{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Portraits\u0026f%5Brepository%5D%5B%5D=George+Mason+University","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Portraits\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":10,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_779","type":"collection","attributes":{"title":"18th and 19th century hand-colored prints of European figures and theatrical costumes","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_779#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_779#abstract_or_scope","type":"document_value","attributes":{"value":"Seven hand-colored prints of European figures and theatrical costumes from the 18th and 19th century.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_779#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_779","ead_ssi":"vifgm_repositories_2_resources_779","_root_":"vifgm_repositories_2_resources_779","_nest_parent_":"vifgm_repositories_2_resources_779","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_779.xml","title_filing_ssi":"18th and 19th century hand-colored prints of European figures and theatrical costumes","title_ssm":["18th and 19th century hand-colored prints of European figures and theatrical costumes"],"title_tesim":["18th and 19th century hand-colored prints of European figures and theatrical costumes"],"unitdate_ssm":["circa 1780s-1880s"],"unitdate_inclusive_ssm":["circa 1780s-1880s"],"normalized_title_ssm":["18th and 19th century hand-colored prints of European figures and theatrical costumes"],"text":["18th and 19th century hand-colored prints of European figures and theatrical costumes","C0554","/repositories/2/resources/779","France","England","Performing arts","Theater -- France","Theater -- Europe","Theater","Costume design","Engraving","Lithography","Portraits","There are no access restrictions.","This is a single folder collection.","\"Anthony van Dyck (1599 - 1641) | National Gallery, London.\" n.d. Accessed July 8, 2026. https://www.nationalgallery.org.uk/artists/anthony-van-dyck.","Britannica, The Editors of Encyclopaedia. n.d. \"Jan Luyken | 17th-Century, Engraver, Poet.\" Britannica. Accessed July 8, 2026. https://www.britannica.com/biography/Jan-Luyken.","Château de Versailles. n.d. \"Louis Philippe I.\" Accessed July 8, 2026. https://en.chateauversailles.fr/discover/history/great-characters/louis-philippe-i.","Hellqvist, Maria. 2012. \"DigiLellky and Recorder Notes.\" The Music \u0026 Theater Blog, September 5. https://old.capricemusic.se/musikochteaterbloggen/tag/bilder/.","\"La Fin de Montmartre, Louis Morin ^ Minneapolis Institute of Art.\" n.d. Accessed July 8, 2026. https://collections.artsmia.org/art/108280/la-fin-de-montmartre-louis-morin.","National Portrait Gallery. n.d. \"Robert Dormer, 1st Earl of Carnarvon.\" Accessed July 8, 2026. https://www.npg.org.uk/collections/search/portrait/mw131824/Robert-Dormer-1st-Earl-of-Carnarvon.","NYPL Digital Collections. n.d. \"Theatrical Portraits.\" Accessed July 8, 2026. https://digitalcollections.nypl.org/items/0f8a69f0-88fa-0134-5ed3-00505686a51c?canvasIndex=1.","Wikipedia. 2026. \"Adaptations of Manon Lescaut.\" March 10. https://en.wikipedia.org/w/index.php?title=Adaptations_of_Manon_Lescaut\u0026oldid=1342788258#Stage_adaptations.","Wikipedia. 2026. \"Louis Philippe I.\" June 23. https://en.wikipedia.org/w/index.php?title=Louis_Philippe_I\u0026oldid=1360818066#King_of_the_French_(1830%E2%80%931848).","Wikipedia. 2026. \"Rose Chéri.\" May 8. https://en.wikipedia.org/w/index.php?title=Rose_Ch%C3%A9ri\u0026oldid=1353223651.","Known by the stage name Rose Chéri, Rose-Marie Cizos (1824-1861) was a French actress and the daughter of composer and conductor Victor Chéri and sister of actress Anna Chéri (also known as Chéri Lesueur).","Louis Philipe I (1773-1850), also known as the Citizen King, was King of the French from 1830-1848. He is the last French monarch with the title \"King\" being succeeded by Emperor Napoleon III. Coming to power following the Bourbon Restoration, Louis Philipe began his reign promising a new constitutional monarchy modeled after the British, but found himself faced with growing political unrest. He was ultimately overthrown and formally abdicated following the French Revolution of 1848 and the founding of the French Second Republic.","Robet Dormer (1610?-1643) was an English Lord, 1st Earl of Carnarvon, and a courtier and royalist.","Manon Lescaut is a 1731 French novel by Antoine François Prévost that has seen numerous adapations including stage plays, ballets, opera, and films. It tells the tragic story of a love affair between a nobleman and a common woman named Manon Lescaut.","Un mariage sous la Régence is a comedy by Léon Guillard, presented at the Théâtre Français in 1850.","Anthony van Dyck (1599-1641) was a Flemish painter active during the early 17th century and best known for his work as a painter of portraits, as well as religious and mythological subjects. In 1621, he worked in service of King James I of England and after several years working throughout Europe he returned to the English court in 1632 where he painted portraits of King Charles I and his family.","Alexandre Lacauchie (also known as A.L.) was a French painter, engraver, and lithographer active in the mid-19th century, best known for images of contemporary dancers, actors, and singers.","Jan Luiken (also spelled Luyken, 1969-1712) was a Dutch lithographer and poet. Known in his early years for him hedonistic subject matter, Luiken converted to a highly pious form of Christianity following his marriage in 1672. He worked briefly as a book illustrator before withdrawing from society and focusing his poetic works on mystical religious themes.","Louis Morin (1855-1938) was a French author, illustrator, and painter. Based in Paris, France some of Morin's best remembered works include views of Montmartre, silhouette figures for the theatre d'ombres [shadow plays] staged at the Chat Noir nightclub, and his contributions to humor magazines.","Processing completed by Meghan Glasbrenner in May 2026. Finding aid completed by Meghan Glasbrenner in July 2026.","The Special Collections Research Center holds other etchings and illustrations, such as Jean-Jacques de Boissieu etching print of a country scene and Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson.","The New York Public Library Digital Collections hold a large number of prints by Alexandre Lacauchie.","- \"Melle. Luther, rôle de L'Amour dans Un Mariage sous la Régence.\" [Miss Luther, Role of Love in a Marriage during the Regency.] by Alexandre Lacauchie, published by Decan of Paris (No. 521)","-\"Costume de Mlle. Carline, Rôle de Julie dans les Étourdis, ou le Mort Supposé.\" [Costume of Miss Carline, Role of Julie in The Dazzled, or The Supposed Dead Man]","- \"Costume des Rois d'Egipte. D'après Luiken.\" [Costume of the Kings of Egypt. After Luiken.] Likely originally appeared in Levacher de Charnois's Costumes et annales des grands théâtres de Paris, en figures colorées, accompagnés de notices intéressantes et curieuses [ Costumes and chronicles of the major theatres of Paris, with coloured plates, accompanied by interesting notices and curiosities], originally a published weekly from 1786–89.","- \"Mme. Rose Chéri dans Manon Lescaut.\" [Mrs. Rose Chéri in Manon Lescaut.] by Alexandre Lacauchie, published by Decan of Paris (No. 558)","- \"Louis Philippe 1er. / Roi des Français.\" [Louis Philippe I / King of the French]","- \"Lord Carnarvon.\" Engraving after original portrait Sir Anthony van Dyck.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Seven hand-colored prints of European figures and theatrical costumes from the 18th and 19th century.","R 73, C 2, S 4","George Mason University. Libraries. Special Collections Research Center","Lacauchie, Alexandre","Luiken, Jan, 1649-1712","Morin, Louis, 1855-1938","Carnarvon, Robert Dormer, Earl of, 1609 or 1610-1643","Philippe Louis, King of the French, 1773-1850","Van Dyck, Anthony, 1599-1641","English\n      French"],"collection_title_tesim":["18th and 19th century hand-colored prints of European figures and theatrical costumes"],"collection_ssim":["18th and 19th century hand-colored prints of European figures and theatrical costumes"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0554","/repositories/2/resources/779"],"unitid_tesim":["C0554","/repositories/2/resources/779"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["France","England"],"geogname_ssim":["France","England"],"places_ssim":["France","England"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center","Lacauchie, Alexandre","Luiken, Jan, 1649-1712","Morin, Louis, 1855-1938"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center","Lacauchie, Alexandre","Luiken, Jan, 1649-1712","Morin, Louis, 1855-1938"],"creator_persname_ssim":["Lacauchie, Alexandre","Luiken, Jan, 1649-1712","Morin, Louis, 1855-1938","Carnarvon, Robert Dormer, Earl of, 1609 or 1610-1643","Philippe Louis, King of the French, 1773-1850","Van Dyck, Anthony, 1599-1641"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Lacauchie, Alexandre","Luiken, Jan, 1649-1712","Morin, Louis, 1855-1938","Carnarvon, Robert Dormer, Earl of, 1609 or 1610-1643","Philippe Louis, King of the French, 1773-1850","Van Dyck, Anthony, 1599-1641","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased from Schubertiade Music by Lynn Eaton in March 2025."],"access_subjects_ssim":["Performing arts","Theater -- France","Theater -- Europe","Theater","Costume design","Engraving","Lithography","Portraits"],"access_subjects_ssm":["Performing arts","Theater -- France","Theater -- Europe","Theater","Costume design","Engraving","Lithography","Portraits"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003e\"Anthony van Dyck (1599 - 1641) | National Gallery, London.\" n.d. Accessed July 8, 2026. https://www.nationalgallery.org.uk/artists/anthony-van-dyck.\u003c/p\u003e","\u003cp\u003eBritannica, The Editors of Encyclopaedia. n.d. \"Jan Luyken | 17th-Century, Engraver, Poet.\" Britannica. Accessed July 8, 2026. https://www.britannica.com/biography/Jan-Luyken.\u003c/p\u003e","\u003cp\u003eChâteau de Versailles. n.d. \"Louis Philippe I.\" Accessed July 8, 2026. https://en.chateauversailles.fr/discover/history/great-characters/louis-philippe-i.\u003c/p\u003e","\u003cp\u003eHellqvist, Maria. 2012. \"DigiLellky and Recorder Notes.\" \u003ctitle\u003eThe Music \u0026amp; Theater Blog\u003c/title\u003e, September 5. https://old.capricemusic.se/musikochteaterbloggen/tag/bilder/.\u003c/p\u003e","\u003cp\u003e\"La Fin de Montmartre, Louis Morin ^ Minneapolis Institute of Art.\" n.d. Accessed July 8, 2026. https://collections.artsmia.org/art/108280/la-fin-de-montmartre-louis-morin.\u003c/p\u003e","\u003cp\u003eNational Portrait Gallery. n.d. \"Robert Dormer, 1st Earl of Carnarvon.\" Accessed July 8, 2026. https://www.npg.org.uk/collections/search/portrait/mw131824/Robert-Dormer-1st-Earl-of-Carnarvon.\u003c/p\u003e","\u003cp\u003eNYPL Digital Collections. n.d. \"Theatrical Portraits.\" Accessed July 8, 2026. https://digitalcollections.nypl.org/items/0f8a69f0-88fa-0134-5ed3-00505686a51c?canvasIndex=1.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eWikipedia\u003c/title\u003e. 2026. \"Adaptations of Manon Lescaut.\" March 10. https://en.wikipedia.org/w/index.php?title=Adaptations_of_Manon_Lescaut\u0026amp;oldid=1342788258#Stage_adaptations.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eWikipedia\u003c/title\u003e. 2026. \"Louis Philippe I.\" June 23. https://en.wikipedia.org/w/index.php?title=Louis_Philippe_I\u0026amp;oldid=1360818066#King_of_the_French_(1830%E2%80%931848).\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eWikipedia\u003c/title\u003e. 2026. \"Rose Chéri.\" May 8. https://en.wikipedia.org/w/index.php?title=Rose_Ch%C3%A9ri\u0026amp;oldid=1353223651.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Anthony van Dyck (1599 - 1641) | National Gallery, London.\" n.d. Accessed July 8, 2026. https://www.nationalgallery.org.uk/artists/anthony-van-dyck.","Britannica, The Editors of Encyclopaedia. n.d. \"Jan Luyken | 17th-Century, Engraver, Poet.\" Britannica. Accessed July 8, 2026. https://www.britannica.com/biography/Jan-Luyken.","Château de Versailles. n.d. \"Louis Philippe I.\" Accessed July 8, 2026. https://en.chateauversailles.fr/discover/history/great-characters/louis-philippe-i.","Hellqvist, Maria. 2012. \"DigiLellky and Recorder Notes.\" The Music \u0026 Theater Blog, September 5. https://old.capricemusic.se/musikochteaterbloggen/tag/bilder/.","\"La Fin de Montmartre, Louis Morin ^ Minneapolis Institute of Art.\" n.d. Accessed July 8, 2026. https://collections.artsmia.org/art/108280/la-fin-de-montmartre-louis-morin.","National Portrait Gallery. n.d. \"Robert Dormer, 1st Earl of Carnarvon.\" Accessed July 8, 2026. https://www.npg.org.uk/collections/search/portrait/mw131824/Robert-Dormer-1st-Earl-of-Carnarvon.","NYPL Digital Collections. n.d. \"Theatrical Portraits.\" Accessed July 8, 2026. https://digitalcollections.nypl.org/items/0f8a69f0-88fa-0134-5ed3-00505686a51c?canvasIndex=1.","Wikipedia. 2026. \"Adaptations of Manon Lescaut.\" March 10. https://en.wikipedia.org/w/index.php?title=Adaptations_of_Manon_Lescaut\u0026oldid=1342788258#Stage_adaptations.","Wikipedia. 2026. \"Louis Philippe I.\" June 23. https://en.wikipedia.org/w/index.php?title=Louis_Philippe_I\u0026oldid=1360818066#King_of_the_French_(1830%E2%80%931848).","Wikipedia. 2026. \"Rose Chéri.\" May 8. https://en.wikipedia.org/w/index.php?title=Rose_Ch%C3%A9ri\u0026oldid=1353223651."],"bioghist_html_tesm":["\u003cp\u003eKnown by the stage name Rose Chéri, Rose-Marie Cizos (1824-1861) was a French actress and the daughter of composer and conductor Victor Chéri and sister of actress Anna Chéri (also known as Chéri Lesueur).\u003c/p\u003e","\u003cp\u003eLouis Philipe I (1773-1850), also known as the Citizen King, was King of the French from 1830-1848. He is the last French monarch with the title \"King\" being succeeded by Emperor Napoleon III. Coming to power following the Bourbon Restoration, Louis Philipe began his reign promising a new constitutional monarchy modeled after the British, but found himself faced with growing political unrest. He was ultimately overthrown and formally abdicated following the French Revolution of 1848 and the founding of the French Second Republic.\u003c/p\u003e","\u003cp\u003eRobet Dormer (1610?-1643) was an English Lord, 1st Earl of Carnarvon, and a courtier and royalist.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eManon Lescaut\u003c/title\u003e is a 1731 French novel by Antoine François Prévost that has seen numerous adapations including stage plays, ballets, opera, and films. It tells the tragic story of a love affair between a nobleman and a common woman named Manon Lescaut. \u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eUn mariage sous la Régence\u003c/title\u003e is a comedy by Léon Guillard, presented at the Théâtre Français in 1850.\u003c/p\u003e","\u003cp\u003eAnthony van Dyck (1599-1641) was a Flemish painter active during the early 17th century and best known for his work as a painter of portraits, as well as religious and mythological subjects. In 1621, he worked in service of King James I of England and after several years working throughout Europe he returned to the English court in 1632 where he painted portraits of King Charles I and his family.\u003c/p\u003e","\u003cp\u003eAlexandre Lacauchie (also known as A.L.) was a French painter, engraver, and lithographer active in the mid-19th century, best known for images of contemporary dancers, actors, and singers.\u003c/p\u003e","\u003cp\u003eJan Luiken (also spelled Luyken, 1969-1712) was a Dutch lithographer and poet. Known in his early years for him hedonistic subject matter, Luiken converted to a highly pious form of Christianity following his marriage in 1672. He worked briefly as a book illustrator before withdrawing from society and focusing his poetic works on mystical religious themes.\u003c/p\u003e","\u003cp\u003eLouis Morin (1855-1938) was a French author, illustrator, and painter. Based in Paris, France some of Morin's best remembered works include views of Montmartre, silhouette figures for the theatre d'ombres [shadow plays] staged at the Chat Noir nightclub, and his contributions to humor magazines.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Known by the stage name Rose Chéri, Rose-Marie Cizos (1824-1861) was a French actress and the daughter of composer and conductor Victor Chéri and sister of actress Anna Chéri (also known as Chéri Lesueur).","Louis Philipe I (1773-1850), also known as the Citizen King, was King of the French from 1830-1848. He is the last French monarch with the title \"King\" being succeeded by Emperor Napoleon III. Coming to power following the Bourbon Restoration, Louis Philipe began his reign promising a new constitutional monarchy modeled after the British, but found himself faced with growing political unrest. He was ultimately overthrown and formally abdicated following the French Revolution of 1848 and the founding of the French Second Republic.","Robet Dormer (1610?-1643) was an English Lord, 1st Earl of Carnarvon, and a courtier and royalist.","Manon Lescaut is a 1731 French novel by Antoine François Prévost that has seen numerous adapations including stage plays, ballets, opera, and films. It tells the tragic story of a love affair between a nobleman and a common woman named Manon Lescaut.","Un mariage sous la Régence is a comedy by Léon Guillard, presented at the Théâtre Français in 1850.","Anthony van Dyck (1599-1641) was a Flemish painter active during the early 17th century and best known for his work as a painter of portraits, as well as religious and mythological subjects. In 1621, he worked in service of King James I of England and after several years working throughout Europe he returned to the English court in 1632 where he painted portraits of King Charles I and his family.","Alexandre Lacauchie (also known as A.L.) was a French painter, engraver, and lithographer active in the mid-19th century, best known for images of contemporary dancers, actors, and singers.","Jan Luiken (also spelled Luyken, 1969-1712) was a Dutch lithographer and poet. Known in his early years for him hedonistic subject matter, Luiken converted to a highly pious form of Christianity following his marriage in 1672. He worked briefly as a book illustrator before withdrawing from society and focusing his poetic works on mystical religious themes.","Louis Morin (1855-1938) was a French author, illustrator, and painter. Based in Paris, France some of Morin's best remembered works include views of Montmartre, silhouette figures for the theatre d'ombres [shadow plays] staged at the Chat Noir nightclub, and his contributions to humor magazines."],"prefercite_html_tesm":["\u003cp\u003e18th and 19th century hand-colored prints of European figures and theatrical costumes, C0554, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["18th and 19th century hand-colored prints of European figures and theatrical costumes, C0554, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in May 2026. Finding aid completed by Meghan Glasbrenner in July 2026.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in May 2026. Finding aid completed by Meghan Glasbrenner in July 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other etchings and illustrations, such as \u003ca href=\"https://aspace.gmu.edu/resources/c0475\"\u003eJean-Jacques de Boissieu etching print of a country scene\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0552\"\u003eFour hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe \u003ca href=\"https://digitalcollections.nypl.org/search/index?filters=%5Bname%3DLacauchie%2C+Alexandre%5D\"\u003eNew York Public Library Digital Collections\u003c/a\u003e hold a large number of prints by Alexandre Lacauchie.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other etchings and illustrations, such as Jean-Jacques de Boissieu etching print of a country scene and Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson.","The New York Public Library Digital Collections hold a large number of prints by Alexandre Lacauchie."],"scopecontent_html_tesm":["\u003cp\u003e- \"Melle. Luther, rôle de L'Amour dans Un Mariage sous la Régence.\" [Miss Luther, Role of Love in a Marriage during the Regency.] by Alexandre Lacauchie, published by Decan of Paris (No. 521)\u003c/p\u003e\n","\u003cp\u003e-\"Costume de Mlle. Carline, Rôle de Julie dans les Étourdis, ou le Mort Supposé.\" [Costume of Miss Carline, Role of Julie in The Dazzled, or The Supposed Dead Man]\u003c/p\u003e\n","\u003cp\u003e- \"Costume des Rois d'Egipte. D'après Luiken.\" [Costume of the Kings of Egypt. After Luiken.] Likely originally appeared in Levacher de Charnois's \u003ctitle\u003eCostumes et annales des grands théâtres de Paris, en figures colorées, accompagnés de notices intéressantes et curieuses\u003c/title\u003e [ Costumes and chronicles of the major theatres of Paris, with coloured plates, accompanied by interesting notices and curiosities], originally a published weekly from 1786–89.\u003c/p\u003e\n","\u003cp\u003e- \"Mme. Rose Chéri dans Manon Lescaut.\" [Mrs. Rose Chéri in Manon Lescaut.] by Alexandre Lacauchie, published by Decan of Paris (No. 558)\u003c/p\u003e\n\nFormal portrait prints of European figures include:\n","\u003cp\u003e- \"Louis Philippe 1er. / Roi des Français.\" [Louis Philippe I / King of the French]\u003c/p\u003e\n","\u003cp\u003e- \"Lord Carnarvon.\" Engraving after original portrait Sir Anthony van Dyck.\u003c/p\u003e\n\nThe remaining portrait is an Uncaptioned lithograph by H. Louis Morin depicting one of the King of Prussia's grenadiers. Pencil inscription on the back reads: \"A sergeant of the King of Prussia's grenadier by H. Louis Morin.\" It is unclear if this is an official portrait or a costume depiction.  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["- \"Melle. Luther, rôle de L'Amour dans Un Mariage sous la Régence.\" [Miss Luther, Role of Love in a Marriage during the Regency.] by Alexandre Lacauchie, published by Decan of Paris (No. 521)","-\"Costume de Mlle. Carline, Rôle de Julie dans les Étourdis, ou le Mort Supposé.\" [Costume of Miss Carline, Role of Julie in The Dazzled, or The Supposed Dead Man]","- \"Costume des Rois d'Egipte. D'après Luiken.\" [Costume of the Kings of Egypt. After Luiken.] Likely originally appeared in Levacher de Charnois's Costumes et annales des grands théâtres de Paris, en figures colorées, accompagnés de notices intéressantes et curieuses [ Costumes and chronicles of the major theatres of Paris, with coloured plates, accompanied by interesting notices and curiosities], originally a published weekly from 1786–89.","- \"Mme. Rose Chéri dans Manon Lescaut.\" [Mrs. Rose Chéri in Manon Lescaut.] by Alexandre Lacauchie, published by Decan of Paris (No. 558)","- \"Louis Philippe 1er. / Roi des Français.\" [Louis Philippe I / King of the French]","- \"Lord Carnarvon.\" Engraving after original portrait Sir Anthony van Dyck."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0226ce3b156ff808d7a0640c58782ce0\"\u003eSeven hand-colored prints of European figures and theatrical costumes from the 18th and 19th century.\u003c/abstract\u003e\n    "],"abstract_tesim":["Seven hand-colored prints of European figures and theatrical costumes from the 18th and 19th century."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e5d18aae74373aa51b91285b9614260a\"\u003eR 73, C 2, S 4\u003c/physloc\u003e\n    "],"physloc_tesim":["R 73, C 2, S 4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Lacauchie, Alexandre","Luiken, Jan, 1649-1712","Morin, Louis, 1855-1938","Carnarvon, Robert Dormer, Earl of, 1609 or 1610-1643","Philippe Louis, King of the French, 1773-1850","Van Dyck, Anthony, 1599-1641"],"names_coll_ssim":["Carnarvon, Robert Dormer, Earl of, 1609 or 1610-1643","Lacauchie, Alexandre","Luiken, Jan, 1649-1712","Morin, Louis, 1855-1938","Philippe Louis, King of the French, 1773-1850","Van Dyck, Anthony, 1599-1641"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Lacauchie, Alexandre","Luiken, Jan, 1649-1712","Morin, Louis, 1855-1938","Carnarvon, Robert Dormer, Earl of, 1609 or 1610-1643","Philippe Louis, King of the French, 1773-1850","Van Dyck, Anthony, 1599-1641"],"language_ssim":["English\n      French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:20.288Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_779","ead_ssi":"vifgm_repositories_2_resources_779","_root_":"vifgm_repositories_2_resources_779","_nest_parent_":"vifgm_repositories_2_resources_779","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_779.xml","title_filing_ssi":"18th and 19th century hand-colored prints of European figures and theatrical costumes","title_ssm":["18th and 19th century hand-colored prints of European figures and theatrical costumes"],"title_tesim":["18th and 19th century hand-colored prints of European figures and theatrical costumes"],"unitdate_ssm":["circa 1780s-1880s"],"unitdate_inclusive_ssm":["circa 1780s-1880s"],"normalized_title_ssm":["18th and 19th century hand-colored prints of European figures and theatrical costumes"],"text":["18th and 19th century hand-colored prints of European figures and theatrical costumes","C0554","/repositories/2/resources/779","France","England","Performing arts","Theater -- France","Theater -- Europe","Theater","Costume design","Engraving","Lithography","Portraits","There are no access restrictions.","This is a single folder collection.","\"Anthony van Dyck (1599 - 1641) | National Gallery, London.\" n.d. Accessed July 8, 2026. https://www.nationalgallery.org.uk/artists/anthony-van-dyck.","Britannica, The Editors of Encyclopaedia. n.d. \"Jan Luyken | 17th-Century, Engraver, Poet.\" Britannica. Accessed July 8, 2026. https://www.britannica.com/biography/Jan-Luyken.","Château de Versailles. n.d. \"Louis Philippe I.\" Accessed July 8, 2026. https://en.chateauversailles.fr/discover/history/great-characters/louis-philippe-i.","Hellqvist, Maria. 2012. \"DigiLellky and Recorder Notes.\" The Music \u0026 Theater Blog, September 5. https://old.capricemusic.se/musikochteaterbloggen/tag/bilder/.","\"La Fin de Montmartre, Louis Morin ^ Minneapolis Institute of Art.\" n.d. Accessed July 8, 2026. https://collections.artsmia.org/art/108280/la-fin-de-montmartre-louis-morin.","National Portrait Gallery. n.d. \"Robert Dormer, 1st Earl of Carnarvon.\" Accessed July 8, 2026. https://www.npg.org.uk/collections/search/portrait/mw131824/Robert-Dormer-1st-Earl-of-Carnarvon.","NYPL Digital Collections. n.d. \"Theatrical Portraits.\" Accessed July 8, 2026. https://digitalcollections.nypl.org/items/0f8a69f0-88fa-0134-5ed3-00505686a51c?canvasIndex=1.","Wikipedia. 2026. \"Adaptations of Manon Lescaut.\" March 10. https://en.wikipedia.org/w/index.php?title=Adaptations_of_Manon_Lescaut\u0026oldid=1342788258#Stage_adaptations.","Wikipedia. 2026. \"Louis Philippe I.\" June 23. https://en.wikipedia.org/w/index.php?title=Louis_Philippe_I\u0026oldid=1360818066#King_of_the_French_(1830%E2%80%931848).","Wikipedia. 2026. \"Rose Chéri.\" May 8. https://en.wikipedia.org/w/index.php?title=Rose_Ch%C3%A9ri\u0026oldid=1353223651.","Known by the stage name Rose Chéri, Rose-Marie Cizos (1824-1861) was a French actress and the daughter of composer and conductor Victor Chéri and sister of actress Anna Chéri (also known as Chéri Lesueur).","Louis Philipe I (1773-1850), also known as the Citizen King, was King of the French from 1830-1848. He is the last French monarch with the title \"King\" being succeeded by Emperor Napoleon III. Coming to power following the Bourbon Restoration, Louis Philipe began his reign promising a new constitutional monarchy modeled after the British, but found himself faced with growing political unrest. He was ultimately overthrown and formally abdicated following the French Revolution of 1848 and the founding of the French Second Republic.","Robet Dormer (1610?-1643) was an English Lord, 1st Earl of Carnarvon, and a courtier and royalist.","Manon Lescaut is a 1731 French novel by Antoine François Prévost that has seen numerous adapations including stage plays, ballets, opera, and films. It tells the tragic story of a love affair between a nobleman and a common woman named Manon Lescaut.","Un mariage sous la Régence is a comedy by Léon Guillard, presented at the Théâtre Français in 1850.","Anthony van Dyck (1599-1641) was a Flemish painter active during the early 17th century and best known for his work as a painter of portraits, as well as religious and mythological subjects. In 1621, he worked in service of King James I of England and after several years working throughout Europe he returned to the English court in 1632 where he painted portraits of King Charles I and his family.","Alexandre Lacauchie (also known as A.L.) was a French painter, engraver, and lithographer active in the mid-19th century, best known for images of contemporary dancers, actors, and singers.","Jan Luiken (also spelled Luyken, 1969-1712) was a Dutch lithographer and poet. Known in his early years for him hedonistic subject matter, Luiken converted to a highly pious form of Christianity following his marriage in 1672. He worked briefly as a book illustrator before withdrawing from society and focusing his poetic works on mystical religious themes.","Louis Morin (1855-1938) was a French author, illustrator, and painter. Based in Paris, France some of Morin's best remembered works include views of Montmartre, silhouette figures for the theatre d'ombres [shadow plays] staged at the Chat Noir nightclub, and his contributions to humor magazines.","Processing completed by Meghan Glasbrenner in May 2026. Finding aid completed by Meghan Glasbrenner in July 2026.","The Special Collections Research Center holds other etchings and illustrations, such as Jean-Jacques de Boissieu etching print of a country scene and Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson.","The New York Public Library Digital Collections hold a large number of prints by Alexandre Lacauchie.","- \"Melle. Luther, rôle de L'Amour dans Un Mariage sous la Régence.