{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Posters\u0026f%5Bdate_range%5D%5B%5D=1972\u0026page=2","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Posters\u0026f%5Bdate_range%5D%5B%5D=1972\u0026page=1","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Posters\u0026f%5Bdate_range%5D%5B%5D=1972\u0026page=3","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Posters\u0026f%5Bdate_range%5D%5B%5D=1972\u0026page=3"},"meta":{"pages":{"current_page":2,"next_page":3,"prev_page":1,"total_pages":3,"limit_value":10,"offset_value":10,"total_count":29,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_316","type":"collection","attributes":{"title":"East German poster collection film series","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_316#creator","type":"document_value","attributes":{"value":"Wongel, Gisela","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_316#abstract_or_scope","type":"document_value","attributes":{"value":"These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_316#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_316","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_316.xml","title_ssm":["East German poster collection film series"],"title_tesim":["East German poster collection film series"],"unitdate_ssm":["1947-1995"],"unitdate_inclusive_ssm":["1947-1995"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["C0208","/repositories/2/resources/316"],"text":["C0208","/repositories/2/resources/316","East German poster collection film series","Germany (East)","Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters","Collection is open to research.","Arranged by subject and a numbering system.","The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.","Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. ","The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.","MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3","George Mason University. Libraries. 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Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"access_subjects_ssm":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["3060 posters"],"extent_tesim":["3060 posters"],"genreform_ssim":["Posters"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["East German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. "],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"performing arts series\" href=\"https://aspace.gmu.edu/resources/c0209\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_700efba4c5b4e42f689760e84a9deae5\"\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.\u003c/abstract\u003e"],"abstract_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ad7900c9eb15215493fa99eec8d329b\"\u003eMC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3\u003c/physloc\u003e"],"physloc_tesim":["MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3"],"names_coll_ssim":["DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix ","Lenk, Eberhard","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix ","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"persname_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix ","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1870,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:37:55.284Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_316","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_316.xml","title_ssm":["East German poster collection film series"],"title_tesim":["East German poster collection film series"],"unitdate_ssm":["1947-1995"],"unitdate_inclusive_ssm":["1947-1995"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["C0208","/repositories/2/resources/316"],"text":["C0208","/repositories/2/resources/316","East German poster collection film series","Germany (East)","Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters","Collection is open to research.","Arranged by subject and a numbering system.","The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.","Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. ","The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.","MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3","George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix ","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-","German"],"unitid_tesim":["C0208","/repositories/2/resources/316"],"normalized_title_ssm":["East German poster collection film series"],"collection_title_tesim":["East German poster collection film series"],"collection_ssim":["East German poster collection film series"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Germany (East)"],"geogname_ssim":["Germany (East)"],"creator_ssm":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix ","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"creator_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix ","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"creator_persname_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix ","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"creator_corpname_ssim":["DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"creators_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix ","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"places_ssim":["Germany (East)"],"access_terms_ssm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"access_subjects_ssm":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["3060 posters"],"extent_tesim":["3060 posters"],"genreform_ssim":["Posters"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["East German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. "],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"performing arts series\" href=\"https://aspace.gmu.edu/resources/c0209\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_700efba4c5b4e42f689760e84a9deae5\"\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.\u003c/abstract\u003e"],"abstract_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ad7900c9eb15215493fa99eec8d329b\"\u003eMC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3\u003c/physloc\u003e"],"physloc_tesim":["MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3"],"names_coll_ssim":["DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix ","Lenk, Eberhard","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix ","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"persname_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix ","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1870,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:37:55.284Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_316"}},{"id":"vifgm_repositories_2_resources_317","type":"collection","attributes":{"title":"East German poster collection performing arts series","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_317#creator","type":"document_value","attributes":{"value":"Palast der Republik (Berlin, Germany)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_317#abstract_or_scope","type":"document_value","attributes":{"value":"This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_317#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_317","ead_ssi":"vifgm_repositories_2_resources_317","_root_":"vifgm_repositories_2_resources_317","_nest_parent_":"vifgm_repositories_2_resources_317","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_317.xml","title_ssm":["East German poster collection performing arts series"],"title_tesim":["East German poster collection performing arts series"],"unitdate_ssm":["1955-1997"],"unitdate_inclusive_ssm":["1955-1997"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["C0209","/repositories/2/resources/317"],"text":["C0209","/repositories/2/resources/317","East German poster collection performing arts series","Germany (East)","Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters","Collection is open to research.","Arranged by subject and a numbering system.","The chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin.","Processed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. ","The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.","Map Case 4.1-4.5, 10.5, 20.2","George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","German"],"unitid_tesim":["C0209","/repositories/2/resources/317"],"normalized_title_ssm":["East German poster collection performing arts series"],"collection_title_tesim":["East German poster collection performing arts series"],"collection_ssim":["East German poster collection performing arts series"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Germany (East)"],"geogname_ssim":["Germany (East)"],"creator_ssm":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creator_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creator_persname_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"creator_corpname_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creators_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"places_ssim":["Germany (East)"],"access_terms_ssm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"access_subjects_ssm":["Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"has_online_content_ssim":["false"],"extent_ssm":["941 posters"],"extent_tesim":["941 posters"],"genreform_ssim":["Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection performing arts series, C0209, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["East German poster collection performing arts series, C0209, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. "],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"film series\" href=\"https://aspace.gmu.edu/resources/c0208\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThis series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9eb3f2e8b125dcfea2ab13e34194d4bd\"\u003eThis series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.