{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Soul+music\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Soul+music\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":2,"first_page?":true,"last_page?":true}},"data":[{"id":"vihart_repositories_4_resources_488_c04_c02_c04_c15","type":"File","attributes":{"title":"Conference Finale","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c02_c04_c15#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c02_c04_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_488_c04_c02_c04_c15","ref_ssm":["vihart_repositories_4_resources_488_c04_c02_c04_c15"],"id":"vihart_repositories_4_resources_488_c04_c02_c04_c15","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488_c04_c02_c04","parent_ssi":"vihart_repositories_4_resources_488_c04_c02_c04","parent_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c04","vihart_repositories_4_resources_488_c04_c02","vihart_repositories_4_resources_488_c04_c02_c04"],"parent_ids_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c04","vihart_repositories_4_resources_488_c04_c02","vihart_repositories_4_resources_488_c04_c02_c04"],"parent_unittitles_ssm":["Furious Flower Poetry Center Records","Conference Records","2004 Conference: Regenerating the Black Poetic Tradition","2004 Conference Video Recordings"],"parent_unittitles_tesim":["Furious Flower Poetry Center Records","Conference Records","2004 Conference: Regenerating the Black Poetic Tradition","2004 Conference Video Recordings"],"text":["Furious Flower Poetry Center Records","Conference Records","2004 Conference: Regenerating the Black Poetic Tradition","2004 Conference Video Recordings","Conference Finale","Redmond, Eugene (Eugene B.) (1937-12-01)","Dance, Daryl Cumber (1938-01-17)","Gabbin, Joanne V. (Joanne Veal), 1946-","Sanchez, Sonia, 1934-","Baraka, Amiri, 1934-2014","Soul music","Jazz","American poetry--African American authors","African Americans -- Poetry","Poetry -- Black authors","African American women poets","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"title_filing_ssi":"Conference Finale","title_ssm":["Conference Finale"],"title_tesim":["Conference Finale"],"unitdate_other_ssim":["September 25, 2004"],"normalized_date_ssm":["2004"],"normalized_title_ssm":["Conference Finale"],"component_level_isim":[4],"repository_ssim":["James Madison University"],"collection_ssim":["Furious Flower Poetry Center Records"],"creator_ssim":["Redmond, Eugene (Eugene B.) (1937-12-01)","Dance, Daryl Cumber (1938-01-17)","Gabbin, Joanne V. (Joanne Veal), 1946-","Sanchez, Sonia, 1934-","Baraka, Amiri, 1934-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":780,"parent_access_restrict_tesm":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2004],"names_ssim":["Redmond, Eugene (Eugene B.) (1937-12-01)","Dance, Daryl Cumber (1938-01-17)","Gabbin, Joanne V. (Joanne Veal), 1946-","Sanchez, Sonia, 1934-","Baraka, Amiri, 1934-2014"],"persname_ssim":["Redmond, Eugene (Eugene B.) (1937-12-01)","Dance, Daryl Cumber (1938-01-17)","Gabbin, Joanne V. (Joanne Veal), 1946-","Sanchez, Sonia, 1934-","Baraka, Amiri, 1934-2014"],"access_subjects_ssim":["Soul music","Jazz","American poetry--African American authors","African Americans -- Poetry","Poetry -- Black authors","African American women poets"],"access_subjects_ssm":["Soul music","Jazz","American poetry--African American authors","African Americans -- Poetry","Poetry -- Black authors","African American women poets"],"scopecontent_html_tesm":["\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"_nest_path_":"/components#3/components#1/components#3/components#14","timestamp":"2026-04-30T23:00:23.623Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015"],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. 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B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":883,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:00:23.623Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c02_c04_c15"}},{"id":"viblbv_repositories_2_resources_4571","type":"collection","attributes":{"title":"Randolph Family (Musical Groups) Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_4571#creator","type":"document_value","attributes":{"value":"Randolph family (Ulysses Randolph, 1920-2011)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_4571#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains photographs, papers, and artifacts related to the musical groups of the Randolph family of Roanoke, Virginia. The photographs feature publicity photos of the family bands and an album with private family photos. The papers include business cards, band contracts, programs and promotional posters, a newspaper article, a calendar of show dates, and copyright paperwork for the song \"What it is\". Also included is Alfred's stage costume with multiple bow tie options.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_4571#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_4571","ead_ssi":"viblbv_repositories_2_resources_4571","_root_":"viblbv_repositories_2_resources_4571","_nest_parent_":"viblbv_repositories_2_resources_4571","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4571.xml","title_filing_ssi":"Randolph Family (Musical Groups) Collection","title_ssm":["Randolph Family (Musical Groups) Collection"],"title_tesim":["Randolph Family (Musical Groups) Collection"],"unitdate_ssm":["1968-1975"],"unitdate_inclusive_ssm":["1968-1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2026.003"],"text":["Ms.2026.003","Randolph Family (Musical Groups) Collection","Local/Regional History and Appalachian South","African Americans -- History","African Americans -- Music","Soul music","Blues (music)","Roanoke (Va.) -- Music","The collection is open for research.","Papers are arranged by type. Band contracts are arranged by contracted group and then by show date.","The Randolph family of Roanoke, Virginia, had three family music groups in the 1960s and 1970s. Their bands operated