{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":5,"first_page?":true,"last_page?":true}},"data":[{"id":"viw_repositories_2_resources_2033","type":"collection","attributes":{"title":"Carl Roseberg collection, 1947/1993","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_2033#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Carl Roseberg Collection includes paintings and sculptures by the artist as well as Christmas cards and a calendar. Images of sculptures on display in Swem Library can be found at the \u003ca href=\"http://www.flickr.com/photos/scrc/sets/72157619493508884/\" target=\"_blank\" class=\"external-link\"\u003eSCRC Flickr\u003c/a\u003e.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_2033#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_2033","ead_ssi":"viw_repositories_2_resources_2033","_root_":"viw_repositories_2_resources_2033","_nest_parent_":"viw_repositories_2_resources_2033","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2033.xml","title_filing_ssi":"Carl Roseberg collection","title_ssm":["Carl Roseberg collection"],"title_tesim":["Carl Roseberg collection"],"unitdate_ssm":["Circa 1947-1993"],"unitdate_inclusive_ssm":["Circa 1947-1993"],"normalized_date_ssm":["1947/1993"],"normalized_title_ssm":["Carl Roseberg collection, 1947/1993"],"text":["Carl Roseberg collection, 1947/1993","00/06/UA 6.080","/repositories/2/resources/2033","College of William and Mary--Faculty and Staff","Sculptors, American--20th century","Sculpture, American","Sculptors--United States","Acrylic paintings (visual works)","Calendars","Christmas cards","Figurines","Statues","Watercolors (paintings)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Carl Roseberg was an artist and art historian at William \u0026 Mary from the 1940s through the 1980s. Roseberg was born in Vinton, Iowa in 1916 and died on November 11, 1999 in Williamsburg, Virginia. He graduated from the University of Iowa and served in the U.S. Navy during World War II and the Korean War as a specialist in air intelligence. He married Virginia Gorman in 1952 in Batavia, Iowa. His appointments at William \u0026 Mary were: Instructor in Fine Arts, 1947-1952; Assistant Professor of Fine Arts, 1952-1957; Associate Professor of Fine Arts, 1957-1966; Professor of Fine Arts, 1966-1982; On leave of absence: 1950-1952; Professor of Fine Arts, Emeritus, 1982.","Portions of the collection are on exhibit in administrative areas in the Earl Gregg Swem Library, including meeting rooms and the Special Collections Research Center's reading room, which may limit when researchers are available to view items. Consult a staff member for details.","Collection accessioned and described by Steven Bookman, University Archives Specialist, in June-July 2009.","University Archives Faculty-Alumni File Collection (UA 10); University Archives Poster Collection (UA 12); University Archives Photograph Collection (UA 8).","The Carl Roseberg Collection includes paintings and sculptures by the artist as well as Christmas cards and a calendar. Images of sculptures on display in Swem Library can be found at the SCRC Flickr.","Sculpture, Bear, bronze, 6 x 10. On display in the Special Collections Research Center. Consult a staff member in advance to view this item.","Sculpture. A series of welded red steel rods were used to form a simple spiral. Spiral Form I was recreated, turned slightly on its base, and mounted. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from mahogany wood. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from brazed steel. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from Marble. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from lignum vitae wood. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from cararra marble. On display in the Botetourt Gallery on the Ground Floor of Swem Library.","Sculpture made from Vermont marble. On display in the Botetourt Gallery on the Ground Floor of Swem Library.","Sculpture on display outside the Board Room on the third floor of Swem Library at the College of William and Mary. The sculpture was created from steel. Made of a steel rod framework, thick strips of steel were welded over the frame, then brazed over with bronze metal. The overall form is suggestive of a group of military men standing at attention.","Sculpture on display outside the Board Room on the third floor of Swem Library at the College of William and Mary. The sculpture was created in the 1960s from mahogany wood. The piece of mahogany chosen for Trisula was a nice wide chunk of wood, yet not too deep; a piece of wood this wide is very rare. The curved forms of the sculpture emphasize the beuty of the grain.","Sculpture on display outside the Administrative Offices on the third floor of Swem Library at the College of William and Mary. The sculpture was created in 1979 from mahogany wood. This carving's design and shape intend to give an effect of rising forms to suggest how a person's life should overcome problems of life until they reach the ultimate pinnacle of their life.","Sculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created from mahogany wood and is 18\" x 24.\"","Shown here is a photograph of the sculpture Twist by Carl Roseberg on display in the Information Commons on the first floor of Swem Library at the College of William and Mary. The sculpture was created in 1981 from teak wood. The figure is basically a growing plant form. Each unit becomes smaller toward the top just as a living plant grows.","Sculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created in the 1970s from fir wood and copper. The wood structure is composed of laminated pipe plant which was then carved out with chisels. A welding torch was used to burn away the soft ridges of the grain. Large copper rivets soldered to a thick sheet of steel were attached in the back to make the center section.","Sculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created from walnut wood and is 30\" with a 2\" stand.","Sculpture in the holdings of the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created in the 1970s from steel, fiberglass, and plastic. A simple spiral of welded steel rods, the spaces between the rods are filled in with polyester resin, making it a solid form rather than the open wire form of Spiral Form II. Consult a staff member in advance to view this item.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was created in 1960 from mahogany wood. The wood from David's Harp was wide, yet not too deep. The size of the wood seemed to suggest a narrow form, which was developed into a harp-like shape. The open spaces fit well into the design.","Sculpture on display outside the Swem Development office on the third floor of Swem Library at the College of William and Mary. The sculpture was created from teakwood circa 1976. This sculpture consists of a needle-like piece of teakwood suspended between two anchored teakwood forms. The needle appears to be ready to be launched into space.","Sculpture located in Swem Library at the College of William and Mary. The sculpture is made of Albarene stone from Schuyler, Virginia and was created in the 1950s. The stone is a gray color when not polished. The beard and hair are unpolished while the face is polished. Albarene stone is commonly used for sinks and chemistry tables.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was made from white marble, undated.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was made from Brazilian rosewood in 1990.","Sculpture located in Swem Library at the College of William and Mary. The sculpture is made of welded steel and was created in the 1950s. Great Swallowtail is made of found materials. The welded wings were cut from an old automobile fender and the body is composed of different sized pieces of pipe. A large nail attaches the swallowtail to an umbrella stem which fits into the chunk of found limestone.","Sculpture located in Swem Library at the College of William and Mary.","Sculpture located in Swem Library at the College of William and Mary. The sculpture is made from walnut wood sometime between 1950 and 1960. The sculpture shows Jezebel lifting her hair.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was created from ebony wood in the 1960s. In tis ebony figure Roseberg changed the usual position of Christ's arms and hands to emphasize what would be the most uncomfortable positions the arms could be placed and bound. The ebony wood is hard and the finest detail can be carved into this wood.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was created from mahogany wood in 1988. Featured here are two carved heads of a man and woman.The two walnut heads retain the basic shapes of the blocks from which they were carved. They were split from the same section of tree trunk.","Structure located in Swem Library at the College of William and Mary. The sculpture was created from terracotta, undated. The camel's expression might suggest that he has just bitten his keeper. The terracotta sculpture was Roseberg's second attempt to create a hollow form with ceramic clay.","Acrylic, New Campus, Jones Hall, framed 14.5 x 18. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.","Acrylic, New Campus, Millington Hall, framed 14.5 x 18. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.","Watercolor, Bruton Parish Church, unframed 19 x 13.5","Watercolor, Colonial Capital, unframed 13.5 x 19.","Watercolor with ink, Crim Dell, framed 16.5 x 17.5. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.","Watercolor, Boardwalk - Tangier Island, unframed, in 19 x 23 mat.","Watercolor, Storm Over Tangier Island, framed 20 x 26. In storage in Special Collections Research Center.","Watercolor, Oyster Shack with fishing boat. Matted and framed. Frame measures 17.25\" (height) x 22.5\" (width) x 1\" (depth)","Watercolor, Farm on the Hill with fishing boat, matted and framed. Frame measures 17\" (height) x 22.75\" (width) x 1\" (depth).","Watercolor, titled \"Rocky Coast of Maine, Ogunquit, Maine\" of a Maine shore scene, matted and framed. Frame dimensions 18.25\" (height) x 35.25\" (width) x 1.5\" (depth).","Watercolor, Tulip Time College Corner, 1984. Matted and framed. Frame measures 15.25\" (height) x 24.25\" (width) x 1\" (depth)","Watercolor, Harbor Portsmouth, N.H., framed 18 x 36.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English\n      English"],"collection_title_tesim":["Carl Roseberg collection, 1947/1993"],"collection_ssim":["Carl Roseberg collection, 1947/1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["00/06/UA 6.080","/repositories/2/resources/2033"],"unitid_tesim":["00/06/UA 6.080","/repositories/2/resources/2033"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2009.232 received from Jacquelyn Dulin Wilson, Class of 1968, in memory of her parents Maurine Stuart Dulin, Class of 1939, and William Carter Dulin on May 18, 2008. Material also received prior to 2008."],"access_subjects_ssim":["College of William and Mary--Faculty and Staff","Sculptors, American--20th century","Sculpture, American","Sculptors--United States","Acrylic paintings (visual works)","Calendars","Christmas cards","Figurines","Statues","Watercolors (paintings)"],"access_subjects_ssm":["College of William and Mary--Faculty and Staff","Sculptors, American--20th century","Sculpture, American","Sculptors--United States","Acrylic paintings (visual works)","Calendars","Christmas cards","Figurines","Statues","Watercolors (paintings)"],"has_online_content_ssim":["false"],"extent_ssm":["40.00 Linear Feet"],"extent_tesim":["40.00 Linear Feet"],"genreform_ssim":["Acrylic paintings (visual works)","Calendars","Christmas cards","Figurines","Statues","Watercolors (paintings)"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eCarl Roseberg was an artist and art historian at William \u0026amp; Mary from the 1940s through the 1980s. Roseberg was born in Vinton, Iowa in 1916 and died on November 11, 1999 in Williamsburg, Virginia. He graduated from the University of Iowa and served in the U.S. Navy during World War II and the Korean War as a specialist in air intelligence. He married Virginia Gorman in 1952 in Batavia, Iowa. His appointments at William \u0026amp; Mary were: Instructor in Fine Arts, 1947-1952; Assistant Professor of Fine Arts, 1952-1957; Associate Professor of Fine Arts, 1957-1966; Professor of Fine Arts, 1966-1982; On leave of absence: 1950-1952; Professor of Fine Arts, Emeritus, 1982.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Carl Roseberg was an artist and art historian at William \u0026 Mary from the 1940s through the 1980s. Roseberg was born in Vinton, Iowa in 1916 and died on November 11, 1999 in Williamsburg, Virginia. He graduated from the University of Iowa and served in the U.S. Navy during World War II and the Korean War as a specialist in air intelligence. He married Virginia Gorman in 1952 in Batavia, Iowa. His appointments at William \u0026 Mary were: Instructor in Fine Arts, 1947-1952; Assistant Professor of Fine Arts, 1952-1957; Associate Professor of Fine Arts, 1957-1966; Professor of Fine Arts, 1966-1982; On leave of absence: 1950-1952; Professor of Fine Arts, Emeritus, 1982."],"phystech_html_tesm":["\u003cp\u003ePortions of the collection are on exhibit in administrative areas in the Earl Gregg Swem Library, including meeting rooms and the Special Collections Research Center's reading room, which may limit when researchers are available to view items. Consult a staff member for details.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["Portions of the collection are on exhibit in administrative areas in the Earl Gregg Swem Library, including meeting rooms and the Special Collections Research Center's reading room, which may limit when researchers are available to view items. Consult a staff member for details."],"prefercite_html_tesm":["\u003cp\u003eCarl Roseberg Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Carl Roseberg Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection accessioned and described by Steven Bookman, University Archives Specialist, in June-July 2009.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection accessioned and described by Steven Bookman, University Archives Specialist, in June-July 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Faculty-Alumni File Collection (UA 10); University Archives Poster Collection (UA 12); University Archives Photograph Collection (UA 8).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Faculty-Alumni File Collection (UA 10); University Archives Poster Collection (UA 12); University Archives Photograph Collection (UA 8)."],"scopecontent_html_tesm":["\u003cp\u003eThe Carl Roseberg Collection includes paintings and sculptures by the artist as well as Christmas cards and a calendar. Images of sculptures on display in Swem Library can be found at the \u003cextref href=\"http://www.flickr.com/photos/scrc/sets/72157619493508884/\" show=\"new\" actuate=\"onrequest\"\u003eSCRC Flickr\u003c/extref\u003e.\u003c/p\u003e  ","\u003cp\u003eSculpture, Bear, bronze, 6 x 10. On display in the Special Collections Research Center. Consult a staff member in advance to view this item.\u003c/p\u003e","\u003cp\u003eSculpture. A series of welded red steel rods were used to form a simple spiral. Spiral Form I was recreated, turned slightly on its base, and mounted. On display in the Roseberg Gallery on the Ground Floor of Swem Library.\u003c/p\u003e","\u003cp\u003eSculpture made from mahogany wood. On display in the Roseberg Gallery on the Ground Floor of Swem Library.\u003c/p\u003e","\u003cp\u003eSculpture made from brazed steel. On display in the Roseberg Gallery on the Ground Floor of Swem Library.\u003c/p\u003e","\u003cp\u003eSculpture made from Marble. On display in the Roseberg Gallery on the Ground Floor of Swem Library.\u003c/p\u003e","\u003cp\u003eSculpture made from lignum vitae wood. On display in the Roseberg Gallery on the Ground Floor of Swem Library.\u003c/p\u003e","\u003cp\u003eSculpture made from cararra marble. On display in the Botetourt Gallery on the Ground Floor of Swem Library.\u003c/p\u003e","\u003cp\u003eSculpture made from Vermont marble. On display in the Botetourt Gallery on the Ground Floor of Swem Library.\u003c/p\u003e","\u003cp\u003eSculpture on display outside the Board Room on the third floor of Swem Library at the College of William and Mary. The sculpture was created from steel. Made of a steel rod framework, thick strips of steel were welded over the frame, then brazed over with bronze metal. The overall form is suggestive of a group of military men standing at attention.\u003c/p\u003e","\u003cp\u003eSculpture on display outside the Board Room on the third floor of Swem Library at the College of William and Mary. The sculpture was created in the 1960s from mahogany wood. The piece of mahogany chosen for Trisula was a nice wide chunk of wood, yet not too deep; a piece of wood this wide is very rare. The curved forms of the sculpture emphasize the beuty of the grain.\u003c/p\u003e","\u003cp\u003eSculpture on display outside the Administrative Offices on the third floor of Swem Library at the College of William and Mary. The sculpture was created in 1979 from mahogany wood. This carving's design and shape intend to give an effect of rising forms to suggest how a person's life should overcome problems of life until they reach the ultimate pinnacle of their life.\u003c/p\u003e","\u003cp\u003eSculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created from mahogany wood and is 18\" x 24.\"\u003c/p\u003e","\u003cp\u003eShown here is a photograph of the sculpture Twist by Carl Roseberg on display in the Information Commons on the first floor of Swem Library at the College of William and Mary. The sculpture was created in 1981 from teak wood. The figure is basically a growing plant form. Each unit becomes smaller toward the top just as a living plant grows.