{"links":{"self":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographs\u0026f%5Bdate_range%5D%5B%5D=1936\u0026page=10","prev":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographs\u0026f%5Bdate_range%5D%5B%5D=1936\u0026page=9","next":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographs\u0026f%5Bdate_range%5D%5B%5D=1936\u0026page=11","last":"https://search.arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Photographs\u0026f%5Bdate_range%5D%5B%5D=1936\u0026page=36"},"meta":{"pages":{"current_page":10,"next_page":11,"prev_page":9,"total_pages":36,"limit_value":10,"offset_value":90,"total_count":351,"first_page?":false,"last_page?":false}},"data":[{"id":"vircu_repositories_3_resources_610","type":"collection","attributes":{"title":"Etuy Elizabeth Hall papers","creator":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_3_resources_610#creator","type":"document_value","attributes":{"value":"Hall, Etuy Elizabeth","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_3_resources_610#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Etuy Elizabeth Hall papers primarily consists of correspondence and photographs created between 1927 and 1986. The correspondence portion of the collection includes letters and cards written to Hall while she was a student at Blue Ridge Sanatorium and Johnston-Willis Hospital School of Nursing, and during her time as director of the nursing school at Piedmont Sanatorium. These letters and cards are primarily from her mother, friends, and colleagues. Topically, the letters discuss coursework and training, the death of Hall's father, gardening, and other matters. The collection does not include copies of Hall's responses.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vircu_repositories_3_resources_610#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vircu_repositories_3_resources_610","ead_ssi":"vircu_repositories_3_resources_610","_root_":"vircu_repositories_3_resources_610","_nest_parent_":"vircu_repositories_3_resources_610","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_610.xml","title_filing_ssi":"Hall, Etuy Elizabeth, papers","title_ssm":["Etuy Elizabeth Hall papers"],"title_tesim":["Etuy Elizabeth Hall papers"],"unitdate_ssm":["1927-1986"],"unitdate_inclusive_ssm":["1927-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2018.06.014","/repositories/3/resources/610"],"text":["2018.06.014","/repositories/3/resources/610","Etuy Elizabeth Hall papers","African American students","African American nursing students -- Virginia","Nurses -- Virginia","Nurses -- History -- 20th century -- United States","Scrapbooks","Tuberculosis -- Hospitals -- Virginia","Photographs","The collection is open for research.","Print and electronic copies of a scanned form of the scrapbook have been added to collection control folders.","Collection is arranged alphabetically by folder title.","Etuy Elizabeth Hall was a white nurse who was born in Northumberland County, Virginia, around 1901. In 1917, Hall moved to Baltimore, Maryland and lived there until she was diagnosed with tuberculosis at age 25. On August 17, 1926, she was admitted to Blue Ridge Sanatorium, an all-white facility for the treatment of tuberculosis located in Charlottesville, Virginia. After spending a year there, she was found to not have active tuberculosis, and pursued nursing as a result of her experience.","Hall attended Blue Ridge Sanatorium School of Nursing and graduated as a registered nurse from the Johnston-Willis Hospital School of Nursing in 1929. After graduation, Hall worked at Piedmont Sanatorium, a rest home for tubercular African Americans in Burkeville, Virginia. For 35 years, Hall served as the Director of the School of Nursing at Piedmont Sanatorium, which was the first school to offer a two-year tuberculosis nursing program for Black women in the United States.","Upon retirement in 1971, Hall moved to Richmond, Virginia. She resided in Richmond until her death in 1986.","The Etuy Elizabeth Hall papers primarily consists of correspondence and photographs created between 1927 and 1986. The correspondence portion of the collection includes letters and cards written to Hall while she was a student at Blue Ridge Sanatorium and Johnston-Willis Hospital School of Nursing, and during her time as director of the nursing school at Piedmont Sanatorium. These letters and cards are primarily from her mother, friends, and colleagues. Topically, the letters discuss coursework and training, the death of Hall's father, gardening, and other matters. The collection does not include copies of Hall's responses.","Photographs in the collection consist of a scrapbook of Hall's time at Blue Ridge Sanatorium, an all-white tubercular care facility located in Charlottesville, Virginia, as well as photographs of African American graduates of the nursing school at Piedmont Sanatorium, an African American tubercular care facility located in Burkeville, Virginia, where Hall served as Director. ","Other materials in the collection include newspaper clippings and ephemera that relate to Hall's days as a student and nurse.","There are no restrictions.","VCU Health Sciences Library","Piedmont Sanatorium (Burkeville, Virginia)","Blue Ridge Sanatorium (Charlottesville, Virginia)","Johnston-Willis Hospital. 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In 1917, Hall moved to Baltimore, Maryland and lived there until she was diagnosed with tuberculosis at age 25. On August 17, 1926, she was admitted to Blue Ridge Sanatorium, an all-white facility for the treatment of tuberculosis located in Charlottesville, Virginia. After spending a year there, she was found to not have active tuberculosis, and pursued nursing as a result of her experience.\u003c/p\u003e\n","\u003cp\u003eHall attended Blue Ridge Sanatorium School of Nursing and graduated as a registered nurse from the Johnston-Willis Hospital School of Nursing in 1929. After graduation, Hall worked at Piedmont Sanatorium, a rest home for tubercular African Americans in Burkeville, Virginia. For 35 years, Hall served as the Director of the School of Nursing at Piedmont Sanatorium, which was the first school to offer a two-year tuberculosis nursing program for Black women in the United States.\u003c/p\u003e\n","\u003cp\u003eUpon retirement in 1971, Hall moved to Richmond, Virginia. She resided in Richmond until her death in 1986.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Etuy Elizabeth Hall was a white nurse who was born in Northumberland County, Virginia, around 1901. In 1917, Hall moved to Baltimore, Maryland and lived there until she was diagnosed with tuberculosis at age 25. On August 17, 1926, she was admitted to Blue Ridge Sanatorium, an all-white facility for the treatment of tuberculosis located in Charlottesville, Virginia. After spending a year there, she was found to not have active tuberculosis, and pursued nursing as a result of her experience.","Hall attended Blue Ridge Sanatorium School of Nursing and graduated as a registered nurse from the Johnston-Willis Hospital School of Nursing in 1929. After graduation, Hall worked at Piedmont Sanatorium, a rest home for tubercular African Americans in Burkeville, Virginia. For 35 years, Hall served as the Director of the School of Nursing at Piedmont Sanatorium, which was the first school to offer a two-year tuberculosis nursing program for Black women in the United States.","Upon retirement in 1971, Hall moved to Richmond, Virginia. She resided in Richmond until her death in 1986."],"prefercite_html_tesm":["\u003cp\u003eEtuy Elizabeth Hall papers, 1927-1986, Accession 2018.06.014, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Etuy Elizabeth Hall papers, 1927-1986, Accession 2018.06.014, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Etuy Elizabeth Hall papers primarily consists of correspondence and photographs created between 1927 and 1986. The correspondence portion of the collection includes letters and cards written to Hall while she was a student at Blue Ridge Sanatorium and Johnston-Willis Hospital School of Nursing, and during her time as director of the nursing school at Piedmont Sanatorium. These letters and cards are primarily from her mother, friends, and colleagues. Topically, the letters discuss coursework and training, the death of Hall's father, gardening, and other matters. The collection does not include copies of Hall's responses.\u003c/p\u003e\n","\u003cp\u003ePhotographs in the collection consist of a scrapbook of Hall's time at Blue Ridge Sanatorium, an all-white tubercular care facility located in Charlottesville, Virginia, as well as photographs of African American graduates of the nursing school at Piedmont Sanatorium, an African American tubercular care facility located in Burkeville, Virginia, where Hall served as Director. \u003c/p\u003e\n","\u003cp\u003eOther materials in the collection include newspaper clippings and ephemera that relate to Hall's days as a student and nurse.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Etuy Elizabeth Hall papers primarily consists of correspondence and photographs created between 1927 and 1986. The correspondence portion of the collection includes letters and cards written to Hall while she was a student at Blue Ridge Sanatorium and Johnston-Willis Hospital School of Nursing, and during her time as director of the nursing school at Piedmont Sanatorium. These letters and cards are primarily from her mother, friends, and colleagues. Topically, the letters discuss coursework and training, the death of Hall's father, gardening, and other matters. The collection does not include copies of Hall's responses.","Photographs in the collection consist of a scrapbook of Hall's time at Blue Ridge Sanatorium, an all-white tubercular care facility located in Charlottesville, Virginia, as well as photographs of African American graduates of the nursing school at Piedmont Sanatorium, an African American tubercular care facility located in Burkeville, Virginia, where Hall served as Director. ","Other materials in the collection include newspaper clippings and ephemera that relate to Hall's days as a student and nurse."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Piedmont Sanatorium (Burkeville, Virginia)","Blue Ridge Sanatorium (Charlottesville, Virginia)","Johnston-Willis Hospital. School of Nursing"],"names_ssim":["VCU Health Sciences Library","Piedmont Sanatorium (Burkeville, Virginia)","Blue Ridge Sanatorium (Charlottesville, Virginia)","Johnston-Willis Hospital. School of Nursing","Hall, Etuy Elizabeth"],"corpname_ssim":["VCU Health Sciences Library","Piedmont Sanatorium (Burkeville, Virginia)","Blue Ridge Sanatorium (Charlottesville, Virginia)","Johnston-Willis Hospital. School of Nursing"],"persname_ssim":["Hall, Etuy Elizabeth"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:16:41.702Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_3_resources_610","ead_ssi":"vircu_repositories_3_resources_610","_root_":"vircu_repositories_3_resources_610","_nest_parent_":"vircu_repositories_3_resources_610","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_610.xml","title_filing_ssi":"Hall, Etuy Elizabeth, papers","title_ssm":["Etuy Elizabeth Hall papers"],"title_tesim":["Etuy Elizabeth Hall papers"],"unitdate_ssm":["1927-1986"],"unitdate_inclusive_ssm":["1927-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2018.06.014","/repositories/3/resources/610"],"text":["2018.06.014","/repositories/3/resources/610","Etuy Elizabeth Hall papers","African American students","African American nursing students -- Virginia","Nurses -- Virginia","Nurses -- History -- 20th century -- United States","Scrapbooks","Tuberculosis -- Hospitals -- Virginia","Photographs","The collection is open for research.","Print and electronic copies of a scanned form of the scrapbook have been added to collection control folders.","Collection is arranged alphabetically by folder title.","Etuy Elizabeth Hall was a white nurse who was born in Northumberland County, Virginia, around 1901. In 1917, Hall moved to Baltimore, Maryland and lived there until she was diagnosed with tuberculosis at age 25. On August 17, 1926, she was admitted to Blue Ridge Sanatorium, an all-white facility for the treatment of tuberculosis located in Charlottesville, Virginia. After spending a year there, she was found to not have active tuberculosis, and pursued nursing as a result of her experience.","Hall attended Blue Ridge Sanatorium School of Nursing and graduated as a registered nurse from the Johnston-Willis Hospital School of Nursing in 1929. After graduation, Hall worked at Piedmont Sanatorium, a rest home for tubercular African Americans in Burkeville, Virginia. For 35 years, Hall