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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","46 page photograph album containing 132 black and white photographs and seven cyanotypes mounted on black construction paper.  Some names are captioned within this album.  The photographs depict friends posing with various props and in multiple poses indicated that perhaps, Ada Boyle was herself the photographer.  The photographs also feature many women posing in a jovial manner as well as men playing ice hockey on a frozen pond.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Boyle, Ada E.","English"],"unitid_tesim":["SC 01572","/repositories/2/resources/8293"],"normalized_title_ssm":["Ada E. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. 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Boyle Photograph Album, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003e46 page photograph album containing 132 black and white photographs and seven cyanotypes mounted on black construction paper.  Some names are captioned within this album.  The photographs depict friends posing with various props and in multiple poses indicated that perhaps, Ada Boyle was herself the photographer.  The photographs also feature many women posing in a jovial manner as well as men playing ice hockey on a frozen pond.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["46 page photograph album containing 132 black and white photographs and seven cyanotypes mounted on black construction paper.  Some names are captioned within this album.  The photographs depict friends posing with various props and in multiple poses indicated that perhaps, Ada Boyle was herself the photographer.  The photographs also feature many women posing in a jovial manner as well as men playing ice hockey on a frozen pond."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Boyle, Ada E."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Boyle, Ada E."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:31:06.705Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_8293"}},{"id":"vifgm_repositories_2_resources_679","type":"collection","attributes":{"title":"African American women real photo postcards","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_679#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_679#abstract_or_scope","type":"document_value","attributes":{"value":"A group of 25 real photo postcard portraits of African American women, in both studio and informal settings.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_679#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_679","ead_ssi":"vifgm_repositories_2_resources_679","_root_":"vifgm_repositories_2_resources_679","_nest_parent_":"vifgm_repositories_2_resources_679","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_679.xml","title_ssm":["African American women real photo postcards"],"title_tesim":["African American women real photo postcards"],"unitdate_ssm":["circa 1910s-1940s"],"unitdate_inclusive_ssm":["circa 1910s-1940s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0396","/repositories/2/resources/679"],"text":["C0396","/repositories/2/resources/679","African American women real photo postcards","Photography","Real photo postcards","African American women","African Americans","Portrait photographs","There are no access restrictions.","This is a single folder collection.","Hill, Samantha. 2021. \"How Black People in the 19th Century Used Photography as a Tool for Social Change.\"   School of Information, University of Michigan  (blog). 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This small camera was portable and designed specifically for postcard sized film, allowing the real photographic images to be printed directly onto a blank card, making it possible, and affordable, for anyone to create their own, mailable postcards, either for personal use or as a business. As such, the subjects of real photo postcards were widely varied, including slices of everyday life, such as local shops and humorous antics, but the majority served as formal family portraits to distribute to friends and relatives.","In the early 20th century, there was also an increased emphasis on capturing photographs that portrayed Black subjects respectfully and affirmingly. Within the African American community, posing for a photograph was a way to push back against the overly \"sympathetic\" images captured by earlier white photographers and counteract racist caricatures. The affordability of Kodak's postcard camera increased the ability for African American families and individuals to commission and share personal and family images on their own terms.","Processing and finding aid completed by Meghan Glasbrenner from September - October 2023.","The Special Collections Research Center holds many other portrait and general photography collections such as the  Jack Rottier photograph collection .","The Thomas Balch Library holds many collections of photographs documenting Black history in Loudoun County and Northern Virginia.","A group of 25 real photo postcard portraits of African American women, in both studio and informal settings. Professional portraits were taken in a variety of locations including Riter's Studio in Atlantic City, New Jersey, Peoples Photo Studio in Parkersburg, West Virginia, Bell Studio in New York City, New York, Elite Studio in Farrell, Pennsylvania, and Hoover Studios in Carlisle \u0026 Newville, Pennsylvania. Other possible locations include Cincinnati and Cleveland, Ohio, Morgantown, West Virginia, Savannah, Georgia, and Chicago, Illinois. Many contain personal inscriptions and identifications written on the back, and one is largely covered with black backing paper residue on top of pencil markings and drawings, likely from a child.","Date range estimates are based on stamp box markings where possible (see  \"How to Date Real Photo Postcards\"  for more information).","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","A group of 25 real photo postcard portraits of African American women, in both studio and informal settings.","R 72, C 3, S 6","George Mason University. Libraries. Special Collections Research Center","English \n.    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These materials have no known restrictions."],"acqinfo_ssim":["Purchased from Schubertiade Music by Lynn Eaton in April 2023."],"access_subjects_ssim":["Photography","Real photo postcards","African American women","African Americans","Portrait photographs"],"access_subjects_ssm":["Photography","Real photo postcards","African American women","African Americans","Portrait photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".1 Linear Feet 1 folder"],"extent_tesim":[".1 Linear Feet 1 folder"],"genreform_ssim":["Portrait photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eHill, Samantha. 2021. \"How Black People in the 19th Century Used Photography as a Tool for Social Change.\" \u003ctitle\u003e School of Information, University of Michigan\u003c/title\u003e (blog). March 1, 2021. https://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change. \u003c/p\u003e\n","\u003cp\u003e\"How to Date Real Photo Postcards.\" 2017. Sports Collectors Daily. September 5, 2017. https://www.sportscollectorsdaily.com/dating-vintage-real-photo-postcards/.\u003c/p\u003e\n","\u003cp\u003e\"Real Photo Postcards.\" n.d. Museum of Fine Arts Boston. Accessed October 4, 2023. https://www.mfa.org/exhibition/real-photo-postcards.\u003c/p\u003e\n","\u003cp\u003e\"These Pictures by Early African-American Photographers Did More Than Capture a Moment.\" 2019. Time. March 5, 2019. https://time.com/5539596/early-african-american-photographers/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Hill, Samantha. 2021. \"How Black People in the 19th Century Used Photography as a Tool for Social Change.\"   School of Information, University of Michigan  (blog). March 1, 2021. https://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change. ","\"How to Date Real Photo Postcards.\" 2017. Sports Collectors Daily. September 5, 2017. https://www.sportscollectorsdaily.com/dating-vintage-real-photo-postcards/.","\"Real Photo Postcards.\" n.d. Museum of Fine Arts Boston. Accessed October 4, 2023. https://www.mfa.org/exhibition/real-photo-postcards.","\"These Pictures by Early African-American Photographers Did More Than Capture a Moment.\" 2019. Time. March 5, 2019. https://time.com/5539596/early-african-american-photographers/."],"bioghist_html_tesm":["\u003cp\u003eIn 1903, Eastman Kodak Company released a new camera to capitalize on the current global interest in postcards: the No. 3A Folding Pocket Kodak. This small camera was portable and designed specifically for postcard sized film, allowing the real photographic images to be printed directly onto a blank card, making it possible, and affordable, for anyone to create their own, mailable postcards, either for personal use or as a business. As such, the subjects of real photo postcards were widely varied, including slices of everyday life, such as local shops and humorous antics, but the majority served as formal family portraits to distribute to friends and relatives.\u003c/p\u003e\n","\u003cp\u003eIn the early 20th century, there was also an increased emphasis on capturing photographs that portrayed Black subjects respectfully and affirmingly. Within the African American community, posing for a photograph was a way to push back against the overly \"sympathetic\" images captured by earlier white photographers and counteract racist caricatures. The affordability of Kodak's postcard camera increased the ability for African American families and individuals to commission and share personal and family images on their own terms.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["In 1903, Eastman Kodak Company released a new camera to capitalize on the current global interest in postcards: the No. 3A Folding Pocket Kodak. This small camera was portable and designed specifically for postcard sized film, allowing the real photographic images to be printed directly onto a blank card, making it possible, and affordable, for anyone to create their own, mailable postcards, either for personal use or as a business. As such, the subjects of real photo postcards were widely varied, including slices of everyday life, such as local shops and humorous antics, but the majority served as formal family portraits to distribute to friends and relatives.","In the early 20th century, there was also an increased emphasis on capturing photographs that portrayed Black subjects respectfully and affirmingly. Within the African American community, posing for a photograph was a way to push back against the overly \"sympathetic\" images captured by earlier white photographers and counteract racist caricatures. The affordability of Kodak's postcard camera increased the ability for African American families and individuals to commission and share personal and family images on their own terms."],"prefercite_html_tesm":["\u003cp\u003eAfrican American women real photo postcards, C0396, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["African American women real photo postcards, C0396, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from September - October 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from September - October 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other portrait and general photography collections such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0003\"\u003eJack Rottier photograph collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Thomas Balch Library holds many collections of photographs documenting Black history in Loudoun County and Northern Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other portrait and general photography collections such as the  Jack Rottier photograph collection .","The Thomas Balch Library holds many collections of photographs documenting Black history in Loudoun County and Northern Virginia."],"scopecontent_html_tesm":["\u003cp\u003eA group of 25 real photo postcard portraits of African American women, in both studio and informal settings. Professional portraits were taken in a variety of locations including Riter's Studio in Atlantic City, New Jersey, Peoples Photo Studio in Parkersburg, West Virginia, Bell Studio in New York City, New York, Elite Studio in Farrell, Pennsylvania, and Hoover Studios in Carlisle \u0026amp; Newville, Pennsylvania. Other possible locations include Cincinnati and Cleveland, Ohio, Morgantown, West Virginia, Savannah, Georgia, and Chicago, Illinois. Many contain personal inscriptions and identifications written on the back, and one is largely covered with black backing paper residue on top of pencil markings and drawings, likely from a child.\u003c/p\u003e\n","\u003cp\u003eDate range estimates are based on stamp box markings where possible (see \u003ca href=\"https://www.sportscollectorsdaily.com/dating-vintage-real-photo-postcards/\"\u003e\"How to Date Real Photo Postcards\"\u003c/a\u003e for more information).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A group of 25 real photo postcard portraits of African American women, in both studio and informal settings. Professional portraits were taken in a variety of locations including Riter's Studio in Atlantic City, New Jersey, Peoples Photo Studio in Parkersburg, West Virginia, Bell Studio in New York City, New York, Elite Studio in Farrell, Pennsylvania, and Hoover Studios in Carlisle \u0026 Newville, Pennsylvania. 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These materials have no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ad7534f1dcb1cdf3fb0f3974c02f6ef7\"\u003eA group of 25 real photo postcard portraits of African American women, in both studio and informal settings.\u003c/abstract\u003e"],"abstract_tesim":["A group of 25 real photo postcard portraits of African American women, in both studio and informal settings."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b71d71a2c2f7c29e2d97def2920be992\"\u003eR 72, C 3, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 6"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:39:17.567Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_679","ead_ssi":"vifgm_repositories_2_resources_679","_root_":"vifgm_repositories_2_resources_679","_nest_parent_":"vifgm_repositories_2_resources_679","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_679.xml","title_ssm":["African American women real photo postcards"],"title_tesim":["African American women real photo postcards"],"unitdate_ssm":["circa 1910s-1940s"],"unitdate_inclusive_ssm":["circa 1910s-1940s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0396","/repositories/2/resources/679"],"text":["C0396","/repositories/2/resources/679","African American women real photo postcards","Photography","Real photo postcards","African American women","African Americans","Portrait photographs","There are no access restrictions.","This is a single folder collection.","Hill, Samantha. 2021. \"How Black People in the 19th Century Used Photography as a Tool for Social Change.\"   School of Information, University of Michigan  (blog). 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"],"unitid_tesim":["C0396","/repositories/2/resources/679"],"normalized_title_ssm":["African American women real photo postcards"],"collection_title_tesim":["African American women real photo postcards"],"collection_ssim":["African American women real photo postcards"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions."],"acqinfo_ssim":["Purchased from Schubertiade Music by Lynn Eaton in April 2023."],"access_subjects_ssim":["Photography","Real photo postcards","African American women","African Americans","Portrait photographs"],"access_subjects_ssm":["Photography","Real photo postcards","African American women","African Americans","Portrait photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".1 Linear Feet 1 folder"],"extent_tesim":[".1 Linear Feet 1 folder"],"genreform_ssim":["Portrait photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eHill, Samantha. 2021. \"How Black People in the 19th Century Used Photography as a Tool for Social Change.\" \u003ctitle\u003e School of Information, University of Michigan\u003c/title\u003e (blog). March 1, 2021. https://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change. \u003c/p\u003e\n","\u003cp\u003e\"How to Date Real Photo Postcards.\" 2017. Sports Collectors Daily. September 5, 2017. https://www.sportscollectorsdaily.com/dating-vintage-real-photo-postcards/.\u003c/p\u003e\n","\u003cp\u003e\"Real Photo Postcards.\" n.d. Museum of Fine Arts Boston. Accessed October 4, 2023. https://www.mfa.org/exhibition/real-photo-postcards.\u003c/p\u003e\n","\u003cp\u003e\"These Pictures by Early African-American Photographers Did More Than Capture a Moment.\" 2019. Time. March 5, 2019. https://time.com/5539596/early-african-american-photographers/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Hill, Samantha. 2021. \"How Black People in the 19th Century Used Photography as a Tool for Social Change.\"   School of Information, University of Michigan  (blog). March 1, 2021. https://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change. ","\"How to Date Real Photo Postcards.\" 2017. Sports Collectors Daily. September 5, 2017. https://www.sportscollectorsdaily.com/dating-vintage-real-photo-postcards/.","\"Real Photo Postcards.