\u003c/p\u003e","\u003cp\u003eSculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created in the 1970s from fir wood and copper. The wood structure is composed of laminated pipe plant which was then carved out with chisels. A welding torch was used to burn away the soft ridges of the grain. Large copper rivets soldered to a thick sheet of steel were attached in the back to make the center section.\u003c/p\u003e","\u003cp\u003eSculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created from walnut wood and is 30\" with a 2\" stand.\u003c/p\u003e","\u003cp\u003eSculpture in the holdings of the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created in the 1970s from steel, fiberglass, and plastic. A simple spiral of welded steel rods, the spaces between the rods are filled in with polyester resin, making it a solid form rather than the open wire form of Spiral Form II. Consult a staff member in advance to view this item.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary. The sculpture was created in 1960 from mahogany wood. The wood from David's Harp was wide, yet not too deep. The size of the wood seemed to suggest a narrow form, which was developed into a harp-like shape. The open spaces fit well into the design.\u003c/p\u003e","\u003cp\u003eSculpture on display outside the Swem Development office on the third floor of Swem Library at the College of William and Mary. The sculpture was created from teakwood circa 1976. This sculpture consists of a needle-like piece of teakwood suspended between two anchored teakwood forms. The needle appears to be ready to be launched into space.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary. The sculpture is made of Albarene stone from Schuyler, Virginia and was created in the 1950s. The stone is a gray color when not polished. The beard and hair are unpolished while the face is polished. Albarene stone is commonly used for sinks and chemistry tables.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary. The sculpture was made from white marble, undated.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary. The sculpture was made from Brazilian rosewood in 1990.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary. The sculpture is made of welded steel and was created in the 1950s. Great Swallowtail is made of found materials. The welded wings were cut from an old automobile fender and the body is composed of different sized pieces of pipe. A large nail attaches the swallowtail to an umbrella stem which fits into the chunk of found limestone.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary. The sculpture is made from walnut wood sometime between 1950 and 1960. The sculpture shows Jezebel lifting her hair.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary. The sculpture was created from ebony wood in the 1960s. In tis ebony figure Roseberg changed the usual position of Christ's arms and hands to emphasize what would be the most uncomfortable positions the arms could be placed and bound. The ebony wood is hard and the finest detail can be carved into this wood.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary. The sculpture was created from mahogany wood in 1988. Featured here are two carved heads of a man and woman.The two walnut heads retain the basic shapes of the blocks from which they were carved. They were split from the same section of tree trunk.\u003c/p\u003e","\u003cp\u003eStructure located in Swem Library at the College of William and Mary. The sculpture was created from terracotta, undated. The camel's expression might suggest that he has just bitten his keeper. The terracotta sculpture was Roseberg's second attempt to create a hollow form with ceramic clay.\u003c/p\u003e","\u003cp\u003eAcrylic, New Campus, Jones Hall, framed 14.5 x 18. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.\u003c/p\u003e","\u003cp\u003eAcrylic, New Campus, Millington Hall, framed 14.5 x 18. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.\u003c/p\u003e","\u003cp\u003eWatercolor, Bruton Parish Church, unframed 19 x 13.5\u003c/p\u003e","\u003cp\u003eWatercolor, Colonial Capital, unframed 13.5 x 19.\u003c/p\u003e","\u003cp\u003eWatercolor with ink, Crim Dell, framed 16.5 x 17.5. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.\u003c/p\u003e","\u003cp\u003eWatercolor, Boardwalk - Tangier Island, unframed, in 19 x 23 mat.\u003c/p\u003e","\u003cp\u003eWatercolor, Storm Over Tangier Island, framed 20 x 26. In storage in Special Collections Research Center.\u003c/p\u003e","\u003cp\u003eWatercolor, Oyster Shack with fishing boat. Matted and framed. Frame measures 17.25\" (height) x 22.5\" (width) x 1\" (depth)\u003c/p\u003e","\u003cp\u003eWatercolor, Farm on the Hill with fishing boat, matted and framed. Frame measures 17\" (height) x 22.75\" (width) x 1\" (depth).\u003c/p\u003e","\u003cp\u003eWatercolor, titled \"Rocky Coast of Maine, Ogunquit, Maine\" of a Maine shore scene, matted and framed. Frame dimensions 18.25\" (height) x 35.25\" (width) x 1.5\" (depth).\u003c/p\u003e","\u003cp\u003eWatercolor, Tulip Time College Corner, 1984. Matted and framed. Frame measures 15.25\" (height) x 24.25\" (width) x 1\" (depth)\u003c/p\u003e","\u003cp\u003eWatercolor, Harbor Portsmouth, N.H., framed 18 x 36.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Carl Roseberg Collection includes paintings and sculptures by the artist as well as Christmas cards and a calendar. Images of sculptures on display in Swem Library can be found at the SCRC Flickr.","Sculpture, Bear, bronze, 6 x 10. On display in the Special Collections Research Center. Consult a staff member in advance to view this item.","Sculpture. A series of welded red steel rods were used to form a simple spiral. Spiral Form I was recreated, turned slightly on its base, and mounted. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from mahogany wood. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from brazed steel. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from Marble. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from lignum vitae wood. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from cararra marble. On display in the Botetourt Gallery on the Ground Floor of Swem Library.","Sculpture made from Vermont marble. On display in the Botetourt Gallery on the Ground Floor of Swem Library.","Sculpture on display outside the Board Room on the third floor of Swem Library at the College of William and Mary. The sculpture was created from steel. Made of a steel rod framework, thick strips of steel were welded over the frame, then brazed over with bronze metal. The overall form is suggestive of a group of military men standing at attention.","Sculpture on display outside the Board Room on the third floor of Swem Library at the College of William and Mary. The sculpture was created in the 1960s from mahogany wood. The piece of mahogany chosen for Trisula was a nice wide chunk of wood, yet not too deep; a piece of wood this wide is very rare. The curved forms of the sculpture emphasize the beuty of the grain.","Sculpture on display outside the Administrative Offices on the third floor of Swem Library at the College of William and Mary. The sculpture was created in 1979 from mahogany wood. This carving's design and shape intend to give an effect of rising forms to suggest how a person's life should overcome problems of life until they reach the ultimate pinnacle of their life.","Sculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created from mahogany wood and is 18\" x 24.\"","Shown here is a photograph of the sculpture Twist by Carl Roseberg on display in the Information Commons on the first floor of Swem Library at the College of William and Mary. The sculpture was created in 1981 from teak wood. The figure is basically a growing plant form. Each unit becomes smaller toward the top just as a living plant grows.","Sculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created in the 1970s from fir wood and copper. The wood structure is composed of laminated pipe plant which was then carved out with chisels. A welding torch was used to burn away the soft ridges of the grain. Large copper rivets soldered to a thick sheet of steel were attached in the back to make the center section.","Sculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created from walnut wood and is 30\" with a 2\" stand.","Sculpture in the holdings of the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created in the 1970s from steel, fiberglass, and plastic. A simple spiral of welded steel rods, the spaces between the rods are filled in with polyester resin, making it a solid form rather than the open wire form of Spiral Form II. Consult a staff member in advance to view this item.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was created in 1960 from mahogany wood. The wood from David's Harp was wide, yet not too deep. The size of the wood seemed to suggest a narrow form, which was developed into a harp-like shape. The open spaces fit well into the design.","Sculpture on display outside the Swem Development office on the third floor of Swem Library at the College of William and Mary. The sculpture was created from teakwood circa 1976. This sculpture consists of a needle-like piece of teakwood suspended between two anchored teakwood forms. The needle appears to be ready to be launched into space.","Sculpture located in Swem Library at the College of William and Mary. The sculpture is made of Albarene stone from Schuyler, Virginia and was created in the 1950s. The stone is a gray color when not polished. The beard and hair are unpolished while the face is polished. Albarene stone is commonly used for sinks and chemistry tables.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was made from white marble, undated.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was made from Brazilian rosewood in 1990.","Sculpture located in Swem Library at the College of William and Mary. The sculpture is made of welded steel and was created in the 1950s. Great Swallowtail is made of found materials. The welded wings were cut from an old automobile fender and the body is composed of different sized pieces of pipe. A large nail attaches the swallowtail to an umbrella stem which fits into the chunk of found limestone.","Sculpture located in Swem Library at the College of William and Mary.","Sculpture located in Swem Library at the College of William and Mary. The sculpture is made from walnut wood sometime between 1950 and 1960. The sculpture shows Jezebel lifting her hair.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was created from ebony wood in the 1960s. In tis ebony figure Roseberg changed the usual position of Christ's arms and hands to emphasize what would be the most uncomfortable positions the arms could be placed and bound. The ebony wood is hard and the finest detail can be carved into this wood.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was created from mahogany wood in 1988. Featured here are two carved heads of a man and woman.The two walnut heads retain the basic shapes of the blocks from which they were carved. They were split from the same section of tree trunk.","Structure located in Swem Library at the College of William and Mary. The sculpture was created from terracotta, undated. The camel's expression might suggest that he has just bitten his keeper. The terracotta sculpture was Roseberg's second attempt to create a hollow form with ceramic clay.","Acrylic, New Campus, Jones Hall, framed 14.5 x 18. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.","Acrylic, New Campus, Millington Hall, framed 14.5 x 18. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.","Watercolor, Bruton Parish Church, unframed 19 x 13.5","Watercolor, Colonial Capital, unframed 13.5 x 19.","Watercolor with ink, Crim Dell, framed 16.5 x 17.5. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.","Watercolor, Boardwalk - Tangier Island, unframed, in 19 x 23 mat.","Watercolor, Storm Over Tangier Island, framed 20 x 26. In storage in Special Collections Research Center.","Watercolor, Oyster Shack with fishing boat. Matted and framed. Frame measures 17.25\" (height) x 22.5\" (width) x 1\" (depth)","Watercolor, Farm on the Hill with fishing boat, matted and framed. Frame measures 17\" (height) x 22.75\" (width) x 1\" (depth).","Watercolor, titled \"Rocky Coast of Maine, Ogunquit, Maine\" of a Maine shore scene, matted and framed. Frame dimensions 18.25\" (height) x 35.25\" (width) x 1.5\" (depth).","Watercolor, Tulip Time College Corner, 1984. Matted and framed. Frame measures 15.25\" (height) x 24.25\" (width) x 1\" (depth)","Watercolor, Harbor Portsmouth, N.H., framed 18 x 36."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English\n      English"],"total_component_count_is":44,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:42:20.276Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_2033","ead_ssi":"viw_repositories_2_resources_2033","_root_":"viw_repositories_2_resources_2033","_nest_parent_":"viw_repositories_2_resources_2033","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2033.xml","title_filing_ssi":"Carl Roseberg collection","title_ssm":["Carl Roseberg collection"],"title_tesim":["Carl Roseberg collection"],"unitdate_ssm":["Circa 1947-1993"],"unitdate_inclusive_ssm":["Circa 1947-1993"],"normalized_date_ssm":["1947/1993"],"normalized_title_ssm":["Carl Roseberg collection, 1947/1993"],"text":["Carl Roseberg collection, 1947/1993","00/06/UA 6.080","/repositories/2/resources/2033","College of William and Mary--Faculty and Staff","Sculptors, American--20th century","Sculpture, American","Sculptors--United States","Acrylic paintings (visual works)","Calendars","Christmas cards","Figurines","Statues","Watercolors (paintings)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Carl Roseberg was an artist and art historian at William \u0026 Mary from the 1940s through the 1980s. Roseberg was born in Vinton, Iowa in 1916 and died on November 11, 1999 in Williamsburg, Virginia. He graduated from the University of Iowa and served in the U.S. Navy during World War II and the Korean War as a specialist in air intelligence. He married Virginia Gorman in 1952 in Batavia, Iowa. His appointments at William \u0026 Mary were: Instructor in Fine Arts, 1947-1952; Assistant Professor of Fine Arts, 1952-1957; Associate Professor of Fine Arts, 1957-1966; Professor of Fine Arts, 1966-1982; On leave of absence: 1950-1952; Professor of Fine Arts, Emeritus, 1982.","Portions of the collection are on exhibit in administrative areas in the Earl Gregg Swem Library, including meeting rooms and the Special Collections Research Center's reading room, which may limit when researchers are available to view items. Consult a staff member for details.","Collection accessioned and described by Steven Bookman, University Archives Specialist, in June-July 2009.","University Archives Faculty-Alumni File Collection (UA 10); University Archives Poster Collection (UA 12); University Archives Photograph Collection (UA 8).","The Carl Roseberg Collection includes paintings and sculptures by the artist as well as Christmas cards and a calendar. Images of sculptures on display in Swem Library can be found at the SCRC Flickr.","Sculpture, Bear, bronze, 6 x 10. On display in the Special Collections Research Center. Consult a staff member in advance to view this item.","Sculpture. A series of welded red steel rods were used to form a simple spiral. Spiral Form I was recreated, turned slightly on its base, and mounted. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from mahogany wood. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from brazed steel. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from Marble. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from lignum vitae wood. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from cararra marble. On display in the Botetourt Gallery on the Ground Floor of Swem Library.","Sculpture made from Vermont marble. On display in the Botetourt Gallery on the Ground Floor of Swem Library.","Sculpture on display outside the Board Room on the third floor of Swem Library at the College of William and Mary. The sculpture was created from steel. Made of a steel rod framework, thick strips of steel were welded over the frame, then brazed over with bronze metal. The overall form is suggestive of a group of military men standing at attention.","Sculpture on display outside the Board Room on the third floor of Swem Library at the College of William and Mary. The sculpture was created in the 1960s from mahogany wood. The piece of mahogany chosen for Trisula was a nice wide chunk of wood, yet not too deep; a piece of wood this wide is very rare. The curved forms of the sculpture emphasize the beuty of the grain.","Sculpture on display outside the Administrative Offices on the third floor of Swem Library at the College of William and Mary. The sculpture was created in 1979 from mahogany wood. This carving's design and shape intend to give an effect of rising forms to suggest how a person's life should overcome problems of life until they reach the ultimate pinnacle of their life.","Sculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created from mahogany wood and is 18\" x 24.