{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Portraits\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=2","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Portraits\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=1","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Portraits\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=3","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Portraits\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=3"},"meta":{"pages":{"current_page":2,"next_page":3,"prev_page":1,"total_pages":3,"limit_value":10,"offset_value":10,"total_count":22,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_449","type":"collection","attributes":{"title":"Larkin family photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_449#creator","type":"document_value","attributes":{"value":"Larkin family","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_449#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_449#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_449","ead_ssi":"vifgm_repositories_2_resources_449","_root_":"vifgm_repositories_2_resources_449","_nest_parent_":"vifgm_repositories_2_resources_449","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_449.xml","title_filing_ssi":"Larkin family photograph collection","title_ssm":["Larkin family photograph collection"],"title_tesim":["Larkin family photograph collection"],"unitdate_ssm":["circa 1870s-1920s"],"unitdate_inclusive_ssm":["circa 1870s-1920s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0126","/repositories/2/resources/449"],"text":["C0126","/repositories/2/resources/449","Larkin family photograph collection","Photography -- Printing processes -- Albumen","Portraits","Blueprinting","Domestic life","Tintypes","Photographs","Portrait photographs","Photographic prints","Gelatin silver prints","Cyanotypes","Albumen prints","There are no access restrictions.","Organized largely by photograph type.","Ritzenthaler, Mary Lynn, and Diane O'Connor, with Helena Zinkham et al. \"Photographs: Archival Care and Management.\" Chicago: Society of American Archivists, 2006. ","In the late 19th and early 20th centuries, photography was moving beyond experts and studios and becoming more widespread among non-specialists. Describing Kodak's invetion of Eastman gelatin film in 1886, Mary Lynn Ritzenthaler and Diane Vogt-O'Connor say, \"This process, in combination with the dry gelatin emulsion and Kodak's complete developing and printing service, encouraged amateur photography to boom\" (45). Earlier popular photographic varieties such as tintypes (images on laquered iron common in the United States in the mid-to-late 1800s) and albumen prints (created using an egg-white emulsion common in the later 1800s) were gradualy overtaken by gelatin silver prints as the main photographic medium in use by professionals and amateurs alike (Ritzenthaler and Vogt-O'Connor, 33-48). As the Victoria and Albert Museum's page on photographic processes notes, gelatin-silver prints \"by 1895 had generally replaced albumen prints because they were more stable, did not turn yellow, and were simpler to produce.\" The cyanotype, created using the same process used to make blueprints, never quite achieved the popularity of any of these processes (see Ritzenthaler and Vogt-O'Connor, 33-34).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Processing and EAD markup updated by Elizabeth Beckman in October 2017.","Special Collections Research Center also holds the  .","This collection contains dozens of family photographs from the late-nineteenth and early-twentieth centuries, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints. A few of the photographs have been hand-tinted. Several photos contain inscriptions of photo studios--including G. W. Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. The photographs range from professional studio portraits to informal group pictures, which appear to have been taken in more rural locales. Several of the photos show Victorian interiors and exteriors as well as horse carriages, row-boats and railroad tracks. Few of the subjects are identified, but photo-envelopes with the collection include the names Ceyton R. Larkin, Charles Rozier Larkin, Paul S. Williams, and Mrs. J. L. Johnson.","Public domain. There are no known restrictions.","This collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints.","George Mason University. Libraries. Special Collections Research Center","Larkin family","English"],"unitid_tesim":["C0126","/repositories/2/resources/449"],"normalized_title_ssm":["Larkin family photograph collection"],"collection_title_tesim":["Larkin family photograph collection"],"collection_ssim":["Larkin family photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Larkin family"],"creator_ssim":["Larkin family"],"creator_famname_ssim":["Larkin family"],"creators_ssim":["Larkin family"],"access_terms_ssm":["Public domain. There are no known restrictions."],"acqinfo_ssim":["Collection donor unknown."],"access_subjects_ssim":["Photography -- Printing processes -- Albumen","Portraits","Blueprinting","Domestic life","Tintypes","Photographs","Portrait photographs","Photographic prints","Gelatin silver prints","Cyanotypes","Albumen prints"],"access_subjects_ssm":["Photography -- Printing processes -- Albumen","Portraits","Blueprinting","Domestic life","Tintypes","Photographs","Portrait photographs","Photographic prints","Gelatin silver prints","Cyanotypes","Albumen prints"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 2 boxes"],"extent_tesim":["0.5 Linear Feet 2 boxes"],"genreform_ssim":["Tintypes","Photographs","Portrait photographs","Photographic prints","Gelatin silver prints","Cyanotypes","Albumen prints"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized largely by photograph type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized largely by photograph type."],"bibliography_html_tesm":["\u003cp\u003eRitzenthaler, Mary Lynn, and Diane O'Connor, with Helena Zinkham et al. \"Photographs: Archival Care and Management.\" Chicago: Society of American Archivists, 2006. \u003cextptr\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Ritzenthaler, Mary Lynn, and Diane O'Connor, with Helena Zinkham et al. \"Photographs: Archival Care and Management.\" Chicago: Society of American Archivists, 2006. "],"bioghist_html_tesm":["\u003cp\u003eIn the late 19th and early 20th centuries, photography was moving beyond experts and studios and becoming more widespread among non-specialists. Describing Kodak's invetion of Eastman gelatin film in 1886, Mary Lynn Ritzenthaler and Diane Vogt-O'Connor say, \"This process, in combination with the dry gelatin emulsion and Kodak's complete developing and printing service, encouraged amateur photography to boom\" (45). Earlier popular photographic varieties such as tintypes (images on laquered iron common in the United States in the mid-to-late 1800s) and albumen prints (created using an egg-white emulsion common in the later 1800s) were gradualy overtaken by gelatin silver prints as the main photographic medium in use by professionals and amateurs alike (Ritzenthaler and Vogt-O'Connor, 33-48). As the Victoria and Albert Museum's page on photographic processes notes, gelatin-silver prints \"by 1895 had generally replaced albumen prints because they were more stable, did not turn yellow, and were simpler to produce.\" The cyanotype, created using the same process used to make blueprints, never quite achieved the popularity of any of these processes (see Ritzenthaler and Vogt-O'Connor, 33-34).\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["In the late 19th and early 20th centuries, photography was moving beyond experts and studios and becoming more widespread among non-specialists. Describing Kodak's invetion of Eastman gelatin film in 1886, Mary Lynn Ritzenthaler and Diane Vogt-O'Connor say, \"This process, in combination with the dry gelatin emulsion and Kodak's complete developing and printing service, encouraged amateur photography to boom\" (45). Earlier popular photographic varieties such as tintypes (images on laquered iron common in the United States in the mid-to-late 1800s) and albumen prints (created using an egg-white emulsion common in the later 1800s) were gradualy overtaken by gelatin silver prints as the main photographic medium in use by professionals and amateurs alike (Ritzenthaler and Vogt-O'Connor, 33-48). As the Victoria and Albert Museum's page on photographic processes notes, gelatin-silver prints \"by 1895 had generally replaced albumen prints because they were more stable, did not turn yellow, and were simpler to produce.\" The cyanotype, created using the same process used to make blueprints, never quite achieved the popularity of any of these processes (see Ritzenthaler and Vogt-O'Connor, 33-34)."],"prefercite_html_tesm":["\u003cp\u003eLarkin family photograph collection, C0126, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Larkin family photograph collection, C0126, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Processing and EAD markup updated by Elizabeth Beckman in October 2017.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Processing and EAD markup updated by Elizabeth Beckman in October 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr show=\"new\" title=\"John Rapp, Jr. photograph collection\" href=\"https://aspace.gmu.edu/resources/c0082\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains dozens of family photographs from the late-nineteenth and early-twentieth centuries, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints. A few of the photographs have been hand-tinted. Several photos contain inscriptions of photo studios--including G. W. Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. The photographs range from professional studio portraits to informal group pictures, which appear to have been taken in more rural locales. Several of the photos show Victorian interiors and exteriors as well as horse carriages, row-boats and railroad tracks. Few of the subjects are identified, but photo-envelopes with the collection include the names Ceyton R. Larkin, Charles Rozier Larkin, Paul S. Williams, and Mrs. J. L. Johnson.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains dozens of family photographs from the late-nineteenth and early-twentieth centuries, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints. A few of the photographs have been hand-tinted. Several photos contain inscriptions of photo studios--including G. W. Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. The photographs range from professional studio portraits to informal group pictures, which appear to have been taken in more rural locales. Several of the photos show Victorian interiors and exteriors as well as horse carriages, row-boats and railroad tracks. Few of the subjects are identified, but photo-envelopes with the collection include the names Ceyton R. Larkin, Charles Rozier Larkin, Paul S. Williams, and Mrs. J. L. Johnson."],"userestrict_html_tesm":["\u003cp\u003ePublic domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_05878bc9ed939332480207a759add943\" label=\"Abstract\"\u003eThis collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Larkin family"],"corpname_ssim":["George Mason University. Libraries. 