\u003c/abstract\u003e"],"abstract_tesim":["This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5f6ab7aa6f788afa781b01c0075628a3\"\u003eMap Case 4.1-4.5, 10.5, 20.2\u003c/physloc\u003e"],"physloc_tesim":["Map Case 4.1-4.5, 10.5, 20.2"],"names_coll_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"persname_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:24:24.955Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_317","ead_ssi":"vifgm_repositories_2_resources_317","_root_":"vifgm_repositories_2_resources_317","_nest_parent_":"vifgm_repositories_2_resources_317","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_317.xml","title_ssm":["East German poster collection performing arts series"],"title_tesim":["East German poster collection performing arts series"],"unitdate_ssm":["1955-1997"],"unitdate_inclusive_ssm":["1955-1997"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["C0209","/repositories/2/resources/317"],"text":["C0209","/repositories/2/resources/317","East German poster collection performing arts series","Germany (East)","Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters","Collection is open to research.","Arranged by subject and a numbering system.","The chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin.","Processed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. ","The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.","Map Case 4.1-4.5, 10.5, 20.2","George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","German"],"unitid_tesim":["C0209","/repositories/2/resources/317"],"normalized_title_ssm":["East German poster collection performing arts series"],"collection_title_tesim":["East German poster collection performing arts series"],"collection_ssim":["East German poster collection performing arts series"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Germany (East)"],"geogname_ssim":["Germany (East)"],"creator_ssm":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creator_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creator_persname_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"creator_corpname_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"creators_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"places_ssim":["Germany (East)"],"access_terms_ssm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"access_subjects_ssm":["Theater -- Performances -- Germany (East)","Performing arts -- Performances -- Germany (East)","Opera -- Performances -- Germany (East)","Musical Theater -- Performances -- Germany (East)","Dance","Concerts","Comedy sketches","Children's theater","Ballet -- Performances -- Germany (East)","Performing arts","Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"has_online_content_ssim":["false"],"extent_ssm":["941 posters"],"extent_tesim":["941 posters"],"genreform_ssim":["Theatrical posters","Concert posters","Dance posters","Posters","Performing arts posters"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The chronology and content of the posters illustrate an undulating timeline of alternately liberal and conservative phases, during which artists crafted their work in periods of greater or more limited autonomy. The performing arts provided an outlet for dealing with tragedy and turmoil that defined the creation of East Germany. The performances often touched on the legacy of the Nazis, the persecution of the Jewish people, and the division of Germany. Despite the strict censorship in East Germany, during the liberal periods authorities allowed a substantial number of Western performances to take place. In the GDR, America was conceived of primarily as a system of production; its levels of profit and abundance both awed and provoked the wartorn and comparatively impoverished East Germans. The American obsession with productivity and consumption drew the most bitter criticism from German observers. Interesting to consider in this context is the performance of \"Ein Yankee an König Artus' Hof\" (1982), a play adapted from Mark Twain's novel \"A Connecticut Yankee in King Arthur's Court,\" in which the protagonist's escalating disillusionment with technology is a prominent motif. Even though Fordism may have been grudgingly accepted in the GDR as necessary for economic growth and the ultimate progress of the state, the assimilation of America's cultural barbarism through media imports was fiercely resisted. The state may have resisted America's cultural barbarism, but young people did not. Attending productions of the American media was a chance for them to distance themselves from their parents, from National Socialism, and from the failures of World War II. By the 1970s, changes in the performing arts community occurred, particularly in theatre, that included artists leaving as a result of increased censorship and smaller venues opening in cities and towns outside of Berlin."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection performing arts series, C0209, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["East German poster collection performing arts series, C0209, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Lauren Schutt and Friedgard Cowan in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources. "],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"film series\" href=\"https://aspace.gmu.edu/resources/c0208\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the  ,  ,  , and  .","In 2021, GMU Professor Samuel Huneke led the completion of the  \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThis series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm. The performing arts posters present a complex and nuanced view of performance in the German Democratic Republic during the cold-war years. Most of the posters advertise performances in various venues in Berlin such as the Deutsches Theater, the Deutsche Staatsoper Berlin, the Komische Oper Berlin or the Palast der Republik, but performances in theaters in Leipzig, Dresden, Rostock, Erfurt, Halle, Gera, and Magdeburg are also included. The works advertised on the posters are predominantly classics: plays by Friedrich Schiller, Heinrich von Kleist, Georg Büchner, Shakespeare and Chekhov; operas by G. F. Handel, Mozart, Wagner, Puccini and Verdi, and ballets by Tchaikovsky and Prokofiev. However, contemporary playwrights like Maxim Gorki, Heiner Müller and Peter Weiss are also represented. Examples include posters from the Berliner Ensembles's premiere production of Bertolt Brecht's \"Mother Courage\"; Deutsche Theater Kammerspiele's \"Der Blaue Boll\" by the Expressionist playwright, Ernst Barlach; Landes Theatre Halle's cutting-edge production of \"Tamerlan\"; Ballet Company of Leipzig's historic performance of \"Bilder Der Liebe\"; and Maxim Gorki Theatre's \"Sinulja\" by Alexander Gelman. The majority of the posters consist of drawings or paintings that reflect the artist's interpretation of the works to be performed."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9eb3f2e8b125dcfea2ab13e34194d4bd\"\u003eThis series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm.\u003c/abstract\u003e"],"abstract_tesim":["This series contains posters advertising theater, opera, concert and dance performances in Berlin and other East German cities. This collection consists of 941 posters of various sizes. They range in size from 28 x 58 cm to 86 x 60 cm. The majority of posters measure 57 x 81 cm."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5f6ab7aa6f788afa781b01c0075628a3\"\u003eMap Case 4.1-4.5, 10.5, 20.2\u003c/physloc\u003e"],"physloc_tesim":["Map Case 4.1-4.5, 10.5, 20.2"],"names_coll_ssim":["Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)","Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Palast der Republik (Berlin, Germany)","Oper Leipzig","Friedrichstadt-Palast (Berlin, Germany)","Goethe-Theater Bad Lauchstädt","Hans Otto Theater (Potsdam, Germany)","Distel (Cabaret : Berlin, Germany)","Kleist Theater","Komische Oper Berlin","Landestheater Halle","Landesbühnen Sachsen","Leipziger Theater","Maxim Gorki Theater","Mecklenburgisches Staatstheater Schwerin","Metropol","Berliner Ensemble","Buhnen der Stadt Gera","Buhnen der Stadt Magdeburg","Deutsche Staatsoper Berlin","Deutsches Nationaltheater (Weimar, Thuringia, Germany)","Deutsches Theater (Berlin, Germany)","Volkstheater Rostock","Volksbühne (Berlin, Germany)","Theater im Palast","Theater der Stadt Cottbus","Theater der Freundschaft","Theater der Bergarbeiter Senftenberg","Städtische Theater Karl-Marx-Stadt","Staatsschauspiel Dresden (Dresden, German)"],"persname_ssim":["Hill, Thomas","Drescher, Karl-Heinz, 1936-","Grüttner, Erhard","Jutte, H. F.","Müller, Rolf F.","Pfennig, W.D. (Wolf-Dieter)","Walter, Ekkehard","Werz, Wilfried"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:24:24.955Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_317"}},{"id":"vifgm_repositories_2_resources_177","type":"collection","attributes":{"title":"French Communist Party poster collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_177#creator","type":"document_value","attributes":{"value":"Parti communiste français","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_177#abstract_or_scope","type":"document_value","attributes":{"value":"Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_177#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_177","ead_ssi":"vifgm_repositories_2_resources_177","_root_":"vifgm_repositories_2_resources_177","_nest_parent_":"vifgm_repositories_2_resources_177","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_177.xml","title_filing_ssi":"French Communist Party poster collection","title_ssm":["French Communist Party poster collection"],"title_tesim":["French Communist Party poster collection"],"unitdate_ssm":["circa 1945-2008"],"unitdate_inclusive_ssm":["circa 1945-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0168","/repositories/2/resources/177"],"text":["C0168","/repositories/2/resources/177","French Communist Party poster collection","France -- Politics and government -- 20th century","Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters","There are no access restrictions.","This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC) Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)","The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.","Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.","The Special Collections Research Center also holds the   that include many documents on communist parties in the United States and internationally.","Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. ","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.","Map Case 10.3, 25.1-25.5","George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET","English"],"unitid_tesim":["C0168","/repositories/2/resources/177"],"normalized_title_ssm":["French Communist Party poster collection"],"collection_title_tesim":["French Communist Party poster collection"],"collection_ssim":["French Communist Party poster collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["France -- Politics and government -- 20th century"],"geogname_ssim":["France -- Politics and government -- 20th century"],"creator_ssm":["Parti communiste français"],"creator_ssim":["Parti communiste français"],"creator_corpname_ssim":["Parti communiste français"],"creators_ssim":["Parti communiste français"],"places_ssim":["France -- Politics and government -- 20th century"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"access_subjects_ssm":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"has_online_content_ssim":["false"],"extent_ssm":["1218 posters"],"extent_tesim":["1218 posters"],"genreform_ssim":["Posters","Political posters"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC) Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)"],"bioghist_html_tesm":["\u003cp\u003eThe French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday."],"prefercite_html_tesm":["\u003cp\u003eFrench Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["French Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Francis J. McNamara papers\" href=\"https://aspace.gmu.edu/resources/c0024\"\u003e\u003c/extptr\u003e that include many documents on communist parties in the United States and internationally.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   that include many documents on communist parties in the United States and internationally."],"scopecontent_html_tesm":["\u003cp\u003eSubstantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. ","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_dd4c030cc8b3e2ce4e8ba5cc668cd75b\" label=\"Abstract\"\u003eSubstantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.