{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography\u0026page=7\u0026view=compact","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography\u0026page=6\u0026view=compact","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography\u0026page=8\u0026view=compact","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography\u0026page=12\u0026view=compact"},"meta":{"pages":{"current_page":7,"next_page":8,"prev_page":6,"total_pages":12,"limit_value":10,"offset_value":60,"total_count":116,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_592","type":"collection","attributes":{"title":"Norine Carman Minstrels photograph","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_592#creator","type":"document_value","attributes":{"value":"C.F. 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Editors of Encyclopaedia. \"Minstrel Show.\" Encyclopedia Britannica, accessed October 8, 2021. https://www.britannica.com/art/minstrel-show.","\"Carman's Minstrels, Big Feature Act On New Bill At The Orpheum Tomorrow[.]\" The Ogden Standard. April 19, 1916. Accessed through Chronicling America, Library of  Congress.","Glomska, Hanna, et al. \"History[.]\" American Minstrel Show Collection finding aid, 2002. Princeton University Library, Department of Rare Books and Special Collections.","The minstrel show, or minstrelsy, was a racist form of entertainment that was most popular from 1850 through 1870, but continued in the vaudeville world through the early 20th century.  Blackface minstrelsy consisted of white performers in blackface depicting racist caricatures of African Americans, usually enslaved persons. Minstrel shows evolved and eventually all-Black troupes performed and were just as popular as blackface minstrelsy. 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Editors of Encyclopaedia. \"Minstrel Show.\" Encyclopedia Britannica, accessed October 8, 2021. https://www.britannica.com/art/minstrel-show.\u003c/p\u003e\n","\u003cp\u003e\"Carman's Minstrels, Big Feature Act On New Bill At The Orpheum Tomorrow[.]\" The Ogden Standard. April 19, 1916. Accessed through Chronicling America, Library of  Congress.\u003c/p\u003e\n","\u003cp\u003eGlomska, Hanna, et al. \"History[.]\" American Minstrel Show Collection finding aid, 2002. Princeton University Library, Department of Rare Books and Special Collections.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Blackface: The Birth of An American Stereotype.\" National Museum of African American History and Culture, accessed October 8, 2021. https://nmaahc.si.edu/blog-post/blackface-birth-american-stereotype.","Britannica, T. Editors of Encyclopaedia. \"Minstrel Show.\" Encyclopedia Britannica, accessed October 8, 2021. https://www.britannica.com/art/minstrel-show.","\"Carman's Minstrels, Big Feature Act On New Bill At The Orpheum Tomorrow[.]\" The Ogden Standard. April 19, 1916. Accessed through Chronicling America, Library of  Congress.","Glomska, Hanna, et al. \"History[.]\" American Minstrel Show Collection finding aid, 2002. Princeton University Library, Department of Rare Books and Special Collections."],"bioghist_html_tesm":["\u003cp\u003eThe minstrel show, or minstrelsy, was a racist form of entertainment that was most popular from 1850 through 1870, but continued in the vaudeville world through the early 20th century.  Blackface minstrelsy consisted of white performers in blackface depicting racist caricatures of African Americans, usually enslaved persons. Minstrel shows evolved and eventually all-Black troupes performed and were just as popular as blackface minstrelsy. 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","Note: these collections/materials may be upsetting to view."],"scopecontent_html_tesm":["\u003cp\u003eContent warning: Racist imagery depicting minstrelsy and blackface.\u003c/p\u003e\n","\u003cp\u003eBlack and white photograph of Norine Carman's Minstrels, a minstrel show, taken circa 1916 by C.F. Gairing \u0026amp; Co., Chicago photography studio. The photograph depicts six men seated on a stage wearing blackface, with the leader, a white woman (presumably Norine Carman) standing on a pedestal in the center. The photograph is inscribed and reads \"With Best Wishes to - The Orchestra Boy - from Norine Carman Minstrels[.]\" The photograph was used to advertise the show in various newspapers across America. 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Editors of Encyclopaedia. \"Minstrel Show.\" Encyclopedia Britannica, accessed October 8, 2021. https://www.britannica.com/art/minstrel-show.","\"Carman's Minstrels, Big Feature Act On New Bill At The Orpheum Tomorrow[.]\" The Ogden Standard. April 19, 1916. Accessed through Chronicling America, Library of  Congress.","Glomska, Hanna, et al. \"History[.]\" American Minstrel Show Collection finding aid, 2002. Princeton University Library, Department of Rare Books and Special Collections.","The minstrel show, or minstrelsy, was a racist form of entertainment that was most popular from 1850 through 1870, but continued in the vaudeville world through the early 20th century.  Blackface minstrelsy consisted of white performers in blackface depicting racist caricatures of African Americans, usually enslaved persons. Minstrel shows evolved and eventually all-Black troupes performed and were just as popular as blackface minstrelsy. 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Gairing \u0026 Co., Chicago photography studio. The photograph depicts six men seated on a stage wearing blackface, with the leader, a white woman (presumably Norine Carman) standing on a pedestal in the center. The photograph is inscribed and reads \"With Best Wishes to - The Orchestra Boy - from Norine Carman Minstrels[.]\" The photograph was used to advertise the show in various newspapers across America. On the verso is another inscription that reads \"Norine Carman Minstrels[.]\"","Public Domain, there are no known restrictions.","Content warning: Racist imagery depicting minstrelsy and blackface.\n\nBlack and white photograph of Norine Carman's Minstrels, an American minstrel show, taken circa 1916 by C.F. Gairing \u0026 Co., Chicago photography studio.","George Mason University. Libraries. Special Collections Research Center","C.F. Gairing \u0026 Company Photography Studio","English \n.    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Editors of Encyclopaedia. \"Minstrel Show.\" Encyclopedia Britannica, accessed October 8, 2021. https://www.britannica.com/art/minstrel-show.\u003c/p\u003e\n","\u003cp\u003e\"Carman's Minstrels, Big Feature Act On New Bill At The Orpheum Tomorrow[.]\" The Ogden Standard. April 19, 1916. Accessed through Chronicling America, Library of  Congress.\u003c/p\u003e\n","\u003cp\u003eGlomska, Hanna, et al. \"History[.]\" American Minstrel Show Collection finding aid, 2002. Princeton University Library, Department of Rare Books and Special Collections.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Blackface: The Birth of An American Stereotype.\" National Museum of African American History and Culture, accessed October 8, 2021. https://nmaahc.si.edu/blog-post/blackface-birth-american-stereotype.","Britannica, T. Editors of Encyclopaedia. \"Minstrel Show.\" Encyclopedia Britannica, accessed October 8, 2021. https://www.britannica.com/art/minstrel-show.","\"Carman's Minstrels, Big Feature Act On New Bill At The Orpheum Tomorrow[.]\" The Ogden Standard. April 19, 1916. Accessed through Chronicling America, Library of  Congress.","Glomska, Hanna, et al. \"History[.]\" American Minstrel Show Collection finding aid, 2002. Princeton University Library, Department of Rare Books and Special Collections."],"bioghist_html_tesm":["\u003cp\u003eThe minstrel show, or minstrelsy, was a racist form of entertainment that was most popular from 1850 through 1870, but continued in the vaudeville world through the early 20th century.  Blackface minstrelsy consisted of white performers in blackface depicting racist caricatures of African Americans, usually enslaved persons. Minstrel shows evolved and eventually all-Black troupes performed and were just as popular as blackface minstrelsy. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003ePrinceton Library holds the \u003cextptr show=\"new\" title=\"American Minstrel Show Collection\" href=\"https://library.princeton.edu/libraries/firestone/rbsc/aids/tc050.html\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eThe University of Arizona Special Collections holds the \u003cextptr show=\"new\" title=\"American Vaudeville Museum Archives\" href=\"https://vaudeville.library.arizona.edu/subject/minstrel-show/\"\u003e\u003c/extptr\u003e, which has materials on minstrelsy. \u003c/p\u003e\n","\u003cp\u003eNote: these collections/materials may be upsetting to view.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Princeton Library holds the  .","The University of Arizona Special Collections holds the  , which has materials on minstrelsy. ","Note: these collections/materials may be upsetting to view."],"scopecontent_html_tesm":["\u003cp\u003eContent warning: Racist imagery depicting minstrelsy and blackface.\u003c/p\u003e\n","\u003cp\u003eBlack and white photograph of Norine Carman's Minstrels, a minstrel show, taken circa 1916 by C.F. Gairing \u0026amp; Co., Chicago photography studio. The photograph depicts six men seated on a stage wearing blackface, with the leader, a white woman (presumably Norine Carman) standing on a pedestal in the center. The photograph is inscribed and reads \"With Best Wishes to - The Orchestra Boy - from Norine Carman Minstrels[.]\" The photograph was used to advertise the show in various newspapers across America. 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On the verso is another inscription that reads \"Norine Carman Minstrels[.]\""],"userestrict_html_tesm":["\u003cp\u003ePublic Domain, there are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain, there are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_956d356bf94c52904d55132848d79fea\" label=\"Abstract\"\u003eContent warning: Racist imagery depicting minstrelsy and blackface.\n\nBlack and white photograph of Norine Carman's Minstrels, an American minstrel show, taken circa 1916 by C.F. Gairing \u0026amp; Co., Chicago photography studio.\u003c/abstract\u003e"],"abstract_tesim":["Content warning: Racist imagery depicting minstrelsy and blackface.\n\nBlack and white photograph of Norine Carman's Minstrels, an American minstrel show, taken circa 1916 by C.F. Gairing \u0026 Co., Chicago photography studio."],"names_ssim":["George Mason University. Libraries. 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Designed by Supervising Architect of the Treasury Alfred B. Mullett, the building was constructed between 1871-1888 and is an example of French Second Empire architecture. Use of the building changed during the first half of the 20th century, with the Navy Department leaving between 1918-1921, followed by the War Department in 1938 and the State Department in 1947. Today, the EEOB holds the offices of various agencies within the Executive Office of the President, including the Office of the Vice President and the National Security Council.","Processing completed by Meghan Glasbrenner in May 2024. Finding aid completed by Meghan Glasbrenner in June 2024.","The Special Collections Research Center holds other photograph collections featuring members of the U.S. Government, including the  Oliver F. Atkins photograph collection .","The Library of Congress holds two similar photographs which can be viewed at this link: ","Black and white panoramic photograph of the U.S. Department of State staff taken by the Post Photo Service. The staff members are standing on the steps of the old State Department building (now the Eisenhower Executive Office Building). Secretary of State Charles Evans Hughes is standing in the center front of the group, holding his hat in his right hand at his side. The date the photograph was taken, October 18, 1922, is stamped across the bottom center of the image in white text and the Post Photo Service's copyright marking is stamped on the front bottom right of the image and the top left corner of the back includes a stamp with the name and address of the organization.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Black and white panoramic photograph of the U.S. Department of State staff taken October 18, 1922 by the Post Photo Service.","R 71, C 1, S 1","George Mason University. Libraries. Special Collections Research Center","Post Photo Service (Washington, D.C.)","Dwight D. Eisenhower Executive Office Building (Washington, D.C.)","United States. Department of State","Hughes, Charles Evans, 1862-1948","English \n.    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Britannica. Accessed June 18, 2024. https://www.britannica.com/biography/Charles-Evans-Hughes.","\"Charles Evans Hughes (1862-1948).\" n.d. Find a Grave. Accessed June 26, 2024. https://www.findagrave.com/memorial/520/charles_evans-hughes.","\"Eisenhower Executive Office Building.