{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Short+stories\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Short+stories\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":7,"first_page?":true,"last_page?":true}},"data":[{"id":"viu_repositories_3_resources_1852","type":"collection","attributes":{"title":"Domestick Education manuscript, 1846/1848","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1852#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains a four-page autograph manuscript folio entitled \"Domestick Education.\" The unsigned, undated manuscript presents a two-chapter, dual-perspective narrative of Kitty, a frustrated domestic servant, and her mistress, Mrs. Makadoo. The focus on female characters and knowledge of domestic work suggests a likely female authorship. The spelling suggests an American author, although the story is vaguely set in the United Kingdom. Mention of Charles Dickens' Dombey, published in parts between 1846 and 1848, gives us a rough date for when this may have been written. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1852#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1852","ead_ssi":"viu_repositories_3_resources_1852","_root_":"viu_repositories_3_resources_1852","_nest_parent_":"viu_repositories_3_resources_1852","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1852.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/240207","title_filing_ssi":"Domestick Education manuscript","title_ssm":["Domestick Education manuscript"],"title_tesim":["Domestick Education manuscript"],"unitdate_ssm":["undated, c. 1846-1848"],"unitdate_bulk_ssim":["undated, c. 1846-1848"],"normalized_date_ssm":["1846/1848"],"normalized_title_ssm":["Domestick Education manuscript, 1846/1848"],"text":["Domestick Education manuscript, 1846/1848","MSS.16939","Archival Resource Key","/repositories/3/resources/1852","Women authors, American","Women -- Social conditions","Short stories","Good","This collection is minimally processed and open for research.","This collection contains a four-page autograph manuscript folio entitled \"Domestick Education.\" The unsigned, undated manuscript presents a two-chapter, dual-perspective narrative of Kitty, a frustrated domestic servant, and her mistress, Mrs. Makadoo. The focus on female characters and knowledge of domestic work suggests a likely female authorship. The spelling suggests an American author, although the story is vaguely set in the United Kingdom. Mention of Charles Dickens' Dombey, published in parts between 1846 and 1848, gives us a rough date for when this may have been written.","Chapter one is from Kitty's perspective. Kitty is described as overworked and overburdened by the Makadoo family – expected to complete the tasks of a cook, scullery maid, housemaid, valet, nanny, and lady's maid every day. Despite being overwooked Kitty maintains a calm and collected demeanor around the Makadoo family. One night, Kitty, charged with additional tasks by Mrs. Makadoo and her daughter, Miss Annetta, while preparing supper, refuses to take the blame for the subpar bread, about which Mr. Makadoo complains. She exposes the dysfunctional nature of domestic labor. Mrs. Makadoo then accused Kitty of disloyalty to the family, to which Kitty defended herself.","In the second chapter, we have Mrs. Makadoo's perspective. She expresses deep discontent with being challenged by someone of a lower class, much less the family's own servant. She is also offended that Kitty contrasted the Makadoo family with the Haywoods, Kitty's previous employer. Kitty claimed that the women of the Haywood family sought to \"learn something about housekeeping\" so that they would act as more just managers of their servants. Outraged, Mrs. Makadoo visits the Heywoods to prove Kitty a liar. Upon arrival, Mrs. Makadoo finds Isabella, the young Heywood heiress, answering the door and providing refreshments to guests. This was a stark break from the traditional practices by the Makadoos, but was apparently rather commonplace in the more modern Heywood household. Following her visit with the Heywoods, Mrs. Makadoo's perspective on domestic labor changed, and she resolved to make sweeping changes in the household. The narrative ends with Annetta \"changing the course of her conduct\" and becoming \"an expert at housekeeping.