\u003c/abstract\u003e"],"abstract_tesim":["Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_42e069deeb9ae22cbc4b9fd54458e227\"\u003eMap Case 10.3, 25.1-25.5\u003c/physloc\u003e"],"physloc_tesim":["Map Case 10.3, 25.1-25.5"],"names_coll_ssim":["Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:18:55.319Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_177","ead_ssi":"vifgm_repositories_2_resources_177","_root_":"vifgm_repositories_2_resources_177","_nest_parent_":"vifgm_repositories_2_resources_177","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_177.xml","title_filing_ssi":"French Communist Party poster collection","title_ssm":["French Communist Party poster collection"],"title_tesim":["French Communist Party poster collection"],"unitdate_ssm":["circa 1945-2008"],"unitdate_inclusive_ssm":["circa 1945-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0168","/repositories/2/resources/177"],"text":["C0168","/repositories/2/resources/177","French Communist Party poster collection","France -- Politics and government -- 20th century","Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters","There are no access restrictions.","This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC) Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)","The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.","Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.","The Special Collections Research Center also holds the   that include many documents on communist parties in the United States and internationally.","Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. ","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.","Map Case 10.3, 25.1-25.5","George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET","English"],"unitid_tesim":["C0168","/repositories/2/resources/177"],"normalized_title_ssm":["French Communist Party poster collection"],"collection_title_tesim":["French Communist Party poster collection"],"collection_ssim":["French Communist Party poster collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["France -- Politics and government -- 20th century"],"geogname_ssim":["France -- Politics and government -- 20th century"],"creator_ssm":["Parti communiste français"],"creator_ssim":["Parti communiste français"],"creator_corpname_ssim":["Parti communiste français"],"creators_ssim":["Parti communiste français"],"places_ssim":["France -- Politics and government -- 20th century"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"access_subjects_ssm":["Protest movements","Political posters, French","Social justice","Nuclear nonproliferation","Human rights","Posters","Political posters"],"has_online_content_ssim":["false"],"extent_ssm":["1218 posters"],"extent_tesim":["1218 posters"],"genreform_ssim":["Posters","Political posters"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into two series by subject with posters further organized into 11 subseries. Within each series, posters are arranged by size and chronologically.","Missing Title Series 1: Political posters, circa 1945-2008 (Box 1-5, Shelf 1-4,6, MC) Series 2: Social posters, 1950-2008 (Box 6, Shelf 5, MC)"],"bioghist_html_tesm":["\u003cp\u003eThe French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The French Communist Party (PCF for short) emerged in 1921 out of the Section Francais de l'Internationale Communiste. The two parties fought for support; the PCF supported the many governments of France, but did not participate directly in politics until after World War II. The group took an active role in Charles de Gaulle's government starting in 1944. The PCF was critical of the Indochinese War and the Algerian War in the 1940s and 1950s. They opposed many of the referendums during the start of the Fifth Republic, to no avail. In 1956, Maurice Thorez became the party leader, a role he held until 1964 when Waldeck Rochet took over the party. The PCF ran a candidate in several presidential primaries, but never garnered enough support to continue to the second round of elections. In the 1970s, the PCF banded together with other parties of the left to create the programme commun; this alliance worked together to support Mitterand and also to make governmental changes that their constituents valued. Throughout its existence, the PCF supported the workers and farmers of France and fought for more social welfare programs, like higher minimum wages, better retirement conditions, better working conditions, and equal pay. The party also sought female support by celebrating women's issues and equal rights. The Party held Congresses every few years as party meetings to discuss and celebrate social issues. After President Mitterand's term in office, the party began to fracture and supporters disappeared. The end of communism and the fall of the Soviet Union in 1991 put an extra burden on the already hurting party; they did not dissolve or change their name, but they struggled for wide support like they once had. The party is still active today, with a Young Communiste movement popular amongst the younger generation, but they do not have the members like during their heyday."],"prefercite_html_tesm":["\u003cp\u003eFrench Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["French Communist Party poster collection, C0168, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Stacey Kniatt. EAD markup completed by Stacey Kniatt in February 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Francis J. McNamara papers\" href=\"https://aspace.gmu.edu/resources/c0024\"\u003e\u003c/extptr\u003e that include many documents on communist parties in the United States and internationally.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   that include many documents on communist parties in the United States and internationally."],"scopecontent_html_tesm":["\u003cp\u003eSubstantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Substantial selection of posters from PCF archive in Paris. Some of the earliest posters are from 1949 billboard campaign, which includes Pablo Picasso's peace dove poster, which he created for the PCF's World Committee of Peace Partisans' conference held in Paris in the spring of 1949. The posters follow party propaganda through their many electoral campaigns and changing platforms into the 21st century; topics include candidates, social welfare programs, financial issues, lodging, a union of the left, peace, human rights, civil rights, environment, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements. Posters also celebrate important dates, promote the party's publications and advertise party events. Specific topics include women, fete de l'humanite, communists' births and deaths, protests, book releases, and the newspaper l'Humanite.","Series 1: Political Posters contains posters that describe the party's position, call for peace, promote the Union of the Left, support French production and are by Young Communist groups. ","Series 2: Social Posters contains posters that celebrate important anniversaries, advertise for meetings, promote publications, celebrate women, call for protest demonstrations, and convey important party events. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_dd4c030cc8b3e2ce4e8ba5cc668cd75b\" label=\"Abstract\"\u003eSubstantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements.\u003c/abstract\u003e"],"abstract_tesim":["Substantial selection of posters from PCF archive in Paris. Topics include French elections, union of the left, anti-outsourcing, peace, human rights, civil rights, social aid, environment, women, publications, congresses, anti-nuclear, pro-Cuba, pro-Soviet Union, and anti-America movements."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_42e069deeb9ae22cbc4b9fd54458e227\"\u003eMap Case 10.3, 25.1-25.5\u003c/physloc\u003e"],"physloc_tesim":["Map Case 10.3, 25.1-25.5"],"names_coll_ssim":["Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Parti communiste français","Paris Province Impression (PPI) a BAGNOLET"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:18:55.319Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_177"}},{"id":"vihart_repositories_4_resources_488","type":"collection","attributes":{"title":"Furious Flower Poetry Center Records","creator":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_488#creator","type":"document_value","attributes":{"value":"James Madison University. Furious Flower Poetry Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_488#abstract_or_scope","type":"document_value","attributes":{"value":"The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_488#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015"],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group"],"names_coll_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":883,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:00:23.623Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015"],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group"],"names_coll_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. 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The condition is good, some minor tears near the edges of some posters.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_4500#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_4500","ead_ssi":"viblbv_repositories_2_resources_4500","_root_":"viblbv_repositories_2_resources_4500","_nest_parent_":"viblbv_repositories_2_resources_4500","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4500.xml","title_filing_ssi":"International Design Conference in Aspen, Colorado Posters","title_ssm":["International Design Conference in Aspen Posters"],"title_tesim":["International Design Conference in Aspen Posters"],"unitdate_ssm":["1972"],"unitdate_other_ssim":["1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Art.410"],"text":["Art.410","International Design Conference in Aspen Posters","Posters","The collection is open for research.","The guide to the International Design Conference in Aspen Posters by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the International Design Conference in Aspen Posters was completed in July 2025.","This collection consists of eleven different posters from the 1972 International Design Conference held in Aspen. 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The condition is good, some minor tears near the edges of some posters.","Special Collections and University Archives, Virginia Tech","The material in this collection is in English."],"unitid_tesim":["Art.410"],"normalized_title_ssm":["International Design Conference in Aspen Posters"],"collection_title_tesim":["International Design Conference in Aspen Posters"],"collection_ssim":["International Design Conference in Aspen Posters"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["This collection was acquired by the Special Collections and University Archive prior to 2025."],"access_subjects_ssim":["Posters"],"access_subjects_ssm":["Posters"],"has_online_content_ssim":["false"],"extent_ssm":["2.0 Cubic Feet Posters"],"extent_tesim":["2.0 Cubic Feet Posters"],"dimensions_tesim":["23x34"],"genreform_ssim":["Posters"],"date_range_isim":[1972],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"odd_html_tesm":["\u003cp\u003eThe guide to the International Design Conference in Aspen Posters by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the International Design Conference in Aspen Posters by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], International Design Conference in Aspen Posters, 1972, Art-410, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], International Design Conference in Aspen Posters, 1972, Art-410, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the International Design Conference in Aspen Posters was completed in July 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the International Design Conference in Aspen Posters was completed in July 2025."