{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026page=1\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":6,"first_page?":true,"last_page?":true}},"data":[{"id":"viw_repositories_2_resources_3197","type":"collection","attributes":{"title":"Augustus Saint-Gaudens Letters","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_3197#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eLetter, 1886 June 24, Augustus Saint-Gaudens, [New York, N. Y.] to John Gellatly [New York, N. Y.]. Concerning two works of art [\"Badge\" ?] and a terra cotta. 2 p. ; 25 cm. Letter, undated, Augustus Saint-Gaudens to Mrs. S. G. Ward. Comments on his work during a certain period and the portraits of \"Mr. Ward, Miss Lee, the Butler boys, and my own boy.\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_3197#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_3197","ead_ssi":"viw_repositories_2_resources_3197","_root_":"viw_repositories_2_resources_3197","_nest_parent_":"viw_repositories_2_resources_3197","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_3197.xml","title_filing_ssi":"Saint-Gaudens, Augustus Letters","title_ssm":["Augustus Saint-Gaudens Letters"],"title_tesim":["Augustus Saint-Gaudens Letters"],"unitdate_ssm":["1886 June 24, undated"],"unitdate_inclusive_ssm":["1886 June 24, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 00605","/repositories/2/resources/3197"],"text":["SC 00605","/repositories/2/resources/3197","Augustus Saint-Gaudens Letters","Sculptors--France","Sculptors--United States","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Augustus Saint-Gaudens (Dublin, March 1, 1848 - Cornish, New Hampshire, August 3, 1907), was the Irish-born American sculptor of the Beaux-Arts generation who most embodied the ideals of the \"American Renaissance.\" Raised in New York City, he traveled to Europe for further training and artistic study, and then returned to major critical success in the design of monuments commemorating heroes of the American Civil War, many of which still stand. In addition to his famous works such as the Robert Gould Shaw Memorial on Boston Common and the outstanding grand equestrian monuments to Civil War generals John A. Logan, atop a tumulus in Chicago, 1894-97, and William Tecumseh Sherman, at the corner of New York's Central Park, 1892-1903, Saint-Gaudens also maintained an interest in numismatics and designed the twenty-dollar \"double eagle\" gold piece, for the US Mint in 1905-7, still considered the most beautiful American coin ever issued as well as the $10 \"Indian Head\" gold eagle, both of which were minted from 1907 until 1933. In his later years he founded the \"Cornish Colony,\" an artistic colony that included notable painters, sculptors, writers, and architects. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Letter, 1886 June 24, Augustus Saint-Gaudens, [New York, N. Y.] to John Gellatly [New York, N. Y.]. Concerning two works of art [\"Badge\" ?] and a terra cotta. 2 p. ; 25 cm. Letter, undated, Augustus Saint-Gaudens to Mrs. S. G. Ward. Comments on his work during a certain period and the portraits of \"Mr. Ward, Miss Lee, the Butler boys, and my own boy.\"","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["SC 00605","/repositories/2/resources/3197"],"normalized_title_ssm":["Augustus Saint-Gaudens Letters"],"collection_title_tesim":["Augustus Saint-Gaudens Letters"],"collection_ssim":["Augustus Saint-Gaudens Letters"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Sculptors--France","Sculptors--United States","Correspondence"],"access_subjects_ssm":["Sculptors--France","Sculptors--United States","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"genreform_ssim":["Correspondence"],"date_range_isim":[1886],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eAugustus Saint-Gaudens (Dublin, March 1, 1848 - Cornish, New Hampshire, August 3, 1907), was the Irish-born American sculptor of the Beaux-Arts generation who most embodied the ideals of the \"American Renaissance.\" Raised in New York City, he traveled to Europe for further training and artistic study, and then returned to major critical success in the design of monuments commemorating heroes of the American Civil War, many of which still stand. In addition to his famous works such as the Robert Gould Shaw Memorial on Boston Common and the outstanding grand equestrian monuments to Civil War generals John A. Logan, atop a tumulus in Chicago, 1894-97, and William Tecumseh Sherman, at the corner of New York's Central Park, 1892-1903, Saint-Gaudens also maintained an interest in numismatics and designed the twenty-dollar \"double eagle\" gold piece, for the US Mint in 1905-7, still considered the most beautiful American coin ever issued as well as the $10 \"Indian Head\" gold eagle, both of which were minted from 1907 until 1933. In his later years he founded the \"Cornish Colony,\" an artistic colony that included notable painters, sculptors, writers, and architects. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Augustus_Gaudens\" title=\"Augustus Gaudens\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Augustus Saint-Gaudens (Dublin, March 1, 1848 - Cornish, New Hampshire, August 3, 1907), was the Irish-born American sculptor of the Beaux-Arts generation who most embodied the ideals of the \"American Renaissance.\" Raised in New York City, he traveled to Europe for further training and artistic study, and then returned to major critical success in the design of monuments commemorating heroes of the American Civil War, many of which still stand. In addition to his famous works such as the Robert Gould Shaw Memorial on Boston Common and the outstanding grand equestrian monuments to Civil War generals John A. Logan, atop a tumulus in Chicago, 1894-97, and William Tecumseh Sherman, at the corner of New York's Central Park, 1892-1903, Saint-Gaudens also maintained an interest in numismatics and designed the twenty-dollar \"double eagle\" gold piece, for the US Mint in 1905-7, still considered the most beautiful American coin ever issued as well as the $10 \"Indian Head\" gold eagle, both of which were minted from 1907 until 1933. In his later years he founded the \"Cornish Colony,\" an artistic colony that included notable painters, sculptors, writers, and architects. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eAugustus Saint-Gaudens Letters, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Augustus Saint-Gaudens Letters, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eLetter, 1886 June 24, Augustus Saint-Gaudens, [New York, N. Y.] to John Gellatly [New York, N. Y.]. Concerning two works of art [\"Badge\" ?] and a terra cotta. 2 p. ; 25 cm. Letter, undated, Augustus Saint-Gaudens to Mrs. S. G. Ward. Comments on his work during a certain period and the portraits of \"Mr. Ward, Miss Lee, the Butler boys, and my own boy.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Letter, 1886 June 24, Augustus Saint-Gaudens, [New York, N. Y.] to John Gellatly [New York, N. Y.]. Concerning two works of art [\"Badge\" ?] and a terra cotta. 2 p. ; 25 cm. Letter, undated, Augustus Saint-Gaudens to Mrs. S. G. Ward. Comments on his work during a certain period and the portraits of \"Mr. Ward, Miss Lee, the Butler boys, and my own boy.\""],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:23:57.133Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_3197","ead_ssi":"viw_repositories_2_resources_3197","_root_":"viw_repositories_2_resources_3197","_nest_parent_":"viw_repositories_2_resources_3197","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_3197.xml","title_filing_ssi":"Saint-Gaudens, Augustus Letters","title_ssm":["Augustus Saint-Gaudens Letters"],"title_tesim":["Augustus Saint-Gaudens Letters"],"unitdate_ssm":["1886 June 24, undated"],"unitdate_inclusive_ssm":["1886 June 24, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 00605","/repositories/2/resources/3197"],"text":["SC 00605","/repositories/2/resources/3197","Augustus Saint-Gaudens Letters","Sculptors--France","Sculptors--United States","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Augustus Saint-Gaudens (Dublin, March 1, 1848 - Cornish, New Hampshire, August 3, 1907), was the Irish-born American sculptor of the Beaux-Arts generation who most embodied the ideals of the \"American Renaissance.\" Raised in New York City, he traveled to Europe for further training and artistic study, and then returned to major critical success in the design of monuments commemorating heroes of the American Civil War, many of which still stand. In addition to his famous works such as the Robert Gould Shaw Memorial on Boston Common and the outstanding grand equestrian monuments to Civil War generals John A. Logan, atop a tumulus in Chicago, 1894-97, and William Tecumseh Sherman, at the corner of New York's Central Park, 1892-1903, Saint-Gaudens also maintained an interest in numismatics and designed the twenty-dollar \"double eagle\" gold piece, for the US Mint in 1905-7, still considered the most beautiful American coin ever issued as well as the $10 \"Indian Head\" gold eagle, both of which were minted from 1907 until 1933. In his later years he founded the \"Cornish Colony,\" an artistic colony that included notable painters, sculptors, writers, and architects. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Letter, 1886 June 24, Augustus Saint-Gaudens, [New York, N. Y.] to John Gellatly [New York, N. Y.]. Concerning two works of art [\"Badge\" ?] and a terra cotta. 2 p. ; 25 cm. Letter, undated, Augustus Saint-Gaudens to Mrs. S. G. Ward. Comments on his work during a certain period and the portraits of \"Mr. Ward, Miss Lee, the Butler boys, and my own boy.\"","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["SC 00605","/repositories/2/resources/3197"],"normalized_title_ssm":["Augustus Saint-Gaudens Letters"],"collection_title_tesim":["Augustus Saint-Gaudens Letters"],"collection_ssim":["Augustus Saint-Gaudens Letters"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Sculptors--France","Sculptors--United States","Correspondence"],"access_subjects_ssm":["Sculptors--France","Sculptors--United States","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"genreform_ssim":["Correspondence"],"date_range_isim":[1886],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eAugustus Saint-Gaudens (Dublin, March 1, 1848 - Cornish, New Hampshire, August 3, 1907), was the Irish-born American sculptor of the Beaux-Arts generation who most embodied the ideals of the \"American Renaissance.