somewhat interchangeably and they were well-known regionally for blues music. Their most well known songs were \"Happy Fool\" (as Belva \u0026 The Randolph Brothers) and \"What It Is Part I / What It Is Part II\" as The Randolph Bros. Plus.","The Randolph Brothers  was active from 1968 through at least 1972 and included brothers Alfred (Saxophone + Manager), Michael (Guitar), Reginald (Saxophone, Co-Manager, Vocals), Marvin (Bass Guitar), Rodney (Drums). At some point, a sixth brother (either Phillip or Clinton) joined the band on the keyboard. No source confirming which brother has been found.","Belva and The Randolph Brothers  was active from around 1971 through at least 1974. This group featured Belva as the lead vocalist with Alfred, Michael, Reginald, Marvin, and Rodney in the band. It also included backup vocals by their sister Valerie and cousin Brenda Bryant.","The Randolph Bros. Plus Lounge Combo  was created around 1975 as an additional band focused on the cocktail lounge circuit.","The Randolph Brothers had contracts with Star City Records, HIT Attractions Inc., and an association with WTOY, Roanoke, Virginia's, Soul station. They also applied for a copyright on their song \"What It Is\" under the name Hot Tomato Publishing Company.","Ulysses Randolph was born May 19, 1920 in Roanoke, Virginia and died July 24, 2011. He worked on the railroad for Norfolk \u0026 Western and as a laborer at Shaffer's Crossing. On November 3, 1944, he married Willie Beatrice Petty, (born November 17, 1925, died May 28, 1998)","Ulysses and Willie had seven sons and five daughters. During the 1960s and 1970s, their children formed family bands managed by their eldest son Alfred, and co-managed by their second son, Michael. Eventually, the bands would include at least six of their sons, two of their daughters, and at least one cousin.","Their children:","Gloria Latrisia Randolph (circa 1941 -), married James L. Jones on June 30, 1972","Eugenia (Genie) M. Randolph (circa 1943 -), married Stan Philpott","Alfred Henry Randolph II (1945-02-18 - 2024-06-28), married Charlene Olivia Miller on April 23, 1962. Alfred played saxophone and managed the Randolph family bands. He also spent time as a member of the Chevys and Premiers band.","Michael Francis Randolph (1946-03-04 - ), married Gay Christa Ballou on April 3, 1971. Michael played guitar, and wrote and arranged music the family bands.","Reginald McKinley Randolph, Sr.(1947-08-24 - 2016-03-07), married Rosa Lee Henderson on August 28, 1966. Reginald played saxophone, provided vocals, and co-managed the family bands. He also spent time as a member of the Chevys and Premiers band. ","Belva Lorraine Shannon (1949-08-23 - 2023-01-25), married Leon Eldridge Hamlet on October 28, 1967 and they divorced March 2, 1970. She later married Willie Shannon on May 11, 1973. Belva was the lead vocalist for the family bands. She also worked for WTOY, the local Soul radio station.","Valerie Denise Randolph (1951-04-15 - ), married Melvin William Garrett on October 28, 1987 and they divorced November 28, 1994. She later married Samuel Franklin, Jr. on July 1, 2006. Valerie provided backup vocals for the family bands.","Marvin Alton Randolph, Sr. (1954-10-26 - 2024-01-02), married Vera Jones on October 16, 1975 and they divorced May 26, 1988. He later married Brenda Catherine Small on July 15, 1995. Marvin played bass guitar in the family bands. Later, from 1985 to 1988, he played in the Greensboro, North Carolina, band Black \u0026 Blue.","Rodney Jerome Randolph (1956-04-08 - ), married Lolita Morton on August 23, 1981. Rodney played drums in the family bands and later was the drummer for the Greensboro, North Carolina, band Black \u0026 Blue.","Stephanie Yvonne Randolph (1960-02-23 - ) married Donald Leroy Campbell, Jr. on September 15, 1988.","Phillip Anthony Randolph (1961-03-04 - ) married Dianne Elisabeth Worrell on August 15, 1981. Phillip worked as a railroad brakeman and conductor for thirty-three years. It is not clear whether he or his brother Clinton played the keyboard with the family bands.","Clinton David Randolph (1962-12-26 - ) married Virginia Louise Jennings on May 16, 1988. It is not clear whether he or his brother Phillip played the keyboard with the family bands.","The guide to the Randolph Family (Musical Groups) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Randolph Family (Musical Groups) Collection was completed in March, 2026.","This collection contains photographs, papers, and artifacts related to the musical groups of the Randolph family of Roanoke, Virginia. The photographs feature publicity photos of the family bands and an album with private family photos. The papers include business cards, band contracts, programs and promotional posters, a newspaper article, a calendar of show dates, and copyright paperwork for the song \"What it is\". Also included is Alfred's stage costume with multiple bow tie options.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains photographs, papers, and artifacts related to the musical groups of the Randolph family of Roanoke, Virginia. The photographs feature publicity photos of the family bands and an album with private family photos. The papers include business cards, band contracts, programs and promotional posters, a newspaper article, a calendar of show dates, and copyright paperwork for the song \"What it is\". Also included is Alfred's stage costume with multiple bow tie options.","Special Collections and University Archives, Virginia Tech","Randolph Brothers (Musical group)","Belva \u0026 The Randolph Brothers (Musical group)","Randolph Brothers Plus (Musical Group)","Randolph family (Ulysses Randolph, 1920-2011)","The materials in this collection are in English."],"unitid_tesim":["Ms.2026.003"],"normalized_title_ssm":["Randolph Family (Musical Groups) Collection"],"collection_title_tesim":["Randolph Family (Musical Groups) Collection"],"collection_ssim":["Randolph Family (Musical