\" n.d. Museum of Fine Arts Boston. Accessed October 4, 2023. https://www.mfa.org/exhibition/real-photo-postcards.","\"These Pictures by Early African-American Photographers Did More Than Capture a Moment.\" 2019. Time. March 5, 2019. https://time.com/5539596/early-african-american-photographers/."],"bioghist_html_tesm":["\u003cp\u003eIn 1903, Eastman Kodak Company released a new camera to capitalize on the current global interest in postcards: the No. 3A Folding Pocket Kodak. This small camera was portable and designed specifically for postcard sized film, allowing the real photographic images to be printed directly onto a blank card, making it possible, and affordable, for anyone to create their own, mailable postcards, either for personal use or as a business. As such, the subjects of real photo postcards were widely varied, including slices of everyday life, such as local shops and humorous antics, but the majority served as formal family portraits to distribute to friends and relatives.\u003c/p\u003e\n","\u003cp\u003eIn the early 20th century, there was also an increased emphasis on capturing photographs that portrayed Black subjects respectfully and affirmingly. Within the African American community, posing for a photograph was a way to push back against the overly \"sympathetic\" images captured by earlier white photographers and counteract racist caricatures. The affordability of Kodak's postcard camera increased the ability for African American families and individuals to commission and share personal and family images on their own terms.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["In 1903, Eastman Kodak Company released a new camera to capitalize on the current global interest in postcards: the No. 3A Folding Pocket Kodak. This small camera was portable and designed specifically for postcard sized film, allowing the real photographic images to be printed directly onto a blank card, making it possible, and affordable, for anyone to create their own, mailable postcards, either for personal use or as a business. As such, the subjects of real photo postcards were widely varied, including slices of everyday life, such as local shops and humorous antics, but the majority served as formal family portraits to distribute to friends and relatives.","In the early 20th century, there was also an increased emphasis on capturing photographs that portrayed Black subjects respectfully and affirmingly. Within the African American community, posing for a photograph was a way to push back against the overly \"sympathetic\" images captured by earlier white photographers and counteract racist caricatures. The affordability of Kodak's postcard camera increased the ability for African American families and individuals to commission and share personal and family images on their own terms."],"prefercite_html_tesm":["\u003cp\u003eAfrican American women real photo postcards, C0396, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["African American women real photo postcards, C0396, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from September - October 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from September - October 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other portrait and general photography collections such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0003\"\u003eJack Rottier photograph collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Thomas Balch Library holds many collections of photographs documenting Black history in Loudoun County and Northern Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other portrait and general photography collections such as the  Jack Rottier photograph collection .","The Thomas Balch Library holds many collections of photographs documenting Black history in Loudoun County and Northern Virginia."],"scopecontent_html_tesm":["\u003cp\u003eA group of 25 real photo postcard portraits of African American women, in both studio and informal settings. Professional portraits were taken in a variety of locations including Riter's Studio in Atlantic City, New Jersey, Peoples Photo Studio in Parkersburg, West Virginia, Bell Studio in New York City, New York, Elite Studio in Farrell, Pennsylvania, and Hoover Studios in Carlisle \u0026amp; Newville, Pennsylvania. Other possible locations include Cincinnati and Cleveland, Ohio, Morgantown, West Virginia, Savannah, Georgia, and Chicago, Illinois. Many contain personal inscriptions and identifications written on the back, and one is largely covered with black backing paper residue on top of pencil markings and drawings, likely from a child.\u003c/p\u003e\n","\u003cp\u003eDate range estimates are based on stamp box markings where possible (see \u003ca href=\"https://www.sportscollectorsdaily.com/dating-vintage-real-photo-postcards/\"\u003e\"How to Date Real Photo Postcards\"\u003c/a\u003e for more information).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A group of 25 real photo postcard portraits of African American women, in both studio and informal settings. Professional portraits were taken in a variety of locations including Riter's Studio in Atlantic City, New Jersey, Peoples Photo Studio in Parkersburg, West Virginia, Bell Studio in New York City, New York, Elite Studio in Farrell, Pennsylvania, and Hoover Studios in Carlisle \u0026 Newville, Pennsylvania. Other possible locations include Cincinnati and Cleveland, Ohio, Morgantown, West Virginia, Savannah, Georgia, and Chicago, Illinois. Many contain personal inscriptions and identifications written on the back, and one is largely covered with black backing paper residue on top of pencil markings and drawings, likely from a child.","Date range estimates are based on stamp box markings where possible (see  \"How to Date Real Photo Postcards\"  for more information)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e\n","\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ad7534f1dcb1cdf3fb0f3974c02f6ef7\"\u003eA group of 25 real photo postcard portraits of African American women, in both studio and informal settings.\u003c/abstract\u003e"],"abstract_tesim":["A group of 25 real photo postcard portraits of African American women, in both studio and informal settings."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b71d71a2c2f7c29e2d97def2920be992\"\u003eR 72, C 3, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 6"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:39:17.567Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_679"}},{"id":"vifgm_repositories_2_resources_565","type":"collection","attributes":{"title":"Alvin Ailey photograph by Carl Van Vechten","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_565#creator","type":"document_value","attributes":{"value":"Van Vechten, Carl, 1880-1964","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_565#abstract_or_scope","type":"document_value","attributes":{"value":"Black and white gelatin silver photographic print portrait of the dancer Alvin Ailey by Carl Van Vechten, dated March 22, 1955.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_565#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_565","ead_ssi":"vifgm_repositories_2_resources_565","_root_":"vifgm_repositories_2_resources_565","_nest_parent_":"vifgm_repositories_2_resources_565","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_565.xml","title_ssm":["Alvin Ailey photograph by Carl Van Vechten"],"title_tesim":["Alvin Ailey photograph by Carl Van Vechten"],"unitdate_ssm":["March 22, 1955"],"unitdate_other_ssim":["March 22, 1955"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0485","/repositories/2/resources/565"],"text":["C0485","/repositories/2/resources/565","Alvin Ailey photograph by Carl Van Vechten","African Americans","Dance","Photography","There are no access restrictions.","This is a single item collection.","\"About Us.\" Alvin Ailey American Dance Theater, accessed June 3, 2021. https://www.alvinailey.org/.","Alvin Ailey Biography, Biography.com, April 2, 2014, https://www.biography.com/performer/alvin-ailey.","\"Carl Van Vechten: Biography and Chronology.\" Library of Congress, accessed June 3, 2021. https://www.loc.gov/pictures/collection/van/biography.html.","Alvin Ailey was a pioneering African American dancer who was best known for founding the Alvin Ailey American Dance Theatre (AAADT). Born in Texas in 1931, Ailey suffered a difficult childhood, and eventually finished out his schooling years in Los Angeles, California. While in Los Angeles, Ailey witnessed dance performances by the Ballet Russe de Monte Carlo and the Katherine Dunham Dance Company that changed the trajectory of his life. By 1949 Ailey was studying dance under Lester Horton, and just a year later joined his dance company. Soon after this Ailey went on to a varied and successful career as a dancer and choreographer. Ailey eventually went to dance on Broadway, but his greatest achievement was the founding of the AAADT in 1958. Ailey's most enduring work with AAADT is his dance piece \"Revelations,\" which brought the dance company international renown and acclaim. Ailey is considered a beloved figure and legend in the history of American dance, and AAADT thrives to this day. The company has been described as \"'a vital American cultural ambassador to the world' that celebrates the uniqueness of the African-American cultural experience and the preservation and enrichment of the American modern dance heritage\" (AAADT website). Alvin Ailey passed away in 1988.","Carl Van Vechten was an acclaimed American photographer and writer who was known for his portraits of famous artists. Born in 1880, Van Vechten was a notable supporter of the Harlem Renaissance and took particular interest in African American and Black culture, which was reflected in his art, though sometimes controversially. Van Vechten photographed many of the artists he met in Harlem, and continued to photograph Black creatives over the course of his career, including Alvin Ailey. Van Vechten died in 1964.","Processing completed by Amanda Brent in June 2021. EAD markup completed by Amanda Brent in June 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on American dance and dance in general.","The Library of Congress holds the   and the  . The latter contains another copy of the   found in this collection.","The Black Archives of Mid-America holds the  .","The New York Public Library, Jerome Robbins Dance Division holds the  .","Black and white gelatin silver photographic print portrait of the dancer Alvin Ailey by Carl Van Vechten, dated March 22, 1955. The photograph features a seated Ailey, presumably in dance costume, holding a woven basket prop. The bottom right corner features a raised stamp that reads \"Photograph by Carl Van Vechten[.]\" The verso includes a stamp and handwritten notes by Van Vechten.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Black and white gelatin silver photographic print portrait of the dancer Alvin Ailey by Carl Van Vechten, dated March 22, 1955.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Van Vechten, Carl, 1880-1964","Ailey, Alvin","English \n.    "],"unitid_tesim":["C0485","/repositories/2/resources/565"],"normalized_title_ssm":["Alvin Ailey photograph by Carl Van Vechten"],"collection_title_tesim":["Alvin Ailey photograph by Carl Van Vechten"],"collection_ssim":["Alvin Ailey photograph by Carl Van Vechten"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Van Vechten, Carl, 1880-1964"],"creator_ssim":["Van Vechten, Carl, 1880-1964"],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964"],"creators_ssim":["Van Vechten, Carl, 1880-1964"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Steve Gerber from Schubertiade Music on January 26, 2010."],"access_subjects_ssim":["African Americans","Dance","Photography"],"access_subjects_ssm":["African Americans","Dance","Photography"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 photograph"],"extent_tesim":[".01 Linear Feet 1 photograph"],"date_range_isim":[1955],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"About Us.\" Alvin Ailey American Dance Theater, accessed June 3, 2021. https://www.alvinailey.org/.\u003c/p\u003e\n","\u003cp\u003eAlvin Ailey Biography, Biography.com, April 2, 2014, https://www.biography.com/performer/alvin-ailey.\u003c/p\u003e\n","\u003cp\u003e\"Carl Van Vechten: Biography and Chronology.\" Library of Congress, accessed June 3, 2021. https://www.loc.gov/pictures/collection/van/biography.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"About Us.\" Alvin Ailey American Dance Theater, accessed June 3, 2021. https://www.alvinailey.org/.","Alvin Ailey Biography, Biography.com, April 2, 2014, https://www.biography.com/performer/alvin-ailey.","\"Carl Van Vechten: Biography and Chronology.\" Library of Congress, accessed June 3, 2021. https://www.loc.gov/pictures/collection/van/biography.html."],"bioghist_html_tesm":["\u003cp\u003eAlvin Ailey was a pioneering African American dancer who was best known for founding the Alvin Ailey American Dance Theatre (AAADT). Born in Texas in 1931, Ailey suffered a difficult childhood, and eventually finished out his schooling years in Los Angeles, California. While in Los Angeles, Ailey witnessed dance performances by the Ballet Russe de Monte Carlo and the Katherine Dunham Dance Company that changed the trajectory of his life. By 1949 Ailey was studying dance under Lester Horton, and just a year later joined his dance company. Soon after this Ailey went on to a varied and successful career as a dancer and choreographer. Ailey eventually went to dance on Broadway, but his greatest achievement was the founding of the AAADT in 1958. Ailey's most enduring work with AAADT is his dance piece \"Revelations,\" which brought the dance company international renown and acclaim. Ailey is considered a beloved figure and legend in the history of American dance, and AAADT thrives to this day. The company has been described as \"'a vital American cultural ambassador to the world' that celebrates the uniqueness of the African-American cultural experience and the preservation and enrichment of the American modern dance heritage\" (AAADT website). Alvin Ailey passed away in 1988.\u003c/p\u003e\n","\u003cp\u003eCarl Van Vechten was an acclaimed American photographer and writer who was known for his portraits of famous artists. Born in 1880, Van Vechten was a notable supporter of the Harlem Renaissance and took particular interest in African American and Black culture, which was reflected in his art, though sometimes controversially. Van Vechten photographed many of the artists he met in Harlem, and continued to photograph Black creatives over the course of his career, including Alvin Ailey. Van Vechten died in 1964.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Alvin Ailey was a pioneering African American dancer who was best known for founding the Alvin Ailey American Dance Theatre (AAADT). Born in Texas in 1931, Ailey suffered a difficult childhood, and eventually finished out his schooling years in Los Angeles, California. While in Los Angeles, Ailey witnessed dance performances by the Ballet Russe de Monte Carlo and the Katherine Dunham Dance Company that changed the trajectory of his life. By 1949 Ailey was studying dance under Lester Horton, and just a year later joined his dance company. Soon after this Ailey went on to a varied and successful career as a dancer and choreographer. Ailey eventually went to dance on Broadway, but his greatest achievement was the founding of the AAADT in 1958. Ailey's most enduring work with AAADT is his dance piece \"Revelations,\" which brought the dance company international renown and acclaim. Ailey is considered a beloved figure and legend in the history of American dance, and AAADT thrives to this day. The company has been described as \"'a vital American cultural ambassador to the world' that celebrates the uniqueness of the African-American cultural experience and the preservation and enrichment of the American modern dance heritage\" (AAADT website). Alvin Ailey passed away in 1988.","Carl Van Vechten was an acclaimed American photographer and writer who was known for his portraits of famous artists. Born in 1880, Van Vechten was a notable supporter of the Harlem Renaissance and took particular interest in African American and Black culture, which was reflected in his art, though sometimes controversially. Van Vechten photographed many of the artists he met in Harlem, and continued to photograph Black creatives over the course of his career, including Alvin Ailey. Van Vechten died in 1964."],"prefercite_html_tesm":["\u003cp\u003eAlvin Ailey photograph by Carl Van Vechten, C0485, Special Collections Resarch Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Alvin Ailey photograph by Carl Van Vechten, C0485, Special Collections Resarch Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in June 2021. EAD markup completed by Amanda Brent in June 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in June 2021. EAD markup completed by Amanda Brent in June 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on American dance and dance in general.\u003c/p\u003e\n","\u003cp\u003eThe Library of Congress holds the \u003cextptr show=\"new\" title=\"Alvin Ailey Dance Foundation Collection\" href=\"https://memory.loc.gov/diglib/ihas/loc.natlib.scdb.200033840/default.html\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Carl Van Vechten Photographs Collection\" href=\"https://www.loc.gov/pictures/collection/van/\"\u003e\u003c/extptr\u003e. The latter contains another copy of the \u003cextptr show=\"new\" title=\"photograph\" href=\"https://www.loc.gov/pictures/collection/van/item/2004662478/\"\u003e\u003c/extptr\u003e found in this collection.