{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography\u0026f%5Bdate_range%5D%5B%5D=2008\u0026f%5Blevel%5D%5B%5D=Collection","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photography\u0026f%5Bdate_range%5D%5B%5D=2008\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":4,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_652","type":"collection","attributes":{"title":"Art Attack records, 1979/2009","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_652#abstract_or_scope","type":"document_value","attributes":{"value":"The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_652#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_652","ead_ssi":"vifgm_repositories_2_resources_652","_root_":"vifgm_repositories_2_resources_652","_nest_parent_":"vifgm_repositories_2_resources_652","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_652.xml","title_ssm":["Art Attack records"],"title_tesim":["Art Attack records"],"unitdate_ssm":["1979-2009"],"unitdate_inclusive_ssm":["1979-2009"],"normalized_date_ssm":["1979/2009"],"normalized_title_ssm":["Art Attack records, 1979/2009"],"text":["Art Attack records, 1979/2009","C0507","/repositories/2/resources/652","Art","Art -- Exhibitions","Photography","Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access.","The collection is arranged into two series based on the content of the materials.","Series\n      Series 1: Installations and Events\n      Subseries 1.1: Installations in the United States \n      Subseries 1.2: International Installations \n      Series 2: Art Attack Organization Records","Art Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","Jared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.","Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.","An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the","The Special Collections Research Center holds other collections focused on","The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. 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The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.","R 74, C 4, S 1-6","George Mason University. Libraries. Special Collections Research Center","English\n,       German\n,       Polish\n."],"collection_title_tesim":["Art Attack records, 1979/2009"],"collection_ssim":["Art Attack records, 1979/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0507","/repositories/2/resources/652"],"unitid_tesim":["C0507","/repositories/2/resources/652"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Art Attack co-founder Lynn McCary in 2018 and 2023."],"access_subjects_ssim":["Art","Art -- Exhibitions","Photography"],"access_subjects_ssm":["Art","Art -- Exhibitions","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["21 Linear Feet 43 boxes, 1 map case"],"extent_tesim":["21 Linear Feet 43 boxes, 1 map case"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are restricted due to content. Please see inventory for more details. All other materials are open to access.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series based on the content of the materials.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Installations and Events\u003c/item\u003e\n      \u003citem\u003eSubseries 1.1: Installations in the United States \u003c/item\u003e\n      \u003citem\u003eSubseries 1.2: International Installations \u003c/item\u003e\n      \u003citem\u003eSeries 2: Art Attack Organization Records \u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series based on the content of the materials.","Series\n      Series 1: Installations and Events\n      Subseries 1.1: Installations in the United States \n      Subseries 1.2: International Installations \n      Series 2: Art Attack Organization Records"],"bioghist_html_tesm":["\u003cp\u003e\nArt Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. 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You can read more about Art Attack at \u003cextptr show=\"new\" title=\"their website.\" href=\"http://artattackinternational.org/mission.html\"\u003e\u003c/extptr\u003e\n\u003c/p\u003e \n","\u003cp\u003eLynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.\u003c/p\u003e\n","\u003cp\u003eEvan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.\u003c/p\u003e\n","\u003cp\u003e\nJared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.\n\u003c/p\u003e\n","\u003cp\u003eAlberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Art Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","Jared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022."],"prefercite_html_tesm":["\u003cp\u003eArt Attack records, C0507, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Art Attack records, C0507, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eAn oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the \u003cextptr show=\"new\" title=\"George Mason University oral history collection.\" href=\"https://aspace.gmu.edu/resources/r0121\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e\nThe Special Collections Research Center holds other collections focused on \u003cextptr show=\"new\" title=\"art and artists.\" href=\"https://aspace.gmu.edu/search?q[]=art\u0026amp;op[]=\u0026amp;field[]=keyword\u0026amp;from_year[]=\u0026amp;to_year[]=\u0026amp;filter_fields[]=subjects\u0026amp;filter_values[]=Art\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the","The Special Collections Research Center holds other collections focused on"],"scopecontent_html_tesm":["\u003cp\u003eThe Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.  \u003c/p\u003e","\u003cp\u003eSeries 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France. \u003c/p\u003e","\u003cp\u003eSeries 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.  \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France.","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_fa6f7a17953458efeb9ed412bc005d67\"\u003eThe Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5bf20a5fa74f6054415961374b783aa7\"\u003eR 74, C 4, S 1-6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 74, C 4, S 1-6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English\n,       German\n,       Polish\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":399,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:13.746Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_652","ead_ssi":"vifgm_repositories_2_resources_652","_root_":"vifgm_repositories_2_resources_652","_nest_parent_":"vifgm_repositories_2_resources_652","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_652.xml","title_ssm":["Art Attack records"],"title_tesim":["Art Attack records"],"unitdate_ssm":["1979-2009"],"unitdate_inclusive_ssm":["1979-2009"],"normalized_date_ssm":["1979/2009"],"normalized_title_ssm":["Art Attack records, 1979/2009"],"text":["Art Attack records, 1979/2009","C0507","/repositories/2/resources/652","Art","Art -- Exhibitions","Photography","Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access.","The collection is arranged into two series based on the content of the materials.","Series\n      Series 1: Installations and Events\n      Subseries 1.1: Installations in the United States \n      Subseries 1.2: International Installations \n      Series 2: Art Attack Organization Records","Art Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","Jared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.","Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.","An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the","The Special Collections Research Center holds other collections focused on","The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France.","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.","R 74, C 4, S 1-6","George Mason University. Libraries. Special Collections Research Center","English\n,       German\n,       Polish\n."],"collection_title_tesim":["Art Attack records, 1979/2009"],"collection_ssim":["Art Attack records, 1979/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0507","/repositories/2/resources/652"],"unitid_tesim":["C0507","/repositories/2/resources/652"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. 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All other materials are open to access.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Some materials are restricted due to content. Please see inventory for more details. All other materials are open to access."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series based on the content of the materials.