\" Raised in New York City, he traveled to Europe for further training and artistic study, and then returned to major critical success in the design of monuments commemorating heroes of the American Civil War, many of which still stand. In addition to his famous works such as the Robert Gould Shaw Memorial on Boston Common and the outstanding grand equestrian monuments to Civil War generals John A. Logan, atop a tumulus in Chicago, 1894-97, and William Tecumseh Sherman, at the corner of New York's Central Park, 1892-1903, Saint-Gaudens also maintained an interest in numismatics and designed the twenty-dollar \"double eagle\" gold piece, for the US Mint in 1905-7, still considered the most beautiful American coin ever issued as well as the $10 \"Indian Head\" gold eagle, both of which were minted from 1907 until 1933. In his later years he founded the \"Cornish Colony,\" an artistic colony that included notable painters, sculptors, writers, and architects. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Augustus_Gaudens\" title=\"Augustus Gaudens\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Augustus Saint-Gaudens (Dublin, March 1, 1848 - Cornish, New Hampshire, August 3, 1907), was the Irish-born American sculptor of the Beaux-Arts generation who most embodied the ideals of the \"American Renaissance.\" Raised in New York City, he traveled to Europe for further training and artistic study, and then returned to major critical success in the design of monuments commemorating heroes of the American Civil War, many of which still stand. In addition to his famous works such as the Robert Gould Shaw Memorial on Boston Common and the outstanding grand equestrian monuments to Civil War generals John A. Logan, atop a tumulus in Chicago, 1894-97, and William Tecumseh Sherman, at the corner of New York's Central Park, 1892-1903, Saint-Gaudens also maintained an interest in numismatics and designed the twenty-dollar \"double eagle\" gold piece, for the US Mint in 1905-7, still considered the most beautiful American coin ever issued as well as the $10 \"Indian Head\" gold eagle, both of which were minted from 1907 until 1933. In his later years he founded the \"Cornish Colony,\" an artistic colony that included notable painters, sculptors, writers, and architects. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eAugustus Saint-Gaudens Letters, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Augustus Saint-Gaudens Letters, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eLetter, 1886 June 24, Augustus Saint-Gaudens, [New York, N. Y.] to John Gellatly [New York, N. Y.]. Concerning two works of art [\"Badge\" ?] and a terra cotta. 2 p. ; 25 cm. Letter, undated, Augustus Saint-Gaudens to Mrs. S. G. Ward. Comments on his work during a certain period and the portraits of \"Mr. Ward, Miss Lee, the Butler boys, and my own boy.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Letter, 1886 June 24, Augustus Saint-Gaudens, [New York, N. Y.] to John Gellatly [New York, N. Y.]. Concerning two works of art [\"Badge\" ?] and a terra cotta. 2 p. ; 25 cm. Letter, undated, Augustus Saint-Gaudens to Mrs. S. G. Ward. Comments on his work during a certain period and the portraits of \"Mr. Ward, Miss Lee, the Butler boys, and my own boy.\""],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:23:57.133Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_3197"}},{"id":"viw_repositories_2_resources_2033","type":"collection","attributes":{"title":"Carl Roseberg collection","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_2033#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Carl Roseberg Collection includes paintings and sculptures by the artist as well as Christmas cards and a calendar. Images of sculptures on display in Swem Library can be found at the \u003ca href=\"http://www.flickr.com/photos/scrc/sets/72157619493508884/\" target=\"_blank\" class=\"external-link\"\u003eSCRC Flickr\u003c/a\u003e.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_2033#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_2033","ead_ssi":"viw_repositories_2_resources_2033","_root_":"viw_repositories_2_resources_2033","_nest_parent_":"viw_repositories_2_resources_2033","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2033.xml","title_filing_ssi":" Carl Roseberg collection","title_ssm":["Carl Roseberg collection"],"title_tesim":["Carl Roseberg collection"],"unitdate_ssm":["Circa 1947-1993"],"unitdate_inclusive_ssm":["Circa 1947-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["00/06/UA 6.080","/repositories/2/resources/2033"],"text":["00/06/UA 6.080","/repositories/2/resources/2033","Carl Roseberg collection","College of William and Mary--Faculty and Staff","Sculptors, American--20th century","Sculpture, American","Sculptors--United States","Acrylic paintings (visual works)","Calendars","Christmas cards","Figurines","Statues","Watercolors (paintings)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Carl Roseberg was an artist and art historian at William \u0026 Mary from the 1940s through the 1980s. Roseberg was born in Vinton, Iowa in 1916 and died on November 11, 1999 in Williamsburg, Virginia. He graduated from the University of Iowa and served in the U.S. Navy during World War II and the Korean War as a specialist in air intelligence. He married Virginia Gorman in 1952 in Batavia, Iowa. His appointments at William \u0026 Mary were: Instructor in Fine Arts, 1947-1952; Assistant Professor of Fine Arts, 1952-1957; Associate Professor of Fine Arts, 1957-1966; Professor of Fine Arts, 1966-1982; On leave of absence: 1950-1952; Professor of Fine Arts, Emeritus, 1982.","Portions of the collection are on exhibit in administrative areas in the Earl Gregg Swem Library, including meeting rooms and the Special Collections Research Center's reading room, which may limit when researchers are available to view items. Consult a staff member for details.","Collection accessioned and described by Steven Bookman, University Archives Specialist, in June-July 2009.","University Archives Faculty-Alumni File Collection (UA 10); University Archives Poster Collection (UA 12); University Archives Photograph Collection (UA 8).","The Carl Roseberg Collection includes paintings and sculptures by the artist as well as Christmas cards and a calendar. Images of sculptures on display in Swem Library can be found at the  SCRC Flickr .","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English English"],"unitid_tesim":["00/06/UA 6.080","/repositories/2/resources/2033"],"normalized_title_ssm":["Carl Roseberg collection"],"collection_title_tesim":["Carl Roseberg collection"],"collection_ssim":["Carl Roseberg collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2009.232 received from Jacquelyn Dulin Wilson, Class of 1968, in memory of her parents Maurine Stuart Dulin, Class of 1939, and William Carter Dulin on May 18, 2008. Material also received prior to 2008."],"access_subjects_ssim":["College of William and Mary--Faculty and Staff","Sculptors, American--20th century","Sculpture, American","Sculptors--United States","Acrylic paintings (visual works)","Calendars","Christmas cards","Figurines","Statues","Watercolors (paintings)"],"access_subjects_ssm":["College of William and Mary--Faculty and Staff","Sculptors, American--20th century","Sculpture, American","Sculptors--United States","Acrylic paintings (visual works)","Calendars","Christmas cards","Figurines","Statues","Watercolors (paintings)"],"has_online_content_ssim":["false"],"extent_ssm":["40.00 Linear Feet"],"extent_tesim":["40.00 Linear Feet"],"genreform_ssim":["Acrylic paintings (visual works)","Calendars","Christmas cards","Figurines","Statues","Watercolors (paintings)"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eCarl Roseberg was an artist and art historian at William \u0026amp; Mary from the 1940s through the 1980s. Roseberg was born in Vinton, Iowa in 1916 and died on November 11, 1999 in Williamsburg, Virginia. He graduated from the University of Iowa and served in the U.S. Navy during World War II and the Korean War as a specialist in air intelligence. He married Virginia Gorman in 1952 in Batavia, Iowa. His appointments at William \u0026amp; Mary were: Instructor in Fine Arts, 1947-1952; Assistant Professor of Fine Arts, 1952-1957; Associate Professor of Fine Arts, 1957-1966; Professor of Fine Arts, 1966-1982; On leave of absence: 1950-1952; Professor of Fine Arts, Emeritus, 1982.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Carl Roseberg was an artist and art historian at William \u0026 Mary from the 1940s through the 1980s. Roseberg was born in Vinton, Iowa in 1916 and died on November 11, 1999 in Williamsburg, Virginia. He graduated from the University of Iowa and served in the U.S. Navy during World War II and the Korean War as a specialist in air intelligence. He married Virginia Gorman in 1952 in Batavia, Iowa. His appointments at William \u0026 Mary were: Instructor in Fine Arts, 1947-1952; Assistant Professor of Fine Arts, 1952-1957; Associate Professor of Fine Arts, 1957-1966; Professor of Fine Arts, 1966-1982; On leave of absence: 1950-1952; Professor of Fine Arts, Emeritus, 1982."],"phystech_html_tesm":["\u003cp\u003ePortions of the collection are on exhibit in administrative areas in the Earl Gregg Swem Library, including meeting rooms and the Special Collections Research Center's reading room, which may limit when researchers are available to view items. Consult a staff member for details.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["Portions of the collection are on exhibit in administrative areas in the Earl Gregg Swem Library, including meeting rooms and the Special Collections Research Center's reading room, which may limit when researchers are available to view items. Consult a staff member for details."],"prefercite_html_tesm":["\u003cp\u003eCarl Roseberg Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carl Roseberg Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection accessioned and described by Steven Bookman, University Archives Specialist, in June-July 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection accessioned and described by Steven Bookman, University Archives Specialist, in June-July 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Faculty-Alumni File Collection (UA 10); University Archives Poster Collection (UA 12); University Archives Photograph Collection (UA 8).