{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Screenplays\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=list","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Screenplays\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=2\u0026view=list","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Screenplays\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=2\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":15,"first_page?":true,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_1199","type":"collection","attributes":{"title":"Claude Rains annotated script, 1952","creator":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1199#creator","type":"document_value","attributes":{"value":"Rains, Claude, 1889-1967","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1199#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains Claude Rains' copy of the Jefferson Heritage with extensive annotations and emendations. 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This bound volume is contemporary buckram with two leaves and old cello tape repairs.","In 1952, the National Association of Educational Broadcasters received funding from the Ford Foundation for The Jefferson Heritage, a 13 part series on Thomas Jefferson's influence on American life. Dr. Dumas Malone, professor of history at Columbia University, collaborated with Morton Wishengrad, an accomplished screenwriter, Frank Papp, producer and director, Wladimir Selinsky, music composer and conductor, and others, with Claude Rains starring at Jefferson. 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This volume contains the scripts for the first six episodes broadcast by the National Association of Educational Broadcasters.","There is also a monogram on the front board of \"M.S.B.,\" the initials of Margaret Slingluff Brinton, a friend of Rains when he lived in West Chester, Pennsylvania."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Rains, Claude, 1889-1967"],"names_ssim":["Albert and Shirley Small Special Collections Library","Rains, Claude, 1889-1967"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:13.060Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1199","ead_ssi":"viu_repositories_3_resources_1199","_root_":"viu_repositories_3_resources_1199","_nest_parent_":"viu_repositories_3_resources_1199","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1199.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/148540","title_filing_ssi":"Rains, Claude annotated script","title_ssm":["Claude Rains annotated script"],"title_tesim":["Claude Rains annotated script"],"unitdate_ssm":["1952"],"unitdate_other_ssim":["1952"],"normalized_date_ssm":["1952"],"normalized_title_ssm":["Claude Rains annotated script, 1952"],"text":["Claude Rains annotated script, 1952","MSS 16661","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1199","Screenplays","This collection is open for research.","This collection contains Claude Rains' copy of the Jefferson Heritage with extensive annotations and emendations. 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The first screenplay is called Script 82,Quarto, mimeographed typescript printed on rectos bradbound in yellow production company wrappers, dated October 22, 1956, and begins with two ambulance drivers playing cards when the main character Frederick Henry comes up to them with the sounds of war in the background in Orsini, Italy.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1099#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1099","ead_ssi":"viu_repositories_3_resources_1099","_root_":"viu_repositories_3_resources_1099","_nest_parent_":"viu_repositories_3_resources_1099","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1099.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/123733","title_filing_ssi":"Petitclerc, Denne Bart, \"A Farewell to Arms\" screenplays and dialogue","title_ssm":["Denne Bart Petitclerc, \"A Farewell to Arms\" dialogue continuity and Ben Hecht screenplays"],"title_tesim":["Denne Bart Petitclerc, \"A Farewell to Arms\" dialogue continuity and Ben Hecht screenplays"],"unitdate_ssm":["1956-1958"],"unitdate_inclusive_ssm":["1956-1958"],"normalized_date_ssm":["1956/1958"],"normalized_title_ssm":["Denne Bart Petitclerc, \"A Farewell to Arms\" dialogue continuity and Ben Hecht screenplays, 1956/1958"],"text":["Denne Bart Petitclerc, \"A Farewell to Arms\" dialogue continuity and Ben Hecht screenplays, 1956/1958","MSS 16571","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1099","Screenplays","continuities","Good.","This collection is open for research use.","Denne Bart Petitclerc's film adaptation of \"A Farewell to Arms\" is a 1957 American DeLuxe Color CinemaScope drama film directed by Charles Vidor with screeenplay by Ben Hecht, based in part on a 1930 play by Laurence Stallings. Denne Bart Petitclerc (May 15, 1929 – February 3, 2006 was an American journalist, war correspondent, author, television producer, and screenwriter. He became a life long friend of Ernest Hemingway. This adaptation is the second feature film adaptation of Ernest Hemingway's 1929 semi-autobiographical novel of the same name. It was the last film produced by David O. Selznick. The logo for 20th Century Fox also does not appear at the beginning, due to the movie's poor reception.","For many years, David O. Selznick had wanted to film the Hemingway novel, but Warner Brothers owned the property and refused to sell it to him. He found himself in an advantageous bargaining position when Warner Brothers bought the remake rights to \"A Star is Born,\" to which he owned the foreign rights. Without them, the studio could not release their intended remake with Judy Garland overseas. Selznick offered to relinquish his rights to a \"A Star is Born\" in exchange for the rights to \"A Farewell to Arms\", and Warner Brothers agreed.","On October 25, 1956, Selznick contacted director John Huston at the Blue Haven Hotel in Tobago and enthusiastically welcomed him to the project. He advised him his contract with 20th Century Fox called for severe financial penalties if the film went over schedule and/or budget, and urged him to concentrate wholly on the film until principal filming was completed.] Selznick's concerns increased as Huston began to tinker with the script and spend an inordinate amount of time on pre-production preparations, and on March 19, 1957, he sent the director a lengthy memo outlining the problems he foresaw arising from Huston's lack of cooperation. Two days later, Huston announced he could not agree with Selznick on any of the issues he had raised and quit the project. Based on correspondence with Charles Vidor, it appears the producer's relationship with Huston's replacement was acrimonious as well. The producer later said the film was \"not one of the jobs of which I am most proud.\"","Sources:\n\"A Farewell to Arms\" (1957 Film) Wikipedia Retrieved 2021-09-24","This collection contains a dialogue and three screenplays of Denne Bart Petitclerc's film adaptation of Ernest Hemingway \"A Farewell to Arms\" starring Rock Hudson and Jennifer Jones adapted by Ben Hecht from the Selznick Studio in Hollywood, California. The first screenplay is called Script 82,Quarto, mimeographed typescript printed on rectos bradbound in yellow production company wrappers, dated October 22, 1956, and begins with two ambulance drivers playing cards when the main character Frederick Henry comes up to them with the sounds of war in the background in Orsini, Italy.","The second screenplay is a preproduction draft dated January 26, 1957, 173 leaves, Quarto, mimeographed typescript printed on rectos, bradbound in bright orange production company wrappers. It is the novel's second screen adaptation to reach production. The draft still designates John Huston as director, but he left the project as a consequence of budget disputes and Charles Vidor took over.","The third screenplay is by the Selznick Studio, Culver City dated 1957 in white production company wrappers. This draft was close to the final draft and notes Charles Vidor as the director. It has prefatory material not included in earlier drafts.","There is one dialogue continuity in a red production company wrapper.