\"","Shown here is a photograph of the sculpture Twist by Carl Roseberg on display in the Information Commons on the first floor of Swem Library at the College of William and Mary. The sculpture was created in 1981 from teak wood. The figure is basically a growing plant form. Each unit becomes smaller toward the top just as a living plant grows.","Sculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created in the 1970s from fir wood and copper. The wood structure is composed of laminated pipe plant which was then carved out with chisels. A welding torch was used to burn away the soft ridges of the grain. Large copper rivets soldered to a thick sheet of steel were attached in the back to make the center section.","Sculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created from walnut wood and is 30\" with a 2\" stand.","Sculpture in the holdings of the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created in the 1970s from steel, fiberglass, and plastic. A simple spiral of welded steel rods, the spaces between the rods are filled in with polyester resin, making it a solid form rather than the open wire form of Spiral Form II. Consult a staff member in advance to view this item.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was created in 1960 from mahogany wood. The wood from David's Harp was wide, yet not too deep. The size of the wood seemed to suggest a narrow form, which was developed into a harp-like shape. The open spaces fit well into the design.","Sculpture on display outside the Swem Development office on the third floor of Swem Library at the College of William and Mary. The sculpture was created from teakwood circa 1976. This sculpture consists of a needle-like piece of teakwood suspended between two anchored teakwood forms. The needle appears to be ready to be launched into space.","Sculpture located in Swem Library at the College of William and Mary. The sculpture is made of Albarene stone from Schuyler, Virginia and was created in the 1950s. The stone is a gray color when not polished. The beard and hair are unpolished while the face is polished. Albarene stone is commonly used for sinks and chemistry tables.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was made from white marble, undated.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was made from Brazilian rosewood in 1990.","Sculpture located in Swem Library at the College of William and Mary. The sculpture is made of welded steel and was created in the 1950s. Great Swallowtail is made of found materials. The welded wings were cut from an old automobile fender and the body is composed of different sized pieces of pipe. A large nail attaches the swallowtail to an umbrella stem which fits into the chunk of found limestone.","Sculpture located in Swem Library at the College of William and Mary.","Sculpture located in Swem Library at the College of William and Mary. The sculpture is made from walnut wood sometime between 1950 and 1960. The sculpture shows Jezebel lifting her hair.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was created from ebony wood in the 1960s. In tis ebony figure Roseberg changed the usual position of Christ's arms and hands to emphasize what would be the most uncomfortable positions the arms could be placed and bound. The ebony wood is hard and the finest detail can be carved into this wood.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was created from mahogany wood in 1988. Featured here are two carved heads of a man and woman.The two walnut heads retain the basic shapes of the blocks from which they were carved. They were split from the same section of tree trunk.","Structure located in Swem Library at the College of William and Mary. The sculpture was created from terracotta, undated. The camel's expression might suggest that he has just bitten his keeper. The terracotta sculpture was Roseberg's second attempt to create a hollow form with ceramic clay.","Acrylic, New Campus, Jones Hall, framed 14.5 x 18. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.","Acrylic, New Campus, Millington Hall, framed 14.5 x 18. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.","Watercolor, Bruton Parish Church, unframed 19 x 13.5","Watercolor, Colonial Capital, unframed 13.5 x 19.","Watercolor with ink, Crim Dell, framed 16.5 x 17.5. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.","Watercolor, Boardwalk - Tangier Island, unframed, in 19 x 23 mat.","Watercolor, Storm Over Tangier Island, framed 20 x 26. In storage in Special Collections Research Center.","Watercolor, Oyster Shack with fishing boat. Matted and framed. Frame measures 17.25\" (height) x 22.5\" (width) x 1\" (depth)","Watercolor, Farm on the Hill with fishing boat, matted and framed. Frame measures 17\" (height) x 22.75\" (width) x 1\" (depth).","Watercolor, titled \"Rocky Coast of Maine, Ogunquit, Maine\" of a Maine shore scene, matted and framed. Frame dimensions 18.25\" (height) x 35.25\" (width) x 1.5\" (depth).","Watercolor, Tulip Time College Corner, 1984. Matted and framed. Frame measures 15.25\" (height) x 24.25\" (width) x 1\" (depth)","Watercolor, Harbor Portsmouth, N.H., framed 18 x 36.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English\n      English"],"collection_title_tesim":["Carl Roseberg collection, 1947/1993"],"collection_ssim":["Carl Roseberg collection, 1947/1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["00/06/UA 6.080","/repositories/2/resources/2033"],"unitid_tesim":["00/06/UA 6.080","/repositories/2/resources/2033"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2009.232 received from Jacquelyn Dulin Wilson, Class of 1968, in memory of her parents Maurine Stuart Dulin, Class of 1939, and William Carter Dulin on May 18, 2008. Material also received prior to 2008."],"access_subjects_ssim":["College of William and Mary--Faculty and Staff","Sculptors, American--20th century","Sculpture, American","Sculptors--United States","Acrylic paintings (visual works)","Calendars","Christmas cards","Figurines","Statues","Watercolors (paintings)"],"access_subjects_ssm":["College of William and Mary--Faculty and Staff","Sculptors, American--20th century","Sculpture, American","Sculptors--United States","Acrylic paintings (visual works)","Calendars","Christmas cards","Figurines","Statues","Watercolors (paintings)"],"has_online_content_ssim":["false"],"extent_ssm":["40.00 Linear Feet"],"extent_tesim":["40.00 Linear Feet"],"genreform_ssim":["Acrylic paintings (visual works)","Calendars","Christmas cards","Figurines","Statues","Watercolors (paintings)"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eCarl Roseberg was an artist and art historian at William \u0026amp; Mary from the 1940s through the 1980s. Roseberg was born in Vinton, Iowa in 1916 and died on November 11, 1999 in Williamsburg, Virginia. He graduated from the University of Iowa and served in the U.S. Navy during World War II and the Korean War as a specialist in air intelligence. He married Virginia Gorman in 1952 in Batavia, Iowa. His appointments at William \u0026amp; Mary were: Instructor in Fine Arts, 1947-1952; Assistant Professor of Fine Arts, 1952-1957; Associate Professor of Fine Arts, 1957-1966; Professor of Fine Arts, 1966-1982; On leave of absence: 1950-1952; Professor of Fine Arts, Emeritus, 1982.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Carl Roseberg was an artist and art historian at William \u0026 Mary from the 1940s through the 1980s. Roseberg was born in Vinton, Iowa in 1916 and died on November 11, 1999 in Williamsburg, Virginia. He graduated from the University of Iowa and served in the U.S. Navy during World War II and the Korean War as a specialist in air intelligence. He married Virginia Gorman in 1952 in Batavia, Iowa. His appointments at William \u0026 Mary were: Instructor in Fine Arts, 1947-1952; Assistant Professor of Fine Arts, 1952-1957; Associate Professor of Fine Arts, 1957-1966; Professor of Fine Arts, 1966-1982; On leave of absence: 1950-1952; Professor of Fine Arts, Emeritus, 1982."],"phystech_html_tesm":["\u003cp\u003ePortions of the collection are on exhibit in administrative areas in the Earl Gregg Swem Library, including meeting rooms and the Special Collections Research Center's reading room, which may limit when researchers are available to view items. Consult a staff member for details.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["Portions of the collection are on exhibit in administrative areas in the Earl Gregg Swem Library, including meeting rooms and the Special Collections Research Center's reading room, which may limit when researchers are available to view items. Consult a staff member for details."],"prefercite_html_tesm":["\u003cp\u003eCarl Roseberg Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Carl Roseberg Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection accessioned and described by Steven Bookman, University Archives Specialist, in June-July 2009.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection accessioned and described by Steven Bookman, University Archives Specialist, in June-July 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Faculty-Alumni File Collection (UA 10); University Archives Poster Collection (UA 12); University Archives Photograph Collection (UA 8).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Faculty-Alumni File Collection (UA 10); University Archives Poster Collection (UA 12); University Archives Photograph Collection (UA 8)."],"scopecontent_html_tesm":["\u003cp\u003eThe Carl Roseberg Collection includes paintings and sculptures by the artist as well as Christmas cards and a calendar. Images of sculptures on display in Swem Library can be found at the \u003cextref href=\"http://www.flickr.com/photos/scrc/sets/72157619493508884/\" show=\"new\" actuate=\"onrequest\"\u003eSCRC Flickr\u003c/extref\u003e.\u003c/p\u003e  ","\u003cp\u003eSculpture, Bear, bronze, 6 x 10. On display in the Special Collections Research Center. Consult a staff member in advance to view this item.\u003c/p\u003e","\u003cp\u003eSculpture. A series of welded red steel rods were used to form a simple spiral. Spiral Form I was recreated, turned slightly on its base, and mounted. On display in the Roseberg Gallery on the Ground Floor of Swem Library.\u003c/p\u003e","\u003cp\u003eSculpture made from mahogany wood. On display in the Roseberg Gallery on the Ground Floor of Swem Library.\u003c/p\u003e","\u003cp\u003eSculpture made from brazed steel. On display in the Roseberg Gallery on the Ground Floor of Swem Library.\u003c/p\u003e","\u003cp\u003eSculpture made from Marble. On display in the Roseberg Gallery on the Ground Floor of Swem Library.\u003c/p\u003e","\u003cp\u003eSculpture made from lignum vitae wood. On display in the Roseberg Gallery on the Ground Floor of Swem Library.\u003c/p\u003e","\u003cp\u003eSculpture made from cararra marble. On display in the Botetourt Gallery on the Ground Floor of Swem Library.\u003c/p\u003e","\u003cp\u003eSculpture made from Vermont marble. On display in the Botetourt Gallery on the Ground Floor of Swem Library.\u003c/p\u003e","\u003cp\u003eSculpture on display outside the Board Room on the third floor of Swem Library at the College of William and Mary. The sculpture was created from steel. Made of a steel rod framework, thick strips of steel were welded over the frame, then brazed over with bronze metal. The overall form is suggestive of a group of military men standing at attention.\u003c/p\u003e","\u003cp\u003eSculpture on display outside the Board Room on the third floor of Swem Library at the College of William and Mary. The sculpture was created in the 1960s from mahogany wood. The piece of mahogany chosen for Trisula was a nice wide chunk of wood, yet not too deep; a piece of wood this wide is very rare. The curved forms of the sculpture emphasize the beuty of the grain.\u003c/p\u003e","\u003cp\u003eSculpture on display outside the Administrative Offices on the third floor of Swem Library at the College of William and Mary. The sculpture was created in 1979 from mahogany wood. This carving's design and shape intend to give an effect of rising forms to suggest how a person's life should overcome problems of life until they reach the ultimate pinnacle of their life.\u003c/p\u003e","\u003cp\u003eSculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created from mahogany wood and is 18\" x 24.\"\u003c/p\u003e","\u003cp\u003eShown here is a photograph of the sculpture Twist by Carl Roseberg on display in the Information Commons on the first floor of Swem Library at the College of William and Mary. The sculpture was created in 1981 from teak wood. The figure is basically a growing plant form. Each unit becomes smaller toward the top just as a living plant grows.\u003c/p\u003e","\u003cp\u003eSculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created in the 1970s from fir wood and copper. The wood structure is composed of laminated pipe plant which was then carved out with chisels. A welding torch was used to burn away the soft ridges of the grain. Large copper rivets soldered to a thick sheet of steel were attached in the back to make the center section.\u003c/p\u003e","\u003cp\u003eSculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created from walnut wood and is 30\" with a 2\" stand.\u003c/p\u003e","\u003cp\u003eSculpture in the holdings of the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created in the 1970s from steel, fiberglass, and plastic. A simple spiral of welded steel rods, the spaces between the rods are filled in with polyester resin, making it a solid form rather than the open wire form of Spiral Form II. Consult a staff member in advance to view this item.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary. The sculpture was created in 1960 from mahogany wood. The wood from David's Harp was wide, yet not too deep. The size of the wood seemed to suggest a narrow form, which was developed into a harp-like shape. The open spaces fit well into the design.\u003c/p\u003e","\u003cp\u003eSculpture on display outside the Swem Development office on the third floor of Swem Library at the College of William and Mary. The sculpture was created from teakwood circa 1976. This sculpture consists of a needle-like piece of teakwood suspended between two anchored teakwood forms. The needle appears to be ready to be launched into space.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary. The sculpture is made of Albarene stone from Schuyler, Virginia and was created in the 1950s. The stone is a gray color when not polished. The beard and hair are unpolished while the face is polished. Albarene stone is commonly used for sinks and chemistry tables.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary. The sculpture was made from white marble, undated.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary. The sculpture was made from Brazilian rosewood in 1990.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary. The sculpture is made of welded steel and was created in the 1950s. Great Swallowtail is made of found materials. The welded wings were cut from an old automobile fender and the body is composed of different sized pieces of pipe. A large nail attaches the swallowtail to an umbrella stem which fits into the chunk of found limestone.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary. The sculpture is made from walnut wood sometime between 1950 and 1960. The sculpture shows Jezebel lifting her hair.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary. The sculpture was created from ebony wood in the 1960s. In tis ebony figure Roseberg changed the usual position of Christ's arms and hands to emphasize what would be the most uncomfortable positions the arms could be placed and bound. The ebony wood is hard and the finest detail can be carved into this wood.\u003c/p\u003e","\u003cp\u003eSculpture located in Swem Library at the College of William and Mary. The sculpture was created from mahogany wood in 1988. Featured here are two carved heads of a man and woman.The two walnut heads retain the basic shapes of the blocks from which they were carved. They were split from the same section of tree trunk.\u003c/p\u003e","\u003cp\u003eStructure located in Swem Library at the College of William and Mary. The sculpture was created from terracotta, undated. The camel's expression might suggest that he has just bitten his keeper. The terracotta sculpture was Roseberg's second attempt to create a hollow form with ceramic clay.\u003c/p\u003e","\u003cp\u003eAcrylic, New Campus, Jones Hall, framed 14.5 x 18. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.\u003c/p\u003e","\u003cp\u003eAcrylic, New Campus, Millington Hall, framed 14.5 x 18. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.\u003c/p\u003e","\u003cp\u003eWatercolor, Bruton Parish Church, unframed 19 x 13.5\u003c/p\u003e","\u003cp\u003eWatercolor, Colonial Capital, unframed 13.5 x 19.\u003c/p\u003e","\u003cp\u003eWatercolor with ink, Crim Dell, framed 16.5 x 17.5. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.\u003c/p\u003e","\u003cp\u003eWatercolor, Boardwalk - Tangier Island, unframed, in 19 x 23 mat.\u003c/p\u003e","\u003cp\u003eWatercolor, Storm Over Tangier Island, framed 20 x 26. In storage in Special Collections Research Center.\u003c/p\u003e","\u003cp\u003eWatercolor, Oyster Shack with fishing boat. Matted and framed. Frame measures 17.25\" (height) x 22.5\" (width) x 1\" (depth)\u003c/p\u003e","\u003cp\u003eWatercolor, Farm on the Hill with fishing boat, matted and framed. Frame measures 17\" (height) x 22.75\" (width) x 1\" (depth).\u003c/p\u003e","\u003cp\u003eWatercolor, titled \"Rocky Coast of Maine, Ogunquit, Maine\" of a Maine shore scene, matted and framed. Frame dimensions 18.25\" (height) x 35.25\" (width) x 1.5\" (depth).\u003c/p\u003e","\u003cp\u003eWatercolor, Tulip Time College Corner, 1984. Matted and framed. Frame measures 15.25\" (height) x 24.25\" (width) x 1\" (depth)\u003c/p\u003e","\u003cp\u003eWatercolor, Harbor Portsmouth, N.H., framed 18 x 36.