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Faculty-Alumni File Collection (UA 10); University Archives Poster Collection (UA 12); University Archives Photograph Collection (UA 8)."],"scopecontent_html_tesm":["\u003cp\u003eThe Carl Roseberg Collection includes paintings and sculptures by the artist as well as Christmas cards and a calendar. Images of sculptures on display in Swem Library can be found at the \u003cextref href=\"http://www.flickr.com/photos/scrc/sets/72157619493508884/\" show=\"new\" actuate=\"onrequest\"\u003eSCRC Flickr\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Carl Roseberg Collection includes paintings and sculptures by the artist as well as Christmas cards and a calendar. Images of sculptures on display in Swem Library can be found at the  SCRC Flickr ."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English English"],"total_component_count_is":44,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:22:13.130Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_2033","ead_ssi":"viw_repositories_2_resources_2033","_root_":"viw_repositories_2_resources_2033","_nest_parent_":"viw_repositories_2_resources_2033","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2033.xml","title_filing_ssi":" Carl Roseberg collection","title_ssm":["Carl Roseberg collection"],"title_tesim":["Carl Roseberg collection"],"unitdate_ssm":["Circa 1947-1993"],"unitdate_inclusive_ssm":["Circa 1947-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["00/06/UA 6.080","/repositories/2/resources/2033"],"text":["00/06/UA 6.080","/repositories/2/resources/2033","Carl Roseberg collection","College of William and Mary--Faculty and Staff","Sculptors, American--20th century","Sculpture, American","Sculptors--United States","Acrylic paintings (visual works)","Calendars","Christmas cards","Figurines","Statues","Watercolors (paintings)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Carl Roseberg was an artist and art historian at William \u0026 Mary from the 1940s through the 1980s. Roseberg was born in Vinton, Iowa in 1916 and died on November 11, 1999 in Williamsburg, Virginia. He graduated from the University of Iowa and served in the U.S. Navy during World War II and the Korean War as a specialist in air intelligence. He married Virginia Gorman in 1952 in Batavia, Iowa. His appointments at William \u0026 Mary were: Instructor in Fine Arts, 1947-1952; Assistant Professor of Fine Arts, 1952-1957; Associate Professor of Fine Arts, 1957-1966; Professor of Fine Arts, 1966-1982; On leave of absence: 1950-1952; Professor of Fine Arts, Emeritus, 1982.","Portions of the collection are on exhibit in administrative areas in the Earl Gregg Swem Library, including meeting rooms and the Special Collections Research Center's reading room, which may limit when researchers are available to view items. Consult a staff member for details.","Collection accessioned and described by Steven Bookman, University Archives Specialist, in June-July 2009.","University Archives Faculty-Alumni File Collection (UA 10); University Archives Poster Collection (UA 12); University Archives Photograph Collection (UA 8).","The Carl Roseberg Collection includes paintings and sculptures by the artist as well as Christmas cards and a calendar. Images of sculptures on display in Swem Library can be found at the  SCRC Flickr .","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English English"],"unitid_tesim":["00/06/UA 6.080","/repositories/2/resources/2033"],"normalized_title_ssm":["Carl Roseberg collection"],"collection_title_tesim":["Carl Roseberg collection"],"collection_ssim":["Carl Roseberg collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2009.232 received from Jacquelyn Dulin Wilson, Class of 1968, in memory of her parents Maurine Stuart Dulin, Class of 1939, and William Carter Dulin on May 18, 2008. Material also received prior to 2008."],"access_subjects_ssim":["College of William and Mary--Faculty and Staff","Sculptors, American--20th century","Sculpture, American","Sculptors--United States","Acrylic paintings (visual works)","Calendars","Christmas cards","Figurines","Statues","Watercolors (paintings)"],"access_subjects_ssm":["College of William and Mary--Faculty and Staff","Sculptors, American--20th century","Sculpture, American","Sculptors--United States","Acrylic paintings (visual works)","Calendars","Christmas cards","Figurines","Statues","Watercolors (paintings)"],"has_online_content_ssim":["false"],"extent_ssm":["40.00 Linear Feet"],"extent_tesim":["40.00 Linear Feet"],"genreform_ssim":["Acrylic paintings (visual works)","Calendars","Christmas cards","Figurines","Statues","Watercolors (paintings)"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eCarl Roseberg was an artist and art historian at William \u0026amp; Mary from the 1940s through the 1980s. Roseberg was born in Vinton, Iowa in 1916 and died on November 11, 1999 in Williamsburg, Virginia. He graduated from the University of Iowa and served in the U.S. Navy during World War II and the Korean War as a specialist in air intelligence. He married Virginia Gorman in 1952 in Batavia, Iowa. His appointments at William \u0026amp; Mary were: Instructor in Fine Arts, 1947-1952; Assistant Professor of Fine Arts, 1952-1957; Associate Professor of Fine Arts, 1957-1966; Professor of Fine Arts, 1966-1982; On leave of absence: 1950-1952; Professor of Fine Arts, Emeritus, 1982.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Carl Roseberg was an artist and art historian at William \u0026 Mary from the 1940s through the 1980s. Roseberg was born in Vinton, Iowa in 1916 and died on November 11, 1999 in Williamsburg, Virginia. He graduated from the University of Iowa and served in the U.S. Navy during World War II and the Korean War as a specialist in air intelligence. He married Virginia Gorman in 1952 in Batavia, Iowa. His appointments at William \u0026 Mary were: Instructor in Fine Arts, 1947-1952; Assistant Professor of Fine Arts, 1952-1957; Associate Professor of Fine Arts, 1957-1966; Professor of Fine Arts, 1966-1982; On leave of absence: 1950-1952; Professor of Fine Arts, Emeritus, 1982."],"phystech_html_tesm":["\u003cp\u003ePortions of the collection are on exhibit in administrative areas in the Earl Gregg Swem Library, including meeting rooms and the Special Collections Research Center's reading room, which may limit when researchers are available to view items. Consult a staff member for details.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["Portions of the collection are on exhibit in administrative areas in the Earl Gregg Swem Library, including meeting rooms and the Special Collections Research Center's reading room, which may limit when researchers are available to view items. Consult a staff member for details."],"prefercite_html_tesm":["\u003cp\u003eCarl Roseberg Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carl Roseberg Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection accessioned and described by Steven Bookman, University Archives Specialist, in June-July 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection accessioned and described by Steven Bookman, University Archives Specialist, in June-July 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Faculty-Alumni File Collection (UA 10); University Archives Poster Collection (UA 12); University Archives Photograph Collection (UA 8).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Faculty-Alumni File Collection (UA 10); University Archives Poster Collection (UA 12); University Archives Photograph Collection (UA 8)."],"scopecontent_html_tesm":["\u003cp\u003eThe Carl Roseberg Collection includes paintings and sculptures by the artist as well as Christmas cards and a calendar. Images of sculptures on display in Swem Library can be found at the \u003cextref href=\"http://www.flickr.com/photos/scrc/sets/72157619493508884/\" show=\"new\" actuate=\"onrequest\"\u003eSCRC Flickr\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Carl Roseberg Collection includes paintings and sculptures by the artist as well as Christmas cards and a calendar. Images of sculptures on display in Swem Library can be found at the  SCRC Flickr ."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English English"],"total_component_count_is":44,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:22:13.130Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_2033"}},{"id":"viw_repositories_2_resources_730","type":"collection","attributes":{"title":"Galt Papers (III-A)","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_730#creator","type":"document_value","attributes":{"value":"Galt, Alexander D. II, 1827-1863","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_730#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers of Alexander Galt, Jr. and his family. Mostly correspondence but also includes contracts, financial records, diaries, notebooks, sculptures and ephemera. Most items written to, or by, Alexander Galt, Jr. when he was living in Florence, Italy. Alexander Galt's sketchbook which includes photograph of Galt's sketch of General Stonewall Jackson.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_730#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_730","ead_ssi":"viw_repositories_2_resources_730","_root_":"viw_repositories_2_resources_730","_nest_parent_":"viw_repositories_2_resources_730","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_730.xml","title_filing_ssi":"Galt Papers  (III-A)","title_ssm":["Galt Papers (III-A)"],"title_tesim":["Galt Papers (III-A)"],"unitdate_ssm":["1848-1917"],"unitdate_inclusive_ssm":["1848-1917"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 78 G13 (III-A)","/repositories/2/resources/730"],"text":["Mss. 78 G13 (III-A)","/repositories/2/resources/730","Galt Papers (III-A)","Italy--Description and travel--19th century","Sculptors, American--19th century","Yellow fever--Virginia--Norfolk","Sculptors--United States","Art (sketches)","Cartoons","Correspondence","Diaries","Financial records","Notebooks","Collection is open to all researchers.","Mostly chronological within each box.","Mss. 78 G13 Galt Papers (1)(II) (IV) and Mss. 78 G73 Galt Papers (III) (V), Special Collections Research Center, Swem Library, College of William and Mary."," Microfilm M-1855-1857, Papers of Alexander Galt, 1840-1918, Accession #7894, -a, -b, -c, -d, -e, -g, Albert and Shirley Small Special Collections Library, University of Virginia, Charlottesville, Va.","Papers of Alexander Galt, Jr. and his family.  Mostly correspondence but also includes contracts, financial records, diaries, notebooks, sculptures and ephemera.  Most items written to, or by, Alexander Galt, Jr. when he was living in Florence, Italy.  Alexander Galt's sketchbook which includes photograph of Galt's sketch of General Stonewall Jackson.