\" [Miss Luther, Role of Love in a Marriage during the Regency.] by Alexandre Lacauchie, published by Decan of Paris (No. 521)","-\"Costume de Mlle. Carline, Rôle de Julie dans les Étourdis, ou le Mort Supposé.\" [Costume of Miss Carline, Role of Julie in The Dazzled, or The Supposed Dead Man]","- \"Costume des Rois d'Egipte. D'après Luiken.\" [Costume of the Kings of Egypt. After Luiken.] Likely originally appeared in Levacher de Charnois's Costumes et annales des grands théâtres de Paris, en figures colorées, accompagnés de notices intéressantes et curieuses [ Costumes and chronicles of the major theatres of Paris, with coloured plates, accompanied by interesting notices and curiosities], originally a published weekly from 1786–89.","- \"Mme. Rose Chéri dans Manon Lescaut.\" [Mrs. Rose Chéri in Manon Lescaut.] by Alexandre Lacauchie, published by Decan of Paris (No. 558)","- \"Louis Philippe 1er. / Roi des Français.\" [Louis Philippe I / King of the French]","- \"Lord Carnarvon.\" Engraving after original portrait Sir Anthony van Dyck.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Seven hand-colored prints of European figures and theatrical costumes from the 18th and 19th century.","R 73, C 2, S 4","George Mason University. Libraries. Special Collections Research Center","Lacauchie, Alexandre","Luiken, Jan, 1649-1712","Morin, Louis, 1855-1938","Carnarvon, Robert Dormer, Earl of, 1609 or 1610-1643","Philippe Louis, King of the French, 1773-1850","Van Dyck, Anthony, 1599-1641","English\n      French"],"collection_title_tesim":["18th and 19th century hand-colored prints of European figures and theatrical costumes"],"collection_ssim":["18th and 19th century hand-colored prints of European figures and theatrical costumes"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0554","/repositories/2/resources/779"],"unitid_tesim":["C0554","/repositories/2/resources/779"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["France","England"],"geogname_ssim":["France","England"],"places_ssim":["France","England"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center","Lacauchie, Alexandre","Luiken, Jan, 1649-1712","Morin, Louis, 1855-1938"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center","Lacauchie, Alexandre","Luiken, Jan, 1649-1712","Morin, Louis, 1855-1938"],"creator_persname_ssim":["Lacauchie, Alexandre","Luiken, Jan, 1649-1712","Morin, Louis, 1855-1938","Carnarvon, Robert Dormer, Earl of, 1609 or 1610-1643","Philippe Louis, King of the French, 1773-1850","Van Dyck, Anthony, 1599-1641"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["Lacauchie, Alexandre","Luiken, Jan, 1649-1712","Morin, Louis, 1855-1938","Carnarvon, Robert Dormer, Earl of, 1609 or 1610-1643","Philippe Louis, King of the French, 1773-1850","Van Dyck, Anthony, 1599-1641","George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased from Schubertiade Music by Lynn Eaton in March 2025."],"access_subjects_ssim":["Performing arts","Theater -- France","Theater -- Europe","Theater","Costume design","Engraving","Lithography","Portraits"],"access_subjects_ssm":["Performing arts","Theater -- France","Theater -- Europe","Theater","Costume design","Engraving","Lithography","Portraits"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003e\"Anthony van Dyck (1599 - 1641) | National Gallery, London.\" n.d. Accessed July 8, 2026. https://www.nationalgallery.org.uk/artists/anthony-van-dyck.\u003c/p\u003e","\u003cp\u003eBritannica, The Editors of Encyclopaedia. n.d. \"Jan Luyken | 17th-Century, Engraver, Poet.\" Britannica. Accessed July 8, 2026. https://www.britannica.com/biography/Jan-Luyken.\u003c/p\u003e","\u003cp\u003eChâteau de Versailles. n.d. \"Louis Philippe I.\" Accessed July 8, 2026. https://en.chateauversailles.fr/discover/history/great-characters/louis-philippe-i.\u003c/p\u003e","\u003cp\u003eHellqvist, Maria. 2012. \"DigiLellky and Recorder Notes.\" \u003ctitle\u003eThe Music \u0026amp; Theater Blog\u003c/title\u003e, September 5. https://old.capricemusic.se/musikochteaterbloggen/tag/bilder/.\u003c/p\u003e","\u003cp\u003e\"La Fin de Montmartre, Louis Morin ^ Minneapolis Institute of Art.\" n.d. Accessed July 8, 2026. https://collections.artsmia.org/art/108280/la-fin-de-montmartre-louis-morin.\u003c/p\u003e","\u003cp\u003eNational Portrait Gallery. n.d. \"Robert Dormer, 1st Earl of Carnarvon.\" Accessed July 8, 2026. https://www.npg.org.uk/collections/search/portrait/mw131824/Robert-Dormer-1st-Earl-of-Carnarvon.\u003c/p\u003e","\u003cp\u003eNYPL Digital Collections. n.d. \"Theatrical Portraits.\" Accessed July 8, 2026. https://digitalcollections.nypl.org/items/0f8a69f0-88fa-0134-5ed3-00505686a51c?canvasIndex=1.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eWikipedia\u003c/title\u003e. 2026. \"Adaptations of Manon Lescaut.\" March 10. https://en.wikipedia.org/w/index.php?title=Adaptations_of_Manon_Lescaut\u0026amp;oldid=1342788258#Stage_adaptations.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eWikipedia\u003c/title\u003e. 2026. \"Louis Philippe I.\" June 23. https://en.wikipedia.org/w/index.php?title=Louis_Philippe_I\u0026amp;oldid=1360818066#King_of_the_French_(1830%E2%80%931848).\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eWikipedia\u003c/title\u003e. 2026. \"Rose Chéri.\" May 8. https://en.wikipedia.org/w/index.php?title=Rose_Ch%C3%A9ri\u0026amp;oldid=1353223651.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Anthony van Dyck (1599 - 1641) | National Gallery, London.\" n.d. Accessed July 8, 2026. https://www.nationalgallery.org.uk/artists/anthony-van-dyck.","Britannica, The Editors of Encyclopaedia. n.d. \"Jan Luyken | 17th-Century, Engraver, Poet.\" Britannica. Accessed July 8, 2026. https://www.britannica.com/biography/Jan-Luyken.","Château de Versailles. n.d. \"Louis Philippe I.\" Accessed July 8, 2026. https://en.chateauversailles.fr/discover/history/great-characters/louis-philippe-i.","Hellqvist, Maria. 2012. \"DigiLellky and Recorder Notes.\" The Music \u0026 Theater Blog, September 5. https://old.capricemusic.se/musikochteaterbloggen/tag/bilder/.","\"La Fin de Montmartre, Louis Morin ^ Minneapolis Institute of Art.\" n.d. Accessed July 8, 2026. https://collections.artsmia.org/art/108280/la-fin-de-montmartre-louis-morin.","National Portrait Gallery. n.d. \"Robert Dormer, 1st Earl of Carnarvon.\" Accessed July 8, 2026. https://www.npg.org.uk/collections/search/portrait/mw131824/Robert-Dormer-1st-Earl-of-Carnarvon.","NYPL Digital Collections. n.d. \"Theatrical Portraits.\" Accessed July 8, 2026. https://digitalcollections.nypl.org/items/0f8a69f0-88fa-0134-5ed3-00505686a51c?canvasIndex=1.","Wikipedia. 2026. \"Adaptations of Manon Lescaut.\" March 10. https://en.wikipedia.org/w/index.php?title=Adaptations_of_Manon_Lescaut\u0026oldid=1342788258#Stage_adaptations.","Wikipedia. 2026. \"Louis Philippe I.\" June 23. https://en.wikipedia.org/w/index.php?title=Louis_Philippe_I\u0026oldid=1360818066#King_of_the_French_(1830%E2%80%931848).","Wikipedia. 2026. \"Rose Chéri.\" May 8. https://en.wikipedia.org/w/index.php?title=Rose_Ch%C3%A9ri\u0026oldid=1353223651."],"bioghist_html_tesm":["\u003cp\u003eKnown by the stage name Rose Chéri, Rose-Marie Cizos (1824-1861) was a French actress and the daughter of composer and conductor Victor Chéri and sister of actress Anna Chéri (also known as Chéri Lesueur).\u003c/p\u003e","\u003cp\u003eLouis Philipe I (1773-1850), also known as the Citizen King, was King of the French from 1830-1848. He is the last French monarch with the title \"King\" being succeeded by Emperor Napoleon III. Coming to power following the Bourbon Restoration, Louis Philipe began his reign promising a new constitutional monarchy modeled after the British, but found himself faced with growing political unrest. He was ultimately overthrown and formally abdicated following the French Revolution of 1848 and the founding of the French Second Republic.\u003c/p\u003e","\u003cp\u003eRobet Dormer (1610?-1643) was an English Lord, 1st Earl of Carnarvon, and a courtier and royalist.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eManon Lescaut\u003c/title\u003e is a 1731 French novel by Antoine François Prévost that has seen numerous adapations including stage plays, ballets, opera, and films. It tells the tragic story of a love affair between a nobleman and a common woman named Manon Lescaut. \u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eUn mariage sous la Régence\u003c/title\u003e is a comedy by Léon Guillard, presented at the Théâtre Français in 1850.\u003c/p\u003e","\u003cp\u003eAnthony van Dyck (1599-1641) was a Flemish painter active during the early 17th century and best known for his work as a painter of portraits, as well as religious and mythological subjects. In 1621, he worked in service of King James I of England and after several years working throughout Europe he returned to the English court in 1632 where he painted portraits of King Charles I and his family.\u003c/p\u003e","\u003cp\u003eAlexandre Lacauchie (also known as A.L.) was a French painter, engraver, and lithographer active in the mid-19th century, best known for images of contemporary dancers, actors, and singers.\u003c/p\u003e","\u003cp\u003eJan Luiken (also spelled Luyken, 1969-1712) was a Dutch lithographer and poet. Known in his early years for him hedonistic subject matter, Luiken converted to a highly pious form of Christianity following his marriage in 1672. He worked briefly as a book illustrator before withdrawing from society and focusing his poetic works on mystical religious themes.\u003c/p\u003e","\u003cp\u003eLouis Morin (1855-1938) was a French author, illustrator, and painter. Based in Paris, France some of Morin's best remembered works include views of Montmartre, silhouette figures for the theatre d'ombres [shadow plays] staged at the Chat Noir nightclub, and his contributions to humor magazines.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Known by the stage name Rose Chéri, Rose-Marie Cizos (1824-1861) was a French actress and the daughter of composer and conductor Victor Chéri and sister of actress Anna Chéri (also known as Chéri Lesueur).","Louis Philipe I (1773-1850), also known as the Citizen King, was King of the French from 1830-1848. He is the last French monarch with the title \"King\" being succeeded by Emperor Napoleon III. Coming to power following the Bourbon Restoration, Louis Philipe began his reign promising a new constitutional monarchy modeled after the British, but found himself faced with growing political unrest. He was ultimately overthrown and formally abdicated following the French Revolution of 1848 and the founding of the French Second Republic.","Robet Dormer (1610?-1643) was an English Lord, 1st Earl of Carnarvon, and a courtier and royalist.","Manon Lescaut is a 1731 French novel by Antoine François Prévost that has seen numerous adapations including stage plays, ballets, opera, and films. It tells the tragic story of a love affair between a nobleman and a common woman named Manon Lescaut.","Un mariage sous la Régence is a comedy by Léon Guillard, presented at the Théâtre Français in 1850.","Anthony van Dyck (1599-1641) was a Flemish painter active during the early 17th century and best known for his work as a painter of portraits, as well as religious and mythological subjects. In 1621, he worked in service of King James I of England and after several years working throughout Europe he returned to the English court in 1632 where he painted portraits of King Charles I and his family.","Alexandre Lacauchie (also known as A.L.) was a French painter, engraver, and lithographer active in the mid-19th century, best known for images of contemporary dancers, actors, and singers.","Jan Luiken (also spelled Luyken, 1969-1712) was a Dutch lithographer and poet. Known in his early years for him hedonistic subject matter, Luiken converted to a highly pious form of Christianity following his marriage in 1672. He worked briefly as a book illustrator before withdrawing from society and focusing his poetic works on mystical religious themes.","Louis Morin (1855-1938) was a French author, illustrator, and painter. Based in Paris, France some of Morin's best remembered works include views of Montmartre, silhouette figures for the theatre d'ombres [shadow plays] staged at the Chat Noir nightclub, and his contributions to humor magazines."],"prefercite_html_tesm":["\u003cp\u003e18th and 19th century hand-colored prints of European figures and theatrical costumes, C0554, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e  "],"prefercite_tesim":["18th and 19th century hand-colored prints of European figures and theatrical costumes, C0554, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in May 2026. Finding aid completed by Meghan Glasbrenner in July 2026.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in May 2026. Finding aid completed by Meghan Glasbrenner in July 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other etchings and illustrations, such as \u003ca href=\"https://aspace.gmu.edu/resources/c0475\"\u003eJean-Jacques de Boissieu etching print of a country scene\u003c/a\u003e and \u003ca href=\"https://aspace.gmu.edu/resources/c0552\"\u003eFour hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe \u003ca href=\"https://digitalcollections.nypl.org/search/index?filters=%5Bname%3DLacauchie%2C+Alexandre%5D\"\u003eNew York Public Library Digital Collections\u003c/a\u003e hold a large number of prints by Alexandre Lacauchie.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other etchings and illustrations, such as Jean-Jacques de Boissieu etching print of a country scene and Four hand-colored plates of \"The Tours of Dr. Syntax\" by Thomas Rowlandson.","The New York Public Library Digital Collections hold a large number of prints by Alexandre Lacauchie."],"scopecontent_html_tesm":["\u003cp\u003e- \"Melle. Luther, rôle de L'Amour dans Un Mariage sous la Régence.\" [Miss Luther, Role of Love in a Marriage during the Regency.] by Alexandre Lacauchie, published by Decan of Paris (No. 521)\u003c/p\u003e\n","\u003cp\u003e-\"Costume de Mlle. Carline, Rôle de Julie dans les Étourdis, ou le Mort Supposé.\" [Costume of Miss Carline, Role of Julie in The Dazzled, or The Supposed Dead Man]\u003c/p\u003e\n","\u003cp\u003e- \"Costume des Rois d'Egipte. D'après Luiken.\" [Costume of the Kings of Egypt. After Luiken.] Likely originally appeared in Levacher de Charnois's \u003ctitle\u003eCostumes et annales des grands théâtres de Paris, en figures colorées, accompagnés de notices intéressantes et curieuses\u003c/title\u003e [ Costumes and chronicles of the major theatres of Paris, with coloured plates, accompanied by interesting notices and curiosities], originally a published weekly from 1786–89.\u003c/p\u003e\n","\u003cp\u003e- \"Mme. Rose Chéri dans Manon Lescaut.\" [Mrs. Rose Chéri in Manon Lescaut.] by Alexandre Lacauchie, published by Decan of Paris (No. 558)\u003c/p\u003e\n\nFormal portrait prints of European figures include:\n","\u003cp\u003e- \"Louis Philippe 1er. / Roi des Français.\" [Louis Philippe I / King of the French]\u003c/p\u003e\n","\u003cp\u003e- \"Lord Carnarvon.\" Engraving after original portrait Sir Anthony van Dyck.\u003c/p\u003e\n\nThe remaining portrait is an Uncaptioned lithograph by H. Louis Morin depicting one of the King of Prussia's grenadiers. Pencil inscription on the back reads: \"A sergeant of the King of Prussia's grenadier by H. Louis Morin.\" It is unclear if this is an official portrait or a costume depiction.  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["- \"Melle. Luther, rôle de L'Amour dans Un Mariage sous la Régence.\" [Miss Luther, Role of Love in a Marriage during the Regency.] by Alexandre Lacauchie, published by Decan of Paris (No. 521)","-\"Costume de Mlle. Carline, Rôle de Julie dans les Étourdis, ou le Mort Supposé.\" [Costume of Miss Carline, Role of Julie in The Dazzled, or The Supposed Dead Man]","- \"Costume des Rois d'Egipte. D'après Luiken.\" [Costume of the Kings of Egypt. After Luiken.] Likely originally appeared in Levacher de Charnois's Costumes et annales des grands théâtres de Paris, en figures colorées, accompagnés de notices intéressantes et curieuses [ Costumes and chronicles of the major theatres of Paris, with coloured plates, accompanied by interesting notices and curiosities], originally a published weekly from 1786–89.","- \"Mme. Rose Chéri dans Manon Lescaut.\" [Mrs. Rose Chéri in Manon Lescaut.] by Alexandre Lacauchie, published by Decan of Paris (No. 558)","- \"Louis Philippe 1er. / Roi des Français.\" [Louis Philippe I / King of the French]","- \"Lord Carnarvon.\" Engraving after original portrait Sir Anthony van Dyck."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_0226ce3b156ff808d7a0640c58782ce0\"\u003eSeven hand-colored prints of European figures and theatrical costumes from the 18th and 19th century.\u003c/abstract\u003e\n    "],"abstract_tesim":["Seven hand-colored prints of European figures and theatrical costumes from the 18th and 19th century."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e5d18aae74373aa51b91285b9614260a\"\u003eR 73, C 2, S 4\u003c/physloc\u003e\n    "],"physloc_tesim":["R 73, C 2, S 4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Lacauchie, Alexandre","Luiken, Jan, 1649-1712","Morin, Louis, 1855-1938","Carnarvon, Robert Dormer, Earl of, 1609 or 1610-1643","Philippe Louis, King of the French, 1773-1850","Van Dyck, Anthony, 1599-1641"],"names_coll_ssim":["Carnarvon, Robert Dormer, Earl of, 1609 or 1610-1643","Lacauchie, Alexandre","Luiken, Jan, 1649-1712","Morin, Louis, 1855-1938","Philippe Louis, King of the French, 1773-1850","Van Dyck, Anthony, 1599-1641"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Lacauchie, Alexandre","Luiken, Jan, 1649-1712","Morin, Louis, 1855-1938","Carnarvon, Robert Dormer, Earl of, 1609 or 1610-1643","Philippe Louis, King of the French, 1773-1850","Van Dyck, Anthony, 1599-1641"],"language_ssim":["English\n      French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:20.288Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_779"}},{"id":"vifgm_repositories_2_resources_52","type":"collection","attributes":{"title":"Arthur E. Scott photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_52#creator","type":"document_value","attributes":{"value":"Scott, Arthur E., 1917-1976","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_52#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_52#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_52","ead_ssi":"vifgm_repositories_2_resources_52","_root_":"vifgm_repositories_2_resources_52","_nest_parent_":"vifgm_repositories_2_resources_52","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_52.xml","title_filing_ssi":"Arthur E. Scott photograph collection","title_ssm":["Arthur E. Scott photograph collection"],"title_tesim":["Arthur E. Scott photograph collection"],"unitdate_ssm":["1910-1976"],"unitdate_inclusive_ssm":["1910-1976"],"normalized_title_ssm":["Arthur E. Scott photograph collection"],"text":["Arthur E. Scott photograph collection","C0096","/repositories/2/resources/52","Panama Canal (Panama)","Potomac River","Supreme Court Building (Washington, D.C.)","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)","Actors -- United States","Aerial photographs","Astronauts","Campaign speeches","Committees","Congresses and conventions","Funeral rites and ceremonies","Legislators -- United States","Legislators' spouses","Lincoln Memorial (Washington, D.C.)","National Statuary Hall (United States Capitol, Washington, D.C.)","Photography -- Negatives","Political campaigns -- United States","Political conventions","Portraits","Presidents -- United States","Presidents -- United States -- Inauguration","Slides (Photography)","Speeches, addresses, etc.","Tomb of the Unknowns (Va.)","Vice-Presidents -- United States","Washington Monument (Washington, D.C.)","Photographic prints","Collection is open to research.","Selected images from the Scott collection are available online through the .","Arranged into six series.","Series\n      Series 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\n      Series 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\n      Series 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\n      Series 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\n      Series 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\n      Series 6: Realia, 1950s-1960s (Box 28)","Arthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald. From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian. As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history. Scott died on December 2, 1976.","Processed by Special Collections  Research Center staff. Additional processing completed by Stacey Kniatt and Shira Loev in 2010-2011. EAD markup completed by Stacey Kniatt and Shira Loev in 2010-2011. Finding aid updated by Amanda Menjivar in March 2023.","Staff rehoused the collection into suitable archival enclosures, organized the collection by media and series, and created an EAD finding aid and MARC record.","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant.","The Special Collections Research Center holds many other photograph collections. The  contains many similar subjects, as does the .","The Senate Historical Office holds the .","This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains photographs from the 1910s and 1920s that were taken by other photographers. The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes. The majority of the photographs are in black and white unless otherwise noted.","Series 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians. It also contains photographs of celebrities, politicians' families, and others. This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others. Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon. The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard.","Series 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks. The majority of the series consists of photographs of the Washington, D.C. area. This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial. It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama.","Series 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations. The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding. It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars.","Series 4 contains photographs of published newspapers, as well as photographs of art works. It also contains reference publications and correspondence which relate to the photographs in the collection. Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt. The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski. The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott.","Series 5 consists of scrapbooks compiled by Arthur Scott. These scrapbooks document events from 1918 through 1946. Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott. The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years. The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities.","Series 6 consists of photographic supplies used by Scott. Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\".","Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.","Materials created prior to 1928 are in the Public Domain. These materials have no known restrictions.","This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers.","R 32, C 1, S 1 - S 5 \n\n\nR 32, C 2, S 1\n\n\nOS R 6, C 2, S 3 - S 7\n\n\nMap Case 11.5","George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House","Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982","English"],"collection_title_tesim":["Arthur E. Scott photograph collection"],"collection_ssim":["Arthur E. Scott photograph collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0096","/repositories/2/resources/52"],"unitid_tesim":["C0096","/repositories/2/resources/52"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Panama Canal (Panama)","Potomac River","Supreme Court Building (Washington, D.C.)","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)"],"geogname_ssim":["Panama Canal (Panama)","Potomac River","Supreme Court Building (Washington, D.C.)","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)"],"places_ssim":["Panama Canal (Panama)","Potomac River","Supreme Court Building (Washington, D.C.)","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)"],"creator_ssm":["Scott, Arthur E., 1917-1976"],"creator_ssim":["Scott, Arthur E., 1917-1976"],"creator_persname_ssim":["Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House"],"creators_ssim":["Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982","George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House"],"access_terms_ssm":["Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.","Materials created prior to 1928 are in the Public Domain. These materials have no known restrictions."],"acqinfo_ssim":["Collection donated by Grace L. Scott in 1981. Scrapbooks donated by Barbara Thaler in 2006."],"access_subjects_ssim":["Actors -- United States","Aerial photographs","Astronauts","Campaign speeches","Committees","Congresses and conventions","Funeral rites and ceremonies","Legislators -- United States","Legislators' spouses","Lincoln Memorial (Washington, D.C.)","National Statuary Hall (United States Capitol, Washington, D.C.)","Photography -- Negatives","Political campaigns -- United States","Political conventions","Portraits","Presidents -- United States","Presidents -- United States -- Inauguration","Slides (Photography)","Speeches, addresses, etc.","Tomb of the Unknowns (Va.)","Vice-Presidents -- United States","Washington Monument (Washington, D.C.)","Photographic prints"],"access_subjects_ssm":["Actors -- United States","Aerial photographs","Astronauts","Campaign speeches","Committees","Congresses and conventions","Funeral rites and ceremonies","Legislators -- United States","Legislators' spouses","Lincoln Memorial (Washington, D.C.)","National Statuary Hall (United States Capitol, Washington, D.C.)","Photography -- Negatives","Political campaigns -- United States","Political conventions","Portraits","Presidents -- United States","Presidents -- United States -- Inauguration","Slides (Photography)","Speeches, addresses, etc.","Tomb of the Unknowns (Va.)","Vice-Presidents -- United States","Washington Monument (Washington, D.C.)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["32 Linear Feet 43 boxes; 27 scrapbooks"],"extent_tesim":["32 Linear Feet 43 boxes; 27 scrapbooks"],"genreform_ssim":["Photographic prints"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSelected images from the Scott collection are available online through the \u003cextptr show=\"new\" title=\"Arthur E. Scott Photograph Collection\" href=\"http://images.gmu.edu/luna/servlet/s/5gh8ep\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selected images from the Scott collection are available online through the ."],"arrangement_html_tesm":["\u003cp\u003eArranged into six series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Realia, 1950s-1960s (Box 28)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into six series.","Series\n      Series 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\n      Series 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\n      Series 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\n      Series 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\n      Series 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\n      Series 6: Realia, 1950s-1960s (Box 28)"],"bioghist_html_tesm":["\u003cp\u003eArthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald. From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian. As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history. Scott died on December 2, 1976.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Arthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald. From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian. As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history. Scott died on December 2, 1976."],"prefercite_html_tesm":["\u003cp\u003eArthur E. Scott photograph collection, C0096, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arthur E. Scott photograph collection, C0096, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections  Research Center staff. Additional processing completed by Stacey Kniatt and Shira Loev in 2010-2011. EAD markup completed by Stacey Kniatt and Shira Loev in 2010-2011. Finding aid updated by Amanda Menjivar in March 2023.\u003c/p\u003e","\u003cp\u003eStaff rehoused the collection into suitable archival enclosures, organized the collection by media and series, and created an EAD finding aid and MARC record. \u003c/p\u003e","\u003cp\u003eThis collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections  Research Center staff. Additional processing completed by Stacey Kniatt and Shira Loev in 2010-2011. EAD markup completed by Stacey Kniatt and Shira Loev in 2010-2011. Finding aid updated by Amanda Menjivar in March 2023.","Staff rehoused the collection into suitable archival enclosures, organized the collection by media and series, and created an EAD finding aid and MARC record.","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other photograph collections. The \u003cextptr show=\"new\" title=\"Charles Baptie photograph collection\" href=\"https://aspace.gmu.edu/resources/c0032\"\u003e\u003c/extptr\u003e contains many similar subjects, as does the \u003cextptr show=\"new\" title=\"Oliver F. Atkins photograph collection\" href=\"https://aspace.gmu.edu/resources/c0036\"\u003e\u003c/extptr\u003e. \u003c/p\u003e","\u003cp\u003eThe Senate Historical Office holds the \u003cextptr show=\"new\" title=\"Arthur E. Scott Collection\" href=\"http://www.senate.gov/pagelayout/history/h_multi_sections_and_teasers/Photo_Exhibit_Scott.htm\"\u003e\u003c/extptr\u003e. \u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other photograph collections. The  contains many similar subjects, as does the .","The Senate Historical Office holds the ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains photographs from the 1910s and 1920s that were taken by other photographers. The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes. The majority of the photographs are in black and white unless otherwise noted. \u003c/p\u003e","\u003cp\u003eSeries 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians. It also contains photographs of celebrities, politicians' families, and others. This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others. Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon. The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard. \u003c/p\u003e","\u003cp\u003eSeries 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks. The majority of the series consists of photographs of the Washington, D.C. area. This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial. It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama. \u003c/p\u003e","\u003cp\u003eSeries 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations. The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding. It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars. \u003c/p\u003e","\u003cp\u003eSeries 4 contains photographs of published newspapers, as well as photographs of art works. It also contains reference publications and correspondence which relate to the photographs in the collection. Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt. The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski. The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott. \u003c/p\u003e","\u003cp\u003eSeries 5 consists of scrapbooks compiled by Arthur Scott. These scrapbooks document events from 1918 through 1946. Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott. The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years. The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities. \u003c/p\u003e","\u003cp\u003eSeries 6 consists of photographic supplies used by Scott. Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\". \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains photographs from the 1910s and 1920s that were taken by other photographers. The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes. The majority of the photographs are in black and white unless otherwise noted.","Series 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians. It also contains photographs of celebrities, politicians' families, and others. This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others. Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon. The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard.","Series 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks. The majority of the series consists of photographs of the Washington, D.C. area. This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial. It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama.","Series 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations. The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding. It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars.","Series 4 contains photographs of published newspapers, as well as photographs of art works. It also contains reference publications and correspondence which relate to the photographs in the collection. Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt. The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski. The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott.","Series 5 consists of scrapbooks compiled by Arthur Scott. These scrapbooks document events from 1918 through 1946. Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott. The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years. The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities.","Series 6 consists of photographic supplies used by Scott. Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\"."],"userestrict_html_tesm":["\u003cp\u003eCopyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.\u003c/p\u003e","\u003cp\u003eMaterials created prior to 1928 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.","Materials created prior to 1928 are in the Public Domain. These materials have no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dde473ebedda2d712c9f5f297abf733b\" label=\"Abstract\"\u003eThis collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b8196d3f5852893db38a87a1dd92c1f5\"\u003e\nR 32, C 1, S 1 - S 5 \n\n\nR 32, C 2, S 1\n\n\nOS R 6, C 2, S 3 - S 7\n\n\nMap Case 11.5\n\u003c/physloc\u003e\n    "],"physloc_tesim":["R 32, C 1, S 1 - S 5 \n\n\nR 32, C 2, S 1\n\n\nOS R 6, C 2, S 3 - S 7\n\n\nMap Case 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House"],"names_coll_ssim":["Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982"],"persname_ssim":["Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House","Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:54.802Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_52","ead_ssi":"vifgm_repositories_2_resources_52","_root_":"vifgm_repositories_2_resources_52","_nest_parent_":"vifgm_repositories_2_resources_52","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_52.xml","title_filing_ssi":"Arthur E. Scott photograph collection","title_ssm":["Arthur E. Scott photograph collection"],"title_tesim":["Arthur E. Scott photograph collection"],"unitdate_ssm":["1910-1976"],"unitdate_inclusive_ssm":["1910-1976"],"normalized_title_ssm":["Arthur E. Scott photograph collection"],"text":["Arthur E. Scott photograph collection","C0096","/repositories/2/resources/52","Panama Canal (Panama)","Potomac River","Supreme Court Building (Washington, D.C.)","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)","Actors -- United States","Aerial photographs","Astronauts","Campaign speeches","Committees","Congresses and conventions","Funeral rites and ceremonies","Legislators -- United States","Legislators' spouses","Lincoln Memorial (Washington, D.C.)","National Statuary Hall (United States Capitol, Washington, D.C.)","Photography -- Negatives","Political campaigns -- United States","Political conventions","Portraits","Presidents -- United States","Presidents -- United States -- Inauguration","Slides (Photography)","Speeches, addresses, etc.","Tomb of the Unknowns (Va.)","Vice-Presidents -- United States","Washington Monument (Washington, D.C.)","Photographic prints","Collection is open to research.","Selected images from the Scott collection are available online through the .","Arranged into six series.","Series\n      Series 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\n      Series 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\n      Series 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\n      Series 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\n      Series 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\n      Series 6: Realia, 1950s-1960s (Box 28)","Arthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald. From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian. As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history. Scott died on December 2, 1976.","Processed by Special Collections  Research Center staff. Additional processing completed by Stacey Kniatt and Shira Loev in 2010-2011. EAD markup completed by Stacey Kniatt and Shira Loev in 2010-2011. Finding aid updated by Amanda Menjivar in March 2023.","Staff rehoused the collection into suitable archival enclosures, organized the collection by media and series, and created an EAD finding aid and MARC record.","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant.","The Special Collections Research Center holds many other photograph collections. The  contains many similar subjects, as does the .","The Senate Historical Office holds the .","This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains photographs from the 1910s and 1920s that were taken by other photographers. The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes. The majority of the photographs are in black and white unless otherwise noted.","Series 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians. It also contains photographs of celebrities, politicians' families, and others. This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others. Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon. The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard.","Series 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks. The majority of the series consists of photographs of the Washington, D.C. area. This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial. It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama.","Series 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations. The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding. It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars.","Series 4 contains photographs of published newspapers, as well as photographs of art works. It also contains reference publications and correspondence which relate to the photographs in the collection. Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt. The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski. The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott.","Series 5 consists of scrapbooks compiled by Arthur Scott. These scrapbooks document events from 1918 through 1946. Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott. The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years. The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities.","Series 6 consists of photographic supplies used by Scott. Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\".","Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.","Materials created prior to 1928 are in the Public Domain. These materials have no known restrictions.","This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers.","R 32, C 1, S 1 - S 5 \n\n\nR 32, C 2, S 1\n\n\nOS R 6, C 2, S 3 - S 7\n\n\nMap Case 11.5","George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House","Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982","English"],"collection_title_tesim":["Arthur E. Scott photograph collection"],"collection_ssim":["Arthur E. Scott photograph collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0096","/repositories/2/resources/52"],"unitid_tesim":["C0096","/repositories/2/resources/52"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Panama Canal (Panama)","Potomac River","Supreme Court Building (Washington, D.C.)","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)"],"geogname_ssim":["Panama Canal (Panama)","Potomac River","Supreme Court Building (Washington, D.C.)","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)"],"places_ssim":["Panama Canal (Panama)","Potomac River","Supreme Court Building (Washington, D.C.)","United States Capitol Complex (Washington, D.C.)","Washington (D.C.)"],"creator_ssm":["Scott, Arthur E., 1917-1976"],"creator_ssim":["Scott, Arthur E., 1917-1976"],"creator_persname_ssim":["Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House"],"creators_ssim":["Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982","George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House"],"access_terms_ssm":["Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.","Materials created prior to 1928 are in the Public Domain. These materials have no known restrictions."],"acqinfo_ssim":["Collection donated by Grace L. Scott in 1981. Scrapbooks donated by Barbara Thaler in 2006."],"access_subjects_ssim":["Actors -- United States","Aerial photographs","Astronauts","Campaign speeches","Committees","Congresses and conventions","Funeral rites and ceremonies","Legislators -- United States","Legislators' spouses","Lincoln Memorial (Washington, D.C.)","National Statuary Hall (United States Capitol, Washington, D.C.)","Photography -- Negatives","Political campaigns -- United States","Political conventions","Portraits","Presidents -- United States","Presidents -- United States -- Inauguration","Slides (Photography)","Speeches, addresses, etc.","Tomb of the Unknowns (Va.)","Vice-Presidents -- United States","Washington Monument (Washington, D.C.)","Photographic prints"],"access_subjects_ssm":["Actors -- United States","Aerial photographs","Astronauts","Campaign speeches","Committees","Congresses and conventions","Funeral rites and ceremonies","Legislators -- United States","Legislators' spouses","Lincoln Memorial (Washington, D.C.)","National Statuary Hall (United States Capitol, Washington, D.C.)","Photography -- Negatives","Political campaigns -- United States","Political conventions","Portraits","Presidents -- United States","Presidents -- United States -- Inauguration","Slides (Photography)","Speeches, addresses, etc.","Tomb of the Unknowns (Va.)","Vice-Presidents -- United States","Washington Monument (Washington, D.C.)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["32 Linear Feet 43 boxes; 27 scrapbooks"],"extent_tesim":["32 Linear Feet 43 boxes; 27 scrapbooks"],"genreform_ssim":["Photographic prints"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eSelected images from the Scott collection are available online through the \u003cextptr show=\"new\" title=\"Arthur E. Scott Photograph Collection\" href=\"http://images.gmu.edu/luna/servlet/s/5gh8ep\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selected images from the Scott collection are available online through the ."],"arrangement_html_tesm":["\u003cp\u003eArranged into six series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Realia, 1950s-1960s (Box 28)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into six series.","Series\n      Series 1: People, 1910-1976 (Boxes 1-7, 12-22, 26-27, 29-42)\n      Series 2: Places, 1927-1976 (Boxes 7-9, 22-23, 27, 31, 43, Oversize)\n      Series 3: Events, 1921-1976 (Boxes 9-11, 23-25, 27, 30, 33, 35-36, 38-42)\n      Series 4: Art, Publications, Reference Materials, 1918-1976 (Boxes 11, 25, 27, 35, 38)\n      Series 5: Scrapbooks, 1918-1946 (Volumes 1-14 and unnumbered)\n      Series 6: Realia, 1950s-1960s (Box 28)"],"bioghist_html_tesm":["\u003cp\u003eArthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald. From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian. As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history. Scott died on December 2, 1976.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Arthur E. \"Scotty\" Scott, was born March 14, 1917, in Montpelier, Vermont. In 1925 his family moved to Washington, D.C., where Scott spent most of his life. Scott began his press career at the age of 13, as a copyboy for the Washington Times-Herald. From 1934-1955, Scott served as a news photographer for International News Photos (INP) and Wide World Photos. Scott first covered the United States Congress in 1935 as a photographer for the Washington Times From 1955-1974, Scott worked as a photographer for the Republican Senatorial Committee (1965-1964) and the Republication Policy Committee (1964-1974). In 1975, the year the Senate Historical Office was created, Scott became the Senate's first photo-historian. As photo-historian, Scott was tasked with building a collection of graphic representations of the Senate's history. Scott died on December 2, 1976."],"prefercite_html_tesm":["\u003cp\u003eArthur E. Scott photograph collection, C0096, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Arthur E. Scott photograph collection, C0096, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections  Research Center staff. Additional processing completed by Stacey Kniatt and Shira Loev in 2010-2011. EAD markup completed by Stacey Kniatt and Shira Loev in 2010-2011. Finding aid updated by Amanda Menjivar in March 2023.\u003c/p\u003e","\u003cp\u003eStaff rehoused the collection into suitable archival enclosures, organized the collection by media and series, and created an EAD finding aid and MARC record. \u003c/p\u003e","\u003cp\u003eThis collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections  Research Center staff. Additional processing completed by Stacey Kniatt and Shira Loev in 2010-2011. EAD markup completed by Stacey Kniatt and Shira Loev in 2010-2011. Finding aid updated by Amanda Menjivar in March 2023.","Staff rehoused the collection into suitable archival enclosures, organized the collection by media and series, and created an EAD finding aid and MARC record.","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other photograph collections. The \u003cextptr show=\"new\" title=\"Charles Baptie photograph collection\" href=\"https://aspace.gmu.edu/resources/c0032\"\u003e\u003c/extptr\u003e contains many similar subjects, as does the \u003cextptr show=\"new\" title=\"Oliver F. Atkins photograph collection\" href=\"https://aspace.gmu.edu/resources/c0036\"\u003e\u003c/extptr\u003e. \u003c/p\u003e","\u003cp\u003eThe Senate Historical Office holds the \u003cextptr show=\"new\" title=\"Arthur E. Scott Collection\" href=\"http://www.senate.gov/pagelayout/history/h_multi_sections_and_teasers/Photo_Exhibit_Scott.htm\"\u003e\u003c/extptr\u003e. \u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other photograph collections. The  contains many similar subjects, as does the .","The Senate Historical Office holds the ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains photographs from the 1910s and 1920s that were taken by other photographers. The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes. The majority of the photographs are in black and white unless otherwise noted. \u003c/p\u003e","\u003cp\u003eSeries 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians. It also contains photographs of celebrities, politicians' families, and others. This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others. Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon. The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard. \u003c/p\u003e","\u003cp\u003eSeries 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks. The majority of the series consists of photographs of the Washington, D.C. area. This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial. It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama. \u003c/p\u003e","\u003cp\u003eSeries 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations. The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding. It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars. \u003c/p\u003e","\u003cp\u003eSeries 4 contains photographs of published newspapers, as well as photographs of art works. It also contains reference publications and correspondence which relate to the photographs in the collection. Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt. The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski. The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott. \u003c/p\u003e","\u003cp\u003eSeries 5 consists of scrapbooks compiled by Arthur Scott. These scrapbooks document events from 1918 through 1946. Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott. The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years. The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities. \u003c/p\u003e","\u003cp\u003eSeries 6 consists of photographic supplies used by Scott. Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\". \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains photographs from the 1910s and 1920s that were taken by other photographers. The collection contains prints and film negatives in various sizes, as well as glass plate negatives. Boxes 1 through 11, 29, 30, and 43 contain photographic prints; boxes 12 through 25 contain 4 x 5 inch negatives; boxes 26 and 27 contain 4 x 5 inch glass plate negatives; and boxes 31 through 42 contain slides, 35mm negatives, and negatives of various other sizes. The majority of the photographs are in black and white unless otherwise noted.","Series 1 contains photographs of people, including Senators, Representatives, Vice Presidents, Presidents, Supreme Court Justices, and other politicians. It also contains photographs of celebrities, politicians' families, and others. This series contains individual as well as group shots. This series includes photographs of many Republican Party Senators, including George D. Aiken, Gordon Allott, Clifford P. Case, Norris Cotton, Everett M. Dirksen, Robert J. Dole, Hiram Fong, Barry M. Goldwater, Roman L. Hruska, Mike Mansfield, Charles H. Percy, Hugh Scott, Margaret Chase Smith, John G. Tower, and many others. Presidents and Vice Presidents pictured include Calvin Coolidge, Dwight D. Eisenhower, John N. Garner, Herbert C. Hoover, Gerald R. Ford, Lyndon B. Johnson, and Richard M. Nixon. The series also includes photographs of astronauts John Glenn, Virgil \"Gus\" Grissom, and Alan B. Shepard.","Series 2 contains photographs of building interiors and exteriors, monuments, landmarks, and parks. The majority of the series consists of photographs of the Washington, D.C. area. This series includes photographs of Arlington National Cemetery, the U.S. Capitol Building, the U.S. Supreme Court Building, the Potomac River, the Washington Monument, and the Lincoln Memorial. It also includes aerial shots of Washington, D.C. and the Panama Canal Zone, Panama.","Series 3 contains photographs of events such as dinners, meetings, fundraisers, campaigns, conventions, and inaugurations. The events pictured in the series include the 1960 and 1964 Republican National Conventions; Richard M. Nixon campaign events in California and Hawaii (1960); and inaugurations and oaths of office for politicians such as Gerald R. Ford, Dwight D. Eisenhower, Richard M. Nixon, Nelson A. Rockefeller, and Warren G. Harding. It also contains photographs of natural disasters, such as floods, and photographs of politicians and celebrities receiving Buddy Poppies from the Veterans of Foreign Wars.","Series 4 contains photographs of published newspapers, as well as photographs of art works. It also contains reference publications and correspondence which relate to the photographs in the collection. Photographs of published newspapers include New York Times and New York Herald articles on the Battle of Gettysburg and the deaths of Abraham Lincoln and Theodore Roosevelt. The art works pictured included the George Gordon Meade Memorial, Samuel Gompers Memorial, and a monument to Casimir Pulaski. The series also includes \"Virginia Political Greats\", a report written by Scott in May 1976, as well as correspondence and captions regarding photographs taken by Scott.","Series 5 consists of scrapbooks compiled by Arthur Scott. These scrapbooks document events from 1918 through 1946. Most items contained within the scrapbooks are newspaper clippings, many of which depict photographs taken by Scott. The scrapbooks document events including the presidencies of Franklin D. Roosevelt and Harry S. Truman, as well as the run-up to World War II and homefront activities during the war years. The scrapbooks also contain press passes, expense reports, and schedules relating to Scott's photojournalism activities.","Series 6 consists of photographic supplies used by Scott. Photographic supplies include slide cases, as well as film canisters labeled \"1952\", \"1964 GOP Convention San Francisco\", \"Gene Autry by Barry Goldwater\", and \"Stereo Photos South America Vacation 1966\"."],"userestrict_html_tesm":["\u003cp\u003eCopyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.\u003c/p\u003e","\u003cp\u003eMaterials created prior to 1928 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact the Special Collections Research Center.","Materials created prior to 1928 are in the Public Domain. These materials have no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dde473ebedda2d712c9f5f297abf733b\" label=\"Abstract\"\u003eThis collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains photographs taken by Arthur E. Scott, a photojournalist and photo-historian for the U.S. Senate. It contains over 5,000 prints and negatives of United States politicians (mainly Senators), political events such as campaigns and inaugurations, and landmarks throughout the Washington, D.C. area, from the mid-1930s to the 1970s. There are also 27 scrapbooks compiled by Arthur E. Scott, primarily consisting of newspaper clippings of Scott's photographs. The collection also contains glass negatives from the 1910s and 1920s that were taken by other photographers."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b8196d3f5852893db38a87a1dd92c1f5\"\u003e\nR 32, C 1, S 1 - S 5 \n\n\nR 32, C 2, S 1\n\n\nOS R 6, C 2, S 3 - S 7\n\n\nMap Case 11.5\n\u003c/physloc\u003e\n    "],"physloc_tesim":["R 32, C 1, S 1 - S 5 \n\n\nR 32, C 2, S 1\n\n\nOS R 6, C 2, S 3 - S 7\n\n\nMap Case 11.5"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House"],"names_coll_ssim":["Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982"],"persname_ssim":["Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Washington National Cathedral (Washington, D.C.)","United States. Supreme Court","Boy Scouts of America","Arlington National Cemetery (Arlington, Va.)","United States. Congress. Senate","United States. Congress. House","Scott, Arthur E., 1917-1976","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, John F. (John Fitzgerald), 1917-1963","Eisenhower, Dwight D. (Dwight David), 1890-1969","Woodring, Harry Hines, 1887-1967","Wiley, Alexander, 1884-1967","Nixon, Richard M. (Richard Milhous), 1913-1994","Vandenberg, Arthur H. (Arthur Hendrick), 1884-1951","Valeo, Francis R. (Francis Ralph), 1916-2006","Tydings, Millard E. (Millard Evelyn), 1890-1961","Scott, William Lloyd, 1915-1997","Tower, John G. (John Goodwin), 1925-1991","Thurmond, Strom, 1902-2003","Smith, Margaret Chase, 1897-1995","Shepard, Alan B. (Alan Bartlett), 1923-1998","Scott, Hugh, 1900-1994","Schoeppel, Andrew Frank, 1894-1962","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Pittman, Key, 1872-1940","Percy, Charles H., 1919-2011","Pepper, Claude, 1900-1989","Fannin, Paul J. (Paul Jones), 1907-2002","Elizabeth, Queen of Great Britain, II, 1926-2022","Dominick, Peter H. (Peter Hoyt), 1915-1981","Dole, Robert J., 1923-2021","Dirksen, Everett McKinley","Dern, George Henry, 1872-1936","Curtis, Carl T. (Carl Thomas), 1905-2000","Cotton, Norris, 1900-1989","Cooper, John Sherman, 1901-1991","Coolidge, Calvin, 1872-1933","Cochran, Steve, 1917-1965","Aiken, George D. (George David), 1892-1984","Allott, Gordon, 1907-1989","Ashurst, Henry Fountain, 1874-1962","Barkley, Alben William, 1877-1956","Beall, J. Glenn, Jr. (John Glenn), 1927-2006","Bennett, Wallace F. (Wallace Foster), 1898-1993","Bible, Alan, 1909-1988","Boggs, J. Caleb (James Caleb), 1909-1993","Borah, William Edgar, 1865-1940","Bridges, Styles, 1898-1961","Bush, Prescott Sheldon, 1895-1972","Case, Clifford P. (Clifford Philip), 1904-1982","Fong, Hiram, 1906-2004","Ford, Gerald R., 1913-2006","Garner, John Nance, 1868-1967","Glenn, John, 1921-2016","Goldwater, Barry M. (Barry Morris), 1909-1998","Griffin, Robert P. (Robert Paul), 1923-2015","Grissom, Virgil I.","Hansen, Clifford P. (Clifford Peter), 1912-2009","Harrison, Pat, 1881-1941","Hickenlooper, Bourke B. (Bourke Blakemore), 1896-1971","Holt, Rush Dew, 1905-1955","Hoover, Herbert Charles, 1903-1969","Hruska, Roman L. (Roman Lee), 1904-1999","Javits, Jacob K. (Jacob Koppel), 1904-1986","Jordan, Len B. (Len Beck), 1899-1983","Keating, Kenneth B. (Kenneth Barnard), 1900-1975","Kuchel, Thomas H.","Mansfield, Mike, 1903-2001","Marshall, George C. (George Catlett), 1880-1959","McNary, Charles Linza, 1874-1944","Morton, Thruston B. (Thruston Ballard), 1907-1982"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:54.802Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_52"}},{"id":"vifgm_repositories_2_resources_166","type":"collection","attributes":{"title":"Charles Baptie photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_166#creator","type":"document_value","attributes":{"value":"Baptie, Charles","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_166#abstract_or_scope","type":"document_value","attributes":{"value":"Mid-20th century photographs of Washington, D.C., area landmarks, including Gunston Hall, the White House, and embassies; local businesses, including Texaco stations and Hot Shoppes; and more common subjects, like artwork, animals, nature, or people. These images are in several formats: negatives, slides, prints, and publications.