{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Poetry\u0026f%5Bdate_range%5D%5B%5D=1957\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Poetry\u0026f%5Bdate_range%5D%5B%5D=1957\u0026page=2\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Poetry\u0026f%5Bdate_range%5D%5B%5D=1957\u0026page=2\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":2,"limit_value":10,"offset_value":0,"total_count":14,"first_page?":true,"last_page?":false}},"data":[{"id":"vihart_repositories_4_resources_271","type":"collection","attributes":{"title":"Dorothy Lee Baugher papers","creator":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_271#creator","type":"document_value","attributes":{"value":"Baugher, Dorothy Lee, 1917-2009","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_271#abstract_or_scope","type":"document_value","attributes":{"value":"The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. 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Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in five series:","Daily News-Record  Materials, 1975-1981 Non-Fiction, undated Fiction, 2002-2003 Poetry, 1986-1998 Miscellany, 1936-2003","Obituary for Dorothy L. Baugher,  Daily News-Record , August 15, 2009.","The Schoolma'am , 1939. Harrisonburg (Va.): Madison College.","Dorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the  Daily News-Record . Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry.","Purchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008.","All newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 3017.","The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","Series 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the  Daily News-Record . An index of these writings is available  here .","Series 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.","Series 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.","Series 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.","Series 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community. ","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. 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Baugher, \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, August 15, 2009.\u003c/bibref\u003e","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1939. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Obituary for Dorothy L. Baugher,  Daily News-Record , August 15, 2009.","The Schoolma'am , 1939. Harrisonburg (Va.): Madison College."],"bioghist_html_tesm":["\u003cp\u003eDorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e. Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Dorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the  Daily News-Record . Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry."],"custodhist_html_tesm":["\u003cp\u003ePurchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Purchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), SC 0124, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), SC 0124, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAll newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 3017.\u003c/emph\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["All newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 3017."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.\u003c/p\u003e\n","\u003cp\u003eSeries 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e. An index of these writings is available \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://www.lib.jmu.edu/special/manuscripts/3017Baugher_Detail.pdf\"\u003ehere\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eSeries 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.\u003c/p\u003e\n","\u003cp\u003eSeries 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.\u003c/p\u003e\n","\u003cp\u003eSeries 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.\u003c/p\u003e\n","\u003cp\u003eSeries 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","Series 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the  Daily News-Record . An index of these writings is available  here .","Series 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.","Series 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.","Series 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.","Series 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9a930ec716172acbe7db4319c9d440ca\"\u003eThe Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes."],"names_ssim":["James Madison University Libraries Special Collections","Baugher, Dorothy Lee, 1917-2009"],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Baugher, Dorothy Lee, 1917-2009"],"language_ssim":["English \n.    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Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in five series:","Daily News-Record  Materials, 1975-1981 Non-Fiction, undated Fiction, 2002-2003 Poetry, 1986-1998 Miscellany, 1936-2003","Obituary for Dorothy L. Baugher,  Daily News-Record , August 15, 2009.","The Schoolma'am , 1939. Harrisonburg (Va.): Madison College.","Dorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the  Daily News-Record . Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry.","Purchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008.","All newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 3017.","The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","Series 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the  Daily News-Record . An index of these writings is available  here .","Series 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.","Series 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.","Series 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.","Series 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community. ","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. 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Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in five series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003e\u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e Materials, 1975-1981\u003c/item\u003e\n      \u003citem\u003eNon-Fiction, undated\u003c/item\u003e\n      \u003citem\u003eFiction, 2002-2003\u003c/item\u003e\n      \u003citem\u003ePoetry, 1986-1998\u003c/item\u003e\n      \u003citem\u003eMiscellany, 1936-2003\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in five series:","Daily News-Record  Materials, 1975-1981 Non-Fiction, undated Fiction, 2002-2003 Poetry, 1986-1998 Miscellany, 1936-2003"],"bibliography_html_tesm":["\u003cbibref\u003eObituary for Dorothy L. Baugher, \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e, August 15, 2009.\u003c/bibref\u003e","\u003cbibref\u003e\u003cemph render=\"italic\"\u003eThe Schoolma'am\u003c/emph\u003e, 1939. Harrisonburg (Va.): Madison College.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Obituary for Dorothy L. Baugher,  Daily News-Record , August 15, 2009.","The Schoolma'am , 1939. Harrisonburg (Va.): Madison College."],"bioghist_html_tesm":["\u003cp\u003eDorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e. Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Dorothy Lee Baugher (1917-2009) graduated from Madison College in 1939. While a student, she served as a member of the art staff for the Schoolma'am yearbook. A McGaheysville native, Baugher taught art and English at Turner Ashby High School and in 1975 became the editor for the \"Footprints and Echoes\" column for the Bicentennial at the  Daily News-Record . Baugher's interests included art, pottery, writing fiction and non-fiction, and poetry."],"custodhist_html_tesm":["\u003cp\u003ePurchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["Purchased by a private donor at Bowman Auctions (S. High St., Harrisonburg) in November 2008."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), SC 0124, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), SC 0124, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAll newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 3017.\u003c/emph\u003e\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["All newspaper clippings were photocopied onto non-acidic paper and the originals were disposed. In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in the spring of 2017.  This collection was previously cataloged as SC 3017."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.\u003c/p\u003e\n","\u003cp\u003eSeries 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e. An index of these writings is available \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://www.lib.jmu.edu/special/manuscripts/3017Baugher_Detail.pdf\"\u003ehere\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eSeries 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.\u003c/p\u003e\n","\u003cp\u003eSeries 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.\u003c/p\u003e\n","\u003cp\u003eSeries 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.\u003c/p\u003e\n","\u003cp\u003eSeries 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), are arranged in five series and consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.","Series 1, Daily News-Record Materials, 1975-1981, is comprised of newspaper clippings written by Baugher on subjects pertaining to the United States Bicentennial (1976) as well as the city of Harrisonburg's Bicentennial (1980) in the \"Footprints and Echoes\" column of the Daily News-Record. Topics range from Revolutionary War efforts in the Valley, women's roles in the Revolution, and general daily life in the late eighteenth century. The series includes some of Baugher's typed drafts as well as her drawings, many of which were sketched on the backs of cereal and food boxes. The sketches were published alongside her articles in the  Daily News-Record . An index of these writings is available  here .","Series 2, Non-Fiction, undated, includes a variety of short stories and essays of historical and religious content. Baugher's writings reference Patrick Henry, Stonewall Jackson, Pendleton Bryan, and the Methodist Church. The non-fiction works also include narrative Bible stories about Christmas, Zachariah and Elizabeth, and Thomas the Apostle or Didymus.","Series 3, Fiction, 2002-2003, is comprised of notes, drafts, manuscripts, and short stories.  Included in this series is a children's story entitled \"Corky\" about a pig which was also illustrated by Baugher. Written under the pseudonym Dorothy Lee Desailles, \"The Reluctant Heart\" is Baugher's most extensive work. This unpublished full-length manuscript is set dually in the Caribbean and the United States with religious connotations, a variety of characters, a love-angle, and mystery. Numerous drafts of \"The Reluctant Heart\" are retained.  Ficticious short stories, notes, and resource material for potential works or works in progress are also present.","Series 4, Poetry, 1986-1998, is a collection of handwritten and typed poems written by Baugher.  Much of the poetry has religious themes with references to God and Bible verses.  Notes on potential publishing companies are also present.","Series 5, Miscellany, 1936-2003, consists of various church and community programs, correspondence, notes, and other ephemera.  Specific materials include J.C. Penney employee's sales receipts, the Turner Ashby Class of 1961 \"Progress Report\" (1981 ed.) in which class members describe their lives and families twenty years after graduating, and a Daily News-Record  article and Op-Ed piece recognizing Baugher for her work in the community. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9a930ec716172acbe7db4319c9d440ca\"\u003eThe Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Lee Baugher Papers, 1936-2003 (bulk 1975-1981), consist of two boxes of newspaper clippings, poetry, fiction and non-fiction writings, and drawings produced by Baugher. The collection also includes miscellaneous materials including correspondence, receipts, programs, and notes."],"names_ssim":["James Madison University Libraries Special Collections","Baugher, Dorothy Lee, 1917-2009"],"corpname_ssim":["James Madison University Libraries Special Collections"],"persname_ssim":["Baugher, Dorothy Lee, 1917-2009"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":30,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:04.783Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_271"}},{"id":"vilxw_repositories_5_resources_62","type":"collection","attributes":{"title":"Dr. Sidney Isenberg Collection on Carson McCullers","creator":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_62#creator","type":"document_value","attributes":{"value":"McCullers, Carson","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_62#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection includes 67 items collected by Dr. Sidney Isenberg, a member of the Class of 1942, Washington and Lee University, from his friendship with Carson McCullers, including letters to him from McCullers, from other people about her, an inscribed poem, and memorabilia.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_62#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_62","ead_ssi":"vilxw_repositories_5_resources_62","_root_":"vilxw_repositories_5_resources_62","_nest_parent_":"vilxw_repositories_5_resources_62","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_62.xml","title_ssm":["Dr. Sidney Isenberg Collection on Carson McCullers"],"title_tesim":["Dr. Sidney Isenberg Collection on Carson McCullers"],"unitdate_ssm":["Inclusive 1948-1971"],"unitdate_inclusive_ssm":["Inclusive 1948-1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0097"],"text":["WLU.Coll.0097","Dr. Sidney Isenberg Collection on Carson McCullers","Correspondence","Poetry","Women authors","View this collection online via W\u0026L's Digital Archive","Lula Carson McCullers was a famous American author.","This collection includes 67 items collected by Dr. Sidney Isenberg, a member of the Class of 1942, Washington and Lee University, from his friendship with Carson McCullers, including letters to him from McCullers, from other people about her, an inscribed poem, and memorabilia.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","McCullers, Carson","Isenberg, Sidney","Carr, Virginia Spencer","Cleckley, Hervey M. (Hervey Milton)","Williams, Tennessee","English \n.    "],"unitid_tesim":["WLU.Coll.0097"],"normalized_title_ssm":["Dr. Sidney Isenberg Collection on Carson McCullers"],"collection_title_tesim":["Dr. Sidney Isenberg Collection on Carson McCullers"],"collection_ssim":["Dr. Sidney Isenberg Collection on Carson McCullers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["McCullers, Carson","Isenberg, Sidney","Carr, Virginia Spencer","Cleckley, Hervey M. (Hervey Milton)"],"creator_ssim":["McCullers, Carson","Isenberg, Sidney","Carr, Virginia Spencer","Cleckley, Hervey M. (Hervey Milton)"],"creator_persname_ssim":["McCullers, Carson","Isenberg, Sidney","Carr, Virginia Spencer","Cleckley, Hervey M. (Hervey Milton)"],"creators_ssim":["McCullers, Carson","Isenberg, Sidney","Carr, Virginia Spencer","Cleckley, Hervey M. (Hervey Milton)"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Gift of Dr. Sidney Isenberg."],"access_subjects_ssim":["Correspondence","Poetry","Women authors"],"access_subjects_ssm":["Correspondence","Poetry","Women authors"],"has_online_content_ssim":["false"],"extent_ssm":[".2 Linear Feet"],"extent_tesim":[".2 Linear Feet"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.wlu.edu/handle/11021/23995\"\u003eView this collection online via W\u0026amp;L's Digital Archive\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Online Access"],"altformavail_tesim":["View this collection online via W\u0026L's Digital Archive"],"bioghist_html_tesm":["\u003cp\u003eLula Carson McCullers was a famous American author.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Lula Carson McCullers was a famous American author."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Dr. Sidney Isenberg Collection on Carson McCullers, WLU Coll. 0097, Special Collections and Archives, Leyburn Library, Washington and Lee University, Lexington, VA.\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], Dr. Sidney Isenberg Collection on Carson McCullers, WLU Coll. 0097, Special Collections and Archives, Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes 67 items collected by Dr. Sidney Isenberg, a member of the Class of 1942, Washington and Lee University, from his friendship with Carson McCullers, including letters to him from McCullers, from other people about her, an inscribed poem, and memorabilia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes 67 items collected by Dr. Sidney Isenberg, a member of the Class of 1942, Washington and Lee University, from his friendship with Carson McCullers, including letters to him from McCullers, from other people about her, an inscribed poem, and memorabilia."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","McCullers, Carson","Isenberg, Sidney","Carr, Virginia Spencer","Cleckley, Hervey M. (Hervey Milton)","Williams, Tennessee"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"names_coll_ssim":["Williams, Tennessee"],"persname_ssim":["McCullers, Carson","Isenberg, Sidney","Carr, Virginia Spencer","Cleckley, Hervey M. (Hervey Milton)","Williams, Tennessee"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":55,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T21:14:44.741Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_62","ead_ssi":"vilxw_repositories_5_resources_62","_root_":"vilxw_repositories_5_resources_62","_nest_parent_":"vilxw_repositories_5_resources_62","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_62.xml","title_ssm":["Dr. Sidney Isenberg Collection on Carson McCullers"],"title_tesim":["Dr. Sidney Isenberg Collection on Carson McCullers"],"unitdate_ssm":["Inclusive 1948-1971"],"unitdate_inclusive_ssm":["Inclusive 1948-1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0097"],"text":["WLU.Coll.0097","Dr. Sidney Isenberg Collection on Carson McCullers","Correspondence","Poetry","Women authors","View this collection online via W\u0026L's Digital Archive","Lula Carson McCullers was a famous American author.","This collection includes 67 items collected by Dr. Sidney Isenberg, a member of the Class of 1942, Washington and Lee University, from his friendship with Carson McCullers, including letters to him from McCullers, from other people about her, an inscribed poem, and memorabilia.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","McCullers, Carson","Isenberg, Sidney","Carr, Virginia Spencer","Cleckley, Hervey M. (Hervey Milton)","Williams, Tennessee","English \n.    "],"unitid_tesim":["WLU.Coll.0097"],"normalized_title_ssm":["Dr. Sidney Isenberg Collection on Carson McCullers"],"collection_title_tesim":["Dr. Sidney Isenberg Collection on Carson McCullers"],"collection_ssim":["Dr. Sidney Isenberg Collection on Carson McCullers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["McCullers, Carson","Isenberg, Sidney","Carr, Virginia Spencer","Cleckley, Hervey M. (Hervey Milton)"],"creator_ssim":["McCullers, Carson","Isenberg, Sidney","Carr, Virginia Spencer","Cleckley, Hervey M. (Hervey Milton)"],"creator_persname_ssim":["McCullers, Carson","Isenberg, Sidney","Carr, Virginia Spencer","Cleckley, Hervey M. (Hervey Milton)"],"creators_ssim":["McCullers, Carson","Isenberg, Sidney","Carr, Virginia Spencer","Cleckley, Hervey M. (Hervey Milton)"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"acqinfo_ssim":["Gift of Dr. Sidney Isenberg."],"access_subjects_ssim":["Correspondence","Poetry","Women authors"],"access_subjects_ssm":["Correspondence","Poetry","Women authors"],"has_online_content_ssim":["false"],"extent_ssm":[".2 Linear Feet"],"extent_tesim":[".2 Linear Feet"],"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://repository.wlu.edu/handle/11021/23995\"\u003eView this collection online via W\u0026amp;L's Digital Archive\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Online Access"],"altformavail_tesim":["View this collection online via W\u0026L's Digital Archive"],"bioghist_html_tesm":["\u003cp\u003eLula Carson McCullers was a famous American author.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Lula Carson McCullers was a famous American author."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Dr. Sidney Isenberg Collection on Carson McCullers, WLU Coll. 0097, Special Collections and Archives, Leyburn Library, Washington and Lee University, Lexington, VA.\u003cp\u003eIn some cases the citation format may vary. 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Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes 67 items collected by Dr. Sidney Isenberg, a member of the Class of 1942, Washington and Lee University, from his friendship with Carson McCullers, including letters to him from McCullers, from other people about her, an inscribed poem, and memorabilia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes 67 items collected by Dr. Sidney Isenberg, a member of the Class of 1942, Washington and Lee University, from his friendship with Carson McCullers, including letters to him from McCullers, from other people about her, an inscribed poem, and memorabilia."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","McCullers, Carson","Isenberg, Sidney","Carr, Virginia Spencer","Cleckley, Hervey M. (Hervey Milton)","Williams, Tennessee"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"names_coll_ssim":["Williams, Tennessee"],"persname_ssim":["McCullers, Carson","Isenberg, Sidney","Carr, Virginia Spencer","Cleckley, Hervey M. (Hervey Milton)","Williams, Tennessee"],"language_ssim":["English \n.    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Highlights of the collection include the letters of Alexander Swift(Sandie) Pendleton, a Washington College graduate who was a top aide to Thomas Jonathan \"Stonewall\" Jackson during the American Civil War. These approximately 70 letters were a major source for the book. Sandie was the uncle of the Gadsden sisters. Included in the collection are also a few items of Gen. William Nelson Pendleton who was Robert E. Lee's friend and colleague. There are two ALS of Mildred Lee to Lella Pendleton and two copies of a poem written by and in the hand of Margaret Junkin Preston. There is also an ALS (25 Jan. 1873) from Gen. Joseph E. Johnston to W.N. Pendleton. 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Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_90#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_90","ead_ssi":"vifgm_repositories_2_resources_90","_root_":"vifgm_repositories_2_resources_90","_nest_parent_":"vifgm_repositories_2_resources_90","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_90.xml","title_filing_ssi":"E. P. Conkle papers","title_ssm":["E. P. Conkle papers"],"title_tesim":["E. P. Conkle papers"],"unitdate_ssm":["1928-1994"],"unitdate_inclusive_ssm":["1928-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0157","/repositories/2/resources/90"],"text":["C0157","/repositories/2/resources/90","E. P. Conkle papers","Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence","There are no access restrictions.","This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)","Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. ","Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.","The Special Collections Research Center also holds the  .","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).","George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)","English"],"unitid_tesim":["C0157","/repositories/2/resources/90"],"normalized_title_ssm":["E. P. Conkle papers"],"collection_title_tesim":["E. P. Conkle papers"],"collection_ssim":["E. P. Conkle papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Conkle, E. P. (Ellsworth Prouty)"],"creator_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creator_persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creators_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Virginia McNeal Conkle in 1994."],"access_subjects_ssim":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"access_subjects_ssm":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 7 boxes"],"extent_tesim":["3.5 Linear Feet 7 boxes"],"genreform_ssim":["Poetry","Manuscripts","Correspondence"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Book Manuscripts, undated (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Poetry, 1939-1973 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Short Stories, 1939-1973 (Box 7)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Miscellaneous, 1931-1992 (Box 7)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)"],"bioghist_html_tesm":["\u003cp\u003eEllsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. \u003c/p\u003e\n","\u003cp\u003eIn addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. "],"prefercite_html_tesm":["\u003cp\u003eE. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["E. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Jay Bradford Fowler, Jr. papers\" href=\"https://aspace.gmu.edu/resources/c0046\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" \u003c/p\u003e\n","\u003cp\u003eSeries 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" \u003c/p\u003e\n","\u003cp\u003eSeries 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. \u003c/p\u003e","\u003cp\u003eThis series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; address of the Works Progress Administration in heading\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; note in margin indicates \"Los Angeles Production,\"\u003c/p\u003e","\u003cp\u003eThis series contains typed and annotated manuscripts of books written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript, 292 pages, includes cover with title\u003c/p\u003e","\u003cp\u003etyped manuscript, 292 pages, no cover\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscript with annotations, 135 pages\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript with revisions, 266 pages\u003c/p\u003e","\u003cp\u003eThis is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, 121 pages each\u003c/p\u003e","\u003cp\u003eTexas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan\u003c/p\u003e","\u003cp\u003etwo annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each\u003c/p\u003e","\u003cp\u003eAustin, Texas\u003c/p\u003e","\u003cp\u003eAustin, Texas; facsimile of typescript\u003c/p\u003e","\u003cp\u003ecast: Clyte Cedars and Arlie Askew; place: Clyte's place\u003c/p\u003e","\u003cp\u003e123 pages\u003c/p\u003e","\u003cp\u003eUniversity of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages\u003c/p\u003e","\u003cp\u003etwo typed manuscripts\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages\u003c/p\u003e","\u003cp\u003e84 pages\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two typed copies, one marked \"Final / 1971\"\u003c/p\u003e","\u003cp\u003etwo copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies, 113 pages each\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated poems written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eseveral copies, including one 8 page typed copy with corrections\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"\u003c/p\u003e","\u003cp\u003etwo typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscripts with revisions\u003c/p\u003e","\u003cp\u003esmall format type scripts\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated short stories written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"\u003c/p\u003e","\u003cp\u003eThis collection contains various items including essays and term papers Conkle wrote as a student.\u003c/p\u003e","\u003cp\u003e35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated\u003c/p\u003e","\u003cp\u003elist of University of Texas graduate students and the titles of their theses and dissertations arranged by date\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; revised three-page essay on education written by Conkle\u003c/p\u003e","\u003cp\u003etwo pages listing titles of plays by Conkle and four lines of verse, untitled\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4cc520ef016e4cf4b96e754985251fb\" label=\"Abstract\"\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).\u003c/abstract\u003e"],"abstract_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973)."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:14:16.259Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_90","ead_ssi":"vifgm_repositories_2_resources_90","_root_":"vifgm_repositories_2_resources_90","_nest_parent_":"vifgm_repositories_2_resources_90","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_90.xml","title_filing_ssi":"E. P. Conkle papers","title_ssm":["E. P. Conkle papers"],"title_tesim":["E. P. Conkle papers"],"unitdate_ssm":["1928-1994"],"unitdate_inclusive_ssm":["1928-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0157","/repositories/2/resources/90"],"text":["C0157","/repositories/2/resources/90","E. P. Conkle papers","Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence","There are no access restrictions.","This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)","Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. ","Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.","The Special Collections Research Center also holds the  .","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).","George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)","English"],"unitid_tesim":["C0157","/repositories/2/resources/90"],"normalized_title_ssm":["E. P. Conkle papers"],"collection_title_tesim":["E. P. Conkle papers"],"collection_ssim":["E. P. Conkle papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Conkle, E. P. (Ellsworth Prouty)"],"creator_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creator_persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"creators_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Virginia McNeal Conkle in 1994."],"access_subjects_ssim":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"access_subjects_ssm":["Short stories, American","American poetry -- 20th century","American drama -- 20th century","Creative writing","Theater","Theater programs","Performing arts","Poetry","Manuscripts","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 7 boxes"],"extent_tesim":["3.5 Linear Feet 7 boxes"],"genreform_ssim":["Poetry","Manuscripts","Correspondence"],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Book Manuscripts, undated (Box 1)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Poetry, 1939-1973 (Box 6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Short Stories, 1939-1973 (Box 7)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Miscellaneous, 1931-1992 (Box 7)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into six series by document type and genre with manuscripts arranged alphabetically by title and correspondence arranged chronologically.","Series Series 1: Correspondence and Biographical Material, 1938-1939, 1977-1994 (Box 1) Series 2: Book Manuscripts, undated (Box 1) Series 3: Play Scripts, 1928-1973, bulk 1939-1973 (Boxes 2-6) Series 4: Poetry, 1939-1973 (Box 6) Series 5: Short Stories, 1939-1973 (Box 7) Series 6: Miscellaneous, 1931-1992 (Box 7)"],"bioghist_html_tesm":["\u003cp\u003eEllsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. \u003c/p\u003e\n","\u003cp\u003eIn addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Ellsworth Prouty Conkle (1899-1994) was a prolific playwright and professor of playwriting. Born on July 10, 1899, Conkle grew up on a farm in the small town of Peru, Nebraska. His rural upbringing had an enduring influence on his writing as exemplified in his first published book, Crick Bottom Plays (1928), a collection of short plays which dramatize the wit and wisdom of folksy Nebraskans. After high school Conkle went to Peru State Teachers College and completed his undergraduate education in 1923 at the University of Nebraska. Conkle did graduate work at Yale University in 1926-1928 and earned his Ph.D in playwriting from the University of Iowa in 1936. From 1936-1939 Conkle worked as an assistant professor of speech at the University of Iowa. In 1939 he joined the faculty of the University of Texas at Austin as an associate professor where he became a full professor in 1945 and taught until his retirement in 1973. Conkle's former students include Tennessee Williams, Pat Hingle, Tommy Tune, and Fess Parker. ","In addition to teaching classes and developing the Department of Drama at the University of Texas, Conkle wrote numerous published and unpublished plays, several short stories, and dozens of poems. Much of his work captures the humor and wisdom of a bygone era in American folk-life, including the short play \"Sparkin'\" (1928) and the long plays \"Johnny Appleseed\" (1940) and \"No Time for Heaven\" (1972). Abraham Lincoln became another favorite subject of Conkle's, and the play \"Prologue to Glory\" (1938), a fictionalized account of Lincoln's formative years in New Salem, was chosen for production by the Federal Theatre Project and performed across the United States in 1938-1939. Capitalizing on its success, Conkle wrote a radio script based on the play, entitled Honest Abe, which was produced by CBS and aired in thirty-six parts between 1940 and 1941. Conkle died in 1994. "],"prefercite_html_tesm":["\u003cp\u003eE. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["E. P. Conkle papers, C0157, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid completed by Carol DeAngelo, Barbara Hasse, Robert Vay, Kaycee L. Morgan and Estee L. Dudash. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Jay Bradford Fowler, Jr. papers\" href=\"https://aspace.gmu.edu/resources/c0046\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" \u003c/p\u003e\n","\u003cp\u003eSeries 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. \u003c/p\u003e\n","\u003cp\u003eSeries 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" \u003c/p\u003e\n","\u003cp\u003eSeries 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. \u003c/p\u003e","\u003cp\u003eThis series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; address of the Works Progress Administration in heading\u003c/p\u003e","\u003cp\u003efacsimile\u003c/p\u003e","\u003cp\u003efacsimile; note in margin indicates \"Los Angeles Production,\"\u003c/p\u003e","\u003cp\u003eThis series contains typed and annotated manuscripts of books written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript, 292 pages, includes cover with title\u003c/p\u003e","\u003cp\u003etyped manuscript, 292 pages, no cover\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscript with annotations, 135 pages\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed manuscript with revisions, 266 pages\u003c/p\u003e","\u003cp\u003eThis is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3\u003c/p\u003e","\u003cp\u003eColumbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, 121 pages each\u003c/p\u003e","\u003cp\u003eTexas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan\u003c/p\u003e","\u003cp\u003etwo annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each\u003c/p\u003e","\u003cp\u003eAustin, Texas\u003c/p\u003e","\u003cp\u003eAustin, Texas; facsimile of typescript\u003c/p\u003e","\u003cp\u003ecast: Clyte Cedars and Arlie Askew; place: Clyte's place\u003c/p\u003e","\u003cp\u003e123 pages\u003c/p\u003e","\u003cp\u003eUniversity of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages\u003c/p\u003e","\u003cp\u003etwo typed manuscripts\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages\u003c/p\u003e","\u003cp\u003e84 pages\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two typed copies, one marked \"Final / 1971\"\u003c/p\u003e","\u003cp\u003etwo copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies, 113 pages each\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated poems written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eseveral copies, including one 8 page typed copy with corrections\u003c/p\u003e","\u003cp\u003eAustin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"\u003c/p\u003e","\u003cp\u003etwo typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; typed manuscripts with revisions\u003c/p\u003e","\u003cp\u003esmall format type scripts\u003c/p\u003e","\u003cp\u003eThis collection contains typed and annotated short stories written by E. P. Conkle.\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"\u003c/p\u003e","\u003cp\u003eThis collection contains various items including essays and term papers Conkle wrote as a student.\u003c/p\u003e","\u003cp\u003e35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated\u003c/p\u003e","\u003cp\u003elist of University of Texas graduate students and the titles of their theses and dissertations arranged by date\u003c/p\u003e","\u003cp\u003eUniversity of Texas, Austin; revised three-page essay on education written by Conkle\u003c/p\u003e","\u003cp\u003etwo pages listing titles of plays by Conkle and four lines of verse, untitled\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973). Most of the manuscripts in the collection are undated. Thus, specific dates on subsequently published materials typically refer to the date of publication, and date ranges on unpublished materials refer to letterheads indicating Conkle's employ at the University of Texas or the University of Iowa. The collection also contains playbills and director's notes from various productions of Prologue to Glory, the radio script to the CBS-produced series, Honest Abe (1940-1941), works and notes from former students, and correspondence between Conkle and his wife, Virginia McNeal Conkle. ","Series 1: Correspondence and Biographical Material contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright. ","Series 2: Book Manuscripts contains typed and annotated manuscripts of E. P. Conkle's books Grandpa's Little White Rent House, A Hornbook for Playwrights, and Wake Up, Tom Aycup, or, the Tale of a Great Guy. ","Series 3: Play Scripts contains typed and annotated play scripts written by Conkle, including \"At the Depot,\" \"Day's End,\" \"Good Night, Dear Grandma,\" \"With How Little Wisdom,\" and a three-volume weekly radio script entitled \"Honest Abe.\" Also included is a play script by Patty Gideon Sloan entitled \"Mementos.\" ","Series 4: Poetry contains typed and annotated poems written by Conkle, including the collections Eleven Various Ballads, A Gift of Small Inconsequential Verses, and Thirteen Sonnets Which Speak of Time, and One More. ","Series 5: Short Stories contains typed and annotated copies of Conkle's stories \"Little Angel of the Backward Look,\" \"Traveller, and General Lee,\" and \"Miss Lute.\" ","Series 6: Miscellaneous contains various items including essays and term papers Conkle wrote as a student. ","This series contains letters written to E. P. Conkle and various articles pertaining to Conkle's career as a playwright.","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile","facsimile; address of the Works Progress Administration in heading","facsimile","facsimile; note in margin indicates \"Los Angeles Production,\"","This series contains typed and annotated manuscripts of books written by E. P. Conkle.","Austin, Texas; typed manuscript, 292 pages, includes cover with title","typed manuscript, 292 pages, no cover","University of Texas, Austin; typed manuscript with annotations, 135 pages","Austin, Texas; typed manuscript with revisions, 266 pages","This is the largest series of the collection, and it contains typed and annotated play scripts written by E. P. Conkle and includes one play script written by Patty Gideon Sloan entitled \"Mementos.\"","University of Texas, Austin; includes the plays \"Dusk, Dusk, Dusk,\" \"Two Minds with but Two Single Thoughts,\" \"Mr. Map and the Beautiful Hat,\" \"Oak Leaves Burning,\" and an annotated play script tentatively titled \"A Long Journey.\"","University of Texas, Austin; includes an 18 page annotated manuscript of \"Day's End: A Few Words Spoken by Mr. Lincoln, the President,\" an 11 page typed play script of \"Day's End\" with no revisions, and an 18 page annotated manuscript for \"Oak Leaves Burning.\"","University of Texas, Austin; includes typed play scripts for \"The Fancy One,\" \"Four Old Ladies and Pansy Potter,\" \"Oak Leaves Burning,\" \"Gatie, or Eight Women on a Toot,\" and \"The Jewel in Papa's Crown,\" 62 pages.","University of Texas, Austin; includes two 133 page typed play scripts for \"Good Night, Dear Grandma,\" one of which contains manuscript revisions marked \"final.\"","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 1 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 2 of 3","Columbia Broadcasting System (CBS); a radio script divided into 12 parts for weekly broadcasting, volume 3 of 3","University of Texas, Austin; two copies of the play script, 121 pages each","Texas; typed script of play in three acts by Patty Gideon Sloan; see Box 1, Folder 1 for correspondence with Sloan","two annotated scripts with revisions, one titled simply \"Mr. President,\" approximately 120 pages each","Austin, Texas","Austin, Texas; facsimile of typescript","cast: Clyte Cedars and Arlie Askew; place: Clyte's place","123 pages","University of Iowa, Experimental Theatre Seminar; soft-bound copy, 91 pages","two typed manuscripts","University of Texas, Austin; two copies of the play script, one 65 pages and another with revisions at 69 pages","84 pages","University of Texas, Austin; two typed copies, one marked \"Final / 1971\"","two copies, one 66 pages and the other 67 pages; the former bears a stamp of the author's agent, Frieda Fishbein","University of Texas, Austin; two copies, 113 pages each","This collection contains typed and annotated poems written by E. P. Conkle.","several copies, including one 8 page typed copy with corrections","Austin, Texas; typed poems with revisions, including \"Ballad of the Gay Cavalier,\" \"The Ballad of Henry Plummer,\" \"Ballad to a Wooden Leg,\" \"The Ballad of the Youngster and His Dog,\" \"Ballad of a Hallelujah Marriage,\" \"Ballad of the Merry Miller-Man,\" \"Ballad of the Prairies,\" \"Ballad of Aunt Susan,\" \"Ballad of Mad Beggars,\" \"Ballad of the Happy Milkmaid,\" and \"Ballad of the Cosset Lamb and the Crumpled Cow\"","two typed 45 page manuscripts of poems including \"Birds and Other Animals,\" \"Weather and Scenery,\" \"More and Less Personal,\" \"Just People,\" and \"Philosophy and Other Things\"","University of Texas, Austin; these poetry collections are respectively 22 pages, 27 pages, and 41 pages long; folder includes a title page of \"Verses for a Year\"","University of Texas, Austin; typed manuscripts with revisions","small format type scripts","This collection contains typed and annotated short stories written by E. P. Conkle.","University of Texas, Austin; two copies of the manuscript, 14 pages each, the second alternately titled, \"The Littlest Angel of the Backward Look, a Fantasy\"","University of Texas, Austin; two copies of \"Traveller, and General Lee,\" both 22 pages and one with annotations; one 43 page copy of \"Miss Lute\"","This collection contains various items including essays and term papers Conkle wrote as a student.","35 pages including bibliography; described on title page as \"a term-paper written for the class in \"Chaucer\" for Mr. Frantz\"; annotated","list of University of Texas graduate students and the titles of their theses and dissertations arranged by date","University of Texas, Austin; revised three-page essay on education written by Conkle","two pages listing titles of plays by Conkle and four lines of verse, untitled"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4cc520ef016e4cf4b96e754985251fb\" label=\"Abstract\"\u003eIncluded in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973).\u003c/abstract\u003e"],"abstract_tesim":["Included in the E. P. Conkle papers are plays, poetry, short stories, and book manuscripts written by E. P. Conkle, mostly during Conkle's professorship at the University of Texas at Austin (1939-1973)."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Conkle, E. P. (Ellsworth Prouty)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"persname_ssim":["Conkle, E. P. (Ellsworth Prouty)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:14:16.259Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_90"}},{"id":"viur_repositories_4_resources_19","type":"collection","attributes":{"title":"Gresham Correspondence Collection","creator":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_19#creator","type":"document_value","attributes":{"value":"Dew Gresham, William, 1925-1986","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_19#abstract_or_scope","type":"document_value","attributes":{"value":"The Gresham Correspondence Collection consists of a variety of correspondence between William Gresham and several poets, authors, and playwrights. The majority of the correspondence is invitations, made by Gresham, to speak and read for the Poetry Society of Virginia. The collection contains two booklets, newspaper clippings, correspondence, and a poem written by Gresham entitled Dewey Beach. The majority of the collection was found within the multitude of books that Gresham owned. Many of these books, including signed and first edition copies, are housed in the Galvin Rare Book Room in Boatwright Memorial Library.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_19#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_4_resources_19","ead_ssi":"viur_repositories_4_resources_19","_root_":"viur_repositories_4_resources_19","_nest_parent_":"viur_repositories_4_resources_19","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_19.xml","title_ssm":["Gresham Correspondence Collection"],"title_tesim":["Gresham Correspondence Collection"],"unitdate_ssm":["1901-1984"],"unitdate_inclusive_ssm":["1901-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-14","/repositories/4/resources/19"],"text":["MS-14","/repositories/4/resources/19","Gresham Correspondence Collection","Richmond (Va.)","Poetry","Nonbook Materials","Clippings","The collection is arranged into 3 series:","Series I: Gresham Correspondence \nSeries II: Pamphlets, Writings, and Newspaper Clippings \nSeries III: Other Correspondence","William Dew Gresham (1925-1986) was born and raised in Richmond, Virginia. He received his Bachelor's degree in Liberal Arts from University of Richmond in 1948 and went on to receive a degree in Divinity from Harvard in 1952 and a degree in Library Science from Columbia in 1955. In 1956, Gresham was an assistant librarian in the Boatwright Memorial Library. During his time at the library, Gresham founded a literature society entitled Great Books of Richmond. Gresham moved to Wilmington, Delaware, working in the field of public education from 1959-1985. Public education suited Gresham, as he loved to share what he learned from his wide variety of books, plays, travels, and lectures that he attended. Gresham was a voracious reader who felt that books were the best way to record history, culture, and traditions. His taste in books included literature, poetry, non-fiction, travel, and history. He also enjoyed books written by authors around the world, most notably Greek, Russian, French, and Spanish. Boatwright Memorial Library has a significant collection of his books that were donated by Gresham's family upon his passing. Among these books are first editions and signed copies, many of which are both. Included in these books are several written by the poets represented in the Gresham Correspondence Collection: Enid Starkie's  Arthur Rimbaud ,  Andre Gide , and  Baudelaire ; John Gassner's  The Theater in Our Times  and  Masters of the Drama ; W.H. Auden's  The Collected Poetry of W.H. Auden ,  The Shield of Achilles ,  Nones , and  The Age of Anxiety ; Marianne Moore's  The Complete Poems of Marianne Moore ; Muriel Rukeyser's  Selected Poems ; and W.H. Auden and Christopher Isherwood's  Journey to a War . In addition to the many books donated, the family also donated Gresham's collection of incunabula leaves (see  MS-11 Gresham Incunabula Leaves Collection ).","Enid Starkie (1897-1970) was born in Ireland and studied in both Ireland and England. She was an author of biographies and taught modern languages at the University of Oxford, University of Exeter, and Hollins College (now Hollins University).","John Gassner (1903-1967) was born in Hungary and lived in New York. He attended Columbia University, receiving his Masters. He taught at Labor Temple School (1925-1927), Columbia University, Hunter College (1928-1945), and Bryn Mawr College (1941-1943). Gassner was a playwright and wrote for several magazines, including the  New York Times Book Review .","Wystan Hugh Auden – better known as W.H. Auden – (1907-1973) was from England and emigrated to the United States during WWII (1939). He was a playwright and an author of poetry. Most of his poems were of a political and moral nature. During the Spanish Civil War, Auden spent time in Spain writing. Auden graduated from Oxford in 1928 and married Erika Mann in 1935 to protect her from the Nazi's. Mann stayed behind when Auden emigrated to the United States; the pair never divorced and remained friends. Auden wrote a few plays with Chester Kallman – his lifelong companion. Auden taught poetry at Oxford University from 1956-1961. In 1948, Auden won a Pulitzer Prize for  The Age of Anxiety ; the Gresham family donated a signed copy.","May Sarton (1912-1995) was a poet and author of novels. She is known for her interest in feminism and sexuality, which transfers to her writing. Sarton was born in Belgium, but in 1914, the family fled to England due to WWI. In 1918, the family emigrated to the United States where Sarton remained. The theater was Sarton's first love; after acting for a small New York theater, she ran her own theater company, but had to take on extra work to keep the theater's finances in the black. She began writing literary reviews specifically about theater, but dabbled in poetry as well. She briefly wrote documentary scripts for the United States Office of War Information. During the 1930s, she taught at Stuart School in Boston and from 1950-1953 she taught composition at Harvard University.","Barbara Guest (1920-2006) was an American poet and playwright. In addition, Guest also wrote art reviews for magazines, such as  Art News  and  Art in America . Guest graduated from the University of California, at Berkeley and lived in New York. Among the awards Guest won during her lifetime, include the Lawrence Lipton Award for Literature (1990) and the Robert Frost Medal for Distinguished Lifetime Achievement from Poetry Society of America (1999).","Marianne Moore (1887-1972) was an American poet known for her diverse writings. Moore grew up in the Midwest and graduated from Bryn Mawr in 1909. She lived in New York with her mother throughout her life. The literary community viewed her as an \"auntie figure\" and a mentor. During her lifetime, Moore won many awards: Levinson Prize from Poetry Magazine (1932), Pulitzer Prize for  Collected Poems  (1951), and gold medals from Poetry Society of America (1960 \u0026 1967).","Muriel Rukeyser (1913-1980) was an American poet and political activist. She attended school at Vassar College from 1930-1932, but did not graduate. Upon her departure from Vassar, Rukeyser started the journal  Student Review  with three other women. In 1933, Rukeyser travelled to Alabama to cover the Scottsboro, Alabama, trial of nine African-American boys who were accused of raping two white females, but Rukeyser was detained during the trial. In 1936, she went to Spain to cover an athletic competition; however, by the time she arrived, the Spanish Civil War had begun and Rukeyser began working for the medical bureau in Spain. Rukeyser was frequently involved with political activism and was an advocate against inhumanity. She taught at Sarah Lawrence College in 1946 and 1956-1967. She spoke several languages, including French, Spanish, Swedish, and Italian and enjoyed translating poems in these languages. Among her many awards are the Oscar Blumethal Prize in poetry (1940), Harriet Monroe Poetry Award (1941), and the Levinson Prize in poetry (1947). \nPaul Duke (1926-2005) graduated from University of Richmond in 1947. He was a classmate of William Dew Gresham's. Duke wrote a sports column during his time at the university. Duke is best known for his time on the television program Washington Week in Review where he worked for twenty years. During his time on the show, Duke was inducted into the Virginia Communications Hall of Fame (1992).","Paul Duke (1926-2005) graduated from University of Richmond in 1947. He was a classmate of William Dew Gresham's. Duke wrote a sports column during his time at the university. Duke is best known for his time on the television program  Washington Week in Review  where he worked for twenty years. During his time on the show, Duke was inducted into the Virginia Communications Hall of Fame (1992).","George Dillon (1906-1968) was an American poet, editor, and translator. He graduated from University of Chicago. He won a Pulitzer Prize for his book of poems entitled  Flowering Stone  (1930s).","Gilbert Murray (1866-1957) was an English classicist and translator of Greek literature. He graduated from St. John's College, Oxford and later taught at New College, Oxford where he was the Regius Professor of Greek (1908-1936). Upon his death, his ashes were placed at Westminster Abbey.","Due to deterioration of the newspaper clipping in Series I, File 2, the original clipping was discarded and has been replaced by a photocopied version.","Processed by Kelly Bryan.","This collection contains correspondence between William Gresham and several poets. The majority of the correspondences are replies to Gresham's invitations to speak for the Poetry Society of Virginia. Some of the correspondence Gresham saved was not written by him or to him. The collection also houses several programs, pamphlets, and newspaper articles that support Gresham's dedication and love of literature and culture.","Series I, Gresham Correspondence, includes correspondence between William Gresham and several poets. The letters are regarding Gresham's invitations for various poets to speak for the Poetry Society of Virginia in Williamsburg, Virginia. May Sarton spoke for the organization on May 14, 1960. Most of her letters are regarding her travel arrangements.","Series II, Pamphlets, Writings, and Newspaper Clippings, contains several personal keepsakes, most notably, a poem written by Gresham, two booklets – one autographed by Pearl S. Buck and the other by Art Buchwald – and a Christmas poem written by May Sarton.","Series III, Other Correspondence, comprises correspondence that did not include Gresham. One letter in particular was a thank you note from the poet George Dillon to Gresham's wife Nancy. The last item in the series is a payment note for a cab in Richmond; however, there does not appear to be any connection to Gresham himself and was written over twenty years before Gresham's birth.