\"","NoC-US: No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/ The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Domestick Education manuscript, 1846/1848"],"collection_ssim":["Domestick Education manuscript, 1846/1848"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.16939","Archival Resource Key","/repositories/3/resources/1852"],"unitid_tesim":["MSS.16939","Archival Resource Key","/repositories/3/resources/1852"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Women authors, American"],"geogname_ssim":["Women authors, American"],"places_ssim":["Women authors, American"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["NoC-US: No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/ The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials"],"acqinfo_ssim":["This collection was purchased from Marginalia by the Small Special Collections Library, University of Virginia on 19 December 2025."],"access_subjects_ssim":["Women -- Social conditions","Short stories"],"access_subjects_ssm":["Women -- Social conditions","Short stories"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":["0.04 Cubic Feet One legal-sized file folder"],"extent_tesim":["0.04 Cubic Feet One legal-sized file folder"],"genreform_ssim":["Short stories"],"date_range_isim":[1846,1847,1848],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is minimally processed and open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is minimally processed and open for research."],"prefercite_html_tesm":["\u003cp\u003eMSS 16939, Domestick Education manuscript, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16939, Domestick Education manuscript, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a four-page autograph manuscript folio entitled \"Domestick Education.\" The unsigned, undated manuscript presents a two-chapter, dual-perspective narrative of Kitty, a frustrated domestic servant, and her mistress, Mrs. Makadoo. The focus on female characters and knowledge of domestic work suggests a likely female authorship. The spelling suggests an American author, although the story is vaguely set in the United Kingdom. Mention of Charles Dickens' Dombey, published in parts between 1846 and 1848, gives us a rough date for when this may have been written. \u003c/p\u003e","\u003cp\u003eChapter one is from Kitty's perspective. Kitty is described as overworked and overburdened by the Makadoo family – expected to complete the tasks of a cook, scullery maid, housemaid, valet, nanny, and lady's maid every day. Despite being overwooked Kitty maintains a calm and collected demeanor around the Makadoo family. One night, Kitty, charged with additional tasks by Mrs. Makadoo and her daughter, Miss Annetta, while preparing supper, refuses to take the blame for the subpar bread, about which Mr. Makadoo complains. She exposes the dysfunctional nature of domestic labor. Mrs. Makadoo then accused Kitty of disloyalty to the family, to which Kitty defended herself. \u003c/p\u003e","\u003cp\u003e In the second chapter, we have Mrs. Makadoo's perspective. She expresses deep discontent with being challenged by someone of a lower class, much less the family's own servant. She is also offended that Kitty contrasted the Makadoo family with the Haywoods, Kitty's previous employer. Kitty claimed that the women of the Haywood family sought to \"learn something about housekeeping\" so that they would act as more just managers of their servants. Outraged, Mrs. Makadoo visits the Heywoods to prove Kitty a liar. Upon arrival, Mrs. Makadoo finds Isabella, the young Heywood heiress, answering the door and providing refreshments to guests. This was a stark break from the traditional practices by the Makadoos, but was apparently rather commonplace in the more modern Heywood household. Following her visit with the Heywoods, Mrs. Makadoo's perspective on domestic labor changed, and she resolved to make sweeping changes in the household. The narrative ends with Annetta \"changing the course of her conduct\" and becoming \"an expert at housekeeping.\"  \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains a four-page autograph manuscript folio entitled \"Domestick Education.\" The unsigned, undated manuscript presents a two-chapter, dual-perspective narrative of Kitty, a frustrated domestic servant, and her mistress, Mrs. Makadoo. The focus on female characters and knowledge of domestic work suggests a likely female authorship. The spelling suggests an American author, although the story is vaguely set in the United Kingdom. Mention of Charles Dickens' Dombey, published in parts between 1846 and 1848, gives us a rough date for when this may have been written.","Chapter one is from Kitty's perspective. Kitty is described as overworked and overburdened by the Makadoo family – expected to complete the tasks of a cook, scullery maid, housemaid, valet, nanny, and lady's maid every day. Despite being overwooked Kitty maintains a calm and collected demeanor around the Makadoo family. One night, Kitty, charged with additional tasks by Mrs. Makadoo and her daughter, Miss Annetta, while preparing supper, refuses to take the blame for the subpar bread, about which Mr. Makadoo complains. She exposes the dysfunctional nature of domestic labor. Mrs. Makadoo then accused Kitty of disloyalty to the family, to which Kitty defended herself.","In the second chapter, we have Mrs. Makadoo's perspective. She expresses deep discontent with being challenged by someone of a lower class, much less the family's own servant. She is also offended that Kitty contrasted the Makadoo family with the Haywoods, Kitty's previous employer. Kitty claimed that the women of the Haywood family sought to \"learn something about housekeeping\" so that they would act as more just managers of their servants. Outraged, Mrs. Makadoo visits the Heywoods to prove Kitty a liar. Upon arrival, Mrs. Makadoo finds Isabella, the young Heywood heiress, answering the door and providing refreshments to guests. This was a stark break from the traditional practices by the Makadoos, but was apparently rather commonplace in the more modern Heywood household. Following her visit with the Heywoods, Mrs. Makadoo's perspective on domestic labor changed, and she resolved to make sweeping changes in the household. The narrative ends with Annetta \"changing the course of her conduct\" and becoming \"an expert at housekeeping.