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_166#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_166","ead_ssi":"vifgm_repositories_2_resources_166","_root_":"vifgm_repositories_2_resources_166","_nest_parent_":"vifgm_repositories_2_resources_166","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_166.xml","title_ssm":["Charles Baptie photograph collection"],"title_tesim":["Charles Baptie photograph collection"],"unitdate_ssm":["1917-1995"],"unitdate_inclusive_ssm":["1917-1995"],"normalized_title_ssm":["Charles Baptie photograph collection"],"text":["Charles Baptie photograph collection","C0032","/repositories/2/resources/166","Mall, The (Washington, D.C.)","Washington (D.C.)","Virginia, Northern","Ecuador","Honduras","Slides (Photography)","Portraits","Buildings","Drive-in restaurants","Embassy buildings -- Washington (D.C.)","Monuments -- Washington (D.C.)","Nature","Service stations","Technology","Aerial photographs","Photography -- Negatives","George Mason University -- Photographs","Gunston Hall (Va.)","Photographic prints","Photographs","There are no access restrictions.","The collection is organized into 21 series.","Series\n      Series 1: Buildings: Interior and Exterior, 1947-1975\n      Series 2: Embassies, 1950s-1970s\n      Series 3: Art, 1947-1975\n      Series 4: Publications, 1942-1994\n      Series 5: Texaco Stations, 1950-1972\n      Series 6: Hot Shoppes, 1948-1953\n      Series 7: Washington, D.C., Monuments, 1944-1991\n      Series 8: Aerial Photographs, 1934-1991\n      Series 9: Nature, 1917-1988\n      Series 10: Maps and Building Plans, 1941-1973\n      Series 11: People, 1944-1976\n      Series 12: Food, 1950s-1960s\n      Series 13: Museum Exhibits, 1952-1970s\n      Series 14: Animals, 1946-1980s\n      Series 15: Technology, 1948-1974\n      Series 16: George Mason College, 1959-1976\n      Series 17: Vehicles, 1946-1995\n      Series 18: Gunston Hall, 1960s-1993\n      Series 19: International, 1958-1989\n      Series 20: Correspondence, 1955-1990s\n      Series 21: Electronic Media, 1970s-1980s","Charles Baptie, a photographer, printer, and publisher, was born in Munhall, PA on March 13, 1914. Early in life, Baptie became interested in photography and airplanes, interests that would eventually lead to him becoming a photographer and public relations agent for Capital Airlines. His camera recorded the life of the airline for many years. When Capital Airlines merged with United Airlines, Baptie left the company and formed his own business, Charles Baptie Studios, Inc.","While operating his own studio, Baptie provided photographs for more than fifty books and other publications, including: Capital Airlines: A Nostalgic Flight Into the Past, Great Houses of Washington, Camera on Assignment (with Ollie Atkins), the sixteen volume Encyclopedia of United States History, Guest House of the Presidents, the story of the Blair Lee House, and Mid the Hills of Pennsylvania. As a photojournalist, Baptie covered feature stories for leading magazines and other news publications. Over the course of his journalistic career, Baptie met and photographed many world leaders and public figures. He passed away in 2000.","Several different staff members have processed this collection as it came into the archives. Instead of reprocessing the whole collection, each new addition was added on, thus making the organization of the collection rather difficult. Instead of reorganizing the thousands of photographs and negatives, the decision was made to divide the collection into series, but not resort it. Therefore, some boxes contain several different series, as well as each folder containing several series. Some individual photographs overlap series; when this occurs, it can be found in both series.","Processed by Special Collections Research Center staff. Additional processing by Sean Tennant and Stacey Kniatt in 2008-2010. EAD markup completed by Stacey Kniatt and Hal Barthold in October 2010.","Special Collections Research Center also holds the  and the .","The Charles Baptie photograph collection contains color prints and negatives of Gunston Hall, the home of George Mason; color transparencies from the Encyclopedia of United States History; color transparencies and prints from the Great Houses of Washington, D.C.; black \u0026 white negatives of the Washington metropolitan area; and photographs of George Mason College. There are, in addition, aerial photographs, photographs of malaria prevention overseas, and publicity photographs for various publications. Also included in this collection are photographs pertaining to the childrens' book, Herkie the Pup, written by Charles Baptie. The total volume of the collection is 26 linear feet, consisting of 24 document boxes, 35 3-ring photo boxes, and 12 oversize boxes.","Series 1: Images of buildings, both interior and exterior, including facades of famous houses and embassies around DC as well as images of the interior decorations; also included are images of churches, DC monuments, hotels, restaurants, schools, laboratories, service stations, theaters, hospitals, and personal homes.","Series 2: Images of the Belgian, Brazilian, French, Irish, Mexican, Peruvian, Spanish, and Turkish embassies; most of these items are also found in series 1.","Series 3: Images of artwork, including of paintings, sculptures, dolls, trophies, and architecture; also images of artwork used for publications such as a baseball book, an Encyclopedia of American History, a History of the Civil War, and a Northern Virginia guidebook.","Series 4: Publications for which Baptie either provided photos or printed at his studio including brochures and pamphlets, guide books, logos, small print books, magazines, and poetry collections.","Series 5: Images of Texaco stations in the area, both on the ground and in the air throughout the Washington, D.C., area included are aerial views and on-the-ground images, as well as plans, blueprints, portraits, and vehicles.","Series 6: Hot Shoppes restaurant photos. Hot Shoppes were a chain of restaurant owned by the Marriott Company and the series includes images of food, their Airline service, their kitchens, and the dining rooms of the restaurants.","Series 7: Photographs of D.C. monuments and landmarks including Capitol Hill, the Lincoln Memorial, the Jefferson Memorial, the Washington Monument, the White House, and Mount Vernon.","Series 8: Contains aerial images from several other series, as well as general aerial views from around the country; images of nearby locations include Alexandria, Annandale, Texaco service stations, construction sites, DC monuments, Gunston Hall, Sully Plantation, and the Potomac River.","Series 9: Consists of nature scenes, such as trees, mountains, clouds, gardens, fireworks, sunsets, clouds, bodies of water, landscapes, and cemeteries.","Series 10: Contains maps and building plans, such as blueprints or architectural renderings, specific topics include St. Agnes School, Baltimore, Texaco, Hazelton labs, Woodbridge Toll Center, and Fairfax Hills.","Series 11: Images and portraits of people. Many photos have unidentified subjects, while others show notable Washingtonians and politicians, athletes, scientists, wedding guests, presidents, actors, the National Symphony, and military leaders.","Series 12: Consists of pictures of food from restaurants, Hot Shoppes, and holiday events.","Series 13: Museum exhibits and artifacts including the Star Spangled Banner, dolls, and various Smithsonian objects and exhibits.","Series 14: Documents various animals including monkeys, horses, birds, bees, cattle, dogs, hippopotamuses, snakes, butterflies and animals for scientific testing.","Series 15: Images of different types of technology such as science labs, computers, a space shuttle, factories, and a camera.","Series 16: Images of George Mason College athletic teams, staff members, buildings, campus, students, graduations, George Mason Day, and printed materials.","Series 17: Images of vehicles, such as cars, baby carriage, planes, trains, ships, helicopters and bicycles.","Series 18: Images from Gunston Hall, the historical home of George Mason. Images in the series include the Mason coat of arms, publications, postcard images, aerial views, and a car show hosted by Gunston Hall.","Series 19: Images of international subjects taken during Baptie's many travels, including various settings in Central America, like Brazil, Honduras, and Ecuador; and other locations, such as Paris or India.","Series 20: Correspondence between Charles Baptie and others about photograph orders and publications.","Series 21: Electronic media, specifically a number of 5 1/4 inch floppy discs used for a program called Wordstar.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Mid-20th century photographs of Washington, D.C., area landmarks, including Gunston Hall, the White House, and embassies; local businesses, including Texaco stations and Hot Shoppes; and more common subjects, like artwork, animals, nature, or people. These images are in several formats: negatives, slides, prints, and publications.","R17, C1, S1 - C3, S1\nOS R1, C5, S3\nOS R4, C4, S3 - S4","George Mason University. Libraries. Special Collections Research Center","George Mason College","George Mason University","Baptie, Charles","Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Photographs","Truman, Harry S., 1884-1972","English"],"collection_title_tesim":["Charles Baptie photograph collection"],"collection_ssim":["Charles Baptie photograph collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0032","/repositories/2/resources/166"],"unitid_tesim":["C0032","/repositories/2/resources/166"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Mall, The (Washington, D.C.)","Washington (D.C.)","Virginia, Northern","Ecuador","Honduras"],"geogname_ssim":["Mall, The (Washington, D.C.)","Washington (D.C.)","Virginia, Northern","Ecuador","Honduras"],"places_ssim":["Mall, The (Washington, D.C.)","Washington (D.C.)","Virginia, Northern","Ecuador","Honduras"],"creator_ssm":["Baptie, Charles"],"creator_ssim":["Baptie, Charles"],"creator_persname_ssim":["Baptie, Charles","Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Photographs","Truman, Harry S., 1884-1972"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason College","George Mason University"],"creators_ssim":["Baptie, Charles","Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Photographs","Truman, Harry S., 1884-1972","George Mason University. Libraries. Special Collections Research Center","George Mason College","George Mason University"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The collection was donated in several stages by Charles Baptie and J. Roger Bentley. Charles Baptie, in November 1993, donated GMU materials and other material relating to Northern Virginia. He donated 2.4 linear feet of negatives in July 1994. He donated more photographic negatives and other material in September 1994. In May 2002, J. Roger Bentley donated 1900 negatives, 1,400 photographs, and some publication materials. The next year, May 2003, he donated approximately 2,000 negatives, slides, and photographs, as well as pamphlets, postcards, news clippings and other documents."],"access_subjects_ssim":["Slides (Photography)","Portraits","Buildings","Drive-in restaurants","Embassy buildings -- Washington (D.C.)","Monuments -- Washington (D.C.)","Nature","Service stations","Technology","Aerial photographs","Photography -- Negatives","George Mason University -- Photographs","Gunston Hall (Va.)","Photographic prints","Photographs"],"access_subjects_ssm":["Slides (Photography)","Portraits","Buildings","Drive-in restaurants","Embassy buildings -- Washington (D.C.)","Monuments -- Washington (D.C.)","Nature","Service stations","Technology","Aerial photographs","Photography -- Negatives","George Mason University -- Photographs","Gunston Hall (Va.)","Photographic prints","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 71 boxes total; 24 document boxes, 35 3-ring photo boxes, and 12 oversize boxes"],"extent_tesim":["26 Linear Feet 71 boxes total; 24 document boxes, 35 3-ring photo boxes, and 12 oversize boxes"],"genreform_ssim":["Photographic prints","Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 21 series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Buildings: Interior and Exterior, 1947-1975\u003c/item\u003e\n      \u003citem\u003eSeries 2: Embassies, 1950s-1970s\u003c/item\u003e\n      \u003citem\u003eSeries 3: Art, 1947-1975\u003c/item\u003e\n      \u003citem\u003eSeries 4: Publications, 1942-1994\u003c/item\u003e\n      \u003citem\u003eSeries 5: Texaco Stations, 1950-1972\u003c/item\u003e\n      \u003citem\u003eSeries 6: Hot Shoppes, 1948-1953\u003c/item\u003e\n      \u003citem\u003eSeries 7: Washington, D.C., Monuments, 1944-1991\u003c/item\u003e\n      \u003citem\u003eSeries 8: Aerial Photographs, 1934-1991\u003c/item\u003e\n      \u003citem\u003eSeries 9: Nature, 1917-1988\u003c/item\u003e\n      \u003citem\u003eSeries 10: Maps and Building Plans, 1941-1973\u003c/item\u003e\n      \u003citem\u003eSeries 11: People, 1944-1976\u003c/item\u003e\n      \u003citem\u003eSeries 12: Food, 1950s-1960s\u003c/item\u003e\n      \u003citem\u003eSeries 13: Museum Exhibits, 1952-1970s\u003c/item\u003e\n      \u003citem\u003eSeries 14: Animals, 1946-1980s\u003c/item\u003e\n      \u003citem\u003eSeries 15: Technology, 1948-1974\u003c/item\u003e\n      \u003citem\u003eSeries 16: George Mason College, 1959-1976\u003c/item\u003e\n      \u003citem\u003eSeries 17: Vehicles, 1946-1995\u003c/item\u003e\n      \u003citem\u003eSeries 18: Gunston Hall, 1960s-1993\u003c/item\u003e\n      \u003citem\u003eSeries 19: International, 1958-1989\u003c/item\u003e\n      \u003citem\u003eSeries 20: Correspondence, 1955-1990s\u003c/item\u003e\n      \u003citem\u003eSeries 21: Electronic Media, 1970s-1980s\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 21 series.","Series\n      Series 1: Buildings: Interior and Exterior, 1947-1975\n      Series 2: Embassies, 1950s-1970s\n      Series 3: Art, 1947-1975\n      Series 4: Publications, 1942-1994\n      Series 5: Texaco Stations, 1950-1972\n      Series 6: Hot Shoppes, 1948-1953\n      Series 7: Washington, D.C., Monuments, 1944-1991\n      Series 8: Aerial Photographs, 1934-1991\n      Series 9: Nature, 1917-1988\n      Series 10: Maps and Building Plans, 1941-1973\n      Series 11: People, 1944-1976\n      Series 12: Food, 1950s-1960s\n      Series 13: Museum Exhibits, 1952-1970s\n      Series 14: Animals, 1946-1980s\n      Series 15: Technology, 1948-1974\n      Series 16: George Mason College, 1959-1976\n      Series 17: Vehicles, 1946-1995\n      Series 18: Gunston Hall, 1960s-1993\n      Series 19: International, 1958-1989\n      Series 20: Correspondence, 1955-1990s\n      Series 21: Electronic Media, 1970s-1980s"],"bioghist_html_tesm":["\u003cp\u003eCharles Baptie, a photographer, printer, and publisher, was born in Munhall, PA on March 13, 1914. Early in life, Baptie became interested in photography and airplanes, interests that would eventually lead to him becoming a photographer and public relations agent for Capital Airlines. His camera recorded the life of the airline for many years. When Capital Airlines merged with United Airlines, Baptie left the company and formed his own business, Charles Baptie Studios, Inc. \u003c/p\u003e","\u003cp\u003eWhile operating his own studio, Baptie provided photographs for more than fifty books and other publications, including: \u003ctitle render=\"italic\"\u003eCapital Airlines: A Nostalgic Flight Into the Past\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eGreat Houses of Washington\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eCamera on Assignment\u003c/title\u003e (with Ollie Atkins), the sixteen volume \u003ctitle render=\"italic\"\u003eEncyclopedia of United States History\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eGuest House of the Presidents\u003c/title\u003e, the story of the Blair Lee House, and \u003ctitle render=\"italic\"\u003eMid the Hills of Pennsylvania\u003c/title\u003e. As a photojournalist, Baptie covered feature stories for leading magazines and other news publications. Over the course of his journalistic career, Baptie met and photographed many world leaders and public figures. He passed away in 2000.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles Baptie, a photographer, printer, and publisher, was born in Munhall, PA on March 13, 1914. Early in life, Baptie became interested in photography and airplanes, interests that would eventually lead to him becoming a photographer and public relations agent for Capital Airlines. His camera recorded the life of the airline for many years. When Capital Airlines merged with United Airlines, Baptie left the company and formed his own business, Charles Baptie Studios, Inc.","While operating his own studio, Baptie provided photographs for more than fifty books and other publications, including: Capital Airlines: A Nostalgic Flight Into the Past, Great Houses of Washington, Camera on Assignment (with Ollie Atkins), the sixteen volume Encyclopedia of United States History, Guest House of the Presidents, the story of the Blair Lee House, and Mid the Hills of Pennsylvania. As a photojournalist, Baptie covered feature stories for leading magazines and other news publications. Over the course of his journalistic career, Baptie met and photographed many world leaders and public figures. He passed away in 2000."],"prefercite_html_tesm":["\u003cp\u003eCharles Baptie photograph collection, C0032, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Charles Baptie photograph collection, C0032, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eSeveral different staff members have processed this collection as it came into the archives. Instead of reprocessing the whole collection, each new addition was added on, thus making the organization of the collection rather difficult. Instead of reorganizing the thousands of photographs and negatives, the decision was made to divide the collection into series, but not resort it. Therefore, some boxes contain several different series, as well as each folder containing several series. Some individual photographs overlap series; when this occurs, it can be found in both series. \u003c/p\u003e","\u003cp\u003eProcessed by Special Collections Research Center staff. Additional processing by Sean Tennant and Stacey Kniatt in 2008-2010. EAD markup completed by Stacey Kniatt and Hal Barthold in October 2010. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Several different staff members have processed this collection as it came into the archives. Instead of reprocessing the whole collection, each new addition was added on, thus making the organization of the collection rather difficult. Instead of reorganizing the thousands of photographs and negatives, the decision was made to divide the collection into series, but not resort it. Therefore, some boxes contain several different series, as well as each folder containing several series. Some individual photographs overlap series; when this occurs, it can be found in both series.","Processed by Special Collections Research Center staff. Additional processing by Sean Tennant and Stacey Kniatt in 2008-2010. EAD markup completed by Stacey Kniatt and Hal Barthold in October 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Jack Rottier photograph collection\" href=\"https://aspace.gmu.edu/resources/c0003\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Oliver F. Atkins photograph collection\" href=\"https://aspace.gmu.edu/resources/c0036\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  and the ."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Baptie photograph collection contains color prints and negatives of Gunston Hall, the home of George Mason; color transparencies from the Encyclopedia of United States History; color transparencies and prints from the Great Houses of Washington, D.C.; black \u0026amp; white negatives of the Washington metropolitan area; and photographs of George Mason College. There are, in addition, aerial photographs, photographs of malaria prevention overseas, and publicity photographs for various publications. Also included in this collection are photographs pertaining to the childrens' book, Herkie the Pup, written by Charles Baptie. The total volume of the collection is 26 linear feet, consisting of 24 document boxes, 35 3-ring photo boxes, and 12 oversize boxes. \u003c/p\u003e","\u003cp\u003eSeries 1: Images of buildings, both interior and exterior, including facades of famous houses and embassies around DC as well as images of the interior decorations; also included are images of churches, DC monuments, hotels, restaurants, schools, laboratories, service stations, theaters, hospitals, and personal homes. \u003c/p\u003e","\u003cp\u003eSeries 2: Images of the Belgian, Brazilian, French, Irish, Mexican, Peruvian, Spanish, and Turkish embassies; most of these items are also found in series 1. \u003c/p\u003e","\u003cp\u003eSeries 3: Images of artwork, including of paintings, sculptures, dolls, trophies, and architecture; also images of artwork used for publications such as a baseball book, an Encyclopedia of American History, a History of the Civil War, and a Northern Virginia guidebook. \u003c/p\u003e","\u003cp\u003eSeries 4: Publications for which Baptie either provided photos or printed at his studio including brochures and pamphlets, guide books, logos, small print books, magazines, and poetry collections. \u003c/p\u003e","\u003cp\u003eSeries 5: Images of Texaco stations in the area, both on the ground and in the air throughout the Washington, D.C., area included are aerial views and on-the-ground images, as well as plans, blueprints, portraits, and vehicles. \u003c/p\u003e","\u003cp\u003eSeries 6: Hot Shoppes restaurant photos. Hot Shoppes were a chain of restaurant owned by the Marriott Company and the series includes images of food, their Airline service, their kitchens, and the dining rooms of the restaurants. \u003c/p\u003e","\u003cp\u003eSeries 7: Photographs of D.C. monuments and landmarks including Capitol Hill, the Lincoln Memorial, the Jefferson Memorial, the Washington Monument, the White House, and Mount Vernon. \u003c/p\u003e","\u003cp\u003eSeries 8: Contains aerial images from several other series, as well as general aerial views from around the country; images of nearby locations include Alexandria, Annandale, Texaco service stations, construction sites, DC monuments, Gunston Hall, Sully Plantation, and the Potomac River. \u003c/p\u003e","\u003cp\u003eSeries 9: Consists of nature scenes, such as trees, mountains, clouds, gardens, fireworks, sunsets, clouds, bodies of water, landscapes, and cemeteries. \u003c/p\u003e","\u003cp\u003eSeries 10: Contains maps and building plans, such as blueprints or architectural renderings, specific topics include St. Agnes School, Baltimore, Texaco, Hazelton labs, Woodbridge Toll Center, and Fairfax Hills. \u003c/p\u003e","\u003cp\u003eSeries 11: Images and portraits of people. Many photos have unidentified subjects, while others show notable Washingtonians and politicians, athletes, scientists, wedding guests, presidents, actors, the National Symphony, and military leaders. \u003c/p\u003e","\u003cp\u003eSeries 12: Consists of pictures of food from restaurants, Hot Shoppes, and holiday events. \u003c/p\u003e","\u003cp\u003eSeries 13: Museum exhibits and artifacts including the Star Spangled Banner, dolls, and various Smithsonian objects and exhibits. \u003c/p\u003e","\u003cp\u003eSeries 14: Documents various animals including monkeys, horses, birds, bees, cattle, dogs, hippopotamuses, snakes, butterflies and animals for scientific testing. \u003c/p\u003e","\u003cp\u003eSeries 15: Images of different types of technology such as science labs, computers, a space shuttle, factories, and a camera. \u003c/p\u003e","\u003cp\u003eSeries 16: Images of George Mason College athletic teams, staff members, buildings, campus, students, graduations, George Mason Day, and printed materials. \u003c/p\u003e","\u003cp\u003eSeries 17: Images of vehicles, such as cars, baby carriage, planes, trains, ships, helicopters and bicycles. \u003c/p\u003e","\u003cp\u003eSeries 18: Images from Gunston Hall, the historical home of George Mason. Images in the series include the Mason coat of arms, publications, postcard images, aerial views, and a car show hosted by Gunston Hall. \u003c/p\u003e","\u003cp\u003eSeries 19: Images of international subjects taken during Baptie's many travels, including various settings in Central America, like Brazil, Honduras, and Ecuador; and other locations, such as Paris or India. \u003c/p\u003e","\u003cp\u003eSeries 20: Correspondence between Charles Baptie and others about photograph orders and publications. \u003c/p\u003e","\u003cp\u003eSeries 21: Electronic media, specifically a number of 5 1/4 inch floppy discs used for a program called Wordstar. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Charles Baptie photograph collection contains color prints and negatives of Gunston Hall, the home of George Mason; color transparencies from the Encyclopedia of United States History; color transparencies and prints from the Great Houses of Washington, D.C.; black \u0026 white negatives of the Washington metropolitan area; and photographs of George Mason College. There are, in addition, aerial photographs, photographs of malaria prevention overseas, and publicity photographs for various publications. Also included in this collection are photographs pertaining to the childrens' book, Herkie the Pup, written by Charles Baptie. The total volume of the collection is 26 linear feet, consisting of 24 document boxes, 35 3-ring photo boxes, and 12 oversize boxes.","Series 1: Images of buildings, both interior and exterior, including facades of famous houses and embassies around DC as well as images of the interior decorations; also included are images of churches, DC monuments, hotels, restaurants, schools, laboratories, service stations, theaters, hospitals, and personal homes.","Series 2: Images of the Belgian, Brazilian, French, Irish, Mexican, Peruvian, Spanish, and Turkish embassies; most of these items are also found in series 1.","Series 3: Images of artwork, including of paintings, sculptures, dolls, trophies, and architecture; also images of artwork used for publications such as a baseball book, an Encyclopedia of American History, a History of the Civil War, and a Northern Virginia guidebook.","Series 4: Publications for which Baptie either provided photos or printed at his studio including brochures and pamphlets, guide books, logos, small print books, magazines, and poetry collections.","Series 5: Images of Texaco stations in the area, both on the ground and in the air throughout the Washington, D.C., area included are aerial views and on-the-ground images, as well as plans, blueprints, portraits, and vehicles.","Series 6: Hot Shoppes restaurant photos. Hot Shoppes were a chain of restaurant owned by the Marriott Company and the series includes images of food, their Airline service, their kitchens, and the dining rooms of the restaurants.","Series 7: Photographs of D.C. monuments and landmarks including Capitol Hill, the Lincoln Memorial, the Jefferson Memorial, the Washington Monument, the White House, and Mount Vernon.","Series 8: Contains aerial images from several other series, as well as general aerial views from around the country; images of nearby locations include Alexandria, Annandale, Texaco service stations, construction sites, DC monuments, Gunston Hall, Sully Plantation, and the Potomac River.","Series 9: Consists of nature scenes, such as trees, mountains, clouds, gardens, fireworks, sunsets, clouds, bodies of water, landscapes, and cemeteries.","Series 10: Contains maps and building plans, such as blueprints or architectural renderings, specific topics include St. Agnes School, Baltimore, Texaco, Hazelton labs, Woodbridge Toll Center, and Fairfax Hills.","Series 11: Images and portraits of people. Many photos have unidentified subjects, while others show notable Washingtonians and politicians, athletes, scientists, wedding guests, presidents, actors, the National Symphony, and military leaders.","Series 12: Consists of pictures of food from restaurants, Hot Shoppes, and holiday events.","Series 13: Museum exhibits and artifacts including the Star Spangled Banner, dolls, and various Smithsonian objects and exhibits.","Series 14: Documents various animals including monkeys, horses, birds, bees, cattle, dogs, hippopotamuses, snakes, butterflies and animals for scientific testing.","Series 15: Images of different types of technology such as science labs, computers, a space shuttle, factories, and a camera.","Series 16: Images of George Mason College athletic teams, staff members, buildings, campus, students, graduations, George Mason Day, and printed materials.","Series 17: Images of vehicles, such as cars, baby carriage, planes, trains, ships, helicopters and bicycles.","Series 18: Images from Gunston Hall, the historical home of George Mason. Images in the series include the Mason coat of arms, publications, postcard images, aerial views, and a car show hosted by Gunston Hall.","Series 19: Images of international subjects taken during Baptie's many travels, including various settings in Central America, like Brazil, Honduras, and Ecuador; and other locations, such as Paris or India.","Series 20: Correspondence between Charles Baptie and others about photograph orders and publications.","Series 21: Electronic media, specifically a number of 5 1/4 inch floppy discs used for a program called Wordstar."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d476de1c83accdc397d29aacddc4645e\" label=\"Abstract\"\u003eMid-20th century photographs of Washington, D.C., area landmarks, including Gunston Hall, the White House, and embassies; local businesses, including Texaco stations and Hot Shoppes; and more common subjects, like artwork, animals, nature, or people. These images are in several formats: negatives, slides, prints, and publications.\u003c/abstract\u003e\n    "],"abstract_tesim":["Mid-20th century photographs of Washington, D.C., area landmarks, including Gunston Hall, the White House, and embassies; local businesses, including Texaco stations and Hot Shoppes; and more common subjects, like artwork, animals, nature, or people. These images are in several formats: negatives, slides, prints, and publications."