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","The Gresham Correspondence Collection consists of a variety of correspondence between William Gresham and several poets, authors, and playwrights. The majority of the correspondence is invitations, made by Gresham, to speak and read for the Poetry Society of Virginia. The collection contains two booklets, newspaper clippings, correspondence, and a poem written by Gresham entitled  Dewey Beach . The majority of the collection was found within the multitude of books that Gresham owned. Many of these books, including signed and first edition copies, are housed in the Galvin Rare Book Room in Boatwright Memorial Library.","University of Richmond ","Poetry Society of Virginia","Harvard University. Dramatic Club","Richmond Times-Dispatch","Gresham family","Dew Gresham, William, 1925-1986","Buchwald, Art","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Pound, Ezra, 1885-1972","Rukeyser, Muriel, 1913-1980","Moore, Marianne, 1887-1972","Sarton, May, 1912-1995","Gassner, John, 1903-1967","Auden, W. H. (Wystan Hugh), 1907-1973","Starkie, Enid","Guest, Barbara","Murray, Gilbert, 1866-1957","English"],"unitid_tesim":["MS-14","/repositories/4/resources/19"],"normalized_title_ssm":["Gresham Correspondence Collection"],"collection_title_tesim":["Gresham Correspondence Collection"],"collection_ssim":["Gresham Correspondence Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)"],"geogname_ssim":["Richmond (Va.)"],"creator_ssm":["Dew Gresham, William, 1925-1986","Gresham family"],"creator_ssim":["Dew Gresham, William, 1925-1986","Gresham family"],"creator_persname_ssim":["Dew Gresham, William, 1925-1986"],"creator_famname_ssim":["Gresham family"],"creators_ssim":["Dew Gresham, William, 1925-1986","Gresham family"],"places_ssim":["Richmond (Va.)"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["William Dew Gresham's family donated the collection after his passing."],"access_subjects_ssim":["Poetry","Nonbook Materials","Clippings"],"access_subjects_ssm":["Poetry","Nonbook Materials","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":[".25 Linear Feet"],"extent_tesim":[".25 Linear Feet"],"genreform_ssim":["Clippings"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 3 series:\u003c/p\u003e\n","\u003cp\u003eSeries I: Gresham Correspondence\u003cbr\u003e\nSeries II: Pamphlets, Writings, and Newspaper Clippings\u003cbr\u003e\nSeries III: Other Correspondence\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 3 series:","Series I: Gresham Correspondence \nSeries II: Pamphlets, Writings, and Newspaper Clippings \nSeries III: Other Correspondence"],"bioghist_html_tesm":["\u003cp\u003eWilliam Dew Gresham (1925-1986) was born and raised in Richmond, Virginia. He received his Bachelor's degree in Liberal Arts from University of Richmond in 1948 and went on to receive a degree in Divinity from Harvard in 1952 and a degree in Library Science from Columbia in 1955. In 1956, Gresham was an assistant librarian in the Boatwright Memorial Library. During his time at the library, Gresham founded a literature society entitled Great Books of Richmond. Gresham moved to Wilmington, Delaware, working in the field of public education from 1959-1985. Public education suited Gresham, as he loved to share what he learned from his wide variety of books, plays, travels, and lectures that he attended. Gresham was a voracious reader who felt that books were the best way to record history, culture, and traditions. His taste in books included literature, poetry, non-fiction, travel, and history. He also enjoyed books written by authors around the world, most notably Greek, Russian, French, and Spanish. Boatwright Memorial Library has a significant collection of his books that were donated by Gresham's family upon his passing. Among these books are first editions and signed copies, many of which are both. Included in these books are several written by the poets represented in the Gresham Correspondence Collection: Enid Starkie's \u003cemph render=\"italics\"\u003eArthur Rimbaud\u003c/emph\u003e, \u003cemph render=\"italics\"\u003eAndre Gide\u003c/emph\u003e, and \u003cemph render=\"italics\"\u003eBaudelaire\u003c/emph\u003e; John Gassner's \u003cemph render=\"italics\"\u003eThe Theater in Our Times\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eMasters of the Drama\u003c/emph\u003e; W.H. Auden's \u003cemph render=\"italics\"\u003eThe Collected Poetry of W.H. Auden\u003c/emph\u003e, \u003cemph render=\"italics\"\u003eThe Shield of Achilles\u003c/emph\u003e, \u003cemph render=\"itlaics\"\u003eNones\u003c/emph\u003e, and \u003cemph render=\"italics\"\u003eThe Age of Anxiety\u003c/emph\u003e; Marianne Moore's \u003cemph render=\"italics\"\u003eThe Complete Poems of Marianne Moore\u003c/emph\u003e; Muriel Rukeyser's \u003cemph render=\"italics\"\u003eSelected Poems\u003c/emph\u003e; and W.H. Auden and Christopher Isherwood's \u003cemph render=\"italics\"\u003eJourney to a War\u003c/emph\u003e. In addition to the many books donated, the family also donated Gresham's collection of incunabula leaves (see \u003ca href=\"https://archives.richmond.edu/repositories/4/resources/5\"\u003eMS-11 Gresham Incunabula Leaves Collection\u003c/a\u003e).\u003c/p\u003e\n","\u003cp\u003eEnid Starkie (1897-1970) was born in Ireland and studied in both Ireland and England. She was an author of biographies and taught modern languages at the University of Oxford, University of Exeter, and Hollins College (now Hollins University).\u003c/p\u003e\n","\u003cp\u003eJohn Gassner (1903-1967) was born in Hungary and lived in New York. He attended Columbia University, receiving his Masters. He taught at Labor Temple School (1925-1927), Columbia University, Hunter College (1928-1945), and Bryn Mawr College (1941-1943). Gassner was a playwright and wrote for several magazines, including the \u003cemph render=\"italics\"\u003eNew York Times Book Review\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003eWystan Hugh Auden – better known as W.H. Auden – (1907-1973) was from England and emigrated to the United States during WWII (1939). He was a playwright and an author of poetry. Most of his poems were of a political and moral nature. During the Spanish Civil War, Auden spent time in Spain writing. Auden graduated from Oxford in 1928 and married Erika Mann in 1935 to protect her from the Nazi's. Mann stayed behind when Auden emigrated to the United States; the pair never divorced and remained friends. Auden wrote a few plays with Chester Kallman – his lifelong companion. Auden taught poetry at Oxford University from 1956-1961. In 1948, Auden won a Pulitzer Prize for \u003cemph render=\"italics\"\u003eThe Age of Anxiety\u003c/emph\u003e; the Gresham family donated a signed copy.\u003c/p\u003e\n","\u003cp\u003eMay Sarton (1912-1995) was a poet and author of novels. She is known for her interest in feminism and sexuality, which transfers to her writing. Sarton was born in Belgium, but in 1914, the family fled to England due to WWI. In 1918, the family emigrated to the United States where Sarton remained. The theater was Sarton's first love; after acting for a small New York theater, she ran her own theater company, but had to take on extra work to keep the theater's finances in the black. She began writing literary reviews specifically about theater, but dabbled in poetry as well. She briefly wrote documentary scripts for the United States Office of War Information. During the 1930s, she taught at Stuart School in Boston and from 1950-1953 she taught composition at Harvard University.\u003c/p\u003e\n","\u003cp\u003eBarbara Guest (1920-2006) was an American poet and playwright. In addition, Guest also wrote art reviews for magazines, such as \u003cemph render=\"italics\"\u003eArt News\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eArt in America\u003c/emph\u003e. Guest graduated from the University of California, at Berkeley and lived in New York. Among the awards Guest won during her lifetime, include the Lawrence Lipton Award for Literature (1990) and the Robert Frost Medal for Distinguished Lifetime Achievement from Poetry Society of America (1999).\u003c/p\u003e\n","\u003cp\u003eMarianne Moore (1887-1972) was an American poet known for her diverse writings. Moore grew up in the Midwest and graduated from Bryn Mawr in 1909. She lived in New York with her mother throughout her life. The literary community viewed her as an \"auntie figure\" and a mentor. During her lifetime, Moore won many awards: Levinson Prize from Poetry Magazine (1932), Pulitzer Prize for \u003cemph render=\"italics\"\u003eCollected Poems\u003c/emph\u003e (1951), and gold medals from Poetry Society of America (1960 \u0026amp; 1967).\u003c/p\u003e\n","\u003cp\u003eMuriel Rukeyser (1913-1980) was an American poet and political activist. She attended school at Vassar College from 1930-1932, but did not graduate. Upon her departure from Vassar, Rukeyser started the journal \u003cemph render=\"italics\"\u003eStudent Review\u003c/emph\u003e with three other women. In 1933, Rukeyser travelled to Alabama to cover the Scottsboro, Alabama, trial of nine African-American boys who were accused of raping two white females, but Rukeyser was detained during the trial. In 1936, she went to Spain to cover an athletic competition; however, by the time she arrived, the Spanish Civil War had begun and Rukeyser began working for the medical bureau in Spain. Rukeyser was frequently involved with political activism and was an advocate against inhumanity. She taught at Sarah Lawrence College in 1946 and 1956-1967. She spoke several languages, including French, Spanish, Swedish, and Italian and enjoyed translating poems in these languages. Among her many awards are the Oscar Blumethal Prize in poetry (1940), Harriet Monroe Poetry Award (1941), and the Levinson Prize in poetry (1947). \nPaul Duke (1926-2005) graduated from University of Richmond in 1947. He was a classmate of William Dew Gresham's. Duke wrote a sports column during his time at the university. Duke is best known for his time on the television program Washington Week in Review where he worked for twenty years. During his time on the show, Duke was inducted into the Virginia Communications Hall of Fame (1992).\u003c/p\u003e\n","\u003cp\u003ePaul Duke (1926-2005) graduated from University of Richmond in 1947. He was a classmate of William Dew Gresham's. Duke wrote a sports column during his time at the university. Duke is best known for his time on the television program \u003cemph render=\"italics\"\u003eWashington Week in Review\u003c/emph\u003e where he worked for twenty years. During his time on the show, Duke was inducted into the Virginia Communications Hall of Fame (1992).\u003c/p\u003e\n","\u003cp\u003eGeorge Dillon (1906-1968) was an American poet, editor, and translator. He graduated from University of Chicago. He won a Pulitzer Prize for his book of poems entitled \u003cemph render=\"italics\"\u003eFlowering Stone\u003c/emph\u003e (1930s).\u003c/p\u003e\n","\u003cp\u003eGilbert Murray (1866-1957) was an English classicist and translator of Greek literature. He graduated from St. John's College, Oxford and later taught at New College, Oxford where he was the Regius Professor of Greek (1908-1936). Upon his death, his ashes were placed at Westminster Abbey.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["William Dew Gresham (1925-1986) was born and raised in Richmond, Virginia. He received his Bachelor's degree in Liberal Arts from University of Richmond in 1948 and went on to receive a degree in Divinity from Harvard in 1952 and a degree in Library Science from Columbia in 1955. In 1956, Gresham was an assistant librarian in the Boatwright Memorial Library. During his time at the library, Gresham founded a literature society entitled Great Books of Richmond. Gresham moved to Wilmington, Delaware, working in the field of public education from 1959-1985. Public education suited Gresham, as he loved to share what he learned from his wide variety of books, plays, travels, and lectures that he attended. Gresham was a voracious reader who felt that books were the best way to record history, culture, and traditions. His taste in books included literature, poetry, non-fiction, travel, and history. He also enjoyed books written by authors around the world, most notably Greek, Russian, French, and Spanish. Boatwright Memorial Library has a significant collection of his books that were donated by Gresham's family upon his passing. Among these books are first editions and signed copies, many of which are both. Included in these books are several written by the poets represented in the Gresham Correspondence Collection: Enid Starkie's  Arthur Rimbaud ,  Andre Gide , and  Baudelaire ; John Gassner's  The Theater in Our Times  and  Masters of the Drama ; W.H. Auden's  The Collected Poetry of W.H. Auden ,  The Shield of Achilles ,  Nones , and  The Age of Anxiety ; Marianne Moore's  The Complete Poems of Marianne Moore ; Muriel Rukeyser's  Selected Poems ; and W.H. Auden and Christopher Isherwood's  Journey to a War . In addition to the many books donated, the family also donated Gresham's collection of incunabula leaves (see  MS-11 Gresham Incunabula Leaves Collection ).","Enid Starkie (1897-1970) was born in Ireland and studied in both Ireland and England. She was an author of biographies and taught modern languages at the University of Oxford, University of Exeter, and Hollins College (now Hollins University).","John Gassner (1903-1967) was born in Hungary and lived in New York. He attended Columbia University, receiving his Masters. He taught at Labor Temple School (1925-1927), Columbia University, Hunter College (1928-1945), and Bryn Mawr College (1941-1943). Gassner was a playwright and wrote for several magazines, including the  New York Times Book Review .","Wystan Hugh Auden – better known as W.H. Auden – (1907-1973) was from England and emigrated to the United States during WWII (1939). He was a playwright and an author of poetry. Most of his poems were of a political and moral nature. During the Spanish Civil War, Auden spent time in Spain writing. Auden graduated from Oxford in 1928 and married Erika Mann in 1935 to protect her from the Nazi's. Mann stayed behind when Auden emigrated to the United States; the pair never divorced and remained friends. Auden wrote a few plays with Chester Kallman – his lifelong companion. Auden taught poetry at Oxford University from 1956-1961. In 1948, Auden won a Pulitzer Prize for  The Age of Anxiety ; the Gresham family donated a signed copy.","May Sarton (1912-1995) was a poet and author of novels. She is known for her interest in feminism and sexuality, which transfers to her writing. Sarton was born in Belgium, but in 1914, the family fled to England due to WWI. In 1918, the family emigrated to the United States where Sarton remained. The theater was Sarton's first love; after acting for a small New York theater, she ran her own theater company, but had to take on extra work to keep the theater's finances in the black. She began writing literary reviews specifically about theater, but dabbled in poetry as well. She briefly wrote documentary scripts for the United States Office of War Information. During the 1930s, she taught at Stuart School in Boston and from 1950-1953 she taught composition at Harvard University.","Barbara Guest (1920-2006) was an American poet and playwright. In addition, Guest also wrote art reviews for magazines, such as  Art News  and  Art in America . Guest graduated from the University of California, at Berkeley and lived in New York. Among the awards Guest won during her lifetime, include the Lawrence Lipton Award for Literature (1990) and the Robert Frost Medal for Distinguished Lifetime Achievement from Poetry Society of America (1999).","Marianne Moore (1887-1972) was an American poet known for her diverse writings. Moore grew up in the Midwest and graduated from Bryn Mawr in 1909. She lived in New York with her mother throughout her life. The literary community viewed her as an \"auntie figure\" and a mentor. During her lifetime, Moore won many awards: Levinson Prize from Poetry Magazine (1932), Pulitzer Prize for  Collected Poems  (1951), and gold medals from Poetry Society of America (1960 \u0026 1967).","Muriel Rukeyser (1913-1980) was an American poet and political activist. She attended school at Vassar College from 1930-1932, but did not graduate. Upon her departure from Vassar, Rukeyser started the journal  Student Review  with three other women. In 1933, Rukeyser travelled to Alabama to cover the Scottsboro, Alabama, trial of nine African-American boys who were accused of raping two white females, but Rukeyser was detained during the trial. In 1936, she went to Spain to cover an athletic competition; however, by the time she arrived, the Spanish Civil War had begun and Rukeyser began working for the medical bureau in Spain. Rukeyser was frequently involved with political activism and was an advocate against inhumanity. She taught at Sarah Lawrence College in 1946 and 1956-1967. She spoke several languages, including French, Spanish, Swedish, and Italian and enjoyed translating poems in these languages. Among her many awards are the Oscar Blumethal Prize in poetry (1940), Harriet Monroe Poetry Award (1941), and the Levinson Prize in poetry (1947). \nPaul Duke (1926-2005) graduated from University of Richmond in 1947. He was a classmate of William Dew Gresham's. Duke wrote a sports column during his time at the university. Duke is best known for his time on the television program Washington Week in Review where he worked for twenty years. During his time on the show, Duke was inducted into the Virginia Communications Hall of Fame (1992).","Paul Duke (1926-2005) graduated from University of Richmond in 1947. He was a classmate of William Dew Gresham's. Duke wrote a sports column during his time at the university. Duke is best known for his time on the television program  Washington Week in Review  where he worked for twenty years. During his time on the show, Duke was inducted into the Virginia Communications Hall of Fame (1992).","George Dillon (1906-1968) was an American poet, editor, and translator. He graduated from University of Chicago. He won a Pulitzer Prize for his book of poems entitled  Flowering Stone  (1930s).","Gilbert Murray (1866-1957) was an English classicist and translator of Greek literature. He graduated from St. John's College, Oxford and later taught at New College, Oxford where he was the Regius Professor of Greek (1908-1936). Upon his death, his ashes were placed at Westminster Abbey."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-14, Gresham Correspondence Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-14, Gresham Correspondence Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eDue to deterioration of the newspaper clipping in Series I, File 2, the original clipping was discarded and has been replaced by a photocopied version.\u003c/p\u003e","\u003cp\u003eProcessed by Kelly Bryan.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Due to deterioration of the newspaper clipping in Series I, File 2, the original clipping was discarded and has been replaced by a photocopied version.","Processed by Kelly Bryan."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains correspondence between William Gresham and several poets. The majority of the correspondences are replies to Gresham's invitations to speak for the Poetry Society of Virginia. Some of the correspondence Gresham saved was not written by him or to him. The collection also houses several programs, pamphlets, and newspaper articles that support Gresham's dedication and love of literature and culture.\u003c/p\u003e\n","\u003cp\u003eSeries I, Gresham Correspondence, includes correspondence between William Gresham and several poets. The letters are regarding Gresham's invitations for various poets to speak for the Poetry Society of Virginia in Williamsburg, Virginia. May Sarton spoke for the organization on May 14, 1960. Most of her letters are regarding her travel arrangements.\u003c/p\u003e\n","\u003cp\u003eSeries II, Pamphlets, Writings, and Newspaper Clippings, contains several personal keepsakes, most notably, a poem written by Gresham, two booklets – one autographed by Pearl S. Buck and the other by Art Buchwald – and a Christmas poem written by May Sarton.\u003c/p\u003e\n","\u003cp\u003eSeries III, Other Correspondence, comprises correspondence that did not include Gresham. One letter in particular was a thank you note from the poet George Dillon to Gresham's wife Nancy. The last item in the series is a payment note for a cab in Richmond; however, there does not appear to be any connection to Gresham himself and was written over twenty years before Gresham's birth.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains correspondence between William Gresham and several poets. The majority of the correspondences are replies to Gresham's invitations to speak for the Poetry Society of Virginia. Some of the correspondence Gresham saved was not written by him or to him. The collection also houses several programs, pamphlets, and newspaper articles that support Gresham's dedication and love of literature and culture.","Series I, Gresham Correspondence, includes correspondence between William Gresham and several poets. The letters are regarding Gresham's invitations for various poets to speak for the Poetry Society of Virginia in Williamsburg, Virginia. May Sarton spoke for the organization on May 14, 1960. Most of her letters are regarding her travel arrangements.","Series II, Pamphlets, Writings, and Newspaper Clippings, contains several personal keepsakes, most notably, a poem written by Gresham, two booklets – one autographed by Pearl S. Buck and the other by Art Buchwald – and a Christmas poem written by May Sarton.","Series III, Other Correspondence, comprises correspondence that did not include Gresham. One letter in particular was a thank you note from the poet George Dillon to Gresham's wife Nancy. The last item in the series is a payment note for a cab in Richmond; however, there does not appear to be any connection to Gresham himself and was written over twenty years before Gresham's birth."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_MS-14\"\u003eThe Gresham Correspondence Collection consists of a variety of correspondence between William Gresham and several poets, authors, and playwrights. The majority of the correspondence is invitations, made by Gresham, to speak and read for the Poetry Society of Virginia. The collection contains two booklets, newspaper clippings, correspondence, and a poem written by Gresham entitled \u003cemph render=\"italics\"\u003eDewey Beach\u003c/emph\u003e. The majority of the collection was found within the multitude of books that Gresham owned. Many of these books, including signed and first edition copies, are housed in the Galvin Rare Book Room in Boatwright Memorial Library.