\" n.d. The White House. Accessed June 18, 2024. https://www.whitehouse.gov/about-the-white-house/the-grounds/eisenhower-executive-office-building/."],"bioghist_html_tesm":["\u003cp\u003eCharles Evans Hughes was born on April 11, 1862 in Glens Falls, New York. Best known professionally as a jurist and statesman, Hughes came to prominence as an anti-corruption attorney in New York and was elected Governor of the state in 1906. He was appointed as an associate justice of the United States Supreme Court by President William Howard Taft in 1910 and served in this role until he resigned to run as the Republican candidate for President in 1916. Following his loss in the election against incumbent Woodrow Wilson, Hughes was appointed Secretary of State in 1921 and served until 1925, when he resigned following Calvin Coolidge's election. In 1930, he was reappointed to the U.S. Supreme Court by President Herbert Hoover as the Court's 11th Chief Justice, a position he held until his retirement in 1941. Hughes passed away on August 27, 1948 in Osterville, Massachusetts at the age of 86 and is buried in Woodlawn Cemetery in the Bronx, New York.\u003c/p\u003e\n","\u003cp\u003eLocated next to the White House, the building known today as the Eisenhower Executive Office Building (EEOB) was originally constructed as a new location for the growing staffs of the U.S. State, War, and Navy Departments. Designed by Supervising Architect of the Treasury Alfred B. Mullett, the building was constructed between 1871-1888 and is an example of French Second Empire architecture. Use of the building changed during the first half of the 20th century, with the Navy Department leaving between 1918-1921, followed by the War Department in 1938 and the State Department in 1947. Today, the EEOB holds the offices of various agencies within the Executive Office of the President, including the Office of the Vice President and the National Security Council.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Charles Evans Hughes was born on April 11, 1862 in Glens Falls, New York. Best known professionally as a jurist and statesman, Hughes came to prominence as an anti-corruption attorney in New York and was elected Governor of the state in 1906. He was appointed as an associate justice of the United States Supreme Court by President William Howard Taft in 1910 and served in this role until he resigned to run as the Republican candidate for President in 1916. Following his loss in the election against incumbent Woodrow Wilson, Hughes was appointed Secretary of State in 1921 and served until 1925, when he resigned following Calvin Coolidge's election. In 1930, he was reappointed to the U.S. Supreme Court by President Herbert Hoover as the Court's 11th Chief Justice, a position he held until his retirement in 1941. Hughes passed away on August 27, 1948 in Osterville, Massachusetts at the age of 86 and is buried in Woodlawn Cemetery in the Bronx, New York.","Located next to the White House, the building known today as the Eisenhower Executive Office Building (EEOB) was originally constructed as a new location for the growing staffs of the U.S. State, War, and Navy Departments. Designed by Supervising Architect of the Treasury Alfred B. Mullett, the building was constructed between 1871-1888 and is an example of French Second Empire architecture. Use of the building changed during the first half of the 20th century, with the Navy Department leaving between 1918-1921, followed by the War Department in 1938 and the State Department in 1947. Today, the EEOB holds the offices of various agencies within the Executive Office of the President, including the Office of the Vice President and the National Security Council."],"prefercite_html_tesm":["\u003cp\u003ePanoramic photograph of the U.S. Department of State staff, C0432, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Panoramic photograph of the U.S. Department of State staff, C0432, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in May 2024. Finding aid completed by Meghan Glasbrenner in June 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in May 2024. Finding aid completed by Meghan Glasbrenner in June 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other photograph collections featuring members of the U.S. Government, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0036\"\u003eOliver F. Atkins photograph collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Library of Congress holds two similar photographs which can be viewed at this link: \u003cextptr show=\"new\" title=\"https://www.loc.gov/search/?fa=contributor:post+photo+service\" href=\"https://www.loc.gov/search/?fa=contributor:post+photo+service\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other photograph collections featuring members of the U.S. Government, including the  Oliver F. Atkins photograph collection .","The Library of Congress holds two similar photographs which can be viewed at this link: "],"scopecontent_html_tesm":["\u003cp\u003eBlack and white panoramic photograph of the U.S. Department of State staff taken by the Post Photo Service. The staff members are standing on the steps of the old State Department building (now the Eisenhower Executive Office Building). Secretary of State Charles Evans Hughes is standing in the center front of the group, holding his hat in his right hand at his side. The date the photograph was taken, October 18, 1922, is stamped across the bottom center of the image in white text and the Post Photo Service's copyright marking is stamped on the front bottom right of the image and the top left corner of the back includes a stamp with the name and address of the organization.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Black and white panoramic photograph of the U.S. Department of State staff taken by the Post Photo Service. The staff members are standing on the steps of the old State Department building (now the Eisenhower Executive Office Building). Secretary of State Charles Evans Hughes is standing in the center front of the group, holding his hat in his right hand at his side. The date the photograph was taken, October 18, 1922, is stamped across the bottom center of the image in white text and the Post Photo Service's copyright marking is stamped on the front bottom right of the image and the top left corner of the back includes a stamp with the name and address of the organization."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b15c5efe7e03639e093c752cdcf7b6ec\"\u003eBlack and white panoramic photograph of the U.S. Department of State staff taken October 18, 1922 by the Post Photo Service.\u003c/abstract\u003e"],"abstract_tesim":["Black and white panoramic photograph of the U.S. Department of State staff taken October 18, 1922 by the Post Photo Service."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d5384603c816a14ddeee15dde78f05b6\"\u003eR 71, C 1, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 1"],"names_coll_ssim":["Dwight D. Eisenhower Executive Office Building (Washington, D.C.)","United States. Department of State","Hughes, Charles Evans, 1862-1948"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Post Photo Service (Washington, D.C.)","Dwight D. Eisenhower Executive Office Building (Washington, D.C.)","United States. Department of State","Hughes, Charles Evans, 1862-1948"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Post Photo Service (Washington, D.C.)","Dwight D. Eisenhower Executive Office Building (Washington, D.C.)","United States. Department of State"],"persname_ssim":["Hughes, Charles Evans, 1862-1948"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:39:33.510Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_716","ead_ssi":"vifgm_repositories_2_resources_716","_root_":"vifgm_repositories_2_resources_716","_nest_parent_":"vifgm_repositories_2_resources_716","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_716.xml","title_filing_ssi":"Panoramic photograph of the U.S. Department of State staff","title_ssm":["Panoramic photograph of the U.S. Department of State staff"],"title_tesim":["Panoramic photograph of the U.S. Department of State staff"],"unitdate_ssm":["October 18, 1922"],"unitdate_other_ssim":["October 18, 1922"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0432","/repositories/2/resources/716"],"text":["C0432","/repositories/2/resources/716","Panoramic photograph of the U.S. Department of State staff","United States -- Politics and government -- 20th century","United States -- Politics and government","Washington (D.C.)","Photography","Photographs","Panoramic photographs","There are no access restrictions.","This is a single item collection.","\"Biographies of the Secretaries of State: Charles Evans Hughes (1862–1948).\" n.d. Office of the Historian. Accessed June 18, 2024. https://history.state.gov/departmenthistory/people/hughes-charles-evans.","\"Charles Evan Hughes.\" n.d. Britannica. Accessed June 18, 2024. https://www.britannica.com/biography/Charles-Evans-Hughes.","\"Charles Evans Hughes (1862-1948).\" n.d. Find a Grave. Accessed June 26, 2024. https://www.findagrave.com/memorial/520/charles_evans-hughes.","\"Eisenhower Executive Office Building.\" n.d. The White House. Accessed June 18, 2024. https://www.whitehouse.gov/about-the-white-house/the-grounds/eisenhower-executive-office-building/.","Charles Evans Hughes was born on April 11, 1862 in Glens Falls, New York. Best known professionally as a jurist and statesman, Hughes came to prominence as an anti-corruption attorney in New York and was elected Governor of the state in 1906. He was appointed as an associate justice of the United States Supreme Court by President William Howard Taft in 1910 and served in this role until he resigned to run as the Republican candidate for President in 1916. Following his loss in the election against incumbent Woodrow Wilson, Hughes was appointed Secretary of State in 1921 and served until 1925, when he resigned following Calvin Coolidge's election. In 1930, he was reappointed to the U.S. Supreme Court by President Herbert Hoover as the Court's 11th Chief Justice, a position he held until his retirement in 1941. Hughes passed away on August 27, 1948 in Osterville, Massachusetts at the age of 86 and is buried in Woodlawn Cemetery in the Bronx, New York.","Located next to the White House, the building known today as the Eisenhower Executive Office Building (EEOB) was originally constructed as a new location for the growing staffs of the U.S. State, War, and Navy Departments. 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Britannica. Accessed June 18, 2024. https://www.britannica.com/biography/Charles-Evans-Hughes.","\"Charles Evans Hughes (1862-1948).\" n.d. Find a Grave. Accessed June 26, 2024. https://www.findagrave.com/memorial/520/charles_evans-hughes.","\"Eisenhower Executive Office Building.\" n.d. The White House. Accessed June 18, 2024. https://www.whitehouse.gov/about-the-white-house/the-grounds/eisenhower-executive-office-building/."],"bioghist_html_tesm":["\u003cp\u003eCharles Evans Hughes was born on April 11, 1862 in Glens Falls, New York. Best known professionally as a jurist and statesman, Hughes came to prominence as an anti-corruption attorney in New York and was elected Governor of the state in 1906. He was appointed as an associate justice of the United States Supreme Court by President William Howard Taft in 1910 and served in this role until he resigned to run as the Republican candidate for President in 1916. Following his loss in the election against incumbent Woodrow Wilson, Hughes was appointed Secretary of State in 1921 and served until 1925, when he resigned following Calvin Coolidge's election. In 1930, he was reappointed to the U.S. Supreme Court by President Herbert Hoover as the Court's 11th Chief Justice, a position he held until his retirement in 1941. Hughes passed away on August 27, 1948 in Osterville, Massachusetts at the age of 86 and is buried in Woodlawn Cemetery in the Bronx, New York.\u003c/p\u003e\n","\u003cp\u003eLocated next to the White House, the building known today as the Eisenhower Executive Office Building (EEOB) was originally constructed as a new location for the growing staffs of the U.S. State, War, and Navy Departments. Designed by Supervising Architect of the Treasury Alfred B. Mullett, the building was constructed between 1871-1888 and is an example of French Second Empire architecture. Use of the building changed during the first half of the 20th century, with the Navy Department leaving between 1918-1921, followed by the War Department in 1938 and the State Department in 1947. Today, the EEOB holds the offices of various agencies within the Executive Office of the President, including the Office of the Vice President and the National Security Council.