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of eleven different posters from the 1972 International Design Conference held in Aspen. The condition is good, some minor tears near the edges of some posters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of eleven different posters from the 1972 International Design Conference held in Aspen. The condition is good, some minor tears near the edges of some posters."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e\n","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2fee56a8e04a195c3de511f0b84d1a42\" label=\"Abstract\"\u003eThis collection consists of eleven different posters from the 1972 International Design Conference held in Aspen. The condition is good, some minor tears near the edges of some posters.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of eleven different posters from the 1972 International Design Conference held in Aspen. The condition is good, some minor tears near the edges of some posters."],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["The material in this collection is in English."],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:33:36.091Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4500","ead_ssi":"viblbv_repositories_2_resources_4500","_root_":"viblbv_repositories_2_resources_4500","_nest_parent_":"viblbv_repositories_2_resources_4500","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4500.xml","title_filing_ssi":"International Design Conference in Aspen, Colorado Posters","title_ssm":["International Design Conference in Aspen Posters"],"title_tesim":["International Design Conference in Aspen Posters"],"unitdate_ssm":["1972"],"unitdate_other_ssim":["1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Art.410"],"text":["Art.410","International Design Conference in Aspen Posters","Posters","The collection is open for research.","The guide to the International Design Conference in Aspen Posters by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the International Design Conference in Aspen Posters was completed in July 2025.","This collection consists of eleven different posters from the 1972 International Design Conference held in Aspen. The condition is good, some minor tears near the edges of some posters.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection consists of eleven different posters from the 1972 International Design Conference held in Aspen. The condition is good, some minor tears near the edges of some posters.","Special Collections and University Archives, Virginia Tech","The material in this collection is in English."],"unitid_tesim":["Art.410"],"normalized_title_ssm":["International Design Conference in Aspen Posters"],"collection_title_tesim":["International Design Conference in Aspen Posters"],"collection_ssim":["International Design Conference in Aspen Posters"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["This collection was acquired by the Special Collections and University Archive prior to 2025."],"access_subjects_ssim":["Posters"],"access_subjects_ssm":["Posters"],"has_online_content_ssim":["false"],"extent_ssm":["2.0 Cubic Feet Posters"],"extent_tesim":["2.0 Cubic Feet Posters"],"dimensions_tesim":["23x34"],"genreform_ssim":["Posters"],"date_range_isim":[1972],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"odd_html_tesm":["\u003cp\u003eThe guide to the International Design Conference in Aspen Posters by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the International Design Conference in Aspen Posters by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], International Design Conference in Aspen Posters, 1972, Art-410, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], International Design Conference in Aspen Posters, 1972, Art-410, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the International Design Conference in Aspen Posters was completed in July 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the International Design Conference in Aspen Posters was completed in July 2025."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of eleven different posters from the 1972 International Design Conference held in Aspen. The condition is good, some minor tears near the edges of some posters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of eleven different posters from the 1972 International Design Conference held in Aspen. The condition is good, some minor tears near the edges of some posters."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e\n","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2fee56a8e04a195c3de511f0b84d1a42\" label=\"Abstract\"\u003eThis collection consists of eleven different posters from the 1972 International Design Conference held in Aspen. The condition is good, some minor tears near the edges of some posters.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of eleven different posters from the 1972 International Design Conference held in Aspen. The condition is good, some minor tears near the edges of some posters."],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["The material in this collection is in English."],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:33:36.091Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viblbv_repositories_2_resources_4500"}},{"id":"viw_repositories_2_resources_8864","type":"collection","attributes":{"title":"Jamestown Corporation Records","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8864#creator","type":"document_value","attributes":{"value":"Jamestown Corporation","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8864#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eRecords, 1946-1979, of the Jamestown Corporation which was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" Includes certificate of incorporation, by-laws, minutes, yearbooks, scripts, programs, ground plans, costume designs audio-visual materials, photographs, music and loose papers (correspondence and budgets).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8864#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8864","ead_ssi":"viw_repositories_2_resources_8864","_root_":"viw_repositories_2_resources_8864","_nest_parent_":"viw_repositories_2_resources_8864","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8864.xml","title_filing_ssi":"Jamestown Corporation Records","title_ssm":["Jamestown Corporation Records"],"title_tesim":["Jamestown Corporation Records"],"unitdate_ssm":["1946-1979"],"unitdate_inclusive_ssm":["1946-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. 77 C73","/repositories/2/resources/8864"],"text":["01/Mss. 77 C73","/repositories/2/resources/8864","Jamestown Corporation Records","Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama","Drama--20th century","Green, Paul, 1894-1981. The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The Jamestown Corporation was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" \"The Common Glory\" ran from 1947 to 1976 and \"The Founders\" was produced in 1957, 1958, and 1964. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Box and folder list for series 1 completed by Alex Dodd, SCRC student, in February 2011.","The papers of Carl A. \"Pappy\" Fehr (UA 6.017) include programs from The Common Glory and The Founders."," Audiocassettes, phonograph records, and reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection."," The Paul Green Papers are held by the UNC Libraries.","Records, 1946-1979, of the Jamestown Corporation which was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" Includes certificate of incorporation, by-laws, minutes, yearbooks, scripts, programs, ground plans, costume designs audio-visual materials, photographs, music and loose papers (correspondence and budgets).","Box 14 transferred to the artifact collection in 2009."," All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Jamestown Corporation","Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory","English"],"unitid_tesim":["01/Mss. 77 C73","/repositories/2/resources/8864"],"normalized_title_ssm":["Jamestown Corporation Records"],"collection_title_tesim":["Jamestown Corporation Records"],"collection_ssim":["Jamestown Corporation Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"geogname_ssim":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"creator_ssm":["Jamestown Corporation"],"creator_ssim":["Jamestown Corporation"],"creator_corpname_ssim":["Jamestown Corporation"],"creators_ssim":["Jamestown Corporation"],"places_ssim":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts of David Dudley; 18 Feb. 1991, Will Molineux; 24 March 1992, James Bray; 10 No. 1992, Miss Laura Sherman; 12 March 1993, Howard Scammon; 29 April 1993, Mrs. J. E. Pitman; 5 Nov. 1993, and S. F. Royall; 6 Dec. 1993. 1991.11 Gift of David Dudley through Howard Scammon 1992.56 Gift of James Bray 1993.13 Gift of Roger Sherman's daughter Laura 1993.31 was received on 4/29/1993 1993.68 Gift of Mrs. J.E. Pitman 1993.70 Gift of S.F. Royall 1994.04 Gift of Jones Library, Lynchburg 1994.23 Gift of Howard Scammon 1994.54 Gift of Howard Scammon 1999.24 Gift of Roger Sherman 2001.20 Gift of Frances Robb and unknown. 2003.22 Came in with material given to University Archives. 2008.90 Richard Krown 2010.387 Gift of David Dudley"],"access_subjects_ssim":["Drama--20th century","Green, Paul, 1894-1981. The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs"],"access_subjects_ssm":["Drama--20th century","Green, Paul, 1894-1981. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThe Jamestown Corporation was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" \"The Common Glory\" ran from 1947 to 1976 and \"The Founders\" was produced in 1957, 1958, and 1964. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Jamestown_Corporation\" title=\"Jamestown Corporation\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The Jamestown Corporation was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" \"The Common Glory\" ran from 1947 to 1976 and \"The Founders\" was produced in 1957, 1958, and 1964. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eJamestown Corporation Records, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Jamestown Corporation Records, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eBox and folder list for series 1 completed by Alex Dodd, SCRC student, in February 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Box and folder list for series 1 completed by Alex Dodd, SCRC student, in February 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eThe papers of Carl A. \"Pappy\" Fehr (UA 6.017) include programs from The Common Glory and The Founders.\u003c/p\u003e\n","\u003cp\u003e Audiocassettes, phonograph records, and reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection.\u003c/p\u003e\n","\u003cp\u003e The Paul Green Papers are held by the UNC Libraries.