\u003c/abstract\u003e"],"abstract_tesim":["The Gresham Correspondence Collection consists of a variety of correspondence between William Gresham and several poets, authors, and playwrights. The majority of the correspondence is invitations, made by Gresham, to speak and read for the Poetry Society of Virginia. The collection contains two booklets, newspaper clippings, correspondence, and a poem written by Gresham entitled  Dewey Beach . The majority of the collection was found within the multitude of books that Gresham owned. Many of these books, including signed and first edition copies, are housed in the Galvin Rare Book Room in Boatwright Memorial Library."],"names_coll_ssim":["Poetry Society of Virginia","Harvard University. Dramatic Club","Richmond Times-Dispatch","Buchwald, Art","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Pound, Ezra, 1885-1972","Rukeyser, Muriel, 1913-1980","Moore, Marianne, 1887-1972","Sarton, May, 1912-1995","Gassner, John, 1903-1967","Auden, W. H. (Wystan Hugh), 1907-1973","Starkie, Enid","Guest, Barbara","Murray, Gilbert, 1866-1957"],"names_ssim":["University of Richmond ","Poetry Society of Virginia","Harvard University. Dramatic Club","Richmond Times-Dispatch","Gresham family","Dew Gresham, William, 1925-1986","Buchwald, Art","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Pound, Ezra, 1885-1972","Rukeyser, Muriel, 1913-1980","Moore, Marianne, 1887-1972","Sarton, May, 1912-1995","Gassner, John, 1903-1967","Auden, W. H. (Wystan Hugh), 1907-1973","Starkie, Enid","Guest, Barbara","Murray, Gilbert, 1866-1957"],"corpname_ssim":["University of Richmond ","Poetry Society of Virginia","Harvard University. Dramatic Club","Richmond Times-Dispatch"],"famname_ssim":["Gresham family"],"persname_ssim":["Dew Gresham, William, 1925-1986","Buchwald, Art","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Pound, Ezra, 1885-1972","Rukeyser, Muriel, 1913-1980","Moore, Marianne, 1887-1972","Sarton, May, 1912-1995","Gassner, John, 1903-1967","Auden, W. H. (Wystan Hugh), 1907-1973","Starkie, Enid","Guest, Barbara","Murray, Gilbert, 1866-1957"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":30,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:08:34.809Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_19","ead_ssi":"viur_repositories_4_resources_19","_root_":"viur_repositories_4_resources_19","_nest_parent_":"viur_repositories_4_resources_19","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_19.xml","title_ssm":["Gresham Correspondence Collection"],"title_tesim":["Gresham Correspondence Collection"],"unitdate_ssm":["1901-1984"],"unitdate_inclusive_ssm":["1901-1984"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-14","/repositories/4/resources/19"],"text":["MS-14","/repositories/4/resources/19","Gresham Correspondence Collection","Richmond (Va.)","Poetry","Nonbook Materials","Clippings","The collection is arranged into 3 series:","Series I: Gresham Correspondence \nSeries II: Pamphlets, Writings, and Newspaper Clippings \nSeries III: Other Correspondence","William Dew Gresham (1925-1986) was born and raised in Richmond, Virginia. He received his Bachelor's degree in Liberal Arts from University of Richmond in 1948 and went on to receive a degree in Divinity from Harvard in 1952 and a degree in Library Science from Columbia in 1955. In 1956, Gresham was an assistant librarian in the Boatwright Memorial Library. During his time at the library, Gresham founded a literature society entitled Great Books of Richmond. Gresham moved to Wilmington, Delaware, working in the field of public education from 1959-1985. Public education suited Gresham, as he loved to share what he learned from his wide variety of books, plays, travels, and lectures that he attended. Gresham was a voracious reader who felt that books were the best way to record history, culture, and traditions. His taste in books included literature, poetry, non-fiction, travel, and history. He also enjoyed books written by authors around the world, most notably Greek, Russian, French, and Spanish. Boatwright Memorial Library has a significant collection of his books that were donated by Gresham's family upon his passing. Among these books are first editions and signed copies, many of which are both. Included in these books are several written by the poets represented in the Gresham Correspondence Collection: Enid Starkie's  Arthur Rimbaud ,  Andre Gide , and  Baudelaire ; John Gassner's  The Theater in Our Times  and  Masters of the Drama ; W.H. Auden's  The Collected Poetry of W.H. Auden ,  The Shield of Achilles ,  Nones , and  The Age of Anxiety ; Marianne Moore's  The Complete Poems of Marianne Moore ; Muriel Rukeyser's  Selected Poems ; and W.H. Auden and Christopher Isherwood's  Journey to a War . In addition to the many books donated, the family also donated Gresham's collection of incunabula leaves (see  MS-11 Gresham Incunabula Leaves Collection ).","Enid Starkie (1897-1970) was born in Ireland and studied in both Ireland and England. She was an author of biographies and taught modern languages at the University of Oxford, University of Exeter, and Hollins College (now Hollins University).","John Gassner (1903-1967) was born in Hungary and lived in New York. He attended Columbia University, receiving his Masters. He taught at Labor Temple School (1925-1927), Columbia University, Hunter College (1928-1945), and Bryn Mawr College (1941-1943). Gassner was a playwright and wrote for several magazines, including the  New York Times Book Review .","Wystan Hugh Auden – better known as W.H. Auden – (1907-1973) was from England and emigrated to the United States during WWII (1939). He was a playwright and an author of poetry. Most of his poems were of a political and moral nature. During the Spanish Civil War, Auden spent time in Spain writing. Auden graduated from Oxford in 1928 and married Erika Mann in 1935 to protect her from the Nazi's. Mann stayed behind when Auden emigrated to the United States; the pair never divorced and remained friends. Auden wrote a few plays with Chester Kallman – his lifelong companion. Auden taught poetry at Oxford University from 1956-1961. In 1948, Auden won a Pulitzer Prize for  The Age of Anxiety ; the Gresham family donated a signed copy.","May Sarton (1912-1995) was a poet and author of novels. She is known for her interest in feminism and sexuality, which transfers to her writing. Sarton was born in Belgium, but in 1914, the family fled to England due to WWI. In 1918, the family emigrated to the United States where Sarton remained. The theater was Sarton's first love; after acting for a small New York theater, she ran her own theater company, but had to take on extra work to keep the theater's finances in the black. She began writing literary reviews specifically about theater, but dabbled in poetry as well. She briefly wrote documentary scripts for the United States Office of War Information. During the 1930s, she taught at Stuart School in Boston and from 1950-1953 she taught composition at Harvard University.","Barbara Guest (1920-2006) was an American poet and playwright. In addition, Guest also wrote art reviews for magazines, such as  Art News  and  Art in America . Guest graduated from the University of California, at Berkeley and lived in New York. Among the awards Guest won during her lifetime, include the Lawrence Lipton Award for Literature (1990) and the Robert Frost Medal for Distinguished Lifetime Achievement from Poetry Society of America (1999).","Marianne Moore (1887-1972) was an American poet known for her diverse writings. Moore grew up in the Midwest and graduated from Bryn Mawr in 1909. She lived in New York with her mother throughout her life. The literary community viewed her as an \"auntie figure\" and a mentor. During her lifetime, Moore won many awards: Levinson Prize from Poetry Magazine (1932), Pulitzer Prize for  Collected Poems  (1951), and gold medals from Poetry Society of America (1960 \u0026 1967).","Muriel Rukeyser (1913-1980) was an American poet and political activist. She attended school at Vassar College from 1930-1932, but did not graduate. Upon her departure from Vassar, Rukeyser started the journal  Student Review  with three other women. In 1933, Rukeyser travelled to Alabama to cover the Scottsboro, Alabama, trial of nine African-American boys who were accused of raping two white females, but Rukeyser was detained during the trial. In 1936, she went to Spain to cover an athletic competition; however, by the time she arrived, the Spanish Civil War had begun and Rukeyser began working for the medical bureau in Spain. Rukeyser was frequently involved with political activism and was an advocate against inhumanity. She taught at Sarah Lawrence College in 1946 and 1956-1967. She spoke several languages, including French, Spanish, Swedish, and Italian and enjoyed translating poems in these languages. Among her many awards are the Oscar Blumethal Prize in poetry (1940), Harriet Monroe Poetry Award (1941), and the Levinson Prize in poetry (1947). \nPaul Duke (1926-2005) graduated from University of Richmond in 1947. He was a classmate of William Dew Gresham's. Duke wrote a sports column during his time at the university. Duke is best known for his time on the television program Washington Week in Review where he worked for twenty years. During his time on the show, Duke was inducted into the Virginia Communications Hall of Fame (1992).","Paul Duke (1926-2005) graduated from University of Richmond in 1947. He was a classmate of William Dew Gresham's. Duke wrote a sports column during his time at the university. Duke is best known for his time on the television program  Washington Week in Review  where he worked for twenty years. During his time on the show, Duke was inducted into the Virginia Communications Hall of Fame (1992).","George Dillon (1906-1968) was an American poet, editor, and translator. He graduated from University of Chicago. He won a Pulitzer Prize for his book of poems entitled  Flowering Stone  (1930s).","Gilbert Murray (1866-1957) was an English classicist and translator of Greek literature. He graduated from St. John's College, Oxford and later taught at New College, Oxford where he was the Regius Professor of Greek (1908-1936). Upon his death, his ashes were placed at Westminster Abbey.","Due to deterioration of the newspaper clipping in Series I, File 2, the original clipping was discarded and has been replaced by a photocopied version.","Processed by Kelly Bryan.","This collection contains correspondence between William Gresham and several poets. The majority of the correspondences are replies to Gresham's invitations to speak for the Poetry Society of Virginia. Some of the correspondence Gresham saved was not written by him or to him. The collection also houses several programs, pamphlets, and newspaper articles that support Gresham's dedication and love of literature and culture.","Series I, Gresham Correspondence, includes correspondence between William Gresham and several poets. The letters are regarding Gresham's invitations for various poets to speak for the Poetry Society of Virginia in Williamsburg, Virginia. May Sarton spoke for the organization on May 14, 1960. Most of her letters are regarding her travel arrangements.","Series II, Pamphlets, Writings, and Newspaper Clippings, contains several personal keepsakes, most notably, a poem written by Gresham, two booklets – one autographed by Pearl S. Buck and the other by Art Buchwald – and a Christmas poem written by May Sarton.","Series III, Other Correspondence, comprises correspondence that did not include Gresham. One letter in particular was a thank you note from the poet George Dillon to Gresham's wife Nancy. The last item in the series is a payment note for a cab in Richmond; however, there does not appear to be any connection to Gresham himself and was written over twenty years before Gresham's birth.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","The Gresham Correspondence Collection consists of a variety of correspondence between William Gresham and several poets, authors, and playwrights. The majority of the correspondence is invitations, made by Gresham, to speak and read for the Poetry Society of Virginia. The collection contains two booklets, newspaper clippings, correspondence, and a poem written by Gresham entitled  Dewey Beach . The majority of the collection was found within the multitude of books that Gresham owned. Many of these books, including signed and first edition copies, are housed in the Galvin Rare Book Room in Boatwright Memorial Library.","University of Richmond ","Poetry Society of Virginia","Harvard University. Dramatic Club","Richmond Times-Dispatch","Gresham family","Dew Gresham, William, 1925-1986","Buchwald, Art","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Pound, Ezra, 1885-1972","Rukeyser, Muriel, 1913-1980","Moore, Marianne, 1887-1972","Sarton, May, 1912-1995","Gassner, John, 1903-1967","Auden, W. H. (Wystan Hugh), 1907-1973","Starkie, Enid","Guest, Barbara","Murray, Gilbert, 1866-1957","English"],"unitid_tesim":["MS-14","/repositories/4/resources/19"],"normalized_title_ssm":["Gresham Correspondence Collection"],"collection_title_tesim":["Gresham Correspondence Collection"],"collection_ssim":["Gresham Correspondence Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)"],"geogname_ssim":["Richmond (Va.)"],"creator_ssm":["Dew Gresham, William, 1925-1986","Gresham family"],"creator_ssim":["Dew Gresham, William, 1925-1986","Gresham family"],"creator_persname_ssim":["Dew Gresham, William, 1925-1986"],"creator_famname_ssim":["Gresham family"],"creators_ssim":["Dew Gresham, William, 1925-1986","Gresham family"],"places_ssim":["Richmond (Va.)"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["William Dew Gresham's family donated the collection after his passing."],"access_subjects_ssim":["Poetry","Nonbook Materials","Clippings"],"access_subjects_ssm":["Poetry","Nonbook Materials","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":[".25 Linear Feet"],"extent_tesim":[".25 Linear Feet"],"genreform_ssim":["Clippings"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 3 series:\u003c/p\u003e\n","\u003cp\u003eSeries I: Gresham Correspondence\u003cbr\u003e\nSeries II: Pamphlets, Writings, and Newspaper Clippings\u003cbr\u003e\nSeries III: Other Correspondence\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 3 series:","Series I: Gresham Correspondence \nSeries II: Pamphlets, Writings, and Newspaper Clippings \nSeries III: Other Correspondence"],"bioghist_html_tesm":["\u003cp\u003eWilliam Dew Gresham (1925-1986) was born and raised in Richmond, Virginia. He received his Bachelor's degree in Liberal Arts from University of Richmond in 1948 and went on to receive a degree in Divinity from Harvard in 1952 and a degree in Library Science from Columbia in 1955. In 1956, Gresham was an assistant librarian in the Boatwright Memorial Library. During his time at the library, Gresham founded a literature society entitled Great Books of Richmond. Gresham moved to Wilmington, Delaware, working in the field of public education from 1959-1985. Public education suited Gresham, as he loved to share what he learned from his wide variety of books, plays, travels, and lectures that he attended. Gresham was a voracious reader who felt that books were the best way to record history, culture, and traditions. His taste in books included literature, poetry, non-fiction, travel, and history. He also enjoyed books written by authors around the world, most notably Greek, Russian, French, and Spanish. Boatwright Memorial Library has a significant collection of his books that were donated by Gresham's family upon his passing. Among these books are first editions and signed copies, many of which are both. Included in these books are several written by the poets represented in the Gresham Correspondence Collection: Enid Starkie's \u003cemph render=\"italics\"\u003eArthur Rimbaud\u003c/emph\u003e, \u003cemph render=\"italics\"\u003eAndre Gide\u003c/emph\u003e, and \u003cemph render=\"italics\"\u003eBaudelaire\u003c/emph\u003e; John Gassner's \u003cemph render=\"italics\"\u003eThe Theater in Our Times\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eMasters of the Drama\u003c/emph\u003e; W.H. Auden's \u003cemph render=\"italics\"\u003eThe Collected Poetry of W.H. Auden\u003c/emph\u003e, \u003cemph render=\"italics\"\u003eThe Shield of Achilles\u003c/emph\u003e, \u003cemph render=\"itlaics\"\u003eNones\u003c/emph\u003e, and \u003cemph render=\"italics\"\u003eThe Age of Anxiety\u003c/emph\u003e; Marianne Moore's \u003cemph render=\"italics\"\u003eThe Complete Poems of Marianne Moore\u003c/emph\u003e; Muriel Rukeyser's \u003cemph render=\"italics\"\u003eSelected Poems\u003c/emph\u003e; and W.H. Auden and Christopher Isherwood's \u003cemph render=\"italics\"\u003eJourney to a War\u003c/emph\u003e. In addition to the many books donated, the family also donated Gresham's collection of incunabula leaves (see \u003ca href=\"https://archives.richmond.edu/repositories/4/resources/5\"\u003eMS-11 Gresham Incunabula Leaves Collection\u003c/a\u003e).\u003c/p\u003e\n","\u003cp\u003eEnid Starkie (1897-1970) was born in Ireland and studied in both Ireland and England. She was an author of biographies and taught modern languages at the University of Oxford, University of Exeter, and Hollins College (now Hollins University).\u003c/p\u003e\n","\u003cp\u003eJohn Gassner (1903-1967) was born in Hungary and lived in New York. He attended Columbia University, receiving his Masters. He taught at Labor Temple School (1925-1927), Columbia University, Hunter College (1928-1945), and Bryn Mawr College (1941-1943). Gassner was a playwright and wrote for several magazines, including the \u003cemph render=\"italics\"\u003eNew York Times Book Review\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003eWystan Hugh Auden – better known as W.H. Auden – (1907-1973) was from England and emigrated to the United States during WWII (1939). He was a playwright and an author of poetry. Most of his poems were of a political and moral nature. During the Spanish Civil War, Auden spent time in Spain writing. Auden graduated from Oxford in 1928 and married Erika Mann in 1935 to protect her from the Nazi's. Mann stayed behind when Auden emigrated to the United States; the pair never divorced and remained friends. Auden wrote a few plays with Chester Kallman – his lifelong companion. Auden taught poetry at Oxford University from 1956-1961. In 1948, Auden won a Pulitzer Prize for \u003cemph render=\"italics\"\u003eThe Age of Anxiety\u003c/emph\u003e; the Gresham family donated a signed copy.\u003c/p\u003e\n","\u003cp\u003eMay Sarton (1912-1995) was a poet and author of novels. She is known for her interest in feminism and sexuality, which transfers to her writing. Sarton was born in Belgium, but in 1914, the family fled to England due to WWI. In 1918, the family emigrated to the United States where Sarton remained. The theater was Sarton's first love; after acting for a small New York theater, she ran her own theater company, but had to take on extra work to keep the theater's finances in the black. She began writing literary reviews specifically about theater, but dabbled in poetry as well. She briefly wrote documentary scripts for the United States Office of War Information. During the 1930s, she taught at Stuart School in Boston and from 1950-1953 she taught composition at Harvard University.\u003c/p\u003e\n","\u003cp\u003eBarbara Guest (1920-2006) was an American poet and playwright. In addition, Guest also wrote art reviews for magazines, such as \u003cemph render=\"italics\"\u003eArt News\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eArt in America\u003c/emph\u003e. Guest graduated from the University of California, at Berkeley and lived in New York. Among the awards Guest won during her lifetime, include the Lawrence Lipton Award for Literature (1990) and the Robert Frost Medal for Distinguished Lifetime Achievement from Poetry Society of America (1999).\u003c/p\u003e\n","\u003cp\u003eMarianne Moore (1887-1972) was an American poet known for her diverse writings. Moore grew up in the Midwest and graduated from Bryn Mawr in 1909. She lived in New York with her mother throughout her life. The literary community viewed her as an \"auntie figure\" and a mentor. During her lifetime, Moore won many awards: Levinson Prize from Poetry Magazine (1932), Pulitzer Prize for \u003cemph render=\"italics\"\u003eCollected Poems\u003c/emph\u003e (1951), and gold medals from Poetry Society of America (1960 \u0026amp; 1967).\u003c/p\u003e\n","\u003cp\u003eMuriel Rukeyser (1913-1980) was an American poet and political activist. She attended school at Vassar College from 1930-1932, but did not graduate. Upon her departure from Vassar, Rukeyser started the journal \u003cemph render=\"italics\"\u003eStudent Review\u003c/emph\u003e with three other women. In 1933, Rukeyser travelled to Alabama to cover the Scottsboro, Alabama, trial of nine African-American boys who were accused of raping two white females, but Rukeyser was detained during the trial. In 1936, she went to Spain to cover an athletic competition; however, by the time she arrived, the Spanish Civil War had begun and Rukeyser began working for the medical bureau in Spain. Rukeyser was frequently involved with political activism and was an advocate against inhumanity. She taught at Sarah Lawrence College in 1946 and 1956-1967. She spoke several languages, including French, Spanish, Swedish, and Italian and enjoyed translating poems in these languages. Among her many awards are the Oscar Blumethal Prize in poetry (1940), Harriet Monroe Poetry Award (1941), and the Levinson Prize in poetry (1947). \nPaul Duke (1926-2005) graduated from University of Richmond in 1947. He was a classmate of William Dew Gresham's. Duke wrote a sports column during his time at the university. Duke is best known for his time on the television program Washington Week in Review where he worked for twenty years. During his time on the show, Duke was inducted into the Virginia Communications Hall of Fame (1992).\u003c/p\u003e\n","\u003cp\u003ePaul Duke (1926-2005) graduated from University of Richmond in 1947. He was a classmate of William Dew Gresham's. Duke wrote a sports column during his time at the university. Duke is best known for his time on the television program \u003cemph render=\"italics\"\u003eWashington Week in Review\u003c/emph\u003e where he worked for twenty years. During his time on the show, Duke was inducted into the Virginia Communications Hall of Fame (1992).\u003c/p\u003e\n","\u003cp\u003eGeorge Dillon (1906-1968) was an American poet, editor, and translator. He graduated from University of Chicago. He won a Pulitzer Prize for his book of poems entitled \u003cemph render=\"italics\"\u003eFlowering Stone\u003c/emph\u003e (1930s).\u003c/p\u003e\n","\u003cp\u003eGilbert Murray (1866-1957) was an English classicist and translator of Greek literature. He graduated from St. John's College, Oxford and later taught at New College, Oxford where he was the Regius Professor of Greek (1908-1936). Upon his death, his ashes were placed at Westminster Abbey.