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","In the late 19th and early 20th centuries, photography was moving beyond experts and studios and becoming more widespread among non-specialists. Describing Kodak's invetion of Eastman gelatin film in 1886, Mary Lynn Ritzenthaler and Diane Vogt-O'Connor say, \"This process, in combination with the dry gelatin emulsion and Kodak's complete developing and printing service, encouraged amateur photography to boom\" (45). Earlier popular photographic varieties such as tintypes (images on laquered iron common in the United States in the mid-to-late 1800s) and albumen prints (created using an egg-white emulsion common in the later 1800s) were gradualy overtaken by gelatin silver prints as the main photographic medium in use by professionals and amateurs alike (Ritzenthaler and Vogt-O'Connor, 33-48). As the Victoria and Albert Museum's page on photographic processes notes, gelatin-silver prints \"by 1895 had generally replaced albumen prints because they were more stable, did not turn yellow, and were simpler to produce.\" The cyanotype, created using the same process used to make blueprints, never quite achieved the popularity of any of these processes (see Ritzenthaler and Vogt-O'Connor, 33-34).","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. Processing and EAD markup updated by Elizabeth Beckman in October 2017.","Special Collections Research Center also holds the  .","This collection contains dozens of family photographs from the late-nineteenth and early-twentieth centuries, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints. A few of the photographs have been hand-tinted. Several photos contain inscriptions of photo studios--including G. W. Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. The photographs range from professional studio portraits to informal group pictures, which appear to have been taken in more rural locales. Several of the photos show Victorian interiors and exteriors as well as horse carriages, row-boats and railroad tracks. Few of the subjects are identified, but photo-envelopes with the collection include the names Ceyton R. Larkin, Charles Rozier Larkin, Paul S. Williams, and Mrs. J. L. Johnson.","Public domain. There are no known restrictions.","This collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints.","George Mason University. Libraries. 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There are no known restrictions."],"acqinfo_ssim":["Collection donor unknown."],"access_subjects_ssim":["Photography -- Printing processes -- Albumen","Portraits","Blueprinting","Domestic life","Tintypes","Photographs","Portrait photographs","Photographic prints","Gelatin silver prints","Cyanotypes","Albumen prints"],"access_subjects_ssm":["Photography -- Printing processes -- Albumen","Portraits","Blueprinting","Domestic life","Tintypes","Photographs","Portrait photographs","Photographic prints","Gelatin silver prints","Cyanotypes","Albumen prints"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet 2 boxes"],"extent_tesim":["0.5 Linear Feet 2 boxes"],"genreform_ssim":["Tintypes","Photographs","Portrait photographs","Photographic prints","Gelatin silver prints","Cyanotypes","Albumen prints"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized largely by photograph type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized largely by photograph type."],"bibliography_html_tesm":["\u003cp\u003eRitzenthaler, Mary Lynn, and Diane O'Connor, with Helena Zinkham et al. \"Photographs: Archival Care and Management.\" Chicago: Society of American Archivists, 2006. \u003cextptr\u003e\u003c/extptr\u003e\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Ritzenthaler, Mary Lynn, and Diane O'Connor, with Helena Zinkham et al. \"Photographs: Archival Care and Management.\" Chicago: Society of American Archivists, 2006. "],"bioghist_html_tesm":["\u003cp\u003eIn the late 19th and early 20th centuries, photography was moving beyond experts and studios and becoming more widespread among non-specialists. Describing Kodak's invetion of Eastman gelatin film in 1886, Mary Lynn Ritzenthaler and Diane Vogt-O'Connor say, \"This process, in combination with the dry gelatin emulsion and Kodak's complete developing and printing service, encouraged amateur photography to boom\" (45). Earlier popular photographic varieties such as tintypes (images on laquered iron common in the United States in the mid-to-late 1800s) and albumen prints (created using an egg-white emulsion common in the later 1800s) were gradualy overtaken by gelatin silver prints as the main photographic medium in use by professionals and amateurs alike (Ritzenthaler and Vogt-O'Connor, 33-48). As the Victoria and Albert Museum's page on photographic processes notes, gelatin-silver prints \"by 1895 had generally replaced albumen prints because they were more stable, did not turn yellow, and were simpler to produce.\" The cyanotype, created using the same process used to make blueprints, never quite achieved the popularity of any of these processes (see Ritzenthaler and Vogt-O'Connor, 33-34).\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["In the late 19th and early 20th centuries, photography was moving beyond experts and studios and becoming more widespread among non-specialists. Describing Kodak's invetion of Eastman gelatin film in 1886, Mary Lynn Ritzenthaler and Diane Vogt-O'Connor say, \"This process, in combination with the dry gelatin emulsion and Kodak's complete developing and printing service, encouraged amateur photography to boom\" (45). Earlier popular photographic varieties such as tintypes (images on laquered iron common in the United States in the mid-to-late 1800s) and albumen prints (created using an egg-white emulsion common in the later 1800s) were gradualy overtaken by gelatin silver prints as the main photographic medium in use by professionals and amateurs alike (Ritzenthaler and Vogt-O'Connor, 33-48). As the Victoria and Albert Museum's page on photographic processes notes, gelatin-silver prints \"by 1895 had generally replaced albumen prints because they were more stable, did not turn yellow, and were simpler to produce.\" The cyanotype, created using the same process used to make blueprints, never quite achieved the popularity of any of these processes (see Ritzenthaler and Vogt-O'Connor, 33-34)."],"prefercite_html_tesm":["\u003cp\u003eLarkin family photograph collection, C0126, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Larkin family photograph collection, C0126, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in August 2009. 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Processing and EAD markup updated by Elizabeth Beckman in October 2017."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr show=\"new\" title=\"John Rapp, Jr. photograph collection\" href=\"https://aspace.gmu.edu/resources/c0082\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains dozens of family photographs from the late-nineteenth and early-twentieth centuries, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints. A few of the photographs have been hand-tinted. Several photos contain inscriptions of photo studios--including G. W. Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. The photographs range from professional studio portraits to informal group pictures, which appear to have been taken in more rural locales. Several of the photos show Victorian interiors and exteriors as well as horse carriages, row-boats and railroad tracks. Few of the subjects are identified, but photo-envelopes with the collection include the names Ceyton R. Larkin, Charles Rozier Larkin, Paul S. Williams, and Mrs. J. L. Johnson.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains dozens of family photographs from the late-nineteenth and early-twentieth centuries, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints. A few of the photographs have been hand-tinted. Several photos contain inscriptions of photo studios--including G. W. Davis and Unique--with addresses indicating that many of them were taken in Washington, D.C., Northern Virginia, or Richmond, VA. The photographs range from professional studio portraits to informal group pictures, which appear to have been taken in more rural locales. Several of the photos show Victorian interiors and exteriors as well as horse carriages, row-boats and railroad tracks. Few of the subjects are identified, but photo-envelopes with the collection include the names Ceyton R. Larkin, Charles Rozier Larkin, Paul S. Williams, and Mrs. J. L. Johnson."],"userestrict_html_tesm":["\u003cp\u003ePublic domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_05878bc9ed939332480207a759add943\" label=\"Abstract\"\u003eThis collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains dozens of family photographs from the late-nineteenth and early-twentieth century, exhibiting a range of early photographic technology including albumen prints, tintypes and cyanotypes, as well as gelatin silver prints."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Larkin family"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"famname_ssim":["Larkin family"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":82,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:26:43.674Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_449"}},{"id":"vifgm_repositories_2_resources_495","type":"collection","attributes":{"title":"Mezzotint portrait of Thomas Augustine Arne engraved by William Humphrey from a painting by Robert Dunkarton","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_495#creator","type":"document_value","attributes":{"value":"Dunkarton, R. 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Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], Michael Miley Photographic Print Collection, WLU Coll 0268, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of thousands of contemporary photographs printed from Lexington, Virginia photographer Michael Miley's original glass plate negatives. The glass plate negatives were purchased from Henry Miley, Michael's son, in the 1930s by the Virginia Historical Society of Richmond now the Virginia Museum of History and Culture (V.M.H.C.). The project to create archival photograph prints from the collection was funded by the National Endowment for the Humanities in the 1990s. The archival prints were made at Washington and Lee University. The images include both studio portraits and outdoor views of people and places in and around Lexington and Rockbridge County, Virginia. A majority of the studio portraits include surnames of the sitters. The original glass plates are stored at the V.M.H.C.