\""],"userestrict_html_tesm":["\u003cp\u003eNoC-US: No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/ The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["NoC-US: No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/ The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:58.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1852","ead_ssi":"viu_repositories_3_resources_1852","_root_":"viu_repositories_3_resources_1852","_nest_parent_":"viu_repositories_3_resources_1852","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1852.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/240207","title_filing_ssi":"Domestick Education manuscript","title_ssm":["Domestick Education manuscript"],"title_tesim":["Domestick Education manuscript"],"unitdate_ssm":["undated, c. 1846-1848"],"unitdate_bulk_ssim":["undated, c. 1846-1848"],"normalized_date_ssm":["1846/1848"],"normalized_title_ssm":["Domestick Education manuscript, 1846/1848"],"text":["Domestick Education manuscript, 1846/1848","MSS.16939","Archival Resource Key","/repositories/3/resources/1852","Women authors, American","Women -- Social conditions","Short stories","Good","This collection is minimally processed and open for research.","This collection contains a four-page autograph manuscript folio entitled \"Domestick Education.\" The unsigned, undated manuscript presents a two-chapter, dual-perspective narrative of Kitty, a frustrated domestic servant, and her mistress, Mrs. Makadoo. The focus on female characters and knowledge of domestic work suggests a likely female authorship. The spelling suggests an American author, although the story is vaguely set in the United Kingdom. Mention of Charles Dickens' Dombey, published in parts between 1846 and 1848, gives us a rough date for when this may have been written.","Chapter one is from Kitty's perspective. Kitty is described as overworked and overburdened by the Makadoo family – expected to complete the tasks of a cook, scullery maid, housemaid, valet, nanny, and lady's maid every day. Despite being overwooked Kitty maintains a calm and collected demeanor around the Makadoo family. One night, Kitty, charged with additional tasks by Mrs. Makadoo and her daughter, Miss Annetta, while preparing supper, refuses to take the blame for the subpar bread, about which Mr. Makadoo complains. She exposes the dysfunctional nature of domestic labor. Mrs. Makadoo then accused Kitty of disloyalty to the family, to which Kitty defended herself.","In the second chapter, we have Mrs. Makadoo's perspective. She expresses deep discontent with being challenged by someone of a lower class, much less the family's own servant. She is also offended that Kitty contrasted the Makadoo family with the Haywoods, Kitty's previous employer. Kitty claimed that the women of the Haywood family sought to \"learn something about housekeeping\" so that they would act as more just managers of their servants. Outraged, Mrs. Makadoo visits the Heywoods to prove Kitty a liar. Upon arrival, Mrs. Makadoo finds Isabella, the young Heywood heiress, answering the door and providing refreshments to guests. This was a stark break from the traditional practices by the Makadoos, but was apparently rather commonplace in the more modern Heywood household. Following her visit with the Heywoods, Mrs. Makadoo's perspective on domestic labor changed, and she resolved to make sweeping changes in the household. The narrative ends with Annetta \"changing the course of her conduct\" and becoming \"an expert at housekeeping.\"","NoC-US: No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/ The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Domestick Education manuscript, 1846/1848"],"collection_ssim":["Domestick Education manuscript, 1846/1848"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.16939","Archival Resource Key","/repositories/3/resources/1852"],"unitid_tesim":["MSS.16939","Archival Resource Key","/repositories/3/resources/1852"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Women authors, American"],"geogname_ssim":["Women authors, American"],"places_ssim":["Women authors, American"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["NoC-US: No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/ The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials"],"acqinfo_ssim":["This collection was purchased from Marginalia