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The papers of Carl A. \"Pappy\" Fehr (UA 6.017) include programs from The Common Glory and The Founders."," Audiocassettes, phonograph records, and reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection."," The Paul Green Papers are held by the UNC Libraries."],"scopecontent_html_tesm":["\u003cp\u003eRecords, 1946-1979, of the Jamestown Corporation which was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" Includes certificate of incorporation, by-laws, minutes, yearbooks, scripts, programs, ground plans, costume designs audio-visual materials, photographs, music and loose papers (correspondence and budgets).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Records, 1946-1979, of the Jamestown Corporation which was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" Includes certificate of incorporation, by-laws, minutes, yearbooks, scripts, programs, ground plans, costume designs audio-visual materials, photographs, music and loose papers (correspondence and budgets)."],"separatedmaterial_html_tesm":["\u003cp\u003eBox 14 transferred to the artifact collection in 2009.\u003c/p\u003e\n","\u003cp\u003e All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Box 14 transferred to the artifact collection in 2009."," All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Jamestown Corporation","Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory"],"corpname_ssim":["Special Collections Research Center","Jamestown Corporation"],"names_coll_ssim":["Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory"],"persname_ssim":["Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory"],"language_ssim":["English"],"total_component_count_is":633,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:29:51.419Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8864","ead_ssi":"viw_repositories_2_resources_8864","_root_":"viw_repositories_2_resources_8864","_nest_parent_":"viw_repositories_2_resources_8864","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8864.xml","title_filing_ssi":"Jamestown Corporation Records","title_ssm":["Jamestown Corporation Records"],"title_tesim":["Jamestown Corporation Records"],"unitdate_ssm":["1946-1979"],"unitdate_inclusive_ssm":["1946-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. 77 C73","/repositories/2/resources/8864"],"text":["01/Mss. 77 C73","/repositories/2/resources/8864","Jamestown Corporation Records","Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama","Drama--20th century","Green, Paul, 1894-1981. The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The Jamestown Corporation was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" \"The Common Glory\" ran from 1947 to 1976 and \"The Founders\" was produced in 1957, 1958, and 1964. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Box and folder list for series 1 completed by Alex Dodd, SCRC student, in February 2011.","The papers of Carl A. \"Pappy\" Fehr (UA 6.017) include programs from The Common Glory and The Founders."," Audiocassettes, phonograph records, and reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection."," The Paul Green Papers are held by the UNC Libraries.","Records, 1946-1979, of the Jamestown Corporation which was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" Includes certificate of incorporation, by-laws, minutes, yearbooks, scripts, programs, ground plans, costume designs audio-visual materials, photographs, music and loose papers (correspondence and budgets).","Box 14 transferred to the artifact collection in 2009."," All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Jamestown Corporation","Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory","English"],"unitid_tesim":["01/Mss. 77 C73","/repositories/2/resources/8864"],"normalized_title_ssm":["Jamestown Corporation Records"],"collection_title_tesim":["Jamestown Corporation Records"],"collection_ssim":["Jamestown Corporation Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"geogname_ssim":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"creator_ssm":["Jamestown Corporation"],"creator_ssim":["Jamestown Corporation"],"creator_corpname_ssim":["Jamestown Corporation"],"creators_ssim":["Jamestown Corporation"],"places_ssim":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts of David Dudley; 18 Feb. 1991, Will Molineux; 24 March 1992, James Bray; 10 No. 1992, Miss Laura Sherman; 12 March 1993, Howard Scammon; 29 April 1993, Mrs. J. E. Pitman; 5 Nov. 1993, and S. F. Royall; 6 Dec. 1993. 1991.11 Gift of David Dudley through Howard Scammon 1992.56 Gift of James Bray 1993.13 Gift of Roger Sherman's daughter Laura 1993.31 was received on 4/29/1993 1993.68 Gift of Mrs. J.E. Pitman 1993.70 Gift of S.F. Royall 1994.04 Gift of Jones Library, Lynchburg 1994.23 Gift of Howard Scammon 1994.54 Gift of Howard Scammon 1999.24 Gift of Roger Sherman 2001.20 Gift of Frances Robb and unknown. 2003.22 Came in with material given to University Archives. 2008.90 Richard Krown 2010.387 Gift of David Dudley"],"access_subjects_ssim":["Drama--20th century","Green, Paul, 1894-1981. The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs"],"access_subjects_ssm":["Drama--20th century","Green, Paul, 1894-1981. The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs"],"has_online_content_ssim":["false"],"extent_ssm":["21.75 Linear Feet"],"extent_tesim":["21.75 Linear Feet"],"genreform_ssim":["Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThe Jamestown Corporation was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" \"The Common Glory\" ran from 1947 to 1976 and \"The Founders\" was produced in 1957, 1958, and 1964. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Jamestown_Corporation\" title=\"Jamestown Corporation\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The Jamestown Corporation was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" \"The Common Glory\" ran from 1947 to 1976 and \"The Founders\" was produced in 1957, 1958, and 1964. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eJamestown Corporation Records, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Jamestown Corporation Records, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eBox and folder list for series 1 completed by Alex Dodd, SCRC student, in February 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Box and folder list for series 1 completed by Alex Dodd, SCRC student, in February 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eThe papers of Carl A. \"Pappy\" Fehr (UA 6.017) include programs from The Common Glory and The Founders.\u003c/p\u003e\n","\u003cp\u003e Audiocassettes, phonograph records, and reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection.\u003c/p\u003e\n","\u003cp\u003e The Paul Green Papers are held by the UNC Libraries.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The papers of Carl A. \"Pappy\" Fehr (UA 6.017) include programs from The Common Glory and The Founders."," Audiocassettes, phonograph records, and reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection."," The Paul Green Papers are held by the UNC Libraries."],"scopecontent_html_tesm":["\u003cp\u003eRecords, 1946-1979, of the Jamestown Corporation which was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" Includes certificate of incorporation, by-laws, minutes, yearbooks, scripts, programs, ground plans, costume designs audio-visual materials, photographs, music and loose papers (correspondence and budgets).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Records, 1946-1979, of the Jamestown Corporation which was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" Includes certificate of incorporation, by-laws, minutes, yearbooks, scripts, programs, ground plans, costume designs audio-visual materials, photographs, music and loose papers (correspondence and budgets)."],"separatedmaterial_html_tesm":["\u003cp\u003eBox 14 transferred to the artifact collection in 2009.\u003c/p\u003e\n","\u003cp\u003e All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Box 14 transferred to the artifact collection in 2009."," All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Jamestown Corporation","Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory"],"corpname_ssim":["Special Collections Research Center","Jamestown Corporation"],"names_coll_ssim":["Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory"],"persname_ssim":["Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory"],"language_ssim":["English"],"total_component_count_is":633,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:29:51.419Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8864"}},{"id":"viw_repositories_2_resources_1299","type":"collection","attributes":{"title":"Men's and Women's Tennis records","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1299#creator","type":"document_value","attributes":{"value":"College of William and Mary. Department of Athletics.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1299#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection consists of one box of programs, news reports, schedules, rosters, ephemera posters and other materials related to William \u0026amp; Mary's men's and women's tennis teams. The earliest material in the collection pertains to the men's 1947 and 1948 National Championship victories, but the majority of the material in the collection is dated to the years after 1978. Two folders contain material pertaining exclusively to the men's team while two folders contain material pertaining exclusively to the women's team. The remaining three folders contain material pertaining to both teams.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1299#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_1299","ead_ssi":"viw_repositories_2_resources_1299","_root_":"viw_repositories_2_resources_1299","_nest_parent_":"viw_repositories_2_resources_1299","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1299.xml","title_filing_ssi":"Men's and Women's Tennis records","title_ssm":["Men's and Women's Tennis records"],"title_tesim":["Men's and Women's Tennis records"],"unitdate_ssm":["1947-2024"],"unitdate_inclusive_ssm":["1947-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 181.3","/repositories/2/resources/1299"],"text":["UA 181.3","/repositories/2/resources/1299","Men's and Women's Tennis records","College sports","College sports for women","Tennis--Tournaments","Posters","This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Men's and Women's tennis has been played as an intercollegiate sport at William \u0026 Mary since the 1920s. The men's team was led by coach Sharvey G. Umbeck to two NCAA championships in 1947 (10–4 vs. Rice) and 1948 (6–5 vs. San Francisco).They were also runners up in 1946 against USC. William \u0026 Mary players have won two individual events: Gardner Larned won the singles title in 1947 and the pair of Fred Kovaleski and Bernard Bartzen won the doubles title in 1948. Since then, Tribe men's tennis has made four national championship appearances. Additionally, after joining the Colonial Athletic Association in 1984, the Men's team has won four conference championships. The women's team, while never winning an NCAA title, has also been prolific. The team has made 20 appearances in the NCAA championships with a combined record of 21–19. 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The remaining three folders contain material pertaining to both teams.