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of thousands of contemporary photographs printed from Lexington, Virginia photographer Michael Miley's original glass plate negatives. The glass plate negatives were purchased from Henry Miley, Michael's son, in the 1930s by the Virginia Historical Society of Richmond now the Virginia Museum of History and Culture (V.M.H.C.). The project to create archival photograph prints from the collection was funded by the National Endowment for the Humanities in the 1990s. The archival prints were made at Washington and Lee University. The images include both studio portraits and outdoor views of people and places in and around Lexington and Rockbridge County, Virginia. A majority of the studio portraits include surnames of the sitters. The original glass plates are stored at the V.M.H.C."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Miley, Michael, 1841-1918"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["Miley, Michael, 1841-1918"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:50:55.460Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_578","ead_ssi":"vilxw_repositories_5_resources_578","_root_":"vilxw_repositories_5_resources_578","_nest_parent_":"vilxw_repositories_5_resources_578","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_578.xml","title_ssm":["Michael Miley photographic print collection"],"title_tesim":["Michael Miley photographic print collection"],"unitdate_ssm":["199?"],"unitdate_other_ssim":["199?"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0268","/repositories/5/resources/578"],"text":["WLU.Coll.0268","/repositories/5/resources/578","Michael Miley photographic print collection","Virginia -- Lexington","Portraits","Photographs","The collection is open for research use.","View materials from this collection online via W\u0026L's Digital Archive","This collection consists of thousands of contemporary photographs printed from Lexington, Virginia photographer Michael Miley's original glass plate negatives. The glass plate negatives were purchased from Henry Miley, Michael's son, in the 1930s by the Virginia Historical Society of Richmond now the Virginia Museum of History and Culture (V.M.H.C.). The project to create archival photograph prints from the collection was funded by the National Endowment for the Humanities in the 1990s. The archival prints were made at Washington and Lee University. The images include both studio portraits and outdoor views of people and places in and around Lexington and Rockbridge County, Virginia. A majority of the studio portraits include surnames of the sitters. The original glass plates are stored at the V.M.H.C.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Miley, Michael, 1841-1918","English"],"unitid_tesim":["WLU.Coll.0268","/repositories/5/resources/578"],"normalized_title_ssm":["Michael Miley photographic print collection"],"collection_title_tesim":["Michael Miley photographic print collection"],"collection_ssim":["Michael Miley photographic print collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"geogname_ssm":["Virginia -- Lexington"],"geogname_ssim":["Virginia -- Lexington"],"creator_ssm":["Miley, Michael, 1841-1918"],"creator_ssim":["Miley, Michael, 1841-1918"],"creator_persname_ssim":["Miley, Michael, 1841-1918"],"creators_ssim":["Miley, Michael, 1841-1918"],"places_ssim":["Virginia -- Lexington"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Portraits","Photographs"],"access_subjects_ssm":["Portraits","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["49 Linear Feet"],"extent_tesim":["49 Linear Feet"],"genreform_ssim":["Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.wlu.edu/handle/11021/31249\"\u003eView materials from this collection online via W\u0026amp;L's Digital Archive\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Online Access"],"altformavail_tesim":["View materials from this collection online via W\u0026L's Digital Archive"],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Michael Miley Photographic Print Collection, WLU Coll 0268, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], Michael Miley Photographic Print Collection, WLU Coll 0268, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VAIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of thousands of contemporary photographs printed from Lexington, Virginia photographer Michael Miley's original glass plate negatives. The glass plate negatives were purchased from Henry Miley, Michael's son, in the 1930s by the Virginia Historical Society of Richmond now the Virginia Museum of History and Culture (V.M.H.C.). The project to create archival photograph prints from the collection was funded by the National Endowment for the Humanities in the 1990s. The archival prints were made at Washington and Lee University. The images include both studio portraits and outdoor views of people and places in and around Lexington and Rockbridge County, Virginia. A majority of the studio portraits include surnames of the sitters. The original glass plates are stored at the V.M.H.C.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of thousands of contemporary photographs printed from Lexington, Virginia photographer Michael Miley's original glass plate negatives. The glass plate negatives were purchased from Henry Miley, Michael's son, in the 1930s by the Virginia Historical Society of Richmond now the Virginia Museum of History and Culture (V.M.H.C.). The project to create archival photograph prints from the collection was funded by the National Endowment for the Humanities in the 1990s. The archival prints were made at Washington and Lee University. The images include both studio portraits and outdoor views of people and places in and around Lexington and Rockbridge County, Virginia. A majority of the studio portraits include surnames of the sitters. The original glass plates are stored at the V.M.H.C."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Miley, Michael, 1841-1918"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"persname_ssim":["Miley, Michael, 1841-1918"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:50:55.460Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_578"}},{"id":"vifgm_repositories_2_resources_451","type":"collection","attributes":{"title":"Military Assistance Command, Vietnam Team 58 photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_451#creator","type":"document_value","attributes":{"value":"United States. Military Assistance Command, Vietnam","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_451#abstract_or_scope","type":"document_value","attributes":{"value":"The collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_451#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_451","ead_ssi":"vifgm_repositories_2_resources_451","_root_":"vifgm_repositories_2_resources_451","_nest_parent_":"vifgm_repositories_2_resources_451","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_451.xml","title_ssm":["Military Assistance Command, Vietnam Team 58 photograph collection"],"title_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection"],"unitdate_ssm":["1964 - 1965"],"unitdate_inclusive_ssm":["1964 - 1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0196","/repositories/2/resources/451"],"text":["C0196","/repositories/2/resources/451","Military Assistance Command, Vietnam Team 58 photograph collection","Vi Thanh (Vietnam)","Vietnam","United States -- Armed Forces -- Military life","Aerial photographs","Military camps","Portraits","Portraits, Group","Vietnam War, 1961-1975","Photographic prints","Photographs","Collection is open to research.","This collection has been digitized and is available to view ","The photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.","Series Series 1: Photos by Administrative NCO, 1965 (pages 1-26) Series 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)","MACV (Military Assistance Command, Vietnam) was an American organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province.","Processed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018 and Amanda Menjivar in April 2023.","The Special Collections Research Center holds many other material on the ","The collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.","Series 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.","Series 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province.","George Mason University. Libraries. Special Collections Research Center","United States. Military Assistance Command, Vietnam","United States. Army","English"],"unitid_tesim":["C0196","/repositories/2/resources/451"],"normalized_title_ssm":["Military Assistance Command, Vietnam Team 58 photograph collection"],"collection_title_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection"],"collection_ssim":["Military Assistance Command, Vietnam Team 58 photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Vi Thanh (Vietnam)","Vietnam","United States -- Armed Forces -- Military life"],"geogname_ssim":["Vi Thanh (Vietnam)","Vietnam","United States -- Armed Forces -- Military life"],"creator_ssm":["United States. Military Assistance Command, Vietnam"],"creator_ssim":["United States. Military Assistance Command, Vietnam"],"creator_corpname_ssim":["United States. Military Assistance Command, Vietnam"],"creators_ssim":["United States. Military Assistance Command, Vietnam"],"places_ssim":["Vi Thanh (Vietnam)","Vietnam","United States -- Armed Forces -- Military life"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["104 photographs purchased from Between the Covers in August of 2011. An additional 94 photographs donated by Al Short in January 2017."],"access_subjects_ssim":["Aerial photographs","Military camps","Portraits","Portraits, Group","Vietnam War, 1961-1975","Photographic prints","Photographs"],"access_subjects_ssm":["Aerial photographs","Military camps","Portraits","Portraits, Group","Vietnam War, 1961-1975","Photographic prints","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box"],"extent_tesim":["0.25 Linear Feet 1 box"],"genreform_ssim":["Photographic prints","Photographs"],"date_range_isim":[1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eThis collection has been digitized and is available to view \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/GMU~2~2\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["This collection has been digitized and is available to view "],"arrangement_html_tesm":["\u003cp\u003eThe photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Photos by Administrative NCO, 1965 (pages 1-26)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.","Series Series 1: Photos by Administrative NCO, 1965 (pages 1-26) Series 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)"],"bioghist_html_tesm":["\u003cp\u003eMACV (Military Assistance Command, Vietnam) was an American organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["MACV (Military Assistance Command, Vietnam) was an American organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province."],"prefercite_html_tesm":["\u003cp\u003eMilitary Assistance Command, Vietnam Team 58 photograph collection, C0196, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection, C0196, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018 and Amanda Menjivar in April 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018 and Amanda Menjivar in April 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other material on the \u003cextptr show=\"new\" title=\"Vietnam War and its protest.