 1, Op. 13","Simple variations of \"Las Folias\"","The art of classical guitar playing","Largo","The study of the guitar simplified","First steps in music: a new approach to music for beginners of all ages","Arranged by Carl van Feggelen","Arranged by Sophocles Papas","Complete and painless guide to the guitar for young beginners","Guitar songtime: solos, duets, groups, singing","Smith's how to play finger picking style guitar","Greek dance and lament","Method for guitar - Book 2","Arranged by Sophocles Papas","Spanish favorites for classic guitar","Incomplete","Arranged by Harvey S. Whistler and Herman A. Hummel","Arranged by Harvey S. Whistler and Herman A. Hummel","Arranged by Harvey S. Whistler and Herman A. Hummel","Arranged by Harvey S. Whistler and Herman A. Hummel","Minuet","Arranged by Sophocles Papas","Arranged by Sophocles Papas","Arranged by Sophocles Papas","Listen to the mocking bird","Six short preludes (chord progressions)","Arranged by T. S. Walker","Seven Brazilian etudes","Jeannie with the light brown hair","Oh! Suzanna, Massa's in the cold cold ground, My old Kentucky home","Symphonic skeleton scores: No. 3 - Franck symphony in D minor","A blues for guitar","Arranged by Walter Kaye Bauer","Shake it and break it, arranged by Harry Volpe and Frank Victor","At the piano: Book for two class or individual instruction based on folk tunes of many countries and themes from the masterpieces of music","Saltarello","Sonata in E minor","Boogie and blues for piano solo","Masters of instrumental blues guitar","8 courantes in Renaissance tuning","Thema, Op. 42","Come thou almighty King","The Mikado, arranged by William Krevit","Allegro vivace, Op. 8; Allegro vivace, Op. 40, No. 23; Jagdstuck (rondo), Op. 30; Menuetto, Op. 20; Thema, Op. 34; Walzer, Op. 57, No. 3","Grande ouverture pour la guitare","Grazioso","120 daily guitar studies for the right hand","Serenade concertante en trio pour guitare, violon et violoncello","Sonata, Op. 15","Arranged by Joe Hagerty","Danza Espanola No. 5","Two Spanish dances: 1. Fandango No. 3, 2. Rondalla Aragonesa No. 6","Valses poeticos","La fuente de Nie Pastrie","Greece - collections","Arranged by Kleon Raptakis","Folk tune fugue for two guitars","A method for practicing scales for guitar","Arranged by Sophocles Papas","Peasant's song and waltz, Op. 12","Solvejg's song (from the Peer Gynt Suite No. 2)","Position etudes for plectrum guitar","Silent night","Sounds of bells","Air, Alegretto, Miuet, Passepied - arranged by Len Williams","Concerto in A major","Handel for the guitar, arranged by Leon Block","Siciliana","Suite in D minor","East Saint Louis, arranged by Harry Volp and Frank Victor","Loveless love, arranged by Harry Volp and Frank Victor","The Memphis blues, arranged by Harry Volpe","Saint Louis blues, arranged by Harry Volpe and Frank Victor","Arranged by John Martell","Yellow dog blues","Navajo","Arranged by Alexander Matos","Suite","Rock of ages","You can sight read: Book 1","Andante and menuet","Andante","Minuet, arranged by Jack Duarte","One hand waltz","The classical guitar","Kleine ouverture","A tune a day: the teacher's manual for violin instruction in group, public school classes or individual lessons","Arranged by Elisabeth Papas Smith","Adagio","Sweet music: the Earl of Salusbury's favorite","Hansel and Gretel suite","Arranged by Ada Richter","Arranged by Ada Richter","Arranged by Mel Bey","Danube waves","Carman's whistle, arranged by Kojiro Kobune","Aintcha got music, arranged by Harry Volpe and Frank Victor","Galiarde","The entertainer, arranged by Ada Richter","A little song","Brazilian breakdown","Arranged by Kojiro Kobune","Recognizable blues","Close up","Poliushko polie (Meadowland), arranged by Vladimir Bobri and V. Gabaeff","The folk guitarist's manual: American folk guitar techniques and songs","A new song","Rondino (on a theme from Beethoven)","Excelsior method for the banjo","Arranged by F. Henri Klickmann","Two Venezuelan pieces for guitar: 1. Valse criollo, 2. Pavana","Siboney","Thirty-six caprices","Walzer, Op. 250, No. 6","25 folk-songs with guitar chords","Instruction chord book for guitar","Andantino, arranged by Edmund Severn","Two short pieces arranged by Sophocles Papas","Arranged by Cecily Lambert","Prelude","Spitfire McKenney new quick learning system","Interval and chords: how to use them","Two pieces","Method for 12 string guitar","The simplicity tutor for Spanish guitar","Gypsy tango, arranged by Vladimir Bobri and V. Gabaeff","Make way","Arranged by Louis Tocaben","Arranged by Louis Tocaben","Unidentified and incomplete","Ethnikos ymnos (Greek national hymn)","Arranged by Jack M. Smith, Jr.","Eight pezzi facili per chitarra (Eight easy pieces for guitar)","12 bagatellen","The art of the finger style guitar","Elegia","Elegie","Elegie","Grasshoppers","Consolation: song without words","Aquellos ojos verdes (green eyes), arranged by Jorge Oller","Abendlied, Op. 13, Nr. 2; Adagio, Op. 13, Nr. 10; Kindermarchen, Op. 13, Nr. 8; Tarantella, Op 13, Nr. 6","Canonic variations on the names \"Sophocles and Mercia\"","Four preludes: 1. August, 2. Fantasy on a child's song, 3. Burlesque, 4. Images","Pavane","Pavane II","Six pavanas","Villancico","An American folk song mass","Rondo, Op. 28","Diferencias sobre un tema","The Kerry dance, arranged by Maxwell Eckstein","The Kerry dance, arranged by Maxwell Eckstein","Music theory papers: eye and ear training for the beginner","Music theory papers, third set, sight and sound","In search of the lost chord","Music for the guitar","Pavin","The old castle (from Pictures at an Exhibition)","The old castle (from Pictures at an Exhibition)","Minuet from Ein Kleine Nachtmusik","Sonata No. 3, arranged by David Alzofon","Sonata theme","Symphonic skeleton scores: No. 6 in G minor","Theme from G minor symphony","Two easy pieces: Allegretto in C; Country dance","Suite in D major","Allegro, Op. 51, Nr. 11","Andantino","Bianco fiore","The rosary, arranged by H. F. Odell","The beginner's own book: folk songs carefully graded for ear-training, sight-singing, harmonization and transposition","Arranged by S. S. Cecil","Arranged by John Hoffman","Karntner Volksweise","A song of old Hawaii, arranged by D. Savino","Second series, Vol. XVIII, No. 4; Vol. XIX, Nos. 1 and 4; Vol. XX, No. 2; Vol. XXI, No. 3","Odell method for the mandolin","Capricho No. 13","Grand sonata","Romance","American fantasy: a medley for tenor banjo solo","Biographical and genealogical information","The complete tremolo book for the guitar","Correspondence","Lists of archival materials re: Sophocles Papas","Malaguena","Manuscripts","Manuscripts - \"Method for classic guitar\"","Method for the classic guitar: new revised and enlarged edition","Method for classic guitar: Vol. 1 primer","Miscellaneous pamphlets","Miscellaneous writings","Papas' flamenco solo for guitar","Six easy flamenco variations","Sylvia waltz","Wedding announcement - Sophocles Papas to Mercia F. Lorentz","Stars fell on Alabama","Two moments","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Four toyes from Jane Pickering's lute book","Musicianship for guitarists","Scherzino Mexicano, arranged by Manuel Lopez Ramos","Two pieces: I. Scherzino Mexicano, II. Giga melancolica","Scales cadences","Concerto in C Minor, Op. 18","Angela mia","Music history of Greece from 776 BC to 2nd Century AD","Trees","Pavane pour une enfante defunte","O come all ye faithful","Chanson indoue (A Song of India) from the legend \"Sadko\"","The rose enslaves the nightingale","Arranged by Harry Volpe and Frank Victor","1, 4, 4, and minor: Guitar technique and song book for beginners","Mon coeur s'ouvre a ta voix (My heart at thy sweet voice), Cantabile from \"Samson et Dalila\"","Carcassi method for the guitar","Principios ormonicos de los sonidos otractivos y otraidos","Three airs of court: 1. Preludio, 2. Aria, 3. Finale","Pavana; Zarabanda","Gymnopedie I","Arranged by Elisabeth papas Smith","Arranged by Elisabeth Papas Smith","9 sonatas","9 sonatas, Vol. 2","Sonata","Sonata longo 238","Sonata longo 483","Arranged by Loris O. Chobanian","John W. Schaum piano course: pre-A book","Theory lessons in loose leaf form for individual or class instruction: Book 1","Theory lessons in loose leaf form for individual or class instruction: Book 2","Theory lessons in loose leaf form for individual or class instruction: Book 3","Veil dance","Arranged by John Jacob Niles","Try to remember","Kleine melodie","Allegretto in C minor","Ben Ludlow","A circle of tears","Diatonic major and minor scales","Diatonic major and minor scales","The guitar and myself","Lessons No. 11 and 12 from Follies of My Youth (Le peche de ma jeunesse)","Prelude in chords","Slur exercises and chromatic octaves","Two pieces: 1. Estudio","La golondrina (The swollow) Mexican folk song","La golondrina","Cherry blossom","Flamenco guitar for beginners","International inventory of musical sources: report of the Joint US Committee on Activities","A folksinger's guide to note reading and music theory: a manual for the folk guitarist","Polka dot stomp - arranged by Harry Volpe and Frank Victor","Arranged by Vladimir Bobri and V. Gabaeff","Smith's theory book for guitarist covering all scales and intervals","Smith's folk song tenor guitar course","Andres Segovia: studies for the guitar","Compositions pour la guitare par Ferdinand Sor","Compositions pour la guitare par Ferdinand Sor","Compositions pour la guitare par Ferdinand Sor","Divertissement","Folias de Espana","Grand solo","Menuet; Waltz No. 3; Estudio de Sor","Metodo completo para guittarra","Miscellaneous pieces - oversized","Sixty short pieces for guitar: Vol. 1, Nos. 1-38","Sixty short pieces for guitar: Vol. 2, Nos. 39-60","Theme varie","Arranged by Sophocles Papas","La Bernadina de Josquin","Stal's international banjo method","Novello's music primers and educational series","Cosi amor mi fai languir","Arranged by Sophocles Papas","Arranged by Sophocles Papas","Spanish guitar note speller","It takes time to know a country","Child's own book of great musicians - Handel","Child's own book of great musicians - Haydn","Child's own book of great musicians - Liszt","Danza odalisca","Marieta","Prelude II","Instrumental techniques of American folk guitar","Andante and allegro (for two guitars) arranged by Len Williams","Fantasie","Book for boys for piano","Thompson's modern course for the piano: the first grade book","Dance of candy fairy (Nutcracker Suite)","Symphonic skeleton scores: No. 2 - Symphony 6 in B minor - Pathetic","Arranged by Teddy Schwartz","Arranged by Mark Nevin","Arranged by Eileen Stickley","Arranged by Sophocles Papas","Study in E major","Holidays! Holidays! A collection of twenty-one songs to play and sing in the holiday spirit","Di provenza il mar (What has made your heart grow cold) Germont's aria in the 2nd act of \"La Traviata\"","The sweetheart of Sigma Chi","Choros","Concerto in D","Romanza No. 2","The new handy guitar method: modern plectrum style","Piano course - book one","Artwork for logo","Program","Musical moods in all keys for piano solo","This series consists of a collection of newspaper and magazine clippings, postcards (some with correspondence to Elisabeth Papas-Smith), stamps, and photographs collected by Elisabeth Papas-Smith. Images and articles relate to guitars and other fretted instruments, popular music and musicians, and Sophocles Papas and friends.","Postcards, clippings of guitars and other fretted instruments in art, photograph of English classical guitarists and museum guitar displays","Postcards, stamps, clippings of guitars and other fretted instruments in art, photograph of lute player in Sophocles Papas living room","Clippings of Braque, Gris, Picasso works of art featuring guitars","Stamp, postcards, and clippings of musicians and guitars","Postcards and clippings of musicians and guitars, photographs of Sophocles Papas, Carlos Montoya, Charlie Byrd, Carl Sandburg and others","Clippings of musicians and guitars","Clippings of musicians and guitars","Postcards, clippings of musicians and guitars","Clippings of musicians and guitars","Clippings of musicians and guitars","Clippings of The Beatles and Alia","Clippings of lutes, ouds, ancient fretted instruments in art","Mostly funny, humorous drawings and cartoon clippings","Clippings of women and guitars, photograph of Dorothy Perrenoud"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9ce32df2b44423b26dcccf2e9b994c3b\" label=\"Abstract\"\u003eThis collection contains personal papers of Sophocles Papas including music scores, manuscript scores, phonograph records, correspondence, music journals, photographs, and guitar music manuals.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains personal papers of Sophocles Papas including music scores, manuscript scores, phonograph records, correspondence, music journals, photographs, and guitar music manuals."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_2d916ac5b52516ef3017d45ae9cdc581\"\u003eR 24, C 1, S 6 - S 7; C 2, S 1 - S 7\u003c/physloc\u003e\n    "],"physloc_tesim":["R 24, C 1, S 6 - S 7; C 2, S 1 - S 7"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Papas, Sophocles, 1893-1986"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Papas, Sophocles, 1893-1986"],"language_ssim":["English"],"total_component_count_is":1662,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:59.239Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_15","ead_ssi":"vifgm_repositories_2_resources_15","_root_":"vifgm_repositories_2_resources_15","_nest_parent_":"vifgm_repositories_2_resources_15","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_15.xml","title_filing_ssi":"Sophocles Papas papers","title_ssm":["Sophocles Papas papers"],"title_tesim":["Sophocles Papas papers"],"unitdate_ssm":["1900-2003"],"unitdate_inclusive_ssm":["1900-2003"],"normalized_title_ssm":["Sophocles Papas papers"],"text":["Sophocles Papas papers","C0052","/repositories/2/resources/15","Guitar music","Guitar -- Instruction and study","Guitar orchestra music","Music","Music -- Instruction and study","Correspondence","Photographs","Sound recordings","There are no access restrictions.","The collection is organized by subject and divided into three series. Series 1 contains the materials acquired in 1987, and Series 2 contains materials acquired in 1999. Since each series was processed separately, the box numbers for the collection repeat. Series 3 consists of scrapbook pages with images of guitarists and guitars, with some original photographs but mostly consisting of reproductions, collected by Elisabeth Papas Smith.","The collection is organized by subject and divided into two series. Series 1 contains the materials acquired in 1987, and Series 2 contains materials acquired in 1999. Since each series was processed separately, the box numbers for the collection repeat. Series 3 consists of scrapbook pages of guitarists and guitars collected by Elisabeth Papas Smith.","Series\n      Series 1: 1987 Accession\n      Series 2: 1999 Accession\n      Series 3: 2010 Accession","Sophocles Papas was an internationally known teacher of classical guitar. A Fairfax County resident later in his life, Papas taught the classical guitar in Washington, D.C. for nearly sixty years. He also taught at American University in Washington, D.C. Among his former students who have risen to fame are Charlie Byrd and Carlos Barbosa-Lima.","Papas was a prominent figure in the Washington music scene for much of his life. He performed live on radio regularly on WCAP and was a close friend to music legends, Andres Segovia and Carlos Montoya. Papas organized and conducted Washington's first guitar/mandolin/banjo orchestra, and founded the Washington Guitar Society. A prolific writer and publisher, Papas produced articles for scholarly music journals; wrote a column for the music magazine Crescendo; and founded Columbia Music Company, a publisher of sheet music and instructional methods for the guitar. Most notable among his publications is Method for the Classic Guitar. In 1998 Columbia Music Company also published a biography of Papas, Sophocles Papas: the Guitar, His Life, written by his daughter, Elisabeth Papas Smith.","Note: this collection is minimally processed with a basic box inventory. Please contact SCRC for more information.","Processed by Barbara Haase and Elizabeth Baker. Original finding aid compiled by Barbara Haase, Robert Vay, and Ronya Wei. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. EAD updated in 2010 by Greta Kuriger. Finding aid updated by Amanda Menjivar in June 2023.","The Special Collections Research Center also holds the .","Note: this collection is minimally processed with a basic box inventory. Please contact SCRC for more information.","This collection contains personal papers of Sophocles Papas including music scores, manuscript scores, phonograph records, correspondence, music journals, photographs, and guitar music manuals.","This series contains music scores, instruction guides, phonograph records, and music journals included in the 1987 acquisition. Note: the box numbers in this series repeat in series 2.","La Golondrina (The Swallow) Mexican Folk Song","Mon coeur s'ouvre a ta voix (My Heart at Sweet Voice) Cantible from Samson and Delilah, voice and piano","Chanson Indoue (A Song of India) from the legend \"Sadko\", voice and piano","Angela Mia (My Angel), voice and piano","Lautenpraludium","Ay, Ay, Ay","Star Dust, voice and piano","Allegretto in C Minor, piano","I Don't Want Him: Oahu \"Rhythm Style\" Note Course for Plectrum Guitar (octave notation)","Flamenco, piano","Siboney, voice and piano","A Song of Old Hawaii, voice and piano","The District of Columbia Is My Home Town, voice and piano","There's a Sweetheart in Nebraska, voice and piano","Prelude in Chords","The Kerry Dance, voice and piano","The Kerry Dance, voice and piano with solo parts for C, B flat, E flat, and bass","Elegie, voice and piano","It Takes Time to Know a Country, voice and piano","The Sweetheart of Sigma Chi, voice and piano","Di Provenza Il Mar (What Has Made Your Heart Grow Cold?) Germont's Aria in the second act of \"La Traviata,\" voice and piano","Loveless Love","Yellow Dog Blues","Aintcha Got Music","Ringtail Blues","Saint Louis Blues","East Saint Louis","Polka Dot Stomp","Trees Song","The Memphis Blues","Gypsy, voice and piano","Hanuka, Oh Hanuka: The Hebrew \"Christmas Season\" song, accordion","Romanza No. 2, guitar","The Rosary","Scherzino Mexicano \nAvailable in digital format.","Minuet from Eine Kleine Nachtmusik","rue de Blue (bossa nova)","Capricho No. 13","Navajo","Cherry Blossom: Theme and Variations for the Classical Guitar","US Air Force Blues, choral arrangement","Consolation: Song without Words","Tico-Tico, voice and piano","Celebrated Minuet","Scarlet Ribbons (for Her Hair), voice and piano","The Entertainer, piano solo","Romance","Gypsy Tango","Suite in D Minor","Fantasia di Francesco Milanese","Elegie","Suite in G Major for Guitar and Viola da Gamba","Two Moments for guitar","Brazilian Breakdown","Classical Guitar Suite","Poliushko (Meadowland) Theme and Variations on Celebrated Red Army Song","Rondino (on a theme by Beethoven), violin and piano","A New Song, choral arrangement","Prelude","Cancion Triste","Solvejg's Song (from the Peer Gynt Suite No. 2)","Gigue in E Major, piano","Pavane","Marieta","Moonlight Sonata","Danza Odalisca","La Bernandina de Josquin (solo) and La Bernandina (duet), lute solo","8 Courantes in Renaissance Tuning, lute solo","Carman's Whistle","Kemp's Jig and Playfellow","Kemp's Jig","Earl of Essex His Galliard and the Sick Tune","Les Premiers Pas","Theme Varie","Leyenda","Gallarda","El Noy de la Mare","Sonata No. 3","Aquellos Ojos Verdes","12 Bagatellen","700 Years of Music for the Classical Guitar","36 caprices in two books (36 caprices en 2 cahiers): Book I","Nineteenth Century Guitar Music","Classical Guitar Editions","The Golden Age: Classics for Solo Guitar, Book One","Mandolin and guitar Collection: No. 9 (first mandolin)","Mandolin and guitar Collection: No. 9 (second mandolin)","Listen to the Mocking Bird","Tango","Granada","Oriental","The Rose Enslaves the Nightengale, voice and piano","Grasshoppers, piano","One Hand Waltz","Clumping Along","Veil Dance, piano","Sonata","12th Street Rag, banjo and piano","Sirocco Tango","Bohemian Girl","Believe Me If All Those Endearing Young Charms","Intermezzo, Op. 117, No. 1","Two Easy Pieces","Gavotte for Guitar","Fantaisie Opus 323","The Rosewood Book: 30 Duets for Guitar and Flute","Melodious and Progressive Etudes for Guitar","Classic American Folk songs for Voice and Guitar","Tunes You Like: Your Favorite Songs Made Easy to Play, voice and piano","12 Easy Pieces for the Guitar","An American Folk Song Mass","6 Sevillanas for Spanish Guitar","Latin Americana for the Elementary Pianist","Guitar Songtime: Solos, Duets, Groups, Singing","A Christmas Recital for Piano","The Guitarist's Hour: Book I","The Guitarist's Hour: Book II","Handel for Guitar","Brahms for the Guitar","Duet Session: Duets in the Modern Jazz Idiom","6 Authentic Songs and Dances of Moscow Gypsies, piano","Popular Classics for Classical Guitar","Greek Songs and Dances including Music History of Greece, accordion","200 Songs for Ukulele","Classic Melodies, Great Composers for Piano for Beginners of All Ages","Guitar Folio No. 1","European Guitar and Lute Music: Book Two - German Masters","World Classics for the Guitar","Renaissance Lute Music for the Guitar: An Anthology of Constant Delight","Musical Moods in All Keys for Piano Solo","Two-Part Inventions for Piano","Book for Boys","Boogie and Blues for Piano","Authentic Guitar Sounds of Peter, Paul and Mary","Peter, Paul and Mary","More Peter, Paul and Mary","Peter, Paul and mary on Tour","A Little Treasury of Folksongs and Dances: One","A Little Treasury of Folksongs and Dances: Three","A Little Treasury of Folksongs and Dances: Four","Symphonic Skeleton Scores No. 2, Symphony 6 in B Minor","Symphonic Skeleton Scores No. 3, Symphony in D Minor","Symphonic Skeleton Scores No. 6, Symphony in G Minor","First Duet Album for Two Violins","First Trio Album for Three Violins","First Quartet Album for Strings (two violins, viola, and cello)","Shake It and Break It","Christmas with the King Family, voice and piano","Selections from West Side Story for Guitar","Six Lute Pieces of the Renaissance, guitar","Songs for Guitar","Operatic Album for Guitar","Graded Anthology for Classic Guitar","Greek Club Date Handbook: Songs and Dances Every Musician Should Know, piano","International Songs for Guitar","Three Duos Concertants for Two Violins","The Moody Blues in Search of the Lost Chord","Classic Melodies: Great Ballets for Piano for Beginners of All Ages","The Mikado","Hebrew Songs for the Young Pianist","Purcell to Mozart: 51 Piano Solos in Their Original Form","Schirmer's American Folk-Song Series: Set 14 - Songs of the Hill-Folk","The Folk Song Sight Singing Series: Book VIII","Four Toyes from Jane Pickering's Lute Book","Tumbalalaika and 16 Other Jewish Songs for Singing in English","25 Carols from the Oxford Book of Carols for Schools (Book 1 Nos. 1-14)","W. C. Handy's Famous Blues for the Hawaiian Guitar","International Christmas for Piano","Intermediate Guitar Solos","Lessons No. 11 and 12 from Follies of my Youth (Le Peche de Ma Jeunesse) for guitar","8 Pezzi Facili per Chitarra (8 Easy Pieces for Guitar)","The Treasure Chest of Famous Marches","Make Way, voice and piano","Sunny Side!, voice and piano","Close Up, voice and piano","Folk Song Sing Along, voice","The French Funny Book of Popular Tunes in Easy Piano Arrangements","Holidays! Holidays! A collection of 21 Songs to Play and Sing in the Holiday Spirit, voice and piano","Classical Guitar","Choice Folk Songs Encore with Guitar Arrangements","Minstrel Songs with Guitar Accompaniment, voice and guitar","Folk tunes for Solo Descant Recorder","Big-Note Carnival, piano","Classical Guitar Recital Book","First Etude Album for Violin","World's Favorite Solos for Classical Guitar","Songs We Sing, voice and piano","Theory and Lessons in Loose Leaf Form for Individual or Class Instruction, Book One","The Beginner's Own Book: Folk Songs Carefully Graded for Ear-Training, Sight-Singing, Harmonization, and Transposition","Fun with the Mandolin","Higher Development of Thirds and Fingered Octaves: Twenty-Four Advanced Formulas for the Violin, Opus 30","Method for the Guitar","120 Daily Guitar Studies for the Right Hand","Ryan's True Guitar Instructor","Home Study Lessons for the Hawaiian Steel Guitar from 1 to 12","Home Study Lessons for the Hawaiian Steel Guitar from 13 to 24","Home Study Lessons for the Hawaiian Steel Guitar from 25 to 36","Home Study Lessons for the Hawaiian Steel Guitar from 37 to 48","Home Study Lessons for the Hawaiian Steel Guitar from 49 to 60","Home Study Lessons for the Hawaiian Steel Guitar from 61 to 72","Home Study Lessons for the Hawaiian Steel Guitar from 85 to 96","Music Theory Papers: Ear and Eye Training for the Beginner","The Simplicity Tutor for Spanish Guitar","Music for the Guitar","Intervals and Chords: How to Use Them","Andres Segovia Studies for the Guitar","Complete and Painless Guide to the Guitar for Young Beginners","A Method for Practicing Scales for Guitar","Smith's Folk Song Tenor Guitar Course","Six Studies for Classical Guitar in the Keys of C Major and A Minor","1, 4, 5, and Minor: Guitar Technique and Song Book for Beginners","Scales and Cadences","Carcassi Method for the Guitar","Intermediate Guitar Solos with Commentary","First Steps in Music: A New Approach to Music for Beginners of All Ages","The Classical Guitar Collection","A Tune a Day: The Teacher's Manual for Violin Instruction in Group, Public School Classes, or Individual Lessons","John W. Schaum Piano Course: A Pre-A Book","Teach Yourself to Play the Guitar","Instrumental Techniques of American Folk Guitar","The Folk Guitarist's Manual: American Folk Guitar Techniques and Songs","Masters of Instrumental Blues Guitar","Instruction Chord Book for Guitar","A Folksinger's Guide to Note Reading and Music Theory: A Manual for the Folk Guitarist","Carcassi Classical Guitar Method","The Art of Finger Style Guitar","Odell Method for the Mandolin","Comprehensive Guitar Method: Student Book","Comprehensive Guitar Method: Teacher's Manual","Excelsior Method for Banjo","You Can Sight Read: Book 1 - The Pleasures of Piano Sight Reading Through Keyboard Harmony and Technique","The New Handy Guitary Method","Spitfire McKenney New Quick Learning System, ukelele","Smith's How to Play Finger Picking Style Guitar","Adantino","Stahl's International Banjo Method","The Folksinger's Guitar Guide","Piano Course Book One","John Thompson's Modern Course for the Piano: The First Grade Book","At the Piano: Book Two","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 1","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 2","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 3","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 4","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 5","Flamenco Guitar Method for Beginners","The New Guitar Course","Carcassi Classical Guitar Method - New Revised Edition","Novello's Music Primers and Educational Series: Harmony Lessons","The Art of Classical Guitar Playing","Guitar Workshop","Musicianship for Guitarists","Method for 12 String Guitar","Bass Clef Note Speller","Folk-Songs with Guitar Chords","Fundamental Trill Studies on a Scientific Basis","The Study of the Guitar Simplified","Music Theory Papers (Third Set) - Sight and Sound","Spanish Guitar Note Speller","John W. Schaum Theory Lessons: Book 3","Gavotte for Guitar Solo","9 Sonatas","Sonata L 238","Two Venezuelan Pieces for Guitar: 1. Valse Criollo, 2. Pavana","Six Venezuelan Pieces: Volume I - 1. Valse Venezolano, 2. Estudio, 3. Cancion de Cuna","Suite in D Minor","Sonata","Six Pieces: Volume I - 1. Prelude in C, 2. Entrata, 3. Little Fantasia","Six Pieces: Volume II - 1. Prelude, 2. Bist du Bei Mir, 3. Petite Courante","Album of Guitar Solos","Three Airs of Court: 1. Preludio, 2. Aria, 3. Finale","Suite: 7 Pieces","Four Preludes: 1. August, 2. Fantasy on a Child's Song","Canonic Variations on the names \"Sophocles and Mercia\"","Virtuoso Waltz No. 1","Seven Brazilian Etudes","Grand Sonata","Slur Exercises and Chromatic Octaves","Valses Poeticos","Concerto in A Major","Pavane Pour une Enfante Defunte","Lute Solo","Two Bagatelles","Simple Variations on \"Las Folias\"","Folk Tune Fugue for Two Guitars","Largo from Cantata No. 156","Cordoba","Five Solos for Guitar","Five Catalan Melodies","The Complete Tremolo Book for the Guitar","Sounds of Bells","Differencias Sobre un Tema","La Fuente de Nie Pastrie","Sonata II: Volume I - Grave, Fuga","Two Pieces: 1. Estudio, 2. Humorada","Sonata II: Volume II - Andante, Allegro","Clair De Lune for Two Guitars","Andante and Menuet","The Old Castle","Two Spanish Dances: 1. Fandango No. 3, 2. Rondalla Aragonesa No. 6","Peasant's Song and Waltz, Op. 12","Sixty Short Pieces for Guitar: Vol. I, Numbers 1-38","Sixty Short Pieces for Guitar: Vol. II, Numbers 39-60","Concerto in D","Two Preludes for Guitar Solo","Six Pavanas","9 Sonatas: Volume II","Three Preludes","Sarabande","Spanish Romance","Diatonic Major and Minor Scales","Arpeggio Studies","Two Pieces: I. Scherzino Mexicano, II. Giga Melancolica","Greensleeves","Five Solos for the Hawaiian Guitar","Method for the Classic Guitar: Volume I Primer","Folias de Espana","Jeannie with the Light Brown Hair / Country Gardens","Six Easy Flamenco Variations","El Noy De La Mare","Album of Guitar Solos","American Fantasy: A Medley for Tenor Banjo Solo","Two Short Pieces","Danube Waves","Malaguena","The Highwayman and 12 Other Folk Songs","Gavotte","Andante","Tarantella","Choros","Two Easy Christmas Carols for Guitar","Student Guitarist's Delight: Volume 1","Student Guitarist's Delight: Volume 2","Greek Dance and Lamet","Method for the Classic Guitar: New Revised and Enlarged Edition","Smith's Theory Book for Guitarist Covering All Scales and Intervals","Position Etudes for Plectrum Guitar","Twenty Easy Pieces","Diatonic Major and Minor Scales","Papas' Flamenco Solos for Guitar","Sylvia Waltz","Bach Album: 14 Pieces by J. S. Bach for Guitar","Chopin Etude: Currently Featured as \"No Other Love\"","Six Short Pieces","Duet Etude for Two Guitars","Spanish Favorites for Classic Guitar","Sonata","Vol. 3","Vol. 5","Vol. 3","(editorial error)","Fall 1966 - Winter 1967","Child's Own Book of Great Musicians - Handel","Child's Own Book of Great Musicians - Haydn","Child's Own Book of Great Musicians - Liszt","Peter Danner, editor","A selected list from catalogs of Belwin-Mills Corp, Edward B. Marks Music Corp., MCA Music.","Prepared by Wayne D. Shirley","Cover page only","Prepared by the Society of the Classical Guitar","Edwin J. Dingle, author","article","The Guitar and Myself","Kleon Raptakis, author (excerpted from unknown magazine)","Program, Columbia Artists Mgmt.","Ronald C. Purcell, Oviatt Library, California State University, Northridge Program","Book","Clippings","Miscellaneous","Manuscript by Sophocles Papas","Oversized","This series contains music scores, instruction guides, guitar journals, and photographs included in the 1999 acquisition. Box numbers from the first acquisition repeat in this series.","Tico-tico (Tico-tico no fuba)","Popular Music Classics for Classical Guitar","Study","Arpeggio Studies","Walzer, Op. 3","Cordoba","Granada","Leyenda","Oriental","Tango","Alborada","Sonata","Album of Guitar Solos","Contributions to the World of Guitar","Compositions arranged by Sophocles Papas","Virtuoso Waltz No. 1","Classical Guitar Suite, \"I'll sleep - when all debt is paid to the wind,\" \"The caretaker of the hills,\" and \"The swordsman's courage\"","Teach Yourself to Play the Guitar","Carcassi Classical Guitar Method","Mood Espanol","Arioso, arranged by Laurindo Almeida","Two Part Inventions for Piano","Bouree","Gavotte","Gigue in E Major","Largo from Cantata No. 156","Lautenpraludium","Papas' Bach Album: 14 pieces by J. S. Bach for Guitar, arranged by Sophocles Papas","Prelude from Cello Suite No. 1","Prelude No. 1 (from The Well Tempered Clavichord - Book 1)","Six pieces: Vol. II - 1. Prelude (Cello Suite No. 1), 2. Bist du bei mir, 3. Petite courante","Sonata II: Vol. 1 - grave, fuga","Mia Amorita","Merry Christmas to Mr. Papas in the Manner of Sor","Arranged by J. K. Mertz","Clumping Along","Fantasia Terza","Las Abejas","Buitar chords in photo diagram form","The Mel Bay Classic Guitar Method, Vols. 2-5","Mel Bay's Fun with the Mandolin","Celebrated Minuet, arranged by Miguel Angel","Moonlight Sonata","Sonatine","Two Short Pieces arranged by Sophocles Papas","Two Bagatelles","Zwei Volksliedbearbeitungen","Arranged by William Foden","West Side Story, arranged by Leon Block","Arranged by Maxwell Eckstein","book","clippings","My Foolish Friend","Seleccion de la opera \"Carmen\"","Calmaiki; Tarantella, Op. 100","Vol. XLVII, No. 542","Vol. XLVII, No. 542","Sirocco Tango","Six Venezuelan Pieces: Vol. I, 1. Valse Venezolano, 2. Estudio, 3. Cancion de Cuna","12th Street Rag","Brahms for the Guitar, arranged by Leon Block","Intermezzo, Op. 117, No. 1","Evocaciones Criollas","Duet Sessions: Duets in the Modern Jazz Idiom","Prelude for Guitar","Cancion Triste, arranged by Carl van Feggelen","Never Weather - Beaten Saile","Suite","Carcassi Classical Guitar Method, New Revised Edition","12 Easy Pieces for the Guitar, Op. 10","Star Dust","Abendmusik","Duet Etdue for Two Guitars","Fantasie Op. 323","Ouverture No. 1","Serenade No. 1","Concerto in D","Guitar Workshop: A Practical Handbook for Beginning Guitarists","Wolf Patterns","Arranged by Richard Cortland Harrison","Chopin Etude, arranged by Sophocles Papas","Three Preludes: Op. 28, Nos. 4, 6, 15","Two Preludes","Arranged by Maxwell Ekstein","Arranged by John Lane","Sonata","Amazon","Bass Clef Note Speller","Andante","Newspaper and magazine clippings","Three Preludes for Guitar","Audio cassette","Corelli, arranged by George Warren","Greek language with some translations","Andante","Barcarolle","Rondeau","Les premiers pas","Guitar Therapy","Scarlet Ribbons (for her hair)","The New Guitar Course","Three Duos concertants for Two Violins","Clair de Lune","La fille aux cheveux de lin","Nr 27/28 quartett fur 4 gitarren","Bourree; Menuet","Prelude","Sarabande","Suite in D Minor","Barre study","Guitarre","Sontaine","Suite in G Major","There's a Sweetheart in Nebraska","The District of Columbia is my home town","Villanella","Rue de blue (Bossa Nova)","Fundamental trill studies on a scientific basis for violin","The higher development of thirds and fingered octaves: twenty-four advanced formulas for the violin, Op. 30","Alman","Altenglische madrigale zur laute","As I wente to Walsinghame; Almane; Tarletone Riserrectione; Mistris Whitte's thinge","Dos gallardas","Earl of Essex, his galliard, and the sick tune; arranged by Mitsuhiko Hamada","Gavotte","Prelude No. 1, Op. 13","Simple variations of \"Las Folias\"","The art of classical guitar playing","Largo","The study of the guitar simplified","First steps in music: a new approach to music for beginners of all ages","Arranged by Carl van Feggelen","Arranged by Sophocles Papas","Complete and painless guide to the guitar for young beginners","Guitar songtime: solos, duets, groups, singing","Smith's how to play finger picking style guitar","Greek dance and lament","Method for guitar - Book 2","Arranged by Sophocles Papas","Spanish favorites for classic guitar","Incomplete","Arranged by Harvey S. Whistler and Herman A. Hummel","Arranged by Harvey S. Whistler and Herman A. Hummel","Arranged by Harvey S. Whistler and Herman A. Hummel","Arranged by Harvey S. Whistler and Herman A. Hummel","Minuet","Arranged by Sophocles Papas","Arranged by Sophocles Papas","Arranged by Sophocles Papas","Listen to the mocking bird","Six short preludes (chord progressions)","Arranged by T. S. Walker","Seven Brazilian etudes","Jeannie with the light brown hair","Oh! Suzanna, Massa's in the cold cold ground, My old Kentucky home","Symphonic skeleton scores: No. 3 - Franck symphony in D minor","A blues for guitar","Arranged by Walter Kaye Bauer","Shake it and break it, arranged by Harry Volpe and Frank Victor","At the piano: Book for two class or individual instruction based on folk tunes of many countries and themes from the masterpieces of music","Saltarello","Sonata in E minor","Boogie and blues for piano solo","Masters of instrumental blues guitar","8 courantes in Renaissance tuning","Thema, Op. 42","Come thou almighty King","The Mikado, arranged by William Krevit","Allegro vivace, Op. 8; Allegro vivace, Op. 40, No. 23; Jagdstuck (rondo), Op. 30; Menuetto, Op. 20; Thema, Op. 34; Walzer, Op. 57, No. 3","Grande ouverture pour la guitare","Grazioso","120 daily guitar studies for the right hand","Serenade concertante en trio pour guitare, violon et violoncello","Sonata, Op. 15","Arranged by Joe Hagerty","Danza Espanola No. 5","Two Spanish dances: 1. Fandango No. 3, 2. Rondalla Aragonesa No. 6","Valses poeticos","La fuente de Nie Pastrie","Greece - collections","Arranged by Kleon Raptakis","Folk tune fugue for two guitars","A method for practicing scales for guitar","Arranged by Sophocles Papas","Peasant's song and waltz, Op. 12","Solvejg's song (from the Peer Gynt Suite No. 2)","Position etudes for plectrum guitar","Silent night","Sounds of bells","Air, Alegretto, Miuet, Passepied - arranged by Len Williams","Concerto in A major","Handel for the guitar, arranged by Leon Block","Siciliana","Suite in D minor","East Saint Louis, arranged by Harry Volp and Frank Victor","Loveless love, arranged by Harry Volp and Frank Victor","The Memphis blues, arranged by Harry Volpe","Saint Louis blues, arranged by Harry Volpe and Frank Victor","Arranged by John Martell","Yellow dog blues","Navajo","Arranged by Alexander Matos","Suite","Rock of ages","You can sight read: Book 1","Andante and menuet","Andante","Minuet, arranged by Jack Duarte","One hand waltz","The classical guitar","Kleine ouverture","A tune a day: the teacher's manual for violin instruction in group, public school classes or individual lessons","Arranged by Elisabeth Papas Smith","Adagio","Sweet music: the Earl of Salusbury's favorite","Hansel and Gretel suite","Arranged by Ada Richter","Arranged by Ada Richter","Arranged by Mel Bey","Danube waves","Carman's whistle, arranged by Kojiro Kobune","Aintcha got music, arranged by Harry Volpe and Frank Victor","Galiarde","The entertainer, arranged by Ada Richter","A little song","Brazilian breakdown","Arranged by Kojiro Kobune","Recognizable blues","Close up","Poliushko polie (Meadowland), arranged by Vladimir Bobri and V. Gabaeff","The folk guitarist's manual: American folk guitar techniques and songs","A new song","Rondino (on a theme from Beethoven)","Excelsior method for the banjo","Arranged by F. Henri Klickmann","Two Venezuelan pieces for guitar: 1. Valse criollo, 2. Pavana","Siboney","Thirty-six caprices","Walzer, Op. 250, No. 6","25 folk-songs with guitar chords","Instruction chord book for guitar","Andantino, arranged by Edmund Severn","Two short pieces arranged by Sophocles Papas","Arranged by Cecily Lambert","Prelude","Spitfire McKenney new quick learning system","Interval and chords: how to use them","Two pieces","Method for 12 string guitar","The simplicity tutor for Spanish guitar","Gypsy tango, arranged by Vladimir Bobri and V. Gabaeff","Make way","Arranged by Louis Tocaben","Arranged by Louis Tocaben","Unidentified and incomplete","Ethnikos ymnos (Greek national hymn)","Arranged by Jack M. Smith, Jr.","Eight pezzi facili per chitarra (Eight easy pieces for guitar)","12 bagatellen","The art of the finger style guitar","Elegia","Elegie","Elegie","Grasshoppers","Consolation: song without words","Aquellos ojos verdes (green eyes), arranged by Jorge Oller","Abendlied, Op. 13, Nr. 2; Adagio, Op. 13, Nr. 10; Kindermarchen, Op. 13, Nr. 8; Tarantella, Op 13, Nr. 6","Canonic variations on the names \"Sophocles and Mercia\"","Four preludes: 1. August, 2. Fantasy on a child's song, 3. Burlesque, 4. Images","Pavane","Pavane II","Six pavanas","Villancico","An American folk song mass","Rondo, Op. 28","Diferencias sobre un tema","The Kerry dance, arranged by Maxwell Eckstein","The Kerry dance, arranged by Maxwell Eckstein","Music theory papers: eye and ear training for the beginner","Music theory papers, third set, sight and sound","In search of the lost chord","Music for the guitar","Pavin","The old castle (from Pictures at an Exhibition)","The old castle (from Pictures at an Exhibition)","Minuet from Ein Kleine Nachtmusik","Sonata No. 3, arranged by David Alzofon","Sonata theme","Symphonic skeleton scores: No. 6 in G minor","Theme from G minor symphony","Two easy pieces: Allegretto in C; Country dance","Suite in D major","Allegro, Op. 51, Nr. 11","Andantino","Bianco fiore","The rosary, arranged by H. F. Odell","The beginner's own book: folk songs carefully graded for ear-training, sight-singing, harmonization and transposition","Arranged by S. S. Cecil","Arranged by John Hoffman","Karntner Volksweise","A song of old Hawaii, arranged by D. Savino","Second series, Vol. XVIII, No. 4; Vol. XIX, Nos. 1 and 4; Vol. XX, No. 2; Vol. XXI, No. 3","Odell method for the mandolin","Capricho No. 13","Grand sonata","Romance","American fantasy: a medley for tenor banjo solo","Biographical and genealogical information","The complete tremolo book for the guitar","Correspondence","Lists of archival materials re: Sophocles Papas","Malaguena","Manuscripts","Manuscripts - \"Method for classic guitar\"","Method for the classic guitar: new revised and enlarged edition","Method for classic guitar: Vol. 1 primer","Miscellaneous pamphlets","Miscellaneous writings","Papas' flamenco solo for guitar","Six easy flamenco variations","Sylvia waltz","Wedding announcement - Sophocles Papas to Mercia F. Lorentz","Stars fell on Alabama","Two moments","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Four toyes from Jane Pickering's lute book","Musicianship for guitarists","Scherzino Mexicano, arranged by Manuel Lopez Ramos","Two pieces: I. Scherzino Mexicano, II. Giga melancolica","Scales cadences","Concerto in C Minor, Op. 18","Angela mia","Music history of Greece from 776 BC to 2nd Century AD","Trees","Pavane pour une enfante defunte","O come all ye faithful","Chanson indoue (A Song of India) from the legend \"Sadko\"","The rose enslaves the nightingale","Arranged by Harry Volpe and Frank Victor","1, 4, 4, and minor: Guitar technique and song book for beginners","Mon coeur s'ouvre a ta voix (My heart at thy sweet voice), Cantabile from \"Samson et Dalila\"","Carcassi method for the guitar","Principios ormonicos de los sonidos otractivos y otraidos","Three airs of court: 1. Preludio, 2. Aria, 3. Finale","Pavana; Zarabanda","Gymnopedie I","Arranged by Elisabeth papas Smith","Arranged by Elisabeth Papas Smith","9 sonatas","9 sonatas, Vol. 2","Sonata","Sonata longo 238","Sonata longo 483","Arranged by Loris O. Chobanian","John W. Schaum piano course: pre-A book","Theory lessons in loose leaf form for individual or class instruction: Book 1","Theory lessons in loose leaf form for individual or class instruction: Book 2","Theory lessons in loose leaf form for individual or class instruction: Book 3","Veil dance","Arranged by John Jacob Niles","Try to remember","Kleine melodie","Allegretto in C minor","Ben Ludlow","A circle of tears","Diatonic major and minor scales","Diatonic major and minor scales","The guitar and myself","Lessons No. 11 and 12 from Follies of My Youth (Le peche de ma jeunesse)","Prelude in chords","Slur exercises and chromatic octaves","Two pieces: 1. Estudio","La golondrina (The swollow) Mexican folk song","La golondrina","Cherry blossom","Flamenco guitar for beginners","International inventory of musical sources: report of the Joint US Committee on Activities","A folksinger's guide to note reading and music theory: a manual for the folk guitarist","Polka dot stomp - arranged by Harry Volpe and Frank Victor","Arranged by Vladimir Bobri and V. Gabaeff","Smith's theory book for guitarist covering all scales and intervals","Smith's folk song tenor guitar course","Andres Segovia: studies for the guitar","Compositions pour la guitare par Ferdinand Sor","Compositions pour la guitare par Ferdinand Sor","Compositions pour la guitare par Ferdinand Sor","Divertissement","Folias de Espana","Grand solo","Menuet; Waltz No. 3; Estudio de Sor","Metodo completo para guittarra","Miscellaneous pieces - oversized","Sixty short pieces for guitar: Vol. 1, Nos. 1-38","Sixty short pieces for guitar: Vol. 2, Nos. 39-60","Theme varie","Arranged by Sophocles Papas","La Bernadina de Josquin","Stal's international banjo method","Novello's music primers and educational series","Cosi amor mi fai languir","Arranged by Sophocles Papas","Arranged by Sophocles Papas","Spanish guitar note speller","It takes time to know a country","Child's own book of great musicians - Handel","Child's own book of great musicians - Haydn","Child's own book of great musicians - Liszt","Danza odalisca","Marieta","Prelude II","Instrumental techniques of American folk guitar","Andante and allegro (for two guitars) arranged by Len Williams","Fantasie","Book for boys for piano","Thompson's modern course for the piano: the first grade book","Dance of candy fairy (Nutcracker Suite)","Symphonic skeleton scores: No. 2 - Symphony 6 in B minor - Pathetic","Arranged by Teddy Schwartz","Arranged by Mark Nevin","Arranged by Eileen Stickley","Arranged by Sophocles Papas","Study in E major","Holidays! Holidays! A collection of twenty-one songs to play and sing in the holiday spirit","Di provenza il mar (What has made your heart grow cold) Germont's aria in the 2nd act of \"La Traviata\"","The sweetheart of Sigma Chi","Choros","Concerto in D","Romanza No. 2","The new handy guitar method: modern plectrum style","Piano course - book one","Artwork for logo","Program","Musical moods in all keys for piano solo","This series consists of a collection of newspaper and magazine clippings, postcards (some with correspondence to Elisabeth Papas-Smith), stamps, and photographs collected by Elisabeth Papas-Smith. Images and articles relate to guitars and other fretted instruments, popular music and musicians, and Sophocles Papas and friends.","Postcards, clippings of guitars and other fretted instruments in art, photograph of English classical guitarists and museum guitar displays","Postcards, stamps, clippings of guitars and other fretted instruments in art, photograph of lute player in Sophocles Papas living room","Clippings of Braque, Gris, Picasso works of art featuring guitars","Stamp, postcards, and clippings of musicians and guitars","Postcards and clippings of musicians and guitars, photographs of Sophocles Papas, Carlos Montoya, Charlie Byrd, Carl Sandburg and others","Clippings of musicians and guitars","Clippings of musicians and guitars","Postcards, clippings of musicians and guitars","Clippings of musicians and guitars","Clippings of musicians and guitars","Clippings of The Beatles and Alia","Clippings of lutes, ouds, ancient fretted instruments in art","Mostly funny, humorous drawings and cartoon clippings","Clippings of women and guitars, photograph of Dorothy Perrenoud","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains personal papers of Sophocles Papas including music scores, manuscript scores, phonograph records, correspondence, music journals, photographs, and guitar music manuals.","R 24, C 1, S 6 - S 7; C 2, S 1 - S 7","George Mason University. Libraries. Special Collections Research Center","Papas, Sophocles, 1893-1986","English"],"collection_title_tesim":["Sophocles Papas papers"],"collection_ssim":["Sophocles Papas papers"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0052","/repositories/2/resources/15"],"unitid_tesim":["C0052","/repositories/2/resources/15"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Papas, Sophocles, 1893-1986"],"creator_ssim":["Papas, Sophocles, 1893-1986"],"creator_persname_ssim":["Papas, Sophocles, 1893-1986"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Papas, Sophocles, 1893-1986","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Elisabeth Papas Smith and David Papas 1987-1999. Additional materials donated in 2010 by Elisabeth Papas Smith."],"access_subjects_ssim":["Guitar music","Guitar -- Instruction and study","Guitar orchestra music","Music","Music -- Instruction and study","Correspondence","Photographs","Sound recordings"],"access_subjects_ssm":["Guitar music","Guitar -- Instruction and study","Guitar orchestra music","Music","Music -- Instruction and study","Correspondence","Photographs","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["23 Linear Feet 43 boxes"],"extent_tesim":["23 Linear Feet 43 boxes"],"genreform_ssim":["Correspondence","Photographs","Sound recordings"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized by subject and divided into three series. Series 1 contains the materials acquired in 1987, and Series 2 contains materials acquired in 1999. Since each series was processed separately, the box numbers for the collection repeat. Series 3 consists of scrapbook pages with images of guitarists and guitars, with some original photographs but mostly consisting of reproductions, collected by Elisabeth Papas Smith.\u003c/p\u003e","\u003cp\u003eThe collection is organized by subject and divided into two series. Series 1 contains the materials acquired in 1987, and Series 2 contains materials acquired in 1999. Since each series was processed separately, the box numbers for the collection repeat. Series 3 consists of scrapbook pages of guitarists and guitars collected by Elisabeth Papas Smith.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: 1987 Accession\u003c/item\u003e\n      \u003citem\u003eSeries 2: 1999 Accession\u003c/item\u003e\n      \u003citem\u003eSeries 3: 2010 Accession\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized by subject and divided into three series. Series 1 contains the materials acquired in 1987, and Series 2 contains materials acquired in 1999. Since each series was processed separately, the box numbers for the collection repeat. Series 3 consists of scrapbook pages with images of guitarists and guitars, with some original photographs but mostly consisting of reproductions, collected by Elisabeth Papas Smith.","The collection is organized by subject and divided into two series. Series 1 contains the materials acquired in 1987, and Series 2 contains materials acquired in 1999. Since each series was processed separately, the box numbers for the collection repeat. Series 3 consists of scrapbook pages of guitarists and guitars collected by Elisabeth Papas Smith.","Series\n      Series 1: 1987 Accession\n      Series 2: 1999 Accession\n      Series 3: 2010 Accession"],"bioghist_html_tesm":["\u003cp\u003eSophocles Papas was an internationally known teacher of classical guitar. A Fairfax County resident later in his life, Papas taught the classical guitar in Washington, D.C. for nearly sixty years. He also taught at American University in Washington, D.C. Among his former students who have risen to fame are Charlie Byrd and Carlos Barbosa-Lima. \u003c/p\u003e","\u003cp\u003ePapas was a prominent figure in the Washington music scene for much of his life. He performed live on radio regularly on WCAP and was a close friend to music legends, Andres Segovia and Carlos Montoya. Papas organized and conducted Washington's first guitar/mandolin/banjo orchestra, and founded the Washington Guitar Society. A prolific writer and publisher, Papas produced articles for scholarly music journals; wrote a column for the music magazine Crescendo; and founded Columbia Music Company, a publisher of sheet music and instructional methods for the guitar. Most notable among his publications is Method for the Classic Guitar. In 1998 Columbia Music Company also published a biography of Papas, Sophocles Papas: the Guitar, His Life, written by his daughter, Elisabeth Papas Smith. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Sophocles Papas was an internationally known teacher of classical guitar. A Fairfax County resident later in his life, Papas taught the classical guitar in Washington, D.C. for nearly sixty years. He also taught at American University in Washington, D.C. Among his former students who have risen to fame are Charlie Byrd and Carlos Barbosa-Lima.","Papas was a prominent figure in the Washington music scene for much of his life. He performed live on radio regularly on WCAP and was a close friend to music legends, Andres Segovia and Carlos Montoya. Papas organized and conducted Washington's first guitar/mandolin/banjo orchestra, and founded the Washington Guitar Society. A prolific writer and publisher, Papas produced articles for scholarly music journals; wrote a column for the music magazine Crescendo; and founded Columbia Music Company, a publisher of sheet music and instructional methods for the guitar. Most notable among his publications is Method for the Classic Guitar. In 1998 Columbia Music Company also published a biography of Papas, Sophocles Papas: the Guitar, His Life, written by his daughter, Elisabeth Papas Smith."],"prefercite_html_tesm":["\u003cp\u003eSophocles Papas papers, C0052, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Sophocles Papas papers, C0052, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eNote: this collection is minimally processed with a basic box inventory. Please contact SCRC for more information.\u003c/p\u003e","\u003cp\u003eProcessed by Barbara Haase and Elizabeth Baker. Original finding aid compiled by Barbara Haase, Robert Vay, and Ronya Wei. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. EAD updated in 2010 by Greta Kuriger. Finding aid updated by Amanda Menjivar in June 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Note: this collection is minimally processed with a basic box inventory. Please contact SCRC for more information.","Processed by Barbara Haase and Elizabeth Baker. Original finding aid compiled by Barbara Haase, Robert Vay, and Ronya Wei. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. EAD updated in 2010 by Greta Kuriger. Finding aid updated by Amanda Menjivar in June 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Sam di Bonaventura papers\" href=\"https://aspace.gmu.edu/resources/c0070\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the ."],"scopecontent_html_tesm":["\u003cp\u003eNote: this collection is minimally processed with a basic box inventory. Please contact SCRC for more information.\u003c/p\u003e","\u003cp\u003eThis collection contains personal papers of Sophocles Papas including music scores, manuscript scores, phonograph records, correspondence, music journals, photographs, and guitar music manuals. \u003c/p\u003e  ","\u003cp\u003eThis series contains music scores, instruction guides, phonograph records, and music journals included in the 1987 acquisition. Note: the box numbers in this series repeat in series 2.\u003c/p\u003e","\u003cp\u003eLa Golondrina (The Swallow) Mexican Folk Song\u003c/p\u003e","\u003cp\u003eMon coeur s'ouvre a ta voix (My Heart at Sweet Voice) Cantible from Samson and Delilah, voice and piano\u003c/p\u003e","\u003cp\u003eChanson Indoue (A Song of India) from the legend \"Sadko\", voice and piano\u003c/p\u003e","\u003cp\u003eAngela Mia (My Angel), voice and piano\u003c/p\u003e","\u003cp\u003eLautenpraludium\u003c/p\u003e","\u003cp\u003eAy, Ay, Ay\u003c/p\u003e","\u003cp\u003eStar Dust, voice and piano\u003c/p\u003e","\u003cp\u003eAllegretto in C Minor, piano\u003c/p\u003e","\u003cp\u003eI Don't Want Him: Oahu \"Rhythm Style\" Note Course for Plectrum Guitar (octave notation)\u003c/p\u003e","\u003cp\u003eFlamenco, piano\u003c/p\u003e","\u003cp\u003eSiboney, voice and piano\u003c/p\u003e","\u003cp\u003eA Song of Old Hawaii, voice and piano\u003c/p\u003e","\u003cp\u003eThe District of Columbia Is My Home Town, voice and piano\u003c/p\u003e","\u003cp\u003eThere's a Sweetheart in Nebraska, voice and piano\u003c/p\u003e","\u003cp\u003ePrelude in Chords\u003c/p\u003e","\u003cp\u003eThe Kerry Dance, voice and piano\u003c/p\u003e","\u003cp\u003eThe Kerry Dance, voice and piano with solo parts for C, B flat, E flat, and bass\u003c/p\u003e","\u003cp\u003eElegie, voice and piano\u003c/p\u003e","\u003cp\u003eIt Takes Time to Know a Country, voice and piano\u003c/p\u003e","\u003cp\u003eThe Sweetheart of Sigma Chi, voice and piano\u003c/p\u003e","\u003cp\u003eDi Provenza Il Mar (What Has Made Your Heart Grow Cold?) Germont's Aria in the second act of \"La Traviata,\" voice and piano\u003c/p\u003e","\u003cp\u003eLoveless Love\u003c/p\u003e","\u003cp\u003eYellow Dog Blues\u003c/p\u003e","\u003cp\u003eAintcha Got Music\u003c/p\u003e","\u003cp\u003eRingtail Blues\u003c/p\u003e","\u003cp\u003eSaint Louis Blues\u003c/p\u003e","\u003cp\u003eEast Saint Louis\u003c/p\u003e","\u003cp\u003ePolka Dot Stomp\u003c/p\u003e","\u003cp\u003eTrees Song\u003c/p\u003e","\u003cp\u003eThe Memphis Blues\u003c/p\u003e","\u003cp\u003eGypsy, voice and piano\u003c/p\u003e","\u003cp\u003eHanuka, Oh Hanuka: The Hebrew \"Christmas Season\" song, accordion\u003c/p\u003e","\u003cp\u003eRomanza No. 2, guitar\u003c/p\u003e","\u003cp\u003eThe Rosary\u003c/p\u003e","\u003cp\u003eScherzino Mexicano \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eMinuet from Eine Kleine Nachtmusik\u003c/p\u003e","\u003cp\u003erue de Blue (bossa nova)\u003c/p\u003e","\u003cp\u003eCapricho No. 13\u003c/p\u003e","\u003cp\u003eNavajo\u003c/p\u003e","\u003cp\u003eCherry Blossom: Theme and Variations for the Classical Guitar\u003c/p\u003e","\u003cp\u003eUS Air Force Blues, choral arrangement\u003c/p\u003e","\u003cp\u003eConsolation: Song without Words\u003c/p\u003e","\u003cp\u003eTico-Tico, voice and piano\u003c/p\u003e","\u003cp\u003eCelebrated Minuet\u003c/p\u003e","\u003cp\u003eScarlet Ribbons (for Her Hair), voice and piano\u003c/p\u003e","\u003cp\u003eThe Entertainer, piano solo\u003c/p\u003e","\u003cp\u003eRomance\u003c/p\u003e","\u003cp\u003eGypsy Tango\u003c/p\u003e","\u003cp\u003eSuite in D Minor\u003c/p\u003e","\u003cp\u003eFantasia di Francesco Milanese\u003c/p\u003e","\u003cp\u003eElegie\u003c/p\u003e","\u003cp\u003eSuite in G Major for Guitar and Viola da Gamba\u003c/p\u003e","\u003cp\u003eTwo Moments for guitar\u003c/p\u003e","\u003cp\u003eBrazilian Breakdown\u003c/p\u003e","\u003cp\u003eClassical Guitar Suite\u003c/p\u003e","\u003cp\u003ePoliushko (Meadowland) Theme and Variations on Celebrated Red Army Song\u003c/p\u003e","\u003cp\u003eRondino (on a theme by Beethoven), violin and piano\u003c/p\u003e","\u003cp\u003eA New Song, choral arrangement\u003c/p\u003e","\u003cp\u003ePrelude\u003c/p\u003e","\u003cp\u003eCancion Triste\u003c/p\u003e","\u003cp\u003eSolvejg's Song (from the Peer Gynt Suite No. 2)\u003c/p\u003e","\u003cp\u003eGigue in E Major, piano\u003c/p\u003e","\u003cp\u003ePavane\u003c/p\u003e","\u003cp\u003eMarieta\u003c/p\u003e","\u003cp\u003eMoonlight Sonata\u003c/p\u003e","\u003cp\u003eDanza Odalisca\u003c/p\u003e","\u003cp\u003eLa Bernandina de Josquin (solo) and La Bernandina (duet), lute solo\u003c/p\u003e","\u003cp\u003e8 Courantes in Renaissance Tuning, lute solo\u003c/p\u003e","\u003cp\u003eCarman's Whistle\u003c/p\u003e","\u003cp\u003eKemp's Jig and Playfellow\u003c/p\u003e","\u003cp\u003eKemp's Jig\u003c/p\u003e","\u003cp\u003eEarl of Essex His Galliard and the Sick Tune\u003c/p\u003e","\u003cp\u003eLes Premiers Pas\u003c/p\u003e","\u003cp\u003eTheme Varie\u003c/p\u003e","\u003cp\u003eLeyenda\u003c/p\u003e","\u003cp\u003eGallarda\u003c/p\u003e","\u003cp\u003eEl Noy de la Mare\u003c/p\u003e","\u003cp\u003eSonata No. 3\u003c/p\u003e","\u003cp\u003eAquellos Ojos Verdes\u003c/p\u003e","\u003cp\u003e12 Bagatellen\u003c/p\u003e","\u003cp\u003e700 Years of Music for the Classical Guitar\u003c/p\u003e","\u003cp\u003e36 caprices in two books (36 caprices en 2 cahiers): Book I\u003c/p\u003e","\u003cp\u003eNineteenth Century Guitar Music\u003c/p\u003e","\u003cp\u003eClassical Guitar Editions\u003c/p\u003e","\u003cp\u003eThe Golden Age: Classics for Solo Guitar, Book One\u003c/p\u003e","\u003cp\u003eMandolin and guitar Collection: No. 9 (first mandolin)\u003c/p\u003e","\u003cp\u003eMandolin and guitar Collection: No. 9 (second mandolin)\u003c/p\u003e","\u003cp\u003eListen to the Mocking Bird\u003c/p\u003e","\u003cp\u003eTango\u003c/p\u003e","\u003cp\u003eGranada\u003c/p\u003e","\u003cp\u003eOriental\u003c/p\u003e","\u003cp\u003eThe Rose Enslaves the Nightengale, voice and piano\u003c/p\u003e","\u003cp\u003eGrasshoppers, piano\u003c/p\u003e","\u003cp\u003eOne Hand Waltz\u003c/p\u003e","\u003cp\u003eClumping Along\u003c/p\u003e","\u003cp\u003eVeil Dance, piano\u003c/p\u003e","\u003cp\u003eSonata\u003c/p\u003e","\u003cp\u003e12th Street Rag, banjo and piano\u003c/p\u003e","\u003cp\u003eSirocco Tango\u003c/p\u003e","\u003cp\u003eBohemian Girl\u003c/p\u003e","\u003cp\u003eBelieve Me If All Those Endearing Young Charms\u003c/p\u003e","\u003cp\u003eIntermezzo, Op. 117, No. 1\u003c/p\u003e","\u003cp\u003eTwo Easy Pieces\u003c/p\u003e","\u003cp\u003eGavotte for Guitar\u003c/p\u003e","\u003cp\u003eFantaisie Opus 323\u003c/p\u003e","\u003cp\u003eThe Rosewood Book: 30 Duets for Guitar and Flute\u003c/p\u003e","\u003cp\u003eMelodious and Progressive Etudes for Guitar\u003c/p\u003e","\u003cp\u003eClassic American Folk songs for Voice and Guitar\u003c/p\u003e","\u003cp\u003eTunes You Like: Your Favorite Songs Made Easy to Play, voice and piano\u003c/p\u003e","\u003cp\u003e12 Easy Pieces for the Guitar\u003c/p\u003e","\u003cp\u003eAn American Folk Song Mass\u003c/p\u003e","\u003cp\u003e6 Sevillanas for Spanish Guitar\u003c/p\u003e","\u003cp\u003eLatin Americana for the Elementary Pianist\u003c/p\u003e","\u003cp\u003eGuitar Songtime: Solos, Duets, Groups, Singing\u003c/p\u003e","\u003cp\u003eA Christmas Recital for Piano\u003c/p\u003e","\u003cp\u003eThe Guitarist's Hour: Book I\u003c/p\u003e","\u003cp\u003eThe Guitarist's Hour: Book II\u003c/p\u003e","\u003cp\u003eHandel for Guitar\u003c/p\u003e","\u003cp\u003eBrahms for the Guitar\u003c/p\u003e","\u003cp\u003eDuet Session: Duets in the Modern Jazz Idiom\u003c/p\u003e","\u003cp\u003e6 Authentic Songs and Dances of Moscow Gypsies, piano\u003c/p\u003e","\u003cp\u003ePopular Classics for Classical Guitar\u003c/p\u003e","\u003cp\u003eGreek Songs and Dances including Music History of Greece, accordion\u003c/p\u003e","\u003cp\u003e200 Songs for Ukulele\u003c/p\u003e","\u003cp\u003eClassic Melodies, Great Composers for Piano for Beginners of All Ages\u003c/p\u003e","\u003cp\u003eGuitar Folio No. 1\u003c/p\u003e","\u003cp\u003eEuropean Guitar and Lute Music: Book Two - German Masters\u003c/p\u003e","\u003cp\u003eWorld Classics for the Guitar\u003c/p\u003e","\u003cp\u003eRenaissance Lute Music for the Guitar: An Anthology of Constant Delight\u003c/p\u003e","\u003cp\u003eMusical Moods in All Keys for Piano Solo\u003c/p\u003e","\u003cp\u003eTwo-Part Inventions for Piano\u003c/p\u003e","\u003cp\u003eBook for Boys\u003c/p\u003e","\u003cp\u003eBoogie and Blues for Piano\u003c/p\u003e","\u003cp\u003eAuthentic Guitar Sounds of Peter, Paul and Mary\u003c/p\u003e","\u003cp\u003ePeter, Paul and Mary\u003c/p\u003e","\u003cp\u003eMore Peter, Paul and Mary\u003c/p\u003e","\u003cp\u003ePeter, Paul and mary on Tour\u003c/p\u003e","\u003cp\u003eA Little Treasury of Folksongs and Dances: One\u003c/p\u003e","\u003cp\u003eA Little Treasury of Folksongs and Dances: Three\u003c/p\u003e","\u003cp\u003eA Little Treasury of Folksongs and Dances: Four\u003c/p\u003e","\u003cp\u003eSymphonic Skeleton Scores No. 2, Symphony 6 in B Minor\u003c/p\u003e","\u003cp\u003eSymphonic Skeleton Scores No. 3, Symphony in D Minor\u003c/p\u003e","\u003cp\u003eSymphonic Skeleton Scores No. 6, Symphony in G Minor\u003c/p\u003e","\u003cp\u003eFirst Duet Album for Two Violins\u003c/p\u003e","\u003cp\u003eFirst Trio Album for Three Violins\u003c/p\u003e","\u003cp\u003eFirst Quartet Album for Strings (two violins, viola, and cello)\u003c/p\u003e","\u003cp\u003eShake It and Break It\u003c/p\u003e","\u003cp\u003eChristmas with the King Family, voice and piano\u003c/p\u003e","\u003cp\u003eSelections from West Side Story for Guitar\u003c/p\u003e","\u003cp\u003eSix Lute Pieces of the Renaissance, guitar\u003c/p\u003e","\u003cp\u003eSongs for Guitar\u003c/p\u003e","\u003cp\u003eOperatic Album for Guitar\u003c/p\u003e","\u003cp\u003eGraded Anthology for Classic Guitar\u003c/p\u003e","\u003cp\u003eGreek Club Date Handbook: Songs and Dances Every Musician Should Know, piano\u003c/p\u003e","\u003cp\u003eInternational Songs for Guitar\u003c/p\u003e","\u003cp\u003eThree Duos Concertants for Two Violins\u003c/p\u003e","\u003cp\u003eThe Moody Blues in Search of the Lost Chord\u003c/p\u003e","\u003cp\u003eClassic Melodies: Great Ballets for Piano for Beginners of All Ages\u003c/p\u003e","\u003cp\u003eThe Mikado\u003c/p\u003e","\u003cp\u003eHebrew Songs for the Young Pianist\u003c/p\u003e","\u003cp\u003ePurcell to Mozart: 51 Piano Solos in Their Original Form\u003c/p\u003e","\u003cp\u003eSchirmer's American Folk-Song Series: Set 14 - Songs of the Hill-Folk\u003c/p\u003e","\u003cp\u003eThe Folk Song Sight Singing Series: Book VIII\u003c/p\u003e","\u003cp\u003eFour Toyes from Jane Pickering's Lute Book\u003c/p\u003e","\u003cp\u003eTumbalalaika and 16 Other Jewish Songs for Singing in English\u003c/p\u003e","\u003cp\u003e25 Carols from the Oxford Book of Carols for Schools (Book 1 Nos. 1-14)\u003c/p\u003e","\u003cp\u003eW. C. Handy's Famous Blues for the Hawaiian Guitar\u003c/p\u003e","\u003cp\u003eInternational Christmas for Piano\u003c/p\u003e","\u003cp\u003eIntermediate Guitar Solos\u003c/p\u003e","\u003cp\u003eLessons No. 11 and 12 from Follies of my Youth (Le Peche de Ma Jeunesse) for guitar\u003c/p\u003e","\u003cp\u003e8 Pezzi Facili per Chitarra (8 Easy Pieces for Guitar)\u003c/p\u003e","\u003cp\u003eThe Treasure Chest of Famous Marches\u003c/p\u003e","\u003cp\u003eMake Way, voice and piano\u003c/p\u003e","\u003cp\u003eSunny Side!, voice and piano\u003c/p\u003e","\u003cp\u003eClose Up, voice and piano\u003c/p\u003e","\u003cp\u003eFolk Song Sing Along, voice\u003c/p\u003e","\u003cp\u003eThe French Funny Book of Popular Tunes in Easy Piano Arrangements\u003c/p\u003e","\u003cp\u003eHolidays! Holidays! A collection of 21 Songs to Play and Sing in the Holiday Spirit, voice and piano\u003c/p\u003e","\u003cp\u003eClassical Guitar\u003c/p\u003e","\u003cp\u003eChoice Folk Songs Encore with Guitar Arrangements\u003c/p\u003e","\u003cp\u003eMinstrel Songs with Guitar Accompaniment, voice and guitar\u003c/p\u003e","\u003cp\u003eFolk tunes for Solo Descant Recorder\u003c/p\u003e","\u003cp\u003eBig-Note Carnival, piano\u003c/p\u003e","\u003cp\u003eClassical Guitar Recital Book\u003c/p\u003e","\u003cp\u003eFirst Etude Album for Violin\u003c/p\u003e","\u003cp\u003eWorld's Favorite Solos for Classical Guitar\u003c/p\u003e","\u003cp\u003eSongs We Sing, voice and piano\u003c/p\u003e","\u003cp\u003eTheory and Lessons in Loose Leaf Form for Individual or Class Instruction, Book One\u003c/p\u003e","\u003cp\u003eThe Beginner's Own Book: Folk Songs Carefully Graded for Ear-Training, Sight-Singing, Harmonization, and Transposition\u003c/p\u003e","\u003cp\u003eFun with the Mandolin\u003c/p\u003e","\u003cp\u003eHigher Development of Thirds and Fingered Octaves: Twenty-Four Advanced Formulas for the Violin, Opus 30\u003c/p\u003e","\u003cp\u003eMethod for the Guitar\u003c/p\u003e","\u003cp\u003e120 Daily Guitar Studies for the Right Hand\u003c/p\u003e","\u003cp\u003eRyan's True Guitar Instructor\u003c/p\u003e","\u003cp\u003eHome Study Lessons for the Hawaiian Steel Guitar from 1 to 12\u003c/p\u003e","\u003cp\u003eHome Study Lessons for the Hawaiian Steel Guitar from 13 to 24\u003c/p\u003e","\u003cp\u003eHome Study Lessons for the Hawaiian Steel Guitar from 25 to 36\u003c/p\u003e","\u003cp\u003eHome Study Lessons for the Hawaiian Steel Guitar from 37 to 48\u003c/p\u003e","\u003cp\u003eHome Study Lessons for the Hawaiian Steel Guitar from 49 to 60\u003c/p\u003e","\u003cp\u003eHome Study Lessons for the Hawaiian Steel Guitar from 61 to 72\u003c/p\u003e","\u003cp\u003eHome Study Lessons for the Hawaiian Steel Guitar from 85 to 96\u003c/p\u003e","\u003cp\u003eMusic Theory Papers: Ear and Eye Training for the Beginner\u003c/p\u003e","\u003cp\u003eThe Simplicity Tutor for Spanish Guitar\u003c/p\u003e","\u003cp\u003eMusic for the Guitar\u003c/p\u003e","\u003cp\u003eIntervals and Chords: How to Use Them\u003c/p\u003e","\u003cp\u003eAndres Segovia Studies for the Guitar\u003c/p\u003e","\u003cp\u003eComplete and Painless Guide to the Guitar for Young Beginners\u003c/p\u003e","\u003cp\u003eA Method for Practicing Scales for Guitar\u003c/p\u003e","\u003cp\u003eSmith's Folk Song Tenor Guitar Course\u003c/p\u003e","\u003cp\u003eSix Studies for Classical Guitar in the Keys of C Major and A Minor\u003c/p\u003e","\u003cp\u003e1, 4, 5, and Minor: Guitar Technique and Song Book for Beginners\u003c/p\u003e","\u003cp\u003eScales and Cadences\u003c/p\u003e","\u003cp\u003eCarcassi Method for the Guitar\u003c/p\u003e","\u003cp\u003eIntermediate Guitar Solos with Commentary\u003c/p\u003e","\u003cp\u003eFirst Steps in Music: A New Approach to Music for Beginners of All Ages\u003c/p\u003e","\u003cp\u003eThe Classical Guitar Collection\u003c/p\u003e","\u003cp\u003eA Tune a Day: The Teacher's Manual for Violin Instruction in Group, Public School Classes, or Individual Lessons\u003c/p\u003e","\u003cp\u003eJohn W. Schaum Piano Course: A Pre-A Book\u003c/p\u003e","\u003cp\u003eTeach Yourself to Play the Guitar\u003c/p\u003e","\u003cp\u003eInstrumental Techniques of American Folk Guitar\u003c/p\u003e","\u003cp\u003eThe Folk Guitarist's Manual: American Folk Guitar Techniques and Songs\u003c/p\u003e","\u003cp\u003eMasters of Instrumental Blues Guitar\u003c/p\u003e","\u003cp\u003eInstruction Chord Book for Guitar\u003c/p\u003e","\u003cp\u003eA Folksinger's Guide to Note Reading and Music Theory: A Manual for the Folk Guitarist\u003c/p\u003e","\u003cp\u003eCarcassi Classical Guitar Method\u003c/p\u003e","\u003cp\u003eThe Art of Finger Style Guitar\u003c/p\u003e","\u003cp\u003eOdell Method for the Mandolin\u003c/p\u003e","\u003cp\u003eComprehensive Guitar Method: Student Book\u003c/p\u003e","\u003cp\u003eComprehensive Guitar Method: Teacher's Manual\u003c/p\u003e","\u003cp\u003eExcelsior Method for Banjo\u003c/p\u003e","\u003cp\u003eYou Can Sight Read: Book 1 - The Pleasures of Piano Sight Reading Through Keyboard Harmony and Technique\u003c/p\u003e","\u003cp\u003eThe New Handy Guitary Method\u003c/p\u003e","\u003cp\u003eSpitfire McKenney New Quick Learning System, ukelele\u003c/p\u003e","\u003cp\u003eSmith's How to Play Finger Picking Style Guitar\u003c/p\u003e","\u003cp\u003eAdantino\u003c/p\u003e","\u003cp\u003eStahl's International Banjo Method\u003c/p\u003e","\u003cp\u003eThe Folksinger's Guitar Guide\u003c/p\u003e","\u003cp\u003ePiano Course Book One\u003c/p\u003e","\u003cp\u003eJohn Thompson's Modern Course for the Piano: The First Grade Book\u003c/p\u003e","\u003cp\u003eAt the Piano: Book Two\u003c/p\u003e","\u003cp\u003eThe Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 1\u003c/p\u003e","\u003cp\u003eThe Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 2\u003c/p\u003e","\u003cp\u003eThe Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 3\u003c/p\u003e","\u003cp\u003eThe Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 4\u003c/p\u003e","\u003cp\u003eThe Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 5\u003c/p\u003e","\u003cp\u003eFlamenco Guitar Method for Beginners\u003c/p\u003e","\u003cp\u003eThe New Guitar Course\u003c/p\u003e","\u003cp\u003eCarcassi Classical Guitar Method - New Revised Edition\u003c/p\u003e","\u003cp\u003eNovello's Music Primers and Educational Series: Harmony Lessons\u003c/p\u003e","\u003cp\u003eThe Art of Classical Guitar Playing\u003c/p\u003e","\u003cp\u003eGuitar Workshop\u003c/p\u003e","\u003cp\u003eMusicianship for Guitarists\u003c/p\u003e","\u003cp\u003eMethod for 12 String Guitar\u003c/p\u003e","\u003cp\u003eBass Clef Note Speller\u003c/p\u003e","\u003cp\u003eFolk-Songs with Guitar Chords\u003c/p\u003e","\u003cp\u003eFundamental Trill Studies on a Scientific Basis\u003c/p\u003e","\u003cp\u003eThe Study of the Guitar Simplified\u003c/p\u003e","\u003cp\u003eMusic Theory Papers (Third Set) - Sight and Sound\u003c/p\u003e","\u003cp\u003eSpanish Guitar Note Speller\u003c/p\u003e","\u003cp\u003eJohn W. Schaum Theory Lessons: Book 3\u003c/p\u003e","\u003cp\u003eGavotte for Guitar Solo\u003c/p\u003e","\u003cp\u003e9 Sonatas\u003c/p\u003e","\u003cp\u003eSonata L 238\u003c/p\u003e","\u003cp\u003eTwo Venezuelan Pieces for Guitar: 1. Valse Criollo, 2. Pavana\u003c/p\u003e","\u003cp\u003eSix Venezuelan Pieces: Volume I - 1. Valse Venezolano, 2. Estudio, 3. Cancion de Cuna\u003c/p\u003e","\u003cp\u003eSuite in D Minor\u003c/p\u003e","\u003cp\u003eSonata\u003c/p\u003e","\u003cp\u003eSix Pieces: Volume I - 1. Prelude in C, 2. Entrata, 3. Little Fantasia\u003c/p\u003e","\u003cp\u003eSix Pieces: Volume II - 1. Prelude, 2. Bist du Bei Mir, 3. Petite Courante\u003c/p\u003e","\u003cp\u003eAlbum of Guitar Solos\u003c/p\u003e","\u003cp\u003eThree Airs of Court: 1. Preludio, 2. Aria, 3. Finale\u003c/p\u003e","\u003cp\u003eSuite: 7 Pieces\u003c/p\u003e","\u003cp\u003eFour Preludes: 1. August, 2. Fantasy on a Child's Song\u003c/p\u003e","\u003cp\u003eCanonic Variations on the names \"Sophocles and Mercia\"\u003c/p\u003e","\u003cp\u003eVirtuoso Waltz No. 1\u003c/p\u003e","\u003cp\u003eSeven Brazilian Etudes\u003c/p\u003e","\u003cp\u003eGrand Sonata\u003c/p\u003e","\u003cp\u003eSlur Exercises and Chromatic Octaves\u003c/p\u003e","\u003cp\u003eValses Poeticos\u003c/p\u003e","\u003cp\u003eConcerto in A Major\u003c/p\u003e","\u003cp\u003ePavane Pour une Enfante Defunte\u003c/p\u003e","\u003cp\u003eLute Solo\u003c/p\u003e","\u003cp\u003eTwo Bagatelles\u003c/p\u003e","\u003cp\u003eSimple Variations on \"Las Folias\"\u003c/p\u003e","\u003cp\u003eFolk Tune Fugue for Two Guitars\u003c/p\u003e","\u003cp\u003eLargo from Cantata No. 156\u003c/p\u003e","\u003cp\u003eCordoba\u003c/p\u003e","\u003cp\u003eFive Solos for Guitar\u003c/p\u003e","\u003cp\u003eFive Catalan Melodies\u003c/p\u003e","\u003cp\u003eThe Complete Tremolo Book for the Guitar\u003c/p\u003e","\u003cp\u003eSounds of Bells\u003c/p\u003e","\u003cp\u003eDifferencias Sobre un Tema\u003c/p\u003e","\u003cp\u003eLa Fuente de Nie Pastrie\u003c/p\u003e","\u003cp\u003eSonata II: Volume I - Grave, Fuga\u003c/p\u003e","\u003cp\u003eTwo Pieces: 1. Estudio, 2. Humorada\u003c/p\u003e","\u003cp\u003eSonata II: Volume II - Andante, Allegro\u003c/p\u003e","\u003cp\u003eClair De Lune for Two Guitars\u003c/p\u003e","\u003cp\u003eAndante and Menuet\u003c/p\u003e","\u003cp\u003eThe Old Castle\u003c/p\u003e","\u003cp\u003eTwo Spanish Dances: 1. Fandango No. 3, 2. Rondalla Aragonesa No. 6\u003c/p\u003e","\u003cp\u003ePeasant's Song and Waltz, Op. 12\u003c/p\u003e","\u003cp\u003eSixty Short Pieces for Guitar: Vol. I, Numbers 1-38\u003c/p\u003e","\u003cp\u003eSixty Short Pieces for Guitar: Vol. II, Numbers 39-60\u003c/p\u003e","\u003cp\u003eConcerto in D\u003c/p\u003e","\u003cp\u003eTwo Preludes for Guitar Solo\u003c/p\u003e","\u003cp\u003eSix Pavanas\u003c/p\u003e","\u003cp\u003e9 Sonatas: Volume II\u003c/p\u003e","\u003cp\u003eThree Preludes\u003c/p\u003e","\u003cp\u003eSarabande\u003c/p\u003e","\u003cp\u003eSpanish Romance\u003c/p\u003e","\u003cp\u003eDiatonic Major and Minor Scales\u003c/p\u003e","\u003cp\u003eArpeggio Studies\u003c/p\u003e","\u003cp\u003eTwo Pieces: I. Scherzino Mexicano, II. Giga Melancolica\u003c/p\u003e","\u003cp\u003eGreensleeves\u003c/p\u003e","\u003cp\u003eFive Solos for the Hawaiian Guitar\u003c/p\u003e","\u003cp\u003eMethod for the Classic Guitar: Volume I Primer\u003c/p\u003e","\u003cp\u003eFolias de Espana\u003c/p\u003e","\u003cp\u003eJeannie with the Light Brown Hair / Country Gardens\u003c/p\u003e","\u003cp\u003eSix Easy Flamenco Variations\u003c/p\u003e","\u003cp\u003eEl Noy De La Mare\u003c/p\u003e","\u003cp\u003eAlbum of Guitar Solos\u003c/p\u003e","\u003cp\u003eAmerican Fantasy: A Medley for Tenor Banjo Solo\u003c/p\u003e","\u003cp\u003eTwo Short Pieces\u003c/p\u003e","\u003cp\u003eDanube Waves\u003c/p\u003e","\u003cp\u003eMalaguena\u003c/p\u003e","\u003cp\u003eThe Highwayman and 12 Other Folk Songs\u003c/p\u003e","\u003cp\u003eGavotte\u003c/p\u003e","\u003cp\u003eAndante\u003c/p\u003e","\u003cp\u003eTarantella\u003c/p\u003e","\u003cp\u003eChoros\u003c/p\u003e","\u003cp\u003eTwo Easy Christmas Carols for Guitar\u003c/p\u003e","\u003cp\u003eStudent Guitarist's Delight: Volume 1\u003c/p\u003e","\u003cp\u003eStudent Guitarist's Delight: Volume 2\u003c/p\u003e","\u003cp\u003eGreek Dance and Lamet\u003c/p\u003e","\u003cp\u003eMethod for the Classic Guitar: New Revised and Enlarged Edition\u003c/p\u003e","\u003cp\u003eSmith's Theory Book for Guitarist Covering All Scales and Intervals\u003c/p\u003e","\u003cp\u003ePosition Etudes for Plectrum Guitar\u003c/p\u003e","\u003cp\u003eTwenty Easy Pieces\u003c/p\u003e","\u003cp\u003eDiatonic Major and Minor Scales\u003c/p\u003e","\u003cp\u003ePapas' Flamenco Solos for Guitar\u003c/p\u003e","\u003cp\u003eSylvia Waltz\u003c/p\u003e","\u003cp\u003eBach Album: 14 Pieces by J. S. Bach for Guitar\u003c/p\u003e","\u003cp\u003eChopin Etude: Currently Featured as \"No Other Love\"\u003c/p\u003e","\u003cp\u003eSix Short Pieces\u003c/p\u003e","\u003cp\u003eDuet Etude for Two Guitars\u003c/p\u003e","\u003cp\u003eSpanish Favorites for Classic Guitar\u003c/p\u003e","\u003cp\u003eSonata\u003c/p\u003e","\u003cp\u003eVol. 3\u003c/p\u003e","\u003cp\u003eVol. 5\u003c/p\u003e","\u003cp\u003eVol. 3\u003c/p\u003e","\u003cp\u003e(editorial error)\u003c/p\u003e","\u003cp\u003eFall 1966 - Winter 1967\u003c/p\u003e","\u003cp\u003eChild's Own Book of Great Musicians - Handel\u003c/p\u003e","\u003cp\u003eChild's Own Book of Great Musicians - Haydn\u003c/p\u003e","\u003cp\u003eChild's Own Book of Great Musicians - Liszt\u003c/p\u003e","\u003cp\u003ePeter Danner, editor\u003c/p\u003e","\u003cp\u003eA selected list from catalogs of Belwin-Mills Corp, Edward B. Marks Music Corp., MCA Music.