Groups) Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Randolph family (Ulysses Randolph, 1920-2011)"],"creator_ssim":["Randolph family (Ulysses Randolph, 1920-2011)"],"creator_famname_ssim":["Randolph family (Ulysses Randolph, 1920-2011)"],"creators_ssim":["Randolph family (Ulysses Randolph, 1920-2011)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Randolph Family (Musical Groups) Collection was purchased by Special Collections and University Archives in August, 2024."],"access_subjects_ssim":["Local/Regional History and Appalachian South","African Americans -- History","African Americans -- Music","Soul music","Blues (music)","Roanoke (Va.) -- Music"],"access_subjects_ssm":["Local/Regional History and Appalachian South","African Americans -- History","African Americans -- Music","Soul music","Blues (music)","Roanoke (Va.) -- Music"],"has_online_content_ssim":["false"],"extent_ssm":["1 Cubic Feet 3 boxes"],"extent_tesim":["1 Cubic Feet 3 boxes"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003ePapers are arranged by type. Band contracts are arranged by contracted group and then by show date.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Papers are arranged by type. Band contracts are arranged by contracted group and then by show date."],"bioghist_html_tesm":["\u003cp\u003eThe Randolph family of Roanoke, Virginia, had three family music groups in the 1960s and 1970s. Their bands operated somewhat interchangeably and they were well-known regionally for blues music. Their most well known songs were \"Happy Fool\" (as Belva \u0026amp; The Randolph Brothers) and \"What It Is Part I / What It Is Part II\" as The Randolph Bros. Plus.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eThe Randolph Brothers\u003c/emph\u003e was active from 1968 through at least 1972 and included brothers Alfred (Saxophone + Manager), Michael (Guitar), Reginald (Saxophone, Co-Manager, Vocals), Marvin (Bass Guitar), Rodney (Drums). At some point, a sixth brother (either Phillip or Clinton) joined the band on the keyboard. No source confirming which brother has been found.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eBelva and The Randolph Brothers\u003c/emph\u003e was active from around 1971 through at least 1974. This group featured Belva as the lead vocalist with Alfred, Michael, Reginald, Marvin, and Rodney in the band. It also included backup vocals by their sister Valerie and cousin Brenda Bryant.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eThe Randolph Bros. Plus Lounge Combo\u003c/emph\u003e was created around 1975 as an additional band focused on the cocktail lounge circuit.\u003c/p\u003e\n","\u003cp\u003eThe Randolph Brothers had contracts with Star City Records, HIT Attractions Inc., and an association with WTOY, Roanoke, Virginia's, Soul station. They also applied for a copyright on their song \"What It Is\" under the name Hot Tomato Publishing Company.\u003c/p\u003e","\u003cp\u003eUlysses Randolph was born May 19, 1920 in Roanoke, Virginia and died July 24, 2011. He worked on the railroad for Norfolk \u0026amp; Western and as a laborer at Shaffer's Crossing. On November 3, 1944, he married Willie Beatrice Petty, (born November 17, 1925, died May 28, 1998)\u003c/p\u003e\n","\u003cp\u003eUlysses and Willie had seven sons and five daughters. During the 1960s and 1970s, their children formed family bands managed by their eldest son Alfred, and co-managed by their second son, Michael. Eventually, the bands would include at least six of their sons, two of their daughters, and at least one cousin.\u003c/p\u003e\n","\u003cp\u003eTheir children:\u003c/p\u003e\n","\u003cp\u003eGloria Latrisia Randolph (circa 1941 -), married James L. Jones on June 30, 1972\u003c/p\u003e\n","\u003cp\u003eEugenia (Genie) M. Randolph (circa 1943 -), married Stan Philpott\u003c/p\u003e\n","\u003cp\u003eAlfred Henry Randolph II (1945-02-18 - 2024-06-28), married Charlene Olivia Miller on April 23, 1962. Alfred played saxophone and managed the Randolph family bands. He also spent time as a member of the Chevys and Premiers band.\u003c/p\u003e\n","\u003cp\u003eMichael Francis Randolph (1946-03-04 - ), married Gay Christa Ballou on April 3, 1971. Michael played guitar, and wrote and arranged music the family bands.\u003c/p\u003e\n","\u003cp\u003eReginald McKinley Randolph, Sr.(1947-08-24 - 2016-03-07), married Rosa Lee Henderson on August 28, 1966. Reginald played saxophone, provided vocals, and co-managed the family bands. He also spent time as a member of the Chevys and Premiers band. \u003c/p\u003e\n","\u003cp\u003eBelva Lorraine Shannon (1949-08-23 - 2023-01-25), married Leon Eldridge Hamlet on October 28, 1967 and they divorced March 2, 1970. She later married Willie Shannon on May 11, 1973. Belva was the lead vocalist for the family bands. She also worked for WTOY, the local Soul radio station.\u003c/p\u003e\n","\u003cp\u003eValerie Denise Randolph (1951-04-15 - ), married Melvin William Garrett on October 28, 1987 and they divorced November 28, 1994. She later married Samuel Franklin, Jr. on July 1, 2006. Valerie provided backup vocals for the family bands.\u003c/p\u003e\n","\u003cp\u003eMarvin Alton Randolph, Sr. (1954-10-26 - 2024-01-02), married Vera Jones on October 16, 1975 and they divorced May 26, 1988. He later married Brenda Catherine Small on July 15, 1995. Marvin played bass guitar in the family bands. Later, from 1985 to 1988, he played in the Greensboro, North Carolina, band Black \u0026amp; Blue.\u003c/p\u003e\n","\u003cp\u003eRodney Jerome Randolph (1956-04-08 - ), married Lolita Morton on August 23, 1981. Rodney played drums in the family bands and later was the drummer for the Greensboro, North Carolina, band Black \u0026amp; Blue.\u003c/p\u003e\n","\u003cp\u003eStephanie Yvonne Randolph (1960-02-23 - ) married Donald Leroy Campbell, Jr. on September 15, 1988.\u003c/p\u003e\n","\u003cp\u003ePhillip Anthony Randolph (1961-03-04 - ) married Dianne Elisabeth Worrell on August 15, 1981. Phillip worked as a railroad brakeman and conductor for thirty-three years. It is not clear whether he or his brother Clinton played the keyboard with the family bands.