\u003c/p\u003e\n","\u003cp\u003eThe Black Archives of Mid-America holds the \u003cextptr show=\"new\" title=\"Allan Gray Family Personal Papers of Alvin Ailey\" href=\"http://blackarchives.org/collection/allan-gray-family-personal-papers-of-alvin-ailey-ac10/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eThe New York Public Library, Jerome Robbins Dance Division holds the \u003cextptr show=\"new\" title=\"Alvin Ailey Video Archive\" href=\"https://digitalcollections.nypl.org/collections/alvin-ailey-video-archive#/?tab=about\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on American dance and dance in general.","The Library of Congress holds the   and the  . The latter contains another copy of the   found in this collection.","The Black Archives of Mid-America holds the  .","The New York Public Library, Jerome Robbins Dance Division holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white gelatin silver photographic print portrait of the dancer Alvin Ailey by Carl Van Vechten, dated March 22, 1955. The photograph features a seated Ailey, presumably in dance costume, holding a woven basket prop. The bottom right corner features a raised stamp that reads \"Photograph by Carl Van Vechten[.]\" The verso includes a stamp and handwritten notes by Van Vechten.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Black and white gelatin silver photographic print portrait of the dancer Alvin Ailey by Carl Van Vechten, dated March 22, 1955. The photograph features a seated Ailey, presumably in dance costume, holding a woven basket prop. The bottom right corner features a raised stamp that reads \"Photograph by Carl Van Vechten[.]\" The verso includes a stamp and handwritten notes by Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_80a1fd38a705d11aa68892aa312e2272\" label=\"Abstract\"\u003eBlack and white gelatin silver photographic print portrait of the dancer Alvin Ailey by Carl Van Vechten, dated March 22, 1955.\u003c/abstract\u003e"],"abstract_tesim":["Black and white gelatin silver photographic print portrait of the dancer Alvin Ailey by Carl Van Vechten, dated March 22, 1955."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_eb5336f70e9382713077b09f9ae07299\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Van Vechten, Carl, 1880-1964","Ailey, Alvin"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Ailey, Alvin"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Ailey, Alvin"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:30:39.946Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_565","ead_ssi":"vifgm_repositories_2_resources_565","_root_":"vifgm_repositories_2_resources_565","_nest_parent_":"vifgm_repositories_2_resources_565","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_565.xml","title_ssm":["Alvin Ailey photograph by Carl Van Vechten"],"title_tesim":["Alvin Ailey photograph by Carl Van Vechten"],"unitdate_ssm":["March 22, 1955"],"unitdate_other_ssim":["March 22, 1955"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0485","/repositories/2/resources/565"],"text":["C0485","/repositories/2/resources/565","Alvin Ailey photograph by Carl Van Vechten","African Americans","Dance","Photography","There are no access restrictions.","This is a single item collection.","\"About Us.\" Alvin Ailey American Dance Theater, accessed June 3, 2021. https://www.alvinailey.org/.","Alvin Ailey Biography, Biography.com, April 2, 2014, https://www.biography.com/performer/alvin-ailey.","\"Carl Van Vechten: Biography and Chronology.\" Library of Congress, accessed June 3, 2021. https://www.loc.gov/pictures/collection/van/biography.html.","Alvin Ailey was a pioneering African American dancer who was best known for founding the Alvin Ailey American Dance Theatre (AAADT). Born in Texas in 1931, Ailey suffered a difficult childhood, and eventually finished out his schooling years in Los Angeles, California. While in Los Angeles, Ailey witnessed dance performances by the Ballet Russe de Monte Carlo and the Katherine Dunham Dance Company that changed the trajectory of his life. By 1949 Ailey was studying dance under Lester Horton, and just a year later joined his dance company. Soon after this Ailey went on to a varied and successful career as a dancer and choreographer. Ailey eventually went to dance on Broadway, but his greatest achievement was the founding of the AAADT in 1958. Ailey's most enduring work with AAADT is his dance piece \"Revelations,\" which brought the dance company international renown and acclaim. Ailey is considered a beloved figure and legend in the history of American dance, and AAADT thrives to this day. The company has been described as \"'a vital American cultural ambassador to the world' that celebrates the uniqueness of the African-American cultural experience and the preservation and enrichment of the American modern dance heritage\" (AAADT website). Alvin Ailey passed away in 1988.","Carl Van Vechten was an acclaimed American photographer and writer who was known for his portraits of famous artists. Born in 1880, Van Vechten was a notable supporter of the Harlem Renaissance and took particular interest in African American and Black culture, which was reflected in his art, though sometimes controversially. Van Vechten photographed many of the artists he met in Harlem, and continued to photograph Black creatives over the course of his career, including Alvin Ailey. Van Vechten died in 1964.","Processing completed by Amanda Brent in June 2021. EAD markup completed by Amanda Brent in June 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on American dance and dance in general.","The Library of Congress holds the   and the  . The latter contains another copy of the   found in this collection.","The Black Archives of Mid-America holds the  .","The New York Public Library, Jerome Robbins Dance Division holds the  .","Black and white gelatin silver photographic print portrait of the dancer Alvin Ailey by Carl Van Vechten, dated March 22, 1955. The photograph features a seated Ailey, presumably in dance costume, holding a woven basket prop. The bottom right corner features a raised stamp that reads \"Photograph by Carl Van Vechten[.]\" The verso includes a stamp and handwritten notes by Van Vechten.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Black and white gelatin silver photographic print portrait of the dancer Alvin Ailey by Carl Van Vechten, dated March 22, 1955.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Van Vechten, Carl, 1880-1964","Ailey, Alvin","English \n.    "],"unitid_tesim":["C0485","/repositories/2/resources/565"],"normalized_title_ssm":["Alvin Ailey photograph by Carl Van Vechten"],"collection_title_tesim":["Alvin Ailey photograph by Carl Van Vechten"],"collection_ssim":["Alvin Ailey photograph by Carl Van Vechten"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Van Vechten, Carl, 1880-1964"],"creator_ssim":["Van Vechten, Carl, 1880-1964"],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964"],"creators_ssim":["Van Vechten, Carl, 1880-1964"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Steve Gerber from Schubertiade Music on January 26, 2010."],"access_subjects_ssim":["African Americans","Dance","Photography"],"access_subjects_ssm":["African Americans","Dance","Photography"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 photograph"],"extent_tesim":[".01 Linear Feet 1 photograph"],"date_range_isim":[1955],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"About Us.\" Alvin Ailey American Dance Theater, accessed June 3, 2021. https://www.alvinailey.org/.\u003c/p\u003e\n","\u003cp\u003eAlvin Ailey Biography, Biography.com, April 2, 2014, https://www.biography.com/performer/alvin-ailey.\u003c/p\u003e\n","\u003cp\u003e\"Carl Van Vechten: Biography and Chronology.\" Library of Congress, accessed June 3, 2021. https://www.loc.gov/pictures/collection/van/biography.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"About Us.\" Alvin Ailey American Dance Theater, accessed June 3, 2021. https://www.alvinailey.org/.","Alvin Ailey Biography, Biography.com, April 2, 2014, https://www.biography.com/performer/alvin-ailey.","\"Carl Van Vechten: Biography and Chronology.\" Library of Congress, accessed June 3, 2021. https://www.loc.gov/pictures/collection/van/biography.html."],"bioghist_html_tesm":["\u003cp\u003eAlvin Ailey was a pioneering African American dancer who was best known for founding the Alvin Ailey American Dance Theatre (AAADT). Born in Texas in 1931, Ailey suffered a difficult childhood, and eventually finished out his schooling years in Los Angeles, California. While in Los Angeles, Ailey witnessed dance performances by the Ballet Russe de Monte Carlo and the Katherine Dunham Dance Company that changed the trajectory of his life. By 1949 Ailey was studying dance under Lester Horton, and just a year later joined his dance company. Soon after this Ailey went on to a varied and successful career as a dancer and choreographer. Ailey eventually went to dance on Broadway, but his greatest achievement was the founding of the AAADT in 1958. Ailey's most enduring work with AAADT is his dance piece \"Revelations,\" which brought the dance company international renown and acclaim. Ailey is considered a beloved figure and legend in the history of American dance, and AAADT thrives to this day. The company has been described as \"'a vital American cultural ambassador to the world' that celebrates the uniqueness of the African-American cultural experience and the preservation and enrichment of the American modern dance heritage\" (AAADT website). Alvin Ailey passed away in 1988.\u003c/p\u003e\n","\u003cp\u003eCarl Van Vechten was an acclaimed American photographer and writer who was known for his portraits of famous artists. Born in 1880, Van Vechten was a notable supporter of the Harlem Renaissance and took particular interest in African American and Black culture, which was reflected in his art, though sometimes controversially. Van Vechten photographed many of the artists he met in Harlem, and continued to photograph Black creatives over the course of his career, including Alvin Ailey. Van Vechten died in 1964.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Alvin Ailey was a pioneering African American dancer who was best known for founding the Alvin Ailey American Dance Theatre (AAADT). Born in Texas in 1931, Ailey suffered a difficult childhood, and eventually finished out his schooling years in Los Angeles, California. While in Los Angeles, Ailey witnessed dance performances by the Ballet Russe de Monte Carlo and the Katherine Dunham Dance Company that changed the trajectory of his life. By 1949 Ailey was studying dance under Lester Horton, and just a year later joined his dance company. Soon after this Ailey went on to a varied and successful career as a dancer and choreographer. Ailey eventually went to dance on Broadway, but his greatest achievement was the founding of the AAADT in 1958. Ailey's most enduring work with AAADT is his dance piece \"Revelations,\" which brought the dance company international renown and acclaim. Ailey is considered a beloved figure and legend in the history of American dance, and AAADT thrives to this day. The company has been described as \"'a vital American cultural ambassador to the world' that celebrates the uniqueness of the African-American cultural experience and the preservation and enrichment of the American modern dance heritage\" (AAADT website). Alvin Ailey passed away in 1988.","Carl Van Vechten was an acclaimed American photographer and writer who was known for his portraits of famous artists. Born in 1880, Van Vechten was a notable supporter of the Harlem Renaissance and took particular interest in African American and Black culture, which was reflected in his art, though sometimes controversially. Van Vechten photographed many of the artists he met in Harlem, and continued to photograph Black creatives over the course of his career, including Alvin Ailey. Van Vechten died in 1964."],"prefercite_html_tesm":["\u003cp\u003eAlvin Ailey photograph by Carl Van Vechten, C0485, Special Collections Resarch Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Alvin Ailey photograph by Carl Van Vechten, C0485, Special Collections Resarch Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in June 2021. EAD markup completed by Amanda Brent in June 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in June 2021. EAD markup completed by Amanda Brent in June 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on American dance and dance in general.\u003c/p\u003e\n","\u003cp\u003eThe Library of Congress holds the \u003cextptr show=\"new\" title=\"Alvin Ailey Dance Foundation Collection\" href=\"https://memory.loc.gov/diglib/ihas/loc.natlib.scdb.200033840/default.html\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Carl Van Vechten Photographs Collection\" href=\"https://www.loc.gov/pictures/collection/van/\"\u003e\u003c/extptr\u003e. The latter contains another copy of the \u003cextptr show=\"new\" title=\"photograph\" href=\"https://www.loc.gov/pictures/collection/van/item/2004662478/\"\u003e\u003c/extptr\u003e found in this collection.\u003c/p\u003e\n","\u003cp\u003eThe Black Archives of Mid-America holds the \u003cextptr show=\"new\" title=\"Allan Gray Family Personal Papers of Alvin Ailey\" href=\"http://blackarchives.org/collection/allan-gray-family-personal-papers-of-alvin-ailey-ac10/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eThe New York Public Library, Jerome Robbins Dance Division holds the \u003cextptr show=\"new\" title=\"Alvin Ailey Video Archive\" href=\"https://digitalcollections.nypl.org/collections/alvin-ailey-video-archive#/?tab=about\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on American dance and dance in general.","The Library of Congress holds the   and the  . The latter contains another copy of the   found in this collection.","The Black Archives of Mid-America holds the  .","The New York Public Library, Jerome Robbins Dance Division holds the  ."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white gelatin silver photographic print portrait of the dancer Alvin Ailey by Carl Van Vechten, dated March 22, 1955. The photograph features a seated Ailey, presumably in dance costume, holding a woven basket prop. The bottom right corner features a raised stamp that reads \"Photograph by Carl Van Vechten[.]\" The verso includes a stamp and handwritten notes by Van Vechten.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Black and white gelatin silver photographic print portrait of the dancer Alvin Ailey by Carl Van Vechten, dated March 22, 1955. The photograph features a seated Ailey, presumably in dance costume, holding a woven basket prop. The bottom right corner features a raised stamp that reads \"Photograph by Carl Van Vechten[.]\" The verso includes a stamp and handwritten notes by Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_80a1fd38a705d11aa68892aa312e2272\" label=\"Abstract\"\u003eBlack and white gelatin silver photographic print portrait of the dancer Alvin Ailey by Carl Van Vechten, dated March 22, 1955.\u003c/abstract\u003e"],"abstract_tesim":["Black and white gelatin silver photographic print portrait of the dancer Alvin Ailey by Carl Van Vechten, dated March 22, 1955."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_eb5336f70e9382713077b09f9ae07299\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Van Vechten, Carl, 1880-1964","Ailey, Alvin"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Ailey, Alvin"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Ailey, Alvin"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:30:39.946Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_565"}},{"id":"viw_repositories_2_resources_9743","type":"collection","attributes":{"title":"American Society of Civil Engineers photograph","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9743#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe photograph reflects members of the American Society of Civil Engineers who visited William \u0026amp; Mary on October 18, 1923. The society held meetings at the Jefferson hotel in Richmond, Virginia and visited the William \u0026amp; Mary dining hall on Thursday October 18, 1923. More information on their visit is reflected in William \u0026amp; Mary's Flat Hat issue date 1923-10-12.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9743#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9743","ead_ssi":"viw_repositories_2_resources_9743","_root_":"viw_repositories_2_resources_9743","_nest_parent_":"viw_repositories_2_resources_9743","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9743.xml","title_filing_ssi":"American Society of Civil Engineers photograph","title_ssm":["American Society of Civil Engineers photograph"],"title_tesim":["American Society of Civil Engineers photograph"],"unitdate_ssm":["1923 October 18"],"unitdate_other_ssim":["1923 October 18"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01843","/repositories/2/resources/9743"],"text":["SC 01843","/repositories/2/resources/9743","American Society of Civil Engineers photograph","College of William and Mary--History","Photography","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The photograph reflects members of the American Society of Civil Engineers who visited William \u0026 Mary on October 18, 1923. The society held meetings  at the Jefferson hotel in Richmond, Virginia and visited the William \u0026 Mary dining hall on Thursday October 18, 1923. More information on their visit is reflected in William \u0026 Mary's Flat Hat issue date  1923-10-12.