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b6343f845dd3c0b9b7a9459c05574eba\"\u003eR17, C1, S1 - C3, S1\nOS R1, C5, S3\nOS R4, C4, S3 - S4\u003c/physloc\u003e\n    "],"physloc_tesim":["R17, C1, S1 - C3, S1\nOS R1, C5, S3\nOS R4, C4, S3 - S4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason College","George Mason University"],"names_coll_ssim":["George Mason College","George Mason University","Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Photographs","Truman, Harry S., 1884-1972"],"persname_ssim":["Baptie, Charles","Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Photographs","Truman, Harry S., 1884-1972"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason College","George Mason University","Baptie, Charles","Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Photographs","Truman, Harry S., 1884-1972"],"language_ssim":["English"],"total_component_count_is":775,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:24.402Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_166","ead_ssi":"vifgm_repositories_2_resources_166","_root_":"vifgm_repositories_2_resources_166","_nest_parent_":"vifgm_repositories_2_resources_166","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_166.xml","title_ssm":["Charles Baptie photograph collection"],"title_tesim":["Charles Baptie photograph collection"],"unitdate_ssm":["1917-1995"],"unitdate_inclusive_ssm":["1917-1995"],"normalized_title_ssm":["Charles Baptie photograph collection"],"text":["Charles Baptie photograph collection","C0032","/repositories/2/resources/166","Mall, The (Washington, D.C.)","Washington (D.C.)","Virginia, Northern","Ecuador","Honduras","Slides (Photography)","Portraits","Buildings","Drive-in restaurants","Embassy buildings -- Washington (D.C.)","Monuments -- Washington (D.C.)","Nature","Service stations","Technology","Aerial photographs","Photography -- Negatives","George Mason University -- Photographs","Gunston Hall (Va.)","Photographic prints","Photographs","There are no access restrictions.","The collection is organized into 21 series.","Series\n      Series 1: Buildings: Interior and Exterior, 1947-1975\n      Series 2: Embassies, 1950s-1970s\n      Series 3: Art, 1947-1975\n      Series 4: Publications, 1942-1994\n      Series 5: Texaco Stations, 1950-1972\n      Series 6: Hot Shoppes, 1948-1953\n      Series 7: Washington, D.C., Monuments, 1944-1991\n      Series 8: Aerial Photographs, 1934-1991\n      Series 9: Nature, 1917-1988\n      Series 10: Maps and Building Plans, 1941-1973\n      Series 11: People, 1944-1976\n      Series 12: Food, 1950s-1960s\n      Series 13: Museum Exhibits, 1952-1970s\n      Series 14: Animals, 1946-1980s\n      Series 15: Technology, 1948-1974\n      Series 16: George Mason College, 1959-1976\n      Series 17: Vehicles, 1946-1995\n      Series 18: Gunston Hall, 1960s-1993\n      Series 19: International, 1958-1989\n      Series 20: Correspondence, 1955-1990s\n      Series 21: Electronic Media, 1970s-1980s","Charles Baptie, a photographer, printer, and publisher, was born in Munhall, PA on March 13, 1914. Early in life, Baptie became interested in photography and airplanes, interests that would eventually lead to him becoming a photographer and public relations agent for Capital Airlines. His camera recorded the life of the airline for many years. When Capital Airlines merged with United Airlines, Baptie left the company and formed his own business, Charles Baptie Studios, Inc.","While operating his own studio, Baptie provided photographs for more than fifty books and other publications, including: Capital Airlines: A Nostalgic Flight Into the Past, Great Houses of Washington, Camera on Assignment (with Ollie Atkins), the sixteen volume Encyclopedia of United States History, Guest House of the Presidents, the story of the Blair Lee House, and Mid the Hills of Pennsylvania. As a photojournalist, Baptie covered feature stories for leading magazines and other news publications. Over the course of his journalistic career, Baptie met and photographed many world leaders and public figures. He passed away in 2000.","Several different staff members have processed this collection as it came into the archives. Instead of reprocessing the whole collection, each new addition was added on, thus making the organization of the collection rather difficult. Instead of reorganizing the thousands of photographs and negatives, the decision was made to divide the collection into series, but not resort it. Therefore, some boxes contain several different series, as well as each folder containing several series. Some individual photographs overlap series; when this occurs, it can be found in both series.","Processed by Special Collections Research Center staff. Additional processing by Sean Tennant and Stacey Kniatt in 2008-2010. EAD markup completed by Stacey Kniatt and Hal Barthold in October 2010.","Special Collections Research Center also holds the  and the .","The Charles Baptie photograph collection contains color prints and negatives of Gunston Hall, the home of George Mason; color transparencies from the Encyclopedia of United States History; color transparencies and prints from the Great Houses of Washington, D.C.; black \u0026 white negatives of the Washington metropolitan area; and photographs of George Mason College. There are, in addition, aerial photographs, photographs of malaria prevention overseas, and publicity photographs for various publications. Also included in this collection are photographs pertaining to the childrens' book, Herkie the Pup, written by Charles Baptie. The total volume of the collection is 26 linear feet, consisting of 24 document boxes, 35 3-ring photo boxes, and 12 oversize boxes.","Series 1: Images of buildings, both interior and exterior, including facades of famous houses and embassies around DC as well as images of the interior decorations; also included are images of churches, DC monuments, hotels, restaurants, schools, laboratories, service stations, theaters, hospitals, and personal homes.","Series 2: Images of the Belgian, Brazilian, French, Irish, Mexican, Peruvian, Spanish, and Turkish embassies; most of these items are also found in series 1.","Series 3: Images of artwork, including of paintings, sculptures, dolls, trophies, and architecture; also images of artwork used for publications such as a baseball book, an Encyclopedia of American History, a History of the Civil War, and a Northern Virginia guidebook.","Series 4: Publications for which Baptie either provided photos or printed at his studio including brochures and pamphlets, guide books, logos, small print books, magazines, and poetry collections.","Series 5: Images of Texaco stations in the area, both on the ground and in the air throughout the Washington, D.C., area included are aerial views and on-the-ground images, as well as plans, blueprints, portraits, and vehicles.","Series 6: Hot Shoppes restaurant photos. Hot Shoppes were a chain of restaurant owned by the Marriott Company and the series includes images of food, their Airline service, their kitchens, and the dining rooms of the restaurants.","Series 7: Photographs of D.C. monuments and landmarks including Capitol Hill, the Lincoln Memorial, the Jefferson Memorial, the Washington Monument, the White House, and Mount Vernon.","Series 8: Contains aerial images from several other series, as well as general aerial views from around the country; images of nearby locations include Alexandria, Annandale, Texaco service stations, construction sites, DC monuments, Gunston Hall, Sully Plantation, and the Potomac River.","Series 9: Consists of nature scenes, such as trees, mountains, clouds, gardens, fireworks, sunsets, clouds, bodies of water, landscapes, and cemeteries.","Series 10: Contains maps and building plans, such as blueprints or architectural renderings, specific topics include St. Agnes School, Baltimore, Texaco, Hazelton labs, Woodbridge Toll Center, and Fairfax Hills.","Series 11: Images and portraits of people. Many photos have unidentified subjects, while others show notable Washingtonians and politicians, athletes, scientists, wedding guests, presidents, actors, the National Symphony, and military leaders.","Series 12: Consists of pictures of food from restaurants, Hot Shoppes, and holiday events.","Series 13: Museum exhibits and artifacts including the Star Spangled Banner, dolls, and various Smithsonian objects and exhibits.","Series 14: Documents various animals including monkeys, horses, birds, bees, cattle, dogs, hippopotamuses, snakes, butterflies and animals for scientific testing.","Series 15: Images of different types of technology such as science labs, computers, a space shuttle, factories, and a camera.","Series 16: Images of George Mason College athletic teams, staff members, buildings, campus, students, graduations, George Mason Day, and printed materials.","Series 17: Images of vehicles, such as cars, baby carriage, planes, trains, ships, helicopters and bicycles.","Series 18: Images from Gunston Hall, the historical home of George Mason. Images in the series include the Mason coat of arms, publications, postcard images, aerial views, and a car show hosted by Gunston Hall.","Series 19: Images of international subjects taken during Baptie's many travels, including various settings in Central America, like Brazil, Honduras, and Ecuador; and other locations, such as Paris or India.","Series 20: Correspondence between Charles Baptie and others about photograph orders and publications.","Series 21: Electronic media, specifically a number of 5 1/4 inch floppy discs used for a program called Wordstar.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Mid-20th century photographs of Washington, D.C., area landmarks, including Gunston Hall, the White House, and embassies; local businesses, including Texaco stations and Hot Shoppes; and more common subjects, like artwork, animals, nature, or people. These images are in several formats: negatives, slides, prints, and publications.","R17, C1, S1 - C3, S1\nOS R1, C5, S3\nOS R4, C4, S3 - S4","George Mason University. Libraries. Special Collections Research Center","George Mason College","George Mason University","Baptie, Charles","Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Photographs","Truman, Harry S., 1884-1972","English"],"collection_title_tesim":["Charles Baptie photograph collection"],"collection_ssim":["Charles Baptie photograph collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0032","/repositories/2/resources/166"],"unitid_tesim":["C0032","/repositories/2/resources/166"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Mall, The (Washington, D.C.)","Washington (D.C.)","Virginia, Northern","Ecuador","Honduras"],"geogname_ssim":["Mall, The (Washington, D.C.)","Washington (D.C.)","Virginia, Northern","Ecuador","Honduras"],"places_ssim":["Mall, The (Washington, D.C.)","Washington (D.C.)","Virginia, Northern","Ecuador","Honduras"],"creator_ssm":["Baptie, Charles"],"creator_ssim":["Baptie, Charles"],"creator_persname_ssim":["Baptie, Charles","Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Photographs","Truman, Harry S., 1884-1972"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason College","George Mason University"],"creators_ssim":["Baptie, Charles","Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Photographs","Truman, Harry S., 1884-1972","George Mason University. Libraries. Special Collections Research Center","George Mason College","George Mason University"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The collection was donated in several stages by Charles Baptie and J. Roger Bentley. Charles Baptie, in November 1993, donated GMU materials and other material relating to Northern Virginia. He donated 2.4 linear feet of negatives in July 1994. He donated more photographic negatives and other material in September 1994. In May 2002, J. Roger Bentley donated 1900 negatives, 1,400 photographs, and some publication materials. The next year, May 2003, he donated approximately 2,000 negatives, slides, and photographs, as well as pamphlets, postcards, news clippings and other documents."],"access_subjects_ssim":["Slides (Photography)","Portraits","Buildings","Drive-in restaurants","Embassy buildings -- Washington (D.C.)","Monuments -- Washington (D.C.)","Nature","Service stations","Technology","Aerial photographs","Photography -- Negatives","George Mason University -- Photographs","Gunston Hall (Va.)","Photographic prints","Photographs"],"access_subjects_ssm":["Slides (Photography)","Portraits","Buildings","Drive-in restaurants","Embassy buildings -- Washington (D.C.)","Monuments -- Washington (D.C.)","Nature","Service stations","Technology","Aerial photographs","Photography -- Negatives","George Mason University -- Photographs","Gunston Hall (Va.)","Photographic prints","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["26 Linear Feet 71 boxes total; 24 document boxes, 35 3-ring photo boxes, and 12 oversize boxes"],"extent_tesim":["26 Linear Feet 71 boxes total; 24 document boxes, 35 3-ring photo boxes, and 12 oversize boxes"],"genreform_ssim":["Photographic prints","Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into 21 series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Buildings: Interior and Exterior, 1947-1975\u003c/item\u003e\n      \u003citem\u003eSeries 2: Embassies, 1950s-1970s\u003c/item\u003e\n      \u003citem\u003eSeries 3: Art, 1947-1975\u003c/item\u003e\n      \u003citem\u003eSeries 4: Publications, 1942-1994\u003c/item\u003e\n      \u003citem\u003eSeries 5: Texaco Stations, 1950-1972\u003c/item\u003e\n      \u003citem\u003eSeries 6: Hot Shoppes, 1948-1953\u003c/item\u003e\n      \u003citem\u003eSeries 7: Washington, D.C., Monuments, 1944-1991\u003c/item\u003e\n      \u003citem\u003eSeries 8: Aerial Photographs, 1934-1991\u003c/item\u003e\n      \u003citem\u003eSeries 9: Nature, 1917-1988\u003c/item\u003e\n      \u003citem\u003eSeries 10: Maps and Building Plans, 1941-1973\u003c/item\u003e\n      \u003citem\u003eSeries 11: People, 1944-1976\u003c/item\u003e\n      \u003citem\u003eSeries 12: Food, 1950s-1960s\u003c/item\u003e\n      \u003citem\u003eSeries 13: Museum Exhibits, 1952-1970s\u003c/item\u003e\n      \u003citem\u003eSeries 14: Animals, 1946-1980s\u003c/item\u003e\n      \u003citem\u003eSeries 15: Technology, 1948-1974\u003c/item\u003e\n      \u003citem\u003eSeries 16: George Mason College, 1959-1976\u003c/item\u003e\n      \u003citem\u003eSeries 17: Vehicles, 1946-1995\u003c/item\u003e\n      \u003citem\u003eSeries 18: Gunston Hall, 1960s-1993\u003c/item\u003e\n      \u003citem\u003eSeries 19: International, 1958-1989\u003c/item\u003e\n      \u003citem\u003eSeries 20: Correspondence, 1955-1990s\u003c/item\u003e\n      \u003citem\u003eSeries 21: Electronic Media, 1970s-1980s\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into 21 series.","Series\n      Series 1: Buildings: Interior and Exterior, 1947-1975\n      Series 2: Embassies, 1950s-1970s\n      Series 3: Art, 1947-1975\n      Series 4: Publications, 1942-1994\n      Series 5: Texaco Stations, 1950-1972\n      Series 6: Hot Shoppes, 1948-1953\n      Series 7: Washington, D.C., Monuments, 1944-1991\n      Series 8: Aerial Photographs, 1934-1991\n      Series 9: Nature, 1917-1988\n      Series 10: Maps and Building Plans, 1941-1973\n      Series 11: People, 1944-1976\n      Series 12: Food, 1950s-1960s\n      Series 13: Museum Exhibits, 1952-1970s\n      Series 14: Animals, 1946-1980s\n      Series 15: Technology, 1948-1974\n      Series 16: George Mason College, 1959-1976\n      Series 17: Vehicles, 1946-1995\n      Series 18: Gunston Hall, 1960s-1993\n      Series 19: International, 1958-1989\n      Series 20: Correspondence, 1955-1990s\n      Series 21: Electronic Media, 1970s-1980s"],"bioghist_html_tesm":["\u003cp\u003eCharles Baptie, a photographer, printer, and publisher, was born in Munhall, PA on March 13, 1914. Early in life, Baptie became interested in photography and airplanes, interests that would eventually lead to him becoming a photographer and public relations agent for Capital Airlines. His camera recorded the life of the airline for many years. When Capital Airlines merged with United Airlines, Baptie left the company and formed his own business, Charles Baptie Studios, Inc. \u003c/p\u003e","\u003cp\u003eWhile operating his own studio, Baptie provided photographs for more than fifty books and other publications, including: \u003ctitle render=\"italic\"\u003eCapital Airlines: A Nostalgic Flight Into the Past\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eGreat Houses of Washington\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eCamera on Assignment\u003c/title\u003e (with Ollie Atkins), the sixteen volume \u003ctitle render=\"italic\"\u003eEncyclopedia of United States History\u003c/title\u003e, \u003ctitle render=\"italic\"\u003eGuest House of the Presidents\u003c/title\u003e, the story of the Blair Lee House, and \u003ctitle render=\"italic\"\u003eMid the Hills of Pennsylvania\u003c/title\u003e. As a photojournalist, Baptie covered feature stories for leading magazines and other news publications. Over the course of his journalistic career, Baptie met and photographed many world leaders and public figures. He passed away in 2000.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Charles Baptie, a photographer, printer, and publisher, was born in Munhall, PA on March 13, 1914. Early in life, Baptie became interested in photography and airplanes, interests that would eventually lead to him becoming a photographer and public relations agent for Capital Airlines. His camera recorded the life of the airline for many years. When Capital Airlines merged with United Airlines, Baptie left the company and formed his own business, Charles Baptie Studios, Inc.","While operating his own studio, Baptie provided photographs for more than fifty books and other publications, including: Capital Airlines: A Nostalgic Flight Into the Past, Great Houses of Washington, Camera on Assignment (with Ollie Atkins), the sixteen volume Encyclopedia of United States History, Guest House of the Presidents, the story of the Blair Lee House, and Mid the Hills of Pennsylvania. As a photojournalist, Baptie covered feature stories for leading magazines and other news publications. Over the course of his journalistic career, Baptie met and photographed many world leaders and public figures. He passed away in 2000."],"prefercite_html_tesm":["\u003cp\u003eCharles Baptie photograph collection, C0032, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Charles Baptie photograph collection, C0032, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eSeveral different staff members have processed this collection as it came into the archives. Instead of reprocessing the whole collection, each new addition was added on, thus making the organization of the collection rather difficult. Instead of reorganizing the thousands of photographs and negatives, the decision was made to divide the collection into series, but not resort it. Therefore, some boxes contain several different series, as well as each folder containing several series. Some individual photographs overlap series; when this occurs, it can be found in both series. \u003c/p\u003e","\u003cp\u003eProcessed by Special Collections Research Center staff. Additional processing by Sean Tennant and Stacey Kniatt in 2008-2010. EAD markup completed by Stacey Kniatt and Hal Barthold in October 2010. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Several different staff members have processed this collection as it came into the archives. Instead of reprocessing the whole collection, each new addition was added on, thus making the organization of the collection rather difficult. Instead of reorganizing the thousands of photographs and negatives, the decision was made to divide the collection into series, but not resort it. Therefore, some boxes contain several different series, as well as each folder containing several series. Some individual photographs overlap series; when this occurs, it can be found in both series.","Processed by Special Collections Research Center staff. Additional processing by Sean Tennant and Stacey Kniatt in 2008-2010. EAD markup completed by Stacey Kniatt and Hal Barthold in October 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Jack Rottier photograph collection\" href=\"https://aspace.gmu.edu/resources/c0003\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Oliver F. Atkins photograph collection\" href=\"https://aspace.gmu.edu/resources/c0036\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  and the ."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles Baptie photograph collection contains color prints and negatives of Gunston Hall, the home of George Mason; color transparencies from the Encyclopedia of United States History; color transparencies and prints from the Great Houses of Washington, D.C.; black \u0026amp; white negatives of the Washington metropolitan area; and photographs of George Mason College. There are, in addition, aerial photographs, photographs of malaria prevention overseas, and publicity photographs for various publications. Also included in this collection are photographs pertaining to the childrens' book, Herkie the Pup, written by Charles Baptie. The total volume of the collection is 26 linear feet, consisting of 24 document boxes, 35 3-ring photo boxes, and 12 oversize boxes. \u003c/p\u003e","\u003cp\u003eSeries 1: Images of buildings, both interior and exterior, including facades of famous houses and embassies around DC as well as images of the interior decorations; also included are images of churches, DC monuments, hotels, restaurants, schools, laboratories, service stations, theaters, hospitals, and personal homes. \u003c/p\u003e","\u003cp\u003eSeries 2: Images of the Belgian, Brazilian, French, Irish, Mexican, Peruvian, Spanish, and Turkish embassies; most of these items are also found in series 1. \u003c/p\u003e","\u003cp\u003eSeries 3: Images of artwork, including of paintings, sculptures, dolls, trophies, and architecture; also images of artwork used for publications such as a baseball book, an Encyclopedia of American History, a History of the Civil War, and a Northern Virginia guidebook. \u003c/p\u003e","\u003cp\u003eSeries 4: Publications for which Baptie either provided photos or printed at his studio including brochures and pamphlets, guide books, logos, small print books, magazines, and poetry collections. \u003c/p\u003e","\u003cp\u003eSeries 5: Images of Texaco stations in the area, both on the ground and in the air throughout the Washington, D.C., area included are aerial views and on-the-ground images, as well as plans, blueprints, portraits, and vehicles. \u003c/p\u003e","\u003cp\u003eSeries 6: Hot Shoppes restaurant photos. Hot Shoppes were a chain of restaurant owned by the Marriott Company and the series includes images of food, their Airline service, their kitchens, and the dining rooms of the restaurants. \u003c/p\u003e","\u003cp\u003eSeries 7: Photographs of D.C. monuments and landmarks including Capitol Hill, the Lincoln Memorial, the Jefferson Memorial, the Washington Monument, the White House, and Mount Vernon. \u003c/p\u003e","\u003cp\u003eSeries 8: Contains aerial images from several other series, as well as general aerial views from around the country; images of nearby locations include Alexandria, Annandale, Texaco service stations, construction sites, DC monuments, Gunston Hall, Sully Plantation, and the Potomac River. \u003c/p\u003e","\u003cp\u003eSeries 9: Consists of nature scenes, such as trees, mountains, clouds, gardens, fireworks, sunsets, clouds, bodies of water, landscapes, and cemeteries. \u003c/p\u003e","\u003cp\u003eSeries 10: Contains maps and building plans, such as blueprints or architectural renderings, specific topics include St. Agnes School, Baltimore, Texaco, Hazelton labs, Woodbridge Toll Center, and Fairfax Hills. \u003c/p\u003e","\u003cp\u003eSeries 11: Images and portraits of people. Many photos have unidentified subjects, while others show notable Washingtonians and politicians, athletes, scientists, wedding guests, presidents, actors, the National Symphony, and military leaders. \u003c/p\u003e","\u003cp\u003eSeries 12: Consists of pictures of food from restaurants, Hot Shoppes, and holiday events. \u003c/p\u003e","\u003cp\u003eSeries 13: Museum exhibits and artifacts including the Star Spangled Banner, dolls, and various Smithsonian objects and exhibits. \u003c/p\u003e","\u003cp\u003eSeries 14: Documents various animals including monkeys, horses, birds, bees, cattle, dogs, hippopotamuses, snakes, butterflies and animals for scientific testing. \u003c/p\u003e","\u003cp\u003eSeries 15: Images of different types of technology such as science labs, computers, a space shuttle, factories, and a camera. \u003c/p\u003e","\u003cp\u003eSeries 16: Images of George Mason College athletic teams, staff members, buildings, campus, students, graduations, George Mason Day, and printed materials. \u003c/p\u003e","\u003cp\u003eSeries 17: Images of vehicles, such as cars, baby carriage, planes, trains, ships, helicopters and bicycles. \u003c/p\u003e","\u003cp\u003eSeries 18: Images from Gunston Hall, the historical home of George Mason. Images in the series include the Mason coat of arms, publications, postcard images, aerial views, and a car show hosted by Gunston Hall. \u003c/p\u003e","\u003cp\u003eSeries 19: Images of international subjects taken during Baptie's many travels, including various settings in Central America, like Brazil, Honduras, and Ecuador; and other locations, such as Paris or India. \u003c/p\u003e","\u003cp\u003eSeries 20: Correspondence between Charles Baptie and others about photograph orders and publications. \u003c/p\u003e","\u003cp\u003eSeries 21: Electronic media, specifically a number of 5 1/4 inch floppy discs used for a program called Wordstar. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Charles Baptie photograph collection contains color prints and negatives of Gunston Hall, the home of George Mason; color transparencies from the Encyclopedia of United States History; color transparencies and prints from the Great Houses of Washington, D.C.; black \u0026 white negatives of the Washington metropolitan area; and photographs of George Mason College. There are, in addition, aerial photographs, photographs of malaria prevention overseas, and publicity photographs for various publications. Also included in this collection are photographs pertaining to the childrens' book, Herkie the Pup, written by Charles Baptie. The total volume of the collection is 26 linear feet, consisting of 24 document boxes, 35 3-ring photo boxes, and 12 oversize boxes.","Series 1: Images of buildings, both interior and exterior, including facades of famous houses and embassies around DC as well as images of the interior decorations; also included are images of churches, DC monuments, hotels, restaurants, schools, laboratories, service stations, theaters, hospitals, and personal homes.","Series 2: Images of the Belgian, Brazilian, French, Irish, Mexican, Peruvian, Spanish, and Turkish embassies; most of these items are also found in series 1.","Series 3: Images of artwork, including of paintings, sculptures, dolls, trophies, and architecture; also images of artwork used for publications such as a baseball book, an Encyclopedia of American History, a History of the Civil War, and a Northern Virginia guidebook.","Series 4: Publications for which Baptie either provided photos or printed at his studio including brochures and pamphlets, guide books, logos, small print books, magazines, and poetry collections.","Series 5: Images of Texaco stations in the area, both on the ground and in the air throughout the Washington, D.C., area included are aerial views and on-the-ground images, as well as plans, blueprints, portraits, and vehicles.","Series 6: Hot Shoppes restaurant photos. Hot Shoppes were a chain of restaurant owned by the Marriott Company and the series includes images of food, their Airline service, their kitchens, and the dining rooms of the restaurants.","Series 7: Photographs of D.C. monuments and landmarks including Capitol Hill, the Lincoln Memorial, the Jefferson Memorial, the Washington Monument, the White House, and Mount Vernon.","Series 8: Contains aerial images from several other series, as well as general aerial views from around the country; images of nearby locations include Alexandria, Annandale, Texaco service stations, construction sites, DC monuments, Gunston Hall, Sully Plantation, and the Potomac River.","Series 9: Consists of nature scenes, such as trees, mountains, clouds, gardens, fireworks, sunsets, clouds, bodies of water, landscapes, and cemeteries.","Series 10: Contains maps and building plans, such as blueprints or architectural renderings, specific topics include St. Agnes School, Baltimore, Texaco, Hazelton labs, Woodbridge Toll Center, and Fairfax Hills.","Series 11: Images and portraits of people. Many photos have unidentified subjects, while others show notable Washingtonians and politicians, athletes, scientists, wedding guests, presidents, actors, the National Symphony, and military leaders.","Series 12: Consists of pictures of food from restaurants, Hot Shoppes, and holiday events.","Series 13: Museum exhibits and artifacts including the Star Spangled Banner, dolls, and various Smithsonian objects and exhibits.","Series 14: Documents various animals including monkeys, horses, birds, bees, cattle, dogs, hippopotamuses, snakes, butterflies and animals for scientific testing.","Series 15: Images of different types of technology such as science labs, computers, a space shuttle, factories, and a camera.","Series 16: Images of George Mason College athletic teams, staff members, buildings, campus, students, graduations, George Mason Day, and printed materials.","Series 17: Images of vehicles, such as cars, baby carriage, planes, trains, ships, helicopters and bicycles.","Series 18: Images from Gunston Hall, the historical home of George Mason. Images in the series include the Mason coat of arms, publications, postcard images, aerial views, and a car show hosted by Gunston Hall.","Series 19: Images of international subjects taken during Baptie's many travels, including various settings in Central America, like Brazil, Honduras, and Ecuador; and other locations, such as Paris or India.","Series 20: Correspondence between Charles Baptie and others about photograph orders and publications.","Series 21: Electronic media, specifically a number of 5 1/4 inch floppy discs used for a program called Wordstar."