\u003c/p\u003e","\u003cp\u003ePrepared by Wayne D. Shirley\u003c/p\u003e","\u003cp\u003eCover page only\u003c/p\u003e","\u003cp\u003ePrepared by the Society of the Classical Guitar\u003c/p\u003e","\u003cp\u003eEdwin J. Dingle, author\u003c/p\u003e","\u003cp\u003earticle\u003c/p\u003e","\u003cp\u003eThe Guitar and Myself\u003c/p\u003e","\u003cp\u003eKleon Raptakis, author (excerpted from unknown magazine)\u003c/p\u003e","\u003cp\u003eProgram, Columbia Artists Mgmt.\u003c/p\u003e","\u003cp\u003eRonald C. Purcell, Oviatt Library, California State University, Northridge Program\u003c/p\u003e","\u003cp\u003eBook\u003c/p\u003e","\u003cp\u003eClippings\u003c/p\u003e","\u003cp\u003eMiscellaneous\u003c/p\u003e","\u003cp\u003eManuscript by Sophocles Papas\u003c/p\u003e","\u003cp\u003eOversized\u003c/p\u003e","\u003cp\u003eThis series contains music scores, instruction guides, guitar journals, and photographs included in the 1999 acquisition. Box numbers from the first acquisition repeat in this series.\u003c/p\u003e","\u003cp\u003eTico-tico (Tico-tico no fuba)\u003c/p\u003e","\u003cp\u003ePopular Music Classics for Classical Guitar\u003c/p\u003e","\u003cp\u003eStudy\u003c/p\u003e","\u003cp\u003eArpeggio Studies\u003c/p\u003e","\u003cp\u003eWalzer, Op. 3\u003c/p\u003e","\u003cp\u003eCordoba\u003c/p\u003e","\u003cp\u003eGranada\u003c/p\u003e","\u003cp\u003eLeyenda\u003c/p\u003e","\u003cp\u003eOriental\u003c/p\u003e","\u003cp\u003eTango\u003c/p\u003e","\u003cp\u003eAlborada\u003c/p\u003e","\u003cp\u003eSonata\u003c/p\u003e","\u003cp\u003eAlbum of Guitar Solos\u003c/p\u003e","\u003cp\u003eContributions to the World of Guitar\u003c/p\u003e","\u003cp\u003eCompositions arranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eVirtuoso Waltz No. 1\u003c/p\u003e","\u003cp\u003eClassical Guitar Suite, \"I'll sleep - when all debt is paid to the wind,\" \"The caretaker of the hills,\" and \"The swordsman's courage\"\u003c/p\u003e","\u003cp\u003eTeach Yourself to Play the Guitar\u003c/p\u003e","\u003cp\u003eCarcassi Classical Guitar Method\u003c/p\u003e","\u003cp\u003eMood Espanol\u003c/p\u003e","\u003cp\u003eArioso, arranged by Laurindo Almeida\u003c/p\u003e","\u003cp\u003eTwo Part Inventions for Piano\u003c/p\u003e","\u003cp\u003eBouree\u003c/p\u003e","\u003cp\u003eGavotte\u003c/p\u003e","\u003cp\u003eGigue in E Major\u003c/p\u003e","\u003cp\u003eLargo from Cantata No. 156\u003c/p\u003e","\u003cp\u003eLautenpraludium\u003c/p\u003e","\u003cp\u003ePapas' Bach Album: 14 pieces by J. S. Bach for Guitar, arranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003ePrelude from Cello Suite No. 1\u003c/p\u003e","\u003cp\u003ePrelude No. 1 (from The Well Tempered Clavichord - Book 1)\u003c/p\u003e","\u003cp\u003eSix pieces: Vol. II - 1. Prelude (Cello Suite No. 1), 2. Bist du bei mir, 3. Petite courante\u003c/p\u003e","\u003cp\u003eSonata II: Vol. 1 - grave, fuga\u003c/p\u003e","\u003cp\u003eMia Amorita\u003c/p\u003e","\u003cp\u003eMerry Christmas to Mr. Papas in the Manner of Sor\u003c/p\u003e","\u003cp\u003eArranged by J. K. Mertz\u003c/p\u003e","\u003cp\u003eClumping Along\u003c/p\u003e","\u003cp\u003eFantasia Terza\u003c/p\u003e","\u003cp\u003eLas Abejas\u003c/p\u003e","\u003cp\u003eBuitar chords in photo diagram form\u003c/p\u003e","\u003cp\u003eThe Mel Bay Classic Guitar Method, Vols. 2-5\u003c/p\u003e","\u003cp\u003eMel Bay's Fun with the Mandolin\u003c/p\u003e","\u003cp\u003eCelebrated Minuet, arranged by Miguel Angel\u003c/p\u003e","\u003cp\u003eMoonlight Sonata\u003c/p\u003e","\u003cp\u003eSonatine\u003c/p\u003e","\u003cp\u003eTwo Short Pieces arranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eTwo Bagatelles\u003c/p\u003e","\u003cp\u003eZwei Volksliedbearbeitungen\u003c/p\u003e","\u003cp\u003eArranged by William Foden\u003c/p\u003e","\u003cp\u003eWest Side Story, arranged by Leon Block\u003c/p\u003e","\u003cp\u003eArranged by Maxwell Eckstein\u003c/p\u003e","\u003cp\u003ebook\u003c/p\u003e","\u003cp\u003eclippings\u003c/p\u003e","\u003cp\u003eMy Foolish Friend\u003c/p\u003e","\u003cp\u003eSeleccion de la opera \"Carmen\"\u003c/p\u003e","\u003cp\u003eCalmaiki; Tarantella, Op. 100\u003c/p\u003e","\u003cp\u003eVol. XLVII, No. 542\u003c/p\u003e","\u003cp\u003eVol. XLVII, No. 542\u003c/p\u003e","\u003cp\u003eSirocco Tango\u003c/p\u003e","\u003cp\u003eSix Venezuelan Pieces: Vol. I, 1. Valse Venezolano, 2. Estudio, 3. Cancion de Cuna\u003c/p\u003e","\u003cp\u003e12th Street Rag\u003c/p\u003e","\u003cp\u003eBrahms for the Guitar, arranged by Leon Block\u003c/p\u003e","\u003cp\u003eIntermezzo, Op. 117, No. 1\u003c/p\u003e","\u003cp\u003eEvocaciones Criollas\u003c/p\u003e","\u003cp\u003eDuet Sessions: Duets in the Modern Jazz Idiom\u003c/p\u003e","\u003cp\u003ePrelude for Guitar\u003c/p\u003e","\u003cp\u003eCancion Triste, arranged by Carl van Feggelen\u003c/p\u003e","\u003cp\u003eNever Weather - Beaten Saile\u003c/p\u003e","\u003cp\u003eSuite\u003c/p\u003e","\u003cp\u003eCarcassi Classical Guitar Method, New Revised Edition\u003c/p\u003e","\u003cp\u003e12 Easy Pieces for the Guitar, Op. 10\u003c/p\u003e","\u003cp\u003eStar Dust\u003c/p\u003e","\u003cp\u003eAbendmusik\u003c/p\u003e","\u003cp\u003eDuet Etdue for Two Guitars\u003c/p\u003e","\u003cp\u003eFantasie Op. 323\u003c/p\u003e","\u003cp\u003eOuverture No. 1\u003c/p\u003e","\u003cp\u003eSerenade No. 1\u003c/p\u003e","\u003cp\u003eConcerto in D\u003c/p\u003e","\u003cp\u003eGuitar Workshop: A Practical Handbook for Beginning Guitarists\u003c/p\u003e","\u003cp\u003eWolf Patterns\u003c/p\u003e","\u003cp\u003eArranged by Richard Cortland Harrison\u003c/p\u003e","\u003cp\u003eChopin Etude, arranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eThree Preludes: Op. 28, Nos. 4, 6, 15\u003c/p\u003e","\u003cp\u003eTwo Preludes\u003c/p\u003e","\u003cp\u003eArranged by Maxwell Ekstein\u003c/p\u003e","\u003cp\u003eArranged by John Lane\u003c/p\u003e","\u003cp\u003eSonata\u003c/p\u003e","\u003cp\u003eAmazon\u003c/p\u003e","\u003cp\u003eBass Clef Note Speller\u003c/p\u003e","\u003cp\u003eAndante\u003c/p\u003e","\u003cp\u003eNewspaper and magazine clippings\u003c/p\u003e","\u003cp\u003eThree Preludes for Guitar\u003c/p\u003e","\u003cp\u003eAudio cassette\u003c/p\u003e","\u003cp\u003eCorelli, arranged by George Warren\u003c/p\u003e","\u003cp\u003eGreek language with some translations\u003c/p\u003e","\u003cp\u003eAndante\u003c/p\u003e","\u003cp\u003eBarcarolle\u003c/p\u003e","\u003cp\u003eRondeau\u003c/p\u003e","\u003cp\u003eLes premiers pas\u003c/p\u003e","\u003cp\u003eGuitar Therapy\u003c/p\u003e","\u003cp\u003eScarlet Ribbons (for her hair)\u003c/p\u003e","\u003cp\u003eThe New Guitar Course\u003c/p\u003e","\u003cp\u003eThree Duos concertants for Two Violins\u003c/p\u003e","\u003cp\u003eClair de Lune\u003c/p\u003e","\u003cp\u003eLa fille aux cheveux de lin\u003c/p\u003e","\u003cp\u003eNr 27/28 quartett fur 4 gitarren\u003c/p\u003e","\u003cp\u003eBourree; Menuet\u003c/p\u003e","\u003cp\u003ePrelude\u003c/p\u003e","\u003cp\u003eSarabande\u003c/p\u003e","\u003cp\u003eSuite in D Minor\u003c/p\u003e","\u003cp\u003eBarre study\u003c/p\u003e","\u003cp\u003eGuitarre\u003c/p\u003e","\u003cp\u003eSontaine\u003c/p\u003e","\u003cp\u003eSuite in G Major\u003c/p\u003e","\u003cp\u003eThere's a Sweetheart in Nebraska\u003c/p\u003e","\u003cp\u003eThe District of Columbia is my home town\u003c/p\u003e","\u003cp\u003eVillanella\u003c/p\u003e","\u003cp\u003eRue de blue (Bossa Nova)\u003c/p\u003e","\u003cp\u003eFundamental trill studies on a scientific basis for violin\u003c/p\u003e","\u003cp\u003eThe higher development of thirds and fingered octaves: twenty-four advanced formulas for the violin, Op. 30\u003c/p\u003e","\u003cp\u003eAlman\u003c/p\u003e","\u003cp\u003eAltenglische madrigale zur laute\u003c/p\u003e","\u003cp\u003eAs I wente to Walsinghame; Almane; Tarletone Riserrectione; Mistris Whitte's thinge\u003c/p\u003e","\u003cp\u003eDos gallardas\u003c/p\u003e","\u003cp\u003eEarl of Essex, his galliard, and the sick tune; arranged by Mitsuhiko Hamada\u003c/p\u003e","\u003cp\u003eGavotte\u003c/p\u003e","\u003cp\u003ePrelude No. 1, Op. 13\u003c/p\u003e","\u003cp\u003eSimple variations of \"Las Folias\"\u003c/p\u003e","\u003cp\u003eThe art of classical guitar playing\u003c/p\u003e","\u003cp\u003eLargo\u003c/p\u003e","\u003cp\u003eThe study of the guitar simplified\u003c/p\u003e","\u003cp\u003eFirst steps in music: a new approach to music for beginners of all ages\u003c/p\u003e","\u003cp\u003eArranged by Carl van Feggelen\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eComplete and painless guide to the guitar for young beginners\u003c/p\u003e","\u003cp\u003eGuitar songtime: solos, duets, groups, singing\u003c/p\u003e","\u003cp\u003eSmith's how to play finger picking style guitar\u003c/p\u003e","\u003cp\u003eGreek dance and lament\u003c/p\u003e","\u003cp\u003eMethod for guitar - Book 2\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eSpanish favorites for classic guitar\u003c/p\u003e","\u003cp\u003eIncomplete\u003c/p\u003e","\u003cp\u003eArranged by Harvey S. Whistler and Herman A. Hummel\u003c/p\u003e","\u003cp\u003eArranged by Harvey S. Whistler and Herman A. Hummel\u003c/p\u003e","\u003cp\u003eArranged by Harvey S. Whistler and Herman A. Hummel\u003c/p\u003e","\u003cp\u003eArranged by Harvey S. Whistler and Herman A. Hummel\u003c/p\u003e","\u003cp\u003eMinuet\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eListen to the mocking bird\u003c/p\u003e","\u003cp\u003eSix short preludes (chord progressions)\u003c/p\u003e","\u003cp\u003eArranged by T. S. Walker\u003c/p\u003e","\u003cp\u003eSeven Brazilian etudes\u003c/p\u003e","\u003cp\u003eJeannie with the light brown hair\u003c/p\u003e","\u003cp\u003eOh! Suzanna, Massa's in the cold cold ground, My old Kentucky home\u003c/p\u003e","\u003cp\u003eSymphonic skeleton scores: No. 3 - Franck symphony in D minor\u003c/p\u003e","\u003cp\u003eA blues for guitar\u003c/p\u003e","\u003cp\u003eArranged by Walter Kaye Bauer\u003c/p\u003e","\u003cp\u003eShake it and break it, arranged by Harry Volpe and Frank Victor\u003c/p\u003e","\u003cp\u003eAt the piano: Book for two class or individual instruction based on folk tunes of many countries and themes from the masterpieces of music\u003c/p\u003e","\u003cp\u003eSaltarello\u003c/p\u003e","\u003cp\u003eSonata in E minor\u003c/p\u003e","\u003cp\u003eBoogie and blues for piano solo\u003c/p\u003e","\u003cp\u003eMasters of instrumental blues guitar\u003c/p\u003e","\u003cp\u003e8 courantes in Renaissance tuning\u003c/p\u003e","\u003cp\u003eThema, Op. 42\u003c/p\u003e","\u003cp\u003eCome thou almighty King\u003c/p\u003e","\u003cp\u003eThe Mikado, arranged by William Krevit\u003c/p\u003e","\u003cp\u003eAllegro vivace, Op. 8; Allegro vivace, Op. 40, No. 23; Jagdstuck (rondo), Op. 30; Menuetto, Op. 20; Thema, Op. 34; Walzer, Op. 57, No. 3\u003c/p\u003e","\u003cp\u003eGrande ouverture pour la guitare\u003c/p\u003e","\u003cp\u003eGrazioso\u003c/p\u003e","\u003cp\u003e120 daily guitar studies for the right hand\u003c/p\u003e","\u003cp\u003eSerenade concertante en trio pour guitare, violon et violoncello\u003c/p\u003e","\u003cp\u003eSonata, Op. 15\u003c/p\u003e","\u003cp\u003eArranged by Joe Hagerty\u003c/p\u003e","\u003cp\u003eDanza Espanola No. 5\u003c/p\u003e","\u003cp\u003eTwo Spanish dances: 1. Fandango No. 3, 2. Rondalla Aragonesa No. 6\u003c/p\u003e","\u003cp\u003eValses poeticos\u003c/p\u003e","\u003cp\u003eLa fuente de Nie Pastrie\u003c/p\u003e","\u003cp\u003eGreece - collections\u003c/p\u003e","\u003cp\u003eArranged by Kleon Raptakis\u003c/p\u003e","\u003cp\u003eFolk tune fugue for two guitars\u003c/p\u003e","\u003cp\u003eA method for practicing scales for guitar\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003ePeasant's song and waltz, Op. 12\u003c/p\u003e","\u003cp\u003eSolvejg's song (from the Peer Gynt Suite No. 2)\u003c/p\u003e","\u003cp\u003ePosition etudes for plectrum guitar\u003c/p\u003e","\u003cp\u003eSilent night\u003c/p\u003e","\u003cp\u003eSounds of bells\u003c/p\u003e","\u003cp\u003eAir, Alegretto, Miuet, Passepied - arranged by Len Williams\u003c/p\u003e","\u003cp\u003eConcerto in A major\u003c/p\u003e","\u003cp\u003eHandel for the guitar, arranged by Leon Block\u003c/p\u003e","\u003cp\u003eSiciliana\u003c/p\u003e","\u003cp\u003eSuite in D minor\u003c/p\u003e","\u003cp\u003eEast Saint Louis, arranged by Harry Volp and Frank Victor\u003c/p\u003e","\u003cp\u003eLoveless love, arranged by Harry Volp and Frank Victor\u003c/p\u003e","\u003cp\u003eThe Memphis blues, arranged by Harry Volpe\u003c/p\u003e","\u003cp\u003eSaint Louis blues, arranged by Harry Volpe and Frank Victor\u003c/p\u003e","\u003cp\u003eArranged by John Martell\u003c/p\u003e","\u003cp\u003eYellow dog blues\u003c/p\u003e","\u003cp\u003eNavajo\u003c/p\u003e","\u003cp\u003eArranged by Alexander Matos\u003c/p\u003e","\u003cp\u003eSuite\u003c/p\u003e","\u003cp\u003eRock of ages\u003c/p\u003e","\u003cp\u003eYou can sight read: Book 1\u003c/p\u003e","\u003cp\u003eAndante and menuet\u003c/p\u003e","\u003cp\u003eAndante\u003c/p\u003e","\u003cp\u003eMinuet, arranged by Jack Duarte\u003c/p\u003e","\u003cp\u003eOne hand waltz\u003c/p\u003e","\u003cp\u003eThe classical guitar\u003c/p\u003e","\u003cp\u003eKleine ouverture\u003c/p\u003e","\u003cp\u003eA tune a day: the teacher's manual for violin instruction in group, public school classes or individual lessons\u003c/p\u003e","\u003cp\u003eArranged by Elisabeth Papas Smith\u003c/p\u003e","\u003cp\u003eAdagio\u003c/p\u003e","\u003cp\u003eSweet music: the Earl of Salusbury's favorite\u003c/p\u003e","\u003cp\u003eHansel and Gretel suite\u003c/p\u003e","\u003cp\u003eArranged by Ada Richter\u003c/p\u003e","\u003cp\u003eArranged by Ada Richter\u003c/p\u003e","\u003cp\u003eArranged by Mel Bey\u003c/p\u003e","\u003cp\u003eDanube waves\u003c/p\u003e","\u003cp\u003eCarman's whistle, arranged by Kojiro Kobune\u003c/p\u003e","\u003cp\u003eAintcha got music, arranged by Harry Volpe and Frank Victor\u003c/p\u003e","\u003cp\u003eGaliarde\u003c/p\u003e","\u003cp\u003eThe entertainer, arranged by Ada Richter\u003c/p\u003e","\u003cp\u003eA little song\u003c/p\u003e","\u003cp\u003eBrazilian breakdown\u003c/p\u003e","\u003cp\u003eArranged by Kojiro Kobune\u003c/p\u003e","\u003cp\u003eRecognizable blues\u003c/p\u003e","\u003cp\u003eClose up\u003c/p\u003e","\u003cp\u003ePoliushko polie (Meadowland), arranged by Vladimir Bobri and V. Gabaeff\u003c/p\u003e","\u003cp\u003eThe folk guitarist's manual: American folk guitar techniques and songs\u003c/p\u003e","\u003cp\u003eA new song\u003c/p\u003e","\u003cp\u003eRondino (on a theme from Beethoven)\u003c/p\u003e","\u003cp\u003eExcelsior method for the banjo\u003c/p\u003e","\u003cp\u003eArranged by F. Henri Klickmann\u003c/p\u003e","\u003cp\u003eTwo Venezuelan pieces for guitar: 1. Valse criollo, 2. Pavana\u003c/p\u003e","\u003cp\u003eSiboney\u003c/p\u003e","\u003cp\u003eThirty-six caprices\u003c/p\u003e","\u003cp\u003eWalzer, Op. 250, No. 6\u003c/p\u003e","\u003cp\u003e25 folk-songs with guitar chords\u003c/p\u003e","\u003cp\u003eInstruction chord book for guitar\u003c/p\u003e","\u003cp\u003eAndantino, arranged by Edmund Severn\u003c/p\u003e","\u003cp\u003eTwo short pieces arranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eArranged by Cecily Lambert\u003c/p\u003e","\u003cp\u003ePrelude\u003c/p\u003e","\u003cp\u003eSpitfire McKenney new quick learning system\u003c/p\u003e","\u003cp\u003eInterval and chords: how to use them\u003c/p\u003e","\u003cp\u003eTwo pieces\u003c/p\u003e","\u003cp\u003eMethod for 12 string guitar\u003c/p\u003e","\u003cp\u003eThe simplicity tutor for Spanish guitar\u003c/p\u003e","\u003cp\u003eGypsy tango, arranged by Vladimir Bobri and V. Gabaeff\u003c/p\u003e","\u003cp\u003eMake way\u003c/p\u003e","\u003cp\u003eArranged by Louis Tocaben\u003c/p\u003e","\u003cp\u003eArranged by Louis Tocaben\u003c/p\u003e","\u003cp\u003eUnidentified and incomplete\u003c/p\u003e","\u003cp\u003eEthnikos ymnos (Greek national hymn)\u003c/p\u003e","\u003cp\u003eArranged by Jack M. Smith, Jr.\u003c/p\u003e","\u003cp\u003eEight pezzi facili per chitarra (Eight easy pieces for guitar)\u003c/p\u003e","\u003cp\u003e12 bagatellen\u003c/p\u003e","\u003cp\u003eThe art of the finger style guitar\u003c/p\u003e","\u003cp\u003eElegia\u003c/p\u003e","\u003cp\u003eElegie\u003c/p\u003e","\u003cp\u003eElegie\u003c/p\u003e","\u003cp\u003eGrasshoppers\u003c/p\u003e","\u003cp\u003eConsolation: song without words\u003c/p\u003e","\u003cp\u003eAquellos ojos verdes (green eyes), arranged by Jorge Oller\u003c/p\u003e","\u003cp\u003eAbendlied, Op. 13, Nr. 2; Adagio, Op. 13, Nr. 10; Kindermarchen, Op. 13, Nr. 8; Tarantella, Op 13, Nr. 6\u003c/p\u003e","\u003cp\u003eCanonic variations on the names \"Sophocles and Mercia\"\u003c/p\u003e","\u003cp\u003eFour preludes: 1. August, 2. Fantasy on a child's song, 3. Burlesque, 4. Images\u003c/p\u003e","\u003cp\u003ePavane\u003c/p\u003e","\u003cp\u003ePavane II\u003c/p\u003e","\u003cp\u003eSix pavanas\u003c/p\u003e","\u003cp\u003eVillancico\u003c/p\u003e","\u003cp\u003eAn American folk song mass\u003c/p\u003e","\u003cp\u003eRondo, Op. 28\u003c/p\u003e","\u003cp\u003eDiferencias sobre un tema\u003c/p\u003e","\u003cp\u003eThe Kerry dance, arranged by Maxwell Eckstein\u003c/p\u003e","\u003cp\u003eThe Kerry dance, arranged by Maxwell Eckstein\u003c/p\u003e","\u003cp\u003eMusic theory papers: eye and ear training for the beginner\u003c/p\u003e","\u003cp\u003eMusic theory papers, third set, sight and sound\u003c/p\u003e","\u003cp\u003eIn search of the lost chord\u003c/p\u003e","\u003cp\u003eMusic for the guitar\u003c/p\u003e","\u003cp\u003ePavin\u003c/p\u003e","\u003cp\u003eThe old castle (from Pictures at an Exhibition)\u003c/p\u003e","\u003cp\u003eThe old castle (from Pictures at an Exhibition)\u003c/p\u003e","\u003cp\u003eMinuet from Ein Kleine Nachtmusik\u003c/p\u003e","\u003cp\u003eSonata No. 3, arranged by David Alzofon\u003c/p\u003e","\u003cp\u003eSonata theme\u003c/p\u003e","\u003cp\u003eSymphonic skeleton scores: No. 6 in G minor\u003c/p\u003e","\u003cp\u003eTheme from G minor symphony\u003c/p\u003e","\u003cp\u003eTwo easy pieces: Allegretto in C; Country dance\u003c/p\u003e","\u003cp\u003eSuite in D major\u003c/p\u003e","\u003cp\u003eAllegro, Op. 51, Nr. 11\u003c/p\u003e","\u003cp\u003eAndantino\u003c/p\u003e","\u003cp\u003eBianco fiore\u003c/p\u003e","\u003cp\u003eThe rosary, arranged by H. F. Odell\u003c/p\u003e","\u003cp\u003eThe beginner's own book: folk songs carefully graded for ear-training, sight-singing, harmonization and transposition\u003c/p\u003e","\u003cp\u003eArranged by S. S. Cecil\u003c/p\u003e","\u003cp\u003eArranged by John Hoffman\u003c/p\u003e","\u003cp\u003eKarntner Volksweise\u003c/p\u003e","\u003cp\u003eA song of old Hawaii, arranged by D. Savino\u003c/p\u003e","\u003cp\u003eSecond series, Vol. XVIII, No. 4; Vol. XIX, Nos. 1 and 4; Vol. XX, No. 2; Vol. XXI, No. 3\u003c/p\u003e","\u003cp\u003eOdell method for the mandolin\u003c/p\u003e","\u003cp\u003eCapricho No. 13\u003c/p\u003e","\u003cp\u003eGrand sonata\u003c/p\u003e","\u003cp\u003eRomance\u003c/p\u003e","\u003cp\u003eAmerican fantasy: a medley for tenor banjo solo\u003c/p\u003e","\u003cp\u003eBiographical and genealogical information\u003c/p\u003e","\u003cp\u003eThe complete tremolo book for the guitar\u003c/p\u003e","\u003cp\u003eCorrespondence\u003c/p\u003e","\u003cp\u003eLists of archival materials re: Sophocles Papas\u003c/p\u003e","\u003cp\u003eMalaguena\u003c/p\u003e","\u003cp\u003eManuscripts\u003c/p\u003e","\u003cp\u003eManuscripts - \"Method for classic guitar\"\u003c/p\u003e","\u003cp\u003eMethod for the classic guitar: new revised and enlarged edition\u003c/p\u003e","\u003cp\u003eMethod for classic guitar: Vol. 1 primer\u003c/p\u003e","\u003cp\u003eMiscellaneous pamphlets\u003c/p\u003e","\u003cp\u003eMiscellaneous writings\u003c/p\u003e","\u003cp\u003ePapas' flamenco solo for guitar\u003c/p\u003e","\u003cp\u003eSix easy flamenco variations\u003c/p\u003e","\u003cp\u003eSylvia waltz\u003c/p\u003e","\u003cp\u003eWedding announcement - Sophocles Papas to Mercia F. Lorentz\u003c/p\u003e","\u003cp\u003eStars fell on Alabama\u003c/p\u003e","\u003cp\u003eTwo moments\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003ePhotograph\u003c/p\u003e","\u003cp\u003eFour toyes from Jane Pickering's lute book\u003c/p\u003e","\u003cp\u003eMusicianship for guitarists\u003c/p\u003e","\u003cp\u003eScherzino Mexicano, arranged by Manuel Lopez Ramos\u003c/p\u003e","\u003cp\u003eTwo pieces: I. Scherzino Mexicano, II. Giga melancolica\u003c/p\u003e","\u003cp\u003eScales cadences\u003c/p\u003e","\u003cp\u003eConcerto in C Minor, Op. 18\u003c/p\u003e","\u003cp\u003eAngela mia\u003c/p\u003e","\u003cp\u003eMusic history of Greece from 776 BC to 2nd Century AD\u003c/p\u003e","\u003cp\u003eTrees\u003c/p\u003e","\u003cp\u003ePavane pour une enfante defunte\u003c/p\u003e","\u003cp\u003eO come all ye faithful\u003c/p\u003e","\u003cp\u003eChanson indoue (A Song of India) from the legend \"Sadko\"\u003c/p\u003e","\u003cp\u003eThe rose enslaves the nightingale\u003c/p\u003e","\u003cp\u003eArranged by Harry Volpe and Frank Victor\u003c/p\u003e","\u003cp\u003e1, 4, 4, and minor: Guitar technique and song book for beginners\u003c/p\u003e","\u003cp\u003eMon coeur s'ouvre a ta voix (My heart at thy sweet voice), Cantabile from \"Samson et Dalila\"\u003c/p\u003e","\u003cp\u003eCarcassi method for the guitar\u003c/p\u003e","\u003cp\u003ePrincipios ormonicos de los sonidos otractivos y otraidos\u003c/p\u003e","\u003cp\u003eThree airs of court: 1. Preludio, 2. Aria, 3. Finale\u003c/p\u003e","\u003cp\u003ePavana; Zarabanda\u003c/p\u003e","\u003cp\u003eGymnopedie I\u003c/p\u003e","\u003cp\u003eArranged by Elisabeth papas Smith\u003c/p\u003e","\u003cp\u003eArranged by Elisabeth Papas Smith\u003c/p\u003e","\u003cp\u003e9 sonatas\u003c/p\u003e","\u003cp\u003e9 sonatas, Vol. 2\u003c/p\u003e","\u003cp\u003eSonata\u003c/p\u003e","\u003cp\u003eSonata longo 238\u003c/p\u003e","\u003cp\u003eSonata longo 483\u003c/p\u003e","\u003cp\u003eArranged by Loris O. Chobanian\u003c/p\u003e","\u003cp\u003eJohn W. Schaum piano course: pre-A book\u003c/p\u003e","\u003cp\u003eTheory lessons in loose leaf form for individual or class instruction: Book 1\u003c/p\u003e","\u003cp\u003eTheory lessons in loose leaf form for individual or class instruction: Book 2\u003c/p\u003e","\u003cp\u003eTheory lessons in loose leaf form for individual or class instruction: Book 3\u003c/p\u003e","\u003cp\u003eVeil dance\u003c/p\u003e","\u003cp\u003eArranged by John Jacob Niles\u003c/p\u003e","\u003cp\u003eTry to remember\u003c/p\u003e","\u003cp\u003eKleine melodie\u003c/p\u003e","\u003cp\u003eAllegretto in C minor\u003c/p\u003e","\u003cp\u003eBen Ludlow\u003c/p\u003e","\u003cp\u003eA circle of tears\u003c/p\u003e","\u003cp\u003eDiatonic major and minor scales\u003c/p\u003e","\u003cp\u003eDiatonic major and minor scales\u003c/p\u003e","\u003cp\u003eThe guitar and myself\u003c/p\u003e","\u003cp\u003eLessons No. 11 and 12 from Follies of My Youth (Le peche de ma jeunesse)\u003c/p\u003e","\u003cp\u003ePrelude in chords\u003c/p\u003e","\u003cp\u003eSlur exercises and chromatic octaves\u003c/p\u003e","\u003cp\u003eTwo pieces: 1. Estudio\u003c/p\u003e","\u003cp\u003eLa golondrina (The swollow) Mexican folk song\u003c/p\u003e","\u003cp\u003eLa golondrina\u003c/p\u003e","\u003cp\u003eCherry blossom\u003c/p\u003e","\u003cp\u003eFlamenco guitar for beginners\u003c/p\u003e","\u003cp\u003eInternational inventory of musical sources: report of the Joint US Committee on Activities\u003c/p\u003e","\u003cp\u003eA folksinger's guide to note reading and music theory: a manual for the folk guitarist\u003c/p\u003e","\u003cp\u003ePolka dot stomp - arranged by Harry Volpe and Frank Victor\u003c/p\u003e","\u003cp\u003eArranged by Vladimir Bobri and V. Gabaeff\u003c/p\u003e","\u003cp\u003eSmith's theory book for guitarist covering all scales and intervals\u003c/p\u003e","\u003cp\u003eSmith's folk song tenor guitar course\u003c/p\u003e","\u003cp\u003eAndres Segovia: studies for the guitar\u003c/p\u003e","\u003cp\u003eCompositions pour la guitare par Ferdinand Sor\u003c/p\u003e","\u003cp\u003eCompositions pour la guitare par Ferdinand Sor\u003c/p\u003e","\u003cp\u003eCompositions pour la guitare par Ferdinand Sor\u003c/p\u003e","\u003cp\u003eDivertissement\u003c/p\u003e","\u003cp\u003eFolias de Espana\u003c/p\u003e","\u003cp\u003eGrand solo\u003c/p\u003e","\u003cp\u003eMenuet; Waltz No. 3; Estudio de Sor\u003c/p\u003e","\u003cp\u003eMetodo completo para guittarra\u003c/p\u003e","\u003cp\u003eMiscellaneous pieces - oversized\u003c/p\u003e","\u003cp\u003eSixty short pieces for guitar: Vol. 1, Nos. 1-38\u003c/p\u003e","\u003cp\u003eSixty short pieces for guitar: Vol. 2, Nos. 39-60\u003c/p\u003e","\u003cp\u003eTheme varie\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eLa Bernadina de Josquin\u003c/p\u003e","\u003cp\u003eStal's international banjo method\u003c/p\u003e","\u003cp\u003eNovello's music primers and educational series\u003c/p\u003e","\u003cp\u003eCosi amor mi fai languir\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eSpanish guitar note speller\u003c/p\u003e","\u003cp\u003eIt takes time to know a country\u003c/p\u003e","\u003cp\u003eChild's own book of great musicians - Handel\u003c/p\u003e","\u003cp\u003eChild's own book of great musicians - Haydn\u003c/p\u003e","\u003cp\u003eChild's own book of great musicians - Liszt\u003c/p\u003e","\u003cp\u003eDanza odalisca\u003c/p\u003e","\u003cp\u003eMarieta\u003c/p\u003e","\u003cp\u003ePrelude II\u003c/p\u003e","\u003cp\u003eInstrumental techniques of American folk guitar\u003c/p\u003e","\u003cp\u003eAndante and allegro (for two guitars) arranged by Len Williams\u003c/p\u003e","\u003cp\u003eFantasie\u003c/p\u003e","\u003cp\u003eBook for boys for piano\u003c/p\u003e","\u003cp\u003eThompson's modern course for the piano: the first grade book\u003c/p\u003e","\u003cp\u003eDance of candy fairy (Nutcracker Suite)\u003c/p\u003e","\u003cp\u003eSymphonic skeleton scores: No. 2 - Symphony 6 in B minor - Pathetic\u003c/p\u003e","\u003cp\u003eArranged by Teddy Schwartz\u003c/p\u003e","\u003cp\u003eArranged by Mark Nevin\u003c/p\u003e","\u003cp\u003eArranged by Eileen Stickley\u003c/p\u003e","\u003cp\u003eArranged by Sophocles Papas\u003c/p\u003e","\u003cp\u003eStudy in E major\u003c/p\u003e","\u003cp\u003eHolidays! Holidays! A collection of twenty-one songs to play and sing in the holiday spirit\u003c/p\u003e","\u003cp\u003eDi provenza il mar (What has made your heart grow cold) Germont's aria in the 2nd act of \"La Traviata\"\u003c/p\u003e","\u003cp\u003eThe sweetheart of Sigma Chi\u003c/p\u003e","\u003cp\u003eChoros\u003c/p\u003e","\u003cp\u003eConcerto in D\u003c/p\u003e","\u003cp\u003eRomanza No. 2\u003c/p\u003e","\u003cp\u003eThe new handy guitar method: modern plectrum style\u003c/p\u003e","\u003cp\u003ePiano course - book one\u003c/p\u003e","\u003cp\u003eArtwork for logo\u003c/p\u003e","\u003cp\u003eProgram\u003c/p\u003e","\u003cp\u003eMusical moods in all keys for piano solo\u003c/p\u003e","\u003cp\u003eThis series consists of a collection of newspaper and magazine clippings, postcards (some with correspondence to Elisabeth Papas-Smith), stamps, and photographs collected by Elisabeth Papas-Smith. Images and articles relate to guitars and other fretted instruments, popular music and musicians, and Sophocles Papas and friends.\u003c/p\u003e","\u003cp\u003ePostcards, clippings of guitars and other fretted instruments in art, photograph of English classical guitarists and museum guitar displays\u003c/p\u003e","\u003cp\u003ePostcards, stamps, clippings of guitars and other fretted instruments in art, photograph of lute player in Sophocles Papas living room\u003c/p\u003e","\u003cp\u003eClippings of Braque, Gris, Picasso works of art featuring guitars\u003c/p\u003e","\u003cp\u003eStamp, postcards, and clippings of musicians and guitars\u003c/p\u003e","\u003cp\u003ePostcards and clippings of musicians and guitars, photographs of Sophocles Papas, Carlos Montoya, Charlie Byrd, Carl Sandburg and others\u003c/p\u003e","\u003cp\u003eClippings of musicians and guitars\u003c/p\u003e","\u003cp\u003eClippings of musicians and guitars\u003c/p\u003e","\u003cp\u003ePostcards, clippings of musicians and guitars\u003c/p\u003e","\u003cp\u003eClippings of musicians and guitars\u003c/p\u003e","\u003cp\u003eClippings of musicians and guitars\u003c/p\u003e","\u003cp\u003eClippings of The Beatles and Alia\u003c/p\u003e","\u003cp\u003eClippings of lutes, ouds, ancient fretted instruments in art\u003c/p\u003e","\u003cp\u003eMostly funny, humorous drawings and cartoon clippings\u003c/p\u003e","\u003cp\u003eClippings of women and guitars, photograph of Dorothy Perrenoud\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Note: this collection is minimally processed with a basic box inventory. Please contact SCRC for more information.","This collection contains personal papers of Sophocles Papas including music scores, manuscript scores, phonograph records, correspondence, music journals, photographs, and guitar music manuals.","This series contains music scores, instruction guides, phonograph records, and music journals included in the 1987 acquisition. Note: the box numbers in this series repeat in series 2.","La Golondrina (The Swallow) Mexican Folk Song","Mon coeur s'ouvre a ta voix (My Heart at Sweet Voice) Cantible from Samson and Delilah, voice and piano","Chanson Indoue (A Song of India) from the legend \"Sadko\", voice and piano","Angela Mia (My Angel), voice and piano","Lautenpraludium","Ay, Ay, Ay","Star Dust, voice and piano","Allegretto in C Minor, piano","I Don't Want Him: Oahu \"Rhythm Style\" Note Course for Plectrum Guitar (octave notation)","Flamenco, piano","Siboney, voice and piano","A Song of Old Hawaii, voice and piano","The District of Columbia Is My Home Town, voice and piano","There's a Sweetheart in Nebraska, voice and piano","Prelude in Chords","The Kerry Dance, voice and piano","The Kerry Dance, voice and piano with solo parts for C, B flat, E flat, and bass","Elegie, voice and piano","It Takes Time to Know a Country, voice and piano","The Sweetheart of Sigma Chi, voice and piano","Di Provenza Il Mar (What Has Made Your Heart Grow Cold?) Germont's Aria in the second act of \"La Traviata,\" voice and piano","Loveless Love","Yellow Dog Blues","Aintcha Got Music","Ringtail Blues","Saint Louis Blues","East Saint Louis","Polka Dot Stomp","Trees Song","The Memphis Blues","Gypsy, voice and piano","Hanuka, Oh Hanuka: The Hebrew \"Christmas Season\" song, accordion","Romanza No. 2, guitar","The Rosary","Scherzino Mexicano \nAvailable in digital format.","Minuet from Eine Kleine Nachtmusik","rue de Blue (bossa nova)","Capricho No. 13","Navajo","Cherry Blossom: Theme and Variations for the Classical Guitar","US Air Force Blues, choral arrangement","Consolation: Song without Words","Tico-Tico, voice and piano","Celebrated Minuet","Scarlet Ribbons (for Her Hair), voice and piano","The Entertainer, piano solo","Romance","Gypsy Tango","Suite in D Minor","Fantasia di Francesco Milanese","Elegie","Suite in G Major for Guitar and Viola da Gamba","Two Moments for guitar","Brazilian Breakdown","Classical Guitar Suite","Poliushko (Meadowland) Theme and Variations on Celebrated Red Army Song","Rondino (on a theme by Beethoven), violin and piano","A New Song, choral arrangement","Prelude","Cancion Triste","Solvejg's Song (from the Peer Gynt Suite No. 2)","Gigue in E Major, piano","Pavane","Marieta","Moonlight Sonata","Danza Odalisca","La Bernandina de Josquin (solo) and La Bernandina (duet), lute solo","8 Courantes in Renaissance Tuning, lute solo","Carman's Whistle","Kemp's Jig and Playfellow","Kemp's Jig","Earl of Essex His Galliard and the Sick Tune","Les Premiers Pas","Theme Varie","Leyenda","Gallarda","El Noy de la Mare","Sonata No. 3","Aquellos Ojos Verdes","12 Bagatellen","700 Years of Music for the Classical Guitar","36 caprices in two books (36 caprices en 2 cahiers): Book I","Nineteenth Century Guitar Music","Classical Guitar Editions","The Golden Age: Classics for Solo Guitar, Book One","Mandolin and guitar Collection: No. 9 (first mandolin)","Mandolin and guitar Collection: No. 9 (second mandolin)","Listen to the Mocking Bird","Tango","Granada","Oriental","The Rose Enslaves the Nightengale, voice and piano","Grasshoppers, piano","One Hand Waltz","Clumping Along","Veil Dance, piano","Sonata","12th Street Rag, banjo and piano","Sirocco Tango","Bohemian Girl","Believe Me If All Those Endearing Young Charms","Intermezzo, Op. 117, No. 1","Two Easy Pieces","Gavotte for Guitar","Fantaisie Opus 323","The Rosewood Book: 30 Duets for Guitar and Flute","Melodious and Progressive Etudes for Guitar","Classic American Folk songs for Voice and Guitar","Tunes You Like: Your Favorite Songs Made Easy to Play, voice and piano","12 Easy Pieces for the Guitar","An American Folk Song Mass","6 Sevillanas for Spanish Guitar","Latin Americana for the Elementary Pianist","Guitar Songtime: Solos, Duets, Groups, Singing","A Christmas Recital for Piano","The Guitarist's Hour: Book I","The Guitarist's Hour: Book II","Handel for Guitar","Brahms for the Guitar","Duet Session: Duets in the Modern Jazz Idiom","6 Authentic Songs and Dances of Moscow Gypsies, piano","Popular Classics for Classical Guitar","Greek Songs and Dances including Music History of Greece, accordion","200 Songs for Ukulele","Classic Melodies, Great Composers for Piano for Beginners of All Ages","Guitar Folio No. 1","European Guitar and Lute Music: Book Two - German Masters","World Classics for the Guitar","Renaissance Lute Music for the Guitar: An Anthology of Constant Delight","Musical Moods in All Keys for Piano Solo","Two-Part Inventions for Piano","Book for Boys","Boogie and Blues for Piano","Authentic Guitar Sounds of Peter, Paul and Mary","Peter, Paul and Mary","More Peter, Paul and Mary","Peter, Paul and mary on Tour","A Little Treasury of Folksongs and Dances: One","A Little Treasury of Folksongs and Dances: Three","A Little Treasury of Folksongs and Dances: Four","Symphonic Skeleton Scores No. 2, Symphony 6 in B Minor","Symphonic Skeleton Scores No. 3, Symphony in D Minor","Symphonic Skeleton Scores No. 6, Symphony in G Minor","First Duet Album for Two Violins","First Trio Album for Three Violins","First Quartet Album for Strings (two violins, viola, and cello)","Shake It and Break It","Christmas with the King Family, voice and piano","Selections from West Side Story for Guitar","Six Lute Pieces of the Renaissance, guitar","Songs for Guitar","Operatic Album for Guitar","Graded Anthology for Classic Guitar","Greek Club Date Handbook: Songs and Dances Every Musician Should Know, piano","International Songs for Guitar","Three Duos Concertants for Two Violins","The Moody Blues in Search of the Lost Chord","Classic Melodies: Great Ballets for Piano for Beginners of All Ages","The Mikado","Hebrew Songs for the Young Pianist","Purcell to Mozart: 51 Piano Solos in Their Original Form","Schirmer's American Folk-Song Series: Set 14 - Songs of the Hill-Folk","The Folk Song Sight Singing Series: Book VIII","Four Toyes from Jane Pickering's Lute Book","Tumbalalaika and 16 Other Jewish Songs for Singing in English","25 Carols from the Oxford Book of Carols for Schools (Book 1 Nos. 1-14)","W. C. Handy's Famous Blues for the Hawaiian Guitar","International Christmas for Piano","Intermediate Guitar Solos","Lessons No. 11 and 12 from Follies of my Youth (Le Peche de Ma Jeunesse) for guitar","8 Pezzi Facili per Chitarra (8 Easy Pieces for Guitar)","The Treasure Chest of Famous Marches","Make Way, voice and piano","Sunny Side!, voice and piano","Close Up, voice and piano","Folk Song Sing Along, voice","The French Funny Book of Popular Tunes in Easy Piano Arrangements","Holidays! Holidays! A collection of 21 Songs to Play and Sing in the Holiday Spirit, voice and piano","Classical Guitar","Choice Folk Songs Encore with Guitar Arrangements","Minstrel Songs with Guitar Accompaniment, voice and guitar","Folk tunes for Solo Descant Recorder","Big-Note Carnival, piano","Classical Guitar Recital Book","First Etude Album for Violin","World's Favorite Solos for Classical Guitar","Songs We Sing, voice and piano","Theory and Lessons in Loose Leaf Form for Individual or Class Instruction, Book One","The Beginner's Own Book: Folk Songs Carefully Graded for Ear-Training, Sight-Singing, Harmonization, and Transposition","Fun with the Mandolin","Higher Development of Thirds and Fingered Octaves: Twenty-Four Advanced Formulas for the Violin, Opus 30","Method for the Guitar","120 Daily Guitar Studies for the Right Hand","Ryan's True Guitar Instructor","Home Study Lessons for the Hawaiian Steel Guitar from 1 to 12","Home Study Lessons for the Hawaiian Steel Guitar from 13 to 24","Home Study Lessons for the Hawaiian Steel Guitar from 25 to 36","Home Study Lessons for the Hawaiian Steel Guitar from 37 to 48","Home Study Lessons for the Hawaiian Steel Guitar from 49 to 60","Home Study Lessons for the Hawaiian Steel Guitar from 61 to 72","Home Study Lessons for the Hawaiian Steel Guitar from 85 to 96","Music Theory Papers: Ear and Eye Training for the Beginner","The Simplicity Tutor for Spanish Guitar","Music for the Guitar","Intervals and Chords: How to Use Them","Andres Segovia Studies for the Guitar","Complete and Painless Guide to the Guitar for Young Beginners","A Method for Practicing Scales for Guitar","Smith's Folk Song Tenor Guitar Course","Six Studies for Classical Guitar in the Keys of C Major and A Minor","1, 4, 5, and Minor: Guitar Technique and Song Book for Beginners","Scales and Cadences","Carcassi Method for the Guitar","Intermediate Guitar Solos with Commentary","First Steps in Music: A New Approach to Music for Beginners of All Ages","The Classical Guitar Collection","A Tune a Day: The Teacher's Manual for Violin Instruction in Group, Public School Classes, or Individual Lessons","John W. Schaum Piano Course: A Pre-A Book","Teach Yourself to Play the Guitar","Instrumental Techniques of American Folk Guitar","The Folk Guitarist's Manual: American Folk Guitar Techniques and Songs","Masters of Instrumental Blues Guitar","Instruction Chord Book for Guitar","A Folksinger's Guide to Note Reading and Music Theory: A Manual for the Folk Guitarist","Carcassi Classical Guitar Method","The Art of Finger Style Guitar","Odell Method for the Mandolin","Comprehensive Guitar Method: Student Book","Comprehensive Guitar Method: Teacher's Manual","Excelsior Method for Banjo","You Can Sight Read: Book 1 - The Pleasures of Piano Sight Reading Through Keyboard Harmony and Technique","The New Handy Guitary Method","Spitfire McKenney New Quick Learning System, ukelele","Smith's How to Play Finger Picking Style Guitar","Adantino","Stahl's International Banjo Method","The Folksinger's Guitar Guide","Piano Course Book One","John Thompson's Modern Course for the Piano: The First Grade Book","At the Piano: Book Two","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 1","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 2","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 3","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 4","The Mel Bay Classic Guitar Method Complete in Five Volumes: Volume 5","Flamenco Guitar Method for Beginners","The New Guitar Course","Carcassi Classical Guitar Method - New Revised Edition","Novello's Music Primers and Educational Series: Harmony Lessons","The Art of Classical Guitar Playing","Guitar Workshop","Musicianship for Guitarists","Method for 12 String Guitar","Bass Clef Note Speller","Folk-Songs with Guitar Chords","Fundamental Trill Studies on a Scientific Basis","The Study of the Guitar Simplified","Music Theory Papers (Third Set) - Sight and Sound","Spanish Guitar Note Speller","John W. Schaum Theory Lessons: Book 3","Gavotte for Guitar Solo","9 Sonatas","Sonata L 238","Two Venezuelan Pieces for Guitar: 1. Valse Criollo, 2. Pavana","Six Venezuelan Pieces: Volume I - 1. Valse Venezolano, 2. Estudio, 3. Cancion de Cuna","Suite in D Minor","Sonata","Six Pieces: Volume I - 1. Prelude in C, 2. Entrata, 3. Little Fantasia","Six Pieces: Volume II - 1. Prelude, 2. Bist du Bei Mir, 3. Petite Courante","Album of Guitar Solos","Three Airs of Court: 1. Preludio, 2. Aria, 3. Finale","Suite: 7 Pieces","Four Preludes: 1. August, 2. Fantasy on a Child's Song","Canonic Variations on the names \"Sophocles and Mercia\"","Virtuoso Waltz No. 1","Seven Brazilian Etudes","Grand Sonata","Slur Exercises and Chromatic Octaves","Valses Poeticos","Concerto in A Major","Pavane Pour une Enfante Defunte","Lute Solo","Two Bagatelles","Simple Variations on \"Las Folias\"","Folk Tune Fugue for Two Guitars","Largo from Cantata No. 156","Cordoba","Five Solos for Guitar","Five Catalan Melodies","The Complete Tremolo Book for the Guitar","Sounds of Bells","Differencias Sobre un Tema","La Fuente de Nie Pastrie","Sonata II: Volume I - Grave, Fuga","Two Pieces: 1. Estudio, 2. Humorada","Sonata II: Volume II - Andante, Allegro","Clair De Lune for Two Guitars","Andante and Menuet","The Old Castle","Two Spanish Dances: 1. Fandango No. 3, 2. Rondalla Aragonesa No. 6","Peasant's Song and Waltz, Op. 12","Sixty Short Pieces for Guitar: Vol. I, Numbers 1-38","Sixty Short Pieces for Guitar: Vol. II, Numbers 39-60","Concerto in D","Two Preludes for Guitar Solo","Six Pavanas","9 Sonatas: Volume II","Three Preludes","Sarabande","Spanish Romance","Diatonic Major and Minor Scales","Arpeggio Studies","Two Pieces: I. Scherzino Mexicano, II. Giga Melancolica","Greensleeves","Five Solos for the Hawaiian Guitar","Method for the Classic Guitar: Volume I Primer","Folias de Espana","Jeannie with the Light Brown Hair / Country Gardens","Six Easy Flamenco Variations","El Noy De La Mare","Album of Guitar Solos","American Fantasy: A Medley for Tenor Banjo Solo","Two Short Pieces","Danube Waves","Malaguena","The Highwayman and 12 Other Folk Songs","Gavotte","Andante","Tarantella","Choros","Two Easy Christmas Carols for Guitar","Student Guitarist's Delight: Volume 1","Student Guitarist's Delight: Volume 2","Greek Dance and Lamet","Method for the Classic Guitar: New Revised and Enlarged Edition","Smith's Theory Book for Guitarist Covering All Scales and Intervals","Position Etudes for Plectrum Guitar","Twenty Easy Pieces","Diatonic Major and Minor Scales","Papas' Flamenco Solos for Guitar","Sylvia Waltz","Bach Album: 14 Pieces by J. S. Bach for Guitar","Chopin Etude: Currently Featured as \"No Other Love\"","Six Short Pieces","Duet Etude for Two Guitars","Spanish Favorites for Classic Guitar","Sonata","Vol. 3","Vol. 5","Vol. 3","(editorial error)","Fall 1966 - Winter 1967","Child's Own Book of Great Musicians - Handel","Child's Own Book of Great Musicians - Haydn","Child's Own Book of Great Musicians - Liszt","Peter Danner, editor","A selected list from catalogs of Belwin-Mills Corp, Edward B. Marks Music Corp., MCA Music.","Prepared by Wayne D. Shirley","Cover page only","Prepared by the Society of the Classical Guitar","Edwin J. Dingle, author","article","The Guitar and Myself","Kleon Raptakis, author (excerpted from unknown magazine)","Program, Columbia Artists Mgmt.","Ronald C. Purcell, Oviatt Library, California State University, Northridge Program","Book","Clippings","Miscellaneous","Manuscript by Sophocles Papas","Oversized","This series contains music scores, instruction guides, guitar journals, and photographs included in the 1999 acquisition. Box numbers from the first acquisition repeat in this series.","Tico-tico (Tico-tico no fuba)","Popular Music Classics for Classical Guitar","Study","Arpeggio Studies","Walzer, Op. 3","Cordoba","Granada","Leyenda","Oriental","Tango","Alborada","Sonata","Album of Guitar Solos","Contributions to the World of Guitar","Compositions arranged by Sophocles Papas","Virtuoso Waltz No. 1","Classical Guitar Suite, \"I'll sleep - when all debt is paid to the wind,\" \"The caretaker of the hills,\" and \"The swordsman's courage\"","Teach Yourself to Play the Guitar","Carcassi Classical Guitar Method","Mood Espanol","Arioso, arranged by Laurindo Almeida","Two Part Inventions for Piano","Bouree","Gavotte","Gigue in E Major","Largo from Cantata No. 156","Lautenpraludium","Papas' Bach Album: 14 pieces by J. S. Bach for Guitar, arranged by Sophocles Papas","Prelude from Cello Suite No. 1","Prelude No. 1 (from The Well Tempered Clavichord - Book 1)","Six pieces: Vol. II - 1. Prelude (Cello Suite No. 1), 2. Bist du bei mir, 3. Petite courante","Sonata II: Vol. 1 - grave, fuga","Mia Amorita","Merry Christmas to Mr. Papas in the Manner of Sor","Arranged by J. K. Mertz","Clumping Along","Fantasia Terza","Las Abejas","Buitar chords in photo diagram form","The Mel Bay Classic Guitar Method, Vols. 2-5","Mel Bay's Fun with the Mandolin","Celebrated Minuet, arranged by Miguel Angel","Moonlight Sonata","Sonatine","Two Short Pieces arranged by Sophocles Papas","Two Bagatelles","Zwei Volksliedbearbeitungen","Arranged by William Foden","West Side Story, arranged by Leon Block","Arranged by Maxwell Eckstein","book","clippings","My Foolish Friend","Seleccion de la opera \"Carmen\"","Calmaiki; Tarantella, Op. 100","Vol. XLVII, No. 542","Vol. XLVII, No. 542","Sirocco Tango","Six Venezuelan Pieces: Vol. I, 1. Valse Venezolano, 2. Estudio, 3. Cancion de Cuna","12th Street Rag","Brahms for the Guitar, arranged by Leon Block","Intermezzo, Op. 117, No. 1","Evocaciones Criollas","Duet Sessions: Duets in the Modern Jazz Idiom","Prelude for Guitar","Cancion Triste, arranged by Carl van Feggelen","Never Weather - Beaten Saile","Suite","Carcassi Classical Guitar Method, New Revised Edition","12 Easy Pieces for the Guitar, Op. 10","Star Dust","Abendmusik","Duet Etdue for Two Guitars","Fantasie Op. 323","Ouverture No. 1","Serenade No. 1","Concerto in D","Guitar Workshop: A Practical Handbook for Beginning Guitarists","Wolf Patterns","Arranged by Richard Cortland Harrison","Chopin Etude, arranged by Sophocles Papas","Three Preludes: Op. 28, Nos. 4, 6, 15","Two Preludes","Arranged by Maxwell Ekstein","Arranged by John Lane","Sonata","Amazon","Bass Clef Note Speller","Andante","Newspaper and magazine clippings","Three Preludes for Guitar","Audio cassette","Corelli, arranged by George Warren","Greek language with some translations","Andante","Barcarolle","Rondeau","Les premiers pas","Guitar Therapy","Scarlet Ribbons (for her hair)","The New Guitar Course","Three Duos concertants for Two Violins","Clair de Lune","La fille aux cheveux de lin","Nr 27/28 quartett fur 4 gitarren","Bourree; Menuet","Prelude","Sarabande","Suite in D Minor","Barre study","Guitarre","Sontaine","Suite in G Major","There's a Sweetheart in Nebraska","The District of Columbia is my home town","Villanella","Rue de blue (Bossa Nova)","Fundamental trill studies on a scientific basis for violin","The higher development of thirds and fingered octaves: twenty-four advanced formulas for the violin, Op. 30","Alman","Altenglische madrigale zur laute","As I wente to Walsinghame; Almane; Tarletone Riserrectione; Mistris Whitte's thinge","Dos gallardas","Earl of Essex, his galliard, and the sick tune; arranged by Mitsuhiko Hamada","Gavotte","Prelude No. 1, Op. 13","Simple variations of \"Las Folias\"","The art of classical guitar playing","Largo","The study of the guitar simplified","First steps in music: a new approach to music for beginners of all ages","Arranged by Carl van Feggelen","Arranged by Sophocles Papas","Complete and painless guide to the guitar for young beginners","Guitar songtime: solos, duets, groups, singing","Smith's how to play finger picking style guitar","Greek dance and lament","Method for guitar - Book 2","Arranged by Sophocles Papas","Spanish favorites for classic guitar","Incomplete","Arranged by Harvey S. Whistler and Herman A. Hummel","Arranged by Harvey S. Whistler and Herman A. Hummel","Arranged by Harvey S. Whistler and Herman A. Hummel","Arranged by Harvey S. Whistler and Herman A. Hummel","Minuet","Arranged by Sophocles Papas","Arranged by Sophocles Papas","Arranged by Sophocles Papas","Listen to the mocking bird","Six short preludes (chord progressions)","Arranged by T. S. Walker","Seven Brazilian etudes","Jeannie with the light brown hair","Oh! Suzanna, Massa's in the cold cold ground, My old Kentucky home","Symphonic skeleton scores: No. 3 - Franck symphony in D minor","A blues for guitar","Arranged by Walter Kaye Bauer","Shake it and break it, arranged by Harry Volpe and Frank Victor","At the piano: Book for two class or individual instruction based on folk tunes of many countries and themes from the masterpieces of music","Saltarello","Sonata in E minor","Boogie and blues for piano solo","Masters of instrumental blues guitar","8 courantes in Renaissance tuning","Thema, Op. 42","Come thou almighty King","The Mikado, arranged by William Krevit","Allegro vivace, Op. 8; Allegro vivace, Op. 40, No. 23; Jagdstuck (rondo), Op. 30; Menuetto, Op. 20; Thema, Op. 34; Walzer, Op. 57, No. 3","Grande ouverture pour la guitare","Grazioso","120 daily guitar studies for the right hand","Serenade concertante en trio pour guitare, violon et violoncello","Sonata, Op. 15","Arranged by Joe Hagerty","Danza Espanola No. 5","Two Spanish dances: 1. Fandango No. 3, 2. Rondalla Aragonesa No. 6","Valses poeticos","La fuente de Nie Pastrie","Greece - collections","Arranged by Kleon Raptakis","Folk tune fugue for two guitars","A method for practicing scales for guitar","Arranged by Sophocles Papas","Peasant's song and waltz, Op. 12","Solvejg's song (from the Peer Gynt Suite No. 2)","Position etudes for plectrum guitar","Silent night","Sounds of bells","Air, Alegretto, Miuet, Passepied - arranged by Len Williams","Concerto in A major","Handel for the guitar, arranged by Leon Block","Siciliana","Suite in D minor","East Saint Louis, arranged by Harry Volp and Frank Victor","Loveless love, arranged by Harry Volp and Frank Victor","The Memphis blues, arranged by Harry Volpe","Saint Louis blues, arranged by Harry Volpe and Frank Victor","Arranged by John Martell","Yellow dog blues","Navajo","Arranged by Alexander Matos","Suite","Rock of ages","You can sight read: Book 1","Andante and menuet","Andante","Minuet, arranged by Jack Duarte","One hand waltz","The classical guitar","Kleine ouverture","A tune a day: the teacher's manual for violin instruction in group, public school classes or individual lessons","Arranged by Elisabeth Papas Smith","Adagio","Sweet music: the Earl of Salusbury's favorite","Hansel and Gretel suite","Arranged by Ada Richter","Arranged by Ada Richter","Arranged by Mel Bey","Danube waves","Carman's whistle, arranged by Kojiro Kobune","Aintcha got music, arranged by Harry Volpe and Frank Victor","Galiarde","The entertainer, arranged by Ada Richter","A little song","Brazilian breakdown","Arranged by Kojiro Kobune","Recognizable blues","Close up","Poliushko polie (Meadowland), arranged by Vladimir Bobri and V. Gabaeff","The folk guitarist's manual: American folk guitar techniques and songs","A new song","Rondino (on a theme from Beethoven)","Excelsior method for the banjo","Arranged by F. Henri Klickmann","Two Venezuelan pieces for guitar: 1. Valse criollo, 2. Pavana","Siboney","Thirty-six caprices","Walzer, Op. 250, No. 6","25 folk-songs with guitar chords","Instruction chord book for guitar","Andantino, arranged by Edmund Severn","Two short pieces arranged by Sophocles Papas","Arranged by Cecily Lambert","Prelude","Spitfire McKenney new quick learning system","Interval and chords: how to use them","Two pieces","Method for 12 string guitar","The simplicity tutor for Spanish guitar","Gypsy tango, arranged by Vladimir Bobri and V. Gabaeff","Make way","Arranged by Louis Tocaben","Arranged by Louis Tocaben","Unidentified and incomplete","Ethnikos ymnos (Greek national hymn)","Arranged by Jack M. Smith, Jr.","Eight pezzi facili per chitarra (Eight easy pieces for guitar)","12 bagatellen","The art of the finger style guitar","Elegia","Elegie","Elegie","Grasshoppers","Consolation: song without words","Aquellos ojos verdes (green eyes), arranged by Jorge Oller","Abendlied, Op. 13, Nr. 2; Adagio, Op. 13, Nr. 10; Kindermarchen, Op. 13, Nr. 8; Tarantella, Op 13, Nr. 6","Canonic variations on the names \"Sophocles and Mercia\"","Four preludes: 1. August, 2. Fantasy on a child's song, 3. Burlesque, 4. Images","Pavane","Pavane II","Six pavanas","Villancico","An American folk song mass","Rondo, Op. 28","Diferencias sobre un tema","The Kerry dance, arranged by Maxwell Eckstein","The Kerry dance, arranged by Maxwell Eckstein","Music theory papers: eye and ear training for the beginner","Music theory papers, third set, sight and sound","In search of the lost chord","Music for the guitar","Pavin","The old castle (from Pictures at an Exhibition)","The old castle (from Pictures at an Exhibition)","Minuet from Ein Kleine Nachtmusik","Sonata No. 3, arranged by David Alzofon","Sonata theme","Symphonic skeleton scores: No. 6 in G minor","Theme from G minor symphony","Two easy pieces: Allegretto in C; Country dance","Suite in D major","Allegro, Op. 51, Nr. 11","Andantino","Bianco fiore","The rosary, arranged by H. F. Odell","The beginner's own book: folk songs carefully graded for ear-training, sight-singing, harmonization and transposition","Arranged by S. S. Cecil","Arranged by John Hoffman","Karntner Volksweise","A song of old Hawaii, arranged by D. Savino","Second series, Vol. XVIII, No. 4; Vol. XIX, Nos. 1 and 4; Vol. XX, No. 2; Vol. XXI, No. 3","Odell method for the mandolin","Capricho No. 13","Grand sonata","Romance","American fantasy: a medley for tenor banjo solo","Biographical and genealogical information","The complete tremolo book for the guitar","Correspondence","Lists of archival materials re: Sophocles Papas","Malaguena","Manuscripts","Manuscripts - \"Method for classic guitar\"","Method for the classic guitar: new revised and enlarged edition","Method for classic guitar: Vol. 1 primer","Miscellaneous pamphlets","Miscellaneous writings","Papas' flamenco solo for guitar","Six easy flamenco variations","Sylvia waltz","Wedding announcement - Sophocles Papas to Mercia F. Lorentz","Stars fell on Alabama","Two moments","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Photograph","Four toyes from Jane Pickering's lute book","Musicianship for guitarists","Scherzino Mexicano, arranged by Manuel Lopez Ramos","Two pieces: I. Scherzino Mexicano, II. Giga melancolica","Scales cadences","Concerto in C Minor, Op. 18","Angela mia","Music history of Greece from 776 BC to 2nd Century AD","Trees","Pavane pour une enfante defunte","O come all ye faithful","Chanson indoue (A Song of India) from the legend \"Sadko\"","The rose enslaves the nightingale","Arranged by Harry Volpe and Frank Victor","1, 4, 4, and minor: Guitar technique and song book for beginners","Mon coeur s'ouvre a ta voix (My heart at thy sweet voice), Cantabile from \"Samson et Dalila\"","Carcassi method for the guitar","Principios ormonicos de los sonidos otractivos y otraidos","Three airs of court: 1. Preludio, 2. Aria, 3. Finale","Pavana; Zarabanda","Gymnopedie I","Arranged by Elisabeth papas Smith","Arranged by Elisabeth Papas Smith","9 sonatas","9 sonatas, Vol. 2","Sonata","Sonata longo 238","Sonata longo 483","Arranged by Loris O. Chobanian","John W. Schaum piano course: pre-A book","Theory lessons in loose leaf form for individual or class instruction: Book 1","Theory lessons in loose leaf form for individual or class instruction: Book 2","Theory lessons in loose leaf form for individual or class instruction: Book 3","Veil dance","Arranged by John Jacob Niles","Try to remember","Kleine melodie","Allegretto in C minor","Ben Ludlow","A circle of tears","Diatonic major and minor scales","Diatonic major and minor scales","The guitar and myself","Lessons No. 11 and 12 from Follies of My Youth (Le peche de ma jeunesse)","Prelude in chords","Slur exercises and chromatic octaves","Two pieces: 1. Estudio","La golondrina (The swollow) Mexican folk song","La golondrina","Cherry blossom","Flamenco guitar for beginners","International inventory of musical sources: report of the Joint US Committee on Activities","A folksinger's guide to note reading and music theory: a manual for the folk guitarist","Polka dot stomp - arranged by Harry Volpe and Frank Victor","Arranged by Vladimir Bobri and V. Gabaeff","Smith's theory book for guitarist covering all scales and intervals","Smith's folk song tenor guitar course","Andres Segovia: studies for the guitar","Compositions pour la guitare par Ferdinand Sor","Compositions pour la guitare par Ferdinand Sor","Compositions pour la guitare par Ferdinand Sor","Divertissement","Folias de Espana","Grand solo","Menuet; Waltz No. 3; Estudio de Sor","Metodo completo para guittarra","Miscellaneous pieces - oversized","Sixty short pieces for guitar: Vol. 1, Nos. 1-38","Sixty short pieces for guitar: Vol. 2, Nos. 39-60","Theme varie","Arranged by Sophocles Papas","La Bernadina de Josquin","Stal's international banjo method","Novello's music primers and educational series","Cosi amor mi fai languir","Arranged by Sophocles Papas","Arranged by Sophocles Papas","Spanish guitar note speller","It takes time to know a country","Child's own book of great musicians - Handel","Child's own book of great musicians - Haydn","Child's own book of great musicians - Liszt","Danza odalisca","Marieta","Prelude II","Instrumental techniques of American folk guitar","Andante and allegro (for two guitars) arranged by Len Williams","Fantasie","Book for boys for piano","Thompson's modern course for the piano: the first grade book","Dance of candy fairy (Nutcracker Suite)","Symphonic skeleton scores: No. 2 - Symphony 6 in B minor - Pathetic","Arranged by Teddy Schwartz","Arranged by Mark Nevin","Arranged by Eileen Stickley","Arranged by Sophocles Papas","Study in E major","Holidays! Holidays! A collection of twenty-one songs to play and sing in the holiday spirit","Di provenza il mar (What has made your heart grow cold) Germont's aria in the 2nd act of \"La Traviata\"","The sweetheart of Sigma Chi","Choros","Concerto in D","Romanza No. 2","The new handy guitar method: modern plectrum style","Piano course - book one","Artwork for logo","Program","Musical moods in all keys for piano solo","This series consists of a collection of newspaper and magazine clippings, postcards (some with correspondence to Elisabeth Papas-Smith), stamps, and photographs collected by Elisabeth Papas-Smith. Images and articles relate to guitars and other fretted instruments, popular music and musicians, and Sophocles Papas and friends.","Postcards, clippings of guitars and other fretted instruments in art, photograph of English classical guitarists and museum guitar displays","Postcards, stamps, clippings of guitars and other fretted instruments in art, photograph of lute player in Sophocles Papas living room","Clippings of Braque, Gris, Picasso works of art featuring guitars","Stamp, postcards, and clippings of musicians and guitars","Postcards and clippings of musicians and guitars, photographs of Sophocles Papas, Carlos Montoya, Charlie Byrd, Carl Sandburg and others","Clippings of musicians and guitars","Clippings of musicians and guitars","Postcards, clippings of musicians and guitars","Clippings of musicians and guitars","Clippings of musicians and guitars","Clippings of The Beatles and Alia","Clippings of lutes, ouds, ancient fretted instruments in art","Mostly funny, humorous drawings and cartoon clippings","Clippings of women and guitars, photograph of Dorothy Perrenoud"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9ce32df2b44423b26dcccf2e9b994c3b\" label=\"Abstract\"\u003eThis collection contains personal papers of Sophocles Papas including music scores, manuscript scores, phonograph records, correspondence, music journals, photographs, and guitar music manuals.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains personal papers of Sophocles Papas including music scores, manuscript scores, phonograph records, correspondence, music journals, photographs, and guitar music manuals."