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Installations and Events\u003c/item\u003e\n      \u003citem\u003eSubseries 1.1: Installations in the United States \u003c/item\u003e\n      \u003citem\u003eSubseries 1.2: International Installations \u003c/item\u003e\n      \u003citem\u003eSeries 2: Art Attack Organization Records \u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series based on the content of the materials.","Series\n      Series 1: Installations and Events\n      Subseries 1.1: Installations in the United States \n      Subseries 1.2: International Installations \n      Series 2: Art Attack Organization Records"],"bioghist_html_tesm":["\u003cp\u003e\nArt Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at \u003cextptr show=\"new\" title=\"their website.\" href=\"http://artattackinternational.org/mission.html\"\u003e\u003c/extptr\u003e\n\u003c/p\u003e \n","\u003cp\u003eLynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.\u003c/p\u003e\n","\u003cp\u003eEvan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.\u003c/p\u003e\n","\u003cp\u003e\nJared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.\n\u003c/p\u003e\n","\u003cp\u003eAlberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Information"],"bioghist_tesim":["Art Attack was a guerilla art collective founded in Los Angeles in 1979, by Lynn McCary and Billy Burns. The group relocated to Washington, D.C. in 1981, and again to New York City shortly after. Initially, Art Attack did not have any official members. Participants joined and left sporadically; however, it eventually formed a core group of four artists: Lynn McCary, Evan Hughes, Jared (Hendrickson) Louche, and Alberto Gaitán. This core group worked with multiple select artists on projects in the United States and Europe. Their creative process aimed to reflect the \"'real world' interactive systems\" to create discussion of differing interpretations of their work. The core group, alongside collaborating artists, worked towards utilizing their adaptability to address problems that many artists are confronted with. You can read more about Art Attack at","Lynn McCary studied at American University, graduating with a double major in Graphic Design and Visual Communications. She co-founded Art Attack in 1979 and has worked with many institutions, including Artist Space, the Washington Project of the Arts, and the National Institute for Music Theatre. McCary currently works as an event planner in New York City, primarily planning fundraising events for cultural and educational nonprofits.","Evan Hughes graduated from the School of American Craftsmen at Rochester Institute of Technology, and his work specialized in designing and creating unique furniture and sculptures. His work has been featured in the Franz Bader Gallery and has been involved in Art Attack since 1984. Hughes continues to collaborate professionally with architects and artists, such as 1100 Architect and constructing sculptural work for Frank Stella. He also worked extensively with the late Richard Artschwager, including the commissioned artist interiors of the elevators at the Whitney Museum of American Art.","Jared (Hendrickson) Louche is a musician, primarily know as founder and frontman of the Washington, D.C. industrial rock band Chemlab, which he has intermittently performed with from 1989 through the present. In 1997 when Chemlab initially broke up, Louche worked as an investment banker on Wall Street. Louche has released solo music outside of Chemlab, and is also one of the founders of the electro-industrial music supergroup H3llb3nt. Louche's work with Art Attack included performance poetry.","Alberto Gaitán studied multiple creative fields throughout his professional and academic career. He received a Bachelor's degree in Biology from the University of Miami but also pursued music theory, composition, programming, and photography studies. He joined Art Attack in 1985 and has performed and had his work featured at institutions such as the Corcoran Gallery of Arts, The National Theatre, and many others. Gaitán passed away in 2022."],"prefercite_html_tesm":["\u003cp\u003eArt Attack records, C0507, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Art Attack records, C0507, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Vilma Chicas Garcia from September-December 2023. Additional processing completed by Amanda Menjivar in February 2024. Finding aid completed by Vilma Chicas Garcia in December 2024. Finding aid edited and uploaded by Amanda Menjivar in February 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eAn oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the \u003cextptr show=\"new\" title=\"George Mason University oral history collection.\" href=\"https://aspace.gmu.edu/resources/r0121\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e\nThe Special Collections Research Center holds other collections focused on \u003cextptr show=\"new\" title=\"art and artists.\" href=\"https://aspace.gmu.edu/search?q[]=art\u0026amp;op[]=\u0026amp;field[]=keyword\u0026amp;from_year[]=\u0026amp;to_year[]=\u0026amp;filter_fields[]=subjects\u0026amp;filter_values[]=Art\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["An oral history with Art Attack members Lynn McCary, Evan Hughes, and Peter Winant is available to access in the","The Special Collections Research Center holds other collections focused on"],"scopecontent_html_tesm":["\u003cp\u003eThe Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.  \u003c/p\u003e","\u003cp\u003eSeries 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France. \u003c/p\u003e","\u003cp\u003eSeries 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation.  \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Art Attack records contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective. This collection is arranged into two series.","Series 1: Art Installations and Events consists of correspondence, planning documents, trip expenses, and reviews, and is separated into two subseries. Subseries 1: Installations in the United States contains materials of projects created or displayed in the United States. Subseries 2: International installations contains materials from projects conducted and displayed in European countries, including Germany, Austria, the Czech Republic, Poland, and France.","Series 2: Art Attack Organization Records contains materials that have to do specifically with Art Attack as an organization, including articles, correspondence, their mission statement, portfolios, press reviews, and trip information that was not explicitly tied to any installation."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_fa6f7a17953458efeb9ed412bc005d67\"\u003eThe Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5bf20a5fa74f6054415961374b783aa7\"\u003eR 74, C 4, S 1-6\u003c/physloc\u003e\n    "],"physloc_tesim":["R 74, C 4, S 1-6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English\n,       German\n,       Polish\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":399,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:13.746Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_652"}},{"id":"vihart_repositories_4_resources_407","type":"collection","attributes":{"title":"Blackley Family papers, 1830/2020","creator":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_407#creator","type":"document_value","attributes":{"value":"Blackley family","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_407#abstract_or_scope","type":"document_value","attributes":{"value":"The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_407#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_407","ead_ssi":"vihart_repositories_4_resources_407","_root_":"vihart_repositories_4_resources_407","_nest_parent_":"vihart_repositories_4_resources_407","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_407.xml","title_ssm":["Blackley Family papers"],"title_tesim":["Blackley Family papers"],"unitdate_ssm":["1830-2020"],"unitdate_inclusive_ssm":["1830-2020"],"normalized_date_ssm":["1830/2020"],"normalized_title_ssm":["Blackley Family papers, 1830/2020"],"text":["Blackley Family papers, 1830/2020","SC 0232","/repositories/4/resources/407","Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century","Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers","Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.","to original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).","Digital images of nineteenth-century correspondence and papers are available upon request.","The collection is arranged in seven series:","Correspondence, 1830-2011\n      Personal Papers, 1857-2016\n      Ephemera, 1856-2004\n      Photographs, circa 1861-1989\n      Scrapbooks, 1862-1931\n      2020-0121 Accession, 1930s-2019\n      2020-0702 Accession, 1882-2020","Murr, Erika, L., ed., A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864. Baton Rouge: Louisiana State University Press, 2001.","The Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.","Lizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).","In 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.","R.