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["William Dew Gresham (1925-1986) was born and raised in Richmond, Virginia. He received his Bachelor's degree in Liberal Arts from University of Richmond in 1948 and went on to receive a degree in Divinity from Harvard in 1952 and a degree in Library Science from Columbia in 1955. In 1956, Gresham was an assistant librarian in the Boatwright Memorial Library. During his time at the library, Gresham founded a literature society entitled Great Books of Richmond. Gresham moved to Wilmington, Delaware, working in the field of public education from 1959-1985. Public education suited Gresham, as he loved to share what he learned from his wide variety of books, plays, travels, and lectures that he attended. Gresham was a voracious reader who felt that books were the best way to record history, culture, and traditions. His taste in books included literature, poetry, non-fiction, travel, and history. He also enjoyed books written by authors around the world, most notably Greek, Russian, French, and Spanish. Boatwright Memorial Library has a significant collection of his books that were donated by Gresham's family upon his passing. Among these books are first editions and signed copies, many of which are both. Included in these books are several written by the poets represented in the Gresham Correspondence Collection: Enid Starkie's  Arthur Rimbaud ,  Andre Gide , and  Baudelaire ; John Gassner's  The Theater in Our Times  and  Masters of the Drama ; W.H. Auden's  The Collected Poetry of W.H. Auden ,  The Shield of Achilles ,  Nones , and  The Age of Anxiety ; Marianne Moore's  The Complete Poems of Marianne Moore ; Muriel Rukeyser's  Selected Poems ; and W.H. Auden and Christopher Isherwood's  Journey to a War . In addition to the many books donated, the family also donated Gresham's collection of incunabula leaves (see  MS-11 Gresham Incunabula Leaves Collection ).","Enid Starkie (1897-1970) was born in Ireland and studied in both Ireland and England. She was an author of biographies and taught modern languages at the University of Oxford, University of Exeter, and Hollins College (now Hollins University).","John Gassner (1903-1967) was born in Hungary and lived in New York. He attended Columbia University, receiving his Masters. He taught at Labor Temple School (1925-1927), Columbia University, Hunter College (1928-1945), and Bryn Mawr College (1941-1943). Gassner was a playwright and wrote for several magazines, including the  New York Times Book Review .","Wystan Hugh Auden – better known as W.H. Auden – (1907-1973) was from England and emigrated to the United States during WWII (1939). He was a playwright and an author of poetry. Most of his poems were of a political and moral nature. During the Spanish Civil War, Auden spent time in Spain writing. Auden graduated from Oxford in 1928 and married Erika Mann in 1935 to protect her from the Nazi's. Mann stayed behind when Auden emigrated to the United States; the pair never divorced and remained friends. Auden wrote a few plays with Chester Kallman – his lifelong companion. Auden taught poetry at Oxford University from 1956-1961. In 1948, Auden won a Pulitzer Prize for  The Age of Anxiety ; the Gresham family donated a signed copy.","May Sarton (1912-1995) was a poet and author of novels. She is known for her interest in feminism and sexuality, which transfers to her writing. Sarton was born in Belgium, but in 1914, the family fled to England due to WWI. In 1918, the family emigrated to the United States where Sarton remained. The theater was Sarton's first love; after acting for a small New York theater, she ran her own theater company, but had to take on extra work to keep the theater's finances in the black. She began writing literary reviews specifically about theater, but dabbled in poetry as well. She briefly wrote documentary scripts for the United States Office of War Information. During the 1930s, she taught at Stuart School in Boston and from 1950-1953 she taught composition at Harvard University.","Barbara Guest (1920-2006) was an American poet and playwright. In addition, Guest also wrote art reviews for magazines, such as  Art News  and  Art in America . Guest graduated from the University of California, at Berkeley and lived in New York. Among the awards Guest won during her lifetime, include the Lawrence Lipton Award for Literature (1990) and the Robert Frost Medal for Distinguished Lifetime Achievement from Poetry Society of America (1999).","Marianne Moore (1887-1972) was an American poet known for her diverse writings. Moore grew up in the Midwest and graduated from Bryn Mawr in 1909. She lived in New York with her mother throughout her life. The literary community viewed her as an \"auntie figure\" and a mentor. During her lifetime, Moore won many awards: Levinson Prize from Poetry Magazine (1932), Pulitzer Prize for  Collected Poems  (1951), and gold medals from Poetry Society of America (1960 \u0026 1967).","Muriel Rukeyser (1913-1980) was an American poet and political activist. She attended school at Vassar College from 1930-1932, but did not graduate. Upon her departure from Vassar, Rukeyser started the journal  Student Review  with three other women. In 1933, Rukeyser travelled to Alabama to cover the Scottsboro, Alabama, trial of nine African-American boys who were accused of raping two white females, but Rukeyser was detained during the trial. In 1936, she went to Spain to cover an athletic competition; however, by the time she arrived, the Spanish Civil War had begun and Rukeyser began working for the medical bureau in Spain. Rukeyser was frequently involved with political activism and was an advocate against inhumanity. She taught at Sarah Lawrence College in 1946 and 1956-1967. She spoke several languages, including French, Spanish, Swedish, and Italian and enjoyed translating poems in these languages. Among her many awards are the Oscar Blumethal Prize in poetry (1940), Harriet Monroe Poetry Award (1941), and the Levinson Prize in poetry (1947). \nPaul Duke (1926-2005) graduated from University of Richmond in 1947. He was a classmate of William Dew Gresham's. Duke wrote a sports column during his time at the university. Duke is best known for his time on the television program Washington Week in Review where he worked for twenty years. During his time on the show, Duke was inducted into the Virginia Communications Hall of Fame (1992).","Paul Duke (1926-2005) graduated from University of Richmond in 1947. He was a classmate of William Dew Gresham's. Duke wrote a sports column during his time at the university. Duke is best known for his time on the television program  Washington Week in Review  where he worked for twenty years. During his time on the show, Duke was inducted into the Virginia Communications Hall of Fame (1992).","George Dillon (1906-1968) was an American poet, editor, and translator. He graduated from University of Chicago. He won a Pulitzer Prize for his book of poems entitled  Flowering Stone  (1930s).","Gilbert Murray (1866-1957) was an English classicist and translator of Greek literature. He graduated from St. John's College, Oxford and later taught at New College, Oxford where he was the Regius Professor of Greek (1908-1936). Upon his death, his ashes were placed at Westminster Abbey."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-14, Gresham Correspondence Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-14, Gresham Correspondence Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eDue to deterioration of the newspaper clipping in Series I, File 2, the original clipping was discarded and has been replaced by a photocopied version.\u003c/p\u003e","\u003cp\u003eProcessed by Kelly Bryan.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Due to deterioration of the newspaper clipping in Series I, File 2, the original clipping was discarded and has been replaced by a photocopied version.","Processed by Kelly Bryan."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains correspondence between William Gresham and several poets. The majority of the correspondences are replies to Gresham's invitations to speak for the Poetry Society of Virginia. Some of the correspondence Gresham saved was not written by him or to him. The collection also houses several programs, pamphlets, and newspaper articles that support Gresham's dedication and love of literature and culture.\u003c/p\u003e\n","\u003cp\u003eSeries I, Gresham Correspondence, includes correspondence between William Gresham and several poets. The letters are regarding Gresham's invitations for various poets to speak for the Poetry Society of Virginia in Williamsburg, Virginia. May Sarton spoke for the organization on May 14, 1960. Most of her letters are regarding her travel arrangements.\u003c/p\u003e\n","\u003cp\u003eSeries II, Pamphlets, Writings, and Newspaper Clippings, contains several personal keepsakes, most notably, a poem written by Gresham, two booklets – one autographed by Pearl S. Buck and the other by Art Buchwald – and a Christmas poem written by May Sarton.\u003c/p\u003e\n","\u003cp\u003eSeries III, Other Correspondence, comprises correspondence that did not include Gresham. One letter in particular was a thank you note from the poet George Dillon to Gresham's wife Nancy. The last item in the series is a payment note for a cab in Richmond; however, there does not appear to be any connection to Gresham himself and was written over twenty years before Gresham's birth.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains correspondence between William Gresham and several poets. The majority of the correspondences are replies to Gresham's invitations to speak for the Poetry Society of Virginia. Some of the correspondence Gresham saved was not written by him or to him. The collection also houses several programs, pamphlets, and newspaper articles that support Gresham's dedication and love of literature and culture.","Series I, Gresham Correspondence, includes correspondence between William Gresham and several poets. The letters are regarding Gresham's invitations for various poets to speak for the Poetry Society of Virginia in Williamsburg, Virginia. May Sarton spoke for the organization on May 14, 1960. Most of her letters are regarding her travel arrangements.","Series II, Pamphlets, Writings, and Newspaper Clippings, contains several personal keepsakes, most notably, a poem written by Gresham, two booklets – one autographed by Pearl S. Buck and the other by Art Buchwald – and a Christmas poem written by May Sarton.","Series III, Other Correspondence, comprises correspondence that did not include Gresham. One letter in particular was a thank you note from the poet George Dillon to Gresham's wife Nancy. The last item in the series is a payment note for a cab in Richmond; however, there does not appear to be any connection to Gresham himself and was written over twenty years before Gresham's birth."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_MS-14\"\u003eThe Gresham Correspondence Collection consists of a variety of correspondence between William Gresham and several poets, authors, and playwrights. The majority of the correspondence is invitations, made by Gresham, to speak and read for the Poetry Society of Virginia. The collection contains two booklets, newspaper clippings, correspondence, and a poem written by Gresham entitled \u003cemph render=\"italics\"\u003eDewey Beach\u003c/emph\u003e. The majority of the collection was found within the multitude of books that Gresham owned. Many of these books, including signed and first edition copies, are housed in the Galvin Rare Book Room in Boatwright Memorial Library.\u003c/abstract\u003e"],"abstract_tesim":["The Gresham Correspondence Collection consists of a variety of correspondence between William Gresham and several poets, authors, and playwrights. The majority of the correspondence is invitations, made by Gresham, to speak and read for the Poetry Society of Virginia. The collection contains two booklets, newspaper clippings, correspondence, and a poem written by Gresham entitled  Dewey Beach . The majority of the collection was found within the multitude of books that Gresham owned. Many of these books, including signed and first edition copies, are housed in the Galvin Rare Book Room in Boatwright Memorial Library."],"names_coll_ssim":["Poetry Society of Virginia","Harvard University. Dramatic Club","Richmond Times-Dispatch","Buchwald, Art","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Pound, Ezra, 1885-1972","Rukeyser, Muriel, 1913-1980","Moore, Marianne, 1887-1972","Sarton, May, 1912-1995","Gassner, John, 1903-1967","Auden, W. H. (Wystan Hugh), 1907-1973","Starkie, Enid","Guest, Barbara","Murray, Gilbert, 1866-1957"],"names_ssim":["University of Richmond ","Poetry Society of Virginia","Harvard University. Dramatic Club","Richmond Times-Dispatch","Gresham family","Dew Gresham, William, 1925-1986","Buchwald, Art","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Pound, Ezra, 1885-1972","Rukeyser, Muriel, 1913-1980","Moore, Marianne, 1887-1972","Sarton, May, 1912-1995","Gassner, John, 1903-1967","Auden, W. H. (Wystan Hugh), 1907-1973","Starkie, Enid","Guest, Barbara","Murray, Gilbert, 1866-1957"],"corpname_ssim":["University of Richmond ","Poetry Society of Virginia","Harvard University. Dramatic Club","Richmond Times-Dispatch"],"famname_ssim":["Gresham family"],"persname_ssim":["Dew Gresham, William, 1925-1986","Buchwald, Art","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Pound, Ezra, 1885-1972","Rukeyser, Muriel, 1913-1980","Moore, Marianne, 1887-1972","Sarton, May, 1912-1995","Gassner, John, 1903-1967","Auden, W. H. (Wystan Hugh), 1907-1973","Starkie, Enid","Guest, Barbara","Murray, Gilbert, 1866-1957"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":30,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:08:34.809Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_4_resources_19"}},{"id":"vihart_repositories_4_resources_627","type":"collection","attributes":{"title":"Joanne V. Gabbin Papers","creator":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_627#creator","type":"document_value","attributes":{"value":"Gabbin, Joanne V. (Joanne Veal), 1946-","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_627#abstract_or_scope","type":"document_value","attributes":{"value":"The Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_627#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_627","ead_ssi":"vihart_repositories_4_resources_627","_root_":"vihart_repositories_4_resources_627","_nest_parent_":"vihart_repositories_4_resources_627","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_627.xml","title_ssm":["Joanne V. Gabbin Papers"],"title_tesim":["Joanne V. Gabbin Papers"],"unitdate_ssm":["1930-2017","1960-2017"],"unitdate_bulk_ssim":["1960-2017"],"unitdate_inclusive_ssm":["1930-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0296","/repositories/4/resources/627"],"text":["SC 0296","/repositories/4/resources/627","Joanne V. Gabbin Papers","English language -- Study and teaching (Higher)","Poetry -- Black authors","African Americans -- Poetry","African American poets","Poets, Black","Letters (correspondence)","Manuscripts (documents)","Research notes","Photographs","Printed Ephemera","Pamphlets","Brochures","Personal papers","Articles","Syllabi","Poetry","Faculty papers","Newsletters","Newspaper clippings","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection","Two boxes filled with empty file folders were recycled prior to processing.","The collection is arranged in six series. Series 3 and Series 5 are arranged further into subseries. Each series is arranged chronologically except for Series 1: Manuscripts which is arranged alphabetically. Exceptions to this arrangement scheme were made in order to group like materials (e.g. photographs, newspaper clippings) together. As a result chronological arrangements are approximate. In order to maintain original intellectual order, photographs and correspondence, for example, may be found across multiple series.","Manuscripts, 1930-2015 Research, 1960-2016 Professional Activities, 1963-2017 Teaching Materials, 1971-2013 Personal Papers, 1967-2016 Printed Ephemera and Photographs, 1961-2013","A professor of English at James Madison University, Joanne Gabbin earned her B.A. from Morgan State College in Baltimore, Maryland in 1967, and received her M.A. and Ph.D. from the University of Chicago in 1970 and 1980, respectively. Gabbin taught at Roosevelt University, Chicago State University, and Lincoln University before she was hired at James Madison University in 1985 as a Commonwealth Visiting Professor. She became the director of the Honors Program (now the Honors College) in 1986, where she served for 19 years and founded many programs that define the Honors College today. ","In 1994, she organized the first Furious Flower Poetry Conference, which she held at JMU and in honor of Pulitzer Prize-winning poet Gwendolyn Brooks. The event was considered historic and likely the largest gathering of African American poets and literature scholars to that date. After a second successful conference a decade later, JMU chartered the Furious Flower Poetry Center in 2005, the nation's first academic center devoted to Black poetry. ","The author/editor of numerous books and founder of the Wintergreen Women Writers' Collective, Gabbin's contributions to the academic field of African American poetry have been acknowledged with awards and honors from such organizations as the HistoryMakers Archives, the National Museum of African American History and Culture, the College Language Association and the International Literary Hall of Fame for Writers of African Descent, among many others. Her publications include  Sterling A. Brown: Building the Black Aesthetic Tradition  (1985), which was reissued in 1994 by the University Press of Virginia and the children's book  I Bet She Called Me Sugar Plum  (2004). She also edited  The Furious Flowering of African American Poetry  (1999),  Furious Flower: African American Poetry from the Black Arts Movement to the Present  (2004),  Furious Flower: Seeding the Future of African American Poetry  (2020),  Shaping Memories: Reflections of African American Women Writers  (2009), and  Mourning Katrina: A Poetic Response to Tragedy  (2009). ","Collection was donated in clearly labeled folders housed in multiple cubic boxes. In Feburary 2017, Cardinal House experienced a flood as a result of plumbing issues. Materials in this collection were affected and may exhibit water damage. Processors used labels as direction for series arrangement, and focused on discards of duplicates and assessing water-damage materials. Afterwards, materials were moved to hollingers and additional accruals were integrated into the existing arrangement.","Duplicate newspapers, newsletters, brochures, articles, etc. were discarded. Financial records including receipts, credit card and bank statements, and travel reimbursements were not retained and were discarded. Student records containing personally identifiable information (student identification numbers, GPAs, grades, etc.)—beyond what is considered directory information—were removed and discarded.","Furious Flower Poetry Center Records, 1990-2014, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","Furious Flower Poetry Center Conference Records, 1970-2015, UA 0018, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","The Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center. The materials chiefly relate to her professional role as an influential figure in the African American literary community and include manuscripts she wrote or edited, notes and materials from events where she spoke or was featured, and her correspondence with publishers, professional organizations, and other members of the African American literary community. Other materials include articles for research or teaching purposes, syllabi, documents and correspondence related to her role as professor and head of the JMU Honors College, personal correspondence, and documents related to her role as director of the Furious Flower Poetry Center.","Series 1: Manuscripts, 1930-2015, includes manuscripts authored by Gabbin and her colleagues. The majority of the series is made up of edits and drafts of the anthology manuscript that would be come to known as  Shaping Memories: Reflections of African American Women Writers . This manuscript would be the culmination of works by Gabbin and her colleagues after their annual Wintergreen Women's Writer's retreat. Also of note in this series is Gabbin's dissertation on Sterling Brown, written during her time at the University of Chicago as she pursued her master's degree and PhD.","Series 2: Research, 1960-2016, includes a wide variety of materials that relate to Gabbin's research during her time as a student in the master's and doctorate program at the University of Chicago and research for the manuscripts she wrote  and contributed to later in her life. The content mostly consists of articles from academic journals and books written on the subject at hand (e.g. Sonia Sanchez and Sterling Brown), with some interesting items including legal pads and spiral notebooks containing personal notes and thoughts on the topic being researched.","Series 3: Professional Activities, 1963-2017, comprises three subseries: general material, materials relating to the honors college at JMU, and material related to the Furious Flower Poetry Center. The items in this series relate to Gabbin's numerous speaking engagements and events held by the poetry center and honors college. This can include professional correspondence, promotional material, and invitations and programs to events held over the years.","Series 4: Teaching Materials, 1971-2013, includes items related to Joanne Gabbin's teaching career at James Madison University. The majority of this series comprises syllabi from the English classes Gabbin taught, all relating to Black Literature. Scattered throughout the series are also course evaluations, in which the majority of her students give her high marks for her enthusiasm for the material and accessible teaching style, and miscellaneous pedagogical materials likely used to inform instruction.","Series 5: Personal Papers, 1967-2016, is made up of two subseries: general personal materials and personal correspondence. Personal items cover a variety of material, which include: essays written by Gabbin when she was a student at Morgan State College and the University of Chicago (some marked up by her professors), drafted manuscripts, and a folder containing numerous drafts and illustrations for her children's book  I Bet She Called Me Sugar Plum . The personal correspondence is made up of letters written to Gabbin from former students she has had over the years (seen through numerous holiday cards and announcements), from collaborators on the manuscripts she has worked on over the years, or notes and letters written to her husband Alexander Gabbin as she attended the University of Chicago.","Series 6: Printed Ephemera and Photographs, 1961-2013, comprises chiefly newsletters, newspapers, and pamphlets. Most of the newspapers are national titles, such as the  Washington Post , with the  Daily News-Record  also being represented. Most of the articles center on events concerning African American issues. Of interest is a small pamphlet entitled \"Race and Psychology,\" dated 1961, in which the author details the history of psychological intelligence tests and how different racial/ethnic groups scored in comparison to each other. This series also contains several folders of photographs, documenting Gabbin's personal and professional life. Photographs of poets Rita Dove, Gwendolyn Brooks, and Nikki Giovanni are included.","Three poetry broadsides printed in 2017 at the Virginia Arts of the Book Center for the Virginia Festival of the Book - Heavenly Madrigal, Seasons Change Before We're Ready, and Zombie Blues Villanelle - were removed from the collection and cataloged individually. These broadsides are held by Special Collections.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Furious Flower Poetry Center","James Madison University. Honors College","James Madison University. Honors Program","Gabbin, Joanne V. (Joanne Veal), 1946-","English"],"unitid_tesim":["SC 0296","/repositories/4/resources/627"],"normalized_title_ssm":["Joanne V. Gabbin Papers"],"collection_title_tesim":["Joanne V. Gabbin Papers"],"collection_ssim":["Joanne V. Gabbin Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Gabbin, Joanne V. (Joanne Veal), 1946-","Gabbin, Joanne V. (Joanne Veal), 1946-"],"creator_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Gabbin, Joanne V. (Joanne Veal), 1946-"],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Gabbin, Joanne V. (Joanne Veal), 1946-"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Gabbin, Joanne V. (Joanne Veal), 1946-"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Materials were donated by Joanne V. Gabbin in September 2017."],"access_subjects_ssim":["English language -- Study and teaching (Higher)","Poetry -- Black authors","African Americans -- Poetry","African American poets","Poets, Black","Letters (correspondence)","Manuscripts (documents)","Research notes","Photographs","Printed Ephemera","Pamphlets","Brochures","Personal papers","Articles","Syllabi","Poetry","Faculty papers","Newsletters","Newspaper clippings"],"access_subjects_ssm":["English language -- Study and teaching (Higher)","Poetry -- Black authors","African Americans -- Poetry","African American poets","Poets, Black","Letters (correspondence)","Manuscripts (documents)","Research notes","Photographs","Printed Ephemera","Pamphlets","Brochures","Personal papers","Articles","Syllabi","Poetry","Faculty papers","Newsletters","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["12.54 cubic feet 42 boxes","134 Megabytes 216 digital files"],"extent_tesim":["12.54 cubic feet 42 boxes","134 Megabytes 216 digital files"],"genreform_ssim":["Letters (correspondence)","Manuscripts (documents)","Research notes","Photographs","Printed Ephemera","Pamphlets","Brochures","Personal papers","Articles","Syllabi","Poetry","Faculty papers","Newsletters","Newspaper clippings"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection"],"appraisal_html_tesm":["\u003cp\u003eTwo boxes filled with empty file folders were recycled prior to processing.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["Two boxes filled with empty file folders were recycled prior to processing."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in six series. Series 3 and Series 5 are arranged further into subseries. Each series is arranged chronologically except for Series 1: Manuscripts which is arranged alphabetically. Exceptions to this arrangement scheme were made in order to group like materials (e.g. photographs, newspaper clippings) together. As a result chronological arrangements are approximate. In order to maintain original intellectual order, photographs and correspondence, for example, may be found across multiple series.