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_2d916ac5b52516ef3017d45ae9cdc581\"\u003eR 24, C 1, S 6 - S 7; C 2, S 1 - S 7\u003c/physloc\u003e\n    "],"physloc_tesim":["R 24, C 1, S 6 - S 7; C 2, S 1 - S 7"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Papas, Sophocles, 1893-1986"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Papas, Sophocles, 1893-1986"],"language_ssim":["English"],"total_component_count_is":1662,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:59.239Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_15"}},{"id":"vifgm_repositories_2_resources_101","type":"collection","attributes":{"title":"Theatre recordings collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_101#creator","type":"document_value","attributes":{"value":"George Mason University. Department of Theater","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_101#abstract_or_scope","type":"document_value","attributes":{"value":"Fourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_101#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_101","ead_ssi":"vifgm_repositories_2_resources_101","_root_":"vifgm_repositories_2_resources_101","_nest_parent_":"vifgm_repositories_2_resources_101","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_101.xml","title_filing_ssi":"Theatre recordings collection","title_ssm":["Theatre recordings collection"],"title_tesim":["Theatre recordings collection"],"unitdate_ssm":["1960s"],"unitdate_inclusive_ssm":["1960s"],"normalized_title_ssm":["Theatre recordings collection"],"text":["Theatre recordings collection","C0170","/repositories/2/resources/101","Live sound recordings","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Sound recordings","There are no access restrictions.","Arranged by title.","Theatre recordings became popular in the 1950s with the introduction of Long Playing (LP) records. This format allowed for longer musical compositions such as classical music and Broadway recordings. Columbia was one of the first record companies to sell LPs that featured the original cast recordings.","The Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material.","Processed by Special Collections Research Center staff. EAD markup by Special Collections Research Center Staff. Finding aid updated by Amanda Brent in April 2020.","The Special Collections Research Center holds many other theatre collections.","Fourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records.","14 LP record albums of cast recordings.","Written by: Euripides Directed by: Howard Sackler","Written by: Edmond Rostand","Written by: Robert Lowell","Written by: Peter Weiss; Royal Shakespeare Company","Written by: Edward Albee; Original Broadway Cast","The Reparatory Theater of Lincoln Center; Original Cast Recording","Written by: Brendan Behan; Starring Julie Harris and Geoff Garland","Written by: Barbara Garson; Original Cast Recording","Written by: Anton Chekhov; Chichester Festival Theatre; The Production by Lawrence Olivier","Written by: Jean Genet","Written by: Bernard Shaw; Directed by Anthony Quayle","Written by: William Shakespeare; Directed by: Howard Sackler","Written by: Tennessee Williams; Directed by: Howard Sackler","Written by: Arthur Miller; Directed by: Ulu Grosbard; Starring Lee J. Cobb and Mildred Dunnock","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Fourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Department of Theater","English"],"collection_title_tesim":["Theatre recordings collection"],"collection_ssim":["Theatre recordings collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0170","/repositories/2/resources/101"],"unitid_tesim":["C0170","/repositories/2/resources/101"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Department of Theater"],"creator_ssim":["George Mason University. Department of Theater"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Department of Theater"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Department of Theater"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the George Mason University Theatre Department in 2009."],"access_subjects_ssim":["Live sound recordings","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Sound recordings"],"access_subjects_ssm":["Live sound recordings","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 2 boxes"],"extent_tesim":["1 Linear Feet 2 boxes"],"genreform_ssim":["Sound recordings"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by title.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by title."],"bioghist_html_tesm":["\u003cp\u003eTheatre recordings became popular in the 1950s with the introduction of Long Playing (LP) records. This format allowed for longer musical compositions such as classical music and Broadway recordings. Columbia was one of the first record companies to sell LPs that featured the original cast recordings.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Theatre recordings became popular in the 1950s with the introduction of Long Playing (LP) records. This format allowed for longer musical compositions such as classical music and Broadway recordings. Columbia was one of the first record companies to sell LPs that featured the original cast recordings."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eTheatre recordings collection, C0170, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Theatre recordings collection, C0170, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup by Special Collections Research Center Staff. Finding aid updated by Amanda Brent in April 2020.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup by Special Collections Research Center Staff. Finding aid updated by Amanda Brent in April 2020."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other theatre collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other theatre collections."],"scopecontent_html_tesm":["\u003cp\u003eFourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records.\u003c/p\u003e  ","\u003cp\u003e14 LP record albums of cast recordings.\u003c/p\u003e","\u003cp\u003eWritten by: Euripides Directed by: Howard Sackler\u003c/p\u003e","\u003cp\u003eWritten by: Edmond Rostand\u003c/p\u003e","\u003cp\u003eWritten by: Robert Lowell\u003c/p\u003e","\u003cp\u003eWritten by: Peter Weiss; Royal Shakespeare Company\u003c/p\u003e","\u003cp\u003eWritten by: Edward Albee; Original Broadway Cast\u003c/p\u003e","\u003cp\u003eThe Reparatory Theater of Lincoln Center; Original Cast Recording\u003c/p\u003e","\u003cp\u003eWritten by: Brendan Behan; Starring Julie Harris and Geoff Garland\u003c/p\u003e","\u003cp\u003eWritten by: Barbara Garson; Original Cast Recording\u003c/p\u003e","\u003cp\u003eWritten by: Anton Chekhov; Chichester Festival Theatre; The Production by Lawrence Olivier\u003c/p\u003e","\u003cp\u003eWritten by: Jean Genet\u003c/p\u003e","\u003cp\u003eWritten by: Bernard Shaw; Directed by Anthony Quayle\u003c/p\u003e","\u003cp\u003eWritten by: William Shakespeare; Directed by: Howard Sackler\u003c/p\u003e","\u003cp\u003eWritten by: Tennessee Williams; Directed by: Howard Sackler\u003c/p\u003e","\u003cp\u003eWritten by: Arthur Miller; Directed by: Ulu Grosbard; Starring Lee J. Cobb and Mildred Dunnock\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Fourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records.","14 LP record albums of cast recordings.","Written by: Euripides Directed by: Howard Sackler","Written by: Edmond Rostand","Written by: Robert Lowell","Written by: Peter Weiss; Royal Shakespeare Company","Written by: Edward Albee; Original Broadway Cast","The Reparatory Theater of Lincoln Center; Original Cast Recording","Written by: Brendan Behan; Starring Julie Harris and Geoff Garland","Written by: Barbara Garson; Original Cast Recording","Written by: Anton Chekhov; Chichester Festival Theatre; The Production by Lawrence Olivier","Written by: Jean Genet","Written by: Bernard Shaw; Directed by Anthony Quayle","Written by: William Shakespeare; Directed by: Howard Sackler","Written by: Tennessee Williams; Directed by: Howard Sackler","Written by: Arthur Miller; Directed by: Ulu Grosbard; Starring Lee J. Cobb and Mildred Dunnock"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_eafb5f5c7b7555248b6a925928207332\" label=\"Abstract\"\u003eFourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records.\u003c/abstract\u003e\n    "],"abstract_tesim":["Fourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Department of Theater"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Department of Theater"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:46.231Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_101","ead_ssi":"vifgm_repositories_2_resources_101","_root_":"vifgm_repositories_2_resources_101","_nest_parent_":"vifgm_repositories_2_resources_101","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_101.xml","title_filing_ssi":"Theatre recordings collection","title_ssm":["Theatre recordings collection"],"title_tesim":["Theatre recordings collection"],"unitdate_ssm":["1960s"],"unitdate_inclusive_ssm":["1960s"],"normalized_title_ssm":["Theatre recordings collection"],"text":["Theatre recordings collection","C0170","/repositories/2/resources/101","Live sound recordings","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Sound recordings","There are no access restrictions.","Arranged by title.","Theatre recordings became popular in the 1950s with the introduction of Long Playing (LP) records. This format allowed for longer musical compositions such as classical music and Broadway recordings. Columbia was one of the first record companies to sell LPs that featured the original cast recordings.","The Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material.","Processed by Special Collections Research Center staff. EAD markup by Special Collections Research Center Staff. Finding aid updated by Amanda Brent in April 2020.","The Special Collections Research Center holds many other theatre collections.","Fourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records.","14 LP record albums of cast recordings.","Written by: Euripides Directed by: Howard Sackler","Written by: Edmond Rostand","Written by: Robert Lowell","Written by: Peter Weiss; Royal Shakespeare Company","Written by: Edward Albee; Original Broadway Cast","The Reparatory Theater of Lincoln Center; Original Cast Recording","Written by: Brendan Behan; Starring Julie Harris and Geoff Garland","Written by: Barbara Garson; Original Cast Recording","Written by: Anton Chekhov; Chichester Festival Theatre; The Production by Lawrence Olivier","Written by: Jean Genet","Written by: Bernard Shaw; Directed by Anthony Quayle","Written by: William Shakespeare; Directed by: Howard Sackler","Written by: Tennessee Williams; Directed by: Howard Sackler","Written by: Arthur Miller; Directed by: Ulu Grosbard; Starring Lee J. Cobb and Mildred Dunnock","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Fourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Department of Theater","English"],"collection_title_tesim":["Theatre recordings collection"],"collection_ssim":["Theatre recordings collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0170","/repositories/2/resources/101"],"unitid_tesim":["C0170","/repositories/2/resources/101"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Department of Theater"],"creator_ssim":["George Mason University. Department of Theater"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Department of Theater"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Department of Theater"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the George Mason University Theatre Department in 2009."],"access_subjects_ssim":["Live sound recordings","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Sound recordings"],"access_subjects_ssm":["Live sound recordings","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 2 boxes"],"extent_tesim":["1 Linear Feet 2 boxes"],"genreform_ssim":["Sound recordings"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by title.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by title."],"bioghist_html_tesm":["\u003cp\u003eTheatre recordings became popular in the 1950s with the introduction of Long Playing (LP) records. This format allowed for longer musical compositions such as classical music and Broadway recordings. Columbia was one of the first record companies to sell LPs that featured the original cast recordings.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Theatre recordings became popular in the 1950s with the introduction of Long Playing (LP) records. This format allowed for longer musical compositions such as classical music and Broadway recordings. Columbia was one of the first record companies to sell LPs that featured the original cast recordings."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material.\u003c/p\u003e  "],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to vinyl records. Additional time and money may be required to access this material."],"prefercite_html_tesm":["\u003cp\u003eTheatre recordings collection, C0170, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Theatre recordings collection, C0170, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup by Special Collections Research Center Staff. Finding aid updated by Amanda Brent in April 2020.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup by Special Collections Research Center Staff. Finding aid updated by Amanda Brent in April 2020."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other theatre collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other theatre collections."],"scopecontent_html_tesm":["\u003cp\u003eFourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records.\u003c/p\u003e  ","\u003cp\u003e14 LP record albums of cast recordings.\u003c/p\u003e","\u003cp\u003eWritten by: Euripides Directed by: Howard Sackler\u003c/p\u003e","\u003cp\u003eWritten by: Edmond Rostand\u003c/p\u003e","\u003cp\u003eWritten by: Robert Lowell\u003c/p\u003e","\u003cp\u003eWritten by: Peter Weiss; Royal Shakespeare Company\u003c/p\u003e","\u003cp\u003eWritten by: Edward Albee; Original Broadway Cast\u003c/p\u003e","\u003cp\u003eThe Reparatory Theater of Lincoln Center; Original Cast Recording\u003c/p\u003e","\u003cp\u003eWritten by: Brendan Behan; Starring Julie Harris and Geoff Garland\u003c/p\u003e","\u003cp\u003eWritten by: Barbara Garson; Original Cast Recording\u003c/p\u003e","\u003cp\u003eWritten by: Anton Chekhov; Chichester Festival Theatre; The Production by Lawrence Olivier\u003c/p\u003e","\u003cp\u003eWritten by: Jean Genet\u003c/p\u003e","\u003cp\u003eWritten by: Bernard Shaw; Directed by Anthony Quayle\u003c/p\u003e","\u003cp\u003eWritten by: William Shakespeare; Directed by: Howard Sackler\u003c/p\u003e","\u003cp\u003eWritten by: Tennessee Williams; Directed by: Howard Sackler\u003c/p\u003e","\u003cp\u003eWritten by: Arthur Miller; Directed by: Ulu Grosbard; Starring Lee J. Cobb and Mildred Dunnock\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Fourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records.","14 LP record albums of cast recordings.","Written by: Euripides Directed by: Howard Sackler","Written by: Edmond Rostand","Written by: Robert Lowell","Written by: Peter Weiss; Royal Shakespeare Company","Written by: Edward Albee; Original Broadway Cast","The Reparatory Theater of Lincoln Center; Original Cast Recording","Written by: Brendan Behan; Starring Julie Harris and Geoff Garland","Written by: Barbara Garson; Original Cast Recording","Written by: Anton Chekhov; Chichester Festival Theatre; The Production by Lawrence Olivier","Written by: Jean Genet","Written by: Bernard Shaw; Directed by Anthony Quayle","Written by: William Shakespeare; Directed by: Howard Sackler","Written by: Tennessee Williams; Directed by: Howard Sackler","Written by: Arthur Miller; Directed by: Ulu Grosbard; Starring Lee J. Cobb and Mildred Dunnock"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_eafb5f5c7b7555248b6a925928207332\" label=\"Abstract\"\u003eFourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records.\u003c/abstract\u003e\n    "],"abstract_tesim":["Fourteen LP record albums of cast recordings. Some albums include pamphlets with descriptions of the plays as well as the text from the scripts. Many were created by the Theatre Recording Society and Columbia Records."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Department of Theater"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Department of Theater"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:46.231Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_101"}},{"id":"vifgm_repositories_2_resources_185","type":"collection","attributes":{"title":"Thelma Z. Lavine papers, 1932/2007","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_185#creator","type":"document_value","attributes":{"value":"Lavine, T. Z.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_185#abstract_or_scope","type":"document_value","attributes":{"value":"Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine, a philosophy professor who taught at George Mason University, George Washington University, and the University of Maryland. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_185#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_185","ead_ssi":"vifgm_repositories_2_resources_185","_root_":"vifgm_repositories_2_resources_185","_nest_parent_":"vifgm_repositories_2_resources_185","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_185.xml","title_filing_ssi":"Thelma Z. Lavine papers","title_ssm":["Thelma Z. Lavine papers"],"title_tesim":["Thelma Z. Lavine papers"],"unitdate_ssm":["1932-2007"],"unitdate_inclusive_ssm":["1932-2007"],"normalized_date_ssm":["1932/2007"],"normalized_title_ssm":["Thelma Z. Lavine papers, 1932/2007"],"text":["Thelma Z. Lavine papers, 1932/2007","C0195","/repositories/2/resources/185","Philosophy","Philosophy -- History","Civilization, Western -- Philosophy","Women in higher education","Education, Higher","Correspondence","Sound recordings","There are no access restrictions.","This collection is organized by type of material into four series.","Series\n      Series 1: Correspondence, 1960-2005 (Boxes 1-6)\n      Series 2: Research, 1930s-2007 (Boxes 6-32)\n      Series 3: Publications, 1977-2002 (Boxes 23-33)\n      Series 4: Audio/Visual, 1969-1996 (Boxes 34-43)","Born in Boston, Massachusetts, on February 12, 1915, Thelma Z. Lavine taught philosophy for over 40 years, mostly at universities in the Washington, D.C. area. Her teaching career began after she received doctoral degrees in Psychology and Philosophy from Harvard University in 1939. Prior to that, she completed an undergraduate degree at Radcliffe College in 1936. A popular lecturer, she taught at the University of Maryland in the 1950s and 1960s, then accepted a teaching position at George Washington University. She joined the faculty at George Mason University as a Robinson Professor in 1985 and taught there until she retired in 1998.","An active and well-respected philosophy professor, Lavine served in many organizations, including as president of the Washington Philosophy Club, on the Executive Committee of the Society for Advancement of American Philosophy, and on the Ralph Waldo Emerson Committee of the United Chapters of Phi Beta Kappa.","Lavine was trained by, knew, and debated well-known philosophers including Richard Rorty, John Dewey, C.I. Lewis, Susanne Langer, Hannah Arendt, Paul Weiss, and Kurt Wolff. After she moved to Washington, DC from Boston, one of her projects was to make American Philosophy relevant to students. In addition to advocating for the controversial American branch of philosophy, Lavine produced scholarship on social philosophy, philosophy of the social sciences, American naturalism, philosophy of history, and philosophy in literature.","A widely published author, she popularized philosophy with her 30-part series \"From Socrates to Sartre: The Philosophic Quest,\" which aired first on Maryland Public Television and then nationally in the early 1980s. Her book of the same name was published in 1984 and is still in print. Lavine died at her home in Washington, D.C., on January 28, 2011.","Processed by Rachel Moran and Blyth McManus in November 2013. EAD markup completed by Blyth McManus in 2013.","The Special Collections Research Center also holds the papers of many other George Mason University professors. Lavine's work \"From Socrates to Sartre\" is available in book format at the Fenwick Library and in VHS format in the Johnson Center videotapes.","Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.  The collection also includes almost 2,000 books, a small portion of which will be cataloged and housed in special collections.","Series 1, Correspondence: This series contains communications regarding Lavine's professional activities, including meetings, conferences, and symposia as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. This series is organized first alphabetically by subject and then chronologically.","Series 2, Research: This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research for her MPT show; and research which culminated in her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized by subject and then chronologically.","Series 3, Publications: This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.","Series 4, Audio/Visual: This series is comprised largely of audio cassette recordings. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" This series is organized first by subject and then chronologically.","This series contains various types of correspondence including communications regarding Lavine's professional activities, such as meetings, conferences, and symposia, as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. Correspondence can also be found in the \"Research\" files. This series is organized first alphabetically by subject and then chronologically.","Identified by TZL. Includes SAAP material.","Identified by TZL. Includes research notes and clippings in addition to correspondence related to the American Philosophers Club.","Seminar, courses, program.","Fellowship, NEH","Ayn Rand. Correspondence from GWU.","Founders vs. American Pragmatism; Politics; History. Items relating to GMU's Dr. Buchanan.","Natural law, utopia.","Includes lectures and meetings.","Includes APA material.","APA convention, philosophic societies, various.","Identified by TZL as \"Current.\"","Includes SAAP material.","Includes \"Krebiozen,\" Larry King.","Includes \"hypophosphatasia.\"","Includes \"Jonathan Skipp - Bantam.\"","Identified by TZL. Romantic pragmatism, American history, politics.","The problem of phenomenalism. SUNY Buffalo.","Identified by TZL.","Identified by TZL as \"Random House re SocSart\"","Arendt, B'nai B'rith, The New Yorker.","Nazism, fan mail, Pragmatism, Arendt.","This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research which culminated in her MPT show and her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized alphabetically by subject and then chronologically.","includes paper by Alan Wood at Cornell.","Original binder tabs identified contents as \"America, American Phil., American Creed, Capitalism, Chaos, Communism, Communitarianism, Contemp., Counterculture, Counter Enlight.\"","Original binder tabs identified contents as \"Arendt, Bell, Bellah, Bernstein, C, Blake, Bloom, Diggins.\"","Includes high school yearbooks with photos.","Includes work on history and religion.","Kant.","Logical positivism.","Santayana.","\"Speech in Society.\"","Undergraduate. Radcliffe.","Undergraduate honors thesis on knowledge and other minds.","Morality, capitalism, values.","Identified by TZL as \"Am \u0026 Crisis \u0026 Modernity.\"","Liberty. Isaiah Berlin.","Committee on pluralism, executive committee, nominations.","\"Cultural Wars.\" \"Resolving the Contradiction.\"","Identified by TZL.\nIdentified by TZL.","Identified by TZL.","Berlin, psychological method.","Dewey, Feuer, NYT book reviews.","Identified by TZL.","Includes obituary.","Includes realia.","Original binder tabs identified contents as \"Emerson, Freud, Fukuyama, Gellner, Hegel, Heidegger, Hook, Hopper, Huntington, James, Jefferson / see also Amer. Creed.\"","Copies of manila file folders on which TZL had written.","Identified by TZL as \"Hab, Rorty, Bell, L. Goldstein, Modernity.\"","Also contains TZL's resignation letter from UMD.","Identified by TZL.","Identified by TZL as \"tv program script and notes\"","Identified by TZL.","Original binder tabs identified contents as \"Kant, Kloppenberg, Lasch, Lincoln, Lipset, Malia, Mann, Pierce [sic], Rawls.\"","Identified by TZL.","Original binder tabs identified contents as \"Modernity, Millenium, Multiculturalism, Overview, Pluralism, Politics, Postmodernism, Pragmatism, Religion, Socialism.\"","Identified by TZL.","Includes history and \"Kant's Children.\"","Identified by TZL.","Goode, Quine, Feuer, Merton, Weiss, Anger, Phillips.","Identified by TZL as \"AM new ... Rorty notes.\"","Identified by TZL as \"Progressivism ROM/MOD + END/CONCL\"","Original binder tabs identified contents as \"Ricoeur, Russell, Sandel, Schlesinger, Tocqueville, Weber, Whitman, Wittgenstein.\"","Includes work on phenomenology, research for Verstehen, Hume, Rorty.","Includes notes on American culture and religion, Dewey, ideology.","Includes notes on various research projects, some newspaper clippings, and a small amount of communication from GWU.","Includes notes on American identity, philosophy and culture, women's movement.","Includes research on ethics, religion, philosophy, WWI, Holocaust, Rwanda.","Includes research for Verstehen and on Abel.","The Jewish experience, Hegel, Kant. Murphy paper and note.","Includes work on rules, candidates, Feuer.","Preparing for presentation,","Includes work on religion, nihilism, ultimate values as identified by TZL.","This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.","Journal. ABS: American Behavioral Scientist, March/April 1977, Article 6.","Journal. Spring, 1981, Vol XVII, No. 2.","Journal. Transactions of the Charles S. Peirce Society, Winter, 1984, Vol. XX, No. 1,","Book. Boston Studies in the Philosophy of Science, Vol. 107: Philosophy, History and Social Action: Essays in Honor of Lewis Feuer. Edited by Sidney Hook, William L. O'Neill, Roger O'Toole.","Journal. Transactions of the Charles S. Peirce Society, Fall, 1988, Vol. XXIV, No. 4.","Book. Edited by Jo Ann Boydston.","Journal. The Journal of Speculative Philosophy, Vol. VII, No 2.","Book. Author Arthur F. Bentley.","Journal. Social Science and Modern Society, Volume 32, No. 2, Jan/Feb 1995.","Journal. Transactions of the Charles S. Peirce Society, Fall, 1997, Vol. XXXIII, No. 4.","Book. Edited by Lewis Edwin Hahn.","Book, used. Author Charles Frankel.","Book, sealed in shrink wrap. Author Charles Frankel.","This series is comprised largely of audiotape cassettes. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" Items are audiocassettes unless otherwise identified. This series is organized first by medium, then by subject and chronologically.","Fordham Univ.","Philosophical Roots - German - Freud - Rank","Wash. Hebrew Congregation, Scholar Series","Th. Lavine GWU for Smithsonian","LECTURER Dr. Thelma Z. Lavine / LANGUAGE \u0026 CHANNEL Floor Reel ONE / SIDE ONE Lecture Part 1 / SIDE TWO Lecture Part 2","LECTURER DR. Thelma Z. Lavine / LANGUAGE \u0026 CHANNEL Floor Reel Two / SIDE ONE Q\u0026A","Side A - SIE conference Vol I / Jack High (introduction) Thelma Lavine (Beg.) Ralph Rector\nSide B - Thelma Lavine (conclusion), Don Lavoie, Discussion (Beg)","000-400 / 400-480 / A\n000-150 TZL / B","Side A - Hegel cont'd\nSide B - \"Trinity\" \"Absolute\" Dialectic","Side 1 - BLEECKER ST. PLAYERS / Kainer, R: Interview WAMU\nSide 2 - PHILOSOPHY OF PSYCHOTHERAPY / WEIGERT: Separation-Individuation","As identified on case.","Side A - 20   12/11\nSide B - 12   11/4 -\u003e11/11","\"Witnesses to the Holocaust.\" date given is (c) date.","\"May 1987\" is stamped on back, appears to be from printing service - exact date photo was taken is unknown.","Photograph of TZL in a college uniform as part of a group promoting \"GOOD HEALTH + GOOD FACULTIES.\" TZL is on the left looking to her left.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine, a philosophy professor who taught at George Mason University, George Washington University, and the University of Maryland. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.","George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty","Lavine, T. Z.","English"],"collection_title_tesim":["Thelma Z. Lavine papers, 1932/2007"],"collection_ssim":["Thelma Z. Lavine papers, 1932/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0195","/repositories/2/resources/185"],"unitid_tesim":["C0195","/repositories/2/resources/185"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lavine, T. Z."],"creator_ssim":["Lavine, T. Z."],"creator_persname_ssim":["Lavine, T. Z."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty"],"creators_ssim":["Lavine, T. Z.","George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Margaret V. Sachs in 2011."],"access_subjects_ssim":["Philosophy","Philosophy -- History","Civilization, Western -- Philosophy","Women in higher education","Education, Higher","Correspondence","Sound recordings"],"access_subjects_ssm":["Philosophy","Philosophy -- History","Civilization, Western -- Philosophy","Women in higher education","Education, Higher","Correspondence","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["19.25 Linear Feet 43 boxes"],"extent_tesim":["19.25 Linear Feet 43 boxes"],"genreform_ssim":["Correspondence","Sound recordings"],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized by type of material into four series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1960-2005 (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Research, 1930s-2007 (Boxes 6-32)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Publications, 1977-2002 (Boxes 23-33)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Audio/Visual, 1969-1996 (Boxes 34-43)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized by type of material into four series.","Series\n      Series 1: Correspondence, 1960-2005 (Boxes 1-6)\n      Series 2: Research, 1930s-2007 (Boxes 6-32)\n      Series 3: Publications, 1977-2002 (Boxes 23-33)\n      Series 4: Audio/Visual, 1969-1996 (Boxes 34-43)"],"bioghist_html_tesm":["\u003cp\u003eBorn in Boston, Massachusetts, on February 12, 1915, Thelma Z. Lavine taught philosophy for over 40 years, mostly at universities in the Washington, D.C. area. Her teaching career began after she received doctoral degrees in Psychology and Philosophy from Harvard University in 1939. Prior to that, she completed an undergraduate degree at Radcliffe College in 1936. A popular lecturer, she taught at the University of Maryland in the 1950s and 1960s, then accepted a teaching position at George Washington University. She joined the faculty at George Mason University as a Robinson Professor in 1985 and taught there until she retired in 1998. \u003c/p\u003e","\u003cp\u003eAn active and well-respected philosophy professor, Lavine served in many organizations, including as president of the Washington Philosophy Club, on the Executive Committee of the Society for Advancement of American Philosophy, and on the Ralph Waldo Emerson Committee of the United Chapters of Phi Beta Kappa. \u003c/p\u003e","\u003cp\u003eLavine was trained by, knew, and debated well-known philosophers including Richard Rorty, John Dewey, C.I. Lewis, Susanne Langer, Hannah Arendt, Paul Weiss, and Kurt Wolff. After she moved to Washington, DC from Boston, one of her projects was to make American Philosophy relevant to students. In addition to advocating for the controversial American branch of philosophy, Lavine produced scholarship on social philosophy, philosophy of the social sciences, American naturalism, philosophy of history, and philosophy in literature. \u003c/p\u003e","\u003cp\u003eA widely published author, she popularized philosophy with her 30-part series \"From Socrates to Sartre: The Philosophic Quest,\" which aired first on Maryland Public Television and then nationally in the early 1980s. Her book of the same name was published in 1984 and is still in print. Lavine died at her home in Washington, D.C., on January 28, 2011.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in Boston, Massachusetts, on February 12, 1915, Thelma Z. Lavine taught philosophy for over 40 years, mostly at universities in the Washington, D.C. area. Her teaching career began after she received doctoral degrees in Psychology and Philosophy from Harvard University in 1939. Prior to that, she completed an undergraduate degree at Radcliffe College in 1936. A popular lecturer, she taught at the University of Maryland in the 1950s and 1960s, then accepted a teaching position at George Washington University. She joined the faculty at George Mason University as a Robinson Professor in 1985 and taught there until she retired in 1998.","An active and well-respected philosophy professor, Lavine served in many organizations, including as president of the Washington Philosophy Club, on the Executive Committee of the Society for Advancement of American Philosophy, and on the Ralph Waldo Emerson Committee of the United Chapters of Phi Beta Kappa.","Lavine was trained by, knew, and debated well-known philosophers including Richard Rorty, John Dewey, C.I. Lewis, Susanne Langer, Hannah Arendt, Paul Weiss, and Kurt Wolff. After she moved to Washington, DC from Boston, one of her projects was to make American Philosophy relevant to students. In addition to advocating for the controversial American branch of philosophy, Lavine produced scholarship on social philosophy, philosophy of the social sciences, American naturalism, philosophy of history, and philosophy in literature.","A widely published author, she popularized philosophy with her 30-part series \"From Socrates to Sartre: The Philosophic Quest,\" which aired first on Maryland Public Television and then nationally in the early 1980s. Her book of the same name was published in 1984 and is still in print. Lavine died at her home in Washington, D.C., on January 28, 2011."],"prefercite_html_tesm":["\u003cp\u003eThelma Z. Lavine papers, C0195, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Thelma Z. Lavine papers, C0195, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Rachel Moran and Blyth McManus in November 2013. EAD markup completed by Blyth McManus in 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Rachel Moran and Blyth McManus in November 2013. EAD markup completed by Blyth McManus in 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the papers of many other George Mason University professors. Lavine's work \"From Socrates to Sartre\" is available in book format at the Fenwick Library and in VHS format in the Johnson Center videotapes.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the papers of many other George Mason University professors. Lavine's work \"From Socrates to Sartre\" is available in book format at the Fenwick Library and in VHS format in the Johnson Center videotapes."],"scopecontent_html_tesm":["\u003cp\u003eResearch papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.  The collection also includes almost 2,000 books, a small portion of which will be cataloged and housed in special collections.\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence: This series contains communications regarding Lavine's professional activities, including meetings, conferences, and symposia as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. This series is organized first alphabetically by subject and then chronologically. \u003c/p\u003e","\u003cp\u003eSeries 2, Research: This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research for her MPT show; and research which culminated in her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized by subject and then chronologically. \u003c/p\u003e","\u003cp\u003eSeries 3, Publications: This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically. \u003c/p\u003e","\u003cp\u003eSeries 4, Audio/Visual: This series is comprised largely of audio cassette recordings. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" This series is organized first by subject and then chronologically.   \u003c/p\u003e  ","\u003cp\u003eThis series contains various types of correspondence including communications regarding Lavine's professional activities, such as meetings, conferences, and symposia, as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. Correspondence can also be found in the \"Research\" files. This series is organized first alphabetically by subject and then chronologically.\u003c/p\u003e","\u003cp\u003eIdentified by TZL. Includes SAAP material.\u003c/p\u003e","\u003cp\u003eIdentified by TZL. Includes research notes and clippings in addition to correspondence related to the American Philosophers Club.\u003c/p\u003e","\u003cp\u003eSeminar, courses, program.\u003c/p\u003e","\u003cp\u003eFellowship, NEH\u003c/p\u003e","\u003cp\u003eAyn Rand. Correspondence from GWU.\u003c/p\u003e","\u003cp\u003eFounders vs. American Pragmatism; Politics; History. Items relating to GMU's Dr. Buchanan.\u003c/p\u003e","\u003cp\u003eNatural law, utopia.\u003c/p\u003e","\u003cp\u003eIncludes lectures and meetings.\u003c/p\u003e","\u003cp\u003eIncludes APA material.\u003c/p\u003e","\u003cp\u003eAPA convention, philosophic societies, various.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Current.\"\u003c/p\u003e","\u003cp\u003eIncludes SAAP material.\u003c/p\u003e","\u003cp\u003eIncludes \"Krebiozen,\" Larry King.\u003c/p\u003e","\u003cp\u003eIncludes \"hypophosphatasia.\"\u003c/p\u003e","\u003cp\u003eIncludes \"Jonathan Skipp - Bantam.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL. Romantic pragmatism, American history, politics.\u003c/p\u003e","\u003cp\u003eThe problem of phenomenalism. SUNY Buffalo.\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Random House re SocSart\"\u003c/p\u003e","\u003cp\u003eArendt, B'nai B'rith, The New Yorker.\u003c/p\u003e","\u003cp\u003eNazism, fan mail, Pragmatism, Arendt.\u003c/p\u003e","\u003cp\u003eThis series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research which culminated in her MPT show and her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized alphabetically by subject and then chronologically.\u003c/p\u003e","\u003cp\u003eincludes paper by Alan Wood at Cornell.\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"America, American Phil., American Creed, Capitalism, Chaos, Communism, Communitarianism, Contemp., Counterculture, Counter Enlight.\"\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Arendt, Bell, Bellah, Bernstein, C, Blake, Bloom, Diggins.\"\u003c/p\u003e","\u003cp\u003eIncludes high school yearbooks with photos.\u003c/p\u003e","\u003cp\u003eIncludes work on history and religion.\u003c/p\u003e","\u003cp\u003eKant.\u003c/p\u003e","\u003cp\u003eLogical positivism.\u003c/p\u003e","\u003cp\u003eSantayana.\u003c/p\u003e","\u003cp\u003e\"Speech in Society.\"\u003c/p\u003e","\u003cp\u003eUndergraduate. Radcliffe.\u003c/p\u003e","\u003cp\u003eUndergraduate honors thesis on knowledge and other minds.\u003c/p\u003e","\u003cp\u003eMorality, capitalism, values.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Am \u0026amp; Crisis \u0026amp; Modernity.\"\u003c/p\u003e","\u003cp\u003eLiberty. Isaiah Berlin.\u003c/p\u003e","\u003cp\u003eCommittee on pluralism, executive committee, nominations.\u003c/p\u003e","\u003cp\u003e\"Cultural Wars.\" \"Resolving the Contradiction.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\nIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eBerlin, psychological method.\u003c/p\u003e","\u003cp\u003eDewey, Feuer, NYT book reviews.\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIncludes obituary.\u003c/p\u003e","\u003cp\u003eIncludes realia.\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Emerson, Freud, Fukuyama, Gellner, Hegel, Heidegger, Hook, Hopper, Huntington, James, Jefferson / see also Amer. Creed.\"\u003c/p\u003e","\u003cp\u003eCopies of manila file folders on which TZL had written.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Hab, Rorty, Bell, L. Goldstein, Modernity.\"\u003c/p\u003e","\u003cp\u003eAlso contains TZL's resignation letter from UMD.\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"tv program script and notes\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Kant, Kloppenberg, Lasch, Lincoln, Lipset, Malia, Mann, Pierce [sic], Rawls.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Modernity, Millenium, Multiculturalism, Overview, Pluralism, Politics, Postmodernism, Pragmatism, Religion, Socialism.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIncludes history and \"Kant's Children.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eGoode, Quine, Feuer, Merton, Weiss, Anger, Phillips.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"AM new ... Rorty notes.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Progressivism ROM/MOD + END/CONCL\"\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Ricoeur, Russell, Sandel, Schlesinger, Tocqueville, Weber, Whitman, Wittgenstein.\"\u003c/p\u003e","\u003cp\u003eIncludes work on phenomenology, research for Verstehen, Hume, Rorty.\u003c/p\u003e","\u003cp\u003eIncludes notes on American culture and religion, Dewey, ideology.\u003c/p\u003e","\u003cp\u003eIncludes notes on various research projects, some newspaper clippings, and a small amount of communication from GWU.\u003c/p\u003e","\u003cp\u003eIncludes notes on American identity, philosophy and culture, women's movement.\u003c/p\u003e","\u003cp\u003eIncludes research on ethics, religion, philosophy, WWI, Holocaust, Rwanda.\u003c/p\u003e","\u003cp\u003eIncludes research for Verstehen and on Abel.\u003c/p\u003e","\u003cp\u003eThe Jewish experience, Hegel, Kant. Murphy paper and note.\u003c/p\u003e","\u003cp\u003eIncludes work on rules, candidates, Feuer.\u003c/p\u003e","\u003cp\u003ePreparing for presentation,\u003c/p\u003e","\u003cp\u003eIncludes work on religion, nihilism, ultimate values as identified by TZL.\u003c/p\u003e","\u003cp\u003eThis series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.\u003c/p\u003e","\u003cp\u003eJournal. ABS: American Behavioral Scientist, March/April 1977, Article 6.\u003c/p\u003e","\u003cp\u003eJournal. Spring, 1981, Vol XVII, No. 2.\u003c/p\u003e","\u003cp\u003eJournal. Transactions of the Charles S. Peirce Society, Winter, 1984, Vol. XX, No. 1,\u003c/p\u003e","\u003cp\u003eBook. Boston Studies in the Philosophy of Science, Vol. 107: Philosophy, History and Social Action: Essays in Honor of Lewis Feuer. Edited by Sidney Hook, William L. O'Neill, Roger O'Toole.\u003c/p\u003e","\u003cp\u003eJournal. Transactions of the Charles S. Peirce Society, Fall, 1988, Vol. XXIV, No. 4.\u003c/p\u003e","\u003cp\u003eBook. Edited by Jo Ann Boydston.\u003c/p\u003e","\u003cp\u003eJournal. The Journal of Speculative Philosophy, Vol. VII, No 2.\u003c/p\u003e","\u003cp\u003eBook. Author Arthur F. Bentley.\u003c/p\u003e","\u003cp\u003eJournal. Social Science and Modern Society, Volume 32, No. 2, Jan/Feb 1995.\u003c/p\u003e","\u003cp\u003eJournal. Transactions of the Charles S. Peirce Society, Fall, 1997, Vol. XXXIII, No. 4.\u003c/p\u003e","\u003cp\u003eBook. Edited by Lewis Edwin Hahn.\u003c/p\u003e","\u003cp\u003eBook, used. Author Charles Frankel.\u003c/p\u003e","\u003cp\u003eBook, sealed in shrink wrap. Author Charles Frankel.\u003c/p\u003e","\u003cp\u003eThis series is comprised largely of audiotape cassettes. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" Items are audiocassettes unless otherwise identified. This series is organized first by medium, then by subject and chronologically.\u003c/p\u003e","\u003cp\u003eFordham Univ.\u003c/p\u003e","\u003cp\u003ePhilosophical Roots - German - Freud - Rank\u003c/p\u003e","\u003cp\u003eWash. Hebrew Congregation, Scholar Series\u003c/p\u003e","\u003cp\u003eTh. Lavine GWU for Smithsonian\u003c/p\u003e","\u003cp\u003eLECTURER Dr. Thelma Z. Lavine / LANGUAGE \u0026amp; CHANNEL Floor Reel ONE / SIDE ONE Lecture Part 1 / SIDE TWO Lecture Part 2\u003c/p\u003e","\u003cp\u003eLECTURER DR. Thelma Z. Lavine / LANGUAGE \u0026amp; CHANNEL Floor Reel Two / SIDE ONE Q\u0026amp;A\u003c/p\u003e","\u003cp\u003eSide A - SIE conference Vol I / Jack High (introduction) Thelma Lavine (Beg.) Ralph Rector\nSide B - Thelma Lavine (conclusion), Don Lavoie, Discussion (Beg)\u003c/p\u003e","\u003cp\u003e000-400 / 400-480 / A\n000-150 TZL / B\u003c/p\u003e","\u003cp\u003eSide A - Hegel cont'd\nSide B - \"Trinity\" \"Absolute\" Dialectic\u003c/p\u003e","\u003cp\u003eSide 1 - BLEECKER ST. PLAYERS / Kainer, R: Interview WAMU\nSide 2 - PHILOSOPHY OF PSYCHOTHERAPY / WEIGERT: Separation-Individuation\u003c/p\u003e","\u003cp\u003eAs identified on case.\u003c/p\u003e","\u003cp\u003eSide A - 20   12/11\nSide B - 12   11/4 -\u0026gt;11/11\u003c/p\u003e","\u003cp\u003e\"Witnesses to the Holocaust.\" date given is (c) date.\u003c/p\u003e","\u003cp\u003e\"May 1987\" is stamped on back, appears to be from printing service - exact date photo was taken is unknown.\u003c/p\u003e","\u003cp\u003ePhotograph of TZL in a college uniform as part of a group promoting \"GOOD HEALTH + GOOD FACULTIES.\" TZL is on the left looking to her left.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.  The collection also includes almost 2,000 books, a small portion of which will be cataloged and housed in special collections.","Series 1, Correspondence: This series contains communications regarding Lavine's professional activities, including meetings, conferences, and symposia as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. This series is organized first alphabetically by subject and then chronologically.","Series 2, Research: This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research for her MPT show; and research which culminated in her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized by subject and then chronologically.","Series 3, Publications: This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.","Series 4, Audio/Visual: This series is comprised largely of audio cassette recordings. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" This series is organized first by subject and then chronologically.","This series contains various types of correspondence including communications regarding Lavine's professional activities, such as meetings, conferences, and symposia, as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. Correspondence can also be found in the \"Research\" files. This series is organized first alphabetically by subject and then chronologically.","Identified by TZL. Includes SAAP material.","Identified by TZL. Includes research notes and clippings in addition to correspondence related to the American Philosophers Club.","Seminar, courses, program.","Fellowship, NEH","Ayn Rand. Correspondence from GWU.","Founders vs. American Pragmatism; Politics; History. Items relating to GMU's Dr. Buchanan.","Natural law, utopia.","Includes lectures and meetings.","Includes APA material.","APA convention, philosophic societies, various.","Identified by TZL as \"Current.\"","Includes SAAP material.","Includes \"Krebiozen,\" Larry King.","Includes \"hypophosphatasia.\"","Includes \"Jonathan Skipp - Bantam.\"","Identified by TZL. Romantic pragmatism, American history, politics.","The problem of phenomenalism. SUNY Buffalo.","Identified by TZL.","Identified by TZL as \"Random House re SocSart\"","Arendt, B'nai B'rith, The New Yorker.","Nazism, fan mail, Pragmatism, Arendt.","This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research which culminated in her MPT show and her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized alphabetically by subject and then chronologically.","includes paper by Alan Wood at Cornell.","Original binder tabs identified contents as \"America, American Phil., American Creed, Capitalism, Chaos, Communism, Communitarianism, Contemp., Counterculture, Counter Enlight.\"","Original binder tabs identified contents as \"Arendt, Bell, Bellah, Bernstein, C, Blake, Bloom, Diggins.\"","Includes high school yearbooks with photos.","Includes work on history and religion.","Kant.","Logical positivism.","Santayana.","\"Speech in Society.\"","Undergraduate. Radcliffe.","Undergraduate honors thesis on knowledge and other minds.","Morality, capitalism, values.","Identified by TZL as \"Am \u0026 Crisis \u0026 Modernity.\"","Liberty. Isaiah Berlin.","Committee on pluralism, executive committee, nominations.","\"Cultural Wars.\" \"Resolving the Contradiction.\"","Identified by TZL.\nIdentified by TZL.","Identified by TZL.","Berlin, psychological method.","Dewey, Feuer, NYT book reviews.","Identified by TZL.","Includes obituary.","Includes realia.","Original binder tabs identified contents as \"Emerson, Freud, Fukuyama, Gellner, Hegel, Heidegger, Hook, Hopper, Huntington, James, Jefferson / see also Amer. Creed.\"","Copies of manila file folders on which TZL had written.","Identified by TZL as \"Hab, Rorty, Bell, L. Goldstein, Modernity.\"","Also contains TZL's resignation letter from UMD.","Identified by TZL.","Identified by TZL as \"tv program script and notes\"","Identified by TZL.","Original binder tabs identified contents as \"Kant, Kloppenberg, Lasch, Lincoln, Lipset, Malia, Mann, Pierce [sic], Rawls.\"","Identified by TZL.","Original binder tabs identified contents as \"Modernity, Millenium, Multiculturalism, Overview, Pluralism, Politics, Postmodernism, Pragmatism, Religion, Socialism.\"","Identified by TZL.","Includes history and \"Kant's Children.\"","Identified by TZL.","Goode, Quine, Feuer, Merton, Weiss, Anger, Phillips.","Identified by TZL as \"AM new ... Rorty notes.\"","Identified by TZL as \"Progressivism ROM/MOD + END/CONCL\"","Original binder tabs identified contents as \"Ricoeur, Russell, Sandel, Schlesinger, Tocqueville, Weber, Whitman, Wittgenstein.\"","Includes work on phenomenology, research for Verstehen, Hume, Rorty.","Includes notes on American culture and religion, Dewey, ideology.","Includes notes on various research projects, some newspaper clippings, and a small amount of communication from GWU.","Includes notes on American identity, philosophy and culture, women's movement.","Includes research on ethics, religion, philosophy, WWI, Holocaust, Rwanda.","Includes research for Verstehen and on Abel.","The Jewish experience, Hegel, Kant. Murphy paper and note.","Includes work on rules, candidates, Feuer.","Preparing for presentation,","Includes work on religion, nihilism, ultimate values as identified by TZL.","This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.","Journal. ABS: American Behavioral Scientist, March/April 1977, Article 6.","Journal. Spring, 1981, Vol XVII, No. 2.","Journal. Transactions of the Charles S. Peirce Society, Winter, 1984, Vol. XX, No. 1,","Book. Boston Studies in the Philosophy of Science, Vol. 107: Philosophy, History and Social Action: Essays in Honor of Lewis Feuer. Edited by Sidney Hook, William L. O'Neill, Roger O'Toole.","Journal. Transactions of the Charles S. Peirce Society, Fall, 1988, Vol. XXIV, No. 4.","Book. Edited by Jo Ann Boydston.","Journal. The Journal of Speculative Philosophy, Vol. VII, No 2.","Book. Author Arthur F. Bentley.","Journal. Social Science and Modern Society, Volume 32, No. 2, Jan/Feb 1995.","Journal. Transactions of the Charles S. Peirce Society, Fall, 1997, Vol. XXXIII, No. 4.","Book. Edited by Lewis Edwin Hahn.","Book, used. Author Charles Frankel.","Book, sealed in shrink wrap. Author Charles Frankel.","This series is comprised largely of audiotape cassettes. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" Items are audiocassettes unless otherwise identified. This series is organized first by medium, then by subject and chronologically.","Fordham Univ.","Philosophical Roots - German - Freud - Rank","Wash. Hebrew Congregation, Scholar Series","Th. Lavine GWU for Smithsonian","LECTURER Dr. Thelma Z. Lavine / LANGUAGE \u0026 CHANNEL Floor Reel ONE / SIDE ONE Lecture Part 1 / SIDE TWO Lecture Part 2","LECTURER DR. Thelma Z. Lavine / LANGUAGE \u0026 CHANNEL Floor Reel Two / SIDE ONE Q\u0026A","Side A - SIE conference Vol I / Jack High (introduction) Thelma Lavine (Beg.) Ralph Rector\nSide B - Thelma Lavine (conclusion), Don Lavoie, Discussion (Beg)","000-400 / 400-480 / A\n000-150 TZL / B","Side A - Hegel cont'd\nSide B - \"Trinity\" \"Absolute\" Dialectic","Side 1 - BLEECKER ST. PLAYERS / Kainer, R: Interview WAMU\nSide 2 - PHILOSOPHY OF PSYCHOTHERAPY / WEIGERT: Separation-Individuation","As identified on case.","Side A - 20   12/11\nSide B - 12   11/4 -\u003e11/11","\"Witnesses to the Holocaust.\" date given is (c) date.","\"May 1987\" is stamped on back, appears to be from printing service - exact date photo was taken is unknown.","Photograph of TZL in a college uniform as part of a group promoting \"GOOD HEALTH + GOOD FACULTIES.\" TZL is on the left looking to her left."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_aafd885904e4dca8d35fc5d77c82371f\"\u003eResearch papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine, a philosophy professor who taught at George Mason University, George Washington University, and the University of Maryland. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.\u003c/abstract\u003e\n    "],"abstract_tesim":["Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine, a philosophy professor who taught at George Mason University, George Washington University, and the University of Maryland. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty"],"names_coll_ssim":["George Mason University--Faculty","Lavine, T. Z."],"persname_ssim":["Lavine, T. Z."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty","Lavine, T. Z."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":713,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:30.607Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_185","ead_ssi":"vifgm_repositories_2_resources_185","_root_":"vifgm_repositories_2_resources_185","_nest_parent_":"vifgm_repositories_2_resources_185","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_185.xml","title_filing_ssi":"Thelma Z. Lavine papers","title_ssm":["Thelma Z. Lavine papers"],"title_tesim":["Thelma Z. Lavine papers"],"unitdate_ssm":["1932-2007"],"unitdate_inclusive_ssm":["1932-2007"],"normalized_date_ssm":["1932/2007"],"normalized_title_ssm":["Thelma Z. Lavine papers, 1932/2007"],"text":["Thelma Z. Lavine papers, 1932/2007","C0195","/repositories/2/resources/185","Philosophy","Philosophy -- History","Civilization, Western -- Philosophy","Women in higher education","Education, Higher","Correspondence","Sound recordings","There are no access restrictions.","This collection is organized by type of material into four series.","Series\n      Series 1: Correspondence, 1960-2005 (Boxes 1-6)\n      Series 2: Research, 1930s-2007 (Boxes 6-32)\n      Series 3: Publications, 1977-2002 (Boxes 23-33)\n      Series 4: Audio/Visual, 1969-1996 (Boxes 34-43)","Born in Boston, Massachusetts, on February 12, 1915, Thelma Z. Lavine taught philosophy for over 40 years, mostly at universities in the Washington, D.C. area. Her teaching career began after she received doctoral degrees in Psychology and Philosophy from Harvard University in 1939. Prior to that, she completed an undergraduate degree at Radcliffe College in 1936. A popular lecturer, she taught at the University of Maryland in the 1950s and 1960s, then accepted a teaching position at George Washington University. She joined the faculty at George Mason University as a Robinson Professor in 1985 and taught there until she retired in 1998.","An active and well-respected philosophy professor, Lavine served in many organizations, including as president of the Washington Philosophy Club, on the Executive Committee of the Society for Advancement of American Philosophy, and on the Ralph Waldo Emerson Committee of the United Chapters of Phi Beta Kappa.","Lavine was trained by, knew, and debated well-known philosophers including Richard Rorty, John Dewey, C.I. Lewis, Susanne Langer, Hannah Arendt, Paul Weiss, and Kurt Wolff. After she moved to Washington, DC from Boston, one of her projects was to make American Philosophy relevant to students. In addition to advocating for the controversial American branch of philosophy, Lavine produced scholarship on social philosophy, philosophy of the social sciences, American naturalism, philosophy of history, and philosophy in literature.","A widely published author, she popularized philosophy with her 30-part series \"From Socrates to Sartre: The Philosophic Quest,\" which aired first on Maryland Public Television and then nationally in the early 1980s. Her book of the same name was published in 1984 and is still in print. Lavine died at her home in Washington, D.C., on January 28, 2011.","Processed by Rachel Moran and Blyth McManus in November 2013. EAD markup completed by Blyth McManus in 2013.","The Special Collections Research Center also holds the papers of many other George Mason University professors. Lavine's work \"From Socrates to Sartre\" is available in book format at the Fenwick Library and in VHS format in the Johnson Center videotapes.","Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.  The collection also includes almost 2,000 books, a small portion of which will be cataloged and housed in special collections.","Series 1, Correspondence: This series contains communications regarding Lavine's professional activities, including meetings, conferences, and symposia as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. This series is organized first alphabetically by subject and then chronologically.","Series 2, Research: This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research for her MPT show; and research which culminated in her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized by subject and then chronologically.","Series 3, Publications: This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.","Series 4, Audio/Visual: This series is comprised largely of audio cassette recordings. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" This series is organized first by subject and then chronologically.","This series contains various types of correspondence including communications regarding Lavine's professional activities, such as meetings, conferences, and symposia, as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. Correspondence can also be found in the \"Research\" files. This series is organized first alphabetically by subject and then chronologically.","Identified by TZL. Includes SAAP material.","Identified by TZL. Includes research notes and clippings in addition to correspondence related to the American Philosophers Club.","Seminar, courses, program.","Fellowship, NEH","Ayn Rand. Correspondence from GWU.","Founders vs. American Pragmatism; Politics; History. Items relating to GMU's Dr. Buchanan.","Natural law, utopia.","Includes lectures and meetings.","Includes APA material.","APA convention, philosophic societies, various.","Identified by TZL as \"Current.\"","Includes SAAP material.","Includes \"Krebiozen,\" Larry King.","Includes \"hypophosphatasia.\"","Includes \"Jonathan Skipp - Bantam.\"","Identified by TZL. Romantic pragmatism, American history, politics.","The problem of phenomenalism. SUNY Buffalo.","Identified by TZL.","Identified by TZL as \"Random House re SocSart\"","Arendt, B'nai B'rith, The New Yorker.","Nazism, fan mail, Pragmatism, Arendt.","This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research which culminated in her MPT show and her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized alphabetically by subject and then chronologically.","includes paper by Alan Wood at Cornell.","Original binder tabs identified contents as \"America, American Phil., American Creed, Capitalism, Chaos, Communism, Communitarianism, Contemp., Counterculture, Counter Enlight.\"","Original binder tabs identified contents as \"Arendt, Bell, Bellah, Bernstein, C, Blake, Bloom, Diggins.\"","Includes high school yearbooks with photos.","Includes work on history and religion.","Kant.","Logical positivism.","Santayana.","\"Speech in Society.\"","Undergraduate. Radcliffe.","Undergraduate honors thesis on knowledge and other minds.","Morality, capitalism, values.","Identified by TZL as \"Am \u0026 Crisis \u0026 Modernity.\"","Liberty. Isaiah Berlin.","Committee on pluralism, executive committee, nominations.","\"Cultural Wars.\" \"Resolving the Contradiction.\"","Identified by TZL.\nIdentified by TZL.","Identified by TZL.","Berlin, psychological method.","Dewey, Feuer, NYT book reviews.","Identified by TZL.","Includes obituary.","Includes realia.","Original binder tabs identified contents as \"Emerson, Freud, Fukuyama, Gellner, Hegel, Heidegger, Hook, Hopper, Huntington, James, Jefferson / see also Amer. Creed.\"","Copies of manila file folders on which TZL had written.","Identified by TZL as \"Hab, Rorty, Bell, L. Goldstein, Modernity.\"","Also contains TZL's resignation letter from UMD.","Identified by TZL.","Identified by TZL as \"tv program script and notes\"","Identified by TZL.","Original binder tabs identified contents as \"Kant, Kloppenberg, Lasch, Lincoln, Lipset, Malia, Mann, Pierce [sic], Rawls.\"","Identified by TZL.","Original binder tabs identified contents as \"Modernity, Millenium, Multiculturalism, Overview, Pluralism, Politics, Postmodernism, Pragmatism, Religion, Socialism.\"","Identified by TZL.","Includes history and \"Kant's Children.\"","Identified by TZL.","Goode, Quine, Feuer, Merton, Weiss, Anger, Phillips.","Identified by TZL as \"AM new ... Rorty notes.\"","Identified by TZL as \"Progressivism ROM/MOD + END/CONCL\"","Original binder tabs identified contents as \"Ricoeur, Russell, Sandel, Schlesinger, Tocqueville, Weber, Whitman, Wittgenstein.\"","Includes work on phenomenology, research for Verstehen, Hume, Rorty.","Includes notes on American culture and religion, Dewey, ideology.","Includes notes on various research projects, some newspaper clippings, and a small amount of communication from GWU.","Includes notes on American identity, philosophy and culture, women's movement.","Includes research on ethics, religion, philosophy, WWI, Holocaust, Rwanda.","Includes research for Verstehen and on Abel.","The Jewish experience, Hegel, Kant. Murphy paper and note.","Includes work on rules, candidates, Feuer.","Preparing for presentation,","Includes work on religion, nihilism, ultimate values as identified by TZL.","This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.","Journal. ABS: American Behavioral Scientist, March/April 1977, Article 6.","Journal. Spring, 1981, Vol XVII, No. 2.","Journal. Transactions of the Charles S. Peirce Society, Winter, 1984, Vol. XX, No. 1,","Book. Boston Studies in the Philosophy of Science, Vol. 107: Philosophy, History and Social Action: Essays in Honor of Lewis Feuer. Edited by Sidney Hook, William L. O'Neill, Roger O'Toole.","Journal. Transactions of the Charles S. Peirce Society, Fall, 1988, Vol. XXIV, No. 4.","Book. Edited by Jo Ann Boydston.","Journal. The Journal of Speculative Philosophy, Vol. VII, No 2.","Book. Author Arthur F. Bentley.","Journal. Social Science and Modern Society, Volume 32, No. 2, Jan/Feb 1995.","Journal. Transactions of the Charles S. Peirce Society, Fall, 1997, Vol. XXXIII, No. 4.","Book. Edited by Lewis Edwin Hahn.","Book, used. Author Charles Frankel.","Book, sealed in shrink wrap. Author Charles Frankel.","This series is comprised largely of audiotape cassettes. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" Items are audiocassettes unless otherwise identified. This series is organized first by medium, then by subject and chronologically.","Fordham Univ.","Philosophical Roots - German - Freud - Rank","Wash. Hebrew Congregation, Scholar Series","Th. Lavine GWU for Smithsonian","LECTURER Dr. Thelma Z. Lavine / LANGUAGE \u0026 CHANNEL Floor Reel ONE / SIDE ONE Lecture Part 1 / SIDE TWO Lecture Part 2","LECTURER DR. Thelma Z. Lavine / LANGUAGE \u0026 CHANNEL Floor Reel Two / SIDE ONE Q\u0026A","Side A - SIE conference Vol I / Jack High (introduction) Thelma Lavine (Beg.) Ralph Rector\nSide B - Thelma Lavine (conclusion), Don Lavoie, Discussion (Beg)","000-400 / 400-480 / A\n000-150 TZL / B","Side A - Hegel cont'd\nSide B - \"Trinity\" \"Absolute\" Dialectic","Side 1 - BLEECKER ST. PLAYERS / Kainer, R: Interview WAMU\nSide 2 - PHILOSOPHY OF PSYCHOTHERAPY / WEIGERT: Separation-Individuation","As identified on case.","Side A - 20   12/11\nSide B - 12   11/4 -\u003e11/11","\"Witnesses to the Holocaust.\" date given is (c) date.","\"May 1987\" is stamped on back, appears to be from printing service - exact date photo was taken is unknown.","Photograph of TZL in a college uniform as part of a group promoting \"GOOD HEALTH + GOOD FACULTIES.\" TZL is on the left looking to her left.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine, a philosophy professor who taught at George Mason University, George Washington University, and the University of Maryland. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.","George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty","Lavine, T. Z.","English"],"collection_title_tesim":["Thelma Z. Lavine papers, 1932/2007"],"collection_ssim":["Thelma Z. Lavine papers, 1932/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0195","/repositories/2/resources/185"],"unitid_tesim":["C0195","/repositories/2/resources/185"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Lavine, T. Z."],"creator_ssim":["Lavine, T. Z."],"creator_persname_ssim":["Lavine, T. Z."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty"],"creators_ssim":["Lavine, T. Z.","George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Margaret V. Sachs in 2011."],"access_subjects_ssim":["Philosophy","Philosophy -- History","Civilization, Western -- Philosophy","Women in higher education","Education, Higher","Correspondence","Sound recordings"],"access_subjects_ssm":["Philosophy","Philosophy -- History","Civilization, Western -- Philosophy","Women in higher education","Education, Higher","Correspondence","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["19.25 Linear Feet 43 boxes"],"extent_tesim":["19.25 Linear Feet 43 boxes"],"genreform_ssim":["Correspondence","Sound recordings"],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized by type of material into four series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence, 1960-2005 (Boxes 1-6)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Research, 1930s-2007 (Boxes 6-32)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Publications, 1977-2002 (Boxes 23-33)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Audio/Visual, 1969-1996 (Boxes 34-43)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized by type of material into four series.","Series\n      Series 1: Correspondence, 1960-2005 (Boxes 1-6)\n      Series 2: Research, 1930s-2007 (Boxes 6-32)\n      Series 3: Publications, 1977-2002 (Boxes 23-33)\n      Series 4: Audio/Visual, 1969-1996 (Boxes 34-43)"],"bioghist_html_tesm":["\u003cp\u003eBorn in Boston, Massachusetts, on February 12, 1915, Thelma Z. Lavine taught philosophy for over 40 years, mostly at universities in the Washington, D.C. area. Her teaching career began after she received doctoral degrees in Psychology and Philosophy from Harvard University in 1939. Prior to that, she completed an undergraduate degree at Radcliffe College in 1936. A popular lecturer, she taught at the University of Maryland in the 1950s and 1960s, then accepted a teaching position at George Washington University. She joined the faculty at George Mason University as a Robinson Professor in 1985 and taught there until she retired in 1998. \u003c/p\u003e","\u003cp\u003eAn active and well-respected philosophy professor, Lavine served in many organizations, including as president of the Washington Philosophy Club, on the Executive Committee of the Society for Advancement of American Philosophy, and on the Ralph Waldo Emerson Committee of the United Chapters of Phi Beta Kappa. \u003c/p\u003e","\u003cp\u003eLavine was trained by, knew, and debated well-known philosophers including Richard Rorty, John Dewey, C.I. Lewis, Susanne Langer, Hannah Arendt, Paul Weiss, and Kurt Wolff. After she moved to Washington, DC from Boston, one of her projects was to make American Philosophy relevant to students. In addition to advocating for the controversial American branch of philosophy, Lavine produced scholarship on social philosophy, philosophy of the social sciences, American naturalism, philosophy of history, and philosophy in literature. \u003c/p\u003e","\u003cp\u003eA widely published author, she popularized philosophy with her 30-part series \"From Socrates to Sartre: The Philosophic Quest,\" which aired first on Maryland Public Television and then nationally in the early 1980s. Her book of the same name was published in 1984 and is still in print. Lavine died at her home in Washington, D.C., on January 28, 2011.