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=vietnam+war\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other material on the "],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.\u003c/p\u003e\n","\u003cp\u003eSeries 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.","Series 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.","Series 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_64c3c09b8a3b89ed3a9e182390790a85\" label=\"Abstract\"\u003eThe collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province."],"names_coll_ssim":["United States. Army"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Military Assistance Command, Vietnam","United States. Army"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Military Assistance Command, Vietnam","United States. Army"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":216,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:36:35.016Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_451","ead_ssi":"vifgm_repositories_2_resources_451","_root_":"vifgm_repositories_2_resources_451","_nest_parent_":"vifgm_repositories_2_resources_451","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_451.xml","title_ssm":["Military Assistance Command, Vietnam Team 58 photograph collection"],"title_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection"],"unitdate_ssm":["1964 - 1965"],"unitdate_inclusive_ssm":["1964 - 1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0196","/repositories/2/resources/451"],"text":["C0196","/repositories/2/resources/451","Military Assistance Command, Vietnam Team 58 photograph collection","Vi Thanh (Vietnam)","Vietnam","United States -- Armed Forces -- Military life","Aerial photographs","Military camps","Portraits","Portraits, Group","Vietnam War, 1961-1975","Photographic prints","Photographs","Collection is open to research.","This collection has been digitized and is available to view ","The photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.","Series Series 1: Photos by Administrative NCO, 1965 (pages 1-26) Series 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)","MACV (Military Assistance Command, Vietnam) was an American organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province.","Processed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018 and Amanda Menjivar in April 2023.","The Special Collections Research Center holds many other material on the ","The collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.","Series 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.","Series 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province.","George Mason University. Libraries. Special Collections Research Center","United States. Military Assistance Command, Vietnam","United States. Army","English"],"unitid_tesim":["C0196","/repositories/2/resources/451"],"normalized_title_ssm":["Military Assistance Command, Vietnam Team 58 photograph collection"],"collection_title_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection"],"collection_ssim":["Military Assistance Command, Vietnam Team 58 photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Vi Thanh (Vietnam)","Vietnam","United States -- Armed Forces -- Military life"],"geogname_ssim":["Vi Thanh (Vietnam)","Vietnam","United States -- Armed Forces -- Military life"],"creator_ssm":["United States. Military Assistance Command, Vietnam"],"creator_ssim":["United States. Military Assistance Command, Vietnam"],"creator_corpname_ssim":["United States. Military Assistance Command, Vietnam"],"creators_ssim":["United States. Military Assistance Command, Vietnam"],"places_ssim":["Vi Thanh (Vietnam)","Vietnam","United States -- Armed Forces -- Military life"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["104 photographs purchased from Between the Covers in August of 2011. An additional 94 photographs donated by Al Short in January 2017."],"access_subjects_ssim":["Aerial photographs","Military camps","Portraits","Portraits, Group","Vietnam War, 1961-1975","Photographic prints","Photographs"],"access_subjects_ssm":["Aerial photographs","Military camps","Portraits","Portraits, Group","Vietnam War, 1961-1975","Photographic prints","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Linear Feet 1 box"],"extent_tesim":["0.25 Linear Feet 1 box"],"genreform_ssim":["Photographic prints","Photographs"],"date_range_isim":[1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eThis collection has been digitized and is available to view \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/GMU~2~2\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["This collection has been digitized and is available to view "],"arrangement_html_tesm":["\u003cp\u003eThe photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Photos by Administrative NCO, 1965 (pages 1-26)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The photographs in this collection are arranged by subject. Arrangement of series 2 was done by Al Short.","Series Series 1: Photos by Administrative NCO, 1965 (pages 1-26) Series 2: Photos by Al Short, news articles, 1964-1965 (pages 27-51)"],"bioghist_html_tesm":["\u003cp\u003eMACV (Military Assistance Command, Vietnam) was an American organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["MACV (Military Assistance Command, Vietnam) was an American organization of military personnel, sent to train and assist South Vietnamese armed forces. Originally, the advisors were sent to support the French military in the First Indochina War and were named MAAG (Military Assistance Advisory Group) Indochina. With the withdrawal of French troops from Vietnam, MAAG shifted its focus to the training of South Vietnamese forces in an effort to stem the rising influence of Communism. In 1962 MAAG was replaced by U.S. Military Assistance Command Vietnam (MACV) and had grown from a few hundred advisors to over 3,000. At the time the photographs in this collection were taken (1964-1965), Team 58 was stationed in Vi Thanh in the former Chuong Thien province."],"prefercite_html_tesm":["\u003cp\u003eMilitary Assistance Command, Vietnam Team 58 photograph collection, C0196, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Military Assistance Command, Vietnam Team 58 photograph collection, C0196, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018 and Amanda Menjivar in April 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Kristen Korfitzen in November 2011. Al Short material processed by Liz Beckman in January 2017, including revisons to finding aid and Scope and Content note captions provided by Al Short. EAD created by Kristen Korfitzen in November 2011, edited by Liz Beckman in 2017 and 2018 and Amanda Menjivar in April 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other material on the \u003cextptr show=\"new\" title=\"Vietnam War and its protest.\" href=\"https://aspace.gmu.edu/search?utf8=%E2%9C%93\u0026amp;op%5B%5D=\u0026amp;q%5B%5D=vietnam+war\u0026amp;limit=\u0026amp;field%5B%5D=\u0026amp;from_year%5B%5D=\u0026amp;to_year%5B%5D=\u0026amp;commit=Search\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other material on the "],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.\u003c/p\u003e\n","\u003cp\u003eSeries 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection contains 198 black and white photographs (measuring 3.75 x 2.5 inches) of MACV Team 58 taken by the Administrative NCO and by 1st Lieutenant Al Short in 1964-1965. Photographs in the collection show the day-to-day life in the camp with some images of combat. Photographs of advisors include personnel working in offices, eating meals and enjoying down time, and preparing for a USO show. Several photographs document an assembly with Vietnamese speakers attended by both military advisors and local residents. Photographs also include scenes of the province capital of Vi Thanh, and several photographs taken from an airplane.","Series 1 contains photos taken by one of the Administrative Non-Comissioned Officers in MACV Team 58 in 1965. The series contains five subseries. Subseries 1 contains photographs taken from an assembly in Vi Thanh (probably the transition of the office of province chief from Lieutenant Colonel Diep to Major Nghia according to Al Short); subseries 2 contains photograms of the MACV Team 58 camp; subseries 3 includes Aerial views of Vietnam and images of the camp's runway and pilots; subseries 4 contains images of Vi Thanh,the capital of what was then called Chuong-Thien Province; subseries 5 contains portraits of MAAG Team 58.","Series 2 contains photos taken by Al Short, a 1st Lieutenant in MACV Team 58, in 1964 and 1965, as well as two news articles from 1965. Subseries 1 contains photos from a Vietnamese Army Cultural Drama Team show; subseries 2 contains photos of civic action program activities; subseries 3 contains photos of Vietnamese officials in Choung Thien Province; subseries 4 contains photos of military equipment and aircraft; subseries 5 contains photos of life in Vi Thanh city; subseries 6 contains photos of various Vietnamese military units on operations; subseries 7 contains photos of life in the MACV, Advisory Team 58 compound; subseries 8 contains photos of MACV Advisory Team 58 members; subseries 9 contains photos from an awards ceremony at the MACV Advisory Team 58 compound. Subseries descriptions and arrangement come from Al Short; subseries 10 contains two news articles from Boston from January and May 1965."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_64c3c09b8a3b89ed3a9e182390790a85\" label=\"Abstract\"\u003eThe collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains 198 black and white photographs measuring 3.75 x 2.5 inches, of MACV Team 58's experience in South Vietnam's Choung Thien province."],"names_coll_ssim":["United States. Army"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Military Assistance Command, Vietnam","United States. Army"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Military Assistance Command, Vietnam","United States. Army"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":216,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:36:35.016Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_451"}},{"id":"viw_repositories_2_resources_1300","type":"collection","attributes":{"title":"Molly Elliot Seawell Papers","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1300#creator","type":"document_value","attributes":{"value":"Seawell, Molly Elliot, 1860-1916","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1300#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe papers of American writer Molly Elliot Seawell include personal diaries, correspondence, memoirs, photographs, news clippings, and other materials. Also included are photocopies of Seawell's business papers housed at the New York Public Library and at the Columbia University Library. The collection also contains other records from the Seawell family, mostly relating to Molly's aunt Maria Seawell Edwards, John T. Seawell and wife Isabella Josephine Brady, and Philip Hairston Seawell. The collection comprises four series: Diaries, 1900-1914; Personal Records, 1901-1916; Professional Records, 1889-1915; and Seawell Family Records, 1859-2001.