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Charles Evans Hughes was born on April 11, 1862 in Glens Falls, New York. Best known professionally as a jurist and statesman, Hughes came to prominence as an anti-corruption attorney in New York and was elected Governor of the state in 1906. He was appointed as an associate justice of the United States Supreme Court by President William Howard Taft in 1910 and served in this role until he resigned to run as the Republican candidate for President in 1916. Following his loss in the election against incumbent Woodrow Wilson, Hughes was appointed Secretary of State in 1921 and served until 1925, when he resigned following Calvin Coolidge's election. In 1930, he was reappointed to the U.S. Supreme Court by President Herbert Hoover as the Court's 11th Chief Justice, a position he held until his retirement in 1941. Hughes passed away on August 27, 1948 in Osterville, Massachusetts at the age of 86 and is buried in Woodlawn Cemetery in the Bronx, New York.","Located next to the White House, the building known today as the Eisenhower Executive Office Building (EEOB) was originally constructed as a new location for the growing staffs of the U.S. State, War, and Navy Departments. Designed by Supervising Architect of the Treasury Alfred B. Mullett, the building was constructed between 1871-1888 and is an example of French Second Empire architecture. Use of the building changed during the first half of the 20th century, with the Navy Department leaving between 1918-1921, followed by the War Department in 1938 and the State Department in 1947. Today, the EEOB holds the offices of various agencies within the Executive Office of the President, including the Office of the Vice President and the National Security Council."],"prefercite_html_tesm":["\u003cp\u003ePanoramic photograph of the U.S. Department of State staff, C0432, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Panoramic photograph of the U.S. Department of State staff, C0432, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in May 2024. Finding aid completed by Meghan Glasbrenner in June 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in May 2024. Finding aid completed by Meghan Glasbrenner in June 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other photograph collections featuring members of the U.S. Government, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0036\"\u003eOliver F. Atkins photograph collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Library of Congress holds two similar photographs which can be viewed at this link: \u003cextptr show=\"new\" title=\"https://www.loc.gov/search/?fa=contributor:post+photo+service\" href=\"https://www.loc.gov/search/?fa=contributor:post+photo+service\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other photograph collections featuring members of the U.S. Government, including the  Oliver F. Atkins photograph collection .","The Library of Congress holds two similar photographs which can be viewed at this link: "],"scopecontent_html_tesm":["\u003cp\u003eBlack and white panoramic photograph of the U.S. Department of State staff taken by the Post Photo Service. The staff members are standing on the steps of the old State Department building (now the Eisenhower Executive Office Building). Secretary of State Charles Evans Hughes is standing in the center front of the group, holding his hat in his right hand at his side. The date the photograph was taken, October 18, 1922, is stamped across the bottom center of the image in white text and the Post Photo Service's copyright marking is stamped on the front bottom right of the image and the top left corner of the back includes a stamp with the name and address of the organization.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Black and white panoramic photograph of the U.S. Department of State staff taken by the Post Photo Service. The staff members are standing on the steps of the old State Department building (now the Eisenhower Executive Office Building). Secretary of State Charles Evans Hughes is standing in the center front of the group, holding his hat in his right hand at his side. The date the photograph was taken, October 18, 1922, is stamped across the bottom center of the image in white text and the Post Photo Service's copyright marking is stamped on the front bottom right of the image and the top left corner of the back includes a stamp with the name and address of the organization."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_b15c5efe7e03639e093c752cdcf7b6ec\"\u003eBlack and white panoramic photograph of the U.S. Department of State staff taken October 18, 1922 by the Post Photo Service.\u003c/abstract\u003e"],"abstract_tesim":["Black and white panoramic photograph of the U.S. Department of State staff taken October 18, 1922 by the Post Photo Service."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d5384603c816a14ddeee15dde78f05b6\"\u003eR 71, C 1, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 1, S 1"],"names_coll_ssim":["Dwight D. Eisenhower Executive Office Building (Washington, D.C.)","United States. Department of State","Hughes, Charles Evans, 1862-1948"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Post Photo Service (Washington, D.C.)","Dwight D. Eisenhower Executive Office Building (Washington, D.C.)","United States. Department of State","Hughes, Charles Evans, 1862-1948"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Post Photo Service (Washington, D.C.)","Dwight D. Eisenhower Executive Office Building (Washington, D.C.)","United States. Department of State"],"persname_ssim":["Hughes, Charles Evans, 1862-1948"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:39:33.510Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_716"}},{"id":"vifgm_repositories_2_resources_667","type":"collection","attributes":{"title":"Panoramic photo of women yeomen at the Norfolk, Virginia Navy Yard","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_667#abstract_or_scope","type":"document_value","attributes":{"value":"Sepia panoramic photo of women yeomen at the Norfolk, Virginia Navy Yard, January 30, 1919.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_667#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_667","ead_ssi":"vifgm_repositories_2_resources_667","_root_":"vifgm_repositories_2_resources_667","_nest_parent_":"vifgm_repositories_2_resources_667","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_667.xml","title_ssm":["Panoramic photo of women yeomen at the Norfolk, Virginia Navy Yard"],"title_tesim":["Panoramic photo of women yeomen at the Norfolk, Virginia Navy Yard"],"unitdate_ssm":["January 30, 1919"],"unitdate_other_ssim":["January 30, 1919"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0339"],"text":["C0339","Panoramic photo of women yeomen at the Norfolk, Virginia Navy Yard","Virginia -- History","Women and the military -- United States","Photography","The emulsion of this photograph is adhered to glass which has split into two pieces. The photograph measures 8\" wide and 43\" long.","Access is restricted due to physical fragility. A digital surrogate was created by Kelsey Kim in June 2023 and is available to view upon request.","This is a single item collection.","Path, Nathaniel. \"The Story of the Female Yeomen during the First World War.\" National Archives and Records Administration, 2006. https://www.archives.gov/publications/prologue/2006/fall/yeoman-f.html.","\"World War I era Yeomen (F).\" Naval History and Heritage Command, accessed August 7, 2023. https://www.history.navy.mil/our-collections/photography/people---special-topics/women-in-the-navy/world-war-i-era-yeomen--f--.html.","Yeomen (Female), also as written as \"Yeomen (F)\", was an enlisted rank in the United States military during World War I.  Thanks to a language loophole in the Naval Act of 1916, women were allowed to officially enlist in the military for the first time. As a result, over 600 women enlisted from March - April 1917, reaching nearly 4000 by July 1919. The Yeomen, also called \"Yeomenettes\" mostly worked in clerical positions at Naval Yards across the United States, including the Norfolk, Virginia Naval Base.","Processing and finding aid completed by Amanda Menjivar in August 2023."," holds materials on women Yeoman, including panoramic photographs from the Norfolk Navy Yard."," holds material on American women's military service, including World War I women Yeomen.","Sepia panoramic photo of women yeomen at the Norfolk, Virginia Navy Yard, January 30, 1919. Image shows three rows of women posed in uniform for the camera. An inscription reads: \"Yeoman [illegible] Industrial Department of Norfolk Navy Yard[,] Norfolk VA[?,] Jan. 30, 1919[.]\" According to a label on the glass, the photo was taken by G. L. Hall Optical Co from Norfolk, VA.","Public Domain. There are no known restrictions.","Sepia panoramic photo of women yeomen at the Norfolk, Virginia Navy Yard, January 30, 1919.","Map Case 34.2","George Mason University. Libraries. Special Collections Research Center","United States. Navy","English \n.    "],"unitid_tesim":["C0339"],"normalized_title_ssm":["Panoramic photo of women yeomen at the Norfolk, Virginia Navy Yard"],"collection_title_tesim":["Panoramic photo of women yeomen at the Norfolk, Virginia Navy Yard"],"collection_ssim":["Panoramic photo of women yeomen at the Norfolk, Virginia Navy Yard"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Virginia -- History"],"geogname_ssim":["Virginia -- History"],"places_ssim":["Virginia -- History"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Lynn Eaton from Caroliniana Rare Books in July 2019."],"access_subjects_ssim":["Women and the military -- United States","Photography"],"access_subjects_ssm":["Women and the military -- United States","Photography"],"has_online_content_ssim":["false"],"physdesc_tesim":["The emulsion of this photograph is adhered to glass which has split into two pieces. The photograph measures 8\" wide and 43\" long."],"extent_ssm":["2 Linear Feet"],"extent_tesim":["2 Linear Feet"],"date_range_isim":[1919],"accessrestrict_html_tesm":["\u003cp\u003eAccess is restricted due to physical fragility. A digital surrogate was created by Kelsey Kim in June 2023 and is available to view upon request.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Access is restricted due to physical fragility. A digital surrogate was created by Kelsey Kim in June 2023 and is available to view upon request."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003ePath, Nathaniel. \"The Story of the Female Yeomen during the First World War.\" National Archives and Records Administration, 2006. https://www.archives.gov/publications/prologue/2006/fall/yeoman-f.html.\u003c/p\u003e\n","\u003cp\u003e\"World War I era Yeomen (F).\" Naval History and Heritage Command, accessed August 7, 2023. https://www.history.navy.mil/our-collections/photography/people---special-topics/women-in-the-navy/world-war-i-era-yeomen--f--.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Path, Nathaniel. \"The Story of the Female Yeomen during the First World War.\" National Archives and Records Administration, 2006. https://www.archives.gov/publications/prologue/2006/fall/yeoman-f.html.","\"World War I era Yeomen (F).\" Naval History and Heritage Command, accessed August 7, 2023. https://www.history.navy.mil/our-collections/photography/people---special-topics/women-in-the-navy/world-war-i-era-yeomen--f--.html."],"bioghist_html_tesm":["\u003cp\u003eYeomen (Female), also as written as \"Yeomen (F)\", was an enlisted rank in the United States military during World War I.  Thanks to a language loophole in the Naval Act of 1916, women were allowed to officially enlist in the military for the first time. As a result, over 600 women enlisted from March - April 1917, reaching nearly 4000 by July 1919. The Yeomen, also called \"Yeomenettes\" mostly worked in clerical positions at Naval Yards across the United States, including the Norfolk, Virginia Naval Base.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Yeomen (Female), also as written as \"Yeomen (F)\", was an enlisted rank in the United States military during World War I.  Thanks to a language loophole in the Naval Act of 1916, women were allowed to officially enlist in the military for the first time. As a result, over 600 women enlisted from March - April 1917, reaching nearly 4000 by July 1919. The Yeomen, also called \"Yeomenettes\" mostly worked in clerical positions at Naval Yards across the United States, including the Norfolk, Virginia Naval Base."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Amanda Menjivar in August 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Amanda Menjivar in August 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextptr show=\"new\" title=\"Naval History and Heritage Command\" href=\"https://www.history.navy.mil/\"\u003e\u003c/extptr\u003e holds materials on women Yeoman, including panoramic photographs from the Norfolk Navy Yard.\u003c/p\u003e\n","\u003cp\u003e\u003cextptr show=\"new\" title=\"The Military Women's Memorial Collections\" href=\"https://womensmemorial.org/collections-research/collections/\"\u003e\u003c/extptr\u003e holds material on American women's military service, including World War I women Yeomen.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":[" holds materials on women Yeoman, including panoramic photographs from the Norfolk Navy Yard."," holds material on American women's military service, including World War I women Yeomen."],"scopecontent_html_tesm":["\u003cp\u003eSepia panoramic photo of women yeomen at the Norfolk, Virginia Navy Yard, January 30, 1919. 