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eManuscripts, 1930-2015\u003c/item\u003e\n      \u003citem\u003eResearch, 1960-2016\u003c/item\u003e\n      \u003citem\u003eProfessional Activities, 1963-2017\u003c/item\u003e\n      \u003citem\u003eTeaching Materials, 1971-2013\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1967-2016\u003c/item\u003e\n      \u003citem\u003ePrinted Ephemera and Photographs, 1961-2013\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in six series. Series 3 and Series 5 are arranged further into subseries. Each series is arranged chronologically except for Series 1: Manuscripts which is arranged alphabetically. Exceptions to this arrangement scheme were made in order to group like materials (e.g. photographs, newspaper clippings) together. As a result chronological arrangements are approximate. In order to maintain original intellectual order, photographs and correspondence, for example, may be found across multiple series.","Manuscripts, 1930-2015 Research, 1960-2016 Professional Activities, 1963-2017 Teaching Materials, 1971-2013 Personal Papers, 1967-2016 Printed Ephemera and Photographs, 1961-2013"],"bioghist_html_tesm":["\u003cp\u003eA professor of English at James Madison University, Joanne Gabbin earned her B.A. from Morgan State College in Baltimore, Maryland in 1967, and received her M.A. and Ph.D. from the University of Chicago in 1970 and 1980, respectively. Gabbin taught at Roosevelt University, Chicago State University, and Lincoln University before she was hired at James Madison University in 1985 as a Commonwealth Visiting Professor. She became the director of the Honors Program (now the Honors College) in 1986, where she served for 19 years and founded many programs that define the Honors College today. \u003c/p\u003e\n","\u003cp\u003eIn 1994, she organized the first Furious Flower Poetry Conference, which she held at JMU and in honor of Pulitzer Prize-winning poet Gwendolyn Brooks. The event was considered historic and likely the largest gathering of African American poets and literature scholars to that date. After a second successful conference a decade later, JMU chartered the Furious Flower Poetry Center in 2005, the nation's first academic center devoted to Black poetry. \u003c/p\u003e\n","\u003cp\u003eThe author/editor of numerous books and founder of the Wintergreen Women Writers' Collective, Gabbin's contributions to the academic field of African American poetry have been acknowledged with awards and honors from such organizations as the HistoryMakers Archives, the National Museum of African American History and Culture, the College Language Association and the International Literary Hall of Fame for Writers of African Descent, among many others. Her publications include \u003cemph render=\"italic\"\u003eSterling A. Brown: Building the Black Aesthetic Tradition\u003c/emph\u003e (1985), which was reissued in 1994 by the University Press of Virginia and the children's book \u003cemph render=\"italic\"\u003eI Bet She Called Me Sugar Plum\u003c/emph\u003e (2004). She also edited \u003cemph render=\"italic\"\u003eThe Furious Flowering of African American Poetry\u003c/emph\u003e (1999), \u003cemph render=\"italic\"\u003eFurious Flower: African American Poetry from the Black Arts Movement to the Present\u003c/emph\u003e (2004), \u003cemph render=\"italic\"\u003eFurious Flower: Seeding the Future of African American Poetry\u003c/emph\u003e (2020), \u003cemph render=\"italic\"\u003eShaping Memories: Reflections of African American Women Writers\u003c/emph\u003e (2009), and \u003cemph render=\"italic\"\u003eMourning Katrina: A Poetic Response to Tragedy\u003c/emph\u003e (2009). \u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["A professor of English at James Madison University, Joanne Gabbin earned her B.A. from Morgan State College in Baltimore, Maryland in 1967, and received her M.A. and Ph.D. from the University of Chicago in 1970 and 1980, respectively. Gabbin taught at Roosevelt University, Chicago State University, and Lincoln University before she was hired at James Madison University in 1985 as a Commonwealth Visiting Professor. She became the director of the Honors Program (now the Honors College) in 1986, where she served for 19 years and founded many programs that define the Honors College today. ","In 1994, she organized the first Furious Flower Poetry Conference, which she held at JMU and in honor of Pulitzer Prize-winning poet Gwendolyn Brooks. The event was considered historic and likely the largest gathering of African American poets and literature scholars to that date. After a second successful conference a decade later, JMU chartered the Furious Flower Poetry Center in 2005, the nation's first academic center devoted to Black poetry. ","The author/editor of numerous books and founder of the Wintergreen Women Writers' Collective, Gabbin's contributions to the academic field of African American poetry have been acknowledged with awards and honors from such organizations as the HistoryMakers Archives, the National Museum of African American History and Culture, the College Language Association and the International Literary Hall of Fame for Writers of African Descent, among many others. Her publications include  Sterling A. Brown: Building the Black Aesthetic Tradition  (1985), which was reissued in 1994 by the University Press of Virginia and the children's book  I Bet She Called Me Sugar Plum  (2004). She also edited  The Furious Flowering of African American Poetry  (1999),  Furious Flower: African American Poetry from the Black Arts Movement to the Present  (2004),  Furious Flower: Seeding the Future of African American Poetry  (2020),  Shaping Memories: Reflections of African American Women Writers  (2009), and  Mourning Katrina: A Poetic Response to Tragedy  (2009). "],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], undated, SC 0296, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], undated, SC 0296, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eCollection was donated in clearly labeled folders housed in multiple cubic boxes. In Feburary 2017, Cardinal House experienced a flood as a result of plumbing issues. Materials in this collection were affected and may exhibit water damage. Processors used labels as direction for series arrangement, and focused on discards of duplicates and assessing water-damage materials. Afterwards, materials were moved to hollingers and additional accruals were integrated into the existing arrangement.\u003c/p\u003e","\u003cp\u003eDuplicate newspapers, newsletters, brochures, articles, etc. were discarded. Financial records including receipts, credit card and bank statements, and travel reimbursements were not retained and were discarded. Student records containing personally identifiable information (student identification numbers, GPAs, grades, etc.)—beyond what is considered directory information—were removed and discarded.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was donated in clearly labeled folders housed in multiple cubic boxes. In Feburary 2017, Cardinal House experienced a flood as a result of plumbing issues. Materials in this collection were affected and may exhibit water damage. Processors used labels as direction for series arrangement, and focused on discards of duplicates and assessing water-damage materials. Afterwards, materials were moved to hollingers and additional accruals were integrated into the existing arrangement.","Duplicate newspapers, newsletters, brochures, articles, etc. were discarded. Financial records including receipts, credit card and bank statements, and travel reimbursements were not retained and were discarded. Student records containing personally identifiable information (student identification numbers, GPAs, grades, etc.)—beyond what is considered directory information—were removed and discarded."],"relatedmaterial_html_tesm":["\u003cp\u003eFurious Flower Poetry Center Records, 1990-2014, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e\n","\u003cp\u003eFurious Flower Poetry Center Conference Records, 1970-2015, UA 0018, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Furious Flower Poetry Center Records, 1990-2014, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","Furious Flower Poetry Center Conference Records, 1970-2015, UA 0018, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center. The materials chiefly relate to her professional role as an influential figure in the African American literary community and include manuscripts she wrote or edited, notes and materials from events where she spoke or was featured, and her correspondence with publishers, professional organizations, and other members of the African American literary community. Other materials include articles for research or teaching purposes, syllabi, documents and correspondence related to her role as professor and head of the JMU Honors College, personal correspondence, and documents related to her role as director of the Furious Flower Poetry Center.\u003c/p\u003e","\u003cp\u003eSeries 1: Manuscripts, 1930-2015, includes manuscripts authored by Gabbin and her colleagues. The majority of the series is made up of edits and drafts of the anthology manuscript that would be come to known as \u003cemph render=\"italic\"\u003eShaping Memories: Reflections of African American Women Writers\u003c/emph\u003e. This manuscript would be the culmination of works by Gabbin and her colleagues after their annual Wintergreen Women's Writer's retreat. Also of note in this series is Gabbin's dissertation on Sterling Brown, written during her time at the University of Chicago as she pursued her master's degree and PhD.\u003c/p\u003e","\u003cp\u003eSeries 2: Research, 1960-2016, includes a wide variety of materials that relate to Gabbin's research during her time as a student in the master's and doctorate program at the University of Chicago and research for the manuscripts she wrote  and contributed to later in her life. The content mostly consists of articles from academic journals and books written on the subject at hand (e.g. Sonia Sanchez and Sterling Brown), with some interesting items including legal pads and spiral notebooks containing personal notes and thoughts on the topic being researched.\u003c/p\u003e","\u003cp\u003eSeries 3: Professional Activities, 1963-2017, comprises three subseries: general material, materials relating to the honors college at JMU, and material related to the Furious Flower Poetry Center. The items in this series relate to Gabbin's numerous speaking engagements and events held by the poetry center and honors college. This can include professional correspondence, promotional material, and invitations and programs to events held over the years.\u003c/p\u003e","\u003cp\u003eSeries 4: Teaching Materials, 1971-2013, includes items related to Joanne Gabbin's teaching career at James Madison University. The majority of this series comprises syllabi from the English classes Gabbin taught, all relating to Black Literature. Scattered throughout the series are also course evaluations, in which the majority of her students give her high marks for her enthusiasm for the material and accessible teaching style, and miscellaneous pedagogical materials likely used to inform instruction.\u003c/p\u003e","\u003cp\u003eSeries 5: Personal Papers, 1967-2016, is made up of two subseries: general personal materials and personal correspondence. Personal items cover a variety of material, which include: essays written by Gabbin when she was a student at Morgan State College and the University of Chicago (some marked up by her professors), drafted manuscripts, and a folder containing numerous drafts and illustrations for her children's book \u003cemph render=\"italic\"\u003eI Bet She Called Me Sugar Plum\u003c/emph\u003e. The personal correspondence is made up of letters written to Gabbin from former students she has had over the years (seen through numerous holiday cards and announcements), from collaborators on the manuscripts she has worked on over the years, or notes and letters written to her husband Alexander Gabbin as she attended the University of Chicago.\u003c/p\u003e","\u003cp\u003eSeries 6: Printed Ephemera and Photographs, 1961-2013, comprises chiefly newsletters, newspapers, and pamphlets. Most of the newspapers are national titles, such as the \u003cemph render=\"italic\"\u003eWashington Post\u003c/emph\u003e, with the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e also being represented. Most of the articles center on events concerning African American issues. Of interest is a small pamphlet entitled \"Race and Psychology,\" dated 1961, in which the author details the history of psychological intelligence tests and how different racial/ethnic groups scored in comparison to each other. This series also contains several folders of photographs, documenting Gabbin's personal and professional life. Photographs of poets Rita Dove, Gwendolyn Brooks, and Nikki Giovanni are included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center. The materials chiefly relate to her professional role as an influential figure in the African American literary community and include manuscripts she wrote or edited, notes and materials from events where she spoke or was featured, and her correspondence with publishers, professional organizations, and other members of the African American literary community. Other materials include articles for research or teaching purposes, syllabi, documents and correspondence related to her role as professor and head of the JMU Honors College, personal correspondence, and documents related to her role as director of the Furious Flower Poetry Center.","Series 1: Manuscripts, 1930-2015, includes manuscripts authored by Gabbin and her colleagues. The majority of the series is made up of edits and drafts of the anthology manuscript that would be come to known as  Shaping Memories: Reflections of African American Women Writers . This manuscript would be the culmination of works by Gabbin and her colleagues after their annual Wintergreen Women's Writer's retreat. Also of note in this series is Gabbin's dissertation on Sterling Brown, written during her time at the University of Chicago as she pursued her master's degree and PhD.","Series 2: Research, 1960-2016, includes a wide variety of materials that relate to Gabbin's research during her time as a student in the master's and doctorate program at the University of Chicago and research for the manuscripts she wrote  and contributed to later in her life. The content mostly consists of articles from academic journals and books written on the subject at hand (e.g. Sonia Sanchez and Sterling Brown), with some interesting items including legal pads and spiral notebooks containing personal notes and thoughts on the topic being researched.","Series 3: Professional Activities, 1963-2017, comprises three subseries: general material, materials relating to the honors college at JMU, and material related to the Furious Flower Poetry Center. The items in this series relate to Gabbin's numerous speaking engagements and events held by the poetry center and honors college. This can include professional correspondence, promotional material, and invitations and programs to events held over the years.","Series 4: Teaching Materials, 1971-2013, includes items related to Joanne Gabbin's teaching career at James Madison University. The majority of this series comprises syllabi from the English classes Gabbin taught, all relating to Black Literature. Scattered throughout the series are also course evaluations, in which the majority of her students give her high marks for her enthusiasm for the material and accessible teaching style, and miscellaneous pedagogical materials likely used to inform instruction.","Series 5: Personal Papers, 1967-2016, is made up of two subseries: general personal materials and personal correspondence. Personal items cover a variety of material, which include: essays written by Gabbin when she was a student at Morgan State College and the University of Chicago (some marked up by her professors), drafted manuscripts, and a folder containing numerous drafts and illustrations for her children's book  I Bet She Called Me Sugar Plum . The personal correspondence is made up of letters written to Gabbin from former students she has had over the years (seen through numerous holiday cards and announcements), from collaborators on the manuscripts she has worked on over the years, or notes and letters written to her husband Alexander Gabbin as she attended the University of Chicago.","Series 6: Printed Ephemera and Photographs, 1961-2013, comprises chiefly newsletters, newspapers, and pamphlets. Most of the newspapers are national titles, such as the  Washington Post , with the  Daily News-Record  also being represented. Most of the articles center on events concerning African American issues. Of interest is a small pamphlet entitled \"Race and Psychology,\" dated 1961, in which the author details the history of psychological intelligence tests and how different racial/ethnic groups scored in comparison to each other. This series also contains several folders of photographs, documenting Gabbin's personal and professional life. Photographs of poets Rita Dove, Gwendolyn Brooks, and Nikki Giovanni are included."],"separatedmaterial_html_tesm":["\u003cp\u003eThree poetry broadsides printed in 2017 at the Virginia Arts of the Book Center for the Virginia Festival of the Book - Heavenly Madrigal, Seasons Change Before We're Ready, and Zombie Blues Villanelle - were removed from the collection and cataloged individually. These broadsides are held by Special Collections.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Three poetry broadsides printed in 2017 at the Virginia Arts of the Book Center for the Virginia Festival of the Book - Heavenly Madrigal, Seasons Change Before We're Ready, and Zombie Blues Villanelle - were removed from the collection and cataloged individually. These broadsides are held by Special Collections."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f08c87141a4134568799bd39ab722aea\"\u003eThe Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center."],"names_coll_ssim":["Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Furious Flower Poetry Center","James Madison University. Honors College","James Madison University. Honors Program","Gabbin, Joanne V. (Joanne Veal), 1946-"],"names_ssim":["James Madison University Libraries Special Collections","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Furious Flower Poetry Center","James Madison University. Honors College","James Madison University. Honors Program","Gabbin, Joanne V. (Joanne Veal), 1946-"],"corpname_ssim":["James Madison University Libraries Special Collections","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Furious Flower Poetry Center","James Madison University. Honors College","James Madison University. Honors Program"],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":389,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:19:58.075Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_627","ead_ssi":"vihart_repositories_4_resources_627","_root_":"vihart_repositories_4_resources_627","_nest_parent_":"vihart_repositories_4_resources_627","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_627.xml","title_ssm":["Joanne V. Gabbin Papers"],"title_tesim":["Joanne V. Gabbin Papers"],"unitdate_ssm":["1930-2017","1960-2017"],"unitdate_bulk_ssim":["1960-2017"],"unitdate_inclusive_ssm":["1930-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0296","/repositories/4/resources/627"],"text":["SC 0296","/repositories/4/resources/627","Joanne V. Gabbin Papers","English language -- Study and teaching (Higher)","Poetry -- Black authors","African Americans -- Poetry","African American poets","Poets, Black","Letters (correspondence)","Manuscripts (documents)","Research notes","Photographs","Printed Ephemera","Pamphlets","Brochures","Personal papers","Articles","Syllabi","Poetry","Faculty papers","Newsletters","Newspaper clippings","Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection","Two boxes filled with empty file folders were recycled prior to processing.","The collection is arranged in six series. Series 3 and Series 5 are arranged further into subseries. Each series is arranged chronologically except for Series 1: Manuscripts which is arranged alphabetically. Exceptions to this arrangement scheme were made in order to group like materials (e.g. photographs, newspaper clippings) together. As a result chronological arrangements are approximate. In order to maintain original intellectual order, photographs and correspondence, for example, may be found across multiple series.","Manuscripts, 1930-2015 Research, 1960-2016 Professional Activities, 1963-2017 Teaching Materials, 1971-2013 Personal Papers, 1967-2016 Printed Ephemera and Photographs, 1961-2013","A professor of English at James Madison University, Joanne Gabbin earned her B.A. from Morgan State College in Baltimore, Maryland in 1967, and received her M.A. and Ph.D. from the University of Chicago in 1970 and 1980, respectively. Gabbin taught at Roosevelt University, Chicago State University, and Lincoln University before she was hired at James Madison University in 1985 as a Commonwealth Visiting Professor. She became the director of the Honors Program (now the Honors College) in 1986, where she served for 19 years and founded many programs that define the Honors College today. ","In 1994, she organized the first Furious Flower Poetry Conference, which she held at JMU and in honor of Pulitzer Prize-winning poet Gwendolyn Brooks. The event was considered historic and likely the largest gathering of African American poets and literature scholars to that date. After a second successful conference a decade later, JMU chartered the Furious Flower Poetry Center in 2005, the nation's first academic center devoted to Black poetry. ","The author/editor of numerous books and founder of the Wintergreen Women Writers' Collective, Gabbin's contributions to the academic field of African American poetry have been acknowledged with awards and honors from such organizations as the HistoryMakers Archives, the National Museum of African American History and Culture, the College Language Association and the International Literary Hall of Fame for Writers of African Descent, among many others. Her publications include  Sterling A. Brown: Building the Black Aesthetic Tradition  (1985), which was reissued in 1994 by the University Press of Virginia and the children's book  I Bet She Called Me Sugar Plum  (2004). She also edited  The Furious Flowering of African American Poetry  (1999),  Furious Flower: African American Poetry from the Black Arts Movement to the Present  (2004),  Furious Flower: Seeding the Future of African American Poetry  (2020),  Shaping Memories: Reflections of African American Women Writers  (2009), and  Mourning Katrina: A Poetic Response to Tragedy  (2009). ","Collection was donated in clearly labeled folders housed in multiple cubic boxes. In Feburary 2017, Cardinal House experienced a flood as a result of plumbing issues. Materials in this collection were affected and may exhibit water damage. Processors used labels as direction for series arrangement, and focused on discards of duplicates and assessing water-damage materials. Afterwards, materials were moved to hollingers and additional accruals were integrated into the existing arrangement.","Duplicate newspapers, newsletters, brochures, articles, etc. were discarded. Financial records including receipts, credit card and bank statements, and travel reimbursements were not retained and were discarded. Student records containing personally identifiable information (student identification numbers, GPAs, grades, etc.)—beyond what is considered directory information—were removed and discarded.","Furious Flower Poetry Center Records, 1990-2014, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","Furious Flower Poetry Center Conference Records, 1970-2015, UA 0018, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","The Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center. The materials chiefly relate to her professional role as an influential figure in the African American literary community and include manuscripts she wrote or edited, notes and materials from events where she spoke or was featured, and her correspondence with publishers, professional organizations, and other members of the African American literary community. Other materials include articles for research or teaching purposes, syllabi, documents and correspondence related to her role as professor and head of the JMU Honors College, personal correspondence, and documents related to her role as director of the Furious Flower Poetry Center.","Series 1: Manuscripts, 1930-2015, includes manuscripts authored by Gabbin and her colleagues. The majority of the series is made up of edits and drafts of the anthology manuscript that would be come to known as  Shaping Memories: Reflections of African American Women Writers . This manuscript would be the culmination of works by Gabbin and her colleagues after their annual Wintergreen Women's Writer's retreat. Also of note in this series is Gabbin's dissertation on Sterling Brown, written during her time at the University of Chicago as she pursued her master's degree and PhD.","Series 2: Research, 1960-2016, includes a wide variety of materials that relate to Gabbin's research during her time as a student in the master's and doctorate program at the University of Chicago and research for the manuscripts she wrote  and contributed to later in her life. The content mostly consists of articles from academic journals and books written on the subject at hand (e.g. Sonia Sanchez and Sterling Brown), with some interesting items including legal pads and spiral notebooks containing personal notes and thoughts on the topic being researched.","Series 3: Professional Activities, 1963-2017, comprises three subseries: general material, materials relating to the honors college at JMU, and material related to the Furious Flower Poetry Center. The items in this series relate to Gabbin's numerous speaking engagements and events held by the poetry center and honors college. This can include professional correspondence, promotional material, and invitations and programs to events held over the years.","Series 4: Teaching Materials, 1971-2013, includes items related to Joanne Gabbin's teaching career at James Madison University. The majority of this series comprises syllabi from the English classes Gabbin taught, all relating to Black Literature. Scattered throughout the series are also course evaluations, in which the majority of her students give her high marks for her enthusiasm for the material and accessible teaching style, and miscellaneous pedagogical materials likely used to inform instruction.","Series 5: Personal Papers, 1967-2016, is made up of two subseries: general personal materials and personal correspondence. Personal items cover a variety of material, which include: essays written by Gabbin when she was a student at Morgan State College and the University of Chicago (some marked up by her professors), drafted manuscripts, and a folder containing numerous drafts and illustrations for her children's book  I Bet She Called Me Sugar Plum . The personal correspondence is made up of letters written to Gabbin from former students she has had over the years (seen through numerous holiday cards and announcements), from collaborators on the manuscripts she has worked on over the years, or notes and letters written to her husband Alexander Gabbin as she attended the University of Chicago.","Series 6: Printed Ephemera and Photographs, 1961-2013, comprises chiefly newsletters, newspapers, and pamphlets. Most of the newspapers are national titles, such as the  Washington Post , with the  Daily News-Record  also being represented. Most of the articles center on events concerning African American issues. Of interest is a small pamphlet entitled \"Race and Psychology,\" dated 1961, in which the author details the history of psychological intelligence tests and how different racial/ethnic groups scored in comparison to each other. This series also contains several folders of photographs, documenting Gabbin's personal and professional life. Photographs of poets Rita Dove, Gwendolyn Brooks, and Nikki Giovanni are included.","Three poetry broadsides printed in 2017 at the Virginia Arts of the Book Center for the Virginia Festival of the Book - Heavenly Madrigal, Seasons Change Before We're Ready, and Zombie Blues Villanelle - were removed from the collection and cataloged individually. These broadsides are held by Special Collections.