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Galt family","Galt, Alexander D. II, 1827-1863","Jackson, Stonewall, 1824-1863","English"],"unitid_tesim":["Mss. 78 G13 (III-A)","/repositories/2/resources/730"],"normalized_title_ssm":["Galt Papers (III-A)"],"collection_title_tesim":["Galt Papers (III-A)"],"collection_ssim":["Galt Papers (III-A)"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Italy--Description and travel--19th century"],"geogname_ssim":["Italy--Description and travel--19th century"],"creator_ssm":["Galt, Alexander D. II, 1827-1863"],"creator_ssim":["Galt, Alexander D. II, 1827-1863"],"creator_persname_ssim":["Galt, Alexander D. II, 1827-1863"],"creators_ssim":["Galt, Alexander D. II, 1827-1863"],"places_ssim":["Italy--Description and travel--19th century"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["On loan to UVA by Mary Meares Galt and later a gift to Swem Library."],"access_subjects_ssim":["Sculptors, American--19th century","Yellow fever--Virginia--Norfolk","Sculptors--United States","Art (sketches)","Cartoons","Correspondence","Diaries","Financial records","Notebooks"],"access_subjects_ssm":["Sculptors, American--19th century","Yellow fever--Virginia--Norfolk","Sculptors--United States","Art (sketches)","Cartoons","Correspondence","Diaries","Financial records","Notebooks"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet"],"extent_tesim":["1.75 Linear Feet"],"genreform_ssim":["Art (sketches)","Cartoons","Correspondence","Diaries","Financial records","Notebooks"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eMostly chronological within each box.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Mostly chronological within each box."],"prefercite_html_tesm":["\u003cp\u003eGalt Papers (III-A), Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Galt Papers (III-A), Special Collections Research Center, William \u0026 Mary Libraries"],"relatedmaterial_html_tesm":["\u003cp\u003eMss. 78 G13 Galt Papers (1)(II) (IV) and Mss. 78 G73 Galt Papers (III) (V), Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e\n","\u003cp\u003e Microfilm M-1855-1857, Papers of Alexander Galt, 1840-1918, Accession #7894, -a, -b, -c, -d, -e, -g, Albert and Shirley Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Mss. 78 G13 Galt Papers (1)(II) (IV) and Mss. 78 G73 Galt Papers (III) (V), Special Collections Research Center, Swem Library, College of William and Mary."," Microfilm M-1855-1857, Papers of Alexander Galt, 1840-1918, Accession #7894, -a, -b, -c, -d, -e, -g, Albert and Shirley Small Special Collections Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Alexander Galt, Jr. and his family.  Mostly correspondence but also includes contracts, financial records, diaries, notebooks, sculptures and ephemera.  Most items written to, or by, Alexander Galt, Jr. when he was living in Florence, Italy.  Alexander Galt's sketchbook which includes photograph of Galt's sketch of General Stonewall Jackson.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of Alexander Galt, Jr. and his family.  Mostly correspondence but also includes contracts, financial records, diaries, notebooks, sculptures and ephemera.  Most items written to, or by, Alexander Galt, Jr. when he was living in Florence, Italy.  Alexander Galt's sketchbook which includes photograph of Galt's sketch of General Stonewall Jackson."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Galt family","Galt, Alexander D. II, 1827-1863","Jackson, Stonewall, 1824-1863"],"corpname_ssim":["Special Collections Research Center"],"names_coll_ssim":["Galt family","Jackson, Stonewall, 1824-1863"],"famname_ssim":["Galt family"],"persname_ssim":["Galt, Alexander D. II, 1827-1863","Jackson, Stonewall, 1824-1863"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":13,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:28:58.516Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_730","ead_ssi":"viw_repositories_2_resources_730","_root_":"viw_repositories_2_resources_730","_nest_parent_":"viw_repositories_2_resources_730","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_730.xml","title_filing_ssi":"Galt Papers  (III-A)","title_ssm":["Galt Papers (III-A)"],"title_tesim":["Galt Papers (III-A)"],"unitdate_ssm":["1848-1917"],"unitdate_inclusive_ssm":["1848-1917"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 78 G13 (III-A)","/repositories/2/resources/730"],"text":["Mss. 78 G13 (III-A)","/repositories/2/resources/730","Galt Papers (III-A)","Italy--Description and travel--19th century","Sculptors, American--19th century","Yellow fever--Virginia--Norfolk","Sculptors--United States","Art (sketches)","Cartoons","Correspondence","Diaries","Financial records","Notebooks","Collection is open to all researchers.","Mostly chronological within each box.","Mss. 78 G13 Galt Papers (1)(II) (IV) and Mss. 78 G73 Galt Papers (III) (V), Special Collections Research Center, Swem Library, College of William and Mary."," Microfilm M-1855-1857, Papers of Alexander Galt, 1840-1918, Accession #7894, -a, -b, -c, -d, -e, -g, Albert and Shirley Small Special Collections Library, University of Virginia, Charlottesville, Va.","Papers of Alexander Galt, Jr. and his family.  Mostly correspondence but also includes contracts, financial records, diaries, notebooks, sculptures and ephemera.  Most items written to, or by, Alexander Galt, Jr. when he was living in Florence, Italy.  Alexander Galt's sketchbook which includes photograph of Galt's sketch of General Stonewall Jackson.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Galt family","Galt, Alexander D. II, 1827-1863","Jackson, Stonewall, 1824-1863","English"],"unitid_tesim":["Mss. 78 G13 (III-A)","/repositories/2/resources/730"],"normalized_title_ssm":["Galt Papers (III-A)"],"collection_title_tesim":["Galt Papers (III-A)"],"collection_ssim":["Galt Papers (III-A)"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Italy--Description and travel--19th century"],"geogname_ssim":["Italy--Description and travel--19th century"],"creator_ssm":["Galt, Alexander D. II, 1827-1863"],"creator_ssim":["Galt, Alexander D. II, 1827-1863"],"creator_persname_ssim":["Galt, Alexander D. II, 1827-1863"],"creators_ssim":["Galt, Alexander D. II, 1827-1863"],"places_ssim":["Italy--Description and travel--19th century"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["On loan to UVA by Mary Meares Galt and later a gift to Swem Library."],"access_subjects_ssim":["Sculptors, American--19th century","Yellow fever--Virginia--Norfolk","Sculptors--United States","Art (sketches)","Cartoons","Correspondence","Diaries","Financial records","Notebooks"],"access_subjects_ssm":["Sculptors, American--19th century","Yellow fever--Virginia--Norfolk","Sculptors--United States","Art (sketches)","Cartoons","Correspondence","Diaries","Financial records","Notebooks"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet"],"extent_tesim":["1.75 Linear Feet"],"genreform_ssim":["Art (sketches)","Cartoons","Correspondence","Diaries","Financial records","Notebooks"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eMostly chronological within each box.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Mostly chronological within each box."],"prefercite_html_tesm":["\u003cp\u003eGalt Papers (III-A), Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Galt Papers (III-A), Special Collections Research Center, William \u0026 Mary Libraries"],"relatedmaterial_html_tesm":["\u003cp\u003eMss. 78 G13 Galt Papers (1)(II) (IV) and Mss. 78 G73 Galt Papers (III) (V), Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e\n","\u003cp\u003e Microfilm M-1855-1857, Papers of Alexander Galt, 1840-1918, Accession #7894, -a, -b, -c, -d, -e, -g, Albert and Shirley Small Special Collections Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Mss. 78 G13 Galt Papers (1)(II) (IV) and Mss. 78 G73 Galt Papers (III) (V), Special Collections Research Center, Swem Library, College of William and Mary."," Microfilm M-1855-1857, Papers of Alexander Galt, 1840-1918, Accession #7894, -a, -b, -c, -d, -e, -g, Albert and Shirley Small Special Collections Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Alexander Galt, Jr. and his family.  Mostly correspondence but also includes contracts, financial records, diaries, notebooks, sculptures and ephemera.  Most items written to, or by, Alexander Galt, Jr. when he was living in Florence, Italy.  Alexander Galt's sketchbook which includes photograph of Galt's sketch of General Stonewall Jackson.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers of Alexander Galt, Jr. and his family.  Mostly correspondence but also includes contracts, financial records, diaries, notebooks, sculptures and ephemera.  Most items written to, or by, Alexander Galt, Jr. when he was living in Florence, Italy.  Alexander Galt's sketchbook which includes photograph of Galt's sketch of General Stonewall Jackson."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Galt family","Galt, Alexander D. II, 1827-1863","Jackson, Stonewall, 1824-1863"],"corpname_ssim":["Special Collections Research Center"],"names_coll_ssim":["Galt family","Jackson, Stonewall, 1824-1863"],"famname_ssim":["Galt family"],"persname_ssim":["Galt, Alexander D. II, 1827-1863","Jackson, Stonewall, 1824-1863"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":13,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:28:58.516Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_730"}},{"id":"virmu_repositories_2_resources_435","type":"collection","attributes":{"title":"Rubin Peacock Artist Archives (VA-08)","creator":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_435#creator","type":"document_value","attributes":{"value":"Peacock, Rubin, 1941-","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_435#abstract_or_scope","type":"document_value","attributes":{"value":"This collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze. In addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_435#breadcrumbs","type":"document_value","attributes":{"value":{"id":"virmu_repositories_2_resources_435","ead_ssi":"virmu_repositories_2_resources_435","_root_":"virmu_repositories_2_resources_435","_nest_parent_":"virmu_repositories_2_resources_435","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_435.