{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":1,"first_page?":true,"last_page?":true}},"data":[{"id":"viur_repositories_6_resources_104","type":"collection","attributes":{"title":"White gaze","creator":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_6_resources_104#creator","type":"document_value","attributes":{"value":"Dizon, Michelle","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_6_resources_104#abstract_or_scope","type":"document_value","attributes":{"value":"\"In White gaze, artist and filmmaker Michelle Dizon works with an archive of National Geographic magazines to explore the mechanics of the 'white gaze.' Through a process of poetic subtraction, Dizon works with only the language on the original page to write a decolonial counterpoint to a way of imaging the world centered on the West. Her images lay the white gaze bare, unearth a genealogy of a racist visuality, and work in the gap between image and text to write against the grain of imperialist narratives. Artist and writer Việt Lê uses Dizon's images from White gaze as a starting point for his poetic exploration of the legacies of war and imperialism. Lê's text performs a dual work, both contextualizing Dizon's images in the history of empire and unleashing a rhythmic play with language, both visually and aurally, to cut to the core of how meaning is produced. His text speaks to absence as much as presence with a story of war and empire told in fragments, phrases, words hanging on the page--an index of both the trauma and resistance experienced by those subjected to the violence of empire\"--Bookmark insert.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viur_repositories_6_resources_104#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_6_resources_104","ead_ssi":"viur_repositories_6_resources_104","_root_":"viur_repositories_6_resources_104","_nest_parent_":"viur_repositories_6_resources_104","ead_source_url_ssi":"data/oai/RICH/repositories_6_resources_104.xml","title_ssm":["White gaze"],"title_tesim":["White gaze"],"unitdate_ssm":["2019"],"unitdate_other_ssim":["2019"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["BA-45","/repositories/6/resources/104"],"text":["BA-45","/repositories/6/resources/104","White gaze","Racism","Imperialism","Chauvinism and jingoism","Photography -- Social aspects","Photography -- Moral and ethical aspects","Photobooks","Poetry","Erasure poetry","Artists' Books","Bound in paper.","\"In White gaze, artist and filmmaker Michelle Dizon works with an archive of National Geographic magazines to explore the mechanics of the 'white gaze.' Through a process of poetic subtraction, Dizon works with only the language on the original page to write a decolonial counterpoint to a way of imaging the world centered on the West. Her images lay the white gaze bare, unearth a genealogy of a racist visuality, and work in the gap between image and text to write against the grain of imperialist narratives. Artist and writer Việt Lê uses Dizon's images from White gaze as a starting point for his poetic exploration of the legacies of war and imperialism. Lê's text performs a dual work, both contextualizing Dizon's images in the history of empire and unleashing a rhythmic play with language, both visually and aurally, to cut to the core of how meaning is produced. His text speaks to absence as much as presence with a story of war and empire told in fragments, phrases, words hanging on the page--an index of both the trauma and resistance experienced by those subjected to the violence of empire\"--Bookmark insert.","Edition, publication, and printing statements from colophon. Date of publication from Sming Sming Books website.\n\n\"This second edition of White gaze includes a new introduction by Michelle Dizon and an afterword by Việt Lê. Dizon's introductory essay 'The sediment of whiteness' speaks to the way that National Geographic's images have functioned and continue to function as an assertion of property and ownership, particularly as issues around appropriation and fair use have surfaced since the book's first release\"--Sming Sming Books website.","University of Richmond Book Arts Studio","Sming Sming Books (Firm)","Candor Arts (Chicago, Ill.)","Dizon, Michelle","Lê, Việt","English"],"unitid_tesim":["BA-45","/repositories/6/resources/104"],"normalized_title_ssm":["White gaze"],"collection_title_tesim":["White gaze"],"collection_ssim":["White