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There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dec5f3fef26f7c547965f4d3a7851158\"\u003eSepia panoramic photo of women yeomen at the Norfolk, Virginia Navy Yard, January 30, 1919.\u003c/abstract\u003e"],"abstract_tesim":["Sepia panoramic photo of women yeomen at the Norfolk, Virginia Navy Yard, January 30, 1919."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_080114f9c49e31107f4abe938d0d760e\"\u003eMap Case 34.2\u003c/physloc\u003e"],"physloc_tesim":["Map Case 34.2"],"names_coll_ssim":["United States. Navy"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Navy"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Navy"],"language_ssim":["English \n.    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The photograph measures 8\" wide and 43\" long.","Access is restricted due to physical fragility. A digital surrogate was created by Kelsey Kim in June 2023 and is available to view upon request.","This is a single item collection.","Path, Nathaniel. \"The Story of the Female Yeomen during the First World War.\" National Archives and Records Administration, 2006. https://www.archives.gov/publications/prologue/2006/fall/yeoman-f.html.","\"World War I era Yeomen (F).\" Naval History and Heritage Command, accessed August 7, 2023. https://www.history.navy.mil/our-collections/photography/people---special-topics/women-in-the-navy/world-war-i-era-yeomen--f--.html.","Yeomen (Female), also as written as \"Yeomen (F)\", was an enlisted rank in the United States military during World War I.  Thanks to a language loophole in the Naval Act of 1916, women were allowed to officially enlist in the military for the first time. 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The Yeomen, also called \"Yeomenettes\" mostly worked in clerical positions at Naval Yards across the United States, including the Norfolk, Virginia Naval Base."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Amanda Menjivar in August 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Amanda Menjivar in August 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextptr show=\"new\" title=\"Naval History and Heritage Command\" href=\"https://www.history.navy.mil/\"\u003e\u003c/extptr\u003e holds materials on women Yeoman, including panoramic photographs from the Norfolk Navy Yard.\u003c/p\u003e\n","\u003cp\u003e\u003cextptr show=\"new\" title=\"The Military Women's Memorial Collections\" href=\"https://womensmemorial.org/collections-research/collections/\"\u003e\u003c/extptr\u003e holds material on American women's military service, including World War I women Yeomen.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":[" holds materials on women Yeoman, including panoramic photographs from the Norfolk Navy Yard."," holds material on American women's military service, including World War I women Yeomen."],"scopecontent_html_tesm":["\u003cp\u003eSepia panoramic photo of women yeomen at the Norfolk, Virginia Navy Yard, January 30, 1919. 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There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_dec5f3fef26f7c547965f4d3a7851158\"\u003eSepia panoramic photo of women yeomen at the Norfolk, Virginia Navy Yard, January 30, 1919.\u003c/abstract\u003e"],"abstract_tesim":["Sepia panoramic photo of women yeomen at the Norfolk, Virginia Navy Yard, January 30, 1919."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_080114f9c49e31107f4abe938d0d760e\"\u003eMap Case 34.2\u003c/physloc\u003e"],"physloc_tesim":["Map Case 34.2"],"names_coll_ssim":["United States. Navy"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Navy"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","United States. Navy"],"language_ssim":["English \n.    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McCabe and Co., Publishers, ca. 1908. [two copies, one with missing boards]","  Hall, J. H., E. T. Hildebrand and J. H. Ruebush.  The Messenger of Song . Dayton, Virginia: The Ruebush-Kieffer Co., 1893.","  Holsinger, George B.  Gospel Songs and Hymns No. 1 . Mount Morris, Illinois: Brethren Publishing House, 1899.","  Lincoln, H. N.  Sacred Song King . Dallas, Texas: Songland Company, 1901.","  Myers, A. F.  The New Century Carol s. Dayton, Ohio: The United Brethren Publishing House, 1899.","  Siedleckiego, X. J.  Spiewniczek Koscielny . Krakow, Poland: XX Misyonarzy Na Kleparzu, 1908.","  Randall, R. H.  The Key-Letter . Marion, Ohio: R. H. Randall, ca. 1891.","  Ravanello, Orestes, editor.  Secunda Anthologia Vocalis . Torino, Italy: Societa Tipografico-Editrice Nazionale.","  Rodeheaver, Charles A., compiler.  Rodeheaver's Gospel Songs . Edited by Charles H. Gabriel. Chicago: The Rodeheaver Company, 1922.","  [hymnal and instruction book] 123 pages. 6 in. x 9 1/2 in. 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McCabe and Co., Publishers, 1890.\u003c/p\u003e\n","\u003cp\u003e  Elderkin, George D., editor. \u003ctitle render=\"italic\"\u003eThe Finest of the Wheat No. 2\u003c/title\u003e. Chicago: R. R. McCabe and Co., Publishers, ca. 1908. [two copies, one with missing boards]\u003c/p\u003e\n","\u003cp\u003e  Hall, J. H., E. T. Hildebrand and J. H. Ruebush. \u003ctitle render=\"italic\"\u003eThe Messenger of Song\u003c/title\u003e. Dayton, Virginia: The Ruebush-Kieffer Co., 1893.\u003c/p\u003e\n","\u003cp\u003e  Holsinger, George B. \u003ctitle render=\"italic\"\u003eGospel Songs and Hymns No. 1\u003c/title\u003e. Mount Morris, Illinois: Brethren Publishing House, 1899.\u003c/p\u003e\n","\u003cp\u003e  Lincoln, H. N. \u003ctitle render=\"italic\"\u003eSacred Song King\u003c/title\u003e. Dallas, Texas: Songland Company, 1901.\u003c/p\u003e\n","\u003cp\u003e  Myers, A. F. \u003ctitle render=\"italic\"\u003eThe New Century Carol\u003c/title\u003es. Dayton, Ohio: The United Brethren Publishing House, 1899.\u003c/p\u003e\n","\u003cp\u003e  Siedleckiego, X. J. \u003ctitle render=\"italic\"\u003eSpiewniczek Koscielny\u003c/title\u003e. Krakow, Poland: XX Misyonarzy Na Kleparzu, 1908.\u003c/p\u003e\n","\u003cp\u003e  Randall, R. H. \u003ctitle render=\"italic\"\u003eThe Key-Letter\u003c/title\u003e. Marion, Ohio: R. H. Randall, ca. 1891.\u003c/p\u003e\n","\u003cp\u003e  Ravanello, Orestes, editor. \u003ctitle render=\"italic\"\u003eSecunda Anthologia Vocalis\u003c/title\u003e. Torino, Italy: Societa Tipografico-Editrice Nazionale.\u003c/p\u003e\n","\u003cp\u003e  Rodeheaver, Charles A., compiler. \u003ctitle render=\"italic\"\u003eRodeheaver's Gospel Songs\u003c/title\u003e. Edited by Charles H. Gabriel. Chicago: The Rodeheaver Company, 1922.\u003c/p\u003e\n","\u003cp\u003e  [hymnal and instruction book] 123 pages. 6 in. x 9 1/2 in. First page: \"Elementary Department\".\u003c/p\u003e\n","\u003cp\u003e  [hymnal] 214 pages. 7 3/4 in. x 5 1/4 in. ca. 1893. First page: \"No. 11 The Holy of Holies\".\u003c/p\u003e\n","\u003cp\u003e  [hymnal] 193 pages. 5 1/4 in. x 6 3/4 in. First page: \"Index of Subjects\".\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Hymnals separated to the rare book collection:","  Baxter, J. R., W. W. Combs, Homer F. Morris, and Virgil O. Stamps, compilers.  Favorite Songs and Hymns: A Complete Church Hymnal . Dallas, Texas: Stamps-Baxter Music and Printing Co., 1939.","  Baltzell, Isaiah and E. S. Lorenz.  The Master's Praise . Dayton, Ohio: W. J. Shuey, 1891.","  Black, James M.  The Chorus of Praise . Chicago: Jennings and Pye.","  Byers, A. L., C. E. Hunter, D. O. Teasley, and B. E. Warren, editors.  Truth in Song . Anderson, Indiana: Gospel Trumpet Co., 1907.","  Elderkin, George D., editor.  The Finest of the Wheat . Chicago: R. R. McCabe and Co., Publishers, 1890.","  Elderkin, George D., editor.  The Finest of the Wheat No. 2 . Chicago: R. R. McCabe and Co., Publishers, ca. 1908. [two copies, one with missing boards]","  Hall, J. H., E. T. Hildebrand and J. H. Ruebush.  The Messenger of Song . Dayton, Virginia: The Ruebush-Kieffer Co., 1893.","  Holsinger, George B.  Gospel Songs and Hymns No. 1 . Mount Morris, Illinois: Brethren Publishing House, 1899.","  Lincoln, H. N.  Sacred Song King . Dallas, Texas: Songland Company, 1901.","  Myers, A. F.  The New Century Carol s. Dayton, Ohio: The United Brethren Publishing House, 1899.","  Siedleckiego, X. J.  Spiewniczek Koscielny . Krakow, Poland: XX Misyonarzy Na Kleparzu, 1908.","  Randall, R. H.  The Key-Letter . Marion, Ohio: R. H. Randall, ca. 1891.","  Ravanello, Orestes, editor.  Secunda Anthologia Vocalis . Torino, Italy: Societa Tipografico-Editrice Nazionale.","  Rodeheaver, Charles A., compiler.  Rodeheaver's Gospel Songs . Edited by Charles H. Gabriel. Chicago: The Rodeheaver Company, 1922.","  [hymnal and instruction book] 123 pages. 6 in. x 9 1/2 in. First page: \"Elementary Department\".","  [hymnal] 214 pages. 7 3/4 in. x 5 1/4 in. ca. 1893. First page: \"No. 11 The Holy of Holies\".","  [hymnal] 193 pages. 5 1/4 in. x 6 3/4 in. First page: \"Index of Subjects\"."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4b0f73e644352f1c1e140d3f6b11f2d2\"\u003eArchives of an eminent folklorist and professor of English at West Virginia University. Manuscripts include field folklore collections, lecture notes, book manuscripts, correspondence, student papers, and folksong arrangements. There are also materials regarding Gainer's position as director of South Atlantic USO activities during World War II and a journal of a folksong collecting trip to Ireland in 1961. Also one hundred and fifty-three audio tapes containing vocal and instrumental folk music, folklore and oral history, recorded in West Virginia and in Scotland and Ireland. Nearly half of the material is performed by Gainer himself. The collection also includes news clippings relating to folklore and Gainer's career, as well as a variety of photographs, film clips and personal awards and memorabilia.\u003c/abstract\u003e"],"abstract_tesim":["Archives of an eminent folklorist and professor of English at West Virginia University. Manuscripts include field folklore collections, lecture notes, book manuscripts, correspondence, student papers, and folksong arrangements. There are also materials regarding Gainer's position as director of South Atlantic USO activities during World War II and a journal of a folksong collecting trip to Ireland in 1961. Also one hundred and fifty-three audio tapes containing vocal and instrumental folk music, folklore and oral history, recorded in West Virginia and in Scotland and Ireland. Nearly half of the material is performed by Gainer himself. 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McCabe and Co., Publishers, ca. 1908. [two copies, one with missing boards]","  Hall, J. H., E. T. Hildebrand and J. H. Ruebush.  The Messenger of Song . Dayton, Virginia: The Ruebush-Kieffer Co., 1893.","  Holsinger, George B.  Gospel Songs and Hymns No. 1 . Mount Morris, Illinois: Brethren Publishing House, 1899.","  Lincoln, H. N.  Sacred Song King . Dallas, Texas: Songland Company, 1901.","  Myers, A. F.  The New Century Carol s. Dayton, Ohio: The United Brethren Publishing House, 1899.","  Siedleckiego, X. J.  Spiewniczek Koscielny . Krakow, Poland: XX Misyonarzy Na Kleparzu, 1908.","  Randall, R. H.  The Key-Letter . Marion, Ohio: R. H. Randall, ca. 1891.","  Ravanello, Orestes, editor.  Secunda Anthologia Vocalis . Torino, Italy: Societa Tipografico-Editrice Nazionale.","  Rodeheaver, Charles A., compiler.  Rodeheaver's Gospel Songs . Edited by Charles H. Gabriel. Chicago: The Rodeheaver Company, 1922.","  [hymnal and instruction book] 123 pages. 6 in. x 9 1/2 in. 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Va.)","Ireland","Scotland"],"creator_ssm":["Gainer, Patrick W."],"creator_ssim":["Gainer, Patrick W."],"creator_persname_ssim":["Gainer, Patrick W."],"creators_ssim":["Gainer, Patrick W."],"places_ssim":["Clay County (W. Va.)","Gilmer County (W. Va.)","Ireland","Scotland"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Folk music. SEE ALSO Music and musicians.","Folklore","Music and musicians.","Photography","Politics and government.","World War, 1939-1945"],"access_subjects_ssm":["Folk music. SEE ALSO Music and musicians.","Folklore","Music and musicians.","Photography","Politics and government.","World War, 1939-1945"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet Summary: 10 ft. (21 document cases, 5 in. each); (1 records carton, 15 in.)"],"extent_tesim":["10 Linear Feet Summary: 10 ft. (21 document cases, 5 in. each); (1 records carton, 15 in.)"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Patrick Ward Gainer (1904-1981), Collector, Papers, A\u0026amp;M 3003, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Patrick Ward Gainer (1904-1981), Collector, Papers, A\u0026M 3003, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"separatedmaterial_html_tesm":["\u003cp\u003eHymnals separated to the rare book collection:\u003c/p\u003e\n","\u003cp\u003e  Baxter, J. R., W. W. Combs, Homer F. Morris, and Virgil O. Stamps, compilers. \u003ctitle render=\"italic\"\u003eFavorite Songs and Hymns: A Complete Church Hymnal\u003c/title\u003e. Dallas, Texas: Stamps-Baxter Music and Printing Co., 1939.