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in Boston, Massachusetts, on February 12, 1915, Thelma Z. Lavine taught philosophy for over 40 years, mostly at universities in the Washington, D.C. area. Her teaching career began after she received doctoral degrees in Psychology and Philosophy from Harvard University in 1939. Prior to that, she completed an undergraduate degree at Radcliffe College in 1936. A popular lecturer, she taught at the University of Maryland in the 1950s and 1960s, then accepted a teaching position at George Washington University. She joined the faculty at George Mason University as a Robinson Professor in 1985 and taught there until she retired in 1998.","An active and well-respected philosophy professor, Lavine served in many organizations, including as president of the Washington Philosophy Club, on the Executive Committee of the Society for Advancement of American Philosophy, and on the Ralph Waldo Emerson Committee of the United Chapters of Phi Beta Kappa.","Lavine was trained by, knew, and debated well-known philosophers including Richard Rorty, John Dewey, C.I. Lewis, Susanne Langer, Hannah Arendt, Paul Weiss, and Kurt Wolff. After she moved to Washington, DC from Boston, one of her projects was to make American Philosophy relevant to students. In addition to advocating for the controversial American branch of philosophy, Lavine produced scholarship on social philosophy, philosophy of the social sciences, American naturalism, philosophy of history, and philosophy in literature.","A widely published author, she popularized philosophy with her 30-part series \"From Socrates to Sartre: The Philosophic Quest,\" which aired first on Maryland Public Television and then nationally in the early 1980s. Her book of the same name was published in 1984 and is still in print. Lavine died at her home in Washington, D.C., on January 28, 2011."],"prefercite_html_tesm":["\u003cp\u003eThelma Z. Lavine papers, C0195, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Thelma Z. Lavine papers, C0195, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Rachel Moran and Blyth McManus in November 2013. EAD markup completed by Blyth McManus in 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Rachel Moran and Blyth McManus in November 2013. EAD markup completed by Blyth McManus in 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the papers of many other George Mason University professors. Lavine's work \"From Socrates to Sartre\" is available in book format at the Fenwick Library and in VHS format in the Johnson Center videotapes.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the papers of many other George Mason University professors. Lavine's work \"From Socrates to Sartre\" is available in book format at the Fenwick Library and in VHS format in the Johnson Center videotapes."],"scopecontent_html_tesm":["\u003cp\u003eResearch papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.  The collection also includes almost 2,000 books, a small portion of which will be cataloged and housed in special collections.\u003c/p\u003e","\u003cp\u003eSeries 1, Correspondence: This series contains communications regarding Lavine's professional activities, including meetings, conferences, and symposia as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. This series is organized first alphabetically by subject and then chronologically. \u003c/p\u003e","\u003cp\u003eSeries 2, Research: This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research for her MPT show; and research which culminated in her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized by subject and then chronologically. \u003c/p\u003e","\u003cp\u003eSeries 3, Publications: This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically. \u003c/p\u003e","\u003cp\u003eSeries 4, Audio/Visual: This series is comprised largely of audio cassette recordings. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" This series is organized first by subject and then chronologically.   \u003c/p\u003e  ","\u003cp\u003eThis series contains various types of correspondence including communications regarding Lavine's professional activities, such as meetings, conferences, and symposia, as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. Correspondence can also be found in the \"Research\" files. This series is organized first alphabetically by subject and then chronologically.\u003c/p\u003e","\u003cp\u003eIdentified by TZL. Includes SAAP material.\u003c/p\u003e","\u003cp\u003eIdentified by TZL. Includes research notes and clippings in addition to correspondence related to the American Philosophers Club.\u003c/p\u003e","\u003cp\u003eSeminar, courses, program.\u003c/p\u003e","\u003cp\u003eFellowship, NEH\u003c/p\u003e","\u003cp\u003eAyn Rand. Correspondence from GWU.\u003c/p\u003e","\u003cp\u003eFounders vs. American Pragmatism; Politics; History. Items relating to GMU's Dr. Buchanan.\u003c/p\u003e","\u003cp\u003eNatural law, utopia.\u003c/p\u003e","\u003cp\u003eIncludes lectures and meetings.\u003c/p\u003e","\u003cp\u003eIncludes APA material.\u003c/p\u003e","\u003cp\u003eAPA convention, philosophic societies, various.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Current.\"\u003c/p\u003e","\u003cp\u003eIncludes SAAP material.\u003c/p\u003e","\u003cp\u003eIncludes \"Krebiozen,\" Larry King.\u003c/p\u003e","\u003cp\u003eIncludes \"hypophosphatasia.\"\u003c/p\u003e","\u003cp\u003eIncludes \"Jonathan Skipp - Bantam.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL. Romantic pragmatism, American history, politics.\u003c/p\u003e","\u003cp\u003eThe problem of phenomenalism. SUNY Buffalo.\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Random House re SocSart\"\u003c/p\u003e","\u003cp\u003eArendt, B'nai B'rith, The New Yorker.\u003c/p\u003e","\u003cp\u003eNazism, fan mail, Pragmatism, Arendt.\u003c/p\u003e","\u003cp\u003eThis series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research which culminated in her MPT show and her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized alphabetically by subject and then chronologically.\u003c/p\u003e","\u003cp\u003eincludes paper by Alan Wood at Cornell.\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"America, American Phil., American Creed, Capitalism, Chaos, Communism, Communitarianism, Contemp., Counterculture, Counter Enlight.\"\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Arendt, Bell, Bellah, Bernstein, C, Blake, Bloom, Diggins.\"\u003c/p\u003e","\u003cp\u003eIncludes high school yearbooks with photos.\u003c/p\u003e","\u003cp\u003eIncludes work on history and religion.\u003c/p\u003e","\u003cp\u003eKant.\u003c/p\u003e","\u003cp\u003eLogical positivism.\u003c/p\u003e","\u003cp\u003eSantayana.\u003c/p\u003e","\u003cp\u003e\"Speech in Society.\"\u003c/p\u003e","\u003cp\u003eUndergraduate. Radcliffe.\u003c/p\u003e","\u003cp\u003eUndergraduate honors thesis on knowledge and other minds.\u003c/p\u003e","\u003cp\u003eMorality, capitalism, values.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Am \u0026amp; Crisis \u0026amp; Modernity.\"\u003c/p\u003e","\u003cp\u003eLiberty. Isaiah Berlin.\u003c/p\u003e","\u003cp\u003eCommittee on pluralism, executive committee, nominations.\u003c/p\u003e","\u003cp\u003e\"Cultural Wars.\" \"Resolving the Contradiction.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\nIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eBerlin, psychological method.\u003c/p\u003e","\u003cp\u003eDewey, Feuer, NYT book reviews.\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIncludes obituary.\u003c/p\u003e","\u003cp\u003eIncludes realia.\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Emerson, Freud, Fukuyama, Gellner, Hegel, Heidegger, Hook, Hopper, Huntington, James, Jefferson / see also Amer. Creed.\"\u003c/p\u003e","\u003cp\u003eCopies of manila file folders on which TZL had written.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Hab, Rorty, Bell, L. Goldstein, Modernity.\"\u003c/p\u003e","\u003cp\u003eAlso contains TZL's resignation letter from UMD.\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"tv program script and notes\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Kant, Kloppenberg, Lasch, Lincoln, Lipset, Malia, Mann, Pierce [sic], Rawls.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Modernity, Millenium, Multiculturalism, Overview, Pluralism, Politics, Postmodernism, Pragmatism, Religion, Socialism.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eIncludes history and \"Kant's Children.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL.\u003c/p\u003e","\u003cp\u003eGoode, Quine, Feuer, Merton, Weiss, Anger, Phillips.\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"AM new ... Rorty notes.\"\u003c/p\u003e","\u003cp\u003eIdentified by TZL as \"Progressivism ROM/MOD + END/CONCL\"\u003c/p\u003e","\u003cp\u003eOriginal binder tabs identified contents as \"Ricoeur, Russell, Sandel, Schlesinger, Tocqueville, Weber, Whitman, Wittgenstein.\"\u003c/p\u003e","\u003cp\u003eIncludes work on phenomenology, research for Verstehen, Hume, Rorty.\u003c/p\u003e","\u003cp\u003eIncludes notes on American culture and religion, Dewey, ideology.\u003c/p\u003e","\u003cp\u003eIncludes notes on various research projects, some newspaper clippings, and a small amount of communication from GWU.\u003c/p\u003e","\u003cp\u003eIncludes notes on American identity, philosophy and culture, women's movement.\u003c/p\u003e","\u003cp\u003eIncludes research on ethics, religion, philosophy, WWI, Holocaust, Rwanda.\u003c/p\u003e","\u003cp\u003eIncludes research for Verstehen and on Abel.\u003c/p\u003e","\u003cp\u003eThe Jewish experience, Hegel, Kant. Murphy paper and note.\u003c/p\u003e","\u003cp\u003eIncludes work on rules, candidates, Feuer.\u003c/p\u003e","\u003cp\u003ePreparing for presentation,\u003c/p\u003e","\u003cp\u003eIncludes work on religion, nihilism, ultimate values as identified by TZL.\u003c/p\u003e","\u003cp\u003eThis series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.\u003c/p\u003e","\u003cp\u003eJournal. ABS: American Behavioral Scientist, March/April 1977, Article 6.\u003c/p\u003e","\u003cp\u003eJournal. Spring, 1981, Vol XVII, No. 2.\u003c/p\u003e","\u003cp\u003eJournal. Transactions of the Charles S. Peirce Society, Winter, 1984, Vol. XX, No. 1,\u003c/p\u003e","\u003cp\u003eBook. Boston Studies in the Philosophy of Science, Vol. 107: Philosophy, History and Social Action: Essays in Honor of Lewis Feuer. Edited by Sidney Hook, William L. O'Neill, Roger O'Toole.\u003c/p\u003e","\u003cp\u003eJournal. Transactions of the Charles S. Peirce Society, Fall, 1988, Vol. XXIV, No. 4.\u003c/p\u003e","\u003cp\u003eBook. Edited by Jo Ann Boydston.\u003c/p\u003e","\u003cp\u003eJournal. The Journal of Speculative Philosophy, Vol. VII, No 2.\u003c/p\u003e","\u003cp\u003eBook. Author Arthur F. Bentley.\u003c/p\u003e","\u003cp\u003eJournal. Social Science and Modern Society, Volume 32, No. 2, Jan/Feb 1995.\u003c/p\u003e","\u003cp\u003eJournal. Transactions of the Charles S. Peirce Society, Fall, 1997, Vol. XXXIII, No. 4.\u003c/p\u003e","\u003cp\u003eBook. Edited by Lewis Edwin Hahn.\u003c/p\u003e","\u003cp\u003eBook, used. Author Charles Frankel.\u003c/p\u003e","\u003cp\u003eBook, sealed in shrink wrap. Author Charles Frankel.\u003c/p\u003e","\u003cp\u003eThis series is comprised largely of audiotape cassettes. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" Items are audiocassettes unless otherwise identified. This series is organized first by medium, then by subject and chronologically.\u003c/p\u003e","\u003cp\u003eFordham Univ.\u003c/p\u003e","\u003cp\u003ePhilosophical Roots - German - Freud - Rank\u003c/p\u003e","\u003cp\u003eWash. Hebrew Congregation, Scholar Series\u003c/p\u003e","\u003cp\u003eTh. Lavine GWU for Smithsonian\u003c/p\u003e","\u003cp\u003eLECTURER Dr. Thelma Z. Lavine / LANGUAGE \u0026amp; CHANNEL Floor Reel ONE / SIDE ONE Lecture Part 1 / SIDE TWO Lecture Part 2\u003c/p\u003e","\u003cp\u003eLECTURER DR. Thelma Z. Lavine / LANGUAGE \u0026amp; CHANNEL Floor Reel Two / SIDE ONE Q\u0026amp;A\u003c/p\u003e","\u003cp\u003eSide A - SIE conference Vol I / Jack High (introduction) Thelma Lavine (Beg.) Ralph Rector\nSide B - Thelma Lavine (conclusion), Don Lavoie, Discussion (Beg)\u003c/p\u003e","\u003cp\u003e000-400 / 400-480 / A\n000-150 TZL / B\u003c/p\u003e","\u003cp\u003eSide A - Hegel cont'd\nSide B - \"Trinity\" \"Absolute\" Dialectic\u003c/p\u003e","\u003cp\u003eSide 1 - BLEECKER ST. PLAYERS / Kainer, R: Interview WAMU\nSide 2 - PHILOSOPHY OF PSYCHOTHERAPY / WEIGERT: Separation-Individuation\u003c/p\u003e","\u003cp\u003eAs identified on case.\u003c/p\u003e","\u003cp\u003eSide A - 20   12/11\nSide B - 12   11/4 -\u0026gt;11/11\u003c/p\u003e","\u003cp\u003e\"Witnesses to the Holocaust.\" date given is (c) date.\u003c/p\u003e","\u003cp\u003e\"May 1987\" is stamped on back, appears to be from printing service - exact date photo was taken is unknown.\u003c/p\u003e","\u003cp\u003ePhotograph of TZL in a college uniform as part of a group promoting \"GOOD HEALTH + GOOD FACULTIES.\" TZL is on the left looking to her left.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.  The collection also includes almost 2,000 books, a small portion of which will be cataloged and housed in special collections.","Series 1, Correspondence: This series contains communications regarding Lavine's professional activities, including meetings, conferences, and symposia as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. This series is organized first alphabetically by subject and then chronologically.","Series 2, Research: This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research for her MPT show; and research which culminated in her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized by subject and then chronologically.","Series 3, Publications: This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.","Series 4, Audio/Visual: This series is comprised largely of audio cassette recordings. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" This series is organized first by subject and then chronologically.","This series contains various types of correspondence including communications regarding Lavine's professional activities, such as meetings, conferences, and symposia, as well as journal submissions and presentations; correspondence relating to her MPT TV series and her book \"From Socrates to Sartre: The Philosophic Quest;\" correspondence with other scholars and philosophers; and fan mail from her students, readers, and viewers. Correspondence can also be found in the \"Research\" files. This series is organized first alphabetically by subject and then chronologically.","Identified by TZL. Includes SAAP material.","Identified by TZL. Includes research notes and clippings in addition to correspondence related to the American Philosophers Club.","Seminar, courses, program.","Fellowship, NEH","Ayn Rand. Correspondence from GWU.","Founders vs. American Pragmatism; Politics; History. Items relating to GMU's Dr. Buchanan.","Natural law, utopia.","Includes lectures and meetings.","Includes APA material.","APA convention, philosophic societies, various.","Identified by TZL as \"Current.\"","Includes SAAP material.","Includes \"Krebiozen,\" Larry King.","Includes \"hypophosphatasia.\"","Includes \"Jonathan Skipp - Bantam.\"","Identified by TZL. Romantic pragmatism, American history, politics.","The problem of phenomenalism. SUNY Buffalo.","Identified by TZL.","Identified by TZL as \"Random House re SocSart\"","Arendt, B'nai B'rith, The New Yorker.","Nazism, fan mail, Pragmatism, Arendt.","This series contains notes, clippings, and other papers related to Lavine's work as a scholar and professional philosopher. This series includes published articles, book reviews, newspaper articles and editorials written by her and by others; research which culminated in her MPT show and her book. Ranging from small local workshops to large international meetings, the conferences for which there are research, programs, and complete presentation papers cover a range of themes including the women's movement. This series also contains materials from Lavine's work as a student, scholar, and teacher. This series is first organized alphabetically by subject and then chronologically.","includes paper by Alan Wood at Cornell.","Original binder tabs identified contents as \"America, American Phil., American Creed, Capitalism, Chaos, Communism, Communitarianism, Contemp., Counterculture, Counter Enlight.\"","Original binder tabs identified contents as \"Arendt, Bell, Bellah, Bernstein, C, Blake, Bloom, Diggins.\"","Includes high school yearbooks with photos.","Includes work on history and religion.","Kant.","Logical positivism.","Santayana.","\"Speech in Society.\"","Undergraduate. Radcliffe.","Undergraduate honors thesis on knowledge and other minds.","Morality, capitalism, values.","Identified by TZL as \"Am \u0026 Crisis \u0026 Modernity.\"","Liberty. Isaiah Berlin.","Committee on pluralism, executive committee, nominations.","\"Cultural Wars.\" \"Resolving the Contradiction.\"","Identified by TZL.\nIdentified by TZL.","Identified by TZL.","Berlin, psychological method.","Dewey, Feuer, NYT book reviews.","Identified by TZL.","Includes obituary.","Includes realia.","Original binder tabs identified contents as \"Emerson, Freud, Fukuyama, Gellner, Hegel, Heidegger, Hook, Hopper, Huntington, James, Jefferson / see also Amer. Creed.\"","Copies of manila file folders on which TZL had written.","Identified by TZL as \"Hab, Rorty, Bell, L. Goldstein, Modernity.\"","Also contains TZL's resignation letter from UMD.","Identified by TZL.","Identified by TZL as \"tv program script and notes\"","Identified by TZL.","Original binder tabs identified contents as \"Kant, Kloppenberg, Lasch, Lincoln, Lipset, Malia, Mann, Pierce [sic], Rawls.\"","Identified by TZL.","Original binder tabs identified contents as \"Modernity, Millenium, Multiculturalism, Overview, Pluralism, Politics, Postmodernism, Pragmatism, Religion, Socialism.\"","Identified by TZL.","Includes history and \"Kant's Children.\"","Identified by TZL.","Goode, Quine, Feuer, Merton, Weiss, Anger, Phillips.","Identified by TZL as \"AM new ... Rorty notes.\"","Identified by TZL as \"Progressivism ROM/MOD + END/CONCL\"","Original binder tabs identified contents as \"Ricoeur, Russell, Sandel, Schlesinger, Tocqueville, Weber, Whitman, Wittgenstein.\"","Includes work on phenomenology, research for Verstehen, Hume, Rorty.","Includes notes on American culture and religion, Dewey, ideology.","Includes notes on various research projects, some newspaper clippings, and a small amount of communication from GWU.","Includes notes on American identity, philosophy and culture, women's movement.","Includes research on ethics, religion, philosophy, WWI, Holocaust, Rwanda.","Includes research for Verstehen and on Abel.","The Jewish experience, Hegel, Kant. Murphy paper and note.","Includes work on rules, candidates, Feuer.","Preparing for presentation,","Includes work on religion, nihilism, ultimate values as identified by TZL.","This series contains original books and professional journals which contain writings from Lavine. A seventh edition English-language copy of her book is present, as well as a copy of the Japanese-language edition. This series is organized chronologically.","Journal. ABS: American Behavioral Scientist, March/April 1977, Article 6.","Journal. Spring, 1981, Vol XVII, No. 2.","Journal. Transactions of the Charles S. Peirce Society, Winter, 1984, Vol. XX, No. 1,","Book. Boston Studies in the Philosophy of Science, Vol. 107: Philosophy, History and Social Action: Essays in Honor of Lewis Feuer. Edited by Sidney Hook, William L. O'Neill, Roger O'Toole.","Journal. Transactions of the Charles S. Peirce Society, Fall, 1988, Vol. XXIV, No. 4.","Book. Edited by Jo Ann Boydston.","Journal. The Journal of Speculative Philosophy, Vol. VII, No 2.","Book. Author Arthur F. Bentley.","Journal. Social Science and Modern Society, Volume 32, No. 2, Jan/Feb 1995.","Journal. Transactions of the Charles S. Peirce Society, Fall, 1997, Vol. XXXIII, No. 4.","Book. Edited by Lewis Edwin Hahn.","Book, used. Author Charles Frankel.","Book, sealed in shrink wrap. Author Charles Frankel.","This series is comprised largely of audiotape cassettes. Included are classroom lectures and radio interviews, as well as a few miscellaneous items such as a memorial speech. Complete or nearly complete lecture series include \"From Socrates to Sartre,\" \"Philosophy 19th Century,\" \"Philosophy 355,\" \"Philosophy of America,\" \"Philosophy of History,\" \"Philosophy and Literature/Philosophy of Literature,\" and \"Philosophy and Social Science/Social Philosophy.\" Items are audiocassettes unless otherwise identified. This series is organized first by medium, then by subject and chronologically.","Fordham Univ.","Philosophical Roots - German - Freud - Rank","Wash. Hebrew Congregation, Scholar Series","Th. Lavine GWU for Smithsonian","LECTURER Dr. Thelma Z. Lavine / LANGUAGE \u0026 CHANNEL Floor Reel ONE / SIDE ONE Lecture Part 1 / SIDE TWO Lecture Part 2","LECTURER DR. Thelma Z. Lavine / LANGUAGE \u0026 CHANNEL Floor Reel Two / SIDE ONE Q\u0026A","Side A - SIE conference Vol I / Jack High (introduction) Thelma Lavine (Beg.) Ralph Rector\nSide B - Thelma Lavine (conclusion), Don Lavoie, Discussion (Beg)","000-400 / 400-480 / A\n000-150 TZL / B","Side A - Hegel cont'd\nSide B - \"Trinity\" \"Absolute\" Dialectic","Side 1 - BLEECKER ST. PLAYERS / Kainer, R: Interview WAMU\nSide 2 - PHILOSOPHY OF PSYCHOTHERAPY / WEIGERT: Separation-Individuation","As identified on case.","Side A - 20   12/11\nSide B - 12   11/4 -\u003e11/11","\"Witnesses to the Holocaust.\" date given is (c) date.","\"May 1987\" is stamped on back, appears to be from printing service - exact date photo was taken is unknown.","Photograph of TZL in a college uniform as part of a group promoting \"GOOD HEALTH + GOOD FACULTIES.\" TZL is on the left looking to her left."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_aafd885904e4dca8d35fc5d77c82371f\"\u003eResearch papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine, a philosophy professor who taught at George Mason University, George Washington University, and the University of Maryland. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances.\u003c/abstract\u003e\n    "],"abstract_tesim":["Research papers, correspondence, articles, and notes that document the career of Thelma Z. Lavine, a philosophy professor who taught at George Mason University, George Washington University, and the University of Maryland. There are also approximately 324 audiotape cassettes of lectures by Lavine as well as radio show appearances."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty"],"names_coll_ssim":["George Mason University--Faculty","Lavine, T. Z."],"persname_ssim":["Lavine, T. Z."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University--Faculty","Lavine, T. Z."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":713,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:30.607Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_185"}},{"id":"vilxw_repositories_5_resources_797","type":"collection","attributes":{"title":"Thomas Henry Carter Audiorecordings, 1961/1962","creator":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_797#creator","type":"document_value","attributes":{"value":"Carter, Thomas H. (Thomas Henry)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_797#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains digital audio files of Thomas Henry Carter reading poetry from his chapbook Signs of the Times. The recording was made by Recorded Publications Laboratory in 1962.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_797#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_797","ead_ssi":"vilxw_repositories_5_resources_797","_root_":"vilxw_repositories_5_resources_797","_nest_parent_":"vilxw_repositories_5_resources_797","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_797.xml","title_ssm":["Thomas Henry Carter Audiorecordings"],"title_tesim":["Thomas Henry Carter Audiorecordings"],"unitdate_ssm":["ca. 1961-1962"],"unitdate_other_ssim":["ca. 1961-1962"],"normalized_date_ssm":["1961/1962"],"normalized_title_ssm":["Thomas Henry Carter Audiorecordings, 1961/1962"],"text":["Thomas Henry Carter Audiorecordings, 1961/1962","WLU.Coll.0504","/repositories/5/resources/797","Poetry","Sound recordings","Thomas H. Carter Correspondence (WLU Coll 0004)","This collection contains digital audio files of Thomas Henry Carter reading poetry from his chapbook Signs of the Times.  The recording was made by Recorded Publications Laboratory in 1962.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory","Carter, Thomas H. (Thomas Henry)","Scott, Johnson","English"],"collection_title_tesim":["Thomas Henry Carter Audiorecordings, 1961/1962"],"collection_ssim":["Thomas Henry Carter Audiorecordings, 1961/1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0504","/repositories/5/resources/797"],"unitid_tesim":["WLU.Coll.0504","/repositories/5/resources/797"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Carter, Thomas H. (Thomas Henry)","Recorded Publications Laboratory","Scott, Johnson"],"creator_ssim":["Carter, Thomas H. (Thomas Henry)","Recorded Publications Laboratory","Scott, Johnson"],"creator_persname_ssim":["Carter, Thomas H. (Thomas Henry)","Scott, Johnson"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory"],"creators_ssim":["Carter, Thomas H. (Thomas Henry)","Scott, Johnson","Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Gift of Johnson Scott in September 2015."],"access_subjects_ssim":["Poetry","Sound recordings"],"access_subjects_ssm":["Poetry","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["10 Item"],"extent_tesim":["10 Item"],"date_range_isim":[1961,1962],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Thomas Henry Carter Audio Recordings, WLU Coll. 0502, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], Thomas Henry Carter Audio Recordings, WLU Coll. 0502, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"relatedmaterial_html_tesm":["\u003cp\u003eThomas H. Carter Correspondence (WLU Coll 0004)\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Thomas H. Carter Correspondence (WLU Coll 0004)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains digital audio files of Thomas Henry Carter reading poetry from his chapbook Signs of the Times.  The recording was made by Recorded Publications Laboratory in 1962.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains digital audio files of Thomas Henry Carter reading poetry from his chapbook Signs of the Times.  The recording was made by Recorded Publications Laboratory in 1962."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory"],"persname_ssim":["Carter, Thomas H. (Thomas Henry)","Scott, Johnson"],"names_coll_ssim":["Scott, Johnson"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory","Carter, Thomas H. (Thomas Henry)","Scott, Johnson"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:02:14.389Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_797","ead_ssi":"vilxw_repositories_5_resources_797","_root_":"vilxw_repositories_5_resources_797","_nest_parent_":"vilxw_repositories_5_resources_797","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_797.xml","title_ssm":["Thomas Henry Carter Audiorecordings"],"title_tesim":["Thomas Henry Carter Audiorecordings"],"unitdate_ssm":["ca. 1961-1962"],"unitdate_other_ssim":["ca. 1961-1962"],"normalized_date_ssm":["1961/1962"],"normalized_title_ssm":["Thomas Henry Carter Audiorecordings, 1961/1962"],"text":["Thomas Henry Carter Audiorecordings, 1961/1962","WLU.Coll.0504","/repositories/5/resources/797","Poetry","Sound recordings","Thomas H. Carter Correspondence (WLU Coll 0004)","This collection contains digital audio files of Thomas Henry Carter reading poetry from his chapbook Signs of the Times.  The recording was made by Recorded Publications Laboratory in 1962.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory","Carter, Thomas H. (Thomas Henry)","Scott, Johnson","English"],"collection_title_tesim":["Thomas Henry Carter Audiorecordings, 1961/1962"],"collection_ssim":["Thomas Henry Carter Audiorecordings, 1961/1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0504","/repositories/5/resources/797"],"unitid_tesim":["WLU.Coll.0504","/repositories/5/resources/797"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Carter, Thomas H. (Thomas Henry)","Recorded Publications Laboratory","Scott, Johnson"],"creator_ssim":["Carter, Thomas H. (Thomas Henry)","Recorded Publications Laboratory","Scott, Johnson"],"creator_persname_ssim":["Carter, Thomas H. (Thomas Henry)","Scott, Johnson"],"creator_corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory"],"creators_ssim":["Carter, Thomas H. (Thomas Henry)","Scott, Johnson","Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Gift of Johnson Scott in September 2015."],"access_subjects_ssim":["Poetry","Sound recordings"],"access_subjects_ssm":["Poetry","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["10 Item"],"extent_tesim":["10 Item"],"date_range_isim":[1961,1962],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Thomas Henry Carter Audio Recordings, WLU Coll. 0502, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e  "],"prefercite_tesim":["Preferred citation: [Identification of item], Thomas Henry Carter Audio Recordings, WLU Coll. 0502, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"relatedmaterial_html_tesm":["\u003cp\u003eThomas H. Carter Correspondence (WLU Coll 0004)\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Thomas H. Carter Correspondence (WLU Coll 0004)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains digital audio files of Thomas Henry Carter reading poetry from his chapbook Signs of the Times.  The recording was made by Recorded Publications Laboratory in 1962.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains digital audio files of Thomas Henry Carter reading poetry from his chapbook Signs of the Times.  The recording was made by Recorded Publications Laboratory in 1962."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory"],"persname_ssim":["Carter, Thomas H. (Thomas Henry)","Scott, Johnson"],"names_coll_ssim":["Scott, Johnson"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Recorded Publications Laboratory","Carter, Thomas H. (Thomas Henry)","Scott, Johnson"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:02:14.389Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_797"}},{"id":"vifgm_repositories_2_resources_665","type":"collection","attributes":{"title":"Through Women's Eyes: Southeast Asian American Women's Stories records, 1980/2016","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_665#creator","type":"document_value","attributes":{"value":"Robinson, Uaporn Ang","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_665#abstract_or_scope","type":"document_value","attributes":{"value":"Through Women's Eyes: Southeast Asian American Women's Stories contains materials that tell the stories of Southeast Asian American women who were born in Cambodia, Laos, Thailand, or Vietnam and migrated to the metropolitan Washington, D.C. area in their young adult years during the 1970s-1990s. This oral history project, conducted in the early 1990s, aims to describe what caused these women to move and their transition into American culture and life while keeping their native customs alive in their homes. The project was made into an temportary independent exhibit for the Smithsonian in 2016.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_665#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_665","ead_ssi":"vifgm_repositories_2_resources_665","_root_":"vifgm_repositories_2_resources_665","_nest_parent_":"vifgm_repositories_2_resources_665","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_665.xml","title_ssm":["Through Women's Eyes: Southeast Asian American Women's Stories records"],"title_tesim":["Through Women's Eyes: Southeast Asian American Women's Stories records"],"unitdate_ssm":["1980s-2016"],"unitdate_inclusive_ssm":["1980s-2016"],"normalized_date_ssm":["1980/2016"],"normalized_title_ssm":["Through Women's Eyes: Southeast Asian American Women's Stories records, 1980/2016"],"text":["Through Women's Eyes: Southeast Asian American Women's Stories records, 1980/2016","C0509","/repositories/2/resources/665","Cambodia","Laos","Thailand","Vietnam","Oral history","Southeast Asian American women","Sound recordings","There are no access restrictions.","This collection is arranged in 4 series.","Series\n      Series 1: Project Files\n      Series 2: Interview Subjects\n      Series 3: Photographs\n      Series 4: Cassette tapes","Through Women's Eyes: Southeast Asian American Women's Stories was an Oral History project originally titled Dual Identities/Multiple Roles conducted by Lisa Falk and Uaporn Ang Robinson in the early 1990s in which they interviewed and photographed eighteen Southeast Asian American women who were born in Cambodia, Laos, Thailand, or Vietnam, and migrated to the metropolitan Washington, D.C. area in their young adult years during the 1960s-1990s.","Individuals from Cambodia:","Sisopha Mai Chavez and Bopha Mai Ram migrated to the United States in the early 1980s. The two sisters were separated from one another and their family during the Pol Pot regime. As they separately migrated west, they rediscovered one another and stuck together in a refugee camp. At the camp, they found their brother, Somet, and Bopha got married. The sisters were able to migrate to the United States through Somet's connections with foreign journalists. Once in the country, Bopha gave birth to a daughter and the sisters, Somet, and Bopha's daughter and husband all lived in a small apartment. Sisopha found employment at a multitude of restaurants, in which she met her now husband, Francisco Chavez. The pair had two kids together. In 1988, the sisters and their families raised enough money to open a grocery store in Arlington Virginia called Asian Grocery Market.","Thida C. Khus migrated to the United States with her children in 1979, shortly after Cambodia fell to the communist regime. Reunited with her husband four months later, Thida worked as a social worker for the United Catholic Conference until 1985, when she established the Khmer Cambodian Society of San Antonio. In 1989, Khus moved to Washington, D.C. and worked as the executive director of the Cambodian Network Council.","Lany Tan Lang arrived in the United States in 1964 through a student exchange program. She was unable to return to Cambodia after the country cut ties with the United States and she was sent to live in Hawaii. There, she married and gave birth to a girl. She and her family moved to the D.C. area shortly after and she found employment as a Khmer instructor at the Foreign Service Institute. In 1987, she received her master's degree in social work and became the first Cambodian woman to work in Maryland's Mental Health Department where she assisted Cambodian and Thai refugees.","Sam-Oeun (Rady) Tes arrived in the United States in 1971 when she was 20 years old. Her uncle worked as a US ambassador and decided to bring her along to the country. Tes met her husband in person shortly after arriving in the states and got married in the embassy. She learned English by attending night school and worked as a hairdresser during the day. Prior to arriving in the states, Tes was a dancer who performed traditionally for the royal family in Cambodia. She began teaching dance in her home in 1976, creating the Cambodian-American Heritage Group, completely free of charge in hope of bringing Cambodian culture to the United States.","Individuals from Laos:","Phourasmy Naughton arrived in the United States as a student but returned back to Laos to work at the United States Information Agency. She decided to come back to the states and found work at the Lao section of Voice of America as a radio broadcaster. Alongside this, Naughton dedicated much of her time at the Laos refugee resettlement community and also helped establish Wat Lao Buddhavong, a Lao Buddhist temple, in Manassas, Virginia. Naughton became a Buddhist nun and aided in resettling Thai refugees in the D.C. area.","Suparak Pathammavong family escaped to the United States in the late 1970s after her father was taken to a concentration camp by the communist government. Fortunately, her father was reunited with them in the states. Despite having difficulty with speaking in English, Pathammavong completed her highschool education and pursued her Bachelor's in Engineering from Capital College in Maryland. Pathammavong later found a job as a system engineer and technician trainer at Sprint International. She got married in 1996 and had two children.","Kathy Prasith's family is made up of immigrants. She practiced Lao traditional dances at the Wat Lao Buddhavong temple and she was the youngest of all the interviewees. At the time of the interview, Kathy was only just beginning 7th grade.","Bounsou Sananikone migrated to the United States in 1975, when Laos faced a communist takeover. Prior to leaving, Sananikone was an accomplished artist and director of the Social Services Lao Public Health. When she arrived in the United States, Sananikone dedicated herself to helping the Lao community in the northern Virginia area.","Tomkham Somphanh came to the United States as a student, after receiving a Fulbright Scholarship to study at Peabody University in Tennessee. During the 1960s, her husband worked for the Lao government, which required her family to travel between Moscow and New York. In 1975, Somphanh and her family lived in New York when the Lao government fell under control of the communist party, leaving Somphanh's family stranded. Somphanh felt it was too unsafe to return to Laos and applied for asylum in the states. With their savings, Somphanh and her family were able to stay financially afloat. They opened a laundromat and upgraded to running a printing company.","Individuals from Thailand:","Suwattana (Toi) H.A. arrived in the United States as a student in 1971. She attended Marymount College obtaining her degree in business. In 1978, she and her husband bought a restaurant that served both American and Thai food. It was one of the first to do so. In 1988, they opened their own restaurant called \"Star of Siam\" in downtown Washington, D.C. Since then they have opened up 2 more \"Star of Siam\" in the Washington D.C./Virginia area.","Dr. Anchalee Musikabhumma came to the United States as a medical student in 1971. Prior to living in the States, Dr. Musikabhumma studied dance alongside her medical degree in Thailand. Alongside working as a pediatrician, Dr. Musikabhumma regularly attended the Wat Thai temple where she helps arrange dances for the temple.","Artree (Audrey) Panichakoon arrived in the United States when she was 8 years old. At the time of the interview, Artree was a 22 year old college student. She studied graphic design in college and eventually worked for A Magazine in New York City.","Panida Puccinelli arrived in the United States in 1974, after being accepted at Ohio University. She graduated with a master's degree and met her husband during her years at school. In 1976, Puccinelli went back to Thailand and had a traditional wedding, before moving back to the states, where she began working at an American First bank.","Individuals from Vietnam:","Nguyen Nguyet Anh and her family migrated to the United States in 1975, a week after the Vietnam government fell under communist control. Before reaching the states, Anh wondered how she could best help her country and felt she could do it best through music. She has written and recorded over 200 songs that she performs at refugee camps around the world.","Kim Chi Crittenden migrated to the United States after marrying her husband the month before Vietnam fell under control of communism. Her and her husband temporarily lived in the South before moving to northern Virginia where she obtained her master's degree in teaching and had three girls. She taught ESL at Abington Elementary in Arlington, VA and learned Spanish after noticing the rising number of latine refugee students. She prides herself on her hard work and dedication to her goals.","Khuc Minh Tho arrived in the United States in the mid 1970s. She worked for the Vietnamese Embassy in the Philippines until the Vietnamese government fell under control of the communists. She and her three children were granted asylum to move to the United States. She began working as Records Assistant for the Arlington County government and was the first Vietnamese worker in their Department of Human Services. Shortly after, she founded the Vietnamese Political Prisoners Association (FVPPA), an origination dedicated to help represent the rights of Vietnamese political prisoners and aid in reunification with their families.","Anh-Huong Thi Tu arrived in the United States in 1969, after receiving a scholarship through the United States Agency for International Development. After studying journalism, Thi Tu went back to Vietnam, and worked as an assistant for the Ministry of Foreign Affairs. In 1975, Thi Tu left Vietnam, after the government fell under communism. She lived temporarily in California before moving to the D.C. area. She went back to school for law and began working for Volunteers for the Elderly, a paralegal advocacy group which provided legal services to low-income, older minoritized people.","Processing completed by Vilma Chicas Garcia from June-August 2023. Finding aid completed by Vilma Chicas Garcia in August 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from August – September 2025.","The Special Collections Research Center also holds other , as well as collections focusing on Southeast Asia, particularly","The University of California - Irvine is the repository for the , which holds oral history collections.","Through Women's Eyes: Southeast Asian American Women's Stories records consists mainly of interview cassette tapes and transcripts, contact sheets, photographs, photo negatives, and photo slides. The collection is arranged into 4 series.","Series 1: Project Files contains information about the Dual Identities/Multiple Roles project into the Through Women's Eyes Oral History Project in the 1990s. It consists of two sub-series. Sub-series 1: Planning and exhibition files which contains materials of the project itself and Sub-series 2: Research materials which contains sources that assisted in interviewing the Southeast Asian women and provided the researcher more background information of each country.","Series 2: Interview Subjects is arranged by the Southeast Asian country each woman originated from. It includes interview records and transcripts, correspondence, biographical information, and other personal materials from the interviewees. The subsections are ordered alphabetically, starting with Sub-series 1: Cambodia, Sub-series 2: Laos, Sub-series 3: Thailand, and Sub-series 4: Vietnam. Individuals are arranged alphabetically under their country.","Series 3: Photographs hold all images taken throughout the project. It is arranged alphabetically by country, then by individual. This series contains contact sheets, photographs, photo negatives, and photo slides.","Series 4: Cassette tapes includes 26 original cassette tapes used to record the oral history project. It is arranged alphabetically by interview subject last name, with some interviews spread across two cassette tapes.","Daughter of Sisophia Mai Chavez","Related to Dr Anchalee Musikabhumma","Review of H.A. Suwattana restaurant","Artree (Audrey) Panichakoon magazine copies","Related to Dr Anchalee Musikabhumma","Given to Lisa Falk and Ang Robinson by Khuc Ming Thou","Connected to Anh Huong Thi Tu","Also includes photos of Sisophia Mai Chavez and Bopha Mai Ram's Asian Grocery Market.","Also includes photos of Lany Tan Lang.","Last strip contains photos from Thai New Year.","Contains photographs of Phourasmy Naughton and Kathy Prasith","Includes photographs of traditional Lao wedding.","Includes strips of Lisa Falk and Uaporn Ang Robinson.","Contains images of Suwattana H.A restaurant Star of Siam opening night.","Contain photos of Dr. Anchalee Musikabhumma with patients and at Wat temple.","Includes photographs of Kim Chi Crittenden, her family, and teaching at Abington Elementary.","Includes photos of Nguyet Anh Nguyen at the Pho nho office and performing.","Includes photographs of her and her family.","Includes photo slides of Khuc Minh Toi at the Families of Vietnamese Political Prisoners Association.","Includes photo slides of Anh Huong-Thi Tu in her legal office.","Additional cassette inscription: \"Springfield, Virginia\"","Name listed in Series 2 as \"Nguyet Anh Nguyen\"","Additional cassette inscription: \"Cambodian Network Council\"","Additional cassette inscription: \"Interviewers Falk/Robinson, Silver Spring, MD\"","Additional cassette inscription: \"at Lisa's house, VA\"","Additional cassette inscription: \"Asian Grocery Market, Columbia Pike, Arlington, Virginia\"","List of topics: Escape, family background ; The Walk in 1979 ; Nong Samet Camp ; In refugee camp ; Libeander Pol Pot's regime ; Bopha's delivery ; Sisopha's first job ; Sponsors ; Libe in 1982 ; First few years in the U.S. ; Open the Asian Grocery Market ; Francisco ; The Rice Story ; division of roles and responsibilities ; customers - Names listed in Series 2 as Sisophia Mai Chavez and Bopha Mai Ram","Additional cassette inscription: \"NMAH\"","Cassette includes text possibly written in Thai that cannot be deciphered clearly","Additional cassette inscription: \"Alexandria, VA\"","Additional cassette inscription: \"Falls Church, VA\"","Additional cassette inscription: \"at First American Bank MacArthur Blvd.\"","Additional cassette inscription: \"First American Bank\"","Additional cassette inscription: \"Star of Siam, Rosslyn, VA\"","Additional cassette inscription: \"Robinson/Falk interviewers, Temple Hills, MD\"","Additional cassette inscription: \"Heavy accent, unable to transcribe\"","The copyright and related rights status of this collection have not been evaluated ( See http://rightsstatements.org/vocab/CNE/1.0/ )","Through Women's Eyes: Southeast Asian American Women's Stories contains materials that tell the stories of Southeast Asian American women who were born in Cambodia, Laos, Thailand, or Vietnam and migrated to the metropolitan Washington, D.C. area in their young adult years during the 1970s-1990s. This oral history project, conducted in the early 1990s, aims to describe what caused these women to move and their transition into American culture and life while keeping their native customs alive in their homes. The project was made into an temportary independent exhibit for the Smithsonian in 2016.","R 72, C 3, S 6 - S 7\n\n\nR 72, C 4, R 1","George Mason University. Libraries. Special Collections Research Center","Robinson, Uaporn Ang","Falk, Lisa","Chavez, Sisophia Mai","Crittenden, Kim Chi","Khus, Thida C.","Lang, Lany Tan","Musikabhumma, Anchalee","Naughton, Phourasmy","Nguyen, Nguyet Anh","Panichakoon, Artree","Pathammavong, Suparak","Prasith, Kathy","Puccinelli, Panida","Sananikone, Bousou","Somphanh, Tomkham","Tes, Sam-Oeun","Tu, Anh-Huong Thi","English\n      Central Khmer\n      Lao\n      Thai\n      Vietnamese"],"collection_title_tesim":["Through Women's Eyes: Southeast Asian American Women's Stories records, 1980/2016"],"collection_ssim":["Through Women's Eyes: Southeast Asian American Women's Stories records, 1980/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0509","/repositories/2/resources/665"],"unitid_tesim":["C0509","/repositories/2/resources/665"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Cambodia","Laos","Thailand","Vietnam"],"geogname_ssim":["Cambodia","Laos","Thailand","Vietnam"],"places_ssim":["Cambodia","Laos","Thailand","Vietnam"],"creator_ssm":["Robinson, Uaporn Ang","Falk, Lisa"],"creator_ssim":["Robinson, Uaporn Ang","Falk, Lisa"],"creator_persname_ssim":["Robinson, Uaporn Ang","Falk, Lisa","Chavez, Sisophia Mai","Crittenden, Kim Chi","Khus, Thida C.","Lang, Lany Tan","Musikabhumma, Anchalee","Naughton, Phourasmy","Nguyen, Nguyet Anh","Panichakoon, Artree","Pathammavong, Suparak","Prasith, Kathy","Puccinelli, Panida","Sananikone, Bousou","Somphanh, Tomkham","Tes, Sam-Oeun","Tu, Anh-Huong Thi"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Robinson, Uaporn Ang","Falk, Lisa","Chavez, Sisophia Mai","Crittenden, Kim Chi","Khus, Thida C.","Lang, Lany Tan","Musikabhumma, Anchalee","Naughton, Phourasmy","Nguyen, Nguyet Anh","Panichakoon, Artree","Pathammavong, Suparak","Prasith, Kathy","Puccinelli, Panida","Sananikone, Bousou","Somphanh, Tomkham","Tes, Sam-Oeun","Tu, Anh-Huong Thi","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated ( See http://rightsstatements.org/vocab/CNE/1.0/ )"],"acqinfo_ssim":["Donated to SCRC by Lisa Falk of the Arizona State Museum in February 2022.","Additional materials donated by Lisa Falk in June 2024."],"access_subjects_ssim":["Oral history","Southeast Asian American women","Sound recordings"],"access_subjects_ssm":["Oral history","Southeast Asian American women","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["6.25 Linear Feet 12 boxes"],"extent_tesim":["6.25 Linear Feet 12 boxes"],"genreform_ssim":["Sound recordings"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in 4 series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Project Files\u003c/item\u003e\n      \u003citem\u003eSeries 2: Interview Subjects\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs\u003c/item\u003e\n      \u003citem\u003eSeries 4: Cassette tapes\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in 4 series.","Series\n      Series 1: Project Files\n      Series 2: Interview Subjects\n      Series 3: Photographs\n      Series 4: Cassette tapes"],"bioghist_html_tesm":["\u003cp\u003e\nThrough Women's Eyes: Southeast Asian American Women's Stories was an Oral History project originally titled \u003ctitle\u003eDual Identities/Multiple Roles\u003c/title\u003e conducted by Lisa Falk and Uaporn Ang Robinson in the early 1990s in which they interviewed and photographed eighteen Southeast Asian American women who were born in Cambodia, Laos, Thailand, or Vietnam, and migrated to the metropolitan Washington, D.C. area in their young adult years during the 1960s-1990s. \n\u003c/p\u003e\n","\u003cp\u003eIndividuals from Cambodia:\u003c/p\u003e\n","\u003cp\u003eSisopha Mai Chavez and Bopha Mai Ram migrated to the United States in the early 1980s. The two sisters were separated from one another and their family during the Pol Pot regime. As they separately migrated west, they rediscovered one another and stuck together in a refugee camp. At the camp, they found their brother, Somet, and Bopha got married. The sisters were able to migrate to the United States through Somet's connections with foreign journalists. Once in the country, Bopha gave birth to a daughter and the sisters, Somet, and Bopha's daughter and husband all lived in a small apartment. Sisopha found employment at a multitude of restaurants, in which she met her now husband, Francisco Chavez. The pair had two kids together. In 1988, the sisters and their families raised enough money to open a grocery store in Arlington Virginia called Asian Grocery Market.\u003c/p\u003e \n","\u003cp\u003eThida C. Khus migrated to the United States with her children in 1979, shortly after Cambodia fell to the communist regime. Reunited with her husband four months later, Thida worked as a social worker for the United Catholic Conference until 1985, when she established the Khmer Cambodian Society of San Antonio. In 1989, Khus moved to Washington, D.C. and worked as the executive director of the Cambodian Network Council.\u003c/p\u003e\n","\u003cp\u003eLany Tan Lang arrived in the United States in 1964 through a student exchange program. She was unable to return to Cambodia after the country cut ties with the United States and she was sent to live in Hawaii. There, she married and gave birth to a girl. She and her family moved to the D.C. area shortly after and she found employment as a Khmer instructor at the Foreign Service Institute. In 1987, she received her master's degree in social work and became the first Cambodian woman to work in Maryland's Mental Health Department where she assisted Cambodian and Thai refugees.\u003c/p\u003e\n","\u003cp\u003eSam-Oeun (Rady) Tes arrived in the United States in 1971 when she was 20 years old. Her uncle worked as a US ambassador and decided to bring her along to the country. Tes met her husband in person shortly after arriving in the states and got married in the embassy. She learned English by attending night school and worked as a hairdresser during the day. Prior to arriving in the states, Tes was a dancer who performed traditionally for the royal family in Cambodia. She began teaching dance in her home in 1976, creating the Cambodian-American Heritage Group, completely free of charge in hope of bringing Cambodian culture to the United States.\u003c/p\u003e\n","\u003cp\u003e Individuals from Laos:\u003c/p\u003e \n","\u003cp\u003ePhourasmy Naughton arrived in the United States as a student but returned back to Laos to work at the United States Information Agency. She decided to come back to the states and found work at the Lao section of Voice of America as a radio broadcaster. Alongside this, Naughton dedicated much of her time at the Laos refugee resettlement community and also helped establish Wat Lao Buddhavong, a Lao Buddhist temple, in Manassas, Virginia. Naughton became a Buddhist nun and aided in resettling Thai refugees in the D.C. area.\u003c/p\u003e\n","\u003cp\u003eSuparak Pathammavong family escaped to the United States in the late 1970s after her father was taken to a concentration camp by the communist government. Fortunately, her father was reunited with them in the states. Despite having difficulty with speaking in English, Pathammavong completed her highschool education and pursued her Bachelor's in Engineering from Capital College in Maryland. Pathammavong later found a job as a system engineer and technician trainer at Sprint International. She got married in 1996 and had two children.\u003c/p\u003e\n","\u003cp\u003eKathy Prasith's family is made up of immigrants. She practiced Lao traditional dances at the Wat Lao Buddhavong temple and she was the youngest of all the interviewees. At the time of the interview, Kathy was only just beginning 7th grade.\u003c/p\u003e \n","\u003cp\u003eBounsou Sananikone migrated to the United States in 1975, when Laos faced a communist takeover. Prior to leaving, Sananikone was an accomplished artist and director of the Social Services Lao Public Health. When she arrived in the United States, Sananikone dedicated herself to helping the Lao community in the northern Virginia area.\u003c/p\u003e\n","\u003cp\u003eTomkham Somphanh came to the United States as a student, after receiving a Fulbright Scholarship to study at Peabody University in Tennessee. During the 1960s, her husband worked for the Lao government, which required her family to travel between Moscow and New York. In 1975, Somphanh and her family lived in New York when the Lao government fell under control of the communist party, leaving Somphanh's family stranded. Somphanh felt it was too unsafe to return to Laos and applied for asylum in the states. With their savings, Somphanh and her family were able to stay financially afloat. They opened a laundromat and upgraded to running a printing company.\u003c/p\u003e\n","\u003cp\u003eIndividuals from Thailand:\u003c/p\u003e \n","\u003cp\u003eSuwattana (Toi) H.A. arrived in the United States as a student in 1971. She attended Marymount College obtaining her degree in business. In 1978, she and her husband bought a restaurant that served both American and Thai food. It was one of the first to do so. In 1988, they opened their own restaurant called \"Star of Siam\" in downtown Washington, D.C. Since then they have opened up 2 more \"Star of Siam\" in the Washington D.C./Virginia area.\u003c/p\u003e\n","\u003cp\u003eDr. Anchalee Musikabhumma came to the United States as a medical student in 1971. Prior to living in the States, Dr. Musikabhumma studied dance alongside her medical degree in Thailand. Alongside working as a pediatrician, Dr. Musikabhumma regularly attended the Wat Thai temple where she helps arrange dances for the temple.\u003c/p\u003e\n","\u003cp\u003eArtree (Audrey) Panichakoon arrived in the United States when she was 8 years old. At the time of the interview, Artree was a 22 year old college student. She studied graphic design in college and eventually worked for A Magazine in New York City.\u003c/p\u003e\n","\u003cp\u003ePanida Puccinelli arrived in the United States in 1974, after being accepted at Ohio University. She graduated with a master's degree and met her husband during her years at school. In 1976, Puccinelli went back to Thailand and had a traditional wedding, before moving back to the states, where she began working at an American First bank.\u003c/p\u003e\n","\u003cp\u003eIndividuals from Vietnam:\u003c/p\u003e \n","\u003cp\u003eNguyen Nguyet Anh and her family migrated to the United States in 1975, a week after the Vietnam government fell under communist control. Before reaching the states, Anh wondered how she could best help her country and felt she could do it best through music. She has written and recorded over 200 songs that she performs at refugee camps around the world.\u003c/p\u003e\n","\u003cp\u003eKim Chi Crittenden migrated to the United States after marrying her husband the month before Vietnam fell under control of communism. Her and her husband temporarily lived in the South before moving to northern Virginia where she obtained her master's degree in teaching and had three girls. She taught ESL at Abington Elementary in Arlington, VA and learned Spanish after noticing the rising number of latine refugee students. She prides herself on her hard work and dedication to her goals.\u003c/p\u003e\n","\u003cp\u003eKhuc Minh Tho arrived in the United States in the mid 1970s. She worked for the Vietnamese Embassy in the Philippines until the Vietnamese government fell under control of the communists. She and her three children were granted asylum to move to the United States. She began working as Records Assistant for the Arlington County government and was the first Vietnamese worker in their Department of Human Services. Shortly after, she founded the Vietnamese Political Prisoners Association (FVPPA), an origination dedicated to help represent the rights of Vietnamese political prisoners and aid in reunification with their families.\u003c/p\u003e\n","\u003cp\u003eAnh-Huong Thi Tu arrived in the United States in 1969, after receiving a scholarship through the United States Agency for International Development. After studying journalism, Thi Tu went back to Vietnam, and worked as an assistant for the Ministry of Foreign Affairs. In 1975, Thi Tu left Vietnam, after the government fell under communism. She lived temporarily in California before moving to the D.C. area. She went back to school for law and began working for Volunteers for the Elderly, a paralegal advocacy group which provided legal services to low-income, older minoritized people.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Through Women's Eyes: Southeast Asian American Women's Stories was an Oral History project originally titled Dual Identities/Multiple Roles conducted by Lisa Falk and Uaporn Ang Robinson in the early 1990s in which they interviewed and photographed eighteen Southeast Asian American women who were born in Cambodia, Laos, Thailand, or Vietnam, and migrated to the metropolitan Washington, D.C. area in their young adult years during the 1960s-1990s.","Individuals from Cambodia:","Sisopha Mai Chavez and Bopha Mai Ram migrated to the United States in the early 1980s. The two sisters were separated from one another and their family during the Pol Pot regime. As they separately migrated west, they rediscovered one another and stuck together in a refugee camp. At the camp, they found their brother, Somet, and Bopha got married. The sisters were able to migrate to the United States through Somet's connections with foreign journalists. Once in the country, Bopha gave birth to a daughter and the sisters, Somet, and Bopha's daughter and husband all lived in a small apartment. Sisopha found employment at a multitude of restaurants, in which she met her now husband, Francisco Chavez. The pair had two kids together. In 1988, the sisters and their families raised enough money to open a grocery store in Arlington Virginia called Asian Grocery Market.","Thida C. Khus migrated to the United States with her children in 1979, shortly after Cambodia fell to the communist regime. Reunited with her husband four months later, Thida worked as a social worker for the United Catholic Conference until 1985, when she established the Khmer Cambodian Society of San Antonio. In 1989, Khus moved to Washington, D.C. and worked as the executive director of the Cambodian Network Council.","Lany Tan Lang arrived in the United States in 1964 through a student exchange program. She was unable to return to Cambodia after the country cut ties with the United States and she was sent to live in Hawaii. There, she married and gave birth to a girl. She and her family moved to the D.C. area shortly after and she found employment as a Khmer instructor at the Foreign Service Institute. In 1987, she received her master's degree in social work and became the first Cambodian woman to work in Maryland's Mental Health Department where she assisted Cambodian and Thai refugees.","Sam-Oeun (Rady) Tes arrived in the United States in 1971 when she was 20 years old. Her uncle worked as a US ambassador and decided to bring her along to the country. Tes met her husband in person shortly after arriving in the states and got married in the embassy. She learned English by attending night school and worked as a hairdresser during the day. Prior to arriving in the states, Tes was a dancer who performed traditionally for the royal family in Cambodia. She began teaching dance in her home in 1976, creating the Cambodian-American Heritage Group, completely free of charge in hope of bringing Cambodian culture to the United States.","Individuals from Laos:","Phourasmy Naughton arrived in the United States as a student but returned back to Laos to work at the United States Information Agency. She decided to come back to the states and found work at the Lao section of Voice of America as a radio broadcaster. Alongside this, Naughton dedicated much of her time at the Laos refugee resettlement community and also helped establish Wat Lao Buddhavong, a Lao Buddhist temple, in Manassas, Virginia. Naughton became a Buddhist nun and aided in resettling Thai refugees in the D.C. area.","Suparak Pathammavong family escaped to the United States in the late 1970s after her father was taken to a concentration camp by the communist government. Fortunately, her father was reunited with them in the states. Despite having difficulty with speaking in English, Pathammavong completed her highschool education and pursued her Bachelor's in Engineering from Capital College in Maryland. Pathammavong later found a job as a system engineer and technician trainer at Sprint International. She got married in 1996 and had two children.","Kathy Prasith's family is made up of immigrants. She practiced Lao traditional dances at the Wat Lao Buddhavong temple and she was the youngest of all the interviewees. At the time of the interview, Kathy was only just beginning 7th grade.","Bounsou Sananikone migrated to the United States in 1975, when Laos faced a communist takeover. Prior to leaving, Sananikone was an accomplished artist and director of the Social Services Lao Public Health. When she arrived in the United States, Sananikone dedicated herself to helping the Lao community in the northern Virginia area.","Tomkham Somphanh came to the United States as a student, after receiving a Fulbright Scholarship to study at Peabody University in Tennessee. During the 1960s, her husband worked for the Lao government, which required her family to travel between Moscow and New York. In 1975, Somphanh and her family lived in New York when the Lao government fell under control of the communist party, leaving Somphanh's family stranded. Somphanh felt it was too unsafe to return to Laos and applied for asylum in the states. With their savings, Somphanh and her family were able to stay financially afloat. They opened a laundromat and upgraded to running a printing company.","Individuals from Thailand:","Suwattana (Toi) H.A. arrived in the United States as a student in 1971. She attended Marymount College obtaining her degree in business. In 1978, she and her husband bought a restaurant that served both American and Thai food. It was one of the first to do so. In 1988, they opened their own restaurant called \"Star of Siam\" in downtown Washington, D.C. Since then they have opened up 2 more \"Star of Siam\" in the Washington D.C./Virginia area.","Dr. Anchalee Musikabhumma came to the United States as a medical student in 1971. Prior to living in the States, Dr. Musikabhumma studied dance alongside her medical degree in Thailand. Alongside working as a pediatrician, Dr. Musikabhumma regularly attended the Wat Thai temple where she helps arrange dances for the temple.","Artree (Audrey) Panichakoon arrived in the United States when she was 8 years old. At the time of the interview, Artree was a 22 year old college student. She studied graphic design in college and eventually worked for A Magazine in New York City.","Panida Puccinelli arrived in the United States in 1974, after being accepted at Ohio University. She graduated with a master's degree and met her husband during her years at school. In 1976, Puccinelli went back to Thailand and had a traditional wedding, before moving back to the states, where she began working at an American First bank.","Individuals from Vietnam:","Nguyen Nguyet Anh and her family migrated to the United States in 1975, a week after the Vietnam government fell under communist control. Before reaching the states, Anh wondered how she could best help her country and felt she could do it best through music. She has written and recorded over 200 songs that she performs at refugee camps around the world.","Kim Chi Crittenden migrated to the United States after marrying her husband the month before Vietnam fell under control of communism. Her and her husband temporarily lived in the South before moving to northern Virginia where she obtained her master's degree in teaching and had three girls. She taught ESL at Abington Elementary in Arlington, VA and learned Spanish after noticing the rising number of latine refugee students. She prides herself on her hard work and dedication to her goals.","Khuc Minh Tho arrived in the United States in the mid 1970s. She worked for the Vietnamese Embassy in the Philippines until the Vietnamese government fell under control of the communists. She and her three children were granted asylum to move to the United States. She began working as Records Assistant for the Arlington County government and was the first Vietnamese worker in their Department of Human Services. Shortly after, she founded the Vietnamese Political Prisoners Association (FVPPA), an origination dedicated to help represent the rights of Vietnamese political prisoners and aid in reunification with their families.","Anh-Huong Thi Tu arrived in the United States in 1969, after receiving a scholarship through the United States Agency for International Development. After studying journalism, Thi Tu went back to Vietnam, and worked as an assistant for the Ministry of Foreign Affairs. In 1975, Thi Tu left Vietnam, after the government fell under communism. She lived temporarily in California before moving to the D.C. area. She went back to school for law and began working for Volunteers for the Elderly, a paralegal advocacy group which provided legal services to low-income, older minoritized people."],"prefercite_html_tesm":["\u003cp\u003eThrough Women's Eyes: Southeast Asian American Women Stories records, C0509, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Through Women's Eyes: Southeast Asian American Women Stories records, C0509, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Vilma Chicas Garcia from June-August 2023. Finding aid completed by Vilma Chicas Garcia in August 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from August – September 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Vilma Chicas Garcia from June-August 2023. Finding aid completed by Vilma Chicas Garcia in August 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from August – September 2025."],"relatedmaterial_html_tesm":["\u003cp\u003e\nThe Special Collections Research Center also holds other \u003cextptr show=\"new\" title=\"oral history collections\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=oral+history\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e, as well as collections focusing on Southeast Asia, particularly \u003cextptr show=\"new\" title=\"Vietnam and the Vietnam War.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=vietnam\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe University of California - Irvine is the repository for the \u003cextptr show=\"new\" title=\"Southeast Asian Archive\" href=\"https://seaa.lib.uci.edu/\"\u003e\u003c/extptr\u003e, which holds oral history collections.\n\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other , as well as collections focusing on Southeast Asia, particularly","The University of California - Irvine is the repository for the , which holds oral history collections."],"scopecontent_html_tesm":["\u003cp\u003eThrough Women's Eyes: Southeast Asian American Women's Stories records consists mainly of interview cassette tapes and transcripts, contact sheets, photographs, photo negatives, and photo slides. The collection is arranged into 4 series.