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["SC 01843","/repositories/2/resources/9743"],"normalized_title_ssm":["American Society of Civil Engineers photograph"],"collection_title_tesim":["American Society of Civil Engineers photograph"],"collection_ssim":["American Society of Civil Engineers photograph"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["College of William and Mary--History","Photography"],"access_subjects_ssm":["College of William and Mary--History","Photography"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 flat file"],"extent_tesim":[".01 Linear Feet 1 flat file"],"date_range_isim":[1923],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eAmerican Society of Civil Engineers photograph, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["American Society of Civil Engineers photograph, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe photograph reflects members of the American Society of Civil Engineers who visited William \u0026amp; Mary on October 18, 1923. The society held meetings  at the Jefferson hotel in Richmond, Virginia and visited the William \u0026amp; Mary dining hall on Thursday October 18, 1923. More information on their visit is reflected in William \u0026amp; Mary's Flat Hat issue date  1923-10-12.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The photograph reflects members of the American Society of Civil Engineers who visited William \u0026 Mary on October 18, 1923. The society held meetings  at the Jefferson hotel in Richmond, Virginia and visited the William \u0026 Mary dining hall on Thursday October 18, 1923. More information on their visit is reflected in William \u0026 Mary's Flat Hat issue date  1923-10-12."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:00:17.070Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9743","ead_ssi":"viw_repositories_2_resources_9743","_root_":"viw_repositories_2_resources_9743","_nest_parent_":"viw_repositories_2_resources_9743","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9743.xml","title_filing_ssi":"American Society of Civil Engineers photograph","title_ssm":["American Society of Civil Engineers photograph"],"title_tesim":["American Society of Civil Engineers photograph"],"unitdate_ssm":["1923 October 18"],"unitdate_other_ssim":["1923 October 18"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 01843","/repositories/2/resources/9743"],"text":["SC 01843","/repositories/2/resources/9743","American Society of Civil Engineers photograph","College of William and Mary--History","Photography","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The photograph reflects members of the American Society of Civil Engineers who visited William \u0026 Mary on October 18, 1923. The society held meetings  at the Jefferson hotel in Richmond, Virginia and visited the William \u0026 Mary dining hall on Thursday October 18, 1923. More information on their visit is reflected in William \u0026 Mary's Flat Hat issue date  1923-10-12.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["SC 01843","/repositories/2/resources/9743"],"normalized_title_ssm":["American Society of Civil Engineers photograph"],"collection_title_tesim":["American Society of Civil Engineers photograph"],"collection_ssim":["American Society of Civil Engineers photograph"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["College of William and Mary--History","Photography"],"access_subjects_ssm":["College of William and Mary--History","Photography"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 flat file"],"extent_tesim":[".01 Linear Feet 1 flat file"],"date_range_isim":[1923],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"prefercite_html_tesm":["\u003cp\u003eAmerican Society of Civil Engineers photograph, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["American Society of Civil Engineers photograph, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe photograph reflects members of the American Society of Civil Engineers who visited William \u0026amp; Mary on October 18, 1923. The society held meetings  at the Jefferson hotel in Richmond, Virginia and visited the William \u0026amp; Mary dining hall on Thursday October 18, 1923. More information on their visit is reflected in William \u0026amp; Mary's Flat Hat issue date  1923-10-12.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The photograph reflects members of the American Society of Civil Engineers who visited William \u0026 Mary on October 18, 1923. The society held meetings  at the Jefferson hotel in Richmond, Virginia and visited the William \u0026 Mary dining hall on Thursday October 18, 1923. More information on their visit is reflected in William \u0026 Mary's Flat Hat issue date  1923-10-12."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:00:17.070Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9743"}},{"id":"wvmturhc_repositories_2_resources_2298","type":"collection","attributes":{"title":"Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2298#creator","type":"document_value","attributes":{"value":"Ellis, Arch","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2298#abstract_or_scope","type":"document_value","attributes":{"value":"Nitrate negatives of photographs taken by Arch Ellis of Weston, West Virginia, mainly regarding 4-H Camps held at Jackson's Mill. The main subject of the photographs is campers at the various 4-H Camps (Boys, Girls, Farm Women's, and Volunteer) participating in camp activities. These activities include musical performances by campers; metalworking, weaving, hat making, and other arts and crafts activities; swimming, archery and other sports; and dancing, among other activities. Other subjects include camps in other locations, county fairs, a livestock auction, \"Mine Safety Day\", and portraits, among others. Contains 62 negatives and 2 prints.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2298#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_2298","ead_ssi":"wvmturhc_repositories_2_resources_2298","_root_":"wvmturhc_repositories_2_resources_2298","_nest_parent_":"wvmturhc_repositories_2_resources_2298","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2298.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196366","title_ssm":["Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects"],"title_tesim":["Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects"],"unitdate_ssm":["1926-1941, undated"],"unitdate_inclusive_ssm":["1926-1941, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3846","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2298"],"text":["A\u0026M 3846","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2298","Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects","Jackson's Mill 4-H Camp.","Coal mining - Safety.","Dance and dancers.","Decorative arts -- West Virginia","Education - Home economics.","4-H clubs -- West Virginia","Photography","Special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Nitrate negatives of photographs taken by Arch Ellis of Weston, West Virginia, mainly regarding 4-H Camps held at Jackson's Mill. The main subject of the photographs is campers at the various 4-H Camps (Boys, Girls, Farm Women's, and Volunteer) participating in camp activities. These activities include musical performances by campers; metalworking, weaving, hat making, and other arts and crafts activities; swimming, archery and other sports; and dancing, among other activities. Other subjects include camps in other locations, county fairs, a livestock auction, \"Mine Safety Day\", and portraits, among others. Contains 62 negatives and 2 prints.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","4-H Clubs - West Virginia.","Ellis, Arch","English"],"unitid_tesim":["A\u0026M 3846","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2298"],"normalized_title_ssm":["Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects"],"collection_title_tesim":["Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects"],"collection_ssim":["Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Jackson's Mill 4-H Camp."],"geogname_ssim":["Jackson's Mill 4-H Camp."],"creator_ssm":["Ellis, Arch"],"creator_ssim":["Ellis, Arch"],"creator_persname_ssim":["Ellis, Arch"],"creators_ssim":["Ellis, Arch"],"places_ssim":["Jackson's Mill 4-H Camp."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Coal mining - Safety.","Dance and dancers.","Decorative arts -- West Virginia","Education - Home economics.","4-H clubs -- West Virginia","Photography"],"access_subjects_ssm":["Coal mining - Safety.","Dance and dancers.","Decorative arts -- West Virginia","Education - Home economics.","4-H clubs -- West Virginia","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["1.1 Linear Feet Summary: 1 ft. 1/2 in. (1 document case, 2 1/2 in.); (2 documents cases, 5 in. each)"],"extent_tesim":["1.1 Linear Feet Summary: 1 ft. 1/2 in. (1 document case, 2 1/2 in.); (2 documents cases, 5 in. each)"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects, A\u0026amp;M 3846, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects, A\u0026M 3846, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_65e0f1372ed289161fa818750c9c3252\"\u003eNitrate negatives of photographs taken by Arch Ellis of Weston, West Virginia, mainly regarding 4-H Camps held at Jackson's Mill. The main subject of the photographs is campers at the various 4-H Camps (Boys, Girls, Farm Women's, and Volunteer) participating in camp activities. These activities include musical performances by campers; metalworking, weaving, hat making, and other arts and crafts activities; swimming, archery and other sports; and dancing, among other activities. Other subjects include camps in other locations, county fairs, a livestock auction, \"Mine Safety Day\", and portraits, among others. Contains 62 negatives and 2 prints.\u003c/abstract\u003e"],"abstract_tesim":["Nitrate negatives of photographs taken by Arch Ellis of Weston, West Virginia, mainly regarding 4-H Camps held at Jackson's Mill. The main subject of the photographs is campers at the various 4-H Camps (Boys, Girls, Farm Women's, and Volunteer) participating in camp activities. These activities include musical performances by campers; metalworking, weaving, hat making, and other arts and crafts activities; swimming, archery and other sports; and dancing, among other activities. Other subjects include camps in other locations, county fairs, a livestock auction, \"Mine Safety Day\", and portraits, among others. Contains 62 negatives and 2 prints."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_2597d577012852b4679633d15bb89e45\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["4-H Clubs - West Virginia.","Ellis, Arch"],"names_ssim":["West Virginia and Regional History Center","4-H Clubs - West Virginia.","Ellis, Arch"],"corpname_ssim":["West Virginia and Regional History Center","4-H Clubs - West Virginia."],"persname_ssim":["Ellis, Arch"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:09:22.761Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2298","ead_ssi":"wvmturhc_repositories_2_resources_2298","_root_":"wvmturhc_repositories_2_resources_2298","_nest_parent_":"wvmturhc_repositories_2_resources_2298","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2298.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196366","title_ssm":["Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects"],"title_tesim":["Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects"],"unitdate_ssm":["1926-1941, undated"],"unitdate_inclusive_ssm":["1926-1941, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3846","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2298"],"text":["A\u0026M 3846","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2298","Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects","Jackson's Mill 4-H Camp.","Coal mining - Safety.","Dance and dancers.","Decorative arts -- West Virginia","Education - Home economics.","4-H clubs -- West Virginia","Photography","Special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Nitrate negatives of photographs taken by Arch Ellis of Weston, West Virginia, mainly regarding 4-H Camps held at Jackson's Mill. The main subject of the photographs is campers at the various 4-H Camps (Boys, Girls, Farm Women's, and Volunteer) participating in camp activities. These activities include musical performances by campers; metalworking, weaving, hat making, and other arts and crafts activities; swimming, archery and other sports; and dancing, among other activities. Other subjects include camps in other locations, county fairs, a livestock auction, \"Mine Safety Day\", and portraits, among others. Contains 62 negatives and 2 prints.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","4-H Clubs - West Virginia.","Ellis, Arch","English"],"unitid_tesim":["A\u0026M 3846","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2298"],"normalized_title_ssm":["Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects"],"collection_title_tesim":["Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects"],"collection_ssim":["Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Jackson's Mill 4-H Camp."],"geogname_ssim":["Jackson's Mill 4-H Camp."],"creator_ssm":["Ellis, Arch"],"creator_ssim":["Ellis, Arch"],"creator_persname_ssim":["Ellis, Arch"],"creators_ssim":["Ellis, Arch"],"places_ssim":["Jackson's Mill 4-H Camp."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Coal mining - Safety.","Dance and dancers.","Decorative arts -- West Virginia","Education - Home economics.","4-H clubs -- West Virginia","Photography"],"access_subjects_ssm":["Coal mining - Safety.","Dance and dancers.","Decorative arts -- West Virginia","Education - Home economics.","4-H clubs -- West Virginia","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["1.1 Linear Feet Summary: 1 ft. 1/2 in. (1 document case, 2 1/2 in.); (2 documents cases, 5 in. each)"],"extent_tesim":["1.1 Linear Feet Summary: 1 ft. 1/2 in. (1 document case, 2 1/2 in.); (2 documents cases, 5 in. each)"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects, A\u0026amp;M 3846, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Arch Ellis, Photographer, Nitrate Negatives of 4-H Camps and Other Subjects, A\u0026M 3846, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_65e0f1372ed289161fa818750c9c3252\"\u003eNitrate negatives of photographs taken by Arch Ellis of Weston, West Virginia, mainly regarding 4-H Camps held at Jackson's Mill. The main subject of the photographs is campers at the various 4-H Camps (Boys, Girls, Farm Women's, and Volunteer) participating in camp activities. These activities include musical performances by campers; metalworking, weaving, hat making, and other arts and crafts activities; swimming, archery and other sports; and dancing, among other activities. Other subjects include camps in other locations, county fairs, a livestock auction, \"Mine Safety Day\", and portraits, among others. Contains 62 negatives and 2 prints.\u003c/abstract\u003e"],"abstract_tesim":["Nitrate negatives of photographs taken by Arch Ellis of Weston, West Virginia, mainly regarding 4-H Camps held at Jackson's Mill. The main subject of the photographs is campers at the various 4-H Camps (Boys, Girls, Farm Women's, and Volunteer) participating in camp activities. These activities include musical performances by campers; metalworking, weaving, hat making, and other arts and crafts activities; swimming, archery and other sports; and dancing, among other activities. Other subjects include camps in other locations, county fairs, a livestock auction, \"Mine Safety Day\", and portraits, among others. Contains 62 negatives and 2 prints."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_2597d577012852b4679633d15bb89e45\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["4-H Clubs - West Virginia.","Ellis, Arch"],"names_ssim":["West Virginia and Regional History Center","4-H Clubs - West Virginia.","Ellis, Arch"],"corpname_ssim":["West Virginia and Regional History Center","4-H Clubs - West Virginia."],"persname_ssim":["Ellis, Arch"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T23:09:22.761Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2298"}},{"id":"vifgm_repositories_2_resources_652","type":"collection","attributes":{"title":"Art Attack records","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_652#abstract_or_scope","type":"document_value","attributes":{"value":"The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_652#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_652","ead_ssi":"vifgm_repositories_2_resources_652","_root_":"vifgm_repositories_2_resources_652","_nest_parent_":"vifgm_repositories_2_resources_652","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_652.xml","title_ssm":["Art Attack records"],"title_tesim":["Art Attack records"],"unitdate_ssm":["1979-2009"],"unitdate_inclusive_ssm":["1979-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0507","/repositories/2/resources/652"],"text":["C0507","/repositories/2/resources/652","Art Attack records","Art","Art -- Exhibitions","Photography","Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access.","The collection is arranged into two series based on the content of the materials.","Series Series 1: Installations and Events Subseries 1.1: Installations in the United States  Subseries 1.2: International Installations  Series 2: Art Attack Organization Records ","\nArt Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at ","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","\nJared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.