by the Small Special Collections Library, University of Virginia on 19 December 2025."],"access_subjects_ssim":["Women -- Social conditions","Short stories"],"access_subjects_ssm":["Women -- Social conditions","Short stories"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":["0.04 Cubic Feet One legal-sized file folder"],"extent_tesim":["0.04 Cubic Feet One legal-sized file folder"],"genreform_ssim":["Short stories"],"date_range_isim":[1846,1847,1848],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is minimally processed and open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is minimally processed and open for research."],"prefercite_html_tesm":["\u003cp\u003eMSS 16939, Domestick Education manuscript, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16939, Domestick Education manuscript, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a four-page autograph manuscript folio entitled \"Domestick Education.\" The unsigned, undated manuscript presents a two-chapter, dual-perspective narrative of Kitty, a frustrated domestic servant, and her mistress, Mrs. Makadoo. The focus on female characters and knowledge of domestic work suggests a likely female authorship. The spelling suggests an American author, although the story is vaguely set in the United Kingdom. Mention of Charles Dickens' Dombey, published in parts between 1846 and 1848, gives us a rough date for when this may have been written. \u003c/p\u003e","\u003cp\u003eChapter one is from Kitty's perspective. Kitty is described as overworked and overburdened by the Makadoo family – expected to complete the tasks of a cook, scullery maid, housemaid, valet, nanny, and lady's maid every day. Despite being overwooked Kitty maintains a calm and collected demeanor around the Makadoo family. One night, Kitty, charged with additional tasks by Mrs. Makadoo and her daughter, Miss Annetta, while preparing supper, refuses to take the blame for the subpar bread, about which Mr. Makadoo complains. She exposes the dysfunctional nature of domestic labor. Mrs. Makadoo then accused Kitty of disloyalty to the family, to which Kitty defended herself. \u003c/p\u003e","\u003cp\u003e In the second chapter, we have Mrs. Makadoo's perspective. She expresses deep discontent with being challenged by someone of a lower class, much less the family's own servant. She is also offended that Kitty contrasted the Makadoo family with the Haywoods, Kitty's previous employer. Kitty claimed that the women of the Haywood family sought to \"learn something about housekeeping\" so that they would act as more just managers of their servants. Outraged, Mrs. Makadoo visits the Heywoods to prove Kitty a liar. Upon arrival, Mrs. Makadoo finds Isabella, the young Heywood heiress, answering the door and providing refreshments to guests. This was a stark break from the traditional practices by the Makadoos, but was apparently rather commonplace in the more modern Heywood household. Following her visit with the Heywoods, Mrs. Makadoo's perspective on domestic labor changed, and she resolved to make sweeping changes in the household. The narrative ends with Annetta \"changing the course of her conduct\" and becoming \"an expert at housekeeping.\"  \u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains a four-page autograph manuscript folio entitled \"Domestick Education.\" The unsigned, undated manuscript presents a two-chapter, dual-perspective narrative of Kitty, a frustrated domestic servant, and her mistress, Mrs. Makadoo. The focus on female characters and knowledge of domestic work suggests a likely female authorship. The spelling suggests an American author, although the story is vaguely set in the United Kingdom. Mention of Charles Dickens' Dombey, published in parts between 1846 and 1848, gives us a rough date for when this may have been written.","Chapter one is from Kitty's perspective. Kitty is described as overworked and overburdened by the Makadoo family – expected to complete the tasks of a cook, scullery maid, housemaid, valet, nanny, and lady's maid every day. Despite being overwooked Kitty maintains a calm and collected demeanor around the Makadoo family. One night, Kitty, charged with additional tasks by Mrs. Makadoo and her daughter, Miss Annetta, while preparing supper, refuses to take the blame for the subpar bread, about which Mr. Makadoo complains. She exposes the dysfunctional nature of domestic labor. Mrs. Makadoo then accused Kitty of disloyalty to the family, to which Kitty defended herself.","In the second chapter, we have Mrs. Makadoo's perspective. She expresses deep discontent with being challenged by someone of a lower class, much less the family's own servant. She is also offended that Kitty contrasted the Makadoo family with the Haywoods, Kitty's previous employer. Kitty claimed that the women of the Haywood family sought to \"learn something about housekeeping\" so that they would act as more just managers of their servants. Outraged, Mrs. Makadoo visits the Heywoods to prove Kitty a liar. Upon arrival, Mrs. Makadoo finds Isabella, the young Heywood heiress, answering the door and providing refreshments to guests. This was a stark break from the traditional practices by the Makadoos, but was apparently rather commonplace in the more modern Heywood household. Following her visit with the Heywoods, Mrs. Makadoo's perspective on domestic labor changed, and she resolved to make sweeping changes in the household. The narrative ends with Annetta \"changing the course of her conduct\" and becoming \"an expert at housekeeping.