gaze"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Dizon, Michelle","Lê, Việt","Sming Sming Books (Firm)","Sming Sming Books (Firm)","Candor Arts (Chicago, Ill.)","Candor Arts (Chicago, Ill.)"],"creator_ssim":["Dizon, Michelle","Lê, Việt","Sming Sming Books (Firm)","Sming Sming Books (Firm)","Candor Arts (Chicago, Ill.)","Candor Arts (Chicago, Ill.)"],"creator_persname_ssim":["Dizon, Michelle","Lê, Việt"],"creator_corpname_ssim":["Sming Sming Books (Firm)","Sming Sming Books (Firm)","Candor Arts (Chicago, Ill.)","Candor Arts (Chicago, Ill.)"],"creators_ssim":["Dizon, Michelle","Lê, Việt","Sming Sming Books (Firm)","Sming Sming Books (Firm)","Candor Arts (Chicago, Ill.)","Candor Arts (Chicago, Ill.)"],"access_subjects_ssim":["Racism","Imperialism","Chauvinism and jingoism","Photography -- Social aspects","Photography -- Moral and ethical aspects","Photobooks","Poetry","Erasure poetry","Artists' Books"],"access_subjects_ssm":["Racism","Imperialism","Chauvinism and jingoism","Photography -- Social aspects","Photography -- Moral and ethical aspects","Photobooks","Poetry","Erasure poetry","Artists' Books"],"has_online_content_ssim":["false"],"physdesc_tesim":["Bound in paper."],"extent_ssm":["1 Volumes"],"extent_tesim":["1 Volumes"],"physfacet_tesim":["includes illustrations"],"dimensions_tesim":["26 cm"],"genreform_ssim":["Artists' Books"],"date_range_isim":[2019],"abstract_html_tesm":["\u003cabstract id=\"aspace_1959140f2fd27058618c90b519c91334\" label=\"Description\"\u003e\"In White gaze, artist and filmmaker Michelle Dizon works with an archive of National Geographic magazines to explore the mechanics of the 'white gaze.' Through a process of poetic subtraction, Dizon works with only the language on the original page to write a decolonial counterpoint to a way of imaging the world centered on the West. Her images lay the white gaze bare, unearth a genealogy of a racist visuality, and work in the gap between image and text to write against the grain of imperialist narratives. Artist and writer Việt Lê uses Dizon's images from White gaze as a starting point for his poetic exploration of the legacies of war and imperialism. Lê's text performs a dual work, both contextualizing Dizon's images in the history of empire and unleashing a rhythmic play with language, both visually and aurally, to cut to the core of how meaning is produced. His text speaks to absence as much as presence with a story of war and empire told in fragments, phrases, words hanging on the page--an index of both the trauma and resistance experienced by those subjected to the violence of empire\"--Bookmark insert.\u003c/abstract\u003e"],"abstract_tesim":["\"In White gaze, artist and filmmaker Michelle Dizon works with an archive of National Geographic magazines to explore the mechanics of the 'white gaze.' Through a process of poetic subtraction, Dizon works with only the language on the original page to write a decolonial counterpoint to a way of imaging the world centered on the West. Her images lay the white gaze bare, unearth a genealogy of a racist visuality, and work in the gap between image and text to write against the grain of imperialist narratives. Artist and writer Việt Lê uses Dizon's images from White gaze as a starting point for his poetic exploration of the legacies of war and imperialism. Lê's text performs a dual work, both contextualizing Dizon's images in the history of empire and unleashing a rhythmic play with language, both visually and aurally, to cut to the core of how meaning is produced. His text speaks to absence as much as presence with a story of war and empire told in fragments, phrases, words hanging on the page--an index of both the trauma and resistance experienced by those subjected to the violence of empire\"--Bookmark insert."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_d601d530278528d01d20dc2fe39e34b1\"\u003eEdition, publication, and printing statements from colophon. Date of publication from Sming Sming Books website.\n\n\"This second edition of White gaze includes a new introduction by Michelle Dizon and an afterword by Việt Lê. Dizon's introductory essay 'The sediment of whiteness' speaks to the way that National Geographic's images have functioned and continue to function as an assertion of property and ownership, particularly as issues around appropriation and fair use have surfaced since the book's first release\"--Sming Sming Books website.