\n","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.","Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.","An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the ","\nThe Special Collections Research Center holds other collections focused on ","The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.  ","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France. ","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.  ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.","R 74, C 4, S 1-6","George Mason University. Libraries. Special Collections Research Center","English \n,        German \n,        Polish \n.    "],"unitid_tesim":["C0507","/repositories/2/resources/652"],"normalized_title_ssm":["Art Attack records"],"collection_title_tesim":["Art Attack records"],"collection_ssim":["Art Attack records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Art Attack co-founder Lynn McCary in 2018 and 2023."],"access_subjects_ssim":["Art","Art -- Exhibitions","Photography"],"access_subjects_ssm":["Art","Art -- Exhibitions","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["21 Linear Feet 43 boxes, 1 map case"],"extent_tesim":["21 Linear Feet 43 boxes, 1 map case"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are restricted due to content. Please see inventory for more details. All other materials are open to access.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series based on the content of the materials.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Installations and Events\u003c/item\u003e\n      \u003citem\u003eSubseries 1.1: Installations in the United States \u003c/item\u003e\n      \u003citem\u003eSubseries 1.2: International Installations \u003c/item\u003e\n      \u003citem\u003eSeries 2: Art Attack Organization Records \u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series based on the content of the materials.","Series Series 1: Installations and Events Subseries 1.1: Installations in the United States  Subseries 1.2: International Installations  Series 2: Art Attack Organization Records "],"bioghist_html_tesm":["\u003cp\u003e\nArt Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at \u003cextptr show=\"new\" title=\"their website.\" href=\"http://artattackinternational.org/mission.html\"\u003e\u003c/extptr\u003e\n\u003c/p\u003e","\u003cp\u003eLynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.\u003c/p\u003e","\u003cp\u003eEvan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.\u003c/p\u003e","\u003cp\u003e\nJared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.\n\u003c/p\u003e","\u003cp\u003eAlberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["\nArt Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at ","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","\nJared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.\n","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022."],"prefercite_html_tesm":["\u003cp\u003eArt Attack records, C0507, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Art Attack records, C0507, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eAn oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the \u003cextptr show=\"new\" title=\"George Mason University oral history collection.\" href=\"https://aspace.gmu.edu/resources/r0121\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Special Collections Research Center holds other collections focused on \u003cextptr show=\"new\" title=\"art and artists.\" href=\"https://aspace.gmu.edu/search?q[]=art\u0026amp;op[]=\u0026amp;field[]=keyword\u0026amp;from_year[]=\u0026amp;to_year[]=\u0026amp;filter_fields[]=subjects\u0026amp;filter_values[]=Art\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the ","\nThe Special Collections Research Center holds other collections focused on "],"scopecontent_html_tesm":["\u003cp\u003eThe Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.  \u003c/p\u003e\n","\u003cp\u003eSeries 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.  \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.  ","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France. ","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.  "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_fa6f7a17953458efeb9ed412bc005d67\"\u003eThe Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.\u003c/abstract\u003e"],"abstract_tesim":["The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5bf20a5fa74f6054415961374b783aa7\"\u003eR 74, C 4, S 1-6\u003c/physloc\u003e"],"physloc_tesim":["R 74, C 4, S 1-6"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English \n,        German \n,        Polish \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":399,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:28:45.771Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_652","ead_ssi":"vifgm_repositories_2_resources_652","_root_":"vifgm_repositories_2_resources_652","_nest_parent_":"vifgm_repositories_2_resources_652","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_652.xml","title_ssm":["Art Attack records"],"title_tesim":["Art Attack records"],"unitdate_ssm":["1979-2009"],"unitdate_inclusive_ssm":["1979-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0507","/repositories/2/resources/652"],"text":["C0507","/repositories/2/resources/652","Art Attack records","Art","Art -- Exhibitions","Photography","Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access.","The collection is arranged into two series based on the content of the materials.","Series Series 1: Installations and Events Subseries 1.1: Installations in the United States  Subseries 1.2: International Installations  Series 2: Art Attack Organization Records ","\nArt Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at ","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","\nJared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.\n","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.","Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.","An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the ","\nThe Special Collections Research Center holds other collections focused on ","The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.  ","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France. ","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.  ","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.","R 74, C 4, S 1-6","George Mason University. Libraries. Special Collections Research Center","English \n,        German \n,        Polish \n.    "],"unitid_tesim":["C0507","/repositories/2/resources/652"],"normalized_title_ssm":["Art Attack records"],"collection_title_tesim":["Art Attack records"],"collection_ssim":["Art Attack records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Art Attack co-founder Lynn McCary in 2018 and 2023."],"access_subjects_ssim":["Art","Art -- Exhibitions","Photography"],"access_subjects_ssm":["Art","Art -- Exhibitions","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["21 Linear Feet 43 boxes, 1 map case"],"extent_tesim":["21 Linear Feet 43 boxes, 1 map case"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are restricted due to content. Please see inventory for more details. All other materials are open to access.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series based on the content of the materials.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Installations and Events\u003c/item\u003e\n      \u003citem\u003eSubseries 1.1: Installations in the United States \u003c/item\u003e\n      \u003citem\u003eSubseries 1.2: International Installations \u003c/item\u003e\n      \u003citem\u003eSeries 2: Art Attack Organization Records \u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series based on the content of the materials.","Series Series 1: Installations and Events Subseries 1.1: Installations in the United States  Subseries 1.2: International Installations  Series 2: Art Attack Organization Records "],"bioghist_html_tesm":["\u003cp\u003e\nArt Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at \u003cextptr show=\"new\" title=\"their website.\" href=\"http://artattackinternational.org/mission.html\"\u003e\u003c/extptr\u003e\n\u003c/p\u003e","\u003cp\u003eLynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.\u003c/p\u003e","\u003cp\u003eEvan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.\u003c/p\u003e","\u003cp\u003e\nJared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.\n\u003c/p\u003e","\u003cp\u003eAlberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["\nArt Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at ","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","\nJared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.\n","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022."],"prefercite_html_tesm":["\u003cp\u003eArt Attack records, C0507, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Art Attack records, C0507, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eAn oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the \u003cextptr show=\"new\" title=\"George Mason University oral history collection.\" href=\"https://aspace.gmu.edu/resources/r0121\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Special Collections Research Center holds other collections focused on \u003cextptr show=\"new\" title=\"art and artists.\" href=\"https://aspace.gmu.edu/search?q[]=art\u0026amp;op[]=\u0026amp;field[]=keyword\u0026amp;from_year[]=\u0026amp;to_year[]=\u0026amp;filter_fields[]=subjects\u0026amp;filter_values[]=Art\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the ","\nThe Special Collections Research Center holds other collections focused on "],"scopecontent_html_tesm":["\u003cp\u003eThe Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.  \u003c/p\u003e\n","\u003cp\u003eSeries 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.  \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.  ","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France. ","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.  "],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_fa6f7a17953458efeb9ed412bc005d67\"\u003eThe Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.\u003c/abstract\u003e"],"abstract_tesim":["The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5bf20a5fa74f6054415961374b783aa7\"\u003eR 74, C 4, S 1-6\u003c/physloc\u003e"],"physloc_tesim":["R 74, C 4, S 1-6"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English \n,        German \n,        Polish \n.    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Editors of Encyclopaedia. \"Ballet Russe de Monte Carlo.\" Encyclopedia Britannica, accessed May 4, 2021. https://www.britannica.com/topic/Ballet-Russe-de-Monte-Carlo.","\"Sasha.\" Getty Images Gallery, accessed May 4, 2021. https://www.gettyimagesgallery.com/collection/sasha/.","\"Sasha (Alexander Stewart) (1892-1953), Photographer.\" National Portrait Gallery, London, accessed May 4, 2021. https://www.npg.org.uk/collections/search/person/mp87592/sasha-alexander-stewart.","\"The Sashalite by Sasha.\" Photos.com by Getty Images, accessed May 4, 2021. https://photos.com/featured/the-sashalite-sasha.html.","Alexander Stewart, known by the mononym Sasha, was a Scottish photographer known for his portraits of theatrical productions and entertainers, particularly of the London theatre scene. Born in 1892, he was also the inventor of the Sashalite, a popular camera flashbulb that was used internationally and created the signature dramatic look of his photographs. Sasha passed away in 1953.","The Ballet Russe de Monte Carlo was a ballet company founded by René Blum and Colonel W. de Basil in 1932. Blum and de Basil created the Ballet Russe de Monte Carlo after the death of Sergei Dhivagilev and the dissolution of the original Ballets Russes. The Ballet Russe de Monte Carlo was the first major platform for choreographer-dancers like George Balanchine and Leonide Massine. However, the original company did not last long and split in 1938, with one faction following de Basil and the other following Massine, the latter's which lasted much longer, until the 1960s.","Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials related to ballet. 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Editors of Encyclopaedia. \"Ballet Russe de Monte Carlo.\" Encyclopedia Britannica, accessed May 4, 2021. https://www.britannica.com/topic/Ballet-Russe-de-Monte-Carlo.","\"Sasha.\" Getty Images Gallery, accessed May 4, 2021. https://www.gettyimagesgallery.com/collection/sasha/.","\"Sasha (Alexander Stewart) (1892-1953), Photographer.\" National Portrait Gallery, London, accessed May 4, 2021. https://www.npg.org.uk/collections/search/person/mp87592/sasha-alexander-stewart.","\"The Sashalite by Sasha.\" Photos.com by Getty Images, accessed May 4, 2021. https://photos.com/featured/the-sashalite-sasha.html."],"bioghist_html_tesm":["\u003cp\u003eAlexander Stewart, known by the mononym Sasha, was a Scottish photographer known for his portraits of theatrical productions and entertainers, particularly of the London theatre scene. 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The second and third photos feature Eglevsky with a trio of corps de ballet dancers in different poses. On the back of each photo is a typewritten description, labeling the prominent dancers' names, the company name, and that they will be performing at the St. James Theatre in London. The photographer's stamp is also on the back of the first photo.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Three black and white photographs taken by Sasha to promote a London tour performance of \"Les Sylphides\" by Ballet Russe de Monte Carlo. The first photo features the ballet dancers Andre Eglevsky and Alexandra Danilova posed together. The second and third photos feature Eglevsky with a trio of corps de ballet dancers in different poses. On the back of each photo is a typewritten description, labeling the prominent dancers' names, the company name, and that they will be performing at the St. James Theatre in London. The photographer's stamp is also on the back of the first photo."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9518ce34e881e94b1df38754e14c8deb\" label=\"Abstract\"\u003eThree black and white photographs taken by Sasha to promote a London tour performance of \"Les Sylphides\" by Ballet Russe de Monte Carlo, circa 1934.\u003c/abstract\u003e"],"abstract_tesim":["Three black and white photographs taken by Sasha to promote a London tour performance of \"Les Sylphides\" by Ballet Russe de Monte Carlo, circa 1934."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b85938c85c3decb53e4fc4a3d8c28559\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_coll_ssim":["Ballet Russe de Monte Carlo","Danilova, Alexandra, 1907-1997","Eglevsky, André"],"names_ssim":["George Mason University. 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Editors of Encyclopaedia. \"Ballet Russe de Monte Carlo.\" Encyclopedia Britannica, accessed May 4, 2021. https://www.britannica.com/topic/Ballet-Russe-de-Monte-Carlo.","\"Sasha.\" Getty Images Gallery, accessed May 4, 2021. https://www.gettyimagesgallery.com/collection/sasha/.","\"Sasha (Alexander Stewart) (1892-1953), Photographer.\" National Portrait Gallery, London, accessed May 4, 2021. https://www.npg.org.uk/collections/search/person/mp87592/sasha-alexander-stewart.","\"The Sashalite by Sasha.\" Photos.com by Getty Images, accessed May 4, 2021. https://photos.com/featured/the-sashalite-sasha.html.","Alexander Stewart, known by the mononym Sasha, was a Scottish photographer known for his portraits of theatrical productions and entertainers, particularly of the London theatre scene. Born in 1892, he was also the inventor of the Sashalite, a popular camera flashbulb that was used internationally and created the signature dramatic look of his photographs. Sasha passed away in 1953.","The Ballet Russe de Monte Carlo was a ballet company founded by René Blum and Colonel W. de Basil in 1932. Blum and de Basil created the Ballet Russe de Monte Carlo after the death of Sergei Dhivagilev and the dissolution of the original Ballets Russes. The Ballet Russe de Monte Carlo was the first major platform for choreographer-dancers like George Balanchine and Leonide Massine. However, the original company did not last long and split in 1938, with one faction following de Basil and the other following Massine, the latter's which lasted much longer, until the 1960s.","Processing completed by Amanda Brent in April 2021. EAD markup completed by Amanda Brent in April 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials related to ballet. 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The photographer's stamp is also on the back of the first photo.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Three black and white photographs taken by Sasha to promote a London tour performance of \"Les Sylphides\" by Ballet Russe de Monte Carlo, circa 1934.