\u003c/p\u003e\n","\u003cp\u003e  Baltzell, Isaiah and E. S. Lorenz. \u003ctitle render=\"italic\"\u003eThe Master's Praise\u003c/title\u003e. Dayton, Ohio: W. J. Shuey, 1891.\u003c/p\u003e\n","\u003cp\u003e  Black, James M. \u003ctitle render=\"italic\"\u003eThe Chorus of Praise\u003c/title\u003e. Chicago: Jennings and Pye.\u003c/p\u003e\n","\u003cp\u003e  Byers, A. L., C. E. Hunter, D. O. Teasley, and B. E. Warren, editors. \u003ctitle render=\"italic\"\u003eTruth in Song\u003c/title\u003e. Anderson, Indiana: Gospel Trumpet Co., 1907.\u003c/p\u003e\n","\u003cp\u003e  Elderkin, George D., editor. \u003ctitle render=\"italic\"\u003eThe Finest of the Wheat\u003c/title\u003e. Chicago: R. R. McCabe and Co., Publishers, 1890.\u003c/p\u003e\n","\u003cp\u003e  Elderkin, George D., editor. \u003ctitle render=\"italic\"\u003eThe Finest of the Wheat No. 2\u003c/title\u003e. Chicago: R. R. McCabe and Co., Publishers, ca. 1908. [two copies, one with missing boards]\u003c/p\u003e\n","\u003cp\u003e  Hall, J. H., E. T. Hildebrand and J. H. Ruebush. \u003ctitle render=\"italic\"\u003eThe Messenger of Song\u003c/title\u003e. Dayton, Virginia: The Ruebush-Kieffer Co., 1893.\u003c/p\u003e\n","\u003cp\u003e  Holsinger, George B. \u003ctitle render=\"italic\"\u003eGospel Songs and Hymns No. 1\u003c/title\u003e. Mount Morris, Illinois: Brethren Publishing House, 1899.\u003c/p\u003e\n","\u003cp\u003e  Lincoln, H. N. \u003ctitle render=\"italic\"\u003eSacred Song King\u003c/title\u003e. Dallas, Texas: Songland Company, 1901.\u003c/p\u003e\n","\u003cp\u003e  Myers, A. F. \u003ctitle render=\"italic\"\u003eThe New Century Carol\u003c/title\u003es. Dayton, Ohio: The United Brethren Publishing House, 1899.\u003c/p\u003e\n","\u003cp\u003e  Siedleckiego, X. J. \u003ctitle render=\"italic\"\u003eSpiewniczek Koscielny\u003c/title\u003e. Krakow, Poland: XX Misyonarzy Na Kleparzu, 1908.\u003c/p\u003e\n","\u003cp\u003e  Randall, R. H. \u003ctitle render=\"italic\"\u003eThe Key-Letter\u003c/title\u003e. Marion, Ohio: R. H. Randall, ca. 1891.\u003c/p\u003e\n","\u003cp\u003e  Ravanello, Orestes, editor. \u003ctitle render=\"italic\"\u003eSecunda Anthologia Vocalis\u003c/title\u003e. Torino, Italy: Societa Tipografico-Editrice Nazionale.\u003c/p\u003e\n","\u003cp\u003e  Rodeheaver, Charles A., compiler. \u003ctitle render=\"italic\"\u003eRodeheaver's Gospel Songs\u003c/title\u003e. Edited by Charles H. Gabriel. Chicago: The Rodeheaver Company, 1922.\u003c/p\u003e\n","\u003cp\u003e  [hymnal and instruction book] 123 pages. 6 in. x 9 1/2 in. First page: \"Elementary Department\".\u003c/p\u003e\n","\u003cp\u003e  [hymnal] 214 pages. 7 3/4 in. x 5 1/4 in. ca. 1893. First page: \"No. 11 The Holy of Holies\".\u003c/p\u003e\n","\u003cp\u003e  [hymnal] 193 pages. 5 1/4 in. x 6 3/4 in. First page: \"Index of Subjects\".\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Hymnals separated to the rare book collection:","  Baxter, J. R., W. W. Combs, Homer F. Morris, and Virgil O. Stamps, compilers.  Favorite Songs and Hymns: A Complete Church Hymnal . Dallas, Texas: Stamps-Baxter Music and Printing Co., 1939.","  Baltzell, Isaiah and E. S. Lorenz.  The Master's Praise . Dayton, Ohio: W. J. Shuey, 1891.","  Black, James M.  The Chorus of Praise . Chicago: Jennings and Pye.","  Byers, A. L., C. E. Hunter, D. O. Teasley, and B. E. Warren, editors.  Truth in Song . Anderson, Indiana: Gospel Trumpet Co., 1907.","  Elderkin, George D., editor.  The Finest of the Wheat . Chicago: R. R. McCabe and Co., Publishers, 1890.","  Elderkin, George D., editor.  The Finest of the Wheat No. 2 . Chicago: R. R. McCabe and Co., Publishers, ca. 1908. [two copies, one with missing boards]","  Hall, J. H., E. T. Hildebrand and J. H. Ruebush.  The Messenger of Song . Dayton, Virginia: The Ruebush-Kieffer Co., 1893.","  Holsinger, George B.  Gospel Songs and Hymns No. 1 . Mount Morris, Illinois: Brethren Publishing House, 1899.","  Lincoln, H. N.  Sacred Song King . Dallas, Texas: Songland Company, 1901.","  Myers, A. F.  The New Century Carol s. Dayton, Ohio: The United Brethren Publishing House, 1899.","  Siedleckiego, X. J.  Spiewniczek Koscielny . Krakow, Poland: XX Misyonarzy Na Kleparzu, 1908.","  Randall, R. H.  The Key-Letter . Marion, Ohio: R. H. Randall, ca. 1891.","  Ravanello, Orestes, editor.  Secunda Anthologia Vocalis . Torino, Italy: Societa Tipografico-Editrice Nazionale.","  Rodeheaver, Charles A., compiler.  Rodeheaver's Gospel Songs . Edited by Charles H. Gabriel. Chicago: The Rodeheaver Company, 1922.","  [hymnal and instruction book] 123 pages. 6 in. x 9 1/2 in. First page: \"Elementary Department\".","  [hymnal] 214 pages. 7 3/4 in. x 5 1/4 in. ca. 1893. First page: \"No. 11 The Holy of Holies\".","  [hymnal] 193 pages. 5 1/4 in. x 6 3/4 in. First page: \"Index of Subjects\"."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4b0f73e644352f1c1e140d3f6b11f2d2\"\u003eArchives of an eminent folklorist and professor of English at West Virginia University. Manuscripts include field folklore collections, lecture notes, book manuscripts, correspondence, student papers, and folksong arrangements. There are also materials regarding Gainer's position as director of South Atlantic USO activities during World War II and a journal of a folksong collecting trip to Ireland in 1961. Also one hundred and fifty-three audio tapes containing vocal and instrumental folk music, folklore and oral history, recorded in West Virginia and in Scotland and Ireland. Nearly half of the material is performed by Gainer himself. The collection also includes news clippings relating to folklore and Gainer's career, as well as a variety of photographs, film clips and personal awards and memorabilia.\u003c/abstract\u003e"],"abstract_tesim":["Archives of an eminent folklorist and professor of English at West Virginia University. Manuscripts include field folklore collections, lecture notes, book manuscripts, correspondence, student papers, and folksong arrangements. There are also materials regarding Gainer's position as director of South Atlantic USO activities during World War II and a journal of a folksong collecting trip to Ireland in 1961. Also one hundred and fifty-three audio tapes containing vocal and instrumental folk music, folklore and oral history, recorded in West Virginia and in Scotland and Ireland. Nearly half of the material is performed by Gainer himself. The collection also includes news clippings relating to folklore and Gainer's career, as well as a variety of photographs, film clips and personal awards and memorabilia."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_25971083ba18d329ef30569d013ba0fc\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University. Department of English  ","Gaynor family","Gainer, Patrick W.","Gainer, Patrick W."],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Department of English  ","Gaynor family","Gainer, Patrick W."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Department of English  "],"famname_ssim":["Gaynor family"],"persname_ssim":["Gainer, Patrick W."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:13:42.569Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4336"}},{"id":"vilxw_repositories_5_resources_1043_c02_c20","type":"File","attributes":{"title":"Paxton House","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_1043_c02_c20#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis folder contains notes on and photographs of the Paxton Place. The notes discuss the various owners of the land and house, including R. Tate Alexander and various Paxton family members, physical attributes of the land such as soil type, and a walkthrough of the floorplan.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_1043_c02_c20#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_1043_c02_c20","ref_ssm":["vilxw_repositories_5_resources_1043_c02_c20"],"id":"vilxw_repositories_5_resources_1043_c02_c20","ead_ssi":"vilxw_repositories_5_resources_1043","_root_":"vilxw_repositories_5_resources_1043","_nest_parent_":"vilxw_repositories_5_resources_1043_c02","parent_ssi":"vilxw_repositories_5_resources_1043_c02","parent_ssim":["vilxw_repositories_5_resources_1043","vilxw_repositories_5_resources_1043_c02"],"parent_ids_ssim":["vilxw_repositories_5_resources_1043","vilxw_repositories_5_resources_1043_c02"],"parent_unittitles_ssm":["Rockbridge Historical Society files on Houses","Hull Farm through Walkerlands Farm"],"parent_unittitles_tesim":["Rockbridge Historical Society files on Houses","Hull Farm through Walkerlands Farm"],"text":["Rockbridge Historical Society files on Houses","Hull Farm through Walkerlands Farm","Paxton House","Paxton family","Paxton family","Photography","box 2","folder 70","This folder contains notes on and photographs of the Paxton Place. The notes discuss the various owners of the land and house, including R. Tate Alexander and various Paxton family members, physical attributes of the land such as soil type, and a walkthrough of the floorplan."],"title_filing_ssi":"Paxton House","title_ssm":["Paxton House"],"title_tesim":["Paxton House"],"normalized_title_ssm":["Paxton House"],"component_level_isim":[2],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Rockbridge Historical Society files on Houses"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":67,"parent_access_restrict_tesm":["This collection is open for research use."],"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source. Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Paxton family","Paxton family"],"famname_ssim":["Paxton family"],"access_subjects_ssim":["Photography"],"access_subjects_ssm":["Photography"],"containers_ssim":["box 2","folder 70"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains notes on and photographs of the Paxton Place. The notes discuss the various owners of the land and house, including R. Tate Alexander and various Paxton family members, physical attributes of the land such as soil type, and a walkthrough of the floorplan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains notes on and photographs of the Paxton Place. The notes discuss the various owners of the land and house, including R. Tate Alexander and various Paxton family members, physical attributes of the land such as soil type, and a walkthrough of the floorplan."],"_nest_path_":"/components#1/components#19","timestamp":"2026-04-30T21:51:19.744Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_1043","ead_ssi":"vilxw_repositories_5_resources_1043","_root_":"vilxw_repositories_5_resources_1043","_nest_parent_":"vilxw_repositories_5_resources_1043","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_1043.xml","title_ssm":["Rockbridge Historical Society files on Houses"],"title_tesim":["Rockbridge Historical Society files on Houses"],"unitdate_ssm":["1800-1995"],"unitdate_bulk_ssim":["1800-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RHS.Coll.0059","/repositories/5/resources/1043"],"text":["RHS.Coll.0059","/repositories/5/resources/1043","Rockbridge Historical Society files on Houses","Virginia -- Lexington","Virginia -- Rockbridge County","Photography","Housing","Buildings","Historic buildings","Historic buildings -- Conservation","Historic buildings -- Preservation","This collection is open for research use.","This collection consists of essays, reports, financial documentation, and other historic records documenting the presence, arcitecture, development, or evolution of local houses in and around Rockbridge County and Lexington, Virginia.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source. Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Virginia Military Institute","Liberty Hall Academy (Lexington, Va.)","Washington and Lee University","Washington and Lee University. Reeves Center","Washington and Lee University. Chapel","Washington and Lee University. Lee House. 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Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Houses, RHS Coll. #0077, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of essays, reports, financial documentation, and other historic records documenting the presence, arcitecture, development, or evolution of local houses in and around Rockbridge County and Lexington, Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of essays, reports, financial documentation, and other historic records documenting the presence, arcitecture, development, or evolution of local houses in and around Rockbridge County and Lexington, Virginia."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. 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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Virginia Military Institute","Liberty Hall Academy (Lexington, Va.)","Washington and Lee University","Washington and Lee University. Reeves Center","Washington and Lee University. Chapel","Washington and Lee University. Lee House. 