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Carl Roseberg Collection includes paintings and sculptures by the artist as well as Christmas cards and a calendar. Images of sculptures on display in Swem Library can be found at the SCRC Flickr.","Sculpture, Bear, bronze, 6 x 10. On display in the Special Collections Research Center. Consult a staff member in advance to view this item.","Sculpture. A series of welded red steel rods were used to form a simple spiral. Spiral Form I was recreated, turned slightly on its base, and mounted. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from mahogany wood. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from brazed steel. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from Marble. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from lignum vitae wood. On display in the Roseberg Gallery on the Ground Floor of Swem Library.","Sculpture made from cararra marble. On display in the Botetourt Gallery on the Ground Floor of Swem Library.","Sculpture made from Vermont marble. On display in the Botetourt Gallery on the Ground Floor of Swem Library.","Sculpture on display outside the Board Room on the third floor of Swem Library at the College of William and Mary. The sculpture was created from steel. Made of a steel rod framework, thick strips of steel were welded over the frame, then brazed over with bronze metal. The overall form is suggestive of a group of military men standing at attention.","Sculpture on display outside the Board Room on the third floor of Swem Library at the College of William and Mary. The sculpture was created in the 1960s from mahogany wood. The piece of mahogany chosen for Trisula was a nice wide chunk of wood, yet not too deep; a piece of wood this wide is very rare. The curved forms of the sculpture emphasize the beuty of the grain.","Sculpture on display outside the Administrative Offices on the third floor of Swem Library at the College of William and Mary. The sculpture was created in 1979 from mahogany wood. This carving's design and shape intend to give an effect of rising forms to suggest how a person's life should overcome problems of life until they reach the ultimate pinnacle of their life.","Sculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created from mahogany wood and is 18\" x 24.\"","Shown here is a photograph of the sculpture Twist by Carl Roseberg on display in the Information Commons on the first floor of Swem Library at the College of William and Mary. The sculpture was created in 1981 from teak wood. The figure is basically a growing plant form. Each unit becomes smaller toward the top just as a living plant grows.","Sculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created in the 1970s from fir wood and copper. The wood structure is composed of laminated pipe plant which was then carved out with chisels. A welding torch was used to burn away the soft ridges of the grain. Large copper rivets soldered to a thick sheet of steel were attached in the back to make the center section.","Sculpture on display in the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created from walnut wood and is 30\" with a 2\" stand.","Sculpture in the holdings of the Special Collections Research Center on the first floor of Swem Library at the College of William and Mary. The sculpture was created in the 1970s from steel, fiberglass, and plastic. A simple spiral of welded steel rods, the spaces between the rods are filled in with polyester resin, making it a solid form rather than the open wire form of Spiral Form II. Consult a staff member in advance to view this item.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was created in 1960 from mahogany wood. The wood from David's Harp was wide, yet not too deep. The size of the wood seemed to suggest a narrow form, which was developed into a harp-like shape. The open spaces fit well into the design.","Sculpture on display outside the Swem Development office on the third floor of Swem Library at the College of William and Mary. The sculpture was created from teakwood circa 1976. This sculpture consists of a needle-like piece of teakwood suspended between two anchored teakwood forms. The needle appears to be ready to be launched into space.","Sculpture located in Swem Library at the College of William and Mary. The sculpture is made of Albarene stone from Schuyler, Virginia and was created in the 1950s. The stone is a gray color when not polished. The beard and hair are unpolished while the face is polished. Albarene stone is commonly used for sinks and chemistry tables.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was made from white marble, undated.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was made from Brazilian rosewood in 1990.","Sculpture located in Swem Library at the College of William and Mary. The sculpture is made of welded steel and was created in the 1950s. Great Swallowtail is made of found materials. The welded wings were cut from an old automobile fender and the body is composed of different sized pieces of pipe. A large nail attaches the swallowtail to an umbrella stem which fits into the chunk of found limestone.","Sculpture located in Swem Library at the College of William and Mary.","Sculpture located in Swem Library at the College of William and Mary. The sculpture is made from walnut wood sometime between 1950 and 1960. The sculpture shows Jezebel lifting her hair.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was created from ebony wood in the 1960s. In tis ebony figure Roseberg changed the usual position of Christ's arms and hands to emphasize what would be the most uncomfortable positions the arms could be placed and bound. The ebony wood is hard and the finest detail can be carved into this wood.","Sculpture located in Swem Library at the College of William and Mary. The sculpture was created from mahogany wood in 1988. Featured here are two carved heads of a man and woman.The two walnut heads retain the basic shapes of the blocks from which they were carved. They were split from the same section of tree trunk.","Structure located in Swem Library at the College of William and Mary. The sculpture was created from terracotta, undated. The camel's expression might suggest that he has just bitten his keeper. The terracotta sculpture was Roseberg's second attempt to create a hollow form with ceramic clay.","Acrylic, New Campus, Jones Hall, framed 14.5 x 18. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.","Acrylic, New Campus, Millington Hall, framed 14.5 x 18. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.","Watercolor, Bruton Parish Church, unframed 19 x 13.5","Watercolor, Colonial Capital, unframed 13.5 x 19.","Watercolor with ink, Crim Dell, framed 16.5 x 17.5. On display in the Earl Gregg Swem Library. Consult a staff member in advance to view this item.","Watercolor, Boardwalk - Tangier Island, unframed, in 19 x 23 mat.","Watercolor, Storm Over Tangier Island, framed 20 x 26. In storage in Special Collections Research Center.","Watercolor, Oyster Shack with fishing boat. Matted and framed. Frame measures 17.25\" (height) x 22.5\" (width) x 1\" (depth)","Watercolor, Farm on the Hill with fishing boat, matted and framed. Frame measures 17\" (height) x 22.75\" (width) x 1\" (depth).","Watercolor, titled \"Rocky Coast of Maine, Ogunquit, Maine\" of a Maine shore scene, matted and framed. Frame dimensions 18.25\" (height) x 35.25\" (width) x 1.5\" (depth).","Watercolor, Tulip Time College Corner, 1984. Matted and framed. Frame measures 15.25\" (height) x 24.25\" (width) x 1\" (depth)","Watercolor, Harbor Portsmouth, N.H., framed 18 x 36."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English\n      English"],"total_component_count_is":44,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:42:20.276Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_2033"}},{"id":"viw_repositories_2_resources_3975","type":"collection","attributes":{"title":"George Grey Barnard Letter to Robert Whittemore, 1936","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_3975#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eLetter from George Grey Barnard, New York City, [N.Y.] to Robert Whittmore giving his philosophy on clay vs photographs. \"We who move in clay, and stone, cannot send, to our fellow man shadow (photographs). \" June 17, [19]36.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_3975#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_3975","ead_ssi":"viw_repositories_2_resources_3975","_root_":"viw_repositories_2_resources_3975","_nest_parent_":"viw_repositories_2_resources_3975","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_3975.xml","title_filing_ssi":"Barnard, George Grey Letter to Robert Whittemore","title_ssm":["George Grey Barnard Letter to Robert Whittemore"],"title_tesim":["George Grey Barnard Letter to Robert Whittemore"],"unitdate_ssm":["1936 June 17"],"unitdate_other_ssim":["1936 June 17"],"normalized_date_ssm":["1936"],"normalized_title_ssm":["George Grey Barnard Letter to Robert Whittemore, 1936"],"text":["George Grey Barnard Letter to Robert Whittemore, 1936","SC 00468","/repositories/2/resources/3975","Sculpture, American","Sculptors--New York (State)--New York","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Letter from George Grey Barnard, New York City, [N.Y.] to Robert Whittmore giving his philosophy on clay vs photographs.  \"We who move in clay, and stone, cannot send, to our fellow man shadow (photographs). \" June 17, [19]36.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library","Special Collections Research Center","English"],"collection_title_tesim":["George Grey Barnard Letter to Robert Whittemore, 1936"],"collection_ssim":["George Grey Barnard Letter to Robert Whittemore, 1936"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 00468","/repositories/2/resources/3975"],"unitid_tesim":["SC 00468","/repositories/2/resources/3975"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library"],"acqinfo_ssim":["Purchase with Jesse Choate Phillips Fund."],"access_subjects_ssim":["Sculpture, American","Sculptors--New York (State)--New York"],"access_subjects_ssm":["Sculpture, American","Sculptors--New York (State)--New York"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"date_range_isim":[1936],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eFurther information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdb.swem.wm.edu/wiki/index.php/George_Grey_Barnard\" title=\"George Grey Barnard\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eGeorge Grey Barnard Letter to Robert Whittemorer, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["George Grey Barnard Letter to Robert Whittemorer, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eLetter from George Grey Barnard, New York City, [N.Y.] to Robert Whittmore giving his philosophy on clay vs photographs.  \"We who move in clay, and stone, cannot send, to our fellow man shadow (photographs). \" June 17, [19]36.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Letter from George Grey Barnard, New York City, [N.Y.] to Robert Whittmore giving his philosophy on clay vs photographs.  \"We who move in clay, and stone, cannot send, to our fellow man shadow (photographs). \" June 17, [19]36."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library"],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:43:51.432Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_3975","ead_ssi":"viw_repositories_2_resources_3975","_root_":"viw_repositories_2_resources_3975","_nest_parent_":"viw_repositories_2_resources_3975","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_3975.xml","title_filing_ssi":"Barnard, George Grey Letter to Robert Whittemore","title_ssm":["George Grey Barnard Letter to Robert Whittemore"],"title_tesim":["George Grey Barnard Letter to Robert Whittemore"],"unitdate_ssm":["1936 June 17"],"unitdate_other_ssim":["1936 June 17"],"normalized_date_ssm":["1936"],"normalized_title_ssm":["George Grey Barnard Letter to Robert Whittemore, 1936"],"text":["George Grey Barnard Letter to Robert Whittemore, 1936","SC 00468","/repositories/2/resources/3975","Sculpture, American","Sculptors--New York (State)--New York","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Letter from George Grey Barnard, New York City, [N.Y.] to Robert Whittmore giving his philosophy on clay vs photographs.  \"We who move in clay, and stone, cannot send, to our fellow man shadow (photographs). \" June 17, [19]36.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library","Special Collections Research Center","English"],"collection_title_tesim":["George Grey Barnard Letter to Robert Whittemore, 1936"],"collection_ssim":["George Grey Barnard Letter to Robert Whittemore, 1936"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 00468","/repositories/2/resources/3975"],"unitid_tesim":["SC 00468","/repositories/2/resources/3975"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library"],"acqinfo_ssim":["Purchase with Jesse Choate Phillips Fund."],"access_subjects_ssim":["Sculpture, American","Sculptors--New York (State)--New York"],"access_subjects_ssm":["Sculpture, American","Sculptors--New York (State)--New York"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"date_range_isim":[1936],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eFurther information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdb.swem.wm.edu/wiki/index.php/George_Grey_Barnard\" title=\"George Grey Barnard\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eGeorge Grey Barnard Letter to Robert Whittemorer, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["George Grey Barnard Letter to Robert Whittemorer, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eLetter from George Grey Barnard, New York City, [N.Y.] to Robert Whittmore giving his philosophy on clay vs photographs.  \"We who move in clay, and stone, cannot send, to our fellow man shadow (photographs). \" June 17, [19]36.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Letter from George Grey Barnard, New York City, [N.Y.] to Robert Whittmore giving his philosophy on clay vs photographs.  \"We who move in clay, and stone, cannot send, to our fellow man shadow (photographs). \" June 17, [19]36."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library"],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:43:51.432Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_3975"}},{"id":"viw_repositories_2_resources_9999","type":"collection","attributes":{"title":"Lafayette Reproduction Bust, 2022","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9999#creator","type":"document_value","attributes":{"value":"Lafayette Shoppe, LLC (Williamsburg, VA)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9999#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eA six-inch souvenir miniature reproduction of a bust of Gilbert du Motier, Marquis de Lafayette produced by the Lafayette Shoppe, LLC of Williamsburg, Virginia.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9999#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9999","ead_ssi":"viw_repositories_2_resources_9999","_root_":"viw_repositories_2_resources_9999","_nest_parent_":"viw_repositories_2_resources_9999","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9999.xml","title_filing_ssi":"Lafayette Reproduction Bust","title_ssm":["Lafayette Reproduction Bust"],"title_tesim":["Lafayette Reproduction Bust"],"unitdate_ssm":["2022"],"unitdate_other_ssim":["2022"],"normalized_date_ssm":["2022"],"normalized_title_ssm":["Lafayette Reproduction Bust, 2022"],"text":["Lafayette Reproduction Bust, 2022","SC 01982","/repositories/2/resources/9999","Williamsburg (Va.) -- History","United States--Revolutionary War--1775-1783","Sculpture, American","Facsimiles","Souvenirs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection consists of a single item.","The Lafayette Shoppe LLC is a company based in Williamsburg, VA dedicated to celebrating the life and achievements of Marquis de Lafayette through the creation of souvenir products for sale to those interested in Revolutionary War history while visiting Williamsburg. The company was established by Lisa Ingegneri when she created a reproduction of a bust of Lafayette and began selling replicas.","A six-inch souvenir miniature reproduction of a bust of Gilbert du Motier, Marquis de Lafayette produced by the Lafayette Shoppe, LLC of Williamsburg, Virginia.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lafayette Shoppe, LLC (Williamsburg, VA)","Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834","English"],"collection_title_tesim":["Lafayette Reproduction Bust, 2022"],"collection_ssim":["Lafayette Reproduction Bust, 2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01982","/repositories/2/resources/9999"],"unitid_tesim":["SC 01982","/repositories/2/resources/9999"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.) -- History"],"geogname_ssim":["Williamsburg (Va.) -- History"],"places_ssim":["Williamsburg (Va.) -- History"],"creator_ssm":["Lafayette Shoppe, LLC (Williamsburg, VA)","Lafayette Shoppe, LLC (Williamsburg, VA)"],"creator_ssim":["Lafayette Shoppe, LLC (Williamsburg, VA)","Lafayette Shoppe, LLC (Williamsburg, VA)"],"creator_persname_ssim":["Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834"],"creator_corpname_ssim":["Special Collections Research Center","Lafayette Shoppe, LLC (Williamsburg, VA)"],"creators_ssim":["Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834","Special Collections Research Center","Lafayette Shoppe, LLC (Williamsburg, VA)"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["United States--Revolutionary War--1775-1783","Sculpture, American","Facsimiles","Souvenirs"],"access_subjects_ssm":["United States--Revolutionary War--1775-1783","Sculpture, American","Facsimiles","Souvenirs"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet 1 artifact clamshell box."],"extent_tesim":[".5 Linear Feet 1 artifact clamshell box."],"genreform_ssim":["Souvenirs"],"date_range_isim":[2022],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection consists of a single item.