served as the Director of the School of Nursing at Piedmont Sanatorium, which was the first school to offer a two-year tuberculosis nursing program for Black women in the United States.","Upon retirement in 1971, Hall moved to Richmond, Virginia. She resided in Richmond until her death in 1986.","The Etuy Elizabeth Hall papers primarily consists of correspondence and photographs created between 1927 and 1986. The correspondence portion of the collection includes letters and cards written to Hall while she was a student at Blue Ridge Sanatorium and Johnston-Willis Hospital School of Nursing, and during her time as director of the nursing school at Piedmont Sanatorium. These letters and cards are primarily from her mother, friends, and colleagues. Topically, the letters discuss coursework and training, the death of Hall's father, gardening, and other matters. The collection does not include copies of Hall's responses.","Photographs in the collection consist of a scrapbook of Hall's time at Blue Ridge Sanatorium, an all-white tubercular care facility located in Charlottesville, Virginia, as well as photographs of African American graduates of the nursing school at Piedmont Sanatorium, an African American tubercular care facility located in Burkeville, Virginia, where Hall served as Director. ","Other materials in the collection include newspaper clippings and ephemera that relate to Hall's days as a student and nurse.","There are no restrictions.","VCU Health Sciences Library","Piedmont Sanatorium (Burkeville, Virginia)","Blue Ridge Sanatorium (Charlottesville, Virginia)","Johnston-Willis Hospital. School of Nursing","Hall, Etuy Elizabeth","English"],"unitid_tesim":["2018.06.014","/repositories/3/resources/610"],"normalized_title_ssm":["Etuy Elizabeth Hall papers"],"collection_title_tesim":["Etuy Elizabeth Hall papers"],"collection_ssim":["Etuy Elizabeth Hall papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Hall, Etuy Elizabeth"],"creator_ssim":["Hall, Etuy Elizabeth"],"creator_persname_ssim":["Hall, Etuy Elizabeth"],"creators_ssim":["Hall, Etuy Elizabeth"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donor unknown, collection was mailed to the Health Sciences Library."],"access_subjects_ssim":["African American students","African American nursing students -- Virginia","Nurses -- Virginia","Nurses -- History -- 20th century -- United States","Scrapbooks","Tuberculosis -- Hospitals -- Virginia","Photographs"],"access_subjects_ssm":["African American students","African American nursing students -- Virginia","Nurses -- Virginia","Nurses -- History -- 20th century -- United States","Scrapbooks","Tuberculosis -- Hospitals -- Virginia","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.42 Linear Feet 1 letter document box, one custom box for a scrapbook, and one folder of oversize photos"],"extent_tesim":["0.42 Linear Feet 1 letter document box, one custom box for a scrapbook, and one folder of oversize photos"],"physfacet_tesim":["Extent currently does not include scrapbook box or folder of oversize photos"],"genreform_ssim":["Photographs"],"date_range_isim":[1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003ePrint and electronic copies of a scanned form of the scrapbook have been added to collection control folders.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Print and electronic copies of a scanned form of the scrapbook have been added to collection control folders."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eEtuy Elizabeth Hall was a white nurse who was born in Northumberland County, Virginia, around 1901. In 1917, Hall moved to Baltimore, Maryland and lived there until she was diagnosed with tuberculosis at age 25. On August 17, 1926, she was admitted to Blue Ridge Sanatorium, an all-white facility for the treatment of tuberculosis located in Charlottesville, Virginia. After spending a year there, she was found to not have active tuberculosis, and pursued nursing as a result of her experience.\u003c/p\u003e\n","\u003cp\u003eHall attended Blue Ridge Sanatorium School of Nursing and graduated as a registered nurse from the Johnston-Willis Hospital School of Nursing in 1929. After graduation, Hall worked at Piedmont Sanatorium, a rest home for tubercular African Americans in Burkeville, Virginia. For 35 years, Hall served as the Director of the School of Nursing at Piedmont Sanatorium, which was the first school to offer a two-year tuberculosis nursing program for Black women in the United States.\u003c/p\u003e\n","\u003cp\u003eUpon retirement in 1971, Hall moved to Richmond, Virginia. She resided in Richmond until her death in 1986.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Etuy Elizabeth Hall was a white nurse who was born in Northumberland County, Virginia, around 1901. In 1917, Hall moved to Baltimore, Maryland and lived there until she was diagnosed with tuberculosis at age 25. On August 17, 1926, she was admitted to Blue Ridge Sanatorium, an all-white facility for the treatment of tuberculosis located in Charlottesville, Virginia. After spending a year there, she was found to not have active tuberculosis, and pursued nursing as a result of her experience.","Hall attended Blue Ridge Sanatorium School of Nursing and graduated as a registered nurse from the Johnston-Willis Hospital School of Nursing in 1929. After graduation, Hall worked at Piedmont Sanatorium, a rest home for tubercular African Americans in Burkeville, Virginia. For 35 years, Hall served as the Director of the School of Nursing at Piedmont Sanatorium, which was the first school to offer a two-year tuberculosis nursing program for Black women in the United States.","Upon retirement in 1971, Hall moved to Richmond, Virginia. She resided in Richmond until her death in 1986."],"prefercite_html_tesm":["\u003cp\u003eEtuy Elizabeth Hall papers, 1927-1986, Accession 2018.06.014, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Etuy Elizabeth Hall papers, 1927-1986, Accession 2018.06.014, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Etuy Elizabeth Hall papers primarily consists of correspondence and photographs created between 1927 and 1986. The correspondence portion of the collection includes letters and cards written to Hall while she was a student at Blue Ridge Sanatorium and Johnston-Willis Hospital School of Nursing, and during her time as director of the nursing school at Piedmont Sanatorium. These letters and cards are primarily from her mother, friends, and colleagues. Topically, the letters discuss coursework and training, the death of Hall's father, gardening, and other matters. The collection does not include copies of Hall's responses.\u003c/p\u003e\n","\u003cp\u003ePhotographs in the collection consist of a scrapbook of Hall's time at Blue Ridge Sanatorium, an all-white tubercular care facility located in Charlottesville, Virginia, as well as photographs of African American graduates of the nursing school at Piedmont Sanatorium, an African American tubercular care facility located in Burkeville, Virginia, where Hall served as Director. \u003c/p\u003e\n","\u003cp\u003eOther materials in the collection include newspaper clippings and ephemera that relate to Hall's days as a student and nurse.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Etuy Elizabeth Hall papers primarily consists of correspondence and photographs created between 1927 and 1986. The correspondence portion of the collection includes letters and cards written to Hall while she was a student at Blue Ridge Sanatorium and Johnston-Willis Hospital School of Nursing, and during her time as director of the nursing school at Piedmont Sanatorium. These letters and cards are primarily from her mother, friends, and colleagues. Topically, the letters discuss coursework and training, the death of Hall's father, gardening, and other matters. The collection does not include copies of Hall's responses.","Photographs in the collection consist of a scrapbook of Hall's time at Blue Ridge Sanatorium, an all-white tubercular care facility located in Charlottesville, Virginia, as well as photographs of African American graduates of the nursing school at Piedmont Sanatorium, an African American tubercular care facility located in Burkeville, Virginia, where Hall served as Director. ","Other materials in the collection include newspaper clippings and ephemera that relate to Hall's days as a student and nurse."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Piedmont Sanatorium (Burkeville, Virginia)","Blue Ridge Sanatorium (Charlottesville, Virginia)","Johnston-Willis Hospital. School of Nursing"],"names_ssim":["VCU Health Sciences Library","Piedmont Sanatorium (Burkeville, Virginia)","Blue Ridge Sanatorium (Charlottesville, Virginia)","Johnston-Willis Hospital. School of Nursing","Hall, Etuy Elizabeth"],"corpname_ssim":["VCU Health Sciences Library","Piedmont Sanatorium (Burkeville, Virginia)","Blue Ridge Sanatorium (Charlottesville, Virginia)","Johnston-Willis Hospital. School of Nursing"],"persname_ssim":["Hall, Etuy Elizabeth"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:16:41.702Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vircu_repositories_3_resources_610"}},{"id":"vihart_repositories_4_resources_650","type":"collection","attributes":{"title":"Eva May Foster Photograph Album","creator":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_650#creator","type":"document_value","attributes":{"value":"James Madison University. Centennial Office","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_650#abstract_or_scope","type":"document_value","attributes":{"value":"The Eva May Foster Photograph Album, 1934-1941, comprises a disbound photograph album of black-and-white photographs documenting Foster's time as a student at the State Teachers College at Harrisonburg. Loose photographs are also included.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vihart_repositories_4_resources_650#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vihart_repositories_4_resources_650","ead_ssi":"vihart_repositories_4_resources_650","_root_":"vihart_repositories_4_resources_650","_nest_parent_":"vihart_repositories_4_resources_650","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_650.xml","title_ssm":["Eva May Foster Photograph Album"],"title_tesim":["Eva May Foster Photograph Album"],"unitdate_ssm":["1934-1941"],"unitdate_inclusive_ssm":["1934-1941"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0308","/repositories/4/resources/650"],"text":["SC 0308","/repositories/4/resources/650","Eva May Foster Photograph Album","Harrisonburg (Va.) -- History","Photograph albums","Photographs","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The disbound photograph album is housed across two folders and according to its original order. The ten loose photographs are housed in folder 2.","The Schoolma'am, 1935. Harrisonburg (Va.): State Teachers College.","The Schoolma'am, 1936. Harrisonburg (Va.): State Teachers College.","The Schoolma'am, 1937. Harrisonburg (Va.): State Teachers College.","Eva May Foster (1915-2001), originally of Blackstone, Virginia, matriculated into the State Teachers College at Harrisonburg in the fall of 1934. Foster is listed in the 1935 and 1936 yearbooks. She is pictured in the 1937 yearbook as part of the junior class, but she is not present in any subsequent yearbooks or commencement programs making it unclear if she ever graduated. While a student at the State Teachers College, Foster resided in Johnston Hall and Junior Hall, and likely studied home economics.","An inscription on the back of a circa 1940 portrait photograph of Foster (along with her marriage certificate) confirms that she was employed as a home demonstration agent in Charles City and New Kent Counties.","She married Walter Marion Foster in 1948.","Accroding to a sticky note that accompanied the photograph album, the album was contributed by the estate of Eva F. Foster to the Centennial Office at an unknown date. Ten loose photographs were donated with a similar note.","According to a student practicum paper dated November 2018, during initial processing the photograph album was disbound due to it being \"on the verge of physical decay.