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Ballet Russe de Monte Carlo","Sasha, 1892-1953","Danilova, Alexandra, 1907-1997","Eglevsky, André","English \n.    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The second and third photos feature Eglevsky with a trio of corps de ballet dancers in different poses. On the back of each photo is a typewritten description, labeling the prominent dancers' names, the company name, and that they will be performing at the St. James Theatre in London. The photographer's stamp is also on the back of the first photo.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Three black and white photographs taken by Sasha to promote a London tour performance of \"Les Sylphides\" by Ballet Russe de Monte Carlo. The first photo features the ballet dancers Andre Eglevsky and Alexandra Danilova posed together. The second and third photos feature Eglevsky with a trio of corps de ballet dancers in different poses. On the back of each photo is a typewritten description, labeling the prominent dancers' names, the company name, and that they will be performing at the St. James Theatre in London. The photographer's stamp is also on the back of the first photo."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_9518ce34e881e94b1df38754e14c8deb\" label=\"Abstract\"\u003eThree black and white photographs taken by Sasha to promote a London tour performance of \"Les Sylphides\" by Ballet Russe de Monte Carlo, circa 1934.\u003c/abstract\u003e"],"abstract_tesim":["Three black and white photographs taken by Sasha to promote a London tour performance of \"Les Sylphides\" by Ballet Russe de Monte Carlo, circa 1934."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b85938c85c3decb53e4fc4a3d8c28559\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_coll_ssim":["Ballet Russe de Monte Carlo","Danilova, Alexandra, 1907-1997","Eglevsky, André"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Ballet Russe de Monte Carlo","Sasha, 1892-1953","Danilova, Alexandra, 1907-1997","Eglevsky, André"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Ballet Russe de Monte Carlo"],"persname_ssim":["Sasha, 1892-1953","Danilova, Alexandra, 1907-1997","Eglevsky, André"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:35:51.024Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_561"}},{"id":"vifgm_repositories_2_resources_533","type":"collection","attributes":{"title":"Black and white photograph of George Balanchine rehearsing two ballet dancers by Costas","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_533#creator","type":"document_value","attributes":{"value":"Costas","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_533#abstract_or_scope","type":"document_value","attributes":{"value":"Black and white matted photograph of George Balanchine rehearsing two ballet dancers, taken by the dance photographer Costas, circa late 1970s or early 1980s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_533#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_533","ead_ssi":"vifgm_repositories_2_resources_533","_root_":"vifgm_repositories_2_resources_533","_nest_parent_":"vifgm_repositories_2_resources_533","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_533.xml","title_ssm":["Black and white photograph of George Balanchine rehearsing two ballet dancers by Costas"],"title_tesim":["Black and white photograph of George Balanchine rehearsing two ballet dancers by Costas"],"unitdate_ssm":["circa late 1970s - early 1980s"],"unitdate_inclusive_ssm":["circa late 1970s - early 1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0465","/repositories/2/resources/533"],"text":["C0465","/repositories/2/resources/533","Black and white photograph of George Balanchine rehearsing two ballet dancers by Costas","Ballet","Photography","There are no access restrictions.","This is a single item collection.","The George Balanchine Foundation. \"Biography,\" 2002. Accessed January 27, 2021. http://www.balanchine.org/01/bio.html.","New York City Ballet. \"George Balanchine.\" Accessed January 27, 2021. https://www.nycballet.com/discover/our-history/george-balanchine/.","The New York Public Library Archives and Manuscripts Division. \"Costas dance photographs 1966 - 2016.\" The New York Public Library, Accessed January 19, 2021. http://archives.nypl.org/dan/24253.","Walker, Katherine Sorley. \"George Balanchine.\" Encylopaedia Britannica, January 18, 2021. Accessed January 27, 2021, http://www.balanchine.org/01/bio.html.","George Balanchine is one of the greatest dancers, choreographers, and performing arts giants of the 20th century. Born in 1904 in St. Petersburg, Russia, Balanchine's career started in the Imperial School of Ballet in the renowned Mariinsky Theatre. In addition to ballet training, Balanchine also had professional musical training, which later informed his choreography abilities. In 1924 Balanchine was invited to join the Ballets Russes by another giant of the dance world, Sergei Diaghilev, and his career grew from there. In 1948 Balanchine made his greatest contribution to the dance world, the founding of the New York City Ballet. As Artistic Director of the company, Balanchine choreographed classic and new, interpretive ballets alike. His versions of traditional ballets, such as The Nutcracker, are now considered classics of their own.","Costas Cacaroukas - known by the mononym Costas - is a Greek-American dance photographer. He was the photographer in residence for the New York City Ballet for the majority of his career and was closely associated with George Balanchine. He was also the photographer in residence for American Ballet Theatre. In additon to the New York City Ballet, Costas photographed many other dance companies, both national and international.","Processing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215","The Special Collections Research Center also holds the  \n, as well as other materials pertaining to George Balanchine, the New York City Ballet, and ballet in general.","Black and white matted photograph of George Balanchine rehearsing two ballet dancers, taken by the dance photographer Costas, circa late 1970s or early 1980s. In the photograph Balanchine demonstrates his choreography to a presumably female and male pair of ballet dancers. It is unknown which ballet they are rehearsing for. The photograph is signed on the matte by Costas andis stamped on the verso with the text \"Choreographed by George Balanchine - Choreography [Registered] - The George Balanchine Trust[.]\"","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Black and white matted photograph of George Balanchine rehearsing two ballet dancers, taken by the dance photographer Costas, circa late 1970s or early 1980s.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Costas","Balanchine, George","English \n.    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Accessed January 27, 2021. http://www.balanchine.org/01/bio.html.\u003c/p\u003e\n","\u003cp\u003eNew York City Ballet. \"George Balanchine.\" Accessed January 27, 2021. https://www.nycballet.com/discover/our-history/george-balanchine/.\u003c/p\u003e\n","\u003cp\u003eThe New York Public Library Archives and Manuscripts Division. \"Costas dance photographs 1966 - 2016.\" The New York Public Library, Accessed January 19, 2021. http://archives.nypl.org/dan/24253.\u003c/p\u003e\n","\u003cp\u003eWalker, Katherine Sorley. \"George Balanchine.\" Encylopaedia Britannica, January 18, 2021. Accessed January 27, 2021, http://www.balanchine.org/01/bio.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The George Balanchine Foundation. \"Biography,\" 2002. Accessed January 27, 2021. http://www.balanchine.org/01/bio.html.","New York City Ballet. \"George Balanchine.\" Accessed January 27, 2021. https://www.nycballet.com/discover/our-history/george-balanchine/.","The New York Public Library Archives and Manuscripts Division. \"Costas dance photographs 1966 - 2016.\" The New York Public Library, Accessed January 19, 2021. http://archives.nypl.org/dan/24253.","Walker, Katherine Sorley. \"George Balanchine.\" Encylopaedia Britannica, January 18, 2021. Accessed January 27, 2021, http://www.balanchine.org/01/bio.html."],"bioghist_html_tesm":["\u003cp\u003eGeorge Balanchine is one of the greatest dancers, choreographers, and performing arts giants of the 20th century. Born in 1904 in St. Petersburg, Russia, Balanchine's career started in the Imperial School of Ballet in the renowned Mariinsky Theatre. In addition to ballet training, Balanchine also had professional musical training, which later informed his choreography abilities. In 1924 Balanchine was invited to join the Ballets Russes by another giant of the dance world, Sergei Diaghilev, and his career grew from there. In 1948 Balanchine made his greatest contribution to the dance world, the founding of the New York City Ballet. As Artistic Director of the company, Balanchine choreographed classic and new, interpretive ballets alike. His versions of traditional ballets, such as The Nutcracker, are now considered classics of their own.\u003c/p\u003e\n","\u003cp\u003eCostas Cacaroukas - known by the mononym Costas - is a Greek-American dance photographer. He was the photographer in residence for the New York City Ballet for the majority of his career and was closely associated with George Balanchine. He was also the photographer in residence for American Ballet Theatre. 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In additon to the New York City Ballet, Costas photographed many other dance companies, both national and international."],"prefercite_html_tesm":["\u003cp\u003eBlack and white photograph of George Balanchine rehearsing two ballet dancers by Costas, C0465, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Black and white photograph of George Balanchine rehearsing two ballet dancers by Costas, C0465, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215"],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Color photograph of Jerome Robbins rehearsing 'Circus Polka' with young ballet dancers by Costas\" href=\"https://aspace.gmu.edu/repositories/2/resources/530\"\u003e\u003c/extptr\u003e\n, as well as other materials pertaining to George Balanchine, the New York City Ballet, and ballet in general.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  \n, as well as other materials pertaining to George Balanchine, the New York City Ballet, and ballet in general."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white matted photograph of George Balanchine rehearsing two ballet dancers, taken by the dance photographer Costas, circa late 1970s or early 1980s. In the photograph Balanchine demonstrates his choreography to a presumably female and male pair of ballet dancers. It is unknown which ballet they are rehearsing for. The photograph is signed on the matte by Costas andis stamped on the verso with the text \"Choreographed by George Balanchine - Choreography [Registered] - The George Balanchine Trust[.]\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Black and white matted photograph of George Balanchine rehearsing two ballet dancers, taken by the dance photographer Costas, circa late 1970s or early 1980s. In the photograph Balanchine demonstrates his choreography to a presumably female and male pair of ballet dancers. It is unknown which ballet they are rehearsing for. The photograph is signed on the matte by Costas andis stamped on the verso with the text \"Choreographed by George Balanchine - Choreography [Registered] - The George Balanchine Trust[.]\""],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_4b6ff56f276100cae4ae1fb3fbc6ce5e\"\u003eBlack and white matted photograph of George Balanchine rehearsing two ballet dancers, taken by the dance photographer Costas, circa late 1970s or early 1980s.\u003c/abstract\u003e"],"abstract_tesim":["Black and white matted photograph of George Balanchine rehearsing two ballet dancers, taken by the dance photographer Costas, circa late 1970s or early 1980s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cb29a10f8945a56fa365100840160ed3\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Costas","Balanchine, George"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Balanchine, George"],"persname_ssim":["Costas","Balanchine, George"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:23:25.700Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_533","ead_ssi":"vifgm_repositories_2_resources_533","_root_":"vifgm_repositories_2_resources_533","_nest_parent_":"vifgm_repositories_2_resources_533","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_533.xml","title_ssm":["Black and white photograph of George Balanchine rehearsing two ballet dancers by Costas"],"title_tesim":["Black and white photograph of George Balanchine rehearsing two ballet dancers by Costas"],"unitdate_ssm":["circa late 1970s - early 1980s"],"unitdate_inclusive_ssm":["circa late 1970s - early 1980s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0465","/repositories/2/resources/533"],"text":["C0465","/repositories/2/resources/533","Black and white photograph of George Balanchine rehearsing two ballet dancers by Costas","Ballet","Photography","There are no access restrictions.","This is a single item collection.","The George Balanchine Foundation. \"Biography,\" 2002. Accessed January 27, 2021. http://www.balanchine.org/01/bio.html.","New York City Ballet. \"George Balanchine.\" Accessed January 27, 2021. https://www.nycballet.com/discover/our-history/george-balanchine/.","The New York Public Library Archives and Manuscripts Division. \"Costas dance photographs 1966 - 2016.\" The New York Public Library, Accessed January 19, 2021. http://archives.nypl.org/dan/24253.","Walker, Katherine Sorley. \"George Balanchine.\" Encylopaedia Britannica, January 18, 2021. Accessed January 27, 2021, http://www.balanchine.org/01/bio.html.","George Balanchine is one of the greatest dancers, choreographers, and performing arts giants of the 20th century. Born in 1904 in St. Petersburg, Russia, Balanchine's career started in the Imperial School of Ballet in the renowned Mariinsky Theatre. In addition to ballet training, Balanchine also had professional musical training, which later informed his choreography abilities. In 1924 Balanchine was invited to join the Ballets Russes by another giant of the dance world, Sergei Diaghilev, and his career grew from there. In 1948 Balanchine made his greatest contribution to the dance world, the founding of the New York City Ballet. As Artistic Director of the company, Balanchine choreographed classic and new, interpretive ballets alike. His versions of traditional ballets, such as The Nutcracker, are now considered classics of their own.","Costas Cacaroukas - known by the mononym Costas - is a Greek-American dance photographer. He was the photographer in residence for the New York City Ballet for the majority of his career and was closely associated with George Balanchine. He was also the photographer in residence for American Ballet Theatre. In additon to the New York City Ballet, Costas photographed many other dance companies, both national and international.","Processing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215","The Special Collections Research Center also holds the  \n, as well as other materials pertaining to George Balanchine, the New York City Ballet, and ballet in general.","Black and white matted photograph of George Balanchine rehearsing two ballet dancers, taken by the dance photographer Costas, circa late 1970s or early 1980s. In the photograph Balanchine demonstrates his choreography to a presumably female and male pair of ballet dancers. It is unknown which ballet they are rehearsing for. The photograph is signed on the matte by Costas andis stamped on the verso with the text \"Choreographed by George Balanchine - Choreography [Registered] - The George Balanchine Trust[.]\"","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Black and white matted photograph of George Balanchine rehearsing two ballet dancers, taken by the dance photographer Costas, circa late 1970s or early 1980s.","R 72, C 3, S 1","George Mason University. Libraries. Special Collections Research Center","Costas","Balanchine, George","English \n.    "],"unitid_tesim":["C0465","/repositories/2/resources/533"],"normalized_title_ssm":["Black and white photograph of George Balanchine rehearsing two ballet dancers by Costas"],"collection_title_tesim":["Black and white photograph of George Balanchine rehearsing two ballet dancers by Costas"],"collection_ssim":["Black and white photograph of George Balanchine rehearsing two ballet dancers by Costas"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Costas"],"creator_ssim":["Costas"],"creator_persname_ssim":["Costas"],"creators_ssim":["Costas"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Steve Gerber from Schubertiade Music on January 26, 2010."],"access_subjects_ssim":["Ballet","Photography"],"access_subjects_ssm":["Ballet","Photography"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 photograph"],"extent_tesim":[".01 Linear Feet 1 photograph"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eThe George Balanchine Foundation. \"Biography,\" 2002. Accessed January 27, 2021. http://www.balanchine.org/01/bio.html.\u003c/p\u003e\n","\u003cp\u003eNew York City Ballet. \"George Balanchine.\" Accessed January 27, 2021. https://www.nycballet.com/discover/our-history/george-balanchine/.