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Denne Bart Petitclerc, \"A Farewell to Arms\" dialogue continuity and Ben Hecht screenplays, 1956/1958"],"collection_ssim":["Denne Bart Petitclerc, \"A Farewell to Arms\" dialogue continuity and Ben Hecht screenplays, 1956/1958"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16571","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1099"],"unitid_tesim":["MSS 16571","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1099"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was purchased from William Reese by the Small Special Collections Library at the University of Virginia Library on 5 June, 2018."],"access_subjects_ssim":["Screenplays","continuities"],"access_subjects_ssm":["Screenplays","continuities"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good."],"extent_ssm":["0.4 Cubic Feet 1 letter size document box"],"extent_tesim":["0.4 Cubic Feet 1 letter size document box"],"physfacet_tesim":["3 screenplays and one continual dialogue"],"genreform_ssim":["Screenplays","continuities"],"date_range_isim":[1956,1957,1958],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eDenne Bart Petitclerc's film adaptation of \"A Farewell to Arms\" is a 1957 American DeLuxe Color CinemaScope drama film directed by Charles Vidor with screeenplay by Ben Hecht, based in part on a 1930 play by Laurence Stallings. Denne Bart Petitclerc (May 15, 1929 – February 3, 2006 was an American journalist, war correspondent, author, television producer, and screenwriter. He became a life long friend of Ernest Hemingway. This adaptation is the second feature film adaptation of Ernest Hemingway's 1929 semi-autobiographical novel of the same name. It was the last film produced by David O. Selznick. The logo for 20th Century Fox also does not appear at the beginning, due to the movie's poor reception. \u003c/p\u003e","\u003cp\u003eFor many years, David O. Selznick had wanted to film the Hemingway novel, but Warner Brothers owned the property and refused to sell it to him. He found himself in an advantageous bargaining position when Warner Brothers bought the remake rights to \"A Star is Born,\" to which he owned the foreign rights. Without them, the studio could not release their intended remake with Judy Garland overseas. Selznick offered to relinquish his rights to a \"A Star is Born\" in exchange for the rights to \"A Farewell to Arms\", and Warner Brothers agreed.\u003c/p\u003e","\u003cp\u003eOn October 25, 1956, Selznick contacted director John Huston at the Blue Haven Hotel in Tobago and enthusiastically welcomed him to the project. He advised him his contract with 20th Century Fox called for severe financial penalties if the film went over schedule and/or budget, and urged him to concentrate wholly on the film until principal filming was completed.] Selznick's concerns increased as Huston began to tinker with the script and spend an inordinate amount of time on pre-production preparations, and on March 19, 1957, he sent the director a lengthy memo outlining the problems he foresaw arising from Huston's lack of cooperation. Two days later, Huston announced he could not agree with Selznick on any of the issues he had raised and quit the project. Based on correspondence with Charles Vidor, it appears the producer's relationship with Huston's replacement was acrimonious as well. The producer later said the film was \"not one of the jobs of which I am most proud.\" \u003c/p\u003e","\u003cp\u003eSources:\n\"A Farewell to Arms\" (1957 Film) Wikipedia Retrieved 2021-09-24\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Denne Bart Petitclerc's film adaptation of \"A Farewell to Arms\" is a 1957 American DeLuxe Color CinemaScope drama film directed by Charles Vidor with screeenplay by Ben Hecht, based in part on a 1930 play by Laurence Stallings. Denne Bart Petitclerc (May 15, 1929 – February 3, 2006 was an American journalist, war correspondent, author, television producer, and screenwriter. He became a life long friend of Ernest Hemingway. This adaptation is the second feature film adaptation of Ernest Hemingway's 1929 semi-autobiographical novel of the same name. It was the last film produced by David O. Selznick. The logo for 20th Century Fox also does not appear at the beginning, due to the movie's poor reception.","For many years, David O. Selznick had wanted to film the Hemingway novel, but Warner Brothers owned the property and refused to sell it to him. He found himself in an advantageous bargaining position when Warner Brothers bought the remake rights to \"A Star is Born,\" to which he owned the foreign rights. Without them, the studio could not release their intended remake with Judy Garland overseas. Selznick offered to relinquish his rights to a \"A Star is Born\" in exchange for the rights to \"A Farewell to Arms\", and Warner Brothers agreed.","On October 25, 1956, Selznick contacted director John Huston at the Blue Haven Hotel in Tobago and enthusiastically welcomed him to the project. He advised him his contract with 20th Century Fox called for severe financial penalties if the film went over schedule and/or budget, and urged him to concentrate wholly on the film until principal filming was completed.] Selznick's concerns increased as Huston began to tinker with the script and spend an inordinate amount of time on pre-production preparations, and on March 19, 1957, he sent the director a lengthy memo outlining the problems he foresaw arising from Huston's lack of cooperation. Two days later, Huston announced he could not agree with Selznick on any of the issues he had raised and quit the project. Based on correspondence with Charles Vidor, it appears the producer's relationship with Huston's replacement was acrimonious as well. The producer later said the film was \"not one of the jobs of which I am most proud.\"","Sources:\n\"A Farewell to Arms\" (1957 Film) Wikipedia Retrieved 2021-09-24"],"prefercite_html_tesm":["\u003cp\u003eMSS 16571, Denne Bart Petitclerc,\"A Farewell to Arms\" screenplays and dialogue, Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16571, Denne Bart Petitclerc,\"A Farewell to Arms\" screenplays and dialogue, Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a dialogue and three screenplays of Denne Bart Petitclerc's film adaptation of Ernest Hemingway \"A Farewell to Arms\" starring Rock Hudson and Jennifer Jones adapted by Ben Hecht from the Selznick Studio in Hollywood, California. The first screenplay is called Script 82,Quarto, mimeographed typescript printed on rectos bradbound in yellow production company wrappers, dated October 22, 1956, and begins with two ambulance drivers playing cards when the main character Frederick Henry comes up to them with the sounds of war in the background in Orsini, Italy.\u003c/p\u003e","\u003cp\u003eThe second screenplay is a preproduction draft dated January 26, 1957, 173 leaves, Quarto, mimeographed typescript printed on rectos, bradbound in bright orange production company wrappers. It is the novel's second screen adaptation to reach production. The draft still designates John Huston as director, but he left the project as a consequence of budget disputes and Charles Vidor took over. \u003c/p\u003e","\u003cp\u003e\nThe third screenplay is by the Selznick Studio, Culver City dated 1957 in white production company wrappers. This draft was close to the final draft and notes Charles Vidor as the director. It has prefatory material not included in earlier drafts.\u003c/p\u003e","\u003cp\u003eThere is one dialogue continuity in a red production company wrapper.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains a dialogue and three screenplays of Denne Bart Petitclerc's film adaptation of Ernest Hemingway \"A Farewell to Arms\" starring Rock Hudson and Jennifer Jones adapted by Ben Hecht from the Selznick Studio in Hollywood, California. The first screenplay is called Script 82,Quarto, mimeographed typescript printed on rectos bradbound in yellow production company wrappers, dated October 22, 1956, and begins with two ambulance drivers playing cards when the main character Frederick Henry comes up to them with the sounds of war in the background in Orsini, Italy.","The second screenplay is a preproduction draft dated January 26, 1957, 173 leaves, Quarto, mimeographed typescript printed on rectos, bradbound in bright orange production company wrappers. It is the novel's second screen adaptation to reach production. The draft still designates John Huston as director, but he left the project as a consequence of budget disputes and Charles Vidor took over.","The third screenplay is by the Selznick Studio, Culver City dated 1957 in white production company wrappers. This draft was close to the final draft and notes Charles Vidor as the director. It has prefatory material not included in earlier drafts.","There is one dialogue continuity in a red production company wrapper."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:13.060Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1099","ead_ssi":"viu_repositories_3_resources_1099","_root_":"viu_repositories_3_resources_1099","_nest_parent_":"viu_repositories_3_resources_1099","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1099.