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Department of Athletics.","College of William and Mary--Sports","College of William and Mary--Tennis--History--20th century","College of William and Mary--Tennis--History--21st century","English"],"unitid_tesim":["UA 181.3","/repositories/2/resources/1299"],"normalized_title_ssm":["Men's and Women's Tennis records"],"collection_title_tesim":["Men's and Women's Tennis records"],"collection_ssim":["Men's and Women's Tennis records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["College of William and Mary. Department of Athletics."],"creator_ssim":["College of William and Mary. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eMen's and Women's tennis has been played as an intercollegiate sport at William \u0026amp; Mary since the 1920s. The men's team was led by coach Sharvey G. Umbeck to two NCAA championships in 1947 (10–4 vs. Rice) and 1948 (6–5 vs. San Francisco).They were also runners up in 1946 against USC. William \u0026amp; Mary players have won two individual events: Gardner Larned won the singles title in 1947 and the pair of Fred Kovaleski and Bernard Bartzen won the doubles title in 1948. Since then, Tribe men's tennis has made four national championship appearances. Additionally, after joining the Colonial Athletic Association in 1984, the Men's team has won four conference championships. The women's team, while never winning an NCAA title, has also been prolific. The team has made 20 appearances in the NCAA championships with a combined record of 21–19. Furthermore, after also joining the Colonial Athletic Association in 1984, the women's team has won 24 Colonial Athletic Association titles.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Men's and Women's tennis has been played as an intercollegiate sport at William \u0026 Mary since the 1920s. The men's team was led by coach Sharvey G. Umbeck to two NCAA championships in 1947 (10–4 vs. Rice) and 1948 (6–5 vs. San Francisco).They were also runners up in 1946 against USC. William \u0026 Mary players have won two individual events: Gardner Larned won the singles title in 1947 and the pair of Fred Kovaleski and Bernard Bartzen won the doubles title in 1948. Since then, Tribe men's tennis has made four national championship appearances. Additionally, after joining the Colonial Athletic Association in 1984, the Men's team has won four conference championships. The women's team, while never winning an NCAA title, has also been prolific. The team has made 20 appearances in the NCAA championships with a combined record of 21–19. Furthermore, after also joining the Colonial Athletic Association in 1984, the women's team has won 24 Colonial Athletic Association titles."],"prefercite_html_tesm":["\u003cp\u003eMen's and Women's Tennis records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Men's and Women's Tennis records, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eDepartment of Athletics records\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Department of Athletics records"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of one box of programs, news reports, schedules, rosters, ephemera posters and other materials related to William \u0026amp; Mary's men's and women's tennis teams. The earliest material in the collection pertains to the men's 1947 and 1948 National Championship victories, but the majority of the material in the collection is dated to the years after 1978. Two folders contain material pertaining exclusively to the men's team while two folders contain material pertaining exclusively to the women's team. The remaining three folders contain material pertaining to both teams.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of one box of programs, news reports, schedules, rosters, ephemera posters and other materials related to William \u0026 Mary's men's and women's tennis teams. The earliest material in the collection pertains to the men's 1947 and 1948 National Championship victories, but the majority of the material in the collection is dated to the years after 1978. Two folders contain material pertaining exclusively to the men's team while two folders contain material pertaining exclusively to the women's team. The remaining three folders contain material pertaining to both teams."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary--Sports","College of William and Mary--Tennis--History--20th century","College of William and Mary--Tennis--History--21st century"],"names_ssim":["Special Collections Research Center","College of William and Mary. Department of Athletics.","College of William and Mary--Sports","College of William and Mary--Tennis--History--20th century","College of William and Mary--Tennis--History--21st century"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Department of Athletics.","College of William and Mary--Sports","College of William and Mary--Tennis--History--20th century","College of William and Mary--Tennis--History--21st century"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:12:16.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1299"}},{"id":"viw_repositories_2_resources_1425","type":"collection","attributes":{"title":"Men's Basketball records","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1425#creator","type":"document_value","attributes":{"value":"College of William and Mary. Department of Athletics.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1425#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection is composed of five boxes of programs, media guides, news reports, schedules, rosters, ephemera, posters and other material related to the men's basketball team of William \u0026amp; Mary. There is also a folder of material pertaining to youth basketball camps held at the college in the 1980s and 1990s. Although the men's basketball team was organized earlier, the material in this collection is derived from the year 1925 onwards with a majority of the material pertaining to the years after 1970.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1425#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_1425","ead_ssi":"viw_repositories_2_resources_1425","_root_":"viw_repositories_2_resources_1425","_nest_parent_":"viw_repositories_2_resources_1425","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1425.xml","title_filing_ssi":"Men's Basketball records","title_ssm":["Men's Basketball records"],"title_tesim":["Men's Basketball records"],"unitdate_ssm":["1925-2024"],"unitdate_inclusive_ssm":["1925-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 181.6","/repositories/2/resources/1425"],"text":["UA 181.6","/repositories/2/resources/1425","Men's Basketball records","Athletics--Basketball","College sports","Posters","This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","William \u0026 Mary has been represented in intercollegiate men's basketball competition since the first decade of the 20th century. Over the course of its long history, the men's basketball team has competed in three athletic conferences, including the Colonial Athletic Association which the college has been a member of since 1982. The team has won three conference titles in the CAA. The men's basketball team is yet to make an appearance in the NCAA tournament, making it one of only five original Division 1 NCAA teams in history to have never participated in that tournament. Several former William and Mary players have gone on to play basketball professionally in Europe, Australia and minor leagues in the United States.","Dept. of Athletics Records","The collection is composed of five boxes of programs, media guides, news reports, schedules, rosters, ephemera, posters and other material related to the men's basketball team of William \u0026 Mary. There is also a folder of material pertaining to youth basketball camps held at the college in the 1980s and 1990s. Although the men's basketball team was organized earlier, the material in this collection is derived from the year 1925 onwards with a majority of the material pertaining to the years after 1970.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Department of Athletics.","College of William and Mary--Basketball","College of William and Mary--Sports","English"],"unitid_tesim":["UA 181.6","/repositories/2/resources/1425"],"normalized_title_ssm":["Men's Basketball records"],"collection_title_tesim":["Men's Basketball records"],"collection_ssim":["Men's Basketball records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["College of William and Mary. Department of Athletics."],"creator_ssim":["College of William and Mary. Department of Athletics."],"creator_corpname_ssim":["College of William and Mary. Department of Athletics."],"creators_ssim":["College of William and Mary. Department of Athletics."],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Transfer"],"access_subjects_ssim":["Athletics--Basketball","College sports","Posters"],"access_subjects_ssm":["Athletics--Basketball","College sports","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet 5 Hollinger boxes and 1 oversize folder"],"extent_tesim":["4 Linear Feet 5 Hollinger boxes and 1 oversize folder"],"genreform_ssim":["Posters"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary has been represented in intercollegiate men's basketball competition since the first decade of the 20th century. Over the course of its long history, the men's basketball team has competed in three athletic conferences, including the Colonial Athletic Association which the college has been a member of since 1982. The team has won three conference titles in the CAA. The men's basketball team is yet to make an appearance in the NCAA tournament, making it one of only five original Division 1 NCAA teams in history to have never participated in that tournament. Several former William and Mary players have gone on to play basketball professionally in Europe, Australia and minor leagues in the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["William \u0026 Mary has been represented in intercollegiate men's basketball competition since the first decade of the 20th century. Over the course of its long history, the men's basketball team has competed in three athletic conferences, including the Colonial Athletic Association which the college has been a member of since 1982. The team has won three conference titles in the CAA. The men's basketball team is yet to make an appearance in the NCAA tournament, making it one of only five original Division 1 NCAA teams in history to have never participated in that tournament. Several former William and Mary players have gone on to play basketball professionally in Europe, Australia and minor leagues in the United States."],"prefercite_html_tesm":["\u003cp\u003eMen's Basketball records, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Men's Basketball records, Special Collections Research Center, William \u0026 Mary Libraries"],"relatedmaterial_html_tesm":["\u003cp\u003eDept. of Athletics Records\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Dept. of Athletics Records"],"scopecontent_html_tesm":["\u003cp\u003eThe collection is composed of five boxes of programs, media guides, news reports, schedules, rosters, ephemera, posters and other material related to the men's basketball team of William \u0026amp; Mary. There is also a folder of material pertaining to youth basketball camps held at the college in the 1980s and 1990s. Although the men's basketball team was organized earlier, the material in this collection is derived from the year 1925 onwards with a majority of the material pertaining to the years after 1970.