\u003c/p\u003e\n","\u003cp\u003eClinton David Randolph (1962-12-26 - ) married Virginia Louise Jennings on May 16, 1988. It is not clear whether he or his brother Phillip played the keyboard with the family bands.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note","Biographical Note"],"bioghist_tesim":["The Randolph family of Roanoke, Virginia, had three family music groups in the 1960s and 1970s. Their bands operated somewhat interchangeably and they were well-known regionally for blues music. Their most well known songs were \"Happy Fool\" (as Belva \u0026 The Randolph Brothers) and \"What It Is Part I / What It Is Part II\" as The Randolph Bros. Plus.","The Randolph Brothers  was active from 1968 through at least 1972 and included brothers Alfred (Saxophone + Manager), Michael (Guitar), Reginald (Saxophone, Co-Manager, Vocals), Marvin (Bass Guitar), Rodney (Drums). At some point, a sixth brother (either Phillip or Clinton) joined the band on the keyboard. No source confirming which brother has been found.","Belva and The Randolph Brothers  was active from around 1971 through at least 1974. This group featured Belva as the lead vocalist with Alfred, Michael, Reginald, Marvin, and Rodney in the band. It also included backup vocals by their sister Valerie and cousin Brenda Bryant.","The Randolph Bros. Plus Lounge Combo  was created around 1975 as an additional band focused on the cocktail lounge circuit.","The Randolph Brothers had contracts with Star City Records, HIT Attractions Inc., and an association with WTOY, Roanoke, Virginia's, Soul station. They also applied for a copyright on their song \"What It Is\" under the name Hot Tomato Publishing Company.","Ulysses Randolph was born May 19, 1920 in Roanoke, Virginia and died July 24, 2011. He worked on the railroad for Norfolk \u0026 Western and as a laborer at Shaffer's Crossing. On November 3, 1944, he married Willie Beatrice Petty, (born November 17, 1925, died May 28, 1998)","Ulysses and Willie had seven sons and five daughters. During the 1960s and 1970s, their children formed family bands managed by their eldest son Alfred, and co-managed by their second son, Michael. Eventually, the bands would include at least six of their sons, two of their daughters, and at least one cousin.","Their children:","Gloria Latrisia Randolph (circa 1941 -), married James L. Jones on June 30, 1972","Eugenia (Genie) M. Randolph (circa 1943 -), married Stan Philpott","Alfred Henry Randolph II (1945-02-18 - 2024-06-28), married Charlene Olivia Miller on April 23, 1962. Alfred played saxophone and managed the Randolph family bands. He also spent time as a member of the Chevys and Premiers band.","Michael Francis Randolph (1946-03-04 - ), married Gay Christa Ballou on April 3, 1971. Michael played guitar, and wrote and arranged music the family bands.","Reginald McKinley Randolph, Sr.(1947-08-24 - 2016-03-07), married Rosa Lee Henderson on August 28, 1966. Reginald played saxophone, provided vocals, and co-managed the family bands. He also spent time as a member of the Chevys and Premiers band. ","Belva Lorraine Shannon (1949-08-23 - 2023-01-25), married Leon Eldridge Hamlet on October 28, 1967 and they divorced March 2, 1970. She later married Willie Shannon on May 11, 1973. Belva was the lead vocalist for the family bands. She also worked for WTOY, the local Soul radio station.","Valerie Denise Randolph (1951-04-15 - ), married Melvin William Garrett on October 28, 1987 and they divorced November 28, 1994. She later married Samuel Franklin, Jr. on July 1, 2006. Valerie provided backup vocals for the family bands.","Marvin Alton Randolph, Sr. (1954-10-26 - 2024-01-02), married Vera Jones on October 16, 1975 and they divorced May 26, 1988. He later married Brenda Catherine Small on July 15, 1995. Marvin played bass guitar in the family bands. Later, from 1985 to 1988, he played in the Greensboro, North Carolina, band Black \u0026 Blue.","Rodney Jerome Randolph (1956-04-08 - ), married Lolita Morton on August 23, 1981. Rodney played drums in the family bands and later was the drummer for the Greensboro, North Carolina, band Black \u0026 Blue.","Stephanie Yvonne Randolph (1960-02-23 - ) married Donald Leroy Campbell, Jr. on September 15, 1988.","Phillip Anthony Randolph (1961-03-04 - ) married Dianne Elisabeth Worrell on August 15, 1981. Phillip worked as a railroad brakeman and conductor for thirty-three years. It is not clear whether he or his brother Clinton played the keyboard with the family bands.","Clinton David Randolph (1962-12-26 - ) married Virginia Louise Jennings on May 16, 1988. It is not clear whether he or his brother Phillip played the keyboard with the family bands."],"odd_html_tesm":["\u003cp\u003eThe guide to the Randolph Family (Musical Groups) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Randolph Family (Musical Groups) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Randolph Family (Musical Groups) Collection, 1968-1975, Ms2026-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Randolph Family (Musical Groups) Collection, 1968-1975, Ms2026-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Randolph Family (Musical Groups) Collection was completed in March, 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Randolph Family (Musical Groups) Collection was completed in March, 2026."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographs, papers, and artifacts related to the musical groups of the Randolph family of Roanoke, Virginia. The photographs feature publicity photos of the family bands and an album with private family photos. The papers include business cards, band contracts, programs and promotional posters, a newspaper article, a calendar of show dates, and copyright paperwork for the song \"What it is\". Also included is Alfred's stage costume with multiple bow tie options.