\" The loose album pages were numbered and housed in two folders according to their original order.","The Eva May Foster Photograph Album, 1934-1941, comprises a disbound photograph album of black-and-white photographs documenting Foster's time as a student at the State Teachers College at Harrisonburg. The album includes Foster's annotations describing the photographs including classmates names. The album is largely complete with only a few missing photographs.","The photographs document Class Day 1935; May Day events; snowscapes and students with skis; a camping trip to the university farm and other outings (including a photograph of horseback riding on \"Miss [Margaret Vance] Hoffman's horses\"); commencement and graduation; views of the quad and the campus gates; campus buildings including Wilson Hall, Junior Hall (now Cleveland Hall), the old Dining Hall located in Harrison Hall, Alumnae Hall, and the Practice House. Dormitory interiors are also heavily documented. Many of Foster's classmates are identified by name in the photographs.","While the photographs are largely informal and candid, a few portrait photographs of Foster and her classmates are included. A portrait photograph of Foster, circa 1940, includes an annotation suggesting that she either studied or worked at Virginia Tech. The back of the photograph describes Foster as a home demonstration agent for Charles City and New Kent Counties.","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Eva May Foster Photograph Album, 1934-1941, comprises a disbound photograph album of black-and-white photographs documenting Foster's time as a student at the State Teachers College at Harrisonburg. Loose photographs are also included.","James Madison University Libraries Special Collections","James Madison University. 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The back of the photograph describes Foster as a home demonstration agent for Charles City and New Kent Counties."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7bc0e4da3656a2efc859e009c4e07069\"\u003eThe Eva May Foster Photograph Album, 1934-1941, comprises a disbound photograph album of black-and-white photographs documenting Foster's time as a student at the State Teachers College at Harrisonburg. Loose photographs are also included.\u003c/abstract\u003e"],"abstract_tesim":["The Eva May Foster Photograph Album, 1934-1941, comprises a disbound photograph album of black-and-white photographs documenting Foster's time as a student at the State Teachers College at Harrisonburg. Loose photographs are also included."],"names_coll_ssim":["James Madison University. 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Papers collected include colonial era documents, deeds, surveys, the diary of Sally Fairfax (1771-1772), legal papers, a copy of the Dettingen Parish (Prince William County, Va.) vestry book which contains minutes, indentures, and other (1745-1802), and photostat copy of the letterbook (1801) of Col. John Tayloe of Mount Airy, Va. Fairfax Harrison's papers include his correspondence with individuals and institutions concerning his interest in Virginia History. Prominent correspondents include John Stewart Bryan, David I. Bushnell, Worthington C. Ford, Douglas Southall Freeman, William G. Stanard, Clayton Torrence, Earl Gregg Swem, Lyon G. Tyler and Langbourne M. Williams. Subjects include Sir Edmund Andros,Francis Nicholson, Francis Fauquier, debtors' prisons, parish boundaries, Culpeper family, thoroughbred horses, county records, and the publishing of Harrison's works as well as the publishing of Robert Armistead Stewart's Index to Printed Virginia Genealogies and E. G. Swem's Virginia Historical Index. The collection also includes notes by Wilson Miles Cary concerning the Cary family and the books at \"Carysbrook,\" Fluvanna County, Va.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9059#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9059","ead_ssi":"viw_repositories_2_resources_9059","_root_":"viw_repositories_2_resources_9059","_nest_parent_":"viw_repositories_2_resources_9059","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9059.xml","title_filing_ssi":"Harrison, Fairfax Papers","title_ssm":["Fairfax Harrison Papers"],"title_tesim":["Fairfax Harrison Papers"],"unitdate_ssm":["1736-1945"],"unitdate_inclusive_ssm":["1736-1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. 65 H25","/repositories/2/resources/9059"],"text":["01/Mss. 65 H25","/repositories/2/resources/9059","Fairfax Harrison Papers","Virginia--History--18th century","Virginia--History--19th century","Virginia--History--Colonial period, ca. 1600-1775","Virginia--History--Colonial period, ca. 1600-1775--Historiography","Virginia--Religious history","American diaries--Women authors","Debt, Imprisonment for--Virginia","Horses--Virginia","Legal documents","Parishes--Virginia","Prince William County (Va.)--History--18th century","Private Libraries","Women--History--Virginia","Correspondence","Diaries","Financial records","Letter books","Minutes","Notebooks","Photographs","Photostats","Scrapbooks","6116 items","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Fairfax Harrison was born in New York 13 March 1869, the son of Burton and Constance (Cary) Harrison and the brother of Francis Burton Harrison. He graduated from Yale in 1890 and got a M. A. degree from Columbia University. He practiced law in New York and was solicitor for the Southern Railway, president of the Chicago, Indianapolis and Louisville Railway; and president of the Southern Railway from 1913-1937. Harrison was the author of many works including the Devon Carys, Landmarks of Old Price William, Proprietors of the Northern Neck, the Belair Stud, the Equine FFVs, the Roanoke Stud and the Virginia Carys. He died 2 February 1938. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Other Information:"," A PDF document of this inventory is available online."," Additional information may be found at http://scrc.swem.wm.edu/findingaids/65_H25_Harrison.pdf","Related collection is Francis Burton Harrison Papers, Special Collections Research Center, Swem Library, College of William and Mary."," 2008.280 Virginia Historical Index - Fairfax Harrison Family Correspondence, Special Collections Research Center, Swem Library, College of William and Mary.","Papers, 1736-1945, of and collected by Fairfax Harrison. Papers collected include colonial era documents, deeds, surveys, the diary of Sally Fairfax (1771-1772), legal papers, a copy of the Dettingen Parish (Prince William County, Va.) vestry book which contains minutes, indentures, and other (1745-1802), and photostat copy of the letterbook (1801) of Col. John Tayloe of Mount Airy, Va. Fairfax Harrison's papers include his correspondence with individuals and institutions concerning his interest in Virginia History. Prominent correspondents include John Stewart Bryan, David I. Bushnell, Worthington C. Ford, Douglas Southall Freeman, William G. Stanard, Clayton Torrence, Earl Gregg Swem, Lyon G. Tyler and Langbourne M. Williams. Subjects include Sir Edmund Andros,Francis Nicholson, Francis Fauquier, debtors' prisons, parish boundaries, Culpeper family, thoroughbred horses, county records, and the publishing of Harrison's works as well as the publishing of Robert Armistead Stewart's Index to Printed Virginia Genealogies and E. G. Swem's Virginia Historical Index. The collection also includes notes by Wilson Miles Cary concerning the Cary family and the books at \"Carysbrook,\" Fluvanna County, Va.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dettingen Parish (Prince William County, Va.)","Carey family","Culpeper family","Harrison, Fairfax, 1869-1938","Bryan, John Stewart, 1871-1944","Bushnell, David Ives, Jr., 1875-1941","Cary, Wilson Miles, 1838-1914","Fairfax, Sally, fl. 1771-1772","Ford, Worthington Chauncey, 1858-1941","Freeman, Douglas Southall, 1886-1953","Stanard, William G.","Tayloe, John, fl. 1801","Torrence, Clayton, 1884-1953","Tyler, Lyon Gardiner, 1853-1935","Andros, Edmund, Sir, 1637-1714","Fauquier, Francis, 1704?-1768","Nicholson, Francis, 1655-1728","English"],"unitid_tesim":["01/Mss. 65 H25","/repositories/2/resources/9059"],"normalized_title_ssm":["Fairfax Harrison Papers"],"collection_title_tesim":["Fairfax Harrison Papers"],"collection_ssim":["Fairfax Harrison Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--History--18th century","Virginia--History--19th century","Virginia--History--Colonial period, ca. 1600-1775","Virginia--History--Colonial period, ca. 1600-1775--Historiography","Virginia--Religious history"],"geogname_ssim":["Virginia--History--18th century","Virginia--History--19th century","Virginia--History--Colonial period, ca. 1600-1775","Virginia--History--Colonial period, ca. 1600-1775--Historiography","Virginia--Religious history"],"creator_ssm":["Harrison, Fairfax, 1869-1938","Bryan, John Stewart, 1871-1944","Bushnell, David Ives, Jr., 1875-1941","Cary, Wilson Miles, 1838-1914","Fairfax, Sally, fl. 1771-1772","Ford, Worthington Chauncey, 1858-1941","Freeman, Douglas Southall, 1886-1953","Stanard, William G.","Tayloe, John, fl. 1801","Torrence, Clayton, 1884-1953","Tyler, Lyon Gardiner, 1853-1935"],"creator_ssim":["Harrison, Fairfax, 1869-1938","Bryan, John Stewart, 1871-1944","Bushnell, David Ives, Jr., 1875-1941","Cary, Wilson Miles, 1838-1914","Fairfax, Sally, fl. 1771-1772","Ford, Worthington Chauncey, 1858-1941","Freeman, Douglas Southall, 1886-1953","Stanard, William G.","Tayloe, John, fl. 1801","Torrence, Clayton, 1884-1953","Tyler, Lyon Gardiner, 1853-1935"],"creator_persname_ssim":["Harrison, Fairfax, 1869-1938","Bryan, John Stewart, 1871-1944","Bushnell, David Ives, Jr., 1875-1941","Cary, Wilson Miles, 1838-1914","Fairfax, Sally, fl. 1771-1772","Ford, Worthington Chauncey, 1858-1941","Freeman, Douglas Southall, 1886-1953","Stanard, William G.","Tayloe, John, fl. 1801","Torrence, Clayton, 1884-1953","Tyler, Lyon Gardiner, 1853-1935"],"creators_ssim":["Harrison, Fairfax, 1869-1938","Bryan, John Stewart, 1871-1944","Bushnell, David Ives, Jr., 1875-1941","Cary, Wilson Miles, 1838-1914","Fairfax, Sally, fl. 1771-1772","Ford, Worthington Chauncey, 1858-1941","Freeman, Douglas Southall, 1886-1953","Stanard, William G.","Tayloe, John, fl. 1801","Torrence, Clayton, 1884-1953","Tyler, Lyon Gardiner, 1853-1935"],"places_ssim":["Virginia--History--18th century","Virginia--History--19th century","Virginia--History--Colonial period, ca. 1600-1775","Virginia--History--Colonial period, ca. 1600-1775--Historiography","Virginia--Religious history"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Presented"],"access_subjects_ssim":["American diaries--Women authors","Debt, Imprisonment for--Virginia","Horses--Virginia","Legal documents","Parishes--Virginia","Prince William County (Va.)--History--18th century","Private 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is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eFairfax Harrison was born in New York 13 March 1869, the son of Burton and Constance (Cary) Harrison and the brother of Francis Burton Harrison. He graduated from Yale in 1890 and got a M. A. degree from Columbia University. He practiced law in New York and was solicitor for the Southern Railway, president of the Chicago, Indianapolis and Louisville Railway; and president of the Southern Railway from 1913-1937. Harrison was the author of many works including the Devon Carys, Landmarks of Old Price William, Proprietors of the Northern Neck, the Belair Stud, the Equine FFVs, the Roanoke Stud and the Virginia Carys. He died 2 February 1938. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Fairfax_Harrison\" title=\"Fairfax Harrison\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Fairfax Harrison was born in New York 13 March 1869, the son of Burton and Constance (Cary) Harrison and the brother of Francis Burton Harrison. He graduated from Yale in 1890 and got a M. A. degree from Columbia University. He practiced law in New York and was solicitor for the Southern Railway, president of the Chicago, Indianapolis and Louisville Railway; and president of the Southern Railway from 1913-1937. Harrison was the author of many works including the Devon Carys, Landmarks of Old Price William, Proprietors of the Northern Neck, the Belair Stud, the Equine FFVs, the Roanoke Stud and the Virginia Carys. He died 2 February 1938. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"odd_html_tesm":["\u003cp\u003eOther Information:\u003c/p\u003e\n","\u003cp\u003e A PDF document of this inventory is available online.