\u003c/p\u003e\n","\u003cp\u003eThe New York Public Library Archives and Manuscripts Division. \"Costas dance photographs 1966 - 2016.\" The New York Public Library, Accessed January 19, 2021. http://archives.nypl.org/dan/24253.\u003c/p\u003e\n","\u003cp\u003eWalker, Katherine Sorley. \"George Balanchine.\" Encylopaedia Britannica, January 18, 2021. Accessed January 27, 2021, http://www.balanchine.org/01/bio.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["The George Balanchine Foundation. \"Biography,\" 2002. Accessed January 27, 2021. http://www.balanchine.org/01/bio.html.","New York City Ballet. \"George Balanchine.\" Accessed January 27, 2021. https://www.nycballet.com/discover/our-history/george-balanchine/.","The New York Public Library Archives and Manuscripts Division. \"Costas dance photographs 1966 - 2016.\" The New York Public Library, Accessed January 19, 2021. http://archives.nypl.org/dan/24253.","Walker, Katherine Sorley. \"George Balanchine.\" Encylopaedia Britannica, January 18, 2021. Accessed January 27, 2021, http://www.balanchine.org/01/bio.html."],"bioghist_html_tesm":["\u003cp\u003eGeorge Balanchine is one of the greatest dancers, choreographers, and performing arts giants of the 20th century. Born in 1904 in St. Petersburg, Russia, Balanchine's career started in the Imperial School of Ballet in the renowned Mariinsky Theatre. In addition to ballet training, Balanchine also had professional musical training, which later informed his choreography abilities. In 1924 Balanchine was invited to join the Ballets Russes by another giant of the dance world, Sergei Diaghilev, and his career grew from there. In 1948 Balanchine made his greatest contribution to the dance world, the founding of the New York City Ballet. As Artistic Director of the company, Balanchine choreographed classic and new, interpretive ballets alike. His versions of traditional ballets, such as The Nutcracker, are now considered classics of their own.\u003c/p\u003e\n","\u003cp\u003eCostas Cacaroukas - known by the mononym Costas - is a Greek-American dance photographer. He was the photographer in residence for the New York City Ballet for the majority of his career and was closely associated with George Balanchine. He was also the photographer in residence for American Ballet Theatre. In additon to the New York City Ballet, Costas photographed many other dance companies, both national and international.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["George Balanchine is one of the greatest dancers, choreographers, and performing arts giants of the 20th century. Born in 1904 in St. Petersburg, Russia, Balanchine's career started in the Imperial School of Ballet in the renowned Mariinsky Theatre. In addition to ballet training, Balanchine also had professional musical training, which later informed his choreography abilities. In 1924 Balanchine was invited to join the Ballets Russes by another giant of the dance world, Sergei Diaghilev, and his career grew from there. In 1948 Balanchine made his greatest contribution to the dance world, the founding of the New York City Ballet. As Artistic Director of the company, Balanchine choreographed classic and new, interpretive ballets alike. His versions of traditional ballets, such as The Nutcracker, are now considered classics of their own.","Costas Cacaroukas - known by the mononym Costas - is a Greek-American dance photographer. He was the photographer in residence for the New York City Ballet for the majority of his career and was closely associated with George Balanchine. He was also the photographer in residence for American Ballet Theatre. In additon to the New York City Ballet, Costas photographed many other dance companies, both national and international."],"prefercite_html_tesm":["\u003cp\u003eBlack and white photograph of George Balanchine rehearsing two ballet dancers by Costas, C0465, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Black and white photograph of George Balanchine rehearsing two ballet dancers by Costas, C0465, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215"],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Color photograph of Jerome Robbins rehearsing 'Circus Polka' with young ballet dancers by Costas\" href=\"https://aspace.gmu.edu/repositories/2/resources/530\"\u003e\u003c/extptr\u003e\n, as well as other materials pertaining to George Balanchine, the New York City Ballet, and ballet in general.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the  \n, as well as other materials pertaining to George Balanchine, the New York City Ballet, and ballet in general."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white matted photograph of George Balanchine rehearsing two ballet dancers, taken by the dance photographer Costas, circa late 1970s or early 1980s. In the photograph Balanchine demonstrates his choreography to a presumably female and male pair of ballet dancers. It is unknown which ballet they are rehearsing for. The photograph is signed on the matte by Costas andis stamped on the verso with the text \"Choreographed by George Balanchine - Choreography [Registered] - The George Balanchine Trust[.]\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Black and white matted photograph of George Balanchine rehearsing two ballet dancers, taken by the dance photographer Costas, circa late 1970s or early 1980s. In the photograph Balanchine demonstrates his choreography to a presumably female and male pair of ballet dancers. It is unknown which ballet they are rehearsing for. The photograph is signed on the matte by Costas andis stamped on the verso with the text \"Choreographed by George Balanchine - Choreography [Registered] - The George Balanchine Trust[.]\""],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_4b6ff56f276100cae4ae1fb3fbc6ce5e\"\u003eBlack and white matted photograph of George Balanchine rehearsing two ballet dancers, taken by the dance photographer Costas, circa late 1970s or early 1980s.\u003c/abstract\u003e"],"abstract_tesim":["Black and white matted photograph of George Balanchine rehearsing two ballet dancers, taken by the dance photographer Costas, circa late 1970s or early 1980s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cb29a10f8945a56fa365100840160ed3\"\u003eR 72, C 3, S 1\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 1"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Costas","Balanchine, George"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_coll_ssim":["Balanchine, George"],"persname_ssim":["Costas","Balanchine, George"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:23:25.700Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_533"}},{"id":"vifgm_repositories_2_resources_534","type":"collection","attributes":{"title":"Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_534#creator","type":"document_value","attributes":{"value":"Friedman-Abeles (Firm)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_534#abstract_or_scope","type":"document_value","attributes":{"value":"Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, printed September 29, 1959.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_534#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_534","ead_ssi":"vifgm_repositories_2_resources_534","_root_":"vifgm_repositories_2_resources_534","_nest_parent_":"vifgm_repositories_2_resources_534","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_534.xml","title_ssm":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm"],"title_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm"],"unitdate_ssm":["September 29, 1959."],"unitdate_other_ssim":["September 29, 1959."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0466","/repositories/2/resources/534"],"text":["C0466","/repositories/2/resources/534","Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm","Musical Theater","Photography","Theater","There are no access restrictions.","This is a single item collection.","Billy Rose Theatre Division, The New York Public Library. \"Friedman-Abeles photograph collection.\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/collections/friedman-abeles-photograph-collection#/?tab=about\u0026scroll=20.","Billy Rose Theatre Division, The New York Public Library. \"Stephen Sondheim, Arthur Laurents, Hal Prince, Robert E. Griffith, Leonard Bernstein, and Jerome Robbins during rehearsal for the stage production West Side Story\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/items/de6f38c0-8357-0134-1212-00505686a51c.","Internet Broadway Database. \"West Side Story.\" The Broadway League. Accessed January 20, 2021. https://www.ibdb.com/broadway-production/west-side-story-2639#ProductionStaff.","Schwarm, Betsy. \"West Side Story.\" Encyclopaedia Britannica. Encyclopaedia Britannica, inc. Accessed January 20, 2021. https://www.britannica.com/topic/West-Side-Story.","\"West Side Story\" is a musical that premiered on Broadway on September 26, 1957, with music composed by Leonard Bernstein and book and lyrics by Arthur Laurents and Stephen Sondeheim, respectively. It was conceived of, directed, and choreographed by Jerome Robbins. It was also produced by Harold Prince and Robert E. Griffith. The musical, set on the West Side of New York City, was inspired by Shakespeare's \"Romeo and Juliet.\" Two rival gangs - the white Jets and the Puerto Rican Sharks - battle for neighborhood dominance while star-crossed lovers from each side, Tony and Maria, fall in love. The musical was a critical and commercial success, and was subsequently adapted into two separate films. \"West Side Story\" endures as a musical classic and has been revived multiple times on Broadway since its inception.","Friedman-Abeles was a large photography firm in New York City, NY. Founded on the partnership of Leo and Sy Friedman and Joseph Ables, the firm was regularly tasked with photographing Broadway productions and was most successful from the 1950s - 1970s. Friedman-Ables photographed the behind-the-scenes process, as well as official photos, of the original \"West Side Story\" production.","Processing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds other collections containing items related to \"West Side Story,\" and musical theatre in general, including the  , the  , and the  .","The New York Public Library's Billy Rose Theatre Division holds a copy of this photograph, as well as others in the same series, which can be viewed  .","Black and white photograph of prominent members of the original \"West Side Story\" production team by the Friedman-Abeles photography firm, printed September 29, 1959, the year of the musical's first U.S. Tour. The photo was originally taken in 1957, during the musical's production. From left to right are: Stephen Sondheim, Arthur Laurents, Harold Prince, Robert E. Griffith (seated), Leonard Bernstein, and Jerome Robbins. All men had successful careers in the performing arts field. Taped to the verso is an October 4, 1959 news clipping with information about the Chicago premiere of \"West Side Story\" and the names of the photograph's subjects. It is also stamped with the photography firm's information and pertinent dates.","There are no restrictions on personal use. Permission to publish the Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm must be obtained from the Special Collections Research Center, George Mason University Libraries.","Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, printed September 29, 1959.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Friedman-Abeles (Firm)","Bernstein, Leonard, 1918-1990","Griffith, Robert E.","Laurents, Arthur","Prince, Harold, 1928-2019","Robbins, Jerome","Sondheim, Stephen","English \n.    "],"unitid_tesim":["C0466","/repositories/2/resources/534"],"normalized_title_ssm":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm"],"collection_title_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm"],"collection_ssim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Friedman-Abeles (Firm)"],"creator_ssim":["Friedman-Abeles (Firm)"],"creator_corpname_ssim":["Friedman-Abeles (Firm)"],"creators_ssim":["Friedman-Abeles (Firm)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish the Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Purchased by Steve Gerber in July 2018."],"access_subjects_ssim":["Musical Theater","Photography","Theater"],"access_subjects_ssm":["Musical Theater","Photography","Theater"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 photograph"],"extent_tesim":[".01 Linear Feet 1 photograph"],"date_range_isim":[1959],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBilly Rose Theatre Division, The New York Public Library. \"Friedman-Abeles photograph collection.\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/collections/friedman-abeles-photograph-collection#/?tab=about\u0026amp;scroll=20.\u003c/p\u003e\n","\u003cp\u003eBilly Rose Theatre Division, The New York Public Library. \"Stephen Sondheim, Arthur Laurents, Hal Prince, Robert E. Griffith, Leonard Bernstein, and Jerome Robbins during rehearsal for the stage production West Side Story\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/items/de6f38c0-8357-0134-1212-00505686a51c.\u003c/p\u003e\n","\u003cp\u003eInternet Broadway Database. \"West Side Story.\" The Broadway League. Accessed January 20, 2021. https://www.ibdb.com/broadway-production/west-side-story-2639#ProductionStaff.\u003c/p\u003e\n","\u003cp\u003eSchwarm, Betsy. \"West Side Story.\" Encyclopaedia Britannica. Encyclopaedia Britannica, inc. Accessed January 20, 2021. https://www.britannica.com/topic/West-Side-Story.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Billy Rose Theatre Division, The New York Public Library. \"Friedman-Abeles photograph collection.\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/collections/friedman-abeles-photograph-collection#/?tab=about\u0026scroll=20.","Billy Rose Theatre Division, The New York Public Library. \"Stephen Sondheim, Arthur Laurents, Hal Prince, Robert E. Griffith, Leonard Bernstein, and Jerome Robbins during rehearsal for the stage production West Side Story\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/items/de6f38c0-8357-0134-1212-00505686a51c.","Internet Broadway Database. \"West Side Story.\" The Broadway League. Accessed January 20, 2021. https://www.ibdb.com/broadway-production/west-side-story-2639#ProductionStaff.","Schwarm, Betsy. \"West Side Story.\" Encyclopaedia Britannica. Encyclopaedia Britannica, inc. Accessed January 20, 2021. https://www.britannica.com/topic/West-Side-Story."],"bioghist_html_tesm":["\u003cp\u003e\"West Side Story\" is a musical that premiered on Broadway on September 26, 1957, with music composed by Leonard Bernstein and book and lyrics by Arthur Laurents and Stephen Sondeheim, respectively. It was conceived of, directed, and choreographed by Jerome Robbins. It was also produced by Harold Prince and Robert E. Griffith. The musical, set on the West Side of New York City, was inspired by Shakespeare's \"Romeo and Juliet.\" Two rival gangs - the white Jets and the Puerto Rican Sharks - battle for neighborhood dominance while star-crossed lovers from each side, Tony and Maria, fall in love. The musical was a critical and commercial success, and was subsequently adapted into two separate films. \"West Side Story\" endures as a musical classic and has been revived multiple times on Broadway since its inception.\u003c/p\u003e\n","\u003cp\u003eFriedman-Abeles was a large photography firm in New York City, NY. Founded on the partnership of Leo and Sy Friedman and Joseph Ables, the firm was regularly tasked with photographing Broadway productions and was most successful from the 1950s - 1970s. Friedman-Ables photographed the behind-the-scenes process, as well as official photos, of the original \"West Side Story\" production.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"West Side Story\" is a musical that premiered on Broadway on September 26, 1957, with music composed by Leonard Bernstein and book and lyrics by Arthur Laurents and Stephen Sondeheim, respectively. It was conceived of, directed, and choreographed by Jerome Robbins. It was also produced by Harold Prince and Robert E. Griffith. The musical, set on the West Side of New York City, was inspired by Shakespeare's \"Romeo and Juliet.\" Two rival gangs - the white Jets and the Puerto Rican Sharks - battle for neighborhood dominance while star-crossed lovers from each side, Tony and Maria, fall in love. The musical was a critical and commercial success, and was subsequently adapted into two separate films. \"West Side Story\" endures as a musical classic and has been revived multiple times on Broadway since its inception.","Friedman-Abeles was a large photography firm in New York City, NY. Founded on the partnership of Leo and Sy Friedman and Joseph Ables, the firm was regularly tasked with photographing Broadway productions and was most successful from the 1950s - 1970s. Friedman-Ables photographed the behind-the-scenes process, as well as official photos, of the original \"West Side Story\" production."],"prefercite_html_tesm":["\u003cp\u003eBlack and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, C0466, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, C0466, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections containing items related to \"West Side Story,\" and musical theatre in general, including the \u003cextptr show=\"new\" title=\"Broadway souvenir theatre programs collection\" href=\"https://aspace.gmu.edu/repositories/2/resources/111\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Virginia Nelson playbills collection\" href=\"https://aspace.gmu.edu/repositories/2/resources/571\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"Charles Rodrigues playbill collection\" href=\"https://aspace.gmu.edu/repositories/2/resources/113\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eThe New York Public Library's Billy Rose Theatre Division holds a copy of this photograph, as well as others in the same series, which can be viewed \u003cextptr show=\"new\" title=\"here\" href=\"https://digitalcollections.nypl.org/items/de6f38c0-8357-0134-1212-00505686a51c\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections containing items related to \"West Side Story,\" and musical theatre in general, including the  , the  , and the  .","The New York Public Library's Billy Rose Theatre Division holds a copy of this photograph, as well as others in the same series, which can be viewed  ."