\u003c/p\u003e","\u003cp\u003eSeries 1: Project Files contains information about the \u003ctitle\u003eDual Identities/Multiple Roles\u003c/title\u003e project into the \u003ctitle\u003eThrough Women's Eyes Oral History Project\u003c/title\u003e in the 1990s. It consists of two sub-series. Sub-series 1: Planning and exhibition files which contains materials of the project itself and Sub-series 2: Research materials which contains sources that assisted in interviewing the Southeast Asian women and provided the researcher more background information of each country.\u003c/p\u003e","\u003cp\u003eSeries 2: Interview Subjects is arranged by the Southeast Asian country each woman originated from. It includes interview records and transcripts, correspondence, biographical information, and other personal materials from the interviewees. The subsections are ordered alphabetically, starting with Sub-series 1: Cambodia, Sub-series 2: Laos, Sub-series 3: Thailand, and Sub-series 4: Vietnam. Individuals are arranged alphabetically under their country. \u003c/p\u003e","\u003cp\u003eSeries 3: Photographs hold all images taken throughout the project. It is arranged alphabetically by country, then by individual. This series contains contact sheets, photographs, photo negatives, and photo slides.\u003c/p\u003e","\u003cp\u003eSeries 4: Cassette tapes includes 26 original cassette tapes used to record the oral history project. It is arranged alphabetically by interview subject last name, with some interviews spread across two cassette tapes.\u003c/p\u003e  ","\u003cp\u003eDaughter of Sisophia Mai Chavez\u003c/p\u003e","\u003cp\u003eRelated to Dr Anchalee Musikabhumma\u003c/p\u003e","\u003cp\u003eReview of H.A. Suwattana restaurant\u003c/p\u003e","\u003cp\u003eArtree (Audrey) Panichakoon magazine copies\u003c/p\u003e","\u003cp\u003eRelated to Dr Anchalee Musikabhumma\u003c/p\u003e","\u003cp\u003eGiven to Lisa Falk and Ang Robinson by Khuc Ming Thou\u003c/p\u003e","\u003cp\u003eConnected to Anh Huong Thi Tu\u003c/p\u003e","\u003cp\u003eAlso includes photos of Sisophia Mai Chavez and Bopha Mai Ram's Asian Grocery Market.\u003c/p\u003e","\u003cp\u003eAlso includes photos of Lany Tan Lang.\u003c/p\u003e","\u003cp\u003eLast strip contains photos from Thai New Year.\u003c/p\u003e","\u003cp\u003eContains photographs of Phourasmy Naughton and Kathy Prasith\u003c/p\u003e","\u003cp\u003eIncludes photographs of traditional Lao wedding.\u003c/p\u003e","\u003cp\u003eIncludes strips of Lisa Falk and Uaporn Ang Robinson.\u003c/p\u003e","\u003cp\u003eContains images of Suwattana H.A restaurant Star of Siam opening night.\u003c/p\u003e","\u003cp\u003eContain photos of Dr. Anchalee Musikabhumma with patients and at Wat temple.\u003c/p\u003e","\u003cp\u003eIncludes photographs of Kim Chi Crittenden, her family, and teaching at Abington Elementary.\u003c/p\u003e","\u003cp\u003eIncludes photos of Nguyet Anh Nguyen at the Pho nho office and performing.\u003c/p\u003e","\u003cp\u003eIncludes photographs of her and her family.\u003c/p\u003e","\u003cp\u003eIncludes photo slides of Khuc Minh Toi at the Families of Vietnamese Political Prisoners Association.\u003c/p\u003e","\u003cp\u003eIncludes photo slides of Anh Huong-Thi Tu in her legal office.\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Springfield, Virginia\"\u003c/p\u003e","\u003cp\u003eName listed in Series 2 as \"Nguyet Anh Nguyen\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Cambodian Network Council\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Interviewers Falk/Robinson, Silver Spring, MD\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"at Lisa's house, VA\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Asian Grocery Market, Columbia Pike, Arlington, Virginia\"\u003c/p\u003e","\u003cp\u003eList of topics: Escape, family background ; The Walk in 1979 ; Nong Samet Camp ; In refugee camp ; Libeander Pol Pot's regime ; Bopha's delivery ; Sisopha's first job ; Sponsors ; Libe in 1982 ; First few years in the U.S. ; Open the Asian Grocery Market ; Francisco ; The Rice Story ; division of roles and responsibilities ; customers - Names listed in Series 2 as Sisophia Mai Chavez and Bopha Mai Ram\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"NMAH\"\u003c/p\u003e","\u003cp\u003eCassette includes text possibly written in Thai that cannot be deciphered clearly\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Alexandria, VA\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Falls Church, VA\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"at First American Bank MacArthur Blvd.\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"First American Bank\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Star of Siam, Rosslyn, VA\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Robinson/Falk interviewers, Temple Hills, MD\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Heavy accent, unable to transcribe\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Through Women's Eyes: Southeast Asian American Women's Stories records consists mainly of interview cassette tapes and transcripts, contact sheets, photographs, photo negatives, and photo slides. The collection is arranged into 4 series.","Series 1: Project Files contains information about the Dual Identities/Multiple Roles project into the Through Women's Eyes Oral History Project in the 1990s. It consists of two sub-series. Sub-series 1: Planning and exhibition files which contains materials of the project itself and Sub-series 2: Research materials which contains sources that assisted in interviewing the Southeast Asian women and provided the researcher more background information of each country.","Series 2: Interview Subjects is arranged by the Southeast Asian country each woman originated from. It includes interview records and transcripts, correspondence, biographical information, and other personal materials from the interviewees. The subsections are ordered alphabetically, starting with Sub-series 1: Cambodia, Sub-series 2: Laos, Sub-series 3: Thailand, and Sub-series 4: Vietnam. Individuals are arranged alphabetically under their country.","Series 3: Photographs hold all images taken throughout the project. It is arranged alphabetically by country, then by individual. This series contains contact sheets, photographs, photo negatives, and photo slides.","Series 4: Cassette tapes includes 26 original cassette tapes used to record the oral history project. It is arranged alphabetically by interview subject last name, with some interviews spread across two cassette tapes.","Daughter of Sisophia Mai Chavez","Related to Dr Anchalee Musikabhumma","Review of H.A. Suwattana restaurant","Artree (Audrey) Panichakoon magazine copies","Related to Dr Anchalee Musikabhumma","Given to Lisa Falk and Ang Robinson by Khuc Ming Thou","Connected to Anh Huong Thi Tu","Also includes photos of Sisophia Mai Chavez and Bopha Mai Ram's Asian Grocery Market.","Also includes photos of Lany Tan Lang.","Last strip contains photos from Thai New Year.","Contains photographs of Phourasmy Naughton and Kathy Prasith","Includes photographs of traditional Lao wedding.","Includes strips of Lisa Falk and Uaporn Ang Robinson.","Contains images of Suwattana H.A restaurant Star of Siam opening night.","Contain photos of Dr. Anchalee Musikabhumma with patients and at Wat temple.","Includes photographs of Kim Chi Crittenden, her family, and teaching at Abington Elementary.","Includes photos of Nguyet Anh Nguyen at the Pho nho office and performing.","Includes photographs of her and her family.","Includes photo slides of Khuc Minh Toi at the Families of Vietnamese Political Prisoners Association.","Includes photo slides of Anh Huong-Thi Tu in her legal office.","Additional cassette inscription: \"Springfield, Virginia\"","Name listed in Series 2 as \"Nguyet Anh Nguyen\"","Additional cassette inscription: \"Cambodian Network Council\"","Additional cassette inscription: \"Interviewers Falk/Robinson, Silver Spring, MD\"","Additional cassette inscription: \"at Lisa's house, VA\"","Additional cassette inscription: \"Asian Grocery Market, Columbia Pike, Arlington, Virginia\"","List of topics: Escape, family background ; The Walk in 1979 ; Nong Samet Camp ; In refugee camp ; Libeander Pol Pot's regime ; Bopha's delivery ; Sisopha's first job ; Sponsors ; Libe in 1982 ; First few years in the U.S. ; Open the Asian Grocery Market ; Francisco ; The Rice Story ; division of roles and responsibilities ; customers - Names listed in Series 2 as Sisophia Mai Chavez and Bopha Mai Ram","Additional cassette inscription: \"NMAH\"","Cassette includes text possibly written in Thai that cannot be deciphered clearly","Additional cassette inscription: \"Alexandria, VA\"","Additional cassette inscription: \"Falls Church, VA\"","Additional cassette inscription: \"at First American Bank MacArthur Blvd.\"","Additional cassette inscription: \"First American Bank\"","Additional cassette inscription: \"Star of Siam, Rosslyn, VA\"","Additional cassette inscription: \"Robinson/Falk interviewers, Temple Hills, MD\"","Additional cassette inscription: \"Heavy accent, unable to transcribe\""],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated ( See http://rightsstatements.org/vocab/CNE/1.0/ )\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated ( See http://rightsstatements.org/vocab/CNE/1.0/ )"],"abstract_html_tesm":["\u003cabstract id=\"aspace_dc7c4de53faf7c00a135c072ca536636\"\u003eThrough Women's Eyes: Southeast Asian American Women's Stories contains materials that tell the stories of Southeast Asian American women who were born in Cambodia, Laos, Thailand, or Vietnam and migrated to the metropolitan Washington, D.C. area in their young adult years during the 1970s-1990s. This oral history project, conducted in the early 1990s, aims to describe what caused these women to move and their transition into American culture and life while keeping their native customs alive in their homes. The project was made into an temportary independent exhibit for the Smithsonian in 2016.\u003c/abstract\u003e\n    "],"abstract_tesim":["Through Women's Eyes: Southeast Asian American Women's Stories contains materials that tell the stories of Southeast Asian American women who were born in Cambodia, Laos, Thailand, or Vietnam and migrated to the metropolitan Washington, D.C. area in their young adult years during the 1970s-1990s. This oral history project, conducted in the early 1990s, aims to describe what caused these women to move and their transition into American culture and life while keeping their native customs alive in their homes. The project was made into an temportary independent exhibit for the Smithsonian in 2016."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_0533375d017da1adb1dca2479aecdd35\"\u003e\nR 72, C 3, S 6 - S 7\n\n\nR 72, C 4, R 1\n\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 6 - S 7\n\n\nR 72, C 4, R 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Robinson, Uaporn Ang","Falk, Lisa","Chavez, Sisophia Mai","Crittenden, Kim Chi","Khus, Thida C.","Lang, Lany Tan","Musikabhumma, Anchalee","Naughton, Phourasmy","Nguyen, Nguyet Anh","Panichakoon, Artree","Pathammavong, Suparak","Prasith, Kathy","Puccinelli, Panida","Sananikone, Bousou","Somphanh, Tomkham","Tes, Sam-Oeun","Tu, Anh-Huong Thi"],"names_coll_ssim":["Chavez, Sisophia Mai","Crittenden, Kim Chi","Khus, Thida C.","Lang, Lany Tan","Musikabhumma, Anchalee","Naughton, Phourasmy","Nguyen, Nguyet Anh","Panichakoon, Artree","Pathammavong, Suparak","Prasith, Kathy","Puccinelli, Panida","Sananikone, Bousou","Somphanh, Tomkham","Tes, Sam-Oeun","Tu, Anh-Huong Thi"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Robinson, Uaporn Ang","Falk, Lisa","Chavez, Sisophia Mai","Crittenden, Kim Chi","Khus, Thida C.","Lang, Lany Tan","Musikabhumma, Anchalee","Naughton, Phourasmy","Nguyen, Nguyet Anh","Panichakoon, Artree","Pathammavong, Suparak","Prasith, Kathy","Puccinelli, Panida","Sananikone, Bousou","Somphanh, Tomkham","Tes, Sam-Oeun","Tu, Anh-Huong Thi"],"language_ssim":["English\n      Central Khmer\n      Lao\n      Thai\n      Vietnamese"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":310,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:37.302Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_665","ead_ssi":"vifgm_repositories_2_resources_665","_root_":"vifgm_repositories_2_resources_665","_nest_parent_":"vifgm_repositories_2_resources_665","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_665.xml","title_ssm":["Through Women's Eyes: Southeast Asian American Women's Stories records"],"title_tesim":["Through Women's Eyes: Southeast Asian American Women's Stories records"],"unitdate_ssm":["1980s-2016"],"unitdate_inclusive_ssm":["1980s-2016"],"normalized_date_ssm":["1980/2016"],"normalized_title_ssm":["Through Women's Eyes: Southeast Asian American Women's Stories records, 1980/2016"],"text":["Through Women's Eyes: Southeast Asian American Women's Stories records, 1980/2016","C0509","/repositories/2/resources/665","Cambodia","Laos","Thailand","Vietnam","Oral history","Southeast Asian American women","Sound recordings","There are no access restrictions.","This collection is arranged in 4 series.","Series\n      Series 1: Project Files\n      Series 2: Interview Subjects\n      Series 3: Photographs\n      Series 4: Cassette tapes","Through Women's Eyes: Southeast Asian American Women's Stories was an Oral History project originally titled Dual Identities/Multiple Roles conducted by Lisa Falk and Uaporn Ang Robinson in the early 1990s in which they interviewed and photographed eighteen Southeast Asian American women who were born in Cambodia, Laos, Thailand, or Vietnam, and migrated to the metropolitan Washington, D.C. area in their young adult years during the 1960s-1990s.","Individuals from Cambodia:","Sisopha Mai Chavez and Bopha Mai Ram migrated to the United States in the early 1980s. The two sisters were separated from one another and their family during the Pol Pot regime. As they separately migrated west, they rediscovered one another and stuck together in a refugee camp. At the camp, they found their brother, Somet, and Bopha got married. The sisters were able to migrate to the United States through Somet's connections with foreign journalists. Once in the country, Bopha gave birth to a daughter and the sisters, Somet, and Bopha's daughter and husband all lived in a small apartment. Sisopha found employment at a multitude of restaurants, in which she met her now husband, Francisco Chavez. The pair had two kids together. In 1988, the sisters and their families raised enough money to open a grocery store in Arlington Virginia called Asian Grocery Market.","Thida C. Khus migrated to the United States with her children in 1979, shortly after Cambodia fell to the communist regime. Reunited with her husband four months later, Thida worked as a social worker for the United Catholic Conference until 1985, when she established the Khmer Cambodian Society of San Antonio. In 1989, Khus moved to Washington, D.C. and worked as the executive director of the Cambodian Network Council.","Lany Tan Lang arrived in the United States in 1964 through a student exchange program. She was unable to return to Cambodia after the country cut ties with the United States and she was sent to live in Hawaii. There, she married and gave birth to a girl. She and her family moved to the D.C. area shortly after and she found employment as a Khmer instructor at the Foreign Service Institute. In 1987, she received her master's degree in social work and became the first Cambodian woman to work in Maryland's Mental Health Department where she assisted Cambodian and Thai refugees.","Sam-Oeun (Rady) Tes arrived in the United States in 1971 when she was 20 years old. Her uncle worked as a US ambassador and decided to bring her along to the country. Tes met her husband in person shortly after arriving in the states and got married in the embassy. She learned English by attending night school and worked as a hairdresser during the day. Prior to arriving in the states, Tes was a dancer who performed traditionally for the royal family in Cambodia. She began teaching dance in her home in 1976, creating the Cambodian-American Heritage Group, completely free of charge in hope of bringing Cambodian culture to the United States.","Individuals from Laos:","Phourasmy Naughton arrived in the United States as a student but returned back to Laos to work at the United States Information Agency. She decided to come back to the states and found work at the Lao section of Voice of America as a radio broadcaster. Alongside this, Naughton dedicated much of her time at the Laos refugee resettlement community and also helped establish Wat Lao Buddhavong, a Lao Buddhist temple, in Manassas, Virginia. Naughton became a Buddhist nun and aided in resettling Thai refugees in the D.C. area.","Suparak Pathammavong family escaped to the United States in the late 1970s after her father was taken to a concentration camp by the communist government. Fortunately, her father was reunited with them in the states. Despite having difficulty with speaking in English, Pathammavong completed her highschool education and pursued her Bachelor's in Engineering from Capital College in Maryland. Pathammavong later found a job as a system engineer and technician trainer at Sprint International. She got married in 1996 and had two children.","Kathy Prasith's family is made up of immigrants. She practiced Lao traditional dances at the Wat Lao Buddhavong temple and she was the youngest of all the interviewees. At the time of the interview, Kathy was only just beginning 7th grade.","Bounsou Sananikone migrated to the United States in 1975, when Laos faced a communist takeover. Prior to leaving, Sananikone was an accomplished artist and director of the Social Services Lao Public Health. When she arrived in the United States, Sananikone dedicated herself to helping the Lao community in the northern Virginia area.","Tomkham Somphanh came to the United States as a student, after receiving a Fulbright Scholarship to study at Peabody University in Tennessee. During the 1960s, her husband worked for the Lao government, which required her family to travel between Moscow and New York. In 1975, Somphanh and her family lived in New York when the Lao government fell under control of the communist party, leaving Somphanh's family stranded. Somphanh felt it was too unsafe to return to Laos and applied for asylum in the states. With their savings, Somphanh and her family were able to stay financially afloat. They opened a laundromat and upgraded to running a printing company.","Individuals from Thailand:","Suwattana (Toi) H.A. arrived in the United States as a student in 1971. She attended Marymount College obtaining her degree in business. In 1978, she and her husband bought a restaurant that served both American and Thai food. It was one of the first to do so. In 1988, they opened their own restaurant called \"Star of Siam\" in downtown Washington, D.C. Since then they have opened up 2 more \"Star of Siam\" in the Washington D.C./Virginia area.","Dr. Anchalee Musikabhumma came to the United States as a medical student in 1971. Prior to living in the States, Dr. Musikabhumma studied dance alongside her medical degree in Thailand. Alongside working as a pediatrician, Dr. Musikabhumma regularly attended the Wat Thai temple where she helps arrange dances for the temple.","Artree (Audrey) Panichakoon arrived in the United States when she was 8 years old. At the time of the interview, Artree was a 22 year old college student. She studied graphic design in college and eventually worked for A Magazine in New York City.","Panida Puccinelli arrived in the United States in 1974, after being accepted at Ohio University. She graduated with a master's degree and met her husband during her years at school. In 1976, Puccinelli went back to Thailand and had a traditional wedding, before moving back to the states, where she began working at an American First bank.","Individuals from Vietnam:","Nguyen Nguyet Anh and her family migrated to the United States in 1975, a week after the Vietnam government fell under communist control. Before reaching the states, Anh wondered how she could best help her country and felt she could do it best through music. She has written and recorded over 200 songs that she performs at refugee camps around the world.","Kim Chi Crittenden migrated to the United States after marrying her husband the month before Vietnam fell under control of communism. Her and her husband temporarily lived in the South before moving to northern Virginia where she obtained her master's degree in teaching and had three girls. She taught ESL at Abington Elementary in Arlington, VA and learned Spanish after noticing the rising number of latine refugee students. She prides herself on her hard work and dedication to her goals.","Khuc Minh Tho arrived in the United States in the mid 1970s. She worked for the Vietnamese Embassy in the Philippines until the Vietnamese government fell under control of the communists. She and her three children were granted asylum to move to the United States. She began working as Records Assistant for the Arlington County government and was the first Vietnamese worker in their Department of Human Services. Shortly after, she founded the Vietnamese Political Prisoners Association (FVPPA), an origination dedicated to help represent the rights of Vietnamese political prisoners and aid in reunification with their families.","Anh-Huong Thi Tu arrived in the United States in 1969, after receiving a scholarship through the United States Agency for International Development. After studying journalism, Thi Tu went back to Vietnam, and worked as an assistant for the Ministry of Foreign Affairs. In 1975, Thi Tu left Vietnam, after the government fell under communism. She lived temporarily in California before moving to the D.C. area. She went back to school for law and began working for Volunteers for the Elderly, a paralegal advocacy group which provided legal services to low-income, older minoritized people.","Processing completed by Vilma Chicas Garcia from June-August 2023. Finding aid completed by Vilma Chicas Garcia in August 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from August – September 2025.","The Special Collections Research Center also holds other , as well as collections focusing on Southeast Asia, particularly","The University of California - Irvine is the repository for the , which holds oral history collections.","Through Women's Eyes: Southeast Asian American Women's Stories records consists mainly of interview cassette tapes and transcripts, contact sheets, photographs, photo negatives, and photo slides. The collection is arranged into 4 series.","Series 1: Project Files contains information about the Dual Identities/Multiple Roles project into the Through Women's Eyes Oral History Project in the 1990s. It consists of two sub-series. Sub-series 1: Planning and exhibition files which contains materials of the project itself and Sub-series 2: Research materials which contains sources that assisted in interviewing the Southeast Asian women and provided the researcher more background information of each country.","Series 2: Interview Subjects is arranged by the Southeast Asian country each woman originated from. It includes interview records and transcripts, correspondence, biographical information, and other personal materials from the interviewees. The subsections are ordered alphabetically, starting with Sub-series 1: Cambodia, Sub-series 2: Laos, Sub-series 3: Thailand, and Sub-series 4: Vietnam. Individuals are arranged alphabetically under their country.","Series 3: Photographs hold all images taken throughout the project. It is arranged alphabetically by country, then by individual. This series contains contact sheets, photographs, photo negatives, and photo slides.","Series 4: Cassette tapes includes 26 original cassette tapes used to record the oral history project. It is arranged alphabetically by interview subject last name, with some interviews spread across two cassette tapes.","Daughter of Sisophia Mai Chavez","Related to Dr Anchalee Musikabhumma","Review of H.A. Suwattana restaurant","Artree (Audrey) Panichakoon magazine copies","Related to Dr Anchalee Musikabhumma","Given to Lisa Falk and Ang Robinson by Khuc Ming Thou","Connected to Anh Huong Thi Tu","Also includes photos of Sisophia Mai Chavez and Bopha Mai Ram's Asian Grocery Market.","Also includes photos of Lany Tan Lang.","Last strip contains photos from Thai New Year.","Contains photographs of Phourasmy Naughton and Kathy Prasith","Includes photographs of traditional Lao wedding.","Includes strips of Lisa Falk and Uaporn Ang Robinson.","Contains images of Suwattana H.A restaurant Star of Siam opening night.","Contain photos of Dr. Anchalee Musikabhumma with patients and at Wat temple.","Includes photographs of Kim Chi Crittenden, her family, and teaching at Abington Elementary.","Includes photos of Nguyet Anh Nguyen at the Pho nho office and performing.","Includes photographs of her and her family.","Includes photo slides of Khuc Minh Toi at the Families of Vietnamese Political Prisoners Association.","Includes photo slides of Anh Huong-Thi Tu in her legal office.","Additional cassette inscription: \"Springfield, Virginia\"","Name listed in Series 2 as \"Nguyet Anh Nguyen\"","Additional cassette inscription: \"Cambodian Network Council\"","Additional cassette inscription: \"Interviewers Falk/Robinson, Silver Spring, MD\"","Additional cassette inscription: \"at Lisa's house, VA\"","Additional cassette inscription: \"Asian Grocery Market, Columbia Pike, Arlington, Virginia\"","List of topics: Escape, family background ; The Walk in 1979 ; Nong Samet Camp ; In refugee camp ; Libeander Pol Pot's regime ; Bopha's delivery ; Sisopha's first job ; Sponsors ; Libe in 1982 ; First few years in the U.S. ; Open the Asian Grocery Market ; Francisco ; The Rice Story ; division of roles and responsibilities ; customers - Names listed in Series 2 as Sisophia Mai Chavez and Bopha Mai Ram","Additional cassette inscription: \"NMAH\"","Cassette includes text possibly written in Thai that cannot be deciphered clearly","Additional cassette inscription: \"Alexandria, VA\"","Additional cassette inscription: \"Falls Church, VA\"","Additional cassette inscription: \"at First American Bank MacArthur Blvd.\"","Additional cassette inscription: \"First American Bank\"","Additional cassette inscription: \"Star of Siam, Rosslyn, VA\"","Additional cassette inscription: \"Robinson/Falk interviewers, Temple Hills, MD\"","Additional cassette inscription: \"Heavy accent, unable to transcribe\"","The copyright and related rights status of this collection have not been evaluated ( See http://rightsstatements.org/vocab/CNE/1.0/ )","Through Women's Eyes: Southeast Asian American Women's Stories contains materials that tell the stories of Southeast Asian American women who were born in Cambodia, Laos, Thailand, or Vietnam and migrated to the metropolitan Washington, D.C. area in their young adult years during the 1970s-1990s. This oral history project, conducted in the early 1990s, aims to describe what caused these women to move and their transition into American culture and life while keeping their native customs alive in their homes. The project was made into an temportary independent exhibit for the Smithsonian in 2016.","R 72, C 3, S 6 - S 7\n\n\nR 72, C 4, R 1","George Mason University. Libraries. Special Collections Research Center","Robinson, Uaporn Ang","Falk, Lisa","Chavez, Sisophia Mai","Crittenden, Kim Chi","Khus, Thida C.","Lang, Lany Tan","Musikabhumma, Anchalee","Naughton, Phourasmy","Nguyen, Nguyet Anh","Panichakoon, Artree","Pathammavong, Suparak","Prasith, Kathy","Puccinelli, Panida","Sananikone, Bousou","Somphanh, Tomkham","Tes, Sam-Oeun","Tu, Anh-Huong Thi","English\n      Central Khmer\n      Lao\n      Thai\n      Vietnamese"],"collection_title_tesim":["Through Women's Eyes: Southeast Asian American Women's Stories records, 1980/2016"],"collection_ssim":["Through Women's Eyes: Southeast Asian American Women's Stories records, 1980/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0509","/repositories/2/resources/665"],"unitid_tesim":["C0509","/repositories/2/resources/665"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Cambodia","Laos","Thailand","Vietnam"],"geogname_ssim":["Cambodia","Laos","Thailand","Vietnam"],"places_ssim":["Cambodia","Laos","Thailand","Vietnam"],"creator_ssm":["Robinson, Uaporn Ang","Falk, Lisa"],"creator_ssim":["Robinson, Uaporn Ang","Falk, Lisa"],"creator_persname_ssim":["Robinson, Uaporn Ang","Falk, Lisa","Chavez, Sisophia Mai","Crittenden, Kim Chi","Khus, Thida C.","Lang, Lany Tan","Musikabhumma, Anchalee","Naughton, Phourasmy","Nguyen, Nguyet Anh","Panichakoon, Artree","Pathammavong, Suparak","Prasith, Kathy","Puccinelli, Panida","Sananikone, Bousou","Somphanh, Tomkham","Tes, Sam-Oeun","Tu, Anh-Huong Thi"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Robinson, Uaporn Ang","Falk, Lisa","Chavez, Sisophia Mai","Crittenden, Kim Chi","Khus, Thida C.","Lang, Lany Tan","Musikabhumma, Anchalee","Naughton, Phourasmy","Nguyen, Nguyet Anh","Panichakoon, Artree","Pathammavong, Suparak","Prasith, Kathy","Puccinelli, Panida","Sananikone, Bousou","Somphanh, Tomkham","Tes, Sam-Oeun","Tu, Anh-Huong Thi","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated ( See http://rightsstatements.org/vocab/CNE/1.0/ )"],"acqinfo_ssim":["Donated to SCRC by Lisa Falk of the Arizona State Museum in February 2022.","Additional materials donated by Lisa Falk in June 2024."],"access_subjects_ssim":["Oral history","Southeast Asian American women","Sound recordings"],"access_subjects_ssm":["Oral history","Southeast Asian American women","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["6.25 Linear Feet 12 boxes"],"extent_tesim":["6.25 Linear Feet 12 boxes"],"genreform_ssim":["Sound recordings"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in 4 series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Project Files\u003c/item\u003e\n      \u003citem\u003eSeries 2: Interview Subjects\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs\u003c/item\u003e\n      \u003citem\u003eSeries 4: Cassette tapes\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged in 4 series.","Series\n      Series 1: Project Files\n      Series 2: Interview Subjects\n      Series 3: Photographs\n      Series 4: Cassette tapes"],"bioghist_html_tesm":["\u003cp\u003e\nThrough Women's Eyes: Southeast Asian American Women's Stories was an Oral History project originally titled \u003ctitle\u003eDual Identities/Multiple Roles\u003c/title\u003e conducted by Lisa Falk and Uaporn Ang Robinson in the early 1990s in which they interviewed and photographed eighteen Southeast Asian American women who were born in Cambodia, Laos, Thailand, or Vietnam, and migrated to the metropolitan Washington, D.C. area in their young adult years during the 1960s-1990s. \n\u003c/p\u003e\n","\u003cp\u003eIndividuals from Cambodia:\u003c/p\u003e\n","\u003cp\u003eSisopha Mai Chavez and Bopha Mai Ram migrated to the United States in the early 1980s. The two sisters were separated from one another and their family during the Pol Pot regime. As they separately migrated west, they rediscovered one another and stuck together in a refugee camp. At the camp, they found their brother, Somet, and Bopha got married. The sisters were able to migrate to the United States through Somet's connections with foreign journalists. Once in the country, Bopha gave birth to a daughter and the sisters, Somet, and Bopha's daughter and husband all lived in a small apartment. Sisopha found employment at a multitude of restaurants, in which she met her now husband, Francisco Chavez. The pair had two kids together. In 1988, the sisters and their families raised enough money to open a grocery store in Arlington Virginia called Asian Grocery Market.\u003c/p\u003e \n","\u003cp\u003eThida C. Khus migrated to the United States with her children in 1979, shortly after Cambodia fell to the communist regime. Reunited with her husband four months later, Thida worked as a social worker for the United Catholic Conference until 1985, when she established the Khmer Cambodian Society of San Antonio. In 1989, Khus moved to Washington, D.C. and worked as the executive director of the Cambodian Network Council.\u003c/p\u003e\n","\u003cp\u003eLany Tan Lang arrived in the United States in 1964 through a student exchange program. She was unable to return to Cambodia after the country cut ties with the United States and she was sent to live in Hawaii. There, she married and gave birth to a girl. She and her family moved to the D.C. area shortly after and she found employment as a Khmer instructor at the Foreign Service Institute. In 1987, she received her master's degree in social work and became the first Cambodian woman to work in Maryland's Mental Health Department where she assisted Cambodian and Thai refugees.\u003c/p\u003e\n","\u003cp\u003eSam-Oeun (Rady) Tes arrived in the United States in 1971 when she was 20 years old. Her uncle worked as a US ambassador and decided to bring her along to the country. Tes met her husband in person shortly after arriving in the states and got married in the embassy. She learned English by attending night school and worked as a hairdresser during the day. Prior to arriving in the states, Tes was a dancer who performed traditionally for the royal family in Cambodia. She began teaching dance in her home in 1976, creating the Cambodian-American Heritage Group, completely free of charge in hope of bringing Cambodian culture to the United States.\u003c/p\u003e\n","\u003cp\u003e Individuals from Laos:\u003c/p\u003e \n","\u003cp\u003ePhourasmy Naughton arrived in the United States as a student but returned back to Laos to work at the United States Information Agency. She decided to come back to the states and found work at the Lao section of Voice of America as a radio broadcaster. Alongside this, Naughton dedicated much of her time at the Laos refugee resettlement community and also helped establish Wat Lao Buddhavong, a Lao Buddhist temple, in Manassas, Virginia. Naughton became a Buddhist nun and aided in resettling Thai refugees in the D.C. area.\u003c/p\u003e\n","\u003cp\u003eSuparak Pathammavong family escaped to the United States in the late 1970s after her father was taken to a concentration camp by the communist government. Fortunately, her father was reunited with them in the states. Despite having difficulty with speaking in English, Pathammavong completed her highschool education and pursued her Bachelor's in Engineering from Capital College in Maryland. Pathammavong later found a job as a system engineer and technician trainer at Sprint International. She got married in 1996 and had two children.\u003c/p\u003e\n","\u003cp\u003eKathy Prasith's family is made up of immigrants. She practiced Lao traditional dances at the Wat Lao Buddhavong temple and she was the youngest of all the interviewees. At the time of the interview, Kathy was only just beginning 7th grade.\u003c/p\u003e \n","\u003cp\u003eBounsou Sananikone migrated to the United States in 1975, when Laos faced a communist takeover. Prior to leaving, Sananikone was an accomplished artist and director of the Social Services Lao Public Health. When she arrived in the United States, Sananikone dedicated herself to helping the Lao community in the northern Virginia area.\u003c/p\u003e\n","\u003cp\u003eTomkham Somphanh came to the United States as a student, after receiving a Fulbright Scholarship to study at Peabody University in Tennessee. During the 1960s, her husband worked for the Lao government, which required her family to travel between Moscow and New York. In 1975, Somphanh and her family lived in New York when the Lao government fell under control of the communist party, leaving Somphanh's family stranded. Somphanh felt it was too unsafe to return to Laos and applied for asylum in the states. With their savings, Somphanh and her family were able to stay financially afloat. They opened a laundromat and upgraded to running a printing company.\u003c/p\u003e\n","\u003cp\u003eIndividuals from Thailand:\u003c/p\u003e \n","\u003cp\u003eSuwattana (Toi) H.A. arrived in the United States as a student in 1971. She attended Marymount College obtaining her degree in business. In 1978, she and her husband bought a restaurant that served both American and Thai food. It was one of the first to do so. In 1988, they opened their own restaurant called \"Star of Siam\" in downtown Washington, D.C. Since then they have opened up 2 more \"Star of Siam\" in the Washington D.C./Virginia area.\u003c/p\u003e\n","\u003cp\u003eDr. Anchalee Musikabhumma came to the United States as a medical student in 1971. Prior to living in the States, Dr. Musikabhumma studied dance alongside her medical degree in Thailand. Alongside working as a pediatrician, Dr. Musikabhumma regularly attended the Wat Thai temple where she helps arrange dances for the temple.\u003c/p\u003e\n","\u003cp\u003eArtree (Audrey) Panichakoon arrived in the United States when she was 8 years old. At the time of the interview, Artree was a 22 year old college student. She studied graphic design in college and eventually worked for A Magazine in New York City.\u003c/p\u003e\n","\u003cp\u003ePanida Puccinelli arrived in the United States in 1974, after being accepted at Ohio University. She graduated with a master's degree and met her husband during her years at school. In 1976, Puccinelli went back to Thailand and had a traditional wedding, before moving back to the states, where she began working at an American First bank.\u003c/p\u003e\n","\u003cp\u003eIndividuals from Vietnam:\u003c/p\u003e \n","\u003cp\u003eNguyen Nguyet Anh and her family migrated to the United States in 1975, a week after the Vietnam government fell under communist control. Before reaching the states, Anh wondered how she could best help her country and felt she could do it best through music. She has written and recorded over 200 songs that she performs at refugee camps around the world.\u003c/p\u003e\n","\u003cp\u003eKim Chi Crittenden migrated to the United States after marrying her husband the month before Vietnam fell under control of communism. Her and her husband temporarily lived in the South before moving to northern Virginia where she obtained her master's degree in teaching and had three girls. She taught ESL at Abington Elementary in Arlington, VA and learned Spanish after noticing the rising number of latine refugee students. She prides herself on her hard work and dedication to her goals.\u003c/p\u003e\n","\u003cp\u003eKhuc Minh Tho arrived in the United States in the mid 1970s. She worked for the Vietnamese Embassy in the Philippines until the Vietnamese government fell under control of the communists. She and her three children were granted asylum to move to the United States. She began working as Records Assistant for the Arlington County government and was the first Vietnamese worker in their Department of Human Services. Shortly after, she founded the Vietnamese Political Prisoners Association (FVPPA), an origination dedicated to help represent the rights of Vietnamese political prisoners and aid in reunification with their families.\u003c/p\u003e\n","\u003cp\u003eAnh-Huong Thi Tu arrived in the United States in 1969, after receiving a scholarship through the United States Agency for International Development. After studying journalism, Thi Tu went back to Vietnam, and worked as an assistant for the Ministry of Foreign Affairs. In 1975, Thi Tu left Vietnam, after the government fell under communism. She lived temporarily in California before moving to the D.C. area. She went back to school for law and began working for Volunteers for the Elderly, a paralegal advocacy group which provided legal services to low-income, older minoritized people.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Through Women's Eyes: Southeast Asian American Women's Stories was an Oral History project originally titled Dual Identities/Multiple Roles conducted by Lisa Falk and Uaporn Ang Robinson in the early 1990s in which they interviewed and photographed eighteen Southeast Asian American women who were born in Cambodia, Laos, Thailand, or Vietnam, and migrated to the metropolitan Washington, D.C. area in their young adult years during the 1960s-1990s.","Individuals from Cambodia:","Sisopha Mai Chavez and Bopha Mai Ram migrated to the United States in the early 1980s. The two sisters were separated from one another and their family during the Pol Pot regime. As they separately migrated west, they rediscovered one another and stuck together in a refugee camp. At the camp, they found their brother, Somet, and Bopha got married. The sisters were able to migrate to the United States through Somet's connections with foreign journalists. Once in the country, Bopha gave birth to a daughter and the sisters, Somet, and Bopha's daughter and husband all lived in a small apartment. Sisopha found employment at a multitude of restaurants, in which she met her now husband, Francisco Chavez. The pair had two kids together. In 1988, the sisters and their families raised enough money to open a grocery store in Arlington Virginia called Asian Grocery Market.","Thida C. Khus migrated to the United States with her children in 1979, shortly after Cambodia fell to the communist regime. Reunited with her husband four months later, Thida worked as a social worker for the United Catholic Conference until 1985, when she established the Khmer Cambodian Society of San Antonio. In 1989, Khus moved to Washington, D.C. and worked as the executive director of the Cambodian Network Council.","Lany Tan Lang arrived in the United States in 1964 through a student exchange program. She was unable to return to Cambodia after the country cut ties with the United States and she was sent to live in Hawaii. There, she married and gave birth to a girl. She and her family moved to the D.C. area shortly after and she found employment as a Khmer instructor at the Foreign Service Institute. In 1987, she received her master's degree in social work and became the first Cambodian woman to work in Maryland's Mental Health Department where she assisted Cambodian and Thai refugees.","Sam-Oeun (Rady) Tes arrived in the United States in 1971 when she was 20 years old. Her uncle worked as a US ambassador and decided to bring her along to the country. Tes met her husband in person shortly after arriving in the states and got married in the embassy. She learned English by attending night school and worked as a hairdresser during the day. Prior to arriving in the states, Tes was a dancer who performed traditionally for the royal family in Cambodia. She began teaching dance in her home in 1976, creating the Cambodian-American Heritage Group, completely free of charge in hope of bringing Cambodian culture to the United States.","Individuals from Laos:","Phourasmy Naughton arrived in the United States as a student but returned back to Laos to work at the United States Information Agency. She decided to come back to the states and found work at the Lao section of Voice of America as a radio broadcaster. Alongside this, Naughton dedicated much of her time at the Laos refugee resettlement community and also helped establish Wat Lao Buddhavong, a Lao Buddhist temple, in Manassas, Virginia. Naughton became a Buddhist nun and aided in resettling Thai refugees in the D.C. area.","Suparak Pathammavong family escaped to the United States in the late 1970s after her father was taken to a concentration camp by the communist government. Fortunately, her father was reunited with them in the states. Despite having difficulty with speaking in English, Pathammavong completed her highschool education and pursued her Bachelor's in Engineering from Capital College in Maryland. Pathammavong later found a job as a system engineer and technician trainer at Sprint International. She got married in 1996 and had two children.","Kathy Prasith's family is made up of immigrants. She practiced Lao traditional dances at the Wat Lao Buddhavong temple and she was the youngest of all the interviewees. At the time of the interview, Kathy was only just beginning 7th grade.","Bounsou Sananikone migrated to the United States in 1975, when Laos faced a communist takeover. Prior to leaving, Sananikone was an accomplished artist and director of the Social Services Lao Public Health. When she arrived in the United States, Sananikone dedicated herself to helping the Lao community in the northern Virginia area.","Tomkham Somphanh came to the United States as a student, after receiving a Fulbright Scholarship to study at Peabody University in Tennessee. During the 1960s, her husband worked for the Lao government, which required her family to travel between Moscow and New York. In 1975, Somphanh and her family lived in New York when the Lao government fell under control of the communist party, leaving Somphanh's family stranded. Somphanh felt it was too unsafe to return to Laos and applied for asylum in the states. With their savings, Somphanh and her family were able to stay financially afloat. They opened a laundromat and upgraded to running a printing company.","Individuals from Thailand:","Suwattana (Toi) H.A. arrived in the United States as a student in 1971. She attended Marymount College obtaining her degree in business. In 1978, she and her husband bought a restaurant that served both American and Thai food. It was one of the first to do so. In 1988, they opened their own restaurant called \"Star of Siam\" in downtown Washington, D.C. Since then they have opened up 2 more \"Star of Siam\" in the Washington D.C./Virginia area.","Dr. Anchalee Musikabhumma came to the United States as a medical student in 1971. Prior to living in the States, Dr. Musikabhumma studied dance alongside her medical degree in Thailand. Alongside working as a pediatrician, Dr. Musikabhumma regularly attended the Wat Thai temple where she helps arrange dances for the temple.","Artree (Audrey) Panichakoon arrived in the United States when she was 8 years old. At the time of the interview, Artree was a 22 year old college student. She studied graphic design in college and eventually worked for A Magazine in New York City.","Panida Puccinelli arrived in the United States in 1974, after being accepted at Ohio University. She graduated with a master's degree and met her husband during her years at school. In 1976, Puccinelli went back to Thailand and had a traditional wedding, before moving back to the states, where she began working at an American First bank.","Individuals from Vietnam:","Nguyen Nguyet Anh and her family migrated to the United States in 1975, a week after the Vietnam government fell under communist control. Before reaching the states, Anh wondered how she could best help her country and felt she could do it best through music. She has written and recorded over 200 songs that she performs at refugee camps around the world.","Kim Chi Crittenden migrated to the United States after marrying her husband the month before Vietnam fell under control of communism. Her and her husband temporarily lived in the South before moving to northern Virginia where she obtained her master's degree in teaching and had three girls. She taught ESL at Abington Elementary in Arlington, VA and learned Spanish after noticing the rising number of latine refugee students. She prides herself on her hard work and dedication to her goals.","Khuc Minh Tho arrived in the United States in the mid 1970s. She worked for the Vietnamese Embassy in the Philippines until the Vietnamese government fell under control of the communists. She and her three children were granted asylum to move to the United States. She began working as Records Assistant for the Arlington County government and was the first Vietnamese worker in their Department of Human Services. Shortly after, she founded the Vietnamese Political Prisoners Association (FVPPA), an origination dedicated to help represent the rights of Vietnamese political prisoners and aid in reunification with their families.","Anh-Huong Thi Tu arrived in the United States in 1969, after receiving a scholarship through the United States Agency for International Development. After studying journalism, Thi Tu went back to Vietnam, and worked as an assistant for the Ministry of Foreign Affairs. In 1975, Thi Tu left Vietnam, after the government fell under communism. She lived temporarily in California before moving to the D.C. area. She went back to school for law and began working for Volunteers for the Elderly, a paralegal advocacy group which provided legal services to low-income, older minoritized people."],"prefercite_html_tesm":["\u003cp\u003eThrough Women's Eyes: Southeast Asian American Women Stories records, C0509, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Through Women's Eyes: Southeast Asian American Women Stories records, C0509, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Vilma Chicas Garcia from June-August 2023. Finding aid completed by Vilma Chicas Garcia in August 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from August – September 2025.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Vilma Chicas Garcia from June-August 2023. Finding aid completed by Vilma Chicas Garcia in August 2023. Additional processing completed and finding aid updated by Meghan Glasbrenner from August – September 2025."],"relatedmaterial_html_tesm":["\u003cp\u003e\nThe Special Collections Research Center also holds other \u003cextptr show=\"new\" title=\"oral history collections\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=oral+history\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e, as well as collections focusing on Southeast Asia, particularly \u003cextptr show=\"new\" title=\"Vietnam and the Vietnam War.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=vietnam\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe University of California - Irvine is the repository for the \u003cextptr show=\"new\" title=\"Southeast Asian Archive\" href=\"https://seaa.lib.uci.edu/\"\u003e\u003c/extptr\u003e, which holds oral history collections.\n\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other , as well as collections focusing on Southeast Asia, particularly","The University of California - Irvine is the repository for the , which holds oral history collections."],"scopecontent_html_tesm":["\u003cp\u003eThrough Women's Eyes: Southeast Asian American Women's Stories records consists mainly of interview cassette tapes and transcripts, contact sheets, photographs, photo negatives, and photo slides. The collection is arranged into 4 series.\u003c/p\u003e","\u003cp\u003eSeries 1: Project Files contains information about the \u003ctitle\u003eDual Identities/Multiple Roles\u003c/title\u003e project into the \u003ctitle\u003eThrough Women's Eyes Oral History Project\u003c/title\u003e in the 1990s. It consists of two sub-series. Sub-series 1: Planning and exhibition files which contains materials of the project itself and Sub-series 2: Research materials which contains sources that assisted in interviewing the Southeast Asian women and provided the researcher more background information of each country.\u003c/p\u003e","\u003cp\u003eSeries 2: Interview Subjects is arranged by the Southeast Asian country each woman originated from. It includes interview records and transcripts, correspondence, biographical information, and other personal materials from the interviewees. The subsections are ordered alphabetically, starting with Sub-series 1: Cambodia, Sub-series 2: Laos, Sub-series 3: Thailand, and Sub-series 4: Vietnam. Individuals are arranged alphabetically under their country. \u003c/p\u003e","\u003cp\u003eSeries 3: Photographs hold all images taken throughout the project. It is arranged alphabetically by country, then by individual. This series contains contact sheets, photographs, photo negatives, and photo slides.\u003c/p\u003e","\u003cp\u003eSeries 4: Cassette tapes includes 26 original cassette tapes used to record the oral history project. It is arranged alphabetically by interview subject last name, with some interviews spread across two cassette tapes.\u003c/p\u003e  ","\u003cp\u003eDaughter of Sisophia Mai Chavez\u003c/p\u003e","\u003cp\u003eRelated to Dr Anchalee Musikabhumma\u003c/p\u003e","\u003cp\u003eReview of H.A. Suwattana restaurant\u003c/p\u003e","\u003cp\u003eArtree (Audrey) Panichakoon magazine copies\u003c/p\u003e","\u003cp\u003eRelated to Dr Anchalee Musikabhumma\u003c/p\u003e","\u003cp\u003eGiven to Lisa Falk and Ang Robinson by Khuc Ming Thou\u003c/p\u003e","\u003cp\u003eConnected to Anh Huong Thi Tu\u003c/p\u003e","\u003cp\u003eAlso includes photos of Sisophia Mai Chavez and Bopha Mai Ram's Asian Grocery Market.\u003c/p\u003e","\u003cp\u003eAlso includes photos of Lany Tan Lang.\u003c/p\u003e","\u003cp\u003eLast strip contains photos from Thai New Year.\u003c/p\u003e","\u003cp\u003eContains photographs of Phourasmy Naughton and Kathy Prasith\u003c/p\u003e","\u003cp\u003eIncludes photographs of traditional Lao wedding.\u003c/p\u003e","\u003cp\u003eIncludes strips of Lisa Falk and Uaporn Ang Robinson.\u003c/p\u003e","\u003cp\u003eContains images of Suwattana H.A restaurant Star of Siam opening night.\u003c/p\u003e","\u003cp\u003eContain photos of Dr. Anchalee Musikabhumma with patients and at Wat temple.\u003c/p\u003e","\u003cp\u003eIncludes photographs of Kim Chi Crittenden, her family, and teaching at Abington Elementary.\u003c/p\u003e","\u003cp\u003eIncludes photos of Nguyet Anh Nguyen at the Pho nho office and performing.\u003c/p\u003e","\u003cp\u003eIncludes photographs of her and her family.\u003c/p\u003e","\u003cp\u003eIncludes photo slides of Khuc Minh Toi at the Families of Vietnamese Political Prisoners Association.\u003c/p\u003e","\u003cp\u003eIncludes photo slides of Anh Huong-Thi Tu in her legal office.\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Springfield, Virginia\"\u003c/p\u003e","\u003cp\u003eName listed in Series 2 as \"Nguyet Anh Nguyen\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Cambodian Network Council\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Interviewers Falk/Robinson, Silver Spring, MD\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"at Lisa's house, VA\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Asian Grocery Market, Columbia Pike, Arlington, Virginia\"\u003c/p\u003e","\u003cp\u003eList of topics: Escape, family background ; The Walk in 1979 ; Nong Samet Camp ; In refugee camp ; Libeander Pol Pot's regime ; Bopha's delivery ; Sisopha's first job ; Sponsors ; Libe in 1982 ; First few years in the U.S. ; Open the Asian Grocery Market ; Francisco ; The Rice Story ; division of roles and responsibilities ; customers - Names listed in Series 2 as Sisophia Mai Chavez and Bopha Mai Ram\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"NMAH\"\u003c/p\u003e","\u003cp\u003eCassette includes text possibly written in Thai that cannot be deciphered clearly\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Alexandria, VA\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Falls Church, VA\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"at First American Bank MacArthur Blvd.\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"First American Bank\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Star of Siam, Rosslyn, VA\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Robinson/Falk interviewers, Temple Hills, MD\"\u003c/p\u003e","\u003cp\u003eAdditional cassette inscription: \"Heavy accent, unable to transcribe\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Through Women's Eyes: Southeast Asian American Women's Stories records consists mainly of interview cassette tapes and transcripts, contact sheets, photographs, photo negatives, and photo slides. The collection is arranged into 4 series.","Series 1: Project Files contains information about the Dual Identities/Multiple Roles project into the Through Women's Eyes Oral History Project in the 1990s. It consists of two sub-series. Sub-series 1: Planning and exhibition files which contains materials of the project itself and Sub-series 2: Research materials which contains sources that assisted in interviewing the Southeast Asian women and provided the researcher more background information of each country.","Series 2: Interview Subjects is arranged by the Southeast Asian country each woman originated from. It includes interview records and transcripts, correspondence, biographical information, and other personal materials from the interviewees. The subsections are ordered alphabetically, starting with Sub-series 1: Cambodia, Sub-series 2: Laos, Sub-series 3: Thailand, and Sub-series 4: Vietnam. Individuals are arranged alphabetically under their country.","Series 3: Photographs hold all images taken throughout the project. It is arranged alphabetically by country, then by individual. This series contains contact sheets, photographs, photo negatives, and photo slides.","Series 4: Cassette tapes includes 26 original cassette tapes used to record the oral history project. It is arranged alphabetically by interview subject last name, with some interviews spread across two cassette tapes.","Daughter of Sisophia Mai Chavez","Related to Dr Anchalee Musikabhumma","Review of H.A. Suwattana restaurant","Artree (Audrey) Panichakoon magazine copies","Related to Dr Anchalee Musikabhumma","Given to Lisa Falk and Ang Robinson by Khuc Ming Thou","Connected to Anh Huong Thi Tu","Also includes photos of Sisophia Mai Chavez and Bopha Mai Ram's Asian Grocery Market.","Also includes photos of Lany Tan Lang.","Last strip contains photos from Thai New Year.","Contains photographs of Phourasmy Naughton and Kathy Prasith","Includes photographs of traditional Lao wedding.","Includes strips of Lisa Falk and Uaporn Ang Robinson.","Contains images of Suwattana H.A restaurant Star of Siam opening night.","Contain photos of Dr. Anchalee Musikabhumma with patients and at Wat temple.","Includes photographs of Kim Chi Crittenden, her family, and teaching at Abington Elementary.","Includes photos of Nguyet Anh Nguyen at the Pho nho office and performing.","Includes photographs of her and her family.","Includes photo slides of Khuc Minh Toi at the Families of Vietnamese Political Prisoners Association.","Includes photo slides of Anh Huong-Thi Tu in her legal office.","Additional cassette inscription: \"Springfield, Virginia\"","Name listed in Series 2 as \"Nguyet Anh Nguyen\"","Additional cassette inscription: \"Cambodian Network Council\"","Additional cassette inscription: \"Interviewers Falk/Robinson, Silver Spring, MD\"","Additional cassette inscription: \"at Lisa's house, VA\"","Additional cassette inscription: \"Asian Grocery Market, Columbia Pike, Arlington, Virginia\"","List of topics: Escape, family background ; The Walk in 1979 ; Nong Samet Camp ; In refugee camp ; Libeander Pol Pot's regime ; Bopha's delivery ; Sisopha's first job ; Sponsors ; Libe in 1982 ; First few years in the U.S. ; Open the Asian Grocery Market ; Francisco ; The Rice Story ; division of roles and responsibilities ; customers - Names listed in Series 2 as Sisophia Mai Chavez and Bopha Mai Ram","Additional cassette inscription: \"NMAH\"","Cassette includes text possibly written in Thai that cannot be deciphered clearly","Additional cassette inscription: \"Alexandria, VA\"","Additional cassette inscription: \"Falls Church, VA\"","Additional cassette inscription: \"at First American Bank MacArthur Blvd.\"","Additional cassette inscription: \"First American Bank\"","Additional cassette inscription: \"Star of Siam, Rosslyn, VA\"","Additional cassette inscription: \"Robinson/Falk interviewers, Temple Hills, MD\"","Additional cassette inscription: \"Heavy accent, unable to transcribe\""],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated ( See http://rightsstatements.org/vocab/CNE/1.0/ )\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated ( See http://rightsstatements.org/vocab/CNE/1.0/ )"],"abstract_html_tesm":["\u003cabstract id=\"aspace_dc7c4de53faf7c00a135c072ca536636\"\u003eThrough Women's Eyes: Southeast Asian American Women's Stories contains materials that tell the stories of Southeast Asian American women who were born in Cambodia, Laos, Thailand, or Vietnam and migrated to the metropolitan Washington, D.C. area in their young adult years during the 1970s-1990s. This oral history project, conducted in the early 1990s, aims to describe what caused these women to move and their transition into American culture and life while keeping their native customs alive in their homes. The project was made into an temportary independent exhibit for the Smithsonian in 2016.\u003c/abstract\u003e\n    "],"abstract_tesim":["Through Women's Eyes: Southeast Asian American Women's Stories contains materials that tell the stories of Southeast Asian American women who were born in Cambodia, Laos, Thailand, or Vietnam and migrated to the metropolitan Washington, D.C. area in their young adult years during the 1970s-1990s. This oral history project, conducted in the early 1990s, aims to describe what caused these women to move and their transition into American culture and life while keeping their native customs alive in their homes. The project was made into an temportary independent exhibit for the Smithsonian in 2016."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_0533375d017da1adb1dca2479aecdd35\"\u003e\nR 72, C 3, S 6 - S 7\n\n\nR 72, C 4, R 1\n\u003c/physloc\u003e\n    "],"physloc_tesim":["R 72, C 3, S 6 - S 7\n\n\nR 72, C 4, R 1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Robinson, Uaporn Ang","Falk, Lisa","Chavez, Sisophia Mai","Crittenden, Kim Chi","Khus, Thida C.","Lang, Lany Tan","Musikabhumma, Anchalee","Naughton, Phourasmy","Nguyen, Nguyet Anh","Panichakoon, Artree","Pathammavong, Suparak","Prasith, Kathy","Puccinelli, Panida","Sananikone, Bousou","Somphanh, Tomkham","Tes, Sam-Oeun","Tu, Anh-Huong Thi"],"names_coll_ssim":["Chavez, Sisophia Mai","Crittenden, Kim Chi","Khus, Thida C.","Lang, Lany Tan","Musikabhumma, Anchalee","Naughton, Phourasmy","Nguyen, Nguyet Anh","Panichakoon, Artree","Pathammavong, Suparak","Prasith, Kathy","Puccinelli, Panida","Sananikone, Bousou","Somphanh, Tomkham","Tes, Sam-Oeun","Tu, Anh-Huong Thi"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Robinson, Uaporn Ang","Falk, Lisa","Chavez, Sisophia Mai","Crittenden, Kim Chi","Khus, Thida C.","Lang, Lany Tan","Musikabhumma, Anchalee","Naughton, Phourasmy","Nguyen, Nguyet Anh","Panichakoon, Artree","Pathammavong, Suparak","Prasith, Kathy","Puccinelli, Panida","Sananikone, Bousou","Somphanh, Tomkham","Tes, Sam-Oeun","Tu, Anh-Huong Thi"],"language_ssim":["English\n      Central Khmer\n      Lao\n      Thai\n      Vietnamese"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":310,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:37.302Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_665"}},{"id":"vifgm_repositories_2_resources_19","type":"collection","attributes":{"title":"Vassily Aksyonov papers, 1980/2004","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_19#creator","type":"document_value","attributes":{"value":"Aksenov, Vasiliĭ, 1932-2009","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_19#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_19#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_19","ead_ssi":"vifgm_repositories_2_resources_19","_root_":"vifgm_repositories_2_resources_19","_nest_parent_":"vifgm_repositories_2_resources_19","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_19.xml","title_filing_ssi":"Vassily Aksyonov papers","title_ssm":["Vassily Aksyonov papers"],"title_tesim":["Vassily Aksyonov papers"],"unitdate_ssm":["1980s-2004"],"unitdate_inclusive_ssm":["1980s-2004"],"normalized_date_ssm":["1980/2004"],"normalized_title_ssm":["Vassily Aksyonov papers, 1980/2004"],"text":["Vassily Aksyonov papers, 1980/2004","C0062","/repositories/2/resources/19","Fiction","Criticism","Creative writing","Interviews","Novelists","Manuscripts","Correspondence","Sound recordings","Video recordings","There are no access restrictions.","Organized by subject.","Born in 1932, Vassily Pavlovich Aksyonov was a prominent Russian novelist who spent much of his later career writing and teaching in the Washington, DC area. Aksyonov was born in the Russian city of Kazan and grew up under Stalin's rule. Askyonov's parents, although devoted communists, were accused of being Trotskyites and sent to gulags when he was still a child. Aksyonov was subsequently raised in an orphanage for \"children of enemies of the state\" before moving in with his aunt and uncle, who tried to keep the truth of his parents' disappearance a secret. He spent much of his youth listening to jazz and reading American novels, which would influence his work as much as the disenchantment and paranoia of life under Stalinism.","Though trained as a medical doctor, Vassily Aksyonov gave up his medical career in the 1960s to pursue a career as a novelist. His 1961 novel, A Ticket to the Stars, drew a great deal of praise from readers and helped launch his career. His writings quickly became controversial as they celebrated Western popular culture and criticized life under Stalin and his successors. During the 1960s he wrote several plays that were denounced by the state press for spreading \"negativism,\" and after voicing public opposition to the Soviet invasion of Czechoslovakia in 1968, no publisher would print his work for the next 12 years, during which he worked as a translator to support his family. By the 1970s, Aksyonov had become one of the most popular prose writers in Russia, but his popularity only exacerbated his low standing with the communist party, which disapproved of his criticism and revoked his citizenship in 1980, when he decided to emigrate to the United States. Aksyonov settled in Washington, DC, where he taught literature and continued to write until moving back to Russia in 2004.","During his stay in America, Aksyonov published several novels that he had kept hidden in drawers during the 1970s, including The Burn (1980) and The Island of Crimea (1983). His later works include In Search of Melancholy Baby (1987), Say Cheese (1989), Generations of Winter (1994), The Winter's Hero (1996), and The New Sweet Style (1999). Aksyonov taught at The Johns Hopkins University and Goucher University before coming to George Mason University, where he taught from 1988 to 2004, when he moved back to Russia to live out his remaining years. He died in 2009.","Processed by Vera Zimmerman in 2011. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. EAD updated by Greta Kuriger Suiter in October 2012.","Special Collections and Archives also holds other collection of papers from Robinson Professors.","This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov. The collection includes handwritten and typed notes for novels, plays, articles, poems, and other writings in Russian and English.  Writings include \"The Caesaian Selection\", \"Kesarevo Svechenie\", \"Desyatiletie Kleveti\", Noviy Sladostniy Stil'\", \"Ten Years of Slander\", \"Generations of Winter\", \"The Wiesbaden Journal\", \"The Yolk of the Egg\", \"Say Cheese\", \"Zheltok Yaitsa\", \"Blues with a Russian Accent\", \"In Search of Melancholy Baby\", and \"Pik Kommunizma\". A small selection of audio visual material is comprised of two audio cassette tapes that include recordings of interviews with Aksyonov and three VHS tapes, one of which features his retirement at George Mason University.","Contains chapters I and III, pages 1-172. Each chapter is marked with personal notes. Manuscript has a few cartoons. Pages have a variation in page numbering. Riche Linge, personal correspondence to Lily Denis A, January 5, 2000. Newspaper article from Newsweek - The Case Against Legalization: The U.N's drug czar on supply and demand, November 1, 1999.","Contains chapters IV and VI, pages 173-405. Page 57 has personal notes. Page 301 has a table of contents that lists six chapters of the novel. Contains a poem, August 1, 1999.","Pages 406-670. Page 415 contains a poem without a title. Page 456 contains a personal poem. Other poems are on pages: 465, 467, 492, 493, 494, and 657.","Pages 671-832. Page 775 marks chapter X.","Novel \"Vol'ter'yantsi i Vol'ter'yanki\". File: Semiramada pages 1-215. Contains some personal notes.","Pages have a variation in page numbering. The novel begins with page 3-165 or 301-449. Contains somebody else's personal notes. Pages 450-477 begin with part X and have an essay diary, \"Vesna v kontse veka\" with a series of poems.","Contains a continuation of an essay diary. Pages have a variation in page numbering. pp 478- 643. Page 485 begins with part XI titled \"Pegas Pikasso\"; it also contains a label that has Aksyonov's fax (1-703-352-3330) to Kabanov ( 7-095-943-9792). The fax has a part \"Pegas Pikasso\" from \"Kesarevo Svechenie\". The novel is written in Fairfax, VA.","Dedicated to Ivan. Contains a table of contents. Pages have a variation in page numbering. pp 1-129. Page 80 contains Fax for M. F. [3.1]","The novel is unfinished. pp 130-300 [3.2]","Starting with page 51 a new count of pages begins. pp 1-118.","Begins with part 5 \"Gore, Gora, Goret'\". pp 119-218.","Begins with part 7 \"Kukushkini ostrova\". pp 219-298.","Begins with a story titled \"Baby Cassandra\" pp 299-449.","Begins with part 10 titled \"Vesna v kontse veka\" (Dnevnik Sochinitelya. A creator's diary). Contains a series of poems. pp250-574.","Begins with part 14 titled \"Ah, Artur Shopengauer!