\""],"userestrict_html_tesm":["\u003cp\u003eNoC-US: No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/ The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["NoC-US: No Copyright - United States: http://rightsstatements.org/vocab/NoC-US/1.0/ The Library believes that all or nearly all material in this collection is likely to be in the public domain, free of copyright restrictions. Visit our Permissions and Publishing page for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:53:58.310Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1852"}},{"id":"viur_repositories_4_resources_39","type":"collection","attributes":{"title":"Hazel Paris Cederborg Collection, 1893/1989","creator":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_39#creator","type":"document_value","attributes":{"value":"Cederborg, Hazel Paris, 1892-1975","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_39#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_39#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_4_resources_39","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_39.xml","title_ssm":["Hazel Paris Cederborg Collection"],"title_tesim":["Hazel Paris Cederborg Collection"],"unitdate_ssm":["1893-1989"],"unitdate_inclusive_ssm":["1893-1989"],"normalized_date_ssm":["1893/1989"],"normalized_title_ssm":["Hazel Paris Cederborg Collection, 1893/1989"],"text":["Hazel Paris Cederborg Collection, 1893/1989","MS-33","/repositories/4/resources/39","Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories","This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n\n  Subseries IA: Unpublished Drafts and Notes\n  Subseries IB: Published Short Stories\n  Subseries IC: Historical and Factual Short Stories\n\nSeries II: Personal Papers and Family Information\n\n  Subseries IIA: Research\n  Subseries IIB: Personal Papers and Items\n  Subseries IIC: Family information and Photographs\n  Subseries IID: Scrapbooks","Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.","These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.","Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.","Processed by Maelyn Cable.","Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their 2016 spring newsletter.","The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.","Copies of The Little Red Wagon and Bunny Polka Dot, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.","University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","English\n      Turkish"],"collection_title_tesim":["Hazel Paris Cederborg Collection, 1893/1989"],"collection_ssim":["Hazel Paris Cederborg Collection, 1893/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-33","/repositories/4/resources/39"],"unitid_tesim":["MS-33","/repositories/4/resources/39"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_corpname_ssim":["University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)"],"creators_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Materials in this collection were transferred from Wellesley College in 2016."],"access_subjects_ssim":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"access_subjects_ssm":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"extent_tesim":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"genreform_ssim":["Photographs","Photograph albums","Short stories"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 2 series, with 7 total subseries:\u003c/p\u003e","\u003cp\u003eSeries I: Short Stories\n\u003cul\u003e\n  \u003cli\u003eSubseries IA: Unpublished Drafts and Notes\u003c/li\u003e\n  \u003cli\u003eSubseries IB: Published Short Stories\u003c/li\u003e\n  \u003cli\u003eSubseries IC: Historical and Factual Short Stories\u003c/li\u003e\n\u003c/ul\u003e\nSeries II: Personal Papers and Family Information\n\u003cul\u003e\n  \u003cli\u003eSubseries IIA: Research\u003c/li\u003e\n  \u003cli\u003eSubseries IIB: Personal Papers and Items\u003c/li\u003e\n  \u003cli\u003eSubseries IIC: Family information and Photographs\u003c/li\u003e\n  \u003cli\u003eSubseries IID: Scrapbooks\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n\n  Subseries IA: Unpublished Drafts and Notes\n  Subseries IB: Published Short Stories\n  Subseries IC: Historical and Factual Short Stories\n\nSeries II: Personal Papers and Family Information\n\n  Subseries IIA: Research\n  Subseries IIB: Personal Papers and Items\n  Subseries IIC: Family information and Photographs\n  Subseries IID: Scrapbooks"],"bioghist_html_tesm":["\u003cp\u003eHazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.