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/435","title_filing_ssi":"Peacock, Rubin (VA-08)","title_ssm":["Rubin Peacock Artist Archives (VA-08)"],"title_tesim":["Rubin Peacock Artist Archives (VA-08)"],"unitdate_ssm":["1945-2021"],"unitdate_inclusive_ssm":["1945-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-08","/repositories/2/resources/435"],"text":["VA-08","/repositories/2/resources/435","Rubin Peacock Artist Archives (VA-08)","Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century.","The collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1 Art Production, 1966-1986 Series 2 Artwork, 1969-2015 Series 3 Biographical, 1945-2021","Rubin Peacock: 50 Years of Bronze Sculpture, 2019","Recent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980","Exhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982","Exhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980","Artist File: Miscellaneous Uncataloged Material","Rubin Clifton Peacock","Born: September 8, 1941, Winston-Salem, NC","Rubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.","Rubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.","After taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.","Rubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.","Sources: Collection materials;  \"Rubin Peacock: 50 Years of Bronze Sculpture\"  by Rubin Peacock","The collection was donated to the VMFA Archives by Rubin Peacock in January 2022.","In general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided.","The collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","This collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career.","Virginia Museum of Fine Arts Archives","Peacock, Rubin, 1941-","English \n,        Latin \n.    "],"unitid_tesim":["VA-08","/repositories/2/resources/435"],"normalized_title_ssm":["Rubin Peacock Artist Archives (VA-08)"],"collection_title_tesim":["Rubin Peacock Artist Archives (VA-08)"],"collection_ssim":["Rubin Peacock Artist Archives (VA-08)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"creator_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"creator_persname_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"creators_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century."],"access_subjects_ssm":["Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century."],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 6 boxes; 11 folders; 1,238 items"],"extent_tesim":["1.5 Linear Feet 6 boxes; 11 folders; 1,238 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eArt Production, 1966-1986\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eArtwork, 1969-2015\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eBiographical, 1945-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1 Art Production, 1966-1986 Series 2 Artwork, 1969-2015 Series 3 Biographical, 1945-2021"],"bibliography_html_tesm":["\u003cbibref\u003eRubin Peacock: 50 Years of Bronze Sculpture, 2019\u003c/bibref\u003e","\u003cbibref\u003eRecent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980\u003c/bibref\u003e","\u003cbibref\u003eExhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982\u003c/bibref\u003e","\u003cbibref\u003eExhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980\u003c/bibref\u003e","\u003cbibref\u003eArtist File: Miscellaneous Uncataloged Material\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Artist File"],"bibliography_tesim":["Rubin Peacock: 50 Years of Bronze Sculpture, 2019","Recent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980","Exhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982","Exhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980","Artist File: Miscellaneous Uncataloged Material"],"bioghist_html_tesm":["\u003cp\u003eRubin Clifton Peacock\u003c/p\u003e\n","\u003cp\u003eBorn: September 8, 1941, Winston-Salem, NC\u003c/p\u003e\n","\u003cp\u003eRubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.\u003c/p\u003e\n","\u003cp\u003eRubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.\u003c/p\u003e\n","\u003cp\u003eAfter taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.\u003c/p\u003e\n","\u003cp\u003eRubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.\u003c/p\u003e\n","\u003cp\u003eSources: Collection materials; \u003ca href=\"https://vmfashop.com/books-media/collections/rubin-peacock-50-years-of-bronze-sculpture.html\"\u003e\"Rubin Peacock: 50 Years of Bronze Sculpture\"\u003c/a\u003e by Rubin Peacock\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Rubin Clifton Peacock","Born: September 8, 1941, Winston-Salem, NC","Rubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.","Rubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.","After taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.","Rubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.","Sources: Collection materials;  \"Rubin Peacock: 50 Years of Bronze Sculpture\"  by Rubin Peacock"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Rubin Peacock in January 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Rubin Peacock in January 2022."],"prefercite_html_tesm":["\u003cp\u003eRubin Peacock Artist Archives (VA-08). Gift of Rubin Peacock. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Rubin Peacock Artist Archives (VA-08). Gift of Rubin Peacock. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_170051d948295468442c2d85cb740f8f\"\u003eThis collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career."],"names_ssim":["Virginia Museum of Fine Arts Archives","Peacock, Rubin, 1941-"],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"names_coll_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"persname_ssim":["Peacock, Rubin, 1941-"],"language_ssim":["English \n,        Latin \n.    "],"total_component_count_is":19,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:02:51.799Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_435","ead_ssi":"virmu_repositories_2_resources_435","_root_":"virmu_repositories_2_resources_435","_nest_parent_":"virmu_repositories_2_resources_435","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_435.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/435","title_filing_ssi":"Peacock, Rubin (VA-08)","title_ssm":["Rubin Peacock Artist Archives (VA-08)"],"title_tesim":["Rubin Peacock Artist Archives (VA-08)"],"unitdate_ssm":["1945-2021"],"unitdate_inclusive_ssm":["1945-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VA-08","/repositories/2/resources/435"],"text":["VA-08","/repositories/2/resources/435","Rubin Peacock Artist Archives (VA-08)","Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century.","The collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1 Art Production, 1966-1986 Series 2 Artwork, 1969-2015 Series 3 Biographical, 1945-2021","Rubin Peacock: 50 Years of Bronze Sculpture, 2019","Recent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980","Exhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982","Exhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980","Artist File: Miscellaneous Uncataloged Material","Rubin Clifton Peacock","Born: September 8, 1941, Winston-Salem, NC","Rubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.","Rubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.","After taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.","Rubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.","Sources: Collection materials;  \"Rubin Peacock: 50 Years of Bronze Sculpture\"  by Rubin Peacock","The collection was donated to the VMFA Archives by Rubin Peacock in January 2022.","In general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided.","The collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.","The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","This collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career.","Virginia Museum of Fine Arts Archives","Peacock, Rubin, 1941-","English \n,        Latin \n.    "],"unitid_tesim":["VA-08","/repositories/2/resources/435"],"normalized_title_ssm":["Rubin Peacock Artist Archives (VA-08)"],"collection_title_tesim":["Rubin Peacock Artist Archives (VA-08)"],"collection_ssim":["Rubin Peacock Artist Archives (VA-08)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"creator_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"creator_persname_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"creators_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"access_terms_ssm":["The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century."],"access_subjects_ssm":["Art, American -- Virginia -- 20th century","Sculpture, American","Sculptors--United States","Bronze sculpture, American--20th century."],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 6 boxes; 11 folders; 1,238 items"],"extent_tesim":["1.5 Linear Feet 6 boxes; 11 folders; 1,238 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. One folder is restricted and an unrestricted copy is located within the collection. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eArt Production, 1966-1986\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eArtwork, 1969-2015\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eBiographical, 1945-2021\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 3 series, and items are generally arranged chronologically within each series. Items with no date are generally placed at the end of each series.","Series 1 Art Production, 1966-1986 Series 2 Artwork, 1969-2015 Series 3 Biographical, 1945-2021"],"bibliography_html_tesm":["\u003cbibref\u003eRubin Peacock: 50 Years of Bronze Sculpture, 2019\u003c/bibref\u003e","\u003cbibref\u003eRecent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980\u003c/bibref\u003e","\u003cbibref\u003eExhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982\u003c/bibref\u003e","\u003cbibref\u003eExhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980\u003c/bibref\u003e","\u003cbibref\u003eArtist File: Miscellaneous Uncataloged Material\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Artist File"],"bibliography_tesim":["Rubin Peacock: 50 Years of Bronze Sculpture, 2019","Recent Sculpture: Rubin Peacock: Institute of Contemporary Art of the Virginia Museum, November 24-December 31, 1980","Exhibition File: 20 Sculptors: Miscellaneous Uncataloged Material, 1982","Exhibition File: Rubin Peacock / New Sculpture: Miscellaneous Uncataloged Material, 1980","Artist File: Miscellaneous Uncataloged Material"],"bioghist_html_tesm":["\u003cp\u003eRubin Clifton Peacock\u003c/p\u003e\n","\u003cp\u003eBorn: September 8, 1941, Winston-Salem, NC\u003c/p\u003e\n","\u003cp\u003eRubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.\u003c/p\u003e\n","\u003cp\u003eRubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.\u003c/p\u003e\n","\u003cp\u003eAfter taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.\u003c/p\u003e\n","\u003cp\u003eRubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.