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/123733","title_filing_ssi":"Petitclerc, Denne Bart, \"A Farewell to Arms\" screenplays and dialogue","title_ssm":["Denne Bart Petitclerc, \"A Farewell to Arms\" dialogue continuity and Ben Hecht screenplays"],"title_tesim":["Denne Bart Petitclerc, \"A Farewell to Arms\" dialogue continuity and Ben Hecht screenplays"],"unitdate_ssm":["1956-1958"],"unitdate_inclusive_ssm":["1956-1958"],"normalized_date_ssm":["1956/1958"],"normalized_title_ssm":["Denne Bart Petitclerc, \"A Farewell to Arms\" dialogue continuity and Ben Hecht screenplays, 1956/1958"],"text":["Denne Bart Petitclerc, \"A Farewell to Arms\" dialogue continuity and Ben Hecht screenplays, 1956/1958","MSS 16571","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1099","Screenplays","continuities","Good.","This collection is open for research use.","Denne Bart Petitclerc's film adaptation of \"A Farewell to Arms\" is a 1957 American DeLuxe Color CinemaScope drama film directed by Charles Vidor with screeenplay by Ben Hecht, based in part on a 1930 play by Laurence Stallings. Denne Bart Petitclerc (May 15, 1929 – February 3, 2006 was an American journalist, war correspondent, author, television producer, and screenwriter. He became a life long friend of Ernest Hemingway. This adaptation is the second feature film adaptation of Ernest Hemingway's 1929 semi-autobiographical novel of the same name. It was the last film produced by David O. Selznick. The logo for 20th Century Fox also does not appear at the beginning, due to the movie's poor reception.","For many years, David O. Selznick had wanted to film the Hemingway novel, but Warner Brothers owned the property and refused to sell it to him. He found himself in an advantageous bargaining position when Warner Brothers bought the remake rights to \"A Star is Born,\" to which he owned the foreign rights. Without them, the studio could not release their intended remake with Judy Garland overseas. Selznick offered to relinquish his rights to a \"A Star is Born\" in exchange for the rights to \"A Farewell to Arms\", and Warner Brothers agreed.","On October 25, 1956, Selznick contacted director John Huston at the Blue Haven Hotel in Tobago and enthusiastically welcomed him to the project. He advised him his contract with 20th Century Fox called for severe financial penalties if the film went over schedule and/or budget, and urged him to concentrate wholly on the film until principal filming was completed.] Selznick's concerns increased as Huston began to tinker with the script and spend an inordinate amount of time on pre-production preparations, and on March 19, 1957, he sent the director a lengthy memo outlining the problems he foresaw arising from Huston's lack of cooperation. Two days later, Huston announced he could not agree with Selznick on any of the issues he had raised and quit the project. Based on correspondence with Charles Vidor, it appears the producer's relationship with Huston's replacement was acrimonious as well. The producer later said the film was \"not one of the jobs of which I am most proud.\"","Sources:\n\"A Farewell to Arms\" (1957 Film) Wikipedia Retrieved 2021-09-24","This collection contains a dialogue and three screenplays of Denne Bart Petitclerc's film adaptation of Ernest Hemingway \"A Farewell to Arms\" starring Rock Hudson and Jennifer Jones adapted by Ben Hecht from the Selznick Studio in Hollywood, California. The first screenplay is called Script 82,Quarto, mimeographed typescript printed on rectos bradbound in yellow production company wrappers, dated October 22, 1956, and begins with two ambulance drivers playing cards when the main character Frederick Henry comes up to them with the sounds of war in the background in Orsini, Italy.","The second screenplay is a preproduction draft dated January 26, 1957, 173 leaves, Quarto, mimeographed typescript printed on rectos, bradbound in bright orange production company wrappers. It is the novel's second screen adaptation to reach production. The draft still designates John Huston as director, but he left the project as a consequence of budget disputes and Charles Vidor took over.","The third screenplay is by the Selznick Studio, Culver City dated 1957 in white production company wrappers. This draft was close to the final draft and notes Charles Vidor as the director. It has prefatory material not included in earlier drafts.","There is one dialogue continuity in a red production company wrapper.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Denne Bart Petitclerc, \"A Farewell to Arms\" dialogue continuity and Ben Hecht screenplays, 1956/1958"],"collection_ssim":["Denne Bart Petitclerc, \"A Farewell to Arms\" dialogue continuity and Ben Hecht screenplays, 1956/1958"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16571","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1099"],"unitid_tesim":["MSS 16571","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1099"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was purchased from William Reese by the Small Special Collections Library at the University of Virginia Library on 5 June, 2018."],"access_subjects_ssim":["Screenplays","continuities"],"access_subjects_ssm":["Screenplays","continuities"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good."],"extent_ssm":["0.4 Cubic Feet 1 letter size document box"],"extent_tesim":["0.4 Cubic Feet 1 letter size document box"],"physfacet_tesim":["3 screenplays and one continual dialogue"],"genreform_ssim":["Screenplays","continuities"],"date_range_isim":[1956,1957,1958],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eDenne Bart Petitclerc's film adaptation of \"A Farewell to Arms\" is a 1957 American DeLuxe Color CinemaScope drama film directed by Charles Vidor with screeenplay by Ben Hecht, based in part on a 1930 play by Laurence Stallings. Denne Bart Petitclerc (May 15, 1929 – February 3, 2006 was an American journalist, war correspondent, author, television producer, and screenwriter. He became a life long friend of Ernest Hemingway. This adaptation is the second feature film adaptation of Ernest Hemingway's 1929 semi-autobiographical novel of the same name. It was the last film produced by David O. Selznick. The logo for 20th Century Fox also does not appear at the beginning, due to the movie's poor reception. \u003c/p\u003e","\u003cp\u003eFor many years, David O. Selznick had wanted to film the Hemingway novel, but Warner Brothers owned the property and refused to sell it to him. He found himself in an advantageous bargaining position when Warner Brothers bought the remake rights to \"A Star is Born,\" to which he owned the foreign rights. Without them, the studio could not release their intended remake with Judy Garland overseas. Selznick offered to relinquish his rights to a \"A Star is Born\" in exchange for the rights to \"A Farewell to Arms\", and Warner Brothers agreed.\u003c/p\u003e","\u003cp\u003eOn October 25, 1956, Selznick contacted director John Huston at the Blue Haven Hotel in Tobago and enthusiastically welcomed him to the project. He advised him his contract with 20th Century Fox called for severe financial penalties if the film went over schedule and/or budget, and urged him to concentrate wholly on the film until principal filming was completed.] Selznick's concerns increased as Huston began to tinker with the script and spend an inordinate amount of time on pre-production preparations, and on March 19, 1957, he sent the director a lengthy memo outlining the problems he foresaw arising from Huston's lack of cooperation. Two days later, Huston announced he could not agree with Selznick on any of the issues he had raised and quit the project. Based on correspondence with Charles Vidor, it appears the producer's relationship with Huston's replacement was acrimonious as well. The producer later said the film was \"not one of the jobs of which I am most proud.\" \u003c/p\u003e","\u003cp\u003eSources:\n\"A Farewell to Arms\" (1957 Film) Wikipedia Retrieved 2021-09-24\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Denne Bart Petitclerc's film adaptation of \"A Farewell to Arms\" is a 1957 American DeLuxe Color CinemaScope drama film directed by Charles Vidor with screeenplay by Ben Hecht, based in part on a 1930 play by Laurence Stallings. Denne Bart Petitclerc (May 15, 1929 – February 3, 2006 was an American journalist, war correspondent, author, television producer, and screenwriter. He became a life long friend of Ernest Hemingway. This adaptation is the second feature film adaptation of Ernest Hemingway's 1929 semi-autobiographical novel of the same name. It was the last film produced by David O. Selznick. The logo for 20th Century Fox also does not appear at the beginning, due to the movie's poor reception.","For many years, David O. Selznick had wanted to film the Hemingway novel, but Warner Brothers owned the property and refused to sell it to him. He found himself in an advantageous bargaining position when Warner Brothers bought the remake rights to \"A Star is Born,\" to which he owned the foreign rights. Without them, the studio could not release their intended remake with Judy Garland overseas. Selznick offered to relinquish his rights to a \"A Star is Born\" in exchange for the rights to \"A Farewell to Arms\", and Warner Brothers agreed.","On October 25, 1956, Selznick contacted director John Huston at the Blue Haven Hotel in Tobago and enthusiastically welcomed him to the project. He advised him his contract with 20th Century Fox called for severe financial penalties if the film went over schedule and/or budget, and urged him to concentrate wholly on the film until principal filming was completed.] Selznick's concerns increased as Huston began to tinker with the script and spend an inordinate amount of time on pre-production preparations, and on March 19, 1957, he sent the director a lengthy memo outlining the problems he foresaw arising from Huston's lack of cooperation. Two days later, Huston announced he could not agree with Selznick on any of the issues he had raised and quit the project. Based on correspondence with Charles Vidor, it appears the producer's relationship with Huston's replacement was acrimonious as well. The producer later said the film was \"not one of the jobs of which I am most proud.