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.","Garrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.","R.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.","The bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).","Charles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.","While traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.","Chas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.","Catherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.","Charles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.","Patricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars.","The collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers.","Charles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.","Murr, Erika, L., ed., A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864. Baton Rouge: Louisiana State University Press, 2001.","Lizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.","Yourself and family are invited to attend the feast of Mondamin corn festival. n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017).","The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.","All published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's Schooma'am yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.","James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009","English"],"collection_title_tesim":["Blackley Family papers, 1830/2020"],"collection_ssim":["Blackley Family papers, 1830/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0232","/repositories/4/resources/407"],"unitid_tesim":["SC 0232","/repositories/4/resources/407"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"geogname_ssim":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"places_ssim":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"creator_ssm":["Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999"],"creator_ssim":["Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999"],"creator_persname_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)"],"creator_famname_ssim":["Blackley family"],"creators_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009","James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Blackley family"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Charles P. Blackley Jr. of Staunton, Virginia donated this material in various accretions between 2015-2020."],"access_subjects_ssim":["Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"access_subjects_ssm":["Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"has_online_content_ssim":["false"],"extent_ssm":["14.37 cubic feet 30 boxes, 2 flat folders"],"extent_tesim":["14.37 cubic feet 30 boxes, 2 flat folders"],"genreform_ssim":["Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eResearchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.\u003c/p\u003e  ","\u003cp\u003eto original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.\u003c/p\u003e  ","\u003cp\u003ePlease contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access","",""],"accessrestrict_tesim":["Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.","to original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu)."],"altformavail_html_tesm":["\u003cp\u003eDigital images of nineteenth-century correspondence and papers are available upon request.\u003c/p\u003e  "],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Digital images of nineteenth-century correspondence and papers are available upon request."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in seven series:\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eCorrespondence, 1830-2011\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1857-2016\u003c/item\u003e\n      \u003citem\u003eEphemera, 1856-2004\u003c/item\u003e\n      \u003citem\u003ePhotographs, circa 1861-1989\u003c/item\u003e\n      \u003citem\u003eScrapbooks, 1862-1931\u003c/item\u003e\n      \u003citem\u003e2020-0121 Accession, 1930s-2019\u003c/item\u003e\n      \u003citem\u003e2020-0702 Accession, 1882-2020\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in seven series:","Correspondence, 1830-2011\n      Personal Papers, 1857-2016\n      Ephemera, 1856-2004\n      Photographs, circa 1861-1989\n      Scrapbooks, 1862-1931\n      2020-0121 Accession, 1930s-2019\n      2020-0702 Accession, 1882-2020"],"bibliography_html_tesm":["\u003cbibref\u003eMurr, Erika, L., ed., \u003cemph render=\"italic\"\u003eA Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864\u003c/emph\u003e. Baton Rouge: Louisiana State University Press, 2001.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Murr, Erika, L., ed., A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864. Baton Rouge: Louisiana State University Press, 2001."],"bioghist_html_tesm":["\u003cp\u003eThe Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.\u003c/p\u003e","\u003cp\u003eLizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).\u003c/p\u003e","\u003cp\u003eIn 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.\u003c/p\u003e","\u003cp\u003eR.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.\u003c/p\u003e","\u003cp\u003eGarrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.\u003c/p\u003e","\u003cp\u003eR.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.\u003c/p\u003e","\u003cp\u003eThe bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).\u003c/p\u003e","\u003cp\u003eCharles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.\u003c/p\u003e","\u003cp\u003eWhile traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.\u003c/p\u003e","\u003cp\u003eChas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.\u003c/p\u003e","\u003cp\u003eCatherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.\u003c/p\u003e","\u003cp\u003eCharles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.\u003c/p\u003e","\u003cp\u003ePatricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.","Lizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).","In 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.","R.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.","Garrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.","R.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.","The bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).","Charles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.","While traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.","Chas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.","Catherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.","Charles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.","Patricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Blackley Family Papers, 1830-2020, SC 0232, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Blackley Family Papers, 1830-2020, SC 0232, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://archivesspace.vmi.edu/repositories/3/resources/780\"\u003eCharles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.\u003c/extref\u003e  \u003c/p\u003e","\u003cp\u003eMurr, Erika, L., ed., \u003cemph render=\"italic\"\u003eA Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864\u003c/emph\u003e. Baton Rouge: Louisiana State University Press, 2001.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://www.lib.utexas.edu/taro/utcah/00426/cah-00426.html\"\u003eLizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.