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains photographs, papers, and artifacts related to the musical groups of the Randolph family of Roanoke, Virginia. The photographs feature publicity photos of the family bands and an album with private family photos. The papers include business cards, band contracts, programs and promotional posters, a newspaper article, a calendar of show dates, and copyright paperwork for the song \"What it is\". Also included is Alfred's stage costume with multiple bow tie options."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e\n","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb0766e2ff8fd5ad5ec22769c3be57a6\" label=\"Abstract\"\u003eThis collection contains photographs, papers, and artifacts related to the musical groups of the Randolph family of Roanoke, Virginia. The photographs feature publicity photos of the family bands and an album with private family photos. The papers include business cards, band contracts, programs and promotional posters, a newspaper article, a calendar of show dates, and copyright paperwork for the song \"What it is\". Also included is Alfred's stage costume with multiple bow tie options.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains photographs, papers, and artifacts related to the musical groups of the Randolph family of Roanoke, Virginia. The photographs feature publicity photos of the family bands and an album with private family photos. The papers include business cards, band contracts, programs and promotional posters, a newspaper article, a calendar of show dates, and copyright paperwork for the song \"What it is\". Also included is Alfred's stage costume with multiple bow tie options."],"names_coll_ssim":["Randolph Brothers (Musical group)","Belva \u0026 The Randolph Brothers (Musical group)","Randolph Brothers Plus (Musical Group)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Randolph Brothers (Musical group)","Belva \u0026 The Randolph Brothers (Musical group)","Randolph Brothers Plus (Musical Group)","Randolph family (Ulysses Randolph, 1920-2011)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Randolph Brothers (Musical group)","Belva \u0026 The Randolph Brothers (Musical group)","Randolph Brothers Plus (Musical Group)"],"famname_ssim":["Randolph family (Ulysses Randolph, 1920-2011)"],"language_ssim":["The materials in this collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:32:01.127Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4571","ead_ssi":"viblbv_repositories_2_resources_4571","_root_":"viblbv_repositories_2_resources_4571","_nest_parent_":"viblbv_repositories_2_resources_4571","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4571.xml","title_filing_ssi":"Randolph Family (Musical Groups) Collection","title_ssm":["Randolph Family (Musical Groups) Collection"],"title_tesim":["Randolph Family (Musical Groups) Collection"],"unitdate_ssm":["1968-1975"],"unitdate_inclusive_ssm":["1968-1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2026.003"],"text":["Ms.2026.003","Randolph Family (Musical Groups) Collection","Local/Regional History and Appalachian South","African Americans -- History","African Americans -- Music","Soul music","Blues (music)","Roanoke (Va.) -- Music","The collection is open for research.","Papers are arranged by type. Band contracts are arranged by contracted group and then by show date.","The Randolph family of Roanoke, Virginia, had three family music groups in the 1960s and 1970s. Their bands operated somewhat interchangeably and they were well-known regionally for blues music. Their most well known songs were \"Happy Fool\" (as Belva \u0026 The Randolph Brothers) and \"What It Is Part I / What It Is Part II\" as The Randolph Bros. Plus.","The Randolph Brothers  was active from 1968 through at least 1972 and included brothers Alfred (Saxophone + Manager), Michael (Guitar), Reginald (Saxophone, Co-Manager, Vocals), Marvin (Bass Guitar), Rodney (Drums). At some point, a sixth brother (either Phillip or Clinton) joined the band on the keyboard. No source confirming which brother has been found.","Belva and The Randolph Brothers  was active from around 1971 through at least 1974. This group featured Belva as the lead vocalist with Alfred, Michael, Reginald, Marvin, and Rodney in the band. It also included backup vocals by their sister Valerie and cousin Brenda Bryant.","The Randolph Bros. Plus Lounge Combo  was created around 1975 as an additional band focused on the cocktail lounge circuit.","The Randolph Brothers had contracts with Star City Records, HIT Attractions Inc., and an association with WTOY, Roanoke, Virginia's, Soul station. They also applied for a copyright on their song \"What It Is\" under the name Hot Tomato Publishing Company.","Ulysses Randolph was born May 19, 1920 in Roanoke, Virginia and died July 24, 2011. He worked on the railroad for Norfolk \u0026 Western and as a laborer at Shaffer's Crossing. On November 3, 1944, he married Willie Beatrice Petty, (born November 17, 1925, died May 28, 1998)","Ulysses and Willie had seven sons and five daughters. During the 1960s and 1970s, their children formed family bands managed by their eldest son Alfred, and co-managed by their second son, Michael. Eventually, the bands would include at least six of their sons, two of their daughters, and at least one cousin.","Their children:","Gloria Latrisia Randolph (circa 1941 -), married James L. Jones on June 30, 1972","Eugenia (Genie) M. Randolph (circa 1943 -), married Stan Philpott","Alfred Henry Randolph II (1945-02-18 - 2024-06-28), married Charlene Olivia Miller on April 23, 1962. Alfred played saxophone and managed the Randolph family bands. He also spent time as a member of the Chevys and Premiers band.","Michael Francis Randolph (1946-03-04 - ), married Gay Christa Ballou on April 3, 1971. Michael played guitar, and wrote and arranged music the family bands.","Reginald McKinley Randolph, Sr.