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d476de1c83accdc397d29aacddc4645e\" label=\"Abstract\"\u003eMid-20th century photographs of Washington, D.C., area landmarks, including Gunston Hall, the White House, and embassies; local businesses, including Texaco stations and Hot Shoppes; and more common subjects, like artwork, animals, nature, or people. These images are in several formats: negatives, slides, prints, and publications.\u003c/abstract\u003e\n    "],"abstract_tesim":["Mid-20th century photographs of Washington, D.C., area landmarks, including Gunston Hall, the White House, and embassies; local businesses, including Texaco stations and Hot Shoppes; and more common subjects, like artwork, animals, nature, or people. These images are in several formats: negatives, slides, prints, and publications."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b6343f845dd3c0b9b7a9459c05574eba\"\u003eR17, C1, S1 - C3, S1\nOS R1, C5, S3\nOS R4, C4, S3 - S4\u003c/physloc\u003e\n    "],"physloc_tesim":["R17, C1, S1 - C3, S1\nOS R1, C5, S3\nOS R4, C4, S3 - S4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason College","George Mason University"],"names_coll_ssim":["George Mason College","George Mason University","Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Photographs","Truman, Harry S., 1884-1972"],"persname_ssim":["Baptie, Charles","Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Photographs","Truman, Harry S., 1884-1972"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason College","George Mason University","Baptie, Charles","Eisenhower, Dwight D. (Dwight David), 1890-1969 -- Photographs","Truman, Harry S., 1884-1972"],"language_ssim":["English"],"total_component_count_is":775,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:24.402Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_166"}},{"id":"vifgm_repositories_2_resources_326","type":"collection","attributes":{"title":"Federal Theatre Project photograph collection, 1936/1939","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_326#creator","type":"document_value","attributes":{"value":"Federal Theatre Project (U.S.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_326#abstract_or_scope","type":"document_value","attributes":{"value":"This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_326#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_326","ead_ssi":"vifgm_repositories_2_resources_326","_root_":"vifgm_repositories_2_resources_326","_nest_parent_":"vifgm_repositories_2_resources_326","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_326.xml","title_ssm":["Federal Theatre Project photograph collection"],"title_tesim":["Federal Theatre Project photograph collection"],"unitdate_ssm":["1936-1939"],"unitdate_inclusive_ssm":["1936-1939"],"normalized_date_ssm":["1936/1939"],"normalized_title_ssm":["Federal Theatre Project photograph collection, 1936/1939"],"text":["Federal Theatre Project photograph collection, 1936/1939","C0205","/repositories/2/resources/326","Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs","There are no access restrictions.","The costumes and set designs are also available as a series in the .\nThere are photographs from this collection and other FTP collections in the \nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.","This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series\n      Series 1: Production Photographs, 1936-1939\n      Series 2: Oversize Production Photographs,1936-1939\n      Series 3: Portraits, 1936-1939\n      Series 4: Microfiche, 1936-1939\n      Series 5: Printing Materials, 1936-1939","Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023.","Special Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","R 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"collection_title_tesim":["Federal Theatre Project photograph collection, 1936/1939"],"collection_ssim":["Federal Theatre Project photograph collection, 1936/1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0205","/repositories/2/resources/326"],"unitid_tesim":["C0205","/repositories/2/resources/326"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Library of Congress, National Archives and Records Administration, and acquired through purchase."],"access_subjects_ssim":["Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs"],"access_subjects_ssm":["Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["47 Linear Feet 112 boxes"],"extent_tesim":["47 Linear Feet 112 boxes"],"genreform_ssim":["Photographs"],"date_range_isim":[1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe costumes and set designs are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"FTP digital collection\" show=\"new\"\u003e\u003c/extptr\u003e.\nThere are photographs from this collection and other FTP collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e\nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The costumes and set designs are also available as a series in the .\nThere are photographs from this collection and other FTP collections in the \nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Production Photographs, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 2: Oversize Production Photographs,1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 3: Portraits, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 4: Microfiche, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 5: Printing Materials, 1936-1939\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series\n      Series 1: Production Photographs, 1936-1939\n      Series 2: Oversize Production Photographs,1936-1939\n      Series 3: Portraits, 1936-1939\n      Series 4: Microfiche, 1936-1939\n      Series 5: Printing Materials, 1936-1939"],"bioghist_html_tesm":["\u003cp\u003eOrganized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.\u003c/p\u003e","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project photograph collections, C0205, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Federal Theatre Project photograph collections, C0205, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives. \u003c/p\u003e","\u003cp\u003eSeries one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.\u003c/p\u003e","\u003cp\u003eSeries three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.\u003c/p\u003e","\u003cp\u003eSeries five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5b0d867296cd5f5a7d9d818b302d6d9\" label=\"Abstract\"\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_306ca932fdff8272ef5beb3b37fe58f1\"\u003e\nR 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6\n\u003c/physloc\u003e\n    "],"physloc_tesim":["R 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3844,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:37.194Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_326","ead_ssi":"vifgm_repositories_2_resources_326","_root_":"vifgm_repositories_2_resources_326","_nest_parent_":"vifgm_repositories_2_resources_326","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_326.xml","title_ssm":["Federal Theatre Project photograph collection"],"title_tesim":["Federal Theatre Project photograph collection"],"unitdate_ssm":["1936-1939"],"unitdate_inclusive_ssm":["1936-1939"],"normalized_date_ssm":["1936/1939"],"normalized_title_ssm":["Federal Theatre Project photograph collection, 1936/1939"],"text":["Federal Theatre Project photograph collection, 1936/1939","C0205","/repositories/2/resources/326","Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs","There are no access restrictions.","The costumes and set designs are also available as a series in the .\nThere are photographs from this collection and other FTP collections in the \nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.","This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series\n      Series 1: Production Photographs, 1936-1939\n      Series 2: Oversize Production Photographs,1936-1939\n      Series 3: Portraits, 1936-1939\n      Series 4: Microfiche, 1936-1939\n      Series 5: Printing Materials, 1936-1939","Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023.","Special Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","R 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"collection_title_tesim":["Federal Theatre Project photograph collection, 1936/1939"],"collection_ssim":["Federal Theatre Project photograph collection, 1936/1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0205","/repositories/2/resources/326"],"unitid_tesim":["C0205","/repositories/2/resources/326"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Library of Congress, National Archives and Records Administration, and acquired through purchase."],"access_subjects_ssim":["Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs"],"access_subjects_ssm":["Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["47 Linear Feet 112 boxes"],"extent_tesim":["47 Linear Feet 112 boxes"],"genreform_ssim":["Photographs"],"date_range_isim":[1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe costumes and set designs are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"FTP digital collection\" show=\"new\"\u003e\u003c/extptr\u003e.\nThere are photographs from this collection and other FTP collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e\nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The costumes and set designs are also available as a series in the .\nThere are photographs from this collection and other FTP collections in the \nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Production Photographs, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 2: Oversize Production Photographs,1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 3: Portraits, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 4: Microfiche, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 5: Printing Materials, 1936-1939\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series\n      Series 1: Production Photographs, 1936-1939\n      Series 2: Oversize Production Photographs,1936-1939\n      Series 3: Portraits, 1936-1939\n      Series 4: Microfiche, 1936-1939\n      Series 5: Printing Materials, 1936-1939"],"bioghist_html_tesm":["\u003cp\u003eOrganized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.\u003c/p\u003e","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project photograph collections, C0205, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Federal Theatre Project photograph collections, C0205, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives. \u003c/p\u003e","\u003cp\u003eSeries one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.\u003c/p\u003e","\u003cp\u003eSeries three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.\u003c/p\u003e","\u003cp\u003eSeries five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5b0d867296cd5f5a7d9d818b302d6d9\" label=\"Abstract\"\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_306ca932fdff8272ef5beb3b37fe58f1\"\u003e\nR 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6\n\u003c/physloc\u003e\n    "],"physloc_tesim":["R 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6"],"corpname_ssim":["George Mason University. Libraries. 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(George Blackburn), 1857-1908","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_115#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains forty photographs including tintypes and cartes de visit mounted on paper backings, taken by unknown photographers, depicting portraits of George B. Holsinger. 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Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. 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Holsinger photograph collection, C0186, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Greta Kuriger in January 2011. EAD markup completed by Greta Kuriger in January 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Greta Kuriger in January 2011. EAD markup completed by Greta Kuriger in January 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other photograph collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other photograph collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains forty photographs including tintypes and cartes de visit mounted on paper backings, taken by unknown photographers, depicting portraits of George B. Holsinger. 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The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_204cc4cbc4cf3a6df52bdfee994c140f\" label=\"Abstract\"\u003eThis collection contains forty photographs including tintypes and cartes de visit mounted on paper backings, taken by unknown photographers, depicting portraits of George B. Holsinger. This collection provides a unique look at a man aging as well as changes in photographic processes through the late 1800s.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains forty photographs including tintypes and cartes de visit mounted on paper backings, taken by unknown photographers, depicting portraits of George B. Holsinger. 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This collection provides a unique look at a man aging as well as changes in photographic processes through the late 1800s.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains forty photographs including tintypes and cartes de visit mounted on paper backings, taken by unknown photographers, depicting portraits of George B. Holsinger. This collection provides a unique look at a man aging as well as changes in photographic processes through the late 1800s.","George Mason University. Libraries. Special Collections Research Center","Holsinger, Geo. B. (George Blackburn), 1857-1908","Holsinger, Geo. B. (George Blackburn), 1857-1908 -- Photographs","English"],"collection_title_tesim":["George B. 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Special Collections Research Center"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. 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Holsinger (1857-1908) was a composer and music teacher originally from Pennsylvania. From 1882 to 1898 he was director of the music department at Bridgewater College in Virginia. Over his lifetime he composed over 200 songs and his work includes \"Song Praises\" from 1906 and \"Psalms and Hymns\".\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["George B. Holsinger (1857-1908) was a composer and music teacher originally from Pennsylvania. From 1882 to 1898 he was director of the music department at Bridgewater College in Virginia. Over his lifetime he composed over 200 songs and his work includes \"Song Praises\" from 1906 and \"Psalms and Hymns\"."],"prefercite_html_tesm":["\u003cp\u003eGeorge B. Holsinger photograph collection, C0186, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["George B. Holsinger photograph collection, C0186, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Greta Kuriger in January 2011. EAD markup completed by Greta Kuriger in January 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Greta Kuriger in January 2011. EAD markup completed by Greta Kuriger in January 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds many other photograph collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds many other photograph collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains forty photographs including tintypes and cartes de visit mounted on paper backings, taken by unknown photographers, depicting portraits of George B. Holsinger. This collection provides a unique look at a man aging as well as changes in photographic processes through the late 1800s.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains forty photographs including tintypes and cartes de visit mounted on paper backings, taken by unknown photographers, depicting portraits of George B. Holsinger. This collection provides a unique look at a man aging as well as changes in photographic processes through the late 1800s."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_204cc4cbc4cf3a6df52bdfee994c140f\" label=\"Abstract\"\u003eThis collection contains forty photographs including tintypes and cartes de visit mounted on paper backings, taken by unknown photographers, depicting portraits of George B. Holsinger. This collection provides a unique look at a man aging as well as changes in photographic processes through the late 1800s.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains forty photographs including tintypes and cartes de visit mounted on paper backings, taken by unknown photographers, depicting portraits of George B. Holsinger. This collection provides a unique look at a man aging as well as changes in photographic processes through the late 1800s."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Holsinger, Geo. B. (George Blackburn), 1857-1908","Holsinger, Geo. B. (George Blackburn), 1857-1908 -- Photographs"],"names_coll_ssim":["Holsinger, Geo. B. (George Blackburn), 1857-1908 -- Photographs"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Holsinger, Geo. B. (George Blackburn), 1857-1908","Holsinger, Geo. B. (George Blackburn), 1857-1908 -- Photographs"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:14.575Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_115"}},{"id":"vifgm_repositories_2_resources_179","type":"collection","attributes":{"title":"Kuratorium Unteilbares Deutschland photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_179#creator","type":"document_value","attributes":{"value":"Kuratorium Unteilbares Deutschland","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_179#abstract_or_scope","type":"document_value","attributes":{"value":"The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaigns, memorials, and exhibitions. There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_179#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_179","ead_ssi":"vifgm_repositories_2_resources_179","_root_":"vifgm_repositories_2_resources_179","_nest_parent_":"vifgm_repositories_2_resources_179","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_179.xml","title_filing_ssi":"Kuratorium Unteilbares Deutschland photograph collection","title_ssm":["Kuratorium Unteilbares Deutschland photograph collection"],"title_tesim":["Kuratorium Unteilbares Deutschland photograph collection"],"unitdate_ssm":["1959-1964"],"unitdate_inclusive_ssm":["1959-1964"],"normalized_title_ssm":["Kuratorium Unteilbares Deutschland photograph collection"],"text":["Kuratorium Unteilbares Deutschland photograph collection","C0061","/repositories/2/resources/179","Berlin (Germany : West)","Berlin (Germany : East)","Portraits","Protest movements","Berlin Wall, Berlin, Germany, 1961-1989","Photographic prints","Photographs","There are no access restrictions.","Organized by subject.","The KUD was organized on a national, state, and local level and cooperated with all institutions concerned with the \"German Question\": schools, universities, unions, industry, youth organizations, and the media in Germany and internationally. It functioned as an above party lines platform to discuss perspectives of reunification and to organize various campaigns to express the collective desire for unification. Leading members included important ministers of successive governments from all of the main political parties. The work of the KUD focused particularly on Berlin because the organization wanted the West German capital to move from Bonn to Berlin in order to more directly confront the Soviet sphere of influence. The KUD's influence diminished with the advent of Willy Brandt's Ostpolitik in which the two-state status quo was accepted as a fact and basis for a policy of detente in the late 1960s. In 1991 the KUD ceased to exist.","Shortly after the KUD ceased to exist in 1991, Thomas Hill acquired the photograph archives from a former KUD member.","Processed by Jordan Patty in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in 2010.","The Special Collections Research Center also holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s.","The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions. There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".","Some of the most spectacular and dramatic images are found in the first three boxes that contain photographs of the Wall's construction and subsequent events that took place during the time of the Cuban missile crisis. Approximately half of the photographs are from professional news agencies, including the Associated Press, the Deutche Presse-Agentus, Aktueller Bilderdienst, and Telegraf/Bankhardt. The KUD members are responsible for the most of the remaining photographs that document their various activities and events. Each subject category represents a textbook illustration of the existence and activities of this important organization from the late 1950s through the early 1960s.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaigns, memorials, and exhibitions. There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".","George Mason University. Libraries. Special Collections Research Center","Kuratorium Unteilbares Deutschland","Lübke, Heinrich, 1894-1972","Mende, Erich, 1916-","Schütz, Wilhelm Wolfgang, 1911-","Wehner, Herbert, 1906-1990","Adenauer, Konrad, 1876-1967","Brandt, Willy, 1913-1992","Löbe, Paul, 1875-1967","English"],"collection_title_tesim":["Kuratorium Unteilbares Deutschland photograph collection"],"collection_ssim":["Kuratorium Unteilbares Deutschland photograph collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0061","/repositories/2/resources/179"],"unitid_tesim":["C0061","/repositories/2/resources/179"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Berlin (Germany : West)","Berlin (Germany : East)"],"geogname_ssim":["Berlin (Germany : West)","Berlin (Germany : East)"],"places_ssim":["Berlin (Germany : West)","Berlin (Germany : East)"],"creator_ssm":["Kuratorium Unteilbares Deutschland"],"creator_ssim":["Kuratorium Unteilbares Deutschland"],"creator_persname_ssim":["Lübke, Heinrich, 1894-1972","Mende, Erich, 1916-","Schütz, Wilhelm Wolfgang, 1911-","Wehner, Herbert, 1906-1990","Adenauer, Konrad, 1876-1967","Brandt, Willy, 1913-1992","Löbe, Paul, 1875-1967"],"creator_corpname_ssim":["George Mason University. 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It functioned as an above party lines platform to discuss perspectives of reunification and to organize various campaigns to express the collective desire for unification. Leading members included important ministers of successive governments from all of the main political parties. The work of the KUD focused particularly on Berlin because the organization wanted the West German capital to move from Bonn to Berlin in order to more directly confront the Soviet sphere of influence. The KUD's influence diminished with the advent of Willy Brandt's Ostpolitik in which the two-state status quo was accepted as a fact and basis for a policy of detente in the late 1960s. 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The KUD's influence diminished with the advent of Willy Brandt's Ostpolitik in which the two-state status quo was accepted as a fact and basis for a policy of detente in the late 1960s. In 1991 the KUD ceased to exist."],"custodhist_html_tesm":["\u003cp\u003eShortly after the KUD ceased to exist in 1991, Thomas Hill acquired the photograph archives from a former KUD member.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Shortly after the KUD ceased to exist in 1991, Thomas Hill acquired the photograph archives from a former KUD member."],"prefercite_html_tesm":["\u003cp\u003eKuratorium Unteilbares Deutschland photograph collection, C0061, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Kuratorium Unteilbares Deutschland photograph collection, C0061, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jordan Patty in 2010. 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EAD markup completed by Eron Ackerman and Jordan Patty in 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s."],"scopecontent_html_tesm":["\u003cp\u003eThe Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions. There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".\u003c/p\u003e","\u003cp\u003eSome of the most spectacular and dramatic images are found in the first three boxes that contain photographs of the Wall's construction and subsequent events that took place during the time of the Cuban missile crisis. Approximately half of the photographs are from professional news agencies, including the Associated Press, the Deutche Presse-Agentus, Aktueller Bilderdienst, and Telegraf/Bankhardt. The KUD members are responsible for the most of the remaining photographs that document their various activities and events. Each subject category represents a textbook illustration of the existence and activities of this important organization from the late 1950s through the early 1960s. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions. There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".","Some of the most spectacular and dramatic images are found in the first three boxes that contain photographs of the Wall's construction and subsequent events that took place during the time of the Cuban missile crisis. Approximately half of the photographs are from professional news agencies, including the Associated Press, the Deutche Presse-Agentus, Aktueller Bilderdienst, and Telegraf/Bankhardt. The KUD members are responsible for the most of the remaining photographs that document their various activities and events. Each subject category represents a textbook illustration of the existence and activities of this important organization from the late 1950s through the early 1960s."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cdd845b1323ac3a34175a5ada04fd372\" label=\"Abstract\"\u003eThe Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaigns, memorials, and exhibitions. There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".\u003c/abstract\u003e\n    "],"abstract_tesim":["The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaigns, memorials, and exhibitions. There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\"."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Kuratorium Unteilbares Deutschland"],"persname_ssim":["Lübke, Heinrich, 1894-1972","Mende, Erich, 1916-","Schütz, Wilhelm Wolfgang, 1911-","Wehner, Herbert, 1906-1990","Adenauer, Konrad, 1876-1967","Brandt, Willy, 1913-1992","Löbe, Paul, 1875-1967"],"names_coll_ssim":["Lübke, Heinrich, 1894-1972","Mende, Erich, 1916-","Schütz, Wilhelm Wolfgang, 1911-","Wehner, Herbert, 1906-1990","Adenauer, Konrad, 1876-1967","Brandt, Willy, 1913-1992","Löbe, Paul, 1875-1967"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Kuratorium Unteilbares Deutschland","Lübke, Heinrich, 1894-1972","Mende, Erich, 1916-","Schütz, Wilhelm Wolfgang, 1911-","Wehner, Herbert, 1906-1990","Adenauer, Konrad, 1876-1967","Brandt, Willy, 1913-1992","Löbe, Paul, 1875-1967"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":37,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:24.402Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_179","ead_ssi":"vifgm_repositories_2_resources_179","_root_":"vifgm_repositories_2_resources_179","_nest_parent_":"vifgm_repositories_2_resources_179","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_179.xml","title_filing_ssi":"Kuratorium Unteilbares Deutschland photograph collection","title_ssm":["Kuratorium Unteilbares Deutschland photograph collection"],"title_tesim":["Kuratorium Unteilbares Deutschland photograph collection"],"unitdate_ssm":["1959-1964"],"unitdate_inclusive_ssm":["1959-1964"],"normalized_title_ssm":["Kuratorium Unteilbares Deutschland photograph collection"],"text":["Kuratorium Unteilbares Deutschland photograph collection","C0061","/repositories/2/resources/179","Berlin (Germany : West)","Berlin (Germany : East)","Portraits","Protest movements","Berlin Wall, Berlin, Germany, 1961-1989","Photographic prints","Photographs","There are no access restrictions.","Organized by subject.","The KUD was organized on a national, state, and local level and cooperated with all institutions concerned with the \"German Question\": schools, universities, unions, industry, youth organizations, and the media in Germany and internationally. It functioned as an above party lines platform to discuss perspectives of reunification and to organize various campaigns to express the collective desire for unification. Leading members included important ministers of successive governments from all of the main political parties. The work of the KUD focused particularly on Berlin because the organization wanted the West German capital to move from Bonn to Berlin in order to more directly confront the Soviet sphere of influence. The KUD's influence diminished with the advent of Willy Brandt's Ostpolitik in which the two-state status quo was accepted as a fact and basis for a policy of detente in the late 1960s. In 1991 the KUD ceased to exist.","Shortly after the KUD ceased to exist in 1991, Thomas Hill acquired the photograph archives from a former KUD member.","Processed by Jordan Patty in 2010. EAD markup completed by Eron Ackerman and Jordan Patty in 2010.","The Special Collections Research Center also holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s.","The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions. There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".","Some of the most spectacular and dramatic images are found in the first three boxes that contain photographs of the Wall's construction and subsequent events that took place during the time of the Cuban missile crisis. Approximately half of the photographs are from professional news agencies, including the Associated Press, the Deutche Presse-Agentus, Aktueller Bilderdienst, and Telegraf/Bankhardt. The KUD members are responsible for the most of the remaining photographs that document their various activities and events. Each subject category represents a textbook illustration of the existence and activities of this important organization from the late 1950s through the early 1960s.