\u003c/p\u003e\n","\u003cp\u003eSources: Collection materials; \u003ca href=\"https://vmfashop.com/books-media/collections/rubin-peacock-50-years-of-bronze-sculpture.html\"\u003e\"Rubin Peacock: 50 Years of Bronze Sculpture\"\u003c/a\u003e by Rubin Peacock\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Rubin Clifton Peacock","Born: September 8, 1941, Winston-Salem, NC","Rubin Peacock is an American sculptor whose works have been inspired by nature, ancient civilizations, and his Catawba Indian ancestry. Rubin's works are largely abstract with an emphasis on humanity's relationship with nature and the permanence of creating art with bronze.","Rubin Peacock began his career as a percussionist with a traveling rock and roll band in 1960. Using the money he earned from his music performances, Rubin pursued a Bachelor of Science and a Bachelor of Fine Arts from the University of Georgia in Athens, graduating in 1965. Upon completing his undergraduate education, Rubin went on to join the Peace Corps as an art teacher from 1965-1967, teaching students at Camp Cobbla in Jamaica and creating a scholarship for two of his students by selling his sculptures in an exhibition at the Bolivar Gallery in 1967.","After taking a brief hiatus in which he traveled throughout Central and South America to study art, Rubin returned to the United States to continue his education, graduating with a Masters of Fine Arts from Richmond Professional Institute - now Virginia Commonwealth University - in 1969. Rubin established himself in Virginia in 1969 with the purchase of an abandoned house called \"Marlboro\" that he transformed into the Aylett Art Foundry, buying his 303 Brook Road Richmond studio and gallery in 1985. Rubin regularly experimented with different modes of expression through bronze and exhibited his artwork in a variety of galleries, including his own.","Rubin has been commissioned by institutions such as The Carpenter Co., the Federal Reserve Bank of Richmond, Gunston Hall, the National Cathedral, the National Electronics Museum, and numerous private collectors, and has exhibited in galleries such as VMFA, 1708 Gallery, the Chrysler Museum of Art, Mickelson Gallery, the Sande Webster Gallery, and Sarasota's Modern Art Gallery, among others.","Sources: Collection materials;  \"Rubin Peacock: 50 Years of Bronze Sculpture\"  by Rubin Peacock"],"custodhist_html_tesm":["\u003cp\u003eThe collection was donated to the VMFA Archives by Rubin Peacock in January 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The collection was donated to the VMFA Archives by Rubin Peacock in January 2022."],"prefercite_html_tesm":["\u003cp\u003eRubin Peacock Artist Archives (VA-08). Gift of Rubin Peacock. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["Rubin Peacock Artist Archives (VA-08). Gift of Rubin Peacock. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In general, during processing, all publications are removed and added to the VMFA Library's holdings. Original newspaper clippings are photocopied, with photocopies being integrated into mixed material folders and originals being retained in their own folders. Original folder titles are retained, when provided."],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection documents the life and artwork of Rubin Peacock. The collection's inclusive dates are 1945-2021, with the bulk of the material dating from the 1960s-1990s. The collection contains correspondence, ephemera, negatives, photographs, publications, and other manuscript material."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. Upon donation, Peacock assigned to the VMFA Archives all of his available rights of copyright in the materials. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_170051d948295468442c2d85cb740f8f\"\u003eThis collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career.\u003c/abstract\u003e"],"abstract_tesim":["This collection documents the life and artwork of Rubin Peacock (1941-), a Richmond-based sculptor. For over fifty years, Rubin has dedicated his career to experimenting with bronze sculptures, taking inspiration from nature, ancient civilizations, and his Catawba Indian ancestry. His work has challenged popular art trends as many sculptors chose to utilize other materials in their work, making him one of few Virginia artists to use bronze.\n\nIn addition to a diverse array of photographic materials documenting Rubin's art production, processes, and completed pieces, this collection contains correspondence and publications detailing commissions, supply shipments, and patina formulas, providing an in-depth overview of Rubin's art career."],"names_ssim":["Virginia Museum of Fine Arts Archives","Peacock, Rubin, 1941-"],"corpname_ssim":["Virginia Museum of Fine Arts Archives"],"names_coll_ssim":["Peacock, Rubin, 1941-","Peacock, Rubin, 1941-"],"persname_ssim":["Peacock, Rubin, 1941-"],"language_ssim":["English \n,        Latin \n.    "],"total_component_count_is":19,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:02:51.799Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/virmu_repositories_2_resources_435"}},{"id":"viw_repositories_2_resources_4898","type":"collection","attributes":{"title":"Thomas Crawford Letter to Wiley and Putnam","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_4898#creator","type":"document_value","attributes":{"value":"Crawford, Thomas, 1813 or 14-1857","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_4898#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eLetter from Thomas Crawford, New York, to Wiley and Putnam, London [England] complaining about not receiving a certain publication, \u003cem\u003eArt Unions\u003c/em\u003e, after payment made. April [18]48.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_4898#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_4898","ead_ssi":"viw_repositories_2_resources_4898","_root_":"viw_repositories_2_resources_4898","_nest_parent_":"viw_repositories_2_resources_4898","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_4898.xml","title_filing_ssi":"Crawford, Thomas Letter to Wiley and Putnam","title_ssm":["Thomas Crawford Letter to Wiley and Putnam"],"title_tesim":["Thomas Crawford Letter to Wiley and Putnam"],"unitdate_ssm":["1848 April 29"],"unitdate_other_ssim":["1848 April 29"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 00492","/repositories/2/resources/4898"],"text":["SC 00492","/repositories/2/resources/4898","Thomas Crawford Letter to Wiley and Putnam","Sculptors, American--19th century","Sculptors--United States","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Thomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026 Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing."," Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Letter from Thomas Crawford, New York, to Wiley and Putnam, London [England] complaining about not receiving a certain publication,  Art Unions , after payment made. April [18]48.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Crawford, Thomas, 1813 or 14-1857","English"],"unitid_tesim":["SC 00492","/repositories/2/resources/4898"],"normalized_title_ssm":["Thomas Crawford Letter to Wiley and Putnam"],"collection_title_tesim":["Thomas Crawford Letter to Wiley and Putnam"],"collection_ssim":["Thomas Crawford Letter to Wiley and Putnam"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Crawford, Thomas, 1813 or 14-1857"],"creator_ssim":["Crawford, Thomas, 1813 or 14-1857"],"creator_persname_ssim":["Crawford, Thomas, 1813 or 14-1857"],"creators_ssim":["Crawford, Thomas, 1813 or 14-1857"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Jesse Choate Phillips Fund"],"access_subjects_ssim":["Sculptors, American--19th century","Sculptors--United States"],"access_subjects_ssm":["Sculptors, American--19th century","Sculptors--United States"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"date_range_isim":[1848],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026amp; Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing.\u003c/p\u003e\n","\u003cp\u003e Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Thomas_Crawford\" title=\"Thomas Crawford\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Thomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026 Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing."," Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eThomas Crawford Letter to Wiley and Putnam, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Thomas Crawford Letter to Wiley and Putnam, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eLetter from Thomas Crawford, New York, to Wiley and Putnam, London [England] complaining about not receiving a certain publication, \u003cemph render=\"italic\"\u003eArt Unions\u003c/emph\u003e, after payment made. April [18]48.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Letter from Thomas Crawford, New York, to Wiley and Putnam, London [England] complaining about not receiving a certain publication,  Art Unions , after payment made. April [18]48."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Crawford, Thomas, 1813 or 14-1857"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Crawford, Thomas, 1813 or 14-1857"],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:13:27.975Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_4898","ead_ssi":"viw_repositories_2_resources_4898","_root_":"viw_repositories_2_resources_4898","_nest_parent_":"viw_repositories_2_resources_4898","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_4898.xml","title_filing_ssi":"Crawford, Thomas Letter to Wiley and Putnam","title_ssm":["Thomas Crawford Letter to Wiley and Putnam"],"title_tesim":["Thomas Crawford Letter to Wiley and Putnam"],"unitdate_ssm":["1848 April 29"],"unitdate_other_ssim":["1848 April 29"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 00492","/repositories/2/resources/4898"],"text":["SC 00492","/repositories/2/resources/4898","Thomas Crawford Letter to Wiley and Putnam","Sculptors, American--19th century","Sculptors--United States","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Thomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026 Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing."," Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Letter from Thomas Crawford, New York, to Wiley and Putnam, London [England] complaining about not receiving a certain publication,  Art Unions , after payment made. April [18]48.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Crawford, Thomas, 1813 or 14-1857","English"],"unitid_tesim":["SC 00492","/repositories/2/resources/4898"],"normalized_title_ssm":["Thomas Crawford Letter to Wiley and Putnam"],"collection_title_tesim":["Thomas Crawford Letter to Wiley and Putnam"],"collection_ssim":["Thomas Crawford Letter to Wiley and Putnam"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Crawford, Thomas, 1813 or 14-1857"],"creator_ssim":["Crawford, Thomas, 1813 or 14-1857"],"creator_persname_ssim":["Crawford, Thomas, 1813 or 14-1857"],"creators_ssim":["Crawford, Thomas, 1813 or 14-1857"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Jesse Choate Phillips Fund"],"access_subjects_ssim":["Sculptors, American--19th century","Sculptors--United States"],"access_subjects_ssm":["Sculptors, American--19th century","Sculptors--United States"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"date_range_isim":[1848],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026amp; Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing.\u003c/p\u003e\n","\u003cp\u003e Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Thomas_Crawford\" title=\"Thomas Crawford\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Thomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026 Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing."," Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eThomas Crawford Letter to Wiley and Putnam, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Thomas Crawford Letter to Wiley and Putnam, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eLetter from Thomas Crawford, New York, to Wiley and Putnam, London [England] complaining about not receiving a certain publication, \u003cemph render=\"italic\"\u003eArt Unions\u003c/emph\u003e, after payment made. April [18]48.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Letter from Thomas Crawford, New York, to Wiley and Putnam, London [England] complaining about not receiving a certain publication,  Art Unions , after payment made. April [18]48."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Crawford, Thomas, 1813 or 14-1857"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Crawford, Thomas, 1813 or 14-1857"],"language_ssim":["English"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:13:27.975Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_4898"}},{"id":"viw_repositories_2_resources_1473","type":"collection","attributes":{"title":"Thomas Crawford Papers","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1473#creator","type":"document_value","attributes":{"value":"Crawford, Thomas, 1813 or 14-1857","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1473#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTwo undated letters of Thomas Crawford, American sculptor, to William F. Ritchie (discussing exhibits in Washington, D.C. and Richmond, Va.) and to G. W. Greene (asking him to visit).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1473#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_1473","ead_ssi":"viw_repositories_2_resources_1473","_root_":"viw_repositories_2_resources_1473","_nest_parent_":"viw_repositories_2_resources_1473","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1473.xml","title_filing_ssi":"Crawford, Thomas Papers","title_ssm":["Thomas Crawford Papers"],"title_tesim":["Thomas Crawford Papers"],"unitdate_ssm":["undated"],"unitdate_inclusive_ssm":["undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01079","/repositories/2/resources/1473"],"text":["SC 01079","/repositories/2/resources/1473","Thomas Crawford Papers","Sculptors--United States","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Thomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026 Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing."," Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Processed by Cynthia L. Barwick in 1984.","Two undated letters of Thomas Crawford, American sculptor, to William F. Ritchie (discussing exhibits in Washington, D.C. and Richmond, Va.) and to G. W. Greene (asking him to visit)."," 2 items.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Crawford, Thomas, 1813 or 14-1857","Greene, G. W.","Ritchie, William Foushee, b. 1813","English"],"unitid_tesim":["SC 01079","/repositories/2/resources/1473"],"normalized_title_ssm":["Thomas Crawford Papers"],"collection_title_tesim":["Thomas Crawford Papers"],"collection_ssim":["Thomas Crawford Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Crawford, Thomas, 1813 or 14-1857","Greene, G. W.","Ritchie, William Foushee, b. 1813"],"creator_ssim":["Crawford, Thomas, 1813 or 14-1857","Greene, G. W.","Ritchie, William Foushee, b. 1813"],"creator_persname_ssim":["Crawford, Thomas, 1813 or 14-1857","Greene, G. W.","Ritchie, William Foushee, b. 1813"],"creators_ssim":["Crawford, Thomas, 1813 or 14-1857","Greene, G. W.","Ritchie, William Foushee, b. 1813"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchase"],"access_subjects_ssim":["Sculptors--United States","Correspondence"],"access_subjects_ssm":["Sculptors--United States","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"genreform_ssim":["Correspondence"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026amp; Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing.\u003c/p\u003e\n","\u003cp\u003e Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Thomas_Crawford\" title=\"Thomas Crawford\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Thomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026 Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing."," Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eThomas Crawford Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Thomas Crawford Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Cynthia L. Barwick in 1984.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Cynthia L. Barwick in 1984."],"scopecontent_html_tesm":["\u003cp\u003eTwo undated letters of Thomas Crawford, American sculptor, to William F. Ritchie (discussing exhibits in Washington, D.C. and Richmond, Va.) and to G. W. Greene (asking him to visit).\u003c/p\u003e\n","\u003cp\u003e 2 items.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Two undated letters of Thomas Crawford, American sculptor, to William F. Ritchie (discussing exhibits in Washington, D.C. and Richmond, Va.) and to G. W. Greene (asking him to visit)."," 2 items."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Crawford, Thomas, 1813 or 14-1857","Greene, G. W.","Ritchie, William Foushee, b. 1813"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Crawford, Thomas, 1813 or 14-1857","Greene, G. W.","Ritchie, William Foushee, b. 1813"],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:57:29.511Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1473","ead_ssi":"viw_repositories_2_resources_1473","_root_":"viw_repositories_2_resources_1473","_nest_parent_":"viw_repositories_2_resources_1473","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1473.xml","title_filing_ssi":"Crawford, Thomas Papers","title_ssm":["Thomas Crawford Papers"],"title_tesim":["Thomas Crawford Papers"],"unitdate_ssm":["undated"],"unitdate_inclusive_ssm":["undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01079","/repositories/2/resources/1473"],"text":["SC 01079","/repositories/2/resources/1473","Thomas Crawford Papers","Sculptors--United States","Correspondence","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Thomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026 Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing."," Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Processed by Cynthia L. Barwick in 1984.","Two undated letters of Thomas Crawford, American sculptor, to William F. Ritchie (discussing exhibits in Washington, D.C. and Richmond, Va.) and to G. W. Greene (asking him to visit)."," 2 items.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Crawford, Thomas, 1813 or 14-1857","Greene, G. W.","Ritchie, William Foushee, b. 1813","English"],"unitid_tesim":["SC 01079","/repositories/2/resources/1473"],"normalized_title_ssm":["Thomas Crawford Papers"],"collection_title_tesim":["Thomas Crawford Papers"],"collection_ssim":["Thomas Crawford Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Crawford, Thomas, 1813 or 14-1857","Greene, G. W.","Ritchie, William Foushee, b. 1813"],"creator_ssim":["Crawford, Thomas, 1813 or 14-1857","Greene, G. W.","Ritchie, William Foushee, b. 1813"],"creator_persname_ssim":["Crawford, Thomas, 1813 or 14-1857","Greene, G. W.","Ritchie, William Foushee, b. 1813"],"creators_ssim":["Crawford, Thomas, 1813 or 14-1857","Greene, G. W.","Ritchie, William Foushee, b. 1813"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchase"],"access_subjects_ssim":["Sculptors--United States","Correspondence"],"access_subjects_ssm":["Sculptors--United States","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Foot"],"extent_tesim":["0.01 Linear Foot"],"genreform_ssim":["Correspondence"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026amp; Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing.\u003c/p\u003e\n","\u003cp\u003e Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Thomas_Crawford\" title=\"Thomas Crawford\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Thomas Gibson Crawford (March 22, 1813/14 - October 10, 1857) was a sculptor who was born in New York City, the son of Aaron \u0026 Mary (Gibson) Crawford. He went to Rome to study sculpture in 1835 and made that city his home, visiting America only rarely. His major accomplishments include the figure above the dome of the United States Capitol entitled Freedom, and the bronze doors and pediment statues for the Senate wing."," Crawford died of cancer, in London, where he had gone for treatment on October 10, 1857 before Freedom was completed, and another artist finished the fine details. Another major work is \"Orpheus and Cerebus\" (1843), displayed at the Museum of Fine Arts in Boston. He was married to Louisa Cutler Ward, a sister of Julia Ward Howe, and by her had four children. His only son was the writer Francis Marion Crawford. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eThomas Crawford Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Thomas Crawford Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Cynthia L. Barwick in 1984.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Cynthia L. Barwick in 1984."],"scopecontent_html_tesm":["\u003cp\u003eTwo undated letters of Thomas Crawford, American sculptor, to William F. Ritchie (discussing exhibits in Washington, D.C. and Richmond, Va.) and to G. W. Greene (asking him to visit).\u003c/p\u003e\n","\u003cp\u003e 2 items.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Two undated letters of Thomas Crawford, American sculptor, to William F. Ritchie (discussing exhibits in Washington, D.C. and Richmond, Va.) and to G. W. Greene (asking him to visit)."," 2 items."