\u003c/extref\u003e \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eYourself and family are invited to attend the feast of Mondamin corn festival\u003c/emph\u003e. n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Charles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.","Murr, Erika, L., ed., A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864. Baton Rouge: Louisiana State University Press, 2001.","Lizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.","Yourself and family are invited to attend the feast of Mondamin corn festival. n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017)."],"scopecontent_html_tesm":["\u003cp\u003eThe Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia."],"separatedmaterial_html_tesm":["\u003cp\u003eAll published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's \u003cemph render=\"italic\"\u003eSchooma'am\u003c/emph\u003e yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["All published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's Schooma'am yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e73d9f92cf4c9d321a4666b26feddd80\"\u003eThe Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia."],"corpname_ssim":["James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)"],"names_coll_ssim":["State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","Blackley, Chuck","Blackley, Pat","Blackley, Chuck"],"famname_ssim":["Blackley family"],"persname_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009"],"names_ssim":["James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":579,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:59.804Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_407","ead_ssi":"vihart_repositories_4_resources_407","_root_":"vihart_repositories_4_resources_407","_nest_parent_":"vihart_repositories_4_resources_407","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_407.xml","title_ssm":["Blackley Family papers"],"title_tesim":["Blackley Family papers"],"unitdate_ssm":["1830-2020"],"unitdate_inclusive_ssm":["1830-2020"],"normalized_date_ssm":["1830/2020"],"normalized_title_ssm":["Blackley Family papers, 1830/2020"],"text":["Blackley Family papers, 1830/2020","SC 0232","/repositories/4/resources/407","Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century","Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers","Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.","to original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).","Digital images of nineteenth-century correspondence and papers are available upon request.","The collection is arranged in seven series:","Correspondence, 1830-2011\n      Personal Papers, 1857-2016\n      Ephemera, 1856-2004\n      Photographs, circa 1861-1989\n      Scrapbooks, 1862-1931\n      2020-0121 Accession, 1930s-2019\n      2020-0702 Accession, 1882-2020","Murr, Erika, L., ed., A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864. Baton Rouge: Louisiana State University Press, 2001.","The Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.","Lizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).","In 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.","R.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.","Garrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.","R.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.","The bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).","Charles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.","While traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.","Chas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.","Catherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.","Charles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.","Patricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars.","The collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers.","Charles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.","Murr, Erika, L., ed., A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864. Baton Rouge: Louisiana State University Press, 2001.","Lizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.","Yourself and family are invited to attend the feast of Mondamin corn festival. n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017).","The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.","All published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's Schooma'am yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations.","The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.","James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009","English"],"collection_title_tesim":["Blackley Family papers, 1830/2020"],"collection_ssim":["Blackley Family papers, 1830/2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0232","/repositories/4/resources/407"],"unitid_tesim":["SC 0232","/repositories/4/resources/407"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"geogname_ssim":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"places_ssim":["Staunton (Va.)  -- History -- 19th century","Staunton (Va.)  -- History -- 20th century","Staunton (Va.)  -- History -- 21st century","Virginia -- Genealogy","Texas -- Genealogy","Texas -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Campaigns","Augusta County (Va.) -- Social life and customs -- 19th century","Augusta County (Va.) -- Social life and customs -- 20th century","Augusta County (Va.) -- Social life and customs -- 21st century","Augusta County (Va.) -- History -- 19th century","Augusta County (Va.) -- History -- 20th century","Augusta County (Va.) -- History -- 21st century"],"creator_ssm":["Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999"],"creator_ssim":["Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999"],"creator_persname_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009"],"creator_corpname_ssim":["James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)"],"creator_famname_ssim":["Blackley family"],"creators_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009","James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Blackley family"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Charles P. Blackley Jr. of Staunton, Virginia donated this material in various accretions between 2015-2020."],"access_subjects_ssim":["Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"access_subjects_ssm":["Military training camps -- United States","World War, 1939-1945","Radio stations -- Virginia -- Harrisonburg","Radio stations -- Virginia -- Staunton","Photography","Travel -- 20th century","Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"has_online_content_ssim":["false"],"extent_ssm":["14.37 cubic feet 30 boxes, 2 flat folders"],"extent_tesim":["14.37 cubic feet 30 boxes, 2 flat folders"],"genreform_ssim":["Letters (correspondence)","Photographs","Diaries","Scrapbooks","Printed Ephemera","Drafts (documents)","Pamphlets","Brochures","Scripts (documents)","Newspaper clippings","Maps (documents)","Color patches (military patches)","Certificates","Diplomas","Postcards","Family papers"],"date_range_isim":[1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eResearchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.\u003c/p\u003e  ","\u003cp\u003eto original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.\u003c/p\u003e  ","\u003cp\u003ePlease contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access","",""],"accessrestrict_tesim":["Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of one file contained within the correspondence series that is restricted until January 1, 2035 at the request of the donor.","to original media, photographic negatives, and slides contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu)."],"altformavail_html_tesm":["\u003cp\u003eDigital images of nineteenth-century correspondence and papers are available upon request.\u003c/p\u003e  "],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Digital images of nineteenth-century correspondence and papers are available upon request."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in seven series:\u003c/p\u003e    ","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eCorrespondence, 1830-2011\u003c/item\u003e\n      \u003citem\u003ePersonal Papers, 1857-2016\u003c/item\u003e\n      \u003citem\u003eEphemera, 1856-2004\u003c/item\u003e\n      \u003citem\u003ePhotographs, circa 1861-1989\u003c/item\u003e\n      \u003citem\u003eScrapbooks, 1862-1931\u003c/item\u003e\n      \u003citem\u003e2020-0121 Accession, 1930s-2019\u003c/item\u003e\n      \u003citem\u003e2020-0702 Accession, 1882-2020\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in seven series:","Correspondence, 1830-2011\n      Personal Papers, 1857-2016\n      Ephemera, 1856-2004\n      Photographs, circa 1861-1989\n      Scrapbooks, 1862-1931\n      2020-0121 Accession, 1930s-2019\n      2020-0702 Accession, 1882-2020"],"bibliography_html_tesm":["\u003cbibref\u003eMurr, Erika, L., ed., \u003cemph render=\"italic\"\u003eA Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864\u003c/emph\u003e. Baton Rouge: Louisiana State University Press, 2001.