\u003c/materialspec\u003e"],"materialspec_tesim":["Edition, publication, and printing statements from colophon. Date of publication from Sming Sming Books website.\n\n\"This second edition of White gaze includes a new introduction by Michelle Dizon and an afterword by Việt Lê. Dizon's introductory essay 'The sediment of whiteness' speaks to the way that National Geographic's images have functioned and continue to function as an assertion of property and ownership, particularly as issues around appropriation and fair use have surfaced since the book's first release\"--Sming Sming Books website."],"names_ssim":["University of Richmond Book Arts Studio","Sming Sming Books (Firm)","Candor Arts (Chicago, Ill.)","Dizon, Michelle","Lê, Việt"],"corpname_ssim":["University of Richmond Book Arts Studio","Sming Sming Books (Firm)","Candor Arts (Chicago, Ill.)"],"persname_ssim":["Dizon, Michelle","Lê, Việt"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:11:14.788Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_6_resources_104","ead_ssi":"viur_repositories_6_resources_104","_root_":"viur_repositories_6_resources_104","_nest_parent_":"viur_repositories_6_resources_104","ead_source_url_ssi":"data/oai/RICH/repositories_6_resources_104.xml","title_ssm":["White gaze"],"title_tesim":["White gaze"],"unitdate_ssm":["2019"],"unitdate_other_ssim":["2019"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["BA-45","/repositories/6/resources/104"],"text":["BA-45","/repositories/6/resources/104","White gaze","Racism","Imperialism","Chauvinism and jingoism","Photography -- Social aspects","Photography -- Moral and ethical aspects","Photobooks","Poetry","Erasure poetry","Artists' Books","Bound in paper.","\"In White gaze, artist and filmmaker Michelle Dizon works with an archive of National Geographic magazines to explore the mechanics of the 'white gaze.' Through a process of poetic subtraction, Dizon works with only the language on the original page to write a decolonial counterpoint to a way of imaging the world centered on the West. Her images lay the white gaze bare, unearth a genealogy of a racist visuality, and work in the gap between image and text to write against the grain of imperialist narratives. Artist and writer Việt Lê uses Dizon's images from White gaze as a starting point for his poetic exploration of the legacies of war and imperialism. Lê's text performs a dual work, both contextualizing Dizon's images in the history of empire and unleashing a rhythmic play with language, both visually and aurally, to cut to the core of how meaning is produced. His text speaks to absence as much as presence with a story of war and empire told in fragments, phrases, words hanging on the page--an index of both the trauma and resistance experienced by those subjected to the violence of empire\"--Bookmark insert.","Edition, publication, and printing statements from colophon. Date of publication from Sming Sming Books website.\n\n\"This second edition of White gaze includes a new introduction by Michelle Dizon and an afterword by Việt Lê. Dizon's introductory essay 'The sediment of whiteness' speaks to the way that National Geographic's images have functioned and continue to function as an assertion of property and ownership, particularly as issues around appropriation and fair use have surfaced since the book's first release\"--Sming Sming Books website.","University of Richmond Book Arts Studio","Sming Sming Books (Firm)","Candor Arts (Chicago, Ill.)","Dizon, Michelle","Lê, Việt","English"],"unitid_tesim":["BA-45","/repositories/6/resources/104"],"normalized_title_ssm":["White gaze"],"collection_title_tesim":["White gaze"],"collection_ssim":["White gaze"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Dizon, Michelle","Lê, Việt","Sming Sming Books (Firm)","Sming Sming Books (Firm)","Candor Arts (Chicago, Ill.)","Candor Arts (Chicago, Ill.)"],"creator_ssim":["Dizon, Michelle","Lê, Việt","Sming Sming Books (Firm)","Sming Sming Books (Firm)","Candor Arts (Chicago, Ill.)","Candor Arts (Chicago, Ill.)"],"creator_persname_ssim":["Dizon, Michelle","Lê, Việt"],"creator_corpname_ssim":["Sming Sming Books (Firm)","Sming Sming Books (Firm)","Candor Arts (Chicago, Ill.)","Candor Arts (Chicago, Ill.)"],"creators_ssim":["Dizon, Michelle","Lê, Việt","Sming Sming Books (Firm)","Sming Sming Books (Firm)","Candor Arts (Chicago, Ill.)","Candor Arts (Chicago, Ill.)"],"access_subjects_ssim":["Racism","Imperialism","Chauvinism and jingoism","Photography -- Social