\" (Script in two parts) pages 575-643. Pages have a variation in page numbering.","Contains a fax from Pan. Peonides to Vassily Aksyonov and another fax from Aksyonov to Peonides in English, May 30, 1999; A story \"University as a Metaphor\" in English, pp 1- 13, no date; \"The Novelist in the University\" in English, pp 1-15, no date; \"A Trolley-Bus' Blues\" in English, pp 1-25, December, 1998; A letter from Aksyonov to Daniel Menaker, Vice-President, in English, December 6, 1998; Fax from Aksyonov to Valeriy Kalashnikov in Russian, no date; Fax to Il'ya Medovoy, \"Obshaya Gazeta\" in Russian, no date; Fax from Znamya (Literary and socio-political journal) to Aksyonov in Russian, February 24, 1997; \"Nostalgia or Schizophrenia?\" (Fall recollections of the summer impressions) in English, pp 1-16,November, 1997; \"President of an Old Tsardom\" in English, (11569 Avondale Drive) Fairfax, VA, no date; \"A Trolley-Bus' Blues\" in English, no date, pp 1- 26; \"Gikkie and BabyCassandra\" in English, pp 1-14, April 1999; Documentation on Shalamov's criminal case, 1943; Articles from Soviet newspapers, Russian Daily: Novoe Russkoe Slovo, on Boris Balter in Russian, June 8, 1984; on Sakharov's forced psychiatrical treatment, June 11, 1984; on Aksyonov frustrating the Soviet authorities; and other articles.","Information drawn from various web sites: Chronology on Catherine the Great from wysiwyg://zoffsitebottom.156/…; Biography on Catherine the Great, January, 2000; A series of photographs and articles on Voltaire in English; \"Universitet Kak Metafora\" hand written manuscript; GMU flyers \"Clarence J. Robinson Professor of Russian Literature and Writing\", April 15, 1997; A document from Pegasus Prize for Literature 1977-1997; Table Des Matieres in French; Fax from Aksyonov to Loshak, chief editor from weekly newpaper ?, in Russian, October 27, 1997; Fax from Zoya Boguslavskaya, \"Nezavis Blagotvoritel'niy Fond\". Launch Tour of Mario de Carvalho. Public Schedule, July, 10 1997; Letter from Michael Morgan (Pegasus Prize for Literature) in English, announcing that the Portuguese winner, July 29, 1997.","Contains a table of contents and epigraph to the novel. pp1-139.","Pages 140-308.","Pages 309-537. Page 535 has epilogue.","\"Ah, Artur Shopengauer\" Play and other documents. (Play in two acts), Aksyonov's handwritten manuscript in Russian, October 10, 1998; pages 1-96. A play has personal notes; Contains a short story \"The Wiesbaden Journal\"  by Vassily Aksyonov in English, August (1864); An abrupt newsletter addressed to Aksyonov in Russian on the issue of Bill Clinton and Monica, October 29, 1998; An invitation letter to Aksyonov from the National Gallery of Canada; A flyer on \"Writers on Exile and Migration\" in English and French, August 7-November 1, 1998.","Has a title \"Iz rukopisi \"Novogo Sladostnogo Stilya\" (partially in English) and partially in Russian, December 1994, February 1996. Chernovik. Draft. Starts with page 1057-1182.","Aksyonv's personal documents and correspondence. \"Avrora Gorelika\" (drama in two acts); George Mason University papers and CV. Contains personal notes and a drawing on the front page, and a caricature. pp. 1-79. Contains monologue of the creator of Gorelik. Curriculum Vitae of Aksyonov in English; A letter from Aksyonov to Prof. Leo Hecht, Chairman of Russian Studies at GMU, in English, September 15, 1987; A document called Briefing Material in English, no date; A letter from Hecht to Aksyonov in English, July 27, 1988; Correspondence between Aksyonov and Ms. Carol Krider, November 15, 1987; The documents of Aksyonov's employment with GMU; Correspondence of Aksyonov with GMU faculty and staff.","Treatment for program one. The Roaring Twenties (working title) two hours. Written in California. Pages have a variation in page numbering.","Pages 1-130. \"Desyatiletie Kleveti\" (radio-dnevnik pisatelya).","Pages 131-310.","Pages 311-504. Page 311 begins with \"Buistvo Demokratii\". Page 504 has a phone number of Iris Knell.","[Separated into two folders] Contains a novel \"Noviy Sladostniy Stil'\" Partly typed and partly handwritten manuscript in English and Russian, 1996; Typed from pp 1-15. Handwritten from pp16-26. Contains personal notes, typed poems in Russian. One poem has a date, May 1, 1999; A personal notebook in English and Russian; Personal story in Russian, December, 1990, Moscow, Dom Kino; More handwritten poems in Russian; More personal notes; Correspondence from Popov to Aksyonov in Russian, handwritten, date signed August 11, 1997, date shown on the top left corner is August 11, 1998; Has a completion of some play in Russian and some in English. Zavershenie. Contains personal notes;\nA novel in Russian, hand written manuscript. Chapter I-IV.","\"Noviy Sladostniy Stil\" in English, hand written manuscript, pages 1-46, 1996; Personal fax from Aksyonov to Popov in Russian, hand written; Poem in Russian, handwritten with personal notes. Other poems are typed; A set of poems in Russian, handwritten, no date, \"Dve Revo… Lotsiya\" (handwriting is not clear); Hand written manuscript in English, pp 1-21. \"Gikkie and Baby Cassandra.\"; An auto-portrait. Russian 327, 1999; A hand written novel in Russian that starts with the words Summer 1988. pages 1-33; Fax from Aksyonov to Vogue, Yurat Gurauskayte, in Russian, February 2, 1999; A handwritten Happy Birthday note to Sasha Kolt in English; A letter from Yvon Girard, Editions Gallimard, to Aksyonov, informing Aksyonov about Editions Gallimard reprinting his \"Moskovskaya Saga\", English,  November 26, 1996, Paris; Aksyonov's response to Girard, December 8, 1996; Letter from Aksyonov to Peonides, handwritten in English, September 22, 1999; Letter from Aksyonov to Harold Evans, President of the Random House Publishing, in English, January 27, 1997; Another letter to Evans, November 22, 1996; Fax from Evgeniy Popov to Aksyonov, in Russian, handwritten, November 13, 1997; Letter from Aksyonov to Loshak in Russian, March 31, 1998; Letter from Popov to Aksyonov in Russian, September 11, 1997; Letter from Per Delgard in Russian, October 1, 1997; Letter from Aksyonov to Mary A. Frisque in English, April 26, 1997; Letter from Mary to Aksyonov in English, April 22, 1997; A novel \"Checking the Pulse\", handwritten manuscript in English; Fax from Andrey Kabannikov in Russian, March 28, 1999. Skeptical comments on the US involvement in the Balkans. pages 1-3; Fax from Skobelev to Aksyonov in Russian, September 8, 1998, Samara; Letter from Goran Rosenberg, Moderna Tider, to Aksyonov in English, April 6, 1998. Includes a translation of Aksyonov's novel, USSR Revisited and Aksyonov's thank you note to Goran, April 8, 1998.","Novel \"Noviy Sladostniy Stil.\"; Typed poems in Russian, with a few personal notes, February 17, 1998; Story \"Logovo L'va\", handwritten manuscript in Russian, pages 1-8; Letter from Popov to Aksyonov, March 10, 1999, Moscow. Has a press cutting with a caricature; Fax from Peonides to Maya Aksyonova, September 21, 1999; \nHandwritten manuscript of a untitled novel in English, begins with page 983-1182, December 1994, February 1996. Drafts. Washington, Paris, Moscow, Samara, Tel-a-Viv, Gotland.","Contains personal list of correction notes. pages 1-175. Page numbers have double counting.","Pages 176-384. Page numbers have double counting.","Pages 385-643. Page 385 ends the first smena (konets pervoy smeni). The end, September, 2000, Fairfax.","Various correspondence. A few short stories in English; Aksyonov's \"Victory\": A Post-Analysis. Alexander Zholkovsky, typed in English, 1965; The Russian Acoustic. Songs to Seven Strings by Gerald Stanton Smith, hand written in English, pages 1-15; \"A Soviet Odyssey\". Typed manuscript in English, pages 1-13, no date; Two copies of \"Love Story Kremlin Style\" typed in English, 1-5, no date; Personal note typed in English about Aksyonov's theater-going habits; \"Leningrad's Thrillers\", typed short story in English, pages 1-9; \"The Inspector General Goes to Topeka\" (An attempt to envision an upcoming event) short story typed in English, pages 1-8 \"Roundtable: the Lexicon of Soviet Propaganda: Its connotative Content.\" James P. Scanlan pp 1-4, typed; \"Orgy of Evolution\". Handwritten manuscript in English, pages 1-5; \"The Leningrad's Thrillers\". Typed in English with personal corrections, pages 1-4.","\"Guests from the Future\" by Josephine Woll, review article in English, 1984; \"Oda Dlya Rudi\", typed in Russian, April 23, 1986; \"A Soviet Odyssey\", typed in English, late spring 1986, California; \"Inspector General Goes to Topeka\", pp1-8, typed in English; Personal story about Aksyonov's ideal American reader, typed in English, pages 1-13; Interview with Aksenov by Bella Ezerskaya in English, translated by Nancy Condee and Vladimir Padunov, pages 1-16; Letter to Raymond Whitley in English, October 7, 1986; \"The Inspector General Goes to Topeca\" typed in English with personal corrections; \"From the Barracks to the Market\" typed in English, pages 1-5; \"Participantes in the Morelia Symposium: Approaching the Year 2000.\" Letter of Recommendation to Mr. Christian Nagle, typed in English, January 8, 1992; Novels \"Ozhog\" and \"Ostrov Krym\" November 2, 1985. Paper presented at the Third World Congress for Soviet and East European Studies. Typed in English, pages 1-14; \"H2O and Polluting Letters\", handwritten and typed in English; \"Basketball, God, and the Ringo Kid: Philistinism and the Ideal in Aksenov's Short Stories.\" Typed in English, pages 1-20; A typed story in English with missing pages 1-7;\n\"The Sound of Champs D'Elesee\", typed in English with personal corrections, pages 1-6; Letter from Jane Uscilka, editorial assistant, to Aksyonov, in English, August 13, 1992; Letter from Eileen Godlis, Jankow and Nesbit Associates, to Aksyonov, in English June 22 1992; Four copies of Aksyonov's CV in English till 1987; Fax to Betty Ferber de Aridjis in English, May 13, 1992; \"The Alchemic Lemon\" typed in English with personal corrections, pages 1-16; \"Gratitude to Our Former Rulers\" typed in English; \"From the Barracks to the Market\" typed in English, pages 1-9; \"In Avant-Garde with No Rear\" typed in English, pages 1-6; \"Without False Sound\" typed in English; \"And Again: Does Art Belong to Masses?\" typed in English; \"The Sound of Chmps D'Elesee\", typed in English, pp 1-11; \"Zhiteli I Bezhentsi\" typed in Russian, pp1-11, September 1989; Letter to Leo Hecht from Anna Lawton, George Mason University, April 6, 1990; Aksyonov's personal correspondence in English.","\"A Winged Endangered Species\" handwritten manuscript in English, pages 1-42; \"Orgy of Evolution\" typed manuscript in English, pages 1-5, USA Today; \"Rebels Without (and with) a cause.\" \"Beatniks and Bolsheviks.\" A printed article from the New Republic in English, pp28-32. Page 31 is missing; \"Leningrad Thriller\" Soviet Literary Criticism Continues Down a Bizarre Path, With Profound Implications, a printed article from American Politics, pages 5-7. Contains attached typed manuscript of \"Leningrad Thriller\" in English, pages 1-9; \"The Tongue-Tied Glasnost\" a typed manuscript in English, contains personal notes. Attached is a printed article by Aksyonov from Harper's Magazine, April , ?. \"Through the Glasnost, Darkly. A cool reaction to Gorbachev's Thaw\"; \"Lungs and Gills\", typed manuscript in English; Aksyonov's Curriculum Vitae in English to Spiros Avgenikos, September 20, 1999, pages 1-5; \"Liberal –Eto Zvuchit Yasno\" (Chitaya Leontovicha), typed manuscript in Russian. Contains a fax to Kabanov, October 30, 2000 and a fax to Aksyonov from Triumph Logovaz, October 24, 2000; Untitled story typed in Russian. First part is titled \"Vezdekhod\", pages 1-25; A set of poems typed in Russian; \"The Novelist in the University\", typed manuscript in English, pages 1-15; A letter from Richard C. Rowson to Aksyonov in English, September 27, 1993; Email from Aksyonov to Limanov in Russian, April 13, 1994; Article by Aksyonov from the New Republic, \"A Countercoup of the Spirit. Live Souls\" September 16 \u0026 23, 1991; The title is personally scratched out and renamed into \"Three Days that Shook the World\" in English; \"A Winged Endangered Species\" typed manuscript in English, March 23, 1992, pages 1-27. Attached is a typed version of \"A Winged Endangered Species\" for Partisan Review, pages 180-188; \"After a Decade in Exile, Back to the USSR. Not Quite a Sentimental Journey.\" Typed story in English, pages 1-11; Attached is a published \"Not Quite a Sentimental Journey\" for the New Republic, April 16, 1990, pages 21-25; The Woodrow Wilson Center Memorandum, September 15, 1993 in English; \"Moscow Fever\" typed manuscript in English, pages 1-86, March 1993;\nUntitled story, handwritten manuscript, pages 1-6; List of Vassily Aksyonov's Works Since 1975 (Information for a literary agency) in English; \"The Metropole's Affair\", typed in English story, pages 1-4; \"The Human Factor\", typed in English story, pages 1-8.","\"Gratitude to Wachdogs\" typed manuscript in English, pages 1-6; \"Three Days that Shook the Idols\" hand written manuscript in English, pages 1-9; \"The Literary Impact of the American and French Revolutions\", Participants: Aksyonov and Susan Sontag, August 14, 1992, pages 1-54; \"Leningrad's Thrillers\" typed manuscript in English, pages 1-9; \"The Lip-Sided Success\" typed manuscript in English, pages 1-12; Untitled story, hand written manuscript in English; \"The 1992 Neustadt International Prize for Literature Jurors and Candidates\" by William. \nRiggan, pages 140-1 – 146-2; A note in English to Lev Ponomarev; A letter from the Golden Key, February 28, 1992; \"Music Seminar\" hand written manuscript in English with personal notes; \"Moscow Theater of Absurd\" hand written manuscript in English; A piece that is a continuation of some story, hand written manuscript in English;\nA hand written manuscript on the Soviet censorship, in English, pages 1-26; \"Of my youth, the Golden Stalinist Fifties\", typed manuscript in English; Several copies of \"the Wiesbaden Journal\" in English, Common Knowledge, winter 1995, V4, N3.","\"Derzkiy Gost'\", printed story in Russian. Prose and Poetry. Tret'ya Volna (Al'manakh Literaturi i Iskusstva) 1980, pages 20-25; \"Progulka v Kalashniy Ryad\", Literary Critique, pages 164-189, Sugarbush, Vermont. 133 Grani; Two copies of \"Stal'naya Ptitsa\" povest' s otstupleniyami i solo dlya korneta, Ardis, 1977, pages 24-95, June 1965, khutor Kal'da; \"Gremela v Svetlitse Devich'ya Zadornaya Pesnya\", contains only p 32; A title page of a script \"O Etot V'yunosha Letuchiy!\" Script of a musical based on old Russian narrative and fairy tales, Lenfilm, 1971.","Various hand written drafts of poems in Russian and a few in English; \"Outline of a New Novel at Work\" typed in English, contains personal notes, pages 1-7; Two postcards. One is from Panos Peonides, November 22, 1996, Athens in English. Second one is from Popov, September 24, 1996, France in Russian; More handwritten poems in Russian.","Personal English-Russian Vocabulary; \"Vori v Zakone: Brosok k Vlasti\" photocopies from a book by Georgiy Podlesskih and Andrey Tereshonok, Moscow, Khudozhestvennaya Literatura, 1994. Bibliography on Lideri Prestupnogo Mira; A letter from Anastasia Volkonsky to Aksyonov in English, February 12, 1990; Individual Assessment by Aksyonov in English. Attached is \"Monologue of a Serious Roman\" in English; Fax to Baltanova, October 5, 1997 in Russian; \"Poet in Tovarishch Paromonova\" typed in Russian; Fax—commentary on Soviet/Russian monuments, October 4, 1997; ICAR Newsletter, Spring 1999, Vol. 10, No. 1; An email from Ilya Zavorine on job offers, November 21, 1994; Old Russian Newspaper articles; one dates December 16, 1994; \"Teni Zabitix Predkov\" by Alexander Genis, printed in Russian, March 1998, New York; Tenement Times, Vol. 1, No. 1, fall 1989; Journal, Snaps, Jack Green 1989, 1991.","Fax from a Librarian of Congress, James Billington, to V. Ivanov in Russian, October 14, 1998; Business card from Vyacheslav Ivanov; Business card from Sher Sher photoartist; Two copies of Curriculum Vitae on Ivanov in English, pages 1-19.","Handwritten and typed poems from \"Kesarevo Svechenie\" in Russian; A letter from the World Millennium Committeed and an attached application for participation. \"Anketa Uchastnika Vsemirnogo Kongressa 'Itogi Tisyacheletiya' in Russian.","Puskin's \"Arion\": a Lone Survivor's Cry by Gerald E. Mikkelson, University of Kansas, SeeJ, Vol. 24, No. 1, 1980, pages 1-12 in English; \"Philosophical Dialogue and Tolstoj's War and Peace\" by David J. Sherman, Cornell University, Seej, Vol. 24, No. 1, 1980, pp14 in English; Aksyonov's complain to editorial office about its censorship of his article \"Put' k khramu\"; A series of articles on Russian Orthodox Church, 1993; Article \"Russkiy Nosil'shchik Plyuet v Litso Angliskomu Attashe\", Segodnya, March 1993; Article from magazine Yunost';\nA letter to David Potter, provost, in English; A paper on Aksyonov's works written by Liza Winamiya, graduate, in Russian, pages 1-12; Correspondence between Aksyonov and Solomon Khaimovich, 1994; Attached are articles on the works of Russian writers; Short stories by Slonimskiy, 1921-1926.","\"Kesarevo Svechenie\" novel, typed manuscript in Russian, 2000, pages 1-200. Pages have variations in numbering; Contains an article \"Lifting a Curtain on Stalin\" from Newsday, in English November 5, 2003.","Pages 201-412, typed manuscript in Russian. Pages have a variation in page numbering.","Pages 413-643. Page 643 ends the novel.","Two copies of \"PhD, QE2 and H2O\" by Vassily Aksyonov. Typed in English. translated by Alla Zbinovsky, December 1993, 7810 words, pages 1-18; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, November 1993, pages 1-15. Contains personal corrections; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6150 words, pages 1-10; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?,4865 words, pages 1-8; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6162 words, pages 1-13; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 4889 words, pages 1-10.","Contains poems in Russian by Boris Chichibabin, Noviy Mir No. 7, 1989; D.S.O.B. Aksyonov's personal note to the reader, handwritten in English; \"Moscow Fever\" typed manuscript in English. No page numbers. No date.","[Separated into 2 folders] \"Pyaterka Tennessistam\" by Tennessee Williams translated by Vassily Aksyonov. (pyat' odnoaktnix) typed in Russian. Page 119 contains insertion, pages 1-126. After page 126, there are pages 115-118. Contains a list of changes by Acting Company. Ends with pages 83, 88, 89, 91; Essay excerpt--# 9, typed in English, contains personal notes in Russian, pages 1-96, pages have a variation in page numbering.","2 copies of \"The Paperscape\", A View from the Flag Tower of the Smithsonian Institution Building: an attempt at introspection; or how some stack of paper turns into a Russian novel. By Vassily Aksyonov, typed in English and Russian, June 24, 1982, Colloquium Paper. Contains different pages, 1981-1982; Third \"The Paperscape\" typed in English, pp 1-12, 1981-1982; Another \"The Paperscape\", January-June, 1982, typed in English and Russian; Personal vocabulary and scratches.","Two StorageMaster maxi diskettes; \"The Yolk of the Egg\" typed in English, Washington, D.C., 1989, pages 1-132,","Typed manuscript in Russian, pages 1-173. Pages have a variation in page numbering.","Typed manuscript in Russian, pages 174- 408. Pages have a variation in page numbering.","typed manuscript in Russian, pages 409-643, Fairfax.","Pages 1-154. Dedicated to Russian-English and English-Russian dictionaries, computer IBM, and all cats including a dog.","A letter from Ellendea Poffer to Aksyonov, May 18, 1994; \"Perished Soul\" novel by Grigol Robakidze, typed in English, June 1993, pp 1-72.","Typed novel in Englsih by Aksyonov, Pages have a variation in page numbering; The last page contains a short note from a translator, Alla, October, 17, 1994.","A letter to Aksyonov from Lenfilm, February 10, 1989; An article \"V Dal'neyshel Dal…\" by Aksyonov in Russian from unknown newspaper; \"Zdravstvuite Gospoda Radioslushateli,\" from Creator's Diary, typed in Russian; \"V Poiskax Kraski\" by Aksyonov, typed in Russian; \"Khrupkaya Ironiya\" by Aksyonov, typed in Russian, 1984, pages 1-12; One page from \"Bol'shomu Korablyu I More Po Koleno\"; \"TV SSSR: Pomekhi Voznikayut Za Predelami Sovetskogo Soyuza\", typed in Russian, 1981, pages 1-10; \"Philu Phofanoffu iz Los Angeles v Moskvu cherez Milan\" Razmishleniya o Totalitarizme (reflection on totalitarianism), typed in Russian, pages 1-4; \"Mysterious Masterpiece\" typed in Englsih, pages 1-4; \"Kursovie Raboti\" typed in Russian; \"Zasipannaya Pamyat'\" (hard to read the first word) typed in Russian, page numbers are out of order; Various radio programs from \"Zvezdi Vostochnogo Bloka\" rubrika, typed in Russian; \"Khrupkaya Ironia\" typed in Russian; \"Dosvedaniya ili Dosvishvetsiya?\" typed in Russian; Various radio talks from 1984 and 1986.","Various Radio Talks, typed in Russian.","Literary script po motivam prozi Aksyonova \"Poiski zhanra\" typed in Russian, pages 1-67; \"O, Eetot V'yunosha Letuchiy\" a book typed in Russian, play, pp 1-93, stsenariy muz fil'ma komedii po motivam russkogo fol'klora XVII veka. (Script of musical comedy based on 17 c Russian folklore).","Treatment of part 1, pages 1-36; Another part one, pages 1-70, typed in English; Parts I through IV;\nPages140-160 are hand written in Russian.","Treatment 3, typed manuscript in English, pages 1-42; \"1937, Pik Entuziazma\" Tret'ya Programma. Seriya \"Generations of Winter\", handwritten manuscript in Russian, pages 1-12; A short story on Khrushchev's young Commanders, typed in English; \"Generation of Winter\" part V, typed manuscript in English, pages 1-42\"Generation of Winter\" part II, typed manuscript in English, pages 1-40; \"Generation of Winter\" part I, typed manuscript in English, pages 1-17.","A notebook given to Aksyonov by ?, May 30, 1980. Contains two extracts from Jennifer Palmer, handwritten in Russian; A notebook \"Café Turgenev\", hand written in Russian and English; Two copies of \"Negativ Polozhitel'nogo Geroya\", typed in Russian.","A note for the Naturalization Ceremony. Receipt for $50payment to the US District Court, March 15, 1988; Untitled handwritten manuscript in Russian; \"H2O7QE-2 and PhD\" handwritten manuscript in Russian, pages 1-30;\n\"Vtoroy Otrivok of Palmer\" \"Second Split Palmer\" (continued) handwritten in Russian, pages 7-34, November 21, 1993; \"V Raione Ploshchadi Dupon\" handwritten manuscript in Russian, November 5, 1993, pages 1-35; \"Karuseli\" handwritten manuscript in Russian, October 16, 1993, pages 1-28; \"Pamfilov v Pamfilii\", handwritten manuscript in English and Russian, pages 1-44; \"Korabl' Mira 'Vassily Chapaev'\" handwritten manuscript in Russian, pp 1-31, August 18, ?; \"Siob-Futurum\" handwritten manuscript in Russian, pages 1-44; \"Titan Revolyutsii\" handwritten manuscript in Russian, pages 1-19, August 6, 1993, Antaliya-Moscow.","A screenplay, typed manuscript in English, pages 1-136; Notes on \"The Island of Crimea\" in English.","Film Script, Washington, pages 1-105.","Typed manuscript in English, pages 1-105, no date; Personal note that lists words for page numbers.","Typed manuscript in English, Washington, 1989, pages 1-319; 1986-1988, Washington—Shelter Island—Dubrovnik—Corfu—Washington.\nAvailable in digital format.","Handwritten manuscript in Russian. Pages 1-237. Contains several scratches for the novel \"Shtrihi k romanu 'Grustniy Baby\".","Hand written manuscript in Russian, pages 238-502, July, 1984, Vermont—July 1985, Paris.","Untitled novel, handwritten manuscript in Russian, pages 1-249.","Untitled novel, handwritten manuscript in Russian, pages 250-512.","Untitled novel, handwritten manuscript in Russian, pages 513-721, November 1980-December 1983, Ann Arbor, Santa Monica, Sugarbush Valley, Washington.","Untitled novel, handwritten manuscript in Russian. Starts with interlude V titled \"Pressa\" pp 711-830, April 19, 1992.","War Discounts (Vtoroy tom \"Moscow Saga\") (Generations of Winter) \"Gradovi, Voyna i Tyur'ma\", second volume, 1991; Handwritten manuscript in Russian, pages 1-207.","Unidentified manuscript, pages 163-296. Contains an essay \"…Posle Kino iz Vseh Iskusstv Dlya nas Glavneishim Yavlyaetsya Photografiya,\" (Lenin and Stalin) typed in Russian, pages 1-11.","Unidentified novel, handwritten manuscript in Russian, pages 297-437.","Handwritten manuscript in Russian, pages 1-268.","Handwritten manuscript in Russian, pages 269-535.","Handwritten manuscript in Russian, pages 536-726.","Handwritten manuscript in Russian, pages 727-982.","Gora. \"Pik Kommunizma\", tretiy tom epilogii \"Gradovi, Moscow Saga\" handwritten manuscript in Russian, third volume, pages 1-197.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 198-423.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 424-609.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 610-693.","Two cassettes: Public Affairs Spring Books 2000. Connecticut Public Radio's Faith Middleton Interviews.\nNPR Interview, September 1996. Three VHS: 6 ? Retirement Ceremony: Vassily Aksyonov, April 21, 2004.\nGusman. Theme: V. Aksyonov. \"Journey into the Whirl Wind.\" Sovremennik. Prem'era \"Krutoi Marshrut\". Reportazh. Box also contains a journal. \"For Vassily Aksyonov Thoughts on Your Retirement. George Mason University\" in English and Russian, April 21, 2004.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov.","George Mason University. Libraries. Special Collections Research Center","Aksenov, Vasiliĭ, 1932-2009","Russian"],"collection_title_tesim":["Vassily Aksyonov papers, 1980/2004"],"collection_ssim":["Vassily Aksyonov papers, 1980/2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0062","/repositories/2/resources/19"],"unitid_tesim":["C0062","/repositories/2/resources/19"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Aksenov, Vasiliĭ, 1932-2009"],"creator_ssim":["Aksenov, Vasiliĭ, 1932-2009"],"creator_persname_ssim":["Aksenov, Vasiliĭ, 1932-2009"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Aksenov, Vasiliĭ, 1932-2009","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Vassily Aksyonov in 2004."],"access_subjects_ssim":["Fiction","Criticism","Creative writing","Interviews","Novelists","Manuscripts","Correspondence","Sound recordings","Video recordings"],"access_subjects_ssm":["Fiction","Criticism","Creative writing","Interviews","Novelists","Manuscripts","Correspondence","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 20 boxes"],"extent_tesim":["8 Linear Feet 20 boxes"],"genreform_ssim":["Manuscripts","Correspondence","Sound recordings","Video recordings"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized by subject.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by subject."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1932, Vassily Pavlovich Aksyonov was a prominent Russian novelist who spent much of his later career writing and teaching in the Washington, DC area. Aksyonov was born in the Russian city of Kazan and grew up under Stalin's rule. Askyonov's parents, although devoted communists, were accused of being Trotskyites and sent to gulags when he was still a child. Aksyonov was subsequently raised in an orphanage for \"children of enemies of the state\" before moving in with his aunt and uncle, who tried to keep the truth of his parents' disappearance a secret. He spent much of his youth listening to jazz and reading American novels, which would influence his work as much as the disenchantment and paranoia of life under Stalinism. \u003c/p\u003e","\u003cp\u003eThough trained as a medical doctor, Vassily Aksyonov gave up his medical career in the 1960s to pursue a career as a novelist. His 1961 novel, A Ticket to the Stars, drew a great deal of praise from readers and helped launch his career. His writings quickly became controversial as they celebrated Western popular culture and criticized life under Stalin and his successors. During the 1960s he wrote several plays that were denounced by the state press for spreading \"negativism,\" and after voicing public opposition to the Soviet invasion of Czechoslovakia in 1968, no publisher would print his work for the next 12 years, during which he worked as a translator to support his family. By the 1970s, Aksyonov had become one of the most popular prose writers in Russia, but his popularity only exacerbated his low standing with the communist party, which disapproved of his criticism and revoked his citizenship in 1980, when he decided to emigrate to the United States. Aksyonov settled in Washington, DC, where he taught literature and continued to write until moving back to Russia in 2004. \u003c/p\u003e","\u003cp\u003eDuring his stay in America, Aksyonov published several novels that he had kept hidden in drawers during the 1970s, including The Burn (1980) and The Island of Crimea (1983). His later works include In Search of Melancholy Baby (1987), Say Cheese (1989), Generations of Winter (1994), The Winter's Hero (1996), and The New Sweet Style (1999). Aksyonov taught at The Johns Hopkins University and Goucher University before coming to George Mason University, where he taught from 1988 to 2004, when he moved back to Russia to live out his remaining years. He died in 2009. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in 1932, Vassily Pavlovich Aksyonov was a prominent Russian novelist who spent much of his later career writing and teaching in the Washington, DC area. Aksyonov was born in the Russian city of Kazan and grew up under Stalin's rule. Askyonov's parents, although devoted communists, were accused of being Trotskyites and sent to gulags when he was still a child. Aksyonov was subsequently raised in an orphanage for \"children of enemies of the state\" before moving in with his aunt and uncle, who tried to keep the truth of his parents' disappearance a secret. He spent much of his youth listening to jazz and reading American novels, which would influence his work as much as the disenchantment and paranoia of life under Stalinism.","Though trained as a medical doctor, Vassily Aksyonov gave up his medical career in the 1960s to pursue a career as a novelist. His 1961 novel, A Ticket to the Stars, drew a great deal of praise from readers and helped launch his career. His writings quickly became controversial as they celebrated Western popular culture and criticized life under Stalin and his successors. During the 1960s he wrote several plays that were denounced by the state press for spreading \"negativism,\" and after voicing public opposition to the Soviet invasion of Czechoslovakia in 1968, no publisher would print his work for the next 12 years, during which he worked as a translator to support his family. By the 1970s, Aksyonov had become one of the most popular prose writers in Russia, but his popularity only exacerbated his low standing with the communist party, which disapproved of his criticism and revoked his citizenship in 1980, when he decided to emigrate to the United States. Aksyonov settled in Washington, DC, where he taught literature and continued to write until moving back to Russia in 2004.","During his stay in America, Aksyonov published several novels that he had kept hidden in drawers during the 1970s, including The Burn (1980) and The Island of Crimea (1983). His later works include In Search of Melancholy Baby (1987), Say Cheese (1989), Generations of Winter (1994), The Winter's Hero (1996), and The New Sweet Style (1999). Aksyonov taught at The Johns Hopkins University and Goucher University before coming to George Mason University, where he taught from 1988 to 2004, when he moved back to Russia to live out his remaining years. He died in 2009."],"prefercite_html_tesm":["\u003cp\u003eVassily Aksyonov papers, C0062, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Vassily Aksyonov papers, C0062, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Vera Zimmerman in 2011. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. EAD updated by Greta Kuriger Suiter in October 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Vera Zimmerman in 2011. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. EAD updated by Greta Kuriger Suiter in October 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds other collection of papers from Robinson Professors.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds other collection of papers from Robinson Professors."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov. The collection includes handwritten and typed notes for novels, plays, articles, poems, and other writings in Russian and English.  Writings include \"The Caesaian Selection\", \"Kesarevo Svechenie\", \"Desyatiletie Kleveti\", Noviy Sladostniy Stil'\", \"Ten Years of Slander\", \"Generations of Winter\", \"The Wiesbaden Journal\", \"The Yolk of the Egg\", \"Say Cheese\", \"Zheltok Yaitsa\", \"Blues with a Russian Accent\", \"In Search of Melancholy Baby\", and \"Pik Kommunizma\". A small selection of audio visual material is comprised of two audio cassette tapes that include recordings of interviews with Aksyonov and three VHS tapes, one of which features his retirement at George Mason University.\u003c/p\u003e  ","\u003cp\u003eContains chapters I and III, pages 1-172. Each chapter is marked with personal notes. Manuscript has a few cartoons. Pages have a variation in page numbering. Riche Linge, personal correspondence to Lily Denis A, January 5, 2000. Newspaper article from Newsweek - The Case Against Legalization: The U.N's drug czar on supply and demand, November 1, 1999.\u003c/p\u003e","\u003cp\u003eContains chapters IV and VI, pages 173-405. Page 57 has personal notes. Page 301 has a table of contents that lists six chapters of the novel. Contains a poem, August 1, 1999.\u003c/p\u003e","\u003cp\u003ePages 406-670. Page 415 contains a poem without a title. Page 456 contains a personal poem. Other poems are on pages: 465, 467, 492, 493, 494, and 657.\u003c/p\u003e","\u003cp\u003ePages 671-832. Page 775 marks chapter X.\u003c/p\u003e","\u003cp\u003eNovel \"Vol'ter'yantsi i Vol'ter'yanki\". File: Semiramada pages 1-215. Contains some personal notes.\u003c/p\u003e","\u003cp\u003ePages have a variation in page numbering. The novel begins with page 3-165 or 301-449. Contains somebody else's personal notes. Pages 450-477 begin with part X and have an essay diary, \"Vesna v kontse veka\" with a series of poems.\u003c/p\u003e","\u003cp\u003eContains a continuation of an essay diary. Pages have a variation in page numbering. pp 478- 643. Page 485 begins with part XI titled \"Pegas Pikasso\"; it also contains a label that has Aksyonov's fax (1-703-352-3330) to Kabanov ( 7-095-943-9792). The fax has a part \"Pegas Pikasso\" from \"Kesarevo Svechenie\". The novel is written in Fairfax, VA.\u003c/p\u003e","\u003cp\u003eDedicated to Ivan. Contains a table of contents. Pages have a variation in page numbering. pp 1-129. Page 80 contains Fax for M. F. [3.1]\u003c/p\u003e","\u003cp\u003eThe novel is unfinished. pp 130-300 [3.2]\u003c/p\u003e","\u003cp\u003eStarting with page 51 a new count of pages begins. pp 1-118.\u003c/p\u003e","\u003cp\u003eBegins with part 5 \"Gore, Gora, Goret'\". pp 119-218.\u003c/p\u003e","\u003cp\u003eBegins with part 7 \"Kukushkini ostrova\". pp 219-298.\u003c/p\u003e","\u003cp\u003eBegins with a story titled \"Baby Cassandra\" pp 299-449.\u003c/p\u003e","\u003cp\u003eBegins with part 10 titled \"Vesna v kontse veka\" (Dnevnik Sochinitelya. A creator's diary). Contains a series of poems. pp250-574.\u003c/p\u003e","\u003cp\u003eBegins with part 14 titled \"Ah, Artur Shopengauer!\" (Script in two parts) pages 575-643. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003eContains a fax from Pan. Peonides to Vassily Aksyonov and another fax from Aksyonov to Peonides in English, May 30, 1999; A story \"University as a Metaphor\" in English, pp 1- 13, no date; \"The Novelist in the University\" in English, pp 1-15, no date; \"A Trolley-Bus' Blues\" in English, pp 1-25, December, 1998; A letter from Aksyonov to Daniel Menaker, Vice-President, in English, December 6, 1998; Fax from Aksyonov to Valeriy Kalashnikov in Russian, no date; Fax to Il'ya Medovoy, \"Obshaya Gazeta\" in Russian, no date; Fax from Znamya (Literary and socio-political journal) to Aksyonov in Russian, February 24, 1997; \"Nostalgia or Schizophrenia?\" (Fall recollections of the summer impressions) in English, pp 1-16,November, 1997; \"President of an Old Tsardom\" in English, (11569 Avondale Drive) Fairfax, VA, no date; \"A Trolley-Bus' Blues\" in English, no date, pp 1- 26; \"Gikkie and BabyCassandra\" in English, pp 1-14, April 1999; Documentation on Shalamov's criminal case, 1943; Articles from Soviet newspapers, Russian Daily: Novoe Russkoe Slovo, on Boris Balter in Russian, June 8, 1984; on Sakharov's forced psychiatrical treatment, June 11, 1984; on Aksyonov frustrating the Soviet authorities; and other articles.\u003c/p\u003e","\u003cp\u003eInformation drawn from various web sites: Chronology on Catherine the Great from wysiwyg://zoffsitebottom.156/…; Biography on Catherine the Great, January, 2000; A series of photographs and articles on Voltaire in English; \"Universitet Kak Metafora\" hand written manuscript; GMU flyers \"Clarence J. Robinson Professor of Russian Literature and Writing\", April 15, 1997; A document from Pegasus Prize for Literature 1977-1997; Table Des Matieres in French; Fax from Aksyonov to Loshak, chief editor from weekly newpaper ?, in Russian, October 27, 1997; Fax from Zoya Boguslavskaya, \"Nezavis Blagotvoritel'niy Fond\". Launch Tour of Mario de Carvalho. Public Schedule, July, 10 1997; Letter from Michael Morgan (Pegasus Prize for Literature) in English, announcing that the Portuguese winner, July 29, 1997.\u003c/p\u003e","\u003cp\u003eContains a table of contents and epigraph to the novel. pp1-139.\u003c/p\u003e","\u003cp\u003ePages 140-308.\u003c/p\u003e","\u003cp\u003ePages 309-537. Page 535 has epilogue.\u003c/p\u003e","\u003cp\u003e\"Ah, Artur Shopengauer\" Play and other documents. (Play in two acts), Aksyonov's handwritten manuscript in Russian, October 10, 1998; pages 1-96. A play has personal notes; Contains a short story \"The Wiesbaden Journal\"  by Vassily Aksyonov in English, August (1864); An abrupt newsletter addressed to Aksyonov in Russian on the issue of Bill Clinton and Monica, October 29, 1998; An invitation letter to Aksyonov from the National Gallery of Canada; A flyer on \"Writers on Exile and Migration\" in English and French, August 7-November 1, 1998.\u003c/p\u003e","\u003cp\u003eHas a title \"Iz rukopisi \"Novogo Sladostnogo Stilya\" (partially in English) and partially in Russian, December 1994, February 1996. Chernovik. Draft. Starts with page 1057-1182.\u003c/p\u003e","\u003cp\u003eAksyonv's personal documents and correspondence. \"Avrora Gorelika\" (drama in two acts); George Mason University papers and CV. Contains personal notes and a drawing on the front page, and a caricature. pp. 1-79. Contains monologue of the creator of Gorelik. Curriculum Vitae of Aksyonov in English; A letter from Aksyonov to Prof. Leo Hecht, Chairman of Russian Studies at GMU, in English, September 15, 1987; A document called Briefing Material in English, no date; A letter from Hecht to Aksyonov in English, July 27, 1988; Correspondence between Aksyonov and Ms. Carol Krider, November 15, 1987; The documents of Aksyonov's employment with GMU; Correspondence of Aksyonov with GMU faculty and staff.\u003c/p\u003e","\u003cp\u003eTreatment for program one. The Roaring Twenties (working title) two hours. Written in California. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003ePages 1-130. \"Desyatiletie Kleveti\" (radio-dnevnik pisatelya).\u003c/p\u003e","\u003cp\u003ePages 131-310.\u003c/p\u003e","\u003cp\u003ePages 311-504. Page 311 begins with \"Buistvo Demokratii\". Page 504 has a phone number of Iris Knell.\u003c/p\u003e","\u003cp\u003e[Separated into two folders] Contains a novel \"Noviy Sladostniy Stil'\" Partly typed and partly handwritten manuscript in English and Russian, 1996; Typed from pp 1-15. Handwritten from pp16-26. Contains personal notes, typed poems in Russian. One poem has a date, May 1, 1999; A personal notebook in English and Russian; Personal story in Russian, December, 1990, Moscow, Dom Kino; More handwritten poems in Russian; More personal notes; Correspondence from Popov to Aksyonov in Russian, handwritten, date signed August 11, 1997, date shown on the top left corner is August 11, 1998; Has a completion of some play in Russian and some in English. Zavershenie. Contains personal notes;\nA novel in Russian, hand written manuscript. Chapter I-IV.\u003c/p\u003e","\u003cp\u003e\"Noviy Sladostniy Stil\" in English, hand written manuscript, pages 1-46, 1996; Personal fax from Aksyonov to Popov in Russian, hand written; Poem in Russian, handwritten with personal notes. Other poems are typed; A set of poems in Russian, handwritten, no date, \"Dve Revo… Lotsiya\" (handwriting is not clear); Hand written manuscript in English, pp 1-21. \"Gikkie and Baby Cassandra.\"; An auto-portrait. Russian 327, 1999; A hand written novel in Russian that starts with the words Summer 1988. pages 1-33; Fax from Aksyonov to Vogue, Yurat Gurauskayte, in Russian, February 2, 1999; A handwritten Happy Birthday note to Sasha Kolt in English; A letter from Yvon Girard, Editions Gallimard, to Aksyonov, informing Aksyonov about Editions Gallimard reprinting his \"Moskovskaya Saga\", English,  November 26, 1996, Paris; Aksyonov's response to Girard, December 8, 1996; Letter from Aksyonov to Peonides, handwritten in English, September 22, 1999; Letter from Aksyonov to Harold Evans, President of the Random House Publishing, in English, January 27, 1997; Another letter to Evans, November 22, 1996; Fax from Evgeniy Popov to Aksyonov, in Russian, handwritten, November 13, 1997; Letter from Aksyonov to Loshak in Russian, March 31, 1998; Letter from Popov to Aksyonov in Russian, September 11, 1997; Letter from Per Delgard in Russian, October 1, 1997; Letter from Aksyonov to Mary A. Frisque in English, April 26, 1997; Letter from Mary to Aksyonov in English, April 22, 1997; A novel \"Checking the Pulse\", handwritten manuscript in English; Fax from Andrey Kabannikov in Russian, March 28, 1999. Skeptical comments on the US involvement in the Balkans. pages 1-3; Fax from Skobelev to Aksyonov in Russian, September 8, 1998, Samara; Letter from Goran Rosenberg, Moderna Tider, to Aksyonov in English, April 6, 1998. Includes a translation of Aksyonov's novel, USSR Revisited and Aksyonov's thank you note to Goran, April 8, 1998.\u003c/p\u003e","\u003cp\u003eNovel \"Noviy Sladostniy Stil.\"; Typed poems in Russian, with a few personal notes, February 17, 1998; Story \"Logovo L'va\", handwritten manuscript in Russian, pages 1-8; Letter from Popov to Aksyonov, March 10, 1999, Moscow. Has a press cutting with a caricature; Fax from Peonides to Maya Aksyonova, September 21, 1999; \nHandwritten manuscript of a untitled novel in English, begins with page 983-1182, December 1994, February 1996. Drafts. Washington, Paris, Moscow, Samara, Tel-a-Viv, Gotland.\u003c/p\u003e","\u003cp\u003eContains personal list of correction notes. pages 1-175. Page numbers have double counting.\u003c/p\u003e","\u003cp\u003ePages 176-384. Page numbers have double counting.\u003c/p\u003e","\u003cp\u003ePages 385-643. Page 385 ends the first smena (konets pervoy smeni). The end, September, 2000, Fairfax.\u003c/p\u003e","\u003cp\u003eVarious correspondence. A few short stories in English; Aksyonov's \"Victory\": A Post-Analysis. Alexander Zholkovsky, typed in English, 1965; The Russian Acoustic. Songs to Seven Strings by Gerald Stanton Smith, hand written in English, pages 1-15; \"A Soviet Odyssey\". Typed manuscript in English, pages 1-13, no date; Two copies of \"Love Story Kremlin Style\" typed in English, 1-5, no date; Personal note typed in English about Aksyonov's theater-going habits; \"Leningrad's Thrillers\", typed short story in English, pages 1-9; \"The Inspector General Goes to Topeka\" (An attempt to envision an upcoming event) short story typed in English, pages 1-8 \"Roundtable: the Lexicon of Soviet Propaganda: Its connotative Content.\" James P. Scanlan pp 1-4, typed; \"Orgy of Evolution\". Handwritten manuscript in English, pages 1-5; \"The Leningrad's Thrillers\". Typed in English with personal corrections, pages 1-4.\u003c/p\u003e","\u003cp\u003e\"Guests from the Future\" by Josephine Woll, review article in English, 1984; \"Oda Dlya Rudi\", typed in Russian, April 23, 1986; \"A Soviet Odyssey\", typed in English, late spring 1986, California; \"Inspector General Goes to Topeka\", pp1-8, typed in English; Personal story about Aksyonov's ideal American reader, typed in English, pages 1-13; Interview with Aksenov by Bella Ezerskaya in English, translated by Nancy Condee and Vladimir Padunov, pages 1-16; Letter to Raymond Whitley in English, October 7, 1986; \"The Inspector General Goes to Topeca\" typed in English with personal corrections; \"From the Barracks to the Market\" typed in English, pages 1-5; \"Participantes in the Morelia Symposium: Approaching the Year 2000.\" Letter of Recommendation to Mr. Christian Nagle, typed in English, January 8, 1992; Novels \"Ozhog\" and \"Ostrov Krym\" November 2, 1985. Paper presented at the Third World Congress for Soviet and East European Studies. Typed in English, pages 1-14; \"H2O and Polluting Letters\", handwritten and typed in English; \"Basketball, God, and the Ringo Kid: Philistinism and the Ideal in Aksenov's Short Stories.\" Typed in English, pages 1-20; A typed story in English with missing pages 1-7;\n\"The Sound of Champs D'Elesee\", typed in English with personal corrections, pages 1-6; Letter from Jane Uscilka, editorial assistant, to Aksyonov, in English, August 13, 1992; Letter from Eileen Godlis, Jankow and Nesbit Associates, to Aksyonov, in English June 22 1992; Four copies of Aksyonov's CV in English till 1987; Fax to Betty Ferber de Aridjis in English, May 13, 1992; \"The Alchemic Lemon\" typed in English with personal corrections, pages 1-16; \"Gratitude to Our Former Rulers\" typed in English; \"From the Barracks to the Market\" typed in English, pages 1-9; \"In Avant-Garde with No Rear\" typed in English, pages 1-6; \"Without False Sound\" typed in English; \"And Again: Does Art Belong to Masses?\" typed in English; \"The Sound of Chmps D'Elesee\", typed in English, pp 1-11; \"Zhiteli I Bezhentsi\" typed in Russian, pp1-11, September 1989; Letter to Leo Hecht from Anna Lawton, George Mason University, April 6, 1990; Aksyonov's personal correspondence in English.\u003c/p\u003e","\u003cp\u003e\"A Winged Endangered Species\" handwritten manuscript in English, pages 1-42; \"Orgy of Evolution\" typed manuscript in English, pages 1-5, USA Today; \"Rebels Without (and with) a cause.\" \"Beatniks and Bolsheviks.\" A printed article from the New Republic in English, pp28-32. Page 31 is missing; \"Leningrad Thriller\" Soviet Literary Criticism Continues Down a Bizarre Path, With Profound Implications, a printed article from American Politics, pages 5-7. Contains attached typed manuscript of \"Leningrad Thriller\" in English, pages 1-9; \"The Tongue-Tied Glasnost\" a typed manuscript in English, contains personal notes. Attached is a printed article by Aksyonov from Harper's Magazine, April , ?. \"Through the Glasnost, Darkly. A cool reaction to Gorbachev's Thaw\"; \"Lungs and Gills\", typed manuscript in English; Aksyonov's Curriculum Vitae in English to Spiros Avgenikos, September 20, 1999, pages 1-5; \"Liberal –Eto Zvuchit Yasno\" (Chitaya Leontovicha), typed manuscript in Russian. Contains a fax to Kabanov, October 30, 2000 and a fax to Aksyonov from Triumph Logovaz, October 24, 2000; Untitled story typed in Russian. First part is titled \"Vezdekhod\", pages 1-25; A set of poems typed in Russian; \"The Novelist in the University\", typed manuscript in English, pages 1-15; A letter from Richard C. Rowson to Aksyonov in English, September 27, 1993; Email from Aksyonov to Limanov in Russian, April 13, 1994; Article by Aksyonov from the New Republic, \"A Countercoup of the Spirit. Live Souls\" September 16 \u0026amp; 23, 1991; The title is personally scratched out and renamed into \"Three Days that Shook the World\" in English; \"A Winged Endangered Species\" typed manuscript in English, March 23, 1992, pages 1-27. Attached is a typed version of \"A Winged Endangered Species\" for Partisan Review, pages 180-188; \"After a Decade in Exile, Back to the USSR. Not Quite a Sentimental Journey.\" Typed story in English, pages 1-11; Attached is a published \"Not Quite a Sentimental Journey\" for the New Republic, April 16, 1990, pages 21-25; The Woodrow Wilson Center Memorandum, September 15, 1993 in English; \"Moscow Fever\" typed manuscript in English, pages 1-86, March 1993;\nUntitled story, handwritten manuscript, pages 1-6; List of Vassily Aksyonov's Works Since 1975 (Information for a literary agency) in English; \"The Metropole's Affair\", typed in English story, pages 1-4; \"The Human Factor\", typed in English story, pages 1-8.\u003c/p\u003e","\u003cp\u003e\"Gratitude to Wachdogs\" typed manuscript in English, pages 1-6; \"Three Days that Shook the Idols\" hand written manuscript in English, pages 1-9; \"The Literary Impact of the American and French Revolutions\", Participants: Aksyonov and Susan Sontag, August 14, 1992, pages 1-54; \"Leningrad's Thrillers\" typed manuscript in English, pages 1-9; \"The Lip-Sided Success\" typed manuscript in English, pages 1-12; Untitled story, hand written manuscript in English; \"The 1992 Neustadt International Prize for Literature Jurors and Candidates\" by William. \nRiggan, pages 140-1 – 146-2; A note in English to Lev Ponomarev; A letter from the Golden Key, February 28, 1992; \"Music Seminar\" hand written manuscript in English with personal notes; \"Moscow Theater of Absurd\" hand written manuscript in English; A piece that is a continuation of some story, hand written manuscript in English;\nA hand written manuscript on the Soviet censorship, in English, pages 1-26; \"Of my youth, the Golden Stalinist Fifties\", typed manuscript in English; Several copies of \"the Wiesbaden Journal\" in English, Common Knowledge, winter 1995, V4, N3.\u003c/p\u003e","\u003cp\u003e\"Derzkiy Gost'\", printed story in Russian. Prose and Poetry. Tret'ya Volna (Al'manakh Literaturi i Iskusstva) 1980, pages 20-25; \"Progulka v Kalashniy Ryad\", Literary Critique, pages 164-189, Sugarbush, Vermont. 133 Grani; Two copies of \"Stal'naya Ptitsa\" povest' s otstupleniyami i solo dlya korneta, Ardis, 1977, pages 24-95, June 1965, khutor Kal'da; \"Gremela v Svetlitse Devich'ya Zadornaya Pesnya\", contains only p 32; A title page of a script \"O Etot V'yunosha Letuchiy!\" Script of a musical based on old Russian narrative and fairy tales, Lenfilm, 1971.\u003c/p\u003e","\u003cp\u003eVarious hand written drafts of poems in Russian and a few in English; \"Outline of a New Novel at Work\" typed in English, contains personal notes, pages 1-7; Two postcards. One is from Panos Peonides, November 22, 1996, Athens in English. Second one is from Popov, September 24, 1996, France in Russian; More handwritten poems in Russian.\u003c/p\u003e","\u003cp\u003ePersonal English-Russian Vocabulary; \"Vori v Zakone: Brosok k Vlasti\" photocopies from a book by Georgiy Podlesskih and Andrey Tereshonok, Moscow, Khudozhestvennaya Literatura, 1994. Bibliography on Lideri Prestupnogo Mira; A letter from Anastasia Volkonsky to Aksyonov in English, February 12, 1990; Individual Assessment by Aksyonov in English. Attached is \"Monologue of a Serious Roman\" in English; Fax to Baltanova, October 5, 1997 in Russian; \"Poet in Tovarishch Paromonova\" typed in Russian; Fax—commentary on Soviet/Russian monuments, October 4, 1997; ICAR Newsletter, Spring 1999, Vol. 10, No. 1; An email from Ilya Zavorine on job offers, November 21, 1994; Old Russian Newspaper articles; one dates December 16, 1994; \"Teni Zabitix Predkov\" by Alexander Genis, printed in Russian, March 1998, New York; Tenement Times, Vol. 1, No. 1, fall 1989; Journal, Snaps, Jack Green 1989, 1991.\u003c/p\u003e","\u003cp\u003eFax from a Librarian of Congress, James Billington, to V. Ivanov in Russian, October 14, 1998; Business card from Vyacheslav Ivanov; Business card from Sher Sher photoartist; Two copies of Curriculum Vitae on Ivanov in English, pages 1-19.\u003c/p\u003e","\u003cp\u003eHandwritten and typed poems from \"Kesarevo Svechenie\" in Russian; A letter from the World Millennium Committeed and an attached application for participation. \"Anketa Uchastnika Vsemirnogo Kongressa 'Itogi Tisyacheletiya' in Russian.\u003c/p\u003e","\u003cp\u003ePuskin's \"Arion\": a Lone Survivor's Cry by Gerald E. Mikkelson, University of Kansas, SeeJ, Vol. 24, No. 1, 1980, pages 1-12 in English; \"Philosophical Dialogue and Tolstoj's War and Peace\" by David J. Sherman, Cornell University, Seej, Vol. 24, No. 1, 1980, pp14 in English; Aksyonov's complain to editorial office about its censorship of his article \"Put' k khramu\"; A series of articles on Russian Orthodox Church, 1993; Article \"Russkiy Nosil'shchik Plyuet v Litso Angliskomu Attashe\", Segodnya, March 1993; Article from magazine Yunost';\nA letter to David Potter, provost, in English; A paper on Aksyonov's works written by Liza Winamiya, graduate, in Russian, pages 1-12; Correspondence between Aksyonov and Solomon Khaimovich, 1994; Attached are articles on the works of Russian writers; Short stories by Slonimskiy, 1921-1926.\u003c/p\u003e","\u003cp\u003e\"Kesarevo Svechenie\" novel, typed manuscript in Russian, 2000, pages 1-200. Pages have variations in numbering; Contains an article \"Lifting a Curtain on Stalin\" from Newsday, in English November 5, 2003.\u003c/p\u003e","\u003cp\u003ePages 201-412, typed manuscript in Russian. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003ePages 413-643. Page 643 ends the novel.\u003c/p\u003e","\u003cp\u003eTwo copies of \"PhD, QE2 and H2O\" by Vassily Aksyonov. Typed in English. translated by Alla Zbinovsky, December 1993, 7810 words, pages 1-18; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, November 1993, pages 1-15. Contains personal corrections; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6150 words, pages 1-10; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?,4865 words, pages 1-8; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6162 words, pages 1-13; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 4889 words, pages 1-10.\u003c/p\u003e","\u003cp\u003eContains poems in Russian by Boris Chichibabin, Noviy Mir No. 7, 1989; D.S.O.B. Aksyonov's personal note to the reader, handwritten in English; \"Moscow Fever\" typed manuscript in English. No page numbers. No date.\u003c/p\u003e","\u003cp\u003e[Separated into 2 folders] \"Pyaterka Tennessistam\" by Tennessee Williams translated by Vassily Aksyonov. (pyat' odnoaktnix) typed in Russian. Page 119 contains insertion, pages 1-126. After page 126, there are pages 115-118. Contains a list of changes by Acting Company. Ends with pages 83, 88, 89, 91; Essay excerpt--# 9, typed in English, contains personal notes in Russian, pages 1-96, pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003e2 copies of \"The Paperscape\", A View from the Flag Tower of the Smithsonian Institution Building: an attempt at introspection; or how some stack of paper turns into a Russian novel. By Vassily Aksyonov, typed in English and Russian, June 24, 1982, Colloquium Paper. Contains different pages, 1981-1982; Third \"The Paperscape\" typed in English, pp 1-12, 1981-1982; Another \"The Paperscape\", January-June, 1982, typed in English and Russian; Personal vocabulary and scratches.\u003c/p\u003e","\u003cp\u003eTwo StorageMaster maxi diskettes; \"The Yolk of the Egg\" typed in English, Washington, D.C., 1989, pages 1-132,\u003c/p\u003e","\u003cp\u003eTyped manuscript in Russian, pages 1-173. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003eTyped manuscript in Russian, pages 174- 408. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003etyped manuscript in Russian, pages 409-643, Fairfax.\u003c/p\u003e","\u003cp\u003ePages 1-154. Dedicated to Russian-English and English-Russian dictionaries, computer IBM, and all cats including a dog.\u003c/p\u003e","\u003cp\u003eA letter from Ellendea Poffer to Aksyonov, May 18, 1994; \"Perished Soul\" novel by Grigol Robakidze, typed in English, June 1993, pp 1-72.\u003c/p\u003e","\u003cp\u003eTyped novel in Englsih by Aksyonov, Pages have a variation in page numbering; The last page contains a short note from a translator, Alla, October, 17, 1994.\u003c/p\u003e","\u003cp\u003eA letter to Aksyonov from Lenfilm, February 10, 1989; An article \"V Dal'neyshel Dal…\" by Aksyonov in Russian from unknown newspaper; \"Zdravstvuite Gospoda Radioslushateli,\" from Creator's Diary, typed in Russian; \"V Poiskax Kraski\" by Aksyonov, typed in Russian; \"Khrupkaya Ironiya\" by Aksyonov, typed in Russian, 1984, pages 1-12; One page from \"Bol'shomu Korablyu I More Po Koleno\"; \"TV SSSR: Pomekhi Voznikayut Za Predelami Sovetskogo Soyuza\", typed in Russian, 1981, pages 1-10; \"Philu Phofanoffu iz Los Angeles v Moskvu cherez Milan\" Razmishleniya o Totalitarizme (reflection on totalitarianism), typed in Russian, pages 1-4; \"Mysterious Masterpiece\" typed in Englsih, pages 1-4; \"Kursovie Raboti\" typed in Russian; \"Zasipannaya Pamyat'\" (hard to read the first word) typed in Russian, page numbers are out of order; Various radio programs from \"Zvezdi Vostochnogo Bloka\" rubrika, typed in Russian; \"Khrupkaya Ironia\" typed in Russian; \"Dosvedaniya ili Dosvishvetsiya?\" typed in Russian; Various radio talks from 1984 and 1986.\u003c/p\u003e","\u003cp\u003eVarious Radio Talks, typed in Russian.\u003c/p\u003e","\u003cp\u003eLiterary script po motivam prozi Aksyonova \"Poiski zhanra\" typed in Russian, pages 1-67; \"O, Eetot V'yunosha Letuchiy\" a book typed in Russian, play, pp 1-93, stsenariy muz fil'ma komedii po motivam russkogo fol'klora XVII veka. (Script of musical comedy based on 17 c Russian folklore).\u003c/p\u003e","\u003cp\u003eTreatment of part 1, pages 1-36; Another part one, pages 1-70, typed in English; Parts I through IV;\nPages140-160 are hand written in Russian.\u003c/p\u003e","\u003cp\u003eTreatment 3, typed manuscript in English, pages 1-42; \"1937, Pik Entuziazma\" Tret'ya Programma. Seriya \"Generations of Winter\", handwritten manuscript in Russian, pages 1-12; A short story on Khrushchev's young Commanders, typed in English; \"Generation of Winter\" part V, typed manuscript in English, pages 1-42\"Generation of Winter\" part II, typed manuscript in English, pages 1-40; \"Generation of Winter\" part I, typed manuscript in English, pages 1-17.\u003c/p\u003e","\u003cp\u003eA notebook given to Aksyonov by ?, May 30, 1980. Contains two extracts from Jennifer Palmer, handwritten in Russian; A notebook \"Café Turgenev\", hand written in Russian and English; Two copies of \"Negativ Polozhitel'nogo Geroya\", typed in Russian.\u003c/p\u003e","\u003cp\u003eA note for the Naturalization Ceremony. Receipt for $50payment to the US District Court, March 15, 1988; Untitled handwritten manuscript in Russian; \"H2O7QE-2 and PhD\" handwritten manuscript in Russian, pages 1-30;\n\"Vtoroy Otrivok of Palmer\" \"Second Split Palmer\" (continued) handwritten in Russian, pages 7-34, November 21, 1993; \"V Raione Ploshchadi Dupon\" handwritten manuscript in Russian, November 5, 1993, pages 1-35; \"Karuseli\" handwritten manuscript in Russian, October 16, 1993, pages 1-28; \"Pamfilov v Pamfilii\", handwritten manuscript in English and Russian, pages 1-44; \"Korabl' Mira 'Vassily Chapaev'\" handwritten manuscript in Russian, pp 1-31, August 18, ?; \"Siob-Futurum\" handwritten manuscript in Russian, pages 1-44; \"Titan Revolyutsii\" handwritten manuscript in Russian, pages 1-19, August 6, 1993, Antaliya-Moscow.\u003c/p\u003e","\u003cp\u003eA screenplay, typed manuscript in English, pages 1-136; Notes on \"The Island of Crimea\" in English.\u003c/p\u003e","\u003cp\u003eFilm Script, Washington, pages 1-105.\u003c/p\u003e","\u003cp\u003eTyped manuscript in English, pages 1-105, no date; Personal note that lists words for page numbers.\u003c/p\u003e","\u003cp\u003eTyped manuscript in English, Washington, 1989, pages 1-319; 1986-1988, Washington—Shelter Island—Dubrovnik—Corfu—Washington.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian. Pages 1-237. Contains several scratches for the novel \"Shtrihi k romanu 'Grustniy Baby\".\u003c/p\u003e","\u003cp\u003eHand written manuscript in Russian, pages 238-502, July, 1984, Vermont—July 1985, Paris.\u003c/p\u003e","\u003cp\u003eUntitled novel, handwritten manuscript in Russian, pages 1-249.\u003c/p\u003e","\u003cp\u003eUntitled novel, handwritten manuscript in Russian, pages 250-512.\u003c/p\u003e","\u003cp\u003eUntitled novel, handwritten manuscript in Russian, pages 513-721, November 1980-December 1983, Ann Arbor, Santa Monica, Sugarbush Valley, Washington.\u003c/p\u003e","\u003cp\u003eUntitled novel, handwritten manuscript in Russian. Starts with interlude V titled \"Pressa\" pp 711-830, April 19, 1992.\u003c/p\u003e","\u003cp\u003eWar Discounts (Vtoroy tom \"Moscow Saga\") (Generations of Winter) \"Gradovi, Voyna i Tyur'ma\", second volume, 1991; Handwritten manuscript in Russian, pages 1-207.\u003c/p\u003e","\u003cp\u003eUnidentified manuscript, pages 163-296. Contains an essay \"…Posle Kino iz Vseh Iskusstv Dlya nas Glavneishim Yavlyaetsya Photografiya,\" (Lenin and Stalin) typed in Russian, pages 1-11.\u003c/p\u003e","\u003cp\u003eUnidentified novel, handwritten manuscript in Russian, pages 297-437.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian, pages 1-268.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian, pages 269-535.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian, pages 536-726.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian, pages 727-982.\u003c/p\u003e","\u003cp\u003eGora. \"Pik Kommunizma\", tretiy tom epilogii \"Gradovi, Moscow Saga\" handwritten manuscript in Russian, third volume, pages 1-197.\u003c/p\u003e","\u003cp\u003eGora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 198-423.\u003c/p\u003e","\u003cp\u003eGora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 424-609.\u003c/p\u003e","\u003cp\u003eGora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 610-693.\u003c/p\u003e","\u003cp\u003eTwo cassettes: Public Affairs Spring Books 2000. Connecticut Public Radio's Faith Middleton Interviews.\nNPR Interview, September 1996. Three VHS: 6 ? Retirement Ceremony: Vassily Aksyonov, April 21, 2004.\nGusman. Theme: V. Aksyonov. \"Journey into the Whirl Wind.\" Sovremennik. Prem'era \"Krutoi Marshrut\". Reportazh. Box also contains a journal. \"For Vassily Aksyonov Thoughts on Your Retirement. George Mason University\" in English and Russian, April 21, 2004.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov. The collection includes handwritten and typed notes for novels, plays, articles, poems, and other writings in Russian and English.  Writings include \"The Caesaian Selection\", \"Kesarevo Svechenie\", \"Desyatiletie Kleveti\", Noviy Sladostniy Stil'\", \"Ten Years of Slander\", \"Generations of Winter\", \"The Wiesbaden Journal\", \"The Yolk of the Egg\", \"Say Cheese\", \"Zheltok Yaitsa\", \"Blues with a Russian Accent\", \"In Search of Melancholy Baby\", and \"Pik Kommunizma\". A small selection of audio visual material is comprised of two audio cassette tapes that include recordings of interviews with Aksyonov and three VHS tapes, one of which features his retirement at George Mason University.","Contains chapters I and III, pages 1-172. Each chapter is marked with personal notes. Manuscript has a few cartoons. Pages have a variation in page numbering. Riche Linge, personal correspondence to Lily Denis A, January 5, 2000. Newspaper article from Newsweek - The Case Against Legalization: The U.N's drug czar on supply and demand, November 1, 1999.","Contains chapters IV and VI, pages 173-405. Page 57 has personal notes. Page 301 has a table of contents that lists six chapters of the novel. Contains a poem, August 1, 1999.","Pages 406-670. Page 415 contains a poem without a title. Page 456 contains a personal poem. Other poems are on pages: 465, 467, 492, 493, 494, and 657.","Pages 671-832. Page 775 marks chapter X.","Novel \"Vol'ter'yantsi i Vol'ter'yanki\". File: Semiramada pages 1-215. Contains some personal notes.","Pages have a variation in page numbering. The novel begins with page 3-165 or 301-449. Contains somebody else's personal notes. Pages 450-477 begin with part X and have an essay diary, \"Vesna v kontse veka\" with a series of poems.","Contains a continuation of an essay diary. Pages have a variation in page numbering. pp 478- 643. Page 485 begins with part XI titled \"Pegas Pikasso\"; it also contains a label that has Aksyonov's fax (1-703-352-3330) to Kabanov ( 7-095-943-9792). The fax has a part \"Pegas Pikasso\" from \"Kesarevo Svechenie\". The novel is written in Fairfax, VA.","Dedicated to Ivan. Contains a table of contents. Pages have a variation in page numbering. pp 1-129. Page 80 contains Fax for M. F. [3.1]","The novel is unfinished. pp 130-300 [3.2]","Starting with page 51 a new count of pages begins. pp 1-118.","Begins with part 5 \"Gore, Gora, Goret'\". pp 119-218.","Begins with part 7 \"Kukushkini ostrova\". pp 219-298.","Begins with a story titled \"Baby Cassandra\" pp 299-449.","Begins with part 10 titled \"Vesna v kontse veka\" (Dnevnik Sochinitelya. A creator's diary). Contains a series of poems. pp250-574.","Begins with part 14 titled \"Ah, Artur Shopengauer!\" (Script in two parts) pages 575-643. Pages have a variation in page numbering.","Contains a fax from Pan. Peonides to Vassily Aksyonov and another fax from Aksyonov to Peonides in English, May 30, 1999; A story \"University as a Metaphor\" in English, pp 1- 13, no date; \"The Novelist in the University\" in English, pp 1-15, no date; \"A Trolley-Bus' Blues\" in English, pp 1-25, December, 1998; A letter from Aksyonov to Daniel Menaker, Vice-President, in English, December 6, 1998; Fax from Aksyonov to Valeriy Kalashnikov in Russian, no date; Fax to Il'ya Medovoy, \"Obshaya Gazeta\" in Russian, no date; Fax from Znamya (Literary and socio-political journal) to Aksyonov in Russian, February 24, 1997; \"Nostalgia or Schizophrenia?