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Furious Flower Poetry Center","James Madison University. Honors College","James Madison University. Honors Program","Gabbin, Joanne V. (Joanne Veal), 1946-","English"],"unitid_tesim":["SC 0296","/repositories/4/resources/627"],"normalized_title_ssm":["Joanne V. Gabbin Papers"],"collection_title_tesim":["Joanne V. Gabbin Papers"],"collection_ssim":["Joanne V. Gabbin Papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["Gabbin, Joanne V. (Joanne Veal), 1946-","Gabbin, Joanne V. (Joanne Veal), 1946-"],"creator_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Gabbin, Joanne V. (Joanne Veal), 1946-"],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Gabbin, Joanne V. (Joanne Veal), 1946-"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Gabbin, Joanne V. (Joanne Veal), 1946-"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Materials were donated by Joanne V. Gabbin in September 2017."],"access_subjects_ssim":["English language -- Study and teaching (Higher)","Poetry -- Black authors","African Americans -- Poetry","African American poets","Poets, Black","Letters (correspondence)","Manuscripts (documents)","Research notes","Photographs","Printed Ephemera","Pamphlets","Brochures","Personal papers","Articles","Syllabi","Poetry","Faculty papers","Newsletters","Newspaper clippings"],"access_subjects_ssm":["English language -- Study and teaching (Higher)","Poetry -- Black authors","African Americans -- Poetry","African American poets","Poets, Black","Letters (correspondence)","Manuscripts (documents)","Research notes","Photographs","Printed Ephemera","Pamphlets","Brochures","Personal papers","Articles","Syllabi","Poetry","Faculty papers","Newsletters","Newspaper clippings"],"has_online_content_ssim":["false"],"extent_ssm":["12.54 cubic feet 42 boxes","134 Megabytes 216 digital files"],"extent_tesim":["12.54 cubic feet 42 boxes","134 Megabytes 216 digital files"],"genreform_ssim":["Letters (correspondence)","Manuscripts (documents)","Research notes","Photographs","Printed Ephemera","Pamphlets","Brochures","Personal papers","Articles","Syllabi","Poetry","Faculty papers","Newsletters","Newspaper clippings"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection"],"appraisal_html_tesm":["\u003cp\u003eTwo boxes filled with empty file folders were recycled prior to processing.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["Two boxes filled with empty file folders were recycled prior to processing."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in six series. Series 3 and Series 5 are arranged further into subseries. Each series is arranged chronologically except for Series 1: Manuscripts which is arranged alphabetically. Exceptions to this arrangement scheme were made in order to group like materials (e.g. photographs, newspaper clippings) together. As a result chronological arrangements are approximate. In order to maintain original intellectual order, photographs and correspondence, for example, may be found across multiple series.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eManuscripts, 1930-2015\u003c/item\u003e\n      \u003citem\u003eResearch, 1960-2016\u003c/item\u003e\n      \u003citem\u003eProfessional Activities, 1963-2017\u003c/item\u003e\n      \u003citem\u003eTeaching Materials, 1971-2013\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1967-2016\u003c/item\u003e\n      \u003citem\u003ePrinted Ephemera and Photographs, 1961-2013\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in six series. Series 3 and Series 5 are arranged further into subseries. Each series is arranged chronologically except for Series 1: Manuscripts which is arranged alphabetically. Exceptions to this arrangement scheme were made in order to group like materials (e.g. photographs, newspaper clippings) together. As a result chronological arrangements are approximate. In order to maintain original intellectual order, photographs and correspondence, for example, may be found across multiple series.","Manuscripts, 1930-2015 Research, 1960-2016 Professional Activities, 1963-2017 Teaching Materials, 1971-2013 Personal Papers, 1967-2016 Printed Ephemera and Photographs, 1961-2013"],"bioghist_html_tesm":["\u003cp\u003eA professor of English at James Madison University, Joanne Gabbin earned her B.A. from Morgan State College in Baltimore, Maryland in 1967, and received her M.A. and Ph.D. from the University of Chicago in 1970 and 1980, respectively. Gabbin taught at Roosevelt University, Chicago State University, and Lincoln University before she was hired at James Madison University in 1985 as a Commonwealth Visiting Professor. She became the director of the Honors Program (now the Honors College) in 1986, where she served for 19 years and founded many programs that define the Honors College today. \u003c/p\u003e\n","\u003cp\u003eIn 1994, she organized the first Furious Flower Poetry Conference, which she held at JMU and in honor of Pulitzer Prize-winning poet Gwendolyn Brooks. The event was considered historic and likely the largest gathering of African American poets and literature scholars to that date. After a second successful conference a decade later, JMU chartered the Furious Flower Poetry Center in 2005, the nation's first academic center devoted to Black poetry. \u003c/p\u003e\n","\u003cp\u003eThe author/editor of numerous books and founder of the Wintergreen Women Writers' Collective, Gabbin's contributions to the academic field of African American poetry have been acknowledged with awards and honors from such organizations as the HistoryMakers Archives, the National Museum of African American History and Culture, the College Language Association and the International Literary Hall of Fame for Writers of African Descent, among many others. Her publications include \u003cemph render=\"italic\"\u003eSterling A. Brown: Building the Black Aesthetic Tradition\u003c/emph\u003e (1985), which was reissued in 1994 by the University Press of Virginia and the children's book \u003cemph render=\"italic\"\u003eI Bet She Called Me Sugar Plum\u003c/emph\u003e (2004). She also edited \u003cemph render=\"italic\"\u003eThe Furious Flowering of African American Poetry\u003c/emph\u003e (1999), \u003cemph render=\"italic\"\u003eFurious Flower: African American Poetry from the Black Arts Movement to the Present\u003c/emph\u003e (2004), \u003cemph render=\"italic\"\u003eFurious Flower: Seeding the Future of African American Poetry\u003c/emph\u003e (2020), \u003cemph render=\"italic\"\u003eShaping Memories: Reflections of African American Women Writers\u003c/emph\u003e (2009), and \u003cemph render=\"italic\"\u003eMourning Katrina: A Poetic Response to Tragedy\u003c/emph\u003e (2009). \u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["A professor of English at James Madison University, Joanne Gabbin earned her B.A. from Morgan State College in Baltimore, Maryland in 1967, and received her M.A. and Ph.D. from the University of Chicago in 1970 and 1980, respectively. Gabbin taught at Roosevelt University, Chicago State University, and Lincoln University before she was hired at James Madison University in 1985 as a Commonwealth Visiting Professor. She became the director of the Honors Program (now the Honors College) in 1986, where she served for 19 years and founded many programs that define the Honors College today. ","In 1994, she organized the first Furious Flower Poetry Conference, which she held at JMU and in honor of Pulitzer Prize-winning poet Gwendolyn Brooks. The event was considered historic and likely the largest gathering of African American poets and literature scholars to that date. After a second successful conference a decade later, JMU chartered the Furious Flower Poetry Center in 2005, the nation's first academic center devoted to Black poetry. ","The author/editor of numerous books and founder of the Wintergreen Women Writers' Collective, Gabbin's contributions to the academic field of African American poetry have been acknowledged with awards and honors from such organizations as the HistoryMakers Archives, the National Museum of African American History and Culture, the College Language Association and the International Literary Hall of Fame for Writers of African Descent, among many others. Her publications include  Sterling A. Brown: Building the Black Aesthetic Tradition  (1985), which was reissued in 1994 by the University Press of Virginia and the children's book  I Bet She Called Me Sugar Plum  (2004). She also edited  The Furious Flowering of African American Poetry  (1999),  Furious Flower: African American Poetry from the Black Arts Movement to the Present  (2004),  Furious Flower: Seeding the Future of African American Poetry  (2020),  Shaping Memories: Reflections of African American Women Writers  (2009), and  Mourning Katrina: A Poetic Response to Tragedy  (2009). "],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], undated, SC 0296, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], undated, SC 0296, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eCollection was donated in clearly labeled folders housed in multiple cubic boxes. In Feburary 2017, Cardinal House experienced a flood as a result of plumbing issues. Materials in this collection were affected and may exhibit water damage. Processors used labels as direction for series arrangement, and focused on discards of duplicates and assessing water-damage materials. Afterwards, materials were moved to hollingers and additional accruals were integrated into the existing arrangement.\u003c/p\u003e","\u003cp\u003eDuplicate newspapers, newsletters, brochures, articles, etc. were discarded. Financial records including receipts, credit card and bank statements, and travel reimbursements were not retained and were discarded. Student records containing personally identifiable information (student identification numbers, GPAs, grades, etc.)—beyond what is considered directory information—were removed and discarded.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was donated in clearly labeled folders housed in multiple cubic boxes. In Feburary 2017, Cardinal House experienced a flood as a result of plumbing issues. Materials in this collection were affected and may exhibit water damage. Processors used labels as direction for series arrangement, and focused on discards of duplicates and assessing water-damage materials. Afterwards, materials were moved to hollingers and additional accruals were integrated into the existing arrangement.","Duplicate newspapers, newsletters, brochures, articles, etc. were discarded. Financial records including receipts, credit card and bank statements, and travel reimbursements were not retained and were discarded. Student records containing personally identifiable information (student identification numbers, GPAs, grades, etc.)—beyond what is considered directory information—were removed and discarded."],"relatedmaterial_html_tesm":["\u003cp\u003eFurious Flower Poetry Center Records, 1990-2014, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e\n","\u003cp\u003eFurious Flower Poetry Center Conference Records, 1970-2015, UA 0018, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Furious Flower Poetry Center Records, 1990-2014, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","Furious Flower Poetry Center Conference Records, 1970-2015, UA 0018, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center. The materials chiefly relate to her professional role as an influential figure in the African American literary community and include manuscripts she wrote or edited, notes and materials from events where she spoke or was featured, and her correspondence with publishers, professional organizations, and other members of the African American literary community. Other materials include articles for research or teaching purposes, syllabi, documents and correspondence related to her role as professor and head of the JMU Honors College, personal correspondence, and documents related to her role as director of the Furious Flower Poetry Center.\u003c/p\u003e","\u003cp\u003eSeries 1: Manuscripts, 1930-2015, includes manuscripts authored by Gabbin and her colleagues. The majority of the series is made up of edits and drafts of the anthology manuscript that would be come to known as \u003cemph render=\"italic\"\u003eShaping Memories: Reflections of African American Women Writers\u003c/emph\u003e. This manuscript would be the culmination of works by Gabbin and her colleagues after their annual Wintergreen Women's Writer's retreat. Also of note in this series is Gabbin's dissertation on Sterling Brown, written during her time at the University of Chicago as she pursued her master's degree and PhD.\u003c/p\u003e","\u003cp\u003eSeries 2: Research, 1960-2016, includes a wide variety of materials that relate to Gabbin's research during her time as a student in the master's and doctorate program at the University of Chicago and research for the manuscripts she wrote  and contributed to later in her life. The content mostly consists of articles from academic journals and books written on the subject at hand (e.g. Sonia Sanchez and Sterling Brown), with some interesting items including legal pads and spiral notebooks containing personal notes and thoughts on the topic being researched.\u003c/p\u003e","\u003cp\u003eSeries 3: Professional Activities, 1963-2017, comprises three subseries: general material, materials relating to the honors college at JMU, and material related to the Furious Flower Poetry Center. The items in this series relate to Gabbin's numerous speaking engagements and events held by the poetry center and honors college. This can include professional correspondence, promotional material, and invitations and programs to events held over the years.\u003c/p\u003e","\u003cp\u003eSeries 4: Teaching Materials, 1971-2013, includes items related to Joanne Gabbin's teaching career at James Madison University. The majority of this series comprises syllabi from the English classes Gabbin taught, all relating to Black Literature. Scattered throughout the series are also course evaluations, in which the majority of her students give her high marks for her enthusiasm for the material and accessible teaching style, and miscellaneous pedagogical materials likely used to inform instruction.\u003c/p\u003e","\u003cp\u003eSeries 5: Personal Papers, 1967-2016, is made up of two subseries: general personal materials and personal correspondence. Personal items cover a variety of material, which include: essays written by Gabbin when she was a student at Morgan State College and the University of Chicago (some marked up by her professors), drafted manuscripts, and a folder containing numerous drafts and illustrations for her children's book \u003cemph render=\"italic\"\u003eI Bet She Called Me Sugar Plum\u003c/emph\u003e. The personal correspondence is made up of letters written to Gabbin from former students she has had over the years (seen through numerous holiday cards and announcements), from collaborators on the manuscripts she has worked on over the years, or notes and letters written to her husband Alexander Gabbin as she attended the University of Chicago.\u003c/p\u003e","\u003cp\u003eSeries 6: Printed Ephemera and Photographs, 1961-2013, comprises chiefly newsletters, newspapers, and pamphlets. Most of the newspapers are national titles, such as the \u003cemph render=\"italic\"\u003eWashington Post\u003c/emph\u003e, with the \u003cemph render=\"italic\"\u003eDaily News-Record\u003c/emph\u003e also being represented. Most of the articles center on events concerning African American issues. Of interest is a small pamphlet entitled \"Race and Psychology,\" dated 1961, in which the author details the history of psychological intelligence tests and how different racial/ethnic groups scored in comparison to each other. This series also contains several folders of photographs, documenting Gabbin's personal and professional life. Photographs of poets Rita Dove, Gwendolyn Brooks, and Nikki Giovanni are included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center. The materials chiefly relate to her professional role as an influential figure in the African American literary community and include manuscripts she wrote or edited, notes and materials from events where she spoke or was featured, and her correspondence with publishers, professional organizations, and other members of the African American literary community. Other materials include articles for research or teaching purposes, syllabi, documents and correspondence related to her role as professor and head of the JMU Honors College, personal correspondence, and documents related to her role as director of the Furious Flower Poetry Center.","Series 1: Manuscripts, 1930-2015, includes manuscripts authored by Gabbin and her colleagues. The majority of the series is made up of edits and drafts of the anthology manuscript that would be come to known as  Shaping Memories: Reflections of African American Women Writers . This manuscript would be the culmination of works by Gabbin and her colleagues after their annual Wintergreen Women's Writer's retreat. Also of note in this series is Gabbin's dissertation on Sterling Brown, written during her time at the University of Chicago as she pursued her master's degree and PhD.","Series 2: Research, 1960-2016, includes a wide variety of materials that relate to Gabbin's research during her time as a student in the master's and doctorate program at the University of Chicago and research for the manuscripts she wrote  and contributed to later in her life. The content mostly consists of articles from academic journals and books written on the subject at hand (e.g. Sonia Sanchez and Sterling Brown), with some interesting items including legal pads and spiral notebooks containing personal notes and thoughts on the topic being researched.","Series 3: Professional Activities, 1963-2017, comprises three subseries: general material, materials relating to the honors college at JMU, and material related to the Furious Flower Poetry Center. The items in this series relate to Gabbin's numerous speaking engagements and events held by the poetry center and honors college. This can include professional correspondence, promotional material, and invitations and programs to events held over the years.","Series 4: Teaching Materials, 1971-2013, includes items related to Joanne Gabbin's teaching career at James Madison University. The majority of this series comprises syllabi from the English classes Gabbin taught, all relating to Black Literature. Scattered throughout the series are also course evaluations, in which the majority of her students give her high marks for her enthusiasm for the material and accessible teaching style, and miscellaneous pedagogical materials likely used to inform instruction.","Series 5: Personal Papers, 1967-2016, is made up of two subseries: general personal materials and personal correspondence. Personal items cover a variety of material, which include: essays written by Gabbin when she was a student at Morgan State College and the University of Chicago (some marked up by her professors), drafted manuscripts, and a folder containing numerous drafts and illustrations for her children's book  I Bet She Called Me Sugar Plum . The personal correspondence is made up of letters written to Gabbin from former students she has had over the years (seen through numerous holiday cards and announcements), from collaborators on the manuscripts she has worked on over the years, or notes and letters written to her husband Alexander Gabbin as she attended the University of Chicago.","Series 6: Printed Ephemera and Photographs, 1961-2013, comprises chiefly newsletters, newspapers, and pamphlets. Most of the newspapers are national titles, such as the  Washington Post , with the  Daily News-Record  also being represented. Most of the articles center on events concerning African American issues. Of interest is a small pamphlet entitled \"Race and Psychology,\" dated 1961, in which the author details the history of psychological intelligence tests and how different racial/ethnic groups scored in comparison to each other. This series also contains several folders of photographs, documenting Gabbin's personal and professional life. Photographs of poets Rita Dove, Gwendolyn Brooks, and Nikki Giovanni are included."],"separatedmaterial_html_tesm":["\u003cp\u003eThree poetry broadsides printed in 2017 at the Virginia Arts of the Book Center for the Virginia Festival of the Book - Heavenly Madrigal, Seasons Change Before We're Ready, and Zombie Blues Villanelle - were removed from the collection and cataloged individually. These broadsides are held by Special Collections.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Three poetry broadsides printed in 2017 at the Virginia Arts of the Book Center for the Virginia Festival of the Book - Heavenly Madrigal, Seasons Change Before We're Ready, and Zombie Blues Villanelle - were removed from the collection and cataloged individually. These broadsides are held by Special Collections."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f08c87141a4134568799bd39ab722aea\"\u003eThe Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Joanne V. Gabbin Papers, 1930-2017 [bulk 1960-2017], contain the professional, academic, and personal papers of Joanne V. Gabbin, professor of English at James Madison University and director of the Furious Flower Poetry Center."],"names_coll_ssim":["Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Furious Flower Poetry Center","James Madison University. Honors College","James Madison University. Honors Program","Gabbin, Joanne V. (Joanne Veal), 1946-"],"names_ssim":["James Madison University Libraries Special Collections","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Furious Flower Poetry Center","James Madison University. Honors College","James Madison University. Honors Program","Gabbin, Joanne V. (Joanne Veal), 1946-"],"corpname_ssim":["James Madison University Libraries Special Collections","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Furious Flower Poetry Center","James Madison University. Honors College","James Madison University. Honors Program"],"persname_ssim":["Gabbin, Joanne V. 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Wynne was also an avid gardener and some of his affinity of flowers and development of hybrid species of irises and calla lilies is represented in this collection of papers.","Special Collections Research Center","Wynne, Robert Baker","Stein, Gertrude, 1874-1946","Welty, Eudora, 1909-2001","English"],"unitid_tesim":["MS 00250","/repositories/2/resources/8121"],"normalized_title_ssm":["Robert Baker Wynne Papers"],"collection_title_tesim":["Robert Baker Wynne Papers"],"collection_ssim":["Robert Baker Wynne Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Wynne, Robert Baker"],"creator_ssim":["Wynne, Robert Baker"],"creator_persname_ssim":["Wynne, Robert Baker"],"creators_ssim":["Wynne, Robert Baker"],"access_subjects_ssim":["Botany","Poetry"],"access_subjects_ssm":["Botany","Poetry"],"has_online_content_ssim":["false"],"extent_ssm":["1.25 Linear Feet"],"extent_tesim":["1.25 Linear Feet"],"genreform_ssim":["Poetry"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eRobert Baker Wynne and his twin, Miles Wills, were born 27 March 1906 to Effie and Wills Wynne in York County, VA.  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He died 10 December 1970 in Raleigh, North Carolina and was buried Lebannon Christian Church in Newport News, VA."],"prefercite_html_tesm":["\u003cp\u003eRobert Baker Wynne Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Robert Baker Wynne Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, artwork, drawings, and notes of Robert Baker Wynne, professor of English at North Carolina State University.  Through his poetry writings, Wynne developed and maintained a correspondence relationship with a number well known writers of the 1920's and 30's, including Gertrude Stein and Eudora Welty, of which there is correspondence in this collection between Wynne and them.  