\u003c/p\u003e\n","\u003cp\u003e Additional information may be found at http://scrc.swem.wm.edu/findingaids/65_H25_Harrison.pdf\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Other Information:"," A PDF document of this inventory is available online."," Additional information may be found at http://scrc.swem.wm.edu/findingaids/65_H25_Harrison.pdf"],"prefercite_html_tesm":["\u003cp\u003eFairfax Harrison Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Fairfax Harrison Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated collection is Francis Burton Harrison Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e\n","\u003cp\u003e 2008.280 Virginia Historical Index - Fairfax Harrison Family Correspondence, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Related collection is Francis Burton Harrison Papers, Special Collections Research Center, Swem Library, College of William and Mary."," 2008.280 Virginia Historical Index - Fairfax Harrison Family Correspondence, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003ePapers, 1736-1945, of and collected by Fairfax Harrison. Papers collected include colonial era documents, deeds, surveys, the diary of Sally Fairfax (1771-1772), legal papers, a copy of the Dettingen Parish (Prince William County, Va.) vestry book which contains minutes, indentures, and other (1745-1802), and photostat copy of the letterbook (1801) of Col. John Tayloe of Mount Airy, Va. Fairfax Harrison's papers include his correspondence with individuals and institutions concerning his interest in Virginia History. Prominent correspondents include John Stewart Bryan, David I. Bushnell, Worthington C. Ford, Douglas Southall Freeman, William G. Stanard, Clayton Torrence, Earl Gregg Swem, Lyon G. Tyler and Langbourne M. Williams. Subjects include Sir Edmund Andros,Francis Nicholson, Francis Fauquier, debtors' prisons, parish boundaries, Culpeper family, thoroughbred horses, county records, and the publishing of Harrison's works as well as the publishing of Robert Armistead Stewart's Index to Printed Virginia Genealogies and E. G. Swem's Virginia Historical Index. The collection also includes notes by Wilson Miles Cary concerning the Cary family and the books at \"Carysbrook,\" Fluvanna County, Va.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers, 1736-1945, of and collected by Fairfax Harrison. Papers collected include colonial era documents, deeds, surveys, the diary of Sally Fairfax (1771-1772), legal papers, a copy of the Dettingen Parish (Prince William County, Va.) vestry book which contains minutes, indentures, and other (1745-1802), and photostat copy of the letterbook (1801) of Col. John Tayloe of Mount Airy, Va. Fairfax Harrison's papers include his correspondence with individuals and institutions concerning his interest in Virginia History. Prominent correspondents include John Stewart Bryan, David I. Bushnell, Worthington C. Ford, Douglas Southall Freeman, William G. Stanard, Clayton Torrence, Earl Gregg Swem, Lyon G. Tyler and Langbourne M. Williams. Subjects include Sir Edmund Andros,Francis Nicholson, Francis Fauquier, debtors' prisons, parish boundaries, Culpeper family, thoroughbred horses, county records, and the publishing of Harrison's works as well as the publishing of Robert Armistead Stewart's Index to Printed Virginia Genealogies and E. G. Swem's Virginia Historical Index. The collection also includes notes by Wilson Miles Cary concerning the Cary family and the books at \"Carysbrook,\" Fluvanna County, Va."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Dettingen Parish (Prince William County, Va.)","Carey family","Culpeper family","Andros, Edmund, Sir, 1637-1714","Fauquier, Francis, 1704?-1768","Nicholson, Francis, 1655-1728"],"names_ssim":["Special Collections Research Center","Dettingen Parish (Prince William County, Va.)","Carey family","Culpeper family","Harrison, Fairfax, 1869-1938","Bryan, John Stewart, 1871-1944","Bushnell, David Ives, Jr., 1875-1941","Cary, Wilson Miles, 1838-1914","Fairfax, Sally, fl. 1771-1772","Ford, Worthington Chauncey, 1858-1941","Freeman, Douglas Southall, 1886-1953","Stanard, William G.","Tayloe, John, fl. 1801","Torrence, Clayton, 1884-1953","Tyler, Lyon Gardiner, 1853-1935","Andros, Edmund, Sir, 1637-1714","Fauquier, Francis, 1704?-1768","Nicholson, Francis, 1655-1728"],"corpname_ssim":["Special Collections Research Center","Dettingen Parish (Prince William County, Va.)"],"famname_ssim":["Carey family","Culpeper family"],"persname_ssim":["Harrison, Fairfax, 1869-1938","Bryan, John Stewart, 1871-1944","Bushnell, David Ives, Jr., 1875-1941","Cary, Wilson Miles, 1838-1914","Fairfax, Sally, fl. 1771-1772","Ford, Worthington Chauncey, 1858-1941","Freeman, Douglas Southall, 1886-1953","Stanard, William G.","Tayloe, John, fl. 1801","Torrence, Clayton, 1884-1953","Tyler, Lyon Gardiner, 1853-1935","Andros, Edmund, Sir, 1637-1714","Fauquier, Francis, 1704?-1768","Nicholson, Francis, 1655-1728"],"language_ssim":["English"],"total_component_count_is":177,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:00:57.414Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9059","ead_ssi":"viw_repositories_2_resources_9059","_root_":"viw_repositories_2_resources_9059","_nest_parent_":"viw_repositories_2_resources_9059","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9059.xml","title_filing_ssi":"Harrison, Fairfax Papers","title_ssm":["Fairfax Harrison Papers"],"title_tesim":["Fairfax Harrison Papers"],"unitdate_ssm":["1736-1945"],"unitdate_inclusive_ssm":["1736-1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. 65 H25","/repositories/2/resources/9059"],"text":["01/Mss. 65 H25","/repositories/2/resources/9059","Fairfax Harrison Papers","Virginia--History--18th century","Virginia--History--19th century","Virginia--History--Colonial period, ca. 1600-1775","Virginia--History--Colonial period, ca. 1600-1775--Historiography","Virginia--Religious history","American diaries--Women authors","Debt, Imprisonment for--Virginia","Horses--Virginia","Legal documents","Parishes--Virginia","Prince William County (Va.)--History--18th century","Private Libraries","Women--History--Virginia","Correspondence","Diaries","Financial records","Letter books","Minutes","Notebooks","Photographs","Photostats","Scrapbooks","6116 items","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Fairfax Harrison was born in New York 13 March 1869, the son of Burton and Constance (Cary) Harrison and the brother of Francis Burton Harrison. He graduated from Yale in 1890 and got a M. A. degree from Columbia University. He practiced law in New York and was solicitor for the Southern Railway, president of the Chicago, Indianapolis and Louisville Railway; and president of the Southern Railway from 1913-1937. Harrison was the author of many works including the Devon Carys, Landmarks of Old Price William, Proprietors of the Northern Neck, the Belair Stud, the Equine FFVs, the Roanoke Stud and the Virginia Carys. He died 2 February 1938. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Other Information:"," A PDF document of this inventory is available online."," Additional information may be found at http://scrc.swem.wm.edu/findingaids/65_H25_Harrison.pdf","Related collection is Francis Burton Harrison Papers, Special Collections Research Center, Swem Library, College of William and Mary."," 2008.280 Virginia Historical Index - Fairfax Harrison Family Correspondence, Special Collections Research Center, Swem Library, College of William and Mary.","Papers, 1736-1945, of and collected by Fairfax Harrison. Papers collected include colonial era documents, deeds, surveys, the diary of Sally Fairfax (1771-1772), legal papers, a copy of the Dettingen Parish (Prince William County, Va.) vestry book which contains minutes, indentures, and other (1745-1802), and photostat copy of the letterbook (1801) of Col. John Tayloe of Mount Airy, Va. Fairfax Harrison's papers include his correspondence with individuals and institutions concerning his interest in Virginia History. Prominent correspondents include John Stewart Bryan, David I. Bushnell, Worthington C. Ford, Douglas Southall Freeman, William G. Stanard, Clayton Torrence, Earl Gregg Swem, Lyon G. Tyler and Langbourne M. Williams. Subjects include Sir Edmund Andros,Francis Nicholson, Francis Fauquier, debtors' prisons, parish boundaries, Culpeper family, thoroughbred horses, county records, and the publishing of Harrison's works as well as the publishing of Robert Armistead Stewart's Index to Printed Virginia Genealogies and E. G. Swem's Virginia Historical Index. The collection also includes notes by Wilson Miles Cary concerning the Cary family and the books at \"Carysbrook,\" Fluvanna County, Va.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dettingen Parish (Prince William County, Va.)","Carey family","Culpeper family","Harrison, Fairfax, 1869-1938","Bryan, John Stewart, 1871-1944","Bushnell, David Ives, Jr., 1875-1941","Cary, Wilson Miles, 1838-1914","Fairfax, Sally, fl. 1771-1772","Ford, Worthington Chauncey, 1858-1941","Freeman, Douglas Southall, 1886-1953","Stanard, William G.","Tayloe, John, fl. 1801","Torrence, Clayton, 1884-1953","Tyler, Lyon Gardiner, 1853-1935","Andros, Edmund, Sir, 1637-1714","Fauquier, Francis, 1704?-1768","Nicholson, Francis, 1655-1728","English"],"unitid_tesim":["01/Mss. 65 H25","/repositories/2/resources/9059"],"normalized_title_ssm":["Fairfax Harrison Papers"],"collection_title_tesim":["Fairfax Harrison Papers"],"collection_ssim":["Fairfax Harrison Papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--History--18th century","Virginia--History--19th century","Virginia--History--Colonial period, ca. 1600-1775","Virginia--History--Colonial period, ca. 1600-1775--Historiography","Virginia--Religious history"],"geogname_ssim":["Virginia--History--18th century","Virginia--History--19th century","Virginia--History--Colonial period, ca. 1600-1775","Virginia--History--Colonial period, ca. 1600-1775--Historiography","Virginia--Religious history"],"creator_ssm":["Harrison, Fairfax, 1869-1938","Bryan, John Stewart, 1871-1944","Bushnell, David Ives, Jr., 1875-1941","Cary, Wilson Miles, 1838-1914","Fairfax, Sally, fl. 1771-1772","Ford, Worthington Chauncey, 1858-1941","Freeman, Douglas Southall, 1886-1953","Stanard, William G.","Tayloe, John, fl. 1801","Torrence, Clayton, 1884-1953","Tyler, Lyon Gardiner, 1853-1935"],"creator_ssim":["Harrison, Fairfax, 1869-1938","Bryan, John Stewart, 1871-1944","Bushnell, David Ives, Jr., 1875-1941","Cary, Wilson Miles, 1838-1914","Fairfax, Sally, fl. 1771-1772","Ford, Worthington Chauncey, 1858-1941","Freeman, Douglas Southall, 1886-1953","Stanard, William G.","Tayloe, John, fl. 1801","Torrence, Clayton, 1884-1953","Tyler, Lyon Gardiner, 1853-1935"],"creator_persname_ssim":["Harrison, Fairfax, 1869-1938","Bryan, John Stewart, 1871-1944","Bushnell, David Ives, Jr., 1875-1941","Cary, Wilson Miles, 1838-1914","Fairfax, Sally, fl. 1771-1772","Ford, Worthington Chauncey, 1858-1941","Freeman, Douglas Southall, 1886-1953","Stanard, William G.","Tayloe, John, fl. 1801","Torrence, Clayton, 1884-1953","Tyler, Lyon Gardiner, 1853-1935"],"creators_ssim":["Harrison, Fairfax, 1869-1938","Bryan, John Stewart, 1871-1944","Bushnell, David Ives, Jr., 1875-1941","Cary, Wilson Miles, 1838-1914","Fairfax, Sally, fl. 1771-1772","Ford, Worthington Chauncey, 1858-1941","Freeman, Douglas Southall, 1886-1953","Stanard, William G.","Tayloe, John, fl. 1801","Torrence, Clayton, 1884-1953","Tyler, Lyon Gardiner, 1853-1935"],"places_ssim":["Virginia--History--18th century","Virginia--History--19th century","Virginia--History--Colonial period, ca. 1600-1775","Virginia--History--Colonial period, ca. 1600-1775--Historiography","Virginia--Religious history"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Presented"],"access_subjects_ssim":["American diaries--Women authors","Debt, Imprisonment for--Virginia","Horses--Virginia","Legal documents","Parishes--Virginia","Prince William County (Va.)--History--18th century","Private Libraries","Women--History--Virginia","Correspondence","Diaries","Financial records","Letter books","Minutes","Notebooks","Photographs","Photostats","Scrapbooks"],"access_subjects_ssm":["American diaries--Women authors","Debt, Imprisonment for--Virginia","Horses--Virginia","Legal documents","Parishes--Virginia","Prince William County (Va.)--History--18th century","Private Libraries","Women--History--Virginia","Correspondence","Diaries","Financial records","Letter books","Minutes","Notebooks","Photographs","Photostats","Scrapbooks"],"has_online_content_ssim":["false"],"physdesc_tesim":["6116 items"],"extent_ssm":["13.00 Linear Feet"],"extent_tesim":["13.00 Linear Feet"],"genreform_ssim":["Correspondence","Diaries","Financial records","Letter 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is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eFairfax Harrison was born in New York 13 March 1869, the son of Burton and Constance (Cary) Harrison and the brother of Francis Burton Harrison. He graduated from Yale in 1890 and got a M. A. degree from Columbia University. He practiced law in New York and was solicitor for the Southern Railway, president of the Chicago, Indianapolis and Louisville Railway; and president of the Southern Railway from 1913-1937. Harrison was the author of many works including the Devon Carys, Landmarks of Old Price William, Proprietors of the Northern Neck, the Belair Stud, the Equine FFVs, the Roanoke Stud and the Virginia Carys. He died 2 February 1938. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Fairfax_Harrison\" title=\"Fairfax Harrison\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Fairfax Harrison was born in New York 13 March 1869, the son of Burton and Constance (Cary) Harrison and the brother of Francis Burton Harrison. He graduated from Yale in 1890 and got a M. A. degree from Columbia University. He practiced law in New York and was solicitor for the Southern Railway, president of the Chicago, Indianapolis and Louisville Railway; and president of the Southern Railway from 1913-1937. Harrison was the author of many works including the Devon Carys, Landmarks of Old Price William, Proprietors of the Northern Neck, the Belair Stud, the Equine FFVs, the Roanoke Stud and the Virginia Carys. He died 2 February 1938. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"odd_html_tesm":["\u003cp\u003eOther Information:\u003c/p\u003e\n","\u003cp\u003e A PDF document of this inventory is available online.\u003c/p\u003e\n","\u003cp\u003e Additional information may be found at http://scrc.swem.wm.edu/findingaids/65_H25_Harrison.pdf\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Other Information:"," A PDF document of this inventory is available online."," Additional information may be found at http://scrc.swem.wm.edu/findingaids/65_H25_Harrison.pdf"],"prefercite_html_tesm":["\u003cp\u003eFairfax Harrison Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Fairfax Harrison Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated collection is Francis Burton Harrison Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e\n","\u003cp\u003e 2008.280 Virginia Historical Index - Fairfax Harrison Family Correspondence, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Related collection is Francis Burton Harrison Papers, Special Collections Research Center, Swem Library, College of William and Mary."," 2008.280 Virginia Historical Index - Fairfax Harrison Family Correspondence, Special Collections Research Center, Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003ePapers, 1736-1945, of and collected by Fairfax Harrison. Papers collected include colonial era documents, deeds, surveys, the diary of Sally Fairfax (1771-1772), legal papers, a copy of the Dettingen Parish (Prince William County, Va.) vestry book which contains minutes, indentures, and other (1745-1802), and photostat copy of the letterbook (1801) of Col. John Tayloe of Mount Airy, Va. Fairfax Harrison's papers include his correspondence with individuals and institutions concerning his interest in Virginia History. Prominent correspondents include John Stewart Bryan, David I. Bushnell, Worthington C. Ford, Douglas Southall Freeman, William G. Stanard, Clayton Torrence, Earl Gregg Swem, Lyon G. Tyler and Langbourne M. Williams. Subjects include Sir Edmund Andros,Francis Nicholson, Francis Fauquier, debtors' prisons, parish boundaries, Culpeper family, thoroughbred horses, county records, and the publishing of Harrison's works as well as the publishing of Robert Armistead Stewart's Index to Printed Virginia Genealogies and E. G. Swem's Virginia Historical Index. The collection also includes notes by Wilson Miles Cary concerning the Cary family and the books at \"Carysbrook,\" Fluvanna County, Va.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers, 1736-1945, of and collected by Fairfax Harrison. Papers collected include colonial era documents, deeds, surveys, the diary of Sally Fairfax (1771-1772), legal papers, a copy of the Dettingen Parish (Prince William County, Va.) vestry book which contains minutes, indentures, and other (1745-1802), and photostat copy of the letterbook (1801) of Col. John Tayloe of Mount Airy, Va. Fairfax Harrison's papers include his correspondence with individuals and institutions concerning his interest in Virginia History. Prominent correspondents include John Stewart Bryan, David I. Bushnell, Worthington C. Ford, Douglas Southall Freeman, William G. Stanard, Clayton Torrence, Earl Gregg Swem, Lyon G. Tyler and Langbourne M. Williams. Subjects include Sir Edmund Andros,Francis Nicholson, Francis Fauquier, debtors' prisons, parish boundaries, Culpeper family, thoroughbred horses, county records, and the publishing of Harrison's works as well as the publishing of Robert Armistead Stewart's Index to Printed Virginia Genealogies and E. G. Swem's Virginia Historical Index. The collection also includes notes by Wilson Miles Cary concerning the Cary family and the books at \"Carysbrook,\" Fluvanna County, Va."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Dettingen Parish (Prince William County, Va.)","Carey family","Culpeper family","Andros, Edmund, Sir, 1637-1714","Fauquier, Francis, 1704?-1768","Nicholson, Francis, 1655-1728"],"names_ssim":["Special Collections Research Center","Dettingen Parish (Prince William County, Va.)","Carey family","Culpeper family","Harrison, Fairfax, 1869-1938","Bryan, John Stewart, 1871-1944","Bushnell, David Ives, Jr., 1875-1941","Cary, Wilson Miles, 1838-1914","Fairfax, Sally, fl. 1771-1772","Ford, Worthington Chauncey, 1858-1941","Freeman, Douglas Southall, 1886-1953","Stanard, William G.","Tayloe, John, fl. 1801","Torrence, Clayton, 1884-1953","Tyler, Lyon Gardiner, 1853-1935","Andros, Edmund, Sir, 1637-1714","Fauquier, Francis, 1704?-1768","Nicholson, Francis, 1655-1728"],"corpname_ssim":["Special Collections Research Center","Dettingen Parish (Prince William County, Va.)"],"famname_ssim":["Carey family","Culpeper family"],"persname_ssim":["Harrison, Fairfax, 1869-1938","Bryan, John Stewart, 1871-1944","Bushnell, David Ives, Jr., 1875-1941","Cary, Wilson Miles, 1838-1914","Fairfax, Sally, fl. 1771-1772","Ford, Worthington Chauncey, 1858-1941","Freeman, Douglas Southall, 1886-1953","Stanard, William G.","Tayloe, John, fl. 1801","Torrence, Clayton, 1884-1953","Tyler, Lyon Gardiner, 1853-1935","Andros, Edmund, Sir, 1637-1714","Fauquier, Francis, 1704?-1768","Nicholson, Francis, 1655-1728"],"language_ssim":["English"],"total_component_count_is":177,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:00:57.414Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_9059"}},{"id":"viw_repositories_2_resources_939","type":"collection","attributes":{"title":"Farrar Family Papers","creator":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_939#creator","type":"document_value","attributes":{"value":"Farrar, Daniel James, 1862-1923","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_939#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection includes letters, contracts, deeds, wills, St. Luke Penny Bank medallions, cemetery plot receipts, plans, blueprints, photographs, birth and death certificates relating to members of the Farrar family of Richmond, Virginia. Daniel James Farrar (1862-1925) had a profound effect on the architecture of the city of Richmond. Daniel followed the example of his father, Joseph who was the son of a free black. Farrar was involved with at least 14 buildings in the 1890's as designer, builder or both. Daniel's siblings included Leah Farrar, and Alma Rachel Margaret Lucas who are represented in the collection. 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Daniel died in March 1923. \u003c/p\u003e\n","\u003cp\u003eFurther information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Daniel_James_Farrar\" title=\"Daniel James Farrar\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Daniel James Farrar was born in Richmond on October 17, 1862. He joined his father in business after attending public schools in Richmond until he was 18 years old. He completed training by his father in three years. The 1910 United States census lists his occupation as a contractor and homebuilder. ","Daniel married Leah Belle Holmes on May 17, 1888. She was the daughter of George Washington Holmes and Mildred Holmes. He died in March, 1923 leaving his wife, two sons Joseph H. (b. 1892) and Daniel J, Jr. (b. 1897) and two daughters, Leah Belle (b. 1894) Alma R.M. 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","Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eFarrar Family Papers, Special Collections Research Center, Swem Library, College of William and Mary\u003c/p\u003e"],"prefercite_tesim":["Farrar Family Papers, Special Collections Research Center, Swem Library, College of William and Mary"],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes letters, contracts, deeds, wills, St. Luke Penny Bank medallions, cemetery plot receipts, plans, blueprints, photographs, birth and death certificates relating to members of the Farrar family of Richmond, Virginia. Daniel James Farrar (1862-1925) had a profound effect on the architecture of the city of Richmond. Daniel followed the example of his father, Joseph who was the son of a free black. Farrar was involved with at least 14 buildings in the 1890's as designer, builder or both. Daniel's siblings included Leah Farrar, and Alma Rachel Margaret Lucas who are represented in the collection. The collection is divided into seven folders containing 90 pieces of ephemera relating to one or another Farrar family member, family real estate transactions, a folder of miscellaneous documents, and 236 photographs of family members and friends, scenes and groups of people.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes letters, contracts, deeds, wills, St. Luke Penny Bank medallions, cemetery plot receipts, plans, blueprints, photographs, birth and death certificates relating to members of the Farrar family of Richmond, Virginia. Daniel James Farrar (1862-1925) had a profound effect on the architecture of the city of Richmond. Daniel followed the example of his father, Joseph who was the son of a free black. Farrar was involved with at least 14 buildings in the 1890's as designer, builder or both. Daniel's siblings included Leah Farrar, and Alma Rachel Margaret Lucas who are represented in the collection. The collection is divided into seven folders containing 90 pieces of ephemera relating to one or another Farrar family member, family real estate transactions, a folder of miscellaneous documents, and 236 photographs of family members and friends, scenes and groups of people."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Farrar family","Farrar, Daniel James, 1862-1923","Farrar, Joseph E., 1830-","Jackson, Yvonne Lucas","Lucas, Alma Rachel Margaret Farrar","Wilson, Leah Farrar, 1864-1964"],"corpname_ssim":["Special Collections Research Center"],"names_coll_ssim":["Farrar family"],"famname_ssim":["Farrar family"],"persname_ssim":["Farrar, Daniel James, 1862-1923","Farrar, Joseph E., 1830-","Jackson, Yvonne Lucas","Lucas, Alma Rachel Margaret Farrar","Wilson, Leah Farrar, 1864-1964"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T22:12:16.987Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_repositories_2_resources_939"}},{"id":"viw_viw00320","type":"collection","attributes":{"title":"Farrar Family Papers","creator":{"id":"https://search.arvasarchive.org/catalog/viw_viw00320#creator","type":"document_value","attributes":{"value":"Farrar, Daniel James, 1862-1923 Farrar, Joseph E., 1830- Jackson, Yvonne Lucas Lucas, Alma Rachel Margaret Farrar Wilson, Leah Farrar, 1864-1964 \narrangement\n\t","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/viw_viw00320#abstract_or_scope","type":"document_value","attributes":{"value":"The collection includes letters, contracts, deeds, wills, St. Luke Penny Bank medallions, cemetery plot receipts, plans, blueprints, photographs, birth and death certificates relating to members of the Farrar family of Richmond, Virginia. Daniel James Farrar (1862-1925) had a profound effect on the architecture of the city of Richmond. Daniel followed the example of his father, Joseph who was the son of a free black. Farrar was involved with at least 14 buildings in the 1890’s as designer, builder or both. Daniel’s siblings included Leah Farrar, and Alma Rachel Margaret Lucas who are represented in the collection. 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Acc. 2008.71","Farrar Family Papers","African Americans--Virginia--History--19th century.","African Americans--Virginia--Richmond--History.","Construction industry--United States--History--19th century.","Construction industry--United States--History--20th century.","Free Blacks--Virginia--Richmond--History.","Legal documents.","Richmond (Va.)--History--19th century.","Richmond (Va.)--History--20th century.","Correspondence","Photographs","Programs","Receipts (financial records)","Daniel  James Farrar was born in Richmond on October 17, 1862. He joined his father in business after attending public schools in Richmond until he was 18 years old.  