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College of Arts \u0026 Sciences, University of South Carolina, accessed April 26, 2021, https://www.broadway.cas.sc.edu/content/studios-white.","White Studio theatrical photographs. Billy Rose Theatre Division, New York Public Library, https://digitalcollections.nypl.org/collections/white-studio-theatrical-photographs#/?tab=about.","The White Studio was a popular photography studio in New York City during the early part of the 20th century. The studio, founded by Luther White in the 1890s, was renowned for its entertainment photography, both of productions and individuals.","The Special Collections Research Center holds many other collections pertaining to 20th century photography and the performing arts.","The Billy Rose Theatre Division of the New York Public Library holds the  .","Silver gelatin print photograph of an unknown woman by the White Studio of New York City from the late 1910s or early 1920s. The photograph features a white woman in elegant garb from the chest up. 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College of Arts \u0026 Sciences, University of South Carolina, accessed April 26, 2021, https://www.broadway.cas.sc.edu/content/studios-white.","White Studio theatrical photographs. Billy Rose Theatre Division, New York Public Library, https://digitalcollections.nypl.org/collections/white-studio-theatrical-photographs#/?tab=about.","The White Studio was a popular photography studio in New York City during the early part of the 20th century. The studio, founded by Luther White in the 1890s, was renowned for its entertainment photography, both of productions and individuals.","The Special Collections Research Center holds many other collections pertaining to 20th century photography and the performing arts.","The Billy Rose Theatre Division of the New York Public Library holds the  .","Silver gelatin print photograph of an unknown woman by the White Studio of New York City from the late 1910s or early 1920s. The photograph features a white woman in elegant garb from the chest up. 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Editors of Encyclopaedia. \"Arthur Mitchell.\" Encyclopaedia Britannica, accessed April 20, 2021. https://www.britannica.com/biography/Arthur-Mitchell.","Dunning, Jennifer. \"Arthur Mitchell Is Dead at 84; Showed the Way for Black Dancers,\" September 19, 2018. The New York Times. https://www.nytimes.com/2018/09/19/obituaries/arthur-mitchell-dead.html.","Johnson, Djassi Da Costa. \"Our History.\" Dance Theatre of Harlem, accessed April 20, 2021. https://www.dancetheatreofharlem.org/our-history/.","\"SAB Trailblazer - Arthur Mitchell.\" School of American Ballet, accessed April 20, 2021. https://sab.org/scenes/sab-trailblazer-arthur-mitchell/.","Arthur Mitchell was a pioneering ballet dancer. Born in 1934, he was the first African American principal dancer in the New York City Ballet (NYCB). Mitchell was also the first internationally famous Black ballet dancer. Born in Harlem, New York, Mitchell spent a difficult childhood working to support his family, when he was eventually accepted into the School of American Ballet in the 1950s - an astounding achievement, particularly considering the blatant racism and prejudice that prevented ballet dancers of color from joining the upper echelons of the art form. At the NYCB, Mitchell was a favored dancer of George Balanchine, who choreographed the pas de deux in \"Agon\" specifically for him and another white ballet dancer. Mitchell spent thirteen years at the NYCB, performing in all ballets of the company's repertoire. ","Perhaps Mitchell's greatest legacy, however, is the founding of the Dance Theatre of Harlem. According to the company's website, \"Mitchell's impulse to start Dance Theatre of Harlem is said to have been spurred by the assassination of Martin Luther King Jr. on April 4, 1968. Working in Brazil on a commission from the American government to assist in the founding of the National Ballet of Brazil, Mitchell decided to return to the US to try to make a difference in his community by teaching ballet classes in his native Harlem. At the height of the civil rights movement, in a graceful moment of artistic resistance, he created a haven for dancers of all colors who craved training, performance experience and an opportunity to excel in the classical ballet world.\" The Dance Theatre of Harlem endures to this day as a respected and groundbreaking dance company. Mitchell passed away in 2018.","Martha Swope was one of the most prolific dance photographers of the 20th century. Born in Texas in 1928, she originally aimed to become a professional dancer and enrolled at the School of American Ballet. In 1957 she met Jerome Robbins and they bonded over their mutual interest in photography. 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Born in Harlem, New York, Mitchell spent a difficult childhood working to support his family, when he was eventually accepted into the School of American Ballet in the 1950s - an astounding achievement, particularly considering the blatant racism and prejudice that prevented ballet dancers of color from joining the upper echelons of the art form. At the NYCB, Mitchell was a favored dancer of George Balanchine, who choreographed the pas de deux in \"Agon\" specifically for him and another white ballet dancer. Mitchell spent thirteen years at the NYCB, performing in all ballets of the company's repertoire. \u003c/p\u003e\n","\u003cp\u003ePerhaps Mitchell's greatest legacy, however, is the founding of the Dance Theatre of Harlem. According to the company's website, \"Mitchell's impulse to start Dance Theatre of Harlem is said to have been spurred by the assassination of Martin Luther King Jr. on April 4, 1968. Working in Brazil on a commission from the American government to assist in the founding of the National Ballet of Brazil, Mitchell decided to return to the US to try to make a difference in his community by teaching ballet classes in his native Harlem. At the height of the civil rights movement, in a graceful moment of artistic resistance, he created a haven for dancers of all colors who craved training, performance experience and an opportunity to excel in the classical ballet world.\" The Dance Theatre of Harlem endures to this day as a respected and groundbreaking dance company. Mitchell passed away in 2018.\u003c/p\u003e\n","\u003cp\u003eMartha Swope was one of the most prolific dance photographers of the 20th century. Born in Texas in 1928, she originally aimed to become a professional dancer and enrolled at the School of American Ballet. In 1957 she met Jerome Robbins and they bonded over their mutual interest in photography. This led Robbins to invite Swope to photograph rehearsals for \"West Side Story,\" which cemented Swope's passion for dance photography. Swope photographed hundreds of theatrical productions over her career and was closely linked to many renowned people in the performing arts community, including Robbins and George Balanchine. Being a dancer herself, Swope's photography was known for truly capturing the dancers' movement and spirit. Swope passed away in 2017, leaving a large body of work behind her.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Arthur Mitchell was a pioneering ballet dancer. Born in 1934, he was the first African American principal dancer in the New York City Ballet (NYCB). Mitchell was also the first internationally famous Black ballet dancer. 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Working in Brazil on a commission from the American government to assist in the founding of the National Ballet of Brazil, Mitchell decided to return to the US to try to make a difference in his community by teaching ballet classes in his native Harlem. At the height of the civil rights movement, in a graceful moment of artistic resistance, he created a haven for dancers of all colors who craved training, performance experience and an opportunity to excel in the classical ballet world.\" The Dance Theatre of Harlem endures to this day as a respected and groundbreaking dance company. Mitchell passed away in 2018.","Martha Swope was one of the most prolific dance photographers of the 20th century. Born in Texas in 1928, she originally aimed to become a professional dancer and enrolled at the School of American Ballet. In 1957 she met Jerome Robbins and they bonded over their mutual interest in photography. This led Robbins to invite Swope to photograph rehearsals for \"West Side Story,\" which cemented Swope's passion for dance photography. Swope photographed hundreds of theatrical productions over her career and was closely linked to many renowned people in the performing arts community, including Robbins and George Balanchine. Being a dancer herself, Swope's photography was known for truly capturing the dancers' movement and spirit. Swope passed away in 2017, leaving a large body of work behind her."],"prefercite_html_tesm":["\u003cp\u003ePhotograph of Arthur Mitchell by Martha Swope, C0478, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Photograph of Arthur Mitchell by Martha Swope, C0478, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. 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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials pertaining to ballet and dance photography, as well as other performing arts collections that touch on the New York City Ballet.\u003c/p\u003e\n","\u003cp\u003eColumbia University Libraries' Rare Book and Manuscript Library holds the \u003cextptr show=\"new\" title=\"Arthur Mitchell Collection\" href=\"https://findingaids.library.columbia.edu/ead/nnc-rb/ldpd_11583096\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Billy Rose Theatre Division of the New York Public Library holds the \u003cextptr show=\"new\" title=\"Martha Swope photographs\" href=\"https://digitalcollections.nypl.org/collections/martha-swope-photographs#/?tab=navigation\u0026amp;scroll=8\"\u003e\u003c/extptr\u003e, many of which feature Arthur Mitchell.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials pertaining to ballet and dance photography, as well as other performing arts collections that touch on the New York City Ballet.","Columbia University Libraries' Rare Book and Manuscript Library holds the  .","The Billy Rose Theatre Division of the New York Public Library holds the  , many of which feature Arthur Mitchell."],"scopecontent_html_tesm":["\u003cp\u003ePhotograph of Arthur Mitchell dancing in costume with a dance partner by photographer Martha Swope, circa early 1960s. The black and white photograph shows Mitchell dancing a pas de deux with a presumably woman dance partner in a studio. The photograph is signed by Mitchell, and also features Swope's name in the bottom right hand corner. Stamped on the verso is \"New York City Ballet\" as well as \"collection of Terence Murphy[.]\" Also written on the verso is \"5-24-72 Town Hall[.]\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Photograph of Arthur Mitchell dancing in costume with a dance partner by photographer Martha Swope, circa early 1960s. The black and white photograph shows Mitchell dancing a pas de deux with a presumably woman dance partner in a studio. The photograph is signed by Mitchell, and also features Swope's name in the bottom right hand corner. Stamped on the verso is \"New York City Ballet\" as well as \"collection of Terence Murphy[.]\" Also written on the verso is \"5-24-72 Town Hall[.]\""],"userestrict_html_tesm":["\u003cp\u003eThere are no other restrictions on personal use. Permission to publish material from the Photograph of Arthur Mitchell by Martha Swope must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no other restrictions on personal use. Permission to publish material from the Photograph of Arthur Mitchell by Martha Swope must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a80bb7985826b5b615edc2356fd3745c\" label=\"Abstract\"\u003eBlack and white photograph of Arthur Mitchell dancing in costume with a dance partner by photographer Martha Swope, circa early 1960s.\u003c/abstract\u003e"],"abstract_tesim":["Black and white photograph of Arthur Mitchell dancing in costume with a dance partner by photographer Martha Swope, circa early 1960s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3ae434ea43a5f17bc01719e0d9d0f766\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_coll_ssim":["New York City Ballet","Mitchell, Arthur, 1934-2018"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","New York City Ballet","Swope, Martha","Mitchell, Arthur, 1934-2018"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","New York City Ballet"],"persname_ssim":["Swope, Martha","Mitchell, Arthur, 1934-2018"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:26:58.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_557","ead_ssi":"vifgm_repositories_2_resources_557","_root_":"vifgm_repositories_2_resources_557","_nest_parent_":"vifgm_repositories_2_resources_557","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_557.xml","title_ssm":["Photograph of Arthur Mitchell by Martha Swope"],"title_tesim":["Photograph of Arthur Mitchell by Martha Swope"],"unitdate_ssm":["circa early 1960s"],"unitdate_other_ssim":["circa early 1960s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0478","/repositories/2/resources/557"],"text":["C0478","/repositories/2/resources/557","Photograph of Arthur Mitchell by Martha Swope","Ballet","Dance","Photography","There are no access restrictions.","This is a single item collection.","Britannica, T. Editors of Encyclopaedia. \"Arthur Mitchell.