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection consists of a single item."],"bioghist_html_tesm":["\u003cp\u003eThe Lafayette Shoppe LLC is a company based in Williamsburg, VA dedicated to celebrating the life and achievements of Marquis de Lafayette through the creation of souvenir products for sale to those interested in Revolutionary War history while visiting Williamsburg. The company was established by Lisa Ingegneri when she created a reproduction of a bust of Lafayette and began selling replicas.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Lafayette Shoppe LLC is a company based in Williamsburg, VA dedicated to celebrating the life and achievements of Marquis de Lafayette through the creation of souvenir products for sale to those interested in Revolutionary War history while visiting Williamsburg. The company was established by Lisa Ingegneri when she created a reproduction of a bust of Lafayette and began selling replicas."],"prefercite_html_tesm":["\u003cp\u003eLafayette Reproduction Bust, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Lafayette Reproduction Bust, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eA six-inch souvenir miniature reproduction of a bust of Gilbert du Motier, Marquis de Lafayette produced by the Lafayette Shoppe, LLC of Williamsburg, Virginia.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["A six-inch souvenir miniature reproduction of a bust of Gilbert du Motier, Marquis de Lafayette produced by the Lafayette Shoppe, LLC of Williamsburg, Virginia."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Lafayette Shoppe, LLC (Williamsburg, VA)"],"names_coll_ssim":["Lafayette Shoppe, LLC (Williamsburg, VA)","Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834"],"persname_ssim":["Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834"],"names_ssim":["Special Collections Research Center","Lafayette Shoppe, LLC (Williamsburg, VA)","Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:45.459Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9999","ead_ssi":"viw_repositories_2_resources_9999","_root_":"viw_repositories_2_resources_9999","_nest_parent_":"viw_repositories_2_resources_9999","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9999.xml","title_filing_ssi":"Lafayette Reproduction Bust","title_ssm":["Lafayette Reproduction Bust"],"title_tesim":["Lafayette Reproduction Bust"],"unitdate_ssm":["2022"],"unitdate_other_ssim":["2022"],"normalized_date_ssm":["2022"],"normalized_title_ssm":["Lafayette Reproduction Bust, 2022"],"text":["Lafayette Reproduction Bust, 2022","SC 01982","/repositories/2/resources/9999","Williamsburg (Va.) -- History","United States--Revolutionary War--1775-1783","Sculpture, American","Facsimiles","Souvenirs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection consists of a single item.","The Lafayette Shoppe LLC is a company based in Williamsburg, VA dedicated to celebrating the life and achievements of Marquis de Lafayette through the creation of souvenir products for sale to those interested in Revolutionary War history while visiting Williamsburg. The company was established by Lisa Ingegneri when she created a reproduction of a bust of Lafayette and began selling replicas.","A six-inch souvenir miniature reproduction of a bust of Gilbert du Motier, Marquis de Lafayette produced by the Lafayette Shoppe, LLC of Williamsburg, Virginia.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lafayette Shoppe, LLC (Williamsburg, VA)","Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834","English"],"collection_title_tesim":["Lafayette Reproduction Bust, 2022"],"collection_ssim":["Lafayette Reproduction Bust, 2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01982","/repositories/2/resources/9999"],"unitid_tesim":["SC 01982","/repositories/2/resources/9999"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.) -- History"],"geogname_ssim":["Williamsburg (Va.) -- History"],"places_ssim":["Williamsburg (Va.) -- History"],"creator_ssm":["Lafayette Shoppe, LLC (Williamsburg, VA)","Lafayette Shoppe, LLC (Williamsburg, VA)"],"creator_ssim":["Lafayette Shoppe, LLC (Williamsburg, VA)","Lafayette Shoppe, LLC (Williamsburg, VA)"],"creator_persname_ssim":["Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834"],"creator_corpname_ssim":["Special Collections Research Center","Lafayette Shoppe, LLC (Williamsburg, VA)"],"creators_ssim":["Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834","Special Collections Research Center","Lafayette Shoppe, LLC (Williamsburg, VA)"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["United States--Revolutionary War--1775-1783","Sculpture, American","Facsimiles","Souvenirs"],"access_subjects_ssm":["United States--Revolutionary War--1775-1783","Sculpture, American","Facsimiles","Souvenirs"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet 1 artifact clamshell box."],"extent_tesim":[".5 Linear Feet 1 artifact clamshell box."],"genreform_ssim":["Souvenirs"],"date_range_isim":[2022],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection consists of a single item.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection consists of a single item."],"bioghist_html_tesm":["\u003cp\u003eThe Lafayette Shoppe LLC is a company based in Williamsburg, VA dedicated to celebrating the life and achievements of Marquis de Lafayette through the creation of souvenir products for sale to those interested in Revolutionary War history while visiting Williamsburg. The company was established by Lisa Ingegneri when she created a reproduction of a bust of Lafayette and began selling replicas.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Lafayette Shoppe LLC is a company based in Williamsburg, VA dedicated to celebrating the life and achievements of Marquis de Lafayette through the creation of souvenir products for sale to those interested in Revolutionary War history while visiting Williamsburg. The company was established by Lisa Ingegneri when she created a reproduction of a bust of Lafayette and began selling replicas."],"prefercite_html_tesm":["\u003cp\u003eLafayette Reproduction Bust, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Lafayette Reproduction Bust, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eA six-inch souvenir miniature reproduction of a bust of Gilbert du Motier, Marquis de Lafayette produced by the Lafayette Shoppe, LLC of Williamsburg, Virginia.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["A six-inch souvenir miniature reproduction of a bust of Gilbert du Motier, Marquis de Lafayette produced by the Lafayette Shoppe, LLC of Williamsburg, Virginia."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Lafayette Shoppe, LLC (Williamsburg, VA)"],"names_coll_ssim":["Lafayette Shoppe, LLC (Williamsburg, VA)","Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834"],"persname_ssim":["Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834"],"names_ssim":["Special Collections Research Center","Lafayette Shoppe, LLC (Williamsburg, VA)","Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:45.459Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9999"}},{"id":"virmu_repositories_2_resources_435","type":"collection","attributes":{"title":"Rubin Peacock Artist Archives (VA-08), 1945/2021","creator":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_435#creator","type":"document_value","attributes":{"value":"Peacock, Rubin, 1941-","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_435#abstract_or_scope","type":"document_value","attributes":{"value":"This collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze. In addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_435#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_435","ead_ssi":"virmu_repositories_2_resources_435","_root_":"virmu_repositories_2_resources_435","_nest_parent_":"virmu_repositories_2_resources_435","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_435.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/435","title_filing_ssi":"Peacock, Rubin (VA-08)","title_ssm":["Rubin Peacock Artist Archives (VA-08)"],"title_tesim":["Rubin Peacock Artist Archives (VA-08)"],"unitdate_ssm":["1945-2021"],"unitdate_inclusive_ssm":["1945-2021"],"normalized_date_ssm":["1945/2021"],"normalized_title_ssm":["Rubin Peacock Artist Archives (VA-08), 1945/2021"],"text":["Rubin Peacock Artist Archives (VA-08), 1945/2021","VA-08","/repositories/2/resources/435","Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century.","The collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1\n        Art Production, 1966-1986\n      \n      \n        Series 2\n        Artwork, 1969-2015\n      \n      \n        Series 3\n        Biographical, 1945-2021","Rubin Peacock: 50 Years of Bronze Sculpture, 2019","Recent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980","Exhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982","Exhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980","Artist File: Miscellaneous Uncataloged Material","Rubin Clifton Peacock","Born: September 8, 1941, Winston-Salem, NC","Rubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.","Rubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.","After taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.","Rubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.","Sources: Collection materials; \"Rubin Peacock: 50 Years of Bronze Sculpture\" by Rubin Peacock","The collection was donated to the VMFA Archives by Rubin Peacock in January 2022.","In general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided.","The collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.","This series contains film, photographs, and slides that document the production of Rubin Peacock's artwork from 1966-1986. Included in this series are photographs of sculptures such as America's Gateway, Ancestral Terrain, Ancient Arroyo, Kanawha Landscape, Pentangle, Querceta, and early works made of stone and aluminum, and locations such as the Aylett Art Foundry and 303 Brook Road.","This file contains 20 photographs and 1 slide of early stone and aluminum works, sculpture production, and Rubin's studio.","This file contains 6 frames of film and 169 photographs documenting Rubin's bronze production for sculptures such as America's Gateway, Ancestral Terrain, Pentangle, and Winged Stele, among others.","This series contains film, photographs, publications, slides, and a flash drive that document Rubin Peacock's artwork from 1969-2017. Included in this series are sculptures such as Ancestral Terrain, Block Bronze with Four Points, Courtyard Model for Three Point Bronze, Cube Series, Flaming Teepee, Obtuse Triangles, Opposing Forces, Pentangle, Reflections on the Past, Seraphic Visitor, Sphere Series, Swayed Hegemony, The King's Fool, Triad, Wedged Stele, and Winged Stele, among others, and locations such as the Cary Hill Sculpture Gardens, the Chrysler Museum of Art, and the Aylett Art Foundry.","This file contains 27 photographs, 1 oversized photograph, and 43 slides featuring sculptures such as Butterfly Chief, Seraphic Visitor, Swayed Hegemony I, and The King's Fool, among others.","This file contains 33 photographs and 1 document featuring sculptures such as Reflections on the Past and Block Bronze with Four Points, among others.","This file contains 1 photograph that features Cardplaying Duck.","This file contains 248 photographs, 30 frames of film, 19 slides, and 5 documentary materials that feature sculptures such as Ancestral Terrain, Ancient Arroyo, Querceta, Triad, Wedged Stele, and Winged Stele, among others.","This file contains 18 photographs and 2 documentary materials that feature sculptures such as Lily Pond Stele, Silhouetted Geometry, and Winged Stele, among others.","This file contains 23 photographs and 21 slides that feature sculptures such as Kanawha Landscape, among others.","This file contains 5 photographs and 4 slides.","This file contains 21 photographs that feature One Morning In The Garden and The Dove and the Snake, among others.","This file contains 19 photographs, 9 slides, and 2 documentary materials that feature sculptures such as Arch, Ascending Spirit, Broken Wing Stele, and Strong Man Stele, among others.","This series contains correspondence, receipts, photographs, and publications that document Rubin Peacock's life and career.","This file contains 9 photographs and 33 slides that document Rubin Peacock's early works and his participation in the Peace Corps at Camp Cobbla, Jamaica.","This file contains 24 photographs that document Rubin Peacock's studios and workshops.","This file contains correspondence between Rubin, his acquaintances, and his clients, including Gunston Hall, the National Electronics Museum, and the Federal Reserve Bank of Richmond, among others; newspapers, including Richmond News Leader, Richmond Times-Dispatch, Sarasota Arts Review, and Washington Post, among others; and publications such as Style Weekly, The Gunston Hall Newsletter, and Virginia Living, among others.","This file contains the correspondence and receipts of the Aylett Art Foundry. Included within this file is Rubin Peacock's notebook of patina formulas.","Rubin Peacock's notebook of patina formulas has been placed in its own envelope due to its fragile condition.","The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","This collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career.","Virginia Museum of Fine Arts Archives","Peacock, Rubin, 1941-","English\n,       Latin\n."],"collection_title_tesim":["Rubin Peacock Artist Archives (VA-08), 1945/2021"],"collection_ssim":["Rubin Peacock Artist Archives (VA-08), 1945/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-08","/repositories/2/resources/435"],"unitid_tesim":["VA-08","/repositories/2/resources/435"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"creator_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"creator_persname_ssim":["Peacock, Rubin, 1941-"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives"],"creators_ssim":["Peacock, Rubin, 1941-","Virginia Museum of Fine Arts Archives"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century."],"access_subjects_ssm":["Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century."],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 6 boxes; 11 folders; 1,238 items"],"extent_tesim":["1.5 Linear Feet 6 boxes; 11 folders; 1,238 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eArt Production, 1966-1986\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eArtwork, 1969-2015\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eBiographical, 1945-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1\n        Art Production, 1966-1986\n      \n      \n        Series 2\n        Artwork, 1969-2015\n      \n      \n        Series 3\n        Biographical, 1945-2021"],"bibliography_html_tesm":["\u003cbibref\u003eRubin Peacock: 50 Years of Bronze Sculpture, 2019\u003c/bibref\u003e\n    ","\u003cbibref\u003eRecent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980\u003c/bibref\u003e\n  ","\u003cbibref\u003eExhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982\u003c/bibref\u003e\n    ","\u003cbibref\u003eExhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980\u003c/bibref\u003e\n  ","\u003cbibref\u003eArtist File: Miscellaneous Uncataloged Material\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Artist File"],"bibliography_tesim":["Rubin Peacock: 50 Years of Bronze Sculpture, 2019","Recent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980","Exhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982","Exhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980","Artist File: Miscellaneous Uncataloged Material"],"bioghist_html_tesm":["\u003cp\u003eRubin Clifton Peacock\u003c/p\u003e","\u003cp\u003eBorn: September 8, 1941, Winston-Salem, NC\u003c/p\u003e","\u003cp\u003eRubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.\u003c/p\u003e","\u003cp\u003eRubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.\u003c/p\u003e","\u003cp\u003eAfter taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.\u003c/p\u003e","\u003cp\u003eRubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.\u003c/p\u003e","\u003cp\u003eSources: Collection materials; \u003ca href=\"https://vmfashop.com/books-media/collections/rubin-peacock-50-years-of-bronze-sculpture.html\"\u003e\"Rubin Peacock: 50 Years of Bronze Sculpture\"\u003c/a\u003e by Rubin Peacock\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Rubin Clifton Peacock","Born: September 8, 1941, Winston-Salem, NC","Rubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.","Rubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.","After taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.","Rubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.","Sources: Collection materials; \"Rubin Peacock: 50 Years of Bronze Sculpture\" by Rubin Peacock"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Rubin Peacock in January 2022.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Rubin Peacock in January 2022."],"prefercite_html_tesm":["\u003cp\u003eRubin Peacock Artist Archives (VA-08). Gift of Rubin Peacock. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Rubin Peacock Artist Archives (VA-08). Gift of Rubin Peacock. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.