\u003c/p\u003e","\u003cp\u003eHer interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.\u003c/p\u003e","\u003cp\u003eThroughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.\u003c/p\u003e","\u003cp\u003eAfter working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois."],"custodhist_html_tesm":["\u003cp\u003eThese materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives."],"phystech_html_tesm":["\u003cp\u003eCollection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Maelyn Cable.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Maelyn Cable."],"relatedmaterial_html_tesm":["\u003cp\u003eWellesley College featured material from their collection of Hazel Paris Cederborg materials in their \u003ca href=\"https://www.wellesley.edu/sites/default/files/assets/departments/libraryandtechnology/files/2016springfolnewsletter.pdf\"\u003e2016 spring newsletter\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their 2016 spring newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 2 series, and 7 subseries.\u003c/p\u003e","\u003cp\u003eSeries I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.\u003c/p\u003e","\u003cp\u003eSubseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.\u003c/p\u003e","\u003cp\u003eSubseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.\u003c/p\u003e","\u003cp\u003eSubseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.\u003c/p\u003e","\u003cp\u003eSeries II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.\u003c/p\u003e","\u003cp\u003eSubseries IIA, Research, includes items that contain research ideas for unnamed stories.\u003c/p\u003e","\u003cp\u003eSubseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.\u003c/p\u003e","\u003cp\u003eSubseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.\u003c/p\u003e","\u003cp\u003eSubseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children."],"separatedmaterial_html_tesm":["\u003cp\u003eCopies of \u003cemph render=\"italics\"\u003eThe Little Red Wagon\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eBunny Polka Dot\u003c/emph\u003e, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Copies of The Little Red Wagon and Bunny Polka Dot, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_819652907b9b06a93438845f422d76cf\"\u003eThis collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life."],"corpname_ssim":["University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)"],"names_coll_ssim":["Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"names_ssim":["University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"language_ssim":["English\n      Turkish"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_39","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_39.xml","title_ssm":["Hazel Paris Cederborg Collection"],"title_tesim":["Hazel Paris Cederborg Collection"],"unitdate_ssm":["1893-1989"],"unitdate_inclusive_ssm":["1893-1989"],"normalized_date_ssm":["1893/1989"],"normalized_title_ssm":["Hazel Paris Cederborg Collection, 1893/1989"],"text":["Hazel Paris Cederborg Collection, 1893/1989","MS-33","/repositories/4/resources/39","Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories","This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n\n  Subseries IA: Unpublished Drafts and Notes\n  Subseries IB: Published Short Stories\n  Subseries IC: Historical and Factual Short Stories\n\nSeries II: Personal Papers and Family Information\n\n  Subseries IIA: Research\n  Subseries IIB: Personal Papers and Items\n  Subseries IIC: Family information and Photographs\n  Subseries IID: Scrapbooks","Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.","These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.","Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.","Processed by Maelyn Cable.","Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their 2016 spring newsletter.","The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.","Copies of The Little Red Wagon and Bunny Polka Dot, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.","University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","English\n      Turkish"],"collection_title_tesim":["Hazel Paris Cederborg Collection, 1893/1989"],"collection_ssim":["Hazel Paris Cederborg Collection, 1893/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-33","/repositories/4/resources/39"],"unitid_tesim":["MS-33","/repositories/4/resources/39"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_corpname_ssim":["University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)"],"creators_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Materials in this collection were transferred from Wellesley College in 2016."],"access_subjects_ssim":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"access_subjects_ssm":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"extent_tesim":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"genreform_ssim":["Photographs","Photograph albums","Short stories"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 