aspects","Photography -- Moral and ethical aspects","Photobooks","Poetry","Erasure poetry","Artists' Books"],"access_subjects_ssm":["Racism","Imperialism","Chauvinism and jingoism","Photography -- Social aspects","Photography -- Moral and ethical aspects","Photobooks","Poetry","Erasure poetry","Artists' Books"],"has_online_content_ssim":["false"],"physdesc_tesim":["Bound in paper."],"extent_ssm":["1 Volumes"],"extent_tesim":["1 Volumes"],"physfacet_tesim":["includes illustrations"],"dimensions_tesim":["26 cm"],"genreform_ssim":["Artists' Books"],"date_range_isim":[2019],"abstract_html_tesm":["\u003cabstract id=\"aspace_1959140f2fd27058618c90b519c91334\" label=\"Description\"\u003e\"In White gaze, artist and filmmaker Michelle Dizon works with an archive of National Geographic magazines to explore the mechanics of the 'white gaze.' Through a process of poetic subtraction, Dizon works with only the language on the original page to write a decolonial counterpoint to a way of imaging the world centered on the West. Her images lay the white gaze bare, unearth a genealogy of a racist visuality, and work in the gap between image and text to write against the grain of imperialist narratives. Artist and writer Việt Lê uses Dizon's images from White gaze as a starting point for his poetic exploration of the legacies of war and imperialism. Lê's text performs a dual work, both contextualizing Dizon's images in the history of empire and unleashing a rhythmic play with language, both visually and aurally, to cut to the core of how meaning is produced. His text speaks to absence as much as presence with a story of war and empire told in fragments, phrases, words hanging on the page--an index of both the trauma and resistance experienced by those subjected to the violence of empire\"--Bookmark insert.\u003c/abstract\u003e"],"abstract_tesim":["\"In White gaze, artist and filmmaker Michelle Dizon works with an archive of National Geographic magazines to explore the mechanics of the 'white gaze.' Through a process of poetic subtraction, Dizon works with only the language on the original page to write a decolonial counterpoint to a way of imaging the world centered on the West. Her images lay the white gaze bare, unearth a genealogy of a racist visuality, and work in the gap between image and text to write against the grain of imperialist narratives. Artist and writer Việt Lê uses Dizon's images from White gaze as a starting point for his poetic exploration of the legacies of war and imperialism. Lê's text performs a dual work, both contextualizing Dizon's images in the history of empire and unleashing a rhythmic play with language, both visually and aurally, to cut to the core of how meaning is produced. His text speaks to absence as much as presence with a story of war and empire told in fragments, phrases, words hanging on the page--an index of both the trauma and resistance experienced by those subjected to the violence of empire\"--Bookmark insert."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_d601d530278528d01d20dc2fe39e34b1\"\u003eEdition, publication, and printing statements from colophon. Date of publication from Sming Sming Books website.\n\n\"This second edition of White gaze includes a new introduction by Michelle Dizon and an afterword by Việt Lê. Dizon's introductory essay 'The sediment of whiteness' speaks to the way that National Geographic's images have functioned and continue to function as an assertion of property and ownership, particularly as issues around appropriation and fair use have surfaced since the book's first release\"--Sming Sming Books website.\u003c/materialspec\u003e"],"materialspec_tesim":["Edition, publication, and printing statements from colophon. Date of publication from Sming Sming Books website.\n\n\"This second edition of White gaze includes a new introduction by Michelle Dizon and an afterword by Việt Lê. Dizon's introductory essay 'The sediment of whiteness' speaks to the way that National Geographic's images have functioned and continue to function as an assertion of property and ownership, particularly as issues around appropriation and fair use have surfaced since the book's first release\"--Sming Sming Books website."],"names_ssim":["University of Richmond Book Arts Studio","Sming Sming Books (Firm)","Candor Arts (Chicago, Ill.)","Dizon, Michelle","Lê, Việt"],"corpname_ssim":["University of Richmond Book Arts Studio","Sming Sming Books (Firm)","Candor Arts (Chicago, Ill.)"],"persname_ssim":["Dizon, Michelle","Lê, Việt"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:11:14.788Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viur_repositories_6_resources_104"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/repository_ssim.