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph of prominent members of the original \"West Side Story\" production team by the Friedman-Abeles photography firm, printed September 29, 1959, the year of the musical's first U.S. Tour. The photo was originally taken in 1957, during the musical's production. From left to right are: Stephen Sondheim, Arthur Laurents, Harold Prince, Robert E. Griffith (seated), Leonard Bernstein, and Jerome Robbins. All men had successful careers in the performing arts field. Taped to the verso is an October 4, 1959 news clipping with information about the Chicago premiere of \"West Side Story\" and the names of the photograph's subjects. It is also stamped with the photography firm's information and pertinent dates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by the Friedman-Abeles photography firm, printed September 29, 1959, the year of the musical's first U.S. Tour. The photo was originally taken in 1957, during the musical's production. From left to right are: Stephen Sondheim, Arthur Laurents, Harold Prince, Robert E. Griffith (seated), Leonard Bernstein, and Jerome Robbins. All men had successful careers in the performing arts field. Taped to the verso is an October 4, 1959 news clipping with information about the Chicago premiere of \"West Side Story\" and the names of the photograph's subjects. It is also stamped with the photography firm's information and pertinent dates."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish the Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish the Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_17f46ee49bdc9ef188bc8ece5e472cf9\" label=\"Abstract\"\u003eBlack and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, printed September 29, 1959.\u003c/abstract\u003e"],"abstract_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, printed September 29, 1959."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_0861e172f8c0c799bdb692c60024fa50\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Friedman-Abeles (Firm)","Bernstein, Leonard, 1918-1990","Griffith, Robert E.","Laurents, Arthur","Prince, Harold, 1928-2019","Robbins, Jerome","Sondheim, Stephen"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Friedman-Abeles (Firm)"],"names_coll_ssim":["Bernstein, Leonard, 1918-1990","Griffith, Robert E.","Laurents, Arthur","Prince, Harold, 1928-2019","Robbins, Jerome","Sondheim, Stephen"],"persname_ssim":["Bernstein, Leonard, 1918-1990","Griffith, Robert E.","Laurents, Arthur","Prince, Harold, 1928-2019","Robbins, Jerome","Sondheim, Stephen"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:35:24.911Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_534","ead_ssi":"vifgm_repositories_2_resources_534","_root_":"vifgm_repositories_2_resources_534","_nest_parent_":"vifgm_repositories_2_resources_534","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_534.xml","title_ssm":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm"],"title_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm"],"unitdate_ssm":["September 29, 1959."],"unitdate_other_ssim":["September 29, 1959."],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0466","/repositories/2/resources/534"],"text":["C0466","/repositories/2/resources/534","Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm","Musical Theater","Photography","Theater","There are no access restrictions.","This is a single item collection.","Billy Rose Theatre Division, The New York Public Library. \"Friedman-Abeles photograph collection.\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/collections/friedman-abeles-photograph-collection#/?tab=about\u0026scroll=20.","Billy Rose Theatre Division, The New York Public Library. \"Stephen Sondheim, Arthur Laurents, Hal Prince, Robert E. Griffith, Leonard Bernstein, and Jerome Robbins during rehearsal for the stage production West Side Story\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/items/de6f38c0-8357-0134-1212-00505686a51c.","Internet Broadway Database. \"West Side Story.\" The Broadway League. Accessed January 20, 2021. https://www.ibdb.com/broadway-production/west-side-story-2639#ProductionStaff.","Schwarm, Betsy. \"West Side Story.\" Encyclopaedia Britannica. Encyclopaedia Britannica, inc. Accessed January 20, 2021. https://www.britannica.com/topic/West-Side-Story.","\"West Side Story\" is a musical that premiered on Broadway on September 26, 1957, with music composed by Leonard Bernstein and book and lyrics by Arthur Laurents and Stephen Sondeheim, respectively. It was conceived of, directed, and choreographed by Jerome Robbins. It was also produced by Harold Prince and Robert E. Griffith. The musical, set on the West Side of New York City, was inspired by Shakespeare's \"Romeo and Juliet.\" Two rival gangs - the white Jets and the Puerto Rican Sharks - battle for neighborhood dominance while star-crossed lovers from each side, Tony and Maria, fall in love. The musical was a critical and commercial success, and was subsequently adapted into two separate films. \"West Side Story\" endures as a musical classic and has been revived multiple times on Broadway since its inception.","Friedman-Abeles was a large photography firm in New York City, NY. Founded on the partnership of Leo and Sy Friedman and Joseph Ables, the firm was regularly tasked with photographing Broadway productions and was most successful from the 1950s - 1970s. Friedman-Ables photographed the behind-the-scenes process, as well as official photos, of the original \"West Side Story\" production.","Processing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds other collections containing items related to \"West Side Story,\" and musical theatre in general, including the  , the  , and the  .","The New York Public Library's Billy Rose Theatre Division holds a copy of this photograph, as well as others in the same series, which can be viewed  .","Black and white photograph of prominent members of the original \"West Side Story\" production team by the Friedman-Abeles photography firm, printed September 29, 1959, the year of the musical's first U.S. Tour. The photo was originally taken in 1957, during the musical's production. From left to right are: Stephen Sondheim, Arthur Laurents, Harold Prince, Robert E. Griffith (seated), Leonard Bernstein, and Jerome Robbins. All men had successful careers in the performing arts field. Taped to the verso is an October 4, 1959 news clipping with information about the Chicago premiere of \"West Side Story\" and the names of the photograph's subjects. It is also stamped with the photography firm's information and pertinent dates.","There are no restrictions on personal use. Permission to publish the Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm must be obtained from the Special Collections Research Center, George Mason University Libraries.","Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, printed September 29, 1959.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","Friedman-Abeles (Firm)","Bernstein, Leonard, 1918-1990","Griffith, Robert E.","Laurents, Arthur","Prince, Harold, 1928-2019","Robbins, Jerome","Sondheim, Stephen","English \n.    "],"unitid_tesim":["C0466","/repositories/2/resources/534"],"normalized_title_ssm":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm"],"collection_title_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm"],"collection_ssim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Friedman-Abeles (Firm)"],"creator_ssim":["Friedman-Abeles (Firm)"],"creator_corpname_ssim":["Friedman-Abeles (Firm)"],"creators_ssim":["Friedman-Abeles (Firm)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish the Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Purchased by Steve Gerber in July 2018."],"access_subjects_ssim":["Musical Theater","Photography","Theater"],"access_subjects_ssm":["Musical Theater","Photography","Theater"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 photograph"],"extent_tesim":[".01 Linear Feet 1 photograph"],"date_range_isim":[1959],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBilly Rose Theatre Division, The New York Public Library. \"Friedman-Abeles photograph collection.\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/collections/friedman-abeles-photograph-collection#/?tab=about\u0026amp;scroll=20.\u003c/p\u003e\n","\u003cp\u003eBilly Rose Theatre Division, The New York Public Library. \"Stephen Sondheim, Arthur Laurents, Hal Prince, Robert E. Griffith, Leonard Bernstein, and Jerome Robbins during rehearsal for the stage production West Side Story\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/items/de6f38c0-8357-0134-1212-00505686a51c.\u003c/p\u003e\n","\u003cp\u003eInternet Broadway Database. \"West Side Story.\" The Broadway League. Accessed January 20, 2021. https://www.ibdb.com/broadway-production/west-side-story-2639#ProductionStaff.\u003c/p\u003e\n","\u003cp\u003eSchwarm, Betsy. \"West Side Story.\" Encyclopaedia Britannica. Encyclopaedia Britannica, inc. Accessed January 20, 2021. https://www.britannica.com/topic/West-Side-Story.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Billy Rose Theatre Division, The New York Public Library. \"Friedman-Abeles photograph collection.\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/collections/friedman-abeles-photograph-collection#/?tab=about\u0026scroll=20.","Billy Rose Theatre Division, The New York Public Library. \"Stephen Sondheim, Arthur Laurents, Hal Prince, Robert E. Griffith, Leonard Bernstein, and Jerome Robbins during rehearsal for the stage production West Side Story\" New York Public Library Digital Collections. Accessed January 20, 2021. https://digitalcollections.nypl.org/items/de6f38c0-8357-0134-1212-00505686a51c.","Internet Broadway Database. \"West Side Story.\" The Broadway League. Accessed January 20, 2021. https://www.ibdb.com/broadway-production/west-side-story-2639#ProductionStaff.","Schwarm, Betsy. \"West Side Story.\" Encyclopaedia Britannica. Encyclopaedia Britannica, inc. Accessed January 20, 2021. https://www.britannica.com/topic/West-Side-Story."],"bioghist_html_tesm":["\u003cp\u003e\"West Side Story\" is a musical that premiered on Broadway on September 26, 1957, with music composed by Leonard Bernstein and book and lyrics by Arthur Laurents and Stephen Sondeheim, respectively. It was conceived of, directed, and choreographed by Jerome Robbins. It was also produced by Harold Prince and Robert E. Griffith. The musical, set on the West Side of New York City, was inspired by Shakespeare's \"Romeo and Juliet.\" Two rival gangs - the white Jets and the Puerto Rican Sharks - battle for neighborhood dominance while star-crossed lovers from each side, Tony and Maria, fall in love. The musical was a critical and commercial success, and was subsequently adapted into two separate films. \"West Side Story\" endures as a musical classic and has been revived multiple times on Broadway since its inception.\u003c/p\u003e\n","\u003cp\u003eFriedman-Abeles was a large photography firm in New York City, NY. Founded on the partnership of Leo and Sy Friedman and Joseph Ables, the firm was regularly tasked with photographing Broadway productions and was most successful from the 1950s - 1970s. Friedman-Ables photographed the behind-the-scenes process, as well as official photos, of the original \"West Side Story\" production.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"West Side Story\" is a musical that premiered on Broadway on September 26, 1957, with music composed by Leonard Bernstein and book and lyrics by Arthur Laurents and Stephen Sondeheim, respectively. It was conceived of, directed, and choreographed by Jerome Robbins. It was also produced by Harold Prince and Robert E. Griffith. The musical, set on the West Side of New York City, was inspired by Shakespeare's \"Romeo and Juliet.\" Two rival gangs - the white Jets and the Puerto Rican Sharks - battle for neighborhood dominance while star-crossed lovers from each side, Tony and Maria, fall in love. The musical was a critical and commercial success, and was subsequently adapted into two separate films. \"West Side Story\" endures as a musical classic and has been revived multiple times on Broadway since its inception.","Friedman-Abeles was a large photography firm in New York City, NY. Founded on the partnership of Leo and Sy Friedman and Joseph Ables, the firm was regularly tasked with photographing Broadway productions and was most successful from the 1950s - 1970s. Friedman-Ables photographed the behind-the-scenes process, as well as official photos, of the original \"West Side Story\" production."],"prefercite_html_tesm":["\u003cp\u003eBlack and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, C0466, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, C0466, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in January 2021. EAD markup completed by Amanda Brent in January 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections containing items related to \"West Side Story,\" and musical theatre in general, including the \u003cextptr show=\"new\" title=\"Broadway souvenir theatre programs collection\" href=\"https://aspace.gmu.edu/repositories/2/resources/111\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"Virginia Nelson playbills collection\" href=\"https://aspace.gmu.edu/repositories/2/resources/571\"\u003e\u003c/extptr\u003e, and the \u003cextptr show=\"new\" title=\"Charles Rodrigues playbill collection\" href=\"https://aspace.gmu.edu/repositories/2/resources/113\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eThe New York Public Library's Billy Rose Theatre Division holds a copy of this photograph, as well as others in the same series, which can be viewed \u003cextptr show=\"new\" title=\"here\" href=\"https://digitalcollections.nypl.org/items/de6f38c0-8357-0134-1212-00505686a51c\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections containing items related to \"West Side Story,\" and musical theatre in general, including the  , the  , and the  .","The New York Public Library's Billy Rose Theatre Division holds a copy of this photograph, as well as others in the same series, which can be viewed  ."],"scopecontent_html_tesm":["\u003cp\u003eBlack and white photograph of prominent members of the original \"West Side Story\" production team by the Friedman-Abeles photography firm, printed September 29, 1959, the year of the musical's first U.S. Tour. The photo was originally taken in 1957, during the musical's production. From left to right are: Stephen Sondheim, Arthur Laurents, Harold Prince, Robert E. Griffith (seated), Leonard Bernstein, and Jerome Robbins. All men had successful careers in the performing arts field. Taped to the verso is an October 4, 1959 news clipping with information about the Chicago premiere of \"West Side Story\" and the names of the photograph's subjects. It is also stamped with the photography firm's information and pertinent dates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by the Friedman-Abeles photography firm, printed September 29, 1959, the year of the musical's first U.S. Tour. The photo was originally taken in 1957, during the musical's production. From left to right are: Stephen Sondheim, Arthur Laurents, Harold Prince, Robert E. Griffith (seated), Leonard Bernstein, and Jerome Robbins. All men had successful careers in the performing arts field. Taped to the verso is an October 4, 1959 news clipping with information about the Chicago premiere of \"West Side Story\" and the names of the photograph's subjects. It is also stamped with the photography firm's information and pertinent dates."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish the Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish the Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_17f46ee49bdc9ef188bc8ece5e472cf9\" label=\"Abstract\"\u003eBlack and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, printed September 29, 1959.\u003c/abstract\u003e"],"abstract_tesim":["Black and white photograph of prominent members of the original \"West Side Story\" production team by Friedman-Abeles photography firm, printed September 29, 1959."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_0861e172f8c0c799bdb692c60024fa50\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_ssim":["George Mason University. Libraries. 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