He completed training by his father in three years. The 1910 United States census lists his occupation as a contractor and homebuilder.   Daniel married Leah Belle Holmes on May 17, 1888. She was the daughter of George Washington Holmes and Mildred Holmes.  He died in March, 1923 leaving his wife, two sons Joseph H. (b. 1892) and Daniel J, Jr. (b. 1897) and two daughters, Leah Belle (b. 1894) Alma R.M. Lucas (b. 1890)  and one grandchild, Yvonne Lucas.  He designed, remodeled and built the Smallwood Memorial Institute in Claremont VA, the Mechanics Bank Building (where he maintained his office), the Second Street Bank as well as a number of dwellings, apartments, businesses, schools and churches.  He was prominently connected with the Masons, IBPOE, Lincoln Republican League and the Grand United Order of Odd Fellows. He served as secretary and treasurer of the Evergreen Cemetery Association. Daniel died in March 1923.  Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003ca href=\"http://scrc.swem.wm.edu/wiki/index.php/Daniel James Farrar\"\u003ehttp://scrc.swem.wm.edu/wiki/index.php/Daniel James Farrar\u003c/a\u003e.","The collection includes letters, contracts, deeds, wills, St. Luke Penny Bank medallions, cemetery plot receipts, plans, blueprints, photographs, birth and death certificates relating to members of the Farrar family of Richmond, Virginia.  Daniel James Farrar (1862-1925) had a profound effect on the architecture of the city of Richmond.  Daniel followed the example of his father, Joseph who was the son of a free black. Farrar was involved with at least 14 buildings in the 1890’s as designer, builder or both.  Daniel’s siblings included Leah Farrar, and Alma Rachel Margaret Lucas who are represented in the collection. The collection is divided into seven folders containing 90 pieces of ephemera relating to one or another Farrar family member, family real estate transactions, a folder of miscellaneous documents, and 236 photographs of family members and friends, scenes and groups of people.","The collection includes letters, contracts, deeds, wills, St. Luke Penny Bank medallions, cemetery plot receipts, plans, blueprints, photographs, birth and death certificates relating to members of the Farrar family of Richmond, Virginia.  Daniel James Farrar (1862-1925) had a profound effect on the architecture of the city of Richmond.  Daniel followed the example of his father, Joseph who was the son of a free black. Farrar was involved with at least 14 buildings in the 1890’s as designer, builder or both.  Daniel’s siblings included Leah Farrar, and Alma Rachel Margaret Lucas who are represented in the collection. 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He joined his father in business after attending public schools in Richmond until he was 18 years old.  He completed training by his father in three years. The 1910 United States census lists his occupation as a contractor and homebuilder.   Daniel married Leah Belle Holmes on May 17, 1888. She was the daughter of George Washington Holmes and Mildred Holmes.  He died in March, 1923 leaving his wife, two sons Joseph H. (b. 1892) and Daniel J, Jr. (b. 1897) and two daughters, Leah Belle (b. 1894) Alma R.M. Lucas (b. 1890)  and one grandchild, Yvonne Lucas.  He designed, remodeled and built the Smallwood Memorial Institute in Claremont VA, the Mechanics Bank Building (where he maintained his office), the Second Street Bank as well as a number of dwellings, apartments, businesses, schools and churches.  He was prominently connected with the Masons, IBPOE, Lincoln Republican League and the Grand United Order of Odd Fellows. He served as secretary and treasurer of the Evergreen Cemetery Association. Daniel died in March 1923.  Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u0026lt;a href=\"http://scrc.swem.wm.edu/wiki/index.php/Daniel James Farrar\"\u0026gt;http://scrc.swem.wm.edu/wiki/index.php/Daniel James Farrar\u0026lt;/a\u0026gt;.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Daniel  James Farrar was born in Richmond on October 17, 1862. He joined his father in business after attending public schools in Richmond until he was 18 years old.  He completed training by his father in three years. The 1910 United States census lists his occupation as a contractor and homebuilder.   Daniel married Leah Belle Holmes on May 17, 1888. She was the daughter of George Washington Holmes and Mildred Holmes.  He died in March, 1923 leaving his wife, two sons Joseph H. (b. 1892) and Daniel J, Jr. (b. 1897) and two daughters, Leah Belle (b. 1894) Alma R.M. Lucas (b. 1890)  and one grandchild, Yvonne Lucas.  He designed, remodeled and built the Smallwood Memorial Institute in Claremont VA, the Mechanics Bank Building (where he maintained his office), the Second Street Bank as well as a number of dwellings, apartments, businesses, schools and churches.  He was prominently connected with the Masons, IBPOE, Lincoln Republican League and the Grand United Order of Odd Fellows. He served as secretary and treasurer of the Evergreen Cemetery Association. Daniel died in March 1923.  Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003ca href=\"http://scrc.swem.wm.edu/wiki/index.php/Daniel James Farrar\"\u003ehttp://scrc.swem.wm.edu/wiki/index.php/Daniel James Farrar\u003c/a\u003e."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes letters, contracts, deeds, wills, St. Luke Penny Bank medallions, cemetery plot receipts, plans, blueprints, photographs, birth and death certificates relating to members of the Farrar family of Richmond, Virginia.  Daniel James Farrar (1862-1925) had a profound effect on the architecture of the city of Richmond.  Daniel followed the example of his father, Joseph who was the son of a free black. Farrar was involved with at least 14 buildings in the 1890’s as designer, builder or both.  Daniel’s siblings included Leah Farrar, and Alma Rachel Margaret Lucas who are represented in the collection. The collection is divided into seven folders containing 90 pieces of ephemera relating to one or another Farrar family member, family real estate transactions, a folder of miscellaneous documents, and 236 photographs of family members and friends, scenes and groups of people.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes letters, contracts, deeds, wills, St. Luke Penny Bank medallions, cemetery plot receipts, plans, blueprints, photographs, birth and death certificates relating to members of the Farrar family of Richmond, Virginia.  Daniel James Farrar (1862-1925) had a profound effect on the architecture of the city of Richmond.  Daniel followed the example of his father, Joseph who was the son of a free black. Farrar was involved with at least 14 buildings in the 1890’s as designer, builder or both.  Daniel’s siblings included Leah Farrar, and Alma Rachel Margaret Lucas who are represented in the collection. The collection is divided into seven folders containing 90 pieces of ephemera relating to one or another Farrar family member, family real estate transactions, a folder of miscellaneous documents, and 236 photographs of family members and friends, scenes and groups of people."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520$a\" label=\"Abstract:\"\u003eThe collection includes letters, contracts, deeds, wills, St. Luke Penny Bank medallions, cemetery plot receipts, plans, blueprints, photographs, birth and death certificates relating to members of the Farrar family of Richmond, Virginia.  Daniel James Farrar (1862-1925) had a profound effect on the architecture of the city of Richmond.  Daniel followed the example of his father, Joseph who was the son of a free black. Farrar was involved with at least 14 buildings in the 1890’s as designer, builder or both.  Daniel’s siblings included Leah Farrar, and Alma Rachel Margaret Lucas who are represented in the collection. 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Acc. 2008.71"],"text":["01/Mss. Acc. 2008.71","Farrar Family Papers","African Americans--Virginia--History--19th century.","African Americans--Virginia--Richmond--History.","Construction industry--United States--History--19th century.","Construction industry--United States--History--20th century.","Free Blacks--Virginia--Richmond--History.","Legal documents.","Richmond (Va.)--History--19th century.","Richmond (Va.)--History--20th century.","Correspondence","Photographs","Programs","Receipts (financial records)","Daniel  James Farrar was born in Richmond on October 17, 1862. He joined his father in business after attending public schools in Richmond until he was 18 years old.  He completed training by his father in three years. The 1910 United States census lists his occupation as a contractor and homebuilder.   Daniel married Leah Belle Holmes on May 17, 1888. She was the daughter of George Washington Holmes and Mildred Holmes.  He died in March, 1923 leaving his wife, two sons Joseph H. (b. 1892) and Daniel J, Jr. (b. 1897) and two daughters, Leah Belle (b. 1894) Alma R.M. Lucas (b. 1890)  and one grandchild, Yvonne Lucas.  He designed, remodeled and built the Smallwood Memorial Institute in Claremont VA, the Mechanics Bank Building (where he maintained his office), the Second Street Bank as well as a number of dwellings, apartments, businesses, schools and churches.  He was prominently connected with the Masons, IBPOE, Lincoln Republican League and the Grand United Order of Odd Fellows. He served as secretary and treasurer of the Evergreen Cemetery Association. Daniel died in March 1923.  Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003ca href=\"http://scrc.swem.wm.edu/wiki/index.php/Daniel James Farrar\"\u003ehttp://scrc.swem.wm.edu/wiki/index.php/Daniel James Farrar\u003c/a\u003e.","The collection includes letters, contracts, deeds, wills, St. Luke Penny Bank medallions, cemetery plot receipts, plans, blueprints, photographs, birth and death certificates relating to members of the Farrar family of Richmond, Virginia.  Daniel James Farrar (1862-1925) had a profound effect on the architecture of the city of Richmond.  Daniel followed the example of his father, Joseph who was the son of a free black. Farrar was involved with at least 14 buildings in the 1890’s as designer, builder or both.  Daniel’s siblings included Leah Farrar, and Alma Rachel Margaret Lucas who are represented in the collection. 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He joined his father in business after attending public schools in Richmond until he was 18 years old.  He completed training by his father in three years. The 1910 United States census lists his occupation as a contractor and homebuilder.   Daniel married Leah Belle Holmes on May 17, 1888. She was the daughter of George Washington Holmes and Mildred Holmes.  He died in March, 1923 leaving his wife, two sons Joseph H. (b. 1892) and Daniel J, Jr. (b. 1897) and two daughters, Leah Belle (b. 1894) Alma R.M. Lucas (b. 1890)  and one grandchild, Yvonne Lucas.  He designed, remodeled and built the Smallwood Memorial Institute in Claremont VA, the Mechanics Bank Building (where he maintained his office), the Second Street Bank as well as a number of dwellings, apartments, businesses, schools and churches.  He was prominently connected with the Masons, IBPOE, Lincoln Republican League and the Grand United Order of Odd Fellows. He served as secretary and treasurer of the Evergreen Cemetery Association. Daniel died in March 1923.  Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u0026lt;a href=\"http://scrc.swem.wm.edu/wiki/index.php/Daniel James Farrar\"\u0026gt;http://scrc.swem.wm.edu/wiki/index.php/Daniel James Farrar\u0026lt;/a\u0026gt;.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Daniel  James Farrar was born in Richmond on October 17, 1862. He joined his father in business after attending public schools in Richmond until he was 18 years old.  He completed training by his father in three years. The 1910 United States census lists his occupation as a contractor and homebuilder.   Daniel married Leah Belle Holmes on May 17, 1888. She was the daughter of George Washington Holmes and Mildred Holmes.  He died in March, 1923 leaving his wife, two sons Joseph H. (b. 1892) and Daniel J, Jr. (b. 1897) and two daughters, Leah Belle (b. 1894) Alma R.M. Lucas (b. 1890)  and one grandchild, Yvonne Lucas.  He designed, remodeled and built the Smallwood Memorial Institute in Claremont VA, the Mechanics Bank Building (where he maintained his office), the Second Street Bank as well as a number of dwellings, apartments, businesses, schools and churches.  