2 series, with 7 total subseries:\u003c/p\u003e","\u003cp\u003eSeries I: Short Stories\n\u003cul\u003e\n  \u003cli\u003eSubseries IA: Unpublished Drafts and Notes\u003c/li\u003e\n  \u003cli\u003eSubseries IB: Published Short Stories\u003c/li\u003e\n  \u003cli\u003eSubseries IC: Historical and Factual Short Stories\u003c/li\u003e\n\u003c/ul\u003e\nSeries II: Personal Papers and Family Information\n\u003cul\u003e\n  \u003cli\u003eSubseries IIA: Research\u003c/li\u003e\n  \u003cli\u003eSubseries IIB: Personal Papers and Items\u003c/li\u003e\n  \u003cli\u003eSubseries IIC: Family information and Photographs\u003c/li\u003e\n  \u003cli\u003eSubseries IID: Scrapbooks\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n\n  Subseries IA: Unpublished Drafts and Notes\n  Subseries IB: Published Short Stories\n  Subseries IC: Historical and Factual Short Stories\n\nSeries II: Personal Papers and Family Information\n\n  Subseries IIA: Research\n  Subseries IIB: Personal Papers and Items\n  Subseries IIC: Family information and Photographs\n  Subseries IID: Scrapbooks"],"bioghist_html_tesm":["\u003cp\u003eHazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.\u003c/p\u003e","\u003cp\u003eHer interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.\u003c/p\u003e","\u003cp\u003eThroughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.\u003c/p\u003e","\u003cp\u003eAfter working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois."],"custodhist_html_tesm":["\u003cp\u003eThese materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives."],"phystech_html_tesm":["\u003cp\u003eCollection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Maelyn Cable.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Maelyn Cable."],"relatedmaterial_html_tesm":["\u003cp\u003eWellesley College featured material from their collection of Hazel Paris Cederborg materials in their \u003ca href=\"https://www.wellesley.edu/sites/default/files/assets/departments/libraryandtechnology/files/2016springfolnewsletter.pdf\"\u003e2016 spring newsletter\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their 2016 spring newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 2 series, and 7 subseries.\u003c/p\u003e","\u003cp\u003eSeries I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.\u003c/p\u003e","\u003cp\u003eSubseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.\u003c/p\u003e","\u003cp\u003eSubseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.\u003c/p\u003e","\u003cp\u003eSubseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.\u003c/p\u003e","\u003cp\u003eSeries II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.\u003c/p\u003e","\u003cp\u003eSubseries IIA, Research, includes items that contain research ideas for unnamed stories.\u003c/p\u003e","\u003cp\u003eSubseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.\u003c/p\u003e","\u003cp\u003eSubseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.\u003c/p\u003e","\u003cp\u003eSubseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children."],"separatedmaterial_html_tesm":["\u003cp\u003eCopies of \u003cemph render=\"italics\"\u003eThe Little Red Wagon\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eBunny Polka Dot\u003c/emph\u003e, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Copies of The Little Red Wagon and Bunny Polka Dot, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_819652907b9b06a93438845f422d76cf\"\u003eThis collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life."],"corpname_ssim":["University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)"],"names_coll_ssim":["Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"names_ssim":["University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"language_ssim":["English\n      Turkish"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_39"}},{"id":"viw_repositories_2_resources_278","type":"collection","attributes":{"title":"James Branch Cabell Collection, 1902/1958, bulk 1902/1933","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_278#creator","type":"document_value","attributes":{"value":"Cabell, James Branch, 1879-1958","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_278#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCollection concerning James Branch Cabell who was a student at the College of William and Mary, 1894-1898. Includes biographical material, pictures, essays from the American Spectator, short stories (in magazines), essays (in magazines), clippings of reviews by Cabell, reviews of works by or about Cabell, book jackets of books by or about Cabell and clippings from periodicals and newspapers concerning Cabell. The collection also includes his first novel, The Eagle's Shadow.