\" (Fall recollections of the summer impressions) in English, pp 1-16,November, 1997; \"President of an Old Tsardom\" in English, (11569 Avondale Drive) Fairfax, VA, no date; \"A Trolley-Bus' Blues\" in English, no date, pp 1- 26; \"Gikkie and BabyCassandra\" in English, pp 1-14, April 1999; Documentation on Shalamov's criminal case, 1943; Articles from Soviet newspapers, Russian Daily: Novoe Russkoe Slovo, on Boris Balter in Russian, June 8, 1984; on Sakharov's forced psychiatrical treatment, June 11, 1984; on Aksyonov frustrating the Soviet authorities; and other articles.","Information drawn from various web sites: Chronology on Catherine the Great from wysiwyg://zoffsitebottom.156/…; Biography on Catherine the Great, January, 2000; A series of photographs and articles on Voltaire in English; \"Universitet Kak Metafora\" hand written manuscript; GMU flyers \"Clarence J. Robinson Professor of Russian Literature and Writing\", April 15, 1997; A document from Pegasus Prize for Literature 1977-1997; Table Des Matieres in French; Fax from Aksyonov to Loshak, chief editor from weekly newpaper ?, in Russian, October 27, 1997; Fax from Zoya Boguslavskaya, \"Nezavis Blagotvoritel'niy Fond\". Launch Tour of Mario de Carvalho. Public Schedule, July, 10 1997; Letter from Michael Morgan (Pegasus Prize for Literature) in English, announcing that the Portuguese winner, July 29, 1997.","Contains a table of contents and epigraph to the novel. pp1-139.","Pages 140-308.","Pages 309-537. Page 535 has epilogue.","\"Ah, Artur Shopengauer\" Play and other documents. (Play in two acts), Aksyonov's handwritten manuscript in Russian, October 10, 1998; pages 1-96. A play has personal notes; Contains a short story \"The Wiesbaden Journal\"  by Vassily Aksyonov in English, August (1864); An abrupt newsletter addressed to Aksyonov in Russian on the issue of Bill Clinton and Monica, October 29, 1998; An invitation letter to Aksyonov from the National Gallery of Canada; A flyer on \"Writers on Exile and Migration\" in English and French, August 7-November 1, 1998.","Has a title \"Iz rukopisi \"Novogo Sladostnogo Stilya\" (partially in English) and partially in Russian, December 1994, February 1996. Chernovik. Draft. Starts with page 1057-1182.","Aksyonv's personal documents and correspondence. \"Avrora Gorelika\" (drama in two acts); George Mason University papers and CV. Contains personal notes and a drawing on the front page, and a caricature. pp. 1-79. Contains monologue of the creator of Gorelik. Curriculum Vitae of Aksyonov in English; A letter from Aksyonov to Prof. Leo Hecht, Chairman of Russian Studies at GMU, in English, September 15, 1987; A document called Briefing Material in English, no date; A letter from Hecht to Aksyonov in English, July 27, 1988; Correspondence between Aksyonov and Ms. Carol Krider, November 15, 1987; The documents of Aksyonov's employment with GMU; Correspondence of Aksyonov with GMU faculty and staff.","Treatment for program one. The Roaring Twenties (working title) two hours. Written in California. Pages have a variation in page numbering.","Pages 1-130. \"Desyatiletie Kleveti\" (radio-dnevnik pisatelya).","Pages 131-310.","Pages 311-504. Page 311 begins with \"Buistvo Demokratii\". Page 504 has a phone number of Iris Knell.","[Separated into two folders] Contains a novel \"Noviy Sladostniy Stil'\" Partly typed and partly handwritten manuscript in English and Russian, 1996; Typed from pp 1-15. Handwritten from pp16-26. Contains personal notes, typed poems in Russian. One poem has a date, May 1, 1999; A personal notebook in English and Russian; Personal story in Russian, December, 1990, Moscow, Dom Kino; More handwritten poems in Russian; More personal notes; Correspondence from Popov to Aksyonov in Russian, handwritten, date signed August 11, 1997, date shown on the top left corner is August 11, 1998; Has a completion of some play in Russian and some in English. Zavershenie. Contains personal notes;\nA novel in Russian, hand written manuscript. Chapter I-IV.","\"Noviy Sladostniy Stil\" in English, hand written manuscript, pages 1-46, 1996; Personal fax from Aksyonov to Popov in Russian, hand written; Poem in Russian, handwritten with personal notes. Other poems are typed; A set of poems in Russian, handwritten, no date, \"Dve Revo… Lotsiya\" (handwriting is not clear); Hand written manuscript in English, pp 1-21. \"Gikkie and Baby Cassandra.\"; An auto-portrait. Russian 327, 1999; A hand written novel in Russian that starts with the words Summer 1988. pages 1-33; Fax from Aksyonov to Vogue, Yurat Gurauskayte, in Russian, February 2, 1999; A handwritten Happy Birthday note to Sasha Kolt in English; A letter from Yvon Girard, Editions Gallimard, to Aksyonov, informing Aksyonov about Editions Gallimard reprinting his \"Moskovskaya Saga\", English,  November 26, 1996, Paris; Aksyonov's response to Girard, December 8, 1996; Letter from Aksyonov to Peonides, handwritten in English, September 22, 1999; Letter from Aksyonov to Harold Evans, President of the Random House Publishing, in English, January 27, 1997; Another letter to Evans, November 22, 1996; Fax from Evgeniy Popov to Aksyonov, in Russian, handwritten, November 13, 1997; Letter from Aksyonov to Loshak in Russian, March 31, 1998; Letter from Popov to Aksyonov in Russian, September 11, 1997; Letter from Per Delgard in Russian, October 1, 1997; Letter from Aksyonov to Mary A. Frisque in English, April 26, 1997; Letter from Mary to Aksyonov in English, April 22, 1997; A novel \"Checking the Pulse\", handwritten manuscript in English; Fax from Andrey Kabannikov in Russian, March 28, 1999. Skeptical comments on the US involvement in the Balkans. pages 1-3; Fax from Skobelev to Aksyonov in Russian, September 8, 1998, Samara; Letter from Goran Rosenberg, Moderna Tider, to Aksyonov in English, April 6, 1998. Includes a translation of Aksyonov's novel, USSR Revisited and Aksyonov's thank you note to Goran, April 8, 1998.","Novel \"Noviy Sladostniy Stil.\"; Typed poems in Russian, with a few personal notes, February 17, 1998; Story \"Logovo L'va\", handwritten manuscript in Russian, pages 1-8; Letter from Popov to Aksyonov, March 10, 1999, Moscow. Has a press cutting with a caricature; Fax from Peonides to Maya Aksyonova, September 21, 1999; \nHandwritten manuscript of a untitled novel in English, begins with page 983-1182, December 1994, February 1996. Drafts. Washington, Paris, Moscow, Samara, Tel-a-Viv, Gotland.","Contains personal list of correction notes. pages 1-175. Page numbers have double counting.","Pages 176-384. Page numbers have double counting.","Pages 385-643. Page 385 ends the first smena (konets pervoy smeni). The end, September, 2000, Fairfax.","Various correspondence. A few short stories in English; Aksyonov's \"Victory\": A Post-Analysis. Alexander Zholkovsky, typed in English, 1965; The Russian Acoustic. Songs to Seven Strings by Gerald Stanton Smith, hand written in English, pages 1-15; \"A Soviet Odyssey\". Typed manuscript in English, pages 1-13, no date; Two copies of \"Love Story Kremlin Style\" typed in English, 1-5, no date; Personal note typed in English about Aksyonov's theater-going habits; \"Leningrad's Thrillers\", typed short story in English, pages 1-9; \"The Inspector General Goes to Topeka\" (An attempt to envision an upcoming event) short story typed in English, pages 1-8 \"Roundtable: the Lexicon of Soviet Propaganda: Its connotative Content.\" James P. Scanlan pp 1-4, typed; \"Orgy of Evolution\". Handwritten manuscript in English, pages 1-5; \"The Leningrad's Thrillers\". Typed in English with personal corrections, pages 1-4.","\"Guests from the Future\" by Josephine Woll, review article in English, 1984; \"Oda Dlya Rudi\", typed in Russian, April 23, 1986; \"A Soviet Odyssey\", typed in English, late spring 1986, California; \"Inspector General Goes to Topeka\", pp1-8, typed in English; Personal story about Aksyonov's ideal American reader, typed in English, pages 1-13; Interview with Aksenov by Bella Ezerskaya in English, translated by Nancy Condee and Vladimir Padunov, pages 1-16; Letter to Raymond Whitley in English, October 7, 1986; \"The Inspector General Goes to Topeca\" typed in English with personal corrections; \"From the Barracks to the Market\" typed in English, pages 1-5; \"Participantes in the Morelia Symposium: Approaching the Year 2000.\" Letter of Recommendation to Mr. Christian Nagle, typed in English, January 8, 1992; Novels \"Ozhog\" and \"Ostrov Krym\" November 2, 1985. Paper presented at the Third World Congress for Soviet and East European Studies. Typed in English, pages 1-14; \"H2O and Polluting Letters\", handwritten and typed in English; \"Basketball, God, and the Ringo Kid: Philistinism and the Ideal in Aksenov's Short Stories.\" Typed in English, pages 1-20; A typed story in English with missing pages 1-7;\n\"The Sound of Champs D'Elesee\", typed in English with personal corrections, pages 1-6; Letter from Jane Uscilka, editorial assistant, to Aksyonov, in English, August 13, 1992; Letter from Eileen Godlis, Jankow and Nesbit Associates, to Aksyonov, in English June 22 1992; Four copies of Aksyonov's CV in English till 1987; Fax to Betty Ferber de Aridjis in English, May 13, 1992; \"The Alchemic Lemon\" typed in English with personal corrections, pages 1-16; \"Gratitude to Our Former Rulers\" typed in English; \"From the Barracks to the Market\" typed in English, pages 1-9; \"In Avant-Garde with No Rear\" typed in English, pages 1-6; \"Without False Sound\" typed in English; \"And Again: Does Art Belong to Masses?\" typed in English; \"The Sound of Chmps D'Elesee\", typed in English, pp 1-11; \"Zhiteli I Bezhentsi\" typed in Russian, pp1-11, September 1989; Letter to Leo Hecht from Anna Lawton, George Mason University, April 6, 1990; Aksyonov's personal correspondence in English.","\"A Winged Endangered Species\" handwritten manuscript in English, pages 1-42; \"Orgy of Evolution\" typed manuscript in English, pages 1-5, USA Today; \"Rebels Without (and with) a cause.\" \"Beatniks and Bolsheviks.\" A printed article from the New Republic in English, pp28-32. Page 31 is missing; \"Leningrad Thriller\" Soviet Literary Criticism Continues Down a Bizarre Path, With Profound Implications, a printed article from American Politics, pages 5-7. Contains attached typed manuscript of \"Leningrad Thriller\" in English, pages 1-9; \"The Tongue-Tied Glasnost\" a typed manuscript in English, contains personal notes. Attached is a printed article by Aksyonov from Harper's Magazine, April , ?. \"Through the Glasnost, Darkly. A cool reaction to Gorbachev's Thaw\"; \"Lungs and Gills\", typed manuscript in English; Aksyonov's Curriculum Vitae in English to Spiros Avgenikos, September 20, 1999, pages 1-5; \"Liberal –Eto Zvuchit Yasno\" (Chitaya Leontovicha), typed manuscript in Russian. Contains a fax to Kabanov, October 30, 2000 and a fax to Aksyonov from Triumph Logovaz, October 24, 2000; Untitled story typed in Russian. First part is titled \"Vezdekhod\", pages 1-25; A set of poems typed in Russian; \"The Novelist in the University\", typed manuscript in English, pages 1-15; A letter from Richard C. Rowson to Aksyonov in English, September 27, 1993; Email from Aksyonov to Limanov in Russian, April 13, 1994; Article by Aksyonov from the New Republic, \"A Countercoup of the Spirit. Live Souls\" September 16 \u0026 23, 1991; The title is personally scratched out and renamed into \"Three Days that Shook the World\" in English; \"A Winged Endangered Species\" typed manuscript in English, March 23, 1992, pages 1-27. Attached is a typed version of \"A Winged Endangered Species\" for Partisan Review, pages 180-188; \"After a Decade in Exile, Back to the USSR. Not Quite a Sentimental Journey.\" Typed story in English, pages 1-11; Attached is a published \"Not Quite a Sentimental Journey\" for the New Republic, April 16, 1990, pages 21-25; The Woodrow Wilson Center Memorandum, September 15, 1993 in English; \"Moscow Fever\" typed manuscript in English, pages 1-86, March 1993;\nUntitled story, handwritten manuscript, pages 1-6; List of Vassily Aksyonov's Works Since 1975 (Information for a literary agency) in English; \"The Metropole's Affair\", typed in English story, pages 1-4; \"The Human Factor\", typed in English story, pages 1-8.","\"Gratitude to Wachdogs\" typed manuscript in English, pages 1-6; \"Three Days that Shook the Idols\" hand written manuscript in English, pages 1-9; \"The Literary Impact of the American and French Revolutions\", Participants: Aksyonov and Susan Sontag, August 14, 1992, pages 1-54; \"Leningrad's Thrillers\" typed manuscript in English, pages 1-9; \"The Lip-Sided Success\" typed manuscript in English, pages 1-12; Untitled story, hand written manuscript in English; \"The 1992 Neustadt International Prize for Literature Jurors and Candidates\" by William. \nRiggan, pages 140-1 – 146-2; A note in English to Lev Ponomarev; A letter from the Golden Key, February 28, 1992; \"Music Seminar\" hand written manuscript in English with personal notes; \"Moscow Theater of Absurd\" hand written manuscript in English; A piece that is a continuation of some story, hand written manuscript in English;\nA hand written manuscript on the Soviet censorship, in English, pages 1-26; \"Of my youth, the Golden Stalinist Fifties\", typed manuscript in English; Several copies of \"the Wiesbaden Journal\" in English, Common Knowledge, winter 1995, V4, N3.","\"Derzkiy Gost'\", printed story in Russian. Prose and Poetry. Tret'ya Volna (Al'manakh Literaturi i Iskusstva) 1980, pages 20-25; \"Progulka v Kalashniy Ryad\", Literary Critique, pages 164-189, Sugarbush, Vermont. 133 Grani; Two copies of \"Stal'naya Ptitsa\" povest' s otstupleniyami i solo dlya korneta, Ardis, 1977, pages 24-95, June 1965, khutor Kal'da; \"Gremela v Svetlitse Devich'ya Zadornaya Pesnya\", contains only p 32; A title page of a script \"O Etot V'yunosha Letuchiy!\" Script of a musical based on old Russian narrative and fairy tales, Lenfilm, 1971.","Various hand written drafts of poems in Russian and a few in English; \"Outline of a New Novel at Work\" typed in English, contains personal notes, pages 1-7; Two postcards. One is from Panos Peonides, November 22, 1996, Athens in English. Second one is from Popov, September 24, 1996, France in Russian; More handwritten poems in Russian.","Personal English-Russian Vocabulary; \"Vori v Zakone: Brosok k Vlasti\" photocopies from a book by Georgiy Podlesskih and Andrey Tereshonok, Moscow, Khudozhestvennaya Literatura, 1994. Bibliography on Lideri Prestupnogo Mira; A letter from Anastasia Volkonsky to Aksyonov in English, February 12, 1990; Individual Assessment by Aksyonov in English. Attached is \"Monologue of a Serious Roman\" in English; Fax to Baltanova, October 5, 1997 in Russian; \"Poet in Tovarishch Paromonova\" typed in Russian; Fax—commentary on Soviet/Russian monuments, October 4, 1997; ICAR Newsletter, Spring 1999, Vol. 10, No. 1; An email from Ilya Zavorine on job offers, November 21, 1994; Old Russian Newspaper articles; one dates December 16, 1994; \"Teni Zabitix Predkov\" by Alexander Genis, printed in Russian, March 1998, New York; Tenement Times, Vol. 1, No. 1, fall 1989; Journal, Snaps, Jack Green 1989, 1991.","Fax from a Librarian of Congress, James Billington, to V. Ivanov in Russian, October 14, 1998; Business card from Vyacheslav Ivanov; Business card from Sher Sher photoartist; Two copies of Curriculum Vitae on Ivanov in English, pages 1-19.","Handwritten and typed poems from \"Kesarevo Svechenie\" in Russian; A letter from the World Millennium Committeed and an attached application for participation. \"Anketa Uchastnika Vsemirnogo Kongressa 'Itogi Tisyacheletiya' in Russian.","Puskin's \"Arion\": a Lone Survivor's Cry by Gerald E. Mikkelson, University of Kansas, SeeJ, Vol. 24, No. 1, 1980, pages 1-12 in English; \"Philosophical Dialogue and Tolstoj's War and Peace\" by David J. Sherman, Cornell University, Seej, Vol. 24, No. 1, 1980, pp14 in English; Aksyonov's complain to editorial office about its censorship of his article \"Put' k khramu\"; A series of articles on Russian Orthodox Church, 1993; Article \"Russkiy Nosil'shchik Plyuet v Litso Angliskomu Attashe\", Segodnya, March 1993; Article from magazine Yunost';\nA letter to David Potter, provost, in English; A paper on Aksyonov's works written by Liza Winamiya, graduate, in Russian, pages 1-12; Correspondence between Aksyonov and Solomon Khaimovich, 1994; Attached are articles on the works of Russian writers; Short stories by Slonimskiy, 1921-1926.","\"Kesarevo Svechenie\" novel, typed manuscript in Russian, 2000, pages 1-200. Pages have variations in numbering; Contains an article \"Lifting a Curtain on Stalin\" from Newsday, in English November 5, 2003.","Pages 201-412, typed manuscript in Russian. Pages have a variation in page numbering.","Pages 413-643. Page 643 ends the novel.","Two copies of \"PhD, QE2 and H2O\" by Vassily Aksyonov. Typed in English. translated by Alla Zbinovsky, December 1993, 7810 words, pages 1-18; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, November 1993, pages 1-15. Contains personal corrections; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6150 words, pages 1-10; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?,4865 words, pages 1-8; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6162 words, pages 1-13; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 4889 words, pages 1-10.","Contains poems in Russian by Boris Chichibabin, Noviy Mir No. 7, 1989; D.S.O.B. Aksyonov's personal note to the reader, handwritten in English; \"Moscow Fever\" typed manuscript in English. No page numbers. No date.","[Separated into 2 folders] \"Pyaterka Tennessistam\" by Tennessee Williams translated by Vassily Aksyonov. (pyat' odnoaktnix) typed in Russian. Page 119 contains insertion, pages 1-126. After page 126, there are pages 115-118. Contains a list of changes by Acting Company. Ends with pages 83, 88, 89, 91; Essay excerpt--# 9, typed in English, contains personal notes in Russian, pages 1-96, pages have a variation in page numbering.","2 copies of \"The Paperscape\", A View from the Flag Tower of the Smithsonian Institution Building: an attempt at introspection; or how some stack of paper turns into a Russian novel. By Vassily Aksyonov, typed in English and Russian, June 24, 1982, Colloquium Paper. Contains different pages, 1981-1982; Third \"The Paperscape\" typed in English, pp 1-12, 1981-1982; Another \"The Paperscape\", January-June, 1982, typed in English and Russian; Personal vocabulary and scratches.","Two StorageMaster maxi diskettes; \"The Yolk of the Egg\" typed in English, Washington, D.C., 1989, pages 1-132,","Typed manuscript in Russian, pages 1-173. Pages have a variation in page numbering.","Typed manuscript in Russian, pages 174- 408. Pages have a variation in page numbering.","typed manuscript in Russian, pages 409-643, Fairfax.","Pages 1-154. Dedicated to Russian-English and English-Russian dictionaries, computer IBM, and all cats including a dog.","A letter from Ellendea Poffer to Aksyonov, May 18, 1994; \"Perished Soul\" novel by Grigol Robakidze, typed in English, June 1993, pp 1-72.","Typed novel in Englsih by Aksyonov, Pages have a variation in page numbering; The last page contains a short note from a translator, Alla, October, 17, 1994.","A letter to Aksyonov from Lenfilm, February 10, 1989; An article \"V Dal'neyshel Dal…\" by Aksyonov in Russian from unknown newspaper; \"Zdravstvuite Gospoda Radioslushateli,\" from Creator's Diary, typed in Russian; \"V Poiskax Kraski\" by Aksyonov, typed in Russian; \"Khrupkaya Ironiya\" by Aksyonov, typed in Russian, 1984, pages 1-12; One page from \"Bol'shomu Korablyu I More Po Koleno\"; \"TV SSSR: Pomekhi Voznikayut Za Predelami Sovetskogo Soyuza\", typed in Russian, 1981, pages 1-10; \"Philu Phofanoffu iz Los Angeles v Moskvu cherez Milan\" Razmishleniya o Totalitarizme (reflection on totalitarianism), typed in Russian, pages 1-4; \"Mysterious Masterpiece\" typed in Englsih, pages 1-4; \"Kursovie Raboti\" typed in Russian; \"Zasipannaya Pamyat'\" (hard to read the first word) typed in Russian, page numbers are out of order; Various radio programs from \"Zvezdi Vostochnogo Bloka\" rubrika, typed in Russian; \"Khrupkaya Ironia\" typed in Russian; \"Dosvedaniya ili Dosvishvetsiya?\" typed in Russian; Various radio talks from 1984 and 1986.","Various Radio Talks, typed in Russian.","Literary script po motivam prozi Aksyonova \"Poiski zhanra\" typed in Russian, pages 1-67; \"O, Eetot V'yunosha Letuchiy\" a book typed in Russian, play, pp 1-93, stsenariy muz fil'ma komedii po motivam russkogo fol'klora XVII veka. (Script of musical comedy based on 17 c Russian folklore).","Treatment of part 1, pages 1-36; Another part one, pages 1-70, typed in English; Parts I through IV;\nPages140-160 are hand written in Russian.","Treatment 3, typed manuscript in English, pages 1-42; \"1937, Pik Entuziazma\" Tret'ya Programma. Seriya \"Generations of Winter\", handwritten manuscript in Russian, pages 1-12; A short story on Khrushchev's young Commanders, typed in English; \"Generation of Winter\" part V, typed manuscript in English, pages 1-42\"Generation of Winter\" part II, typed manuscript in English, pages 1-40; \"Generation of Winter\" part I, typed manuscript in English, pages 1-17.","A notebook given to Aksyonov by ?, May 30, 1980. Contains two extracts from Jennifer Palmer, handwritten in Russian; A notebook \"Café Turgenev\", hand written in Russian and English; Two copies of \"Negativ Polozhitel'nogo Geroya\", typed in Russian.","A note for the Naturalization Ceremony. Receipt for $50payment to the US District Court, March 15, 1988; Untitled handwritten manuscript in Russian; \"H2O7QE-2 and PhD\" handwritten manuscript in Russian, pages 1-30;\n\"Vtoroy Otrivok of Palmer\" \"Second Split Palmer\" (continued) handwritten in Russian, pages 7-34, November 21, 1993; \"V Raione Ploshchadi Dupon\" handwritten manuscript in Russian, November 5, 1993, pages 1-35; \"Karuseli\" handwritten manuscript in Russian, October 16, 1993, pages 1-28; \"Pamfilov v Pamfilii\", handwritten manuscript in English and Russian, pages 1-44; \"Korabl' Mira 'Vassily Chapaev'\" handwritten manuscript in Russian, pp 1-31, August 18, ?; \"Siob-Futurum\" handwritten manuscript in Russian, pages 1-44; \"Titan Revolyutsii\" handwritten manuscript in Russian, pages 1-19, August 6, 1993, Antaliya-Moscow.","A screenplay, typed manuscript in English, pages 1-136; Notes on \"The Island of Crimea\" in English.","Film Script, Washington, pages 1-105.","Typed manuscript in English, pages 1-105, no date; Personal note that lists words for page numbers.","Typed manuscript in English, Washington, 1989, pages 1-319; 1986-1988, Washington—Shelter Island—Dubrovnik—Corfu—Washington.\nAvailable in digital format.","Handwritten manuscript in Russian. Pages 1-237. Contains several scratches for the novel \"Shtrihi k romanu 'Grustniy Baby\".","Hand written manuscript in Russian, pages 238-502, July, 1984, Vermont—July 1985, Paris.","Untitled novel, handwritten manuscript in Russian, pages 1-249.","Untitled novel, handwritten manuscript in Russian, pages 250-512.","Untitled novel, handwritten manuscript in Russian, pages 513-721, November 1980-December 1983, Ann Arbor, Santa Monica, Sugarbush Valley, Washington.","Untitled novel, handwritten manuscript in Russian. Starts with interlude V titled \"Pressa\" pp 711-830, April 19, 1992.","War Discounts (Vtoroy tom \"Moscow Saga\") (Generations of Winter) \"Gradovi, Voyna i Tyur'ma\", second volume, 1991; Handwritten manuscript in Russian, pages 1-207.","Unidentified manuscript, pages 163-296. Contains an essay \"…Posle Kino iz Vseh Iskusstv Dlya nas Glavneishim Yavlyaetsya Photografiya,\" (Lenin and Stalin) typed in Russian, pages 1-11.","Unidentified novel, handwritten manuscript in Russian, pages 297-437.","Handwritten manuscript in Russian, pages 1-268.","Handwritten manuscript in Russian, pages 269-535.","Handwritten manuscript in Russian, pages 536-726.","Handwritten manuscript in Russian, pages 727-982.","Gora. \"Pik Kommunizma\", tretiy tom epilogii \"Gradovi, Moscow Saga\" handwritten manuscript in Russian, third volume, pages 1-197.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 198-423.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 424-609.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 610-693.","Two cassettes: Public Affairs Spring Books 2000. Connecticut Public Radio's Faith Middleton Interviews.\nNPR Interview, September 1996. Three VHS: 6 ? Retirement Ceremony: Vassily Aksyonov, April 21, 2004.\nGusman. Theme: V. Aksyonov. \"Journey into the Whirl Wind.\" Sovremennik. Prem'era \"Krutoi Marshrut\". Reportazh. Box also contains a journal. \"For Vassily Aksyonov Thoughts on Your Retirement. George Mason University\" in English and Russian, April 21, 2004."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffc59e28a9243164f863004b098ed546\" label=\"Abstract\"\u003eThis collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Aksenov, Vasiliĭ, 1932-2009"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Aksenov, Vasiliĭ, 1932-2009"],"language_ssim":["Russian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":105,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:30.607Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_19","ead_ssi":"vifgm_repositories_2_resources_19","_root_":"vifgm_repositories_2_resources_19","_nest_parent_":"vifgm_repositories_2_resources_19","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_19.xml","title_filing_ssi":"Vassily Aksyonov papers","title_ssm":["Vassily Aksyonov papers"],"title_tesim":["Vassily Aksyonov papers"],"unitdate_ssm":["1980s-2004"],"unitdate_inclusive_ssm":["1980s-2004"],"normalized_date_ssm":["1980/2004"],"normalized_title_ssm":["Vassily Aksyonov papers, 1980/2004"],"text":["Vassily Aksyonov papers, 1980/2004","C0062","/repositories/2/resources/19","Fiction","Criticism","Creative writing","Interviews","Novelists","Manuscripts","Correspondence","Sound recordings","Video recordings","There are no access restrictions.","Organized by subject.","Born in 1932, Vassily Pavlovich Aksyonov was a prominent Russian novelist who spent much of his later career writing and teaching in the Washington, DC area. Aksyonov was born in the Russian city of Kazan and grew up under Stalin's rule. Askyonov's parents, although devoted communists, were accused of being Trotskyites and sent to gulags when he was still a child. Aksyonov was subsequently raised in an orphanage for \"children of enemies of the state\" before moving in with his aunt and uncle, who tried to keep the truth of his parents' disappearance a secret. He spent much of his youth listening to jazz and reading American novels, which would influence his work as much as the disenchantment and paranoia of life under Stalinism.","Though trained as a medical doctor, Vassily Aksyonov gave up his medical career in the 1960s to pursue a career as a novelist. His 1961 novel, A Ticket to the Stars, drew a great deal of praise from readers and helped launch his career. His writings quickly became controversial as they celebrated Western popular culture and criticized life under Stalin and his successors. During the 1960s he wrote several plays that were denounced by the state press for spreading \"negativism,\" and after voicing public opposition to the Soviet invasion of Czechoslovakia in 1968, no publisher would print his work for the next 12 years, during which he worked as a translator to support his family. By the 1970s, Aksyonov had become one of the most popular prose writers in Russia, but his popularity only exacerbated his low standing with the communist party, which disapproved of his criticism and revoked his citizenship in 1980, when he decided to emigrate to the United States. Aksyonov settled in Washington, DC, where he taught literature and continued to write until moving back to Russia in 2004.","During his stay in America, Aksyonov published several novels that he had kept hidden in drawers during the 1970s, including The Burn (1980) and The Island of Crimea (1983). His later works include In Search of Melancholy Baby (1987), Say Cheese (1989), Generations of Winter (1994), The Winter's Hero (1996), and The New Sweet Style (1999). Aksyonov taught at The Johns Hopkins University and Goucher University before coming to George Mason University, where he taught from 1988 to 2004, when he moved back to Russia to live out his remaining years. He died in 2009.","Processed by Vera Zimmerman in 2011. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. EAD updated by Greta Kuriger Suiter in October 2012.","Special Collections and Archives also holds other collection of papers from Robinson Professors.","This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov. The collection includes handwritten and typed notes for novels, plays, articles, poems, and other writings in Russian and English.  Writings include \"The Caesaian Selection\", \"Kesarevo Svechenie\", \"Desyatiletie Kleveti\", Noviy Sladostniy Stil'\", \"Ten Years of Slander\", \"Generations of Winter\", \"The Wiesbaden Journal\", \"The Yolk of the Egg\", \"Say Cheese\", \"Zheltok Yaitsa\", \"Blues with a Russian Accent\", \"In Search of Melancholy Baby\", and \"Pik Kommunizma\". A small selection of audio visual material is comprised of two audio cassette tapes that include recordings of interviews with Aksyonov and three VHS tapes, one of which features his retirement at George Mason University.","Contains chapters I and III, pages 1-172. Each chapter is marked with personal notes. Manuscript has a few cartoons. Pages have a variation in page numbering. Riche Linge, personal correspondence to Lily Denis A, January 5, 2000. Newspaper article from Newsweek - The Case Against Legalization: The U.N's drug czar on supply and demand, November 1, 1999.","Contains chapters IV and VI, pages 173-405. Page 57 has personal notes. Page 301 has a table of contents that lists six chapters of the novel. Contains a poem, August 1, 1999.","Pages 406-670. Page 415 contains a poem without a title. Page 456 contains a personal poem. Other poems are on pages: 465, 467, 492, 493, 494, and 657.","Pages 671-832. Page 775 marks chapter X.","Novel \"Vol'ter'yantsi i Vol'ter'yanki\". File: Semiramada pages 1-215. Contains some personal notes.","Pages have a variation in page numbering. The novel begins with page 3-165 or 301-449. Contains somebody else's personal notes. Pages 450-477 begin with part X and have an essay diary, \"Vesna v kontse veka\" with a series of poems.","Contains a continuation of an essay diary. Pages have a variation in page numbering. pp 478- 643. Page 485 begins with part XI titled \"Pegas Pikasso\"; it also contains a label that has Aksyonov's fax (1-703-352-3330) to Kabanov ( 7-095-943-9792). The fax has a part \"Pegas Pikasso\" from \"Kesarevo Svechenie\". The novel is written in Fairfax, VA.","Dedicated to Ivan. Contains a table of contents. Pages have a variation in page numbering. pp 1-129. Page 80 contains Fax for M. F. [3.1]","The novel is unfinished. pp 130-300 [3.2]","Starting with page 51 a new count of pages begins. pp 1-118.","Begins with part 5 \"Gore, Gora, Goret'\". pp 119-218.","Begins with part 7 \"Kukushkini ostrova\". pp 219-298.","Begins with a story titled \"Baby Cassandra\" pp 299-449.","Begins with part 10 titled \"Vesna v kontse veka\" (Dnevnik Sochinitelya. A creator's diary). Contains a series of poems. pp250-574.","Begins with part 14 titled \"Ah, Artur Shopengauer!\" (Script in two parts) pages 575-643. Pages have a variation in page numbering.","Contains a fax from Pan. Peonides to Vassily Aksyonov and another fax from Aksyonov to Peonides in English, May 30, 1999; A story \"University as a Metaphor\" in English, pp 1- 13, no date; \"The Novelist in the University\" in English, pp 1-15, no date; \"A Trolley-Bus' Blues\" in English, pp 1-25, December, 1998; A letter from Aksyonov to Daniel Menaker, Vice-President, in English, December 6, 1998; Fax from Aksyonov to Valeriy Kalashnikov in Russian, no date; Fax to Il'ya Medovoy, \"Obshaya Gazeta\" in Russian, no date; Fax from Znamya (Literary and socio-political journal) to Aksyonov in Russian, February 24, 1997; \"Nostalgia or Schizophrenia?\" (Fall recollections of the summer impressions) in English, pp 1-16,November, 1997; \"President of an Old Tsardom\" in English, (11569 Avondale Drive) Fairfax, VA, no date; \"A Trolley-Bus' Blues\" in English, no date, pp 1- 26; \"Gikkie and BabyCassandra\" in English, pp 1-14, April 1999; Documentation on Shalamov's criminal case, 1943; Articles from Soviet newspapers, Russian Daily: Novoe Russkoe Slovo, on Boris Balter in Russian, June 8, 1984; on Sakharov's forced psychiatrical treatment, June 11, 1984; on Aksyonov frustrating the Soviet authorities; and other articles.","Information drawn from various web sites: Chronology on Catherine the Great from wysiwyg://zoffsitebottom.156/…; Biography on Catherine the Great, January, 2000; A series of photographs and articles on Voltaire in English; \"Universitet Kak Metafora\" hand written manuscript; GMU flyers \"Clarence J. Robinson Professor of Russian Literature and Writing\", April 15, 1997; A document from Pegasus Prize for Literature 1977-1997; Table Des Matieres in French; Fax from Aksyonov to Loshak, chief editor from weekly newpaper ?, in Russian, October 27, 1997; Fax from Zoya Boguslavskaya, \"Nezavis Blagotvoritel'niy Fond\". Launch Tour of Mario de Carvalho. Public Schedule, July, 10 1997; Letter from Michael Morgan (Pegasus Prize for Literature) in English, announcing that the Portuguese winner, July 29, 1997.","Contains a table of contents and epigraph to the novel. pp1-139.","Pages 140-308.","Pages 309-537. Page 535 has epilogue.","\"Ah, Artur Shopengauer\" Play and other documents. (Play in two acts), Aksyonov's handwritten manuscript in Russian, October 10, 1998; pages 1-96. A play has personal notes; Contains a short story \"The Wiesbaden Journal\"  by Vassily Aksyonov in English, August (1864); An abrupt newsletter addressed to Aksyonov in Russian on the issue of Bill Clinton and Monica, October 29, 1998; An invitation letter to Aksyonov from the National Gallery of Canada; A flyer on \"Writers on Exile and Migration\" in English and French, August 7-November 1, 1998.","Has a title \"Iz rukopisi \"Novogo Sladostnogo Stilya\" (partially in English) and partially in Russian, December 1994, February 1996. Chernovik. Draft. Starts with page 1057-1182.","Aksyonv's personal documents and correspondence. \"Avrora Gorelika\" (drama in two acts); George Mason University papers and CV. Contains personal notes and a drawing on the front page, and a caricature. pp. 1-79. Contains monologue of the creator of Gorelik. Curriculum Vitae of Aksyonov in English; A letter from Aksyonov to Prof. Leo Hecht, Chairman of Russian Studies at GMU, in English, September 15, 1987; A document called Briefing Material in English, no date; A letter from Hecht to Aksyonov in English, July 27, 1988; Correspondence between Aksyonov and Ms. Carol Krider, November 15, 1987; The documents of Aksyonov's employment with GMU; Correspondence of Aksyonov with GMU faculty and staff.","Treatment for program one. The Roaring Twenties (working title) two hours. Written in California. Pages have a variation in page numbering.","Pages 1-130. \"Desyatiletie Kleveti\" (radio-dnevnik pisatelya).","Pages 131-310.","Pages 311-504. Page 311 begins with \"Buistvo Demokratii\". Page 504 has a phone number of Iris Knell.","[Separated into two folders] Contains a novel \"Noviy Sladostniy Stil'\" Partly typed and partly handwritten manuscript in English and Russian, 1996; Typed from pp 1-15. Handwritten from pp16-26. Contains personal notes, typed poems in Russian. One poem has a date, May 1, 1999; A personal notebook in English and Russian; Personal story in Russian, December, 1990, Moscow, Dom Kino; More handwritten poems in Russian; More personal notes; Correspondence from Popov to Aksyonov in Russian, handwritten, date signed August 11, 1997, date shown on the top left corner is August 11, 1998; Has a completion of some play in Russian and some in English. Zavershenie. Contains personal notes;\nA novel in Russian, hand written manuscript. Chapter I-IV.","\"Noviy Sladostniy Stil\" in English, hand written manuscript, pages 1-46, 1996; Personal fax from Aksyonov to Popov in Russian, hand written; Poem in Russian, handwritten with personal notes. Other poems are typed; A set of poems in Russian, handwritten, no date, \"Dve Revo… Lotsiya\" (handwriting is not clear); Hand written manuscript in English, pp 1-21. \"Gikkie and Baby Cassandra.\"; An auto-portrait. Russian 327, 1999; A hand written novel in Russian that starts with the words Summer 1988. pages 1-33; Fax from Aksyonov to Vogue, Yurat Gurauskayte, in Russian, February 2, 1999; A handwritten Happy Birthday note to Sasha Kolt in English; A letter from Yvon Girard, Editions Gallimard, to Aksyonov, informing Aksyonov about Editions Gallimard reprinting his \"Moskovskaya Saga\", English,  November 26, 1996, Paris; Aksyonov's response to Girard, December 8, 1996; Letter from Aksyonov to Peonides, handwritten in English, September 22, 1999; Letter from Aksyonov to Harold Evans, President of the Random House Publishing, in English, January 27, 1997; Another letter to Evans, November 22, 1996; Fax from Evgeniy Popov to Aksyonov, in Russian, handwritten, November 13, 1997; Letter from Aksyonov to Loshak in Russian, March 31, 1998; Letter from Popov to Aksyonov in Russian, September 11, 1997; Letter from Per Delgard in Russian, October 1, 1997; Letter from Aksyonov to Mary A. Frisque in English, April 26, 1997; Letter from Mary to Aksyonov in English, April 22, 1997; A novel \"Checking the Pulse\", handwritten manuscript in English; Fax from Andrey Kabannikov in Russian, March 28, 1999. Skeptical comments on the US involvement in the Balkans. pages 1-3; Fax from Skobelev to Aksyonov in Russian, September 8, 1998, Samara; Letter from Goran Rosenberg, Moderna Tider, to Aksyonov in English, April 6, 1998. Includes a translation of Aksyonov's novel, USSR Revisited and Aksyonov's thank you note to Goran, April 8, 1998.","Novel \"Noviy Sladostniy Stil.\"; Typed poems in Russian, with a few personal notes, February 17, 1998; Story \"Logovo L'va\", handwritten manuscript in Russian, pages 1-8; Letter from Popov to Aksyonov, March 10, 1999, Moscow. Has a press cutting with a caricature; Fax from Peonides to Maya Aksyonova, September 21, 1999; \nHandwritten manuscript of a untitled novel in English, begins with page 983-1182, December 1994, February 1996. Drafts. Washington, Paris, Moscow, Samara, Tel-a-Viv, Gotland.","Contains personal list of correction notes. pages 1-175. Page numbers have double counting.","Pages 176-384. Page numbers have double counting.","Pages 385-643. Page 385 ends the first smena (konets pervoy smeni). The end, September, 2000, Fairfax.","Various correspondence. A few short stories in English; Aksyonov's \"Victory\": A Post-Analysis. Alexander Zholkovsky, typed in English, 1965; The Russian Acoustic. Songs to Seven Strings by Gerald Stanton Smith, hand written in English, pages 1-15; \"A Soviet Odyssey\". Typed manuscript in English, pages 1-13, no date; Two copies of \"Love Story Kremlin Style\" typed in English, 1-5, no date; Personal note typed in English about Aksyonov's theater-going habits; \"Leningrad's Thrillers\", typed short story in English, pages 1-9; \"The Inspector General Goes to Topeka\" (An attempt to envision an upcoming event) short story typed in English, pages 1-8 \"Roundtable: the Lexicon of Soviet Propaganda: Its connotative Content.\" James P. Scanlan pp 1-4, typed; \"Orgy of Evolution\". Handwritten manuscript in English, pages 1-5; \"The Leningrad's Thrillers\". Typed in English with personal corrections, pages 1-4.","\"Guests from the Future\" by Josephine Woll, review article in English, 1984; \"Oda Dlya Rudi\", typed in Russian, April 23, 1986; \"A Soviet Odyssey\", typed in English, late spring 1986, California; \"Inspector General Goes to Topeka\", pp1-8, typed in English; Personal story about Aksyonov's ideal American reader, typed in English, pages 1-13; Interview with Aksenov by Bella Ezerskaya in English, translated by Nancy Condee and Vladimir Padunov, pages 1-16; Letter to Raymond Whitley in English, October 7, 1986; \"The Inspector General Goes to Topeca\" typed in English with personal corrections; \"From the Barracks to the Market\" typed in English, pages 1-5; \"Participantes in the Morelia Symposium: Approaching the Year 2000.\" Letter of Recommendation to Mr. Christian Nagle, typed in English, January 8, 1992; Novels \"Ozhog\" and \"Ostrov Krym\" November 2, 1985. Paper presented at the Third World Congress for Soviet and East European Studies. Typed in English, pages 1-14; \"H2O and Polluting Letters\", handwritten and typed in English; \"Basketball, God, and the Ringo Kid: Philistinism and the Ideal in Aksenov's Short Stories.\" Typed in English, pages 1-20; A typed story in English with missing pages 1-7;\n\"The Sound of Champs D'Elesee\", typed in English with personal corrections, pages 1-6; Letter from Jane Uscilka, editorial assistant, to Aksyonov, in English, August 13, 1992; Letter from Eileen Godlis, Jankow and Nesbit Associates, to Aksyonov, in English June 22 1992; Four copies of Aksyonov's CV in English till 1987; Fax to Betty Ferber de Aridjis in English, May 13, 1992; \"The Alchemic Lemon\" typed in English with personal corrections, pages 1-16; \"Gratitude to Our Former Rulers\" typed in English; \"From the Barracks to the Market\" typed in English, pages 1-9; \"In Avant-Garde with No Rear\" typed in English, pages 1-6; \"Without False Sound\" typed in English; \"And Again: Does Art Belong to Masses?\" typed in English; \"The Sound of Chmps D'Elesee\", typed in English, pp 1-11; \"Zhiteli I Bezhentsi\" typed in Russian, pp1-11, September 1989; Letter to Leo Hecht from Anna Lawton, George Mason University, April 6, 1990; Aksyonov's personal correspondence in English.","\"A Winged Endangered Species\" handwritten manuscript in English, pages 1-42; \"Orgy of Evolution\" typed manuscript in English, pages 1-5, USA Today; \"Rebels Without (and with) a cause.\" \"Beatniks and Bolsheviks.\" A printed article from the New Republic in English, pp28-32. Page 31 is missing; \"Leningrad Thriller\" Soviet Literary Criticism Continues Down a Bizarre Path, With Profound Implications, a printed article from American Politics, pages 5-7. Contains attached typed manuscript of \"Leningrad Thriller\" in English, pages 1-9; \"The Tongue-Tied Glasnost\" a typed manuscript in English, contains personal notes. Attached is a printed article by Aksyonov from Harper's Magazine, April , ?. \"Through the Glasnost, Darkly. A cool reaction to Gorbachev's Thaw\"; \"Lungs and Gills\", typed manuscript in English; Aksyonov's Curriculum Vitae in English to Spiros Avgenikos, September 20, 1999, pages 1-5; \"Liberal –Eto Zvuchit Yasno\" (Chitaya Leontovicha), typed manuscript in Russian. Contains a fax to Kabanov, October 30, 2000 and a fax to Aksyonov from Triumph Logovaz, October 24, 2000; Untitled story typed in Russian. First part is titled \"Vezdekhod\", pages 1-25; A set of poems typed in Russian; \"The Novelist in the University\", typed manuscript in English, pages 1-15; A letter from Richard C. Rowson to Aksyonov in English, September 27, 1993; Email from Aksyonov to Limanov in Russian, April 13, 1994; Article by Aksyonov from the New Republic, \"A Countercoup of the Spirit. Live Souls\" September 16 \u0026 23, 1991; The title is personally scratched out and renamed into \"Three Days that Shook the World\" in English; \"A Winged Endangered Species\" typed manuscript in English, March 23, 1992, pages 1-27. Attached is a typed version of \"A Winged Endangered Species\" for Partisan Review, pages 180-188; \"After a Decade in Exile, Back to the USSR. Not Quite a Sentimental Journey.\" Typed story in English, pages 1-11; Attached is a published \"Not Quite a Sentimental Journey\" for the New Republic, April 16, 1990, pages 21-25; The Woodrow Wilson Center Memorandum, September 15, 1993 in English; \"Moscow Fever\" typed manuscript in English, pages 1-86, March 1993;\nUntitled story, handwritten manuscript, pages 1-6; List of Vassily Aksyonov's Works Since 1975 (Information for a literary agency) in English; \"The Metropole's Affair\", typed in English story, pages 1-4; \"The Human Factor\", typed in English story, pages 1-8.","\"Gratitude to Wachdogs\" typed manuscript in English, pages 1-6; \"Three Days that Shook the Idols\" hand written manuscript in English, pages 1-9; \"The Literary Impact of the American and French Revolutions\", Participants: Aksyonov and Susan Sontag, August 14, 1992, pages 1-54; \"Leningrad's Thrillers\" typed manuscript in English, pages 1-9; \"The Lip-Sided Success\" typed manuscript in English, pages 1-12; Untitled story, hand written manuscript in English; \"The 1992 Neustadt International Prize for Literature Jurors and Candidates\" by William. \nRiggan, pages 140-1 – 146-2; A note in English to Lev Ponomarev; A letter from the Golden Key, February 28, 1992; \"Music Seminar\" hand written manuscript in English with personal notes; \"Moscow Theater of Absurd\" hand written manuscript in English; A piece that is a continuation of some story, hand written manuscript in English;\nA hand written manuscript on the Soviet censorship, in English, pages 1-26; \"Of my youth, the Golden Stalinist Fifties\", typed manuscript in English; Several copies of \"the Wiesbaden Journal\" in English, Common Knowledge, winter 1995, V4, N3.","\"Derzkiy Gost'\", printed story in Russian. Prose and Poetry. Tret'ya Volna (Al'manakh Literaturi i Iskusstva) 1980, pages 20-25; \"Progulka v Kalashniy Ryad\", Literary Critique, pages 164-189, Sugarbush, Vermont. 133 Grani; Two copies of \"Stal'naya Ptitsa\" povest' s otstupleniyami i solo dlya korneta, Ardis, 1977, pages 24-95, June 1965, khutor Kal'da; \"Gremela v Svetlitse Devich'ya Zadornaya Pesnya\", contains only p 32; A title page of a script \"O Etot V'yunosha Letuchiy!\" Script of a musical based on old Russian narrative and fairy tales, Lenfilm, 1971.","Various hand written drafts of poems in Russian and a few in English; \"Outline of a New Novel at Work\" typed in English, contains personal notes, pages 1-7; Two postcards. One is from Panos Peonides, November 22, 1996, Athens in English. Second one is from Popov, September 24, 1996, France in Russian; More handwritten poems in Russian.","Personal English-Russian Vocabulary; \"Vori v Zakone: Brosok k Vlasti\" photocopies from a book by Georgiy Podlesskih and Andrey Tereshonok, Moscow, Khudozhestvennaya Literatura, 1994. Bibliography on Lideri Prestupnogo Mira; A letter from Anastasia Volkonsky to Aksyonov in English, February 12, 1990; Individual Assessment by Aksyonov in English. Attached is \"Monologue of a Serious Roman\" in English; Fax to Baltanova, October 5, 1997 in Russian; \"Poet in Tovarishch Paromonova\" typed in Russian; Fax—commentary on Soviet/Russian monuments, October 4, 1997; ICAR Newsletter, Spring 1999, Vol. 10, No. 1; An email from Ilya Zavorine on job offers, November 21, 1994; Old Russian Newspaper articles; one dates December 16, 1994; \"Teni Zabitix Predkov\" by Alexander Genis, printed in Russian, March 1998, New York; Tenement Times, Vol. 1, No. 1, fall 1989; Journal, Snaps, Jack Green 1989, 1991.","Fax from a Librarian of Congress, James Billington, to V. Ivanov in Russian, October 14, 1998; Business card from Vyacheslav Ivanov; Business card from Sher Sher photoartist; Two copies of Curriculum Vitae on Ivanov in English, pages 1-19.","Handwritten and typed poems from \"Kesarevo Svechenie\" in Russian; A letter from the World Millennium Committeed and an attached application for participation. \"Anketa Uchastnika Vsemirnogo Kongressa 'Itogi Tisyacheletiya' in Russian.","Puskin's \"Arion\": a Lone Survivor's Cry by Gerald E. Mikkelson, University of Kansas, SeeJ, Vol. 24, No. 1, 1980, pages 1-12 in English; \"Philosophical Dialogue and Tolstoj's War and Peace\" by David J. Sherman, Cornell University, Seej, Vol. 24, No. 1, 1980, pp14 in English; Aksyonov's complain to editorial office about its censorship of his article \"Put' k khramu\"; A series of articles on Russian Orthodox Church, 1993; Article \"Russkiy Nosil'shchik Plyuet v Litso Angliskomu Attashe\", Segodnya, March 1993; Article from magazine Yunost';\nA letter to David Potter, provost, in English; A paper on Aksyonov's works written by Liza Winamiya, graduate, in Russian, pages 1-12; Correspondence between Aksyonov and Solomon Khaimovich, 1994; Attached are articles on the works of Russian writers; Short stories by Slonimskiy, 1921-1926.","\"Kesarevo Svechenie\" novel, typed manuscript in Russian, 2000, pages 1-200. Pages have variations in numbering; Contains an article \"Lifting a Curtain on Stalin\" from Newsday, in English November 5, 2003.","Pages 201-412, typed manuscript in Russian. Pages have a variation in page numbering.","Pages 413-643. Page 643 ends the novel.","Two copies of \"PhD, QE2 and H2O\" by Vassily Aksyonov. Typed in English. translated by Alla Zbinovsky, December 1993, 7810 words, pages 1-18; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, November 1993, pages 1-15. Contains personal corrections; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6150 words, pages 1-10; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?,4865 words, pages 1-8; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6162 words, pages 1-13; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 4889 words, pages 1-10.","Contains poems in Russian by Boris Chichibabin, Noviy Mir No. 7, 1989; D.S.O.B. Aksyonov's personal note to the reader, handwritten in English; \"Moscow Fever\" typed manuscript in English. No page numbers. No date.","[Separated into 2 folders] \"Pyaterka Tennessistam\" by Tennessee Williams translated by Vassily Aksyonov. (pyat' odnoaktnix) typed in Russian. Page 119 contains insertion, pages 1-126. After page 126, there are pages 115-118. Contains a list of changes by Acting Company. Ends with pages 83, 88, 89, 91; Essay excerpt--# 9, typed in English, contains personal notes in Russian, pages 1-96, pages have a variation in page numbering.","2 copies of \"The Paperscape\", A View from the Flag Tower of the Smithsonian Institution Building: an attempt at introspection; or how some stack of paper turns into a Russian novel. By Vassily Aksyonov, typed in English and Russian, June 24, 1982, Colloquium Paper. Contains different pages, 1981-1982; Third \"The Paperscape\" typed in English, pp 1-12, 1981-1982; Another \"The Paperscape\", January-June, 1982, typed in English and Russian; Personal vocabulary and scratches.","Two StorageMaster maxi diskettes; \"The Yolk of the Egg\" typed in English, Washington, D.C., 1989, pages 1-132,","Typed manuscript in Russian, pages 1-173. Pages have a variation in page numbering.","Typed manuscript in Russian, pages 174- 408. Pages have a variation in page numbering.","typed manuscript in Russian, pages 409-643, Fairfax.","Pages 1-154. Dedicated to Russian-English and English-Russian dictionaries, computer IBM, and all cats including a dog.","A letter from Ellendea Poffer to Aksyonov, May 18, 1994; \"Perished Soul\" novel by Grigol Robakidze, typed in English, June 1993, pp 1-72.","Typed novel in Englsih by Aksyonov, Pages have a variation in page numbering; The last page contains a short note from a translator, Alla, October, 17, 1994.","A letter to Aksyonov from Lenfilm, February 10, 1989; An article \"V Dal'neyshel Dal…\" by Aksyonov in Russian from unknown newspaper; \"Zdravstvuite Gospoda Radioslushateli,\" from Creator's Diary, typed in Russian; \"V Poiskax Kraski\" by Aksyonov, typed in Russian; \"Khrupkaya Ironiya\" by Aksyonov, typed in Russian, 1984, pages 1-12; One page from \"Bol'shomu Korablyu I More Po Koleno\"; \"TV SSSR: Pomekhi Voznikayut Za Predelami Sovetskogo Soyuza\", typed in Russian, 1981, pages 1-10; \"Philu Phofanoffu iz Los Angeles v Moskvu cherez Milan\" Razmishleniya o Totalitarizme (reflection on totalitarianism), typed in Russian, pages 1-4; \"Mysterious Masterpiece\" typed in Englsih, pages 1-4; \"Kursovie Raboti\" typed in Russian; \"Zasipannaya Pamyat'\" (hard to read the first word) typed in Russian, page numbers are out of order; Various radio programs from \"Zvezdi Vostochnogo Bloka\" rubrika, typed in Russian; \"Khrupkaya Ironia\" typed in Russian; \"Dosvedaniya ili Dosvishvetsiya?\" typed in Russian; Various radio talks from 1984 and 1986.","Various Radio Talks, typed in Russian.","Literary script po motivam prozi Aksyonova \"Poiski zhanra\" typed in Russian, pages 1-67; \"O, Eetot V'yunosha Letuchiy\" a book typed in Russian, play, pp 1-93, stsenariy muz fil'ma komedii po motivam russkogo fol'klora XVII veka. (Script of musical comedy based on 17 c Russian folklore).","Treatment of part 1, pages 1-36; Another part one, pages 1-70, typed in English; Parts I through IV;\nPages140-160 are hand written in Russian.","Treatment 3, typed manuscript in English, pages 1-42; \"1937, Pik Entuziazma\" Tret'ya Programma. Seriya \"Generations of Winter\", handwritten manuscript in Russian, pages 1-12; A short story on Khrushchev's young Commanders, typed in English; \"Generation of Winter\" part V, typed manuscript in English, pages 1-42\"Generation of Winter\" part II, typed manuscript in English, pages 1-40; \"Generation of Winter\" part I, typed manuscript in English, pages 1-17.","A notebook given to Aksyonov by ?, May 30, 1980. Contains two extracts from Jennifer Palmer, handwritten in Russian; A notebook \"Café Turgenev\", hand written in Russian and English; Two copies of \"Negativ Polozhitel'nogo Geroya\", typed in Russian.","A note for the Naturalization Ceremony. Receipt for $50payment to the US District Court, March 15, 1988; Untitled handwritten manuscript in Russian; \"H2O7QE-2 and PhD\" handwritten manuscript in Russian, pages 1-30;\n\"Vtoroy Otrivok of Palmer\" \"Second Split Palmer\" (continued) handwritten in Russian, pages 7-34, November 21, 1993; \"V Raione Ploshchadi Dupon\" handwritten manuscript in Russian, November 5, 1993, pages 1-35; \"Karuseli\" handwritten manuscript in Russian, October 16, 1993, pages 1-28; \"Pamfilov v Pamfilii\", handwritten manuscript in English and Russian, pages 1-44; \"Korabl' Mira 'Vassily Chapaev'\" handwritten manuscript in Russian, pp 1-31, August 18, ?; \"Siob-Futurum\" handwritten manuscript in Russian, pages 1-44; \"Titan Revolyutsii\" handwritten manuscript in Russian, pages 1-19, August 6, 1993, Antaliya-Moscow.","A screenplay, typed manuscript in English, pages 1-136; Notes on \"The Island of Crimea\" in English.","Film Script, Washington, pages 1-105.","Typed manuscript in English, pages 1-105, no date; Personal note that lists words for page numbers.","Typed manuscript in English, Washington, 1989, pages 1-319; 1986-1988, Washington—Shelter Island—Dubrovnik—Corfu—Washington.\nAvailable in digital format.","Handwritten manuscript in Russian. Pages 1-237. Contains several scratches for the novel \"Shtrihi k romanu 'Grustniy Baby\".","Hand written manuscript in Russian, pages 238-502, July, 1984, Vermont—July 1985, Paris.","Untitled novel, handwritten manuscript in Russian, pages 1-249.","Untitled novel, handwritten manuscript in Russian, pages 250-512.","Untitled novel, handwritten manuscript in Russian, pages 513-721, November 1980-December 1983, Ann Arbor, Santa Monica, Sugarbush Valley, Washington.","Untitled novel, handwritten manuscript in Russian. Starts with interlude V titled \"Pressa\" pp 711-830, April 19, 1992.","War Discounts (Vtoroy tom \"Moscow Saga\") (Generations of Winter) \"Gradovi, Voyna i Tyur'ma\", second volume, 1991; Handwritten manuscript in Russian, pages 1-207.","Unidentified manuscript, pages 163-296. Contains an essay \"…Posle Kino iz Vseh Iskusstv Dlya nas Glavneishim Yavlyaetsya Photografiya,\" (Lenin and Stalin) typed in Russian, pages 1-11.","Unidentified novel, handwritten manuscript in Russian, pages 297-437.","Handwritten manuscript in Russian, pages 1-268.","Handwritten manuscript in Russian, pages 269-535.","Handwritten manuscript in Russian, pages 536-726.","Handwritten manuscript in Russian, pages 727-982.","Gora. \"Pik Kommunizma\", tretiy tom epilogii \"Gradovi, Moscow Saga\" handwritten manuscript in Russian, third volume, pages 1-197.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 198-423.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 424-609.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 610-693.","Two cassettes: Public Affairs Spring Books 2000. Connecticut Public Radio's Faith Middleton Interviews.\nNPR Interview, September 1996. Three VHS: 6 ? Retirement Ceremony: Vassily Aksyonov, April 21, 2004.\nGusman. Theme: V. Aksyonov. \"Journey into the Whirl Wind.\" Sovremennik. Prem'era \"Krutoi Marshrut\". Reportazh. Box also contains a journal. \"For Vassily Aksyonov Thoughts on Your Retirement. George Mason University\" in English and Russian, April 21, 2004.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov.","George Mason University. Libraries. Special Collections Research Center","Aksenov, Vasiliĭ, 1932-2009","Russian"],"collection_title_tesim":["Vassily Aksyonov papers, 1980/2004"],"collection_ssim":["Vassily Aksyonov papers, 1980/2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0062","/repositories/2/resources/19"],"unitid_tesim":["C0062","/repositories/2/resources/19"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Aksenov, Vasiliĭ, 1932-2009"],"creator_ssim":["Aksenov, Vasiliĭ, 1932-2009"],"creator_persname_ssim":["Aksenov, Vasiliĭ, 1932-2009"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Aksenov, Vasiliĭ, 1932-2009","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Vassily Aksyonov in 2004."],"access_subjects_ssim":["Fiction","Criticism","Creative writing","Interviews","Novelists","Manuscripts","Correspondence","Sound recordings","Video recordings"],"access_subjects_ssm":["Fiction","Criticism","Creative writing","Interviews","Novelists","Manuscripts","Correspondence","Sound recordings","Video recordings"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 20 boxes"],"extent_tesim":["8 Linear Feet 20 boxes"],"genreform_ssim":["Manuscripts","Correspondence","Sound recordings","Video recordings"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized by subject.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by subject."],"bioghist_html_tesm":["\u003cp\u003eBorn in 1932, Vassily Pavlovich Aksyonov was a prominent Russian novelist who spent much of his later career writing and teaching in the Washington, DC area. Aksyonov was born in the Russian city of Kazan and grew up under Stalin's rule. Askyonov's parents, although devoted communists, were accused of being Trotskyites and sent to gulags when he was still a child. Aksyonov was subsequently raised in an orphanage for \"children of enemies of the state\" before moving in with his aunt and uncle, who tried to keep the truth of his parents' disappearance a secret. He spent much of his youth listening to jazz and reading American novels, which would influence his work as much as the disenchantment and paranoia of life under Stalinism. \u003c/p\u003e","\u003cp\u003eThough trained as a medical doctor, Vassily Aksyonov gave up his medical career in the 1960s to pursue a career as a novelist. His 1961 novel, A Ticket to the Stars, drew a great deal of praise from readers and helped launch his career. His writings quickly became controversial as they celebrated Western popular culture and criticized life under Stalin and his successors. During the 1960s he wrote several plays that were denounced by the state press for spreading \"negativism,\" and after voicing public opposition to the Soviet invasion of Czechoslovakia in 1968, no publisher would print his work for the next 12 years, during which he worked as a translator to support his family. By the 1970s, Aksyonov had become one of the most popular prose writers in Russia, but his popularity only exacerbated his low standing with the communist party, which disapproved of his criticism and revoked his citizenship in 1980, when he decided to emigrate to the United States. Aksyonov settled in Washington, DC, where he taught literature and continued to write until moving back to Russia in 2004. \u003c/p\u003e","\u003cp\u003eDuring his stay in America, Aksyonov published several novels that he had kept hidden in drawers during the 1970s, including The Burn (1980) and The Island of Crimea (1983). His later works include In Search of Melancholy Baby (1987), Say Cheese (1989), Generations of Winter (1994), The Winter's Hero (1996), and The New Sweet Style (1999). Aksyonov taught at The Johns Hopkins University and Goucher University before coming to George Mason University, where he taught from 1988 to 2004, when he moved back to Russia to live out his remaining years. He died in 2009. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born in 1932, Vassily Pavlovich Aksyonov was a prominent Russian novelist who spent much of his later career writing and teaching in the Washington, DC area. Aksyonov was born in the Russian city of Kazan and grew up under Stalin's rule. Askyonov's parents, although devoted communists, were accused of being Trotskyites and sent to gulags when he was still a child. Aksyonov was subsequently raised in an orphanage for \"children of enemies of the state\" before moving in with his aunt and uncle, who tried to keep the truth of his parents' disappearance a secret. He spent much of his youth listening to jazz and reading American novels, which would influence his work as much as the disenchantment and paranoia of life under Stalinism.","Though trained as a medical doctor, Vassily Aksyonov gave up his medical career in the 1960s to pursue a career as a novelist. His 1961 novel, A Ticket to the Stars, drew a great deal of praise from readers and helped launch his career. His writings quickly became controversial as they celebrated Western popular culture and criticized life under Stalin and his successors. During the 1960s he wrote several plays that were denounced by the state press for spreading \"negativism,\" and after voicing public opposition to the Soviet invasion of Czechoslovakia in 1968, no publisher would print his work for the next 12 years, during which he worked as a translator to support his family. By the 1970s, Aksyonov had become one of the most popular prose writers in Russia, but his popularity only exacerbated his low standing with the communist party, which disapproved of his criticism and revoked his citizenship in 1980, when he decided to emigrate to the United States. Aksyonov settled in Washington, DC, where he taught literature and continued to write until moving back to Russia in 2004.","During his stay in America, Aksyonov published several novels that he had kept hidden in drawers during the 1970s, including The Burn (1980) and The Island of Crimea (1983). His later works include In Search of Melancholy Baby (1987), Say Cheese (1989), Generations of Winter (1994), The Winter's Hero (1996), and The New Sweet Style (1999). Aksyonov taught at The Johns Hopkins University and Goucher University before coming to George Mason University, where he taught from 1988 to 2004, when he moved back to Russia to live out his remaining years. He died in 2009."],"prefercite_html_tesm":["\u003cp\u003eVassily Aksyonov papers, C0062, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Vassily Aksyonov papers, C0062, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Vera Zimmerman in 2011. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. EAD updated by Greta Kuriger Suiter in October 2012.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Vera Zimmerman in 2011. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. EAD updated by Greta Kuriger Suiter in October 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds other collection of papers from Robinson Professors.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds other collection of papers from Robinson Professors."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov. The collection includes handwritten and typed notes for novels, plays, articles, poems, and other writings in Russian and English.  Writings include \"The Caesaian Selection\", \"Kesarevo Svechenie\", \"Desyatiletie Kleveti\", Noviy Sladostniy Stil'\", \"Ten Years of Slander\", \"Generations of Winter\", \"The Wiesbaden Journal\", \"The Yolk of the Egg\", \"Say Cheese\", \"Zheltok Yaitsa\", \"Blues with a Russian Accent\", \"In Search of Melancholy Baby\", and \"Pik Kommunizma\". A small selection of audio visual material is comprised of two audio cassette tapes that include recordings of interviews with Aksyonov and three VHS tapes, one of which features his retirement at George Mason University.\u003c/p\u003e  ","\u003cp\u003eContains chapters I and III, pages 1-172. Each chapter is marked with personal notes. Manuscript has a few cartoons. Pages have a variation in page numbering. Riche Linge, personal correspondence to Lily Denis A, January 5, 2000. Newspaper article from Newsweek - The Case Against Legalization: The U.N's drug czar on supply and demand, November 1, 1999.\u003c/p\u003e","\u003cp\u003eContains chapters IV and VI, pages 173-405. Page 57 has personal notes. Page 301 has a table of contents that lists six chapters of the novel. Contains a poem, August 1, 1999.\u003c/p\u003e","\u003cp\u003ePages 406-670. Page 415 contains a poem without a title. Page 456 contains a personal poem. Other poems are on pages: 465, 467, 492, 493, 494, and 657.\u003c/p\u003e","\u003cp\u003ePages 671-832. Page 775 marks chapter X.\u003c/p\u003e","\u003cp\u003eNovel \"Vol'ter'yantsi i Vol'ter'yanki\". File: Semiramada pages 1-215. Contains some personal notes.\u003c/p\u003e","\u003cp\u003ePages have a variation in page numbering. The novel begins with page 3-165 or 301-449. Contains somebody else's personal notes. Pages 450-477 begin with part X and have an essay diary, \"Vesna v kontse veka\" with a series of poems.\u003c/p\u003e","\u003cp\u003eContains a continuation of an essay diary. Pages have a variation in page numbering. pp 478- 643. Page 485 begins with part XI titled \"Pegas Pikasso\"; it also contains a label that has Aksyonov's fax (1-703-352-3330) to Kabanov ( 7-095-943-9792). The fax has a part \"Pegas Pikasso\" from \"Kesarevo Svechenie\". The novel is written in Fairfax, VA.\u003c/p\u003e","\u003cp\u003eDedicated to Ivan. Contains a table of contents. Pages have a variation in page numbering. pp 1-129. Page 80 contains Fax for M. F. [3.1]\u003c/p\u003e","\u003cp\u003eThe novel is unfinished. pp 130-300 [3.2]\u003c/p\u003e","\u003cp\u003eStarting with page 51 a new count of pages begins. pp 1-118.\u003c/p\u003e","\u003cp\u003eBegins with part 5 \"Gore, Gora, Goret'\". pp 119-218.\u003c/p\u003e","\u003cp\u003eBegins with part 7 \"Kukushkini ostrova\". pp 219-298.\u003c/p\u003e","\u003cp\u003eBegins with a story titled \"Baby Cassandra\" pp 299-449.\u003c/p\u003e","\u003cp\u003eBegins with part 10 titled \"Vesna v kontse veka\" (Dnevnik Sochinitelya. A creator's diary). Contains a series of poems. pp250-574.\u003c/p\u003e","\u003cp\u003eBegins with part 14 titled \"Ah, Artur Shopengauer!\" (Script in two parts) pages 575-643. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003eContains a fax from Pan. Peonides to Vassily Aksyonov and another fax from Aksyonov to Peonides in English, May 30, 1999; A story \"University as a Metaphor\" in English, pp 1- 13, no date; \"The Novelist in the University\" in English, pp 1-15, no date; \"A Trolley-Bus' Blues\" in English, pp 1-25, December, 1998; A letter from Aksyonov to Daniel Menaker, Vice-President, in English, December 6, 1998; Fax from Aksyonov to Valeriy Kalashnikov in Russian, no date; Fax to Il'ya Medovoy, \"Obshaya Gazeta\" in Russian, no date; Fax from Znamya (Literary and socio-political journal) to Aksyonov in Russian, February 24, 1997; \"Nostalgia or Schizophrenia?\" (Fall recollections of the summer impressions) in English, pp 1-16,November, 1997; \"President of an Old Tsardom\" in English, (11569 Avondale Drive) Fairfax, VA, no date; \"A Trolley-Bus' Blues\" in English, no date, pp 1- 26; \"Gikkie and BabyCassandra\" in English, pp 1-14, April 1999; Documentation on Shalamov's criminal case, 1943; Articles from Soviet newspapers, Russian Daily: Novoe Russkoe Slovo, on Boris Balter in Russian, June 8, 1984; on Sakharov's forced psychiatrical treatment, June 11, 1984; on Aksyonov frustrating the Soviet authorities; and other articles.\u003c/p\u003e","\u003cp\u003eInformation drawn from various web sites: Chronology on Catherine the Great from wysiwyg://zoffsitebottom.156/…; Biography on Catherine the Great, January, 2000; A series of photographs and articles on Voltaire in English; \"Universitet Kak Metafora\" hand written manuscript; GMU flyers \"Clarence J. Robinson Professor of Russian Literature and Writing\", April 15, 1997; A document from Pegasus Prize for Literature 1977-1997; Table Des Matieres in French; Fax from Aksyonov to Loshak, chief editor from weekly newpaper ?, in Russian, October 27, 1997; Fax from Zoya Boguslavskaya, \"Nezavis Blagotvoritel'niy Fond\". Launch Tour of Mario de Carvalho. Public Schedule, July, 10 1997; Letter from Michael Morgan (Pegasus Prize for Literature) in English, announcing that the Portuguese winner, July 29, 1997.\u003c/p\u003e","\u003cp\u003eContains a table of contents and epigraph to the novel. pp1-139.\u003c/p\u003e","\u003cp\u003ePages 140-308.\u003c/p\u003e","\u003cp\u003ePages 309-537. Page 535 has epilogue.\u003c/p\u003e","\u003cp\u003e\"Ah, Artur Shopengauer\" Play and other documents. (Play in two acts), Aksyonov's handwritten manuscript in Russian, October 10, 1998; pages 1-96. A play has personal notes; Contains a short story \"The Wiesbaden Journal\"  by Vassily Aksyonov in English, August (1864); An abrupt newsletter addressed to Aksyonov in Russian on the issue of Bill Clinton and Monica, October 29, 1998; An invitation letter to Aksyonov from the National Gallery of Canada; A flyer on \"Writers on Exile and Migration\" in English and French, August 7-November 1, 1998.\u003c/p\u003e","\u003cp\u003eHas a title \"Iz rukopisi \"Novogo Sladostnogo Stilya\" (partially in English) and partially in Russian, December 1994, February 1996. Chernovik. Draft. Starts with page 1057-1182.\u003c/p\u003e","\u003cp\u003eAksyonv's personal documents and correspondence. \"Avrora Gorelika\" (drama in two acts); George Mason University papers and CV. Contains personal notes and a drawing on the front page, and a caricature. pp. 1-79. Contains monologue of the creator of Gorelik. Curriculum Vitae of Aksyonov in English; A letter from Aksyonov to Prof. Leo Hecht, Chairman of Russian Studies at GMU, in English, September 15, 1987; A document called Briefing Material in English, no date; A letter from Hecht to Aksyonov in English, July 27, 1988; Correspondence between Aksyonov and Ms. Carol Krider, November 15, 1987; The documents of Aksyonov's employment with GMU; Correspondence of Aksyonov with GMU faculty and staff.