\"","Sources:\n\"A Farewell to Arms\" (1957 Film) Wikipedia Retrieved 2021-09-24"],"prefercite_html_tesm":["\u003cp\u003eMSS 16571, Denne Bart Petitclerc,\"A Farewell to Arms\" screenplays and dialogue, Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16571, Denne Bart Petitclerc,\"A Farewell to Arms\" screenplays and dialogue, Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a dialogue and three screenplays of Denne Bart Petitclerc's film adaptation of Ernest Hemingway \"A Farewell to Arms\" starring Rock Hudson and Jennifer Jones adapted by Ben Hecht from the Selznick Studio in Hollywood, California. The first screenplay is called Script 82,Quarto, mimeographed typescript printed on rectos bradbound in yellow production company wrappers, dated October 22, 1956, and begins with two ambulance drivers playing cards when the main character Frederick Henry comes up to them with the sounds of war in the background in Orsini, Italy.\u003c/p\u003e","\u003cp\u003eThe second screenplay is a preproduction draft dated January 26, 1957, 173 leaves, Quarto, mimeographed typescript printed on rectos, bradbound in bright orange production company wrappers. It is the novel's second screen adaptation to reach production. The draft still designates John Huston as director, but he left the project as a consequence of budget disputes and Charles Vidor took over. \u003c/p\u003e","\u003cp\u003e\nThe third screenplay is by the Selznick Studio, Culver City dated 1957 in white production company wrappers. This draft was close to the final draft and notes Charles Vidor as the director. It has prefatory material not included in earlier drafts.\u003c/p\u003e","\u003cp\u003eThere is one dialogue continuity in a red production company wrapper.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains a dialogue and three screenplays of Denne Bart Petitclerc's film adaptation of Ernest Hemingway \"A Farewell to Arms\" starring Rock Hudson and Jennifer Jones adapted by Ben Hecht from the Selznick Studio in Hollywood, California. The first screenplay is called Script 82,Quarto, mimeographed typescript printed on rectos bradbound in yellow production company wrappers, dated October 22, 1956, and begins with two ambulance drivers playing cards when the main character Frederick Henry comes up to them with the sounds of war in the background in Orsini, Italy.","The second screenplay is a preproduction draft dated January 26, 1957, 173 leaves, Quarto, mimeographed typescript printed on rectos, bradbound in bright orange production company wrappers. It is the novel's second screen adaptation to reach production. The draft still designates John Huston as director, but he left the project as a consequence of budget disputes and Charles Vidor took over.","The third screenplay is by the Selznick Studio, Culver City dated 1957 in white production company wrappers. This draft was close to the final draft and notes Charles Vidor as the director. It has prefatory material not included in earlier drafts.","There is one dialogue continuity in a red production company wrapper."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:13.060Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1099"}},{"id":"viu_repositories_3_resources_1126","type":"collection","attributes":{"title":"Denne Bart Petitclerc A Farewell to Arms screenplay, 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Petitclerc A Farewell to Arms screenplay, 1970/1979"],"text":["Denne Bart Petitclerc A Farewell to Arms screenplay, 1970/1979","MSS 16603","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1126","Screenplays","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Denne Bart Petitclerc A Farewell to Arms screenplay, 1970/1979"],"collection_ssim":["Denne Bart Petitclerc A Farewell to Arms screenplay, 1970/1979"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 16603","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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about Edgar Allan Poe.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1182#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1182","ead_ssi":"viu_repositories_3_resources_1182","_root_":"viu_repositories_3_resources_1182","_nest_parent_":"viu_repositories_3_resources_1182","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1182.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/131742","title_filing_ssi":"Palumbo, Dennis screenplay, The Grande Game","title_ssm":["Dennis Palumbo \"The Grande Game\" screenplay"],"title_tesim":["Dennis Palumbo \"The Grande Game\" screenplay"],"unitdate_ssm":["1985-01-20"],"unitdate_other_ssim":["1985-01-20"],"normalized_date_ssm":["1985"],"normalized_title_ssm":["Dennis Palumbo \"The Grande Game\" screenplay, 1985"],"text":["Dennis Palumbo \"The Grande Game\" screenplay, 1985","MSS 16649","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1182","Screenplays","Good.","The collection is open for research use.","Dennis Palumbo, M.A., MFT is the author of the screenplay, \"The Grande Game,\" a tale about Edgar Allan Poe, that characterizes an addiction to opium and a troubled career as a writer.","Palumbo is a writer and licensed psychotherapist in private practice, specializing in creative issues. His acclaimed series of mystery thrillers–Mirror Image, Fever Dream, Night Terrors, Phantom Limb, Head Wounds and the upcoming Panic Attack (Sourcebooks/Poisoned Pen Press) features psychologist and trauma expert Daniel Rinaldi. He's also the author of Writing From the Inside Out (John Wiley), as well as a collection of mystery short stories, From Crime to Crime (Tallfellow Press).","Formerly a Hollywood screenwriter, Palumbo's credits include the feature film My Favorite Year, for which he was nominated for a WGA Award for Best Screenplay. He was also a staff writer for the ABC-TV series Welcome Back, Kotter, and has written numerous series episodes and pilots.","His first novel, City Wars (Bantam Books) is currently in development as a feature film, and his short fiction has appeared in Ellery Queen's Mystery Magazine, The Strand and elsewhere. He provides articles and reviews for The New York Times, The Los Angeles Times, The Lancet, and many others.","His column, \"The Writer's Life,\" appeared monthly for six years in Written By, the magazine of the Writers Guild of America. He's also done commentary for NPR's \"All Things Considered\" and blogs regularly for The Huffington Post.","Source:\n\"Palumbo, Dennis.\" Bio. Dennis Palumbo website. 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His acclaimed series of mystery thrillers–Mirror Image, Fever Dream, Night Terrors, Phantom Limb, Head Wounds and the upcoming Panic Attack (Sourcebooks/Poisoned Pen Press) features psychologist and trauma expert Daniel Rinaldi. He's also the author of Writing From the Inside Out (John Wiley), as well as a collection of mystery short stories, From Crime to Crime (Tallfellow Press).\u003c/p\u003e","\u003cp\u003eFormerly a Hollywood screenwriter, Palumbo's credits include the feature film My Favorite Year, for which he was nominated for a WGA Award for Best Screenplay. He was also a staff writer for the ABC-TV series Welcome Back, Kotter, and has written numerous series episodes and pilots.\u003c/p\u003e","\u003cp\u003eHis first novel, City Wars (Bantam Books) is currently in development as a feature film, and his short fiction has appeared in Ellery Queen's Mystery Magazine, The Strand and elsewhere. He provides articles and reviews for The New York Times, The Los Angeles Times, The Lancet, and many others.\u003c/p\u003e","\u003cp\u003eHis column, \"The Writer's Life,\" appeared monthly for six years in Written By, the magazine of the Writers Guild of America. He's also done commentary for NPR's \"All Things Considered\" and blogs regularly for The Huffington Post.\u003c/p\u003e","\u003cp\u003eSource:\n\"Palumbo, Dennis.\" Bio. Dennis Palumbo website. Accessed January 20, 2022.