He was prominently connected with the Masons, IBPOE, Lincoln Republican League and the Grand United Order of Odd Fellows. He served as secretary and treasurer of the Evergreen Cemetery Association. Daniel died in March 1923.  Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003ca href=\"http://scrc.swem.wm.edu/wiki/index.php/Daniel James Farrar\"\u003ehttp://scrc.swem.wm.edu/wiki/index.php/Daniel James Farrar\u003c/a\u003e."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes letters, contracts, deeds, wills, St. Luke Penny Bank medallions, cemetery plot receipts, plans, blueprints, photographs, birth and death certificates relating to members of the Farrar family of Richmond, Virginia.  Daniel James Farrar (1862-1925) had a profound effect on the architecture of the city of Richmond.  Daniel followed the example of his father, Joseph who was the son of a free black. Farrar was involved with at least 14 buildings in the 1890’s as designer, builder or both.  Daniel’s siblings included Leah Farrar, and Alma Rachel Margaret Lucas who are represented in the collection. The collection is divided into seven folders containing 90 pieces of ephemera relating to one or another Farrar family member, family real estate transactions, a folder of miscellaneous documents, and 236 photographs of family members and friends, scenes and groups of people.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes letters, contracts, deeds, wills, St. Luke Penny Bank medallions, cemetery plot receipts, plans, blueprints, photographs, birth and death certificates relating to members of the Farrar family of Richmond, Virginia.  Daniel James Farrar (1862-1925) had a profound effect on the architecture of the city of Richmond.  Daniel followed the example of his father, Joseph who was the son of a free black. Farrar was involved with at least 14 buildings in the 1890’s as designer, builder or both.  Daniel’s siblings included Leah Farrar, and Alma Rachel Margaret Lucas who are represented in the collection. The collection is divided into seven folders containing 90 pieces of ephemera relating to one or another Farrar family member, family real estate transactions, a folder of miscellaneous documents, and 236 photographs of family members and friends, scenes and groups of people."],"abstract_html_tesm":["\u003cabstract encodinganalog=\"520$a\" label=\"Abstract:\"\u003eThe collection includes letters, contracts, deeds, wills, St. Luke Penny Bank medallions, cemetery plot receipts, plans, blueprints, photographs, birth and death certificates relating to members of the Farrar family of Richmond, Virginia.  Daniel James Farrar (1862-1925) had a profound effect on the architecture of the city of Richmond.  Daniel followed the example of his father, Joseph who was the son of a free black. Farrar was involved with at least 14 buildings in the 1890’s as designer, builder or both.  Daniel’s siblings included Leah Farrar, and Alma Rachel Margaret Lucas who are represented in the collection. The collection is divided into seven folders containing 90 pieces of ephemera relating to one or another Farrar family member, family real estate transactions, a folder of miscellaneous documents, and 236 photographs of family members and friends, scenes and groups of people.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes letters, contracts, deeds, wills, St. Luke Penny Bank medallions, cemetery plot receipts, plans, blueprints, photographs, birth and death certificates relating to members of the Farrar family of Richmond, Virginia.  Daniel James Farrar (1862-1925) had a profound effect on the architecture of the city of Richmond.  Daniel followed the example of his father, Joseph who was the son of a free black. Farrar was involved with at least 14 buildings in the 1890’s as designer, builder or both.  Daniel’s siblings included Leah Farrar, and Alma Rachel Margaret Lucas who are represented in the collection. The collection is divided into seven folders containing 90 pieces of ephemera relating to one or another Farrar family member, family real estate transactions, a folder of miscellaneous documents, and 236 photographs of family members and friends, scenes and groups of people."],"names_ssim":["Special Collections Research Center","Farrar family.","Farrar, Daniel James, 1862-1923","Farrar, Joseph E., 1830-","Jackson, Yvonne Lucas","Lucas, Alma Rachel Margaret Farrar","Wilson, Leah Farrar, 1864-1964"],"corpname_ssim":["Special Collections Research Center"],"famname_ssim":["Farrar family."],"persname_ssim":["Farrar, Daniel James, 1862-1923","Farrar, Joseph E., 1830-","Jackson, Yvonne Lucas","Lucas, Alma Rachel Margaret Farrar","Wilson, Leah Farrar, 1864-1964"],"language_ssim":["\n\t  The papers are in:\n English"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:18:57.559Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/viw_viw00320"}},{"id":"vifgm_repositories_2_resources_326","type":"collection","attributes":{"title":"Federal Theatre Project photograph collection","creator":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_326#creator","type":"document_value","attributes":{"value":"Federal Theatre Project (U.S.)","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_326#abstract_or_scope","type":"document_value","attributes":{"value":"This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_326#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_326","ead_ssi":"vifgm_repositories_2_resources_326","_root_":"vifgm_repositories_2_resources_326","_nest_parent_":"vifgm_repositories_2_resources_326","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_326.xml","title_ssm":["Federal Theatre Project photograph collection"],"title_tesim":["Federal Theatre Project photograph collection"],"unitdate_ssm":["1936-1939"],"unitdate_inclusive_ssm":["1936-1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0205","/repositories/2/resources/326"],"text":["C0205","/repositories/2/resources/326","Federal Theatre Project photograph collection","Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs","Collection is open to research.","The costumes and set designs are also available as a series in the  .\nThere are photographs from this collection and other FTP collections in the  \nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.","This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series Series 1: Production Photographs, 1936-1939 Series 2: Oversize Production Photographs,1936-1939 Series 3: Portraits, 1936-1939 Series 4: Microfiche, 1936-1939 Series 5: Printing Materials, 1936-1939","Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023.","Special Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives. ","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","\nR 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6\n","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0205","/repositories/2/resources/326"],"normalized_title_ssm":["Federal Theatre Project photograph collection"],"collection_title_tesim":["Federal Theatre Project photograph collection"],"collection_ssim":["Federal Theatre Project photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Library of Congress, National Archives and Records Administration, and acquired through purchase."],"access_subjects_ssim":["Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs"],"access_subjects_ssm":["Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["47 Linear Feet 112 boxes"],"extent_tesim":["47 Linear Feet 112 boxes"],"genreform_ssim":["Photographs"],"date_range_isim":[1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eThe costumes and set designs are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"FTP digital collection\" show=\"new\"\u003e\u003c/extptr\u003e.\nThere are photographs from this collection and other FTP collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e\nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The costumes and set designs are also available as a series in the  .\nThere are photographs from this collection and other FTP collections in the  \nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Production Photographs, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 2: Oversize Production Photographs,1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 3: Portraits, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 4: Microfiche, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 5: Printing Materials, 1936-1939\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series Series 1: Production Photographs, 1936-1939 Series 2: Oversize Production Photographs,1936-1939 Series 3: Portraits, 1936-1939 Series 4: Microfiche, 1936-1939 Series 5: Printing Materials, 1936-1939"],"bioghist_html_tesm":["\u003cp\u003eOrganized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.\u003c/p\u003e\n","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e\n","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e\n","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e\n","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project Photographs, C0205, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project Photographs, C0205, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives. \u003c/p\u003e\n","\u003cp\u003eSeries one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e\n","\u003cp\u003eSeries two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.\u003c/p\u003e\n","\u003cp\u003eSeries three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e\n","\u003cp\u003eSeries four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.\u003c/p\u003e\n","\u003cp\u003eSeries five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives. ","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5b0d867296cd5f5a7d9d818b302d6d9\" label=\"Abstract\"\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_306ca932fdff8272ef5beb3b37fe58f1\"\u003e\nR 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6\n\u003c/physloc\u003e"],"physloc_tesim":["\nR 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6\n"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3844,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:25:37.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_326","ead_ssi":"vifgm_repositories_2_resources_326","_root_":"vifgm_repositories_2_resources_326","_nest_parent_":"vifgm_repositories_2_resources_326","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_326.xml","title_ssm":["Federal Theatre Project photograph collection"],"title_tesim":["Federal Theatre Project photograph collection"],"unitdate_ssm":["1936-1939"],"unitdate_inclusive_ssm":["1936-1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0205","/repositories/2/resources/326"],"text":["C0205","/repositories/2/resources/326","Federal Theatre Project photograph collection","Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs","Collection is open to research.","The costumes and set designs are also available as a series in the  .\nThere are photographs from this collection and other FTP collections in the  \nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.","This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series Series 1: Production Photographs, 1936-1939 Series 2: Oversize Production Photographs,1936-1939 Series 3: Portraits, 1936-1939 Series 4: Microfiche, 1936-1939 Series 5: Printing Materials, 1936-1939","Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023.","Special Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives. ","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","\nR 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6\n","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0205","/repositories/2/resources/326"],"normalized_title_ssm":["Federal Theatre Project photograph collection"],"collection_title_tesim":["Federal Theatre Project photograph collection"],"collection_ssim":["Federal Theatre Project photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Library of Congress, National Archives and Records Administration, and acquired through purchase."],"access_subjects_ssim":["Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs"],"access_subjects_ssm":["Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["47 Linear Feet 112 boxes"],"extent_tesim":["47 Linear Feet 112 boxes"],"genreform_ssim":["Photographs"],"date_range_isim":[1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003eThe costumes and set designs are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"FTP digital collection\" show=\"new\"\u003e\u003c/extptr\u003e.\nThere are photographs from this collection and other FTP collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e\nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The costumes and set designs are also available as a series in the  .