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1300#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_1300","ead_ssi":"viw_repositories_2_resources_1300","_root_":"viw_repositories_2_resources_1300","_nest_parent_":"viw_repositories_2_resources_1300","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1300.xml","title_filing_ssi":"Seawell, Molly Elliot papers","title_ssm":["Molly Elliot Seawell Papers"],"title_tesim":["Molly Elliot Seawell Papers"],"unitdate_ssm":["1859-2001","1889-1916"],"unitdate_bulk_ssim":["1889-1916"],"unitdate_inclusive_ssm":["1859-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. Acc. 1995.36","/repositories/2/resources/1300"],"text":["Mss. Acc. 1995.36","/repositories/2/resources/1300","Molly Elliot Seawell Papers","American diaries--Women authors","Authors, American--20th century","Authors, American--Women","Gloucester County (Va.)--History--19th century","Gloucester County (Va.)--Social life and customs","United States--American Authors","United States--Women--History","Women--History--Virginia","Women--Virginia--Social life and customs","Business records","Clippings (information artifacts)","Correspondence","Photographs","Portraits","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Formerly arranged by accession. Combined with Mss. Msv D37-38 (Personal Diaries) and reorganized by series (see Scope  note for details about the series' content). Folders within series chieflty organized by type of materials and creators, following broad chronological order. Items within folders organized chronologically, but Molly Elliot Seawell's handwriting being often ambiguous, some dates are unclear.","\"Molly Elliot Seawell (October 23, 1860 Gloucester, Virginia - November 15, 1916 Washington, D. C.) was an American writer. Baptized as \"Mary,\" Molly Elliot Seawell was born into one of the older families of English language-speaking North America and one of the first families of Virginia.\" (From wikipedia (7/6/2007)","Processed by Ellen Strong in 1995.","The papers of American writer Molly Elliot Seawell include personal diaries, correspondence, memoirs, photographs, news clippings, and other materials. Also included are photocopies of Seawell's business papers housed at the New York Public Library and at the Columbia University Library. The collection also contains other records from the Seawell family, mostly relating to Molly's aunt Maria Seawell Edwards, John T. Seawell and wife Isabella Josephine Brady, and Philip Hairston Seawell. The collection comprises four series: Diaries, 1900-1914; Personal Records, 1901-1916; Professional Records, 1889-1915; and Seawell Family Records, 1859-2001.","-- 1 silver spoon engraved with Molly Elliot Seawell's name and an image of her home \"The Shelter\" in Gloucester, Va., is housed in the Artifacts Collection."," -- 22 books written by Molly Elliot Seawell and 2 books written by Elizabeth Gordon Biddle Gordon are housed in the Rare Books Collection. They were bequeathed by P. Hairston Seawell and can be located using the Swem Library catalog.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Seawell, Molly Elliot, 1860-1916","Edwards, Maria Seawell, b. 1815?","Gordon, Elizabeth Gordon Biddle","English"],"unitid_tesim":["Mss. Acc. 1995.36","/repositories/2/resources/1300"],"normalized_title_ssm":["Molly Elliot Seawell Papers"],"collection_title_tesim":["Molly Elliot Seawell Papers"],"collection_ssim":["Molly Elliot Seawell Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Seawell, Molly Elliot, 1860-1916","Edwards, Maria Seawell, b. 1815?"],"creator_ssim":["Seawell, Molly Elliot, 1860-1916","Edwards, Maria Seawell, b. 1815?"],"creator_persname_ssim":["Seawell, Molly Elliot, 1860-1916","Edwards, Maria Seawell, b. 1815?"],"creators_ssim":["Seawell, Molly Elliot, 1860-1916","Edwards, Maria Seawell, b. 1815?"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchases. Mss. Acc. 1995.36 received on 7/20/1995; Mss. Acc. 2000.45 (formerly 2000 Se9); Mss. Acc. 2000.53a received on October 13, 2000; Mss. Acc. 2001.24B received on May 11, 2001. Mss. Acc. 2010.398 is a gift of Philip Hairston Seawell, per Gene L. Hardin, 7303-B River Rd., Newport News, VA 23607."],"access_subjects_ssim":["American diaries--Women authors","Authors, American--20th century","Authors, American--Women","Gloucester County (Va.)--History--19th century","Gloucester County (Va.)--Social life and customs","United States--American Authors","United States--Women--History","Women--History--Virginia","Women--Virginia--Social life and customs","Business records","Clippings (information artifacts)","Correspondence","Photographs","Portraits"],"access_subjects_ssm":["American diaries--Women authors","Authors, American--20th century","Authors, American--Women","Gloucester County (Va.)--History--19th century","Gloucester County (Va.)--Social life and customs","United States--American Authors","United States--Women--History","Women--History--Virginia","Women--Virginia--Social life and customs","Business records","Clippings (information artifacts)","Correspondence","Photographs","Portraits"],"has_online_content_ssim":["false"],"extent_ssm":["0.80 Linear Feet"],"extent_tesim":["0.80 Linear Feet"],"genreform_ssim":["Business records","Clippings (information artifacts)","Correspondence","Photographs","Portraits"],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eFormerly arranged by accession. Combined with Mss. Msv D37-38 (Personal Diaries) and reorganized by series (see Scope  note for details about the series' content). Folders within series chieflty organized by type of materials and creators, following broad chronological order. Items within folders organized chronologically, but Molly Elliot Seawell's handwriting being often ambiguous, some dates are unclear.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Formerly arranged by accession. Combined with Mss. Msv D37-38 (Personal Diaries) and reorganized by series (see Scope  note for details about the series' content). Folders within series chieflty organized by type of materials and creators, following broad chronological order. Items within folders organized chronologically, but Molly Elliot Seawell's handwriting being often ambiguous, some dates are unclear."],"bioghist_html_tesm":["\u003cp\u003e\"Molly Elliot Seawell (October 23, 1860 Gloucester, Virginia - November 15, 1916 Washington, D. C.) was an American writer. Baptized as \"Mary,\" Molly Elliot Seawell was born into one of the older families of English language-speaking North America and one of the first families of Virginia.\" (From wikipedia (7/6/2007)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["\"Molly Elliot Seawell (October 23, 1860 Gloucester, Virginia - November 15, 1916 Washington, D. C.) was an American writer. Baptized as \"Mary,\" Molly Elliot Seawell was born into one of the older families of English language-speaking North America and one of the first families of Virginia.\" (From wikipedia (7/6/2007)"],"prefercite_html_tesm":["\u003cp\u003eMolly Elliot Seawell Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Molly Elliot Seawell Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Ellen Strong in 1995.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Ellen Strong in 1995."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of American writer Molly Elliot Seawell include personal diaries, correspondence, memoirs, photographs, news clippings, and other materials. Also included are photocopies of Seawell's business papers housed at the New York Public Library and at the Columbia University Library. The collection also contains other records from the Seawell family, mostly relating to Molly's aunt Maria Seawell Edwards, John T. Seawell and wife Isabella Josephine Brady, and Philip Hairston Seawell. The collection comprises four series: Diaries, 1900-1914; Personal Records, 1901-1916; Professional Records, 1889-1915; and Seawell Family Records, 1859-2001.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The papers of American writer Molly Elliot Seawell include personal diaries, correspondence, memoirs, photographs, news clippings, and other materials. Also included are photocopies of Seawell's business papers housed at the New York Public Library and at the Columbia University Library. The collection also contains other records from the Seawell family, mostly relating to Molly's aunt Maria Seawell Edwards, John T. Seawell and wife Isabella Josephine Brady, and Philip Hairston Seawell. The collection comprises four series: Diaries, 1900-1914; Personal Records, 1901-1916; Professional Records, 1889-1915; and Seawell Family Records, 1859-2001."],"separatedmaterial_html_tesm":["\u003cp\u003e-- 1 silver spoon engraved with Molly Elliot Seawell's name and an image of her home \"The Shelter\" in Gloucester, Va., is housed in the Artifacts Collection.\u003c/p\u003e\n","\u003cp\u003e -- 22 books written by Molly Elliot Seawell and 2 books written by Elizabeth Gordon Biddle Gordon are housed in the Rare Books Collection. They were bequeathed by P. Hairston Seawell and can be located using the Swem Library catalog.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["-- 1 silver spoon engraved with Molly Elliot Seawell's name and an image of her home \"The Shelter\" in Gloucester, Va., is housed in the Artifacts Collection."," -- 22 books written by Molly Elliot Seawell and 2 books written by Elizabeth Gordon Biddle Gordon are housed in the Rare Books Collection. They were bequeathed by P. Hairston Seawell and can be located using the Swem Library catalog."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Seawell, Molly Elliot, 1860-1916","Edwards, Maria Seawell, b. 1815?","Gordon, Elizabeth Gordon Biddle"],"corpname_ssim":["Special Collections Research Center"],"names_coll_ssim":["Gordon, Elizabeth Gordon Biddle"],"persname_ssim":["Seawell, Molly Elliot, 1860-1916","Edwards, Maria Seawell, b. 1815?","Gordon, Elizabeth Gordon Biddle"],"language_ssim":["English"],"total_component_count_is":26,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:23:51.588Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1300","ead_ssi":"viw_repositories_2_resources_1300","_root_":"viw_repositories_2_resources_1300","_nest_parent_":"viw_repositories_2_resources_1300","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1300.xml","title_filing_ssi":"Seawell, Molly Elliot papers","title_ssm":["Molly Elliot Seawell Papers"],"title_tesim":["Molly Elliot Seawell Papers"],"unitdate_ssm":["1859-2001","1889-1916"],"unitdate_bulk_ssim":["1889-1916"],"unitdate_inclusive_ssm":["1859-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. Acc. 1995.36","/repositories/2/resources/1300"],"text":["Mss. Acc. 1995.36","/repositories/2/resources/1300","Molly Elliot Seawell Papers","American diaries--Women authors","Authors, American--20th century","Authors, American--Women","Gloucester County (Va.)--History--19th century","Gloucester County (Va.)