\nhttps://dennispalumbo.com/dennis-palumbo-biography/\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dennis Palumbo, M.A., MFT is the author of the screenplay, \"The Grande Game,\" a tale about Edgar Allan Poe, that characterizes an addiction to opium and a troubled career as a writer.","Palumbo is a writer and licensed psychotherapist in private practice, specializing in creative issues. His acclaimed series of mystery thrillers–Mirror Image, Fever Dream, Night Terrors, Phantom Limb, Head Wounds and the upcoming Panic Attack (Sourcebooks/Poisoned Pen Press) features psychologist and trauma expert Daniel Rinaldi. He's also the author of Writing From the Inside Out (John Wiley), as well as a collection of mystery short stories, From Crime to Crime (Tallfellow Press).","Formerly a Hollywood screenwriter, Palumbo's credits include the feature film My Favorite Year, for which he was nominated for a WGA Award for Best Screenplay. He was also a staff writer for the ABC-TV series Welcome Back, Kotter, and has written numerous series episodes and pilots.","His first novel, City Wars (Bantam Books) is currently in development as a feature film, and his short fiction has appeared in Ellery Queen's Mystery Magazine, The Strand and elsewhere. He provides articles and reviews for The New York Times, The Los Angeles Times, The Lancet, and many others.","His column, \"The Writer's Life,\" appeared monthly for six years in Written By, the magazine of the Writers Guild of America. He's also done commentary for NPR's \"All Things Considered\" and blogs regularly for The Huffington Post.","Source:\n\"Palumbo, Dennis.\" Bio. Dennis Palumbo website. Accessed January 20, 2022.\nhttps://dennispalumbo.com/dennis-palumbo-biography/"],"prefercite_html_tesm":["\u003cp\u003eMSS 16649, Dennis Palumbo script, \"The Grande Game, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16649, Dennis Palumbo script, \"The Grande Game, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eScript for an unproduced film, \"The Grande Game\" about Edgar Allan Poe.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Script for an unproduced film, \"The Grande Game\" about Edgar Allan Poe."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:13.060Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1182","ead_ssi":"viu_repositories_3_resources_1182","_root_":"viu_repositories_3_resources_1182","_nest_parent_":"viu_repositories_3_resources_1182","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1182.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/131742","title_filing_ssi":"Palumbo, Dennis screenplay, The Grande Game","title_ssm":["Dennis Palumbo \"The Grande Game\" screenplay"],"title_tesim":["Dennis Palumbo \"The Grande Game\" screenplay"],"unitdate_ssm":["1985-01-20"],"unitdate_other_ssim":["1985-01-20"],"normalized_date_ssm":["1985"],"normalized_title_ssm":["Dennis Palumbo \"The Grande Game\" screenplay, 1985"],"text":["Dennis Palumbo \"The Grande Game\" screenplay, 1985","MSS 16649","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1182","Screenplays","Good.","The collection is open for research use.","Dennis Palumbo, M.A., MFT is the author of the screenplay, \"The Grande Game,\" a tale about Edgar Allan Poe, that characterizes an addiction to opium and a troubled career as a writer.","Palumbo is a writer and licensed psychotherapist in private practice, specializing in creative issues. His acclaimed series of mystery thrillers–Mirror Image, Fever Dream, Night Terrors, Phantom Limb, Head Wounds and the upcoming Panic Attack (Sourcebooks/Poisoned Pen Press) features psychologist and trauma expert Daniel Rinaldi. He's also the author of Writing From the Inside Out (John Wiley), as well as a collection of mystery short stories, From Crime to Crime (Tallfellow Press).","Formerly a Hollywood screenwriter, Palumbo's credits include the feature film My Favorite Year, for which he was nominated for a WGA Award for Best Screenplay. He was also a staff writer for the ABC-TV series Welcome Back, Kotter, and has written numerous series episodes and pilots.","His first novel, City Wars (Bantam Books) is currently in development as a feature film, and his short fiction has appeared in Ellery Queen's Mystery Magazine, The Strand and elsewhere. He provides articles and reviews for The New York Times, The Los Angeles Times, The Lancet, and many others.","His column, \"The Writer's Life,\" appeared monthly for six years in Written By, the magazine of the Writers Guild of America. He's also done commentary for NPR's \"All Things Considered\" and blogs regularly for The Huffington Post.","Source:\n\"Palumbo, Dennis.\" Bio. Dennis Palumbo website. Accessed January 20, 2022.\nhttps://dennispalumbo.com/dennis-palumbo-biography/","Script for an unproduced film, \"The Grande Game\" about Edgar Allan Poe.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Dennis Palumbo \"The Grande Game\" screenplay, 1985"],"collection_ssim":["Dennis Palumbo \"The Grande Game\" screenplay, 1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16649","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1182"],"unitid_tesim":["MSS 16649","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1182"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was purchased from Royal Books by the Small Special Collections Library at the University of Virginia Library on June 2, 2019."],"access_subjects_ssim":["Screenplays"],"access_subjects_ssm":["Screenplays"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good."],"extent_ssm":["0.03 Cubic Feet 1 folder"],"extent_tesim":["0.03 Cubic Feet 1 folder"],"genreform_ssim":["Screenplays"],"date_range_isim":[1985],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eDennis Palumbo, M.A., MFT is the author of the screenplay, \"The Grande Game,\" a tale about Edgar Allan Poe, that characterizes an addiction to opium and a troubled career as a writer. \u003c/p\u003e","\u003cp\u003ePalumbo is a writer and licensed psychotherapist in private practice, specializing in creative issues. His acclaimed series of mystery thrillers–Mirror Image, Fever Dream, Night Terrors, Phantom Limb, Head Wounds and the upcoming Panic Attack (Sourcebooks/Poisoned Pen Press) features psychologist and trauma expert Daniel Rinaldi. He's also the author of Writing From the Inside Out (John Wiley), as well as a collection of mystery short stories, From Crime to Crime (Tallfellow Press).\u003c/p\u003e","\u003cp\u003eFormerly a Hollywood screenwriter, Palumbo's credits include the feature film My Favorite Year, for which he was nominated for a WGA Award for Best Screenplay. He was also a staff writer for the ABC-TV series Welcome Back, Kotter, and has written numerous series episodes and pilots.\u003c/p\u003e","\u003cp\u003eHis first novel, City Wars (Bantam Books) is currently in development as a feature film, and his short fiction has appeared in Ellery Queen's Mystery Magazine, The Strand and elsewhere. He provides articles and reviews for The New York Times, The Los Angeles Times, The Lancet, and many others.\u003c/p\u003e","\u003cp\u003eHis column, \"The Writer's Life,\" appeared monthly for six years in Written By, the magazine of the Writers Guild of America. He's also done commentary for NPR's \"All Things Considered\" and blogs regularly for The Huffington Post.\u003c/p\u003e","\u003cp\u003eSource:\n\"Palumbo, Dennis.\" Bio. Dennis Palumbo website. Accessed January 20, 2022.\nhttps://dennispalumbo.com/dennis-palumbo-biography/\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dennis Palumbo, M.A., MFT is the author of the screenplay, \"The Grande Game,\" a tale about Edgar Allan Poe, that characterizes an addiction to opium and a troubled career as a writer.","Palumbo is a writer and licensed psychotherapist in private practice, specializing in creative issues. His acclaimed series of mystery thrillers–Mirror Image, Fever Dream, Night Terrors, Phantom Limb, Head Wounds and the upcoming Panic Attack (Sourcebooks/Poisoned Pen Press) features psychologist and trauma expert Daniel Rinaldi. He's also the author of Writing From the Inside Out (John Wiley), as well as a collection of mystery short stories, From Crime to Crime (Tallfellow Press).","Formerly a Hollywood screenwriter, Palumbo's credits include the feature film My Favorite Year, for which he was nominated for a WGA Award for Best Screenplay. He was also a staff writer for the ABC-TV series Welcome Back, Kotter, and has written numerous series episodes and pilots.","His first novel, City Wars (Bantam Books) is currently in development as a feature film, and his short fiction has appeared in Ellery Queen's Mystery Magazine, The Strand and elsewhere. He provides articles and reviews for The New York Times, The Los Angeles Times, The Lancet, and many others.","His column, \"The Writer's Life,\" appeared monthly for six years in Written By, the magazine of the Writers Guild of America. He's also done commentary for NPR's \"All Things Considered\" and blogs regularly for The Huffington Post.","Source:\n\"Palumbo, Dennis.\" Bio. Dennis Palumbo website. Accessed January 20, 2022.\nhttps://dennispalumbo.com/dennis-palumbo-biography/"],"prefercite_html_tesm":["\u003cp\u003eMSS 16649, Dennis Palumbo script, \"The Grande Game, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16649, Dennis Palumbo script, \"The Grande Game, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eScript for an unproduced film, \"The Grande Game\" about Edgar Allan Poe.