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"White gaze","value":"White gaze","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Bcollection%5D%5B%5D=White+gaze"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/collection_ssim.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"2019","value":"2019","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Bdate_range%5D%5B%5D=2019"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/date_range_isim.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Candor Arts (Chicago, Ill.)","value":"Candor Arts (Chicago, Ill.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Bcreators%5D%5B%5D=Candor+Arts+%28Chicago%2C+Ill.%29"}},{"attributes":{"label":"Dizon, Michelle","value":"Dizon, Michelle","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Bcreators%5D%5B%5D=Dizon%2C+Michelle"}},{"attributes":{"label":"Lê, Việt","value":"Lê, Việt","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Bcreators%5D%5B%5D=L%C3%AA%2C+Vi%E1%BB%87t"}},{"attributes":{"label":"Sming Sming Books (Firm)","value":"Sming Sming Books (Firm)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Bcreators%5D%5B%5D=Sming+Sming+Books+%28Firm%29"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/creator_ssim.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Candor Arts (Chicago, Ill.)","value":"Candor Arts (Chicago, Ill.)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Bnames%5D%5B%5D=Candor+Arts+%28Chicago%2C+Ill.%29"}},{"attributes":{"label":"Dizon, Michelle","value":"Dizon, Michelle","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Bnames%5D%5B%5D=Dizon%2C+Michelle"}},{"attributes":{"label":"Lê, Việt","value":"Lê, Việt","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Bnames%5D%5B%5D=L%C3%AA%2C+Vi%E1%BB%87t"}},{"attributes":{"label":"Sming Sming Books (Firm)","value":"Sming Sming Books (Firm)","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Bnames%5D%5B%5D=Sming+Sming+Books+%28Firm%29"}},{"attributes":{"label":"University of Richmond Book Arts Studio","value":"University of Richmond Book Arts Studio","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Bnames%5D%5B%5D=University+of+Richmond+Book+Arts+Studio"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/names_ssim.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Artists' Books","value":"Artists' Books","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Baccess_subjects%5D%5B%5D=Artists%27+Books"}},{"attributes":{"label":"Chauvinism and jingoism","value":"Chauvinism and jingoism","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Baccess_subjects%5D%5B%5D=Chauvinism+and+jingoism"}},{"attributes":{"label":"Erasure poetry","value":"Erasure poetry","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Baccess_subjects%5D%5B%5D=Erasure+poetry"}},{"attributes":{"label":"Imperialism","value":"Imperialism","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Baccess_subjects%5D%5B%5D=Imperialism"}},{"attributes":{"label":"Photobooks","value":"Photobooks","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Baccess_subjects%5D%5B%5D=Photobooks"}},{"attributes":{"label":"Photography -- Moral and ethical aspects","value":"Photography -- Moral and ethical aspects","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Baccess_subjects%5D%5B%5D=Photography+--+Moral+and+ethical+aspects"}},{"attributes":{"label":"Photography -- Social aspects","value":"Photography -- Social aspects","hits":1},"links":{"remove":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects"}},{"attributes":{"label":"Poetry","value":"Poetry","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Baccess_subjects%5D%5B%5D=Poetry"}},{"attributes":{"label":"Racism","value":"Racism","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Baccess_subjects%5D%5B%5D=Racism"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"Item","value":"Item","hits":1},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026f%5Blevel%5D%5B%5D=Item"}}]},"links":{"self":"https://search.arvasarchive.org/catalog/facet/level_ssim.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography+--+Social+aspects\u0026sort=title_sort+desc"}}]}