(1947-08-24 - 2016-03-07), married Rosa Lee Henderson on August 28, 1966. Reginald played saxophone, provided vocals, and co-managed the family bands. He also spent time as a member of the Chevys and Premiers band. ","Belva Lorraine Shannon (1949-08-23 - 2023-01-25), married Leon Eldridge Hamlet on October 28, 1967 and they divorced March 2, 1970. She later married Willie Shannon on May 11, 1973. Belva was the lead vocalist for the family bands. She also worked for WTOY, the local Soul radio station.","Valerie Denise Randolph (1951-04-15 - ), married Melvin William Garrett on October 28, 1987 and they divorced November 28, 1994. She later married Samuel Franklin, Jr. on July 1, 2006. Valerie provided backup vocals for the family bands.","Marvin Alton Randolph, Sr. (1954-10-26 - 2024-01-02), married Vera Jones on October 16, 1975 and they divorced May 26, 1988. He later married Brenda Catherine Small on July 15, 1995. Marvin played bass guitar in the family bands. Later, from 1985 to 1988, he played in the Greensboro, North Carolina, band Black \u0026 Blue.","Rodney Jerome Randolph (1956-04-08 - ), married Lolita Morton on August 23, 1981. Rodney played drums in the family bands and later was the drummer for the Greensboro, North Carolina, band Black \u0026 Blue.","Stephanie Yvonne Randolph (1960-02-23 - ) married Donald Leroy Campbell, Jr. on September 15, 1988.","Phillip Anthony Randolph (1961-03-04 - ) married Dianne Elisabeth Worrell on August 15, 1981. Phillip worked as a railroad brakeman and conductor for thirty-three years. It is not clear whether he or his brother Clinton played the keyboard with the family bands.","Clinton David Randolph (1962-12-26 - ) married Virginia Louise Jennings on May 16, 1988. It is not clear whether he or his brother Phillip played the keyboard with the family bands.","The guide to the Randolph Family (Musical Groups) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Randolph Family (Musical Groups) Collection was completed in March, 2026.","This collection contains photographs, papers, and artifacts related to the musical groups of the Randolph family of Roanoke, Virginia. The photographs feature publicity photos of the family bands and an album with private family photos. The papers include business cards, band contracts, programs and promotional posters, a newspaper article, a calendar of show dates, and copyright paperwork for the song \"What it is\". Also included is Alfred's stage costume with multiple bow tie options.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains photographs, papers, and artifacts related to the musical groups of the Randolph family of Roanoke, Virginia. The photographs feature publicity photos of the family bands and an album with private family photos. The papers include business cards, band contracts, programs and promotional posters, a newspaper article, a calendar of show dates, and copyright paperwork for the song \"What it is\". Also included is Alfred's stage costume with multiple bow tie options.","Special Collections and University Archives, Virginia Tech","Randolph Brothers (Musical group)","Belva \u0026 The Randolph Brothers (Musical group)","Randolph Brothers Plus (Musical Group)","Randolph family (Ulysses Randolph, 1920-2011)","The materials in this collection are in English."],"unitid_tesim":["Ms.2026.003"],"normalized_title_ssm":["Randolph Family (Musical Groups) Collection"],"collection_title_tesim":["Randolph Family (Musical Groups) Collection"],"collection_ssim":["Randolph Family (Musical Groups) Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Randolph family (Ulysses Randolph, 1920-2011)"],"creator_ssim":["Randolph family (Ulysses Randolph, 1920-2011)"],"creator_famname_ssim":["Randolph family (Ulysses Randolph, 1920-2011)"],"creators_ssim":["Randolph family (Ulysses Randolph, 1920-2011)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Randolph Family (Musical Groups) Collection was purchased by Special Collections and University Archives in August, 2024."],"access_subjects_ssim":["Local/Regional History and Appalachian South","African Americans -- History","African Americans -- Music","Soul music","Blues (music)","Roanoke (Va.) -- Music"],"access_subjects_ssm":["Local/Regional History and Appalachian South","African Americans -- History","African Americans -- Music","Soul music","Blues (music)","Roanoke (Va.) -- Music"],"has_online_content_ssim":["false"],"extent_ssm":["1 Cubic Feet 3 boxes"],"extent_tesim":["1 Cubic Feet 3 boxes"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003ePapers are arranged by type. Band contracts are arranged by contracted group and then by show date.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Papers are arranged by type. Band contracts are arranged by contracted group and then by show date."],"bioghist_html_tesm":["\u003cp\u003eThe Randolph family of Roanoke, Virginia, had three family music groups in the 1960s and 1970s. Their bands operated somewhat interchangeably and they were well-known regionally for blues music. Their most well known songs were \"Happy Fool\" (as Belva \u0026amp; The Randolph Brothers) and \"What It Is Part I / What It Is Part II\" as The Randolph Bros. Plus.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eThe Randolph Brothers\u003c/emph\u003e was active from 1968 through at least 1972 and included brothers Alfred (Saxophone + Manager), Michael (Guitar), Reginald (Saxophone, Co-Manager, Vocals), Marvin (Bass Guitar), Rodney (Drums). At some point, a sixth brother (either Phillip or Clinton) joined the band on the keyboard. No source confirming which brother has been found.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eBelva and The Randolph Brothers\u003c/emph\u003e was active from around 1971 through at least 1974. This group featured Belva as the lead vocalist with Alfred, Michael, Reginald, Marvin, and Rodney in the band. It also included backup vocals by their sister Valerie and cousin Brenda Bryant.