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Script for an unproduced film, \"The Grande Game\" about Edgar Allan Poe."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:13.060Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1182"}},{"id":"viu_repositories_3_resources_1501","type":"collection","attributes":{"title":"Dick Miller copy of \"The Premature Burial\" screenplay, 1962","creator":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1501#creator","type":"document_value","attributes":{"value":"Miller, Dick, 1928-2019","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1501#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains Dick Miller's working copy of the original screenplay for the 1962 film \"The Premature Burial.\" Miller's only annotation to the script is blood dripping from the title in red holograph ink. Miller played the part of \"Mole\" in the film. This film was the director Roger Corman's third of seven Edgar Allan Poe adaptations, known collectively as the \"Poe Cycle.\" Based on the 1844 short story by Edgar Allan Poe, and adapted to the screen by Charles Beaumont, noted horror novelist and screenwriter, and Ray Russell. The plot is about a British aristocrat in Victorian England who develops a paranoid fear of being buried alive. Typescript, 116 leaves, bound with a printed green portfolio cover and fastened with brads.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1501#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1501","ead_ssi":"viu_repositories_3_resources_1501","_root_":"viu_repositories_3_resources_1501","_nest_parent_":"viu_repositories_3_resources_1501","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1501.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189168","title_filing_ssi":"Miller, Dick, copy of \"The Premature Burial\" screenplay","title_ssm":["Dick Miller copy of \"The Premature Burial\" screenplay"],"title_tesim":["Dick Miller copy of \"The Premature Burial\" screenplay"],"unitdate_ssm":["c. 1962"],"unitdate_other_ssim":["c. 1962"],"normalized_date_ssm":["1962"],"normalized_title_ssm":["Dick Miller copy of \"The Premature Burial\" screenplay, 1962"],"text":["Dick Miller copy of \"The Premature Burial\" screenplay, 1962","MSS 16771","Archival Resource Key","/repositories/3/resources/1501","Screenplays","The collection is open for research use.","The Premature Burial, also known as Premature Burial, is a 1962 American horror film directed by Roger Corman and starring Ray Milland, Hazel Court, Alan Napier, Heather Angel and Richard Ney. The screenplay by Charles Beaumont and Ray Russell is based upon the 1844 short story of the same name by Edgar Allan Poe. It was the third in the series of eight Poe-themed pictures, known informally as the \"Poe Cycle\", directed by Corman for American International Pictures.","Richard Miller (December 25, 1928 – January 30, 2019) was an American character actor who played the Mole in the \"Premature Burial.\" He also appeared in more than 180 films,[1] including many produced by Roger Corman. He later appeared in the films of directors who began their careers with Corman, including Joe Dante, James Cameron, and Martin Scorsese, with the distinction of appearing in every film directed by Dante. He was known for playing the beleaguered everyman, often in one-scene appearances.","During the early 1960's, American International Pictures produced a series of horror films inspired by Edgar Allan Poe called the \"Poe Cycle.\" Of eight films, seven feature stories are based on the works of Poe. They were \"House of Usher,\" \"The Pit and the Pendulum,\" \"The Premature Burial,\", \"Tales of Terror,\" \"The Raven,\" \"The Haunted Palace,\" \"The Masque of the Red Death,\" and \"The Tomb of Ligeia.\"","Sources:\n\"Dick Miller\" Wikipedia. Accessed 4/17/23\nhttps://en.wikipedia.org/wiki/Dick_Miller","\"American International Pictures\" Accessed 4/17/23\nhttps://en.wikipedia.org/wiki/American_International_Pictures","Edgar Allan Poe collections MSS 1857","This collection contains Dick Miller's working copy of the original screenplay for the 1962 film \"The Premature Burial.\" Miller's only annotation to the script is blood dripping from the title in red holograph ink. Miller played the part of \"Mole\" in the film. This film was the director Roger Corman's third of seven Edgar Allan Poe adaptations, known collectively as the \"Poe Cycle.\"  Based on the 1844 short story by Edgar Allan Poe, and adapted to the screen by Charles Beaumont, noted horror novelist and screenwriter, and Ray Russell. The plot is about a British aristocrat in Victorian England who develops a paranoid fear of being buried alive. Typescript, 116 leaves, bound with a printed green portfolio cover and fastened with brads.","Albert and Shirley Small Special Collections Library","Miller, Dick, 1928-2019","Poe, Edgar Allan, 1809-1849","Russell, Ray","Beaumont, Charles, 1929-1967","English"],"collection_title_tesim":["Dick Miller copy of \"The Premature Burial\" screenplay, 1962"],"collection_ssim":["Dick Miller copy of \"The Premature Burial\" screenplay, 1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16771","Archival Resource Key","/repositories/3/resources/1501"],"unitid_tesim":["MSS 16771","Archival Resource Key","/repositories/3/resources/1501"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Miller, Dick, 1928-2019","Poe, Edgar Allan, 1809-1849","Russell, Ray","Beaumont, Charles, 1929-1967"],"creator_ssim":["Miller, Dick, 1928-2019","Poe, Edgar Allan, 1809-1849","Russell, Ray","Beaumont, Charles, 1929-1967"],"creator_persname_ssim":["Miller, Dick, 1928-2019","Poe, Edgar Allan, 1809-1849","Russell, Ray","Beaumont, Charles, 1929-1967"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Miller, Dick, 1928-2019","Poe, Edgar Allan, 1809-1849","Russell, Ray","Beaumont, Charles, 1929-1967","Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was purchased from Royal Books (from the estate of Dick Miller) by the Small Special Collections Library at the University of Virginia Library on 10 January 2022."],"access_subjects_ssim":["Screenplays"],"access_subjects_ssm":["Screenplays"],"has_online_content_ssim":["false"],"extent_ssm":[".03 Cubic Feet 1 letter-sized folder"],"extent_tesim":[".03 Cubic Feet 1 letter-sized folder"],"genreform_ssim":["Screenplays"],"date_range_isim":[1962],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eThe Premature Burial, also known as Premature Burial, is a 1962 American horror film directed by Roger Corman and starring Ray Milland, Hazel Court, Alan Napier, Heather Angel and Richard Ney. The screenplay by Charles Beaumont and Ray Russell is based upon the 1844 short story of the same name by Edgar Allan Poe. It was the third in the series of eight Poe-themed pictures, known informally as the \"Poe Cycle\", directed by Corman for American International Pictures.\u003c/p\u003e","\u003cp\u003eRichard Miller (December 25, 1928 – January 30, 2019) was an American character actor who played the Mole in the \"Premature Burial.\" He also appeared in more than 180 films,[1] including many produced by Roger Corman. He later appeared in the films of directors who began their careers with Corman, including Joe Dante, James Cameron, and Martin Scorsese, with the distinction of appearing in every film directed by Dante. He was known for playing the beleaguered everyman, often in one-scene appearances.\u003c/p\u003e","\u003cp\u003eDuring the early 1960's, American International Pictures produced a series of horror films inspired by Edgar Allan Poe called the \"Poe Cycle.\" Of eight films, seven feature stories are based on the works of Poe. They were \"House of Usher,\" \"The Pit and the Pendulum,\" \"The Premature Burial,\", \"Tales of Terror,\" \"The Raven,\" \"The Haunted Palace,\" \"The Masque of the Red Death,\" and \"The Tomb of Ligeia.\"\u003c/p\u003e","\u003cp\u003eSources:\n\"Dick Miller\" Wikipedia. Accessed 4/17/23\nhttps://en.wikipedia.org/wiki/Dick_Miller\u003c/p\u003e","\u003cp\u003e\n\"American International Pictures\" Accessed 4/17/23\nhttps://en.wikipedia.org/wiki/American_International_Pictures\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Premature Burial, also known as Premature Burial, is a 1962 American horror film directed by Roger Corman and starring Ray Milland, Hazel Court, Alan Napier, Heather Angel and Richard Ney. The screenplay by Charles Beaumont and Ray Russell is based upon the 1844 short story of the same name by Edgar Allan Poe. It was the third in the series of eight Poe-themed pictures, known informally as the \"Poe Cycle\", directed by Corman for American International Pictures.","Richard Miller (December 25, 1928 – January 30, 2019) was an American character actor who played the Mole in the \"Premature Burial.