\" Encyclopaedia Britannica, accessed April 20, 2021. https://www.britannica.com/biography/Arthur-Mitchell.","Dunning, Jennifer. \"Arthur Mitchell Is Dead at 84; Showed the Way for Black Dancers,\" September 19, 2018. The New York Times. https://www.nytimes.com/2018/09/19/obituaries/arthur-mitchell-dead.html.","Johnson, Djassi Da Costa. \"Our History.\" Dance Theatre of Harlem, accessed April 20, 2021. https://www.dancetheatreofharlem.org/our-history/.","\"SAB Trailblazer - Arthur Mitchell.\" School of American Ballet, accessed April 20, 2021. https://sab.org/scenes/sab-trailblazer-arthur-mitchell/.","Arthur Mitchell was a pioneering ballet dancer. Born in 1934, he was the first African American principal dancer in the New York City Ballet (NYCB). Mitchell was also the first internationally famous Black ballet dancer. Born in Harlem, New York, Mitchell spent a difficult childhood working to support his family, when he was eventually accepted into the School of American Ballet in the 1950s - an astounding achievement, particularly considering the blatant racism and prejudice that prevented ballet dancers of color from joining the upper echelons of the art form. At the NYCB, Mitchell was a favored dancer of George Balanchine, who choreographed the pas de deux in \"Agon\" specifically for him and another white ballet dancer. Mitchell spent thirteen years at the NYCB, performing in all ballets of the company's repertoire. ","Perhaps Mitchell's greatest legacy, however, is the founding of the Dance Theatre of Harlem. According to the company's website, \"Mitchell's impulse to start Dance Theatre of Harlem is said to have been spurred by the assassination of Martin Luther King Jr. on April 4, 1968. Working in Brazil on a commission from the American government to assist in the founding of the National Ballet of Brazil, Mitchell decided to return to the US to try to make a difference in his community by teaching ballet classes in his native Harlem. At the height of the civil rights movement, in a graceful moment of artistic resistance, he created a haven for dancers of all colors who craved training, performance experience and an opportunity to excel in the classical ballet world.\" The Dance Theatre of Harlem endures to this day as a respected and groundbreaking dance company. Mitchell passed away in 2018.","Martha Swope was one of the most prolific dance photographers of the 20th century. Born in Texas in 1928, she originally aimed to become a professional dancer and enrolled at the School of American Ballet. In 1957 she met Jerome Robbins and they bonded over their mutual interest in photography. This led Robbins to invite Swope to photograph rehearsals for \"West Side Story,\" which cemented Swope's passion for dance photography. Swope photographed hundreds of theatrical productions over her career and was closely linked to many renowned people in the performing arts community, including Robbins and George Balanchine. Being a dancer herself, Swope's photography was known for truly capturing the dancers' movement and spirit. Swope passed away in 2017, leaving a large body of work behind her.","Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials pertaining to ballet and dance photography, as well as other performing arts collections that touch on the New York City Ballet.","Columbia University Libraries' Rare Book and Manuscript Library holds the  .","The Billy Rose Theatre Division of the New York Public Library holds the  , many of which feature Arthur Mitchell.","Photograph of Arthur Mitchell dancing in costume with a dance partner by photographer Martha Swope, circa early 1960s. The black and white photograph shows Mitchell dancing a pas de deux with a presumably woman dance partner in a studio. The photograph is signed by Mitchell, and also features Swope's name in the bottom right hand corner. Stamped on the verso is \"New York City Ballet\" as well as \"collection of Terence Murphy[.]\" Also written on the verso is \"5-24-72 Town Hall[.]\"","There are no other restrictions on personal use. Permission to publish material from the Photograph of Arthur Mitchell by Martha Swope must be obtained from Special Collections Research Center, George Mason University Libraries.","Black and white photograph of Arthur Mitchell dancing in costume with a dance partner by photographer Martha Swope, circa early 1960s.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","New York City Ballet","Swope, Martha","Mitchell, Arthur, 1934-2018","English \n.    "],"unitid_tesim":["C0478","/repositories/2/resources/557"],"normalized_title_ssm":["Photograph of Arthur Mitchell by Martha Swope"],"collection_title_tesim":["Photograph of Arthur Mitchell by Martha Swope"],"collection_ssim":["Photograph of Arthur Mitchell by Martha Swope"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Swope, Martha"],"creator_ssim":["Swope, Martha"],"creator_persname_ssim":["Swope, Martha"],"creators_ssim":["Swope, Martha"],"access_terms_ssm":["There are no other restrictions on personal use. Permission to publish material from the Photograph of Arthur Mitchell by Martha Swope must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Purchased by Steve Gerber from Schubertiade Music on February 18, 2010."],"access_subjects_ssim":["Ballet","Dance","Photography"],"access_subjects_ssm":["Ballet","Dance","Photography"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 photograph"],"extent_tesim":[".01 Linear Feet 1 photograph"],"date_range_isim":[1960],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBritannica, T. Editors of Encyclopaedia. \"Arthur Mitchell.\" Encyclopaedia Britannica, accessed April 20, 2021. https://www.britannica.com/biography/Arthur-Mitchell.\u003c/p\u003e\n","\u003cp\u003eDunning, Jennifer. \"Arthur Mitchell Is Dead at 84; Showed the Way for Black Dancers,\" September 19, 2018. The New York Times. https://www.nytimes.com/2018/09/19/obituaries/arthur-mitchell-dead.html.\u003c/p\u003e\n","\u003cp\u003eJohnson, Djassi Da Costa. \"Our History.\" Dance Theatre of Harlem, accessed April 20, 2021. https://www.dancetheatreofharlem.org/our-history/.\u003c/p\u003e\n","\u003cp\u003e\"SAB Trailblazer - Arthur Mitchell.\" School of American Ballet, accessed April 20, 2021. https://sab.org/scenes/sab-trailblazer-arthur-mitchell/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Britannica, T. Editors of Encyclopaedia. \"Arthur Mitchell.\" Encyclopaedia Britannica, accessed April 20, 2021. https://www.britannica.com/biography/Arthur-Mitchell.","Dunning, Jennifer. \"Arthur Mitchell Is Dead at 84; Showed the Way for Black Dancers,\" September 19, 2018. The New York Times. https://www.nytimes.com/2018/09/19/obituaries/arthur-mitchell-dead.html.","Johnson, Djassi Da Costa. \"Our History.\" Dance Theatre of Harlem, accessed April 20, 2021. https://www.dancetheatreofharlem.org/our-history/.","\"SAB Trailblazer - Arthur Mitchell.\" School of American Ballet, accessed April 20, 2021. https://sab.org/scenes/sab-trailblazer-arthur-mitchell/."],"bioghist_html_tesm":["\u003cp\u003eArthur Mitchell was a pioneering ballet dancer. Born in 1934, he was the first African American principal dancer in the New York City Ballet (NYCB). Mitchell was also the first internationally famous Black ballet dancer. Born in Harlem, New York, Mitchell spent a difficult childhood working to support his family, when he was eventually accepted into the School of American Ballet in the 1950s - an astounding achievement, particularly considering the blatant racism and prejudice that prevented ballet dancers of color from joining the upper echelons of the art form. At the NYCB, Mitchell was a favored dancer of George Balanchine, who choreographed the pas de deux in \"Agon\" specifically for him and another white ballet dancer. Mitchell spent thirteen years at the NYCB, performing in all ballets of the company's repertoire. \u003c/p\u003e\n","\u003cp\u003ePerhaps Mitchell's greatest legacy, however, is the founding of the Dance Theatre of Harlem. According to the company's website, \"Mitchell's impulse to start Dance Theatre of Harlem is said to have been spurred by the assassination of Martin Luther King Jr. on April 4, 1968. Working in Brazil on a commission from the American government to assist in the founding of the National Ballet of Brazil, Mitchell decided to return to the US to try to make a difference in his community by teaching ballet classes in his native Harlem. At the height of the civil rights movement, in a graceful moment of artistic resistance, he created a haven for dancers of all colors who craved training, performance experience and an opportunity to excel in the classical ballet world.\" The Dance Theatre of Harlem endures to this day as a respected and groundbreaking dance company. Mitchell passed away in 2018.\u003c/p\u003e\n","\u003cp\u003eMartha Swope was one of the most prolific dance photographers of the 20th century. Born in Texas in 1928, she originally aimed to become a professional dancer and enrolled at the School of American Ballet. In 1957 she met Jerome Robbins and they bonded over their mutual interest in photography. This led Robbins to invite Swope to photograph rehearsals for \"West Side Story,\" which cemented Swope's passion for dance photography. Swope photographed hundreds of theatrical productions over her career and was closely linked to many renowned people in the performing arts community, including Robbins and George Balanchine. Being a dancer herself, Swope's photography was known for truly capturing the dancers' movement and spirit. Swope passed away in 2017, leaving a large body of work behind her.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Arthur Mitchell was a pioneering ballet dancer. Born in 1934, he was the first African American principal dancer in the New York City Ballet (NYCB). Mitchell was also the first internationally famous Black ballet dancer. Born in Harlem, New York, Mitchell spent a difficult childhood working to support his family, when he was eventually accepted into the School of American Ballet in the 1950s - an astounding achievement, particularly considering the blatant racism and prejudice that prevented ballet dancers of color from joining the upper echelons of the art form. At the NYCB, Mitchell was a favored dancer of George Balanchine, who choreographed the pas de deux in \"Agon\" specifically for him and another white ballet dancer. Mitchell spent thirteen years at the NYCB, performing in all ballets of the company's repertoire. ","Perhaps Mitchell's greatest legacy, however, is the founding of the Dance Theatre of Harlem. According to the company's website, \"Mitchell's impulse to start Dance Theatre of Harlem is said to have been spurred by the assassination of Martin Luther King Jr. on April 4, 1968. Working in Brazil on a commission from the American government to assist in the founding of the National Ballet of Brazil, Mitchell decided to return to the US to try to make a difference in his community by teaching ballet classes in his native Harlem. At the height of the civil rights movement, in a graceful moment of artistic resistance, he created a haven for dancers of all colors who craved training, performance experience and an opportunity to excel in the classical ballet world.\" The Dance Theatre of Harlem endures to this day as a respected and groundbreaking dance company. Mitchell passed away in 2018.","Martha Swope was one of the most prolific dance photographers of the 20th century. Born in Texas in 1928, she originally aimed to become a professional dancer and enrolled at the School of American Ballet. In 1957 she met Jerome Robbins and they bonded over their mutual interest in photography. This led Robbins to invite Swope to photograph rehearsals for \"West Side Story,\" which cemented Swope's passion for dance photography. Swope photographed hundreds of theatrical productions over her career and was closely linked to many renowned people in the performing arts community, including Robbins and George Balanchine. Being a dancer herself, Swope's photography was known for truly capturing the dancers' movement and spirit. Swope passed away in 2017, leaving a large body of work behind her."],"prefercite_html_tesm":["\u003cp\u003ePhotograph of Arthur Mitchell by Martha Swope, C0478, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Photograph of Arthur Mitchell by Martha Swope, C0478, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials pertaining to ballet and dance photography, as well as other performing arts collections that touch on the New York City Ballet.