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eThe Randolph Bros. Plus Lounge Combo\u003c/emph\u003e was created around 1975 as an additional band focused on the cocktail lounge circuit.\u003c/p\u003e\n","\u003cp\u003eThe Randolph Brothers had contracts with Star City Records, HIT Attractions Inc., and an association with WTOY, Roanoke, Virginia's, Soul station. They also applied for a copyright on their song \"What It Is\" under the name Hot Tomato Publishing Company.\u003c/p\u003e","\u003cp\u003eUlysses Randolph was born May 19, 1920 in Roanoke, Virginia and died July 24, 2011. He worked on the railroad for Norfolk \u0026amp; Western and as a laborer at Shaffer's Crossing. On November 3, 1944, he married Willie Beatrice Petty, (born November 17, 1925, died May 28, 1998)\u003c/p\u003e\n","\u003cp\u003eUlysses and Willie had seven sons and five daughters. During the 1960s and 1970s, their children formed family bands managed by their eldest son Alfred, and co-managed by their second son, Michael. Eventually, the bands would include at least six of their sons, two of their daughters, and at least one cousin.\u003c/p\u003e\n","\u003cp\u003eTheir children:\u003c/p\u003e\n","\u003cp\u003eGloria Latrisia Randolph (circa 1941 -), married James L. Jones on June 30, 1972\u003c/p\u003e\n","\u003cp\u003eEugenia (Genie) M. Randolph (circa 1943 -), married Stan Philpott\u003c/p\u003e\n","\u003cp\u003eAlfred Henry Randolph II (1945-02-18 - 2024-06-28), married Charlene Olivia Miller on April 23, 1962. Alfred played saxophone and managed the Randolph family bands. He also spent time as a member of the Chevys and Premiers band.\u003c/p\u003e\n","\u003cp\u003eMichael Francis Randolph (1946-03-04 - ), married Gay Christa Ballou on April 3, 1971. Michael played guitar, and wrote and arranged music the family bands.\u003c/p\u003e\n","\u003cp\u003eReginald McKinley Randolph, Sr.(1947-08-24 - 2016-03-07), married Rosa Lee Henderson on August 28, 1966. Reginald played saxophone, provided vocals, and co-managed the family bands. He also spent time as a member of the Chevys and Premiers band. \u003c/p\u003e\n","\u003cp\u003eBelva Lorraine Shannon (1949-08-23 - 2023-01-25), married Leon Eldridge Hamlet on October 28, 1967 and they divorced March 2, 1970. She later married Willie Shannon on May 11, 1973. Belva was the lead vocalist for the family bands. She also worked for WTOY, the local Soul radio station.\u003c/p\u003e\n","\u003cp\u003eValerie Denise Randolph (1951-04-15 - ), married Melvin William Garrett on October 28, 1987 and they divorced November 28, 1994. She later married Samuel Franklin, Jr. on July 1, 2006. Valerie provided backup vocals for the family bands.\u003c/p\u003e\n","\u003cp\u003eMarvin Alton Randolph, Sr. (1954-10-26 - 2024-01-02), married Vera Jones on October 16, 1975 and they divorced May 26, 1988. He later married Brenda Catherine Small on July 15, 1995. Marvin played bass guitar in the family bands. Later, from 1985 to 1988, he played in the Greensboro, North Carolina, band Black \u0026amp; Blue.\u003c/p\u003e\n","\u003cp\u003eRodney Jerome Randolph (1956-04-08 - ), married Lolita Morton on August 23, 1981. Rodney played drums in the family bands and later was the drummer for the Greensboro, North Carolina, band Black \u0026amp; Blue.\u003c/p\u003e\n","\u003cp\u003eStephanie Yvonne Randolph (1960-02-23 - ) married Donald Leroy Campbell, Jr. on September 15, 1988.\u003c/p\u003e\n","\u003cp\u003ePhillip Anthony Randolph (1961-03-04 - ) married Dianne Elisabeth Worrell on August 15, 1981. Phillip worked as a railroad brakeman and conductor for thirty-three years. It is not clear whether he or his brother Clinton played the keyboard with the family bands.\u003c/p\u003e\n","\u003cp\u003eClinton David Randolph (1962-12-26 - ) married Virginia Louise Jennings on May 16, 1988. It is not clear whether he or his brother Phillip played the keyboard with the family bands.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note","Biographical Note"],"bioghist_tesim":["The Randolph family of Roanoke, Virginia, had three family music groups in the 1960s and 1970s. Their bands operated somewhat interchangeably and they were well-known regionally for blues music. Their most well known songs were \"Happy Fool\" (as Belva \u0026 The Randolph Brothers) and \"What It Is Part I / What It Is Part II\" as The Randolph Bros. Plus.","The Randolph Brothers  was active from 1968 through at least 1972 and included brothers Alfred (Saxophone + Manager), Michael (Guitar), Reginald (Saxophone, Co-Manager, Vocals), Marvin (Bass Guitar), Rodney (Drums). At some point, a sixth brother (either Phillip or Clinton) joined the band on the keyboard. No source confirming which brother has been found.","Belva and The Randolph Brothers  was active from around 1971 through at least 1974. This group featured Belva as the lead vocalist with Alfred, Michael, Reginald, Marvin, and Rodney in the band. It also included backup vocals by their sister Valerie and cousin Brenda Bryant.","The Randolph Bros. Plus Lounge Combo  was created around 1975 as an additional band focused on the cocktail lounge circuit.","The Randolph Brothers had contracts with Star City Records, HIT Attractions Inc., and an association with WTOY, Roanoke, Virginia's, Soul station. They also applied for a copyright on their song \"What It Is\" under the name Hot Tomato Publishing Company.","Ulysses Randolph was born May 19, 1920 in Roanoke, Virginia and died July 24, 2011. He worked on the railroad for Norfolk \u0026 Western and as a laborer at Shaffer's Crossing. On November 3, 1944, he married Willie Beatrice Petty, (born November 17, 1925, died May 28, 1998)","Ulysses and Willie had seven sons and five daughters. During the 1960s and 1970s, their children formed family bands managed by their eldest son Alfred, and co-managed by their second son, Michael. Eventually, the bands would include at least six of their sons, two of their daughters, and at least one cousin.","Their children:","Gloria Latrisia Randolph (circa 1941 -), married James L. Jones on June 30, 1972","Eugenia (Genie) M. Randolph (circa 1943 -), married Stan Philpott","Alfred Henry Randolph II (1945-02-18 - 2024-06-28), married Charlene Olivia Miller on April 23, 1962. Alfred played saxophone and managed the Randolph family bands. He also spent time as a member of the Chevys and Premiers band.","Michael Francis Randolph (1946-03-04 - ), married Gay Christa Ballou on April 3, 1971. Michael played guitar, and wrote and arranged music the family bands.","Reginald McKinley Randolph, Sr.