\" He also appeared in more than 180 films,[1] including many produced by Roger Corman. He later appeared in the films of directors who began their careers with Corman, including Joe Dante, James Cameron, and Martin Scorsese, with the distinction of appearing in every film directed by Dante. He was known for playing the beleaguered everyman, often in one-scene appearances.","During the early 1960's, American International Pictures produced a series of horror films inspired by Edgar Allan Poe called the \"Poe Cycle.\" Of eight films, seven feature stories are based on the works of Poe. They were \"House of Usher,\" \"The Pit and the Pendulum,\" \"The Premature Burial,\", \"Tales of Terror,\" \"The Raven,\" \"The Haunted Palace,\" \"The Masque of the Red Death,\" and \"The Tomb of Ligeia.\"","Sources:\n\"Dick Miller\" Wikipedia. Accessed 4/17/23\nhttps://en.wikipedia.org/wiki/Dick_Miller","\"American International Pictures\" Accessed 4/17/23\nhttps://en.wikipedia.org/wiki/American_International_Pictures"],"prefercite_html_tesm":["\u003cp\u003eMSS 16771, Dick Miller copy of \"The Premature Burial\" screenplay, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16771, Dick Miller copy of \"The Premature Burial\" screenplay, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eEdgar Allan Poe collections MSS 1857\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Edgar Allan Poe collections MSS 1857"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains Dick Miller's working copy of the original screenplay for the 1962 film \"The Premature Burial.\" Miller's only annotation to the script is blood dripping from the title in red holograph ink. Miller played the part of \"Mole\" in the film. This film was the director Roger Corman's third of seven Edgar Allan Poe adaptations, known collectively as the \"Poe Cycle.\"  Based on the 1844 short story by Edgar Allan Poe, and adapted to the screen by Charles Beaumont, noted horror novelist and screenwriter, and Ray Russell. The plot is about a British aristocrat in Victorian England who develops a paranoid fear of being buried alive. Typescript, 116 leaves, bound with a printed green portfolio cover and fastened with brads.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains Dick Miller's working copy of the original screenplay for the 1962 film \"The Premature Burial.\" Miller's only annotation to the script is blood dripping from the title in red holograph ink. Miller played the part of \"Mole\" in the film. This film was the director Roger Corman's third of seven Edgar Allan Poe adaptations, known collectively as the \"Poe Cycle.\"  Based on the 1844 short story by Edgar Allan Poe, and adapted to the screen by Charles Beaumont, noted horror novelist and screenwriter, and Ray Russell. The plot is about a British aristocrat in Victorian England who develops a paranoid fear of being buried alive. Typescript, 116 leaves, bound with a printed green portfolio cover and fastened with brads."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Miller, Dick, 1928-2019","Poe, Edgar Allan, 1809-1849","Russell, Ray","Beaumont, Charles, 1929-1967"],"names_coll_ssim":["Miller, Dick, 1928-2019"],"names_ssim":["Albert and Shirley Small Special Collections Library","Miller, Dick, 1928-2019","Poe, Edgar Allan, 1809-1849","Russell, Ray","Beaumont, Charles, 1929-1967"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:33.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1501","ead_ssi":"viu_repositories_3_resources_1501","_root_":"viu_repositories_3_resources_1501","_nest_parent_":"viu_repositories_3_resources_1501","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1501.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189168","title_filing_ssi":"Miller, Dick, copy of \"The Premature Burial\" screenplay","title_ssm":["Dick Miller copy of \"The Premature Burial\" screenplay"],"title_tesim":["Dick Miller copy of \"The Premature Burial\" screenplay"],"unitdate_ssm":["c. 1962"],"unitdate_other_ssim":["c. 1962"],"normalized_date_ssm":["1962"],"normalized_title_ssm":["Dick Miller copy of \"The Premature Burial\" screenplay, 1962"],"text":["Dick Miller copy of \"The Premature Burial\" screenplay, 1962","MSS 16771","Archival Resource Key","/repositories/3/resources/1501","Screenplays","The collection is open for research use.","The Premature Burial, also known as Premature Burial, is a 1962 American horror film directed by Roger Corman and starring Ray Milland, Hazel Court, Alan Napier, Heather Angel and Richard Ney. The screenplay by Charles Beaumont and Ray Russell is based upon the 1844 short story of the same name by Edgar Allan Poe. It was the third in the series of eight Poe-themed pictures, known informally as the \"Poe Cycle\", directed by Corman for American International Pictures.","Richard Miller (December 25, 1928 – January 30, 2019) was an American character actor who played the Mole in the \"Premature Burial.\" He also appeared in more than 180 films,[1] including many produced by Roger Corman. He later appeared in the films of directors who began their careers with Corman, including Joe Dante, James Cameron, and Martin Scorsese, with the distinction of appearing in every film directed by Dante. He was known for playing the beleaguered everyman, often in one-scene appearances.","During the early 1960's, American International Pictures produced a series of horror films inspired by Edgar Allan Poe called the \"Poe Cycle.\" Of eight films, seven feature stories are based on the works of Poe. They were \"House of Usher,\" \"The Pit and the Pendulum,\" \"The Premature Burial,\", \"Tales of Terror,\" \"The Raven,\" \"The Haunted Palace,\" \"The Masque of the Red Death,\" and \"The Tomb of Ligeia.\"","Sources:\n\"Dick Miller\" Wikipedia. Accessed 4/17/23\nhttps://en.wikipedia.org/wiki/Dick_Miller","\"American International Pictures\" Accessed 4/17/23\nhttps://en.wikipedia.org/wiki/American_International_Pictures","Edgar Allan Poe collections MSS 1857","This collection contains Dick Miller's working copy of the original screenplay for the 1962 film \"The Premature Burial.\" Miller's only annotation to the script is blood dripping from the title in red holograph ink. 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Accessed 4/17/23\nhttps://en.wikipedia.org/wiki/Dick_Miller\u003c/p\u003e","\u003cp\u003e\n\"American International Pictures\" Accessed 4/17/23\nhttps://en.wikipedia.org/wiki/American_International_Pictures\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Premature Burial, also known as Premature Burial, is a 1962 American horror film directed by Roger Corman and starring Ray Milland, Hazel Court, Alan Napier, Heather Angel and Richard Ney. The screenplay by Charles Beaumont and Ray Russell is based upon the 1844 short story of the same name by Edgar Allan Poe. It was the third in the series of eight Poe-themed pictures, known informally as the \"Poe Cycle\", directed by Corman for American International Pictures.","Richard Miller (December 25, 1928 – January 30, 2019) was an American character actor who played the Mole in the \"Premature Burial.\" He also appeared in more than 180 films,[1] including many produced by Roger Corman. 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Accessed 4/17/23\nhttps://en.wikipedia.org/wiki/Dick_Miller","\"American International Pictures\" Accessed 4/17/23\nhttps://en.wikipedia.org/wiki/American_International_Pictures"],"prefercite_html_tesm":["\u003cp\u003eMSS 16771, Dick Miller copy of \"The Premature Burial\" screenplay, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e  "],"prefercite_tesim":["MSS 16771, Dick Miller copy of \"The Premature Burial\" screenplay, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eEdgar Allan Poe collections MSS 1857\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Edgar Allan Poe collections MSS 1857"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains Dick Miller's working copy of the original screenplay for the 1962 film \"The Premature Burial.\" Miller's only annotation to the script is blood dripping from the title in red holograph ink. Miller played the part of \"Mole\" in the film. This film was the director Roger Corman's third of seven Edgar Allan Poe adaptations, known collectively as the \"Poe Cycle.\"  Based on the 1844 short story by Edgar Allan Poe, and adapted to the screen by Charles Beaumont, noted horror novelist and screenwriter, and Ray Russell. The plot is about a British aristocrat in Victorian England who develops a paranoid fear of being buried alive. Typescript, 116 leaves, bound with a printed green portfolio cover and fastened with brads.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains Dick Miller's working copy of the original screenplay for the 1962 film \"The Premature Burial.\" Miller's only annotation to the script is blood dripping from the title in red holograph ink. Miller played the part of \"Mole\" in the film. This film was the director Roger Corman's third of seven Edgar Allan Poe adaptations, known collectively as the \"Poe Cycle.