\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Murr, Erika, L., ed., A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864. Baton Rouge: Louisiana State University Press, 2001."],"bioghist_html_tesm":["\u003cp\u003eThe Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.\u003c/p\u003e","\u003cp\u003eLizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).\u003c/p\u003e","\u003cp\u003eIn 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.\u003c/p\u003e","\u003cp\u003eR.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.\u003c/p\u003e","\u003cp\u003eGarrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.\u003c/p\u003e","\u003cp\u003eR.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.\u003c/p\u003e","\u003cp\u003eThe bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).\u003c/p\u003e","\u003cp\u003eCharles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.\u003c/p\u003e","\u003cp\u003eWhile traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.\u003c/p\u003e","\u003cp\u003eChas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.\u003c/p\u003e","\u003cp\u003eCatherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.\u003c/p\u003e","\u003cp\u003eCharles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.\u003c/p\u003e","\u003cp\u003ePatricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Blackley Family Papers document the related Scott, Bassett, Blackley, Hoge, and Nix families of mostly Texas and Staunton, Virginia between 1830 and 2016. James Scott (1799-1856) was a Tennessee native and former Mississippi Supreme Court chief justice who married Sarah Lane (1803-1880) and settled in Anderson, Texas. James was a prominent Texas judge who was friends with Davie Crockett. While in Mississippi and Texas, James and Sarah had six children. The eldest, Elizabeth \"Lizzie\" (1833-1917), was born in Mississippi in 1833, Sarah \"Sallie\" (1843-1914), born April 9, 1843 in Texas, and one of their brothers, Garrett (1838-1862), born in 1838, contribute the most to this collection of letters.","Lizzie married William H. Neblett (1826-1871), a farmer and attorney, in 1852. He eventually left her to go fight for the Confederacy. Her domestic struggle on the home front during the Civil War is the subject of Erika L. Murr's book, A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864 (2001).","In 1862, Sallie married Robert Houston \"R.H.\" Bassett (1836-1870). R.H. went on to enlist and serve in the famed Hood's Texas Brigade from 1861 to his wounding in 1864. He worked briefly as the adjutant general to Major General John Bell. While leading the regiment, he was wounded at the Battle of Chickamauga by an artillery shell fragment that lodged in his shoulder. This would effectively end his role in the war. Following the conclusion of the conflict and his recovery from the wound, R.H. tried his hand at politics in a bid to represent Grimes County, Texas in Congress. Their first child, Robert, died tragically in 1864 at only eight months old. R.H. died in 1870 because of health complications that appear related to edema.","R.H.'s brother, Noah (1839-1886), also served in the Texas Brigade. The correspondence between R.H., Sallie, and Noah provides a lucid account of the Army of Northern Virginia's major campaigns and operations, including developments related to the Battles of Antietam, Chancellorsville, Gettysburg, and Chickamauga.","Garrett Scott, Sallie Scott's brother, died in action at the Battle of Antietam September 17, 1862 while serving in the Texas Brigade. His letters from the early years of the war offer yet another perspective of campaign and camp life.","R.H. and Sallie's daughter, Barbara \"Belle\" Bassett (1865-1958), married William Mason Blackley (1863-1898) in 1884 and lived in Staunton, Virginia before moving to Washington, D.C. Research suggests they only had one child, Belle Blackley (1890-1967), whom never married and lived out her life in Washington, D.C. However, an 1888 letter contained in this collection written by Ida Carter, the Blackley's \"Black Mamy,\" is addressed to a Col. Bassett Blackley, in care of W. M. Blackley. Carter begins the letter \"Dear Little Bassett.\" This letter seems to suggest that the Blackleys did in fact have another child, Bassett Blackley, prior to Belle. If that is the case, Bassett Blackley may have died in childhood.","The bulk of the twentieth-century material was created by or concerns William Mason Blackley's nephew, Charles \"Chas\" Phillips Blackley Sr. (1909-1999), his wife Catherine Matthews Blackley (1914-2010), and their son and daughter-in-law Charles \"Chuck\" Phillips Blackley (b. 1951) and Patricia Fry Blackley (b. 1952).","Charles \"Chas\" Phillips Blackley Sr. was born in Staunton, Virginia in 1909. His parents died from the Spanish Flu when he was 10. Their deaths required Chas and his sister Mary Gilkeson Blackley to move in with their aunt, Fannie Blackley Cushing in Staunton. These materials cover his travels throughout the Pacific and Asia aboard a \"tramp steamer\" with boyhood friend, George Earman in 1930, his 1927-1929 military training in the little discussed Citizens Military Training Camps (CMTC), time at the Virginia Military Institute (VMI), his 1934 travels in Europe, World War II military service, and ownership and operation of WSVA, the first radio station in Harrisonburg, Virginia. Chas sold his share in WSVA and moved to Staunton, Virginia where he started the WTON radio station. Beyond his official jobs, Chas spent much of the early 1930s as an amateur playwright and author. Chas and Catherine Matthews were married in 1938.","While traveling Europe via train in 1934, Chas met David Kahn, a young Presbyterian judge of Indian descent. They would become lifelong friends. Mr. Kahn went on to become a governor of an Indian province under British rule and later head the Department of Sanitation for Calcutta. He and his wife visited their children, who had moved to the United States, and Mr. and Mrs. Blackley often until his health would not allow it. Evidence of their lifelong friendship can be found most clearly in this collection's correspondence and photographs.","Chas' WWII experience saw him drafted at age 35 and shipped to Camp Crowder, Missouri for training. He would eventually be transferred to Washington, D.C. where he worked as a private in the basement of the Pentagon. According this son, his superiors frequently called him upstairs to request autographed photos of American Broadcasting Company (ABC) celebrities. He was able to oblige them because of WSVA's status as an ABC affiliate.","Catherine Matthews Blackley was originally from Cambridge, Maryland and came to the Shenandoah Valley to attend the State Teacher's College at Harrisonburg (now James Madison University). She graduated in 1935 with a degree in home economics. For a short time she taught in Norfolk, Virginia before marrying Chas Blackley in 1938 and buying a home on Port Republic Road in Harrisonburg. After Chas was drafted and shipped to Camp Crowder, Mrs. Blackley traveled to Neosho, Missouri to be with her husband. While in Missouri, she volunteered with the Red Cross to help care for wounded soldiers. She continued this service after Mr. Blackley was transferred to Washington, D.C. After the war, they returned to the Valley and Catherine became a member of the Staunton School Board and was very active in volunteer work.","Charles \"Chuck\" Phillips Blackley Jr. was a professional engineer and graduate of Virginia Tech. He provided services in Virginia, West Virginia, and Maryland. Chuck married Patricia Fry in 1971. At the time he sold his office it was the largest engineering company in the region outside of Richmond, Roanoke, and Northern Virginia.","Patricia Fry Blackley graduated from James Madison University in 1987 and became a licensed real estate appraiser. After Chuck stepped away from his engineering office he teamed up with his wife and the couple became full-time photographers and writers. Their work can be found in hundreds of magazines, books, and calendars."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Blackley Family Papers, 1830-2020, SC 0232, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e  "],"prefercite_tesim":["[identification of item], [box #, folder #], Blackley Family Papers, 1830-2020, SC 0232, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection as a whole required only limited preservation treatment. Some of the correspondence and papers did require Mylar sleeves. The 3D objects are housed together in one box with special housings created to protect them long-term. Most of the nineteenth-century letters required flattening to make them more accessible and to allow for proper digitization as per the donor agreement. Also, many of the diplomas and older photographs were removed from their frames for proper storage. Original order of materials was maintained wherever possible, taking into account provenance, storage needs, and accessibility for researchers."