--Social life and customs","United States--American Authors","United States--Women--History","Women--History--Virginia","Women--Virginia--Social life and customs","Business records","Clippings (information artifacts)","Correspondence","Photographs","Portraits","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Formerly arranged by accession. Combined with Mss. Msv D37-38 (Personal Diaries) and reorganized by series (see Scope  note for details about the series' content). Folders within series chieflty organized by type of materials and creators, following broad chronological order. Items within folders organized chronologically, but Molly Elliot Seawell's handwriting being often ambiguous, some dates are unclear.","\"Molly Elliot Seawell (October 23, 1860 Gloucester, Virginia - November 15, 1916 Washington, D. C.) was an American writer. Baptized as \"Mary,\" Molly Elliot Seawell was born into one of the older families of English language-speaking North America and one of the first families of Virginia.\" (From wikipedia (7/6/2007)","Processed by Ellen Strong in 1995.","The papers of American writer Molly Elliot Seawell include personal diaries, correspondence, memoirs, photographs, news clippings, and other materials. Also included are photocopies of Seawell's business papers housed at the New York Public Library and at the Columbia University Library. The collection also contains other records from the Seawell family, mostly relating to Molly's aunt Maria Seawell Edwards, John T. Seawell and wife Isabella Josephine Brady, and Philip Hairston Seawell. The collection comprises four series: Diaries, 1900-1914; Personal Records, 1901-1916; Professional Records, 1889-1915; and Seawell Family Records, 1859-2001.","-- 1 silver spoon engraved with Molly Elliot Seawell's name and an image of her home \"The Shelter\" in Gloucester, Va., is housed in the Artifacts Collection."," -- 22 books written by Molly Elliot Seawell and 2 books written by Elizabeth Gordon Biddle Gordon are housed in the Rare Books Collection. They were bequeathed by P. Hairston Seawell and can be located using the Swem Library catalog.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Seawell, Molly Elliot, 1860-1916","Edwards, Maria Seawell, b. 1815?","Gordon, Elizabeth Gordon Biddle","English"],"unitid_tesim":["Mss. 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Acc. 2000.45 (formerly 2000 Se9); Mss. Acc. 2000.53a received on October 13, 2000; Mss. Acc. 2001.24B received on May 11, 2001. Mss. Acc. 2010.398 is a gift of Philip Hairston Seawell, per Gene L. Hardin, 7303-B River Rd., Newport News, VA 23607."],"access_subjects_ssim":["American diaries--Women authors","Authors, American--20th century","Authors, American--Women","Gloucester County (Va.)--History--19th century","Gloucester County (Va.)--Social life and customs","United States--American Authors","United States--Women--History","Women--History--Virginia","Women--Virginia--Social life and customs","Business records","Clippings (information artifacts)","Correspondence","Photographs","Portraits"],"access_subjects_ssm":["American diaries--Women authors","Authors, American--20th century","Authors, American--Women","Gloucester County (Va.)--History--19th century","Gloucester County (Va.)--Social life and customs","United States--American Authors","United States--Women--History","Women--History--Virginia","Women--Virginia--Social life and customs","Business records","Clippings (information artifacts)","Correspondence","Photographs","Portraits"],"has_online_content_ssim":["false"],"extent_ssm":["0.80 Linear Feet"],"extent_tesim":["0.80 Linear Feet"],"genreform_ssim":["Business records","Clippings (information artifacts)","Correspondence","Photographs","Portraits"],"date_range_isim":[1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eFormerly arranged by accession. Combined with Mss. Msv D37-38 (Personal Diaries) and reorganized by series (see Scope  note for details about the series' content). Folders within series chieflty organized by type of materials and creators, following broad chronological order. Items within folders organized chronologically, but Molly Elliot Seawell's handwriting being often ambiguous, some dates are unclear.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Formerly arranged by accession. Combined with Mss. Msv D37-38 (Personal Diaries) and reorganized by series (see Scope  note for details about the series' content). Folders within series chieflty organized by type of materials and creators, following broad chronological order. Items within folders organized chronologically, but Molly Elliot Seawell's handwriting being often ambiguous, some dates are unclear."],"bioghist_html_tesm":["\u003cp\u003e\"Molly Elliot Seawell (October 23, 1860 Gloucester, Virginia - November 15, 1916 Washington, D. C.) was an American writer. Baptized as \"Mary,\" Molly Elliot Seawell was born into one of the older families of English language-speaking North America and one of the first families of Virginia.\" (From wikipedia (7/6/2007)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["\"Molly Elliot Seawell (October 23, 1860 Gloucester, Virginia - November 15, 1916 Washington, D. C.) was an American writer. Baptized as \"Mary,\" Molly Elliot Seawell was born into one of the older families of English language-speaking North America and one of the first families of Virginia.\" (From wikipedia (7/6/2007)"],"prefercite_html_tesm":["\u003cp\u003eMolly Elliot Seawell Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Molly Elliot Seawell Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Ellen Strong in 1995.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Ellen Strong in 1995."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of American writer Molly Elliot Seawell include personal diaries, correspondence, memoirs, photographs, news clippings, and other materials. Also included are photocopies of Seawell's business papers housed at the New York Public Library and at the Columbia University Library. The collection also contains other records from the Seawell family, mostly relating to Molly's aunt Maria Seawell Edwards, John T. Seawell and wife Isabella Josephine Brady, and Philip Hairston Seawell. The collection comprises four series: Diaries, 1900-1914; Personal Records, 1901-1916; Professional Records, 1889-1915; and Seawell Family Records, 1859-2001.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The papers of American writer Molly Elliot Seawell include personal diaries, correspondence, memoirs, photographs, news clippings, and other materials. Also included are photocopies of Seawell's business papers housed at the New York Public Library and at the Columbia University Library. The collection also contains other records from the Seawell family, mostly relating to Molly's aunt Maria Seawell Edwards, John T. Seawell and wife Isabella Josephine Brady, and Philip Hairston Seawell. The collection comprises four series: Diaries, 1900-1914; Personal Records, 1901-1916; Professional Records, 1889-1915; and Seawell Family Records, 1859-2001."],"separatedmaterial_html_tesm":["\u003cp\u003e-- 1 silver spoon engraved with Molly Elliot Seawell's name and an image of her home \"The Shelter\" in Gloucester, Va., is housed in the Artifacts Collection.\u003c/p\u003e\n","\u003cp\u003e -- 22 books written by Molly Elliot Seawell and 2 books written by Elizabeth Gordon Biddle Gordon are housed in the Rare Books Collection. They were bequeathed by P. Hairston Seawell and can be located using the Swem Library catalog.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["-- 1 silver spoon engraved with Molly Elliot Seawell's name and an image of her home \"The Shelter\" in Gloucester, Va., is housed in the Artifacts Collection."," -- 22 books written by Molly Elliot Seawell and 2 books written by Elizabeth Gordon Biddle Gordon are housed in the Rare Books Collection. They were bequeathed by P. Hairston Seawell and can be located using the Swem Library catalog."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Seawell, Molly Elliot, 1860-1916","Edwards, Maria Seawell, b. 1815?","Gordon, Elizabeth Gordon Biddle"],"corpname_ssim":["Special Collections Research Center"],"names_coll_ssim":["Gordon, Elizabeth Gordon Biddle"],"persname_ssim":["Seawell, Molly Elliot, 1860-1916","Edwards, Maria Seawell, b. 1815?","Gordon, Elizabeth Gordon Biddle"],"language_ssim":["English"],"total_component_count_is":26,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:23:51.588Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_1300"}},{"id":"vifgm_repositories_2_resources_188","type":"collection","attributes":{"title":"Oliver F. Atkins photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_188#creator","type":"document_value","attributes":{"value":"Atkins, Oliver F., 1916-1977","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_188#abstract_or_scope","type":"document_value","attributes":{"value":"The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_188#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_188","ead_ssi":"vifgm_repositories_2_resources_188","_root_":"vifgm_repositories_2_resources_188","_nest_parent_":"vifgm_repositories_2_resources_188","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_188.xml","title_filing_ssi":"Oliver F. Atkins photograph collection","title_ssm":["Oliver F. Atkins photograph collection"],"title_tesim":["Oliver F. Atkins photograph collection"],"unitdate_ssm":["1943-1975"],"unitdate_inclusive_ssm":["1943-1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0036","/repositories/2/resources/188"],"text":["C0036","/repositories/2/resources/188","Oliver F. Atkins photograph collection","United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century","Aerial photographs","Portraits","Korean War, 1950-1953","Fighter planes -- United States","Entomology","Cold weather clothing","Coal miners","Agriculture","Oyster industry","Presidents -- Election","Sewing machines","Slides (Photography)","Storage and moving trade","Submarines (Ships)","Unemployment","Portraits, Group","Legislative hearings","Photography -- Negatives","Photographic prints","Photographs","There are no access restrictions.","Portions of the Oliver F. Atkins photograph collection are available online ","Arranged into five series:","Series Series 1: Prints, 1943-1974 (Boxes 1-48) Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57) Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101) Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-109, Oversize 13) Series 5: Oversize, 1943-1971 (Oversize 1-12)","Oliver \"Ollie\" F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the  Saturday Evening Post . As the Washington correspondent for the  Post , he photographed many important leaders of the United States and the world. Among them were Harry S. Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy, Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the  Post's  Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Atkins' awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).","Processed by Special Collections Research Center staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. Finding aid updated by Amanda Menjivar in August 2024.","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement. ","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. ","The Special Collections Research Center holds many other photograph collections. ","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3. It also holds the  .","Content Warning: Some materials contain racist language and slurs.","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad. ","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. ","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. ","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House. As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles. ","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins. ","Series 5 contains mat photographs that span Atkins entire career from World War II to the White House. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the  Saturday Evening Post  and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the  Saturday Evening Post , and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.","R17, C2, S4 - C4, S3\nOS R1, C1, S1-S5\nOS R7, C1, S2-S3, S5-S6\nOS R7, C3, S6","George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School","Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary","English"],"unitid_tesim":["C0036","/repositories/2/resources/188"],"normalized_title_ssm":["Oliver F. Atkins photograph collection"],"collection_title_tesim":["Oliver F. Atkins photograph collection"],"collection_ssim":["Oliver F. Atkins photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century"],"geogname_ssim":["United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century"],"creator_ssm":["Atkins, Oliver F., 1916-1977"],"creator_ssim":["Atkins, Oliver F., 1916-1977"],"creator_persname_ssim":["Atkins, Oliver F., 1916-1977"],"creators_ssim":["Atkins, Oliver F., 1916-1977"],"places_ssim":["United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Marjorie Atkins in 1978 and 1987."],"access_subjects_ssim":["Aerial photographs","Portraits","Korean War, 1950-1953","Fighter planes -- United States","Entomology","Cold weather clothing","Coal miners","Agriculture","Oyster industry","Presidents -- Election","Sewing machines","Slides (Photography)","Storage and moving trade","Submarines (Ships)","Unemployment","Portraits, Group","Legislative hearings","Photography -- Negatives","Photographic prints","Photographs"],"access_subjects_ssm":["Aerial photographs","Portraits","Korean War, 1950-1953","Fighter planes -- United States","Entomology","Cold weather clothing","Coal miners","Agriculture","Oyster industry","Presidents -- Election","Sewing machines","Slides (Photography)","Storage and moving trade","Submarines (Ships)","Unemployment","Portraits, Group","Legislative hearings","Photography -- Negatives","Photographic prints","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["61.5 Linear Feet 121 boxes"],"extent_tesim":["61.5 Linear Feet 121 boxes"],"genreform_ssim":["Photographic prints","Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003ePortions of the Oliver F. Atkins photograph collection are available online \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~15~15\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Portions of the Oliver F. Atkins photograph collection are available online "],"arrangement_html_tesm":["\u003cp\u003eArranged into five series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Prints, 1943-1974 (Boxes 1-48)\u003c/item\u003e\n      \u003citem\u003eSeries 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-109, Oversize 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Oversize, 1943-1971 (Oversize 1-12)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series:","Series Series 1: Prints, 1943-1974 (Boxes 1-48) Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57) Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101) Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-109, Oversize 13) Series 5: Oversize, 1943-1971 (Oversize 1-12)"],"bioghist_html_tesm":["\u003cp\u003eOliver \"Ollie\" F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the \u003citalic\u003eSaturday Evening Post\u003c/italic\u003e. As the Washington correspondent for the \u003citalic\u003ePost\u003c/italic\u003e, he photographed many important leaders of the United States and the world. Among them were Harry S. Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy, Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the \u003citalic\u003ePost's\u003c/italic\u003e Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.\u003c/p\u003e\n","\u003cp\u003eIn 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Atkins' awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Oliver \"Ollie\" F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the  Saturday Evening Post . As the Washington correspondent for the  Post , he photographed many important leaders of the United States and the world. Among them were Harry S. Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy, Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the  Post's  Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Atkins' awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972)."],"prefercite_html_tesm":["\u003cp\u003eOliver F. Atkins photograph collection, C0036, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Oliver F. Atkins photograph collection, C0036, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. Finding aid updated by Amanda Menjivar in August 2024.\u003c/p\u003e","\u003cp\u003eWhile reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement. \u003c/p\u003e","\u003cp\u003eThis collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. Finding aid updated by Amanda Menjivar in August 2024.","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement. ","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. "],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other photograph collections. \u003c/p\u003e\n","\u003cp\u003eThe National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3. It also holds the \u003cextptr show=\"new\" title=\"Oliver F. Atkin's Files\" href=\"https://catalog.archives.gov/id/6121076\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other photograph collections. ","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3. It also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs.\u003c/p\u003e\n","\u003cp\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad. \u003c/p\u003e\n","\u003cp\u003eSeries 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \u003c/p\u003e\n","\u003cp\u003eSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. \u003c/p\u003e\n","\u003cp\u003eSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House. As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles. \u003c/p\u003e\n","\u003cp\u003eSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins. \u003c/p\u003e\n","\u003cp\u003eSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs.","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad. ","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. ","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. ","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House. As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles. ","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins. ","Series 5 contains mat photographs that span Atkins entire career from World War II to the White House. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_6e22cfaf49bfa437907b5307b0049834\" label=\"Abstract\"\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the \u003citalic\u003eSaturday Evening Post\u003c/italic\u003e and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the \u003citalic\u003eSaturday Evening Post\u003c/italic\u003e, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.\u003c/abstract\u003e"],"abstract_tesim":["The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the  Saturday Evening Post  and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the  Saturday Evening Post , and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cbd4a8bb865698247d734e42aa0e070e\"\u003eR17, C2, S4 - C4, S3\nOS R1, C1, S1-S5\nOS R7, C1, S2-S3, S5-S6\nOS R7, C3, S6\u003c/physloc\u003e"],"physloc_tesim":["R17, C2, S4 - C4, S3\nOS R1, C1, S1-S5\nOS R7, C1, S2-S3, S5-S6\nOS R7, C3, S6"],"names_coll_ssim":["Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School","Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School"],"persname_ssim":["Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1683,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:26:43.674Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_188","ead_ssi":"vifgm_repositories_2_resources_188","_root_":"vifgm_repositories_2_resources_188","_nest_parent_":"vifgm_repositories_2_resources_188","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_188.xml","title_filing_ssi":"Oliver F. Atkins photograph collection","title_ssm":["Oliver F. Atkins photograph collection"],"title_tesim":["Oliver F. Atkins photograph collection"],"unitdate_ssm":["1943-1975"],"unitdate_inclusive_ssm":["1943-1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0036","/repositories/2/resources/188"],"text":["C0036","/repositories/2/resources/188","Oliver F. Atkins photograph collection","United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century","Aerial photographs","Portraits","Korean War, 1950-1953","Fighter planes -- United States","Entomology","Cold weather clothing","Coal miners","Agriculture","Oyster industry","Presidents -- Election","Sewing machines","Slides (Photography)","Storage and moving trade","Submarines (Ships)","Unemployment","Portraits, Group","Legislative hearings","Photography -- Negatives","Photographic prints","Photographs","There are no access restrictions.","Portions of the Oliver F. Atkins photograph collection are available online ","Arranged into five series:","Series Series 1: Prints, 1943-1974 (Boxes 1-48) Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57) Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101) Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-109, Oversize 13) Series 5: Oversize, 1943-1971 (Oversize 1-12)","Oliver \"Ollie\" F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the  Saturday Evening Post . As the Washington correspondent for the  Post , he photographed many important leaders of the United States and the world. Among them were Harry S. Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy, Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the  Post's  Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Atkins' awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).","Processed by Special Collections Research Center staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. Finding aid updated by Amanda Menjivar in August 2024.","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement. ","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. ","The Special Collections Research Center holds many other photograph collections. ","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3. It also holds the  .","Content Warning: Some materials contain racist language and slurs.","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad. ","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. ","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. ","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House. As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles. ","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins. ","Series 5 contains mat photographs that span Atkins entire career from World War II to the White House. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro. ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the  Saturday Evening Post  and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the  Saturday Evening Post , and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.","R17, C2, S4 - C4, S3\nOS R1, C1, S1-S5\nOS R7, C1, S2-S3, S5-S6\nOS R7, C3, S6","George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School","Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary","English"],"unitid_tesim":["C0036","/repositories/2/resources/188"],"normalized_title_ssm":["Oliver F. Atkins photograph collection"],"collection_title_tesim":["Oliver F. Atkins photograph collection"],"collection_ssim":["Oliver F. Atkins photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century"],"geogname_ssim":["United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century"],"creator_ssm":["Atkins, Oliver F., 1916-1977"],"creator_ssim":["Atkins, Oliver F., 1916-1977"],"creator_persname_ssim":["Atkins, Oliver F., 1916-1977"],"creators_ssim":["Atkins, Oliver F., 1916-1977"],"places_ssim":["United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Marjorie Atkins in 1978 and 1987."],"access_subjects_ssim":["Aerial photographs","Portraits","Korean War, 1950-1953","Fighter planes -- United States","Entomology","Cold weather clothing","Coal miners","Agriculture","Oyster industry","Presidents -- Election","Sewing machines","Slides (Photography)","Storage and moving trade","Submarines (Ships)","Unemployment","Portraits, Group","Legislative hearings","Photography -- Negatives","Photographic prints","Photographs"],"access_subjects_ssm":["Aerial photographs","Portraits","Korean War, 1950-1953","Fighter planes -- United States","Entomology","Cold weather clothing","Coal miners","Agriculture","Oyster industry","Presidents -- Election","Sewing machines","Slides (Photography)","Storage and moving trade","Submarines (Ships)","Unemployment","Portraits, Group","Legislative hearings","Photography -- Negatives","Photographic prints","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["61.5 Linear Feet 121 boxes"],"extent_tesim":["61.5 Linear Feet 121 boxes"],"genreform_ssim":["Photographic prints","Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003ePortions of the Oliver F. Atkins photograph collection are available online \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~15~15\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Portions of the Oliver F. Atkins photograph collection are available online "],"arrangement_html_tesm":["\u003cp\u003eArranged into five series:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Prints, 1943-1974 (Boxes 1-48)\u003c/item\u003e\n      \u003citem\u003eSeries 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-109, Oversize 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Oversize, 1943-1971 (Oversize 1-12)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series:","Series Series 1: Prints, 1943-1974 (Boxes 1-48) Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57) Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101) Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-109, Oversize 13) Series 5: Oversize, 1943-1971 (Oversize 1-12)"],"bioghist_html_tesm":["\u003cp\u003eOliver \"Ollie\" F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the \u003citalic\u003eSaturday Evening Post\u003c/italic\u003e. As the Washington correspondent for the \u003citalic\u003ePost\u003c/italic\u003e, he photographed many important leaders of the United States and the world. Among them were Harry S. Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy, Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the \u003citalic\u003ePost's\u003c/italic\u003e Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.\u003c/p\u003e\n","\u003cp\u003eIn 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Atkins' awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Oliver \"Ollie\" F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the  Saturday Evening Post . As the Washington correspondent for the  Post , he photographed many important leaders of the United States and the world. Among them were Harry S. Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy, Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the  Post's  Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Atkins' awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972)."],"prefercite_html_tesm":["\u003cp\u003eOliver F. Atkins photograph collection, C0036, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Oliver F. Atkins photograph collection, C0036, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. Finding aid updated by Amanda Menjivar in August 2024.\u003c/p\u003e","\u003cp\u003eWhile reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement. \u003c/p\u003e","\u003cp\u003eThis collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. Finding aid updated by Amanda Menjivar in August 2024.","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement. ","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. "],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other photograph collections. \u003c/p\u003e\n","\u003cp\u003eThe National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3. It also holds the \u003cextptr show=\"new\" title=\"Oliver F. Atkin's Files\" href=\"https://catalog.archives.gov/id/6121076\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other photograph collections. ","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3. It also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs.\u003c/p\u003e\n","\u003cp\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad. \u003c/p\u003e\n","\u003cp\u003eSeries 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \u003c/p\u003e\n","\u003cp\u003eSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. \u003c/p\u003e\n","\u003cp\u003eSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House. As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles. \u003c/p\u003e\n","\u003cp\u003eSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins. \u003c/p\u003e\n","\u003cp\u003eSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs.","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad. ","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. ","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. ","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House. As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles. ","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins. ","Series 5 contains mat photographs that span Atkins entire career from World War II to the White House. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_6e22cfaf49bfa437907b5307b0049834\" label=\"Abstract\"\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the \u003citalic\u003eSaturday Evening Post\u003c/italic\u003e and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the \u003citalic\u003eSaturday Evening Post\u003c/italic\u003e, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.\u003c/abstract\u003e"],"abstract_tesim":["The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the  Saturday Evening Post  and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the  Saturday Evening Post , and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cbd4a8bb865698247d734e42aa0e070e\"\u003eR17, C2, S4 - C4, S3\nOS R1, C1, S1-S5\nOS R7, C1, S2-S3, S5-S6\nOS R7, C3, S6\u003c/physloc\u003e"],"physloc_tesim":["R17, C2, S4 - C4, S3\nOS R1, C1, S1-S5\nOS R7, C1, S2-S3, S5-S6\nOS R7, C3, S6"],"names_coll_ssim":["Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School","Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. 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Joynt Collection of British Manuscripts","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8560#creator","type":"document_value","attributes":{"value":"Joynt, Richard G.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8560#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eRichard G. Joynt's collection of British manuscripts, from the 15th to the 20th century, of 88 letters and documents, 41 cut signatures, and many book engravings. The authors and signatures include kings, queens, prime ministers, nobles, military officers, authors, and other dignitaries. 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Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Loosely arranged by genre and size of material except the signatures which are in alphabetical order (box 1, folder 2).","Accessioned and minimally described by Steven Bookman, University Archives Specialist, in March 2015. Processing and item descriptions completed in December 2015 by Anne Johnson, Special Collections Assistant.","Richard G. 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Included in the collection is a letter from Silas Totten to Ebenezer Faxon requesting him to come to the college and draw architectural plans for a new college building after the 1859 fire. Other letters in the collection were written by and to members of the Totten family. A certificate of Silas Totten's admission to the Holy Order of Priests and minutes from a meeting of students at the College of William and Mary are also included.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8739#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8739","ead_ssi":"viw_repositories_2_resources_8739","_root_":"viw_repositories_2_resources_8739","_nest_parent_":"viw_repositories_2_resources_8739","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8739.xml","title_filing_ssi":"Totten Silas","title_ssm":["Silas Totten Papers"],"title_tesim":["Silas Totten Papers"],"unitdate_ssm":["1845-1916"],"unitdate_inclusive_ssm":["1845-1916"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.031","/repositories/2/resources/8739"],"text":["UA 6.031","/repositories/2/resources/8739","Silas Totten Papers","College of William and Mary--Faculty and Staff","College of William and Mary--History--19th century","College of William and Mary--Students","Correspondence","Diaries","Manuscripts (document genre)","Minutes","Portraits","This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Silas Totten was a faculty member at William and Mary from 1849 until 1859, when he became the second president of the University of Iowa. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Acc. 2012.371 and Acc. 2012.372 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in December 2012.","University Archives Faculty-Alumni File Collection."," 1977.007, a framed portrait of Silas Totten was moved to the University Archives Artifact Collection.","This collection contains letters, diaries, speeches, and other material written by Silas totten, a professor at the College of William and Mary. Included in the collection is a letter from Silas Totten to Ebenezer Faxon requesting him to come to the college and draw architectural plans for a new college building after the 1859 fire. Other letters in the collection were written by and to members of the Totten family. 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