Wynne was also an avid gardener and some of his affinity of flowers and development of hybrid species of irises and calla lilies is represented in this collection of papers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Correspondence, artwork, drawings, and notes of Robert Baker Wynne, professor of English at North Carolina State University.  Through his poetry writings, Wynne developed and maintained a correspondence relationship with a number well known writers of the 1920's and 30's, including Gertrude Stein and Eudora Welty, of which there is correspondence in this collection between Wynne and them.  Wynne was also an avid gardener and some of his affinity of flowers and development of hybrid species of irises and calla lilies is represented in this collection of papers."],"userestrict_heading_ssm":["Conditions Governing Use"],"names_ssim":["Special Collections Research Center","Wynne, Robert Baker","Stein, Gertrude, 1874-1946","Welty, Eudora, 1909-2001"],"corpname_ssim":["Special Collections Research Center"],"names_coll_ssim":["Stein, Gertrude, 1874-1946","Welty, Eudora, 1909-2001"],"persname_ssim":["Wynne, Robert Baker","Stein, Gertrude, 1874-1946","Welty, Eudora, 1909-2001"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:07:55.426Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8121"}},{"id":"vihart_repositories_4_resources_713","type":"collection","attributes":{"title":"Ruth Conn papers","creator":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_713#creator","type":"document_value","attributes":{"value":"Conn, Ruth R, (Ruth Randolph), 1893-1993","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_713#abstract_or_scope","type":"document_value","attributes":{"value":"The Ruth Conn Papers, 1884-1993, comprise seven folders with materials primarily focused on Ruth Conn's life surrounding her attendance at the State Normal and Industrial School for Women, now James Madison University. 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Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","A copy of the 1912 Schoolma'am yearbook was not retained due to significant preservation issues.","The collection is arranged chronologically.","\"Ruth Randolph Conn (1893–1993) • FamilySearch.\" FamilySearch, https://ancestors.familysearch.org/en/L71N-8K3/ruth-randolph-conn-1893-1993. Accessed 23 January 2023.","Ruth Randolph Conn (1893-1993) was born on January 16, 1893 in McGaheysville, Virginia. Raised in McGaheysville, Conn was known locally as the great-great granddaughter of the town's founder, Tobia McGahey. She attended the State Normal and Industrial School for Women, now James Madison University, where she graduated in 1912. While a student, Conn was involved in the Lanier Literary Society, Racket Tennis Club, and the editorial staff for the yearbook. After graduation, she became a school teacher before moving to Richmond, Virginia where she became an office manager for the Fiedens Typewriter Company.","Control #Alumni85+2, JMU Historic Photos Online, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.","The Ruth Conn Papers, 1884-1993, comprise seven folders with materials primarily focused on Ruth Conn's life surrounding her attendance at the State Normal  and Industrial School for Women, now James Madison University. The collection mainly focuses on campus events, correspondence between her and her fellow students, and poetry she worked on or read in her lifetime. ","Correspondence in the collection ranges in content but predominantly focuses on Ruth Conn's time in the Harrisonburg and McGaheysville area with a focus on her friendships and time at the State Normal School. Ephemera primarily contains pamphlets, flyers, and grades pertaining to Conn's time at the State Normal School with some items being associated with her early jobs right after graduation. In addition, her collection of poetry primarily comprises her original work. Occasional pieces included are not originally by her but are works that she recited or wrote out. The majority of her poetry in the collection is dated between 1975-1989; however, there is some undated poetry that is estimated to be prior to 1975. As a member of St. Paul's Episcopal Church in Richmond, Virginia, Conn also had a collection of sermons from the 1940-1950s, mostly preached by Reverend Vincent C. Franks, D.D.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Ruth Conn Papers, 1884-1993, comprise seven folders with materials primarily focused on Ruth Conn's life surrounding her attendance at the State Normal and Industrial School for Women, now James Madison University. The collection mainly focuses on campus events, correspondence between her and her fellow students, and poetry she worked on or read in her lifetime.","James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","James Madison University -- History","Conn, Ruth R, (Ruth Randolph), 1893-1993","Dixon, Lori","English"],"unitid_tesim":["SC 0339","/repositories/4/resources/713"],"normalized_title_ssm":["Ruth Conn papers"],"collection_title_tesim":["Ruth Conn papers"],"collection_ssim":["Ruth Conn papers"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History","McGaheysville (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History","McGaheysville (Va.) -- History"],"creator_ssm":["Conn, Ruth R, (Ruth Randolph), 1893-1993","Dixon, Lori"],"creator_ssim":["Conn, Ruth R, (Ruth Randolph), 1893-1993","Dixon, Lori"],"creator_persname_ssim":["Conn, Ruth R, (Ruth Randolph), 1893-1993","Dixon, Lori"],"creators_ssim":["Conn, Ruth R, (Ruth Randolph), 1893-1993","Dixon, Lori"],"places_ssim":["Harrisonburg (Va.) -- History","McGaheysville (Va.) -- History"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Lori Dixon, daughter-in-law of Madelyn Dixon who was a lifelong friend of Ruth Conn, donated the collection on August 16, 2022."],"access_subjects_ssim":["Universities and colleges -- Virginia -- Harrisonburg -- History","Poetry","Letters (correspondence)","Printed Ephemera","Photograph albums"],"access_subjects_ssm":["Universities and colleges -- Virginia -- Harrisonburg -- History","Poetry","Letters (correspondence)","Printed Ephemera","Photograph albums"],"has_online_content_ssim":["false"],"extent_ssm":["0.33 cubic feet 1 box"],"extent_tesim":["0.33 cubic feet 1 box"],"genreform_ssim":["Poetry","Letters (correspondence)","Printed Ephemera","Photograph albums"],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. 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Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eA copy of the 1912 Schoolma'am yearbook was not retained due to significant preservation issues.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["A copy of the 1912 Schoolma'am yearbook was not retained due to significant preservation issues."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Ruth Randolph Conn (1893–1993) • FamilySearch.\" FamilySearch, https://ancestors.familysearch.org/en/L71N-8K3/ruth-randolph-conn-1893-1993. Accessed 23 January 2023.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Ruth Randolph Conn (1893–1993) • FamilySearch.\" FamilySearch, https://ancestors.familysearch.org/en/L71N-8K3/ruth-randolph-conn-1893-1993. Accessed 23 January 2023."],"bioghist_html_tesm":["\u003cp\u003eRuth Randolph Conn (1893-1993) was born on January 16, 1893 in McGaheysville, Virginia. Raised in McGaheysville, Conn was known locally as the great-great granddaughter of the town's founder, Tobia McGahey. She attended the State Normal and Industrial School for Women, now James Madison University, where she graduated in 1912. While a student, Conn was involved in the Lanier Literary Society, Racket Tennis Club, and the editorial staff for the yearbook. After graduation, she became a school teacher before moving to Richmond, Virginia where she became an office manager for the Fiedens Typewriter Company.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Ruth Randolph Conn (1893-1993) was born on January 16, 1893 in McGaheysville, Virginia. Raised in McGaheysville, Conn was known locally as the great-great granddaughter of the town's founder, Tobia McGahey. She attended the State Normal and Industrial School for Women, now James Madison University, where she graduated in 1912. While a student, Conn was involved in the Lanier Literary Society, Racket Tennis Club, and the editorial staff for the yearbook. After graduation, she became a school teacher before moving to Richmond, Virginia where she became an office manager for the Fiedens Typewriter Company."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Ruth Conn Papers, 1894-1993, SC 0339, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Ruth Conn Papers, 1894-1993, SC 0339, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"relatedmaterial_html_tesm":["\u003cp\u003eControl #Alumni85+2, JMU Historic Photos Online, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Control #Alumni85+2, JMU Historic Photos Online, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe Ruth Conn Papers, 1884-1993, comprise seven folders with materials primarily focused on Ruth Conn's life surrounding her attendance at the State Normal  and Industrial School for Women, now James Madison University. The collection mainly focuses on campus events, correspondence between her and her fellow students, and poetry she worked on or read in her lifetime. \u003c/p\u003e\n","\u003cp\u003eCorrespondence in the collection ranges in content but predominantly focuses on Ruth Conn's time in the Harrisonburg and McGaheysville area with a focus on her friendships and time at the State Normal School. Ephemera primarily contains pamphlets, flyers, and grades pertaining to Conn's time at the State Normal School with some items being associated with her early jobs right after graduation. In addition, her collection of poetry primarily comprises her original work. Occasional pieces included are not originally by her but are works that she recited or wrote out. The majority of her poetry in the collection is dated between 1975-1989; however, there is some undated poetry that is estimated to be prior to 1975. As a member of St. Paul's Episcopal Church in Richmond, Virginia, Conn also had a collection of sermons from the 1940-1950s, mostly preached by Reverend Vincent C. Franks, D.D.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ruth Conn Papers, 1884-1993, comprise seven folders with materials primarily focused on Ruth Conn's life surrounding her attendance at the State Normal  and Industrial School for Women, now James Madison University. The collection mainly focuses on campus events, correspondence between her and her fellow students, and poetry she worked on or read in her lifetime. ","Correspondence in the collection ranges in content but predominantly focuses on Ruth Conn's time in the Harrisonburg and McGaheysville area with a focus on her friendships and time at the State Normal School. Ephemera primarily contains pamphlets, flyers, and grades pertaining to Conn's time at the State Normal School with some items being associated with her early jobs right after graduation. In addition, her collection of poetry primarily comprises her original work. Occasional pieces included are not originally by her but are works that she recited or wrote out. The majority of her poetry in the collection is dated between 1975-1989; however, there is some undated poetry that is estimated to be prior to 1975. As a member of St. Paul's Episcopal Church in Richmond, Virginia, Conn also had a collection of sermons from the 1940-1950s, mostly preached by Reverend Vincent C. Franks, D.D."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_93551d342ea56edc6a1240e4d5bad96d\"\u003eThe Ruth Conn Papers, 1884-1993, comprise seven folders with materials primarily focused on Ruth Conn's life surrounding her attendance at the State Normal and Industrial School for Women, now James Madison University. The collection mainly focuses on campus events, correspondence between her and her fellow students, and poetry she worked on or read in her lifetime.\u003c/abstract\u003e"],"abstract_tesim":["The Ruth Conn Papers, 1884-1993, comprise seven folders with materials primarily focused on Ruth Conn's life surrounding her attendance at the State Normal and Industrial School for Women, now James Madison University. The collection mainly focuses on campus events, correspondence between her and her fellow students, and poetry she worked on or read in her lifetime."],"names_coll_ssim":["State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","James Madison University -- History","Dixon, Lori"],"names_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","James Madison University -- History","Conn, Ruth R, (Ruth Randolph), 1893-1993","Dixon, Lori"],"corpname_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","James Madison University -- History"],"persname_ssim":["Conn, Ruth R, (Ruth Randolph), 1893-1993","Dixon, Lori"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:21:32.588Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_713","ead_ssi":"vihart_repositories_4_resources_713","_root_":"vihart_repositories_4_resources_713","_nest_parent_":"vihart_repositories_4_resources_713","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_713.xml","title_ssm":["Ruth Conn papers"],"title_tesim":["Ruth Conn papers"],"unitdate_ssm":["1884-1993"],"unitdate_inclusive_ssm":["1884-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0339","/repositories/4/resources/713"],"text":["SC 0339","/repositories/4/resources/713","Ruth Conn papers","Harrisonburg (Va.) -- History","McGaheysville (Va.) -- History","Universities and colleges -- Virginia -- Harrisonburg -- History","Poetry","Letters (correspondence)","Printed Ephemera","Photograph albums","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","A copy of the 1912 Schoolma'am yearbook was not retained due to significant preservation issues.","The collection is arranged chronologically.","\"Ruth Randolph Conn (1893–1993) • FamilySearch.\" FamilySearch, https://ancestors.familysearch.org/en/L71N-8K3/ruth-randolph-conn-1893-1993. Accessed 23 January 2023.","Ruth Randolph Conn (1893-1993) was born on January 16, 1893 in McGaheysville, Virginia. Raised in McGaheysville, Conn was known locally as the great-great granddaughter of the town's founder, Tobia McGahey. She attended the State Normal and Industrial School for Women, now James Madison University, where she graduated in 1912. While a student, Conn was involved in the Lanier Literary Society, Racket Tennis Club, and the editorial staff for the yearbook. After graduation, she became a school teacher before moving to Richmond, Virginia where she became an office manager for the Fiedens Typewriter Company.","Control #Alumni85+2, JMU Historic Photos Online, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.","The Ruth Conn Papers, 1884-1993, comprise seven folders with materials primarily focused on Ruth Conn's life surrounding her attendance at the State Normal  and Industrial School for Women, now James Madison University. The collection mainly focuses on campus events, correspondence between her and her fellow students, and poetry she worked on or read in her lifetime. ","Correspondence in the collection ranges in content but predominantly focuses on Ruth Conn's time in the Harrisonburg and McGaheysville area with a focus on her friendships and time at the State Normal School. Ephemera primarily contains pamphlets, flyers, and grades pertaining to Conn's time at the State Normal School with some items being associated with her early jobs right after graduation. In addition, her collection of poetry primarily comprises her original work. Occasional pieces included are not originally by her but are works that she recited or wrote out. The majority of her poetry in the collection is dated between 1975-1989; however, there is some undated poetry that is estimated to be prior to 1975. As a member of St. Paul's Episcopal Church in Richmond, Virginia, Conn also had a collection of sermons from the 1940-1950s, mostly preached by Reverend Vincent C. Franks, D.D.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. 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For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Lori Dixon, daughter-in-law of Madelyn Dixon who was a lifelong friend of Ruth Conn, donated the collection on August 16, 2022."],"access_subjects_ssim":["Universities and colleges -- Virginia -- Harrisonburg -- History","Poetry","Letters (correspondence)","Printed Ephemera","Photograph albums"],"access_subjects_ssm":["Universities and colleges -- Virginia -- Harrisonburg -- History","Poetry","Letters (correspondence)","Printed Ephemera","Photograph albums"],"has_online_content_ssim":["false"],"extent_ssm":["0.33 cubic feet 1 box"],"extent_tesim":["0.33 cubic feet 1 box"],"genreform_ssim":["Poetry","Letters (correspondence)","Printed Ephemera","Photograph albums"],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"appraisal_html_tesm":["\u003cp\u003eA copy of the 1912 Schoolma'am yearbook was not retained due to significant preservation issues.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["A copy of the 1912 Schoolma'am yearbook was not retained due to significant preservation issues."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically."],"bibliography_html_tesm":["\u003cp\u003e\"Ruth Randolph Conn (1893–1993) • FamilySearch.\" FamilySearch, https://ancestors.familysearch.org/en/L71N-8K3/ruth-randolph-conn-1893-1993. Accessed 23 January 2023.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Ruth Randolph Conn (1893–1993) • FamilySearch.\" FamilySearch, https://ancestors.familysearch.org/en/L71N-8K3/ruth-randolph-conn-1893-1993. Accessed 23 January 2023."],"bioghist_html_tesm":["\u003cp\u003eRuth Randolph Conn (1893-1993) was born on January 16, 1893 in McGaheysville, Virginia. Raised in McGaheysville, Conn was known locally as the great-great granddaughter of the town's founder, Tobia McGahey. She attended the State Normal and Industrial School for Women, now James Madison University, where she graduated in 1912. While a student, Conn was involved in the Lanier Literary Society, Racket Tennis Club, and the editorial staff for the yearbook. After graduation, she became a school teacher before moving to Richmond, Virginia where she became an office manager for the Fiedens Typewriter Company.\u003c/p\u003e"],"bioghist_heading_ssm":["Bio/Historical Note"],"bioghist_tesim":["Ruth Randolph Conn (1893-1993) was born on January 16, 1893 in McGaheysville, Virginia. Raised in McGaheysville, Conn was known locally as the great-great granddaughter of the town's founder, Tobia McGahey. She attended the State Normal and Industrial School for Women, now James Madison University, where she graduated in 1912. While a student, Conn was involved in the Lanier Literary Society, Racket Tennis Club, and the editorial staff for the yearbook. After graduation, she became a school teacher before moving to Richmond, Virginia where she became an office manager for the Fiedens Typewriter Company."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Ruth Conn Papers, 1894-1993, SC 0339, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Ruth Conn Papers, 1894-1993, SC 0339, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"relatedmaterial_html_tesm":["\u003cp\u003eControl #Alumni85+2, JMU Historic Photos Online, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Control #Alumni85+2, JMU Historic Photos Online, Special Collections, Carrier Library, James Madison University, Harrisonburg, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe Ruth Conn Papers, 1884-1993, comprise seven folders with materials primarily focused on Ruth Conn's life surrounding her attendance at the State Normal  and Industrial School for Women, now James Madison University. The collection mainly focuses on campus events, correspondence between her and her fellow students, and poetry she worked on or read in her lifetime. \u003c/p\u003e\n","\u003cp\u003eCorrespondence in the collection ranges in content but predominantly focuses on Ruth Conn's time in the Harrisonburg and McGaheysville area with a focus on her friendships and time at the State Normal School. Ephemera primarily contains pamphlets, flyers, and grades pertaining to Conn's time at the State Normal School with some items being associated with her early jobs right after graduation. In addition, her collection of poetry primarily comprises her original work. Occasional pieces included are not originally by her but are works that she recited or wrote out. The majority of her poetry in the collection is dated between 1975-1989; however, there is some undated poetry that is estimated to be prior to 1975. As a member of St. Paul's Episcopal Church in Richmond, Virginia, Conn also had a collection of sermons from the 1940-1950s, mostly preached by Reverend Vincent C. Franks, D.D.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ruth Conn Papers, 1884-1993, comprise seven folders with materials primarily focused on Ruth Conn's life surrounding her attendance at the State Normal  and Industrial School for Women, now James Madison University. The collection mainly focuses on campus events, correspondence between her and her fellow students, and poetry she worked on or read in her lifetime. ","Correspondence in the collection ranges in content but predominantly focuses on Ruth Conn's time in the Harrisonburg and McGaheysville area with a focus on her friendships and time at the State Normal School. Ephemera primarily contains pamphlets, flyers, and grades pertaining to Conn's time at the State Normal School with some items being associated with her early jobs right after graduation. In addition, her collection of poetry primarily comprises her original work. Occasional pieces included are not originally by her but are works that she recited or wrote out. The majority of her poetry in the collection is dated between 1975-1989; however, there is some undated poetry that is estimated to be prior to 1975. As a member of St. Paul's Episcopal Church in Richmond, Virginia, Conn also had a collection of sermons from the 1940-1950s, mostly preached by Reverend Vincent C. Franks, D.D."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_93551d342ea56edc6a1240e4d5bad96d\"\u003eThe Ruth Conn Papers, 1884-1993, comprise seven folders with materials primarily focused on Ruth Conn's life surrounding her attendance at the State Normal and Industrial School for Women, now James Madison University. The collection mainly focuses on campus events, correspondence between her and her fellow students, and poetry she worked on or read in her lifetime.\u003c/abstract\u003e"],"abstract_tesim":["The Ruth Conn Papers, 1884-1993, comprise seven folders with materials primarily focused on Ruth Conn's life surrounding her attendance at the State Normal and Industrial School for Women, now James Madison University. The collection mainly focuses on campus events, correspondence between her and her fellow students, and poetry she worked on or read in her lifetime."],"names_coll_ssim":["State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","James Madison University -- History","Dixon, Lori"],"names_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","James Madison University -- History","Conn, Ruth R, (Ruth Randolph), 1893-1993","Dixon, Lori"],"corpname_ssim":["James Madison University Libraries Special Collections","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students","State Normal and Industrial School for Women (Harrisonburg, Va.) -- Students -- Social life and customs","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","James Madison University -- History"],"persname_ssim":["Conn, Ruth R, (Ruth Randolph), 1893-1993","Dixon, Lori"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:21:32.588Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_713"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":2},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Poetry\u0026f%5Bdate_range%5D%5B%5D=1957\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=compact"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Poetry\u0026f%5Bdate_range%5D%5B%5D=1957\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026view=compact"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":3},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Poetry\u0026f%5Bdate_range%5D%5B%5D=1957\u0026f%5Brepository%5D%5B%5D=James+Madison+University\u0026view=compact"}},{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Poetry\u0026f%5Bdate_range%5D%5B%5D=1957\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026view=compact"}},{"attributes":{"label":"Virginia Military Institute Archives","value":"Virginia Military Institute Archives","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Poetry\u0026f%5Bdate_range%5D%5B%5D=1957\u0026f%5Brepository%5D%5B%5D=Virginia+Military+Institute+Archives\u0026view=compact"}},{"attributes":{"label":"Washington and Lee University, Leyburn Library","value":"Washington and Lee University, Leyburn Library","hits":6},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Poetry\u0026f%5Bdate_range%5D%5B%5D=1957\u0026f%5Brepository%5D%5B%5D=Washington+and+Lee+University%2C+Leyburn+Library\u0026view=compact"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Poetry\u0026f%5Bdate_range%5D%5B%5D=1957\u0026view=compact"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Dorothy Lee Baugher papers","value":"Dorothy Lee Baugher papers","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Poetry\u0026f%5Bcollection%5D%5B%5D=Dorothy+Lee+Baugher+papers\u0026f%5Bdate_range%5D%5B%5D=1957\u0026view=compact"}},{"attributes":{"label":"Dr. Sidney Isenberg Collection on Carson McCullers","value":"Dr. Sidney Isenberg Collection on Carson McCullers","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Poetry\u0026f%5Bcollection%5D%5B%5D=Dr.+Sidney+Isenberg+Collection+on+Carson+McCullers\u0026f%5Bdate_range%5D%5B%5D=1957\u0026view=compact"}},{"attributes":{"label":"E. 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