(1947-08-24 - 2016-03-07), married Rosa Lee Henderson on August 28, 1966. Reginald played saxophone, provided vocals, and co-managed the family bands. He also spent time as a member of the Chevys and Premiers band. ","Belva Lorraine Shannon (1949-08-23 - 2023-01-25), married Leon Eldridge Hamlet on October 28, 1967 and they divorced March 2, 1970. She later married Willie Shannon on May 11, 1973. Belva was the lead vocalist for the family bands. She also worked for WTOY, the local Soul radio station.","Valerie Denise Randolph (1951-04-15 - ), married Melvin William Garrett on October 28, 1987 and they divorced November 28, 1994. She later married Samuel Franklin, Jr. on July 1, 2006. Valerie provided backup vocals for the family bands.","Marvin Alton Randolph, Sr. (1954-10-26 - 2024-01-02), married Vera Jones on October 16, 1975 and they divorced May 26, 1988. He later married Brenda Catherine Small on July 15, 1995. Marvin played bass guitar in the family bands. Later, from 1985 to 1988, he played in the Greensboro, North Carolina, band Black \u0026 Blue.","Rodney Jerome Randolph (1956-04-08 - ), married Lolita Morton on August 23, 1981. Rodney played drums in the family bands and later was the drummer for the Greensboro, North Carolina, band Black \u0026 Blue.","Stephanie Yvonne Randolph (1960-02-23 - ) married Donald Leroy Campbell, Jr. on September 15, 1988.","Phillip Anthony Randolph (1961-03-04 - ) married Dianne Elisabeth Worrell on August 15, 1981. Phillip worked as a railroad brakeman and conductor for thirty-three years. It is not clear whether he or his brother Clinton played the keyboard with the family bands.","Clinton David Randolph (1962-12-26 - ) married Virginia Louise Jennings on May 16, 1988. It is not clear whether he or his brother Phillip played the keyboard with the family bands."],"odd_html_tesm":["\u003cp\u003eThe guide to the Randolph Family (Musical Groups) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Randolph Family (Musical Groups) Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Randolph Family (Musical Groups) Collection, 1968-1975, Ms2026-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Randolph Family (Musical Groups) Collection, 1968-1975, Ms2026-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Randolph Family (Musical Groups) Collection was completed in March, 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Randolph Family (Musical Groups) Collection was completed in March, 2026."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographs, papers, and artifacts related to the musical groups of the Randolph family of Roanoke, Virginia. The photographs feature publicity photos of the family bands and an album with private family photos. The papers include business cards, band contracts, programs and promotional posters, a newspaper article, a calendar of show dates, and copyright paperwork for the song \"What it is\". Also included is Alfred's stage costume with multiple bow tie options.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains photographs, papers, and artifacts related to the musical groups of the Randolph family of Roanoke, Virginia. The photographs feature publicity photos of the family bands and an album with private family photos. The papers include business cards, band contracts, programs and promotional posters, a newspaper article, a calendar of show dates, and copyright paperwork for the song \"What it is\". Also included is Alfred's stage costume with multiple bow tie options."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e\n","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb0766e2ff8fd5ad5ec22769c3be57a6\" label=\"Abstract\"\u003eThis collection contains photographs, papers, and artifacts related to the musical groups of the Randolph family of Roanoke, Virginia. The photographs feature publicity photos of the family bands and an album with private family photos. The papers include business cards, band contracts, programs and promotional posters, a newspaper article, a calendar of show dates, and copyright paperwork for the song \"What it is\". Also included is Alfred's stage costume with multiple bow tie options.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains photographs, papers, and artifacts related to the musical groups of the Randolph family of Roanoke, Virginia. The photographs feature publicity photos of the family bands and an album with private family photos. The papers include business cards, band contracts, programs and promotional posters, a newspaper article, a calendar of show dates, and copyright paperwork for the song \"What it is\". Also included is Alfred's stage costume with multiple bow tie options."],"names_coll_ssim":["Randolph Brothers (Musical group)","Belva \u0026 The Randolph Brothers (Musical group)","Randolph Brothers Plus (Musical Group)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Randolph Brothers (Musical group)","Belva \u0026 The Randolph Brothers (Musical group)","Randolph Brothers Plus (Musical Group)","Randolph family (Ulysses Randolph, 1920-2011)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Randolph Brothers (Musical group)","Belva \u0026 The Randolph Brothers (Musical group)","Randolph Brothers Plus (Musical Group)"],"famname_ssim":["Randolph family (Ulysses Randolph, 1920-2011)"],"language_ssim":["The materials in this collection are in English."],"descrules_ssm":["Describing Archives: A Content 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