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Crawford, Thomas, 1813 or 14-1857","Greene, G. W.","Ritchie, William Foushee, b. 1813"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Crawford, Thomas, 1813 or 14-1857","Greene, G. W.","Ritchie, William Foushee, b. 1813"],"language_ssim":["English"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:57:29.511Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1473"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":5},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=compact"}},{"attributes":{"label":"Virginia Museum of Fine Arts","value":"Virginia Museum of Fine Arts","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Brepository%5D%5B%5D=Virginia+Museum+of+Fine+Arts\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Augustus Saint-Gaudens Letters","value":"Augustus Saint-Gaudens Letters","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bcollection%5D%5B%5D=Augustus+Saint-Gaudens+Letters\u0026view=compact"}},{"attributes":{"label":"Carl Roseberg collection","value":"Carl Roseberg collection","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bcollection%5D%5B%5D=Carl+Roseberg+collection\u0026view=compact"}},{"attributes":{"label":"Galt Papers (III-A)","value":"Galt Papers (III-A)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bcollection%5D%5B%5D=Galt+Papers+%28III-A%29\u0026view=compact"}},{"attributes":{"label":"Rubin Peacock Artist Archives (VA-08)","value":"Rubin Peacock Artist Archives (VA-08)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bcollection%5D%5B%5D=Rubin+Peacock+Artist+Archives+%28VA-08%29\u0026view=compact"}},{"attributes":{"label":"Thomas Crawford Letter to Wiley and Putnam","value":"Thomas Crawford Letter to Wiley and Putnam","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bcollection%5D%5B%5D=Thomas+Crawford+Letter+to+Wiley+and+Putnam\u0026view=compact"}},{"attributes":{"label":"Thomas Crawford Papers","value":"Thomas Crawford Papers","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bcollection%5D%5B%5D=Thomas+Crawford+Papers\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026view=compact"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1848","value":"1848","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bdate_range%5D%5B%5D=1848\u0026view=compact"}},{"attributes":{"label":"1849","value":"1849","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bdate_range%5D%5B%5D=1849\u0026view=compact"}},{"attributes":{"label":"1850","value":"1850","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bdate_range%5D%5B%5D=1850\u0026view=compact"}},{"attributes":{"label":"1851","value":"1851","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bdate_range%5D%5B%5D=1851\u0026view=compact"}},{"attributes":{"label":"1852","value":"1852","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bdate_range%5D%5B%5D=1852\u0026view=compact"}},{"attributes":{"label":"1853","value":"1853","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bdate_range%5D%5B%5D=1853\u0026view=compact"}},{"attributes":{"label":"1854","value":"1854","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bdate_range%5D%5B%5D=1854\u0026view=compact"}},{"attributes":{"label":"1855","value":"1855","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bdate_range%5D%5B%5D=1855\u0026view=compact"}},{"attributes":{"label":"1856","value":"1856","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bdate_range%5D%5B%5D=1856\u0026view=compact"}},{"attributes":{"label":"1857","value":"1857","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bdate_range%5D%5B%5D=1857\u0026view=compact"}},{"attributes":{"label":"1858","value":"1858","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bdate_range%5D%5B%5D=1858\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Crawford, Thomas, 1813 or 14-1857","value":"Crawford, Thomas, 1813 or 14-1857","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bcreators%5D%5B%5D=Crawford%2C+Thomas%2C+1813+or+14-1857\u0026view=compact"}},{"attributes":{"label":"Galt, Alexander D. II, 1827-1863","value":"Galt, Alexander D. II, 1827-1863","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bcreators%5D%5B%5D=Galt%2C+Alexander+D.+II%2C+1827-1863\u0026view=compact"}},{"attributes":{"label":"Greene, G. W.","value":"Greene, G. W.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bcreators%5D%5B%5D=Greene%2C+G.+W.\u0026view=compact"}},{"attributes":{"label":"Peacock, Rubin, 1941-","value":"Peacock, Rubin, 1941-","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bcreators%5D%5B%5D=Peacock%2C+Rubin%2C+1941-\u0026view=compact"}},{"attributes":{"label":"Ritchie, William Foushee, b. 1813","value":"Ritchie, William Foushee, b. 1813","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bcreators%5D%5B%5D=Ritchie%2C+William+Foushee%2C+b.+1813\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026view=compact"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Crawford, Thomas, 1813 or 14-1857","value":"Crawford, Thomas, 1813 or 14-1857","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bnames%5D%5B%5D=Crawford%2C+Thomas%2C+1813+or+14-1857\u0026view=compact"}},{"attributes":{"label":"Galt family","value":"Galt family","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bnames%5D%5B%5D=Galt+family\u0026view=compact"}},{"attributes":{"label":"Galt, Alexander D. II, 1827-1863","value":"Galt, Alexander D. II, 1827-1863","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bnames%5D%5B%5D=Galt%2C+Alexander+D.+II%2C+1827-1863\u0026view=compact"}},{"attributes":{"label":"Greene, G. W.","value":"Greene, G. W.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bnames%5D%5B%5D=Greene%2C+G.+W.\u0026view=compact"}},{"attributes":{"label":"Jackson, Stonewall, 1824-1863","value":"Jackson, Stonewall, 1824-1863","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bnames%5D%5B%5D=Jackson%2C+Stonewall%2C+1824-1863\u0026view=compact"}},{"attributes":{"label":"Peacock, Rubin, 1941-","value":"Peacock, Rubin, 1941-","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bnames%5D%5B%5D=Peacock%2C+Rubin%2C+1941-\u0026view=compact"}},{"attributes":{"label":"Ritchie, William Foushee, b. 1813","value":"Ritchie, William Foushee, b. 1813","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bnames%5D%5B%5D=Ritchie%2C+William+Foushee%2C+b.+1813\u0026view=compact"}},{"attributes":{"label":"Special Collections Research Center","value":"Special Collections Research Center","hits":5},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bnames%5D%5B%5D=Special+Collections+Research+Center\u0026view=compact"}},{"attributes":{"label":"Virginia Museum of Fine Arts Archives","value":"Virginia Museum of Fine Arts Archives","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bnames%5D%5B%5D=Virginia+Museum+of+Fine+Arts+Archives\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026view=compact"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Italy--Description and travel--19th century","value":"Italy--Description and travel--19th century","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Bplaces%5D%5B%5D=Italy--Description+and+travel--19th+century\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026view=compact"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Acrylic paintings (visual works)","value":"Acrylic paintings (visual works)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Baccess_subjects%5D%5B%5D=Acrylic+paintings+%28visual+works%29\u0026view=compact"}},{"attributes":{"label":"Art (sketches)","value":"Art (sketches)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Baccess_subjects%5D%5B%5D=Art+%28sketches%29\u0026view=compact"}},{"attributes":{"label":"Art, American -- Virginia -- 20th century","value":"Art, American -- Virginia -- 20th century","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Baccess_subjects%5D%5B%5D=Art%2C+American+--+Virginia+--+20th+century\u0026view=compact"}},{"attributes":{"label":"Bronze sculpture, American--20th century.","value":"Bronze sculpture, American--20th century.","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Baccess_subjects%5D%5B%5D=Bronze+sculpture%2C+American--20th+century.\u0026view=compact"}},{"attributes":{"label":"Calendars","value":"Calendars","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Baccess_subjects%5D%5B%5D=Calendars\u0026view=compact"}},{"attributes":{"label":"Cartoons","value":"Cartoons","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Baccess_subjects%5D%5B%5D=Cartoons\u0026view=compact"}},{"attributes":{"label":"Christmas cards","value":"Christmas cards","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Baccess_subjects%5D%5B%5D=Christmas+cards\u0026view=compact"}},{"attributes":{"label":"College of William and Mary--Faculty and Staff","value":"College of William and Mary--Faculty and Staff","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Baccess_subjects%5D%5B%5D=College+of+William+and+Mary--Faculty+and+Staff\u0026view=compact"}},{"attributes":{"label":"Correspondence","value":"Correspondence","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Baccess_subjects%5D%5B%5D=Correspondence\u0026view=compact"}},{"attributes":{"label":"Diaries","value":"Diaries","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Baccess_subjects%5D%5B%5D=Diaries\u0026view=compact"}},{"attributes":{"label":"Figurines","value":"Figurines","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Baccess_subjects%5D%5B%5D=Figurines\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026view=compact"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":6},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026view=compact"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026search_field=all_fields\u0026view=compact"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026search_field=keyword\u0026view=compact"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026search_field=name\u0026view=compact"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026search_field=place\u0026view=compact"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026search_field=subject\u0026view=compact"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026search_field=title\u0026view=compact"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026search_field=container\u0026view=compact"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026search_field=identifier\u0026view=compact"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026sort=score+desc%2C+title_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026sort=date_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026sort=date_sort+desc\u0026view=compact"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026sort=creator_sort+asc\u0026view=compact"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026sort=creator_sort+desc\u0026view=compact"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026sort=title_sort+asc\u0026view=compact"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sculptors--United+States\u0026sort=title_sort+desc\u0026view=compact"}}]}