{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographs+--+Coloring","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographs+--+Coloring\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":2,"first_page?":true,"last_page?":true}},"data":[{"id":"viw_repositories_2_resources_9985","type":"collection","attributes":{"title":"Charles Minnigerod mammoth plate portrait","abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9985#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eA hand-colored mammoth plate portrait of Charles Minnigerod, 1814-1894, rector of Saint Paul's Episcopal Church in Richmond, Virginia during the American Civil War. The image was photographed by the Anderson Art Palace, operated by photographer David H. 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Under his tenure at the church, it included parishioners such as Robert E. Lee and Jefferson Davis, the latter whom of which he baptized.","Minnegerod was born August 6, 1814 in Ahrensburg, Westphalia, now the Federal Republic of Germany. He attended the University of Giessen in 1832 where he studied law. He was influenced by the shifting revolutionary ideals circulating in the region at the time, and was arrested for his political activities in 1834. He was released under house arrest to his family. After he served his sentence, he immigrated to the United States of America in 1839 in Philadelphia, Pennsylvania.","Minnigerod became professor of Latin and Greek at the College of William \u0026 Mary in 1842 and served on the Board of Visitors 1871-1893. He joined the Episcopal Church in 1843 after his marriage to Mary Carter and became a priest of the church in 1847. He accepted the position of rector at Saint Paul's Episcopal Church in Richmond in 1856. 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","Kehlenbach included the following description with the submission: \"I read in W-Y Daily that the library is soliciting for art projects during the coronavirus and would like to submit some of the project I have been working on. I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). Thanks for the opportunity to submit this, and getting back into hand-coloring my photographs, I feel a connection to the history of photography and find joy in creating unique images to share. Art has always had a special place in my heart and soul, and these challenging times has made the pursuit of artwork and creative expression much more valuable. With much gratitude, Dan Kehlenbach Williamsburg, VA.\"","Series also includes a photograph of Kehlenbach that was attached to the submission."],"title_filing_ssi":"Dan Kehlenbach Hand-Colored Photographs","title_ssm":["Dan Kehlenbach Hand-Colored Photographs"],"title_tesim":["Dan Kehlenbach Hand-Colored Photographs"],"unitdate_other_ssim":["2020"],"normalized_date_ssm":["2020"],"normalized_title_ssm":["Dan Kehlenbach Hand-Colored Photographs"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Documenting Life During COVID-19 collection"],"extent_ssm":["9.4 Megabytes"],"extent_tesim":["9.4 Megabytes"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":116,"parent_access_restrict_tesm":["Collection is open to all researchers. 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I submitted to their website and Ms. Charlotte Burcher suggested I submit it here as well. In high school photography class I experimented with hand-coloring black and white images and I thought this would be the perfect time to get back into this. In the late 1800s and early 1900s before the advent of stable color films, artists would manually add color to black and white photographs to enhance its realism or to express a specific creative vision. For this project, I have been printing my images in warm-toned black and white and use pastels and pastel pencils to give the image some color to produce a vintage effect. Attached are four images - the first two are of Magnolia Gardens outside of Charleston, SC, the third image is of Spring Point Lighthouse in Portland, ME, and the fourth image I did as a gift to a friend. This is an image of her house that she grew up in (Barga, Italy). 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