\u003c/p\u003e\n","\u003cp\u003eColumbia University Libraries' Rare Book and Manuscript Library holds the \u003cextptr show=\"new\" title=\"Arthur Mitchell Collection\" href=\"https://findingaids.library.columbia.edu/ead/nnc-rb/ldpd_11583096\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Billy Rose Theatre Division of the New York Public Library holds the \u003cextptr show=\"new\" title=\"Martha Swope photographs\" href=\"https://digitalcollections.nypl.org/collections/martha-swope-photographs#/?tab=navigation\u0026amp;scroll=8\"\u003e\u003c/extptr\u003e, many of which feature Arthur Mitchell.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials pertaining to ballet and dance photography, as well as other performing arts collections that touch on the New York City Ballet.","Columbia University Libraries' Rare Book and Manuscript Library holds the  .","The Billy Rose Theatre Division of the New York Public Library holds the  , many of which feature Arthur Mitchell."],"scopecontent_html_tesm":["\u003cp\u003ePhotograph of Arthur Mitchell dancing in costume with a dance partner by photographer Martha Swope, circa early 1960s. The black and white photograph shows Mitchell dancing a pas de deux with a presumably woman dance partner in a studio. The photograph is signed by Mitchell, and also features Swope's name in the bottom right hand corner. Stamped on the verso is \"New York City Ballet\" as well as \"collection of Terence Murphy[.]\" Also written on the verso is \"5-24-72 Town Hall[.]\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Photograph of Arthur Mitchell dancing in costume with a dance partner by photographer Martha Swope, circa early 1960s. The black and white photograph shows Mitchell dancing a pas de deux with a presumably woman dance partner in a studio. The photograph is signed by Mitchell, and also features Swope's name in the bottom right hand corner. Stamped on the verso is \"New York City Ballet\" as well as \"collection of Terence Murphy[.]\" Also written on the verso is \"5-24-72 Town Hall[.]\""],"userestrict_html_tesm":["\u003cp\u003eThere are no other restrictions on personal use. Permission to publish material from the Photograph of Arthur Mitchell by Martha Swope must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no other restrictions on personal use. Permission to publish material from the Photograph of Arthur Mitchell by Martha Swope must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a80bb7985826b5b615edc2356fd3745c\" label=\"Abstract\"\u003eBlack and white photograph of Arthur Mitchell dancing in costume with a dance partner by photographer Martha Swope, circa early 1960s.\u003c/abstract\u003e"],"abstract_tesim":["Black and white photograph of Arthur Mitchell dancing in costume with a dance partner by photographer Martha Swope, circa early 1960s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3ae434ea43a5f17bc01719e0d9d0f766\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_coll_ssim":["New York City Ballet","Mitchell, Arthur, 1934-2018"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","New York City Ballet","Swope, Martha","Mitchell, Arthur, 1934-2018"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","New York City Ballet"],"persname_ssim":["Swope, Martha","Mitchell, Arthur, 1934-2018"],"language_ssim":["English \n.    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The photo is inscribed and signed by Sandburg in the lower right front corner to his friend and editor Catherine McCarthy at the publisher Harcourt Brace.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_536#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_536","ead_ssi":"vifgm_repositories_2_resources_536","_root_":"vifgm_repositories_2_resources_536","_nest_parent_":"vifgm_repositories_2_resources_536","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_536.xml","title_ssm":["Photograph of Carl Sandburg playing guitar and singing"],"title_tesim":["Photograph of Carl Sandburg playing guitar and singing"],"unitdate_ssm":["1948"],"unitdate_other_ssim":["1948"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0467","/repositories/2/resources/536"],"text":["C0467","/repositories/2/resources/536","Photograph of Carl Sandburg playing guitar and singing","American poetry -- 20th century","Music","Photography","There are no access restrictions.","This is a single item collection.","\"Carl Sandburg.\" Poetry Foundation. Accessed February 16, 2021. https://www.poetryfoundation.org/poets/carl-sandburg.","\"Carl Sandburg.\" Poets.org. Accessed February 16, 2021. https://poets.org/poet/carl-sandburg.","The Editors of Encyclopaedia Britannica. \"Carl Sandburg.\" Encyclopaedia Britannica. Encyclopaedia Britannica, inc. Accessed February 16, 2021. https://www.britannica.com/biography/Carl-Sandburg.","Carl Sandburg was a Swedish American poet, historian, musician, and folklorist. Born in 1878 to poor Swedish immigrants in Illinois, Sandburg had a transient childhood, working odd jobs around the U.S. during his teenage years - as well as briefly serving during the Spanish-American War - before enrolling in college. It only took a few years before Sandburg became known for his writing, both prose and verse. Eventually he became \"best known to America as the singing bard...Requests for his lectures began to appear as early as 1908. He was his own accompanist, and was not merely a musician of sorts; he played the guitar well enough to have been a pupil of Andres Segovia\" (Poetry Foundation). Sandburg published many of his varied works during his lifetime to great success. He passed away in 1967.","Processing completed by Amanda Brent in February 2021. EAD markup completed by Amanda Brent in February 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center also holds the   and the  . It also holds many rare books and artists' books on poetry.","Photograph of poet Carl Sandburg playing a guitar and singing, taken in 1948 when Sandburg was 70 years old. The photo is inscribed and signed by Sandburg in the lower right front corner to his friend and editor Catherine McCarthy at the publisher Harcourt Brace, which reads \"Catherine McCarthy/ who has heard all the songs and is a much cherished listener and friend/ Carl Sandburg/ 1948[.]\"","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Black and white photograph of poet Carl Sandburg playing a guitar and singing, taken in 1948. The photo is inscribed and signed by Sandburg in the lower right front corner to his friend and editor Catherine McCarthy at the publisher Harcourt Brace.","George Mason University. Libraries. Special Collections Research Center","Sandburg, Carl, 1878-1967","English \n.    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He passed away in 1967."],"prefercite_html_tesm":["\u003cp\u003ePhotograph of Carl Sandburg playing guitar and singing, C0467, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Photograph of Carl Sandburg playing guitar and singing, C0467, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in February 2021. EAD markup completed by Amanda Brent in February 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in February 2021. EAD markup completed by Amanda Brent in February 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Margaret W. Fisher papers\" href=\"https://aspace.gmu.edu/repositories/2/resources/579\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Jay Bradford Fowler, Jr. papers\" href=\"https://aspace.gmu.edu/repositories/2/resources/126\"\u003e\u003c/extptr\u003e. It also holds many rare books and artists' books on poetry.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the  . It also holds many rare books and artists' books on poetry."],"scopecontent_html_tesm":["\u003cp\u003ePhotograph of poet Carl Sandburg playing a guitar and singing, taken in 1948 when Sandburg was 70 years old. 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The photo is inscribed and signed by Sandburg in the lower right front corner to his friend and editor Catherine McCarthy at the publisher Harcourt Brace.\u003c/abstract\u003e"],"abstract_tesim":["Black and white photograph of poet Carl Sandburg playing a guitar and singing, taken in 1948. The photo is inscribed and signed by Sandburg in the lower right front corner to his friend and editor Catherine McCarthy at the publisher Harcourt Brace."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Sandburg, Carl, 1878-1967"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Sandburg, Carl, 1878-1967"],"persname_ssim":["Sandburg, Carl, 1878-1967"],"language_ssim":["English \n.    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This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Margaret W. Fisher papers\" href=\"https://aspace.gmu.edu/repositories/2/resources/579\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Jay Bradford Fowler, Jr. papers\" href=\"https://aspace.gmu.edu/repositories/2/resources/126\"\u003e\u003c/extptr\u003e. It also holds many rare books and artists' books on poetry.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the  . It also holds many rare books and artists' books on poetry."],"scopecontent_html_tesm":["\u003cp\u003ePhotograph of poet Carl Sandburg playing a guitar and singing, taken in 1948 when Sandburg was 70 years old. 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With him are Gordon Mumma, left, whose piece \"Home\" was to be performed, and David Tudor, busy with the intricate connections demanded by the maze of electronic equipment for production.\"","There are no other restrictions on personal use. Permission to publish material from the Photograph of John Cage, Gordon Mumma, and David Tudor at a concert rehearsal must be obtained from Special Collections Research Center, George Mason University Libraries.","Black and white photograph of John Cage, Gordon Mumma, and David Tudor at a concert rehearsal, taken July 5, 1968. The picture features, from left to right, Gordon Mumma, John Cage, and David Tudor sitting and standing behind electronic music equipment as they adjust parts of the equipment with their hands.","George Mason University. Libraries. Special Collections Research Center","Cage, John","Mumma, Gordon, 1935-","Tudor, David, 1926-1996","English \n.    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Editors of Encyclopaedia. \"John Cage.\" Encyclopedia Britannica, accessed November 12, 2021. https://www.britannica.com/biography/John-Cage.\u003c/p\u003e\n","\u003cp\u003e\"Related Holdings.\" The Art of David Tudor, Getty Research Institute, accessed November 12, 2021. http://www.getty.edu/research/tools/guides_bibliographies/david_tudor/library_collections.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Biography.\" Brainwashed.com, accessed November 12, 2021. https://brainwashed.com/mumma/bio.htm.","Britannica, T. Editors of Encyclopaedia. \"John Cage.\" Encyclopedia Britannica, accessed November 12, 2021. https://www.britannica.com/biography/John-Cage.","\"Related Holdings.\" The Art of David Tudor, Getty Research Institute, accessed November 12, 2021. http://www.getty.edu/research/tools/guides_bibliographies/david_tudor/library_collections.html."],"bioghist_html_tesm":["\u003cp\u003eJohn Cage, Gordon Mumma, and David Tudor were frequent collaborators, and were particularly known for their time in the late 1960s - early 1970s as composer-musicians with the Merce Cunningham Dance Company in New York.\u003c/p\u003e\n","\u003cp\u003eJohn Cage was an American avant-garde musician and composer. Born in 1912, Cage was known for his experimental music. Zen Buddhism heavily influenced his musical composition, with Cage eventually creating the theory of indeterminism in music, or music \"which chance or indeterminate elements are left for the performer to realize\" (Encyclopaedia Britannica). Cage passed away in 1992.\u003c/p\u003e\n","\u003cp\u003eGordon Mumma is an American experimental musician and composer. Born in 1935, Mumma mostly played and composed piano, and has toured his music internationally. In addition to his collaborations with Cage and Tudor, Mumma was a professor of music at the University of California, Santa Cruz from 1975 - 1994.\u003c/p\u003e\n","\u003cp\u003eDavid Tudor was an American avant-garde musician and composer. Born in 1926, Tudor's musical focus was piano and like his collaborators Cage and Mumma, mostly composed electronic music. Tudor toured internationally and was respected in the avant-garde music world. 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On the verso is a news clipping which gives the date and reads: \"Concert Rehearsal - Electronic Style[.] John Cage, center, famed electronic composer, prepares for a concert at the University of Colorado Music Hall. With him are Gordon Mumma, left, whose piece \"Home\" was to be performed, and David Tudor, busy with the intricate connections demanded by the maze of electronic equipment for production.\""],"userestrict_html_tesm":["\u003cp\u003eThere are no other restrictions on personal use. Permission to publish material from the Photograph of John Cage, Gordon Mumma, and David Tudor at a concert rehearsal must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no other restrictions on personal use. 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