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_278#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_278","ead_ssi":"viw_repositories_2_resources_278","_root_":"viw_repositories_2_resources_278","_nest_parent_":"viw_repositories_2_resources_278","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_278.xml","title_filing_ssi":"Cabell, James Branch, Collection","title_ssm":["James Branch Cabell Collection"],"title_tesim":["James Branch Cabell Collection"],"unitdate_ssm":["1902-1958","1902-1933"],"unitdate_inclusive_ssm":["1902-1958"],"unitdate_bulk_ssim":["1902-1933"],"normalized_date_ssm":["1902/1958, bulk 1902/1933"],"normalized_title_ssm":["James Branch Cabell Collection, 1902/1958, bulk 1902/1933"],"text":["James Branch Cabell Collection, 1902/1958, bulk 1902/1933","UA 5.003","/repositories/2/resources/278","Authors, American--20th century","Short stories, American--20th century","Essays","Short stories","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Born in Richmond in 1879. Graduated from William and Mary. Worked as newspaperman and as a mining company employee. Wrote over fifty volumes including the suppressed work, Jurgen. Died in 1958. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","James Branch Cabell Papers (I) Mss. 65 C10; James Branch Cabell Papers (II) Mss. 65 C11; James Branch Cabell Papers (III) Mss. 87s C11; James Branch Cabell Papers (IV) Mss. Acc. 2001.C11.","Collection concerning James Branch Cabell who was a student at the College of William and Mary, 1894-1898. Includes biographical material, pictures, essays from the American Spectator, short stories (in magazines), essays (in magazines), clippings of reviews by Cabell, reviews of works by or about Cabell, book jackets of books by or about Cabell and clippings from periodicals and newspapers concerning Cabell. The collection also includes his first novel, The Eagle's Shadow.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Cabell, James Branch, 1879-1958","English"],"collection_title_tesim":["James Branch Cabell Collection, 1902/1958, bulk 1902/1933"],"collection_ssim":["James Branch Cabell Collection, 1902/1958, bulk 1902/1933"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.003","/repositories/2/resources/278"],"unitid_tesim":["UA 5.003","/repositories/2/resources/278"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Cabell, James Branch, 1879-1958"],"creator_ssim":["Cabell, James Branch, 1879-1958"],"creator_persname_ssim":["Cabell, James Branch, 1879-1958"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Cabell, James Branch, 1879-1958","Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1980.113 was received on 6/30/1980."],"access_subjects_ssim":["Authors, American--20th century","Short stories, American--20th century","Essays","Short stories"],"access_subjects_ssm":["Authors, American--20th century","Short stories, American--20th century","Essays","Short stories"],"has_online_content_ssim":["false"],"extent_ssm":["1.20 Linear Feet"],"extent_tesim":["1.20 Linear Feet"],"genreform_ssim":["Essays","Short stories"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eBorn in Richmond in 1879. Graduated from William and Mary. Worked as newspaperman and as a mining company employee. Wrote over fifty volumes including the suppressed work, Jurgen. Died in 1958. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/James_Branch_Cabell\" title=\"James Branch Cabell\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Born in Richmond in 1879. Graduated from William and Mary. Worked as newspaperman and as a mining company employee. Wrote over fifty volumes including the suppressed work, Jurgen. Died in 1958. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eJames Branch Cabell Papers, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["James Branch Cabell Papers, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eJames Branch Cabell Papers (I) Mss. 65 C10; James Branch Cabell Papers (II) Mss. 65 C11; James Branch Cabell Papers (III) Mss. 87s C11; James Branch Cabell Papers (IV) Mss. Acc. 2001.C11.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["James Branch Cabell Papers (I) Mss. 65 C10; James Branch Cabell Papers (II) Mss. 65 C11; James Branch Cabell Papers (III) Mss. 87s C11; James Branch Cabell Papers (IV) Mss. Acc. 2001.C11."],"scopecontent_html_tesm":["\u003cp\u003eCollection concerning James Branch Cabell who was a student at the College of William and Mary, 1894-1898. Includes biographical material, pictures, essays from the American Spectator, short stories (in magazines), essays (in magazines), clippings of reviews by Cabell, reviews of works by or about Cabell, book jackets of books by or about Cabell and clippings from periodicals and newspapers concerning Cabell. The collection also includes his first novel, The Eagle's Shadow.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection concerning James Branch Cabell who was a student at the College of William and Mary, 1894-1898. Includes biographical material, pictures, essays from the American Spectator, short stories (in magazines), essays (in magazines), clippings of reviews by Cabell, reviews of works by or about Cabell, book jackets of books by or about Cabell and clippings from periodicals and newspapers concerning Cabell. 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