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://archivesspace.vmi.edu/repositories/3/resources/780\"\u003eCharles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.\u003c/extref\u003e  \u003c/p\u003e","\u003cp\u003eMurr, Erika, L., ed., \u003cemph render=\"italic\"\u003eA Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864\u003c/emph\u003e. Baton Rouge: Louisiana State University Press, 2001.\u003c/p\u003e","\u003cp\u003e\u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"http://www.lib.utexas.edu/taro/utcah/00426/cah-00426.html\"\u003eLizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.\u003c/extref\u003e \u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eYourself and family are invited to attend the feast of Mondamin corn festival\u003c/emph\u003e. n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Charles C. Phillips Civil War Papers. MS 0327. Virginia Military Institute Archives.","Murr, Erika, L., ed., A Rebel Wife in Texas: The Diary and Letters of Elizabeth Scott Neblett, 1852-1864. Baton Rouge: Louisiana State University Press, 2001.","Lizzie Scott Neblett Papers, 1848-1935, Dolph Briscoe Center for American History, The University of Texas at Austin.","Yourself and family are invited to attend the feast of Mondamin corn festival. n.p.: Staunton, Va.: J. Harry Drechsler, pr., [1890], 1890. JAMES MADISON UNIV's Catalog, EBSCOhost (accessed May 2, 2017)."],"scopecontent_html_tesm":["\u003cp\u003eThe Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia."],"separatedmaterial_html_tesm":["\u003cp\u003eAll published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's \u003cemph render=\"italic\"\u003eSchooma'am\u003c/emph\u003e yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["All published monographs have been cataloged individually and placed in Special Collections' rare book collection. Catherine Matthews Blackley's Schooma'am yearbooks were removed and housed with the yearbook collection. They are retained due to heavy annotations."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e73d9f92cf4c9d321a4666b26feddd80\"\u003eThe Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia."],"corpname_ssim":["James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)"],"names_coll_ssim":["State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","Blackley, Chuck","Blackley, Pat","Blackley, Chuck"],"famname_ssim":["Blackley family"],"persname_ssim":["Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009"],"names_ssim":["James Madison University Libraries Special Collections","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","United States. War Department. Citizens' Military Training Camps","Virginia Military Institute -- Students","Confederate States of America. Army. Texas Brigade","Virginia Polytechnic Institute -- Students","WTON (Radio station : Staunton, Va.)","WSVA (Radio station : Harrisonburg, Va.)","Blackley family","Blackley, Chuck","Blackley, Charles Phillips, Sr., 1909-1999","Blackley, Pat","Harvey, Paul, 1918-2009"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":579,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:59.804Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_407"}},{"id":"vihdsc_repositories_2_resources_66","type":"collection","attributes":{"title":"Richard McClintock Collection, 1960/2015","breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihdsc_repositories_2_resources_66#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihdsc_repositories_2_resources_66","ead_ssi":"vihdsc_repositories_2_resources_66","_root_":"vihdsc_repositories_2_resources_66","_nest_parent_":"vihdsc_repositories_2_resources_66","ead_source_url_ssi":"data/oai/HSC/repositories_2_resources_66.xml","aspace_url_ssi":"http://archivespace.hsc.edu:8081/ark:/45832/11470","title_ssm":["Richard McClintock Collection"],"title_tesim":["Richard McClintock Collection"],"unitdate_ssm":["1960-2015"],"unitdate_inclusive_ssm":["1960-2015"],"normalized_date_ssm":["1960/2015"],"normalized_title_ssm":["Richard McClintock Collection, 1960/2015"],"text":["Richard McClintock Collection, 1960/2015","SC.000149","Hampden-Sydney College","Photography","Overall good condition, though some films are warping.","Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.","Box 1: Mixed Materials\nBox 2: Photographs \nBox 3: Mixed Materials\nBox 4: Mixed Materials","Richard McClintock has served as the Director of Publications at Hampden-Sydney College since 1975, and has served as an advisor to the Board of Publications at Hampden-Sydney College since 1978. He earned his bachelors and masters from the University of Virginia, finishing in 1967, and earned his PhD at the University of North Carolina at Chapel Hill in 1975.","Processed by Dawnelle Ion, April 2024.","The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\nThis collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.","Hampden-Sydney College Archives \u0026 Special Collections","English\n."],"collection_title_tesim":["Richard McClintock Collection, 1960/2015"],"collection_ssim":["Richard McClintock Collection, 1960/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.000149"],"unitid_tesim":["SC.000149"],"repository_ssm":["Hampden-Sydney College"],"repository_ssim":["Hampden-Sydney College"],"creator_corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"creators_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"access_terms_ssm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\nThis collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"acqinfo_ssim":["Gift of Dr. Richard McClintock"],"access_subjects_ssim":["Hampden-Sydney College","Photography"],"access_subjects_ssm":["Hampden-Sydney College","Photography"],"has_online_content_ssim":["false"],"physdesc_tesim":["Overall good condition, though some films are warping."],"extent_ssm":["4 Boxes"],"extent_tesim":["4 Boxes"],"genreform_ssim":["Photography"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"arrangement_html_tesm":["\u003cp\u003eBox 1: Mixed Materials\nBox 2: Photographs \nBox 3: Mixed Materials\nBox 4: Mixed Materials\u003c/p\u003e  "],"arrangement_heading_ssm":["Contents"],"arrangement_tesim":["Box 1: Mixed Materials\nBox 2: Photographs \nBox 3: Mixed Materials\nBox 4: Mixed Materials"],"bioghist_html_tesm":["\u003cp\u003eRichard McClintock has served as the Director of Publications at Hampden-Sydney College since 1975, and has served as an advisor to the Board of Publications at Hampden-Sydney College since 1978. He earned his bachelors and masters from the University of Virginia, finishing in 1967, and earned his PhD at the University of North Carolina at Chapel Hill in 1975.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical History"],"bioghist_tesim":["Richard McClintock has served as the Director of Publications at Hampden-Sydney College since 1975, and has served as an advisor to the Board of Publications at Hampden-Sydney College since 1978. He earned his bachelors and masters from the University of Virginia, finishing in 1967, and earned his PhD at the University of North Carolina at Chapel Hill in 1975."