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaigns, memorials, and exhibitions. There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".","George Mason University. Libraries. Special Collections Research Center","Kuratorium Unteilbares Deutschland","Lübke, Heinrich, 1894-1972","Mende, Erich, 1916-","Schütz, Wilhelm Wolfgang, 1911-","Wehner, Herbert, 1906-1990","Adenauer, Konrad, 1876-1967","Brandt, Willy, 1913-1992","Löbe, Paul, 1875-1967","English"],"collection_title_tesim":["Kuratorium Unteilbares Deutschland photograph collection"],"collection_ssim":["Kuratorium Unteilbares Deutschland photograph collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0061","/repositories/2/resources/179"],"unitid_tesim":["C0061","/repositories/2/resources/179"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Berlin (Germany : West)","Berlin (Germany : East)"],"geogname_ssim":["Berlin (Germany : West)","Berlin (Germany : East)"],"places_ssim":["Berlin (Germany : West)","Berlin (Germany : East)"],"creator_ssm":["Kuratorium Unteilbares Deutschland"],"creator_ssim":["Kuratorium Unteilbares Deutschland"],"creator_persname_ssim":["Lübke, Heinrich, 1894-1972","Mende, Erich, 1916-","Schütz, Wilhelm Wolfgang, 1911-","Wehner, Herbert, 1906-1990","Adenauer, Konrad, 1876-1967","Brandt, Willy, 1913-1992","Löbe, Paul, 1875-1967"],"creator_corpname_ssim":["George Mason University. 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It functioned as an above party lines platform to discuss perspectives of reunification and to organize various campaigns to express the collective desire for unification. Leading members included important ministers of successive governments from all of the main political parties. The work of the KUD focused particularly on Berlin because the organization wanted the West German capital to move from Bonn to Berlin in order to more directly confront the Soviet sphere of influence. The KUD's influence diminished with the advent of Willy Brandt's Ostpolitik in which the two-state status quo was accepted as a fact and basis for a policy of detente in the late 1960s. In 1991 the KUD ceased to exist.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The KUD was organized on a national, state, and local level and cooperated with all institutions concerned with the \"German Question\": schools, universities, unions, industry, youth organizations, and the media in Germany and internationally. It functioned as an above party lines platform to discuss perspectives of reunification and to organize various campaigns to express the collective desire for unification. Leading members included important ministers of successive governments from all of the main political parties. The work of the KUD focused particularly on Berlin because the organization wanted the West German capital to move from Bonn to Berlin in order to more directly confront the Soviet sphere of influence. The KUD's influence diminished with the advent of Willy Brandt's Ostpolitik in which the two-state status quo was accepted as a fact and basis for a policy of detente in the late 1960s. In 1991 the KUD ceased to exist."],"custodhist_html_tesm":["\u003cp\u003eShortly after the KUD ceased to exist in 1991, Thomas Hill acquired the photograph archives from a former KUD member.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Shortly after the KUD ceased to exist in 1991, Thomas Hill acquired the photograph archives from a former KUD member."],"prefercite_html_tesm":["\u003cp\u003eKuratorium Unteilbares Deutschland photograph collection, C0061, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Kuratorium Unteilbares Deutschland photograph collection, C0061, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Jordan Patty in 2010. 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EAD markup completed by Eron Ackerman and Jordan Patty in 2010."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds a large collection of posters that document the history of East Germany from the 1940s through the first elections in the 1990s."],"scopecontent_html_tesm":["\u003cp\u003eThe Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions. There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".\u003c/p\u003e","\u003cp\u003eSome of the most spectacular and dramatic images are found in the first three boxes that contain photographs of the Wall's construction and subsequent events that took place during the time of the Cuban missile crisis. Approximately half of the photographs are from professional news agencies, including the Associated Press, the Deutche Presse-Agentus, Aktueller Bilderdienst, and Telegraf/Bankhardt. The KUD members are responsible for the most of the remaining photographs that document their various activities and events. Each subject category represents a textbook illustration of the existence and activities of this important organization from the late 1950s through the early 1960s. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaings, memorials, and exhibitions. There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".","Some of the most spectacular and dramatic images are found in the first three boxes that contain photographs of the Wall's construction and subsequent events that took place during the time of the Cuban missile crisis. Approximately half of the photographs are from professional news agencies, including the Associated Press, the Deutche Presse-Agentus, Aktueller Bilderdienst, and Telegraf/Bankhardt. The KUD members are responsible for the most of the remaining photographs that document their various activities and events. Each subject category represents a textbook illustration of the existence and activities of this important organization from the late 1950s through the early 1960s."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_cdd845b1323ac3a34175a5ada04fd372\" label=\"Abstract\"\u003eThe Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaigns, memorials, and exhibitions. There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\".\u003c/abstract\u003e\n    "],"abstract_tesim":["The Kuratorium Unteilbares Deutschland (KUD) photograph collection consists of approximately 3,400 photographic prints that document the activities of the KUD, a West German organization that campaigned for reunification. Many of the photographs document the construction of the Berlin Wall and the response of West German citizens, including campaigns, memorials, and exhibitions. There are also photographs of KUD leaders and visits by foreign political leaders. The photographs are almost all black and white prints and range in size from 3 x 4\" to 11 x 17\" with most measuring approximately 5 x 7\"."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Kuratorium Unteilbares Deutschland"],"persname_ssim":["Lübke, Heinrich, 1894-1972","Mende, Erich, 1916-","Schütz, Wilhelm Wolfgang, 1911-","Wehner, Herbert, 1906-1990","Adenauer, Konrad, 1876-1967","Brandt, Willy, 1913-1992","Löbe, Paul, 1875-1967"],"names_coll_ssim":["Lübke, Heinrich, 1894-1972","Mende, Erich, 1916-","Schütz, Wilhelm Wolfgang, 1911-","Wehner, Herbert, 1906-1990","Adenauer, Konrad, 1876-1967","Brandt, Willy, 1913-1992","Löbe, Paul, 1875-1967"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Kuratorium Unteilbares Deutschland","Lübke, Heinrich, 1894-1972","Mende, Erich, 1916-","Schütz, Wilhelm Wolfgang, 1911-","Wehner, Herbert, 1906-1990","Adenauer, Konrad, 1876-1967","Brandt, Willy, 1913-1992","Löbe, Paul, 1875-1967"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":37,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:24.402Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_179"}},{"id":"vifgm_repositories_2_resources_449","type":"collection","attributes":{"title":"Larkin family photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_449#creator","type":"document_value","attributes":{"value":"Larkin family","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_449#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_449#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_449","ead_ssi":"vifgm_repositories_2_resources_449","_root_":"vifgm_repositories_2_resources_449","_nest_parent_":"vifgm_repositories_2_resources_449","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_449.xml","title_filing_ssi":"Larkin family photograph collection","title_ssm":["Larkin family photograph collection"],"title_tesim":["Larkin family photograph collection"],"unitdate_ssm":["circa 1870s-1920s"],"unitdate_inclusive_ssm":["circa 1870s-1920s"],"normalized_title_ssm":["Larkin family photograph collection"],"text":["Larkin family photograph collection","C0126","/repositories/2/resources/449","Photography -- Printing processes -- Albumen","Portraits","Blueprinting","Domestic life","Tintypes","Photographs","Portrait photographs","Photographic prints","Gelatin silver prints","Cyanotypes","Albumen prints","There are no access restrictions.","Organized largely by photograph type.","Ritzenthaler, Mary Lynn, and Diane O'Connor, with Helena Zinkham et al. \"Photographs: Archival Care and Management.\" Chicago: Society of American Archivists, 2006.","In the late 19th and early 20th centuries, photography was moving beyond experts and studios and becoming more widespread among non-specialists. Describing Kodak's invetion of Eastman gelatin film in 1886, Mary Lynn Ritzenthaler and Diane Vogt-O'Connor say, \"This process, in combination with the dry gelatin emulsion and Kodak's complete developing and printing service, encouraged amateur photography to boom\" (45). Earlier popular photographic varieties such as tintypes (images on laquered iron common in the United States in the mid-to-late 1800s) and albumen prints (created using an egg-white emulsion common in the later 1800s) were gradualy overtaken by gelatin silver prints as the main photographic medium in use by professionals and amateurs alike (Ritzenthaler and Vogt-O'Connor, 33-48). As the Victoria and Albert Museum's page on photographic processes notes, gelatin-silver prints \"by 1895 had generally replaced albumen prints because they were more stable, did not turn yellow, and were simpler to produce.\" The cyanotype, created using the same process used to make blueprints, never quite achieved the popularity of any of these processes (see Ritzenthaler and Vogt-O'Connor, 33-34).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Processing and EAD markup updated by Elizabeth Beckman in October 2017.","Special Collections Research Center also holds the .","This collection contains dozens of family photographs from the late-nineteenth and early-twentieth centuries, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints. A few of the photographs have been hand-tinted. Several photos contain inscriptions of photo studios--including G. W. Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. The photographs range from professional studio portraits to informal group pictures, which appear to have been taken in more rural locales. Several of the photos show Victorian interiors and exteriors as well as horse carriages, row-boats and railroad tracks. Few of the subjects are identified, but photo-envelopes with the collection include the names Ceyton R. Larkin, Charles Rozier Larkin, Paul S. Williams, and Mrs. J. L. Johnson.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints.","George Mason University. Libraries. Special Collections Research Center","Larkin family","English"],"collection_title_tesim":["Larkin family photograph collection"],"collection_ssim":["Larkin family photograph collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0126","/repositories/2/resources/449"],"unitid_tesim":["C0126","/repositories/2/resources/449"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Larkin family"],"creator_ssim":["Larkin family"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_famname_ssim":["Larkin family"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Larkin family"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Collection donor unknown."],"access_subjects_ssim":["Photography -- Printing processes -- Albumen","Portraits","Blueprinting","Domestic life","Tintypes","Photographs","Portrait photographs","Photographic prints","Gelatin silver prints","Cyanotypes","Albumen prints"],"access_subjects_ssm":["Photography -- Printing processes -- Albumen","Portraits","Blueprinting","Domestic life","Tintypes","Photographs","Portrait photographs","Photographic prints","Gelatin silver prints","Cyanotypes","Albumen prints"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 2 boxes"],"extent_tesim":["0.5 Linear Feet 2 boxes"],"genreform_ssim":["Tintypes","Photographs","Portrait photographs","Photographic prints","Gelatin silver prints","Cyanotypes","Albumen prints"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized largely by photograph type.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized largely by photograph type."],"bibliography_html_tesm":["\u003cp\u003eRitzenthaler, Mary Lynn, and Diane O'Connor, with Helena Zinkham et al. \"Photographs: Archival Care and Management.\" Chicago: Society of American Archivists, 2006. \u003cextptr\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Ritzenthaler, Mary Lynn, and Diane O'Connor, with Helena Zinkham et al. \"Photographs: Archival Care and Management.\" Chicago: Society of American Archivists, 2006."],"bioghist_html_tesm":["\u003cp\u003eIn the late 19th and early 20th centuries, photography was moving beyond experts and studios and becoming more widespread among non-specialists. Describing Kodak's invetion of Eastman gelatin film in 1886, Mary Lynn Ritzenthaler and Diane Vogt-O'Connor say, \"This process, in combination with the dry gelatin emulsion and Kodak's complete developing and printing service, encouraged amateur photography to boom\" (45). Earlier popular photographic varieties such as tintypes (images on laquered iron common in the United States in the mid-to-late 1800s) and albumen prints (created using an egg-white emulsion common in the later 1800s) were gradualy overtaken by gelatin silver prints as the main photographic medium in use by professionals and amateurs alike (Ritzenthaler and Vogt-O'Connor, 33-48). As the Victoria and Albert Museum's page on photographic processes notes, gelatin-silver prints \"by 1895 had generally replaced albumen prints because they were more stable, did not turn yellow, and were simpler to produce.\" The cyanotype, created using the same process used to make blueprints, never quite achieved the popularity of any of these processes (see Ritzenthaler and Vogt-O'Connor, 33-34).\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["In the late 19th and early 20th centuries, photography was moving beyond experts and studios and becoming more widespread among non-specialists. Describing Kodak's invetion of Eastman gelatin film in 1886, Mary Lynn Ritzenthaler and Diane Vogt-O'Connor say, \"This process, in combination with the dry gelatin emulsion and Kodak's complete developing and printing service, encouraged amateur photography to boom\" (45). Earlier popular photographic varieties such as tintypes (images on laquered iron common in the United States in the mid-to-late 1800s) and albumen prints (created using an egg-white emulsion common in the later 1800s) were gradualy overtaken by gelatin silver prints as the main photographic medium in use by professionals and amateurs alike (Ritzenthaler and Vogt-O'Connor, 33-48). As the Victoria and Albert Museum's page on photographic processes notes, gelatin-silver prints \"by 1895 had generally replaced albumen prints because they were more stable, did not turn yellow, and were simpler to produce.\" The cyanotype, created using the same process used to make blueprints, never quite achieved the popularity of any of these processes (see Ritzenthaler and Vogt-O'Connor, 33-34)."],"prefercite_html_tesm":["\u003cp\u003eLarkin family photograph collection, C0126, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Larkin family photograph collection, C0126, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Processing and EAD markup updated by Elizabeth Beckman in October 2017.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Processing and EAD markup updated by Elizabeth Beckman in October 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr show=\"new\" title=\"John Rapp, Jr. photograph collection\" href=\"https://aspace.gmu.edu/resources/c0082\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains dozens of family photographs from the late-nineteenth and early-twentieth centuries, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints. A few of the photographs have been hand-tinted. Several photos contain inscriptions of photo studios--including G. W. Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. The photographs range from professional studio portraits to informal group pictures, which appear to have been taken in more rural locales. Several of the photos show Victorian interiors and exteriors as well as horse carriages, row-boats and railroad tracks. Few of the subjects are identified, but photo-envelopes with the collection include the names Ceyton R. Larkin, Charles Rozier Larkin, Paul S. Williams, and Mrs. J. L. Johnson.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains dozens of family photographs from the late-nineteenth and early-twentieth centuries, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints. A few of the photographs have been hand-tinted. Several photos contain inscriptions of photo studios--including G. W. Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. The photographs range from professional studio portraits to informal group pictures, which appear to have been taken in more rural locales. Several of the photos show Victorian interiors and exteriors as well as horse carriages, row-boats and railroad tracks. Few of the subjects are identified, but photo-envelopes with the collection include the names Ceyton R. Larkin, Charles Rozier Larkin, Paul S. Williams, and Mrs. J. L. Johnson."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_05878bc9ed939332480207a759add943\" label=\"Abstract\"\u003eThis collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"famname_ssim":["Larkin family"],"names_ssim":["George Mason University. Libraries. 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Describing Kodak's invetion of Eastman gelatin film in 1886, Mary Lynn Ritzenthaler and Diane Vogt-O'Connor say, \"This process, in combination with the dry gelatin emulsion and Kodak's complete developing and printing service, encouraged amateur photography to boom\" (45). Earlier popular photographic varieties such as tintypes (images on laquered iron common in the United States in the mid-to-late 1800s) and albumen prints (created using an egg-white emulsion common in the later 1800s) were gradualy overtaken by gelatin silver prints as the main photographic medium in use by professionals and amateurs alike (Ritzenthaler and Vogt-O'Connor, 33-48). As the Victoria and Albert Museum's page on photographic processes notes, gelatin-silver prints \"by 1895 had generally replaced albumen prints because they were more stable, did not turn yellow, and were simpler to produce.\" The cyanotype, created using the same process used to make blueprints, never quite achieved the popularity of any of these processes (see Ritzenthaler and Vogt-O'Connor, 33-34).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Processing and EAD markup updated by Elizabeth Beckman in October 2017.","Special Collections Research Center also holds the .","This collection contains dozens of family photographs from the late-nineteenth and early-twentieth centuries, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints. A few of the photographs have been hand-tinted. Several photos contain inscriptions of photo studios--including G. W. Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. The photographs range from professional studio portraits to informal group pictures, which appear to have been taken in more rural locales. Several of the photos show Victorian interiors and exteriors as well as horse carriages, row-boats and railroad tracks. Few of the subjects are identified, but photo-envelopes with the collection include the names Ceyton R. Larkin, Charles Rozier Larkin, Paul S. Williams, and Mrs. J. L. Johnson.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","This collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints.","George Mason University. Libraries. Special Collections Research Center","Larkin family","English"],"collection_title_tesim":["Larkin family photograph collection"],"collection_ssim":["Larkin family photograph collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0126","/repositories/2/resources/449"],"unitid_tesim":["C0126","/repositories/2/resources/449"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Larkin family"],"creator_ssim":["Larkin family"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_famname_ssim":["Larkin family"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Larkin family"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Collection donor unknown."],"access_subjects_ssim":["Photography -- Printing processes -- Albumen","Portraits","Blueprinting","Domestic life","Tintypes","Photographs","Portrait photographs","Photographic prints","Gelatin silver prints","Cyanotypes","Albumen prints"],"access_subjects_ssm":["Photography -- Printing processes -- Albumen","Portraits","Blueprinting","Domestic life","Tintypes","Photographs","Portrait photographs","Photographic prints","Gelatin silver prints","Cyanotypes","Albumen prints"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 2 boxes"],"extent_tesim":["0.5 Linear Feet 2 boxes"],"genreform_ssim":["Tintypes","Photographs","Portrait photographs","Photographic prints","Gelatin silver prints","Cyanotypes","Albumen prints"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized largely by photograph type.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized largely by photograph type."],"bibliography_html_tesm":["\u003cp\u003eRitzenthaler, Mary Lynn, and Diane O'Connor, with Helena Zinkham et al. \"Photographs: Archival Care and Management.\" Chicago: Society of American Archivists, 2006. \u003cextptr\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Ritzenthaler, Mary Lynn, and Diane O'Connor, with Helena Zinkham et al. \"Photographs: Archival Care and Management.\" Chicago: Society of American Archivists, 2006."],"bioghist_html_tesm":["\u003cp\u003eIn the late 19th and early 20th centuries, photography was moving beyond experts and studios and becoming more widespread among non-specialists. Describing Kodak's invetion of Eastman gelatin film in 1886, Mary Lynn Ritzenthaler and Diane Vogt-O'Connor say, \"This process, in combination with the dry gelatin emulsion and Kodak's complete developing and printing service, encouraged amateur photography to boom\" (45). Earlier popular photographic varieties such as tintypes (images on laquered iron common in the United States in the mid-to-late 1800s) and albumen prints (created using an egg-white emulsion common in the later 1800s) were gradualy overtaken by gelatin silver prints as the main photographic medium in use by professionals and amateurs alike (Ritzenthaler and Vogt-O'Connor, 33-48). As the Victoria and Albert Museum's page on photographic processes notes, gelatin-silver prints \"by 1895 had generally replaced albumen prints because they were more stable, did not turn yellow, and were simpler to produce.\" The cyanotype, created using the same process used to make blueprints, never quite achieved the popularity of any of these processes (see Ritzenthaler and Vogt-O'Connor, 33-34).\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["In the late 19th and early 20th centuries, photography was moving beyond experts and studios and becoming more widespread among non-specialists. Describing Kodak's invetion of Eastman gelatin film in 1886, Mary Lynn Ritzenthaler and Diane Vogt-O'Connor say, \"This process, in combination with the dry gelatin emulsion and Kodak's complete developing and printing service, encouraged amateur photography to boom\" (45). Earlier popular photographic varieties such as tintypes (images on laquered iron common in the United States in the mid-to-late 1800s) and albumen prints (created using an egg-white emulsion common in the later 1800s) were gradualy overtaken by gelatin silver prints as the main photographic medium in use by professionals and amateurs alike (Ritzenthaler and Vogt-O'Connor, 33-48). As the Victoria and Albert Museum's page on photographic processes notes, gelatin-silver prints \"by 1895 had generally replaced albumen prints because they were more stable, did not turn yellow, and were simpler to produce.\" The cyanotype, created using the same process used to make blueprints, never quite achieved the popularity of any of these processes (see Ritzenthaler and Vogt-O'Connor, 33-34)."],"prefercite_html_tesm":["\u003cp\u003eLarkin family photograph collection, C0126, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Larkin family photograph collection, C0126, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. 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Processing and EAD markup updated by Elizabeth Beckman in October 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr show=\"new\" title=\"John Rapp, Jr. photograph collection\" href=\"https://aspace.gmu.edu/resources/c0082\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains dozens of family photographs from the late-nineteenth and early-twentieth centuries, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints. A few of the photographs have been hand-tinted. Several photos contain inscriptions of photo studios--including G. W. Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. 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Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. The photographs range from professional studio portraits to informal group pictures, which appear to have been taken in more rural locales. Several of the photos show Victorian interiors and exteriors as well as horse carriages, row-boats and railroad tracks. Few of the subjects are identified, but photo-envelopes with the collection include the names Ceyton R. Larkin, Charles Rozier Larkin, Paul S. Williams, and Mrs. J. L. Johnson."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. 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(See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_05878bc9ed939332480207a759add943\" label=\"Abstract\"\u003eThis collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"famname_ssim":["Larkin family"],"names_ssim":["George Mason University. Libraries. 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(Robert), approximately 1744-","Humphrey, William, approximately 1740-approximately 1810","Arne, Thomas Augustine, 1710-1778"],"names_coll_ssim":["Arne, Thomas Augustine, 1710-1778"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Dunkarton, R. 