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is composed of five boxes of programs, media guides, news reports, schedules, rosters, ephemera, posters and other material related to the men's basketball team of William \u0026 Mary. There is also a folder of material pertaining to youth basketball camps held at the college in the 1980s and 1990s. Although the men's basketball team was organized earlier, the material in this collection is derived from the year 1925 onwards with a majority of the material pertaining to the years after 1970."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary--Basketball","College of William and Mary--Sports"],"names_ssim":["Special Collections Research Center","College of William and Mary. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","William \u0026 Mary has been represented in intercollegiate men's basketball competition since the first decade of the 20th century. Over the course of its long history, the men's basketball team has competed in three athletic conferences, including the Colonial Athletic Association which the college has been a member of since 1982. The team has won three conference titles in the CAA. The men's basketball team is yet to make an appearance in the NCAA tournament, making it one of only five original Division 1 NCAA teams in history to have never participated in that tournament. Several former William and Mary players have gone on to play basketball professionally in Europe, Australia and minor leagues in the United States.","Dept. of Athletics Records","The collection is composed of five boxes of programs, media guides, news reports, schedules, rosters, ephemera, posters and other material related to the men's basketball team of William \u0026 Mary. There is also a folder of material pertaining to youth basketball camps held at the college in the 1980s and 1990s. Although the men's basketball team was organized earlier, the material in this collection is derived from the year 1925 onwards with a majority of the material pertaining to the years after 1970.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Department of Athletics.","College of William and Mary--Basketball","College of William and Mary--Sports","English"],"unitid_tesim":["UA 181.6","/repositories/2/resources/1425"],"normalized_title_ssm":["Men's Basketball records"],"collection_title_tesim":["Men's Basketball records"],"collection_ssim":["Men's Basketball records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["College of William and Mary. Department of Athletics."],"creator_ssim":["College of William and Mary. Department of Athletics."],"creator_corpname_ssim":["College of William and Mary. Department of Athletics."],"creators_ssim":["College of William and Mary. Department of Athletics."],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Transfer"],"access_subjects_ssim":["Athletics--Basketball","College sports","Posters"],"access_subjects_ssm":["Athletics--Basketball","College sports","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet 5 Hollinger boxes and 1 oversize folder"],"extent_tesim":["4 Linear Feet 5 Hollinger boxes and 1 oversize folder"],"genreform_ssim":["Posters"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary has been represented in intercollegiate men's basketball competition since the first decade of the 20th century. Over the course of its long history, the men's basketball team has competed in three athletic conferences, including the Colonial Athletic Association which the college has been a member of since 1982. The team has won three conference titles in the CAA. The men's basketball team is yet to make an appearance in the NCAA tournament, making it one of only five original Division 1 NCAA teams in history to have never participated in that tournament. Several former William and Mary players have gone on to play basketball professionally in Europe, Australia and minor leagues in the United States.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["William \u0026 Mary has been represented in intercollegiate men's basketball competition since the first decade of the 20th century. 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Several former William and Mary players have gone on to play basketball professionally in Europe, Australia and minor leagues in the United States."],"prefercite_html_tesm":["\u003cp\u003eMen's Basketball records, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Men's Basketball records, Special Collections Research Center, William \u0026 Mary Libraries"],"relatedmaterial_html_tesm":["\u003cp\u003eDept. of Athletics Records\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Dept. of Athletics Records"],"scopecontent_html_tesm":["\u003cp\u003eThe collection is composed of five boxes of programs, media guides, news reports, schedules, rosters, ephemera, posters and other material related to the men's basketball team of William \u0026amp; Mary. There is also a folder of material pertaining to youth basketball camps held at the college in the 1980s and 1990s. Although the men's basketball team was organized earlier, the material in this collection is derived from the year 1925 onwards with a majority of the material pertaining to the years after 1970.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is composed of five boxes of programs, media guides, news reports, schedules, rosters, ephemera, posters and other material related to the men's basketball team of William \u0026 Mary. There is also a folder of material pertaining to youth basketball camps held at the college in the 1980s and 1990s. Although the men's basketball team was organized earlier, the material in this collection is derived from the year 1925 onwards with a majority of the material pertaining to the years after 1970."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary--Basketball","College of William and Mary--Sports"],"names_ssim":["Special Collections Research Center","College of William and Mary. Department of Athletics.","College of William and Mary--Basketball","College of William and Mary--Sports"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. 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Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_401#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_401","ead_ssi":"vihart_repositories_4_resources_401","_root_":"vihart_repositories_4_resources_401","_nest_parent_":"vihart_repositories_4_resources_401","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_401.xml","title_ssm":["Patricia Chalfant Women's Rights Collection"],"title_tesim":["Patricia Chalfant Women's Rights Collection"],"unitdate_ssm":["1968-1978"],"unitdate_inclusive_ssm":["1968-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0240"],"text":["SC 0240","Patricia Chalfant Women's Rights Collection","Women's rights -- United States -- History -- 20th century","Feminism -- United States -- History -- 20th century","Second-wave feminism -- United States","Women -- Political activity -- United States -- History -- 20th century","Women -- Legal status, laws, etc. -- United States","Equal rights amendments -- United States","Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in three series. All series are arranged chronologically.","Publications, 1968-1978 Conferences and Events, 1975-1978 Ephemera, 1974-1978","Obituary for Patricia Jeanne Chalfant,  Intelligencer Journal  (Lancaster, PA), December 11, 2006.","Patricia Jeanne Chalfant was born December 1, 1941 to Charles E. \"Chap\" Chalfant and Betty Hunter Chalfant of Christiana, Pennsylvania. She was a 1959 graduate of Octorara High School in Atglen, Pennsylvania and a 1962 graduate of Juniata College in Huntingdon, Pennsylvania. Chalfant continued her education by earning master's degrees from Drexel University and the University of Pennsylvania in Philadelphia, Pennsylvania. She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania.","This collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006.","All publications are individually foldered with the exception of multi-issue serials which are foldered together by title. Materials related to conferences and events were removed from their original folders or binders and foldered by event.","The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file. 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Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.","Series 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. 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For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Received on December 12, 2015 from Reba Leiding, former librarian at JMU."],"access_subjects_ssim":["Women's rights -- United States -- History -- 20th century","Feminism -- United States -- History -- 20th century","Second-wave feminism -- United States","Women -- Political activity -- United States -- History -- 20th century","Women -- Legal status, laws, etc. -- United States","Equal rights amendments -- United States","Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers"],"access_subjects_ssm":["Women's rights -- United States -- History -- 20th century","Feminism -- United States -- History -- 20th century","Second-wave feminism -- United States","Women -- Political activity -- United States -- History -- 20th century","Women -- Legal status, laws, etc. -- United States","Equal rights amendments -- United States","Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers"],"has_online_content_ssim":["false"],"extent_ssm":["1.65 cubic feet 3 boxes, 1 flat folder"],"extent_tesim":["1.65 cubic feet 3 boxes, 1 flat folder"],"genreform_ssim":["Publications (documents)","Pamphlets","Newsletters","Booklets","Posters","Bylaws (administrative records)","Color photographs","Printed Ephemera","Postcards","Embroidery (visual works)","Stickers"],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. 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She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Information"],"bioghist_tesim":["Patricia Jeanne Chalfant was born December 1, 1941 to Charles E. \"Chap\" Chalfant and Betty Hunter Chalfant of Christiana, Pennsylvania. She was a 1959 graduate of Octorara High School in Atglen, Pennsylvania and a 1962 graduate of Juniata College in Huntingdon, Pennsylvania. Chalfant continued her education by earning master's degrees from Drexel University and the University of Pennsylvania in Philadelphia, Pennsylvania. She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania."],"custodhist_html_tesm":["\u003cp\u003eThis collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["This collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Patricia Chalfant Women's Rights Collection, 1968-1978, SC 0240, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Patricia Chalfant Women's Rights Collection, 1968-1978, SC 0240, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eAll publications are individually foldered with the exception of multi-issue serials which are foldered together by title. 