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Richard McClintock Papers, SC-000149, Hampden-Sydney College Archives and Special Collections, Hampden-Sydney, VA\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Richard McClintock Papers, SC-000149, Hampden-Sydney College Archives and Special Collections, Hampden-Sydney, VA"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Dawnelle Ion, April 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Dawnelle Ion, April 2024."],"userestrict_html_tesm":["\u003cp\u003eThe nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\nThis collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use of Materials"],"userestrict_tesim":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\nThis collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"names_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:33.766Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihdsc_repositories_2_resources_66","ead_ssi":"vihdsc_repositories_2_resources_66","_root_":"vihdsc_repositories_2_resources_66","_nest_parent_":"vihdsc_repositories_2_resources_66","ead_source_url_ssi":"data/oai/HSC/repositories_2_resources_66.xml","aspace_url_ssi":"http://archivespace.hsc.edu:8081/ark:/45832/11470","title_ssm":["Richard McClintock Collection"],"title_tesim":["Richard McClintock Collection"],"unitdate_ssm":["1960-2015"],"unitdate_inclusive_ssm":["1960-2015"],"normalized_date_ssm":["1960/2015"],"normalized_title_ssm":["Richard McClintock Collection, 1960/2015"],"text":["Richard McClintock Collection, 1960/2015","SC.000149","Hampden-Sydney College","Photography","Overall good condition, though some films are warping.","Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.","Box 1: Mixed Materials\nBox 2: Photographs \nBox 3: Mixed Materials\nBox 4: Mixed Materials","Richard McClintock has served as the Director of Publications at Hampden-Sydney College since 1975, and has served as an advisor to the Board of Publications at Hampden-Sydney College since 1978. He earned his bachelors and masters from the University of Virginia, finishing in 1967, and earned his PhD at the University of North Carolina at Chapel Hill in 1975.","Processed by Dawnelle Ion, April 2024.","The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\nThis collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.","Hampden-Sydney College Archives \u0026 Special Collections","English\n."],"collection_title_tesim":["Richard McClintock Collection, 1960/2015"],"collection_ssim":["Richard McClintock Collection, 1960/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.000149"],"unitid_tesim":["SC.000149"],"repository_ssm":["Hampden-Sydney College"],"repository_ssim":["Hampden-Sydney College"],"creator_corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"creators_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"access_terms_ssm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\nThis collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"acqinfo_ssim":["Gift of Dr. Richard McClintock"],"access_subjects_ssim":["Hampden-Sydney College","Photography"],"access_subjects_ssm":["Hampden-Sydney College","Photography"],"has_online_content_ssim":["false"],"physdesc_tesim":["Overall good condition, though some films are warping."],"extent_ssm":["4 Boxes"],"extent_tesim":["4 Boxes"],"genreform_ssim":["Photography"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"arrangement_html_tesm":["\u003cp\u003eBox 1: Mixed Materials\nBox 2: Photographs \nBox 3: Mixed Materials\nBox 4: Mixed Materials\u003c/p\u003e  "],"arrangement_heading_ssm":["Contents"],"arrangement_tesim":["Box 1: Mixed Materials\nBox 2: Photographs \nBox 3: Mixed Materials\nBox 4: Mixed Materials"],"bioghist_html_tesm":["\u003cp\u003eRichard McClintock has served as the Director of Publications at Hampden-Sydney College since 1975, and has served as an advisor to the Board of Publications at Hampden-Sydney College since 1978. He earned his bachelors and masters from the University of Virginia, finishing in 1967, and earned his PhD at the University of North Carolina at Chapel Hill in 1975.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical History"],"bioghist_tesim":["Richard McClintock has served as the Director of Publications at Hampden-Sydney College since 1975, and has served as an advisor to the Board of Publications at Hampden-Sydney College since 1978. He earned his bachelors and masters from the University of Virginia, finishing in 1967, and earned his PhD at the University of North Carolina at Chapel Hill in 1975."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Richard McClintock Papers, SC-000149, Hampden-Sydney College Archives and Special Collections, Hampden-Sydney, VA\u003c/p\u003e  "],"prefercite_tesim":["[Identification of item], Richard McClintock Papers, SC-000149, Hampden-Sydney College Archives and Special Collections, Hampden-Sydney, VA"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Dawnelle Ion, April 2024.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Dawnelle Ion, April 2024."],"userestrict_html_tesm":["\u003cp\u003eThe nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\nThis collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use of Materials"],"userestrict_tesim":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. \nThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\nThis collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"names_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:36:33.766Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vihdsc_repositories_2_resources_66"}},{"id":"wvmturhc_repositories_2_resources_1647","type":"collection","attributes":{"title":"Victorian Photo Album Photographs, 1890/2019","creator":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1647#creator","type":"document_value","attributes":{"value":"Martin, Alfred E.","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1647#abstract_or_scope","type":"document_value","attributes":{"value":"Victorian photo album (with exterior of faded dark burgundy cloth and tarnished gold-toned bas-relief ornaments) with built-in music box containing cartes-de-visites, cabinet cards, postcards, tintypes, and two negatives. Includes individual and family group portraits. Subjects of photographs are unidentified, except for postcard portrait of Pastor J.O. Patterson of Main Street Church of Christ in Elkins, West Virginia. Photographers are identified on some of the card mounts, including Loar and Company of Grafton; Von Allmen of Elkins; Nestor of Elkins; Arcade Studio of Akron, Ohio; Fad Foto Company of Gallipolis, Ohio; and Stanton Photo Company of Springfield, Ohio. The collection also includes the calling card of Jackson J. Triplett and two gift tags illustrated with roses and doves. Digital material includes recordings of the music box.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1647#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_1647","ead_ssi":"wvmturhc_repositories_2_resources_1647","_root_":"wvmturhc_repositories_2_resources_1647","_nest_parent_":"wvmturhc_repositories_2_resources_1647","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1647.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195922","title_ssm":["Victorian Photo Album Photographs"],"title_tesim":["Victorian Photo Album Photographs"],"unitdate_ssm":["circa 1890-1935, 2019"],"unitdate_inclusive_ssm":["circa 1890-1935, 2019"],"normalized_date_ssm":["1890/2019"],"normalized_title_ssm":["Victorian Photo Album Photographs, 1890/2019"],"text":["Victorian Photo Album Photographs, 1890/2019","A\u0026M 3318","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1647","Elkins (W. Va.)","Photographers -- West Virginia -- Elkins","Photographers -- West Virginia -- Grafton","Photographers","Photography","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Victorian photo album (with exterior of faded dark burgundy cloth and tarnished gold-toned bas-relief ornaments) with built-in music box containing cartes-de-visites, cabinet cards, postcards, tintypes, and two negatives. Includes individual and family group portraits. Subjects of photographs are unidentified, except for postcard portrait of Pastor J.O. Patterson of Main Street Church of Christ in Elkins, West Virginia. Photographers are identified on some of the card mounts, including Loar and Company of Grafton; Von Allmen of Elkins; Nestor of Elkins; Arcade Studio of Akron, Ohio; Fad Foto Company of Gallipolis, Ohio; and Stanton Photo Company of Springfield, Ohio. The collection also includes the calling card of Jackson J. Triplett and two gift tags illustrated with roses and doves.\n\nDigital material includes recordings of the music box.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Loar, W.R. and Son - photographers.","Martin, Alfred E.","Patterson, J. O.","English\n."],"collection_title_tesim":["Victorian Photo Album Photographs, 1890/2019"],"collection_ssim":["Victorian Photo Album Photographs, 1890/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3318","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1647"],"unitid_tesim":["A\u0026M 3318","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1647"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Elkins (W. Va.)"],"geogname_ssim":["Elkins (W. Va.)"],"places_ssim":["Elkins (W. Va.)"],"creator_ssm":["Martin, Alfred E."],"creator_ssim":["Martin, Alfred E."],"creator_persname_ssim":["Martin, Alfred E.","Patterson, J. O."],"creator_corpname_ssim":["West Virginia and Regional History Center","Loar, W.R. and Son - photographers."],"creators_ssim":["Martin, Alfred E.","Patterson, J. O.","West Virginia and Regional History Center","Loar, W.R. and Son - photographers."