\u003c/p\u003e  ","\u003cp\u003eThis series contains film, photographs, and slides that document the production of Rubin Peacock's artwork from 1966-1986. Included in this series are photographs of sculptures such as America's Gateway, Ancestral Terrain, Ancient Arroyo, Kanawha Landscape, Pentangle, Querceta, and early works made of stone and aluminum, and locations such as the Aylett Art Foundry and 303 Brook Road.\u003c/p\u003e","\u003cp\u003eThis file contains 20 photographs and 1 slide of early stone and aluminum works, sculpture production, and Rubin's studio.\u003c/p\u003e","\u003cp\u003eThis file contains 6 frames of film and 169 photographs documenting Rubin's bronze production for sculptures such as America's Gateway, Ancestral Terrain, Pentangle, and Winged Stele, among others.\u003c/p\u003e","\u003cp\u003eThis series contains film, photographs, publications, slides, and a flash drive that document Rubin Peacock's artwork from 1969-2017. Included in this series are sculptures such as Ancestral Terrain, Block Bronze with Four Points, Courtyard Model for Three Point Bronze, Cube Series, Flaming Teepee, Obtuse Triangles, Opposing Forces, Pentangle, Reflections on the Past, Seraphic Visitor, Sphere Series, Swayed Hegemony, The King's Fool, Triad, Wedged Stele, and Winged Stele, among others, and locations such as the Cary Hill Sculpture Gardens, the Chrysler Museum of Art, and the Aylett Art Foundry.\u003c/p\u003e","\u003cp\u003eThis file contains 27 photographs, 1 oversized photograph, and 43 slides featuring sculptures such as Butterfly Chief, Seraphic Visitor, Swayed Hegemony I, and The King's Fool, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 33 photographs and 1 document featuring sculptures such as Reflections on the Past and Block Bronze with Four Points, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 1 photograph that features Cardplaying Duck.\u003c/p\u003e","\u003cp\u003eThis file contains 248 photographs, 30 frames of film, 19 slides, and 5 documentary materials that feature sculptures such as Ancestral Terrain, Ancient Arroyo, Querceta, Triad, Wedged Stele, and Winged Stele, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 18 photographs and 2 documentary materials that feature sculptures such as Lily Pond Stele, Silhouetted Geometry, and Winged Stele, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 23 photographs and 21 slides that feature sculptures such as Kanawha Landscape, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 5 photographs and 4 slides.\u003c/p\u003e","\u003cp\u003eThis file contains 21 photographs that feature One Morning In The Garden and The Dove and the Snake, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 19 photographs, 9 slides, and 2 documentary materials that feature sculptures such as Arch, Ascending Spirit, Broken Wing Stele, and Strong Man Stele, among others.\u003c/p\u003e","\u003cp\u003eThis series contains correspondence, receipts, photographs, and publications that document Rubin Peacock's life and career.\u003c/p\u003e","\u003cp\u003eThis file contains 9 photographs and 33 slides that document Rubin Peacock's early works and his participation in the Peace Corps at Camp Cobbla, Jamaica.\u003c/p\u003e","\u003cp\u003eThis file contains 24 photographs that document Rubin Peacock's studios and workshops.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence between Rubin, his acquaintances, and his clients, including Gunston Hall, the National Electronics Museum, and the Federal Reserve Bank of Richmond, among others; newspapers, including Richmond News Leader, Richmond Times-Dispatch, Sarasota Arts Review, and Washington Post, among others; and publications such as Style Weekly, The Gunston Hall Newsletter, and Virginia Living, among others.\u003c/p\u003e","\u003cp\u003eThis file contains the correspondence and receipts of the Aylett Art Foundry. Included within this file is Rubin Peacock's notebook of patina formulas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.","This series contains film, photographs, and slides that document the production of Rubin Peacock's artwork from 1966-1986. Included in this series are photographs of sculptures such as America's Gateway, Ancestral Terrain, Ancient Arroyo, Kanawha Landscape, Pentangle, Querceta, and early works made of stone and aluminum, and locations such as the Aylett Art Foundry and 303 Brook Road.","This file contains 20 photographs and 1 slide of early stone and aluminum works, sculpture production, and Rubin's studio.","This file contains 6 frames of film and 169 photographs documenting Rubin's bronze production for sculptures such as America's Gateway, Ancestral Terrain, Pentangle, and Winged Stele, among others.","This series contains film, photographs, publications, slides, and a flash drive that document Rubin Peacock's artwork from 1969-2017. Included in this series are sculptures such as Ancestral Terrain, Block Bronze with Four Points, Courtyard Model for Three Point Bronze, Cube Series, Flaming Teepee, Obtuse Triangles, Opposing Forces, Pentangle, Reflections on the Past, Seraphic Visitor, Sphere Series, Swayed Hegemony, The King's Fool, Triad, Wedged Stele, and Winged Stele, among others, and locations such as the Cary Hill Sculpture Gardens, the Chrysler Museum of Art, and the Aylett Art Foundry.","This file contains 27 photographs, 1 oversized photograph, and 43 slides featuring sculptures such as Butterfly Chief, Seraphic Visitor, Swayed Hegemony I, and The King's Fool, among others.","This file contains 33 photographs and 1 document featuring sculptures such as Reflections on the Past and Block Bronze with Four Points, among others.","This file contains 1 photograph that features Cardplaying Duck.","This file contains 248 photographs, 30 frames of film, 19 slides, and 5 documentary materials that feature sculptures such as Ancestral Terrain, Ancient Arroyo, Querceta, Triad, Wedged Stele, and Winged Stele, among others.","This file contains 18 photographs and 2 documentary materials that feature sculptures such as Lily Pond Stele, Silhouetted Geometry, and Winged Stele, among others.","This file contains 23 photographs and 21 slides that feature sculptures such as Kanawha Landscape, among others.","This file contains 5 photographs and 4 slides.","This file contains 21 photographs that feature One Morning In The Garden and The Dove and the Snake, among others.","This file contains 19 photographs, 9 slides, and 2 documentary materials that feature sculptures such as Arch, Ascending Spirit, Broken Wing Stele, and Strong Man Stele, among others.","This series contains correspondence, receipts, photographs, and publications that document Rubin Peacock's life and career.","This file contains 9 photographs and 33 slides that document Rubin Peacock's early works and his participation in the Peace Corps at Camp Cobbla, Jamaica.","This file contains 24 photographs that document Rubin Peacock's studios and workshops.","This file contains correspondence between Rubin, his acquaintances, and his clients, including Gunston Hall, the National Electronics Museum, and the Federal Reserve Bank of Richmond, among others; newspapers, including Richmond News Leader, Richmond Times-Dispatch, Sarasota Arts Review, and Washington Post, among others; and publications such as Style Weekly, The Gunston Hall Newsletter, and Virginia Living, among others.","This file contains the correspondence and receipts of the Aylett Art Foundry. Included within this file is Rubin Peacock's notebook of patina formulas."],"separatedmaterial_html_tesm":["\u003cp\u003eRubin Peacock's notebook of patina formulas has been placed in its own envelope due to its fragile condition.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Rubin Peacock's notebook of patina formulas has been placed in its own envelope due to its fragile condition."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_170051d948295468442c2d85cb740f8f\"\u003eThis collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career."],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"persname_ssim":["Peacock, Rubin, 1941-"],"names_coll_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"names_ssim":["Virginia Museum of Fine Arts Archives","Peacock, Rubin, 1941-"],"language_ssim":["English\n,       Latin\n."],"total_component_count_is":19,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:08:49.814Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_435","ead_ssi":"virmu_repositories_2_resources_435","_root_":"virmu_repositories_2_resources_435","_nest_parent_":"virmu_repositories_2_resources_435","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_435.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/435","title_filing_ssi":"Peacock, Rubin (VA-08)","title_ssm":["Rubin Peacock Artist Archives (VA-08)"],"title_tesim":["Rubin Peacock Artist Archives (VA-08)"],"unitdate_ssm":["1945-2021"],"unitdate_inclusive_ssm":["1945-2021"],"normalized_date_ssm":["1945/2021"],"normalized_title_ssm":["Rubin Peacock Artist Archives (VA-08), 1945/2021"],"text":["Rubin Peacock Artist Archives (VA-08), 1945/2021","VA-08","/repositories/2/resources/435","Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century.","The collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1\n        Art Production, 1966-1986\n      \n      \n        Series 2\n        Artwork, 1969-2015\n      \n      \n        Series 3\n        Biographical, 1945-2021","Rubin Peacock: 50 Years of Bronze Sculpture, 2019","Recent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980","Exhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982","Exhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980","Artist File: Miscellaneous Uncataloged Material","Rubin Clifton Peacock","Born: September 8, 1941, Winston-Salem, NC","Rubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.","Rubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.","After taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.","Rubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.","Sources: Collection materials; \"Rubin Peacock: 50 Years of Bronze Sculpture\" by Rubin Peacock","The collection was donated to the VMFA Archives by Rubin Peacock in January 2022.","In general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided.","The collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.","This series contains film, photographs, and slides that document the production of Rubin Peacock's artwork from 1966-1986. Included in this series are photographs of sculptures such as America's Gateway, Ancestral Terrain, Ancient Arroyo, Kanawha Landscape, Pentangle, Querceta, and early works made of stone and aluminum, and locations such as the Aylett Art Foundry and 303 Brook Road.","This file contains 20 photographs and 1 slide of early stone and aluminum works, sculpture production, and Rubin's studio.","This file contains 6 frames of film and 169 photographs documenting Rubin's bronze production for sculptures such as America's Gateway, Ancestral Terrain, Pentangle, and Winged Stele, among others.","This series contains film, photographs, publications, slides, and a flash drive that document Rubin Peacock's artwork from 1969-2017. Included in this series are sculptures such as Ancestral Terrain, Block Bronze with Four Points, Courtyard Model for Three Point Bronze, Cube Series, Flaming Teepee, Obtuse Triangles, Opposing Forces, Pentangle, Reflections on the Past, Seraphic Visitor, Sphere Series, Swayed Hegemony, The King's Fool, Triad, Wedged Stele, and Winged Stele, among others, and locations such as the Cary Hill Sculpture Gardens, the Chrysler Museum of Art, and the Aylett Art Foundry.","This file contains 27 photographs, 1 oversized photograph, and 43 slides featuring sculptures such as Butterfly Chief, Seraphic Visitor, Swayed Hegemony I, and The King's Fool, among others.","This file contains 33 photographs and 1 document featuring sculptures such as Reflections on the Past and Block Bronze with Four Points, among others.","This file contains 1 photograph that features Cardplaying Duck.","This file contains 248 photographs, 30 frames of film, 19 slides, and 5 documentary materials that feature sculptures such as Ancestral Terrain, Ancient Arroyo, Querceta, Triad, Wedged Stele, and Winged Stele, among others.","This file contains 18 photographs and 2 documentary materials that feature sculptures such as Lily Pond Stele, Silhouetted Geometry, and Winged Stele, among others.","This file contains 23 photographs and 21 slides that feature sculptures such as Kanawha Landscape, among others.","This file contains 5 photographs and 4 slides.","This file contains 21 photographs that feature One Morning In The Garden and The Dove and the Snake, among others.","This file contains 19 photographs, 9 slides, and 2 documentary materials that feature sculptures such as Arch, Ascending Spirit, Broken Wing Stele, and Strong Man Stele, among others.","This series contains correspondence, receipts, photographs, and publications that document Rubin Peacock's life and career.","This file contains 9 photographs and 33 slides that document Rubin Peacock's early works and his participation in the Peace Corps at Camp Cobbla, Jamaica.","This file contains 24 photographs that document Rubin Peacock's studios and workshops.","This file contains correspondence between Rubin, his acquaintances, and his clients, including Gunston Hall, the National Electronics Museum, and the Federal Reserve Bank of Richmond, among others; newspapers, including Richmond News Leader, Richmond Times-Dispatch, Sarasota Arts Review, and Washington Post, among others; and publications such as Style Weekly, The Gunston Hall Newsletter, and Virginia Living, among others.","This file contains the correspondence and receipts of the Aylett Art Foundry. Included within this file is Rubin Peacock's notebook of patina formulas.","Rubin Peacock's notebook of patina formulas has been placed in its own envelope due to its fragile condition.","The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","This collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career.","Virginia Museum of Fine Arts Archives","Peacock, Rubin, 1941-","English\n,       Latin\n."],"collection_title_tesim":["Rubin Peacock Artist Archives (VA-08), 1945/2021"],"collection_ssim":["Rubin Peacock Artist Archives (VA-08), 1945/2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-08","/repositories/2/resources/435"],"unitid_tesim":["VA-08","/repositories/2/resources/435"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"creator_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"creator_persname_ssim":["Peacock, Rubin, 1941-"],"creator_corpname_ssim":["Virginia Museum of Fine Arts Archives"],"creators_ssim":["Peacock, Rubin, 1941-","Virginia Museum of Fine Arts Archives"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century."],"access_subjects_ssm":["Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century."],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 6 boxes; 11 folders; 1,238 items"],"extent_tesim":["1.5 Linear Feet 6 boxes; 11 folders; 1,238 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eArt Production, 1966-1986\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eArtwork, 1969-2015\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eBiographical, 1945-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1\n        Art Production, 1966-1986\n      \n      \n        Series 2\n        Artwork, 1969-2015\n      \n      \n        Series 3\n        Biographical, 1945-2021"],"bibliography_html_tesm":["\u003cbibref\u003eRubin Peacock: 50 Years of Bronze Sculpture, 2019\u003c/bibref\u003e\n    ","\u003cbibref\u003eRecent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980\u003c/bibref\u003e\n  ","\u003cbibref\u003eExhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982\u003c/bibref\u003e\n    ","\u003cbibref\u003eExhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980\u003c/bibref\u003e\n  ","\u003cbibref\u003eArtist File: Miscellaneous Uncataloged Material\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Artist File"],"bibliography_tesim":["Rubin Peacock: 50 Years of Bronze Sculpture, 2019","Recent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980","Exhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982","Exhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980","Artist File: Miscellaneous Uncataloged Material"],"bioghist_html_tesm":["\u003cp\u003eRubin Clifton Peacock\u003c/p\u003e","\u003cp\u003eBorn: September 8, 1941, Winston-Salem, NC\u003c/p\u003e","\u003cp\u003eRubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.\u003c/p\u003e","\u003cp\u003eRubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.\u003c/p\u003e","\u003cp\u003eAfter taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.\u003c/p\u003e","\u003cp\u003eRubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.\u003c/p\u003e","\u003cp\u003eSources: Collection materials; \u003ca href=\"https://vmfashop.com/books-media/collections/rubin-peacock-50-years-of-bronze-sculpture.html\"\u003e\"Rubin Peacock: 50 Years of Bronze Sculpture\"\u003c/a\u003e by Rubin Peacock\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Rubin Clifton Peacock","Born: September 8, 1941, Winston-Salem, NC","Rubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.","Rubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.","After taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.","Rubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.","Sources: Collection materials; \"Rubin Peacock: 50 Years of Bronze Sculpture\" by Rubin Peacock"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Rubin Peacock in January 2022.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Rubin Peacock in January 2022."],"prefercite_html_tesm":["\u003cp\u003eRubin Peacock Artist Archives (VA-08). Gift of Rubin Peacock. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Rubin Peacock Artist Archives (VA-08). Gift of Rubin Peacock. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.\u003c/p\u003e  ","\u003cp\u003eThis series contains film, photographs, and slides that document the production of Rubin Peacock's artwork from 1966-1986. Included in this series are photographs of sculptures such as America's Gateway, Ancestral Terrain, Ancient Arroyo, Kanawha Landscape, Pentangle, Querceta, and early works made of stone and aluminum, and locations such as the Aylett Art Foundry and 303 Brook Road.\u003c/p\u003e","\u003cp\u003eThis file contains 20 photographs and 1 slide of early stone and aluminum works, sculpture production, and Rubin's studio.\u003c/p\u003e","\u003cp\u003eThis file contains 6 frames of film and 169 photographs documenting Rubin's bronze production for sculptures such as America's Gateway, Ancestral Terrain, Pentangle, and Winged Stele, among others.\u003c/p\u003e","\u003cp\u003eThis series contains film, photographs, publications, slides, and a flash drive that document Rubin Peacock's artwork from 1969-2017. Included in this series are sculptures such as Ancestral Terrain, Block Bronze with Four Points, Courtyard Model for Three Point Bronze, Cube Series, Flaming Teepee, Obtuse Triangles, Opposing Forces, Pentangle, Reflections on the Past, Seraphic Visitor, Sphere Series, Swayed Hegemony, The King's Fool, Triad, Wedged Stele, and Winged Stele, among others, and locations such as the Cary Hill Sculpture Gardens, the Chrysler Museum of Art, and the Aylett Art Foundry.\u003c/p\u003e","\u003cp\u003eThis file contains 27 photographs, 1 oversized photograph, and 43 slides featuring sculptures such as Butterfly Chief, Seraphic Visitor, Swayed Hegemony I, and The King's Fool, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 33 photographs and 1 document featuring sculptures such as Reflections on the Past and Block Bronze with Four Points, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 1 photograph that features Cardplaying Duck.\u003c/p\u003e","\u003cp\u003eThis file contains 248 photographs, 30 frames of film, 19 slides, and 5 documentary materials that feature sculptures such as Ancestral Terrain, Ancient Arroyo, Querceta, Triad, Wedged Stele, and Winged Stele, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 18 photographs and 2 documentary materials that feature sculptures such as Lily Pond Stele, Silhouetted Geometry, and Winged Stele, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 23 photographs and 21 slides that feature sculptures such as Kanawha Landscape, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 5 photographs and 4 slides.\u003c/p\u003e","\u003cp\u003eThis file contains 21 photographs that feature One Morning In The Garden and The Dove and the Snake, among others.\u003c/p\u003e","\u003cp\u003eThis file contains 19 photographs, 9 slides, and 2 documentary materials that feature sculptures such as Arch, Ascending Spirit, Broken Wing Stele, and Strong Man Stele, among others.\u003c/p\u003e","\u003cp\u003eThis series contains correspondence, receipts, photographs, and publications that document Rubin Peacock's life and career.\u003c/p\u003e","\u003cp\u003eThis file contains 9 photographs and 33 slides that document Rubin Peacock's early works and his participation in the Peace Corps at Camp Cobbla, Jamaica.\u003c/p\u003e","\u003cp\u003eThis file contains 24 photographs that document Rubin Peacock's studios and workshops.\u003c/p\u003e","\u003cp\u003eThis file contains correspondence between Rubin, his acquaintances, and his clients, including Gunston Hall, the National Electronics Museum, and the Federal Reserve Bank of Richmond, among others; newspapers, including Richmond News Leader, Richmond Times-Dispatch, Sarasota Arts Review, and Washington Post, among others; and publications such as Style Weekly, The Gunston Hall Newsletter, and Virginia Living, among others.\u003c/p\u003e","\u003cp\u003eThis file contains the correspondence and receipts of the Aylett Art Foundry. Included within this file is Rubin Peacock's notebook of patina formulas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.","This series contains film, photographs, and slides that document the production of Rubin Peacock's artwork from 1966-1986. Included in this series are photographs of sculptures such as America's Gateway, Ancestral Terrain, Ancient Arroyo, Kanawha Landscape, Pentangle, Querceta, and early works made of stone and aluminum, and locations such as the Aylett Art Foundry and 303 Brook Road.","This file contains 20 photographs and 1 slide of early stone and aluminum works, sculpture production, and Rubin's studio.","This file contains 6 frames of film and 169 photographs documenting Rubin's bronze production for sculptures such as America's Gateway, Ancestral Terrain, Pentangle, and Winged Stele, among others.","This series contains film, photographs, publications, slides, and a flash drive that document Rubin Peacock's artwork from 1969-2017. Included in this series are sculptures such as Ancestral Terrain, Block Bronze with Four Points, Courtyard Model for Three Point Bronze, Cube Series, Flaming Teepee, Obtuse Triangles, Opposing Forces, Pentangle, Reflections on the Past, Seraphic Visitor, Sphere Series, Swayed Hegemony, The King's Fool, Triad, Wedged Stele, and Winged Stele, among others, and locations such as the Cary Hill Sculpture Gardens, the Chrysler Museum of Art, and the Aylett Art Foundry.","This file contains 27 photographs, 1 oversized photograph, and 43 slides featuring sculptures such as Butterfly Chief, Seraphic Visitor, Swayed Hegemony I, and The King's Fool, among others.","This file contains 33 photographs and 1 document featuring sculptures such as Reflections on the Past and Block Bronze with Four Points, among others.","This file contains 1 photograph that features Cardplaying Duck.","This file contains 248 photographs, 30 frames of film, 19 slides, and 5 documentary materials that feature sculptures such as Ancestral Terrain, Ancient Arroyo, Querceta, Triad, Wedged Stele, and Winged Stele, among others.","This file contains 18 photographs and 2 documentary materials that feature sculptures such as Lily Pond Stele, Silhouetted Geometry, and Winged Stele, among others.","This file contains 23 photographs and 21 slides that feature sculptures such as Kanawha Landscape, among others.","This file contains 5 photographs and 4 slides.","This file contains 21 photographs that feature One Morning In The Garden and The Dove and the Snake, among others.","This file contains 19 photographs, 9 slides, and 2 documentary materials that feature sculptures such as Arch, Ascending Spirit, Broken Wing Stele, and Strong Man Stele, among others.","This series contains correspondence, receipts, photographs, and publications that document Rubin Peacock's life and career.","This file contains 9 photographs and 33 slides that document Rubin Peacock's early works and his participation in the Peace Corps at Camp Cobbla, Jamaica.","This file contains 24 photographs that document Rubin Peacock's studios and workshops.","This file contains correspondence between Rubin, his acquaintances, and his clients, including Gunston Hall, the National Electronics Museum, and the Federal Reserve Bank of Richmond, among others; newspapers, including Richmond News Leader, Richmond Times-Dispatch, Sarasota Arts Review, and Washington Post, among others; and publications such as Style Weekly, The Gunston Hall Newsletter, and Virginia Living, among others.","This file contains the correspondence and receipts of the Aylett Art Foundry. Included within this file is Rubin Peacock's notebook of patina formulas."],"separatedmaterial_html_tesm":["\u003cp\u003eRubin Peacock's notebook of patina formulas has been placed in its own envelope due to its fragile condition.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Rubin Peacock's notebook of patina formulas has been placed in its own envelope due to its fragile condition."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_170051d948295468442c2d85cb740f8f\"\u003eThis collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career."],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"persname_ssim":["Peacock, Rubin, 1941-"],"names_coll_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"names_ssim":["Virginia Museum of Fine Arts Archives","Peacock, Rubin, 1941-"],"language_ssim":["English\n,       Latin\n."],"total_component_count_is":19,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:08:49.814Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_435"}},{"id":"viw_repositories_2_resources_1957","type":"collection","attributes":{"title":"William Ordway Partridge Papers, 1894/1905","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1957#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eLetters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1957#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_1957","ead_ssi":"viw_repositories_2_resources_1957","_root_":"viw_repositories_2_resources_1957","_nest_parent_":"viw_repositories_2_resources_1957","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1957.xml","title_filing_ssi":"Partridge, William Ordway Papers","title_ssm":["William Ordway Partridge Papers"],"title_tesim":["William Ordway Partridge Papers"],"unitdate_ssm":["1894-1905"],"unitdate_inclusive_ssm":["1894-1905"],"normalized_date_ssm":["1894/1905"],"normalized_title_ssm":["William Ordway Partridge Papers, 1894/1905"],"text":["William Ordway Partridge Papers, 1894/1905","SC 01075","/repositories/2/resources/1957","Jamestown (Va.)--History","Sculptors, American--19th century","Sculptors, American--20th century","Sculpture, American","Statue Pocahontas, 1922, Historic Jamestowne","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","William Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.","William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).","His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).","Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. In this same catalog Partridge was listed as living in Milton, Massachusetts. He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was Lee Lawrie.","Partridge went on to lecture at Stanford University in California, and assumed a professorship at Columbian University, now George Washington University, in Washington, D.C.","His life-size statue of the Native American Indian princess, Pocahontas, was unveiled in Jamestown, Virginia in 1922. Queen Elizabeth II viewed this statue on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first English colonial settlement in America. On October 5, 1958, a replica of the Pocahontas statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at St. George's Church in Gravesend, England. The Governor of Virginia presented the statue as a gift to the British people.","Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Processed by Cynthia B. Brown in 1983.","See WorldCat for information about two additional archival collections containing the papers of W. O. Partridge.","Letters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.","4 items.","6 Sept. [18]94, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Mr. [?] Hardy, n.p. Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026 Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["William Ordway Partridge Papers, 1894/1905"],"collection_ssim":["William Ordway Partridge Papers, 1894/1905"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01075","/repositories/2/resources/1957"],"unitid_tesim":["SC 01075","/repositories/2/resources/1957"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Jamestown (Va.)--History"],"geogname_ssim":["Jamestown (Va.)--History"],"places_ssim":["Jamestown (Va.)--History"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchase"],"access_subjects_ssim":["Sculptors, American--19th century","Sculptors, American--20th century","Sculpture, American","Statue Pocahontas, 1922, Historic Jamestowne","Correspondence"],"access_subjects_ssm":["Sculptors, American--19th century","Sculptors, American--20th century","Sculpture, American","Statue Pocahontas, 1922, Historic Jamestowne","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"genreform_ssim":["Correspondence"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eWilliam Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.\u003c/p\u003e","\u003cp\u003e William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).\u003c/p\u003e","\u003cp\u003e His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).\u003c/p\u003e","\u003cp\u003e Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. In this same catalog Partridge was listed as living in Milton, Massachusetts. He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was Lee Lawrie.\u003c/p\u003e","\u003cp\u003e Partridge went on to lecture at Stanford University in California, and assumed a professorship at Columbian University, now George Washington University, in Washington, D.C.\u003c/p\u003e","\u003cp\u003e His life-size statue of the Native American Indian princess, Pocahontas, was unveiled in Jamestown, Virginia in 1922. Queen Elizabeth II viewed this statue on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first English colonial settlement in America. On October 5, 1958, a replica of the Pocahontas statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at St. George's Church in Gravesend, England. The Governor of Virginia presented the statue as a gift to the British people.\u003c/p\u003e","\u003cp\u003e Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/William_Ordway_Partridge\" title=\"William Ordway Partridge\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["William Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.","William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).","His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).","Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. In this same catalog Partridge was listed as living in Milton, Massachusetts. He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was Lee Lawrie.","Partridge went on to lecture at Stanford University in California, and assumed a professorship at Columbian University, now George Washington University, in Washington, D.C.","His life-size statue of the Native American Indian princess, Pocahontas, was unveiled in Jamestown, Virginia in 1922. Queen Elizabeth II viewed this statue on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first English colonial settlement in America. On October 5, 1958, a replica of the Pocahontas statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at St. George's Church in Gravesend, England. The Governor of Virginia presented the statue as a gift to the British people.","Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eWilliam Ordway Partridge Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["William Ordway Partridge Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Cynthia B. Brown in 1983.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Cynthia B. Brown in 1983."],"relatedmaterial_html_tesm":["\u003cp\u003eSee WorldCat for information about two additional archival collections containing the papers of W. O. Partridge.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See WorldCat for information about two additional archival collections containing the papers of W. O. Partridge."],"scopecontent_html_tesm":["\u003cp\u003eLetters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.\u003c/p\u003e","\u003cp\u003e 4 items.\u003c/p\u003e  ","\u003cp\u003e6 Sept. [18]94, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Mr. [?] Hardy, n.p. Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026amp; Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Letters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.","4 items.","6 Sept. [18]94, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Mr. [?] Hardy, n.p. Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026 Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:42:20.276Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1957","ead_ssi":"viw_repositories_2_resources_1957","_root_":"viw_repositories_2_resources_1957","_nest_parent_":"viw_repositories_2_resources_1957","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1957.xml","title_filing_ssi":"Partridge, William Ordway Papers","title_ssm":["William Ordway Partridge Papers"],"title_tesim":["William Ordway Partridge Papers"],"unitdate_ssm":["1894-1905"],"unitdate_inclusive_ssm":["1894-1905"],"normalized_date_ssm":["1894/1905"],"normalized_title_ssm":["William Ordway Partridge Papers, 1894/1905"],"text":["William Ordway Partridge Papers, 1894/1905","SC 01075","/repositories/2/resources/1957","Jamestown (Va.)--History","Sculptors, American--19th century","Sculptors, American--20th century","Sculpture, American","Statue Pocahontas, 1922, Historic Jamestowne","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","William Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.","William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).","His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).","Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. In this same catalog Partridge was listed as living in Milton, Massachusetts. He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was Lee Lawrie.","Partridge went on to lecture at Stanford University in California, and assumed a professorship at Columbian University, now George Washington University, in Washington, D.C.","His life-size statue of the Native American Indian princess, Pocahontas, was unveiled in Jamestown, Virginia in 1922. Queen Elizabeth II viewed this statue on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first English colonial settlement in America. On October 5, 1958, a replica of the Pocahontas statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at St. George's Church in Gravesend, England. The Governor of Virginia presented the statue as a gift to the British people.","Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: .","Processed by Cynthia B. Brown in 1983.","See WorldCat for information about two additional archival collections containing the papers of W. O. Partridge.","Letters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.","4 items.","6 Sept. [18]94, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Mr. [?] Hardy, n.p. Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026 Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["William Ordway Partridge Papers, 1894/1905"],"collection_ssim":["William Ordway Partridge Papers, 1894/1905"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01075","/repositories/2/resources/1957"],"unitid_tesim":["SC 01075","/repositories/2/resources/1957"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Jamestown (Va.)--History"],"geogname_ssim":["Jamestown (Va.)--History"],"places_ssim":["Jamestown (Va.)--History"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchase"],"access_subjects_ssim":["Sculptors, American--19th century","Sculptors, American--20th century","Sculpture, American","Statue Pocahontas, 1922, Historic Jamestowne","Correspondence"],"access_subjects_ssm":["Sculptors, American--19th century","Sculptors, American--20th century","Sculpture, American","Statue Pocahontas, 1922, Historic Jamestowne","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"genreform_ssim":["Correspondence"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eWilliam Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.\u003c/p\u003e","\u003cp\u003e William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).\u003c/p\u003e","\u003cp\u003e His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).\u003c/p\u003e","\u003cp\u003e Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. In this same catalog Partridge was listed as living in Milton, Massachusetts. He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was Lee Lawrie.\u003c/p\u003e","\u003cp\u003e Partridge went on to lecture at Stanford University in California, and assumed a professorship at Columbian University, now George Washington University, in Washington, D.C.\u003c/p\u003e","\u003cp\u003e His life-size statue of the Native American Indian princess, Pocahontas, was unveiled in Jamestown, Virginia in 1922. Queen Elizabeth II viewed this statue on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first English colonial settlement in America. On October 5, 1958, a replica of the Pocahontas statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at St. George's Church in Gravesend, England. The Governor of Virginia presented the statue as a gift to the British people.\u003c/p\u003e","\u003cp\u003e Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/William_Ordway_Partridge\" title=\"William Ordway Partridge\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["William Ordway Partridge (1861-1930) was an American sculptor whose public commissions can be found in New York City and other locations; including his life-size statue of the Native American Indian princess, Pocahontas, unveiled at Jamestown, Virginia in 1922.","William Partridge was born in Paris to American parents descended from the Pilgrims in Massachusetts; his father was a representative of A. T. Stewart. At the end of the reign of Napoleon III, Partridge travelled to America to attend Adelphi Academy in Brooklyn and Columbia University (graduated 1883) in New York. After a year of experimentation in theater, he went abroad to study sculpture. During a brief stint in the Paris studio of William-Adolphe Bouguereau, he formed a close friendship with the neo-Gothic architect Ralph Adams Cram on his 1887 trip. He knew the young Bernard Berenson in Florence, where he studied in the studio of Galli, and Rome, in the studio of Pio Welonski (1883-85).","His published work includes articles on aesthetics and several art history books including Art For America (1894), The Song Life of a Sculptor (1894), and The Technique of Sculpture (1895). He also wrote poems and published the verse novels Angel of Clay (1900) and The Czar's Gift (1906).","Aside from his public commissions, his work consisted mostly of portrait busts. In 1893 eleven of his works were displayed at the World's Columbian Exposition, Chicago, according to the official catalog of the Fine Arts Building at the fair, where he exhibited sculptures of Alexander Hamilton and William Shakespeare as well as portraits. In this same catalog Partridge was listed as living in Milton, Massachusetts. He maintained homes and studios in both Milton and New York. Among his studio assistants on West 38th Street in New York was Lee Lawrie.","Partridge went on to lecture at Stanford University in California, and assumed a professorship at Columbian University, now George Washington University, in Washington, D.C.","His life-size statue of the Native American Indian princess, Pocahontas, was unveiled in Jamestown, Virginia in 1922. Queen Elizabeth II viewed this statue on May 4, 2007, while visiting Jamestown on the 400th anniversary of the founding of the first English colonial settlement in America. On October 5, 1958, a replica of the Pocahontas statue by Partridge was dedicated as a memorial to the princess at the location of her burial in 1617 at St. George's Church in Gravesend, England. The Governor of Virginia presented the statue as a gift to the British people.","Partridge died in New York in 1930. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: ."],"prefercite_html_tesm":["\u003cp\u003eWilliam Ordway Partridge Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["William Ordway Partridge Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Cynthia B. Brown in 1983.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Cynthia B. Brown in 1983."],"relatedmaterial_html_tesm":["\u003cp\u003eSee WorldCat for information about two additional archival collections containing the papers of W. O. Partridge.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See WorldCat for information about two additional archival collections containing the papers of W. O. Partridge."],"scopecontent_html_tesm":["\u003cp\u003eLetters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.\u003c/p\u003e","\u003cp\u003e 4 items.\u003c/p\u003e  ","\u003cp\u003e6 Sept. [18]94, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Mr. [?] Hardy, n.p. Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026amp; Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Letters, 1894-1905, of the sculptor William Ordway Partridge to [?] Allen, [?] Hardy, Edward W. Bok, and the Society of American Sculptors. Letters discuss his book, desire to write an article for Ladies Home Journal on the history of women's clothing, attending social gatherings, and Society of American Sculptors affairs.","4 items.","6 Sept. [18]94, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Mr. [?] Hardy, n.p. Discussion of his book, copies printed and numbers sold, 2 pp. 12 Aug. 1896, W[illia]m Ordway Partridge, Wilton, Massachusetts, to Edward W. Bok, Ladies Home Journal, Philadelphia, Pennsylvania where he explains that he was not able to answer his earlier request for an article due to ill health and his work on the equestrian statue of Grant; however, he is now able, and would like to do an article on the history of women's clothing, using photographs of paintings and statues by old and modern masters; comments that the clothing worn by women today is \"far from beautiful, and in most cases far from sensible\"; lists references of his other writings, 3 pp. 27 Nov. 1905, [William] Ordway Partridge, New York, [N.Y.], to Mr. [?] Allen, n.p. where he writes that he is sorry to have missed him and Mrs. Allen at the reception at the \"Studio\"; would like for him to hear about the \"Society\" soon; needs to pay visit, 1 p. 6 Dec. 1905, [William] Ordway Partridge, Society of American Sculptors, New York City, [N.Y.], to Mr. [?] Allen, n.p. where he informs Allen of the Arts \u0026 Crafts dinner coming up, and relays a message from Miss Hicks, asking that he dine and speak; invites Mrs. Allen also, 1 p."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:42:20.276Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1957"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=compact"}},{"attributes":{"label":"Virginia Museum of Fine Arts","value":"Virginia Museum of Fine Arts","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Carl Roseberg collection, 1947/1993","value":"Carl Roseberg collection, 1947/1993","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bcollection%5D%5B%5D=Carl+Roseberg+collection%2C+1947%2F1993\u0026view=compact"}},{"attributes":{"label":"George Grey Barnard Letter to Robert Whittemore, 1936","value":"George Grey Barnard Letter to Robert Whittemore, 1936","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bcollection%5D%5B%5D=George+Grey+Barnard+Letter+to+Robert+Whittemore%2C+1936\u0026view=compact"}},{"attributes":{"label":"Lafayette Reproduction Bust, 2022","value":"Lafayette Reproduction Bust, 2022","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bcollection%5D%5B%5D=Lafayette+Reproduction+Bust%2C+2022\u0026view=compact"}},{"attributes":{"label":"Rubin Peacock Artist Archives (VA-08), 1945/2021","value":"Rubin Peacock Artist Archives (VA-08), 1945/2021","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bcollection%5D%5B%5D=Rubin+Peacock+Artist+Archives+%28VA-08%29%2C+1945%2F2021\u0026view=compact"}},{"attributes":{"label":"William Ordway Partridge Papers, 1894/1905","value":"William Ordway Partridge Papers, 1894/1905","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bcollection%5D%5B%5D=William+Ordway+Partridge+Papers%2C+1894%2F1905\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026view=compact"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1894","value":"1894","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bdate_range%5D%5B%5D=1894\u0026view=compact"}},{"attributes":{"label":"1895","value":"1895","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bdate_range%5D%5B%5D=1895\u0026view=compact"}},{"attributes":{"label":"1896","value":"1896","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bdate_range%5D%5B%5D=1896\u0026view=compact"}},{"attributes":{"label":"1897","value":"1897","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bdate_range%5D%5B%5D=1897\u0026view=compact"}},{"attributes":{"label":"1898","value":"1898","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bdate_range%5D%5B%5D=1898\u0026view=compact"}},{"attributes":{"label":"1899","value":"1899","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bdate_range%5D%5B%5D=1899\u0026view=compact"}},{"attributes":{"label":"1900","value":"1900","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bdate_range%5D%5B%5D=1900\u0026view=compact"}},{"attributes":{"label":"1901","value":"1901","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bdate_range%5D%5B%5D=1901\u0026view=compact"}},{"attributes":{"label":"1902","value":"1902","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bdate_range%5D%5B%5D=1902\u0026view=compact"}},{"attributes":{"label":"1903","value":"1903","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bdate_range%5D%5B%5D=1903\u0026view=compact"}},{"attributes":{"label":"1904","value":"1904","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bdate_range%5D%5B%5D=1904\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Lafayette Shoppe, LLC (Williamsburg, VA)","value":"Lafayette Shoppe, LLC (Williamsburg, VA)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bcreators%5D%5B%5D=Lafayette+Shoppe%2C+LLC+%28Williamsburg%2C+VA%29\u0026view=compact"}},{"attributes":{"label":"Peacock, Rubin, 1941-","value":"Peacock, Rubin, 1941-","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bcreators%5D%5B%5D=Peacock%2C+Rubin%2C+1941-\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026view=compact"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Lafayette Shoppe, LLC (Williamsburg, VA)","value":"Lafayette Shoppe, LLC (Williamsburg, VA)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bnames%5D%5B%5D=Lafayette+Shoppe%2C+LLC+%28Williamsburg%2C+VA%29\u0026view=compact"}},{"attributes":{"label":"Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834","value":"Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bnames%5D%5B%5D=Lafayette%2C+Marie+Joseph+Paul+Yves+Roch+Gilbert+Du+Motier%2C+marquis+de%2C+1757-1834\u0026view=compact"}},{"attributes":{"label":"Peacock, Rubin, 1941-","value":"Peacock, Rubin, 1941-","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bnames%5D%5B%5D=Peacock%2C+Rubin%2C+1941-\u0026view=compact"}},{"attributes":{"label":"Special Collections Research Center","value":"Special Collections Research Center","hits":4},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bnames%5D%5B%5D=Special+Collections+Research+Center\u0026view=compact"}},{"attributes":{"label":"Virginia Museum of Fine Arts Archives","value":"Virginia Museum of Fine Arts Archives","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bnames%5D%5B%5D=Virginia+Museum+of+Fine+Arts+Archives\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026view=compact"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Jamestown (Va.)--History","value":"Jamestown (Va.)--History","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bplaces%5D%5B%5D=Jamestown+%28Va.%29--History\u0026view=compact"}},{"attributes":{"label":"Williamsburg (Va.) -- History","value":"Williamsburg (Va.) -- History","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Bplaces%5D%5B%5D=Williamsburg+%28Va.%29+--+History\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026view=compact"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Acrylic paintings (visual works)","value":"Acrylic paintings (visual works)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Baccess_subjects%5D%5B%5D=Acrylic+paintings+%28visual+works%29\u0026view=compact"}},{"attributes":{"label":"Art, American -- Virginia -- 20th century","value":"Art, American -- Virginia -- 20th century","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Baccess_subjects%5D%5B%5D=Art%2C+American+--+Virginia+--+20th+century\u0026view=compact"}},{"attributes":{"label":"Bronze sculpture, American--20th century.","value":"Bronze sculpture, American--20th century.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Baccess_subjects%5D%5B%5D=Bronze+sculpture%2C+American--20th+century.\u0026view=compact"}},{"attributes":{"label":"Calendars","value":"Calendars","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Baccess_subjects%5D%5B%5D=Calendars\u0026view=compact"}},{"attributes":{"label":"Christmas cards","value":"Christmas cards","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Baccess_subjects%5D%5B%5D=Christmas+cards\u0026view=compact"}},{"attributes":{"label":"College of William and Mary--Faculty and Staff","value":"College of William and Mary--Faculty and Staff","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Baccess_subjects%5D%5B%5D=College+of+William+and+Mary--Faculty+and+Staff\u0026view=compact"}},{"attributes":{"label":"Correspondence","value":"Correspondence","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026view=compact"}},{"attributes":{"label":"Facsimiles","value":"Facsimiles","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Baccess_subjects%5D%5B%5D=Facsimiles\u0026view=compact"}},{"attributes":{"label":"Figurines","value":"Figurines","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Baccess_subjects%5D%5B%5D=Figurines\u0026view=compact"}},{"attributes":{"label":"Sculptors, American--19th century","value":"Sculptors, American--19th century","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Baccess_subjects%5D%5B%5D=Sculptors%2C+American--19th+century\u0026view=compact"}},{"attributes":{"label":"Sculptors, American--20th century","value":"Sculptors, American--20th century","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Baccess_subjects%5D%5B%5D=Sculptors%2C+American--20th+century\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026view=compact"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":5},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026view=compact"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026search_field=all_fields\u0026view=compact"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026search_field=keyword\u0026view=compact"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026search_field=name\u0026view=compact"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026search_field=place\u0026view=compact"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026search_field=subject\u0026view=compact"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026search_field=title\u0026view=compact"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026search_field=container\u0026view=compact"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026search_field=identifier\u0026view=compact"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026sort=score+desc%2C+title_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026sort=date_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026sort=date_sort+desc\u0026view=compact"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026sort=creator_sort+asc\u0026view=compact"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026sort=creator_sort+desc\u0026view=compact"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026sort=title_sort+asc\u0026view=compact"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculpture%2C+American\u0026sort=title_sort+desc\u0026view=compact"}}]}