\"  Based on the 1844 short story by Edgar Allan Poe, and adapted to the screen by Charles Beaumont, noted horror novelist and screenwriter, and Ray Russell. The plot is about a British aristocrat in Victorian England who develops a paranoid fear of being buried alive. Typescript, 116 leaves, bound with a printed green portfolio cover and fastened with brads."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Miller, Dick, 1928-2019","Poe, Edgar Allan, 1809-1849","Russell, Ray","Beaumont, Charles, 1929-1967"],"names_coll_ssim":["Miller, Dick, 1928-2019"],"names_ssim":["Albert and Shirley Small Special Collections Library","Miller, Dick, 1928-2019","Poe, Edgar Allan, 1809-1849","Russell, Ray","Beaumont, Charles, 1929-1967"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:33.807Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1501"}},{"id":"viu_repositories_3_resources_1687","type":"collection","attributes":{"title":"In Our Time screenplay, 1984","creator":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1687#creator","type":"document_value","attributes":{"value":"Petitclerc, Denne Bart","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1687#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection features a single screenplay for an unproduced film based on John H.N. Hemingway's memories of his parents Ernest and Hadley Hemingway. The script was written in 1984 by Denne Petitclerc (1929-2006), a journalist, screenwriter, and friend of Ernest Hemingway. \"In Our Time\" is based on the primary source material and recollections of John H.N. Hemingway and Petitclerc described in the first three pages of the script titled \" A Note on the Sources of this Screenplay.\" The screenplay focuses on the time surrounding Ernest Hemingway's first short story collection, published in 1924 and 1925, titled \"In Our Time.\" The front cover notes the work as a 'The Producers Group' production and the address of the firm is present on the title page and consists of 119 single-sided pages.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viu_repositories_3_resources_1687#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1687","ead_ssi":"viu_repositories_3_resources_1687","_root_":"viu_repositories_3_resources_1687","_nest_parent_":"viu_repositories_3_resources_1687","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1687.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/198766","title_ssm":["In Our Time screenplay"],"title_tesim":["In Our Time screenplay"],"unitdate_ssm":["January 16, 1984"],"unitdate_other_ssim":["January 16, 1984"],"normalized_date_ssm":["1984"],"normalized_title_ssm":["In Our Time screenplay, 1984"],"text":["In Our Time screenplay, 1984","MSS.16850","Archival Resource Key","/repositories/3/resources/1687","Novelists, American","Screenplays","Denne Petitclerc (1929-2006) was an American journalist, screenwriter and friend of Ernest Hemingway and his family.","Ernest Hemingway (1899-1961) was an American author and jouralist. 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Hemingway and Petitclerc described in the first three pages of the script titled \" A Note on the Sources of this Screenplay.\" The screenplay focuses on the time surrounding  Ernest Hemingway's first short story collection, published in 1924 and 1925, titled \"In Our Time.\" The front cover notes the work as a 'The Producers Group' production and the address of the firm is present on the title page and consists of 119 single-sided pages.","Albert and Shirley Small Special Collections Library","Petitclerc, Denne Bart","Hemingway, Jack, 1923-2000","English"],"collection_title_tesim":["In Our Time screenplay, 1984"],"collection_ssim":["In Our Time screenplay, 1984"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["MSS.16850","Archival Resource Key","/repositories/3/resources/1687"],"unitid_tesim":["MSS.16850","Archival Resource Key","/repositories/3/resources/1687"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Petitclerc, Denne Bart","Hemingway, Jack, 1923-2000"],"creator_ssim":["Petitclerc, Denne Bart","Hemingway, Jack, 1923-2000"],"creator_persname_ssim":["Petitclerc, Denne Bart","Hemingway, Jack, 1923-2000"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Petitclerc, Denne Bart","Hemingway, Jack, 1923-2000","Albert and Shirley Small Special Collections Library"],"access_subjects_ssim":["Novelists, American","Screenplays"],"access_subjects_ssm":["Novelists, American","Screenplays"],"has_online_content_ssim":["false"],"extent_ssm":["0.03 Cubic Feet 1 letter-sized folder"],"extent_tesim":["0.03 Cubic Feet 1 letter-sized folder"],"genreform_ssim":["Screenplays"],"date_range_isim":[1984],"bioghist_html_tesm":["\u003cp\u003eDenne Petitclerc (1929-2006) was an American journalist, screenwriter and friend of Ernest Hemingway and his family.\u003c/p\u003e","\u003cp\u003eErnest Hemingway (1899-1961) was an American author and jouralist. The screenplay takes its name from his books of short stories published in 1924 and 1925.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Denne Petitclerc (1929-2006) was an American journalist, screenwriter and friend of Ernest Hemingway and his family.","Ernest Hemingway (1899-1961) was an American author and jouralist. The screenplay takes its name from his books of short stories published in 1924 and 1925."],"scopecontent_html_tesm":["\u003cp\u003eThis collection features a single screenplay for an unproduced film based on John H.N. Hemingway's memories of his parents Ernest and Hadley Hemingway. The script was written in 1984 by Denne Petitclerc (1929-2006), a journalist, screenwriter, and friend of Ernest Hemingway.  \"In Our Time\" is based on the primary source material and recollections of John H.N. Hemingway and Petitclerc described in the first three pages of the script titled \" A Note on the Sources of this Screenplay.\" The screenplay focuses on the time surrounding  Ernest Hemingway's first short story collection, published in 1924 and 1925, titled \"In Our Time.\" The front cover notes the work as a 'The Producers Group' production and the address of the firm is present on the title page and consists of 119 single-sided pages.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection features a single screenplay for an unproduced film based on John H.N. Hemingway's memories of his parents Ernest and Hadley Hemingway. The script was written in 1984 by Denne Petitclerc (1929-2006), a journalist, screenwriter, and friend of Ernest Hemingway.  \"In Our Time\" is based on the primary source material and recollections of John H.N. Hemingway and Petitclerc described in the first three pages of the script titled \" A Note on the Sources of this Screenplay.\" The screenplay focuses on the time surrounding  Ernest Hemingway's first short story collection, published in 1924 and 1925, titled \"In Our Time.\" The front cover notes the work as a 'The Producers Group' production and the address of the firm is present on the title page and consists of 119 single-sided pages."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Petitclerc, Denne Bart","Hemingway, Jack, 1923-2000"],"names_ssim":["Albert and Shirley Small Special Collections Library","Petitclerc, Denne Bart","Hemingway, Jack, 1923-2000"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:43.518Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1687","ead_ssi":"viu_repositories_3_resources_1687","_root_":"viu_repositories_3_resources_1687","_nest_parent_":"viu_repositories_3_resources_1687","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1687.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/198766","title_ssm":["In Our Time screenplay"],"title_tesim":["In Our Time screenplay"],"unitdate_ssm":["January 16, 1984"],"unitdate_other_ssim":["January 16, 1984"],"normalized_date_ssm":["1984"],"normalized_title_ssm":["In Our Time screenplay, 1984"],"text":["In Our Time screenplay, 1984","MSS.16850","Archival Resource Key","/repositories/3/resources/1687","Novelists, American","Screenplays","Denne Petitclerc (1929-2006) was an American journalist, screenwriter and friend of Ernest Hemingway and his family.","Ernest Hemingway (1899-1961) was an American author and jouralist. 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Hemingway and Petitclerc described in the first three pages of the script titled \" A Note on the Sources of this Screenplay.\" The screenplay focuses on the time surrounding  Ernest Hemingway's first short story collection, published in 1924 and 1925, titled \"In Our Time.\" The front cover notes the work as a 'The Producers Group' production and the address of the firm is present on the title page and consists of 119 single-sided pages.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection features a single screenplay for an unproduced film based on John H.N. Hemingway's memories of his parents Ernest and Hadley Hemingway. The script was written in 1984 by Denne Petitclerc (1929-2006), a journalist, screenwriter, and friend of Ernest Hemingway.  \"In Our Time\" is based on the primary source material and recollections of John H.N. 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