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Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. Two oversize posters designed by feminist artist Judy Chicago are included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file. ","Series 1: Publications, 1968-1978, comprises the bulk of the collection and includes newsletters, pamphlets, booklets and short published works on the topics of women's liberation, Title IX, the Equal Rights Amendment, and related feminist subjects.","Series 2: Conferences and Events, 1975-1978, documents national conferences, marches, and related women's rights events presumably attended by Patricia Chalfant. Materials from the 1975 (Philadelphia), 1977 (Detroit), and 1978 (Washington, D.C.) National Organization for Women national conferences are included. These materials include information on conference registration, program and lecture schedules, committees, election ballots, members, and getting around in the host city. Three folders of materials document the historic 1977 National Women's Conference in Houston, Texas. Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.","Series 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. Two oversize posters designed by feminist artist Judy Chicago are included."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_90a374b9e69dc87763b2f3ec22480d37\"\u003eThe Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C.\u003c/abstract\u003e"],"abstract_tesim":["The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C."],"names_coll_ssim":["National Organization for Women -- History -- 20th century"],"names_ssim":["James Madison University Libraries Special Collections","National Organization for Women -- History -- 20th century","Women on Words \u0026 Images (Society)","Redstockings, Inc","Feminist Alliance Against Rape (U.S.)","Chalfant, Patricia, 1941-2006","McAfee, Kathy","Wood, Myrna","Densmore, Dana","Freeman, Jo (1945-)","Borun, Minda","Reed, Evelyn","Chicago, Judy, 1939-"],"corpname_ssim":["James Madison University Libraries Special Collections","National Organization for Women -- History -- 20th century","Women on Words \u0026 Images (Society)","Redstockings, Inc","Feminist Alliance Against Rape (U.S.)"],"persname_ssim":["Chalfant, Patricia, 1941-2006","McAfee, Kathy","Wood, Myrna","Densmore, Dana","Freeman, Jo (1945-)","Borun, Minda","Reed, Evelyn","Chicago, Judy, 1939-"],"language_ssim":["English \n.    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She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania.","This collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006.","All publications are individually foldered with the exception of multi-issue serials which are foldered together by title. Materials related to conferences and events were removed from their original folders or binders and foldered by event.","The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file. 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Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.","Series 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. 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All series are arranged chronologically.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003ePublications, 1968-1978\u003c/item\u003e\n      \u003citem\u003eConferences and Events, 1975-1978\u003c/item\u003e\n      \u003citem\u003eEphemera, 1974-1978\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in three series. All series are arranged chronologically.","Publications, 1968-1978 Conferences and Events, 1975-1978 Ephemera, 1974-1978"],"bibliography_html_tesm":["\u003cbibref\u003eObituary for Patricia Jeanne Chalfant, \u003cemph render=\"italic\"\u003eIntelligencer Journal\u003c/emph\u003e (Lancaster, PA), December 11, 2006.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Obituary for Patricia Jeanne Chalfant,  Intelligencer Journal  (Lancaster, PA), December 11, 2006."],"bioghist_html_tesm":["\u003cp\u003ePatricia Jeanne Chalfant was born December 1, 1941 to Charles E. \"Chap\" Chalfant and Betty Hunter Chalfant of Christiana, Pennsylvania. She was a 1959 graduate of Octorara High School in Atglen, Pennsylvania and a 1962 graduate of Juniata College in Huntingdon, Pennsylvania. Chalfant continued her education by earning master's degrees from Drexel University and the University of Pennsylvania in Philadelphia, Pennsylvania. She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Information"],"bioghist_tesim":["Patricia Jeanne Chalfant was born December 1, 1941 to Charles E. \"Chap\" Chalfant and Betty Hunter Chalfant of Christiana, Pennsylvania. She was a 1959 graduate of Octorara High School in Atglen, Pennsylvania and a 1962 graduate of Juniata College in Huntingdon, Pennsylvania. Chalfant continued her education by earning master's degrees from Drexel University and the University of Pennsylvania in Philadelphia, Pennsylvania. She also attained her Juris Doctor from the Delaware Law School in 1985. Chalfant served as an attorney for the United States Navy and as Associate Council for the Defence National Stockpile. She was regarded by colleagues as being politically active and an advocate for women's rights. She was an active member of the National Organization for Women and served as the president of the Wilmington, Delaware chapter of NOW. Chalfant died December 7, 2006 and is interred at Glen Run Cemetery in Atglen, Pennsylvania."],"custodhist_html_tesm":["\u003cp\u003eThis collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["This collection was orphaned in Reba Leiding's office in Carrier Library and she transferred the materials to Special Collections upon her retirement. The name Patricia Chalfant can be found on much of the materials, but no further information is known about the creator's connection to JMU or the collection's provenance. A collection inventory created by JMU student Emily Noonan was found in the box of Chalfant's materials. This document confirms that the material has been in the custody of JMU since at least 2006."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Patricia Chalfant Women's Rights Collection, 1968-1978, SC 0240, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Patricia Chalfant Women's Rights Collection, 1968-1978, SC 0240, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eAll publications are individually foldered with the exception of multi-issue serials which are foldered together by title. Materials related to conferences and events were removed from their original folders or binders and foldered by event.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["All publications are individually foldered with the exception of multi-issue serials which are foldered together by title. Materials related to conferences and events were removed from their original folders or binders and foldered by event."],"scopecontent_html_tesm":["\u003cp\u003eThe Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Publications, 1968-1978, comprises the bulk of the collection and includes newsletters, pamphlets, booklets and short published works on the topics of women's liberation, Title IX, the Equal Rights Amendment, and related feminist subjects.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Conferences and Events, 1975-1978, documents national conferences, marches, and related women's rights events presumably attended by Patricia Chalfant. Materials from the 1975 (Philadelphia), 1977 (Detroit), and 1978 (Washington, D.C.) National Organization for Women national conferences are included. These materials include information on conference registration, program and lecture schedules, committees, election ballots, members, and getting around in the host city. Three folders of materials document the historic 1977 National Women's Conference in Houston, Texas. Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. Two oversize posters designed by feminist artist Judy Chicago are included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C. Posters and other oversize items noted in the inventory are housed separately within one flat file. ","Series 1: Publications, 1968-1978, comprises the bulk of the collection and includes newsletters, pamphlets, booklets and short published works on the topics of women's liberation, Title IX, the Equal Rights Amendment, and related feminist subjects.","Series 2: Conferences and Events, 1975-1978, documents national conferences, marches, and related women's rights events presumably attended by Patricia Chalfant. Materials from the 1975 (Philadelphia), 1977 (Detroit), and 1978 (Washington, D.C.) National Organization for Women national conferences are included. These materials include information on conference registration, program and lecture schedules, committees, election ballots, members, and getting around in the host city. Three folders of materials document the historic 1977 National Women's Conference in Houston, Texas. Newspaper clippings, information on conference programming and schedules, and member and delegate information provide additional context for this significant moment in the struggle for equal rights. Of particular interest are posters for a November 5, 1977 ERA rally and reception in Alexandria, Virginia. The event featured NOW President Eleanor Smeal and actresses Esther Rolle and Lily Tomlin. The oversize poster is signed by Lily Tomlin. Photographs are also included that document the 1978 ERA March on Washington.","Series 3: Ephemera, 1974-1978, includes blank postcards and note cards with feminist imagery, applied embroidery patterns for logos and feminist symbols, a broadside printed by Helaine Victoria Press, posters, ERA related stickers and sashes, and other miscellaneous items. Two oversize posters designed by feminist artist Judy Chicago are included."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_90a374b9e69dc87763b2f3ec22480d37\"\u003eThe Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C.\u003c/abstract\u003e"],"abstract_tesim":["The Patricia Chalfant Women's Rights Collection, 1968-1978, is comprised of publications, ephemera, and conference material documenting second-wave feminism and the women's liberation movement. Key subjects include the Equal Rights Amendment (ERA), the National Organization for Women (NOW), and various organized marches including the July 9, 1978 March for the Equal Rights Amendment in Washington, D.C."],"names_coll_ssim":["National Organization for Women -- History -- 20th century"],"names_ssim":["James Madison University Libraries Special Collections","National Organization for Women -- History -- 20th century","Women on Words \u0026 Images (Society)","Redstockings, Inc","Feminist Alliance Against Rape (U.S.)","Chalfant, Patricia, 1941-2006","McAfee, Kathy","Wood, Myrna","Densmore, Dana","Freeman, Jo (1945-)","Borun, Minda","Reed, Evelyn","Chicago, Judy, 1939-"],"corpname_ssim":["James Madison University Libraries Special Collections","National Organization for Women -- History -- 20th century","Women on Words \u0026 Images (Society)","Redstockings, Inc","Feminist Alliance Against Rape (U.S.)"],"persname_ssim":["Chalfant, Patricia, 1941-2006","McAfee, Kathy","Wood, Myrna","Densmore, Dana","Freeman, Jo (1945-)","Borun, Minda","Reed, Evelyn","Chicago, Judy, 1939-"],"language_ssim":["English \n.    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