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Military Assistance Command, Vietnam","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_451#abstract_or_scope","type":"document_value","attributes":{"value":"The collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_451#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_451","ead_ssi":"vifgm_repositories_2_resources_451","_root_":"vifgm_repositories_2_resources_451","_nest_parent_":"vifgm_repositories_2_resources_451","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_451.xml","title_filing_ssi":"Military Assistance Command, Vietnam Team 58 photograph collection","title_ssm":["Military Assistance Command, Vietnam Team 58 photograph collection"],"title_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection"],"unitdate_ssm":["1964 - 1965"],"unitdate_inclusive_ssm":["1964 - 1965"],"normalized_date_ssm":["1964/1965"],"normalized_title_ssm":["Military Assistance Command, Vietnam Team 58 photograph collection, 1964/1965"],"text":["Military Assistance Command, Vietnam Team 58 photograph collection, 1964/1965","C0196","/repositories/2/resources/451","Vi Thanh (Vietnam)","Vietnam","United States -- Armed Forces -- Military life","Aerial photographs","Military camps","Portraits","Portraits, Group","Vietnam War, 1961-1975","Photographic prints","Photographs","There are no access restrictions.","This collection has been digitized and is available to view","The photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.","Series\n      Series 1: Photos by Administrative NCO, 1965 (pages 1-26)\n      Series 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)","MACV (Military Assistance Command, Vietnam) was an American organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province.","Processed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018 and Amanda Menjivar in April 2023.","The Special Collections Research Center holds many other material on the","The collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.","Series 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.","Series 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province.","George Mason University. Libraries. Special Collections Research Center","United States. Military Assistance Command, Vietnam","United States. Army","English"],"collection_title_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection, 1964/1965"],"collection_ssim":["Military Assistance Command, Vietnam Team 58 photograph collection, 1964/1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0196","/repositories/2/resources/451"],"unitid_tesim":["C0196","/repositories/2/resources/451"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Vi Thanh (Vietnam)","Vietnam","United States -- Armed Forces -- Military life"],"geogname_ssim":["Vi Thanh (Vietnam)","Vietnam","United States -- Armed Forces -- Military life"],"places_ssim":["Vi Thanh (Vietnam)","Vietnam","United States -- Armed Forces -- Military life"],"creator_ssm":["United States. Military Assistance Command, Vietnam"],"creator_ssim":["United States. Military Assistance Command, Vietnam"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Military Assistance Command, Vietnam","United States. Army"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Military Assistance Command, Vietnam","United States. Army"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["104 photographs purchased from Between the Covers in August of 2011. An additional 94 photographs donated by Al Short in January 2017."],"access_subjects_ssim":["Aerial photographs","Military camps","Portraits","Portraits, Group","Vietnam War, 1961-1975","Photographic prints","Photographs"],"access_subjects_ssm":["Aerial photographs","Military camps","Portraits","Portraits, Group","Vietnam War, 1961-1975","Photographic prints","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box"],"extent_tesim":["0.25 Linear Feet 1 box"],"genreform_ssim":["Photographic prints","Photographs"],"date_range_isim":[1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThis collection has been digitized and is available to view \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/GMU~2~2\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["This collection has been digitized and is available to view"],"arrangement_html_tesm":["\u003cp\u003eThe photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Photos by Administrative NCO, 1965 (pages 1-26)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.","Series\n      Series 1: Photos by Administrative NCO, 1965 (pages 1-26)\n      Series 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)"],"bioghist_html_tesm":["\u003cp\u003eMACV (Military Assistance Command, Vietnam) was an American organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["MACV (Military Assistance Command, Vietnam) was an American organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province."],"prefercite_html_tesm":["\u003cp\u003eMilitary Assistance Command, Vietnam Team 58 photograph collection, C0196, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection, C0196, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018 and Amanda Menjivar in April 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018 and Amanda Menjivar in April 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other material on the \u003cextptr show=\"new\" title=\"Vietnam War and its protest.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=vietnam+war\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other material on the"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.\u003c/p\u003e","\u003cp\u003eSeries 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.\u003c/p\u003e","\u003cp\u003eSeries 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.","Series 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.","Series 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_64c3c09b8a3b89ed3a9e182390790a85\" label=\"Abstract\"\u003eThe collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Military Assistance Command, Vietnam","United States. Army"],"names_coll_ssim":["United States. Army"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Military Assistance Command, Vietnam","United States. Army"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":216,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:53.150Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_451","ead_ssi":"vifgm_repositories_2_resources_451","_root_":"vifgm_repositories_2_resources_451","_nest_parent_":"vifgm_repositories_2_resources_451","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_451.xml","title_filing_ssi":"Military Assistance Command, Vietnam Team 58 photograph collection","title_ssm":["Military Assistance Command, Vietnam Team 58 photograph collection"],"title_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection"],"unitdate_ssm":["1964 - 1965"],"unitdate_inclusive_ssm":["1964 - 1965"],"normalized_date_ssm":["1964/1965"],"normalized_title_ssm":["Military Assistance Command, Vietnam Team 58 photograph collection, 1964/1965"],"text":["Military Assistance Command, Vietnam Team 58 photograph collection, 1964/1965","C0196","/repositories/2/resources/451","Vi Thanh (Vietnam)","Vietnam","United States -- Armed Forces -- Military life","Aerial photographs","Military camps","Portraits","Portraits, Group","Vietnam War, 1961-1975","Photographic prints","Photographs","There are no access restrictions.","This collection has been digitized and is available to view","The photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.","Series\n      Series 1: Photos by Administrative NCO, 1965 (pages 1-26)\n      Series 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)","MACV (Military Assistance Command, Vietnam) was an American organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province.","Processed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018 and Amanda Menjivar in April 2023.","The Special Collections Research Center holds many other material on the","The collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.","Series 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.","Series 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province.","George Mason University. Libraries. Special Collections Research Center","United States. Military Assistance Command, Vietnam","United States. Army","English"],"collection_title_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection, 1964/1965"],"collection_ssim":["Military Assistance Command, Vietnam Team 58 photograph collection, 1964/1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0196","/repositories/2/resources/451"],"unitid_tesim":["C0196","/repositories/2/resources/451"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Vi Thanh (Vietnam)","Vietnam","United States -- Armed Forces -- Military life"],"geogname_ssim":["Vi Thanh (Vietnam)","Vietnam","United States -- Armed Forces -- Military life"],"places_ssim":["Vi Thanh (Vietnam)","Vietnam","United States -- Armed Forces -- Military life"],"creator_ssm":["United States. Military Assistance Command, Vietnam"],"creator_ssim":["United States. Military Assistance Command, Vietnam"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Military Assistance Command, Vietnam","United States. Army"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Military Assistance Command, Vietnam","United States. Army"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["104 photographs purchased from Between the Covers in August of 2011. An additional 94 photographs donated by Al Short in January 2017."],"access_subjects_ssim":["Aerial photographs","Military camps","Portraits","Portraits, Group","Vietnam War, 1961-1975","Photographic prints","Photographs"],"access_subjects_ssm":["Aerial photographs","Military camps","Portraits","Portraits, Group","Vietnam War, 1961-1975","Photographic prints","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box"],"extent_tesim":["0.25 Linear Feet 1 box"],"genreform_ssim":["Photographic prints","Photographs"],"date_range_isim":[1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThis collection has been digitized and is available to view \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/GMU~2~2\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["This collection has been digitized and is available to view"],"arrangement_html_tesm":["\u003cp\u003eThe photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Photos by Administrative NCO, 1965 (pages 1-26)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.","Series\n      Series 1: Photos by Administrative NCO, 1965 (pages 1-26)\n      Series 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)"],"bioghist_html_tesm":["\u003cp\u003eMACV (Military Assistance Command, Vietnam) was an American organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["MACV (Military Assistance Command, Vietnam) was an American organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province."],"prefercite_html_tesm":["\u003cp\u003eMilitary Assistance Command, Vietnam Team 58 photograph collection, C0196, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection, C0196, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018 and Amanda Menjivar in April 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018 and Amanda Menjivar in April 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other material on the \u003cextptr show=\"new\" title=\"Vietnam War and its protest.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=vietnam+war\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other material on the"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.\u003c/p\u003e","\u003cp\u003eSeries 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.\u003c/p\u003e","\u003cp\u003eSeries 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.","Series 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.","Series 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_64c3c09b8a3b89ed3a9e182390790a85\" label=\"Abstract\"\u003eThe collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Military Assistance Command, Vietnam","United States. Army"],"names_coll_ssim":["United States. Army"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Military Assistance Command, Vietnam","United States. Army"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":216,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:53.150Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_451"}},{"id":"vifgm_repositories_2_resources_188","type":"collection","attributes":{"title":"Oliver F. Atkins photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_188#creator","type":"document_value","attributes":{"value":"Atkins, Oliver F., 1916-1977","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_188#abstract_or_scope","type":"document_value","attributes":{"value":"The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_188#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_188","ead_ssi":"vifgm_repositories_2_resources_188","_root_":"vifgm_repositories_2_resources_188","_nest_parent_":"vifgm_repositories_2_resources_188","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_188.xml","title_filing_ssi":"Oliver F. Atkins photograph collection","title_ssm":["Oliver F. Atkins photograph collection"],"title_tesim":["Oliver F. Atkins photograph collection"],"unitdate_ssm":["1943-1975"],"unitdate_inclusive_ssm":["1943-1975"],"normalized_title_ssm":["Oliver F. Atkins photograph collection"],"text":["Oliver F. Atkins photograph collection","C0036","/repositories/2/resources/188","United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century","Aerial photographs","Portraits","Korean War, 1950-1953","Fighter planes -- United States","Entomology","Cold weather clothing","Coal miners","Agriculture","Oyster industry","Presidents -- Election","Sewing machines","Slides (Photography)","Storage and moving trade","Submarines (Ships)","Unemployment","Portraits, Group","Legislative hearings","Photography -- Negatives","Photographic prints","Photographs","There are no access restrictions.","Portions of the Oliver F. Atkins photograph collection are digitized and available","Arranged into five series:","Series\n      Series 1: Prints, 1943-1974 (Boxes 1-48)\n      Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57)\n      Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101)\n      Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-109, Oversize 13)\n      Series 5: Oversize, 1943-1971 (Oversize 1-12)","Oliver \"Ollie\" F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S. Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy, Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Atkins' awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).","Processed by Special Collections Research Center staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. Finding aid updated by Amanda Menjivar in August 2024.","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement.","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant.","The Special Collections Research Center holds many other photograph collections.","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3. It also holds the .","Content Warning: Some materials contain racist language and slurs.","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white.","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House. As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.","Series 5 contains mat photographs that span Atkins entire career from World War II to the White House. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.","R17, C2, S4 - C4, S3\nOS R1, C1, S1-S5\nOS R7, C1, S2-S3, S5-S6\nOS R7, C3, S6","George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School","Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary","English"],"collection_title_tesim":["Oliver F. Atkins photograph collection"],"collection_ssim":["Oliver F. Atkins photograph collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0036","/repositories/2/resources/188"],"unitid_tesim":["C0036","/repositories/2/resources/188"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century"],"geogname_ssim":["United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century"],"places_ssim":["United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century"],"creator_ssm":["Atkins, Oliver F., 1916-1977"],"creator_ssim":["Atkins, Oliver F., 1916-1977"],"creator_persname_ssim":["Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School"],"creators_ssim":["Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary","George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Marjorie Atkins in 1978 and 1987."],"access_subjects_ssim":["Aerial photographs","Portraits","Korean War, 1950-1953","Fighter planes -- United States","Entomology","Cold weather clothing","Coal miners","Agriculture","Oyster industry","Presidents -- Election","Sewing machines","Slides (Photography)","Storage and moving trade","Submarines (Ships)","Unemployment","Portraits, Group","Legislative hearings","Photography -- Negatives","Photographic prints","Photographs"],"access_subjects_ssm":["Aerial photographs","Portraits","Korean War, 1950-1953","Fighter planes -- United States","Entomology","Cold weather clothing","Coal miners","Agriculture","Oyster industry","Presidents -- Election","Sewing machines","Slides (Photography)","Storage and moving trade","Submarines (Ships)","Unemployment","Portraits, Group","Legislative hearings","Photography -- Negatives","Photographic prints","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["61.5 Linear Feet 121 boxes"],"extent_tesim":["61.5 Linear Feet 121 boxes"],"genreform_ssim":["Photographic prints","Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003ePortions of the Oliver F. Atkins photograph collection are digitized and available \u003cextptr show=\"new\" title=\"here.\" href=\"https://digitalcollections.gmu.edu/search?c=Oliver+F.+Atkins+photograph+collection+%281943-1975%29\u0026amp;cc=Oliver+F.+Atkins+photograph+collection+%281943-1975%29\u0026amp;ln=en\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Portions of the Oliver F. Atkins photograph collection are digitized and available"],"arrangement_html_tesm":["\u003cp\u003eArranged into five series:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Prints, 1943-1974 (Boxes 1-48)\u003c/item\u003e\n      \u003citem\u003eSeries 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-109, Oversize 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Oversize, 1943-1971 (Oversize 1-12)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series:","Series\n      Series 1: Prints, 1943-1974 (Boxes 1-48)\n      Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57)\n      Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101)\n      Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-109, Oversize 13)\n      Series 5: Oversize, 1943-1971 (Oversize 1-12)"],"bioghist_html_tesm":["\u003cp\u003eOliver \"Ollie\" F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the \u003citalic\u003eSaturday Evening Post\u003c/italic\u003e. As the Washington correspondent for the \u003citalic\u003ePost\u003c/italic\u003e, he photographed many important leaders of the United States and the world. Among them were Harry S. Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy, Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the \u003citalic\u003ePost's\u003c/italic\u003e Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.\u003c/p\u003e","\u003cp\u003eIn 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Atkins' awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Oliver \"Ollie\" F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S. Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy, Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Atkins' awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972)."],"prefercite_html_tesm":["\u003cp\u003eOliver F. Atkins photograph collection, C0036, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Oliver F. Atkins photograph collection, C0036, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. Finding aid updated by Amanda Menjivar in August 2024.\u003c/p\u003e","\u003cp\u003eWhile reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement. \u003c/p\u003e","\u003cp\u003eThis collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. Finding aid updated by Amanda Menjivar in August 2024.","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement.","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other photograph collections. \u003c/p\u003e","\u003cp\u003eThe National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3. It also holds the \u003cextptr show=\"new\" title=\"Oliver F. Atkin's Files\" href=\"https://catalog.archives.gov/id/6121076\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other photograph collections.","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3. It also holds the ."],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs.\u003c/p\u003e","\u003cp\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad. \u003c/p\u003e","\u003cp\u003eSeries 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \u003c/p\u003e","\u003cp\u003eSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. \u003c/p\u003e","\u003cp\u003eSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House. As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles. \u003c/p\u003e","\u003cp\u003eSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins. \u003c/p\u003e","\u003cp\u003eSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs.","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white.","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House. As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.","Series 5 contains mat photographs that span Atkins entire career from World War II to the White House. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_6e22cfaf49bfa437907b5307b0049834\" label=\"Abstract\"\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the \u003citalic\u003eSaturday Evening Post\u003c/italic\u003e and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the \u003citalic\u003eSaturday Evening Post\u003c/italic\u003e, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cbd4a8bb865698247d734e42aa0e070e\"\u003eR17, C2, S4 - C4, S3\nOS R1, C1, S1-S5\nOS R7, C1, S2-S3, S5-S6\nOS R7, C3, S6\u003c/physloc\u003e\n    "],"physloc_tesim":["R17, C2, S4 - C4, S3\nOS R1, C1, S1-S5\nOS R7, C1, S2-S3, S5-S6\nOS R7, C3, S6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School"],"names_coll_ssim":["Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary"],"persname_ssim":["Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School","Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1683,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:24.402Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_188","ead_ssi":"vifgm_repositories_2_resources_188","_root_":"vifgm_repositories_2_resources_188","_nest_parent_":"vifgm_repositories_2_resources_188","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_188.xml","title_filing_ssi":"Oliver F. Atkins photograph collection","title_ssm":["Oliver F. Atkins photograph collection"],"title_tesim":["Oliver F. Atkins photograph collection"],"unitdate_ssm":["1943-1975"],"unitdate_inclusive_ssm":["1943-1975"],"normalized_title_ssm":["Oliver F. Atkins photograph collection"],"text":["Oliver F. Atkins photograph collection","C0036","/repositories/2/resources/188","United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century","Aerial photographs","Portraits","Korean War, 1950-1953","Fighter planes -- United States","Entomology","Cold weather clothing","Coal miners","Agriculture","Oyster industry","Presidents -- Election","Sewing machines","Slides (Photography)","Storage and moving trade","Submarines (Ships)","Unemployment","Portraits, Group","Legislative hearings","Photography -- Negatives","Photographic prints","Photographs","There are no access restrictions.","Portions of the Oliver F. Atkins photograph collection are digitized and available","Arranged into five series:","Series\n      Series 1: Prints, 1943-1974 (Boxes 1-48)\n      Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57)\n      Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101)\n      Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-109, Oversize 13)\n      Series 5: Oversize, 1943-1971 (Oversize 1-12)","Oliver \"Ollie\" F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S. Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy, Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Atkins' awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).","Processed by Special Collections Research Center staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. Finding aid updated by Amanda Menjivar in August 2024.","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement.","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant.","The Special Collections Research Center holds many other photograph collections.","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3. It also holds the .","Content Warning: Some materials contain racist language and slurs.","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white.","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House. As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.","Series 5 contains mat photographs that span Atkins entire career from World War II to the White House. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.","R17, C2, S4 - C4, S3\nOS R1, C1, S1-S5\nOS R7, C1, S2-S3, S5-S6\nOS R7, C3, S6","George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School","Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. 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(Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School"],"creators_ssim":["Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary","George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Marjorie Atkins in 1978 and 1987."],"access_subjects_ssim":["Aerial photographs","Portraits","Korean War, 1950-1953","Fighter planes -- United States","Entomology","Cold weather clothing","Coal miners","Agriculture","Oyster industry","Presidents -- Election","Sewing machines","Slides (Photography)","Storage and moving trade","Submarines (Ships)","Unemployment","Portraits, Group","Legislative hearings","Photography -- Negatives","Photographic prints","Photographs"],"access_subjects_ssm":["Aerial photographs","Portraits","Korean War, 1950-1953","Fighter planes -- United States","Entomology","Cold weather clothing","Coal miners","Agriculture","Oyster industry","Presidents -- Election","Sewing machines","Slides (Photography)","Storage and moving trade","Submarines (Ships)","Unemployment","Portraits, Group","Legislative hearings","Photography -- Negatives","Photographic prints","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["61.5 Linear Feet 121 boxes"],"extent_tesim":["61.5 Linear Feet 121 boxes"],"genreform_ssim":["Photographic prints","Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003ePortions of the Oliver F. Atkins photograph collection are digitized and available \u003cextptr show=\"new\" title=\"here.\" href=\"https://digitalcollections.gmu.edu/search?c=Oliver+F.+Atkins+photograph+collection+%281943-1975%29\u0026amp;cc=Oliver+F.+Atkins+photograph+collection+%281943-1975%29\u0026amp;ln=en\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Portions of the Oliver F. Atkins photograph collection are digitized and available"],"arrangement_html_tesm":["\u003cp\u003eArranged into five series:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Prints, 1943-1974 (Boxes 1-48)\u003c/item\u003e\n      \u003citem\u003eSeries 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-109, Oversize 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Oversize, 1943-1971 (Oversize 1-12)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series:","Series\n      Series 1: Prints, 1943-1974 (Boxes 1-48)\n      Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57)\n      Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101)\n      Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-109, Oversize 13)\n      Series 5: Oversize, 1943-1971 (Oversize 1-12)"],"bioghist_html_tesm":["\u003cp\u003eOliver \"Ollie\" F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the \u003citalic\u003eSaturday Evening Post\u003c/italic\u003e. As the Washington correspondent for the \u003citalic\u003ePost\u003c/italic\u003e, he photographed many important leaders of the United States and the world. Among them were Harry S. Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy, Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the \u003citalic\u003ePost's\u003c/italic\u003e Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.\u003c/p\u003e","\u003cp\u003eIn 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Atkins' awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Oliver \"Ollie\" F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S. Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy, Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Atkins' awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972)."],"prefercite_html_tesm":["\u003cp\u003eOliver F. Atkins photograph collection, C0036, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Oliver F. Atkins photograph collection, C0036, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. Finding aid updated by Amanda Menjivar in August 2024.\u003c/p\u003e","\u003cp\u003eWhile reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement. \u003c/p\u003e","\u003cp\u003eThis collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. Finding aid updated by Amanda Menjivar in August 2024.","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement.","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other photograph collections. \u003c/p\u003e","\u003cp\u003eThe National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3. It also holds the \u003cextptr show=\"new\" title=\"Oliver F. Atkin's Files\" href=\"https://catalog.archives.gov/id/6121076\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other photograph collections.","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3. It also holds the ."],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs.\u003c/p\u003e","\u003cp\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad. \u003c/p\u003e","\u003cp\u003eSeries 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \u003c/p\u003e","\u003cp\u003eSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. \u003c/p\u003e","\u003cp\u003eSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House. As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles. \u003c/p\u003e","\u003cp\u003eSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins. \u003c/p\u003e","\u003cp\u003eSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs.","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white.","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House. As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.","Series 5 contains mat photographs that span Atkins entire career from World War II to the White House. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_6e22cfaf49bfa437907b5307b0049834\" label=\"Abstract\"\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the \u003citalic\u003eSaturday Evening Post\u003c/italic\u003e and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the \u003citalic\u003eSaturday Evening Post\u003c/italic\u003e, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cbd4a8bb865698247d734e42aa0e070e\"\u003eR17, C2, S4 - C4, S3\nOS R1, C1, S1-S5\nOS R7, C1, S2-S3, S5-S6\nOS R7, C3, S6\u003c/physloc\u003e\n    "],"physloc_tesim":["R17, C2, S4 - C4, S3\nOS R1, C1, S1-S5\nOS R7, C1, S2-S3, S5-S6\nOS R7, C3, S6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School"],"names_coll_ssim":["Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary"],"persname_ssim":["Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. 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