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Photographers -- West Virginia -- Elkins","Photographers -- West Virginia -- Grafton","Photographers","Photography"],"access_subjects_ssm":["Photographers -- West Virginia -- Elkins","Photographers -- West Virginia -- Grafton","Photographers","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["0.4 Linear Feet Summary: 9 in. x 12 in. x 4.5 in.","0.74 Gigabytes 8 .mts files"],"extent_tesim":["0.4 Linear Feet Summary: 9 in. x 12 in. x 4.5 in.","0.74 Gigabytes 8 .mts files"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Victorian Photo Album Photographs, A\u0026amp;M 3318, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Victorian Photo Album Photographs, A\u0026M 3318, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_34a9cb32574de488b7b8dbd6faa7366a\"\u003eVictorian photo album (with exterior of faded dark burgundy cloth and tarnished gold-toned bas-relief ornaments) with built-in music box containing cartes-de-visites, cabinet cards, postcards, tintypes, and two negatives. Includes individual and family group portraits. Subjects of photographs are unidentified, except for postcard portrait of Pastor J.O. Patterson of Main Street Church of Christ in Elkins, West Virginia. Photographers are identified on some of the card mounts, including Loar and Company of Grafton; Von Allmen of Elkins; Nestor of Elkins; Arcade Studio of Akron, Ohio; Fad Foto Company of Gallipolis, Ohio; and Stanton Photo Company of Springfield, Ohio. The collection also includes the calling card of Jackson J. Triplett and two gift tags illustrated with roses and doves.\n\nDigital material includes recordings of the music box.\u003c/abstract\u003e\n    "],"abstract_tesim":["Victorian photo album (with exterior of faded dark burgundy cloth and tarnished gold-toned bas-relief ornaments) with built-in music box containing cartes-de-visites, cabinet cards, postcards, tintypes, and two negatives. Includes individual and family group portraits. Subjects of photographs are unidentified, except for postcard portrait of Pastor J.O. Patterson of Main Street Church of Christ in Elkins, West Virginia. Photographers are identified on some of the card mounts, including Loar and Company of Grafton; Von Allmen of Elkins; Nestor of Elkins; Arcade Studio of Akron, Ohio; Fad Foto Company of Gallipolis, Ohio; and Stanton Photo Company of Springfield, Ohio. The collection also includes the calling card of Jackson J. Triplett and two gift tags illustrated with roses and doves.\n\nDigital material includes recordings of the music box."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c124cdf555bfdd59662ce13c397f7813\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: \u003ca href=\"https://wvrhc.lib.wvu.edu/\"\u003eWest Virginia \u0026amp; Regional History Center\u003c/a\u003e\u003c/physloc\u003e\n    "],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center","Loar, W.R. and Son - photographers."],"names_coll_ssim":["Loar, W.R. and Son - photographers.","Patterson, J. O."],"persname_ssim":["Martin, Alfred E.","Patterson, J. O."],"names_ssim":["West Virginia and Regional History Center","Loar, W.R. and Son - photographers.","Martin, Alfred E.","Patterson, J. O."],"language_ssim":["English\n."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:07:49.367Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1647","ead_ssi":"wvmturhc_repositories_2_resources_1647","_root_":"wvmturhc_repositories_2_resources_1647","_nest_parent_":"wvmturhc_repositories_2_resources_1647","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1647.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195922","title_ssm":["Victorian Photo Album Photographs"],"title_tesim":["Victorian Photo Album Photographs"],"unitdate_ssm":["circa 1890-1935, 2019"],"unitdate_inclusive_ssm":["circa 1890-1935, 2019"],"normalized_date_ssm":["1890/2019"],"normalized_title_ssm":["Victorian Photo Album Photographs, 1890/2019"],"text":["Victorian Photo Album Photographs, 1890/2019","A\u0026M 3318","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1647","Elkins (W. Va.)","Photographers -- West Virginia -- Elkins","Photographers -- West Virginia -- Grafton","Photographers","Photography","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","Victorian photo album (with exterior of faded dark burgundy cloth and tarnished gold-toned bas-relief ornaments) with built-in music box containing cartes-de-visites, cabinet cards, postcards, tintypes, and two negatives. Includes individual and family group portraits. Subjects of photographs are unidentified, except for postcard portrait of Pastor J.O. Patterson of Main Street Church of Christ in Elkins, West Virginia. Photographers are identified on some of the card mounts, including Loar and Company of Grafton; Von Allmen of Elkins; Nestor of Elkins; Arcade Studio of Akron, Ohio; Fad Foto Company of Gallipolis, Ohio; and Stanton Photo Company of Springfield, Ohio. The collection also includes the calling card of Jackson J. Triplett and two gift tags illustrated with roses and doves.\n\nDigital material includes recordings of the music box.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: West Virginia \u0026 Regional History Center","West Virginia and Regional History Center","Loar, W.R. and Son - photographers.","Martin, Alfred E.","Patterson, J. O.","English\n."],"collection_title_tesim":["Victorian Photo Album Photographs, 1890/2019"],"collection_ssim":["Victorian Photo Album Photographs, 1890/2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3318","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1647"],"unitid_tesim":["A\u0026M 3318","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1647"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Elkins (W. Va.)"],"geogname_ssim":["Elkins (W. Va.)"],"places_ssim":["Elkins (W. Va.)"],"creator_ssm":["Martin, Alfred E."],"creator_ssim":["Martin, Alfred E."],"creator_persname_ssim":["Martin, Alfred E.","Patterson, J. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Photographers -- West Virginia -- Elkins","Photographers -- West Virginia -- Grafton","Photographers","Photography"],"access_subjects_ssm":["Photographers -- West Virginia -- Elkins","Photographers -- West Virginia -- Grafton","Photographers","Photography"],"has_online_content_ssim":["false"],"extent_ssm":["0.4 Linear Feet Summary: 9 in. x 12 in. x 4.5 in.","0.74 Gigabytes 8 .mts files"],"extent_tesim":["0.4 Linear Feet Summary: 9 in. x 12 in. x 4.5 in.","0.74 Gigabytes 8 .mts files"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the \u003ca href=\"https://westvirginia.libanswers.com/wvrhc\" target=\"_blank\"\u003eWest Virginia \u0026amp; Regional History Center reference department\u003c/a\u003e.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Victorian Photo Album Photographs, A\u0026amp;M 3318, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Description and date of item], [Box/folder number], Victorian Photo Album Photographs, A\u0026M 3318, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_34a9cb32574de488b7b8dbd6faa7366a\"\u003eVictorian photo album (with exterior of faded dark burgundy cloth and tarnished gold-toned bas-relief ornaments) with built-in music box containing cartes-de-visites, cabinet cards, postcards, tintypes, and two negatives. Includes individual and family group portraits. Subjects of photographs are unidentified, except for postcard portrait of Pastor J.O. Patterson of Main Street Church of Christ in Elkins, West Virginia. Photographers are identified on some of the card mounts, including Loar and Company of Grafton; Von Allmen of Elkins; Nestor of Elkins; Arcade Studio of Akron, Ohio; Fad Foto Company of Gallipolis, Ohio; and Stanton Photo Company of Springfield, Ohio. The collection also includes the calling card of Jackson J. Triplett and two gift tags illustrated with roses and doves.\n\nDigital material includes recordings of the music box.\u003c/abstract\u003e\n    "],"abstract_tesim":["Victorian photo album (with exterior of faded dark burgundy cloth and tarnished gold-toned bas-relief ornaments) with built-in music box containing cartes-de-visites, cabinet cards, postcards, tintypes, and two negatives. Includes individual and family group portraits. Subjects of photographs are unidentified, except for postcard portrait of Pastor J.O. Patterson of Main Street Church of Christ in Elkins, West Virginia. 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