\u003c/p\u003e","\u003cp\u003eTreatment for program one. The Roaring Twenties (working title) two hours. Written in California. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003ePages 1-130. \"Desyatiletie Kleveti\" (radio-dnevnik pisatelya).\u003c/p\u003e","\u003cp\u003ePages 131-310.\u003c/p\u003e","\u003cp\u003ePages 311-504. Page 311 begins with \"Buistvo Demokratii\". Page 504 has a phone number of Iris Knell.\u003c/p\u003e","\u003cp\u003e[Separated into two folders] Contains a novel \"Noviy Sladostniy Stil'\" Partly typed and partly handwritten manuscript in English and Russian, 1996; Typed from pp 1-15. Handwritten from pp16-26. Contains personal notes, typed poems in Russian. One poem has a date, May 1, 1999; A personal notebook in English and Russian; Personal story in Russian, December, 1990, Moscow, Dom Kino; More handwritten poems in Russian; More personal notes; Correspondence from Popov to Aksyonov in Russian, handwritten, date signed August 11, 1997, date shown on the top left corner is August 11, 1998; Has a completion of some play in Russian and some in English. Zavershenie. Contains personal notes;\nA novel in Russian, hand written manuscript. Chapter I-IV.\u003c/p\u003e","\u003cp\u003e\"Noviy Sladostniy Stil\" in English, hand written manuscript, pages 1-46, 1996; Personal fax from Aksyonov to Popov in Russian, hand written; Poem in Russian, handwritten with personal notes. Other poems are typed; A set of poems in Russian, handwritten, no date, \"Dve Revo… Lotsiya\" (handwriting is not clear); Hand written manuscript in English, pp 1-21. \"Gikkie and Baby Cassandra.\"; An auto-portrait. Russian 327, 1999; A hand written novel in Russian that starts with the words Summer 1988. pages 1-33; Fax from Aksyonov to Vogue, Yurat Gurauskayte, in Russian, February 2, 1999; A handwritten Happy Birthday note to Sasha Kolt in English; A letter from Yvon Girard, Editions Gallimard, to Aksyonov, informing Aksyonov about Editions Gallimard reprinting his \"Moskovskaya Saga\", English,  November 26, 1996, Paris; Aksyonov's response to Girard, December 8, 1996; Letter from Aksyonov to Peonides, handwritten in English, September 22, 1999; Letter from Aksyonov to Harold Evans, President of the Random House Publishing, in English, January 27, 1997; Another letter to Evans, November 22, 1996; Fax from Evgeniy Popov to Aksyonov, in Russian, handwritten, November 13, 1997; Letter from Aksyonov to Loshak in Russian, March 31, 1998; Letter from Popov to Aksyonov in Russian, September 11, 1997; Letter from Per Delgard in Russian, October 1, 1997; Letter from Aksyonov to Mary A. Frisque in English, April 26, 1997; Letter from Mary to Aksyonov in English, April 22, 1997; A novel \"Checking the Pulse\", handwritten manuscript in English; Fax from Andrey Kabannikov in Russian, March 28, 1999. Skeptical comments on the US involvement in the Balkans. pages 1-3; Fax from Skobelev to Aksyonov in Russian, September 8, 1998, Samara; Letter from Goran Rosenberg, Moderna Tider, to Aksyonov in English, April 6, 1998. Includes a translation of Aksyonov's novel, USSR Revisited and Aksyonov's thank you note to Goran, April 8, 1998.\u003c/p\u003e","\u003cp\u003eNovel \"Noviy Sladostniy Stil.\"; Typed poems in Russian, with a few personal notes, February 17, 1998; Story \"Logovo L'va\", handwritten manuscript in Russian, pages 1-8; Letter from Popov to Aksyonov, March 10, 1999, Moscow. Has a press cutting with a caricature; Fax from Peonides to Maya Aksyonova, September 21, 1999; \nHandwritten manuscript of a untitled novel in English, begins with page 983-1182, December 1994, February 1996. Drafts. Washington, Paris, Moscow, Samara, Tel-a-Viv, Gotland.\u003c/p\u003e","\u003cp\u003eContains personal list of correction notes. pages 1-175. Page numbers have double counting.\u003c/p\u003e","\u003cp\u003ePages 176-384. Page numbers have double counting.\u003c/p\u003e","\u003cp\u003ePages 385-643. Page 385 ends the first smena (konets pervoy smeni). The end, September, 2000, Fairfax.\u003c/p\u003e","\u003cp\u003eVarious correspondence. A few short stories in English; Aksyonov's \"Victory\": A Post-Analysis. Alexander Zholkovsky, typed in English, 1965; The Russian Acoustic. Songs to Seven Strings by Gerald Stanton Smith, hand written in English, pages 1-15; \"A Soviet Odyssey\". Typed manuscript in English, pages 1-13, no date; Two copies of \"Love Story Kremlin Style\" typed in English, 1-5, no date; Personal note typed in English about Aksyonov's theater-going habits; \"Leningrad's Thrillers\", typed short story in English, pages 1-9; \"The Inspector General Goes to Topeka\" (An attempt to envision an upcoming event) short story typed in English, pages 1-8 \"Roundtable: the Lexicon of Soviet Propaganda: Its connotative Content.\" James P. Scanlan pp 1-4, typed; \"Orgy of Evolution\". Handwritten manuscript in English, pages 1-5; \"The Leningrad's Thrillers\". Typed in English with personal corrections, pages 1-4.\u003c/p\u003e","\u003cp\u003e\"Guests from the Future\" by Josephine Woll, review article in English, 1984; \"Oda Dlya Rudi\", typed in Russian, April 23, 1986; \"A Soviet Odyssey\", typed in English, late spring 1986, California; \"Inspector General Goes to Topeka\", pp1-8, typed in English; Personal story about Aksyonov's ideal American reader, typed in English, pages 1-13; Interview with Aksenov by Bella Ezerskaya in English, translated by Nancy Condee and Vladimir Padunov, pages 1-16; Letter to Raymond Whitley in English, October 7, 1986; \"The Inspector General Goes to Topeca\" typed in English with personal corrections; \"From the Barracks to the Market\" typed in English, pages 1-5; \"Participantes in the Morelia Symposium: Approaching the Year 2000.\" Letter of Recommendation to Mr. Christian Nagle, typed in English, January 8, 1992; Novels \"Ozhog\" and \"Ostrov Krym\" November 2, 1985. Paper presented at the Third World Congress for Soviet and East European Studies. Typed in English, pages 1-14; \"H2O and Polluting Letters\", handwritten and typed in English; \"Basketball, God, and the Ringo Kid: Philistinism and the Ideal in Aksenov's Short Stories.\" Typed in English, pages 1-20; A typed story in English with missing pages 1-7;\n\"The Sound of Champs D'Elesee\", typed in English with personal corrections, pages 1-6; Letter from Jane Uscilka, editorial assistant, to Aksyonov, in English, August 13, 1992; Letter from Eileen Godlis, Jankow and Nesbit Associates, to Aksyonov, in English June 22 1992; Four copies of Aksyonov's CV in English till 1987; Fax to Betty Ferber de Aridjis in English, May 13, 1992; \"The Alchemic Lemon\" typed in English with personal corrections, pages 1-16; \"Gratitude to Our Former Rulers\" typed in English; \"From the Barracks to the Market\" typed in English, pages 1-9; \"In Avant-Garde with No Rear\" typed in English, pages 1-6; \"Without False Sound\" typed in English; \"And Again: Does Art Belong to Masses?\" typed in English; \"The Sound of Chmps D'Elesee\", typed in English, pp 1-11; \"Zhiteli I Bezhentsi\" typed in Russian, pp1-11, September 1989; Letter to Leo Hecht from Anna Lawton, George Mason University, April 6, 1990; Aksyonov's personal correspondence in English.\u003c/p\u003e","\u003cp\u003e\"A Winged Endangered Species\" handwritten manuscript in English, pages 1-42; \"Orgy of Evolution\" typed manuscript in English, pages 1-5, USA Today; \"Rebels Without (and with) a cause.\" \"Beatniks and Bolsheviks.\" A printed article from the New Republic in English, pp28-32. Page 31 is missing; \"Leningrad Thriller\" Soviet Literary Criticism Continues Down a Bizarre Path, With Profound Implications, a printed article from American Politics, pages 5-7. Contains attached typed manuscript of \"Leningrad Thriller\" in English, pages 1-9; \"The Tongue-Tied Glasnost\" a typed manuscript in English, contains personal notes. Attached is a printed article by Aksyonov from Harper's Magazine, April , ?. \"Through the Glasnost, Darkly. A cool reaction to Gorbachev's Thaw\"; \"Lungs and Gills\", typed manuscript in English; Aksyonov's Curriculum Vitae in English to Spiros Avgenikos, September 20, 1999, pages 1-5; \"Liberal –Eto Zvuchit Yasno\" (Chitaya Leontovicha), typed manuscript in Russian. Contains a fax to Kabanov, October 30, 2000 and a fax to Aksyonov from Triumph Logovaz, October 24, 2000; Untitled story typed in Russian. First part is titled \"Vezdekhod\", pages 1-25; A set of poems typed in Russian; \"The Novelist in the University\", typed manuscript in English, pages 1-15; A letter from Richard C. Rowson to Aksyonov in English, September 27, 1993; Email from Aksyonov to Limanov in Russian, April 13, 1994; Article by Aksyonov from the New Republic, \"A Countercoup of the Spirit. Live Souls\" September 16 \u0026amp; 23, 1991; The title is personally scratched out and renamed into \"Three Days that Shook the World\" in English; \"A Winged Endangered Species\" typed manuscript in English, March 23, 1992, pages 1-27. Attached is a typed version of \"A Winged Endangered Species\" for Partisan Review, pages 180-188; \"After a Decade in Exile, Back to the USSR. Not Quite a Sentimental Journey.\" Typed story in English, pages 1-11; Attached is a published \"Not Quite a Sentimental Journey\" for the New Republic, April 16, 1990, pages 21-25; The Woodrow Wilson Center Memorandum, September 15, 1993 in English; \"Moscow Fever\" typed manuscript in English, pages 1-86, March 1993;\nUntitled story, handwritten manuscript, pages 1-6; List of Vassily Aksyonov's Works Since 1975 (Information for a literary agency) in English; \"The Metropole's Affair\", typed in English story, pages 1-4; \"The Human Factor\", typed in English story, pages 1-8.\u003c/p\u003e","\u003cp\u003e\"Gratitude to Wachdogs\" typed manuscript in English, pages 1-6; \"Three Days that Shook the Idols\" hand written manuscript in English, pages 1-9; \"The Literary Impact of the American and French Revolutions\", Participants: Aksyonov and Susan Sontag, August 14, 1992, pages 1-54; \"Leningrad's Thrillers\" typed manuscript in English, pages 1-9; \"The Lip-Sided Success\" typed manuscript in English, pages 1-12; Untitled story, hand written manuscript in English; \"The 1992 Neustadt International Prize for Literature Jurors and Candidates\" by William. \nRiggan, pages 140-1 – 146-2; A note in English to Lev Ponomarev; A letter from the Golden Key, February 28, 1992; \"Music Seminar\" hand written manuscript in English with personal notes; \"Moscow Theater of Absurd\" hand written manuscript in English; A piece that is a continuation of some story, hand written manuscript in English;\nA hand written manuscript on the Soviet censorship, in English, pages 1-26; \"Of my youth, the Golden Stalinist Fifties\", typed manuscript in English; Several copies of \"the Wiesbaden Journal\" in English, Common Knowledge, winter 1995, V4, N3.\u003c/p\u003e","\u003cp\u003e\"Derzkiy Gost'\", printed story in Russian. Prose and Poetry. Tret'ya Volna (Al'manakh Literaturi i Iskusstva) 1980, pages 20-25; \"Progulka v Kalashniy Ryad\", Literary Critique, pages 164-189, Sugarbush, Vermont. 133 Grani; Two copies of \"Stal'naya Ptitsa\" povest' s otstupleniyami i solo dlya korneta, Ardis, 1977, pages 24-95, June 1965, khutor Kal'da; \"Gremela v Svetlitse Devich'ya Zadornaya Pesnya\", contains only p 32; A title page of a script \"O Etot V'yunosha Letuchiy!\" Script of a musical based on old Russian narrative and fairy tales, Lenfilm, 1971.\u003c/p\u003e","\u003cp\u003eVarious hand written drafts of poems in Russian and a few in English; \"Outline of a New Novel at Work\" typed in English, contains personal notes, pages 1-7; Two postcards. One is from Panos Peonides, November 22, 1996, Athens in English. Second one is from Popov, September 24, 1996, France in Russian; More handwritten poems in Russian.\u003c/p\u003e","\u003cp\u003ePersonal English-Russian Vocabulary; \"Vori v Zakone: Brosok k Vlasti\" photocopies from a book by Georgiy Podlesskih and Andrey Tereshonok, Moscow, Khudozhestvennaya Literatura, 1994. Bibliography on Lideri Prestupnogo Mira; A letter from Anastasia Volkonsky to Aksyonov in English, February 12, 1990; Individual Assessment by Aksyonov in English. Attached is \"Monologue of a Serious Roman\" in English; Fax to Baltanova, October 5, 1997 in Russian; \"Poet in Tovarishch Paromonova\" typed in Russian; Fax—commentary on Soviet/Russian monuments, October 4, 1997; ICAR Newsletter, Spring 1999, Vol. 10, No. 1; An email from Ilya Zavorine on job offers, November 21, 1994; Old Russian Newspaper articles; one dates December 16, 1994; \"Teni Zabitix Predkov\" by Alexander Genis, printed in Russian, March 1998, New York; Tenement Times, Vol. 1, No. 1, fall 1989; Journal, Snaps, Jack Green 1989, 1991.\u003c/p\u003e","\u003cp\u003eFax from a Librarian of Congress, James Billington, to V. Ivanov in Russian, October 14, 1998; Business card from Vyacheslav Ivanov; Business card from Sher Sher photoartist; Two copies of Curriculum Vitae on Ivanov in English, pages 1-19.\u003c/p\u003e","\u003cp\u003eHandwritten and typed poems from \"Kesarevo Svechenie\" in Russian; A letter from the World Millennium Committeed and an attached application for participation. \"Anketa Uchastnika Vsemirnogo Kongressa 'Itogi Tisyacheletiya' in Russian.\u003c/p\u003e","\u003cp\u003ePuskin's \"Arion\": a Lone Survivor's Cry by Gerald E. Mikkelson, University of Kansas, SeeJ, Vol. 24, No. 1, 1980, pages 1-12 in English; \"Philosophical Dialogue and Tolstoj's War and Peace\" by David J. Sherman, Cornell University, Seej, Vol. 24, No. 1, 1980, pp14 in English; Aksyonov's complain to editorial office about its censorship of his article \"Put' k khramu\"; A series of articles on Russian Orthodox Church, 1993; Article \"Russkiy Nosil'shchik Plyuet v Litso Angliskomu Attashe\", Segodnya, March 1993; Article from magazine Yunost';\nA letter to David Potter, provost, in English; A paper on Aksyonov's works written by Liza Winamiya, graduate, in Russian, pages 1-12; Correspondence between Aksyonov and Solomon Khaimovich, 1994; Attached are articles on the works of Russian writers; Short stories by Slonimskiy, 1921-1926.\u003c/p\u003e","\u003cp\u003e\"Kesarevo Svechenie\" novel, typed manuscript in Russian, 2000, pages 1-200. Pages have variations in numbering; Contains an article \"Lifting a Curtain on Stalin\" from Newsday, in English November 5, 2003.\u003c/p\u003e","\u003cp\u003ePages 201-412, typed manuscript in Russian. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003ePages 413-643. Page 643 ends the novel.\u003c/p\u003e","\u003cp\u003eTwo copies of \"PhD, QE2 and H2O\" by Vassily Aksyonov. Typed in English. translated by Alla Zbinovsky, December 1993, 7810 words, pages 1-18; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, November 1993, pages 1-15. Contains personal corrections; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6150 words, pages 1-10; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?,4865 words, pages 1-8; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6162 words, pages 1-13; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 4889 words, pages 1-10.\u003c/p\u003e","\u003cp\u003eContains poems in Russian by Boris Chichibabin, Noviy Mir No. 7, 1989; D.S.O.B. Aksyonov's personal note to the reader, handwritten in English; \"Moscow Fever\" typed manuscript in English. No page numbers. No date.\u003c/p\u003e","\u003cp\u003e[Separated into 2 folders] \"Pyaterka Tennessistam\" by Tennessee Williams translated by Vassily Aksyonov. (pyat' odnoaktnix) typed in Russian. Page 119 contains insertion, pages 1-126. After page 126, there are pages 115-118. Contains a list of changes by Acting Company. Ends with pages 83, 88, 89, 91; Essay excerpt--# 9, typed in English, contains personal notes in Russian, pages 1-96, pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003e2 copies of \"The Paperscape\", A View from the Flag Tower of the Smithsonian Institution Building: an attempt at introspection; or how some stack of paper turns into a Russian novel. By Vassily Aksyonov, typed in English and Russian, June 24, 1982, Colloquium Paper. Contains different pages, 1981-1982; Third \"The Paperscape\" typed in English, pp 1-12, 1981-1982; Another \"The Paperscape\", January-June, 1982, typed in English and Russian; Personal vocabulary and scratches.\u003c/p\u003e","\u003cp\u003eTwo StorageMaster maxi diskettes; \"The Yolk of the Egg\" typed in English, Washington, D.C., 1989, pages 1-132,\u003c/p\u003e","\u003cp\u003eTyped manuscript in Russian, pages 1-173. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003eTyped manuscript in Russian, pages 174- 408. Pages have a variation in page numbering.\u003c/p\u003e","\u003cp\u003etyped manuscript in Russian, pages 409-643, Fairfax.\u003c/p\u003e","\u003cp\u003ePages 1-154. Dedicated to Russian-English and English-Russian dictionaries, computer IBM, and all cats including a dog.\u003c/p\u003e","\u003cp\u003eA letter from Ellendea Poffer to Aksyonov, May 18, 1994; \"Perished Soul\" novel by Grigol Robakidze, typed in English, June 1993, pp 1-72.\u003c/p\u003e","\u003cp\u003eTyped novel in Englsih by Aksyonov, Pages have a variation in page numbering; The last page contains a short note from a translator, Alla, October, 17, 1994.\u003c/p\u003e","\u003cp\u003eA letter to Aksyonov from Lenfilm, February 10, 1989; An article \"V Dal'neyshel Dal…\" by Aksyonov in Russian from unknown newspaper; \"Zdravstvuite Gospoda Radioslushateli,\" from Creator's Diary, typed in Russian; \"V Poiskax Kraski\" by Aksyonov, typed in Russian; \"Khrupkaya Ironiya\" by Aksyonov, typed in Russian, 1984, pages 1-12; One page from \"Bol'shomu Korablyu I More Po Koleno\"; \"TV SSSR: Pomekhi Voznikayut Za Predelami Sovetskogo Soyuza\", typed in Russian, 1981, pages 1-10; \"Philu Phofanoffu iz Los Angeles v Moskvu cherez Milan\" Razmishleniya o Totalitarizme (reflection on totalitarianism), typed in Russian, pages 1-4; \"Mysterious Masterpiece\" typed in Englsih, pages 1-4; \"Kursovie Raboti\" typed in Russian; \"Zasipannaya Pamyat'\" (hard to read the first word) typed in Russian, page numbers are out of order; Various radio programs from \"Zvezdi Vostochnogo Bloka\" rubrika, typed in Russian; \"Khrupkaya Ironia\" typed in Russian; \"Dosvedaniya ili Dosvishvetsiya?\" typed in Russian; Various radio talks from 1984 and 1986.\u003c/p\u003e","\u003cp\u003eVarious Radio Talks, typed in Russian.\u003c/p\u003e","\u003cp\u003eLiterary script po motivam prozi Aksyonova \"Poiski zhanra\" typed in Russian, pages 1-67; \"O, Eetot V'yunosha Letuchiy\" a book typed in Russian, play, pp 1-93, stsenariy muz fil'ma komedii po motivam russkogo fol'klora XVII veka. (Script of musical comedy based on 17 c Russian folklore).\u003c/p\u003e","\u003cp\u003eTreatment of part 1, pages 1-36; Another part one, pages 1-70, typed in English; Parts I through IV;\nPages140-160 are hand written in Russian.\u003c/p\u003e","\u003cp\u003eTreatment 3, typed manuscript in English, pages 1-42; \"1937, Pik Entuziazma\" Tret'ya Programma. Seriya \"Generations of Winter\", handwritten manuscript in Russian, pages 1-12; A short story on Khrushchev's young Commanders, typed in English; \"Generation of Winter\" part V, typed manuscript in English, pages 1-42\"Generation of Winter\" part II, typed manuscript in English, pages 1-40; \"Generation of Winter\" part I, typed manuscript in English, pages 1-17.\u003c/p\u003e","\u003cp\u003eA notebook given to Aksyonov by ?, May 30, 1980. Contains two extracts from Jennifer Palmer, handwritten in Russian; A notebook \"Café Turgenev\", hand written in Russian and English; Two copies of \"Negativ Polozhitel'nogo Geroya\", typed in Russian.\u003c/p\u003e","\u003cp\u003eA note for the Naturalization Ceremony. Receipt for $50payment to the US District Court, March 15, 1988; Untitled handwritten manuscript in Russian; \"H2O7QE-2 and PhD\" handwritten manuscript in Russian, pages 1-30;\n\"Vtoroy Otrivok of Palmer\" \"Second Split Palmer\" (continued) handwritten in Russian, pages 7-34, November 21, 1993; \"V Raione Ploshchadi Dupon\" handwritten manuscript in Russian, November 5, 1993, pages 1-35; \"Karuseli\" handwritten manuscript in Russian, October 16, 1993, pages 1-28; \"Pamfilov v Pamfilii\", handwritten manuscript in English and Russian, pages 1-44; \"Korabl' Mira 'Vassily Chapaev'\" handwritten manuscript in Russian, pp 1-31, August 18, ?; \"Siob-Futurum\" handwritten manuscript in Russian, pages 1-44; \"Titan Revolyutsii\" handwritten manuscript in Russian, pages 1-19, August 6, 1993, Antaliya-Moscow.\u003c/p\u003e","\u003cp\u003eA screenplay, typed manuscript in English, pages 1-136; Notes on \"The Island of Crimea\" in English.\u003c/p\u003e","\u003cp\u003eFilm Script, Washington, pages 1-105.\u003c/p\u003e","\u003cp\u003eTyped manuscript in English, pages 1-105, no date; Personal note that lists words for page numbers.\u003c/p\u003e","\u003cp\u003eTyped manuscript in English, Washington, 1989, pages 1-319; 1986-1988, Washington—Shelter Island—Dubrovnik—Corfu—Washington.\nAvailable in digital format.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian. Pages 1-237. Contains several scratches for the novel \"Shtrihi k romanu 'Grustniy Baby\".\u003c/p\u003e","\u003cp\u003eHand written manuscript in Russian, pages 238-502, July, 1984, Vermont—July 1985, Paris.\u003c/p\u003e","\u003cp\u003eUntitled novel, handwritten manuscript in Russian, pages 1-249.\u003c/p\u003e","\u003cp\u003eUntitled novel, handwritten manuscript in Russian, pages 250-512.\u003c/p\u003e","\u003cp\u003eUntitled novel, handwritten manuscript in Russian, pages 513-721, November 1980-December 1983, Ann Arbor, Santa Monica, Sugarbush Valley, Washington.\u003c/p\u003e","\u003cp\u003eUntitled novel, handwritten manuscript in Russian. Starts with interlude V titled \"Pressa\" pp 711-830, April 19, 1992.\u003c/p\u003e","\u003cp\u003eWar Discounts (Vtoroy tom \"Moscow Saga\") (Generations of Winter) \"Gradovi, Voyna i Tyur'ma\", second volume, 1991; Handwritten manuscript in Russian, pages 1-207.\u003c/p\u003e","\u003cp\u003eUnidentified manuscript, pages 163-296. Contains an essay \"…Posle Kino iz Vseh Iskusstv Dlya nas Glavneishim Yavlyaetsya Photografiya,\" (Lenin and Stalin) typed in Russian, pages 1-11.\u003c/p\u003e","\u003cp\u003eUnidentified novel, handwritten manuscript in Russian, pages 297-437.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian, pages 1-268.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian, pages 269-535.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian, pages 536-726.\u003c/p\u003e","\u003cp\u003eHandwritten manuscript in Russian, pages 727-982.\u003c/p\u003e","\u003cp\u003eGora. \"Pik Kommunizma\", tretiy tom epilogii \"Gradovi, Moscow Saga\" handwritten manuscript in Russian, third volume, pages 1-197.\u003c/p\u003e","\u003cp\u003eGora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 198-423.\u003c/p\u003e","\u003cp\u003eGora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 424-609.\u003c/p\u003e","\u003cp\u003eGora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 610-693.\u003c/p\u003e","\u003cp\u003eTwo cassettes: Public Affairs Spring Books 2000. Connecticut Public Radio's Faith Middleton Interviews.\nNPR Interview, September 1996. Three VHS: 6 ? Retirement Ceremony: Vassily Aksyonov, April 21, 2004.\nGusman. Theme: V. Aksyonov. \"Journey into the Whirl Wind.\" Sovremennik. Prem'era \"Krutoi Marshrut\". Reportazh. Box also contains a journal. \"For Vassily Aksyonov Thoughts on Your Retirement. George Mason University\" in English and Russian, April 21, 2004.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov. The collection includes handwritten and typed notes for novels, plays, articles, poems, and other writings in Russian and English.  Writings include \"The Caesaian Selection\", \"Kesarevo Svechenie\", \"Desyatiletie Kleveti\", Noviy Sladostniy Stil'\", \"Ten Years of Slander\", \"Generations of Winter\", \"The Wiesbaden Journal\", \"The Yolk of the Egg\", \"Say Cheese\", \"Zheltok Yaitsa\", \"Blues with a Russian Accent\", \"In Search of Melancholy Baby\", and \"Pik Kommunizma\". A small selection of audio visual material is comprised of two audio cassette tapes that include recordings of interviews with Aksyonov and three VHS tapes, one of which features his retirement at George Mason University.","Contains chapters I and III, pages 1-172. Each chapter is marked with personal notes. Manuscript has a few cartoons. Pages have a variation in page numbering. Riche Linge, personal correspondence to Lily Denis A, January 5, 2000. Newspaper article from Newsweek - The Case Against Legalization: The U.N's drug czar on supply and demand, November 1, 1999.","Contains chapters IV and VI, pages 173-405. Page 57 has personal notes. Page 301 has a table of contents that lists six chapters of the novel. Contains a poem, August 1, 1999.","Pages 406-670. Page 415 contains a poem without a title. Page 456 contains a personal poem. Other poems are on pages: 465, 467, 492, 493, 494, and 657.","Pages 671-832. Page 775 marks chapter X.","Novel \"Vol'ter'yantsi i Vol'ter'yanki\". File: Semiramada pages 1-215. Contains some personal notes.","Pages have a variation in page numbering. The novel begins with page 3-165 or 301-449. Contains somebody else's personal notes. Pages 450-477 begin with part X and have an essay diary, \"Vesna v kontse veka\" with a series of poems.","Contains a continuation of an essay diary. Pages have a variation in page numbering. pp 478- 643. Page 485 begins with part XI titled \"Pegas Pikasso\"; it also contains a label that has Aksyonov's fax (1-703-352-3330) to Kabanov ( 7-095-943-9792). The fax has a part \"Pegas Pikasso\" from \"Kesarevo Svechenie\". The novel is written in Fairfax, VA.","Dedicated to Ivan. Contains a table of contents. Pages have a variation in page numbering. pp 1-129. Page 80 contains Fax for M. F. [3.1]","The novel is unfinished. pp 130-300 [3.2]","Starting with page 51 a new count of pages begins. pp 1-118.","Begins with part 5 \"Gore, Gora, Goret'\". pp 119-218.","Begins with part 7 \"Kukushkini ostrova\". pp 219-298.","Begins with a story titled \"Baby Cassandra\" pp 299-449.","Begins with part 10 titled \"Vesna v kontse veka\" (Dnevnik Sochinitelya. A creator's diary). Contains a series of poems. pp250-574.","Begins with part 14 titled \"Ah, Artur Shopengauer!\" (Script in two parts) pages 575-643. Pages have a variation in page numbering.","Contains a fax from Pan. Peonides to Vassily Aksyonov and another fax from Aksyonov to Peonides in English, May 30, 1999; A story \"University as a Metaphor\" in English, pp 1- 13, no date; \"The Novelist in the University\" in English, pp 1-15, no date; \"A Trolley-Bus' Blues\" in English, pp 1-25, December, 1998; A letter from Aksyonov to Daniel Menaker, Vice-President, in English, December 6, 1998; Fax from Aksyonov to Valeriy Kalashnikov in Russian, no date; Fax to Il'ya Medovoy, \"Obshaya Gazeta\" in Russian, no date; Fax from Znamya (Literary and socio-political journal) to Aksyonov in Russian, February 24, 1997; \"Nostalgia or Schizophrenia?\" (Fall recollections of the summer impressions) in English, pp 1-16,November, 1997; \"President of an Old Tsardom\" in English, (11569 Avondale Drive) Fairfax, VA, no date; \"A Trolley-Bus' Blues\" in English, no date, pp 1- 26; \"Gikkie and BabyCassandra\" in English, pp 1-14, April 1999; Documentation on Shalamov's criminal case, 1943; Articles from Soviet newspapers, Russian Daily: Novoe Russkoe Slovo, on Boris Balter in Russian, June 8, 1984; on Sakharov's forced psychiatrical treatment, June 11, 1984; on Aksyonov frustrating the Soviet authorities; and other articles.","Information drawn from various web sites: Chronology on Catherine the Great from wysiwyg://zoffsitebottom.156/…; Biography on Catherine the Great, January, 2000; A series of photographs and articles on Voltaire in English; \"Universitet Kak Metafora\" hand written manuscript; GMU flyers \"Clarence J. Robinson Professor of Russian Literature and Writing\", April 15, 1997; A document from Pegasus Prize for Literature 1977-1997; Table Des Matieres in French; Fax from Aksyonov to Loshak, chief editor from weekly newpaper ?, in Russian, October 27, 1997; Fax from Zoya Boguslavskaya, \"Nezavis Blagotvoritel'niy Fond\". Launch Tour of Mario de Carvalho. Public Schedule, July, 10 1997; Letter from Michael Morgan (Pegasus Prize for Literature) in English, announcing that the Portuguese winner, July 29, 1997.","Contains a table of contents and epigraph to the novel. pp1-139.","Pages 140-308.","Pages 309-537. Page 535 has epilogue.","\"Ah, Artur Shopengauer\" Play and other documents. (Play in two acts), Aksyonov's handwritten manuscript in Russian, October 10, 1998; pages 1-96. A play has personal notes; Contains a short story \"The Wiesbaden Journal\"  by Vassily Aksyonov in English, August (1864); An abrupt newsletter addressed to Aksyonov in Russian on the issue of Bill Clinton and Monica, October 29, 1998; An invitation letter to Aksyonov from the National Gallery of Canada; A flyer on \"Writers on Exile and Migration\" in English and French, August 7-November 1, 1998.","Has a title \"Iz rukopisi \"Novogo Sladostnogo Stilya\" (partially in English) and partially in Russian, December 1994, February 1996. Chernovik. Draft. Starts with page 1057-1182.","Aksyonv's personal documents and correspondence. \"Avrora Gorelika\" (drama in two acts); George Mason University papers and CV. Contains personal notes and a drawing on the front page, and a caricature. pp. 1-79. Contains monologue of the creator of Gorelik. Curriculum Vitae of Aksyonov in English; A letter from Aksyonov to Prof. Leo Hecht, Chairman of Russian Studies at GMU, in English, September 15, 1987; A document called Briefing Material in English, no date; A letter from Hecht to Aksyonov in English, July 27, 1988; Correspondence between Aksyonov and Ms. Carol Krider, November 15, 1987; The documents of Aksyonov's employment with GMU; Correspondence of Aksyonov with GMU faculty and staff.","Treatment for program one. The Roaring Twenties (working title) two hours. Written in California. Pages have a variation in page numbering.","Pages 1-130. \"Desyatiletie Kleveti\" (radio-dnevnik pisatelya).","Pages 131-310.","Pages 311-504. Page 311 begins with \"Buistvo Demokratii\". Page 504 has a phone number of Iris Knell.","[Separated into two folders] Contains a novel \"Noviy Sladostniy Stil'\" Partly typed and partly handwritten manuscript in English and Russian, 1996; Typed from pp 1-15. Handwritten from pp16-26. Contains personal notes, typed poems in Russian. One poem has a date, May 1, 1999; A personal notebook in English and Russian; Personal story in Russian, December, 1990, Moscow, Dom Kino; More handwritten poems in Russian; More personal notes; Correspondence from Popov to Aksyonov in Russian, handwritten, date signed August 11, 1997, date shown on the top left corner is August 11, 1998; Has a completion of some play in Russian and some in English. Zavershenie. Contains personal notes;\nA novel in Russian, hand written manuscript. Chapter I-IV.","\"Noviy Sladostniy Stil\" in English, hand written manuscript, pages 1-46, 1996; Personal fax from Aksyonov to Popov in Russian, hand written; Poem in Russian, handwritten with personal notes. Other poems are typed; A set of poems in Russian, handwritten, no date, \"Dve Revo… Lotsiya\" (handwriting is not clear); Hand written manuscript in English, pp 1-21. \"Gikkie and Baby Cassandra.\"; An auto-portrait. Russian 327, 1999; A hand written novel in Russian that starts with the words Summer 1988. pages 1-33; Fax from Aksyonov to Vogue, Yurat Gurauskayte, in Russian, February 2, 1999; A handwritten Happy Birthday note to Sasha Kolt in English; A letter from Yvon Girard, Editions Gallimard, to Aksyonov, informing Aksyonov about Editions Gallimard reprinting his \"Moskovskaya Saga\", English,  November 26, 1996, Paris; Aksyonov's response to Girard, December 8, 1996; Letter from Aksyonov to Peonides, handwritten in English, September 22, 1999; Letter from Aksyonov to Harold Evans, President of the Random House Publishing, in English, January 27, 1997; Another letter to Evans, November 22, 1996; Fax from Evgeniy Popov to Aksyonov, in Russian, handwritten, November 13, 1997; Letter from Aksyonov to Loshak in Russian, March 31, 1998; Letter from Popov to Aksyonov in Russian, September 11, 1997; Letter from Per Delgard in Russian, October 1, 1997; Letter from Aksyonov to Mary A. Frisque in English, April 26, 1997; Letter from Mary to Aksyonov in English, April 22, 1997; A novel \"Checking the Pulse\", handwritten manuscript in English; Fax from Andrey Kabannikov in Russian, March 28, 1999. Skeptical comments on the US involvement in the Balkans. pages 1-3; Fax from Skobelev to Aksyonov in Russian, September 8, 1998, Samara; Letter from Goran Rosenberg, Moderna Tider, to Aksyonov in English, April 6, 1998. Includes a translation of Aksyonov's novel, USSR Revisited and Aksyonov's thank you note to Goran, April 8, 1998.","Novel \"Noviy Sladostniy Stil.\"; Typed poems in Russian, with a few personal notes, February 17, 1998; Story \"Logovo L'va\", handwritten manuscript in Russian, pages 1-8; Letter from Popov to Aksyonov, March 10, 1999, Moscow. Has a press cutting with a caricature; Fax from Peonides to Maya Aksyonova, September 21, 1999; \nHandwritten manuscript of a untitled novel in English, begins with page 983-1182, December 1994, February 1996. Drafts. Washington, Paris, Moscow, Samara, Tel-a-Viv, Gotland.","Contains personal list of correction notes. pages 1-175. Page numbers have double counting.","Pages 176-384. Page numbers have double counting.","Pages 385-643. Page 385 ends the first smena (konets pervoy smeni). The end, September, 2000, Fairfax.","Various correspondence. A few short stories in English; Aksyonov's \"Victory\": A Post-Analysis. Alexander Zholkovsky, typed in English, 1965; The Russian Acoustic. Songs to Seven Strings by Gerald Stanton Smith, hand written in English, pages 1-15; \"A Soviet Odyssey\". Typed manuscript in English, pages 1-13, no date; Two copies of \"Love Story Kremlin Style\" typed in English, 1-5, no date; Personal note typed in English about Aksyonov's theater-going habits; \"Leningrad's Thrillers\", typed short story in English, pages 1-9; \"The Inspector General Goes to Topeka\" (An attempt to envision an upcoming event) short story typed in English, pages 1-8 \"Roundtable: the Lexicon of Soviet Propaganda: Its connotative Content.\" James P. Scanlan pp 1-4, typed; \"Orgy of Evolution\". Handwritten manuscript in English, pages 1-5; \"The Leningrad's Thrillers\". Typed in English with personal corrections, pages 1-4.","\"Guests from the Future\" by Josephine Woll, review article in English, 1984; \"Oda Dlya Rudi\", typed in Russian, April 23, 1986; \"A Soviet Odyssey\", typed in English, late spring 1986, California; \"Inspector General Goes to Topeka\", pp1-8, typed in English; Personal story about Aksyonov's ideal American reader, typed in English, pages 1-13; Interview with Aksenov by Bella Ezerskaya in English, translated by Nancy Condee and Vladimir Padunov, pages 1-16; Letter to Raymond Whitley in English, October 7, 1986; \"The Inspector General Goes to Topeca\" typed in English with personal corrections; \"From the Barracks to the Market\" typed in English, pages 1-5; \"Participantes in the Morelia Symposium: Approaching the Year 2000.\" Letter of Recommendation to Mr. Christian Nagle, typed in English, January 8, 1992; Novels \"Ozhog\" and \"Ostrov Krym\" November 2, 1985. Paper presented at the Third World Congress for Soviet and East European Studies. Typed in English, pages 1-14; \"H2O and Polluting Letters\", handwritten and typed in English; \"Basketball, God, and the Ringo Kid: Philistinism and the Ideal in Aksenov's Short Stories.\" Typed in English, pages 1-20; A typed story in English with missing pages 1-7;\n\"The Sound of Champs D'Elesee\", typed in English with personal corrections, pages 1-6; Letter from Jane Uscilka, editorial assistant, to Aksyonov, in English, August 13, 1992; Letter from Eileen Godlis, Jankow and Nesbit Associates, to Aksyonov, in English June 22 1992; Four copies of Aksyonov's CV in English till 1987; Fax to Betty Ferber de Aridjis in English, May 13, 1992; \"The Alchemic Lemon\" typed in English with personal corrections, pages 1-16; \"Gratitude to Our Former Rulers\" typed in English; \"From the Barracks to the Market\" typed in English, pages 1-9; \"In Avant-Garde with No Rear\" typed in English, pages 1-6; \"Without False Sound\" typed in English; \"And Again: Does Art Belong to Masses?\" typed in English; \"The Sound of Chmps D'Elesee\", typed in English, pp 1-11; \"Zhiteli I Bezhentsi\" typed in Russian, pp1-11, September 1989; Letter to Leo Hecht from Anna Lawton, George Mason University, April 6, 1990; Aksyonov's personal correspondence in English.","\"A Winged Endangered Species\" handwritten manuscript in English, pages 1-42; \"Orgy of Evolution\" typed manuscript in English, pages 1-5, USA Today; \"Rebels Without (and with) a cause.\" \"Beatniks and Bolsheviks.\" A printed article from the New Republic in English, pp28-32. Page 31 is missing; \"Leningrad Thriller\" Soviet Literary Criticism Continues Down a Bizarre Path, With Profound Implications, a printed article from American Politics, pages 5-7. Contains attached typed manuscript of \"Leningrad Thriller\" in English, pages 1-9; \"The Tongue-Tied Glasnost\" a typed manuscript in English, contains personal notes. Attached is a printed article by Aksyonov from Harper's Magazine, April , ?. \"Through the Glasnost, Darkly. A cool reaction to Gorbachev's Thaw\"; \"Lungs and Gills\", typed manuscript in English; Aksyonov's Curriculum Vitae in English to Spiros Avgenikos, September 20, 1999, pages 1-5; \"Liberal –Eto Zvuchit Yasno\" (Chitaya Leontovicha), typed manuscript in Russian. Contains a fax to Kabanov, October 30, 2000 and a fax to Aksyonov from Triumph Logovaz, October 24, 2000; Untitled story typed in Russian. First part is titled \"Vezdekhod\", pages 1-25; A set of poems typed in Russian; \"The Novelist in the University\", typed manuscript in English, pages 1-15; A letter from Richard C. Rowson to Aksyonov in English, September 27, 1993; Email from Aksyonov to Limanov in Russian, April 13, 1994; Article by Aksyonov from the New Republic, \"A Countercoup of the Spirit. Live Souls\" September 16 \u0026 23, 1991; The title is personally scratched out and renamed into \"Three Days that Shook the World\" in English; \"A Winged Endangered Species\" typed manuscript in English, March 23, 1992, pages 1-27. Attached is a typed version of \"A Winged Endangered Species\" for Partisan Review, pages 180-188; \"After a Decade in Exile, Back to the USSR. Not Quite a Sentimental Journey.\" Typed story in English, pages 1-11; Attached is a published \"Not Quite a Sentimental Journey\" for the New Republic, April 16, 1990, pages 21-25; The Woodrow Wilson Center Memorandum, September 15, 1993 in English; \"Moscow Fever\" typed manuscript in English, pages 1-86, March 1993;\nUntitled story, handwritten manuscript, pages 1-6; List of Vassily Aksyonov's Works Since 1975 (Information for a literary agency) in English; \"The Metropole's Affair\", typed in English story, pages 1-4; \"The Human Factor\", typed in English story, pages 1-8.","\"Gratitude to Wachdogs\" typed manuscript in English, pages 1-6; \"Three Days that Shook the Idols\" hand written manuscript in English, pages 1-9; \"The Literary Impact of the American and French Revolutions\", Participants: Aksyonov and Susan Sontag, August 14, 1992, pages 1-54; \"Leningrad's Thrillers\" typed manuscript in English, pages 1-9; \"The Lip-Sided Success\" typed manuscript in English, pages 1-12; Untitled story, hand written manuscript in English; \"The 1992 Neustadt International Prize for Literature Jurors and Candidates\" by William. \nRiggan, pages 140-1 – 146-2; A note in English to Lev Ponomarev; A letter from the Golden Key, February 28, 1992; \"Music Seminar\" hand written manuscript in English with personal notes; \"Moscow Theater of Absurd\" hand written manuscript in English; A piece that is a continuation of some story, hand written manuscript in English;\nA hand written manuscript on the Soviet censorship, in English, pages 1-26; \"Of my youth, the Golden Stalinist Fifties\", typed manuscript in English; Several copies of \"the Wiesbaden Journal\" in English, Common Knowledge, winter 1995, V4, N3.","\"Derzkiy Gost'\", printed story in Russian. Prose and Poetry. Tret'ya Volna (Al'manakh Literaturi i Iskusstva) 1980, pages 20-25; \"Progulka v Kalashniy Ryad\", Literary Critique, pages 164-189, Sugarbush, Vermont. 133 Grani; Two copies of \"Stal'naya Ptitsa\" povest' s otstupleniyami i solo dlya korneta, Ardis, 1977, pages 24-95, June 1965, khutor Kal'da; \"Gremela v Svetlitse Devich'ya Zadornaya Pesnya\", contains only p 32; A title page of a script \"O Etot V'yunosha Letuchiy!\" Script of a musical based on old Russian narrative and fairy tales, Lenfilm, 1971.","Various hand written drafts of poems in Russian and a few in English; \"Outline of a New Novel at Work\" typed in English, contains personal notes, pages 1-7; Two postcards. One is from Panos Peonides, November 22, 1996, Athens in English. Second one is from Popov, September 24, 1996, France in Russian; More handwritten poems in Russian.","Personal English-Russian Vocabulary; \"Vori v Zakone: Brosok k Vlasti\" photocopies from a book by Georgiy Podlesskih and Andrey Tereshonok, Moscow, Khudozhestvennaya Literatura, 1994. Bibliography on Lideri Prestupnogo Mira; A letter from Anastasia Volkonsky to Aksyonov in English, February 12, 1990; Individual Assessment by Aksyonov in English. Attached is \"Monologue of a Serious Roman\" in English; Fax to Baltanova, October 5, 1997 in Russian; \"Poet in Tovarishch Paromonova\" typed in Russian; Fax—commentary on Soviet/Russian monuments, October 4, 1997; ICAR Newsletter, Spring 1999, Vol. 10, No. 1; An email from Ilya Zavorine on job offers, November 21, 1994; Old Russian Newspaper articles; one dates December 16, 1994; \"Teni Zabitix Predkov\" by Alexander Genis, printed in Russian, March 1998, New York; Tenement Times, Vol. 1, No. 1, fall 1989; Journal, Snaps, Jack Green 1989, 1991.","Fax from a Librarian of Congress, James Billington, to V. Ivanov in Russian, October 14, 1998; Business card from Vyacheslav Ivanov; Business card from Sher Sher photoartist; Two copies of Curriculum Vitae on Ivanov in English, pages 1-19.","Handwritten and typed poems from \"Kesarevo Svechenie\" in Russian; A letter from the World Millennium Committeed and an attached application for participation. \"Anketa Uchastnika Vsemirnogo Kongressa 'Itogi Tisyacheletiya' in Russian.","Puskin's \"Arion\": a Lone Survivor's Cry by Gerald E. Mikkelson, University of Kansas, SeeJ, Vol. 24, No. 1, 1980, pages 1-12 in English; \"Philosophical Dialogue and Tolstoj's War and Peace\" by David J. Sherman, Cornell University, Seej, Vol. 24, No. 1, 1980, pp14 in English; Aksyonov's complain to editorial office about its censorship of his article \"Put' k khramu\"; A series of articles on Russian Orthodox Church, 1993; Article \"Russkiy Nosil'shchik Plyuet v Litso Angliskomu Attashe\", Segodnya, March 1993; Article from magazine Yunost';\nA letter to David Potter, provost, in English; A paper on Aksyonov's works written by Liza Winamiya, graduate, in Russian, pages 1-12; Correspondence between Aksyonov and Solomon Khaimovich, 1994; Attached are articles on the works of Russian writers; Short stories by Slonimskiy, 1921-1926.","\"Kesarevo Svechenie\" novel, typed manuscript in Russian, 2000, pages 1-200. Pages have variations in numbering; Contains an article \"Lifting a Curtain on Stalin\" from Newsday, in English November 5, 2003.","Pages 201-412, typed manuscript in Russian. Pages have a variation in page numbering.","Pages 413-643. Page 643 ends the novel.","Two copies of \"PhD, QE2 and H2O\" by Vassily Aksyonov. Typed in English. translated by Alla Zbinovsky, December 1993, 7810 words, pages 1-18; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, November 1993, pages 1-15. Contains personal corrections; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6150 words, pages 1-10; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?,4865 words, pages 1-8; \"Palmer's First Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 6162 words, pages 1-13; \"Palmer's Second Flight\" by Vassily Aksyonov, typed in English, translated by Alla Zbinovsky, ?, 4889 words, pages 1-10.","Contains poems in Russian by Boris Chichibabin, Noviy Mir No. 7, 1989; D.S.O.B. Aksyonov's personal note to the reader, handwritten in English; \"Moscow Fever\" typed manuscript in English. No page numbers. No date.","[Separated into 2 folders] \"Pyaterka Tennessistam\" by Tennessee Williams translated by Vassily Aksyonov. (pyat' odnoaktnix) typed in Russian. Page 119 contains insertion, pages 1-126. After page 126, there are pages 115-118. Contains a list of changes by Acting Company. Ends with pages 83, 88, 89, 91; Essay excerpt--# 9, typed in English, contains personal notes in Russian, pages 1-96, pages have a variation in page numbering.","2 copies of \"The Paperscape\", A View from the Flag Tower of the Smithsonian Institution Building: an attempt at introspection; or how some stack of paper turns into a Russian novel. By Vassily Aksyonov, typed in English and Russian, June 24, 1982, Colloquium Paper. Contains different pages, 1981-1982; Third \"The Paperscape\" typed in English, pp 1-12, 1981-1982; Another \"The Paperscape\", January-June, 1982, typed in English and Russian; Personal vocabulary and scratches.","Two StorageMaster maxi diskettes; \"The Yolk of the Egg\" typed in English, Washington, D.C., 1989, pages 1-132,","Typed manuscript in Russian, pages 1-173. Pages have a variation in page numbering.","Typed manuscript in Russian, pages 174- 408. Pages have a variation in page numbering.","typed manuscript in Russian, pages 409-643, Fairfax.","Pages 1-154. Dedicated to Russian-English and English-Russian dictionaries, computer IBM, and all cats including a dog.","A letter from Ellendea Poffer to Aksyonov, May 18, 1994; \"Perished Soul\" novel by Grigol Robakidze, typed in English, June 1993, pp 1-72.","Typed novel in Englsih by Aksyonov, Pages have a variation in page numbering; The last page contains a short note from a translator, Alla, October, 17, 1994.","A letter to Aksyonov from Lenfilm, February 10, 1989; An article \"V Dal'neyshel Dal…\" by Aksyonov in Russian from unknown newspaper; \"Zdravstvuite Gospoda Radioslushateli,\" from Creator's Diary, typed in Russian; \"V Poiskax Kraski\" by Aksyonov, typed in Russian; \"Khrupkaya Ironiya\" by Aksyonov, typed in Russian, 1984, pages 1-12; One page from \"Bol'shomu Korablyu I More Po Koleno\"; \"TV SSSR: Pomekhi Voznikayut Za Predelami Sovetskogo Soyuza\", typed in Russian, 1981, pages 1-10; \"Philu Phofanoffu iz Los Angeles v Moskvu cherez Milan\" Razmishleniya o Totalitarizme (reflection on totalitarianism), typed in Russian, pages 1-4; \"Mysterious Masterpiece\" typed in Englsih, pages 1-4; \"Kursovie Raboti\" typed in Russian; \"Zasipannaya Pamyat'\" (hard to read the first word) typed in Russian, page numbers are out of order; Various radio programs from \"Zvezdi Vostochnogo Bloka\" rubrika, typed in Russian; \"Khrupkaya Ironia\" typed in Russian; \"Dosvedaniya ili Dosvishvetsiya?\" typed in Russian; Various radio talks from 1984 and 1986.","Various Radio Talks, typed in Russian.","Literary script po motivam prozi Aksyonova \"Poiski zhanra\" typed in Russian, pages 1-67; \"O, Eetot V'yunosha Letuchiy\" a book typed in Russian, play, pp 1-93, stsenariy muz fil'ma komedii po motivam russkogo fol'klora XVII veka. (Script of musical comedy based on 17 c Russian folklore).","Treatment of part 1, pages 1-36; Another part one, pages 1-70, typed in English; Parts I through IV;\nPages140-160 are hand written in Russian.","Treatment 3, typed manuscript in English, pages 1-42; \"1937, Pik Entuziazma\" Tret'ya Programma. Seriya \"Generations of Winter\", handwritten manuscript in Russian, pages 1-12; A short story on Khrushchev's young Commanders, typed in English; \"Generation of Winter\" part V, typed manuscript in English, pages 1-42\"Generation of Winter\" part II, typed manuscript in English, pages 1-40; \"Generation of Winter\" part I, typed manuscript in English, pages 1-17.","A notebook given to Aksyonov by ?, May 30, 1980. Contains two extracts from Jennifer Palmer, handwritten in Russian; A notebook \"Café Turgenev\", hand written in Russian and English; Two copies of \"Negativ Polozhitel'nogo Geroya\", typed in Russian.","A note for the Naturalization Ceremony. Receipt for $50payment to the US District Court, March 15, 1988; Untitled handwritten manuscript in Russian; \"H2O7QE-2 and PhD\" handwritten manuscript in Russian, pages 1-30;\n\"Vtoroy Otrivok of Palmer\" \"Second Split Palmer\" (continued) handwritten in Russian, pages 7-34, November 21, 1993; \"V Raione Ploshchadi Dupon\" handwritten manuscript in Russian, November 5, 1993, pages 1-35; \"Karuseli\" handwritten manuscript in Russian, October 16, 1993, pages 1-28; \"Pamfilov v Pamfilii\", handwritten manuscript in English and Russian, pages 1-44; \"Korabl' Mira 'Vassily Chapaev'\" handwritten manuscript in Russian, pp 1-31, August 18, ?; \"Siob-Futurum\" handwritten manuscript in Russian, pages 1-44; \"Titan Revolyutsii\" handwritten manuscript in Russian, pages 1-19, August 6, 1993, Antaliya-Moscow.","A screenplay, typed manuscript in English, pages 1-136; Notes on \"The Island of Crimea\" in English.","Film Script, Washington, pages 1-105.","Typed manuscript in English, pages 1-105, no date; Personal note that lists words for page numbers.","Typed manuscript in English, Washington, 1989, pages 1-319; 1986-1988, Washington—Shelter Island—Dubrovnik—Corfu—Washington.\nAvailable in digital format.","Handwritten manuscript in Russian. Pages 1-237. Contains several scratches for the novel \"Shtrihi k romanu 'Grustniy Baby\".","Hand written manuscript in Russian, pages 238-502, July, 1984, Vermont—July 1985, Paris.","Untitled novel, handwritten manuscript in Russian, pages 1-249.","Untitled novel, handwritten manuscript in Russian, pages 250-512.","Untitled novel, handwritten manuscript in Russian, pages 513-721, November 1980-December 1983, Ann Arbor, Santa Monica, Sugarbush Valley, Washington.","Untitled novel, handwritten manuscript in Russian. Starts with interlude V titled \"Pressa\" pp 711-830, April 19, 1992.","War Discounts (Vtoroy tom \"Moscow Saga\") (Generations of Winter) \"Gradovi, Voyna i Tyur'ma\", second volume, 1991; Handwritten manuscript in Russian, pages 1-207.","Unidentified manuscript, pages 163-296. Contains an essay \"…Posle Kino iz Vseh Iskusstv Dlya nas Glavneishim Yavlyaetsya Photografiya,\" (Lenin and Stalin) typed in Russian, pages 1-11.","Unidentified novel, handwritten manuscript in Russian, pages 297-437.","Handwritten manuscript in Russian, pages 1-268.","Handwritten manuscript in Russian, pages 269-535.","Handwritten manuscript in Russian, pages 536-726.","Handwritten manuscript in Russian, pages 727-982.","Gora. \"Pik Kommunizma\", tretiy tom epilogii \"Gradovi, Moscow Saga\" handwritten manuscript in Russian, third volume, pages 1-197.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 198-423.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 424-609.","Gora. \"Pik Kommunizma\", handwritten manuscript in Russian, pages 610-693.","Two cassettes: Public Affairs Spring Books 2000. Connecticut Public Radio's Faith Middleton Interviews.\nNPR Interview, September 1996. Three VHS: 6 ? Retirement Ceremony: Vassily Aksyonov, April 21, 2004.\nGusman. Theme: V. Aksyonov. \"Journey into the Whirl Wind.\" Sovremennik. Prem'era \"Krutoi Marshrut\". Reportazh. Box also contains a journal. \"For Vassily Aksyonov Thoughts on Your Retirement. George Mason University\" in English and Russian, April 21, 2004."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ffc59e28a9243164f863004b098ed546\" label=\"Abstract\"\u003eThis collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains papers, manuscripts, and some correspondence, research material, interviews, and reviews, of acclaimed novelist and former George Mason University Robinson Professor Vassily Aksyonov."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Aksenov, Vasiliĭ, 1932-2009"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Aksenov, Vasiliĭ, 1932-2009"],"language_ssim":["Russian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":105,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:53:30.607Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_19"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":31},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}},{"attributes":{"label":"Virginia Commonwealth University, Cabell Library","value":"Virginia Commonwealth University, Cabell Library","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Brepository%5D%5B%5D=Virginia+Commonwealth+University%2C+Cabell+Library\u0026view=compact"}},{"attributes":{"label":"Washington and Lee University, Leyburn Library","value":"Washington and Lee University, Leyburn Library","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Brepository%5D%5B%5D=Washington+and+Lee+University%2C+Leyburn+Library\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Arena Stage records, 1949/2010","value":"Arena Stage records, 1949/2010","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcollection%5D%5B%5D=Arena+Stage+records%2C+1949%2F2010\u0026view=compact"}},{"attributes":{"label":"Beverly A. Blois PAGE program research papers","value":"Beverly A. Blois PAGE program research papers","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcollection%5D%5B%5D=Beverly+A.+Blois+PAGE+program+research+papers\u0026view=compact"}},{"attributes":{"label":"C-SPAN records, 1809/2012, bulk 1978/2012","value":"C-SPAN records, 1809/2012, bulk 1978/2012","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcollection%5D%5B%5D=C-SPAN+records%2C+1809%2F2012%2C+bulk+1978%2F2012\u0026view=compact"}},{"attributes":{"label":"Francis Francois papers, 1967/2004, bulk 1980/2004","value":"Francis Francois papers, 1967/2004, bulk 1980/2004","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcollection%5D%5B%5D=Francis+Francois+papers%2C+1967%2F2004%2C+bulk+1980%2F2004\u0026view=compact"}},{"attributes":{"label":"George Mason University \"Frankly Speaking\" radio show records, 1980/1984","value":"George Mason University \"Frankly Speaking\" radio show records, 1980/1984","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcollection%5D%5B%5D=George+Mason+University+%22Frankly+Speaking%22+radio+show+records%2C+1980%2F1984\u0026view=compact"}},{"attributes":{"label":"George Mason University Audiovisual collection, 1950/2005, bulk 1980/1990","value":"George Mason University Audiovisual collection, 1950/2005, bulk 1980/1990","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcollection%5D%5B%5D=George+Mason+University+Audiovisual+collection%2C+1950%2F2005%2C+bulk+1980%2F1990\u0026view=compact"}},{"attributes":{"label":"George Mason University Oral History Program collection, 1978/2024","value":"George Mason University Oral History Program collection, 1978/2024","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcollection%5D%5B%5D=George+Mason+University+Oral+History+Program+collection%2C+1978%2F2024\u0026view=compact"}},{"attributes":{"label":"Institutional review board oral history project collection, 2007/2008","value":"Institutional review board oral history project collection, 2007/2008","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcollection%5D%5B%5D=Institutional+review+board+oral+history+project+collection%2C+2007%2F2008\u0026view=compact"}},{"attributes":{"label":"Ira E. Steele recorded sound collection, 1960/1979","value":"Ira E. Steele recorded sound collection, 1960/1979","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcollection%5D%5B%5D=Ira+E.+Steele+recorded+sound+collection%2C+1960%2F1979\u0026view=compact"}},{"attributes":{"label":"James H. Laue papers","value":"James H. Laue papers","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcollection%5D%5B%5D=James+H.+Laue+papers\u0026view=compact"}},{"attributes":{"label":"Japanese phonograph record collection, 1927/1932","value":"Japanese phonograph record collection, 1927/1932","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcollection%5D%5B%5D=Japanese+phonograph+record+collection%2C+1927%2F1932\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026view=compact"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1809","value":"1809","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bdate_range%5D%5B%5D=1809\u0026view=compact"}},{"attributes":{"label":"1810","value":"1810","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bdate_range%5D%5B%5D=1810\u0026view=compact"}},{"attributes":{"label":"1811","value":"1811","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bdate_range%5D%5B%5D=1811\u0026view=compact"}},{"attributes":{"label":"1812","value":"1812","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bdate_range%5D%5B%5D=1812\u0026view=compact"}},{"attributes":{"label":"1813","value":"1813","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bdate_range%5D%5B%5D=1813\u0026view=compact"}},{"attributes":{"label":"1814","value":"1814","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bdate_range%5D%5B%5D=1814\u0026view=compact"}},{"attributes":{"label":"1815","value":"1815","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bdate_range%5D%5B%5D=1815\u0026view=compact"}},{"attributes":{"label":"1816","value":"1816","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bdate_range%5D%5B%5D=1816\u0026view=compact"}},{"attributes":{"label":"1817","value":"1817","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bdate_range%5D%5B%5D=1817\u0026view=compact"}},{"attributes":{"label":"1818","value":"1818","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bdate_range%5D%5B%5D=1818\u0026view=compact"}},{"attributes":{"label":"1819","value":"1819","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bdate_range%5D%5B%5D=1819\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Aksenov, Vasiliĭ, 1932-2009","value":"Aksenov, Vasiliĭ, 1932-2009","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcreators%5D%5B%5D=Aksenov%2C+Vasili%C4%AD%2C+1932-2009\u0026view=compact"}},{"attributes":{"label":"Arena Stage (Organization : Washington, D.C.)","value":"Arena Stage (Organization : Washington, D.C.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcreators%5D%5B%5D=Arena+Stage+%28Organization+%3A+Washington%2C+D.C.%29\u0026view=compact"}},{"attributes":{"label":"Blois, Beverly","value":"Blois, Beverly","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcreators%5D%5B%5D=Blois%2C+Beverly\u0026view=compact"}},{"attributes":{"label":"C-SPAN Corporation","value":"C-SPAN Corporation","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcreators%5D%5B%5D=C-SPAN+Corporation\u0026view=compact"}},{"attributes":{"label":"Carter, Thomas H. (Thomas Henry)","value":"Carter, Thomas H. (Thomas Henry)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcreators%5D%5B%5D=Carter%2C+Thomas+H.+%28Thomas+Henry%29\u0026view=compact"}},{"attributes":{"label":"Chamberlain, Jeffrey","value":"Chamberlain, Jeffrey","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcreators%5D%5B%5D=Chamberlain%2C+Jeffrey\u0026view=compact"}},{"attributes":{"label":"Clapsaddle, Jerry, 1941-","value":"Clapsaddle, Jerry, 1941-","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcreators%5D%5B%5D=Clapsaddle%2C+Jerry%2C+1941-\u0026view=compact"}},{"attributes":{"label":"Duling, Dalton Rotruck \"Ricky\", 1926-2010","value":"Duling, Dalton Rotruck \"Ricky\", 1926-2010","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcreators%5D%5B%5D=Duling%2C+Dalton+Rotruck+%22Ricky%22%2C+1926-2010\u0026view=compact"}},{"attributes":{"label":"Falk, Lisa","value":"Falk, Lisa","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcreators%5D%5B%5D=Falk%2C+Lisa\u0026view=compact"}},{"attributes":{"label":"Francois, Francis B.","value":"Francois, Francis B.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcreators%5D%5B%5D=Francois%2C+Francis+B.\u0026view=compact"}},{"attributes":{"label":"Fraser, Ronald R.","value":"Fraser, Ronald R.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bcreators%5D%5B%5D=Fraser%2C+Ronald+R.\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026view=compact"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Aksenov, Vasiliĭ, 1932-2009","value":"Aksenov, Vasiliĭ, 1932-2009","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bnames%5D%5B%5D=Aksenov%2C+Vasili%C4%AD%2C+1932-2009\u0026view=compact"}},{"attributes":{"label":"American Association of State Highway and Transportation Officials","value":"American Association of State Highway and Transportation Officials","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bnames%5D%5B%5D=American+Association+of+State+Highway+and+Transportation+Officials\u0026view=compact"}},{"attributes":{"label":"American Road \u0026 Transportation Builders Association","value":"American Road \u0026 Transportation Builders Association","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bnames%5D%5B%5D=American+Road+%26+Transportation+Builders+Association\u0026view=compact"}},{"attributes":{"label":"Arena Stage (Organization : Washington, D.C.)","value":"Arena Stage (Organization : Washington, D.C.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bnames%5D%5B%5D=Arena+Stage+%28Organization+%3A+Washington%2C+D.C.%29\u0026view=compact"}},{"attributes":{"label":"Blois, Beverly","value":"Blois, Beverly","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bnames%5D%5B%5D=Blois%2C+Beverly\u0026view=compact"}},{"attributes":{"label":"C-SPAN Corporation","value":"C-SPAN Corporation","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bnames%5D%5B%5D=C-SPAN+Corporation\u0026view=compact"}},{"attributes":{"label":"Carter, Thomas H. (Thomas Henry)","value":"Carter, Thomas H. (Thomas Henry)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bnames%5D%5B%5D=Carter%2C+Thomas+H.+%28Thomas+Henry%29\u0026view=compact"}},{"attributes":{"label":"Chamberlain, Jeffrey","value":"Chamberlain, Jeffrey","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bnames%5D%5B%5D=Chamberlain%2C+Jeffrey\u0026view=compact"}},{"attributes":{"label":"Chavez, Sisophia Mai","value":"Chavez, Sisophia Mai","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bnames%5D%5B%5D=Chavez%2C+Sisophia+Mai\u0026view=compact"}},{"attributes":{"label":"Clapsaddle, Jerry, 1941-","value":"Clapsaddle, Jerry, 1941-","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bnames%5D%5B%5D=Clapsaddle%2C+Jerry%2C+1941-\u0026view=compact"}},{"attributes":{"label":"Conflict Clinic, Inc","value":"Conflict Clinic, Inc","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bnames%5D%5B%5D=Conflict+Clinic%2C+Inc\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026view=compact"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Africa","value":"Africa","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bplaces%5D%5B%5D=Africa\u0026view=compact"}},{"attributes":{"label":"Arlington (Va.) -- History","value":"Arlington (Va.) -- History","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bplaces%5D%5B%5D=Arlington+%28Va.%29+--+History\u0026view=compact"}},{"attributes":{"label":"Arlington County (Va.)","value":"Arlington County (Va.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bplaces%5D%5B%5D=Arlington+County+%28Va.%29\u0026view=compact"}},{"attributes":{"label":"Cambodia","value":"Cambodia","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bplaces%5D%5B%5D=Cambodia\u0026view=compact"}},{"attributes":{"label":"Fairfax (Va.)","value":"Fairfax (Va.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bplaces%5D%5B%5D=Fairfax+%28Va.%29\u0026view=compact"}},{"attributes":{"label":"Fairfax County (Va.)","value":"Fairfax County (Va.)","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bplaces%5D%5B%5D=Fairfax+County+%28Va.%29\u0026view=compact"}},{"attributes":{"label":"Fairfax County (Va.) -- History","value":"Fairfax County (Va.) -- History","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bplaces%5D%5B%5D=Fairfax+County+%28Va.%29+--+History\u0026view=compact"}},{"attributes":{"label":"Japan","value":"Japan","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bplaces%5D%5B%5D=Japan\u0026view=compact"}},{"attributes":{"label":"Laos","value":"Laos","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bplaces%5D%5B%5D=Laos\u0026view=compact"}},{"attributes":{"label":"Nigeria","value":"Nigeria","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bplaces%5D%5B%5D=Nigeria\u0026view=compact"}},{"attributes":{"label":"Northern Virginia","value":"Northern Virginia","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Bplaces%5D%5B%5D=Northern+Virginia\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026view=compact"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Acting","value":"Acting","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Baccess_subjects%5D%5B%5D=Acting\u0026view=compact"}},{"attributes":{"label":"Advertisements","value":"Advertisements","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Baccess_subjects%5D%5B%5D=Advertisements\u0026view=compact"}},{"attributes":{"label":"African Americans","value":"African Americans","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Baccess_subjects%5D%5B%5D=African+Americans\u0026view=compact"}},{"attributes":{"label":"African Americans -- Civil rights -- History -- 20th century","value":"African Americans -- Civil rights -- History -- 20th century","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Baccess_subjects%5D%5B%5D=African+Americans+--+Civil+rights+--+History+--+20th+century\u0026view=compact"}},{"attributes":{"label":"Art","value":"Art","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Baccess_subjects%5D%5B%5D=Art\u0026view=compact"}},{"attributes":{"label":"Art in universities and colleges","value":"Art in universities and colleges","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Baccess_subjects%5D%5B%5D=Art+in+universities+and+colleges\u0026view=compact"}},{"attributes":{"label":"Broadcast journalism","value":"Broadcast journalism","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Baccess_subjects%5D%5B%5D=Broadcast+journalism\u0026view=compact"}},{"attributes":{"label":"Broadcasting","value":"Broadcasting","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Baccess_subjects%5D%5B%5D=Broadcasting\u0026view=compact"}},{"attributes":{"label":"C-SPAN (Television network)","value":"C-SPAN (Television network)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Baccess_subjects%5D%5B%5D=C-SPAN+%28Television+network%29\u0026view=compact"}},{"attributes":{"label":"Cable television","value":"Cable television","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Baccess_subjects%5D%5B%5D=Cable+television\u0026view=compact"}},{"attributes":{"label":"Civil rights demonstrations","value":"Civil rights demonstrations","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Baccess_subjects%5D%5B%5D=Civil+rights+demonstrations\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026view=compact"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":33},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026view=compact"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=3\u0026search_field=all_fields\u0026view=compact"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=3\u0026search_field=keyword\u0026view=compact"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=3\u0026search_field=name\u0026view=compact"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=3\u0026search_field=place\u0026view=compact"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=3\u0026search_field=subject\u0026view=compact"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=3\u0026search_field=title\u0026view=compact"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=3\u0026search_field=container\u0026view=compact"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=3\u0026search_field=identifier\u0026view=compact"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=3\u0026sort=score+desc%2C+title_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=3\u0026sort=date_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=3\u0026sort=date_sort+desc\u0026view=compact"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=3\u0026sort=creator_sort+asc\u0026view=compact"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=3\u0026sort=creator_sort+desc\u0026view=compact"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=3\u0026sort=title_sort+asc\u0026view=compact"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sound+recordings\u0026page=3\u0026sort=title_sort+desc\u0026view=compact"}}]}