\nThere are photographs from this collection and other FTP collections in the  \nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Production Photographs, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 2: Oversize Production Photographs,1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 3: Portraits, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 4: Microfiche, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 5: Printing Materials, 1936-1939\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series Series 1: Production Photographs, 1936-1939 Series 2: Oversize Production Photographs,1936-1939 Series 3: Portraits, 1936-1939 Series 4: Microfiche, 1936-1939 Series 5: Printing Materials, 1936-1939"],"bioghist_html_tesm":["\u003cp\u003eOrganized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.\u003c/p\u003e\n","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e\n","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e\n","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e\n","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project Photographs, C0205, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project Photographs, C0205, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives. \u003c/p\u003e\n","\u003cp\u003eSeries one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e\n","\u003cp\u003eSeries two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.\u003c/p\u003e\n","\u003cp\u003eSeries three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e\n","\u003cp\u003eSeries four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.\u003c/p\u003e\n","\u003cp\u003eSeries five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives. ","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5b0d867296cd5f5a7d9d818b302d6d9\" label=\"Abstract\"\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_306ca932fdff8272ef5beb3b37fe58f1\"\u003e\nR 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6\n\u003c/physloc\u003e"],"physloc_tesim":["\nR 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6\n"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3844,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-01T00:25:37.310Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vifgm_repositories_2_resources_326"}},{"id":"vilxw_repositories_5_resources_492","type":"collection","attributes":{"title":"Francis P. Gaines Papers","creator":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_492#creator","type":"document_value","attributes":{"value":"Gaines, Francis Pendleton","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_492#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of Gaines' correspondence, speeches, photographs, and printed matter, such as programs and newspaper clippings. Also included is Gaines family genealogy.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_492#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_492","ead_ssi":"vilxw_repositories_5_resources_492","_root_":"vilxw_repositories_5_resources_492","_nest_parent_":"vilxw_repositories_5_resources_492","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_492.xml","title_ssm":["Francis P. Gaines Papers"],"title_tesim":["Francis P. Gaines Papers"],"unitdate_ssm":["1803-1979"],"unitdate_inclusive_ssm":["1803-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0140","/repositories/5/resources/492"],"text":["WLU.Coll.0140","/repositories/5/resources/492","Francis P. Gaines Papers","Speeches, addresses, etc., American","Correspondence","Clippings (Books, newspapers, etc.)","Genealogy","Printed ephemera","Photographs","This collection consists of Gaines' correspondence, speeches, photographs, and printed matter, such as programs and newspaper clippings. Also included is Gaines family genealogy.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Gaines Family","Gaines, Francis Pendleton","English"],"unitid_tesim":["WLU.Coll.0140","/repositories/5/resources/492"],"normalized_title_ssm":["Francis P. Gaines Papers"],"collection_title_tesim":["Francis P. Gaines Papers"],"collection_ssim":["Francis P. Gaines Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Gaines, Francis Pendleton"],"creator_ssim":["Gaines, Francis Pendleton"],"creator_persname_ssim":["Gaines, Francis Pendleton"],"creators_ssim":["Gaines, Francis Pendleton"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Speeches, addresses, etc., American","Correspondence","Clippings (Books, newspapers, etc.)","Genealogy","Printed ephemera","Photographs"],"access_subjects_ssm":["Speeches, addresses, etc., American","Correspondence","Clippings (Books, newspapers, etc.)","Genealogy","Printed ephemera","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet"],"extent_tesim":["1 Linear Feet"],"genreform_ssim":["Photographs"],"date_range_isim":[1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Francis P. Gaines Papers, WLU Coll. 0140, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e","\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], Francis P. Gaines Papers, WLU Coll. 0140, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA","In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of Gaines' correspondence, speeches, photographs, and printed matter, such as programs and newspaper clippings. Also included is Gaines family genealogy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of Gaines' correspondence, speeches, photographs, and printed matter, such as programs and newspaper clippings. Also included is Gaines family genealogy."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Gaines Family","Gaines, Francis Pendleton"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"names_coll_ssim":["Gaines Family"],"famname_ssim":["Gaines Family"],"persname_ssim":["Gaines, Francis Pendleton"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:54:42.773Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_492","ead_ssi":"vilxw_repositories_5_resources_492","_root_":"vilxw_repositories_5_resources_492","_nest_parent_":"vilxw_repositories_5_resources_492","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_492.xml","title_ssm":["Francis P. Gaines Papers"],"title_tesim":["Francis P. Gaines Papers"],"unitdate_ssm":["1803-1979"],"unitdate_inclusive_ssm":["1803-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0140","/repositories/5/resources/492"],"text":["WLU.Coll.0140","/repositories/5/resources/492","Francis P. Gaines Papers","Speeches, addresses, etc., American","Correspondence","Clippings (Books, newspapers, etc.)","Genealogy","Printed ephemera","Photographs","This collection consists of Gaines' correspondence, speeches, photographs, and printed matter, such as programs and newspaper clippings. Also included is Gaines family genealogy.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Gaines Family","Gaines, Francis Pendleton","English"],"unitid_tesim":["WLU.Coll.0140","/repositories/5/resources/492"],"normalized_title_ssm":["Francis P. Gaines Papers"],"collection_title_tesim":["Francis P. Gaines Papers"],"collection_ssim":["Francis P. 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Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Speeches, addresses, etc., American","Correspondence","Clippings (Books, newspapers, etc.)","Genealogy","Printed ephemera","Photographs"],"access_subjects_ssm":["Speeches, addresses, etc., American","Correspondence","Clippings (Books, newspapers, etc.)","Genealogy","Printed ephemera","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet"],"extent_tesim":["1 Linear Feet"],"genreform_ssim":["Photographs"],"date_range_isim":[1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Francis P. Gaines Papers, WLU Coll. 0140, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e","\u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format.\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], Francis P. Gaines Papers, WLU Coll. 0140, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA","In some cases the citation format may vary. Please contact Special Collections' staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of Gaines' correspondence, speeches, photographs, and printed matter, such as programs and newspaper clippings. Also included is Gaines family genealogy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of Gaines' correspondence, speeches, photographs, and printed matter, such as programs and newspaper clippings. Also included is Gaines family genealogy."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Gaines Family","Gaines, Francis Pendleton"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"names_coll_ssim":["Gaines Family"],"famname_ssim":["Gaines Family"],"persname_ssim":["Gaines, Francis Pendleton"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-04-30T21:54:42.773Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_492"}},{"id":"vilxw_repositories_5_resources_434","type":"collection","attributes":{"title":"Frank J. Gilliam Papers","creator":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_434#creator","type":"document_value","attributes":{"value":"Gilliam, Frank Johnson","label":"Creator"}},"abstract_or_scope":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_434#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe items in the collection include articles written by Lula Gilliam Hopkins, photographs taken by Sally Mann, a 1954 copy of a Matthew Brady photograph of Robert E. Lee, several family photographs, a booklet from a dance held in 1914, a letter from Gilliam as W\u0026amp;L Dean of Students to student John Willcoxon (class of 1952) presenting him with an award, and Frank J. Gilliam's (class of 1917) Sigma Alpha Epsilon fraternity pins. The collection also includes a scrapbook created by Gilliam as a student.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://search.arvasarchive.org/catalog/vilxw_repositories_5_resources_434#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_434","ead_ssi":"vilxw_repositories_5_resources_434","_root_":"vilxw_repositories_5_resources_434","_nest_parent_":"vilxw_repositories_5_resources_434","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_434.xml","title_ssm":["Frank J. Gilliam Papers"],"title_tesim":["Frank J. Gilliam Papers"],"unitdate_ssm":["Inclusive 1914-1964"],"unitdate_inclusive_ssm":["Inclusive 1914-1964"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0494","/repositories/5/resources/434"],"text":["WLU.Coll.0494","/repositories/5/resources/434","Frank J. Gilliam Papers","Scrapbooks","Correspondence","College Students","College Students -- Social life and customs","Photographs","The items in the collection include articles written by Lula Gilliam Hopkins, photographs taken by Sally Mann, a 1954 copy of a Matthew Brady photograph of Robert E. Lee, several family photographs, a booklet from a dance held in 1914, a letter from Gilliam as W\u0026L Dean of Students to student John Willcoxon (class of 1952) presenting him with an award, and Frank J. Gilliam's (class of 1917) Sigma Alpha Epsilon fraternity pins. The collection also includes a scrapbook created by Gilliam as a student.","A scrapbook created by Gilliam as a student is housed in Record Group 37.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Washington and Lee University. Sigma Alpha Epsilon","Washington and Lee University","Gilliam, Frank Johnson","Mann, Sally","Hopkins, Lula Gilliam","Willcoxon, John","Brady, Matthew B.","Lee, Robert E. (Robert Edward), 1807-1870","English \n.    "],"unitid_tesim":["WLU.Coll.0494","/repositories/5/resources/434"],"normalized_title_ssm":["Frank J. Gilliam Papers"],"collection_title_tesim":["Frank J. Gilliam Papers"],"collection_ssim":["Frank J. Gilliam Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Gilliam, Frank Johnson","Mann, Sally","Hopkins, Lula Gilliam","Willcoxon, John","Brady, Matthew B."],"creator_ssim":["Gilliam, Frank Johnson","Mann, Sally","Hopkins, Lula Gilliam","Willcoxon, John","Brady, Matthew B."],"creator_persname_ssim":["Gilliam, Frank Johnson","Mann, Sally","Hopkins, Lula Gilliam","Willcoxon, John","Brady, Matthew B."],"creators_ssim":["Gilliam, Frank Johnson","Mann, Sally","Hopkins, Lula Gilliam","Willcoxon, John","Brady, Matthew B."],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Scrapbooks","Correspondence","College Students","College Students -- Social life and customs","Photographs"],"access_subjects_ssm":["Scrapbooks","Correspondence","College Students","College Students -- Social life and customs","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet"],"extent_tesim":["1 Linear Feet"],"genreform_ssim":["Photographs"],"date_range_isim":[1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], Frank J. 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